{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1969\u0026page=3","prev":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1969\u0026page=2","next":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1969\u0026page=4","last":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1969\u0026page=9"},"meta":{"pages":{"current_page":3,"next_page":4,"prev_page":2,"total_pages":9,"limit_value":10,"offset_value":20,"total_count":83,"first_page?":false,"last_page?":false}},"data":[{"id":"viu_repositories_3_resources_1521","type":"collection","attributes":{"title":"Jefferson Cable Corporation collection","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1521#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe majority of the collection is composed of videotape recordings of local-origination programming aired on the Jefferson Cable Corporation, including City Council Meetings and local news specials.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1521#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1521","ead_ssi":"viu_repositories_3_resources_1521","_root_":"viu_repositories_3_resources_1521","_nest_parent_":"viu_repositories_3_resources_1521","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1521.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/189393","title_filing_ssi":"Jefferson Cable Corporation collection","title_ssm":["Jefferson Cable Corporation collection"],"title_tesim":["Jefferson Cable Corporation collection"],"unitdate_ssm":["1885-1982"],"unitdate_inclusive_ssm":["1885-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 11458","Archival Resource Key","/repositories/3/resources/1521"],"text":["MSS 11458","Archival Resource Key","/repositories/3/resources/1521","Jefferson Cable Corporation collection","Charlottesville (Va.) -- History","University of Virginia","The collection is open for research use.","Original media formats such as LPs, audiotapes, reel-to-reels, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the size of the request, it may take some time to make them available for use. ","The Jefferson Cable Corporation was founded by Robert Monroe (1915–1995) in 1963 to serve Charlottesville as well as Waynesboro, Virginia, 40 miles to the west over the Blue Ridge Mountains. Monroe had an extensive radio production background, moved into managing radio stations in North Carolina and Virginia, and became intrigued by the developing market for cable television systems. Monroe is an unusual figure in that his passion outside of broadcasting was the exploration of human consciousness—he popularized the term \"out of body experience\" and experimented extensively with attempting to alter brain patterns via sound. He would go on to sell the station in 1975, founding The Monroe Institute in nearby Nelson County, Virginia to focus full time on such research.","As in other areas where topographical variation limited the ability to reliably receive broadcast television signals, this early community antenna system gained a healthy pool of subscribers. We know their subscriber base exceeded 3,500 subscribers at the time of the Federal Communications Commission's (FCC) 1969 ruling that cable stations of this size would be required to provide some locally originating programming, rather than simply aggregating the content of other stations. Production of local origination content began at the station's 324 West Main Street studio in Charlottesville in 1970 with the launch of the station WJCC 11. The videotapes in this collection are predominantly recordings of this local origination programming. ","In 1993, Adelphia Communications purchased the existing cable system, and the tape library and equipment were salvaged by collection donor Steve Ashby.","\nSources:","Stockton, B. 1989. Catapult: The biography of Robert A. Monroe. Norfolk, Virginia: The Donning Company.","https://www.charlottesville.gov/195/CPA-TV","The majority of the collection is composed of videotape recordings of local-origination programming aired on the Jefferson Cable Corporation, including City Council Meetings and local news specials.","\nThe collection includes approximately 300 color slides used in productions; color slides of a University of Virginia baseball game, 1970; photographic negatives of Lawrence Halpin's model of the Downtown Mall; Charlottesville City Council agenda, 1971 October 4, with an item concerning Jefferson Cable's franchise renewal; news clippings and miscellaneous printed materials concerning Robert Allan Monroe and the Monroe Institute; and several pieces of advertising ephemera, circa 1907.","Of interest are two letters from James Lawrence Cabell to William Beverley Towles, 1885 August 1 and 3, concerning Towles' daughter's health.There is also a letter from Dumas Malone to Fredson Bowers, concerning printing Bowers' book \"The fairy knight\" on 18 April 1940.","Charlottesville City Council agenda with an item about Jefferson Cable's franchise renewal.","Tucker, Paige. \"A Tale of Two Authors.\" Fredson Bowers and Nancy Hale have shared a long lifetime in the world of literature. Creator Magazine. March/April 1982 Volume 1, Number 3.","Two letters from James Lawrence Cabell to William Beverley Towles, 1885 August 1 and 3, concerning Towles' daughter's health. There is also a letter from Dumas Malone to Fredson Bowers, concerning printing Bowers' book \"The fairy knight\" on 18 April 1940.","Albert and Shirley Small Special Collections Library","English"],"unitid_tesim":["MSS 11458","Archival Resource Key","/repositories/3/resources/1521"],"normalized_title_ssm":["Jefferson Cable Corporation collection"],"collection_title_tesim":["Jefferson Cable Corporation collection"],"collection_ssim":["Jefferson Cable Corporation collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Charlottesville (Va.) -- History"],"geogname_ssim":["Charlottesville (Va.) -- History"],"places_ssim":["Charlottesville (Va.) -- History"],"acqinfo_ssim":["This collection was a gift from Stephen Ashby to the Small Special Collections Library at the University of Virginia Library on 22 November 2013."],"access_subjects_ssim":["University of Virginia"],"access_subjects_ssm":["University of Virginia"],"has_online_content_ssim":["true"],"extent_ssm":["23.5 Cubic Feet","239 open reel videotapes"],"extent_tesim":["23.5 Cubic Feet","239 open reel videotapes"],"physfacet_tesim":["letters, ads, programs, agenda, newspaper clippings, articles, and production slides"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e\n","\u003cp\u003eOriginal media formats such as LPs, audiotapes, reel-to-reels, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the size of the request, it may take some time to make them available for use. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use.","Original media formats such as LPs, audiotapes, reel-to-reels, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the size of the request, it may take some time to make them available for use. "],"bioghist_html_tesm":["\u003cp\u003eThe Jefferson Cable Corporation was founded by Robert Monroe (1915–1995) in 1963 to serve Charlottesville as well as Waynesboro, Virginia, 40 miles to the west over the Blue Ridge Mountains. Monroe had an extensive radio production background, moved into managing radio stations in North Carolina and Virginia, and became intrigued by the developing market for cable television systems. Monroe is an unusual figure in that his passion outside of broadcasting was the exploration of human consciousness—he popularized the term \"out of body experience\" and experimented extensively with attempting to alter brain patterns via sound. He would go on to sell the station in 1975, founding The Monroe Institute in nearby Nelson County, Virginia to focus full time on such research.\u003c/p\u003e\n","\u003cp\u003eAs in other areas where topographical variation limited the ability to reliably receive broadcast television signals, this early community antenna system gained a healthy pool of subscribers. We know their subscriber base exceeded 3,500 subscribers at the time of the Federal Communications Commission's (FCC) 1969 ruling that cable stations of this size would be required to provide some locally originating programming, rather than simply aggregating the content of other stations. Production of local origination content began at the station's 324 West Main Street studio in Charlottesville in 1970 with the launch of the station WJCC 11. The videotapes in this collection are predominantly recordings of this local origination programming. \u003c/p\u003e\n","\u003cp\u003eIn 1993, Adelphia Communications purchased the existing cable system, and the tape library and equipment were salvaged by collection donor Steve Ashby.\u003c/p\u003e\n","\u003cp\u003e\nSources:\u003c/p\u003e\n","\u003cp\u003eStockton, B. 1989. Catapult: The biography of Robert A. Monroe. Norfolk, Virginia: The Donning Company.\u003c/p\u003e\n","\u003cp\u003ehttps://www.charlottesville.gov/195/CPA-TV\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Jefferson Cable Corporation was founded by Robert Monroe (1915–1995) in 1963 to serve Charlottesville as well as Waynesboro, Virginia, 40 miles to the west over the Blue Ridge Mountains. Monroe had an extensive radio production background, moved into managing radio stations in North Carolina and Virginia, and became intrigued by the developing market for cable television systems. Monroe is an unusual figure in that his passion outside of broadcasting was the exploration of human consciousness—he popularized the term \"out of body experience\" and experimented extensively with attempting to alter brain patterns via sound. He would go on to sell the station in 1975, founding The Monroe Institute in nearby Nelson County, Virginia to focus full time on such research.","As in other areas where topographical variation limited the ability to reliably receive broadcast television signals, this early community antenna system gained a healthy pool of subscribers. We know their subscriber base exceeded 3,500 subscribers at the time of the Federal Communications Commission's (FCC) 1969 ruling that cable stations of this size would be required to provide some locally originating programming, rather than simply aggregating the content of other stations. Production of local origination content began at the station's 324 West Main Street studio in Charlottesville in 1970 with the launch of the station WJCC 11. The videotapes in this collection are predominantly recordings of this local origination programming. ","In 1993, Adelphia Communications purchased the existing cable system, and the tape library and equipment were salvaged by collection donor Steve Ashby.","\nSources:","Stockton, B. 1989. Catapult: The biography of Robert A. Monroe. Norfolk, Virginia: The Donning Company.","https://www.charlottesville.gov/195/CPA-TV"],"prefercite_html_tesm":["\u003cp\u003eMSS 11458, Jefferson Cable Corporation collection, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 11458, Jefferson Cable Corporation collection, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThe majority of the collection is composed of videotape recordings of local-origination programming aired on the Jefferson Cable Corporation, including City Council Meetings and local news specials.\u003c/p\u003e\n","\u003cp\u003e\nThe collection includes approximately 300 color slides used in productions; color slides of a University of Virginia baseball game, 1970; photographic negatives of Lawrence Halpin's model of the Downtown Mall; Charlottesville City Council agenda, 1971 October 4, with an item concerning Jefferson Cable's franchise renewal; news clippings and miscellaneous printed materials concerning Robert Allan Monroe and the Monroe Institute; and several pieces of advertising ephemera, circa 1907.\u003c/p\u003e\n","\u003cp\u003eOf interest are two letters from James Lawrence Cabell to William Beverley Towles, 1885 August 1 and 3, concerning Towles' daughter's health.There is also a letter from Dumas Malone to Fredson Bowers, concerning printing Bowers' book \"The fairy knight\" on 18 April 1940.\u003c/p\u003e","\u003cp\u003eCharlottesville City Council agenda with an item about Jefferson Cable's franchise renewal.\u003c/p\u003e","\u003cp\u003eTucker, Paige. \"A Tale of Two Authors.\" Fredson Bowers and Nancy Hale have shared a long lifetime in the world of literature. Creator Magazine. March/April 1982 Volume 1, Number 3.\u003c/p\u003e","\u003cp\u003eTwo letters from James Lawrence Cabell to William Beverley Towles, 1885 August 1 and 3, concerning Towles' daughter's health. There is also a letter from Dumas Malone to Fredson Bowers, concerning printing Bowers' book \"The fairy knight\" on 18 April 1940.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The majority of the collection is composed of videotape recordings of local-origination programming aired on the Jefferson Cable Corporation, including City Council Meetings and local news specials.","\nThe collection includes approximately 300 color slides used in productions; color slides of a University of Virginia baseball game, 1970; photographic negatives of Lawrence Halpin's model of the Downtown Mall; Charlottesville City Council agenda, 1971 October 4, with an item concerning Jefferson Cable's franchise renewal; news clippings and miscellaneous printed materials concerning Robert Allan Monroe and the Monroe Institute; and several pieces of advertising ephemera, circa 1907.","Of interest are two letters from James Lawrence Cabell to William Beverley Towles, 1885 August 1 and 3, concerning Towles' daughter's health.There is also a letter from Dumas Malone to Fredson Bowers, concerning printing Bowers' book \"The fairy knight\" on 18 April 1940.","Charlottesville City Council agenda with an item about Jefferson Cable's franchise renewal.","Tucker, Paige. \"A Tale of Two Authors.\" Fredson Bowers and Nancy Hale have shared a long lifetime in the world of literature. Creator Magazine. March/April 1982 Volume 1, Number 3.","Two letters from James Lawrence Cabell to William Beverley Towles, 1885 August 1 and 3, concerning Towles' daughter's health. There is also a letter from Dumas Malone to Fredson Bowers, concerning printing Bowers' book \"The fairy knight\" on 18 April 1940."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":247,"online_item_count_is":39,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:52:36.377Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1521","ead_ssi":"viu_repositories_3_resources_1521","_root_":"viu_repositories_3_resources_1521","_nest_parent_":"viu_repositories_3_resources_1521","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1521.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/189393","title_filing_ssi":"Jefferson Cable Corporation collection","title_ssm":["Jefferson Cable Corporation collection"],"title_tesim":["Jefferson Cable Corporation collection"],"unitdate_ssm":["1885-1982"],"unitdate_inclusive_ssm":["1885-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 11458","Archival Resource Key","/repositories/3/resources/1521"],"text":["MSS 11458","Archival Resource Key","/repositories/3/resources/1521","Jefferson Cable Corporation collection","Charlottesville (Va.) -- History","University of Virginia","The collection is open for research use.","Original media formats such as LPs, audiotapes, reel-to-reels, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the size of the request, it may take some time to make them available for use. ","The Jefferson Cable Corporation was founded by Robert Monroe (1915–1995) in 1963 to serve Charlottesville as well as Waynesboro, Virginia, 40 miles to the west over the Blue Ridge Mountains. Monroe had an extensive radio production background, moved into managing radio stations in North Carolina and Virginia, and became intrigued by the developing market for cable television systems. Monroe is an unusual figure in that his passion outside of broadcasting was the exploration of human consciousness—he popularized the term \"out of body experience\" and experimented extensively with attempting to alter brain patterns via sound. He would go on to sell the station in 1975, founding The Monroe Institute in nearby Nelson County, Virginia to focus full time on such research.","As in other areas where topographical variation limited the ability to reliably receive broadcast television signals, this early community antenna system gained a healthy pool of subscribers. We know their subscriber base exceeded 3,500 subscribers at the time of the Federal Communications Commission's (FCC) 1969 ruling that cable stations of this size would be required to provide some locally originating programming, rather than simply aggregating the content of other stations. Production of local origination content began at the station's 324 West Main Street studio in Charlottesville in 1970 with the launch of the station WJCC 11. The videotapes in this collection are predominantly recordings of this local origination programming. ","In 1993, Adelphia Communications purchased the existing cable system, and the tape library and equipment were salvaged by collection donor Steve Ashby.","\nSources:","Stockton, B. 1989. Catapult: The biography of Robert A. Monroe. Norfolk, Virginia: The Donning Company.","https://www.charlottesville.gov/195/CPA-TV","The majority of the collection is composed of videotape recordings of local-origination programming aired on the Jefferson Cable Corporation, including City Council Meetings and local news specials.","\nThe collection includes approximately 300 color slides used in productions; color slides of a University of Virginia baseball game, 1970; photographic negatives of Lawrence Halpin's model of the Downtown Mall; Charlottesville City Council agenda, 1971 October 4, with an item concerning Jefferson Cable's franchise renewal; news clippings and miscellaneous printed materials concerning Robert Allan Monroe and the Monroe Institute; and several pieces of advertising ephemera, circa 1907.","Of interest are two letters from James Lawrence Cabell to William Beverley Towles, 1885 August 1 and 3, concerning Towles' daughter's health.There is also a letter from Dumas Malone to Fredson Bowers, concerning printing Bowers' book \"The fairy knight\" on 18 April 1940.","Charlottesville City Council agenda with an item about Jefferson Cable's franchise renewal.","Tucker, Paige. \"A Tale of Two Authors.\" Fredson Bowers and Nancy Hale have shared a long lifetime in the world of literature. Creator Magazine. March/April 1982 Volume 1, Number 3.","Two letters from James Lawrence Cabell to William Beverley Towles, 1885 August 1 and 3, concerning Towles' daughter's health. There is also a letter from Dumas Malone to Fredson Bowers, concerning printing Bowers' book \"The fairy knight\" on 18 April 1940.","Albert and Shirley Small Special Collections Library","English"],"unitid_tesim":["MSS 11458","Archival Resource Key","/repositories/3/resources/1521"],"normalized_title_ssm":["Jefferson Cable Corporation collection"],"collection_title_tesim":["Jefferson Cable Corporation collection"],"collection_ssim":["Jefferson Cable Corporation collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Charlottesville (Va.) -- History"],"geogname_ssim":["Charlottesville (Va.) -- History"],"places_ssim":["Charlottesville (Va.) -- History"],"acqinfo_ssim":["This collection was a gift from Stephen Ashby to the Small Special Collections Library at the University of Virginia Library on 22 November 2013."],"access_subjects_ssim":["University of Virginia"],"access_subjects_ssm":["University of Virginia"],"has_online_content_ssim":["true"],"extent_ssm":["23.5 Cubic Feet","239 open reel videotapes"],"extent_tesim":["23.5 Cubic Feet","239 open reel videotapes"],"physfacet_tesim":["letters, ads, programs, agenda, newspaper clippings, articles, and production slides"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e\n","\u003cp\u003eOriginal media formats such as LPs, audiotapes, reel-to-reels, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the size of the request, it may take some time to make them available for use. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use.","Original media formats such as LPs, audiotapes, reel-to-reels, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the size of the request, it may take some time to make them available for use. "],"bioghist_html_tesm":["\u003cp\u003eThe Jefferson Cable Corporation was founded by Robert Monroe (1915–1995) in 1963 to serve Charlottesville as well as Waynesboro, Virginia, 40 miles to the west over the Blue Ridge Mountains. Monroe had an extensive radio production background, moved into managing radio stations in North Carolina and Virginia, and became intrigued by the developing market for cable television systems. Monroe is an unusual figure in that his passion outside of broadcasting was the exploration of human consciousness—he popularized the term \"out of body experience\" and experimented extensively with attempting to alter brain patterns via sound. He would go on to sell the station in 1975, founding The Monroe Institute in nearby Nelson County, Virginia to focus full time on such research.\u003c/p\u003e\n","\u003cp\u003eAs in other areas where topographical variation limited the ability to reliably receive broadcast television signals, this early community antenna system gained a healthy pool of subscribers. We know their subscriber base exceeded 3,500 subscribers at the time of the Federal Communications Commission's (FCC) 1969 ruling that cable stations of this size would be required to provide some locally originating programming, rather than simply aggregating the content of other stations. Production of local origination content began at the station's 324 West Main Street studio in Charlottesville in 1970 with the launch of the station WJCC 11. The videotapes in this collection are predominantly recordings of this local origination programming. \u003c/p\u003e\n","\u003cp\u003eIn 1993, Adelphia Communications purchased the existing cable system, and the tape library and equipment were salvaged by collection donor Steve Ashby.\u003c/p\u003e\n","\u003cp\u003e\nSources:\u003c/p\u003e\n","\u003cp\u003eStockton, B. 1989. Catapult: The biography of Robert A. Monroe. Norfolk, Virginia: The Donning Company.\u003c/p\u003e\n","\u003cp\u003ehttps://www.charlottesville.gov/195/CPA-TV\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Jefferson Cable Corporation was founded by Robert Monroe (1915–1995) in 1963 to serve Charlottesville as well as Waynesboro, Virginia, 40 miles to the west over the Blue Ridge Mountains. Monroe had an extensive radio production background, moved into managing radio stations in North Carolina and Virginia, and became intrigued by the developing market for cable television systems. Monroe is an unusual figure in that his passion outside of broadcasting was the exploration of human consciousness—he popularized the term \"out of body experience\" and experimented extensively with attempting to alter brain patterns via sound. He would go on to sell the station in 1975, founding The Monroe Institute in nearby Nelson County, Virginia to focus full time on such research.","As in other areas where topographical variation limited the ability to reliably receive broadcast television signals, this early community antenna system gained a healthy pool of subscribers. We know their subscriber base exceeded 3,500 subscribers at the time of the Federal Communications Commission's (FCC) 1969 ruling that cable stations of this size would be required to provide some locally originating programming, rather than simply aggregating the content of other stations. Production of local origination content began at the station's 324 West Main Street studio in Charlottesville in 1970 with the launch of the station WJCC 11. The videotapes in this collection are predominantly recordings of this local origination programming. ","In 1993, Adelphia Communications purchased the existing cable system, and the tape library and equipment were salvaged by collection donor Steve Ashby.","\nSources:","Stockton, B. 1989. Catapult: The biography of Robert A. Monroe. Norfolk, Virginia: The Donning Company.","https://www.charlottesville.gov/195/CPA-TV"],"prefercite_html_tesm":["\u003cp\u003eMSS 11458, Jefferson Cable Corporation collection, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 11458, Jefferson Cable Corporation collection, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThe majority of the collection is composed of videotape recordings of local-origination programming aired on the Jefferson Cable Corporation, including City Council Meetings and local news specials.\u003c/p\u003e\n","\u003cp\u003e\nThe collection includes approximately 300 color slides used in productions; color slides of a University of Virginia baseball game, 1970; photographic negatives of Lawrence Halpin's model of the Downtown Mall; Charlottesville City Council agenda, 1971 October 4, with an item concerning Jefferson Cable's franchise renewal; news clippings and miscellaneous printed materials concerning Robert Allan Monroe and the Monroe Institute; and several pieces of advertising ephemera, circa 1907.\u003c/p\u003e\n","\u003cp\u003eOf interest are two letters from James Lawrence Cabell to William Beverley Towles, 1885 August 1 and 3, concerning Towles' daughter's health.There is also a letter from Dumas Malone to Fredson Bowers, concerning printing Bowers' book \"The fairy knight\" on 18 April 1940.\u003c/p\u003e","\u003cp\u003eCharlottesville City Council agenda with an item about Jefferson Cable's franchise renewal.\u003c/p\u003e","\u003cp\u003eTucker, Paige. \"A Tale of Two Authors.\" Fredson Bowers and Nancy Hale have shared a long lifetime in the world of literature. Creator Magazine. March/April 1982 Volume 1, Number 3.\u003c/p\u003e","\u003cp\u003eTwo letters from James Lawrence Cabell to William Beverley Towles, 1885 August 1 and 3, concerning Towles' daughter's health. There is also a letter from Dumas Malone to Fredson Bowers, concerning printing Bowers' book \"The fairy knight\" on 18 April 1940.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The majority of the collection is composed of videotape recordings of local-origination programming aired on the Jefferson Cable Corporation, including City Council Meetings and local news specials.","\nThe collection includes approximately 300 color slides used in productions; color slides of a University of Virginia baseball game, 1970; photographic negatives of Lawrence Halpin's model of the Downtown Mall; Charlottesville City Council agenda, 1971 October 4, with an item concerning Jefferson Cable's franchise renewal; news clippings and miscellaneous printed materials concerning Robert Allan Monroe and the Monroe Institute; and several pieces of advertising ephemera, circa 1907.","Of interest are two letters from James Lawrence Cabell to William Beverley Towles, 1885 August 1 and 3, concerning Towles' daughter's health.There is also a letter from Dumas Malone to Fredson Bowers, concerning printing Bowers' book \"The fairy knight\" on 18 April 1940.","Charlottesville City Council agenda with an item about Jefferson Cable's franchise renewal.","Tucker, Paige. \"A Tale of Two Authors.\" Fredson Bowers and Nancy Hale have shared a long lifetime in the world of literature. Creator Magazine. March/April 1982 Volume 1, Number 3.","Two letters from James Lawrence Cabell to William Beverley Towles, 1885 August 1 and 3, concerning Towles' daughter's health. There is also a letter from Dumas Malone to Fredson Bowers, concerning printing Bowers' book \"The fairy knight\" on 18 April 1940."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":247,"online_item_count_is":39,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:52:36.377Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1521"}},{"id":"viu_repositories_3_resources_941","type":"collection","attributes":{"title":"John L. Nau III Civil War History Collection","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_941","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_941.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/189095","title_filing_ssi":"Nau, John L. III, Civil War History Collection","title_ssm":["John L. Nau III Civil War History Collection"],"title_tesim":["John L. Nau III Civil War History Collection"],"unitdate_ssm":["1806-1988","1861-1865"],"unitdate_bulk_ssim":["1861-1865"],"unitdate_inclusive_ssm":["1806-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941"],"text":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941","John L. Nau III Civil War History Collection","United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives","letters (correspondence)","Photograph albums","photographs","newspapers","Good.","The collection is open for research.","The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch","The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.","The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. ","The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.","Albert and Shirley Small Special Collections Library","The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"unitid_tesim":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941"],"normalized_title_ssm":["John L. Nau III Civil War History Collection"],"collection_title_tesim":["John L. Nau III Civil War History Collection"],"collection_ssim":["John L. Nau III Civil War History Collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"geogname_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"places_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"acqinfo_ssim":["The John L. Nau III Civil War History Collection was acquired and donated by John L. Nau III. It was accessioned by the Albert and Shirley Small Special Collections Library on September 3, 2019 (2019-0149) and in an additional accession in October 2019 (2019-0231)."],"access_subjects_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"access_subjects_ssm":["letters (correspondence)","Photograph albums","photographs","newspapers"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good."],"extent_ssm":["133 Cubic Feet 255 boxes; 9 framed items"],"extent_tesim":["133 Cubic Feet 255 boxes; 9 framed items"],"genreform_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).\u003c/p\u003e","\u003cp\u003eSeries 1 is arranged in three subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Personal Papers, Service Records, and Artifacts, 1806-1988\u003c/p\u003e\n","\u003cp\u003eThe arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. \u003c/p\u003e\n","\u003cp\u003eThe above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003eSubseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.\u003c/p\u003e\n","\u003cp\u003eSubseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. \u003c/p\u003e","\u003cp\u003eSeries 2 is arranged in the following subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.\u003c/p\u003e\n","\u003cp\u003eSubseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities\u003c/p\u003e","\u003cp\u003eSeries 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Petty, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Whitehurst \u0026amp; Co., Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knowles \u0026amp; Hillman, New Bedford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearus, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gooding, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by Handy, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bocardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. W. Barker, Canton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wing's Gallery, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Varriell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. K. Brown, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry M. Wells, Cambridge, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lewis and Kane, Victoria, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003eFrench \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts, and Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Walzl, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co. of New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Bros., Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Pratt, Aurora, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Worms \u0026amp; Co. 383 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Cramer, Carondelet, Missouri\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Williams Gallery; Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Beach, Hastings, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks and Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conaut, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hesler Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallett, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eB. F. Smith and Son, Portland, Maine\u003c/p\u003e","\u003cp\u003eJ. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Beaumont, Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wells and Collins, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. Moses, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Morgan, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. L. Bergstresser, Army of the Potomac\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Jenks, Paterson, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bett's and Prusia, Dansville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stone Bros., Trumansburch, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck's, Elsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. J. Pierce, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003eLe Rue Lemer, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gibbon, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson of New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026amp; New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washburn's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenney, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Benjamin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Watson, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burnite \u0026amp; Weldon, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William C. North, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Th. Gubelman, Puliski, TN\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hermos, Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by W.V. Lane, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Tombarger, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. P. Howe, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cooley \u0026amp; Becket, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. G. Montgomery of Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cushing \u0026amp; King Photographers, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. C. Brown, Norwich, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Marse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Silli, Nice, France\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. E. Mosely, Newburyport\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Burnite \u0026amp; Co., Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. B. Brown's, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Tait, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conant and Johnson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Durgan, Farmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C.H. Freeman, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kilgore's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePublished by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003eBarr \u0026amp; Young, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Marks, Austin, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Rhodes, St. Law Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Munger \u0026amp; Stone, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Cross, Belvidere, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Emery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. McHenry, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. P. Smith, Kankakee City, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.T. Bradshaw \u0026amp; Co., successors to G. Moses, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Braisted, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce, Galena, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. \u0026amp; F. W. Hardy, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slagle, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slee Brothers, Poughkeepsie, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Lewis Wires, Milford\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. Evans, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. B. Jones, Davenport, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. H. Black, Natchez, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of The Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George B. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joseph Ward, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pein \u0026amp; Co., Washington City\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Good \u0026amp; Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacob's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. \u0026amp; J. L. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Layton's, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bachrach \u0026amp; Bro, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cross and Franke, Arlington, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Watson, Raleigh, North Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Julius Brill, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Weiss, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Cadwallader, Toledo, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Jennings, artist, The New \u0026amp; Reliable Gallery, Lancaster, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow and Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thomas and Pearson, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew B. Brady\u003c/p\u003e","\u003cp\u003eWilliam Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. P. H. Capron \u0026amp; Bros. , Springfield, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Giers \u0026amp; Co., Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney and Paradise, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: August Morand, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Davis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler and King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, El Mira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Guay and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George D. Puffer, Nashua, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Murphy Bros., Alton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Godshaw \u0026amp; Flexner, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moffat and Simpson, Key West, Florida\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. P. Ayer, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William F. Blunt, North Anson, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anson's\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassetts Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gardner, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Meade Brothers, Astor, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alex. Gardner, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Watson's, Raleigh, NC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. Thompson, Norwich, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenny, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mason \u0026amp; Gardner, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Outley's, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bragy Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank E. Stanley, Auburn, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Browne, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs \u0026amp; Company, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask \u0026amp; Lewis\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles K. Bill's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wilder Brothers, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Alex Gardner; Published by Philp \u0026amp; Solomons, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Smith, Utica, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Dunshee's, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Adams, Nashville, Tenn.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. I. Prince, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Nims, Photographer, Fort Edward, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Summerhays\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Filley \u0026amp; Gilbert, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. N. Medernach, Danville, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thompson Gallery, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. G. Fetters, Peru, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: New Orleans Photographic Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees of Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.L. Winner, Annapolis, MD\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Photographers, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Conant, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Paige, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Powelson's, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePublished by Vannerson \u0026amp; Jones, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Jewett, Lebanon, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: James S. Earle \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Havens, Jacksonville, FL\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.C. Benjamin, Newark, N. J.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brendann Bros., Baltimore\u003c/p\u003e","\u003cp\u003ePhotographed by Wenderoth \u0026amp; Taylor; Published by McAllister \u0026amp; Bro., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; Smith, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. R. Davis, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003eBrady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. Brown, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredericks and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowers, Lynn, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kin, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Piper \u0026amp; Sanborn, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Ames, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. D. Phillips, 14th Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. K. Marshall, Circleville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. German, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hawkins \u0026amp; Philpot, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. De Camp, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003eUnknown Photographer; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pratt's Gallery, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schreiber \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Erekson \u0026amp; Bodurtha, Bridgeport, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abraham Fisher, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Wilson, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Birney Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Louis Walzl\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. A. Turner, D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. White, Jacksonport, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Col, Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Evans and Prince, York, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Clark, Ionia, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. C. Giers, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. R. Bideout \u0026amp; Co., Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eJ. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. B. King, Taunton, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  L. D. Cox, Ludlow, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Davis, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Brainstead, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Tyler \u0026amp; Co., Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George C. White, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McLure, Allen P.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow \u0026amp; Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nollen \u0026amp; Van Grieken, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. L. Jackson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. G. Carleton, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gilbert's, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Curtis, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Campbell \u0026amp; Ecker, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce \u0026amp; Cogswell, Rochelle, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, Lawrence, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kennedy \u0026amp; Schenck, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morell, George Webb\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, South Royalton, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New Yor\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer's, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. L. Eaton, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hagaman, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Reimer, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hanford, New London, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Carr, Old Town, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Fassett, Dexter, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kertson \u0026amp; Barker, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball \u0026amp; Sons, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by A. A. Turner; Published by D. Appleton \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Taylor and Seavey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Milton Lapham, Decatur, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, \u0026amp; Co, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. I. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haseltine, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Evans, Norfolk, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M' Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole of Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. F. Ryder, Cleveland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenny, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Tapley, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. E. Gibbs, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lutges, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney and Son, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George E. Collins; Bucksport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quicks, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Porter's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. J. Thompson \u0026amp; Co., Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Stevens, Richmond, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rivers', St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Rockwood, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burwell \u0026amp; Homan, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Magnolia, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith \u0026amp; Wybrant, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Weitfle \u0026amp; Wright, 1st Division, 6th Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles S. Hart, Watertown, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C.H. Smedley \u0026amp; Co., Middletown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. A. Lewis, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Moses \u0026amp; Co., Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. F. Child, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimberly Brothers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel Masury, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, Habana, Paris\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hopkins, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Churchill \u0026amp; Dennison, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster and Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. L. Heath, Norwalk, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck, Ellsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crocket, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Field, Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Greenwald, Newark, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorham and Co, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinton \u0026amp; Cleary's, Montgomery, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. Yung\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Brown, Photographer of the Army of Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Davis, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Butler, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cahill, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George H. Wood, Towanda, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: by H. Glosser, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Turner, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Case, Halifax, Nova Scotia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Balkan Studio, Wartham, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jordan \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. A. Colley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Burgan, Yarmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's Art Palace, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Thurlow, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith, Southbridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Photographers Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knight, Batavia, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bradley \u0026amp; Rulofson, San Francisco, California\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. Loud, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Klauber \u0026amp; Campbell, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler \u0026amp; Smetters, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassett's Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney \u0026amp; Paradise, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony,  New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Brown's, Waldoboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bailey \u0026amp; Silver's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Piper, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Troxell, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wykes \u0026amp; Brown, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lamson, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Wing's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Case and Getchell, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell \u0026amp; Brother, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Paul, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Estabrook's Ferrotypes, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, 363 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Otto Wagner, 385 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Johnson's, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton, and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026amp; Brother, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Williamson's Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. G. Trask, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallet, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sumner \u0026amp; Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lomas, Eastport Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. M. Fassett, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Sellers, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Aiken, Ware, Massachusetts\u003c/p\u003e","\u003cp\u003eLithograph by Murray \u0026amp; Goodwin, Albany, New York; Published by G. H. Treadwell, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Theodore Harris, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Wearn, Columbia, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keenan, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. R. Phipps, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Frank Browne\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Royan M. Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Quimby of Charleston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Maynard \u0026amp; Willis, Milford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pa.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Daily, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor \u0026amp; Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lupton \u0026amp; Brown, Winchester, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Richardson of Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Holt, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Orcutt's, Cambridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victor Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Borthers, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Frederick, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. L. Averill, Oldtown, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ball \u0026amp; Thomas, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Price, New Philadelphia, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. N. Blanchard, Barre, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. M. Vanaken, Lowville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Goben, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank Winter, Fort Shaw, Montana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. J. Tate, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M. Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis \u0026amp; Cosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Platt, Oberlin, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. E. Prall, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Worms \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Roth, Freehold, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Barker, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Knecht, Easton, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victory Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by G. L. Collins, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ullary \u0026amp; Perry, Greenville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Roberts, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. B. Zay, Findlay, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: V. B. Massey, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Kasten, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Aldridge \u0026amp; Merriman, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Rees \u0026amp; Bros., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Pope, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Klauber, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. J. Jacobs, New Orleans\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Company\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: D. P. Barr, Army Photographer, Vicksburg, Miss.\u003c/p\u003e","\u003cp\u003ePhotographer: French \u0026amp; Co., Vicksburg, Miss.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Barr \u0026amp; Young, Army Photographers, Fort Pickering, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographed and Published by B. W. Kilburn, Littleton, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed and Published by Kilburn Brothers, Littleton, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rollins \u0026amp; Linn\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Company\u003c/p\u003e","\u003cp\u003ePhotographed by Brady \u0026amp; Co., Washington, D.C.; Published by E. \u0026amp; H. T. Anthony \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., Negative by Brady \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. 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F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch"],"odd_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eThe donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. \u003c/p\u003e\n","\u003cp\u003eDonor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).\u003c/p\u003e\n","\u003cp\u003eThese donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eAbout External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eUpon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.\u003c/p\u003e\n","\u003cp\u003ePlease note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). \u003c/p\u003e\n","\u003cp\u003ePlease also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSuggestions for Using the Donation Listing Spreadsheet\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eMaterials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003ePlease note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.\u003c/p\u003e\n","\u003cp\u003eResearchers can use the spreadsheet to explore the collection in many ways, including the following: \u003c/p\u003e\n","\u003cp\u003e- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).\u003c/p\u003e\n","\u003cp\u003e- To identify photographs of women, Black soldiers, and Native American soldiers.\u003c/p\u003e\n","\u003cp\u003e- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAbout External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eTranscript files are titled by donor accession number. (See above note titled Alphanumeric Designations).\u003c/p\u003e\n","\u003cp\u003ePlease be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eAdditional materials relating to Fitzhugh Lee are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eAdditional materials related to William S. Rosecrans are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to States Rights Gist are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003eThis photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional Materials relating to Fitzhugh Lee are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0342.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0371.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThis case contains portraits of the same unknown soldier in both ambrotype and tintype formats.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003ePT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.\u003c/p\u003e","\u003cp\u003eImage was accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eAccessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThis photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003e34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eCarte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Alphanumeric Designations","Important Information about External Documents","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs."],"prefercite_html_tesm":["\u003cp\u003eJohn L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["John L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online \u003cemph render=\"italic\"\u003eCivil War Soldiers and Sailors Database\u003c/emph\u003e (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's \u003cemph render=\"italic\"\u003eConfederate and Southern State Currency\u003c/emph\u003e, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's \u003cemph render=\"italic\"\u003eCivil War High Commands\u003c/emph\u003e (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).\u003c/p\u003e","\u003cp\u003eEfforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. \u003c/p\u003e","\u003cp\u003eFile titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. "],"scopecontent_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. \u003c/p\u003e\n","\u003cp\u003eThe collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). \u003c/p\u003e","\u003cp\u003eSeries 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).\u003c/p\u003e","\u003cp\u003eSeries 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.\u003c/p\u003e","\u003cp\u003eSeries 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.\u003c/p\u003e","\u003cp\u003eSeries 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.\u003c/p\u003e","\u003cp\u003eSeries 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10302,"online_item_count_is":5,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:31:55.729Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_941","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_941.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/189095","title_filing_ssi":"Nau, John L. III, Civil War History Collection","title_ssm":["John L. Nau III Civil War History Collection"],"title_tesim":["John L. Nau III Civil War History Collection"],"unitdate_ssm":["1806-1988","1861-1865"],"unitdate_bulk_ssim":["1861-1865"],"unitdate_inclusive_ssm":["1806-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous 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Key","Previous Archival Resource Key","/repositories/3/resources/941"],"text":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941","John L. Nau III Civil War History Collection","United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives","letters (correspondence)","Photograph albums","photographs","newspapers","Good.","The collection is open for research.","The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch","The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.","The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. ","The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.","Albert and Shirley Small Special Collections Library","The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"unitid_tesim":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941"],"normalized_title_ssm":["John L. Nau III Civil War History Collection"],"collection_title_tesim":["John L. Nau III Civil War History Collection"],"collection_ssim":["John L. Nau III Civil War History Collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"geogname_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"places_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"acqinfo_ssim":["The John L. Nau III Civil War History Collection was acquired and donated by John L. Nau III. It was accessioned by the Albert and Shirley Small Special Collections Library on September 3, 2019 (2019-0149) and in an additional accession in October 2019 (2019-0231)."],"access_subjects_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"access_subjects_ssm":["letters (correspondence)","Photograph albums","photographs","newspapers"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good."],"extent_ssm":["133 Cubic Feet 255 boxes; 9 framed items"],"extent_tesim":["133 Cubic Feet 255 boxes; 9 framed items"],"genreform_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).\u003c/p\u003e","\u003cp\u003eSeries 1 is arranged in three subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Personal Papers, Service Records, and Artifacts, 1806-1988\u003c/p\u003e\n","\u003cp\u003eThe arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. \u003c/p\u003e\n","\u003cp\u003eThe above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003eSubseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.\u003c/p\u003e\n","\u003cp\u003eSubseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. \u003c/p\u003e","\u003cp\u003eSeries 2 is arranged in the following subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.\u003c/p\u003e\n","\u003cp\u003eSubseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities\u003c/p\u003e","\u003cp\u003eSeries 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Petty, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Whitehurst \u0026amp; Co., Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knowles \u0026amp; Hillman, New Bedford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearus, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gooding, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by Handy, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bocardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. W. Barker, Canton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wing's Gallery, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Varriell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. K. Brown, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry M. Wells, Cambridge, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lewis and Kane, Victoria, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003eFrench \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts, and Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Walzl, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co. of New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Bros., Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Pratt, Aurora, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Worms \u0026amp; Co. 383 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Cramer, Carondelet, Missouri\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Williams Gallery; Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Beach, Hastings, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks and Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conaut, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hesler Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallett, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eB. F. Smith and Son, Portland, Maine\u003c/p\u003e","\u003cp\u003eJ. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Beaumont, Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wells and Collins, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. Moses, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Morgan, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. L. Bergstresser, Army of the Potomac\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Jenks, Paterson, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bett's and Prusia, Dansville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stone Bros., Trumansburch, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck's, Elsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. J. Pierce, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003eLe Rue Lemer, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gibbon, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson of New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026amp; New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washburn's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenney, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Benjamin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Watson, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burnite \u0026amp; Weldon, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William C. North, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Th. Gubelman, Puliski, TN\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hermos, Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by W.V. Lane, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Tombarger, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. P. Howe, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cooley \u0026amp; Becket, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. G. Montgomery of Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cushing \u0026amp; King Photographers, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. C. Brown, Norwich, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Marse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Silli, Nice, France\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. E. Mosely, Newburyport\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Burnite \u0026amp; Co., Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. B. Brown's, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Tait, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conant and Johnson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Durgan, Farmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C.H. Freeman, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kilgore's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePublished by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003eBarr \u0026amp; Young, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Marks, Austin, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Rhodes, St. Law Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Munger \u0026amp; Stone, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Cross, Belvidere, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Emery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. McHenry, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. P. Smith, Kankakee City, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.T. Bradshaw \u0026amp; Co., successors to G. Moses, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Braisted, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce, Galena, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. \u0026amp; F. W. Hardy, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slagle, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slee Brothers, Poughkeepsie, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Lewis Wires, Milford\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. Evans, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. B. Jones, Davenport, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. H. Black, Natchez, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of The Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George B. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joseph Ward, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pein \u0026amp; Co., Washington City\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Good \u0026amp; Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacob's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. \u0026amp; J. L. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Layton's, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bachrach \u0026amp; Bro, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cross and Franke, Arlington, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Watson, Raleigh, North Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Julius Brill, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Weiss, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Cadwallader, Toledo, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Jennings, artist, The New \u0026amp; Reliable Gallery, Lancaster, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow and Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thomas and Pearson, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew B. Brady\u003c/p\u003e","\u003cp\u003eWilliam Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. P. H. Capron \u0026amp; Bros. , Springfield, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Giers \u0026amp; Co., Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney and Paradise, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: August Morand, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Davis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler and King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, El Mira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Guay and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George D. Puffer, Nashua, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Murphy Bros., Alton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Godshaw \u0026amp; Flexner, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moffat and Simpson, Key West, Florida\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. P. Ayer, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William F. Blunt, North Anson, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anson's\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassetts Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gardner, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Meade Brothers, Astor, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alex. Gardner, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Watson's, Raleigh, NC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. Thompson, Norwich, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenny, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mason \u0026amp; Gardner, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Outley's, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bragy Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank E. Stanley, Auburn, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Browne, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs \u0026amp; Company, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask \u0026amp; Lewis\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles K. Bill's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wilder Brothers, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Alex Gardner; Published by Philp \u0026amp; Solomons, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Smith, Utica, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Dunshee's, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Adams, Nashville, Tenn.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. I. Prince, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Nims, Photographer, Fort Edward, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Summerhays\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Filley \u0026amp; Gilbert, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. N. Medernach, Danville, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thompson Gallery, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. G. Fetters, Peru, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: New Orleans Photographic Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees of Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.L. Winner, Annapolis, MD\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Photographers, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Conant, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Paige, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Powelson's, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePublished by Vannerson \u0026amp; Jones, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Jewett, Lebanon, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: James S. Earle \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Havens, Jacksonville, FL\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.C. Benjamin, Newark, N. J.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brendann Bros., Baltimore\u003c/p\u003e","\u003cp\u003ePhotographed by Wenderoth \u0026amp; Taylor; Published by McAllister \u0026amp; Bro., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; Smith, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. R. Davis, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003eBrady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. Brown, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredericks and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowers, Lynn, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kin, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Piper \u0026amp; Sanborn, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Ames, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. D. Phillips, 14th Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. K. Marshall, Circleville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. German, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hawkins \u0026amp; Philpot, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. De Camp, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003eUnknown Photographer; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pratt's Gallery, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schreiber \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Erekson \u0026amp; Bodurtha, Bridgeport, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abraham Fisher, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Wilson, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Birney Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Louis Walzl\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. A. Turner, D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. White, Jacksonport, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Col, Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Evans and Prince, York, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Clark, Ionia, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. C. Giers, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. R. Bideout \u0026amp; Co., Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eJ. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. B. King, Taunton, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  L. D. Cox, Ludlow, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Davis, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Brainstead, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Tyler \u0026amp; Co., Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George C. White, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McLure, Allen P.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow \u0026amp; Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nollen \u0026amp; Van Grieken, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. L. Jackson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. G. Carleton, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gilbert's, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Curtis, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Campbell \u0026amp; Ecker, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce \u0026amp; Cogswell, Rochelle, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, Lawrence, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kennedy \u0026amp; Schenck, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morell, George Webb\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, South Royalton, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New Yor\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer's, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. L. Eaton, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hagaman, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Reimer, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hanford, New London, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Carr, Old Town, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Fassett, Dexter, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kertson \u0026amp; Barker, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball \u0026amp; Sons, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by A. A. Turner; Published by D. Appleton \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Taylor and Seavey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Milton Lapham, Decatur, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, \u0026amp; Co, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. I. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haseltine, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Evans, Norfolk, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M' Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole of Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. F. Ryder, Cleveland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenny, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Tapley, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. E. Gibbs, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lutges, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney and Son, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George E. Collins; Bucksport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quicks, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Porter's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. J. Thompson \u0026amp; Co., Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Stevens, Richmond, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rivers', St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Rockwood, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burwell \u0026amp; Homan, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Magnolia, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith \u0026amp; Wybrant, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Weitfle \u0026amp; Wright, 1st Division, 6th Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles S. Hart, Watertown, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C.H. Smedley \u0026amp; Co., Middletown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. A. Lewis, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Moses \u0026amp; Co., Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. F. Child, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimberly Brothers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel Masury, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, Habana, Paris\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hopkins, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Churchill \u0026amp; Dennison, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster and Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. L. Heath, Norwalk, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck, Ellsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crocket, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Field, Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Greenwald, Newark, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorham and Co, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinton \u0026amp; Cleary's, Montgomery, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. Yung\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Brown, Photographer of the Army of Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Davis, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Butler, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cahill, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George H. Wood, Towanda, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: by H. Glosser, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Turner, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Case, Halifax, Nova Scotia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Balkan Studio, Wartham, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jordan \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. A. Colley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Burgan, Yarmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's Art Palace, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Thurlow, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith, Southbridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Photographers Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knight, Batavia, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bradley \u0026amp; Rulofson, San Francisco, California\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. Loud, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Klauber \u0026amp; Campbell, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler \u0026amp; Smetters, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassett's Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney \u0026amp; Paradise, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony,  New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Brown's, Waldoboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bailey \u0026amp; Silver's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Piper, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Troxell, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wykes \u0026amp; Brown, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lamson, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Wing's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Case and Getchell, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell \u0026amp; Brother, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Paul, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Estabrook's Ferrotypes, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, 363 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Otto Wagner, 385 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Johnson's, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton, and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026amp; Brother, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Williamson's Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. G. Trask, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallet, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sumner \u0026amp; Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lomas, Eastport Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. M. Fassett, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Sellers, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Aiken, Ware, Massachusetts\u003c/p\u003e","\u003cp\u003eLithograph by Murray \u0026amp; Goodwin, Albany, New York; Published by G. H. Treadwell, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Theodore Harris, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Wearn, Columbia, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keenan, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. R. Phipps, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Frank Browne\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Royan M. Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Quimby of Charleston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Maynard \u0026amp; Willis, Milford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pa.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Daily, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor \u0026amp; Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lupton \u0026amp; Brown, Winchester, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Richardson of Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Holt, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Orcutt's, Cambridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victor Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Borthers, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Frederick, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. L. Averill, Oldtown, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ball \u0026amp; Thomas, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Price, New Philadelphia, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. N. Blanchard, Barre, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. M. Vanaken, Lowville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Goben, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank Winter, Fort Shaw, Montana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. J. Tate, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M. Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis \u0026amp; Cosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Platt, Oberlin, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. E. Prall, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Worms \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Roth, Freehold, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Barker, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Knecht, Easton, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victory Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by G. L. Collins, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ullary \u0026amp; Perry, Greenville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Roberts, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. B. Zay, Findlay, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: V. B. Massey, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Kasten, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Aldridge \u0026amp; Merriman, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Rees \u0026amp; Bros., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Pope, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Klauber, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. J. Jacobs, New Orleans\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Company\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: D. P. Barr, Army Photographer, Vicksburg, Miss.\u003c/p\u003e","\u003cp\u003ePhotographer: French \u0026amp; Co., Vicksburg, Miss.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Barr \u0026amp; Young, Army Photographers, Fort Pickering, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographed and Published by B. W. Kilburn, Littleton, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed and Published by Kilburn Brothers, Littleton, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rollins \u0026amp; Linn\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Company\u003c/p\u003e","\u003cp\u003ePhotographed by Brady \u0026amp; Co., Washington, D.C.; Published by E. \u0026amp; H. T. Anthony \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., Negative by Brady \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., Negative by Brady \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed and Published by Bell \u0026amp; Bro., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., New York; Negative by Brady \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., American and Foreign Stereoscopic Emporium,  New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., American and Foreign Stereoscopic Emporium,  New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., American and Foreign Stereoscopic Emporium,  New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marks, Houston, Texas\u003c/p\u003e","\u003cp\u003ePublished by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026amp; Picture Frames, 810 Washington St. Boston, Mass\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Main\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. R. Rideout, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. B. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. P. \u0026amp; F. W. Hardy, Ranger, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. S. Dunshee, Rochester, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. B. Conant, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Piper, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's Art Palace, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePainted by Robt. W. Weit; Engraved by Geo. W. Watch\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / 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Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch"],"odd_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eThe donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. \u003c/p\u003e\n","\u003cp\u003eDonor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).\u003c/p\u003e\n","\u003cp\u003eThese donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eAbout External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eUpon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.\u003c/p\u003e\n","\u003cp\u003ePlease note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). \u003c/p\u003e\n","\u003cp\u003ePlease also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSuggestions for Using the Donation Listing Spreadsheet\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eMaterials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003ePlease note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.\u003c/p\u003e\n","\u003cp\u003eResearchers can use the spreadsheet to explore the collection in many ways, including the following: \u003c/p\u003e\n","\u003cp\u003e- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).\u003c/p\u003e\n","\u003cp\u003e- To identify photographs of women, Black soldiers, and Native American soldiers.\u003c/p\u003e\n","\u003cp\u003e- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAbout External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eTranscript files are titled by donor accession number. (See above note titled Alphanumeric Designations).\u003c/p\u003e\n","\u003cp\u003ePlease be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eAdditional materials relating to Fitzhugh Lee are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eAdditional materials related to William S. Rosecrans are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to States Rights Gist are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003eThis photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional Materials relating to Fitzhugh Lee are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0342.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0371.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThis case contains portraits of the same unknown soldier in both ambrotype and tintype formats.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003ePT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.\u003c/p\u003e","\u003cp\u003eImage was accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eAccessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThis photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003e34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eCarte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Alphanumeric Designations","Important Information about External Documents","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs."],"prefercite_html_tesm":["\u003cp\u003eJohn L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["John L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online \u003cemph render=\"italic\"\u003eCivil War Soldiers and Sailors Database\u003c/emph\u003e (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's \u003cemph render=\"italic\"\u003eConfederate and Southern State Currency\u003c/emph\u003e, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's \u003cemph render=\"italic\"\u003eCivil War High Commands\u003c/emph\u003e (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).\u003c/p\u003e","\u003cp\u003eEfforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. \u003c/p\u003e","\u003cp\u003eFile titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. "],"scopecontent_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. \u003c/p\u003e\n","\u003cp\u003eThe collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). \u003c/p\u003e","\u003cp\u003eSeries 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).\u003c/p\u003e","\u003cp\u003eSeries 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.\u003c/p\u003e","\u003cp\u003eSeries 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.\u003c/p\u003e","\u003cp\u003eSeries 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.\u003c/p\u003e","\u003cp\u003eSeries 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10302,"online_item_count_is":5,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:31:55.729Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941"}},{"id":"viu_repositories_4_resources_915","type":"collection","attributes":{"title":"Law examinations - University of Virginia School of Law","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_915#creator","type":"document_value","attributes":{"value":"University of Virginia. School of Law","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_915#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of examinations that the University of Virginia Law School administered to students between 1890 and 2018. It also includes a few examples of examination answers.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_915#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_4_resources_915","ead_ssi":"viu_repositories_4_resources_915","_root_":"viu_repositories_4_resources_915","_nest_parent_":"viu_repositories_4_resources_915","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_915.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/165355","title_ssm":["Law examinations - University of Virginia School of Law"],"title_tesim":["Law examinations - University of Virginia School of Law"],"unitdate_ssm":["1890-2018"],"unitdate_inclusive_ssm":["1890-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG.32.401","Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/915"],"text":["RG.32.401","Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/915","Law examinations - University of Virginia School of Law","Law  -- Examinations, questions, etc.","Law  -- Study and teaching","The conditions governing access vary across the collection. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.","A few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.","The conditions governing access vary across the series. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.","A few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.","There are no access restrictions for the examination answers in this file. The University of Virginia removed all of the information in these items that would identify the students who wrote them.","There are no access restrictions for the examination answers in this file. The University of Virginia removed all of the information in these items that would identify the students who wrote them.","The conditions governing access vary across the series. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.","A few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.","The professor, John Calvin Jeffries, has opened access to this examiniation to all law students. Students do not need his explicit written permission to view it in the special collections reading room.","The conditions governing access vary across the series. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.","A few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.","The Law Library arranged this collection into the following three series and ordered them chronologically:","I. Unbound examinations;","II. Bound examinations;","III. Examinations hosted online.","The examinations in this series are arranged in chronological order by the date they were administered to students.","Bound volumes are arranged in chronological order. Generally, a single volume contains all of the examinations that the Law Library collected for one academic year. Inside the volumes, examinations are usually arranged in alphabetical order by the name of the course.","The examinations are arranged into files by academic year.","Researchers will find more examples of University of Virginia School of Law examinations in the following publications:","1. Anderson Bros. (Charlottesville, Va.). Law Examinations. Revised and corrected ed. Anderson Bros, 1891.","2. Anderson Bros. (Charlottesville, Va.), and Thomas Randolph Keith. Law Examinations, Embracing, Examination Papers From the Year 1869 to 1894. 4th ed. Anderson Bros, 1894.","This collection consists of examinations that the University of Virginia Law School administered to students between 1890 and 2018. It also includes a few examples of examination answers.","The examinations exist in diverse media formats. Most of them are printed on paper, and most printed examinations are bound together into volumes. The other examinations were born digital and were initially made available to students online or on digital media (e.g., CDs, DVDs).","This series contains unbound print and CD copies of examinations given at the University of Virginia School of Law. The names of the professors who administered the examinations are given in parentheses with the name of the course.","J.H.A. Smith, a University of Virginia School of Law alum from the Class of 1899, signed these examinations.","Gordon M. Buck signed this examination.","Edwin B. Jones signed this examination. Jones was an alum of the University of Virginia School of Law, Class of 1900.","Nelson A. Bryan, University of Virginia (UVA) School of Law Class of 1930, signed one of the examination books. Linwood Mercer Smith, UVA School of Law Class of 1929, signed the other book.","Harry K. Benham, University of Virginia School of Law Class of 1930, signed this examination book.","W. Donald Beard, University of Virginia School of Law Class of 1930, signed this examination book.","Frank M. Tinkham, University of Virginia School of Law Class of 1931, signed this examination book.","Homer C. Reynolds, University of Virginia School of Law Class 1938, signed this examination.","This file consists of 30 University of Virginia School of Law examinations that the Arthur J. Morris Law Library collected at its circulation desk. The Library made most of these items available on reserve for law students.","Between 1952 and 2004, the University of Virginia Law Library created 47 bound volumes of past examinations given in Law School courses. Most volumes contain tables of contents that list the name of the courses, the date of the examination, and the name of the instructor. Course instructors periodically transferred the examinations to the Library so that students could use them as study materials. The Library kept the examinations on reserve and classified them with the \"VL 13\" number until 2018.","The bound examination book for Fall 1984-Spring 1985 (Item ID: 3305355-10001) was missing from the Law Library as of 2024.","From around 1996 and 2018, the University of Virginia Law Library hosted online copies of past examinations given in Law School courses. Some course instructors periodically transferred them to the Library so that students could use them as study materials. The examinations are in the .doc, .docx, .pdf, and .wpd file formats.","Because of the nature of this collection, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.","Because of the nature of this series, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.","Because of the nature of this series, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.","Because of the nature of this series, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.","Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law","English"],"unitid_tesim":["RG.32.401","Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/915"],"normalized_title_ssm":["Law examinations - University of Virginia School of Law"],"collection_title_tesim":["Law examinations - University of Virginia School of Law"],"collection_ssim":["Law examinations - University of Virginia School of Law"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["University of Virginia. School of Law"],"creator_ssim":["University of Virginia. School of Law"],"creator_corpname_ssim":["University of Virginia. School of Law"],"creators_ssim":["University of Virginia. School of Law"],"access_terms_ssm":["Because of the nature of this collection, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia."],"acqinfo_ssim":["RG-32-401 contains examinations from different sources.","The items in Series I came to the Library from various sources including donations, purchases, and internal transfers. Most of them were at one time stored in a \"memorabilia file drawer\" or the Law Library's front circulation office. ","Series II consists of bound examinations that the Law Library transferred from its reserve collection to its special collections department around 2018.","Series III consists of digital examinations that the Law Library transferred from an online environment to its special collections department around 2018. "],"access_subjects_ssim":["Law  -- Examinations, questions, etc.","Law  -- Study and teaching"],"access_subjects_ssm":["Law  -- Examinations, questions, etc.","Law  -- Study and teaching"],"has_online_content_ssim":["true"],"extent_ssm":[".5 Cubic Feet 1 archival box","47 Volumes",".096 Gigabytes"],"extent_tesim":[".5 Cubic Feet 1 archival box","47 Volumes",".096 Gigabytes"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe conditions governing access vary across the collection. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.\u003c/p\u003e\n","\u003cp\u003eA few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.\u003c/p\u003e","\u003cp\u003eThe conditions governing access vary across the series. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.\u003c/p\u003e\n","\u003cp\u003eA few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.\u003c/p\u003e","\u003cp\u003eThere are no access restrictions for the examination answers in this file. The University of Virginia removed all of the information in these items that would identify the students who wrote them.\u003c/p\u003e","\u003cp\u003eThere are no access restrictions for the examination answers in this file. The University of Virginia removed all of the information in these items that would identify the students who wrote them.\u003c/p\u003e","\u003cp\u003eThe conditions governing access vary across the series. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.\u003c/p\u003e\n","\u003cp\u003eA few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.\u003c/p\u003e","\u003cp\u003eThe professor, John Calvin Jeffries, has opened access to this examiniation to all law students. Students do not need his explicit written permission to view it in the special collections reading room.\u003c/p\u003e","\u003cp\u003eThe conditions governing access vary across the series. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.\u003c/p\u003e\n","\u003cp\u003eA few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The conditions governing access vary across the collection. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.","A few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.","The conditions governing access vary across the series. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.","A few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.","There are no access restrictions for the examination answers in this file. The University of Virginia removed all of the information in these items that would identify the students who wrote them.","There are no access restrictions for the examination answers in this file. The University of Virginia removed all of the information in these items that would identify the students who wrote them.","The conditions governing access vary across the series. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.","A few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.","The professor, John Calvin Jeffries, has opened access to this examiniation to all law students. Students do not need his explicit written permission to view it in the special collections reading room.","The conditions governing access vary across the series. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.","A few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid."],"arrangement_html_tesm":["\u003cp\u003eThe Law Library arranged this collection into the following three series and ordered them chronologically:\u003c/p\u003e\n","\u003cp\u003eI. Unbound examinations;\u003c/p\u003e\n","\u003cp\u003eII. Bound examinations;\u003c/p\u003e\n","\u003cp\u003eIII. Examinations hosted online.\u003c/p\u003e","\u003cp\u003eThe examinations in this series are arranged in chronological order by the date they were administered to students.\u003c/p\u003e","\u003cp\u003eBound volumes are arranged in chronological order. Generally, a single volume contains all of the examinations that the Law Library collected for one academic year. Inside the volumes, examinations are usually arranged in alphabetical order by the name of the course.\u003c/p\u003e","\u003cp\u003eThe examinations are arranged into files by academic year.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The Law Library arranged this collection into the following three series and ordered them chronologically:","I. Unbound examinations;","II. Bound examinations;","III. Examinations hosted online.","The examinations in this series are arranged in chronological order by the date they were administered to students.","Bound volumes are arranged in chronological order. Generally, a single volume contains all of the examinations that the Law Library collected for one academic year. Inside the volumes, examinations are usually arranged in alphabetical order by the name of the course.","The examinations are arranged into files by academic year."],"relatedmaterial_html_tesm":["\u003cp\u003eResearchers will find more examples of University of Virginia School of Law examinations in the following publications:\u003c/p\u003e\n","\u003cp\u003e1. Anderson Bros. (Charlottesville, Va.). Law Examinations. Revised and corrected ed. Anderson Bros, 1891.\u003c/p\u003e\n","\u003cp\u003e2. Anderson Bros. (Charlottesville, Va.), and Thomas Randolph Keith. Law Examinations, Embracing, Examination Papers From the Year 1869 to 1894. 4th ed. Anderson Bros, 1894.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Researchers will find more examples of University of Virginia School of Law examinations in the following publications:","1. Anderson Bros. (Charlottesville, Va.). Law Examinations. Revised and corrected ed. Anderson Bros, 1891.","2. Anderson Bros. (Charlottesville, Va.), and Thomas Randolph Keith. Law Examinations, Embracing, Examination Papers From the Year 1869 to 1894. 4th ed. Anderson Bros, 1894."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of examinations that the University of Virginia Law School administered to students between 1890 and 2018. It also includes a few examples of examination answers.\u003c/p\u003e\n","\u003cp\u003eThe examinations exist in diverse media formats. Most of them are printed on paper, and most printed examinations are bound together into volumes. The other examinations were born digital and were initially made available to students online or on digital media (e.g., CDs, DVDs).\u003c/p\u003e","\u003cp\u003eThis series contains unbound print and CD copies of examinations given at the University of Virginia School of Law. The names of the professors who administered the examinations are given in parentheses with the name of the course.\u003c/p\u003e","\u003cp\u003eJ.H.A. Smith, a University of Virginia School of Law alum from the Class of 1899, signed these examinations.\u003c/p\u003e","\u003cp\u003eGordon M. Buck signed this examination.\u003c/p\u003e","\u003cp\u003eEdwin B. Jones signed this examination. Jones was an alum of the University of Virginia School of Law, Class of 1900.\u003c/p\u003e","\u003cp\u003eNelson A. Bryan, University of Virginia (UVA) School of Law Class of 1930, signed one of the examination books. Linwood Mercer Smith, UVA School of Law Class of 1929, signed the other book.\u003c/p\u003e","\u003cp\u003eHarry K. Benham, University of Virginia School of Law Class of 1930, signed this examination book.\u003c/p\u003e","\u003cp\u003eW. Donald Beard, University of Virginia School of Law Class of 1930, signed this examination book.\u003c/p\u003e","\u003cp\u003eFrank M. Tinkham, University of Virginia School of Law Class of 1931, signed this examination book.\u003c/p\u003e","\u003cp\u003eHomer C. Reynolds, University of Virginia School of Law Class 1938, signed this examination.\u003c/p\u003e","\u003cp\u003eThis file consists of 30 University of Virginia School of Law examinations that the Arthur J. Morris Law Library collected at its circulation desk. The Library made most of these items available on reserve for law students.\u003c/p\u003e","\u003cp\u003eBetween 1952 and 2004, the University of Virginia Law Library created 47 bound volumes of past examinations given in Law School courses. Most volumes contain tables of contents that list the name of the courses, the date of the examination, and the name of the instructor. Course instructors periodically transferred the examinations to the Library so that students could use them as study materials. The Library kept the examinations on reserve and classified them with the \"VL 13\" number until 2018.\u003c/p\u003e\n","\u003cp\u003eThe bound examination book for Fall 1984-Spring 1985 (Item ID: 3305355-10001) was missing from the Law Library as of 2024.\u003c/p\u003e","\u003cp\u003eFrom around 1996 and 2018, the University of Virginia Law Library hosted online copies of past examinations given in Law School courses. Some course instructors periodically transferred them to the Library so that students could use them as study materials. The examinations are in the .doc, .docx, .pdf, and .wpd file formats.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of examinations that the University of Virginia Law School administered to students between 1890 and 2018. It also includes a few examples of examination answers.","The examinations exist in diverse media formats. Most of them are printed on paper, and most printed examinations are bound together into volumes. The other examinations were born digital and were initially made available to students online or on digital media (e.g., CDs, DVDs).","This series contains unbound print and CD copies of examinations given at the University of Virginia School of Law. The names of the professors who administered the examinations are given in parentheses with the name of the course.","J.H.A. Smith, a University of Virginia School of Law alum from the Class of 1899, signed these examinations.","Gordon M. Buck signed this examination.","Edwin B. Jones signed this examination. Jones was an alum of the University of Virginia School of Law, Class of 1900.","Nelson A. Bryan, University of Virginia (UVA) School of Law Class of 1930, signed one of the examination books. Linwood Mercer Smith, UVA School of Law Class of 1929, signed the other book.","Harry K. Benham, University of Virginia School of Law Class of 1930, signed this examination book.","W. Donald Beard, University of Virginia School of Law Class of 1930, signed this examination book.","Frank M. Tinkham, University of Virginia School of Law Class of 1931, signed this examination book.","Homer C. Reynolds, University of Virginia School of Law Class 1938, signed this examination.","This file consists of 30 University of Virginia School of Law examinations that the Arthur J. Morris Law Library collected at its circulation desk. The Library made most of these items available on reserve for law students.","Between 1952 and 2004, the University of Virginia Law Library created 47 bound volumes of past examinations given in Law School courses. Most volumes contain tables of contents that list the name of the courses, the date of the examination, and the name of the instructor. Course instructors periodically transferred the examinations to the Library so that students could use them as study materials. The Library kept the examinations on reserve and classified them with the \"VL 13\" number until 2018.","The bound examination book for Fall 1984-Spring 1985 (Item ID: 3305355-10001) was missing from the Law Library as of 2024.","From around 1996 and 2018, the University of Virginia Law Library hosted online copies of past examinations given in Law School courses. Some course instructors periodically transferred them to the Library so that students could use them as study materials. The examinations are in the .doc, .docx, .pdf, and .wpd file formats."],"userestrict_html_tesm":["\u003cp\u003eBecause of the nature of this collection, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.\u003c/p\u003e","\u003cp\u003eBecause of the nature of this series, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.\u003c/p\u003e","\u003cp\u003eBecause of the nature of this series, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.\u003c/p\u003e","\u003cp\u003eBecause of the nature of this series, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["Because of the nature of this collection, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.","Because of the nature of this series, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.","Because of the nature of this series, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.","Because of the nature of this series, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia."],"names_ssim":["Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law"],"corpname_ssim":["Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1816,"online_item_count_is":111,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:24:18.661Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_4_resources_915","ead_ssi":"viu_repositories_4_resources_915","_root_":"viu_repositories_4_resources_915","_nest_parent_":"viu_repositories_4_resources_915","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_915.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/165355","title_ssm":["Law examinations - University of Virginia School of Law"],"title_tesim":["Law examinations - University of Virginia School of Law"],"unitdate_ssm":["1890-2018"],"unitdate_inclusive_ssm":["1890-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG.32.401","Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/915"],"text":["RG.32.401","Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/915","Law examinations - University of Virginia School of Law","Law  -- Examinations, questions, etc.","Law  -- Study and teaching","The conditions governing access vary across the collection. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.","A few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.","The conditions governing access vary across the series. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.","A few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.","There are no access restrictions for the examination answers in this file. The University of Virginia removed all of the information in these items that would identify the students who wrote them.","There are no access restrictions for the examination answers in this file. The University of Virginia removed all of the information in these items that would identify the students who wrote them.","The conditions governing access vary across the series. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.","A few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.","The professor, John Calvin Jeffries, has opened access to this examiniation to all law students. Students do not need his explicit written permission to view it in the special collections reading room.","The conditions governing access vary across the series. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.","A few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.","The Law Library arranged this collection into the following three series and ordered them chronologically:","I. Unbound examinations;","II. Bound examinations;","III. Examinations hosted online.","The examinations in this series are arranged in chronological order by the date they were administered to students.","Bound volumes are arranged in chronological order. Generally, a single volume contains all of the examinations that the Law Library collected for one academic year. Inside the volumes, examinations are usually arranged in alphabetical order by the name of the course.","The examinations are arranged into files by academic year.","Researchers will find more examples of University of Virginia School of Law examinations in the following publications:","1. Anderson Bros. (Charlottesville, Va.). Law Examinations. Revised and corrected ed. Anderson Bros, 1891.","2. Anderson Bros. (Charlottesville, Va.), and Thomas Randolph Keith. Law Examinations, Embracing, Examination Papers From the Year 1869 to 1894. 4th ed. Anderson Bros, 1894.","This collection consists of examinations that the University of Virginia Law School administered to students between 1890 and 2018. It also includes a few examples of examination answers.","The examinations exist in diverse media formats. Most of them are printed on paper, and most printed examinations are bound together into volumes. The other examinations were born digital and were initially made available to students online or on digital media (e.g., CDs, DVDs).","This series contains unbound print and CD copies of examinations given at the University of Virginia School of Law. The names of the professors who administered the examinations are given in parentheses with the name of the course.","J.H.A. Smith, a University of Virginia School of Law alum from the Class of 1899, signed these examinations.","Gordon M. Buck signed this examination.","Edwin B. Jones signed this examination. Jones was an alum of the University of Virginia School of Law, Class of 1900.","Nelson A. Bryan, University of Virginia (UVA) School of Law Class of 1930, signed one of the examination books. Linwood Mercer Smith, UVA School of Law Class of 1929, signed the other book.","Harry K. Benham, University of Virginia School of Law Class of 1930, signed this examination book.","W. Donald Beard, University of Virginia School of Law Class of 1930, signed this examination book.","Frank M. Tinkham, University of Virginia School of Law Class of 1931, signed this examination book.","Homer C. Reynolds, University of Virginia School of Law Class 1938, signed this examination.","This file consists of 30 University of Virginia School of Law examinations that the Arthur J. Morris Law Library collected at its circulation desk. The Library made most of these items available on reserve for law students.","Between 1952 and 2004, the University of Virginia Law Library created 47 bound volumes of past examinations given in Law School courses. Most volumes contain tables of contents that list the name of the courses, the date of the examination, and the name of the instructor. Course instructors periodically transferred the examinations to the Library so that students could use them as study materials. The Library kept the examinations on reserve and classified them with the \"VL 13\" number until 2018.","The bound examination book for Fall 1984-Spring 1985 (Item ID: 3305355-10001) was missing from the Law Library as of 2024.","From around 1996 and 2018, the University of Virginia Law Library hosted online copies of past examinations given in Law School courses. Some course instructors periodically transferred them to the Library so that students could use them as study materials. The examinations are in the .doc, .docx, .pdf, and .wpd file formats.","Because of the nature of this collection, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.","Because of the nature of this series, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.","Because of the nature of this series, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.","Because of the nature of this series, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.","Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law","English"],"unitid_tesim":["RG.32.401","Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/915"],"normalized_title_ssm":["Law examinations - University of Virginia School of Law"],"collection_title_tesim":["Law examinations - University of Virginia School of Law"],"collection_ssim":["Law examinations - University of Virginia School of Law"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["University of Virginia. School of Law"],"creator_ssim":["University of Virginia. School of Law"],"creator_corpname_ssim":["University of Virginia. School of Law"],"creators_ssim":["University of Virginia. School of Law"],"access_terms_ssm":["Because of the nature of this collection, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia."],"acqinfo_ssim":["RG-32-401 contains examinations from different sources.","The items in Series I came to the Library from various sources including donations, purchases, and internal transfers. Most of them were at one time stored in a \"memorabilia file drawer\" or the Law Library's front circulation office. ","Series II consists of bound examinations that the Law Library transferred from its reserve collection to its special collections department around 2018.","Series III consists of digital examinations that the Law Library transferred from an online environment to its special collections department around 2018. "],"access_subjects_ssim":["Law  -- Examinations, questions, etc.","Law  -- Study and teaching"],"access_subjects_ssm":["Law  -- Examinations, questions, etc.","Law  -- Study and teaching"],"has_online_content_ssim":["true"],"extent_ssm":[".5 Cubic Feet 1 archival box","47 Volumes",".096 Gigabytes"],"extent_tesim":[".5 Cubic Feet 1 archival box","47 Volumes",".096 Gigabytes"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe conditions governing access vary across the collection. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.\u003c/p\u003e\n","\u003cp\u003eA few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.\u003c/p\u003e","\u003cp\u003eThe conditions governing access vary across the series. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.\u003c/p\u003e\n","\u003cp\u003eA few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.\u003c/p\u003e","\u003cp\u003eThere are no access restrictions for the examination answers in this file. The University of Virginia removed all of the information in these items that would identify the students who wrote them.\u003c/p\u003e","\u003cp\u003eThere are no access restrictions for the examination answers in this file. The University of Virginia removed all of the information in these items that would identify the students who wrote them.\u003c/p\u003e","\u003cp\u003eThe conditions governing access vary across the series. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.\u003c/p\u003e\n","\u003cp\u003eA few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.\u003c/p\u003e","\u003cp\u003eThe professor, John Calvin Jeffries, has opened access to this examiniation to all law students. Students do not need his explicit written permission to view it in the special collections reading room.\u003c/p\u003e","\u003cp\u003eThe conditions governing access vary across the series. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.\u003c/p\u003e\n","\u003cp\u003eA few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The conditions governing access vary across the collection. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.","A few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.","The conditions governing access vary across the series. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.","A few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.","There are no access restrictions for the examination answers in this file. The University of Virginia removed all of the information in these items that would identify the students who wrote them.","There are no access restrictions for the examination answers in this file. The University of Virginia removed all of the information in these items that would identify the students who wrote them.","The conditions governing access vary across the series. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.","A few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid.","The professor, John Calvin Jeffries, has opened access to this examiniation to all law students. Students do not need his explicit written permission to view it in the special collections reading room.","The conditions governing access vary across the series. There are no restrictions on access to the examinations of deceased professors. However, access to the examinations of living professors is restricted. Researchers must first obtain written permission from living professors to view them. After a researcher presents written permission to the University of Virginia Law Library, the Library may allow them to view the examination in the special collections reading room. Researchers may take written notes, but the Library prohibits photography or scanning. Researchers may not borrow examinations or view them outside of the special collections reading room.","A few living professors have waived the requirement for written permission. Waivers are recorded in a conditions governing access note attached to the examination records in this finding aid."],"arrangement_html_tesm":["\u003cp\u003eThe Law Library arranged this collection into the following three series and ordered them chronologically:\u003c/p\u003e\n","\u003cp\u003eI. Unbound examinations;\u003c/p\u003e\n","\u003cp\u003eII. Bound examinations;\u003c/p\u003e\n","\u003cp\u003eIII. Examinations hosted online.\u003c/p\u003e","\u003cp\u003eThe examinations in this series are arranged in chronological order by the date they were administered to students.\u003c/p\u003e","\u003cp\u003eBound volumes are arranged in chronological order. Generally, a single volume contains all of the examinations that the Law Library collected for one academic year. Inside the volumes, examinations are usually arranged in alphabetical order by the name of the course.\u003c/p\u003e","\u003cp\u003eThe examinations are arranged into files by academic year.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The Law Library arranged this collection into the following three series and ordered them chronologically:","I. Unbound examinations;","II. Bound examinations;","III. Examinations hosted online.","The examinations in this series are arranged in chronological order by the date they were administered to students.","Bound volumes are arranged in chronological order. Generally, a single volume contains all of the examinations that the Law Library collected for one academic year. Inside the volumes, examinations are usually arranged in alphabetical order by the name of the course.","The examinations are arranged into files by academic year."],"relatedmaterial_html_tesm":["\u003cp\u003eResearchers will find more examples of University of Virginia School of Law examinations in the following publications:\u003c/p\u003e\n","\u003cp\u003e1. Anderson Bros. (Charlottesville, Va.). Law Examinations. Revised and corrected ed. Anderson Bros, 1891.\u003c/p\u003e\n","\u003cp\u003e2. Anderson Bros. (Charlottesville, Va.), and Thomas Randolph Keith. Law Examinations, Embracing, Examination Papers From the Year 1869 to 1894. 4th ed. Anderson Bros, 1894.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Researchers will find more examples of University of Virginia School of Law examinations in the following publications:","1. Anderson Bros. (Charlottesville, Va.). Law Examinations. Revised and corrected ed. Anderson Bros, 1891.","2. Anderson Bros. (Charlottesville, Va.), and Thomas Randolph Keith. Law Examinations, Embracing, Examination Papers From the Year 1869 to 1894. 4th ed. Anderson Bros, 1894."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of examinations that the University of Virginia Law School administered to students between 1890 and 2018. It also includes a few examples of examination answers.\u003c/p\u003e\n","\u003cp\u003eThe examinations exist in diverse media formats. Most of them are printed on paper, and most printed examinations are bound together into volumes. The other examinations were born digital and were initially made available to students online or on digital media (e.g., CDs, DVDs).\u003c/p\u003e","\u003cp\u003eThis series contains unbound print and CD copies of examinations given at the University of Virginia School of Law. The names of the professors who administered the examinations are given in parentheses with the name of the course.\u003c/p\u003e","\u003cp\u003eJ.H.A. Smith, a University of Virginia School of Law alum from the Class of 1899, signed these examinations.\u003c/p\u003e","\u003cp\u003eGordon M. Buck signed this examination.\u003c/p\u003e","\u003cp\u003eEdwin B. Jones signed this examination. Jones was an alum of the University of Virginia School of Law, Class of 1900.\u003c/p\u003e","\u003cp\u003eNelson A. Bryan, University of Virginia (UVA) School of Law Class of 1930, signed one of the examination books. Linwood Mercer Smith, UVA School of Law Class of 1929, signed the other book.\u003c/p\u003e","\u003cp\u003eHarry K. Benham, University of Virginia School of Law Class of 1930, signed this examination book.\u003c/p\u003e","\u003cp\u003eW. Donald Beard, University of Virginia School of Law Class of 1930, signed this examination book.\u003c/p\u003e","\u003cp\u003eFrank M. Tinkham, University of Virginia School of Law Class of 1931, signed this examination book.\u003c/p\u003e","\u003cp\u003eHomer C. Reynolds, University of Virginia School of Law Class 1938, signed this examination.\u003c/p\u003e","\u003cp\u003eThis file consists of 30 University of Virginia School of Law examinations that the Arthur J. Morris Law Library collected at its circulation desk. The Library made most of these items available on reserve for law students.\u003c/p\u003e","\u003cp\u003eBetween 1952 and 2004, the University of Virginia Law Library created 47 bound volumes of past examinations given in Law School courses. Most volumes contain tables of contents that list the name of the courses, the date of the examination, and the name of the instructor. Course instructors periodically transferred the examinations to the Library so that students could use them as study materials. The Library kept the examinations on reserve and classified them with the \"VL 13\" number until 2018.\u003c/p\u003e\n","\u003cp\u003eThe bound examination book for Fall 1984-Spring 1985 (Item ID: 3305355-10001) was missing from the Law Library as of 2024.\u003c/p\u003e","\u003cp\u003eFrom around 1996 and 2018, the University of Virginia Law Library hosted online copies of past examinations given in Law School courses. Some course instructors periodically transferred them to the Library so that students could use them as study materials. The examinations are in the .doc, .docx, .pdf, and .wpd file formats.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of examinations that the University of Virginia Law School administered to students between 1890 and 2018. It also includes a few examples of examination answers.","The examinations exist in diverse media formats. Most of them are printed on paper, and most printed examinations are bound together into volumes. The other examinations were born digital and were initially made available to students online or on digital media (e.g., CDs, DVDs).","This series contains unbound print and CD copies of examinations given at the University of Virginia School of Law. The names of the professors who administered the examinations are given in parentheses with the name of the course.","J.H.A. Smith, a University of Virginia School of Law alum from the Class of 1899, signed these examinations.","Gordon M. Buck signed this examination.","Edwin B. Jones signed this examination. Jones was an alum of the University of Virginia School of Law, Class of 1900.","Nelson A. Bryan, University of Virginia (UVA) School of Law Class of 1930, signed one of the examination books. Linwood Mercer Smith, UVA School of Law Class of 1929, signed the other book.","Harry K. Benham, University of Virginia School of Law Class of 1930, signed this examination book.","W. Donald Beard, University of Virginia School of Law Class of 1930, signed this examination book.","Frank M. Tinkham, University of Virginia School of Law Class of 1931, signed this examination book.","Homer C. Reynolds, University of Virginia School of Law Class 1938, signed this examination.","This file consists of 30 University of Virginia School of Law examinations that the Arthur J. Morris Law Library collected at its circulation desk. The Library made most of these items available on reserve for law students.","Between 1952 and 2004, the University of Virginia Law Library created 47 bound volumes of past examinations given in Law School courses. Most volumes contain tables of contents that list the name of the courses, the date of the examination, and the name of the instructor. Course instructors periodically transferred the examinations to the Library so that students could use them as study materials. The Library kept the examinations on reserve and classified them with the \"VL 13\" number until 2018.","The bound examination book for Fall 1984-Spring 1985 (Item ID: 3305355-10001) was missing from the Law Library as of 2024.","From around 1996 and 2018, the University of Virginia Law Library hosted online copies of past examinations given in Law School courses. Some course instructors periodically transferred them to the Library so that students could use them as study materials. The examinations are in the .doc, .docx, .pdf, and .wpd file formats."],"userestrict_html_tesm":["\u003cp\u003eBecause of the nature of this collection, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.\u003c/p\u003e","\u003cp\u003eBecause of the nature of this series, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.\u003c/p\u003e","\u003cp\u003eBecause of the nature of this series, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.\u003c/p\u003e","\u003cp\u003eBecause of the nature of this series, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["Because of the nature of this collection, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.","Because of the nature of this series, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.","Because of the nature of this series, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.","Because of the nature of this series, copyright status varies across the examinations. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia."],"names_ssim":["Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law"],"corpname_ssim":["Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1816,"online_item_count_is":111,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:24:18.661Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_4_resources_915"}},{"id":"viu_repositories_4_resources_1347","type":"collection","attributes":{"title":"Loren Roth papers","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_1347#creator","type":"document_value","attributes":{"value":"Roth, Loren H.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_1347#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection is divided into two series. The first series, \"abuse of psychiatry and psychiatrists\", consists of subject files compiled by Dr. Loren Roth, Professor of Psychiatry at the University of Pittsburgh. They are evidence of Dr. Roth's efforts to stop the abuse of psychiatry and psychiatrists for political reasons, with an emphasis on the former Soviet Union. The subject files contain correspondence, articles, reports, evaluations, meeting minutes, agendas, planning materials, diaries, photographs, memoranda, handwritten notes, programs, books, videotapes, ephemera, and other items. Together, these materials date from around 1950 to 2008. However the bulk of them date from the 1970s to the 1990s, when Dr. Roth participated in U.S. delegations to the former Soviet Union and was part of the American Psychological Association's (APA) Committees on Human Rights and International Abuse of Psychiatry and Psychiatrists.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_1347#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_4_resources_1347","ead_ssi":"viu_repositories_4_resources_1347","_root_":"viu_repositories_4_resources_1347","_nest_parent_":"viu_repositories_4_resources_1347","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_1347.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/169336","title_ssm":["Loren Roth papers"],"title_tesim":["Loren Roth papers"],"unitdate_ssm":["1950-2022","1974-2022"],"unitdate_bulk_ssim":["1974-2022"],"unitdate_inclusive_ssm":["1950-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.2021.01","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/1347"],"text":["MSS.2021.01","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/1347","Loren Roth papers","Psychiatry -- Soviet Union","Political prisoners -- Soviet Union","Dissenters -- Soviet Union","Researchers may only access and view the materials in this collection onsite and in-person at the University of Virginia Law Library in Charlottesville, Virginia. The following additional restrictions apply to any materials that contain the names of the interviewees of the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union and/or 1991 ad hoc mission to the Soviet Union by the World Psychiatric Association:","1. To obtain access to these records, interested researchers must sign a form to agree not to use, document, or disclose names of the patients or their families, or other identifying information about these persons and to abide by all the provisions specified in the present document. The form is available on site from the responsible official of the UVA Law Library. ","2. These materials may not be copied, photographed, or otherwise reproduced digitally. ","3. Before accessing the requested materials, interested researchers must agree to abide by reasonable administrative, technical, and physical safeguards, as approved by the UVA Law Library, to prevent unauthorized use or disclosure of the information. These procedures shall be followed by all persons associated with the applicant's research project.  ","4. Records in this category are also subject to the following safeguards: (i) Any information that would permit the identification of an individual (names, biographical data, etc.) may not be used, documented, or made public by the researcher, nor will any attempt to contact them be made. However, this does not preclude the researcher from contacting a person in advance of gaining access, for the purpose of obtaining access.  (ii) If a researcher obtains written authorization for access from an interviewee or from his/her legal guardian, the records may be made available to that researcher. (iii) Interviewees themselves may have free access to their own health information if contained in this collection. ","5. If the University of Virginia Law Library discovers that a researcher has violated the confidentiality of information or the conditions of access, the Law Library shall take steps to revoke the research privileges of the researcher and shall consult with University of Virginia legal counsel to prevent further disclosure of the health information.","Finally, different access restrictions may apply to some of the items in  this collection. Whenever possible, archivists have made a note of these restrictions in other parts of the finding aid.","There are access restrictions on some of the materials in this series. When a file or item is restricted, an additional note explaining the conditions of access is attached to the file or item description.","The items in these folders contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed in the U.S.S.R. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed in the U.S.S.R. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed in the U.S.S.R. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed in the U.S.S.R. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","The interviews with the former Soviet patients and the original 1989 recording are restricted and special permissions apply.","Dr. Joseph D. Bloom did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Kyrill Borissow did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Dr. William Carpenter did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Robert William Farrand did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Dr. Robert Hirschfeld did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","William Hopkins did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Mr. I. did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022). However, due to the sensitive nature of the topics covered in the interview, the University of Virginia restricts access according to the guidelines for more sensitive materials outlined in the Conditions Governing Access note at the collection level of this finding aid.","Dr. Samuel Keith did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Dr. Felix Kleyman did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Andrey Kovalev did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Ellen Mercer did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Dr. John T. Monahan did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Peter Reddaway did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Dr. Darrel Regier did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","In addition to the restrictions on access that applies to all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022),  Dr. Loren Roth requested that The University of Virginia only make his interview available to researchers on-site at the repository preserving the interview.","Mr. S. did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022). However, due to the sensitive nature of the topics covered in the interview, the University of Virginia restricts access to both recordings according to the guidelines for more sensitive materials outlined in the Conditions Governing Access note at the collection level of this finding aid.","Carolyn Smith did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","In addition to the restrictions on access that applies to all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022),  Dr. Leon Stern requested that The University of Virginia only make his interview available to researchers on-site at the repository preserving the interview.","This file contain sensitive information about the health or treatment of persons from the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of persons from the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","The files in this series are arranged by subject into 14 sub-series.","The files in this sub-series are arranged in chronological order.","The files in this sub-series are arranged in chronological order.","While it is understood that the misuse of psychiatry for non-medical reasons allegedly started in the U.S.S.R. after the October Revolution of 1917, its widespread and systematic use as a tool to silence political dissent became well-documented during Khrushchev's era. In a 1959 speech attributed to Khrushchev, he allegedly attempted to justify putting dissidents in psychiatric hospitals by saying that only a mentally ill person may be opposed to Communism (1). While there also were \"political\" parts of the R.S.F.S.R. Criminal Code that criminalized anti-Soviet agitation and slander of the Soviet state, psychiatry was often used to isolate dissidents, punish them with psychiatric drugs, discredit their ideas, and avoid criminal law procedures.","The \"Sluggish schizophrenia\" concept developed by academician Snezhnevsky had overly broad diagnostic criteria that allowed the diagnosis of schizophrenia in patients who showed no symptoms, on the assumption that these symptoms would appear later (2). In almost every case, dissidents were examined at the Serbsky Central Research Institute for Forensic Psychiatry.\nInformation about Soviet repressive psychiatry became well-known in the West after 1971 dissident Vladimir Bukovsky smuggled over 150 pages documenting the political abuse of psychiatric institutions in the Soviet Union into the West. The papers were studied by independent psychiatrists in several countries and released to the press (3). \"Bukovsky's papers\" galvanized human rights activists worldwide and those within the Soviet Union.","While the attempt to bring the matter to the official agenda of the World Psychiatric Association (W.P.A.) at their 1971 World Congress in Mexico was unsuccessful, it kept gaining more and more outcry worldwide. So, in 1977, the W.P.A. adopted the Hawaii Declaration – a milestone defining principles of good and ethical medical practice. The All-Union Society of Psychiatrists and Narcologists, the official Soviet professional organization, was bound to withdraw from the W.P.A. at its next Congress in 1983—the allegations of the political abuse of psychiatry inflicted irretrievable damage on the prestige of Soviet medicine.","In 1975, the Soviet Union, the United States, and other countries signed the Helsinki Accords - the key document of the Conference of Security and Cooperation in Europe (C.S.C.E.). The Accords signaled a détente between the East and the West and built the foundation for the end of the Cold War, the U.S.-Soviet disarmament talks, and the \"third basket\" on human rights and freedoms in the Soviet Union.","Mikhail Gorbachev, who became the head of the Soviet Communist Party in 1985, prioritized the improvement of U.S.-Soviet relations. Also, Gorbachev launched the domestic \"perestroika\" (restructuring) and \"glasnost\" (openness) initiatives. These combined foreign and domestic policy developments fostered interest, internally and externally, in the plight of Soviet political prisoners. The Soviet Union released many political prisoners from labor camps, and in April 1987, Secretary Schultz and Soviet Minister of Foreign Affairs Shevardnadze agreed on a human rights dialog (4). As part of this broader dialog, in September 1987, the Soviet representatives began to try to assure their American counterparts that the abuse of psychiatry had ended (5).","Notes:","1. Khrushchev had said this in a speech published in the state newspaper Pravda on 24 May 1959: A crime is a deviation from generally recognized standards of behaviour frequently caused by mental disorder. Can there be diseases, nervous disorders among certain people in a Communist society? Evidently yes. If that is so, then there will also be offences, which are characteristic of people with abnormal minds. Of those who might start calling for opposition to Communism on this basis, we can say that clearly their mental state is not normal.\nKnapp, Martin, et al. Mental Health Policy and Practice Across Europe: The Future Direction of Mental Health Care, McGraw-Hill Education, 2006. ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/uva/detail.action?docID=316293.","2. Sfera, Adonis. Can psychiatry be misused again?. Frontiers in Psychiatry. 9 September 2013;(4):101. doi:10.3389/fpsyt.2013.00101. PMID 24058348.","3. For more information, see Reddaway, Peter (12 March 1971). \"Plea to West on Soviet 'mad-house' jails\". The Times. p. 8.; Bloch, Sidney; Reddaway, Peter (1984). Soviet Psychiatric Abuse. The Shadow Over World Psychiatry. London: Gollancz.","4. Schifter-Adamishin book, timeline, page xix","5. Id, pages xix and xx","During the late 1980s, U.S.-Soviet discussions about the abuse of psychiatry led to the formation of a special U.S. delegation to the Soviet Union. In February 1989, the U.S.S.R. allowed the delegation to independently assess 27 Soviet citizens believed to have been psychiatrically committed for non-medical reasons. The U.S.S.R. also allowed the delegation to inspect ordinary psychiatric hospitals and other hospitals known as \"psychoprisons.\" The U.S. delegation's psychiatric leader was Dr. Loren Roth of the University of Pittsburgh. The U.S. State Department organized the trip, closely cooperating with the American Psychiatric Association and the National Institute of Mental Health. Their Soviet counterparts were the Ministry of Foreign Affairs. The Soviet Ministry of Health and the conservative leadership of Soviet psychiatry, both believed to have been deeply involved in abuse, internally opposed the visit. However, the Ministry of Foreign Affairs overcame this opposition, and their support was critical to the U.S. delegation's success.","The U.S. delegation consisted of leading experts in psychiatry, forensic psychiatry, forensic psychology, law, and Sovietology. Also, it included a representative of the American Psychological Association (A.P.A.), and émigré Soviet psychiatrists living in the United States.","From April 1988 onward, Dr. Loren Roth engaged in extensive negotiations with his Soviet counterparts on the details of the visit. They discussed the list of people (\"patients\") to be assessed by the delegation and the processes for obtaining their consent. There were difficult negotiations over the presence of Soviet psychiatrists during the examinations, and the need to protect the interviewees from potential intimidation and retaliation.","The U.S. delegation advocated for and adopted critical precautions to ensure the transparency of the mission and its findings. They used scientifically developed structural psychiatric interview schedules, brought U.S. interpreters to assist the delegation, avoided sharing the cost of the trip with the Soviet side, collected urine samples to rule out overmedication, videotaped the interviews, and spoke with friends/relatives of those interviewed.","Although there was a significant risk that the Soviet Union would cancel the delegation's visit, it occurred between February and March, 1989. The American team evaluated 27 Soviet citizens and inspected special psychiatric hospitals in Kazan and Chernyakhovsk as well as ordinary psychiatric hospitals in Vilnius and Kaunas.","Among those interviewed by the U.S. team were people still hospitalized, and those who had been previously discharged. The American team was greatly assisted by Mr. Aleksandr \"Sasha\" Podrabinek, the Soviet and, subsequently, Russian dissident. He was an expert on the issue of abuse of psychiatry and author of the 1979 book \"Punitive Medicine\" (see references). Mr. Podrabinek facilitated access to those who had been previously released and claimed to be unavailable by Soviet counterparts.","The U.S. team detailed their conclusions in their final report, \"Assessment of Recent Changes in Soviet Psychiatry\" (available in this collection), which researchers are encouraged to read. The Soviet Union responded officially with its own report.","The 1989 visit laid a foundation for subsequent collaboration between the two countries in the area of mental health. The U.S.-Russia Health Committee met from 1994 to 2000 as a part of a larger Gore-Chernomyrdin Commission. It focused, in particular, on mental health care during disasters and the primary care physician's role in caring for patients with depression.","Shortly after the American mission was over, the W.P.A. congress in Athens decided to provisionally readmit the Soviet All-Union Society after receiving an official, although somewhat vague, admission of the past wrongdoings (covered in detail in On Dissidents and Madness by Robert van Voren). In 1991, the W.P.A. undertook an ad hoc psychiatric inspection of the Soviet Union that Dr. Jim Birley headed. Dr. Loren Roth and other experts who served on the 1989 U.S. State Department mission joined this inspection.","In 1990, a delegation of Soviet psychiatrists and politicians visited the United States for an educational trip to American psychiatric services and scholarly dialogues.","\nResearchers are encouraged to read the resources listed below to gain a better understanding of the historical events surrounding the 1989 delegation:","- the Schizophrenia Bulletin (supplement to Vol 15, # 4, 1989), which contains the brief overview of the reasons, methodology, and findings of the American team in the U.S., the final report of the U.S. delegation both in English and Russian, as well as the Soviet response in both languages (Hyperlink1)\n- The New York Times article \"Accord Is Sought by U.S. And Soviet on Mental Wards\" of May 22, 1988\n- The Journal of the American Academy of Psychiatry and the Law, Volume 49, Number 4, 2021 \"Jonas Rappeport: A Direct, Accomplished AAPL Leader\" by Dr. Loren Roth\n- Report by the World Psychiatric Association Team on the Visit to the Soviet Union, 9-29 June 1991, headed by Dr. Jim Burley\n- Human Rights, Perestroika, and the End of the Cold War co-authored by Anatoly Adamishin and Richard Schifter in 2009","In 2021, three decades after the 1989 trip to assess the conditions of Soviet citizens confined in psychiatric hospitals for political reasons, an oral history project was initiated to document it. Loren H. Roth, Ellen Mercer, and Richard Bonnie, three members of the delegation, had always wanted to evaluate if the mission had had any lasting impact on the lives of the people interviewed and on the quality and ethical integrity of psychiatric care in the countries of the former Soviet Union. The oral history project began in conjunction with the donation of Loren Roth's papers to the University of Virginia School of Law Library. Olena Protsenko, a Ukrainian human rights lawyer, organized Roth's papers and began researching related collections. Richard Bonnie's papers and Saleem Shah's files on the abuse of psychiatry, also part of the University of Virginia Law Library manuscript collections, were essential to the project's development.","Dr. Joseph D. Bloom was one of the few forensic psychiatrists on the 1989 U.S. Department of State Delegation to the Soviet Union to investigate the abuse of psychiatry. Bloom is Dean Emeritus of the Oregon Health and Science University and Clinical Professor at the Department of Psychiatry of the University of Arizona Fenix College of Medicine.","Mr. Borissow is an American of a Russian descend. He was a contract interpreter for the U.S. State Department for many years. During the 1989 trip, he was on the sub-team # 3 under the leadership of Dr. Hirschfeld, interpreting in Leningrad.","Dr. William Carpenter was leader of team #2 of the 1989 American investigative scientific mission to the Soviet Union. He is Professor of Medicine at the University of Maryland School of Medicine and former Director of the Maryland Psychiatric Research Center.","Robert William Farrand retired in 1998 after 34 years in the U.S. Foreign Service. He served as Ambassador to Papua New Guinea, Solomon Islands, and Vanuatu from 1990 until 1993. ","In 1988-89 he led the U.S. delegation of medical and forensic professionals to investigate the Soviet Union's political weaponizing of psychiatry, for which he received a Superior Honor Award.","Farrand was concurrently Supervisor of the Bosnian city of Brčko and Deputy High Representative for the northern sector of Bosnia and Herzegovina (1997 to 2000).  ","Dr. Robert Hirschfeld is Professor of Psychiatry at Weill Cornell Medical College. He was the team leader of team # 3 during the 1989 psychiatric delegation to the U.S.S.R.","Mr. William Hopkins is a retired U.S. State Department staff interpreter. During the 1989 U.S. psychiatric mission to the USSR, he interpreted for team # 2 under the leadership of Dr. William Carpenter.","Mr. I. is a Soviet/Ukrainian dissident who was repeatedly involuntarily committed to a psychiatric hospital for political reasons. He was one of the people interviewed by the U.S. State Department investigative psychiatric mission to the U.S.S.R. in 1989.","Dr. Keith is the Emeritus Milton Rosenbaum Professor of Psychiatry and Psychology at the University of New Mexico School of Medicine. He was a Deputy Director and Associate Director for Schizophrenia Programs at the NIMH as of 1989. He was the team leader of team # 1 during the 1989 psychiatric delegation to the U.S.S.R.","Dr. Felix Kleyman is a psychiatrist practicing in New York City. At the time of the 1989 U.S. State Department mission to the Soviet Union to investigate abuse of psychiatry, Dr. Kleyman was an assistant clinical professor of psychiatry at New York Medical College. Dr. Kleyman was one of the few Russian-speaking, U.S.S.R. and U.S.-trained psychiatrists on the American team. Dr. Kleyman was also a member of the 1991 W.P.A.  mission to the Soviet Union once the All-Union Society of Psychiatrists and Narcologists was provisionally readmitted to the W.P.A.","As of 1989, Mr. Kovalev was a Senior Advisor of the Department for International Humanitarian and Cultural Relations at the Soviet Ministry of Foreign Affairs. He was charged with bringing Soviet legislation and practice in line with the international obligations of the U.S.S.R. Mr. Kovalev was responsible for the development and implementation of the psychiatric reform, including the organization of the visit of the American psychiatric delegation in 1989.","At the time of the 1989 U.S. psychiatric mission to the U.S.S.R. Ms. Mercer was the Director of the A.P.A. Office of International Affairs. She is believed to be one of the initiators of the visit and was deeply involved in its planning and preparation as the representative of the American Psychiatric Association (A.P.A.). During the visit itself, she was a member of the team inspecting psychiatric hospitals on the ground.","John T. Monahan is the John S. Shannon Distinguished Professor of Law, Professor of Psychology, Hunton Andrews Kurth Professor of Law at the University of Virginia School of Law. He was the only forensic psychologist on the 1989 U.S. State Department investigative psychiatric mission to the Soviet Union.","Mr. Reddaway is a renowned expert on Russian and Soviet politics, author of many books and publications. He is Professor Emeritus of Political Science and International Affairs at George Washington University.","Dr. Darrel Regier was the Scientific Director of the 1989 State Department investigative mission to the U.S.S.R. and coordinated all aspects of the clinical assessment procedure. Dr. Regier completed twenty-five years at the National Institute of Mental Health (N.I.M.H.), during which time he directed three research divisions in the areas of epidemiology, prevention, clinical research, and health services research. Dr. Regier is currently a Senior Scientist at the Center for the Study of Traumatic Stress, in the Henry M. Jackson Foundation for the Advancement of Military Medicine and Department of Psychiatry, Uniformed Services University. He also serves as an independent senior scientific consultant to the American Psychiatric Association (A.P.A.) on DSM-5 and research related issues.","Dr. Roth was the psychiatric leader of the 1989 U.S. State Department investigative psychiatric mission to the U.S.S.R. Following 44 years of distinguished service to the Department of Psychiatry and the University of Pittsburgh School of Medicine, Loren H. Roth, M.D., M.P.H., was recognized and awarded Emeritus status at a special reception following the Department's Annual Research Day held June 7, 2018. \nPrior to his being an Emeritus Professor, for the previous five years Dr. Roth was the Associate Senior Vice Chancellor, Clinic Policy and Planning, Health Sciences, University of Pittsburgh; Distinguished Service Professor of Psychiatry, Professor of Health Policy and Management, and Clinical and Translational Science; and Senior Advisor, Quality, UPMC Health Plan.  In addition to his many academic positions, Dr. Roth has held multiple leadership roles at UPMC culminating in his being the first Chief Medical Officer of the University of Pittsburgh Medical Center (U.P.M.C.) (2003-2007).","Mr. S. is a Soviet/Russian dissident who was repeatedly involuntarily committed to a psychiatric hospital for political reasons. He was one of the people interviewed by the U.S. State Department investigative psychiatric mission to the U.S.S.R. in 1989.","Fluent in English and Russian, Ms. Smith was a contract interpreter for the U.S. State Department for many years. She interpreted for both the 1989 American delegation and the 1991 WPA delegation to the Soviet Union. During the 1989 trip, she was on the sub-team # 1 under the leadership of Dr. Samuel J. Keith, M.D. interpreting in Moscow.","Dr. Leon Stern is a Russian-speaking psychiatrist who was a member of the field team that inspected four psychiatric hospitals across the Soviet Union. Dr. Stern is a psychiatrist in private practice.","Olena Protsenko processed this collection. She was a post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law.","This collection is divided into two series. The first series, \"abuse of psychiatry and psychiatrists\", consists of subject files compiled by Dr. Loren Roth, Professor of Psychiatry at the University of Pittsburgh. They are evidence of Dr. Roth's efforts to stop the abuse of psychiatry and psychiatrists for political reasons, with an emphasis on the former Soviet Union. The subject files contain correspondence, articles, reports, evaluations, meeting minutes, agendas, planning materials, diaries, photographs, memoranda, handwritten notes, programs, books, videotapes, ephemera, and other items. Together, these materials date from around 1950 to 2008. However the bulk of them date from the 1970s to the 1990s, when Dr. Roth participated in U.S. delegations to the former Soviet Union and was part of the American Psychological Association's (APA) Committees on Human Rights and International Abuse of Psychiatry and Psychiatrists.","\nThe second series consists of materials that were gathered and produced for the \"Retrospective Review of the 1989 U.S. State Department Psychiatric Mission to the U.S.S.R.\" project. These materials include oral history interviews with individuals involved with the 1989 mission, a 1989 recorded interview with a psychiatric patient, project correspondence, biographical files, interview minutes, and an organizational chart. Most of the items in this series date from the time of the project, 2021 to 2022.","This series consists of subject files that Dr. Loren Henry Roth assembled and used while working to stop the abuse of psychiatry and psychiatrists for political reasons, emphasizing abuse in the former Soviet Union. The files contain correspondence, memoranda, meeting documents, articles, reports, lists, forms, evaluations, photographs, diaries, and other materials.","World Psychiatric Association Proposed Declaration of Hawaii; \"Honolulu Paper\": Somerville, John: \"Ethics and Psychiatry,\" (1977); Committee of French Psychiatrists Against The Political Uses of Psychiatry Special Bulletin, the World Congress of Psychiatry in Hawaii; newspaper clippings from Hawaiian newspapers (1977). APA white paper: \"Misuse and Abuse of Psychiatry in the U.S.: A definition and Discussion,\" (1991); correspondence and papers of Paul Chodoff, (1989-1990 and undated); Helmchen, H. and A. Okasha: \"From the Hawaii Declaration to the Declaration of Madrid,\" Acta Psychiatr Scand 200:101: 2023","Copy of the Report to the Board of Trustees, American Psychiatric Association of the Ad Hoc Committee on the Use of Psychiatric Institutions for the Commitment of Political Dissenters (1972); Boekovski Berichten Bukovsky News: The Case of Irina Grivnina (1985?); Statement of Dr. Algirdas Statkevicius to the Commission on Security and Cooperation in Europe (1988); copy of letter from Peter Reddaway to Viktor Nakas, Leon Stern, Robert van Voren and Algirdas Statkevicius (1989); copy of translation of SB case (1987-1989); U.S. Helsinki Watch Committee [memorandum] re Shatravka Family (1988); Committee of Concerned Scientists, Inc \"Call for Action for Three Soviet Former Prisoners of Conscience,\" (1988); and newspaper clippings mainly of Pyotr G. Grigorenko and Anatoly Koryagin","\"Special Report, The Medical Profession and the Prevention of Torture,\" The New England Journal of Medicine (October 1985); \"Sowing fear: The Uses of Torture and Psychological Abuse in Chile,\" A Report by Physicians for Human Rights (October 1988); Proposal. Center for Rehabilitation of Torture Victims [RCT], New York, NY and Roseland, New Jersey (undated); RCT International Newsletter on Treatment and Rehabilitation of Torture Victims (1990-1991); RCT IRCT [International Rehabilitation Council for Torture Victims]: Torture [packet of documents] (1991-1992); Jacobsen, Lone and Pete Vesti: Torture Survivors – a New Group of Patients, The Danish Nurses Organization, 1990; Canadian Centre for Victims of Torture","Human Rights Task Force of the APA survey on human rights organizations (1984); Human Rights Survey Responses (1988); Human Rights Cases Monitored by the APA (1990); photocopy of European Convention on Human Rights Collected Texts, Strasbourg, 1965.  Folder includes an incomplete set of The World Medical Association press releases (1975-1990), printed materials and news clippings","Documents from the Ninth Session of the U.S.-U.S.S.R. Joint Committee for Health Cooperation, (1988-11-17); Trip Report – P.H.S. Delegation Visit to the Soviet Union  November 13-20, 1988 Ninth U.S.-U.S.S.R. Health Committee Meeting (1989-01-25); Summary of Cooperation in Health Between the US Public Health Service and the Ministry of Health of the U.S.S.R. (1989-01-26); Peter Henry thoughts re Implications of Trip for U.S.-Soviet Health Agreement (1989-02-02)","Roth's printed account of trip that he made with Rabbi Mark Staitman, Larry Hurwitz, cardiologist;  Harold and Esther Garfinkel, community leaders; Joy Weber, science writer, and Rabbi Jonathan Stein. September 20-October 1, 1986. (2 versions)","Dr. Roth and Ambassador Schifter's preliminary planning documents for the U.S. mission to the U.S.S.R. in April of 1988.","APA Memorandum re \"use of psychiatry for political purposes\" (1988-03-21); [USSR] Regulations for Psychiatric Hospitals, LS No. 124600 JS/AO Russian, Appendix to Decree No. 225 of the USSR Ministry of Public Health, 21 March 1988; Pre-summit discussions. Report of Soviet Contact (1988-03-23): Gennadi N. Milyokhin, M.D. visit to Parklawn;  [Unedited] On the Record Briefing of Richard Schifter, Assistant Secretary of State for Human Rights and Humanitarian Affairs,  March 25, 1988","Peter Reddaway: \"Will Perestroika End Political Abuse in Soviet Psychiatry?\" (1988-07-03); copy of pages 5-6 of \"Argumenty I fakty\" No. 11/1987, [Reporter V. Romanenko interviews with  Dr. Marat Vartanyan (1987- 03-21-27)]; anonymous draft \"Ground Rounds\", \"Abuses in Soviet Psychiatry\" (undated); Karklins, Rasma: \"The Dissent/Coercion Nexus in the USSR, Working Paper #36, Soviet Interview Project (1987-05); Roth's handwritten notes; copies of printed materials related to Soviet psychiatry; annotated copy of Berman, Harold J.: Soviet Criminal Law and Procedure. The RSFR Codes. Cambridge, Harvard University Press, 1977, pp. 3-124","Stipulations for Delegation of U.S. Psychiatrists and Other Experts Visiting the USSR (1988-11-09); Roth's handwritten notes. Also Ellen Mercer U.S.S.R. Trip Confidential  Report (1988 -11) and Saleem A. Shah Department of Health and Human Services Report on International Travel (1988-11-18). Correspondence to Alexander A. Churkin  with documents: US-Soviet Understanding for Delegation of US Psychiatrists and Other Experts Visiting the USSR; \"Discussions\"; Consent Forms for Persons Interviewed and of Relatives and Friends (1988-12-19)","re assesment of Soviet Psychiatry (1988-08-04), memorandum re \"Sensible Tactics re U.S. Delegation on Soviet Psychiatry; human rights and Soviet Psychiatry; \"things to do; Roth's notes; and Roth: \"Uses of Psychiatry in the U.S.S.R. and U.S.A,\" Browning Hoffman Lecture, UVA School of LAw (1988-10-07).","International Association on the Political Use of Psychiatry [IAPUP]: Information Bulletin Nos. 3, 9, 11, 18-21; also copy of \"II. The Case of All-Union Society (undated). Soviet Psychiatry News, vol. 1, nos. 1-2 (1989)","US State Department Soviet Psychiatric Project Delegation to the Soviet Union Planning Trip – correspondence, telegrams, memoranda re: negotiations, support and concerns, instructions, logistics for the trip. Correspondence with Soviet and US officials, and other psychiatrists. Summary of discussions with Ambassador Richard Schifter (1989-02-11); comments from Saleem Shah (1989-02-10); from Robert van Voren, Ellen Mercer, Dr. Edward Kelty and others.","This sub-series contains materials related to the organization, planning and logistics of the trip, as well as background information about the psychiatric abuse in the U.S.S.R.","This file contains memoranda, handwritten notes, list of participants, questionnaires, Forensic Interview Schedule, and Interpersonal Personality Disorder Examination (IPDE).","DSM-III-R Criteria Checklist (1988-05-23; Structural Clinical Interview for DSM-III-R Patient Version (1988-06-01) SCID-NP/OP Psychotic Screening (1988-06-01); Instruction Manual for the Structured Clinical Interview for DSM-III-R (1988 and 1989)","DSM-III-R Criteria Checklist (1988-05-23; Structural Clinical Interview for DSM-III-R Patient Version (1988-06-01) SCID-NP/OP Psychotic Screening (1988-06-01); Instruction Manual for the Structured Clinical Interview for DSM-III-R (1988 and 1989)","Russian version of IPDE (1989-02-16); Russian version of Revised SCID Standardized Clinical Study According to DSM-III-PD Criteria (SKID) (1991-04); Russian version of World Psychiatric Association visit to the USSR Forensic Examination (1991-03)","The reports were written by doctors Jonas Rappeport, M.D., Vladimir Levit, MD., Samuel J. Keith, M.D, Darrell A. Regier, M.D., Loren Roth, M.D., Felix Kleyman, M.D., Joseph Bloom, M.D., William. T. Carpenter, M.D., Robert Hirschfeld, M.D., Alla Arsenian (interpreter); Elmore Rigamer, M.D., Joel Klein; Boris Shostokovich, M.D.; John Monahan; Nancy Andreason, M.D.; William Farrand.","Reports of forensic evaluations done in Moscow and Leningrad by Jonas R. Rappeport, John Monahan, Joseph D. Bloom; draft of Roth's \"Patient Sample –Description. Methodological Issues – Obstacles\" (1989-04-10); assessments and handwritten notes re patients; Russian document with translation re patients (undated); Roth's notes on various interviewees (1991-02-07)","The materials in this file include Roth's letters to persons who he wished to interview but didn't; U.S. Department of State \"transliteration\" of names (1989-04-04) and inventory of status of cases (1989-04-05)","\"Delegation of US Psychiatrists Issues Press Statement\" signed by members of the US Psychiatric Delegation: Nancy Andreasen, M. D.; Joseph D. Bloom, M.D.; Richard J. Bonnie; William T. Carpenter, M.D.; Robert M. A. Hirschfeld, M. D.; Samuel J. Keith, M.D.; Joel Klein; Felix L. Kleyman, M.D.; Vladimir A. Levit, M.D.;  David Lozovsky, M. D.; Ellen Mercer, John Monahan, PhD; Jonas R. Rappeport, M.D.; Peter B. Reddaway, Ph.D; Darrel A. Regier, MD.D., M.P.H.; Elmore E. Rigamer, M.D.; Leon Stern, M.D.; Harold M. Visotsky, M. D.]","Testimonies of Darrel A. Regier, Robert W. Farrard, Peter Reddaway, Robert van Voren, Loren H. Roth; statement of Steny H. Hoyer; LHR's handwritten notes; correspondence; responses, printed materials; draft I Report of the U.S. Delegation and Preliminary Soviet Reply: Brief Analysis of Points of Agreement and Disagreement; Loren H. Roth Final Report of the US Delegation to Assess Recent Changes in Soviet Psychiatry. Objectives and Execution of the Visit. American Psychiatric Association Annual Meeting, New York, NY, May 15 1990; some correspondence and memoranda related to CSCE meetings in Copenhagen (June 1990); and copy of U.S. Report (speech) on CSCE – Moscow (1991-10-02)","Copy of Reddaway's Trip to Moscow, October 29-November 2, 1988; memo re: \"The difficult situation we are in: how should we proceed,\" (1989, 02-19); notes on Soviet Psychiatry Developments (1990-01-20); copy of \"Trip to Moscow, August 20-30, 1992.\"","\"Dissent and Disorder: Human Rights in Soviet Psychiatry,\" (1989-07-); copy of unauthored paper; \"The Legacy of Psychiatric Abuse in the U.S.S.R.,\" (undated); Russian version and translation of \"Proceedings of the session of Working Party formulating the draft law on 'Psychiatric Help in the U.S.S.R.',\" (1991-02-14)","\"Soviet Access to and Utilization of Mental Health Services: A Comparative View,\"  paper presented at the National Conference on Soviet Refugee Health and Mental Health, Chicago, IL (1991-12-11); Isaac Ray Lectures: \"The Future of the Doctor-Patient Relationship. Lesson from Two Cultures, The Former Soviet Union and the United States,\" Discussants: Loren H. Roth, M.D., Dean Eckenrode, George Huber, J.D., Mark Schmidhofer, M.D. (1998-05-07)","\"The New Soviet Legislation on the Provision of Psychiatric Care,\" speech delivered at the symposium of the International Association on the Political Use of Psychiatry, Washington, D.C., (1988-10-14); Koryagin: \"A Green Light of Injustice,\" Zurich, (1988-12-20); notes from Boris Zoubok, M.D.; copy of \"Law of the USSR on the protection of the rights and legal interests of persons suffering from psychiatric disorders and on the grounds and procedures for the administration of psychiatric care,\" (1990-10-08); Roth's Notes on Meeting of USSR Supreme Soviet Committee on Mental Health Law, Moscow (1990-10-26); copy of Smit, Jonna: \"Human Rights and Mental Health Legislation: the USSR,\" (1991-05-21); van Voren, Robert: \"Ukrainian Psychiatry: Starting from Scratch,\" (undated); Regulations on a psychiatric hospital (Положение о психиатрической больнице), [printed Russian document] CCCP, No. 225, 1988; printed materials and news clippings, 1988-2004; Patients in Psychiatric Hospital Requiring Follow-up and Review – interview methodology, list, memoranda","Draft and confidential memorandum of meeting with Minister of the Department of Humanitarian Affairs [Yuri A.] Reshetov. Also interview methodology and memoranda.","Kazan Special Psychiatric Hospital, Vilnius Ordinary Hospital, Kaunas Hospital, Chernyashovsk Special Psychiatric Hospital","Richard J. Bonnie draft; \"Legal and Humanitarian Aspects of Soviet Psychiatry: Some Preliminary Conclusions\" (1989-03-28); also comments on Klein's and Reddaway reports (1989-04 to 1989-05); LHR Confidential Drafts #1-5 (1989-05-19-31); Objectives of the Clinical Interviews (1989-05-22); Dr. Harold M. Visotsky Response to Joel Kline (1989-05-30); Hospital Team Report by Harold Visotsky, Elmore Rigamer, and Loren H. Roth (1989-05-30); remarks from Joe Bloom (1989-06-05); Richard Bonnie: Note to Members of the US Delegation to the Soviet Union (1989-06-16); Bill Farrad; Executive Summary [annotated] (1989-06-20); \"USSR Psychiatrists at a Human Rights Round Table in Moscow in April 1988,\" annotated copy of attachment sent by Joel Kline to Roth (undated); Vladimir A. Levit comments (1989-06-26); Saleem [Shah]: Soviet Compliance and Study Limitations (1989-06-28) and comments (1989-06-26); Peter Reddaway draft (1989-06-28) [2 folders], 1989-03 to 1989-06","Also: State Department \"rough translation\" of Soviet response: \"Response to the medical part of the report by the U.S. delegation of psychiatrists and lawyers,\" (1989-07-06); Draft translation of the final Soviet comments on the report: Commentary on the Report [130008 JS/AO Russian] (1989-09-26); U.S. Department of State Memorandum re Comments on the Soviet response to the Report (1989-10-12); printed Russian document inscribed by Polubinskaya to Loren H. Roth: [Academy of Sciences of the U.S.S.R., Soviet State and Right. Separate Report, Moscow 1990];  translation of S. V. Polubinskaya and S. V. Borodin: \"The Legal Problems of Soviet Psychiatry: The Views of American and Soviet Experts,\" Soviet State Law, No. 5, 1990, pp. 67-76","Resolution of the WPA (1989-10-17); WPA Statement by the All Union Society of Soviet Psychiatrists and Narcologists of the U.S.S.R. before the World Psychiatric Association General Assembly in Athens (1989-10-18); Memorandum re: Site Visit by the WPA Review Committee to the U.S.S.R. (1990-03-13); Reddaway, Peter: The Struggle over Reform in Soviet Psychiatry Intensifies: Is the Establishment Beginning to Panic? (1990-04-30); Remarks by Svetlana Poloubinskaya at the APA's Committee of International Abuse of Psychiatry and Psychiatrists (1990-05-16)","APA correspondence with the Center for Democracy in the U.S.S.R., U.S. Department of State, (Schifter and Mercer); University of London Institute of Psychiatry, 1989-05 to 1989-11. Also, miscellaneous correspondence with literary agents (1989-03 to 1989-04)","Translations of A.  Karpov, Chief Psychiatrist, U.S.S.R. Ministry of Health: \"The Registration of Mental Patients in the U.S.S.R.\" (1990-10-25) and \"Basic Findings of the Conclusion of the U.S.S.R. Constitutional Supervision Committee on Whether Legislation for the Compulsory Treatment and Re-Education of Through Labour of Persons Suffering from Alcoholism or Drug-Addiction Conforms to the U.S.S.R. Constitution and International Enactments on Human Rights,\" by B. M. Lazarev, Deputy Chairman of the USSR Constitutional Supervision Committee (1990-10-25). Also Saleem A. Shah: \"Forensic Interview Schedule\". Correspondence with Otto Dorr Zegers, Csaba Banki, M.P. Deva, Driss Moussaoui, Jim Birley, and Gerard Low-Geer","Correspondence with Dr. Otto Dörr-Zegers (Chile); Dr. Csava Bànki (Hungary); Dr. M. P. Deva (Malaysia); Dr. Driss Moussaoui (Morocco); Dr. Jim Birley (WPA Negotiating Team); Dr. Gerard Low-Greer (England).","Included are: Gostin, Larry: \"Human Rights in Mental Health: Japan. Report of an international mission to Japan: 1987,\"  World Health Organization/Harvard University International Collaborating Center on Health Legislation, World Federation for Mental Health [1987]; Kawasaki, Shigeru: \"Like a Shedding Snake,\" English Summary, J. JAPH 2:2 Spring 1991; news-clippings.","Correspondence with Ellen Mercer re Singapore (1985-09-18); UN Commission on Human Rights E/CN. 4 Sub.2/1988/23: Report on the Sessional Working Group on the question of persons detained on the grounds of mental ill-health or suffering from mental disorder; Proceedings. International Forum on Mental Health Reform, Kyoto, Japan, January 29-30, 1987; Benatar, S. R.: correspondence and articles (1990); Final draft of the \"UN Principles Produced by the Working Group on Human Rights,\" Annex A Principles for the Protection of Persons with Mental Illness and for the Improvement of Mental Health Care","The sub-series consists of materials Loren Roth collected as part of his work on this committee. These include meeting minutes and agendas, correspondence, reports, articles, clippings, memoranda, and other items.","APA lists of cases in the U.S.S.R., Yugoslavia and Romania (1988-07-05); memo for the record re Soviet dissidents","APA minutes of meeting (1988-09-07); Draft Statement Following Discussion with Dr. Sabshin; APA Draft Resolution by the Committee on International Abuse of Psychiatry to not object to the re-admittance of  the All-Union Society of Psychiatrists and Neuropathologists of the USSR into the WPA (1988-09-07); minutes of the APA Committee on Human Rights (1988-09-09); some correspondence, (1988 -09)","Minutes of conference call (1989-02-15); correspondence; IAPUP documents re to Soviet psychiatry (1989-02); copy of Dr. Marvin Brook handwritten comments on the By-Laws of the WPA (undated); Application of the Independent Psychiatric Association of the USSR (IPA) for membership to the WPA, includes Constitution and Declaration (1989-03-09); APA Guidelines for Psychiatric Services in Jails and Prisons; APA draft guidelines on the Right of Refuse (Anti-Psychotic) Medication.","Includes some correspondence and documents: Memorandum re Revision of the WPA Review Committee's Operational Instrument ( 1989-04-270; translation of letter from Nikolai Fedrovich Zhukov to US Congress (1989-03-04); IAPUP Documents on the Political Abuse of Psychiatry in the USSR 18: The Founding of the Association of Independent Psychiatrists in the USSR and the US Delegation of Psychiatrist to the USSR (March 1989); IAPUP Report and brochures, 1989-04","Memorandum re Detention of Cuban psychiatrist Dr. Alfredo Samuel Martínez Lara (1989-04-19); WPA Proposed alterations (1989-04 -25); copy of entrance application of the International Independent Research Centre on Psychiatry to the WPA (1989-03-27), news clippings; Dr. Marat Vartanian original article sent to the International Journal on Mental Health","Included are: Ellen Mercer and Fini Schulsinger interviews with Radio Canada (1989-03); and \"rough\" transcripts of  Radio Free Europe with Viktor Lanovoy, President of the Independent Association of Psychiatrists (1989-06-15); Croatian Committee for Human Rights press release re human rights abuses (1989-06-24); [translation] of M. Buyanov articles in Uchitelskaya Gazeta (1988-11-19); Association Psychiatric Independent (IPA) press release (1989-04-12); Commission of the European Communities: \"Observations on the State of Implementation of Programme of Psychiatrists Reform in Greece,: (1987-12-31); IAPUP Documents Special Issue: \"The Political Abuse of Psychiatry in Rumania (June 1989);  IAPUP Documents on the Political Abuse of Psychiatry Nos. 22, 23, 24, 25 (June-July 1989)","Includes Summary of the WPA Executive Committee in Athens and Resolutions (1989-08-18); excerpts of anonymous document \"Autumm 1988, Gerlovka\" re abuse in the USSR ; printed articles, news clippings","Includes unofficial translation of  Statement by the All-Union Scientific Society of Psychiatrists (1989-10-02); Remarks of Christian Barton Concerning Allegations of Psychiatric Abuse of Dissidents by the Cuban Government (1989-09-13); Sabshin, Melvin: Statement to the Subcommittee on Health and Environment of the US House of Representatives re APA position on Soviet psychiatric practices (undated); Testimony of Victor Davidoff, former victim of abuse in the Soviet Union (undated); Commentary on the Report \"Assessment of Recent Changes in Soviet Psychiatry, prepared by the US Delegation on the Results of its visit to the USSR,\" (1989-09-15); IPA bulletins (1989 -08-07 and 1989-08-31); news clippings","Includes: Liaison Report (1989-10); Gluzman, Semyon: \"Bureaucratic Ethics and Soviet Psychiatry,\" (1989-11) and Commentary on the Memorandum of G. Lukacher (1989-10-14) re All Union Scientific Society of Psychiatrists; translation of A.I. letter \"To the World Congress of the WPA,\" (1989-10-16); translation of letter from Social Organizations in Leningrad To the Participants in the Congress of the WPA (Athens, Greece, October 1989); Schifter, Richard: \"An Inventory of Soviet Human Rights Developments\" (1989-10-04); IAPUP Documents on the Political Abuse of Psychiatry in the USSR No. 29, 30","Some copies of  documents related to the former Yugoslavia; lists of interments and releases in the Soviet Union (1989-12-21); draft translation of [Sotsialisticheskaya Industriya] A Detail report: Psychiatry Without Secrets (1989-10-31); Documents on the Political Abuse of Psychiatry in the Soviet Union 31 (1989-12); WPA Minutes (1989-08-11-13)","Correspondence related to abuses in Cuba; Pena, Jose M. et al: \"Abuse and Misuse of Psychiatry in the U.S.: The Need for an Institutional Ethics,\" (1990-02); list of human rights cases monitored by the APA in Argentina, Bulgaria, Cuba, Czechoslovakia, Hungary, Malawi, Morocco, Romania, South Africa, Sudan, Turkey, Uruguay, Yugoslavia, Zaire (1990-02-06); Mercer, Ellen: USSR Trip Report/February 25-March 3, 1990","Includes: Second World Center Annual Report 1989 and APA Statement on Simón Bolívar Award and Lecture (1990-02-15)","Correspondence re Cuban psychiatrists (1990-04); Keston College Support Group: \"Igor Rodionov Report\" (1990-04); Yelena Izyumova Open Letter to the Members of the APA, Moscow May 20, 1990; anonymous essay re : Psychiatric Abuse in the USSR (Helsinki Watch), undated","Also: \"Proposed New Policies for the APA in Regard to the Abuse of Psychiatry for Political and Other Non-Medical Purposes in the USSR,\" (undated)","Includes copy of Human Rights Survey Responses (1988-04-01) and reports of the Council on International Affairs, Committee on Human Rights and Committee on International Education","Includes reports of the Council on International Affairs, Committee on Human Rights and Committee on International Education; memoranda re IAPUP meetings in Germany (1990-09); letter from Dr. Jeffrey Heller to the Committee on Abuse of Psychiatry re Soviet Delegation at H and CP Institute (1990-10-10); Documents on the Political Abuse of Psychiatry in the USSR No. 38 (1990-09)","Includes correspondence from Dr. Valerian Tuculesco re post-traumatic stress disorder after the Romanian revolution (1990-10); correspondence re Oleg Vitalyevich Kozlov re hijacked plane to Helsinki (1990-11); American Ambassadors People to People Trip to the USSR 14-27 August 1990 \"Professional Diary\" compiled by E. B. Brody (1990-09-05);  \"Psychiatric Issues Encountered on Recent Trip to USSR,\" memorandum from Holt Ruffin (World Without War) (1990-10-25); Hartmann, Lawrence M.D.: \"Notes on Some Social Psychiatric Problems in Chile, South Africa and the Soviet Union,\" (1990-10); Documents on the Political Abuse of Psychiatry in the USSR Nos. 39, 40, 41; documents relative to the Joint APA-Caribbean Psychiatric Association Meeting; Ellen Mercer: China Trip Report (1990-11)","Includes reports of the Committee on International Education; Final draft of the UN Principles for the Protection of Persons with Mental Illness and for the Improvement of Mental Health Case (1990-12-11); \"Sugar, Jonathan M.D. et al: \"Psychiatry's Global Challenge: Responsibilities of American Psychiatrists in International Health (undated)","Includes letter from Dr. Dainiys Pūras re abuse of psychiatry in Lithuania (1991-01-19); correspondence re abuse in Romania (1991-02-08); \"Proposal for The Moscow Center for Rehabilitation of Torture Victims (undated)","Includes correspondence and document re abuses in Romania; correspondence between Dr. Roth, Gennadi Milyokhin, Juan José López-Ibor, re Revaz Uturgaury (1991-03); correspondence re Soviet individuals","Includes CIOMS: Development of International, Ethical Guidelines for Epidemiological Research and Practice, Plenary III Issues related to the HIV/AIDS Pandemic. Proposed Guidelines for International Testing of Vaccines and Drugs against HIV Infection and Aids (1990-11); copies of correspondence between and V. Tuculescu re Romania; Reddaway, Peter: Psychiatric Developments in the USSR (1991-06) and \" Problems of Reforming Soviet Psychiatry and Assuring Rights for the Mentally Ill,\" (undated); \"The Heartbeat of Reform. Soviet Jurists and Political Scientists Discuss the Progress of Perestroika, Glasnot, Democracy, Socialism,\" Translated from the Russian by Vic Schneierson, Moscow, [1991]; Documents on the Political Abuse of Psychiatry in the USSR No. 47, 48","Includes reports of the Council on International Affairs, Committee on Human Rights and Committee on International Education. Also includes several documents dated September 1991: Memo for the Record Briefing Meeting for the Chinese Academy of Social Sciences Human Rights Study Group (1991-09-24); USSR Draft Law (17 June 91) on Psychiatric Assistance; Ministry of Health, USSR, All-Union Society of Psychiatrists Governing Board Decision (1991-05-15-16); WPA Memorandum to the All-Union Society of Psychiatrists (1991-07-28); Dr. Stanislaw Golec: \"Health Care in Poland 91\"; \"Instructional Recommendations on the Application of USSR Ministry of Health Order No. 555 (1989-09-19); WPA documents; International Committee of the Red Cross Report on \"Second Working Group of Experts on Battlefield Laser Weapons,\" (1990-11-05-06)","Includes \"copy of a part\" of Japanese Mental Health Law with translation (1988); translation of  \"law on patient's rights\" in Finland (1991-08); WHO Guidelines for the Clinical Investigation of Antidepressant Drugs (1984)","Includes LHR handwritten notes re Abuse Committee (1992-04); \"Cuban Dissidents in Psychiatric Hospitals An Update of the Politics of Psychiatry in Revolutionary Cuba,\"; \"Dimineata, 7th January 1992, The Mad People Were Dissidents,\" re Romania (undated); \"The Plenary Session of the Board of Directors of the All-Union Scientific Society of Psychiatrists (1992-05) and Follow-Up of US Team's 1989 Patients list, Appendices 1 and 2 sent to Dr. Birley with names of patients (1992-02); Information about the Patient Bill of Rights Tally Sheet (1992-04); Geneva Initiative on Psychiatry [GPI]: Documents on the Abolition and Prevention of Political Abuse of Psychiatry (1992-03 and 1992-04)","Includes reports of the Council on International Affairs, Committee on Human Rights and Committee on International Education. Also: Country Reports on Human Rights Practices: Yugoslavia (1992-06-01); GPI: Documents on the Abolition and Prevention of Political Abuse of Psychiatry, April – June 1992; Mercer, Ellen: Exploring Hungarian Psychiatry (1992-05)","Includes reports of the Council on International Affairs, Committee on Human Rights. Also: International Association for Child and Adolescent Psychiatry and Allied Professions Proclamation of May 1992: Assuring the Mental Health of Children; APA Bilateral Exchange with Poland Czechoslovakia and Hungary. Summary of Responses and Recommendations of American Participants (1992-03-24 to 1992-04-12); copy of Act of the Russian Federation \"On Psychiatric Care and Citizens' Rights With Regard to Such Care,\" (1992-01); Polubinskaya, Svetlana: \"From the USSR to the Independent States: Where the Former Soviet Psychiatry Will Go,\" (1992-05); GIP Documents on the Abolition and Prevention of Political Abuse of Psychiatry 56, June 1992","Includes reports of the Council on International Affairs, Committee on Human Rights. Also correspondence re psychiatric abuse in the former GDR, with the Romanian Psychiatric Association and the Committee to End the Chinese Gulag. \"Psychiatry Under Tyranny. An Assessment of the Political Abuse of Romanian Psychiatry During the Ceaucescu Years,\" Report of a consultative mission to Bucharest on behalf of the Geneva Initiative on Psychiatry (1992-06); GIP Documents on the Abolition and Prevention of Political Abuse of Psychiatry 57, July – August 1992","The sub-series consists of materials Loren Roth collected as part of his work with this committee. These include meeting minutes and agendas, correspondence, reports, articles, clippings, memoranda, and other items.","Included: \"Human Rights of Mental Patients in Japan,\" (1987 -04); Reich, Walter Report of Meeting with Gennadiy M. Yevstafiev (Soviet, member of the delegation to the Vienna Review Meeting) (1987-07-28); copy of letter from Senator Edward M. Kennedy to Lawrence Hartmann, M.D. re human rights violations in Paraguay (1988-04-22); World Medical Association, INC. memorandum: \"The Facts regarding health services in South Africa during 1987, and the role played by the Medical Association of South Africa,\" (1987-07- 08); Reddaway, Peter: Does Moscow's Purge of Corrupt Psychiatrists Threaten the Psychiatric Gulag?\" (1987-07-13); \"More Revelations about Stefanis' Negotiations with the Soviets (1987-09-11); Center for Victims of Torture pilot project (1987-08-28 and 1987-10); South Africa Briefing (1987-08-07); Minutes of Committee on Abuse of Psychiatry (1987-09-09 and 1987-12-02); \"Victims of Torture in Afghanistan. Presentation for Cairo World Congress\" by Mohammad Azam Dadfar (1987-10-18-22); Gralnick, Alexander M.D.: \"Public Health and Psychiatric Care in Cuba, Personal Report\" (November 1987);Political Imprisonment in Cuba. A Special Report from Amnesty International, The Cuban American Nation Foundation, 1987;  US/Soviet Human Rights Seminar: Statement by Ellen Mercer for the APA (1987-12-03). Also Bloche, Maxwell Gregg: \"Uruguay's Military Physicians: Cogs in a System of State Terror,\" (1987-03)","Miscellaneous documents: minutes, memoranda, correspondence. Included: [Argentina] Tribunal Etico de la Salud contra la Impunidad translation of statement: Medical Ethics Tribunal Against Impunity,\" (1988-01-11); Minutes of the APA Committee on Abuse of Psychiatry (1988-01-20, 1988-04-21; 1988-05-10); some documents related to South Africa, Pakistan, Argentina; Human Rights Survey Responses (1988-03-09); Amnesty International: \"China. Detention Without Trial, Ill-Treatment of Detainees and Police Shooting of Civilians in Tibet,\" (1988-02); Bitsch Christensen, Svend: \"Torture Related Documentation,\" (1987); International Commission of Jurists' Mission to Japan Preliminary Report and Recommendations (1988-04); \"The Casualties of Conflict: Medical Care and Human Rights in the West Bank and Gaza Strip,\" Report of a Medical Fact Finding Mission by Physicians for Human Rights, (1988-03); Amnesty International Commission Medicale: Medicine at Risks. The Doctor as Abuser or Victim,\" (1987-09)","Miscellaneous documents: minutes, memoranda, correspondence related to Soviet psychiatry; human rights abuses in Honduras, Czechoslovakia, Somalia, South Africa, Israel, Haiti, Cuba, Egypt, China, BahrainGudava, Eduard M.D.: \"The events in Tbilisi, Georgia  (1989-04-18); Vesti, Peter and Inge Kemp: \"Chapter I: Treatment of Torture Survivors – theoretical views,\" \"Chapter 2: Rehabilitation of Torture Survivors, \" (1989-10); Collazo, Carlos R. M.D. and Martha Gerpe M.D.: \"Missing Parents,\" Paper presented at The World Psychiatric Association, Athens, October 1989","File includes: RCT [Rehabilitation and Research Centre for Torture Victims] 7th Annual Report (1990-01); APA Position Statement on Apartheid and Academic Boycotting of South Africa (1990-01); Human Rights Cases Monitored by the APA (1990-02-01); signed Petition by doctors to recommend the APA to condemn the government of Turkey (1990-08); LHR handwritten notes of September meeting;  APA Council on International Affairs Joint Reference Committee (1990-10-12); Boyajian, Levon Z. M.D.: The Psychological Sequelae of the Armenian Genocide (1982); Leros Trip. Report on Visit to the Mental Institution on the Island of Leros, Greece (1989-12-3-5); \"'Bloody Sunday Trauma in Tbilisi. The Eents of April 9, 1989 and their Aftermath,\" Report of a Medical Mission to Soviet Georgia by Physicians for Human Rights, February 1990; printed materials.","Files include documents re Armenian Genocide and from the Free Romanian Foundation; \"Program for Administrators and Educators Specializing in Programs for People With Disabilities,\" with the Persian Gulf (1991-04); Martínez Lara, Samuel: \"Psychiatry in Cuba: Perspectives of a Human Rights Activist\" (1991-09-27);  ); National Academy of Sciences: \"Considerations Regarding Individual Scientific Visits to the People's Republic of China,\" (October 1991); also some documents about torture","Files include documents re torture in Egypt (1992-01); Dadfar, A. Azam M.D.: \"The Deep Scars of a Forgotten War, \" Psychiatry Centre for the Afghans; correspondence with Levon Z. Boyajian M.D. (1992-02); Croatian Medical Journal: \"Medical Testimony of the Vukovar Tragedy\"; memorandum re \"Abuse and Misuse of Psychiatry in the United States\" (1992-02); Committee to End the Chinese Gulag: \"On behalf of Political Prisoners in China: How to Raise Human Rights Cases,\" (1992-04); memoranda and correspondence re abuse of Palestinian physician (1992-05); APA Position Statement on Homosexuality and Civil Rights (1992-07); Americas Watch, Vol.4, Issue 7: \"Dangerous Dialogue, Attacks on Freedom of Expression in Miami's Cuban Exile Community,\" (1992-08);  Amnesty International French Section, Medical Group: \"Corporal Punishment. A study on legislation and enforcement in 18 countries,\" (1992); \"Stop Torture in Korea (STIK)\" (1998-08); APA Council on International Affairs: \"International Inpatients Bill of Rights,\" (1992-08); APA Communications Plan 1992-1994; APA: \"Human Rights and the American Psychiatric Association,\" (1992); memorandum and correspondence re abuse of psychiatry and psychiatrists in México (1992-100; US Department of State: \"Renewing the U.S. Commitment to Human Rights,\" Special Report No. 164;  printed materials","World Health Organization Assignment Report re \"mentally infirm in Romania and possibilities for improvement,\" (1991-11); Rosenberg, David R. M.D. et al: \"A Cross-Cultural Study of \"Ceausescu's Orphans,\" (1992-03); Blom, G. et al: \"Program Touch – A Volunteer Intervention Program to Orphaned Disabled Children in Romania,\" (1991-11); Roth's reappointment as APA Chairperson of the Committee on Human Rights under the Council of International Affairs, (1992-04-13); draft of A.P.A. Action Paper Rescinding the 1982 APA Position on the Insanity Defense (1992-05-01); Pierce, Chester M. M.D.: \"Public Health and Human Rights: Racism, Torture and Terrorism,\" presented at American Psychiatric Association Annual Meeting (1992-05-04)","Files include translation of Croatian pamphlet: \"Protect Yourself and Help Others (1993-02); APA Office of International Affairs: Responses to Human Rights Questionnaire,\" (1993-08-18); Citizens Support Committee for the Psychiatric Farm Hospital Dr. Manuel Ramírez Moreno (1993-7-13)","correspondence and handwritten notes","evaluation forms and printed materials","Meetings between Ukrainian doctors Semyon F. Gluzman, Vladimir I. Poltavets, Valery N. Kutznetsov, Ada I. Korotenko, Oleg A, Nasinnik, Vladimir M. Cherniavsky and Juan Mezzich, American psychiatrist from the West Psychiatric Institute and Clinic, University of Pittsburgh; also some case summaries (1994-02). Russian and English translation.","extensive correspondence, reports, handwritten notes. Savychyj, Jurij M.D.: \"Psychiatry in Ukraine,\" [1992]","correspondence, Ukrainian fliers, and handwritten notes","extensive correspondence, reports, data analysis, forms, handwritten notes (1995-05), \"Codebook\"","correspondence, clinical assessment forms, and handwritten notes","Geneva Initiative on Psychiatry. Annual Reports 1992 and 1995; Documents on the Abolition and Prevention of Political Abuse of Psychiatry Nos. 65-67, 72, 74; \"Concepts for Developing Mental Health Care in Ukraine (First Draft),\" Developed by Experts of Ministry for Health Care, Kiev Research Institute of General and Forensic Psychiatry, Regional Chief Experts and Kiev Psychiatrists.","correspondence and forms","email correspondence, brochures, printed photographs","Joseph D. Bloom, Kyrill Borissow, William T. Carpenter, Robert W. Farrand, Robert M.A. Hirschfield, William H. Hopkins, Samuel Keith, Felix Kleyman, Andrei A. Kovalev, Ellen Mercer, John Monahan, Darrel A. Regier, Elmore F. Rigamer Jr, Carolyn Smith, Leon Stern","Includes: United States – Russia Health Committee 2000 – 2002, printed copies of photographs; The U.S.A. – Russia Health Committee: \"Access to Quality Health Care\" (draft), undated; \"Additional Materials on Diagnosing and Treating Mild and Moderate Depressions,\" [document in Russian with English title]","Gershman, Carl: Psychiatric Abuse in the Soviet Union,\" Society, July/August 1984; Lapenna, Ivo: \"The Medico-Legal Society. Use and Misuse of Psychiatry in the USSR,\" The Royal Society of Medicine, London 12th June 1986; McCready, John and Harold Merskey: \"Compliance by physicians with the 1978 Ontario Mental Health Act,\" Reprint from the Canadian Medical Association Journal, Vol. 124, March 15, 1981; McCready, John and Harold Merskey: \"On the Recoding of Mental Illness for Civil Commitment,\" Can. J. Psychiatry Vol. 27, March 1982; Slovenko, Ralph: Analysis. The Destiny of South Africa,\" The World and I, July 1991.","In 2021, members of the 1989 American delegation, some Soviet patients, Soviet doctors and other professionals, were invited to participate in the \"Retrospective Review of the 1989 U.S. State Department Psychiatric Mission to the USSR\" oral history project. Nineteen interviews were recorded, sixteen of them with the surviving members of the U.S. delegation, one with Andrei Kovalev, an official at the Ministry of Foreign Affairs in the U.S.S.R. at the time, and two with former \"Soviet patients.\" There is also an original 1989 recording of one interview.","These interviews provide a comprehensive overview of the history of Soviet psychiatric abuse, the reasons why psychiatric diagnosis was used to suppress dissent, the methods, medical and legal procedures, and who were the major players in Soviet psychiatric abuse. Emphasis is also made on assessing the U.S.-Soviet relationship in the 1980s and the special place that the 1989 State Department psychiatric mission to the U.S.S.R. held in the détente. All stages of negotiations and preparations for the mission were discussed as well as the methodology of psychiatric evaluations and the findings of the American experts. An additional emphasis was also made on assessing the state of Soviet psychiatric care as of the late 1980s and all the significant changes it was going through at the time. The role of World Psychiatric Association (WPA), the All-Union Society of Psychiatrists and Narcologists, the American Psychiatric Association and other important organizations, is also given proper attention. The interviewees also discuss the long-term impact that the 1989 U.S. mission made on Soviet and post-Soviet psychiatry.","In the interview Dr. Bloom discusses his career, his interest in the topic of abuse of psychiatry and his involvement in the 1989 U.S. State Department psychiatric delegation to the U.S.S.R. He talks about the U.S. and Soviet (both Soviet professionals and Soviet interviewees) understanding of the purpose of the visit and  the Soviet's compliance with the terms negotiated for the visit. He also talks about psychiatric hospitalization, detention and commitment process in the U.S.S.R., conditions of hospitalization in Soviet psychiatric hospitals and the legal rights of persons with mental disorders in the U.S.S.R.  Dr. Bloom's explains his impressions from the trip to the Soviet Union and the conclusions made by the American delegation. ","The highlights of the interview pertain to Dr. Bloom's recollection of a Soviet person who allegedly had a mental disorder, and his opinion as to the way the American final report should have been approached.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Mr. Borissow shares his life story and describes his career. He talks about getting involved in the 1989 State Department trip to the Soviet Union, his previous trips to the U.S.S.R., and the  social and political context that surrounded the visit and made it possible in the first place. Mr. Borissow describes his experience of interpreting in one of the psychiatric hospitals in Moscow as a part of the 1989 American mission as well as the work that Mr. Borissow's sub-team #3 did in Leningrad. He shares very interesting anecdotes that happened during the trip and talks about the lessons he learned during this trip.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","In the interview Dr. Carpenter discusses his career, his involvement in the 1989 US State Department psychiatric delegation to the USSR, the main goals of the mission, various aspects of the implementation in great detail, the diagnostic aspects of the study, interview instruments and methodology, the Soviet mental health care system and its shortcomings, the conclusions made by Dr. Carpenter's sub-team, the impact the American visit made to the interviewed individuals an mental health in the region. ","Dr. Carpenter also discusses the United States - Great Britain cross-national study of schizophrenia conducted in the 1960s and 70s and its pertinency to the 1989 U.S. State Department psychiatric investigative mission to the U.S.S.R. He also talks about the broad diagnostic criteria for sluggish schizophrenia and how much contributed to the missuse of psychiatry in the Soviet Union.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Ambassador Farrand talks about his long successful career in the U.S. State Department, the importance of the Soviet psychiatric abuse to the U.S. government and the larger context of the U.S. - U.S.S.R. relationships. As a person who worked closely with Ambassador Richard Schifter for many years, Mr. Farrand describes Schifter's goals and vision of the 1989 psychiatric mission to the U.S.S.R. ","Mr. Farrand describes the process of negotiating the terms of the visit and shares insights about interacting with a superpower as the Soviet Union was at that time. He also talks about the the peculiarities of governance in the U.S.S.R., and power dynamics inside the country. Mr. Farrand describes the efforts to preserve transparency and independence of the mission as well as managing its financial aspects and its highlighting in media. Mr. Farrand also talks about glasnost, perestroika, and the collapse of the Soviet Union.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Dr. Hirschfeld shares memories about his education and career, the way he got involved in the 1989 State Department psychiatric mission to the U.S.S.R., the methodological approach to the patient interviews, the range of findings of his sub-team # 3 in Leningrad, and his general impressions of the Soviet Union as of 1989.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Mr. Hopkins talks at length about the way he became immersed in the Russian studies, his education, and career. He well remembers the settings and arrangements of interviewing the Soviet citizens who allegedly had mental disorders, his expectations and apprehensions about the upcoming 1989 mission, the types of questions asked of the Soviet interviewees, and the peculiarities of his task as an interpreter during this unique venture. He also mentions the debrief that the entire American team had in Washington, D.C. after the visit was over.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Mr. I. talks about his early life, family, education, how his dissident views formed and evolved with time. He shares about his repeated contacts with psychiatric system; he also describes his social and political activity and the repercussions he faced as a result. Mr. I. then tells about his criminal case, his forensic psychiatric evaluation, diagnosis, \"symptoms\", finding of non-imputability, the legal procedure used to involuntarily commit him to the Dnepropetrovsk special psychiatric hospital, and the inhumane conditions there. \nMr. I. then describes his transfer to Nikolayev ordinary psychiatric hospital and release; he talks about his dissident activity that brought him back to the same hospital. He also describes his contacts with Ukrainian dissident movement at the end of 1980s and how he got on the list of people to be assessed by the U.S. team. The details of his participation in 1989 U.S. State Department mission are discussed next. Mr. I. then shares about the long-term impact this mission made on his life, his subsequent legal rehabilitation, being taken off the psychiatric register, the removal of his psychiatric diagnosis, his life and activism after 1989. Mr. I. describes some of his most interesting campaigns. The interview ends with a brief discussion of the Russian invasion of Ukraine and how it affected Mr. I.'s life. ","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Dr. Keith talks about the role and expertise of NIMH that was crucial to the success of the 1989 U.S. psychiatric mission to the U.S.S.R. He recapitulates the main points and stumbling blocks of the negotiations with the Soviets in November 1988, various organizational aspects of the mission, as well as the interview instruments and methodology used by the American team. Dr. Keith shares his opinion about the concept of sluggish schizophrenia, its diagnostic criteria, and other factors that made it possible to abuse psychiatry in the Soviet Union. He also emphasizes Soviet life, society, and governance as of 1989. Dr. Keith discusses the Soviets' admission of \"hyperdiagnoses\" and the validity of the excuse of \"hyperdiagnoses\" from the professional point of view. He also expresses his opinion about the tone of the final report and the general context that the American team had to keep in mind when drafting it. Dr. Keith describes Schizophrenia Bulletin and his role as its editor-in-chief. He also talks about the 1990 Soviet Reciprocal Visit to the U.S.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Dr. Kleyman is a great source of knowledge about the ins and outs of the Soviet mental health care system as the person who had about 10 years of professional experience on the ground. He talked about the uniqueness of his role during the American psychiatric mission to the U.S.S.R. that resulted from him being a native Russian speaker and being well familiar with life in the Soviet Union. Dr. Kleyman discusses the social and political context that surrounded the 1989 U.S. State Department visit and made it possible in the first place; the doctor patient relationship in the U.S.S.R.; Soviet diagnostic approaches and the role of Soviet psychiatrists during the American visit. Dr. Kleyman recalls his unique trip to Moscow Psychiatric Hospital # 5 to briefly speak with the patient who was claimed by the Soviets to have refused examination. He also talks about his experience as a member of the 1991 W.P.A. mission to the U.S.S.R.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Mr. Kovalev tells about the role of various domestic and international actors in the process of democratization of the U.S.S.R. in the late 1980s and bringing human rights into the Soviet Union. He also assesses the political factors of the early 1980s that allowed Gorbachev come to power and retain it. Mr. Kovalev shares his insights about the Soviet foreign policy of the second half of 1980s-early 1990s and the U.S. - U.S.S.R. relationships. He shares his knowledge about the history of abuse of psychiatry and the reasons for resorting to it; the Soviet psychiatric register and the consequences of being on a register; the sealed instruction on involuntary commitment that existed but was not available to the public. Mr. Kovalev talks about the chain of decision making in ensuring that the American visit will actually happen and the key events on that road. He also comments on the internal tensions between the Ministry of Foreign Affairs and the Ministry of Health (M.O.H.) as well as the resistance put up by the M.O.H. in organizing the American visit. He also shares his views about the \"system dissidents\" in the U.S.S.R.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Ms. Mercer talks about her career at the APA and the role that the APA played in advocating for the rights of the persons committed to psychiatric hospitals for non-medical reasons in the USSR. She then discusses the historical context for the 1989 State Department psychiatric delegation to the Soviet Union, including the 1977 Declaration of Hawaii and the All-Union Society's walking out of the WPA in 1983 in the face of an almost certain expulsion. Being a part of the November 1988 negotiation team to the Soviet Union, Ms. Mercer shares her thoughts about the negotiation process and the Soviet's compliance with the terms agreed upon. Ms. Mercer describes the field visit to Soviet psychiatric hospitals and then talks about the Soviet's readmission to the WPA, the role the 1989 U.S. State Department played in this process, the APA's and Ms. Mercer's personal stance with regard to the readmission. Ms. Mercer concludes by discussing the difference the American visit made in the big picture.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Dr. Monahan talks about his professional training and the highlights of his career, his memories from the 1989 American visit to the Soviet Union, including the goals of the visit,  its organizational aspects, and its media coverage. Dr. Monahan then focuses on the forensic evaluation methods and results, the rights of psychiatric patients in the Soviet Union, conditions of their hospitalization, treatment, and hospital staffing. Dr. Monahan concludes by describing his general impressions of Moscow and Leningrad and the conclusions the American team made as a result of the visit. ","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Mr. Reddaway talks about his education and career and the way he became interested and immersed in the issue of abuse of psychiatry in the U.S.S.R. He discusses the impact that his and Sidney Bloch's 1977 and 1983 books made in the Soviet Union. He also shares his knowledge about the evolution of punitive psychiatry with each new Soviet leader. Mr. Reddaway talks about Mr. Gorbachev's personality, the political factors in the early 1980s that allowed for such a leader to emerge and retain power; the reasons for perestroika;  the peculiarities of perestroika in psychiatry versus other spheres. Mr. Reddaway gives a comprehensive overview of various internal processes in the Soviet Union at the end of 1980s that were important prerequisites for the 1989 U.S. psychiatric mission. He discusses at length the role of the WPA in the battle against the abuse of psychiatry in the Soviet Union. Mr. Reddaway also gives a detailed overview of the field inspections to Soviet psychiatric hospitals that he did as a member of the 1989 U.S. State Department psychiatric mission to the U.S.S.R.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","The interview with Dr. Regier is of critical importance for the comprehensive retrospective evaluation of the long-term impact of the 1989 State Department investigative mission to the U.S.S.R. Dr. Regier not only played a key role in the preparation and implementation of the mission, but also successfully continued to help develop the quality and accessibility of mental health services in Russia after the U.S.S.R. collapse. Dr. Regier also continued to tackle the issue of psychiatric abuse in China.  \nIn his interview, Dr. Regier gives a historical overview of the development of diagnostic criteria that was subsequently used during the U.S. State Department investigative mission to the U.S.S.R. relating to psychiatric abuse. This interview provides a great description of the methodology used during the interviews. Dr. Regier also describes the NIMH goals, unique role and contribution to the 1989 mission and shares his insights about the factors that made it possible to weaponize psychiatry against dissidents in the Soviet Union. Dr. Regier also tells about his role in the work of Gore-Chernomyrdin Commission in the area on mental health care in Russia post the Soviet Union breakup.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Dr. Roth describes his training and the highlights of his career; he then tells how he became interested in the issue of abuse of psychiatry in the U.S.S.R. His two human rights trips to the U.S.S.R. in 1985 and 1986 are discussed next. Dr. Roth then gives an overview of the general political background to the visit and tensions between him and Ambassador Schifter about some critical aspect of the visit. Dr. Roth then describes in detail the negotiation process between the U.S. and Soviet side, the main stumbling blocks, how he managed to overcome them, and who were his allies. Dr. Roth describes the Soviet uncooperativeness and tensions between the Ministry of Health and Ministry of Foreign Affairs. He then talks about informed consents, interview procedures, and the visit dynamics. He shares some anecdotes and most memorable events; he also talks about the people who meaningfully contributed to making the mission successful.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Mr. S. describes his early years, how his dissident views formed, his first arrest under Article 70 of the Criminal Code, his expert psychiatric evaluation at the Serbsky Institute, and the judicial procedure that followed. He describes his subsequent commitment in an 'ordinary' psychiatric hospital and shares insights about the internal regulations, regime, and the release procedure. He also talks about his next arrest and the legal aspects of it. Mr. S. shares his views about whether Soviet psychiatrists seriously believed that 'failure to adapt to the society' was a sign of mental illness and whether they can be blamed for presumably following the orders from above.  Mr. S. proceedes to describe his transfer to a special psychiatric hospital, the mass release of political prisoners in 1987, the reasons for such a drastic change of the political course in the Soviet Union, and gives an overview of the U.S. – U.S.S.R. relationship in the second half of the twentieth century. He then talks about how the 1989 U.S. State Department psychiatric mission to the U.S.S.R. fit into the broader human rights negotiations in the CSCE. Mr. S. tells how he taken off the psychiatric register\nand legally rehabilitated; he talks about the destiny of the Criminal Code 'political' articles 70 and 190-1 and current political articles in Russian Criminal Code used to suppress dissent.\nMr. S. shares about his life and political activity after 1989, his subsequent arrests, and his assessment of the evolution of civil and political freedom in Russia after 1989.\nHe then talks about the future of Russia, his own future as a dissident in Russia, and his views about the Russian war in Ukraine.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","In addition to the oral history given in 2022, this file contains a recording of an interview that Mr. S gave on March 2, 1989.","Ms. Smith shares her memories about interpreting for both 1989 U.S. State Department delegation and the 1991 WPA delegation to the Soviet Union. She explains how this experience compares to the other interesting projects she has been involved in throughout her career. She describes her most prominent memories about this job as well as the Soviet Union as of 1989. ","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Dr. Stern describes his career and his pathway from the Soviet Union to the U.S. He shares his insights about some aspects of Soviet history, the issue of psychiatric abuse, its roots and reasons the Soviet government resorted to psychiatry to oppress dissent. Dr. Stern talks about the major differences between special psychiatrist hospitals vs. ordinary psychiatrist hospitals and gives some excellent illustrations of \"symptoms\" that the Soviet school of psychiatry considered signs of mental disorder. Dr. Stern shares his opinion as to the reasons why Soviet psychiatrists engaged in unethical practices. Dr. Stern describes the field trip in great detail, including some anecdotes and specific instances. He concludes by identifying the most important changes needed in Soviet psychiatry at the time and assesses the overall success of the American mission to the Soviet Union. ","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","This file includes correspondence with Richard Schifter and Robert van Voren.","The Arthur J. Morris Law Library does not grant researchers permission to publish copies of any of the materials in this collection.","Arthur J. Morris Law Library Special Collections","Roth, Loren H.","Bloom, Joseph D.","Borissow, Kyrill","Carpenter, William T.","Farrand, Robert William, 1934-","Hirschfeld, Robert M. A.","Hopkins, William H. 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A.","Hopkins, William H. (William Hugh), 1942-","Keith, Samuel J.","Kleyman, Felix, Dr.","Kovalev, A. A. (Andreĭ Anatolʹevich)","Mercer, Ellen Robertson","Monahan, John (John Thomas), 1946-","Reddaway, Peter (1939)","Regier, Darrel A.","Smith, Carolyn","Stern, Leon"],"creator_ssim":["Roth, Loren H.","Bloom, Joseph D.","Borissow, Kyrill","Carpenter, William T.","Farrand, Robert William, 1934-","Hirschfeld, Robert M. A.","Hopkins, William H. (William Hugh), 1942-","Keith, Samuel J.","Kleyman, Felix, Dr.","Kovalev, A. A. (Andreĭ Anatolʹevich)","Mercer, Ellen Robertson","Monahan, John (John Thomas), 1946-","Reddaway, Peter (1939)","Regier, Darrel A.","Smith, Carolyn","Stern, Leon"],"creator_persname_ssim":["Roth, Loren H.","Bloom, Joseph D.","Borissow, Kyrill","Carpenter, William T.","Farrand, Robert William, 1934-","Hirschfeld, Robert M. A.","Hopkins, William H. (William Hugh), 1942-","Keith, Samuel J.","Kleyman, Felix, Dr.","Kovalev, A. A. (Andreĭ Anatolʹevich)","Mercer, Ellen Robertson","Monahan, John (John Thomas), 1946-","Reddaway, Peter (1939)","Regier, Darrel A.","Smith, Carolyn","Stern, Leon"],"creators_ssim":["Roth, Loren H.","Bloom, Joseph D.","Borissow, Kyrill","Carpenter, William T.","Farrand, Robert William, 1934-","Hirschfeld, Robert M. A.","Hopkins, William H. (William Hugh), 1942-","Keith, Samuel J.","Kleyman, Felix, Dr.","Kovalev, A. A. (Andreĭ Anatolʹevich)","Mercer, Ellen Robertson","Monahan, John (John Thomas), 1946-","Reddaway, Peter (1939)","Regier, Darrel A.","Smith, Carolyn","Stern, Leon"],"access_terms_ssm":["The Arthur J. Morris Law Library does not grant researchers permission to publish copies of any of the materials in this collection."],"acqinfo_ssim":["In March 2023, Dr. Loren Henry Roth donated all of the materials in this collection to the University of Virginia Law Library."],"access_subjects_ssim":["Psychiatry -- Soviet Union","Political prisoners -- Soviet Union","Dissenters -- Soviet Union"],"access_subjects_ssm":["Psychiatry -- Soviet Union","Political prisoners -- Soviet Union","Dissenters -- Soviet Union"],"has_online_content_ssim":["true"],"extent_ssm":["12.75 Cubic Feet 25 boxes","138.5775 Gigabytes"],"extent_tesim":["12.75 Cubic Feet 25 boxes","138.5775 Gigabytes"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eResearchers may only access and view the materials in this collection onsite and in-person at the University of Virginia Law Library in Charlottesville, Virginia. The following additional restrictions apply to any materials that contain the names of the interviewees of the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union and/or 1991 ad hoc mission to the Soviet Union by the World Psychiatric Association:\u003c/p\u003e\n","\u003cp\u003e1. To obtain access to these records, interested researchers must sign a form to agree not to use, document, or disclose names of the patients or their families, or other identifying information about these persons and to abide by all the provisions specified in the present document. The form is available on site from the responsible official of the UVA Law Library. \u003c/p\u003e\n","\u003cp\u003e2. These materials may not be copied, photographed, or otherwise reproduced digitally. \u003c/p\u003e\n","\u003cp\u003e3. Before accessing the requested materials, interested researchers must agree to abide by reasonable administrative, technical, and physical safeguards, as approved by the UVA Law Library, to prevent unauthorized use or disclosure of the information. These procedures shall be followed by all persons associated with the applicant's research project.  \u003c/p\u003e\n","\u003cp\u003e4. Records in this category are also subject to the following safeguards: (i) Any information that would permit the identification of an individual (names, biographical data, etc.) may not be used, documented, or made public by the researcher, nor will any attempt to contact them be made. However, this does not preclude the researcher from contacting a person in advance of gaining access, for the purpose of obtaining access.  (ii) If a researcher obtains written authorization for access from an interviewee or from his/her legal guardian, the records may be made available to that researcher. (iii) Interviewees themselves may have free access to their own health information if contained in this collection. \u003c/p\u003e\n","\u003cp\u003e5. If the University of Virginia Law Library discovers that a researcher has violated the confidentiality of information or the conditions of access, the Law Library shall take steps to revoke the research privileges of the researcher and shall consult with University of Virginia legal counsel to prevent further disclosure of the health information.\u003c/p\u003e\n","\u003cp\u003eFinally, different access restrictions may apply to some of the items in  this collection. Whenever possible, archivists have made a note of these restrictions in other parts of the finding aid.\u003c/p\u003e","\u003cp\u003eThere are access restrictions on some of the materials in this series. When a file or item is restricted, an additional note explaining the conditions of access is attached to the file or item description.\u003c/p\u003e","\u003cp\u003eThe items in these folders contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contain sensitive information about the health or treatment of the persons interviewed in the U.S.S.R. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contain sensitive information about the health or treatment of the persons interviewed in the U.S.S.R. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contain sensitive information about the health or treatment of the persons interviewed in the U.S.S.R. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contain sensitive information about the health or treatment of the persons interviewed in the U.S.S.R. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThe interviews with the former Soviet patients and the original 1989 recording are restricted and special permissions apply.\u003c/p\u003e","\u003cp\u003eDr. Joseph D. Bloom did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).\u003c/p\u003e","\u003cp\u003eKyrill Borissow did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).\u003c/p\u003e","\u003cp\u003eDr. William Carpenter did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).\u003c/p\u003e","\u003cp\u003eRobert William Farrand did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).\u003c/p\u003e","\u003cp\u003eDr. Robert Hirschfeld did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).\u003c/p\u003e","\u003cp\u003eWilliam Hopkins did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).\u003c/p\u003e","\u003cp\u003eMr. I. did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022). However, due to the sensitive nature of the topics covered in the interview, the University of Virginia restricts access according to the guidelines for more sensitive materials outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eDr. Samuel Keith did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).\u003c/p\u003e","\u003cp\u003eDr. Felix Kleyman did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).\u003c/p\u003e","\u003cp\u003eAndrey Kovalev did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).\u003c/p\u003e","\u003cp\u003eEllen Mercer did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).\u003c/p\u003e","\u003cp\u003eDr. John T. Monahan did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).\u003c/p\u003e","\u003cp\u003ePeter Reddaway did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).\u003c/p\u003e","\u003cp\u003eDr. Darrel Regier did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).\u003c/p\u003e","\u003cp\u003eIn addition to the restrictions on access that applies to all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022),  Dr. Loren Roth requested that The University of Virginia only make his interview available to researchers on-site at the repository preserving the interview.\u003c/p\u003e","\u003cp\u003eMr. S. did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022). However, due to the sensitive nature of the topics covered in the interview, the University of Virginia restricts access to both recordings according to the guidelines for more sensitive materials outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eCarolyn Smith did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).\u003c/p\u003e","\u003cp\u003eIn addition to the restrictions on access that applies to all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022),  Dr. Leon Stern requested that The University of Virginia only make his interview available to researchers on-site at the repository preserving the interview.\u003c/p\u003e","\u003cp\u003eThis file contain sensitive information about the health or treatment of persons from the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contain sensitive information about the health or treatment of persons from the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Researchers may only access and view the materials in this collection onsite and in-person at the University of Virginia Law Library in Charlottesville, Virginia. The following additional restrictions apply to any materials that contain the names of the interviewees of the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union and/or 1991 ad hoc mission to the Soviet Union by the World Psychiatric Association:","1. To obtain access to these records, interested researchers must sign a form to agree not to use, document, or disclose names of the patients or their families, or other identifying information about these persons and to abide by all the provisions specified in the present document. The form is available on site from the responsible official of the UVA Law Library. ","2. These materials may not be copied, photographed, or otherwise reproduced digitally. ","3. Before accessing the requested materials, interested researchers must agree to abide by reasonable administrative, technical, and physical safeguards, as approved by the UVA Law Library, to prevent unauthorized use or disclosure of the information. These procedures shall be followed by all persons associated with the applicant's research project.  ","4. Records in this category are also subject to the following safeguards: (i) Any information that would permit the identification of an individual (names, biographical data, etc.) may not be used, documented, or made public by the researcher, nor will any attempt to contact them be made. However, this does not preclude the researcher from contacting a person in advance of gaining access, for the purpose of obtaining access.  (ii) If a researcher obtains written authorization for access from an interviewee or from his/her legal guardian, the records may be made available to that researcher. (iii) Interviewees themselves may have free access to their own health information if contained in this collection. ","5. If the University of Virginia Law Library discovers that a researcher has violated the confidentiality of information or the conditions of access, the Law Library shall take steps to revoke the research privileges of the researcher and shall consult with University of Virginia legal counsel to prevent further disclosure of the health information.","Finally, different access restrictions may apply to some of the items in  this collection. Whenever possible, archivists have made a note of these restrictions in other parts of the finding aid.","There are access restrictions on some of the materials in this series. When a file or item is restricted, an additional note explaining the conditions of access is attached to the file or item description.","The items in these folders contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed in the U.S.S.R. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed in the U.S.S.R. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed in the U.S.S.R. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed in the U.S.S.R. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","The interviews with the former Soviet patients and the original 1989 recording are restricted and special permissions apply.","Dr. Joseph D. Bloom did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Kyrill Borissow did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Dr. William Carpenter did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Robert William Farrand did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Dr. Robert Hirschfeld did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","William Hopkins did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Mr. I. did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022). However, due to the sensitive nature of the topics covered in the interview, the University of Virginia restricts access according to the guidelines for more sensitive materials outlined in the Conditions Governing Access note at the collection level of this finding aid.","Dr. Samuel Keith did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Dr. Felix Kleyman did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Andrey Kovalev did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Ellen Mercer did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Dr. John T. Monahan did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Peter Reddaway did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Dr. Darrel Regier did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","In addition to the restrictions on access that applies to all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022),  Dr. Loren Roth requested that The University of Virginia only make his interview available to researchers on-site at the repository preserving the interview.","Mr. S. did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022). However, due to the sensitive nature of the topics covered in the interview, the University of Virginia restricts access to both recordings according to the guidelines for more sensitive materials outlined in the Conditions Governing Access note at the collection level of this finding aid.","Carolyn Smith did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","In addition to the restrictions on access that applies to all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022),  Dr. Leon Stern requested that The University of Virginia only make his interview available to researchers on-site at the repository preserving the interview.","This file contain sensitive information about the health or treatment of persons from the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of persons from the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid."],"arrangement_html_tesm":["\u003cp\u003eThe files in this series are arranged by subject into 14 sub-series.\u003c/p\u003e","\u003cp\u003eThe files in this sub-series are arranged in chronological order.\u003c/p\u003e","\u003cp\u003eThe files in this sub-series are arranged in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The files in this series are arranged by subject into 14 sub-series.","The files in this sub-series are arranged in chronological order.","The files in this sub-series are arranged in chronological order."],"bioghist_html_tesm":["\u003cp\u003eWhile it is understood that the misuse of psychiatry for non-medical reasons allegedly started in the U.S.S.R. after the October Revolution of 1917, its widespread and systematic use as a tool to silence political dissent became well-documented during Khrushchev's era. In a 1959 speech attributed to Khrushchev, he allegedly attempted to justify putting dissidents in psychiatric hospitals by saying that only a mentally ill person may be opposed to Communism (1). While there also were \"political\" parts of the R.S.F.S.R. Criminal Code that criminalized anti-Soviet agitation and slander of the Soviet state, psychiatry was often used to isolate dissidents, punish them with psychiatric drugs, discredit their ideas, and avoid criminal law procedures.\u003c/p\u003e\n","\u003cp\u003eThe \"Sluggish schizophrenia\" concept developed by academician Snezhnevsky had overly broad diagnostic criteria that allowed the diagnosis of schizophrenia in patients who showed no symptoms, on the assumption that these symptoms would appear later (2). In almost every case, dissidents were examined at the Serbsky Central Research Institute for Forensic Psychiatry.\nInformation about Soviet repressive psychiatry became well-known in the West after 1971 dissident Vladimir Bukovsky smuggled over 150 pages documenting the political abuse of psychiatric institutions in the Soviet Union into the West. The papers were studied by independent psychiatrists in several countries and released to the press (3). \"Bukovsky's papers\" galvanized human rights activists worldwide and those within the Soviet Union.\u003c/p\u003e\n","\u003cp\u003eWhile the attempt to bring the matter to the official agenda of the World Psychiatric Association (W.P.A.) at their 1971 World Congress in Mexico was unsuccessful, it kept gaining more and more outcry worldwide. So, in 1977, the W.P.A. adopted the Hawaii Declaration – a milestone defining principles of good and ethical medical practice. The All-Union Society of Psychiatrists and Narcologists, the official Soviet professional organization, was bound to withdraw from the W.P.A. at its next Congress in 1983—the allegations of the political abuse of psychiatry inflicted irretrievable damage on the prestige of Soviet medicine.\u003c/p\u003e\n","\u003cp\u003eIn 1975, the Soviet Union, the United States, and other countries signed the Helsinki Accords - the key document of the Conference of Security and Cooperation in Europe (C.S.C.E.). The Accords signaled a détente between the East and the West and built the foundation for the end of the Cold War, the U.S.-Soviet disarmament talks, and the \"third basket\" on human rights and freedoms in the Soviet Union.\u003c/p\u003e\n","\u003cp\u003eMikhail Gorbachev, who became the head of the Soviet Communist Party in 1985, prioritized the improvement of U.S.-Soviet relations. Also, Gorbachev launched the domestic \"perestroika\" (restructuring) and \"glasnost\" (openness) initiatives. These combined foreign and domestic policy developments fostered interest, internally and externally, in the plight of Soviet political prisoners. The Soviet Union released many political prisoners from labor camps, and in April 1987, Secretary Schultz and Soviet Minister of Foreign Affairs Shevardnadze agreed on a human rights dialog (4). As part of this broader dialog, in September 1987, the Soviet representatives began to try to assure their American counterparts that the abuse of psychiatry had ended (5).\u003c/p\u003e\n","\u003cp\u003eNotes:\u003c/p\u003e\n","\u003cp\u003e1. Khrushchev had said this in a speech published in the state newspaper Pravda on 24 May 1959: A crime is a deviation from generally recognized standards of behaviour frequently caused by mental disorder. Can there be diseases, nervous disorders among certain people in a Communist society? Evidently yes. If that is so, then there will also be offences, which are characteristic of people with abnormal minds. Of those who might start calling for opposition to Communism on this basis, we can say that clearly their mental state is not normal.\nKnapp, Martin, et al. Mental Health Policy and Practice Across Europe: The Future Direction of Mental Health Care, McGraw-Hill Education, 2006. ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/uva/detail.action?docID=316293.\u003c/p\u003e\n","\u003cp\u003e2. Sfera, Adonis. Can psychiatry be misused again?. Frontiers in Psychiatry. 9 September 2013;(4):101. doi:10.3389/fpsyt.2013.00101. PMID 24058348.\u003c/p\u003e\n","\u003cp\u003e3. For more information, see Reddaway, Peter (12 March 1971). \"Plea to West on Soviet 'mad-house' jails\". The Times. p. 8.; Bloch, Sidney; Reddaway, Peter (1984). Soviet Psychiatric Abuse. The Shadow Over World Psychiatry. London: Gollancz.\u003c/p\u003e\n","\u003cp\u003e4. Schifter-Adamishin book, timeline, page xix\u003c/p\u003e\n","\u003cp\u003e5. Id, pages xix and xx\u003c/p\u003e","\u003cp\u003eDuring the late 1980s, U.S.-Soviet discussions about the abuse of psychiatry led to the formation of a special U.S. delegation to the Soviet Union. In February 1989, the U.S.S.R. allowed the delegation to independently assess 27 Soviet citizens believed to have been psychiatrically committed for non-medical reasons. The U.S.S.R. also allowed the delegation to inspect ordinary psychiatric hospitals and other hospitals known as \"psychoprisons.\" The U.S. delegation's psychiatric leader was Dr. Loren Roth of the University of Pittsburgh. The U.S. State Department organized the trip, closely cooperating with the American Psychiatric Association and the National Institute of Mental Health. Their Soviet counterparts were the Ministry of Foreign Affairs. The Soviet Ministry of Health and the conservative leadership of Soviet psychiatry, both believed to have been deeply involved in abuse, internally opposed the visit. However, the Ministry of Foreign Affairs overcame this opposition, and their support was critical to the U.S. delegation's success.\u003c/p\u003e\n","\u003cp\u003eThe U.S. delegation consisted of leading experts in psychiatry, forensic psychiatry, forensic psychology, law, and Sovietology. Also, it included a representative of the American Psychological Association (A.P.A.), and émigré Soviet psychiatrists living in the United States.\u003c/p\u003e\n","\u003cp\u003eFrom April 1988 onward, Dr. Loren Roth engaged in extensive negotiations with his Soviet counterparts on the details of the visit. They discussed the list of people (\"patients\") to be assessed by the delegation and the processes for obtaining their consent. There were difficult negotiations over the presence of Soviet psychiatrists during the examinations, and the need to protect the interviewees from potential intimidation and retaliation.\u003c/p\u003e\n","\u003cp\u003eThe U.S. delegation advocated for and adopted critical precautions to ensure the transparency of the mission and its findings. They used scientifically developed structural psychiatric interview schedules, brought U.S. interpreters to assist the delegation, avoided sharing the cost of the trip with the Soviet side, collected urine samples to rule out overmedication, videotaped the interviews, and spoke with friends/relatives of those interviewed.\u003c/p\u003e\n","\u003cp\u003eAlthough there was a significant risk that the Soviet Union would cancel the delegation's visit, it occurred between February and March, 1989. The American team evaluated 27 Soviet citizens and inspected special psychiatric hospitals in Kazan and Chernyakhovsk as well as ordinary psychiatric hospitals in Vilnius and Kaunas.\u003c/p\u003e\n","\u003cp\u003eAmong those interviewed by the U.S. team were people still hospitalized, and those who had been previously discharged. The American team was greatly assisted by Mr. Aleksandr \"Sasha\" Podrabinek, the Soviet and, subsequently, Russian dissident. He was an expert on the issue of abuse of psychiatry and author of the 1979 book \"Punitive Medicine\" (see references). Mr. Podrabinek facilitated access to those who had been previously released and claimed to be unavailable by Soviet counterparts.\u003c/p\u003e\n","\u003cp\u003eThe U.S. team detailed their conclusions in their final report, \"Assessment of Recent Changes in Soviet Psychiatry\" (available in this collection), which researchers are encouraged to read. The Soviet Union responded officially with its own report.\u003c/p\u003e\n","\u003cp\u003eThe 1989 visit laid a foundation for subsequent collaboration between the two countries in the area of mental health. The U.S.-Russia Health Committee met from 1994 to 2000 as a part of a larger Gore-Chernomyrdin Commission. It focused, in particular, on mental health care during disasters and the primary care physician's role in caring for patients with depression.\u003c/p\u003e\n","\u003cp\u003eShortly after the American mission was over, the W.P.A. congress in Athens decided to provisionally readmit the Soviet All-Union Society after receiving an official, although somewhat vague, admission of the past wrongdoings (covered in detail in On Dissidents and Madness by Robert van Voren). In 1991, the W.P.A. undertook an ad hoc psychiatric inspection of the Soviet Union that Dr. Jim Birley headed. Dr. Loren Roth and other experts who served on the 1989 U.S. State Department mission joined this inspection.\u003c/p\u003e\n","\u003cp\u003eIn 1990, a delegation of Soviet psychiatrists and politicians visited the United States for an educational trip to American psychiatric services and scholarly dialogues.\u003c/p\u003e\n","\u003cp\u003e\nResearchers are encouraged to read the resources listed below to gain a better understanding of the historical events surrounding the 1989 delegation:\u003c/p\u003e\n","\u003cp\u003e- the Schizophrenia Bulletin (supplement to Vol 15, # 4, 1989), which contains the brief overview of the reasons, methodology, and findings of the American team in the U.S., the final report of the U.S. delegation both in English and Russian, as well as the Soviet response in both languages (Hyperlink1)\n- The New York Times article \"Accord Is Sought by U.S. And Soviet on Mental Wards\" of May 22, 1988\n- The Journal of the American Academy of Psychiatry and the Law, Volume 49, Number 4, 2021 \"Jonas Rappeport: A Direct, Accomplished AAPL Leader\" by Dr. Loren Roth\n- Report by the World Psychiatric Association Team on the Visit to the Soviet Union, 9-29 June 1991, headed by Dr. Jim Burley\n- Human Rights, Perestroika, and the End of the Cold War co-authored by Anatoly Adamishin and Richard Schifter in 2009\u003c/p\u003e","\u003cp\u003eIn 2021, three decades after the 1989 trip to assess the conditions of Soviet citizens confined in psychiatric hospitals for political reasons, an oral history project was initiated to document it. Loren H. Roth, Ellen Mercer, and Richard Bonnie, three members of the delegation, had always wanted to evaluate if the mission had had any lasting impact on the lives of the people interviewed and on the quality and ethical integrity of psychiatric care in the countries of the former Soviet Union. The oral history project began in conjunction with the donation of Loren Roth's papers to the University of Virginia School of Law Library. Olena Protsenko, a Ukrainian human rights lawyer, organized Roth's papers and began researching related collections. Richard Bonnie's papers and Saleem Shah's files on the abuse of psychiatry, also part of the University of Virginia Law Library manuscript collections, were essential to the project's development.\u003c/p\u003e","\u003cp\u003eDr. Joseph D. Bloom was one of the few forensic psychiatrists on the 1989 U.S. Department of State Delegation to the Soviet Union to investigate the abuse of psychiatry. Bloom is Dean Emeritus of the Oregon Health and Science University and Clinical Professor at the Department of Psychiatry of the University of Arizona Fenix College of Medicine.\u003c/p\u003e","\u003cp\u003eMr. Borissow is an American of a Russian descend. He was a contract interpreter for the U.S. State Department for many years. During the 1989 trip, he was on the sub-team # 3 under the leadership of Dr. Hirschfeld, interpreting in Leningrad.\u003c/p\u003e","\u003cp\u003eDr. William Carpenter was leader of team #2 of the 1989 American investigative scientific mission to the Soviet Union. He is Professor of Medicine at the University of Maryland School of Medicine and former Director of the Maryland Psychiatric Research Center.\u003c/p\u003e","\u003cp\u003eRobert William Farrand retired in 1998 after 34 years in the U.S. Foreign Service. He served as Ambassador to Papua New Guinea, Solomon Islands, and Vanuatu from 1990 until 1993. \u003c/p\u003e\n","\u003cp\u003eIn 1988-89 he led the U.S. delegation of medical and forensic professionals to investigate the Soviet Union's political weaponizing of psychiatry, for which he received a Superior Honor Award.\u003c/p\u003e\n","\u003cp\u003eFarrand was concurrently Supervisor of the Bosnian city of Brčko and Deputy High Representative for the northern sector of Bosnia and Herzegovina (1997 to 2000).  \u003c/p\u003e","\u003cp\u003eDr. Robert Hirschfeld is Professor of Psychiatry at Weill Cornell Medical College. He was the team leader of team # 3 during the 1989 psychiatric delegation to the U.S.S.R.\u003c/p\u003e","\u003cp\u003eMr. William Hopkins is a retired U.S. State Department staff interpreter. During the 1989 U.S. psychiatric mission to the USSR, he interpreted for team # 2 under the leadership of Dr. William Carpenter.\u003c/p\u003e","\u003cp\u003eMr. I. is a Soviet/Ukrainian dissident who was repeatedly involuntarily committed to a psychiatric hospital for political reasons. He was one of the people interviewed by the U.S. State Department investigative psychiatric mission to the U.S.S.R. in 1989.\u003c/p\u003e","\u003cp\u003eDr. Keith is the Emeritus Milton Rosenbaum Professor of Psychiatry and Psychology at the University of New Mexico School of Medicine. He was a Deputy Director and Associate Director for Schizophrenia Programs at the NIMH as of 1989. He was the team leader of team # 1 during the 1989 psychiatric delegation to the U.S.S.R.\u003c/p\u003e","\u003cp\u003eDr. Felix Kleyman is a psychiatrist practicing in New York City. At the time of the 1989 U.S. State Department mission to the Soviet Union to investigate abuse of psychiatry, Dr. Kleyman was an assistant clinical professor of psychiatry at New York Medical College. Dr. Kleyman was one of the few Russian-speaking, U.S.S.R. and U.S.-trained psychiatrists on the American team. Dr. Kleyman was also a member of the 1991 W.P.A.  mission to the Soviet Union once the All-Union Society of Psychiatrists and Narcologists was provisionally readmitted to the W.P.A.\u003c/p\u003e","\u003cp\u003eAs of 1989, Mr. Kovalev was a Senior Advisor of the Department for International Humanitarian and Cultural Relations at the Soviet Ministry of Foreign Affairs. He was charged with bringing Soviet legislation and practice in line with the international obligations of the U.S.S.R. Mr. Kovalev was responsible for the development and implementation of the psychiatric reform, including the organization of the visit of the American psychiatric delegation in 1989.\u003c/p\u003e","\u003cp\u003eAt the time of the 1989 U.S. psychiatric mission to the U.S.S.R. Ms. Mercer was the Director of the A.P.A. Office of International Affairs. She is believed to be one of the initiators of the visit and was deeply involved in its planning and preparation as the representative of the American Psychiatric Association (A.P.A.). During the visit itself, she was a member of the team inspecting psychiatric hospitals on the ground.\u003c/p\u003e","\u003cp\u003eJohn T. Monahan is the John S. Shannon Distinguished Professor of Law, Professor of Psychology, Hunton Andrews Kurth Professor of Law at the University of Virginia School of Law. He was the only forensic psychologist on the 1989 U.S. State Department investigative psychiatric mission to the Soviet Union.\u003c/p\u003e","\u003cp\u003eMr. Reddaway is a renowned expert on Russian and Soviet politics, author of many books and publications. He is Professor Emeritus of Political Science and International Affairs at George Washington University.\u003c/p\u003e","\u003cp\u003eDr. Darrel Regier was the Scientific Director of the 1989 State Department investigative mission to the U.S.S.R. and coordinated all aspects of the clinical assessment procedure. Dr. Regier completed twenty-five years at the National Institute of Mental Health (N.I.M.H.), during which time he directed three research divisions in the areas of epidemiology, prevention, clinical research, and health services research. Dr. Regier is currently a Senior Scientist at the Center for the Study of Traumatic Stress, in the Henry M. Jackson Foundation for the Advancement of Military Medicine and Department of Psychiatry, Uniformed Services University. He also serves as an independent senior scientific consultant to the American Psychiatric Association (A.P.A.) on DSM-5 and research related issues.\u003c/p\u003e","\u003cp\u003eDr. Roth was the psychiatric leader of the 1989 U.S. State Department investigative psychiatric mission to the U.S.S.R. Following 44 years of distinguished service to the Department of Psychiatry and the University of Pittsburgh School of Medicine, Loren H. Roth, M.D., M.P.H., was recognized and awarded Emeritus status at a special reception following the Department's Annual Research Day held June 7, 2018. \nPrior to his being an Emeritus Professor, for the previous five years Dr. Roth was the Associate Senior Vice Chancellor, Clinic Policy and Planning, Health Sciences, University of Pittsburgh; Distinguished Service Professor of Psychiatry, Professor of Health Policy and Management, and Clinical and Translational Science; and Senior Advisor, Quality, UPMC Health Plan.  In addition to his many academic positions, Dr. Roth has held multiple leadership roles at UPMC culminating in his being the first Chief Medical Officer of the University of Pittsburgh Medical Center (U.P.M.C.) (2003-2007).\u003c/p\u003e","\u003cp\u003eMr. S. is a Soviet/Russian dissident who was repeatedly involuntarily committed to a psychiatric hospital for political reasons. He was one of the people interviewed by the U.S. State Department investigative psychiatric mission to the U.S.S.R. in 1989.\u003c/p\u003e","\u003cp\u003eFluent in English and Russian, Ms. Smith was a contract interpreter for the U.S. State Department for many years. She interpreted for both the 1989 American delegation and the 1991 WPA delegation to the Soviet Union. During the 1989 trip, she was on the sub-team # 1 under the leadership of Dr. Samuel J. Keith, M.D. interpreting in Moscow.\u003c/p\u003e","\u003cp\u003eDr. Leon Stern is a Russian-speaking psychiatrist who was a member of the field team that inspected four psychiatric hospitals across the Soviet Union. Dr. Stern is a psychiatrist in private practice.\u003c/p\u003e"],"bioghist_heading_ssm":["History of the Abuse of Psychiatry and Psychiatrists in the U.S.S.R.","History of the 1989 U.S. State Department Investigative Mission to the U.S.S.R.","History of the 2021-2022 Oral History Project","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["While it is understood that the misuse of psychiatry for non-medical reasons allegedly started in the U.S.S.R. after the October Revolution of 1917, its widespread and systematic use as a tool to silence political dissent became well-documented during Khrushchev's era. In a 1959 speech attributed to Khrushchev, he allegedly attempted to justify putting dissidents in psychiatric hospitals by saying that only a mentally ill person may be opposed to Communism (1). While there also were \"political\" parts of the R.S.F.S.R. Criminal Code that criminalized anti-Soviet agitation and slander of the Soviet state, psychiatry was often used to isolate dissidents, punish them with psychiatric drugs, discredit their ideas, and avoid criminal law procedures.","The \"Sluggish schizophrenia\" concept developed by academician Snezhnevsky had overly broad diagnostic criteria that allowed the diagnosis of schizophrenia in patients who showed no symptoms, on the assumption that these symptoms would appear later (2). In almost every case, dissidents were examined at the Serbsky Central Research Institute for Forensic Psychiatry.\nInformation about Soviet repressive psychiatry became well-known in the West after 1971 dissident Vladimir Bukovsky smuggled over 150 pages documenting the political abuse of psychiatric institutions in the Soviet Union into the West. The papers were studied by independent psychiatrists in several countries and released to the press (3). \"Bukovsky's papers\" galvanized human rights activists worldwide and those within the Soviet Union.","While the attempt to bring the matter to the official agenda of the World Psychiatric Association (W.P.A.) at their 1971 World Congress in Mexico was unsuccessful, it kept gaining more and more outcry worldwide. So, in 1977, the W.P.A. adopted the Hawaii Declaration – a milestone defining principles of good and ethical medical practice. The All-Union Society of Psychiatrists and Narcologists, the official Soviet professional organization, was bound to withdraw from the W.P.A. at its next Congress in 1983—the allegations of the political abuse of psychiatry inflicted irretrievable damage on the prestige of Soviet medicine.","In 1975, the Soviet Union, the United States, and other countries signed the Helsinki Accords - the key document of the Conference of Security and Cooperation in Europe (C.S.C.E.). The Accords signaled a détente between the East and the West and built the foundation for the end of the Cold War, the U.S.-Soviet disarmament talks, and the \"third basket\" on human rights and freedoms in the Soviet Union.","Mikhail Gorbachev, who became the head of the Soviet Communist Party in 1985, prioritized the improvement of U.S.-Soviet relations. Also, Gorbachev launched the domestic \"perestroika\" (restructuring) and \"glasnost\" (openness) initiatives. These combined foreign and domestic policy developments fostered interest, internally and externally, in the plight of Soviet political prisoners. The Soviet Union released many political prisoners from labor camps, and in April 1987, Secretary Schultz and Soviet Minister of Foreign Affairs Shevardnadze agreed on a human rights dialog (4). As part of this broader dialog, in September 1987, the Soviet representatives began to try to assure their American counterparts that the abuse of psychiatry had ended (5).","Notes:","1. Khrushchev had said this in a speech published in the state newspaper Pravda on 24 May 1959: A crime is a deviation from generally recognized standards of behaviour frequently caused by mental disorder. Can there be diseases, nervous disorders among certain people in a Communist society? Evidently yes. If that is so, then there will also be offences, which are characteristic of people with abnormal minds. Of those who might start calling for opposition to Communism on this basis, we can say that clearly their mental state is not normal.\nKnapp, Martin, et al. Mental Health Policy and Practice Across Europe: The Future Direction of Mental Health Care, McGraw-Hill Education, 2006. ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/uva/detail.action?docID=316293.","2. Sfera, Adonis. Can psychiatry be misused again?. Frontiers in Psychiatry. 9 September 2013;(4):101. doi:10.3389/fpsyt.2013.00101. PMID 24058348.","3. For more information, see Reddaway, Peter (12 March 1971). \"Plea to West on Soviet 'mad-house' jails\". The Times. p. 8.; Bloch, Sidney; Reddaway, Peter (1984). Soviet Psychiatric Abuse. The Shadow Over World Psychiatry. London: Gollancz.","4. Schifter-Adamishin book, timeline, page xix","5. Id, pages xix and xx","During the late 1980s, U.S.-Soviet discussions about the abuse of psychiatry led to the formation of a special U.S. delegation to the Soviet Union. In February 1989, the U.S.S.R. allowed the delegation to independently assess 27 Soviet citizens believed to have been psychiatrically committed for non-medical reasons. The U.S.S.R. also allowed the delegation to inspect ordinary psychiatric hospitals and other hospitals known as \"psychoprisons.\" The U.S. delegation's psychiatric leader was Dr. Loren Roth of the University of Pittsburgh. The U.S. State Department organized the trip, closely cooperating with the American Psychiatric Association and the National Institute of Mental Health. Their Soviet counterparts were the Ministry of Foreign Affairs. The Soviet Ministry of Health and the conservative leadership of Soviet psychiatry, both believed to have been deeply involved in abuse, internally opposed the visit. However, the Ministry of Foreign Affairs overcame this opposition, and their support was critical to the U.S. delegation's success.","The U.S. delegation consisted of leading experts in psychiatry, forensic psychiatry, forensic psychology, law, and Sovietology. Also, it included a representative of the American Psychological Association (A.P.A.), and émigré Soviet psychiatrists living in the United States.","From April 1988 onward, Dr. Loren Roth engaged in extensive negotiations with his Soviet counterparts on the details of the visit. They discussed the list of people (\"patients\") to be assessed by the delegation and the processes for obtaining their consent. There were difficult negotiations over the presence of Soviet psychiatrists during the examinations, and the need to protect the interviewees from potential intimidation and retaliation.","The U.S. delegation advocated for and adopted critical precautions to ensure the transparency of the mission and its findings. They used scientifically developed structural psychiatric interview schedules, brought U.S. interpreters to assist the delegation, avoided sharing the cost of the trip with the Soviet side, collected urine samples to rule out overmedication, videotaped the interviews, and spoke with friends/relatives of those interviewed.","Although there was a significant risk that the Soviet Union would cancel the delegation's visit, it occurred between February and March, 1989. The American team evaluated 27 Soviet citizens and inspected special psychiatric hospitals in Kazan and Chernyakhovsk as well as ordinary psychiatric hospitals in Vilnius and Kaunas.","Among those interviewed by the U.S. team were people still hospitalized, and those who had been previously discharged. The American team was greatly assisted by Mr. Aleksandr \"Sasha\" Podrabinek, the Soviet and, subsequently, Russian dissident. He was an expert on the issue of abuse of psychiatry and author of the 1979 book \"Punitive Medicine\" (see references). Mr. Podrabinek facilitated access to those who had been previously released and claimed to be unavailable by Soviet counterparts.","The U.S. team detailed their conclusions in their final report, \"Assessment of Recent Changes in Soviet Psychiatry\" (available in this collection), which researchers are encouraged to read. The Soviet Union responded officially with its own report.","The 1989 visit laid a foundation for subsequent collaboration between the two countries in the area of mental health. The U.S.-Russia Health Committee met from 1994 to 2000 as a part of a larger Gore-Chernomyrdin Commission. It focused, in particular, on mental health care during disasters and the primary care physician's role in caring for patients with depression.","Shortly after the American mission was over, the W.P.A. congress in Athens decided to provisionally readmit the Soviet All-Union Society after receiving an official, although somewhat vague, admission of the past wrongdoings (covered in detail in On Dissidents and Madness by Robert van Voren). In 1991, the W.P.A. undertook an ad hoc psychiatric inspection of the Soviet Union that Dr. Jim Birley headed. Dr. Loren Roth and other experts who served on the 1989 U.S. State Department mission joined this inspection.","In 1990, a delegation of Soviet psychiatrists and politicians visited the United States for an educational trip to American psychiatric services and scholarly dialogues.","\nResearchers are encouraged to read the resources listed below to gain a better understanding of the historical events surrounding the 1989 delegation:","- the Schizophrenia Bulletin (supplement to Vol 15, # 4, 1989), which contains the brief overview of the reasons, methodology, and findings of the American team in the U.S., the final report of the U.S. delegation both in English and Russian, as well as the Soviet response in both languages (Hyperlink1)\n- The New York Times article \"Accord Is Sought by U.S. And Soviet on Mental Wards\" of May 22, 1988\n- The Journal of the American Academy of Psychiatry and the Law, Volume 49, Number 4, 2021 \"Jonas Rappeport: A Direct, Accomplished AAPL Leader\" by Dr. Loren Roth\n- Report by the World Psychiatric Association Team on the Visit to the Soviet Union, 9-29 June 1991, headed by Dr. Jim Burley\n- Human Rights, Perestroika, and the End of the Cold War co-authored by Anatoly Adamishin and Richard Schifter in 2009","In 2021, three decades after the 1989 trip to assess the conditions of Soviet citizens confined in psychiatric hospitals for political reasons, an oral history project was initiated to document it. Loren H. Roth, Ellen Mercer, and Richard Bonnie, three members of the delegation, had always wanted to evaluate if the mission had had any lasting impact on the lives of the people interviewed and on the quality and ethical integrity of psychiatric care in the countries of the former Soviet Union. The oral history project began in conjunction with the donation of Loren Roth's papers to the University of Virginia School of Law Library. Olena Protsenko, a Ukrainian human rights lawyer, organized Roth's papers and began researching related collections. Richard Bonnie's papers and Saleem Shah's files on the abuse of psychiatry, also part of the University of Virginia Law Library manuscript collections, were essential to the project's development.","Dr. Joseph D. Bloom was one of the few forensic psychiatrists on the 1989 U.S. Department of State Delegation to the Soviet Union to investigate the abuse of psychiatry. Bloom is Dean Emeritus of the Oregon Health and Science University and Clinical Professor at the Department of Psychiatry of the University of Arizona Fenix College of Medicine.","Mr. Borissow is an American of a Russian descend. He was a contract interpreter for the U.S. State Department for many years. During the 1989 trip, he was on the sub-team # 3 under the leadership of Dr. Hirschfeld, interpreting in Leningrad.","Dr. William Carpenter was leader of team #2 of the 1989 American investigative scientific mission to the Soviet Union. He is Professor of Medicine at the University of Maryland School of Medicine and former Director of the Maryland Psychiatric Research Center.","Robert William Farrand retired in 1998 after 34 years in the U.S. Foreign Service. He served as Ambassador to Papua New Guinea, Solomon Islands, and Vanuatu from 1990 until 1993. ","In 1988-89 he led the U.S. delegation of medical and forensic professionals to investigate the Soviet Union's political weaponizing of psychiatry, for which he received a Superior Honor Award.","Farrand was concurrently Supervisor of the Bosnian city of Brčko and Deputy High Representative for the northern sector of Bosnia and Herzegovina (1997 to 2000).  ","Dr. Robert Hirschfeld is Professor of Psychiatry at Weill Cornell Medical College. He was the team leader of team # 3 during the 1989 psychiatric delegation to the U.S.S.R.","Mr. William Hopkins is a retired U.S. State Department staff interpreter. During the 1989 U.S. psychiatric mission to the USSR, he interpreted for team # 2 under the leadership of Dr. William Carpenter.","Mr. I. is a Soviet/Ukrainian dissident who was repeatedly involuntarily committed to a psychiatric hospital for political reasons. He was one of the people interviewed by the U.S. State Department investigative psychiatric mission to the U.S.S.R. in 1989.","Dr. Keith is the Emeritus Milton Rosenbaum Professor of Psychiatry and Psychology at the University of New Mexico School of Medicine. He was a Deputy Director and Associate Director for Schizophrenia Programs at the NIMH as of 1989. He was the team leader of team # 1 during the 1989 psychiatric delegation to the U.S.S.R.","Dr. Felix Kleyman is a psychiatrist practicing in New York City. At the time of the 1989 U.S. State Department mission to the Soviet Union to investigate abuse of psychiatry, Dr. Kleyman was an assistant clinical professor of psychiatry at New York Medical College. Dr. Kleyman was one of the few Russian-speaking, U.S.S.R. and U.S.-trained psychiatrists on the American team. Dr. Kleyman was also a member of the 1991 W.P.A.  mission to the Soviet Union once the All-Union Society of Psychiatrists and Narcologists was provisionally readmitted to the W.P.A.","As of 1989, Mr. Kovalev was a Senior Advisor of the Department for International Humanitarian and Cultural Relations at the Soviet Ministry of Foreign Affairs. He was charged with bringing Soviet legislation and practice in line with the international obligations of the U.S.S.R. Mr. Kovalev was responsible for the development and implementation of the psychiatric reform, including the organization of the visit of the American psychiatric delegation in 1989.","At the time of the 1989 U.S. psychiatric mission to the U.S.S.R. Ms. Mercer was the Director of the A.P.A. Office of International Affairs. She is believed to be one of the initiators of the visit and was deeply involved in its planning and preparation as the representative of the American Psychiatric Association (A.P.A.). During the visit itself, she was a member of the team inspecting psychiatric hospitals on the ground.","John T. Monahan is the John S. Shannon Distinguished Professor of Law, Professor of Psychology, Hunton Andrews Kurth Professor of Law at the University of Virginia School of Law. He was the only forensic psychologist on the 1989 U.S. State Department investigative psychiatric mission to the Soviet Union.","Mr. Reddaway is a renowned expert on Russian and Soviet politics, author of many books and publications. He is Professor Emeritus of Political Science and International Affairs at George Washington University.","Dr. Darrel Regier was the Scientific Director of the 1989 State Department investigative mission to the U.S.S.R. and coordinated all aspects of the clinical assessment procedure. Dr. Regier completed twenty-five years at the National Institute of Mental Health (N.I.M.H.), during which time he directed three research divisions in the areas of epidemiology, prevention, clinical research, and health services research. Dr. Regier is currently a Senior Scientist at the Center for the Study of Traumatic Stress, in the Henry M. Jackson Foundation for the Advancement of Military Medicine and Department of Psychiatry, Uniformed Services University. He also serves as an independent senior scientific consultant to the American Psychiatric Association (A.P.A.) on DSM-5 and research related issues.","Dr. Roth was the psychiatric leader of the 1989 U.S. State Department investigative psychiatric mission to the U.S.S.R. Following 44 years of distinguished service to the Department of Psychiatry and the University of Pittsburgh School of Medicine, Loren H. Roth, M.D., M.P.H., was recognized and awarded Emeritus status at a special reception following the Department's Annual Research Day held June 7, 2018. \nPrior to his being an Emeritus Professor, for the previous five years Dr. Roth was the Associate Senior Vice Chancellor, Clinic Policy and Planning, Health Sciences, University of Pittsburgh; Distinguished Service Professor of Psychiatry, Professor of Health Policy and Management, and Clinical and Translational Science; and Senior Advisor, Quality, UPMC Health Plan.  In addition to his many academic positions, Dr. Roth has held multiple leadership roles at UPMC culminating in his being the first Chief Medical Officer of the University of Pittsburgh Medical Center (U.P.M.C.) (2003-2007).","Mr. S. is a Soviet/Russian dissident who was repeatedly involuntarily committed to a psychiatric hospital for political reasons. He was one of the people interviewed by the U.S. State Department investigative psychiatric mission to the U.S.S.R. in 1989.","Fluent in English and Russian, Ms. Smith was a contract interpreter for the U.S. State Department for many years. She interpreted for both the 1989 American delegation and the 1991 WPA delegation to the Soviet Union. During the 1989 trip, she was on the sub-team # 1 under the leadership of Dr. Samuel J. Keith, M.D. interpreting in Moscow.","Dr. Leon Stern is a Russian-speaking psychiatrist who was a member of the field team that inspected four psychiatric hospitals across the Soviet Union. Dr. Stern is a psychiatrist in private practice."],"processinfo_html_tesm":["\u003cp\u003eOlena Protsenko processed this collection. She was a post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Olena Protsenko processed this collection. She was a post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is divided into two series. The first series, \"abuse of psychiatry and psychiatrists\", consists of subject files compiled by Dr. Loren Roth, Professor of Psychiatry at the University of Pittsburgh. They are evidence of Dr. Roth's efforts to stop the abuse of psychiatry and psychiatrists for political reasons, with an emphasis on the former Soviet Union. The subject files contain correspondence, articles, reports, evaluations, meeting minutes, agendas, planning materials, diaries, photographs, memoranda, handwritten notes, programs, books, videotapes, ephemera, and other items. Together, these materials date from around 1950 to 2008. However the bulk of them date from the 1970s to the 1990s, when Dr. Roth participated in U.S. delegations to the former Soviet Union and was part of the American Psychological Association's (APA) Committees on Human Rights and International Abuse of Psychiatry and Psychiatrists.\u003c/p\u003e\n","\u003cp\u003e\nThe second series consists of materials that were gathered and produced for the \"Retrospective Review of the 1989 U.S. State Department Psychiatric Mission to the U.S.S.R.\" project. These materials include oral history interviews with individuals involved with the 1989 mission, a 1989 recorded interview with a psychiatric patient, project correspondence, biographical files, interview minutes, and an organizational chart. Most of the items in this series date from the time of the project, 2021 to 2022.\u003c/p\u003e","\u003cp\u003eThis series consists of subject files that Dr. Loren Henry Roth assembled and used while working to stop the abuse of psychiatry and psychiatrists for political reasons, emphasizing abuse in the former Soviet Union. The files contain correspondence, memoranda, meeting documents, articles, reports, lists, forms, evaluations, photographs, diaries, and other materials.\u003c/p\u003e","\u003cp\u003eWorld Psychiatric Association Proposed Declaration of Hawaii; \"Honolulu Paper\": Somerville, John: \"Ethics and Psychiatry,\" (1977); Committee of French Psychiatrists Against The Political Uses of Psychiatry Special Bulletin, the World Congress of Psychiatry in Hawaii; newspaper clippings from Hawaiian newspapers (1977). APA white paper: \"Misuse and Abuse of Psychiatry in the U.S.: A definition and Discussion,\" (1991); correspondence and papers of Paul Chodoff, (1989-1990 and undated); Helmchen, H. and A. Okasha: \"From the Hawaii Declaration to the Declaration of Madrid,\" Acta Psychiatr Scand 200:101: 2023\u003c/p\u003e","\u003cp\u003eCopy of the Report to the Board of Trustees, American Psychiatric Association of the Ad Hoc Committee on the Use of Psychiatric Institutions for the Commitment of Political Dissenters (1972); Boekovski Berichten Bukovsky News: The Case of Irina Grivnina (1985?); Statement of Dr. Algirdas Statkevicius to the Commission on Security and Cooperation in Europe (1988); copy of letter from Peter Reddaway to Viktor Nakas, Leon Stern, Robert van Voren and Algirdas Statkevicius (1989); copy of translation of SB case (1987-1989); U.S. Helsinki Watch Committee [memorandum] re Shatravka Family (1988); Committee of Concerned Scientists, Inc \"Call for Action for Three Soviet Former Prisoners of Conscience,\" (1988); and newspaper clippings mainly of Pyotr G. Grigorenko and Anatoly Koryagin\u003c/p\u003e","\u003cp\u003e\"Special Report, The Medical Profession and the Prevention of Torture,\" The New England Journal of Medicine (October 1985); \"Sowing fear: The Uses of Torture and Psychological Abuse in Chile,\" A Report by Physicians for Human Rights (October 1988); Proposal. Center for Rehabilitation of Torture Victims [RCT], New York, NY and Roseland, New Jersey (undated); RCT International Newsletter on Treatment and Rehabilitation of Torture Victims (1990-1991); RCT IRCT [International Rehabilitation Council for Torture Victims]: Torture [packet of documents] (1991-1992); Jacobsen, Lone and Pete Vesti: Torture Survivors – a New Group of Patients, The Danish Nurses Organization, 1990; Canadian Centre for Victims of Torture\u003c/p\u003e","\u003cp\u003eHuman Rights Task Force of the APA survey on human rights organizations (1984); Human Rights Survey Responses (1988); Human Rights Cases Monitored by the APA (1990); photocopy of European Convention on Human Rights Collected Texts, Strasbourg, 1965.  Folder includes an incomplete set of The World Medical Association press releases (1975-1990), printed materials and news clippings\u003c/p\u003e","\u003cp\u003eDocuments from the Ninth Session of the U.S.-U.S.S.R. Joint Committee for Health Cooperation, (1988-11-17); Trip Report – P.H.S. Delegation Visit to the Soviet Union  November 13-20, 1988 Ninth U.S.-U.S.S.R. Health Committee Meeting (1989-01-25); Summary of Cooperation in Health Between the US Public Health Service and the Ministry of Health of the U.S.S.R. (1989-01-26); Peter Henry thoughts re Implications of Trip for U.S.-Soviet Health Agreement (1989-02-02)\u003c/p\u003e","\u003cp\u003eRoth's printed account of trip that he made with Rabbi Mark Staitman, Larry Hurwitz, cardiologist;  Harold and Esther Garfinkel, community leaders; Joy Weber, science writer, and Rabbi Jonathan Stein. September 20-October 1, 1986. (2 versions)\u003c/p\u003e","\u003cp\u003eDr. Roth and Ambassador Schifter's preliminary planning documents for the U.S. mission to the U.S.S.R. in April of 1988.\u003c/p\u003e","\u003cp\u003eAPA Memorandum re \"use of psychiatry for political purposes\" (1988-03-21); [USSR] Regulations for Psychiatric Hospitals, LS No. 124600 JS/AO Russian, Appendix to Decree No. 225 of the USSR Ministry of Public Health, 21 March 1988; Pre-summit discussions. Report of Soviet Contact (1988-03-23): Gennadi N. Milyokhin, M.D. visit to Parklawn;  [Unedited] On the Record Briefing of Richard Schifter, Assistant Secretary of State for Human Rights and Humanitarian Affairs,  March 25, 1988\u003c/p\u003e","\u003cp\u003ePeter Reddaway: \"Will Perestroika End Political Abuse in Soviet Psychiatry?\" (1988-07-03); copy of pages 5-6 of \"Argumenty I fakty\" No. 11/1987, [Reporter V. Romanenko interviews with  Dr. Marat Vartanyan (1987- 03-21-27)]; anonymous draft \"Ground Rounds\", \"Abuses in Soviet Psychiatry\" (undated); Karklins, Rasma: \"The Dissent/Coercion Nexus in the USSR, Working Paper #36, Soviet Interview Project (1987-05); Roth's handwritten notes; copies of printed materials related to Soviet psychiatry; annotated copy of Berman, Harold J.: Soviet Criminal Law and Procedure. The RSFR Codes. Cambridge, Harvard University Press, 1977, pp. 3-124\u003c/p\u003e","\u003cp\u003eStipulations for Delegation of U.S. Psychiatrists and Other Experts Visiting the USSR (1988-11-09); Roth's handwritten notes. Also Ellen Mercer U.S.S.R. Trip Confidential  Report (1988 -11) and Saleem A. Shah Department of Health and Human Services Report on International Travel (1988-11-18). Correspondence to Alexander A. Churkin  with documents: US-Soviet Understanding for Delegation of US Psychiatrists and Other Experts Visiting the USSR; \"Discussions\"; Consent Forms for Persons Interviewed and of Relatives and Friends (1988-12-19)\u003c/p\u003e","\u003cp\u003ere assesment of Soviet Psychiatry (1988-08-04), memorandum re \"Sensible Tactics re U.S. Delegation on Soviet Psychiatry; human rights and Soviet Psychiatry; \"things to do; Roth's notes; and Roth: \"Uses of Psychiatry in the U.S.S.R. and U.S.A,\" Browning Hoffman Lecture, UVA School of LAw (1988-10-07).\u003c/p\u003e","\u003cp\u003eInternational Association on the Political Use of Psychiatry [IAPUP]: Information Bulletin Nos. 3, 9, 11, 18-21; also copy of \"II. The Case of All-Union Society (undated). Soviet Psychiatry News, vol. 1, nos. 1-2 (1989)\u003c/p\u003e","\u003cp\u003eUS State Department Soviet Psychiatric Project Delegation to the Soviet Union Planning Trip – correspondence, telegrams, memoranda re: negotiations, support and concerns, instructions, logistics for the trip. Correspondence with Soviet and US officials, and other psychiatrists. Summary of discussions with Ambassador Richard Schifter (1989-02-11); comments from Saleem Shah (1989-02-10); from Robert van Voren, Ellen Mercer, Dr. Edward Kelty and others.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials related to the organization, planning and logistics of the trip, as well as background information about the psychiatric abuse in the U.S.S.R.\u003c/p\u003e","\u003cp\u003eThis file contains memoranda, handwritten notes, list of participants, questionnaires, Forensic Interview Schedule, and Interpersonal Personality Disorder Examination (IPDE).\u003c/p\u003e","\u003cp\u003eDSM-III-R Criteria Checklist (1988-05-23; Structural Clinical Interview for DSM-III-R Patient Version (1988-06-01) SCID-NP/OP Psychotic Screening (1988-06-01); Instruction Manual for the Structured Clinical Interview for DSM-III-R (1988 and 1989)\u003c/p\u003e","\u003cp\u003eDSM-III-R Criteria Checklist (1988-05-23; Structural Clinical Interview for DSM-III-R Patient Version (1988-06-01) SCID-NP/OP Psychotic Screening (1988-06-01); Instruction Manual for the Structured Clinical Interview for DSM-III-R (1988 and 1989)\u003c/p\u003e","\u003cp\u003eRussian version of IPDE (1989-02-16); Russian version of Revised SCID Standardized Clinical Study According to DSM-III-PD Criteria (SKID) (1991-04); Russian version of World Psychiatric Association visit to the USSR Forensic Examination (1991-03)\u003c/p\u003e","\u003cp\u003eThe reports were written by doctors Jonas Rappeport, M.D., Vladimir Levit, MD., Samuel J. Keith, M.D, Darrell A. Regier, M.D., Loren Roth, M.D., Felix Kleyman, M.D., Joseph Bloom, M.D., William. T. Carpenter, M.D., Robert Hirschfeld, M.D., Alla Arsenian (interpreter); Elmore Rigamer, M.D., Joel Klein; Boris Shostokovich, M.D.; John Monahan; Nancy Andreason, M.D.; William Farrand.\u003c/p\u003e","\u003cp\u003eReports of forensic evaluations done in Moscow and Leningrad by Jonas R. Rappeport, John Monahan, Joseph D. Bloom; draft of Roth's \"Patient Sample –Description. Methodological Issues – Obstacles\" (1989-04-10); assessments and handwritten notes re patients; Russian document with translation re patients (undated); Roth's notes on various interviewees (1991-02-07)\u003c/p\u003e","\u003cp\u003eThe materials in this file include Roth's letters to persons who he wished to interview but didn't; U.S. Department of State \"transliteration\" of names (1989-04-04) and inventory of status of cases (1989-04-05)\u003c/p\u003e","\u003cp\u003e\"Delegation of US Psychiatrists Issues Press Statement\" signed by members of the US Psychiatric Delegation: Nancy Andreasen, M. D.; Joseph D. Bloom, M.D.; Richard J. Bonnie; William T. Carpenter, M.D.; Robert M. A. Hirschfeld, M. D.; Samuel J. Keith, M.D.; Joel Klein; Felix L. Kleyman, M.D.; Vladimir A. Levit, M.D.;  David Lozovsky, M. D.; Ellen Mercer, John Monahan, PhD; Jonas R. Rappeport, M.D.; Peter B. Reddaway, Ph.D; Darrel A. Regier, MD.D., M.P.H.; Elmore E. Rigamer, M.D.; Leon Stern, M.D.; Harold M. Visotsky, M. D.]\u003c/p\u003e","\u003cp\u003eTestimonies of Darrel A. Regier, Robert W. Farrard, Peter Reddaway, Robert van Voren, Loren H. Roth; statement of Steny H. Hoyer; LHR's handwritten notes; correspondence; responses, printed materials; draft I Report of the U.S. Delegation and Preliminary Soviet Reply: Brief Analysis of Points of Agreement and Disagreement; Loren H. Roth Final Report of the US Delegation to Assess Recent Changes in Soviet Psychiatry. Objectives and Execution of the Visit. American Psychiatric Association Annual Meeting, New York, NY, May 15 1990; some correspondence and memoranda related to CSCE meetings in Copenhagen (June 1990); and copy of U.S. Report (speech) on CSCE – Moscow (1991-10-02)\u003c/p\u003e","\u003cp\u003eCopy of Reddaway's Trip to Moscow, October 29-November 2, 1988; memo re: \"The difficult situation we are in: how should we proceed,\" (1989, 02-19); notes on Soviet Psychiatry Developments (1990-01-20); copy of \"Trip to Moscow, August 20-30, 1992.\"\u003c/p\u003e","\u003cp\u003e\"Dissent and Disorder: Human Rights in Soviet Psychiatry,\" (1989-07-); copy of unauthored paper; \"The Legacy of Psychiatric Abuse in the U.S.S.R.,\" (undated); Russian version and translation of \"Proceedings of the session of Working Party formulating the draft law on 'Psychiatric Help in the U.S.S.R.',\" (1991-02-14)\u003c/p\u003e","\u003cp\u003e\"Soviet Access to and Utilization of Mental Health Services: A Comparative View,\"  paper presented at the National Conference on Soviet Refugee Health and Mental Health, Chicago, IL (1991-12-11); Isaac Ray Lectures: \"The Future of the Doctor-Patient Relationship. Lesson from Two Cultures, The Former Soviet Union and the United States,\" Discussants: Loren H. Roth, M.D., Dean Eckenrode, George Huber, J.D., Mark Schmidhofer, M.D. (1998-05-07)\u003c/p\u003e","\u003cp\u003e\"The New Soviet Legislation on the Provision of Psychiatric Care,\" speech delivered at the symposium of the International Association on the Political Use of Psychiatry, Washington, D.C., (1988-10-14); Koryagin: \"A Green Light of Injustice,\" Zurich, (1988-12-20); notes from Boris Zoubok, M.D.; copy of \"Law of the USSR on the protection of the rights and legal interests of persons suffering from psychiatric disorders and on the grounds and procedures for the administration of psychiatric care,\" (1990-10-08); Roth's Notes on Meeting of USSR Supreme Soviet Committee on Mental Health Law, Moscow (1990-10-26); copy of Smit, Jonna: \"Human Rights and Mental Health Legislation: the USSR,\" (1991-05-21); van Voren, Robert: \"Ukrainian Psychiatry: Starting from Scratch,\" (undated); Regulations on a psychiatric hospital (Положение о психиатрической больнице), [printed Russian document] CCCP, No. 225, 1988; printed materials and news clippings, 1988-2004; Patients in Psychiatric Hospital Requiring Follow-up and Review – interview methodology, list, memoranda\u003c/p\u003e","\u003cp\u003eDraft and confidential memorandum of meeting with Minister of the Department of Humanitarian Affairs [Yuri A.] Reshetov. Also interview methodology and memoranda.\u003c/p\u003e","\u003cp\u003eKazan Special Psychiatric Hospital, Vilnius Ordinary Hospital, Kaunas Hospital, Chernyashovsk Special Psychiatric Hospital\u003c/p\u003e","\u003cp\u003eRichard J. Bonnie draft; \"Legal and Humanitarian Aspects of Soviet Psychiatry: Some Preliminary Conclusions\" (1989-03-28); also comments on Klein's and Reddaway reports (1989-04 to 1989-05); LHR Confidential Drafts #1-5 (1989-05-19-31); Objectives of the Clinical Interviews (1989-05-22); Dr. Harold M. Visotsky Response to Joel Kline (1989-05-30); Hospital Team Report by Harold Visotsky, Elmore Rigamer, and Loren H. Roth (1989-05-30); remarks from Joe Bloom (1989-06-05); Richard Bonnie: Note to Members of the US Delegation to the Soviet Union (1989-06-16); Bill Farrad; Executive Summary [annotated] (1989-06-20); \"USSR Psychiatrists at a Human Rights Round Table in Moscow in April 1988,\" annotated copy of attachment sent by Joel Kline to Roth (undated); Vladimir A. Levit comments (1989-06-26); Saleem [Shah]: Soviet Compliance and Study Limitations (1989-06-28) and comments (1989-06-26); Peter Reddaway draft (1989-06-28) [2 folders], 1989-03 to 1989-06\u003c/p\u003e","\u003cp\u003eAlso: State Department \"rough translation\" of Soviet response: \"Response to the medical part of the report by the U.S. delegation of psychiatrists and lawyers,\" (1989-07-06); Draft translation of the final Soviet comments on the report: Commentary on the Report [130008 JS/AO Russian] (1989-09-26); U.S. Department of State Memorandum re Comments on the Soviet response to the Report (1989-10-12); printed Russian document inscribed by Polubinskaya to Loren H. Roth: [Academy of Sciences of the U.S.S.R., Soviet State and Right. Separate Report, Moscow 1990];  translation of S. V. Polubinskaya and S. V. Borodin: \"The Legal Problems of Soviet Psychiatry: The Views of American and Soviet Experts,\" Soviet State Law, No. 5, 1990, pp. 67-76\u003c/p\u003e","\u003cp\u003eResolution of the WPA (1989-10-17); WPA Statement by the All Union Society of Soviet Psychiatrists and Narcologists of the U.S.S.R. before the World Psychiatric Association General Assembly in Athens (1989-10-18); Memorandum re: Site Visit by the WPA Review Committee to the U.S.S.R. (1990-03-13); Reddaway, Peter: The Struggle over Reform in Soviet Psychiatry Intensifies: Is the Establishment Beginning to Panic? (1990-04-30); Remarks by Svetlana Poloubinskaya at the APA's Committee of International Abuse of Psychiatry and Psychiatrists (1990-05-16)\u003c/p\u003e","\u003cp\u003eAPA correspondence with the Center for Democracy in the U.S.S.R., U.S. Department of State, (Schifter and Mercer); University of London Institute of Psychiatry, 1989-05 to 1989-11. Also, miscellaneous correspondence with literary agents (1989-03 to 1989-04)\u003c/p\u003e","\u003cp\u003eTranslations of A.  Karpov, Chief Psychiatrist, U.S.S.R. Ministry of Health: \"The Registration of Mental Patients in the U.S.S.R.\" (1990-10-25) and \"Basic Findings of the Conclusion of the U.S.S.R. Constitutional Supervision Committee on Whether Legislation for the Compulsory Treatment and Re-Education of Through Labour of Persons Suffering from Alcoholism or Drug-Addiction Conforms to the U.S.S.R. Constitution and International Enactments on Human Rights,\" by B. M. Lazarev, Deputy Chairman of the USSR Constitutional Supervision Committee (1990-10-25). Also Saleem A. Shah: \"Forensic Interview Schedule\". Correspondence with Otto Dorr Zegers, Csaba Banki, M.P. Deva, Driss Moussaoui, Jim Birley, and Gerard Low-Geer\u003c/p\u003e","\u003cp\u003eCorrespondence with Dr. Otto Dörr-Zegers (Chile); Dr. Csava Bànki (Hungary); Dr. M. P. Deva (Malaysia); Dr. Driss Moussaoui (Morocco); Dr. Jim Birley (WPA Negotiating Team); Dr. Gerard Low-Greer (England).\u003c/p\u003e","\u003cp\u003eIncluded are: Gostin, Larry: \"Human Rights in Mental Health: Japan. Report of an international mission to Japan: 1987,\"  World Health Organization/Harvard University International Collaborating Center on Health Legislation, World Federation for Mental Health [1987]; Kawasaki, Shigeru: \"Like a Shedding Snake,\" English Summary, J. JAPH 2:2 Spring 1991; news-clippings.\u003c/p\u003e","\u003cp\u003eCorrespondence with Ellen Mercer re Singapore (1985-09-18); UN Commission on Human Rights E/CN. 4 Sub.2/1988/23: Report on the Sessional Working Group on the question of persons detained on the grounds of mental ill-health or suffering from mental disorder; Proceedings. International Forum on Mental Health Reform, Kyoto, Japan, January 29-30, 1987; Benatar, S. R.: correspondence and articles (1990); Final draft of the \"UN Principles Produced by the Working Group on Human Rights,\" Annex A Principles for the Protection of Persons with Mental Illness and for the Improvement of Mental Health Care\u003c/p\u003e","\u003cp\u003eThe sub-series consists of materials Loren Roth collected as part of his work on this committee. These include meeting minutes and agendas, correspondence, reports, articles, clippings, memoranda, and other items.\u003c/p\u003e","\u003cp\u003eAPA lists of cases in the U.S.S.R., Yugoslavia and Romania (1988-07-05); memo for the record re Soviet dissidents\u003c/p\u003e","\u003cp\u003eAPA minutes of meeting (1988-09-07); Draft Statement Following Discussion with Dr. Sabshin; APA Draft Resolution by the Committee on International Abuse of Psychiatry to not object to the re-admittance of  the All-Union Society of Psychiatrists and Neuropathologists of the USSR into the WPA (1988-09-07); minutes of the APA Committee on Human Rights (1988-09-09); some correspondence, (1988 -09)\u003c/p\u003e","\u003cp\u003eMinutes of conference call (1989-02-15); correspondence; IAPUP documents re to Soviet psychiatry (1989-02); copy of Dr. Marvin Brook handwritten comments on the By-Laws of the WPA (undated); Application of the Independent Psychiatric Association of the USSR (IPA) for membership to the WPA, includes Constitution and Declaration (1989-03-09); APA Guidelines for Psychiatric Services in Jails and Prisons; APA draft guidelines on the Right of Refuse (Anti-Psychotic) Medication.\u003c/p\u003e","\u003cp\u003eIncludes some correspondence and documents: Memorandum re Revision of the WPA Review Committee's Operational Instrument ( 1989-04-270; translation of letter from Nikolai Fedrovich Zhukov to US Congress (1989-03-04); IAPUP Documents on the Political Abuse of Psychiatry in the USSR 18: The Founding of the Association of Independent Psychiatrists in the USSR and the US Delegation of Psychiatrist to the USSR (March 1989); IAPUP Report and brochures, 1989-04\u003c/p\u003e","\u003cp\u003eMemorandum re Detention of Cuban psychiatrist Dr. Alfredo Samuel Martínez Lara (1989-04-19); WPA Proposed alterations (1989-04 -25); copy of entrance application of the International Independent Research Centre on Psychiatry to the WPA (1989-03-27), news clippings; Dr. Marat Vartanian original article sent to the International Journal on Mental Health\u003c/p\u003e","\u003cp\u003eIncluded are: Ellen Mercer and Fini Schulsinger interviews with Radio Canada (1989-03); and \"rough\" transcripts of  Radio Free Europe with Viktor Lanovoy, President of the Independent Association of Psychiatrists (1989-06-15); Croatian Committee for Human Rights press release re human rights abuses (1989-06-24); [translation] of M. Buyanov articles in Uchitelskaya Gazeta (1988-11-19); Association Psychiatric Independent (IPA) press release (1989-04-12); Commission of the European Communities: \"Observations on the State of Implementation of Programme of Psychiatrists Reform in Greece,: (1987-12-31); IAPUP Documents Special Issue: \"The Political Abuse of Psychiatry in Rumania (June 1989);  IAPUP Documents on the Political Abuse of Psychiatry Nos. 22, 23, 24, 25 (June-July 1989)\u003c/p\u003e","\u003cp\u003eIncludes Summary of the WPA Executive Committee in Athens and Resolutions (1989-08-18); excerpts of anonymous document \"Autumm 1988, Gerlovka\" re abuse in the USSR ; printed articles, news clippings\u003c/p\u003e","\u003cp\u003eIncludes unofficial translation of  Statement by the All-Union Scientific Society of Psychiatrists (1989-10-02); Remarks of Christian Barton Concerning Allegations of Psychiatric Abuse of Dissidents by the Cuban Government (1989-09-13); Sabshin, Melvin: Statement to the Subcommittee on Health and Environment of the US House of Representatives re APA position on Soviet psychiatric practices (undated); Testimony of Victor Davidoff, former victim of abuse in the Soviet Union (undated); Commentary on the Report \"Assessment of Recent Changes in Soviet Psychiatry, prepared by the US Delegation on the Results of its visit to the USSR,\" (1989-09-15); IPA bulletins (1989 -08-07 and 1989-08-31); news clippings\u003c/p\u003e","\u003cp\u003eIncludes: Liaison Report (1989-10); Gluzman, Semyon: \"Bureaucratic Ethics and Soviet Psychiatry,\" (1989-11) and Commentary on the Memorandum of G. Lukacher (1989-10-14) re All Union Scientific Society of Psychiatrists; translation of A.I. letter \"To the World Congress of the WPA,\" (1989-10-16); translation of letter from Social Organizations in Leningrad To the Participants in the Congress of the WPA (Athens, Greece, October 1989); Schifter, Richard: \"An Inventory of Soviet Human Rights Developments\" (1989-10-04); IAPUP Documents on the Political Abuse of Psychiatry in the USSR No. 29, 30\u003c/p\u003e","\u003cp\u003eSome copies of  documents related to the former Yugoslavia; lists of interments and releases in the Soviet Union (1989-12-21); draft translation of [Sotsialisticheskaya Industriya] A Detail report: Psychiatry Without Secrets (1989-10-31); Documents on the Political Abuse of Psychiatry in the Soviet Union 31 (1989-12); WPA Minutes (1989-08-11-13)\u003c/p\u003e","\u003cp\u003eCorrespondence related to abuses in Cuba; Pena, Jose M. et al: \"Abuse and Misuse of Psychiatry in the U.S.: The Need for an Institutional Ethics,\" (1990-02); list of human rights cases monitored by the APA in Argentina, Bulgaria, Cuba, Czechoslovakia, Hungary, Malawi, Morocco, Romania, South Africa, Sudan, Turkey, Uruguay, Yugoslavia, Zaire (1990-02-06); Mercer, Ellen: USSR Trip Report/February 25-March 3, 1990\u003c/p\u003e","\u003cp\u003eIncludes: Second World Center Annual Report 1989 and APA Statement on Simón Bolívar Award and Lecture (1990-02-15)\u003c/p\u003e","\u003cp\u003eCorrespondence re Cuban psychiatrists (1990-04); Keston College Support Group: \"Igor Rodionov Report\" (1990-04); Yelena Izyumova Open Letter to the Members of the APA, Moscow May 20, 1990; anonymous essay re : Psychiatric Abuse in the USSR (Helsinki Watch), undated\u003c/p\u003e","\u003cp\u003eAlso: \"Proposed New Policies for the APA in Regard to the Abuse of Psychiatry for Political and Other Non-Medical Purposes in the USSR,\" (undated)\u003c/p\u003e","\u003cp\u003eIncludes copy of Human Rights Survey Responses (1988-04-01) and reports of the Council on International Affairs, Committee on Human Rights and Committee on International Education\u003c/p\u003e","\u003cp\u003eIncludes reports of the Council on International Affairs, Committee on Human Rights and Committee on International Education; memoranda re IAPUP meetings in Germany (1990-09); letter from Dr. Jeffrey Heller to the Committee on Abuse of Psychiatry re Soviet Delegation at H and CP Institute (1990-10-10); Documents on the Political Abuse of Psychiatry in the USSR No. 38 (1990-09)\u003c/p\u003e","\u003cp\u003eIncludes correspondence from Dr. Valerian Tuculesco re post-traumatic stress disorder after the Romanian revolution (1990-10); correspondence re Oleg Vitalyevich Kozlov re hijacked plane to Helsinki (1990-11); American Ambassadors People to People Trip to the USSR 14-27 August 1990 \"Professional Diary\" compiled by E. B. Brody (1990-09-05);  \"Psychiatric Issues Encountered on Recent Trip to USSR,\" memorandum from Holt Ruffin (World Without War) (1990-10-25); Hartmann, Lawrence M.D.: \"Notes on Some Social Psychiatric Problems in Chile, South Africa and the Soviet Union,\" (1990-10); Documents on the Political Abuse of Psychiatry in the USSR Nos. 39, 40, 41; documents relative to the Joint APA-Caribbean Psychiatric Association Meeting; Ellen Mercer: China Trip Report (1990-11)\u003c/p\u003e","\u003cp\u003eIncludes reports of the Committee on International Education; Final draft of the UN Principles for the Protection of Persons with Mental Illness and for the Improvement of Mental Health Case (1990-12-11); \"Sugar, Jonathan M.D. et al: \"Psychiatry's Global Challenge: Responsibilities of American Psychiatrists in International Health (undated)\u003c/p\u003e","\u003cp\u003eIncludes letter from Dr. Dainiys Pūras re abuse of psychiatry in Lithuania (1991-01-19); correspondence re abuse in Romania (1991-02-08); \"Proposal for The Moscow Center for Rehabilitation of Torture Victims (undated)\u003c/p\u003e","\u003cp\u003eIncludes correspondence and document re abuses in Romania; correspondence between Dr. Roth, Gennadi Milyokhin, Juan José López-Ibor, re Revaz Uturgaury (1991-03); correspondence re Soviet individuals\u003c/p\u003e","\u003cp\u003eIncludes CIOMS: Development of International, Ethical Guidelines for Epidemiological Research and Practice, Plenary III Issues related to the HIV/AIDS Pandemic. Proposed Guidelines for International Testing of Vaccines and Drugs against HIV Infection and Aids (1990-11); copies of correspondence between and V. Tuculescu re Romania; Reddaway, Peter: Psychiatric Developments in the USSR (1991-06) and \" Problems of Reforming Soviet Psychiatry and Assuring Rights for the Mentally Ill,\" (undated); \"The Heartbeat of Reform. Soviet Jurists and Political Scientists Discuss the Progress of Perestroika, Glasnot, Democracy, Socialism,\" Translated from the Russian by Vic Schneierson, Moscow, [1991]; Documents on the Political Abuse of Psychiatry in the USSR No. 47, 48\u003c/p\u003e","\u003cp\u003eIncludes reports of the Council on International Affairs, Committee on Human Rights and Committee on International Education. Also includes several documents dated September 1991: Memo for the Record Briefing Meeting for the Chinese Academy of Social Sciences Human Rights Study Group (1991-09-24); USSR Draft Law (17 June 91) on Psychiatric Assistance; Ministry of Health, USSR, All-Union Society of Psychiatrists Governing Board Decision (1991-05-15-16); WPA Memorandum to the All-Union Society of Psychiatrists (1991-07-28); Dr. Stanislaw Golec: \"Health Care in Poland 91\"; \"Instructional Recommendations on the Application of USSR Ministry of Health Order No. 555 (1989-09-19); WPA documents; International Committee of the Red Cross Report on \"Second Working Group of Experts on Battlefield Laser Weapons,\" (1990-11-05-06)\u003c/p\u003e","\u003cp\u003eIncludes \"copy of a part\" of Japanese Mental Health Law with translation (1988); translation of  \"law on patient's rights\" in Finland (1991-08); WHO Guidelines for the Clinical Investigation of Antidepressant Drugs (1984)\u003c/p\u003e","\u003cp\u003eIncludes LHR handwritten notes re Abuse Committee (1992-04); \"Cuban Dissidents in Psychiatric Hospitals An Update of the Politics of Psychiatry in Revolutionary Cuba,\"; \"Dimineata, 7th January 1992, The Mad People Were Dissidents,\" re Romania (undated); \"The Plenary Session of the Board of Directors of the All-Union Scientific Society of Psychiatrists (1992-05) and Follow-Up of US Team's 1989 Patients list, Appendices 1 and 2 sent to Dr. Birley with names of patients (1992-02); Information about the Patient Bill of Rights Tally Sheet (1992-04); Geneva Initiative on Psychiatry [GPI]: Documents on the Abolition and Prevention of Political Abuse of Psychiatry (1992-03 and 1992-04)\u003c/p\u003e","\u003cp\u003eIncludes reports of the Council on International Affairs, Committee on Human Rights and Committee on International Education. Also: Country Reports on Human Rights Practices: Yugoslavia (1992-06-01); GPI: Documents on the Abolition and Prevention of Political Abuse of Psychiatry, April – June 1992; Mercer, Ellen: Exploring Hungarian Psychiatry (1992-05)\u003c/p\u003e","\u003cp\u003eIncludes reports of the Council on International Affairs, Committee on Human Rights. Also: International Association for Child and Adolescent Psychiatry and Allied Professions Proclamation of May 1992: Assuring the Mental Health of Children; APA Bilateral Exchange with Poland Czechoslovakia and Hungary. Summary of Responses and Recommendations of American Participants (1992-03-24 to 1992-04-12); copy of Act of the Russian Federation \"On Psychiatric Care and Citizens' Rights With Regard to Such Care,\" (1992-01); Polubinskaya, Svetlana: \"From the USSR to the Independent States: Where the Former Soviet Psychiatry Will Go,\" (1992-05); GIP Documents on the Abolition and Prevention of Political Abuse of Psychiatry 56, June 1992\u003c/p\u003e","\u003cp\u003eIncludes reports of the Council on International Affairs, Committee on Human Rights. Also correspondence re psychiatric abuse in the former GDR, with the Romanian Psychiatric Association and the Committee to End the Chinese Gulag. \"Psychiatry Under Tyranny. An Assessment of the Political Abuse of Romanian Psychiatry During the Ceaucescu Years,\" Report of a consultative mission to Bucharest on behalf of the Geneva Initiative on Psychiatry (1992-06); GIP Documents on the Abolition and Prevention of Political Abuse of Psychiatry 57, July – August 1992\u003c/p\u003e","\u003cp\u003eThe sub-series consists of materials Loren Roth collected as part of his work with this committee. These include meeting minutes and agendas, correspondence, reports, articles, clippings, memoranda, and other items.\u003c/p\u003e","\u003cp\u003eIncluded: \"Human Rights of Mental Patients in Japan,\" (1987 -04); Reich, Walter Report of Meeting with Gennadiy M. Yevstafiev (Soviet, member of the delegation to the Vienna Review Meeting) (1987-07-28); copy of letter from Senator Edward M. Kennedy to Lawrence Hartmann, M.D. re human rights violations in Paraguay (1988-04-22); World Medical Association, INC. memorandum: \"The Facts regarding health services in South Africa during 1987, and the role played by the Medical Association of South Africa,\" (1987-07- 08); Reddaway, Peter: Does Moscow's Purge of Corrupt Psychiatrists Threaten the Psychiatric Gulag?\" (1987-07-13); \"More Revelations about Stefanis' Negotiations with the Soviets (1987-09-11); Center for Victims of Torture pilot project (1987-08-28 and 1987-10); South Africa Briefing (1987-08-07); Minutes of Committee on Abuse of Psychiatry (1987-09-09 and 1987-12-02); \"Victims of Torture in Afghanistan. Presentation for Cairo World Congress\" by Mohammad Azam Dadfar (1987-10-18-22); Gralnick, Alexander M.D.: \"Public Health and Psychiatric Care in Cuba, Personal Report\" (November 1987);Political Imprisonment in Cuba. A Special Report from Amnesty International, The Cuban American Nation Foundation, 1987;  US/Soviet Human Rights Seminar: Statement by Ellen Mercer for the APA (1987-12-03). Also Bloche, Maxwell Gregg: \"Uruguay's Military Physicians: Cogs in a System of State Terror,\" (1987-03)\u003c/p\u003e","\u003cp\u003eMiscellaneous documents: minutes, memoranda, correspondence. Included: [Argentina] Tribunal Etico de la Salud contra la Impunidad translation of statement: Medical Ethics Tribunal Against Impunity,\" (1988-01-11); Minutes of the APA Committee on Abuse of Psychiatry (1988-01-20, 1988-04-21; 1988-05-10); some documents related to South Africa, Pakistan, Argentina; Human Rights Survey Responses (1988-03-09); Amnesty International: \"China. Detention Without Trial, Ill-Treatment of Detainees and Police Shooting of Civilians in Tibet,\" (1988-02); Bitsch Christensen, Svend: \"Torture Related Documentation,\" (1987); International Commission of Jurists' Mission to Japan Preliminary Report and Recommendations (1988-04); \"The Casualties of Conflict: Medical Care and Human Rights in the West Bank and Gaza Strip,\" Report of a Medical Fact Finding Mission by Physicians for Human Rights, (1988-03); Amnesty International Commission Medicale: Medicine at Risks. The Doctor as Abuser or Victim,\" (1987-09)\u003c/p\u003e","\u003cp\u003eMiscellaneous documents: minutes, memoranda, correspondence related to Soviet psychiatry; human rights abuses in Honduras, Czechoslovakia, Somalia, South Africa, Israel, Haiti, Cuba, Egypt, China, BahrainGudava, Eduard M.D.: \"The events in Tbilisi, Georgia  (1989-04-18); Vesti, Peter and Inge Kemp: \"Chapter I: Treatment of Torture Survivors – theoretical views,\" \"Chapter 2: Rehabilitation of Torture Survivors, \" (1989-10); Collazo, Carlos R. M.D. and Martha Gerpe M.D.: \"Missing Parents,\" Paper presented at The World Psychiatric Association, Athens, October 1989\u003c/p\u003e","\u003cp\u003eFile includes: RCT [Rehabilitation and Research Centre for Torture Victims] 7th Annual Report (1990-01); APA Position Statement on Apartheid and Academic Boycotting of South Africa (1990-01); Human Rights Cases Monitored by the APA (1990-02-01); signed Petition by doctors to recommend the APA to condemn the government of Turkey (1990-08); LHR handwritten notes of September meeting;  APA Council on International Affairs Joint Reference Committee (1990-10-12); Boyajian, Levon Z. M.D.: The Psychological Sequelae of the Armenian Genocide (1982); Leros Trip. Report on Visit to the Mental Institution on the Island of Leros, Greece (1989-12-3-5); \"'Bloody Sunday Trauma in Tbilisi. The Eents of April 9, 1989 and their Aftermath,\" Report of a Medical Mission to Soviet Georgia by Physicians for Human Rights, February 1990; printed materials.\u003c/p\u003e","\u003cp\u003eFiles include documents re Armenian Genocide and from the Free Romanian Foundation; \"Program for Administrators and Educators Specializing in Programs for People With Disabilities,\" with the Persian Gulf (1991-04); Martínez Lara, Samuel: \"Psychiatry in Cuba: Perspectives of a Human Rights Activist\" (1991-09-27);  ); National Academy of Sciences: \"Considerations Regarding Individual Scientific Visits to the People's Republic of China,\" (October 1991); also some documents about torture\u003c/p\u003e","\u003cp\u003eFiles include documents re torture in Egypt (1992-01); Dadfar, A. Azam M.D.: \"The Deep Scars of a Forgotten War, \" Psychiatry Centre for the Afghans; correspondence with Levon Z. Boyajian M.D. (1992-02); Croatian Medical Journal: \"Medical Testimony of the Vukovar Tragedy\"; memorandum re \"Abuse and Misuse of Psychiatry in the United States\" (1992-02); Committee to End the Chinese Gulag: \"On behalf of Political Prisoners in China: How to Raise Human Rights Cases,\" (1992-04); memoranda and correspondence re abuse of Palestinian physician (1992-05); APA Position Statement on Homosexuality and Civil Rights (1992-07); Americas Watch, Vol.4, Issue 7: \"Dangerous Dialogue, Attacks on Freedom of Expression in Miami's Cuban Exile Community,\" (1992-08);  Amnesty International French Section, Medical Group: \"Corporal Punishment. A study on legislation and enforcement in 18 countries,\" (1992); \"Stop Torture in Korea (STIK)\" (1998-08); APA Council on International Affairs: \"International Inpatients Bill of Rights,\" (1992-08); APA Communications Plan 1992-1994; APA: \"Human Rights and the American Psychiatric Association,\" (1992); memorandum and correspondence re abuse of psychiatry and psychiatrists in México (1992-100; US Department of State: \"Renewing the U.S. Commitment to Human Rights,\" Special Report No. 164;  printed materials\u003c/p\u003e","\u003cp\u003eWorld Health Organization Assignment Report re \"mentally infirm in Romania and possibilities for improvement,\" (1991-11); Rosenberg, David R. M.D. et al: \"A Cross-Cultural Study of \"Ceausescu's Orphans,\" (1992-03); Blom, G. et al: \"Program Touch – A Volunteer Intervention Program to Orphaned Disabled Children in Romania,\" (1991-11); Roth's reappointment as APA Chairperson of the Committee on Human Rights under the Council of International Affairs, (1992-04-13); draft of A.P.A. Action Paper Rescinding the 1982 APA Position on the Insanity Defense (1992-05-01); Pierce, Chester M. M.D.: \"Public Health and Human Rights: Racism, Torture and Terrorism,\" presented at American Psychiatric Association Annual Meeting (1992-05-04)\u003c/p\u003e","\u003cp\u003eFiles include translation of Croatian pamphlet: \"Protect Yourself and Help Others (1993-02); APA Office of International Affairs: Responses to Human Rights Questionnaire,\" (1993-08-18); Citizens Support Committee for the Psychiatric Farm Hospital Dr. Manuel Ramírez Moreno (1993-7-13)\u003c/p\u003e","\u003cp\u003ecorrespondence and handwritten notes\u003c/p\u003e","\u003cp\u003eevaluation forms and printed materials\u003c/p\u003e","\u003cp\u003eMeetings between Ukrainian doctors Semyon F. Gluzman, Vladimir I. Poltavets, Valery N. Kutznetsov, Ada I. Korotenko, Oleg A, Nasinnik, Vladimir M. Cherniavsky and Juan Mezzich, American psychiatrist from the West Psychiatric Institute and Clinic, University of Pittsburgh; also some case summaries (1994-02). Russian and English translation.\u003c/p\u003e","\u003cp\u003eextensive correspondence, reports, handwritten notes. Savychyj, Jurij M.D.: \"Psychiatry in Ukraine,\" [1992]\u003c/p\u003e","\u003cp\u003ecorrespondence, Ukrainian fliers, and handwritten notes\u003c/p\u003e","\u003cp\u003eextensive correspondence, reports, data analysis, forms, handwritten notes (1995-05), \"Codebook\"\u003c/p\u003e","\u003cp\u003ecorrespondence, clinical assessment forms, and handwritten notes\u003c/p\u003e","\u003cp\u003eGeneva Initiative on Psychiatry. Annual Reports 1992 and 1995; Documents on the Abolition and Prevention of Political Abuse of Psychiatry Nos. 65-67, 72, 74; \"Concepts for Developing Mental Health Care in Ukraine (First Draft),\" Developed by Experts of Ministry for Health Care, Kiev Research Institute of General and Forensic Psychiatry, Regional Chief Experts and Kiev Psychiatrists.\u003c/p\u003e","\u003cp\u003ecorrespondence and forms\u003c/p\u003e","\u003cp\u003eemail correspondence, brochures, printed photographs\u003c/p\u003e","\u003cp\u003eJoseph D. Bloom, Kyrill Borissow, William T. Carpenter, Robert W. Farrand, Robert M.A. Hirschfield, William H. Hopkins, Samuel Keith, Felix Kleyman, Andrei A. Kovalev, Ellen Mercer, John Monahan, Darrel A. Regier, Elmore F. Rigamer Jr, Carolyn Smith, Leon Stern\u003c/p\u003e","\u003cp\u003eIncludes: United States – Russia Health Committee 2000 – 2002, printed copies of photographs; The U.S.A. – Russia Health Committee: \"Access to Quality Health Care\" (draft), undated; \"Additional Materials on Diagnosing and Treating Mild and Moderate Depressions,\" [document in Russian with English title]\u003c/p\u003e","\u003cp\u003eGershman, Carl: Psychiatric Abuse in the Soviet Union,\" Society, July/August 1984; Lapenna, Ivo: \"The Medico-Legal Society. Use and Misuse of Psychiatry in the USSR,\" The Royal Society of Medicine, London 12th June 1986; McCready, John and Harold Merskey: \"Compliance by physicians with the 1978 Ontario Mental Health Act,\" Reprint from the Canadian Medical Association Journal, Vol. 124, March 15, 1981; McCready, John and Harold Merskey: \"On the Recoding of Mental Illness for Civil Commitment,\" Can. J. Psychiatry Vol. 27, March 1982; Slovenko, Ralph: Analysis. The Destiny of South Africa,\" The World and I, July 1991.\u003c/p\u003e","\u003cp\u003eIn 2021, members of the 1989 American delegation, some Soviet patients, Soviet doctors and other professionals, were invited to participate in the \"Retrospective Review of the 1989 U.S. State Department Psychiatric Mission to the USSR\" oral history project. Nineteen interviews were recorded, sixteen of them with the surviving members of the U.S. delegation, one with Andrei Kovalev, an official at the Ministry of Foreign Affairs in the U.S.S.R. at the time, and two with former \"Soviet patients.\" There is also an original 1989 recording of one interview.\u003c/p\u003e\n","\u003cp\u003eThese interviews provide a comprehensive overview of the history of Soviet psychiatric abuse, the reasons why psychiatric diagnosis was used to suppress dissent, the methods, medical and legal procedures, and who were the major players in Soviet psychiatric abuse. Emphasis is also made on assessing the U.S.-Soviet relationship in the 1980s and the special place that the 1989 State Department psychiatric mission to the U.S.S.R. held in the détente. All stages of negotiations and preparations for the mission were discussed as well as the methodology of psychiatric evaluations and the findings of the American experts. An additional emphasis was also made on assessing the state of Soviet psychiatric care as of the late 1980s and all the significant changes it was going through at the time. The role of World Psychiatric Association (WPA), the All-Union Society of Psychiatrists and Narcologists, the American Psychiatric Association and other important organizations, is also given proper attention. The interviewees also discuss the long-term impact that the 1989 U.S. mission made on Soviet and post-Soviet psychiatry.\u003c/p\u003e","\u003cp\u003eIn the interview Dr. Bloom discusses his career, his interest in the topic of abuse of psychiatry and his involvement in the 1989 U.S. State Department psychiatric delegation to the U.S.S.R. He talks about the U.S. and Soviet (both Soviet professionals and Soviet interviewees) understanding of the purpose of the visit and  the Soviet's compliance with the terms negotiated for the visit. He also talks about psychiatric hospitalization, detention and commitment process in the U.S.S.R., conditions of hospitalization in Soviet psychiatric hospitals and the legal rights of persons with mental disorders in the U.S.S.R.  Dr. Bloom's explains his impressions from the trip to the Soviet Union and the conclusions made by the American delegation. \u003c/p\u003e\n","\u003cp\u003eThe highlights of the interview pertain to Dr. Bloom's recollection of a Soviet person who allegedly had a mental disorder, and his opinion as to the way the American final report should have been approached.\u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eMr. Borissow shares his life story and describes his career. He talks about getting involved in the 1989 State Department trip to the Soviet Union, his previous trips to the U.S.S.R., and the  social and political context that surrounded the visit and made it possible in the first place. Mr. Borissow describes his experience of interpreting in one of the psychiatric hospitals in Moscow as a part of the 1989 American mission as well as the work that Mr. Borissow's sub-team #3 did in Leningrad. He shares very interesting anecdotes that happened during the trip and talks about the lessons he learned during this trip.\u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eIn the interview Dr. Carpenter discusses his career, his involvement in the 1989 US State Department psychiatric delegation to the USSR, the main goals of the mission, various aspects of the implementation in great detail, the diagnostic aspects of the study, interview instruments and methodology, the Soviet mental health care system and its shortcomings, the conclusions made by Dr. Carpenter's sub-team, the impact the American visit made to the interviewed individuals an mental health in the region. \u003c/p\u003e\n","\u003cp\u003eDr. Carpenter also discusses the United States - Great Britain cross-national study of schizophrenia conducted in the 1960s and 70s and its pertinency to the 1989 U.S. State Department psychiatric investigative mission to the U.S.S.R. He also talks about the broad diagnostic criteria for sluggish schizophrenia and how much contributed to the missuse of psychiatry in the Soviet Union.\u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eAmbassador Farrand talks about his long successful career in the U.S. State Department, the importance of the Soviet psychiatric abuse to the U.S. government and the larger context of the U.S. - U.S.S.R. relationships. As a person who worked closely with Ambassador Richard Schifter for many years, Mr. Farrand describes Schifter's goals and vision of the 1989 psychiatric mission to the U.S.S.R. \u003c/p\u003e\n","\u003cp\u003eMr. Farrand describes the process of negotiating the terms of the visit and shares insights about interacting with a superpower as the Soviet Union was at that time. He also talks about the the peculiarities of governance in the U.S.S.R., and power dynamics inside the country. Mr. Farrand describes the efforts to preserve transparency and independence of the mission as well as managing its financial aspects and its highlighting in media. Mr. Farrand also talks about glasnost, perestroika, and the collapse of the Soviet Union.\u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eDr. Hirschfeld shares memories about his education and career, the way he got involved in the 1989 State Department psychiatric mission to the U.S.S.R., the methodological approach to the patient interviews, the range of findings of his sub-team # 3 in Leningrad, and his general impressions of the Soviet Union as of 1989.\u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eMr. Hopkins talks at length about the way he became immersed in the Russian studies, his education, and career. He well remembers the settings and arrangements of interviewing the Soviet citizens who allegedly had mental disorders, his expectations and apprehensions about the upcoming 1989 mission, the types of questions asked of the Soviet interviewees, and the peculiarities of his task as an interpreter during this unique venture. He also mentions the debrief that the entire American team had in Washington, D.C. after the visit was over.\u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eMr. I. talks about his early life, family, education, how his dissident views formed and evolved with time. He shares about his repeated contacts with psychiatric system; he also describes his social and political activity and the repercussions he faced as a result. Mr. I. then tells about his criminal case, his forensic psychiatric evaluation, diagnosis, \"symptoms\", finding of non-imputability, the legal procedure used to involuntarily commit him to the Dnepropetrovsk special psychiatric hospital, and the inhumane conditions there. \nMr. I. then describes his transfer to Nikolayev ordinary psychiatric hospital and release; he talks about his dissident activity that brought him back to the same hospital. He also describes his contacts with Ukrainian dissident movement at the end of 1980s and how he got on the list of people to be assessed by the U.S. team. The details of his participation in 1989 U.S. State Department mission are discussed next. Mr. I. then shares about the long-term impact this mission made on his life, his subsequent legal rehabilitation, being taken off the psychiatric register, the removal of his psychiatric diagnosis, his life and activism after 1989. Mr. I. describes some of his most interesting campaigns. The interview ends with a brief discussion of the Russian invasion of Ukraine and how it affected Mr. I.'s life. \u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eDr. Keith talks about the role and expertise of NIMH that was crucial to the success of the 1989 U.S. psychiatric mission to the U.S.S.R. He recapitulates the main points and stumbling blocks of the negotiations with the Soviets in November 1988, various organizational aspects of the mission, as well as the interview instruments and methodology used by the American team. Dr. Keith shares his opinion about the concept of sluggish schizophrenia, its diagnostic criteria, and other factors that made it possible to abuse psychiatry in the Soviet Union. He also emphasizes Soviet life, society, and governance as of 1989. Dr. Keith discusses the Soviets' admission of \"hyperdiagnoses\" and the validity of the excuse of \"hyperdiagnoses\" from the professional point of view. He also expresses his opinion about the tone of the final report and the general context that the American team had to keep in mind when drafting it. Dr. Keith describes Schizophrenia Bulletin and his role as its editor-in-chief. He also talks about the 1990 Soviet Reciprocal Visit to the U.S.\u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eDr. Kleyman is a great source of knowledge about the ins and outs of the Soviet mental health care system as the person who had about 10 years of professional experience on the ground. He talked about the uniqueness of his role during the American psychiatric mission to the U.S.S.R. that resulted from him being a native Russian speaker and being well familiar with life in the Soviet Union. Dr. Kleyman discusses the social and political context that surrounded the 1989 U.S. State Department visit and made it possible in the first place; the doctor patient relationship in the U.S.S.R.; Soviet diagnostic approaches and the role of Soviet psychiatrists during the American visit. Dr. Kleyman recalls his unique trip to Moscow Psychiatric Hospital # 5 to briefly speak with the patient who was claimed by the Soviets to have refused examination. He also talks about his experience as a member of the 1991 W.P.A. mission to the U.S.S.R.\u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eMr. Kovalev tells about the role of various domestic and international actors in the process of democratization of the U.S.S.R. in the late 1980s and bringing human rights into the Soviet Union. He also assesses the political factors of the early 1980s that allowed Gorbachev come to power and retain it. Mr. Kovalev shares his insights about the Soviet foreign policy of the second half of 1980s-early 1990s and the U.S. - U.S.S.R. relationships. He shares his knowledge about the history of abuse of psychiatry and the reasons for resorting to it; the Soviet psychiatric register and the consequences of being on a register; the sealed instruction on involuntary commitment that existed but was not available to the public. Mr. Kovalev talks about the chain of decision making in ensuring that the American visit will actually happen and the key events on that road. He also comments on the internal tensions between the Ministry of Foreign Affairs and the Ministry of Health (M.O.H.) as well as the resistance put up by the M.O.H. in organizing the American visit. He also shares his views about the \"system dissidents\" in the U.S.S.R.\u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eMs. Mercer talks about her career at the APA and the role that the APA played in advocating for the rights of the persons committed to psychiatric hospitals for non-medical reasons in the USSR. She then discusses the historical context for the 1989 State Department psychiatric delegation to the Soviet Union, including the 1977 Declaration of Hawaii and the All-Union Society's walking out of the WPA in 1983 in the face of an almost certain expulsion. Being a part of the November 1988 negotiation team to the Soviet Union, Ms. Mercer shares her thoughts about the negotiation process and the Soviet's compliance with the terms agreed upon. Ms. Mercer describes the field visit to Soviet psychiatric hospitals and then talks about the Soviet's readmission to the WPA, the role the 1989 U.S. State Department played in this process, the APA's and Ms. Mercer's personal stance with regard to the readmission. Ms. Mercer concludes by discussing the difference the American visit made in the big picture.\u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eDr. Monahan talks about his professional training and the highlights of his career, his memories from the 1989 American visit to the Soviet Union, including the goals of the visit,  its organizational aspects, and its media coverage. Dr. Monahan then focuses on the forensic evaluation methods and results, the rights of psychiatric patients in the Soviet Union, conditions of their hospitalization, treatment, and hospital staffing. Dr. Monahan concludes by describing his general impressions of Moscow and Leningrad and the conclusions the American team made as a result of the visit. \u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eMr. Reddaway talks about his education and career and the way he became interested and immersed in the issue of abuse of psychiatry in the U.S.S.R. He discusses the impact that his and Sidney Bloch's 1977 and 1983 books made in the Soviet Union. He also shares his knowledge about the evolution of punitive psychiatry with each new Soviet leader. Mr. Reddaway talks about Mr. Gorbachev's personality, the political factors in the early 1980s that allowed for such a leader to emerge and retain power; the reasons for perestroika;  the peculiarities of perestroika in psychiatry versus other spheres. Mr. Reddaway gives a comprehensive overview of various internal processes in the Soviet Union at the end of 1980s that were important prerequisites for the 1989 U.S. psychiatric mission. He discusses at length the role of the WPA in the battle against the abuse of psychiatry in the Soviet Union. Mr. Reddaway also gives a detailed overview of the field inspections to Soviet psychiatric hospitals that he did as a member of the 1989 U.S. State Department psychiatric mission to the U.S.S.R.\u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eThe interview with Dr. Regier is of critical importance for the comprehensive retrospective evaluation of the long-term impact of the 1989 State Department investigative mission to the U.S.S.R. Dr. Regier not only played a key role in the preparation and implementation of the mission, but also successfully continued to help develop the quality and accessibility of mental health services in Russia after the U.S.S.R. collapse. Dr. Regier also continued to tackle the issue of psychiatric abuse in China.  \nIn his interview, Dr. Regier gives a historical overview of the development of diagnostic criteria that was subsequently used during the U.S. State Department investigative mission to the U.S.S.R. relating to psychiatric abuse. This interview provides a great description of the methodology used during the interviews. Dr. Regier also describes the NIMH goals, unique role and contribution to the 1989 mission and shares his insights about the factors that made it possible to weaponize psychiatry against dissidents in the Soviet Union. Dr. Regier also tells about his role in the work of Gore-Chernomyrdin Commission in the area on mental health care in Russia post the Soviet Union breakup.\u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eDr. Roth describes his training and the highlights of his career; he then tells how he became interested in the issue of abuse of psychiatry in the U.S.S.R. His two human rights trips to the U.S.S.R. in 1985 and 1986 are discussed next. Dr. Roth then gives an overview of the general political background to the visit and tensions between him and Ambassador Schifter about some critical aspect of the visit. Dr. Roth then describes in detail the negotiation process between the U.S. and Soviet side, the main stumbling blocks, how he managed to overcome them, and who were his allies. Dr. Roth describes the Soviet uncooperativeness and tensions between the Ministry of Health and Ministry of Foreign Affairs. He then talks about informed consents, interview procedures, and the visit dynamics. He shares some anecdotes and most memorable events; he also talks about the people who meaningfully contributed to making the mission successful.\u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eMr. S. describes his early years, how his dissident views formed, his first arrest under Article 70 of the Criminal Code, his expert psychiatric evaluation at the Serbsky Institute, and the judicial procedure that followed. He describes his subsequent commitment in an 'ordinary' psychiatric hospital and shares insights about the internal regulations, regime, and the release procedure. He also talks about his next arrest and the legal aspects of it. Mr. S. shares his views about whether Soviet psychiatrists seriously believed that 'failure to adapt to the society' was a sign of mental illness and whether they can be blamed for presumably following the orders from above.  Mr. S. proceedes to describe his transfer to a special psychiatric hospital, the mass release of political prisoners in 1987, the reasons for such a drastic change of the political course in the Soviet Union, and gives an overview of the U.S. – U.S.S.R. relationship in the second half of the twentieth century. He then talks about how the 1989 U.S. State Department psychiatric mission to the U.S.S.R. fit into the broader human rights negotiations in the CSCE. Mr. S. tells how he taken off the psychiatric register\nand legally rehabilitated; he talks about the destiny of the Criminal Code 'political' articles 70 and 190-1 and current political articles in Russian Criminal Code used to suppress dissent.\nMr. S. shares about his life and political activity after 1989, his subsequent arrests, and his assessment of the evolution of civil and political freedom in Russia after 1989.\nHe then talks about the future of Russia, his own future as a dissident in Russia, and his views about the Russian war in Ukraine.\u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e\n","\u003cp\u003eIn addition to the oral history given in 2022, this file contains a recording of an interview that Mr. S gave on March 2, 1989.\u003c/p\u003e","\u003cp\u003eMs. Smith shares her memories about interpreting for both 1989 U.S. State Department delegation and the 1991 WPA delegation to the Soviet Union. She explains how this experience compares to the other interesting projects she has been involved in throughout her career. She describes her most prominent memories about this job as well as the Soviet Union as of 1989. \u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eDr. Stern describes his career and his pathway from the Soviet Union to the U.S. He shares his insights about some aspects of Soviet history, the issue of psychiatric abuse, its roots and reasons the Soviet government resorted to psychiatry to oppress dissent. Dr. Stern talks about the major differences between special psychiatrist hospitals vs. ordinary psychiatrist hospitals and gives some excellent illustrations of \"symptoms\" that the Soviet school of psychiatry considered signs of mental disorder. Dr. Stern shares his opinion as to the reasons why Soviet psychiatrists engaged in unethical practices. Dr. Stern describes the field trip in great detail, including some anecdotes and specific instances. He concludes by identifying the most important changes needed in Soviet psychiatry at the time and assesses the overall success of the American mission to the Soviet Union. \u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eThis file includes correspondence with Richard Schifter and Robert van Voren.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection is divided into two series. The first series, \"abuse of psychiatry and psychiatrists\", consists of subject files compiled by Dr. Loren Roth, Professor of Psychiatry at the University of Pittsburgh. They are evidence of Dr. Roth's efforts to stop the abuse of psychiatry and psychiatrists for political reasons, with an emphasis on the former Soviet Union. The subject files contain correspondence, articles, reports, evaluations, meeting minutes, agendas, planning materials, diaries, photographs, memoranda, handwritten notes, programs, books, videotapes, ephemera, and other items. Together, these materials date from around 1950 to 2008. However the bulk of them date from the 1970s to the 1990s, when Dr. Roth participated in U.S. delegations to the former Soviet Union and was part of the American Psychological Association's (APA) Committees on Human Rights and International Abuse of Psychiatry and Psychiatrists.","\nThe second series consists of materials that were gathered and produced for the \"Retrospective Review of the 1989 U.S. State Department Psychiatric Mission to the U.S.S.R.\" project. These materials include oral history interviews with individuals involved with the 1989 mission, a 1989 recorded interview with a psychiatric patient, project correspondence, biographical files, interview minutes, and an organizational chart. Most of the items in this series date from the time of the project, 2021 to 2022.","This series consists of subject files that Dr. Loren Henry Roth assembled and used while working to stop the abuse of psychiatry and psychiatrists for political reasons, emphasizing abuse in the former Soviet Union. The files contain correspondence, memoranda, meeting documents, articles, reports, lists, forms, evaluations, photographs, diaries, and other materials.","World Psychiatric Association Proposed Declaration of Hawaii; \"Honolulu Paper\": Somerville, John: \"Ethics and Psychiatry,\" (1977); Committee of French Psychiatrists Against The Political Uses of Psychiatry Special Bulletin, the World Congress of Psychiatry in Hawaii; newspaper clippings from Hawaiian newspapers (1977). APA white paper: \"Misuse and Abuse of Psychiatry in the U.S.: A definition and Discussion,\" (1991); correspondence and papers of Paul Chodoff, (1989-1990 and undated); Helmchen, H. and A. Okasha: \"From the Hawaii Declaration to the Declaration of Madrid,\" Acta Psychiatr Scand 200:101: 2023","Copy of the Report to the Board of Trustees, American Psychiatric Association of the Ad Hoc Committee on the Use of Psychiatric Institutions for the Commitment of Political Dissenters (1972); Boekovski Berichten Bukovsky News: The Case of Irina Grivnina (1985?); Statement of Dr. Algirdas Statkevicius to the Commission on Security and Cooperation in Europe (1988); copy of letter from Peter Reddaway to Viktor Nakas, Leon Stern, Robert van Voren and Algirdas Statkevicius (1989); copy of translation of SB case (1987-1989); U.S. Helsinki Watch Committee [memorandum] re Shatravka Family (1988); Committee of Concerned Scientists, Inc \"Call for Action for Three Soviet Former Prisoners of Conscience,\" (1988); and newspaper clippings mainly of Pyotr G. Grigorenko and Anatoly Koryagin","\"Special Report, The Medical Profession and the Prevention of Torture,\" The New England Journal of Medicine (October 1985); \"Sowing fear: The Uses of Torture and Psychological Abuse in Chile,\" A Report by Physicians for Human Rights (October 1988); Proposal. Center for Rehabilitation of Torture Victims [RCT], New York, NY and Roseland, New Jersey (undated); RCT International Newsletter on Treatment and Rehabilitation of Torture Victims (1990-1991); RCT IRCT [International Rehabilitation Council for Torture Victims]: Torture [packet of documents] (1991-1992); Jacobsen, Lone and Pete Vesti: Torture Survivors – a New Group of Patients, The Danish Nurses Organization, 1990; Canadian Centre for Victims of Torture","Human Rights Task Force of the APA survey on human rights organizations (1984); Human Rights Survey Responses (1988); Human Rights Cases Monitored by the APA (1990); photocopy of European Convention on Human Rights Collected Texts, Strasbourg, 1965.  Folder includes an incomplete set of The World Medical Association press releases (1975-1990), printed materials and news clippings","Documents from the Ninth Session of the U.S.-U.S.S.R. Joint Committee for Health Cooperation, (1988-11-17); Trip Report – P.H.S. Delegation Visit to the Soviet Union  November 13-20, 1988 Ninth U.S.-U.S.S.R. Health Committee Meeting (1989-01-25); Summary of Cooperation in Health Between the US Public Health Service and the Ministry of Health of the U.S.S.R. (1989-01-26); Peter Henry thoughts re Implications of Trip for U.S.-Soviet Health Agreement (1989-02-02)","Roth's printed account of trip that he made with Rabbi Mark Staitman, Larry Hurwitz, cardiologist;  Harold and Esther Garfinkel, community leaders; Joy Weber, science writer, and Rabbi Jonathan Stein. September 20-October 1, 1986. (2 versions)","Dr. Roth and Ambassador Schifter's preliminary planning documents for the U.S. mission to the U.S.S.R. in April of 1988.","APA Memorandum re \"use of psychiatry for political purposes\" (1988-03-21); [USSR] Regulations for Psychiatric Hospitals, LS No. 124600 JS/AO Russian, Appendix to Decree No. 225 of the USSR Ministry of Public Health, 21 March 1988; Pre-summit discussions. Report of Soviet Contact (1988-03-23): Gennadi N. Milyokhin, M.D. visit to Parklawn;  [Unedited] On the Record Briefing of Richard Schifter, Assistant Secretary of State for Human Rights and Humanitarian Affairs,  March 25, 1988","Peter Reddaway: \"Will Perestroika End Political Abuse in Soviet Psychiatry?\" (1988-07-03); copy of pages 5-6 of \"Argumenty I fakty\" No. 11/1987, [Reporter V. Romanenko interviews with  Dr. Marat Vartanyan (1987- 03-21-27)]; anonymous draft \"Ground Rounds\", \"Abuses in Soviet Psychiatry\" (undated); Karklins, Rasma: \"The Dissent/Coercion Nexus in the USSR, Working Paper #36, Soviet Interview Project (1987-05); Roth's handwritten notes; copies of printed materials related to Soviet psychiatry; annotated copy of Berman, Harold J.: Soviet Criminal Law and Procedure. The RSFR Codes. Cambridge, Harvard University Press, 1977, pp. 3-124","Stipulations for Delegation of U.S. Psychiatrists and Other Experts Visiting the USSR (1988-11-09); Roth's handwritten notes. Also Ellen Mercer U.S.S.R. Trip Confidential  Report (1988 -11) and Saleem A. Shah Department of Health and Human Services Report on International Travel (1988-11-18). Correspondence to Alexander A. Churkin  with documents: US-Soviet Understanding for Delegation of US Psychiatrists and Other Experts Visiting the USSR; \"Discussions\"; Consent Forms for Persons Interviewed and of Relatives and Friends (1988-12-19)","re assesment of Soviet Psychiatry (1988-08-04), memorandum re \"Sensible Tactics re U.S. Delegation on Soviet Psychiatry; human rights and Soviet Psychiatry; \"things to do; Roth's notes; and Roth: \"Uses of Psychiatry in the U.S.S.R. and U.S.A,\" Browning Hoffman Lecture, UVA School of LAw (1988-10-07).","International Association on the Political Use of Psychiatry [IAPUP]: Information Bulletin Nos. 3, 9, 11, 18-21; also copy of \"II. The Case of All-Union Society (undated). Soviet Psychiatry News, vol. 1, nos. 1-2 (1989)","US State Department Soviet Psychiatric Project Delegation to the Soviet Union Planning Trip – correspondence, telegrams, memoranda re: negotiations, support and concerns, instructions, logistics for the trip. Correspondence with Soviet and US officials, and other psychiatrists. Summary of discussions with Ambassador Richard Schifter (1989-02-11); comments from Saleem Shah (1989-02-10); from Robert van Voren, Ellen Mercer, Dr. Edward Kelty and others.","This sub-series contains materials related to the organization, planning and logistics of the trip, as well as background information about the psychiatric abuse in the U.S.S.R.","This file contains memoranda, handwritten notes, list of participants, questionnaires, Forensic Interview Schedule, and Interpersonal Personality Disorder Examination (IPDE).","DSM-III-R Criteria Checklist (1988-05-23; Structural Clinical Interview for DSM-III-R Patient Version (1988-06-01) SCID-NP/OP Psychotic Screening (1988-06-01); Instruction Manual for the Structured Clinical Interview for DSM-III-R (1988 and 1989)","DSM-III-R Criteria Checklist (1988-05-23; Structural Clinical Interview for DSM-III-R Patient Version (1988-06-01) SCID-NP/OP Psychotic Screening (1988-06-01); Instruction Manual for the Structured Clinical Interview for DSM-III-R (1988 and 1989)","Russian version of IPDE (1989-02-16); Russian version of Revised SCID Standardized Clinical Study According to DSM-III-PD Criteria (SKID) (1991-04); Russian version of World Psychiatric Association visit to the USSR Forensic Examination (1991-03)","The reports were written by doctors Jonas Rappeport, M.D., Vladimir Levit, MD., Samuel J. Keith, M.D, Darrell A. Regier, M.D., Loren Roth, M.D., Felix Kleyman, M.D., Joseph Bloom, M.D., William. T. Carpenter, M.D., Robert Hirschfeld, M.D., Alla Arsenian (interpreter); Elmore Rigamer, M.D., Joel Klein; Boris Shostokovich, M.D.; John Monahan; Nancy Andreason, M.D.; William Farrand.","Reports of forensic evaluations done in Moscow and Leningrad by Jonas R. Rappeport, John Monahan, Joseph D. Bloom; draft of Roth's \"Patient Sample –Description. Methodological Issues – Obstacles\" (1989-04-10); assessments and handwritten notes re patients; Russian document with translation re patients (undated); Roth's notes on various interviewees (1991-02-07)","The materials in this file include Roth's letters to persons who he wished to interview but didn't; U.S. Department of State \"transliteration\" of names (1989-04-04) and inventory of status of cases (1989-04-05)","\"Delegation of US Psychiatrists Issues Press Statement\" signed by members of the US Psychiatric Delegation: Nancy Andreasen, M. D.; Joseph D. Bloom, M.D.; Richard J. Bonnie; William T. Carpenter, M.D.; Robert M. A. Hirschfeld, M. D.; Samuel J. Keith, M.D.; Joel Klein; Felix L. Kleyman, M.D.; Vladimir A. Levit, M.D.;  David Lozovsky, M. D.; Ellen Mercer, John Monahan, PhD; Jonas R. Rappeport, M.D.; Peter B. Reddaway, Ph.D; Darrel A. Regier, MD.D., M.P.H.; Elmore E. Rigamer, M.D.; Leon Stern, M.D.; Harold M. Visotsky, M. D.]","Testimonies of Darrel A. Regier, Robert W. Farrard, Peter Reddaway, Robert van Voren, Loren H. Roth; statement of Steny H. Hoyer; LHR's handwritten notes; correspondence; responses, printed materials; draft I Report of the U.S. Delegation and Preliminary Soviet Reply: Brief Analysis of Points of Agreement and Disagreement; Loren H. Roth Final Report of the US Delegation to Assess Recent Changes in Soviet Psychiatry. Objectives and Execution of the Visit. American Psychiatric Association Annual Meeting, New York, NY, May 15 1990; some correspondence and memoranda related to CSCE meetings in Copenhagen (June 1990); and copy of U.S. Report (speech) on CSCE – Moscow (1991-10-02)","Copy of Reddaway's Trip to Moscow, October 29-November 2, 1988; memo re: \"The difficult situation we are in: how should we proceed,\" (1989, 02-19); notes on Soviet Psychiatry Developments (1990-01-20); copy of \"Trip to Moscow, August 20-30, 1992.\"","\"Dissent and Disorder: Human Rights in Soviet Psychiatry,\" (1989-07-); copy of unauthored paper; \"The Legacy of Psychiatric Abuse in the U.S.S.R.,\" (undated); Russian version and translation of \"Proceedings of the session of Working Party formulating the draft law on 'Psychiatric Help in the U.S.S.R.',\" (1991-02-14)","\"Soviet Access to and Utilization of Mental Health Services: A Comparative View,\"  paper presented at the National Conference on Soviet Refugee Health and Mental Health, Chicago, IL (1991-12-11); Isaac Ray Lectures: \"The Future of the Doctor-Patient Relationship. Lesson from Two Cultures, The Former Soviet Union and the United States,\" Discussants: Loren H. Roth, M.D., Dean Eckenrode, George Huber, J.D., Mark Schmidhofer, M.D. (1998-05-07)","\"The New Soviet Legislation on the Provision of Psychiatric Care,\" speech delivered at the symposium of the International Association on the Political Use of Psychiatry, Washington, D.C., (1988-10-14); Koryagin: \"A Green Light of Injustice,\" Zurich, (1988-12-20); notes from Boris Zoubok, M.D.; copy of \"Law of the USSR on the protection of the rights and legal interests of persons suffering from psychiatric disorders and on the grounds and procedures for the administration of psychiatric care,\" (1990-10-08); Roth's Notes on Meeting of USSR Supreme Soviet Committee on Mental Health Law, Moscow (1990-10-26); copy of Smit, Jonna: \"Human Rights and Mental Health Legislation: the USSR,\" (1991-05-21); van Voren, Robert: \"Ukrainian Psychiatry: Starting from Scratch,\" (undated); Regulations on a psychiatric hospital (Положение о психиатрической больнице), [printed Russian document] CCCP, No. 225, 1988; printed materials and news clippings, 1988-2004; Patients in Psychiatric Hospital Requiring Follow-up and Review – interview methodology, list, memoranda","Draft and confidential memorandum of meeting with Minister of the Department of Humanitarian Affairs [Yuri A.] Reshetov. Also interview methodology and memoranda.","Kazan Special Psychiatric Hospital, Vilnius Ordinary Hospital, Kaunas Hospital, Chernyashovsk Special Psychiatric Hospital","Richard J. Bonnie draft; \"Legal and Humanitarian Aspects of Soviet Psychiatry: Some Preliminary Conclusions\" (1989-03-28); also comments on Klein's and Reddaway reports (1989-04 to 1989-05); LHR Confidential Drafts #1-5 (1989-05-19-31); Objectives of the Clinical Interviews (1989-05-22); Dr. Harold M. Visotsky Response to Joel Kline (1989-05-30); Hospital Team Report by Harold Visotsky, Elmore Rigamer, and Loren H. Roth (1989-05-30); remarks from Joe Bloom (1989-06-05); Richard Bonnie: Note to Members of the US Delegation to the Soviet Union (1989-06-16); Bill Farrad; Executive Summary [annotated] (1989-06-20); \"USSR Psychiatrists at a Human Rights Round Table in Moscow in April 1988,\" annotated copy of attachment sent by Joel Kline to Roth (undated); Vladimir A. Levit comments (1989-06-26); Saleem [Shah]: Soviet Compliance and Study Limitations (1989-06-28) and comments (1989-06-26); Peter Reddaway draft (1989-06-28) [2 folders], 1989-03 to 1989-06","Also: State Department \"rough translation\" of Soviet response: \"Response to the medical part of the report by the U.S. delegation of psychiatrists and lawyers,\" (1989-07-06); Draft translation of the final Soviet comments on the report: Commentary on the Report [130008 JS/AO Russian] (1989-09-26); U.S. Department of State Memorandum re Comments on the Soviet response to the Report (1989-10-12); printed Russian document inscribed by Polubinskaya to Loren H. Roth: [Academy of Sciences of the U.S.S.R., Soviet State and Right. Separate Report, Moscow 1990];  translation of S. V. Polubinskaya and S. V. Borodin: \"The Legal Problems of Soviet Psychiatry: The Views of American and Soviet Experts,\" Soviet State Law, No. 5, 1990, pp. 67-76","Resolution of the WPA (1989-10-17); WPA Statement by the All Union Society of Soviet Psychiatrists and Narcologists of the U.S.S.R. before the World Psychiatric Association General Assembly in Athens (1989-10-18); Memorandum re: Site Visit by the WPA Review Committee to the U.S.S.R. (1990-03-13); Reddaway, Peter: The Struggle over Reform in Soviet Psychiatry Intensifies: Is the Establishment Beginning to Panic? (1990-04-30); Remarks by Svetlana Poloubinskaya at the APA's Committee of International Abuse of Psychiatry and Psychiatrists (1990-05-16)","APA correspondence with the Center for Democracy in the U.S.S.R., U.S. Department of State, (Schifter and Mercer); University of London Institute of Psychiatry, 1989-05 to 1989-11. Also, miscellaneous correspondence with literary agents (1989-03 to 1989-04)","Translations of A.  Karpov, Chief Psychiatrist, U.S.S.R. Ministry of Health: \"The Registration of Mental Patients in the U.S.S.R.\" (1990-10-25) and \"Basic Findings of the Conclusion of the U.S.S.R. Constitutional Supervision Committee on Whether Legislation for the Compulsory Treatment and Re-Education of Through Labour of Persons Suffering from Alcoholism or Drug-Addiction Conforms to the U.S.S.R. Constitution and International Enactments on Human Rights,\" by B. M. Lazarev, Deputy Chairman of the USSR Constitutional Supervision Committee (1990-10-25). Also Saleem A. Shah: \"Forensic Interview Schedule\". Correspondence with Otto Dorr Zegers, Csaba Banki, M.P. Deva, Driss Moussaoui, Jim Birley, and Gerard Low-Geer","Correspondence with Dr. Otto Dörr-Zegers (Chile); Dr. Csava Bànki (Hungary); Dr. M. P. Deva (Malaysia); Dr. Driss Moussaoui (Morocco); Dr. Jim Birley (WPA Negotiating Team); Dr. Gerard Low-Greer (England).","Included are: Gostin, Larry: \"Human Rights in Mental Health: Japan. Report of an international mission to Japan: 1987,\"  World Health Organization/Harvard University International Collaborating Center on Health Legislation, World Federation for Mental Health [1987]; Kawasaki, Shigeru: \"Like a Shedding Snake,\" English Summary, J. JAPH 2:2 Spring 1991; news-clippings.","Correspondence with Ellen Mercer re Singapore (1985-09-18); UN Commission on Human Rights E/CN. 4 Sub.2/1988/23: Report on the Sessional Working Group on the question of persons detained on the grounds of mental ill-health or suffering from mental disorder; Proceedings. International Forum on Mental Health Reform, Kyoto, Japan, January 29-30, 1987; Benatar, S. R.: correspondence and articles (1990); Final draft of the \"UN Principles Produced by the Working Group on Human Rights,\" Annex A Principles for the Protection of Persons with Mental Illness and for the Improvement of Mental Health Care","The sub-series consists of materials Loren Roth collected as part of his work on this committee. These include meeting minutes and agendas, correspondence, reports, articles, clippings, memoranda, and other items.","APA lists of cases in the U.S.S.R., Yugoslavia and Romania (1988-07-05); memo for the record re Soviet dissidents","APA minutes of meeting (1988-09-07); Draft Statement Following Discussion with Dr. Sabshin; APA Draft Resolution by the Committee on International Abuse of Psychiatry to not object to the re-admittance of  the All-Union Society of Psychiatrists and Neuropathologists of the USSR into the WPA (1988-09-07); minutes of the APA Committee on Human Rights (1988-09-09); some correspondence, (1988 -09)","Minutes of conference call (1989-02-15); correspondence; IAPUP documents re to Soviet psychiatry (1989-02); copy of Dr. Marvin Brook handwritten comments on the By-Laws of the WPA (undated); Application of the Independent Psychiatric Association of the USSR (IPA) for membership to the WPA, includes Constitution and Declaration (1989-03-09); APA Guidelines for Psychiatric Services in Jails and Prisons; APA draft guidelines on the Right of Refuse (Anti-Psychotic) Medication.","Includes some correspondence and documents: Memorandum re Revision of the WPA Review Committee's Operational Instrument ( 1989-04-270; translation of letter from Nikolai Fedrovich Zhukov to US Congress (1989-03-04); IAPUP Documents on the Political Abuse of Psychiatry in the USSR 18: The Founding of the Association of Independent Psychiatrists in the USSR and the US Delegation of Psychiatrist to the USSR (March 1989); IAPUP Report and brochures, 1989-04","Memorandum re Detention of Cuban psychiatrist Dr. Alfredo Samuel Martínez Lara (1989-04-19); WPA Proposed alterations (1989-04 -25); copy of entrance application of the International Independent Research Centre on Psychiatry to the WPA (1989-03-27), news clippings; Dr. Marat Vartanian original article sent to the International Journal on Mental Health","Included are: Ellen Mercer and Fini Schulsinger interviews with Radio Canada (1989-03); and \"rough\" transcripts of  Radio Free Europe with Viktor Lanovoy, President of the Independent Association of Psychiatrists (1989-06-15); Croatian Committee for Human Rights press release re human rights abuses (1989-06-24); [translation] of M. Buyanov articles in Uchitelskaya Gazeta (1988-11-19); Association Psychiatric Independent (IPA) press release (1989-04-12); Commission of the European Communities: \"Observations on the State of Implementation of Programme of Psychiatrists Reform in Greece,: (1987-12-31); IAPUP Documents Special Issue: \"The Political Abuse of Psychiatry in Rumania (June 1989);  IAPUP Documents on the Political Abuse of Psychiatry Nos. 22, 23, 24, 25 (June-July 1989)","Includes Summary of the WPA Executive Committee in Athens and Resolutions (1989-08-18); excerpts of anonymous document \"Autumm 1988, Gerlovka\" re abuse in the USSR ; printed articles, news clippings","Includes unofficial translation of  Statement by the All-Union Scientific Society of Psychiatrists (1989-10-02); Remarks of Christian Barton Concerning Allegations of Psychiatric Abuse of Dissidents by the Cuban Government (1989-09-13); Sabshin, Melvin: Statement to the Subcommittee on Health and Environment of the US House of Representatives re APA position on Soviet psychiatric practices (undated); Testimony of Victor Davidoff, former victim of abuse in the Soviet Union (undated); Commentary on the Report \"Assessment of Recent Changes in Soviet Psychiatry, prepared by the US Delegation on the Results of its visit to the USSR,\" (1989-09-15); IPA bulletins (1989 -08-07 and 1989-08-31); news clippings","Includes: Liaison Report (1989-10); Gluzman, Semyon: \"Bureaucratic Ethics and Soviet Psychiatry,\" (1989-11) and Commentary on the Memorandum of G. Lukacher (1989-10-14) re All Union Scientific Society of Psychiatrists; translation of A.I. letter \"To the World Congress of the WPA,\" (1989-10-16); translation of letter from Social Organizations in Leningrad To the Participants in the Congress of the WPA (Athens, Greece, October 1989); Schifter, Richard: \"An Inventory of Soviet Human Rights Developments\" (1989-10-04); IAPUP Documents on the Political Abuse of Psychiatry in the USSR No. 29, 30","Some copies of  documents related to the former Yugoslavia; lists of interments and releases in the Soviet Union (1989-12-21); draft translation of [Sotsialisticheskaya Industriya] A Detail report: Psychiatry Without Secrets (1989-10-31); Documents on the Political Abuse of Psychiatry in the Soviet Union 31 (1989-12); WPA Minutes (1989-08-11-13)","Correspondence related to abuses in Cuba; Pena, Jose M. et al: \"Abuse and Misuse of Psychiatry in the U.S.: The Need for an Institutional Ethics,\" (1990-02); list of human rights cases monitored by the APA in Argentina, Bulgaria, Cuba, Czechoslovakia, Hungary, Malawi, Morocco, Romania, South Africa, Sudan, Turkey, Uruguay, Yugoslavia, Zaire (1990-02-06); Mercer, Ellen: USSR Trip Report/February 25-March 3, 1990","Includes: Second World Center Annual Report 1989 and APA Statement on Simón Bolívar Award and Lecture (1990-02-15)","Correspondence re Cuban psychiatrists (1990-04); Keston College Support Group: \"Igor Rodionov Report\" (1990-04); Yelena Izyumova Open Letter to the Members of the APA, Moscow May 20, 1990; anonymous essay re : Psychiatric Abuse in the USSR (Helsinki Watch), undated","Also: \"Proposed New Policies for the APA in Regard to the Abuse of Psychiatry for Political and Other Non-Medical Purposes in the USSR,\" (undated)","Includes copy of Human Rights Survey Responses (1988-04-01) and reports of the Council on International Affairs, Committee on Human Rights and Committee on International Education","Includes reports of the Council on International Affairs, Committee on Human Rights and Committee on International Education; memoranda re IAPUP meetings in Germany (1990-09); letter from Dr. Jeffrey Heller to the Committee on Abuse of Psychiatry re Soviet Delegation at H and CP Institute (1990-10-10); Documents on the Political Abuse of Psychiatry in the USSR No. 38 (1990-09)","Includes correspondence from Dr. Valerian Tuculesco re post-traumatic stress disorder after the Romanian revolution (1990-10); correspondence re Oleg Vitalyevich Kozlov re hijacked plane to Helsinki (1990-11); American Ambassadors People to People Trip to the USSR 14-27 August 1990 \"Professional Diary\" compiled by E. B. Brody (1990-09-05);  \"Psychiatric Issues Encountered on Recent Trip to USSR,\" memorandum from Holt Ruffin (World Without War) (1990-10-25); Hartmann, Lawrence M.D.: \"Notes on Some Social Psychiatric Problems in Chile, South Africa and the Soviet Union,\" (1990-10); Documents on the Political Abuse of Psychiatry in the USSR Nos. 39, 40, 41; documents relative to the Joint APA-Caribbean Psychiatric Association Meeting; Ellen Mercer: China Trip Report (1990-11)","Includes reports of the Committee on International Education; Final draft of the UN Principles for the Protection of Persons with Mental Illness and for the Improvement of Mental Health Case (1990-12-11); \"Sugar, Jonathan M.D. et al: \"Psychiatry's Global Challenge: Responsibilities of American Psychiatrists in International Health (undated)","Includes letter from Dr. Dainiys Pūras re abuse of psychiatry in Lithuania (1991-01-19); correspondence re abuse in Romania (1991-02-08); \"Proposal for The Moscow Center for Rehabilitation of Torture Victims (undated)","Includes correspondence and document re abuses in Romania; correspondence between Dr. Roth, Gennadi Milyokhin, Juan José López-Ibor, re Revaz Uturgaury (1991-03); correspondence re Soviet individuals","Includes CIOMS: Development of International, Ethical Guidelines for Epidemiological Research and Practice, Plenary III Issues related to the HIV/AIDS Pandemic. Proposed Guidelines for International Testing of Vaccines and Drugs against HIV Infection and Aids (1990-11); copies of correspondence between and V. Tuculescu re Romania; Reddaway, Peter: Psychiatric Developments in the USSR (1991-06) and \" Problems of Reforming Soviet Psychiatry and Assuring Rights for the Mentally Ill,\" (undated); \"The Heartbeat of Reform. Soviet Jurists and Political Scientists Discuss the Progress of Perestroika, Glasnot, Democracy, Socialism,\" Translated from the Russian by Vic Schneierson, Moscow, [1991]; Documents on the Political Abuse of Psychiatry in the USSR No. 47, 48","Includes reports of the Council on International Affairs, Committee on Human Rights and Committee on International Education. Also includes several documents dated September 1991: Memo for the Record Briefing Meeting for the Chinese Academy of Social Sciences Human Rights Study Group (1991-09-24); USSR Draft Law (17 June 91) on Psychiatric Assistance; Ministry of Health, USSR, All-Union Society of Psychiatrists Governing Board Decision (1991-05-15-16); WPA Memorandum to the All-Union Society of Psychiatrists (1991-07-28); Dr. Stanislaw Golec: \"Health Care in Poland 91\"; \"Instructional Recommendations on the Application of USSR Ministry of Health Order No. 555 (1989-09-19); WPA documents; International Committee of the Red Cross Report on \"Second Working Group of Experts on Battlefield Laser Weapons,\" (1990-11-05-06)","Includes \"copy of a part\" of Japanese Mental Health Law with translation (1988); translation of  \"law on patient's rights\" in Finland (1991-08); WHO Guidelines for the Clinical Investigation of Antidepressant Drugs (1984)","Includes LHR handwritten notes re Abuse Committee (1992-04); \"Cuban Dissidents in Psychiatric Hospitals An Update of the Politics of Psychiatry in Revolutionary Cuba,\"; \"Dimineata, 7th January 1992, The Mad People Were Dissidents,\" re Romania (undated); \"The Plenary Session of the Board of Directors of the All-Union Scientific Society of Psychiatrists (1992-05) and Follow-Up of US Team's 1989 Patients list, Appendices 1 and 2 sent to Dr. Birley with names of patients (1992-02); Information about the Patient Bill of Rights Tally Sheet (1992-04); Geneva Initiative on Psychiatry [GPI]: Documents on the Abolition and Prevention of Political Abuse of Psychiatry (1992-03 and 1992-04)","Includes reports of the Council on International Affairs, Committee on Human Rights and Committee on International Education. Also: Country Reports on Human Rights Practices: Yugoslavia (1992-06-01); GPI: Documents on the Abolition and Prevention of Political Abuse of Psychiatry, April – June 1992; Mercer, Ellen: Exploring Hungarian Psychiatry (1992-05)","Includes reports of the Council on International Affairs, Committee on Human Rights. Also: International Association for Child and Adolescent Psychiatry and Allied Professions Proclamation of May 1992: Assuring the Mental Health of Children; APA Bilateral Exchange with Poland Czechoslovakia and Hungary. Summary of Responses and Recommendations of American Participants (1992-03-24 to 1992-04-12); copy of Act of the Russian Federation \"On Psychiatric Care and Citizens' Rights With Regard to Such Care,\" (1992-01); Polubinskaya, Svetlana: \"From the USSR to the Independent States: Where the Former Soviet Psychiatry Will Go,\" (1992-05); GIP Documents on the Abolition and Prevention of Political Abuse of Psychiatry 56, June 1992","Includes reports of the Council on International Affairs, Committee on Human Rights. Also correspondence re psychiatric abuse in the former GDR, with the Romanian Psychiatric Association and the Committee to End the Chinese Gulag. \"Psychiatry Under Tyranny. An Assessment of the Political Abuse of Romanian Psychiatry During the Ceaucescu Years,\" Report of a consultative mission to Bucharest on behalf of the Geneva Initiative on Psychiatry (1992-06); GIP Documents on the Abolition and Prevention of Political Abuse of Psychiatry 57, July – August 1992","The sub-series consists of materials Loren Roth collected as part of his work with this committee. These include meeting minutes and agendas, correspondence, reports, articles, clippings, memoranda, and other items.","Included: \"Human Rights of Mental Patients in Japan,\" (1987 -04); Reich, Walter Report of Meeting with Gennadiy M. Yevstafiev (Soviet, member of the delegation to the Vienna Review Meeting) (1987-07-28); copy of letter from Senator Edward M. Kennedy to Lawrence Hartmann, M.D. re human rights violations in Paraguay (1988-04-22); World Medical Association, INC. memorandum: \"The Facts regarding health services in South Africa during 1987, and the role played by the Medical Association of South Africa,\" (1987-07- 08); Reddaway, Peter: Does Moscow's Purge of Corrupt Psychiatrists Threaten the Psychiatric Gulag?\" (1987-07-13); \"More Revelations about Stefanis' Negotiations with the Soviets (1987-09-11); Center for Victims of Torture pilot project (1987-08-28 and 1987-10); South Africa Briefing (1987-08-07); Minutes of Committee on Abuse of Psychiatry (1987-09-09 and 1987-12-02); \"Victims of Torture in Afghanistan. Presentation for Cairo World Congress\" by Mohammad Azam Dadfar (1987-10-18-22); Gralnick, Alexander M.D.: \"Public Health and Psychiatric Care in Cuba, Personal Report\" (November 1987);Political Imprisonment in Cuba. A Special Report from Amnesty International, The Cuban American Nation Foundation, 1987;  US/Soviet Human Rights Seminar: Statement by Ellen Mercer for the APA (1987-12-03). Also Bloche, Maxwell Gregg: \"Uruguay's Military Physicians: Cogs in a System of State Terror,\" (1987-03)","Miscellaneous documents: minutes, memoranda, correspondence. Included: [Argentina] Tribunal Etico de la Salud contra la Impunidad translation of statement: Medical Ethics Tribunal Against Impunity,\" (1988-01-11); Minutes of the APA Committee on Abuse of Psychiatry (1988-01-20, 1988-04-21; 1988-05-10); some documents related to South Africa, Pakistan, Argentina; Human Rights Survey Responses (1988-03-09); Amnesty International: \"China. Detention Without Trial, Ill-Treatment of Detainees and Police Shooting of Civilians in Tibet,\" (1988-02); Bitsch Christensen, Svend: \"Torture Related Documentation,\" (1987); International Commission of Jurists' Mission to Japan Preliminary Report and Recommendations (1988-04); \"The Casualties of Conflict: Medical Care and Human Rights in the West Bank and Gaza Strip,\" Report of a Medical Fact Finding Mission by Physicians for Human Rights, (1988-03); Amnesty International Commission Medicale: Medicine at Risks. The Doctor as Abuser or Victim,\" (1987-09)","Miscellaneous documents: minutes, memoranda, correspondence related to Soviet psychiatry; human rights abuses in Honduras, Czechoslovakia, Somalia, South Africa, Israel, Haiti, Cuba, Egypt, China, BahrainGudava, Eduard M.D.: \"The events in Tbilisi, Georgia  (1989-04-18); Vesti, Peter and Inge Kemp: \"Chapter I: Treatment of Torture Survivors – theoretical views,\" \"Chapter 2: Rehabilitation of Torture Survivors, \" (1989-10); Collazo, Carlos R. M.D. and Martha Gerpe M.D.: \"Missing Parents,\" Paper presented at The World Psychiatric Association, Athens, October 1989","File includes: RCT [Rehabilitation and Research Centre for Torture Victims] 7th Annual Report (1990-01); APA Position Statement on Apartheid and Academic Boycotting of South Africa (1990-01); Human Rights Cases Monitored by the APA (1990-02-01); signed Petition by doctors to recommend the APA to condemn the government of Turkey (1990-08); LHR handwritten notes of September meeting;  APA Council on International Affairs Joint Reference Committee (1990-10-12); Boyajian, Levon Z. M.D.: The Psychological Sequelae of the Armenian Genocide (1982); Leros Trip. Report on Visit to the Mental Institution on the Island of Leros, Greece (1989-12-3-5); \"'Bloody Sunday Trauma in Tbilisi. The Eents of April 9, 1989 and their Aftermath,\" Report of a Medical Mission to Soviet Georgia by Physicians for Human Rights, February 1990; printed materials.","Files include documents re Armenian Genocide and from the Free Romanian Foundation; \"Program for Administrators and Educators Specializing in Programs for People With Disabilities,\" with the Persian Gulf (1991-04); Martínez Lara, Samuel: \"Psychiatry in Cuba: Perspectives of a Human Rights Activist\" (1991-09-27);  ); National Academy of Sciences: \"Considerations Regarding Individual Scientific Visits to the People's Republic of China,\" (October 1991); also some documents about torture","Files include documents re torture in Egypt (1992-01); Dadfar, A. Azam M.D.: \"The Deep Scars of a Forgotten War, \" Psychiatry Centre for the Afghans; correspondence with Levon Z. Boyajian M.D. (1992-02); Croatian Medical Journal: \"Medical Testimony of the Vukovar Tragedy\"; memorandum re \"Abuse and Misuse of Psychiatry in the United States\" (1992-02); Committee to End the Chinese Gulag: \"On behalf of Political Prisoners in China: How to Raise Human Rights Cases,\" (1992-04); memoranda and correspondence re abuse of Palestinian physician (1992-05); APA Position Statement on Homosexuality and Civil Rights (1992-07); Americas Watch, Vol.4, Issue 7: \"Dangerous Dialogue, Attacks on Freedom of Expression in Miami's Cuban Exile Community,\" (1992-08);  Amnesty International French Section, Medical Group: \"Corporal Punishment. A study on legislation and enforcement in 18 countries,\" (1992); \"Stop Torture in Korea (STIK)\" (1998-08); APA Council on International Affairs: \"International Inpatients Bill of Rights,\" (1992-08); APA Communications Plan 1992-1994; APA: \"Human Rights and the American Psychiatric Association,\" (1992); memorandum and correspondence re abuse of psychiatry and psychiatrists in México (1992-100; US Department of State: \"Renewing the U.S. Commitment to Human Rights,\" Special Report No. 164;  printed materials","World Health Organization Assignment Report re \"mentally infirm in Romania and possibilities for improvement,\" (1991-11); Rosenberg, David R. M.D. et al: \"A Cross-Cultural Study of \"Ceausescu's Orphans,\" (1992-03); Blom, G. et al: \"Program Touch – A Volunteer Intervention Program to Orphaned Disabled Children in Romania,\" (1991-11); Roth's reappointment as APA Chairperson of the Committee on Human Rights under the Council of International Affairs, (1992-04-13); draft of A.P.A. Action Paper Rescinding the 1982 APA Position on the Insanity Defense (1992-05-01); Pierce, Chester M. M.D.: \"Public Health and Human Rights: Racism, Torture and Terrorism,\" presented at American Psychiatric Association Annual Meeting (1992-05-04)","Files include translation of Croatian pamphlet: \"Protect Yourself and Help Others (1993-02); APA Office of International Affairs: Responses to Human Rights Questionnaire,\" (1993-08-18); Citizens Support Committee for the Psychiatric Farm Hospital Dr. Manuel Ramírez Moreno (1993-7-13)","correspondence and handwritten notes","evaluation forms and printed materials","Meetings between Ukrainian doctors Semyon F. Gluzman, Vladimir I. Poltavets, Valery N. Kutznetsov, Ada I. Korotenko, Oleg A, Nasinnik, Vladimir M. Cherniavsky and Juan Mezzich, American psychiatrist from the West Psychiatric Institute and Clinic, University of Pittsburgh; also some case summaries (1994-02). Russian and English translation.","extensive correspondence, reports, handwritten notes. Savychyj, Jurij M.D.: \"Psychiatry in Ukraine,\" [1992]","correspondence, Ukrainian fliers, and handwritten notes","extensive correspondence, reports, data analysis, forms, handwritten notes (1995-05), \"Codebook\"","correspondence, clinical assessment forms, and handwritten notes","Geneva Initiative on Psychiatry. Annual Reports 1992 and 1995; Documents on the Abolition and Prevention of Political Abuse of Psychiatry Nos. 65-67, 72, 74; \"Concepts for Developing Mental Health Care in Ukraine (First Draft),\" Developed by Experts of Ministry for Health Care, Kiev Research Institute of General and Forensic Psychiatry, Regional Chief Experts and Kiev Psychiatrists.","correspondence and forms","email correspondence, brochures, printed photographs","Joseph D. Bloom, Kyrill Borissow, William T. Carpenter, Robert W. Farrand, Robert M.A. Hirschfield, William H. Hopkins, Samuel Keith, Felix Kleyman, Andrei A. Kovalev, Ellen Mercer, John Monahan, Darrel A. Regier, Elmore F. Rigamer Jr, Carolyn Smith, Leon Stern","Includes: United States – Russia Health Committee 2000 – 2002, printed copies of photographs; The U.S.A. – Russia Health Committee: \"Access to Quality Health Care\" (draft), undated; \"Additional Materials on Diagnosing and Treating Mild and Moderate Depressions,\" [document in Russian with English title]","Gershman, Carl: Psychiatric Abuse in the Soviet Union,\" Society, July/August 1984; Lapenna, Ivo: \"The Medico-Legal Society. Use and Misuse of Psychiatry in the USSR,\" The Royal Society of Medicine, London 12th June 1986; McCready, John and Harold Merskey: \"Compliance by physicians with the 1978 Ontario Mental Health Act,\" Reprint from the Canadian Medical Association Journal, Vol. 124, March 15, 1981; McCready, John and Harold Merskey: \"On the Recoding of Mental Illness for Civil Commitment,\" Can. J. Psychiatry Vol. 27, March 1982; Slovenko, Ralph: Analysis. The Destiny of South Africa,\" The World and I, July 1991.","In 2021, members of the 1989 American delegation, some Soviet patients, Soviet doctors and other professionals, were invited to participate in the \"Retrospective Review of the 1989 U.S. State Department Psychiatric Mission to the USSR\" oral history project. Nineteen interviews were recorded, sixteen of them with the surviving members of the U.S. delegation, one with Andrei Kovalev, an official at the Ministry of Foreign Affairs in the U.S.S.R. at the time, and two with former \"Soviet patients.\" There is also an original 1989 recording of one interview.","These interviews provide a comprehensive overview of the history of Soviet psychiatric abuse, the reasons why psychiatric diagnosis was used to suppress dissent, the methods, medical and legal procedures, and who were the major players in Soviet psychiatric abuse. Emphasis is also made on assessing the U.S.-Soviet relationship in the 1980s and the special place that the 1989 State Department psychiatric mission to the U.S.S.R. held in the détente. All stages of negotiations and preparations for the mission were discussed as well as the methodology of psychiatric evaluations and the findings of the American experts. An additional emphasis was also made on assessing the state of Soviet psychiatric care as of the late 1980s and all the significant changes it was going through at the time. The role of World Psychiatric Association (WPA), the All-Union Society of Psychiatrists and Narcologists, the American Psychiatric Association and other important organizations, is also given proper attention. The interviewees also discuss the long-term impact that the 1989 U.S. mission made on Soviet and post-Soviet psychiatry.","In the interview Dr. Bloom discusses his career, his interest in the topic of abuse of psychiatry and his involvement in the 1989 U.S. State Department psychiatric delegation to the U.S.S.R. He talks about the U.S. and Soviet (both Soviet professionals and Soviet interviewees) understanding of the purpose of the visit and  the Soviet's compliance with the terms negotiated for the visit. He also talks about psychiatric hospitalization, detention and commitment process in the U.S.S.R., conditions of hospitalization in Soviet psychiatric hospitals and the legal rights of persons with mental disorders in the U.S.S.R.  Dr. Bloom's explains his impressions from the trip to the Soviet Union and the conclusions made by the American delegation. ","The highlights of the interview pertain to Dr. Bloom's recollection of a Soviet person who allegedly had a mental disorder, and his opinion as to the way the American final report should have been approached.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Mr. Borissow shares his life story and describes his career. He talks about getting involved in the 1989 State Department trip to the Soviet Union, his previous trips to the U.S.S.R., and the  social and political context that surrounded the visit and made it possible in the first place. Mr. Borissow describes his experience of interpreting in one of the psychiatric hospitals in Moscow as a part of the 1989 American mission as well as the work that Mr. Borissow's sub-team #3 did in Leningrad. He shares very interesting anecdotes that happened during the trip and talks about the lessons he learned during this trip.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","In the interview Dr. Carpenter discusses his career, his involvement in the 1989 US State Department psychiatric delegation to the USSR, the main goals of the mission, various aspects of the implementation in great detail, the diagnostic aspects of the study, interview instruments and methodology, the Soviet mental health care system and its shortcomings, the conclusions made by Dr. Carpenter's sub-team, the impact the American visit made to the interviewed individuals an mental health in the region. ","Dr. Carpenter also discusses the United States - Great Britain cross-national study of schizophrenia conducted in the 1960s and 70s and its pertinency to the 1989 U.S. State Department psychiatric investigative mission to the U.S.S.R. He also talks about the broad diagnostic criteria for sluggish schizophrenia and how much contributed to the missuse of psychiatry in the Soviet Union.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Ambassador Farrand talks about his long successful career in the U.S. State Department, the importance of the Soviet psychiatric abuse to the U.S. government and the larger context of the U.S. - U.S.S.R. relationships. As a person who worked closely with Ambassador Richard Schifter for many years, Mr. Farrand describes Schifter's goals and vision of the 1989 psychiatric mission to the U.S.S.R. ","Mr. Farrand describes the process of negotiating the terms of the visit and shares insights about interacting with a superpower as the Soviet Union was at that time. He also talks about the the peculiarities of governance in the U.S.S.R., and power dynamics inside the country. Mr. Farrand describes the efforts to preserve transparency and independence of the mission as well as managing its financial aspects and its highlighting in media. Mr. Farrand also talks about glasnost, perestroika, and the collapse of the Soviet Union.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Dr. Hirschfeld shares memories about his education and career, the way he got involved in the 1989 State Department psychiatric mission to the U.S.S.R., the methodological approach to the patient interviews, the range of findings of his sub-team # 3 in Leningrad, and his general impressions of the Soviet Union as of 1989.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Mr. Hopkins talks at length about the way he became immersed in the Russian studies, his education, and career. He well remembers the settings and arrangements of interviewing the Soviet citizens who allegedly had mental disorders, his expectations and apprehensions about the upcoming 1989 mission, the types of questions asked of the Soviet interviewees, and the peculiarities of his task as an interpreter during this unique venture. He also mentions the debrief that the entire American team had in Washington, D.C. after the visit was over.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Mr. I. talks about his early life, family, education, how his dissident views formed and evolved with time. He shares about his repeated contacts with psychiatric system; he also describes his social and political activity and the repercussions he faced as a result. Mr. I. then tells about his criminal case, his forensic psychiatric evaluation, diagnosis, \"symptoms\", finding of non-imputability, the legal procedure used to involuntarily commit him to the Dnepropetrovsk special psychiatric hospital, and the inhumane conditions there. \nMr. I. then describes his transfer to Nikolayev ordinary psychiatric hospital and release; he talks about his dissident activity that brought him back to the same hospital. He also describes his contacts with Ukrainian dissident movement at the end of 1980s and how he got on the list of people to be assessed by the U.S. team. The details of his participation in 1989 U.S. State Department mission are discussed next. Mr. I. then shares about the long-term impact this mission made on his life, his subsequent legal rehabilitation, being taken off the psychiatric register, the removal of his psychiatric diagnosis, his life and activism after 1989. Mr. I. describes some of his most interesting campaigns. The interview ends with a brief discussion of the Russian invasion of Ukraine and how it affected Mr. I.'s life. ","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Dr. Keith talks about the role and expertise of NIMH that was crucial to the success of the 1989 U.S. psychiatric mission to the U.S.S.R. He recapitulates the main points and stumbling blocks of the negotiations with the Soviets in November 1988, various organizational aspects of the mission, as well as the interview instruments and methodology used by the American team. Dr. Keith shares his opinion about the concept of sluggish schizophrenia, its diagnostic criteria, and other factors that made it possible to abuse psychiatry in the Soviet Union. He also emphasizes Soviet life, society, and governance as of 1989. Dr. Keith discusses the Soviets' admission of \"hyperdiagnoses\" and the validity of the excuse of \"hyperdiagnoses\" from the professional point of view. He also expresses his opinion about the tone of the final report and the general context that the American team had to keep in mind when drafting it. Dr. Keith describes Schizophrenia Bulletin and his role as its editor-in-chief. He also talks about the 1990 Soviet Reciprocal Visit to the U.S.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Dr. Kleyman is a great source of knowledge about the ins and outs of the Soviet mental health care system as the person who had about 10 years of professional experience on the ground. He talked about the uniqueness of his role during the American psychiatric mission to the U.S.S.R. that resulted from him being a native Russian speaker and being well familiar with life in the Soviet Union. Dr. Kleyman discusses the social and political context that surrounded the 1989 U.S. State Department visit and made it possible in the first place; the doctor patient relationship in the U.S.S.R.; Soviet diagnostic approaches and the role of Soviet psychiatrists during the American visit. Dr. Kleyman recalls his unique trip to Moscow Psychiatric Hospital # 5 to briefly speak with the patient who was claimed by the Soviets to have refused examination. He also talks about his experience as a member of the 1991 W.P.A. mission to the U.S.S.R.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Mr. Kovalev tells about the role of various domestic and international actors in the process of democratization of the U.S.S.R. in the late 1980s and bringing human rights into the Soviet Union. He also assesses the political factors of the early 1980s that allowed Gorbachev come to power and retain it. Mr. Kovalev shares his insights about the Soviet foreign policy of the second half of 1980s-early 1990s and the U.S. - U.S.S.R. relationships. He shares his knowledge about the history of abuse of psychiatry and the reasons for resorting to it; the Soviet psychiatric register and the consequences of being on a register; the sealed instruction on involuntary commitment that existed but was not available to the public. Mr. Kovalev talks about the chain of decision making in ensuring that the American visit will actually happen and the key events on that road. He also comments on the internal tensions between the Ministry of Foreign Affairs and the Ministry of Health (M.O.H.) as well as the resistance put up by the M.O.H. in organizing the American visit. He also shares his views about the \"system dissidents\" in the U.S.S.R.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Ms. Mercer talks about her career at the APA and the role that the APA played in advocating for the rights of the persons committed to psychiatric hospitals for non-medical reasons in the USSR. She then discusses the historical context for the 1989 State Department psychiatric delegation to the Soviet Union, including the 1977 Declaration of Hawaii and the All-Union Society's walking out of the WPA in 1983 in the face of an almost certain expulsion. Being a part of the November 1988 negotiation team to the Soviet Union, Ms. Mercer shares her thoughts about the negotiation process and the Soviet's compliance with the terms agreed upon. Ms. Mercer describes the field visit to Soviet psychiatric hospitals and then talks about the Soviet's readmission to the WPA, the role the 1989 U.S. State Department played in this process, the APA's and Ms. Mercer's personal stance with regard to the readmission. Ms. Mercer concludes by discussing the difference the American visit made in the big picture.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Dr. Monahan talks about his professional training and the highlights of his career, his memories from the 1989 American visit to the Soviet Union, including the goals of the visit,  its organizational aspects, and its media coverage. Dr. Monahan then focuses on the forensic evaluation methods and results, the rights of psychiatric patients in the Soviet Union, conditions of their hospitalization, treatment, and hospital staffing. Dr. Monahan concludes by describing his general impressions of Moscow and Leningrad and the conclusions the American team made as a result of the visit. ","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Mr. Reddaway talks about his education and career and the way he became interested and immersed in the issue of abuse of psychiatry in the U.S.S.R. He discusses the impact that his and Sidney Bloch's 1977 and 1983 books made in the Soviet Union. He also shares his knowledge about the evolution of punitive psychiatry with each new Soviet leader. Mr. Reddaway talks about Mr. Gorbachev's personality, the political factors in the early 1980s that allowed for such a leader to emerge and retain power; the reasons for perestroika;  the peculiarities of perestroika in psychiatry versus other spheres. Mr. Reddaway gives a comprehensive overview of various internal processes in the Soviet Union at the end of 1980s that were important prerequisites for the 1989 U.S. psychiatric mission. He discusses at length the role of the WPA in the battle against the abuse of psychiatry in the Soviet Union. Mr. Reddaway also gives a detailed overview of the field inspections to Soviet psychiatric hospitals that he did as a member of the 1989 U.S. State Department psychiatric mission to the U.S.S.R.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","The interview with Dr. Regier is of critical importance for the comprehensive retrospective evaluation of the long-term impact of the 1989 State Department investigative mission to the U.S.S.R. Dr. Regier not only played a key role in the preparation and implementation of the mission, but also successfully continued to help develop the quality and accessibility of mental health services in Russia after the U.S.S.R. collapse. Dr. Regier also continued to tackle the issue of psychiatric abuse in China.  \nIn his interview, Dr. Regier gives a historical overview of the development of diagnostic criteria that was subsequently used during the U.S. State Department investigative mission to the U.S.S.R. relating to psychiatric abuse. This interview provides a great description of the methodology used during the interviews. Dr. Regier also describes the NIMH goals, unique role and contribution to the 1989 mission and shares his insights about the factors that made it possible to weaponize psychiatry against dissidents in the Soviet Union. Dr. Regier also tells about his role in the work of Gore-Chernomyrdin Commission in the area on mental health care in Russia post the Soviet Union breakup.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Dr. Roth describes his training and the highlights of his career; he then tells how he became interested in the issue of abuse of psychiatry in the U.S.S.R. His two human rights trips to the U.S.S.R. in 1985 and 1986 are discussed next. Dr. Roth then gives an overview of the general political background to the visit and tensions between him and Ambassador Schifter about some critical aspect of the visit. Dr. Roth then describes in detail the negotiation process between the U.S. and Soviet side, the main stumbling blocks, how he managed to overcome them, and who were his allies. Dr. Roth describes the Soviet uncooperativeness and tensions between the Ministry of Health and Ministry of Foreign Affairs. He then talks about informed consents, interview procedures, and the visit dynamics. He shares some anecdotes and most memorable events; he also talks about the people who meaningfully contributed to making the mission successful.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Mr. S. describes his early years, how his dissident views formed, his first arrest under Article 70 of the Criminal Code, his expert psychiatric evaluation at the Serbsky Institute, and the judicial procedure that followed. He describes his subsequent commitment in an 'ordinary' psychiatric hospital and shares insights about the internal regulations, regime, and the release procedure. He also talks about his next arrest and the legal aspects of it. Mr. S. shares his views about whether Soviet psychiatrists seriously believed that 'failure to adapt to the society' was a sign of mental illness and whether they can be blamed for presumably following the orders from above.  Mr. S. proceedes to describe his transfer to a special psychiatric hospital, the mass release of political prisoners in 1987, the reasons for such a drastic change of the political course in the Soviet Union, and gives an overview of the U.S. – U.S.S.R. relationship in the second half of the twentieth century. He then talks about how the 1989 U.S. State Department psychiatric mission to the U.S.S.R. fit into the broader human rights negotiations in the CSCE. Mr. S. tells how he taken off the psychiatric register\nand legally rehabilitated; he talks about the destiny of the Criminal Code 'political' articles 70 and 190-1 and current political articles in Russian Criminal Code used to suppress dissent.\nMr. S. shares about his life and political activity after 1989, his subsequent arrests, and his assessment of the evolution of civil and political freedom in Russia after 1989.\nHe then talks about the future of Russia, his own future as a dissident in Russia, and his views about the Russian war in Ukraine.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","In addition to the oral history given in 2022, this file contains a recording of an interview that Mr. S gave on March 2, 1989.","Ms. Smith shares her memories about interpreting for both 1989 U.S. State Department delegation and the 1991 WPA delegation to the Soviet Union. She explains how this experience compares to the other interesting projects she has been involved in throughout her career. She describes her most prominent memories about this job as well as the Soviet Union as of 1989. ","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Dr. Stern describes his career and his pathway from the Soviet Union to the U.S. He shares his insights about some aspects of Soviet history, the issue of psychiatric abuse, its roots and reasons the Soviet government resorted to psychiatry to oppress dissent. Dr. Stern talks about the major differences between special psychiatrist hospitals vs. ordinary psychiatrist hospitals and gives some excellent illustrations of \"symptoms\" that the Soviet school of psychiatry considered signs of mental disorder. Dr. Stern shares his opinion as to the reasons why Soviet psychiatrists engaged in unethical practices. Dr. Stern describes the field trip in great detail, including some anecdotes and specific instances. He concludes by identifying the most important changes needed in Soviet psychiatry at the time and assesses the overall success of the American mission to the Soviet Union. ","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","This file includes correspondence with Richard Schifter and Robert van Voren."],"userestrict_html_tesm":["\u003cp\u003eThe Arthur J. Morris Law Library does not grant researchers permission to publish copies of any of the materials in this collection.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Arthur J. Morris Law Library does not grant researchers permission to publish copies of any of the materials in this collection."],"names_ssim":["Arthur J. Morris Law Library Special Collections","Roth, Loren H.","Bloom, Joseph D.","Borissow, Kyrill","Carpenter, William T.","Farrand, Robert William, 1934-","Hirschfeld, Robert M. A.","Hopkins, William H. (William Hugh), 1942-","Keith, Samuel J.","Kleyman, Felix, Dr.","Kovalev, A. A. (Andreĭ Anatolʹevich)","Mercer, Ellen Robertson","Monahan, John (John Thomas), 1946-","Reddaway, Peter (1939)","Regier, Darrel A.","Smith, Carolyn","Stern, Leon"],"corpname_ssim":["Arthur J. Morris Law Library Special Collections"],"persname_ssim":["Roth, Loren H.","Bloom, Joseph D.","Borissow, Kyrill","Carpenter, William T.","Farrand, Robert William, 1934-","Hirschfeld, Robert M. A.","Hopkins, William H. (William Hugh), 1942-","Keith, Samuel J.","Kleyman, Felix, Dr.","Kovalev, A. A. (Andreĭ Anatolʹevich)","Mercer, Ellen Robertson","Monahan, John (John Thomas), 1946-","Reddaway, Peter (1939)","Regier, Darrel A.","Smith, Carolyn","Stern, Leon"],"language_ssim":["English Russian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":263,"online_item_count_is":18,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:31:33.580Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_4_resources_1347","ead_ssi":"viu_repositories_4_resources_1347","_root_":"viu_repositories_4_resources_1347","_nest_parent_":"viu_repositories_4_resources_1347","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_1347.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/169336","title_ssm":["Loren Roth papers"],"title_tesim":["Loren Roth papers"],"unitdate_ssm":["1950-2022","1974-2022"],"unitdate_bulk_ssim":["1974-2022"],"unitdate_inclusive_ssm":["1950-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.2021.01","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/1347"],"text":["MSS.2021.01","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/1347","Loren Roth papers","Psychiatry -- Soviet Union","Political prisoners -- Soviet Union","Dissenters -- Soviet Union","Researchers may only access and view the materials in this collection onsite and in-person at the University of Virginia Law Library in Charlottesville, Virginia. The following additional restrictions apply to any materials that contain the names of the interviewees of the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union and/or 1991 ad hoc mission to the Soviet Union by the World Psychiatric Association:","1. To obtain access to these records, interested researchers must sign a form to agree not to use, document, or disclose names of the patients or their families, or other identifying information about these persons and to abide by all the provisions specified in the present document. The form is available on site from the responsible official of the UVA Law Library. ","2. These materials may not be copied, photographed, or otherwise reproduced digitally. ","3. Before accessing the requested materials, interested researchers must agree to abide by reasonable administrative, technical, and physical safeguards, as approved by the UVA Law Library, to prevent unauthorized use or disclosure of the information. These procedures shall be followed by all persons associated with the applicant's research project.  ","4. Records in this category are also subject to the following safeguards: (i) Any information that would permit the identification of an individual (names, biographical data, etc.) may not be used, documented, or made public by the researcher, nor will any attempt to contact them be made. However, this does not preclude the researcher from contacting a person in advance of gaining access, for the purpose of obtaining access.  (ii) If a researcher obtains written authorization for access from an interviewee or from his/her legal guardian, the records may be made available to that researcher. (iii) Interviewees themselves may have free access to their own health information if contained in this collection. ","5. If the University of Virginia Law Library discovers that a researcher has violated the confidentiality of information or the conditions of access, the Law Library shall take steps to revoke the research privileges of the researcher and shall consult with University of Virginia legal counsel to prevent further disclosure of the health information.","Finally, different access restrictions may apply to some of the items in  this collection. Whenever possible, archivists have made a note of these restrictions in other parts of the finding aid.","There are access restrictions on some of the materials in this series. When a file or item is restricted, an additional note explaining the conditions of access is attached to the file or item description.","The items in these folders contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed in the U.S.S.R. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed in the U.S.S.R. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed in the U.S.S.R. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed in the U.S.S.R. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","The interviews with the former Soviet patients and the original 1989 recording are restricted and special permissions apply.","Dr. Joseph D. Bloom did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Kyrill Borissow did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Dr. William Carpenter did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Robert William Farrand did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Dr. Robert Hirschfeld did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","William Hopkins did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Mr. I. did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022). However, due to the sensitive nature of the topics covered in the interview, the University of Virginia restricts access according to the guidelines for more sensitive materials outlined in the Conditions Governing Access note at the collection level of this finding aid.","Dr. Samuel Keith did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Dr. Felix Kleyman did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Andrey Kovalev did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Ellen Mercer did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Dr. John T. Monahan did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Peter Reddaway did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Dr. Darrel Regier did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","In addition to the restrictions on access that applies to all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022),  Dr. Loren Roth requested that The University of Virginia only make his interview available to researchers on-site at the repository preserving the interview.","Mr. S. did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022). However, due to the sensitive nature of the topics covered in the interview, the University of Virginia restricts access to both recordings according to the guidelines for more sensitive materials outlined in the Conditions Governing Access note at the collection level of this finding aid.","Carolyn Smith did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","In addition to the restrictions on access that applies to all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022),  Dr. Leon Stern requested that The University of Virginia only make his interview available to researchers on-site at the repository preserving the interview.","This file contain sensitive information about the health or treatment of persons from the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of persons from the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","The files in this series are arranged by subject into 14 sub-series.","The files in this sub-series are arranged in chronological order.","The files in this sub-series are arranged in chronological order.","While it is understood that the misuse of psychiatry for non-medical reasons allegedly started in the U.S.S.R. after the October Revolution of 1917, its widespread and systematic use as a tool to silence political dissent became well-documented during Khrushchev's era. In a 1959 speech attributed to Khrushchev, he allegedly attempted to justify putting dissidents in psychiatric hospitals by saying that only a mentally ill person may be opposed to Communism (1). While there also were \"political\" parts of the R.S.F.S.R. Criminal Code that criminalized anti-Soviet agitation and slander of the Soviet state, psychiatry was often used to isolate dissidents, punish them with psychiatric drugs, discredit their ideas, and avoid criminal law procedures.","The \"Sluggish schizophrenia\" concept developed by academician Snezhnevsky had overly broad diagnostic criteria that allowed the diagnosis of schizophrenia in patients who showed no symptoms, on the assumption that these symptoms would appear later (2). In almost every case, dissidents were examined at the Serbsky Central Research Institute for Forensic Psychiatry.\nInformation about Soviet repressive psychiatry became well-known in the West after 1971 dissident Vladimir Bukovsky smuggled over 150 pages documenting the political abuse of psychiatric institutions in the Soviet Union into the West. The papers were studied by independent psychiatrists in several countries and released to the press (3). \"Bukovsky's papers\" galvanized human rights activists worldwide and those within the Soviet Union.","While the attempt to bring the matter to the official agenda of the World Psychiatric Association (W.P.A.) at their 1971 World Congress in Mexico was unsuccessful, it kept gaining more and more outcry worldwide. So, in 1977, the W.P.A. adopted the Hawaii Declaration – a milestone defining principles of good and ethical medical practice. The All-Union Society of Psychiatrists and Narcologists, the official Soviet professional organization, was bound to withdraw from the W.P.A. at its next Congress in 1983—the allegations of the political abuse of psychiatry inflicted irretrievable damage on the prestige of Soviet medicine.","In 1975, the Soviet Union, the United States, and other countries signed the Helsinki Accords - the key document of the Conference of Security and Cooperation in Europe (C.S.C.E.). The Accords signaled a détente between the East and the West and built the foundation for the end of the Cold War, the U.S.-Soviet disarmament talks, and the \"third basket\" on human rights and freedoms in the Soviet Union.","Mikhail Gorbachev, who became the head of the Soviet Communist Party in 1985, prioritized the improvement of U.S.-Soviet relations. Also, Gorbachev launched the domestic \"perestroika\" (restructuring) and \"glasnost\" (openness) initiatives. These combined foreign and domestic policy developments fostered interest, internally and externally, in the plight of Soviet political prisoners. The Soviet Union released many political prisoners from labor camps, and in April 1987, Secretary Schultz and Soviet Minister of Foreign Affairs Shevardnadze agreed on a human rights dialog (4). As part of this broader dialog, in September 1987, the Soviet representatives began to try to assure their American counterparts that the abuse of psychiatry had ended (5).","Notes:","1. Khrushchev had said this in a speech published in the state newspaper Pravda on 24 May 1959: A crime is a deviation from generally recognized standards of behaviour frequently caused by mental disorder. Can there be diseases, nervous disorders among certain people in a Communist society? Evidently yes. If that is so, then there will also be offences, which are characteristic of people with abnormal minds. Of those who might start calling for opposition to Communism on this basis, we can say that clearly their mental state is not normal.\nKnapp, Martin, et al. Mental Health Policy and Practice Across Europe: The Future Direction of Mental Health Care, McGraw-Hill Education, 2006. ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/uva/detail.action?docID=316293.","2. Sfera, Adonis. Can psychiatry be misused again?. Frontiers in Psychiatry. 9 September 2013;(4):101. doi:10.3389/fpsyt.2013.00101. PMID 24058348.","3. For more information, see Reddaway, Peter (12 March 1971). \"Plea to West on Soviet 'mad-house' jails\". The Times. p. 8.; Bloch, Sidney; Reddaway, Peter (1984). Soviet Psychiatric Abuse. The Shadow Over World Psychiatry. London: Gollancz.","4. Schifter-Adamishin book, timeline, page xix","5. Id, pages xix and xx","During the late 1980s, U.S.-Soviet discussions about the abuse of psychiatry led to the formation of a special U.S. delegation to the Soviet Union. In February 1989, the U.S.S.R. allowed the delegation to independently assess 27 Soviet citizens believed to have been psychiatrically committed for non-medical reasons. The U.S.S.R. also allowed the delegation to inspect ordinary psychiatric hospitals and other hospitals known as \"psychoprisons.\" The U.S. delegation's psychiatric leader was Dr. Loren Roth of the University of Pittsburgh. The U.S. State Department organized the trip, closely cooperating with the American Psychiatric Association and the National Institute of Mental Health. Their Soviet counterparts were the Ministry of Foreign Affairs. The Soviet Ministry of Health and the conservative leadership of Soviet psychiatry, both believed to have been deeply involved in abuse, internally opposed the visit. However, the Ministry of Foreign Affairs overcame this opposition, and their support was critical to the U.S. delegation's success.","The U.S. delegation consisted of leading experts in psychiatry, forensic psychiatry, forensic psychology, law, and Sovietology. Also, it included a representative of the American Psychological Association (A.P.A.), and émigré Soviet psychiatrists living in the United States.","From April 1988 onward, Dr. Loren Roth engaged in extensive negotiations with his Soviet counterparts on the details of the visit. They discussed the list of people (\"patients\") to be assessed by the delegation and the processes for obtaining their consent. There were difficult negotiations over the presence of Soviet psychiatrists during the examinations, and the need to protect the interviewees from potential intimidation and retaliation.","The U.S. delegation advocated for and adopted critical precautions to ensure the transparency of the mission and its findings. They used scientifically developed structural psychiatric interview schedules, brought U.S. interpreters to assist the delegation, avoided sharing the cost of the trip with the Soviet side, collected urine samples to rule out overmedication, videotaped the interviews, and spoke with friends/relatives of those interviewed.","Although there was a significant risk that the Soviet Union would cancel the delegation's visit, it occurred between February and March, 1989. The American team evaluated 27 Soviet citizens and inspected special psychiatric hospitals in Kazan and Chernyakhovsk as well as ordinary psychiatric hospitals in Vilnius and Kaunas.","Among those interviewed by the U.S. team were people still hospitalized, and those who had been previously discharged. The American team was greatly assisted by Mr. Aleksandr \"Sasha\" Podrabinek, the Soviet and, subsequently, Russian dissident. He was an expert on the issue of abuse of psychiatry and author of the 1979 book \"Punitive Medicine\" (see references). Mr. Podrabinek facilitated access to those who had been previously released and claimed to be unavailable by Soviet counterparts.","The U.S. team detailed their conclusions in their final report, \"Assessment of Recent Changes in Soviet Psychiatry\" (available in this collection), which researchers are encouraged to read. The Soviet Union responded officially with its own report.","The 1989 visit laid a foundation for subsequent collaboration between the two countries in the area of mental health. The U.S.-Russia Health Committee met from 1994 to 2000 as a part of a larger Gore-Chernomyrdin Commission. It focused, in particular, on mental health care during disasters and the primary care physician's role in caring for patients with depression.","Shortly after the American mission was over, the W.P.A. congress in Athens decided to provisionally readmit the Soviet All-Union Society after receiving an official, although somewhat vague, admission of the past wrongdoings (covered in detail in On Dissidents and Madness by Robert van Voren). In 1991, the W.P.A. undertook an ad hoc psychiatric inspection of the Soviet Union that Dr. Jim Birley headed. Dr. Loren Roth and other experts who served on the 1989 U.S. State Department mission joined this inspection.","In 1990, a delegation of Soviet psychiatrists and politicians visited the United States for an educational trip to American psychiatric services and scholarly dialogues.","\nResearchers are encouraged to read the resources listed below to gain a better understanding of the historical events surrounding the 1989 delegation:","- the Schizophrenia Bulletin (supplement to Vol 15, # 4, 1989), which contains the brief overview of the reasons, methodology, and findings of the American team in the U.S., the final report of the U.S. delegation both in English and Russian, as well as the Soviet response in both languages (Hyperlink1)\n- The New York Times article \"Accord Is Sought by U.S. And Soviet on Mental Wards\" of May 22, 1988\n- The Journal of the American Academy of Psychiatry and the Law, Volume 49, Number 4, 2021 \"Jonas Rappeport: A Direct, Accomplished AAPL Leader\" by Dr. Loren Roth\n- Report by the World Psychiatric Association Team on the Visit to the Soviet Union, 9-29 June 1991, headed by Dr. Jim Burley\n- Human Rights, Perestroika, and the End of the Cold War co-authored by Anatoly Adamishin and Richard Schifter in 2009","In 2021, three decades after the 1989 trip to assess the conditions of Soviet citizens confined in psychiatric hospitals for political reasons, an oral history project was initiated to document it. Loren H. Roth, Ellen Mercer, and Richard Bonnie, three members of the delegation, had always wanted to evaluate if the mission had had any lasting impact on the lives of the people interviewed and on the quality and ethical integrity of psychiatric care in the countries of the former Soviet Union. The oral history project began in conjunction with the donation of Loren Roth's papers to the University of Virginia School of Law Library. Olena Protsenko, a Ukrainian human rights lawyer, organized Roth's papers and began researching related collections. Richard Bonnie's papers and Saleem Shah's files on the abuse of psychiatry, also part of the University of Virginia Law Library manuscript collections, were essential to the project's development.","Dr. Joseph D. Bloom was one of the few forensic psychiatrists on the 1989 U.S. Department of State Delegation to the Soviet Union to investigate the abuse of psychiatry. Bloom is Dean Emeritus of the Oregon Health and Science University and Clinical Professor at the Department of Psychiatry of the University of Arizona Fenix College of Medicine.","Mr. Borissow is an American of a Russian descend. He was a contract interpreter for the U.S. State Department for many years. During the 1989 trip, he was on the sub-team # 3 under the leadership of Dr. Hirschfeld, interpreting in Leningrad.","Dr. William Carpenter was leader of team #2 of the 1989 American investigative scientific mission to the Soviet Union. He is Professor of Medicine at the University of Maryland School of Medicine and former Director of the Maryland Psychiatric Research Center.","Robert William Farrand retired in 1998 after 34 years in the U.S. Foreign Service. He served as Ambassador to Papua New Guinea, Solomon Islands, and Vanuatu from 1990 until 1993. ","In 1988-89 he led the U.S. delegation of medical and forensic professionals to investigate the Soviet Union's political weaponizing of psychiatry, for which he received a Superior Honor Award.","Farrand was concurrently Supervisor of the Bosnian city of Brčko and Deputy High Representative for the northern sector of Bosnia and Herzegovina (1997 to 2000).  ","Dr. Robert Hirschfeld is Professor of Psychiatry at Weill Cornell Medical College. He was the team leader of team # 3 during the 1989 psychiatric delegation to the U.S.S.R.","Mr. William Hopkins is a retired U.S. State Department staff interpreter. During the 1989 U.S. psychiatric mission to the USSR, he interpreted for team # 2 under the leadership of Dr. William Carpenter.","Mr. I. is a Soviet/Ukrainian dissident who was repeatedly involuntarily committed to a psychiatric hospital for political reasons. He was one of the people interviewed by the U.S. State Department investigative psychiatric mission to the U.S.S.R. in 1989.","Dr. Keith is the Emeritus Milton Rosenbaum Professor of Psychiatry and Psychology at the University of New Mexico School of Medicine. He was a Deputy Director and Associate Director for Schizophrenia Programs at the NIMH as of 1989. He was the team leader of team # 1 during the 1989 psychiatric delegation to the U.S.S.R.","Dr. Felix Kleyman is a psychiatrist practicing in New York City. At the time of the 1989 U.S. State Department mission to the Soviet Union to investigate abuse of psychiatry, Dr. Kleyman was an assistant clinical professor of psychiatry at New York Medical College. Dr. Kleyman was one of the few Russian-speaking, U.S.S.R. and U.S.-trained psychiatrists on the American team. Dr. Kleyman was also a member of the 1991 W.P.A.  mission to the Soviet Union once the All-Union Society of Psychiatrists and Narcologists was provisionally readmitted to the W.P.A.","As of 1989, Mr. Kovalev was a Senior Advisor of the Department for International Humanitarian and Cultural Relations at the Soviet Ministry of Foreign Affairs. He was charged with bringing Soviet legislation and practice in line with the international obligations of the U.S.S.R. Mr. Kovalev was responsible for the development and implementation of the psychiatric reform, including the organization of the visit of the American psychiatric delegation in 1989.","At the time of the 1989 U.S. psychiatric mission to the U.S.S.R. Ms. Mercer was the Director of the A.P.A. Office of International Affairs. She is believed to be one of the initiators of the visit and was deeply involved in its planning and preparation as the representative of the American Psychiatric Association (A.P.A.). During the visit itself, she was a member of the team inspecting psychiatric hospitals on the ground.","John T. Monahan is the John S. Shannon Distinguished Professor of Law, Professor of Psychology, Hunton Andrews Kurth Professor of Law at the University of Virginia School of Law. He was the only forensic psychologist on the 1989 U.S. State Department investigative psychiatric mission to the Soviet Union.","Mr. Reddaway is a renowned expert on Russian and Soviet politics, author of many books and publications. He is Professor Emeritus of Political Science and International Affairs at George Washington University.","Dr. Darrel Regier was the Scientific Director of the 1989 State Department investigative mission to the U.S.S.R. and coordinated all aspects of the clinical assessment procedure. Dr. Regier completed twenty-five years at the National Institute of Mental Health (N.I.M.H.), during which time he directed three research divisions in the areas of epidemiology, prevention, clinical research, and health services research. Dr. Regier is currently a Senior Scientist at the Center for the Study of Traumatic Stress, in the Henry M. Jackson Foundation for the Advancement of Military Medicine and Department of Psychiatry, Uniformed Services University. He also serves as an independent senior scientific consultant to the American Psychiatric Association (A.P.A.) on DSM-5 and research related issues.","Dr. Roth was the psychiatric leader of the 1989 U.S. State Department investigative psychiatric mission to the U.S.S.R. Following 44 years of distinguished service to the Department of Psychiatry and the University of Pittsburgh School of Medicine, Loren H. Roth, M.D., M.P.H., was recognized and awarded Emeritus status at a special reception following the Department's Annual Research Day held June 7, 2018. \nPrior to his being an Emeritus Professor, for the previous five years Dr. Roth was the Associate Senior Vice Chancellor, Clinic Policy and Planning, Health Sciences, University of Pittsburgh; Distinguished Service Professor of Psychiatry, Professor of Health Policy and Management, and Clinical and Translational Science; and Senior Advisor, Quality, UPMC Health Plan.  In addition to his many academic positions, Dr. Roth has held multiple leadership roles at UPMC culminating in his being the first Chief Medical Officer of the University of Pittsburgh Medical Center (U.P.M.C.) (2003-2007).","Mr. S. is a Soviet/Russian dissident who was repeatedly involuntarily committed to a psychiatric hospital for political reasons. He was one of the people interviewed by the U.S. State Department investigative psychiatric mission to the U.S.S.R. in 1989.","Fluent in English and Russian, Ms. Smith was a contract interpreter for the U.S. State Department for many years. She interpreted for both the 1989 American delegation and the 1991 WPA delegation to the Soviet Union. During the 1989 trip, she was on the sub-team # 1 under the leadership of Dr. Samuel J. Keith, M.D. interpreting in Moscow.","Dr. Leon Stern is a Russian-speaking psychiatrist who was a member of the field team that inspected four psychiatric hospitals across the Soviet Union. Dr. Stern is a psychiatrist in private practice.","Olena Protsenko processed this collection. She was a post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law.","This collection is divided into two series. The first series, \"abuse of psychiatry and psychiatrists\", consists of subject files compiled by Dr. Loren Roth, Professor of Psychiatry at the University of Pittsburgh. They are evidence of Dr. Roth's efforts to stop the abuse of psychiatry and psychiatrists for political reasons, with an emphasis on the former Soviet Union. The subject files contain correspondence, articles, reports, evaluations, meeting minutes, agendas, planning materials, diaries, photographs, memoranda, handwritten notes, programs, books, videotapes, ephemera, and other items. Together, these materials date from around 1950 to 2008. However the bulk of them date from the 1970s to the 1990s, when Dr. Roth participated in U.S. delegations to the former Soviet Union and was part of the American Psychological Association's (APA) Committees on Human Rights and International Abuse of Psychiatry and Psychiatrists.","\nThe second series consists of materials that were gathered and produced for the \"Retrospective Review of the 1989 U.S. State Department Psychiatric Mission to the U.S.S.R.\" project. These materials include oral history interviews with individuals involved with the 1989 mission, a 1989 recorded interview with a psychiatric patient, project correspondence, biographical files, interview minutes, and an organizational chart. Most of the items in this series date from the time of the project, 2021 to 2022.","This series consists of subject files that Dr. Loren Henry Roth assembled and used while working to stop the abuse of psychiatry and psychiatrists for political reasons, emphasizing abuse in the former Soviet Union. The files contain correspondence, memoranda, meeting documents, articles, reports, lists, forms, evaluations, photographs, diaries, and other materials.","World Psychiatric Association Proposed Declaration of Hawaii; \"Honolulu Paper\": Somerville, John: \"Ethics and Psychiatry,\" (1977); Committee of French Psychiatrists Against The Political Uses of Psychiatry Special Bulletin, the World Congress of Psychiatry in Hawaii; newspaper clippings from Hawaiian newspapers (1977). APA white paper: \"Misuse and Abuse of Psychiatry in the U.S.: A definition and Discussion,\" (1991); correspondence and papers of Paul Chodoff, (1989-1990 and undated); Helmchen, H. and A. Okasha: \"From the Hawaii Declaration to the Declaration of Madrid,\" Acta Psychiatr Scand 200:101: 2023","Copy of the Report to the Board of Trustees, American Psychiatric Association of the Ad Hoc Committee on the Use of Psychiatric Institutions for the Commitment of Political Dissenters (1972); Boekovski Berichten Bukovsky News: The Case of Irina Grivnina (1985?); Statement of Dr. Algirdas Statkevicius to the Commission on Security and Cooperation in Europe (1988); copy of letter from Peter Reddaway to Viktor Nakas, Leon Stern, Robert van Voren and Algirdas Statkevicius (1989); copy of translation of SB case (1987-1989); U.S. Helsinki Watch Committee [memorandum] re Shatravka Family (1988); Committee of Concerned Scientists, Inc \"Call for Action for Three Soviet Former Prisoners of Conscience,\" (1988); and newspaper clippings mainly of Pyotr G. Grigorenko and Anatoly Koryagin","\"Special Report, The Medical Profession and the Prevention of Torture,\" The New England Journal of Medicine (October 1985); \"Sowing fear: The Uses of Torture and Psychological Abuse in Chile,\" A Report by Physicians for Human Rights (October 1988); Proposal. Center for Rehabilitation of Torture Victims [RCT], New York, NY and Roseland, New Jersey (undated); RCT International Newsletter on Treatment and Rehabilitation of Torture Victims (1990-1991); RCT IRCT [International Rehabilitation Council for Torture Victims]: Torture [packet of documents] (1991-1992); Jacobsen, Lone and Pete Vesti: Torture Survivors – a New Group of Patients, The Danish Nurses Organization, 1990; Canadian Centre for Victims of Torture","Human Rights Task Force of the APA survey on human rights organizations (1984); Human Rights Survey Responses (1988); Human Rights Cases Monitored by the APA (1990); photocopy of European Convention on Human Rights Collected Texts, Strasbourg, 1965.  Folder includes an incomplete set of The World Medical Association press releases (1975-1990), printed materials and news clippings","Documents from the Ninth Session of the U.S.-U.S.S.R. Joint Committee for Health Cooperation, (1988-11-17); Trip Report – P.H.S. Delegation Visit to the Soviet Union  November 13-20, 1988 Ninth U.S.-U.S.S.R. Health Committee Meeting (1989-01-25); Summary of Cooperation in Health Between the US Public Health Service and the Ministry of Health of the U.S.S.R. (1989-01-26); Peter Henry thoughts re Implications of Trip for U.S.-Soviet Health Agreement (1989-02-02)","Roth's printed account of trip that he made with Rabbi Mark Staitman, Larry Hurwitz, cardiologist;  Harold and Esther Garfinkel, community leaders; Joy Weber, science writer, and Rabbi Jonathan Stein. September 20-October 1, 1986. (2 versions)","Dr. Roth and Ambassador Schifter's preliminary planning documents for the U.S. mission to the U.S.S.R. in April of 1988.","APA Memorandum re \"use of psychiatry for political purposes\" (1988-03-21); [USSR] Regulations for Psychiatric Hospitals, LS No. 124600 JS/AO Russian, Appendix to Decree No. 225 of the USSR Ministry of Public Health, 21 March 1988; Pre-summit discussions. Report of Soviet Contact (1988-03-23): Gennadi N. Milyokhin, M.D. visit to Parklawn;  [Unedited] On the Record Briefing of Richard Schifter, Assistant Secretary of State for Human Rights and Humanitarian Affairs,  March 25, 1988","Peter Reddaway: \"Will Perestroika End Political Abuse in Soviet Psychiatry?\" (1988-07-03); copy of pages 5-6 of \"Argumenty I fakty\" No. 11/1987, [Reporter V. Romanenko interviews with  Dr. Marat Vartanyan (1987- 03-21-27)]; anonymous draft \"Ground Rounds\", \"Abuses in Soviet Psychiatry\" (undated); Karklins, Rasma: \"The Dissent/Coercion Nexus in the USSR, Working Paper #36, Soviet Interview Project (1987-05); Roth's handwritten notes; copies of printed materials related to Soviet psychiatry; annotated copy of Berman, Harold J.: Soviet Criminal Law and Procedure. The RSFR Codes. Cambridge, Harvard University Press, 1977, pp. 3-124","Stipulations for Delegation of U.S. Psychiatrists and Other Experts Visiting the USSR (1988-11-09); Roth's handwritten notes. Also Ellen Mercer U.S.S.R. Trip Confidential  Report (1988 -11) and Saleem A. Shah Department of Health and Human Services Report on International Travel (1988-11-18). Correspondence to Alexander A. Churkin  with documents: US-Soviet Understanding for Delegation of US Psychiatrists and Other Experts Visiting the USSR; \"Discussions\"; Consent Forms for Persons Interviewed and of Relatives and Friends (1988-12-19)","re assesment of Soviet Psychiatry (1988-08-04), memorandum re \"Sensible Tactics re U.S. Delegation on Soviet Psychiatry; human rights and Soviet Psychiatry; \"things to do; Roth's notes; and Roth: \"Uses of Psychiatry in the U.S.S.R. and U.S.A,\" Browning Hoffman Lecture, UVA School of LAw (1988-10-07).","International Association on the Political Use of Psychiatry [IAPUP]: Information Bulletin Nos. 3, 9, 11, 18-21; also copy of \"II. The Case of All-Union Society (undated). Soviet Psychiatry News, vol. 1, nos. 1-2 (1989)","US State Department Soviet Psychiatric Project Delegation to the Soviet Union Planning Trip – correspondence, telegrams, memoranda re: negotiations, support and concerns, instructions, logistics for the trip. Correspondence with Soviet and US officials, and other psychiatrists. Summary of discussions with Ambassador Richard Schifter (1989-02-11); comments from Saleem Shah (1989-02-10); from Robert van Voren, Ellen Mercer, Dr. Edward Kelty and others.","This sub-series contains materials related to the organization, planning and logistics of the trip, as well as background information about the psychiatric abuse in the U.S.S.R.","This file contains memoranda, handwritten notes, list of participants, questionnaires, Forensic Interview Schedule, and Interpersonal Personality Disorder Examination (IPDE).","DSM-III-R Criteria Checklist (1988-05-23; Structural Clinical Interview for DSM-III-R Patient Version (1988-06-01) SCID-NP/OP Psychotic Screening (1988-06-01); Instruction Manual for the Structured Clinical Interview for DSM-III-R (1988 and 1989)","DSM-III-R Criteria Checklist (1988-05-23; Structural Clinical Interview for DSM-III-R Patient Version (1988-06-01) SCID-NP/OP Psychotic Screening (1988-06-01); Instruction Manual for the Structured Clinical Interview for DSM-III-R (1988 and 1989)","Russian version of IPDE (1989-02-16); Russian version of Revised SCID Standardized Clinical Study According to DSM-III-PD Criteria (SKID) (1991-04); Russian version of World Psychiatric Association visit to the USSR Forensic Examination (1991-03)","The reports were written by doctors Jonas Rappeport, M.D., Vladimir Levit, MD., Samuel J. Keith, M.D, Darrell A. Regier, M.D., Loren Roth, M.D., Felix Kleyman, M.D., Joseph Bloom, M.D., William. T. Carpenter, M.D., Robert Hirschfeld, M.D., Alla Arsenian (interpreter); Elmore Rigamer, M.D., Joel Klein; Boris Shostokovich, M.D.; John Monahan; Nancy Andreason, M.D.; William Farrand.","Reports of forensic evaluations done in Moscow and Leningrad by Jonas R. Rappeport, John Monahan, Joseph D. Bloom; draft of Roth's \"Patient Sample –Description. Methodological Issues – Obstacles\" (1989-04-10); assessments and handwritten notes re patients; Russian document with translation re patients (undated); Roth's notes on various interviewees (1991-02-07)","The materials in this file include Roth's letters to persons who he wished to interview but didn't; U.S. Department of State \"transliteration\" of names (1989-04-04) and inventory of status of cases (1989-04-05)","\"Delegation of US Psychiatrists Issues Press Statement\" signed by members of the US Psychiatric Delegation: Nancy Andreasen, M. D.; Joseph D. Bloom, M.D.; Richard J. Bonnie; William T. Carpenter, M.D.; Robert M. A. Hirschfeld, M. D.; Samuel J. Keith, M.D.; Joel Klein; Felix L. Kleyman, M.D.; Vladimir A. Levit, M.D.;  David Lozovsky, M. D.; Ellen Mercer, John Monahan, PhD; Jonas R. Rappeport, M.D.; Peter B. Reddaway, Ph.D; Darrel A. Regier, MD.D., M.P.H.; Elmore E. Rigamer, M.D.; Leon Stern, M.D.; Harold M. Visotsky, M. D.]","Testimonies of Darrel A. Regier, Robert W. Farrard, Peter Reddaway, Robert van Voren, Loren H. Roth; statement of Steny H. Hoyer; LHR's handwritten notes; correspondence; responses, printed materials; draft I Report of the U.S. Delegation and Preliminary Soviet Reply: Brief Analysis of Points of Agreement and Disagreement; Loren H. Roth Final Report of the US Delegation to Assess Recent Changes in Soviet Psychiatry. Objectives and Execution of the Visit. American Psychiatric Association Annual Meeting, New York, NY, May 15 1990; some correspondence and memoranda related to CSCE meetings in Copenhagen (June 1990); and copy of U.S. Report (speech) on CSCE – Moscow (1991-10-02)","Copy of Reddaway's Trip to Moscow, October 29-November 2, 1988; memo re: \"The difficult situation we are in: how should we proceed,\" (1989, 02-19); notes on Soviet Psychiatry Developments (1990-01-20); copy of \"Trip to Moscow, August 20-30, 1992.\"","\"Dissent and Disorder: Human Rights in Soviet Psychiatry,\" (1989-07-); copy of unauthored paper; \"The Legacy of Psychiatric Abuse in the U.S.S.R.,\" (undated); Russian version and translation of \"Proceedings of the session of Working Party formulating the draft law on 'Psychiatric Help in the U.S.S.R.',\" (1991-02-14)","\"Soviet Access to and Utilization of Mental Health Services: A Comparative View,\"  paper presented at the National Conference on Soviet Refugee Health and Mental Health, Chicago, IL (1991-12-11); Isaac Ray Lectures: \"The Future of the Doctor-Patient Relationship. Lesson from Two Cultures, The Former Soviet Union and the United States,\" Discussants: Loren H. Roth, M.D., Dean Eckenrode, George Huber, J.D., Mark Schmidhofer, M.D. (1998-05-07)","\"The New Soviet Legislation on the Provision of Psychiatric Care,\" speech delivered at the symposium of the International Association on the Political Use of Psychiatry, Washington, D.C., (1988-10-14); Koryagin: \"A Green Light of Injustice,\" Zurich, (1988-12-20); notes from Boris Zoubok, M.D.; copy of \"Law of the USSR on the protection of the rights and legal interests of persons suffering from psychiatric disorders and on the grounds and procedures for the administration of psychiatric care,\" (1990-10-08); Roth's Notes on Meeting of USSR Supreme Soviet Committee on Mental Health Law, Moscow (1990-10-26); copy of Smit, Jonna: \"Human Rights and Mental Health Legislation: the USSR,\" (1991-05-21); van Voren, Robert: \"Ukrainian Psychiatry: Starting from Scratch,\" (undated); Regulations on a psychiatric hospital (Положение о психиатрической больнице), [printed Russian document] CCCP, No. 225, 1988; printed materials and news clippings, 1988-2004; Patients in Psychiatric Hospital Requiring Follow-up and Review – interview methodology, list, memoranda","Draft and confidential memorandum of meeting with Minister of the Department of Humanitarian Affairs [Yuri A.] Reshetov. Also interview methodology and memoranda.","Kazan Special Psychiatric Hospital, Vilnius Ordinary Hospital, Kaunas Hospital, Chernyashovsk Special Psychiatric Hospital","Richard J. Bonnie draft; \"Legal and Humanitarian Aspects of Soviet Psychiatry: Some Preliminary Conclusions\" (1989-03-28); also comments on Klein's and Reddaway reports (1989-04 to 1989-05); LHR Confidential Drafts #1-5 (1989-05-19-31); Objectives of the Clinical Interviews (1989-05-22); Dr. Harold M. Visotsky Response to Joel Kline (1989-05-30); Hospital Team Report by Harold Visotsky, Elmore Rigamer, and Loren H. Roth (1989-05-30); remarks from Joe Bloom (1989-06-05); Richard Bonnie: Note to Members of the US Delegation to the Soviet Union (1989-06-16); Bill Farrad; Executive Summary [annotated] (1989-06-20); \"USSR Psychiatrists at a Human Rights Round Table in Moscow in April 1988,\" annotated copy of attachment sent by Joel Kline to Roth (undated); Vladimir A. Levit comments (1989-06-26); Saleem [Shah]: Soviet Compliance and Study Limitations (1989-06-28) and comments (1989-06-26); Peter Reddaway draft (1989-06-28) [2 folders], 1989-03 to 1989-06","Also: State Department \"rough translation\" of Soviet response: \"Response to the medical part of the report by the U.S. delegation of psychiatrists and lawyers,\" (1989-07-06); Draft translation of the final Soviet comments on the report: Commentary on the Report [130008 JS/AO Russian] (1989-09-26); U.S. Department of State Memorandum re Comments on the Soviet response to the Report (1989-10-12); printed Russian document inscribed by Polubinskaya to Loren H. Roth: [Academy of Sciences of the U.S.S.R., Soviet State and Right. Separate Report, Moscow 1990];  translation of S. V. Polubinskaya and S. V. Borodin: \"The Legal Problems of Soviet Psychiatry: The Views of American and Soviet Experts,\" Soviet State Law, No. 5, 1990, pp. 67-76","Resolution of the WPA (1989-10-17); WPA Statement by the All Union Society of Soviet Psychiatrists and Narcologists of the U.S.S.R. before the World Psychiatric Association General Assembly in Athens (1989-10-18); Memorandum re: Site Visit by the WPA Review Committee to the U.S.S.R. (1990-03-13); Reddaway, Peter: The Struggle over Reform in Soviet Psychiatry Intensifies: Is the Establishment Beginning to Panic? (1990-04-30); Remarks by Svetlana Poloubinskaya at the APA's Committee of International Abuse of Psychiatry and Psychiatrists (1990-05-16)","APA correspondence with the Center for Democracy in the U.S.S.R., U.S. Department of State, (Schifter and Mercer); University of London Institute of Psychiatry, 1989-05 to 1989-11. Also, miscellaneous correspondence with literary agents (1989-03 to 1989-04)","Translations of A.  Karpov, Chief Psychiatrist, U.S.S.R. Ministry of Health: \"The Registration of Mental Patients in the U.S.S.R.\" (1990-10-25) and \"Basic Findings of the Conclusion of the U.S.S.R. Constitutional Supervision Committee on Whether Legislation for the Compulsory Treatment and Re-Education of Through Labour of Persons Suffering from Alcoholism or Drug-Addiction Conforms to the U.S.S.R. Constitution and International Enactments on Human Rights,\" by B. M. Lazarev, Deputy Chairman of the USSR Constitutional Supervision Committee (1990-10-25). Also Saleem A. Shah: \"Forensic Interview Schedule\". Correspondence with Otto Dorr Zegers, Csaba Banki, M.P. Deva, Driss Moussaoui, Jim Birley, and Gerard Low-Geer","Correspondence with Dr. Otto Dörr-Zegers (Chile); Dr. Csava Bànki (Hungary); Dr. M. P. Deva (Malaysia); Dr. Driss Moussaoui (Morocco); Dr. Jim Birley (WPA Negotiating Team); Dr. Gerard Low-Greer (England).","Included are: Gostin, Larry: \"Human Rights in Mental Health: Japan. Report of an international mission to Japan: 1987,\"  World Health Organization/Harvard University International Collaborating Center on Health Legislation, World Federation for Mental Health [1987]; Kawasaki, Shigeru: \"Like a Shedding Snake,\" English Summary, J. JAPH 2:2 Spring 1991; news-clippings.","Correspondence with Ellen Mercer re Singapore (1985-09-18); UN Commission on Human Rights E/CN. 4 Sub.2/1988/23: Report on the Sessional Working Group on the question of persons detained on the grounds of mental ill-health or suffering from mental disorder; Proceedings. International Forum on Mental Health Reform, Kyoto, Japan, January 29-30, 1987; Benatar, S. R.: correspondence and articles (1990); Final draft of the \"UN Principles Produced by the Working Group on Human Rights,\" Annex A Principles for the Protection of Persons with Mental Illness and for the Improvement of Mental Health Care","The sub-series consists of materials Loren Roth collected as part of his work on this committee. These include meeting minutes and agendas, correspondence, reports, articles, clippings, memoranda, and other items.","APA lists of cases in the U.S.S.R., Yugoslavia and Romania (1988-07-05); memo for the record re Soviet dissidents","APA minutes of meeting (1988-09-07); Draft Statement Following Discussion with Dr. Sabshin; APA Draft Resolution by the Committee on International Abuse of Psychiatry to not object to the re-admittance of  the All-Union Society of Psychiatrists and Neuropathologists of the USSR into the WPA (1988-09-07); minutes of the APA Committee on Human Rights (1988-09-09); some correspondence, (1988 -09)","Minutes of conference call (1989-02-15); correspondence; IAPUP documents re to Soviet psychiatry (1989-02); copy of Dr. Marvin Brook handwritten comments on the By-Laws of the WPA (undated); Application of the Independent Psychiatric Association of the USSR (IPA) for membership to the WPA, includes Constitution and Declaration (1989-03-09); APA Guidelines for Psychiatric Services in Jails and Prisons; APA draft guidelines on the Right of Refuse (Anti-Psychotic) Medication.","Includes some correspondence and documents: Memorandum re Revision of the WPA Review Committee's Operational Instrument ( 1989-04-270; translation of letter from Nikolai Fedrovich Zhukov to US Congress (1989-03-04); IAPUP Documents on the Political Abuse of Psychiatry in the USSR 18: The Founding of the Association of Independent Psychiatrists in the USSR and the US Delegation of Psychiatrist to the USSR (March 1989); IAPUP Report and brochures, 1989-04","Memorandum re Detention of Cuban psychiatrist Dr. Alfredo Samuel Martínez Lara (1989-04-19); WPA Proposed alterations (1989-04 -25); copy of entrance application of the International Independent Research Centre on Psychiatry to the WPA (1989-03-27), news clippings; Dr. Marat Vartanian original article sent to the International Journal on Mental Health","Included are: Ellen Mercer and Fini Schulsinger interviews with Radio Canada (1989-03); and \"rough\" transcripts of  Radio Free Europe with Viktor Lanovoy, President of the Independent Association of Psychiatrists (1989-06-15); Croatian Committee for Human Rights press release re human rights abuses (1989-06-24); [translation] of M. Buyanov articles in Uchitelskaya Gazeta (1988-11-19); Association Psychiatric Independent (IPA) press release (1989-04-12); Commission of the European Communities: \"Observations on the State of Implementation of Programme of Psychiatrists Reform in Greece,: (1987-12-31); IAPUP Documents Special Issue: \"The Political Abuse of Psychiatry in Rumania (June 1989);  IAPUP Documents on the Political Abuse of Psychiatry Nos. 22, 23, 24, 25 (June-July 1989)","Includes Summary of the WPA Executive Committee in Athens and Resolutions (1989-08-18); excerpts of anonymous document \"Autumm 1988, Gerlovka\" re abuse in the USSR ; printed articles, news clippings","Includes unofficial translation of  Statement by the All-Union Scientific Society of Psychiatrists (1989-10-02); Remarks of Christian Barton Concerning Allegations of Psychiatric Abuse of Dissidents by the Cuban Government (1989-09-13); Sabshin, Melvin: Statement to the Subcommittee on Health and Environment of the US House of Representatives re APA position on Soviet psychiatric practices (undated); Testimony of Victor Davidoff, former victim of abuse in the Soviet Union (undated); Commentary on the Report \"Assessment of Recent Changes in Soviet Psychiatry, prepared by the US Delegation on the Results of its visit to the USSR,\" (1989-09-15); IPA bulletins (1989 -08-07 and 1989-08-31); news clippings","Includes: Liaison Report (1989-10); Gluzman, Semyon: \"Bureaucratic Ethics and Soviet Psychiatry,\" (1989-11) and Commentary on the Memorandum of G. Lukacher (1989-10-14) re All Union Scientific Society of Psychiatrists; translation of A.I. letter \"To the World Congress of the WPA,\" (1989-10-16); translation of letter from Social Organizations in Leningrad To the Participants in the Congress of the WPA (Athens, Greece, October 1989); Schifter, Richard: \"An Inventory of Soviet Human Rights Developments\" (1989-10-04); IAPUP Documents on the Political Abuse of Psychiatry in the USSR No. 29, 30","Some copies of  documents related to the former Yugoslavia; lists of interments and releases in the Soviet Union (1989-12-21); draft translation of [Sotsialisticheskaya Industriya] A Detail report: Psychiatry Without Secrets (1989-10-31); Documents on the Political Abuse of Psychiatry in the Soviet Union 31 (1989-12); WPA Minutes (1989-08-11-13)","Correspondence related to abuses in Cuba; Pena, Jose M. et al: \"Abuse and Misuse of Psychiatry in the U.S.: The Need for an Institutional Ethics,\" (1990-02); list of human rights cases monitored by the APA in Argentina, Bulgaria, Cuba, Czechoslovakia, Hungary, Malawi, Morocco, Romania, South Africa, Sudan, Turkey, Uruguay, Yugoslavia, Zaire (1990-02-06); Mercer, Ellen: USSR Trip Report/February 25-March 3, 1990","Includes: Second World Center Annual Report 1989 and APA Statement on Simón Bolívar Award and Lecture (1990-02-15)","Correspondence re Cuban psychiatrists (1990-04); Keston College Support Group: \"Igor Rodionov Report\" (1990-04); Yelena Izyumova Open Letter to the Members of the APA, Moscow May 20, 1990; anonymous essay re : Psychiatric Abuse in the USSR (Helsinki Watch), undated","Also: \"Proposed New Policies for the APA in Regard to the Abuse of Psychiatry for Political and Other Non-Medical Purposes in the USSR,\" (undated)","Includes copy of Human Rights Survey Responses (1988-04-01) and reports of the Council on International Affairs, Committee on Human Rights and Committee on International Education","Includes reports of the Council on International Affairs, Committee on Human Rights and Committee on International Education; memoranda re IAPUP meetings in Germany (1990-09); letter from Dr. Jeffrey Heller to the Committee on Abuse of Psychiatry re Soviet Delegation at H and CP Institute (1990-10-10); Documents on the Political Abuse of Psychiatry in the USSR No. 38 (1990-09)","Includes correspondence from Dr. Valerian Tuculesco re post-traumatic stress disorder after the Romanian revolution (1990-10); correspondence re Oleg Vitalyevich Kozlov re hijacked plane to Helsinki (1990-11); American Ambassadors People to People Trip to the USSR 14-27 August 1990 \"Professional Diary\" compiled by E. B. Brody (1990-09-05);  \"Psychiatric Issues Encountered on Recent Trip to USSR,\" memorandum from Holt Ruffin (World Without War) (1990-10-25); Hartmann, Lawrence M.D.: \"Notes on Some Social Psychiatric Problems in Chile, South Africa and the Soviet Union,\" (1990-10); Documents on the Political Abuse of Psychiatry in the USSR Nos. 39, 40, 41; documents relative to the Joint APA-Caribbean Psychiatric Association Meeting; Ellen Mercer: China Trip Report (1990-11)","Includes reports of the Committee on International Education; Final draft of the UN Principles for the Protection of Persons with Mental Illness and for the Improvement of Mental Health Case (1990-12-11); \"Sugar, Jonathan M.D. et al: \"Psychiatry's Global Challenge: Responsibilities of American Psychiatrists in International Health (undated)","Includes letter from Dr. Dainiys Pūras re abuse of psychiatry in Lithuania (1991-01-19); correspondence re abuse in Romania (1991-02-08); \"Proposal for The Moscow Center for Rehabilitation of Torture Victims (undated)","Includes correspondence and document re abuses in Romania; correspondence between Dr. Roth, Gennadi Milyokhin, Juan José López-Ibor, re Revaz Uturgaury (1991-03); correspondence re Soviet individuals","Includes CIOMS: Development of International, Ethical Guidelines for Epidemiological Research and Practice, Plenary III Issues related to the HIV/AIDS Pandemic. Proposed Guidelines for International Testing of Vaccines and Drugs against HIV Infection and Aids (1990-11); copies of correspondence between and V. Tuculescu re Romania; Reddaway, Peter: Psychiatric Developments in the USSR (1991-06) and \" Problems of Reforming Soviet Psychiatry and Assuring Rights for the Mentally Ill,\" (undated); \"The Heartbeat of Reform. Soviet Jurists and Political Scientists Discuss the Progress of Perestroika, Glasnot, Democracy, Socialism,\" Translated from the Russian by Vic Schneierson, Moscow, [1991]; Documents on the Political Abuse of Psychiatry in the USSR No. 47, 48","Includes reports of the Council on International Affairs, Committee on Human Rights and Committee on International Education. Also includes several documents dated September 1991: Memo for the Record Briefing Meeting for the Chinese Academy of Social Sciences Human Rights Study Group (1991-09-24); USSR Draft Law (17 June 91) on Psychiatric Assistance; Ministry of Health, USSR, All-Union Society of Psychiatrists Governing Board Decision (1991-05-15-16); WPA Memorandum to the All-Union Society of Psychiatrists (1991-07-28); Dr. Stanislaw Golec: \"Health Care in Poland 91\"; \"Instructional Recommendations on the Application of USSR Ministry of Health Order No. 555 (1989-09-19); WPA documents; International Committee of the Red Cross Report on \"Second Working Group of Experts on Battlefield Laser Weapons,\" (1990-11-05-06)","Includes \"copy of a part\" of Japanese Mental Health Law with translation (1988); translation of  \"law on patient's rights\" in Finland (1991-08); WHO Guidelines for the Clinical Investigation of Antidepressant Drugs (1984)","Includes LHR handwritten notes re Abuse Committee (1992-04); \"Cuban Dissidents in Psychiatric Hospitals An Update of the Politics of Psychiatry in Revolutionary Cuba,\"; \"Dimineata, 7th January 1992, The Mad People Were Dissidents,\" re Romania (undated); \"The Plenary Session of the Board of Directors of the All-Union Scientific Society of Psychiatrists (1992-05) and Follow-Up of US Team's 1989 Patients list, Appendices 1 and 2 sent to Dr. Birley with names of patients (1992-02); Information about the Patient Bill of Rights Tally Sheet (1992-04); Geneva Initiative on Psychiatry [GPI]: Documents on the Abolition and Prevention of Political Abuse of Psychiatry (1992-03 and 1992-04)","Includes reports of the Council on International Affairs, Committee on Human Rights and Committee on International Education. Also: Country Reports on Human Rights Practices: Yugoslavia (1992-06-01); GPI: Documents on the Abolition and Prevention of Political Abuse of Psychiatry, April – June 1992; Mercer, Ellen: Exploring Hungarian Psychiatry (1992-05)","Includes reports of the Council on International Affairs, Committee on Human Rights. Also: International Association for Child and Adolescent Psychiatry and Allied Professions Proclamation of May 1992: Assuring the Mental Health of Children; APA Bilateral Exchange with Poland Czechoslovakia and Hungary. Summary of Responses and Recommendations of American Participants (1992-03-24 to 1992-04-12); copy of Act of the Russian Federation \"On Psychiatric Care and Citizens' Rights With Regard to Such Care,\" (1992-01); Polubinskaya, Svetlana: \"From the USSR to the Independent States: Where the Former Soviet Psychiatry Will Go,\" (1992-05); GIP Documents on the Abolition and Prevention of Political Abuse of Psychiatry 56, June 1992","Includes reports of the Council on International Affairs, Committee on Human Rights. Also correspondence re psychiatric abuse in the former GDR, with the Romanian Psychiatric Association and the Committee to End the Chinese Gulag. \"Psychiatry Under Tyranny. An Assessment of the Political Abuse of Romanian Psychiatry During the Ceaucescu Years,\" Report of a consultative mission to Bucharest on behalf of the Geneva Initiative on Psychiatry (1992-06); GIP Documents on the Abolition and Prevention of Political Abuse of Psychiatry 57, July – August 1992","The sub-series consists of materials Loren Roth collected as part of his work with this committee. These include meeting minutes and agendas, correspondence, reports, articles, clippings, memoranda, and other items.","Included: \"Human Rights of Mental Patients in Japan,\" (1987 -04); Reich, Walter Report of Meeting with Gennadiy M. Yevstafiev (Soviet, member of the delegation to the Vienna Review Meeting) (1987-07-28); copy of letter from Senator Edward M. Kennedy to Lawrence Hartmann, M.D. re human rights violations in Paraguay (1988-04-22); World Medical Association, INC. memorandum: \"The Facts regarding health services in South Africa during 1987, and the role played by the Medical Association of South Africa,\" (1987-07- 08); Reddaway, Peter: Does Moscow's Purge of Corrupt Psychiatrists Threaten the Psychiatric Gulag?\" (1987-07-13); \"More Revelations about Stefanis' Negotiations with the Soviets (1987-09-11); Center for Victims of Torture pilot project (1987-08-28 and 1987-10); South Africa Briefing (1987-08-07); Minutes of Committee on Abuse of Psychiatry (1987-09-09 and 1987-12-02); \"Victims of Torture in Afghanistan. Presentation for Cairo World Congress\" by Mohammad Azam Dadfar (1987-10-18-22); Gralnick, Alexander M.D.: \"Public Health and Psychiatric Care in Cuba, Personal Report\" (November 1987);Political Imprisonment in Cuba. A Special Report from Amnesty International, The Cuban American Nation Foundation, 1987;  US/Soviet Human Rights Seminar: Statement by Ellen Mercer for the APA (1987-12-03). Also Bloche, Maxwell Gregg: \"Uruguay's Military Physicians: Cogs in a System of State Terror,\" (1987-03)","Miscellaneous documents: minutes, memoranda, correspondence. Included: [Argentina] Tribunal Etico de la Salud contra la Impunidad translation of statement: Medical Ethics Tribunal Against Impunity,\" (1988-01-11); Minutes of the APA Committee on Abuse of Psychiatry (1988-01-20, 1988-04-21; 1988-05-10); some documents related to South Africa, Pakistan, Argentina; Human Rights Survey Responses (1988-03-09); Amnesty International: \"China. Detention Without Trial, Ill-Treatment of Detainees and Police Shooting of Civilians in Tibet,\" (1988-02); Bitsch Christensen, Svend: \"Torture Related Documentation,\" (1987); International Commission of Jurists' Mission to Japan Preliminary Report and Recommendations (1988-04); \"The Casualties of Conflict: Medical Care and Human Rights in the West Bank and Gaza Strip,\" Report of a Medical Fact Finding Mission by Physicians for Human Rights, (1988-03); Amnesty International Commission Medicale: Medicine at Risks. The Doctor as Abuser or Victim,\" (1987-09)","Miscellaneous documents: minutes, memoranda, correspondence related to Soviet psychiatry; human rights abuses in Honduras, Czechoslovakia, Somalia, South Africa, Israel, Haiti, Cuba, Egypt, China, BahrainGudava, Eduard M.D.: \"The events in Tbilisi, Georgia  (1989-04-18); Vesti, Peter and Inge Kemp: \"Chapter I: Treatment of Torture Survivors – theoretical views,\" \"Chapter 2: Rehabilitation of Torture Survivors, \" (1989-10); Collazo, Carlos R. M.D. and Martha Gerpe M.D.: \"Missing Parents,\" Paper presented at The World Psychiatric Association, Athens, October 1989","File includes: RCT [Rehabilitation and Research Centre for Torture Victims] 7th Annual Report (1990-01); APA Position Statement on Apartheid and Academic Boycotting of South Africa (1990-01); Human Rights Cases Monitored by the APA (1990-02-01); signed Petition by doctors to recommend the APA to condemn the government of Turkey (1990-08); LHR handwritten notes of September meeting;  APA Council on International Affairs Joint Reference Committee (1990-10-12); Boyajian, Levon Z. M.D.: The Psychological Sequelae of the Armenian Genocide (1982); Leros Trip. Report on Visit to the Mental Institution on the Island of Leros, Greece (1989-12-3-5); \"'Bloody Sunday Trauma in Tbilisi. The Eents of April 9, 1989 and their Aftermath,\" Report of a Medical Mission to Soviet Georgia by Physicians for Human Rights, February 1990; printed materials.","Files include documents re Armenian Genocide and from the Free Romanian Foundation; \"Program for Administrators and Educators Specializing in Programs for People With Disabilities,\" with the Persian Gulf (1991-04); Martínez Lara, Samuel: \"Psychiatry in Cuba: Perspectives of a Human Rights Activist\" (1991-09-27);  ); National Academy of Sciences: \"Considerations Regarding Individual Scientific Visits to the People's Republic of China,\" (October 1991); also some documents about torture","Files include documents re torture in Egypt (1992-01); Dadfar, A. Azam M.D.: \"The Deep Scars of a Forgotten War, \" Psychiatry Centre for the Afghans; correspondence with Levon Z. Boyajian M.D. (1992-02); Croatian Medical Journal: \"Medical Testimony of the Vukovar Tragedy\"; memorandum re \"Abuse and Misuse of Psychiatry in the United States\" (1992-02); Committee to End the Chinese Gulag: \"On behalf of Political Prisoners in China: How to Raise Human Rights Cases,\" (1992-04); memoranda and correspondence re abuse of Palestinian physician (1992-05); APA Position Statement on Homosexuality and Civil Rights (1992-07); Americas Watch, Vol.4, Issue 7: \"Dangerous Dialogue, Attacks on Freedom of Expression in Miami's Cuban Exile Community,\" (1992-08);  Amnesty International French Section, Medical Group: \"Corporal Punishment. A study on legislation and enforcement in 18 countries,\" (1992); \"Stop Torture in Korea (STIK)\" (1998-08); APA Council on International Affairs: \"International Inpatients Bill of Rights,\" (1992-08); APA Communications Plan 1992-1994; APA: \"Human Rights and the American Psychiatric Association,\" (1992); memorandum and correspondence re abuse of psychiatry and psychiatrists in México (1992-100; US Department of State: \"Renewing the U.S. Commitment to Human Rights,\" Special Report No. 164;  printed materials","World Health Organization Assignment Report re \"mentally infirm in Romania and possibilities for improvement,\" (1991-11); Rosenberg, David R. M.D. et al: \"A Cross-Cultural Study of \"Ceausescu's Orphans,\" (1992-03); Blom, G. et al: \"Program Touch – A Volunteer Intervention Program to Orphaned Disabled Children in Romania,\" (1991-11); Roth's reappointment as APA Chairperson of the Committee on Human Rights under the Council of International Affairs, (1992-04-13); draft of A.P.A. Action Paper Rescinding the 1982 APA Position on the Insanity Defense (1992-05-01); Pierce, Chester M. M.D.: \"Public Health and Human Rights: Racism, Torture and Terrorism,\" presented at American Psychiatric Association Annual Meeting (1992-05-04)","Files include translation of Croatian pamphlet: \"Protect Yourself and Help Others (1993-02); APA Office of International Affairs: Responses to Human Rights Questionnaire,\" (1993-08-18); Citizens Support Committee for the Psychiatric Farm Hospital Dr. Manuel Ramírez Moreno (1993-7-13)","correspondence and handwritten notes","evaluation forms and printed materials","Meetings between Ukrainian doctors Semyon F. Gluzman, Vladimir I. Poltavets, Valery N. Kutznetsov, Ada I. Korotenko, Oleg A, Nasinnik, Vladimir M. Cherniavsky and Juan Mezzich, American psychiatrist from the West Psychiatric Institute and Clinic, University of Pittsburgh; also some case summaries (1994-02). Russian and English translation.","extensive correspondence, reports, handwritten notes. Savychyj, Jurij M.D.: \"Psychiatry in Ukraine,\" [1992]","correspondence, Ukrainian fliers, and handwritten notes","extensive correspondence, reports, data analysis, forms, handwritten notes (1995-05), \"Codebook\"","correspondence, clinical assessment forms, and handwritten notes","Geneva Initiative on Psychiatry. Annual Reports 1992 and 1995; Documents on the Abolition and Prevention of Political Abuse of Psychiatry Nos. 65-67, 72, 74; \"Concepts for Developing Mental Health Care in Ukraine (First Draft),\" Developed by Experts of Ministry for Health Care, Kiev Research Institute of General and Forensic Psychiatry, Regional Chief Experts and Kiev Psychiatrists.","correspondence and forms","email correspondence, brochures, printed photographs","Joseph D. Bloom, Kyrill Borissow, William T. Carpenter, Robert W. Farrand, Robert M.A. Hirschfield, William H. Hopkins, Samuel Keith, Felix Kleyman, Andrei A. Kovalev, Ellen Mercer, John Monahan, Darrel A. Regier, Elmore F. Rigamer Jr, Carolyn Smith, Leon Stern","Includes: United States – Russia Health Committee 2000 – 2002, printed copies of photographs; The U.S.A. – Russia Health Committee: \"Access to Quality Health Care\" (draft), undated; \"Additional Materials on Diagnosing and Treating Mild and Moderate Depressions,\" [document in Russian with English title]","Gershman, Carl: Psychiatric Abuse in the Soviet Union,\" Society, July/August 1984; Lapenna, Ivo: \"The Medico-Legal Society. Use and Misuse of Psychiatry in the USSR,\" The Royal Society of Medicine, London 12th June 1986; McCready, John and Harold Merskey: \"Compliance by physicians with the 1978 Ontario Mental Health Act,\" Reprint from the Canadian Medical Association Journal, Vol. 124, March 15, 1981; McCready, John and Harold Merskey: \"On the Recoding of Mental Illness for Civil Commitment,\" Can. J. Psychiatry Vol. 27, March 1982; Slovenko, Ralph: Analysis. The Destiny of South Africa,\" The World and I, July 1991.","In 2021, members of the 1989 American delegation, some Soviet patients, Soviet doctors and other professionals, were invited to participate in the \"Retrospective Review of the 1989 U.S. State Department Psychiatric Mission to the USSR\" oral history project. Nineteen interviews were recorded, sixteen of them with the surviving members of the U.S. delegation, one with Andrei Kovalev, an official at the Ministry of Foreign Affairs in the U.S.S.R. at the time, and two with former \"Soviet patients.\" There is also an original 1989 recording of one interview.","These interviews provide a comprehensive overview of the history of Soviet psychiatric abuse, the reasons why psychiatric diagnosis was used to suppress dissent, the methods, medical and legal procedures, and who were the major players in Soviet psychiatric abuse. Emphasis is also made on assessing the U.S.-Soviet relationship in the 1980s and the special place that the 1989 State Department psychiatric mission to the U.S.S.R. held in the détente. All stages of negotiations and preparations for the mission were discussed as well as the methodology of psychiatric evaluations and the findings of the American experts. An additional emphasis was also made on assessing the state of Soviet psychiatric care as of the late 1980s and all the significant changes it was going through at the time. The role of World Psychiatric Association (WPA), the All-Union Society of Psychiatrists and Narcologists, the American Psychiatric Association and other important organizations, is also given proper attention. The interviewees also discuss the long-term impact that the 1989 U.S. mission made on Soviet and post-Soviet psychiatry.","In the interview Dr. Bloom discusses his career, his interest in the topic of abuse of psychiatry and his involvement in the 1989 U.S. State Department psychiatric delegation to the U.S.S.R. He talks about the U.S. and Soviet (both Soviet professionals and Soviet interviewees) understanding of the purpose of the visit and  the Soviet's compliance with the terms negotiated for the visit. He also talks about psychiatric hospitalization, detention and commitment process in the U.S.S.R., conditions of hospitalization in Soviet psychiatric hospitals and the legal rights of persons with mental disorders in the U.S.S.R.  Dr. Bloom's explains his impressions from the trip to the Soviet Union and the conclusions made by the American delegation. ","The highlights of the interview pertain to Dr. Bloom's recollection of a Soviet person who allegedly had a mental disorder, and his opinion as to the way the American final report should have been approached.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Mr. Borissow shares his life story and describes his career. He talks about getting involved in the 1989 State Department trip to the Soviet Union, his previous trips to the U.S.S.R., and the  social and political context that surrounded the visit and made it possible in the first place. Mr. Borissow describes his experience of interpreting in one of the psychiatric hospitals in Moscow as a part of the 1989 American mission as well as the work that Mr. Borissow's sub-team #3 did in Leningrad. He shares very interesting anecdotes that happened during the trip and talks about the lessons he learned during this trip.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","In the interview Dr. Carpenter discusses his career, his involvement in the 1989 US State Department psychiatric delegation to the USSR, the main goals of the mission, various aspects of the implementation in great detail, the diagnostic aspects of the study, interview instruments and methodology, the Soviet mental health care system and its shortcomings, the conclusions made by Dr. Carpenter's sub-team, the impact the American visit made to the interviewed individuals an mental health in the region. ","Dr. Carpenter also discusses the United States - Great Britain cross-national study of schizophrenia conducted in the 1960s and 70s and its pertinency to the 1989 U.S. State Department psychiatric investigative mission to the U.S.S.R. He also talks about the broad diagnostic criteria for sluggish schizophrenia and how much contributed to the missuse of psychiatry in the Soviet Union.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Ambassador Farrand talks about his long successful career in the U.S. State Department, the importance of the Soviet psychiatric abuse to the U.S. government and the larger context of the U.S. - U.S.S.R. relationships. As a person who worked closely with Ambassador Richard Schifter for many years, Mr. Farrand describes Schifter's goals and vision of the 1989 psychiatric mission to the U.S.S.R. ","Mr. Farrand describes the process of negotiating the terms of the visit and shares insights about interacting with a superpower as the Soviet Union was at that time. He also talks about the the peculiarities of governance in the U.S.S.R., and power dynamics inside the country. Mr. Farrand describes the efforts to preserve transparency and independence of the mission as well as managing its financial aspects and its highlighting in media. Mr. Farrand also talks about glasnost, perestroika, and the collapse of the Soviet Union.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Dr. Hirschfeld shares memories about his education and career, the way he got involved in the 1989 State Department psychiatric mission to the U.S.S.R., the methodological approach to the patient interviews, the range of findings of his sub-team # 3 in Leningrad, and his general impressions of the Soviet Union as of 1989.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Mr. Hopkins talks at length about the way he became immersed in the Russian studies, his education, and career. He well remembers the settings and arrangements of interviewing the Soviet citizens who allegedly had mental disorders, his expectations and apprehensions about the upcoming 1989 mission, the types of questions asked of the Soviet interviewees, and the peculiarities of his task as an interpreter during this unique venture. He also mentions the debrief that the entire American team had in Washington, D.C. after the visit was over.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Mr. I. talks about his early life, family, education, how his dissident views formed and evolved with time. He shares about his repeated contacts with psychiatric system; he also describes his social and political activity and the repercussions he faced as a result. Mr. I. then tells about his criminal case, his forensic psychiatric evaluation, diagnosis, \"symptoms\", finding of non-imputability, the legal procedure used to involuntarily commit him to the Dnepropetrovsk special psychiatric hospital, and the inhumane conditions there. \nMr. I. then describes his transfer to Nikolayev ordinary psychiatric hospital and release; he talks about his dissident activity that brought him back to the same hospital. He also describes his contacts with Ukrainian dissident movement at the end of 1980s and how he got on the list of people to be assessed by the U.S. team. The details of his participation in 1989 U.S. State Department mission are discussed next. Mr. I. then shares about the long-term impact this mission made on his life, his subsequent legal rehabilitation, being taken off the psychiatric register, the removal of his psychiatric diagnosis, his life and activism after 1989. Mr. I. describes some of his most interesting campaigns. The interview ends with a brief discussion of the Russian invasion of Ukraine and how it affected Mr. I.'s life. ","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Dr. Keith talks about the role and expertise of NIMH that was crucial to the success of the 1989 U.S. psychiatric mission to the U.S.S.R. He recapitulates the main points and stumbling blocks of the negotiations with the Soviets in November 1988, various organizational aspects of the mission, as well as the interview instruments and methodology used by the American team. Dr. Keith shares his opinion about the concept of sluggish schizophrenia, its diagnostic criteria, and other factors that made it possible to abuse psychiatry in the Soviet Union. He also emphasizes Soviet life, society, and governance as of 1989. Dr. Keith discusses the Soviets' admission of \"hyperdiagnoses\" and the validity of the excuse of \"hyperdiagnoses\" from the professional point of view. He also expresses his opinion about the tone of the final report and the general context that the American team had to keep in mind when drafting it. Dr. Keith describes Schizophrenia Bulletin and his role as its editor-in-chief. He also talks about the 1990 Soviet Reciprocal Visit to the U.S.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Dr. Kleyman is a great source of knowledge about the ins and outs of the Soviet mental health care system as the person who had about 10 years of professional experience on the ground. He talked about the uniqueness of his role during the American psychiatric mission to the U.S.S.R. that resulted from him being a native Russian speaker and being well familiar with life in the Soviet Union. Dr. Kleyman discusses the social and political context that surrounded the 1989 U.S. State Department visit and made it possible in the first place; the doctor patient relationship in the U.S.S.R.; Soviet diagnostic approaches and the role of Soviet psychiatrists during the American visit. Dr. Kleyman recalls his unique trip to Moscow Psychiatric Hospital # 5 to briefly speak with the patient who was claimed by the Soviets to have refused examination. He also talks about his experience as a member of the 1991 W.P.A. mission to the U.S.S.R.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Mr. Kovalev tells about the role of various domestic and international actors in the process of democratization of the U.S.S.R. in the late 1980s and bringing human rights into the Soviet Union. He also assesses the political factors of the early 1980s that allowed Gorbachev come to power and retain it. Mr. Kovalev shares his insights about the Soviet foreign policy of the second half of 1980s-early 1990s and the U.S. - U.S.S.R. relationships. He shares his knowledge about the history of abuse of psychiatry and the reasons for resorting to it; the Soviet psychiatric register and the consequences of being on a register; the sealed instruction on involuntary commitment that existed but was not available to the public. Mr. Kovalev talks about the chain of decision making in ensuring that the American visit will actually happen and the key events on that road. He also comments on the internal tensions between the Ministry of Foreign Affairs and the Ministry of Health (M.O.H.) as well as the resistance put up by the M.O.H. in organizing the American visit. He also shares his views about the \"system dissidents\" in the U.S.S.R.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Ms. Mercer talks about her career at the APA and the role that the APA played in advocating for the rights of the persons committed to psychiatric hospitals for non-medical reasons in the USSR. She then discusses the historical context for the 1989 State Department psychiatric delegation to the Soviet Union, including the 1977 Declaration of Hawaii and the All-Union Society's walking out of the WPA in 1983 in the face of an almost certain expulsion. Being a part of the November 1988 negotiation team to the Soviet Union, Ms. Mercer shares her thoughts about the negotiation process and the Soviet's compliance with the terms agreed upon. Ms. Mercer describes the field visit to Soviet psychiatric hospitals and then talks about the Soviet's readmission to the WPA, the role the 1989 U.S. State Department played in this process, the APA's and Ms. Mercer's personal stance with regard to the readmission. Ms. Mercer concludes by discussing the difference the American visit made in the big picture.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Dr. Monahan talks about his professional training and the highlights of his career, his memories from the 1989 American visit to the Soviet Union, including the goals of the visit,  its organizational aspects, and its media coverage. Dr. Monahan then focuses on the forensic evaluation methods and results, the rights of psychiatric patients in the Soviet Union, conditions of their hospitalization, treatment, and hospital staffing. Dr. Monahan concludes by describing his general impressions of Moscow and Leningrad and the conclusions the American team made as a result of the visit. ","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Mr. Reddaway talks about his education and career and the way he became interested and immersed in the issue of abuse of psychiatry in the U.S.S.R. He discusses the impact that his and Sidney Bloch's 1977 and 1983 books made in the Soviet Union. He also shares his knowledge about the evolution of punitive psychiatry with each new Soviet leader. Mr. Reddaway talks about Mr. Gorbachev's personality, the political factors in the early 1980s that allowed for such a leader to emerge and retain power; the reasons for perestroika;  the peculiarities of perestroika in psychiatry versus other spheres. Mr. Reddaway gives a comprehensive overview of various internal processes in the Soviet Union at the end of 1980s that were important prerequisites for the 1989 U.S. psychiatric mission. He discusses at length the role of the WPA in the battle against the abuse of psychiatry in the Soviet Union. Mr. Reddaway also gives a detailed overview of the field inspections to Soviet psychiatric hospitals that he did as a member of the 1989 U.S. State Department psychiatric mission to the U.S.S.R.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","The interview with Dr. Regier is of critical importance for the comprehensive retrospective evaluation of the long-term impact of the 1989 State Department investigative mission to the U.S.S.R. Dr. Regier not only played a key role in the preparation and implementation of the mission, but also successfully continued to help develop the quality and accessibility of mental health services in Russia after the U.S.S.R. collapse. Dr. Regier also continued to tackle the issue of psychiatric abuse in China.  \nIn his interview, Dr. Regier gives a historical overview of the development of diagnostic criteria that was subsequently used during the U.S. State Department investigative mission to the U.S.S.R. relating to psychiatric abuse. This interview provides a great description of the methodology used during the interviews. Dr. Regier also describes the NIMH goals, unique role and contribution to the 1989 mission and shares his insights about the factors that made it possible to weaponize psychiatry against dissidents in the Soviet Union. Dr. Regier also tells about his role in the work of Gore-Chernomyrdin Commission in the area on mental health care in Russia post the Soviet Union breakup.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Dr. Roth describes his training and the highlights of his career; he then tells how he became interested in the issue of abuse of psychiatry in the U.S.S.R. His two human rights trips to the U.S.S.R. in 1985 and 1986 are discussed next. Dr. Roth then gives an overview of the general political background to the visit and tensions between him and Ambassador Schifter about some critical aspect of the visit. Dr. Roth then describes in detail the negotiation process between the U.S. and Soviet side, the main stumbling blocks, how he managed to overcome them, and who were his allies. Dr. Roth describes the Soviet uncooperativeness and tensions between the Ministry of Health and Ministry of Foreign Affairs. He then talks about informed consents, interview procedures, and the visit dynamics. He shares some anecdotes and most memorable events; he also talks about the people who meaningfully contributed to making the mission successful.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Mr. S. describes his early years, how his dissident views formed, his first arrest under Article 70 of the Criminal Code, his expert psychiatric evaluation at the Serbsky Institute, and the judicial procedure that followed. He describes his subsequent commitment in an 'ordinary' psychiatric hospital and shares insights about the internal regulations, regime, and the release procedure. He also talks about his next arrest and the legal aspects of it. Mr. S. shares his views about whether Soviet psychiatrists seriously believed that 'failure to adapt to the society' was a sign of mental illness and whether they can be blamed for presumably following the orders from above.  Mr. S. proceedes to describe his transfer to a special psychiatric hospital, the mass release of political prisoners in 1987, the reasons for such a drastic change of the political course in the Soviet Union, and gives an overview of the U.S. – U.S.S.R. relationship in the second half of the twentieth century. He then talks about how the 1989 U.S. State Department psychiatric mission to the U.S.S.R. fit into the broader human rights negotiations in the CSCE. Mr. S. tells how he taken off the psychiatric register\nand legally rehabilitated; he talks about the destiny of the Criminal Code 'political' articles 70 and 190-1 and current political articles in Russian Criminal Code used to suppress dissent.\nMr. S. shares about his life and political activity after 1989, his subsequent arrests, and his assessment of the evolution of civil and political freedom in Russia after 1989.\nHe then talks about the future of Russia, his own future as a dissident in Russia, and his views about the Russian war in Ukraine.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","In addition to the oral history given in 2022, this file contains a recording of an interview that Mr. S gave on March 2, 1989.","Ms. Smith shares her memories about interpreting for both 1989 U.S. State Department delegation and the 1991 WPA delegation to the Soviet Union. She explains how this experience compares to the other interesting projects she has been involved in throughout her career. She describes her most prominent memories about this job as well as the Soviet Union as of 1989. ","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Dr. Stern describes his career and his pathway from the Soviet Union to the U.S. He shares his insights about some aspects of Soviet history, the issue of psychiatric abuse, its roots and reasons the Soviet government resorted to psychiatry to oppress dissent. Dr. Stern talks about the major differences between special psychiatrist hospitals vs. ordinary psychiatrist hospitals and gives some excellent illustrations of \"symptoms\" that the Soviet school of psychiatry considered signs of mental disorder. Dr. Stern shares his opinion as to the reasons why Soviet psychiatrists engaged in unethical practices. Dr. Stern describes the field trip in great detail, including some anecdotes and specific instances. He concludes by identifying the most important changes needed in Soviet psychiatry at the time and assesses the overall success of the American mission to the Soviet Union. ","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","This file includes correspondence with Richard Schifter and Robert van Voren.","The Arthur J. Morris Law Library does not grant researchers permission to publish copies of any of the materials in this collection.","Arthur J. Morris Law Library Special Collections","Roth, Loren H.","Bloom, Joseph D.","Borissow, Kyrill","Carpenter, William T.","Farrand, Robert William, 1934-","Hirschfeld, Robert M. A.","Hopkins, William H. (William Hugh), 1942-","Keith, Samuel J.","Kleyman, Felix, Dr.","Kovalev, A. A. (Andreĭ Anatolʹevich)","Mercer, Ellen Robertson","Monahan, John (John Thomas), 1946-","Reddaway, Peter (1939)","Regier, Darrel A.","Smith, Carolyn","Stern, Leon","English Russian"],"unitid_tesim":["MSS.2021.01","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/1347"],"normalized_title_ssm":["Loren Roth papers"],"collection_title_tesim":["Loren Roth papers"],"collection_ssim":["Loren Roth papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Roth, Loren H.","Bloom, Joseph D.","Borissow, Kyrill","Carpenter, William T.","Farrand, Robert William, 1934-","Hirschfeld, Robert M. A.","Hopkins, William H. (William Hugh), 1942-","Keith, Samuel J.","Kleyman, Felix, Dr.","Kovalev, A. A. (Andreĭ Anatolʹevich)","Mercer, Ellen Robertson","Monahan, John (John Thomas), 1946-","Reddaway, Peter (1939)","Regier, Darrel A.","Smith, Carolyn","Stern, Leon"],"creator_ssim":["Roth, Loren H.","Bloom, Joseph D.","Borissow, Kyrill","Carpenter, William T.","Farrand, Robert William, 1934-","Hirschfeld, Robert M. A.","Hopkins, William H. (William Hugh), 1942-","Keith, Samuel J.","Kleyman, Felix, Dr.","Kovalev, A. A. (Andreĭ Anatolʹevich)","Mercer, Ellen Robertson","Monahan, John (John Thomas), 1946-","Reddaway, Peter (1939)","Regier, Darrel A.","Smith, Carolyn","Stern, Leon"],"creator_persname_ssim":["Roth, Loren H.","Bloom, Joseph D.","Borissow, Kyrill","Carpenter, William T.","Farrand, Robert William, 1934-","Hirschfeld, Robert M. A.","Hopkins, William H. (William Hugh), 1942-","Keith, Samuel J.","Kleyman, Felix, Dr.","Kovalev, A. A. (Andreĭ Anatolʹevich)","Mercer, Ellen Robertson","Monahan, John (John Thomas), 1946-","Reddaway, Peter (1939)","Regier, Darrel A.","Smith, Carolyn","Stern, Leon"],"creators_ssim":["Roth, Loren H.","Bloom, Joseph D.","Borissow, Kyrill","Carpenter, William T.","Farrand, Robert William, 1934-","Hirschfeld, Robert M. A.","Hopkins, William H. (William Hugh), 1942-","Keith, Samuel J.","Kleyman, Felix, Dr.","Kovalev, A. A. (Andreĭ Anatolʹevich)","Mercer, Ellen Robertson","Monahan, John (John Thomas), 1946-","Reddaway, Peter (1939)","Regier, Darrel A.","Smith, Carolyn","Stern, Leon"],"access_terms_ssm":["The Arthur J. Morris Law Library does not grant researchers permission to publish copies of any of the materials in this collection."],"acqinfo_ssim":["In March 2023, Dr. Loren Henry Roth donated all of the materials in this collection to the University of Virginia Law Library."],"access_subjects_ssim":["Psychiatry -- Soviet Union","Political prisoners -- Soviet Union","Dissenters -- Soviet Union"],"access_subjects_ssm":["Psychiatry -- Soviet Union","Political prisoners -- Soviet Union","Dissenters -- Soviet Union"],"has_online_content_ssim":["true"],"extent_ssm":["12.75 Cubic Feet 25 boxes","138.5775 Gigabytes"],"extent_tesim":["12.75 Cubic Feet 25 boxes","138.5775 Gigabytes"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eResearchers may only access and view the materials in this collection onsite and in-person at the University of Virginia Law Library in Charlottesville, Virginia. The following additional restrictions apply to any materials that contain the names of the interviewees of the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union and/or 1991 ad hoc mission to the Soviet Union by the World Psychiatric Association:\u003c/p\u003e\n","\u003cp\u003e1. To obtain access to these records, interested researchers must sign a form to agree not to use, document, or disclose names of the patients or their families, or other identifying information about these persons and to abide by all the provisions specified in the present document. The form is available on site from the responsible official of the UVA Law Library. \u003c/p\u003e\n","\u003cp\u003e2. These materials may not be copied, photographed, or otherwise reproduced digitally. \u003c/p\u003e\n","\u003cp\u003e3. Before accessing the requested materials, interested researchers must agree to abide by reasonable administrative, technical, and physical safeguards, as approved by the UVA Law Library, to prevent unauthorized use or disclosure of the information. These procedures shall be followed by all persons associated with the applicant's research project.  \u003c/p\u003e\n","\u003cp\u003e4. Records in this category are also subject to the following safeguards: (i) Any information that would permit the identification of an individual (names, biographical data, etc.) may not be used, documented, or made public by the researcher, nor will any attempt to contact them be made. However, this does not preclude the researcher from contacting a person in advance of gaining access, for the purpose of obtaining access.  (ii) If a researcher obtains written authorization for access from an interviewee or from his/her legal guardian, the records may be made available to that researcher. (iii) Interviewees themselves may have free access to their own health information if contained in this collection. \u003c/p\u003e\n","\u003cp\u003e5. If the University of Virginia Law Library discovers that a researcher has violated the confidentiality of information or the conditions of access, the Law Library shall take steps to revoke the research privileges of the researcher and shall consult with University of Virginia legal counsel to prevent further disclosure of the health information.\u003c/p\u003e\n","\u003cp\u003eFinally, different access restrictions may apply to some of the items in  this collection. Whenever possible, archivists have made a note of these restrictions in other parts of the finding aid.\u003c/p\u003e","\u003cp\u003eThere are access restrictions on some of the materials in this series. When a file or item is restricted, an additional note explaining the conditions of access is attached to the file or item description.\u003c/p\u003e","\u003cp\u003eThe items in these folders contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contain sensitive information about the health or treatment of the persons interviewed in the U.S.S.R. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contain sensitive information about the health or treatment of the persons interviewed in the U.S.S.R. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contain sensitive information about the health or treatment of the persons interviewed in the U.S.S.R. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contain sensitive information about the health or treatment of the persons interviewed in the U.S.S.R. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThe interviews with the former Soviet patients and the original 1989 recording are restricted and special permissions apply.\u003c/p\u003e","\u003cp\u003eDr. Joseph D. Bloom did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).\u003c/p\u003e","\u003cp\u003eKyrill Borissow did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).\u003c/p\u003e","\u003cp\u003eDr. William Carpenter did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).\u003c/p\u003e","\u003cp\u003eRobert William Farrand did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).\u003c/p\u003e","\u003cp\u003eDr. Robert Hirschfeld did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).\u003c/p\u003e","\u003cp\u003eWilliam Hopkins did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).\u003c/p\u003e","\u003cp\u003eMr. I. did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022). However, due to the sensitive nature of the topics covered in the interview, the University of Virginia restricts access according to the guidelines for more sensitive materials outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eDr. Samuel Keith did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).\u003c/p\u003e","\u003cp\u003eDr. Felix Kleyman did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).\u003c/p\u003e","\u003cp\u003eAndrey Kovalev did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).\u003c/p\u003e","\u003cp\u003eEllen Mercer did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).\u003c/p\u003e","\u003cp\u003eDr. John T. Monahan did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).\u003c/p\u003e","\u003cp\u003ePeter Reddaway did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).\u003c/p\u003e","\u003cp\u003eDr. Darrel Regier did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).\u003c/p\u003e","\u003cp\u003eIn addition to the restrictions on access that applies to all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022),  Dr. Loren Roth requested that The University of Virginia only make his interview available to researchers on-site at the repository preserving the interview.\u003c/p\u003e","\u003cp\u003eMr. S. did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022). However, due to the sensitive nature of the topics covered in the interview, the University of Virginia restricts access to both recordings according to the guidelines for more sensitive materials outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eCarolyn Smith did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).\u003c/p\u003e","\u003cp\u003eIn addition to the restrictions on access that applies to all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022),  Dr. Leon Stern requested that The University of Virginia only make his interview available to researchers on-site at the repository preserving the interview.\u003c/p\u003e","\u003cp\u003eThis file contain sensitive information about the health or treatment of persons from the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e","\u003cp\u003eThis file contain sensitive information about the health or treatment of persons from the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Researchers may only access and view the materials in this collection onsite and in-person at the University of Virginia Law Library in Charlottesville, Virginia. The following additional restrictions apply to any materials that contain the names of the interviewees of the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union and/or 1991 ad hoc mission to the Soviet Union by the World Psychiatric Association:","1. To obtain access to these records, interested researchers must sign a form to agree not to use, document, or disclose names of the patients or their families, or other identifying information about these persons and to abide by all the provisions specified in the present document. The form is available on site from the responsible official of the UVA Law Library. ","2. These materials may not be copied, photographed, or otherwise reproduced digitally. ","3. Before accessing the requested materials, interested researchers must agree to abide by reasonable administrative, technical, and physical safeguards, as approved by the UVA Law Library, to prevent unauthorized use or disclosure of the information. These procedures shall be followed by all persons associated with the applicant's research project.  ","4. Records in this category are also subject to the following safeguards: (i) Any information that would permit the identification of an individual (names, biographical data, etc.) may not be used, documented, or made public by the researcher, nor will any attempt to contact them be made. However, this does not preclude the researcher from contacting a person in advance of gaining access, for the purpose of obtaining access.  (ii) If a researcher obtains written authorization for access from an interviewee or from his/her legal guardian, the records may be made available to that researcher. (iii) Interviewees themselves may have free access to their own health information if contained in this collection. ","5. If the University of Virginia Law Library discovers that a researcher has violated the confidentiality of information or the conditions of access, the Law Library shall take steps to revoke the research privileges of the researcher and shall consult with University of Virginia legal counsel to prevent further disclosure of the health information.","Finally, different access restrictions may apply to some of the items in  this collection. Whenever possible, archivists have made a note of these restrictions in other parts of the finding aid.","There are access restrictions on some of the materials in this series. When a file or item is restricted, an additional note explaining the conditions of access is attached to the file or item description.","The items in these folders contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contains sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed by the 1989 U.S. State Department psychiatric investigative mission to the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed in the U.S.S.R. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed in the U.S.S.R. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed in the U.S.S.R. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of the persons interviewed in the U.S.S.R. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","The interviews with the former Soviet patients and the original 1989 recording are restricted and special permissions apply.","Dr. Joseph D. Bloom did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Kyrill Borissow did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Dr. William Carpenter did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Robert William Farrand did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Dr. Robert Hirschfeld did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","William Hopkins did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Mr. I. did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022). However, due to the sensitive nature of the topics covered in the interview, the University of Virginia restricts access according to the guidelines for more sensitive materials outlined in the Conditions Governing Access note at the collection level of this finding aid.","Dr. Samuel Keith did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Dr. Felix Kleyman did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Andrey Kovalev did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Ellen Mercer did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Dr. John T. Monahan did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Peter Reddaway did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","Dr. Darrel Regier did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","In addition to the restrictions on access that applies to all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022),  Dr. Loren Roth requested that The University of Virginia only make his interview available to researchers on-site at the repository preserving the interview.","Mr. S. did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022). However, due to the sensitive nature of the topics covered in the interview, the University of Virginia restricts access to both recordings according to the guidelines for more sensitive materials outlined in the Conditions Governing Access note at the collection level of this finding aid.","Carolyn Smith did not request any additional restrictions on access to this interview beyond those that the University of Virginia has made for all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022).","In addition to the restrictions on access that applies to all the oral histories from the Soviet Psychiatry Oral History Project (2021-2022),  Dr. Leon Stern requested that The University of Virginia only make his interview available to researchers on-site at the repository preserving the interview.","This file contain sensitive information about the health or treatment of persons from the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid.","This file contain sensitive information about the health or treatment of persons from the Soviet Union. The restrictions on access to these materials are outlined in the Conditions Governing Access note at the collection level of this finding aid."],"arrangement_html_tesm":["\u003cp\u003eThe files in this series are arranged by subject into 14 sub-series.\u003c/p\u003e","\u003cp\u003eThe files in this sub-series are arranged in chronological order.\u003c/p\u003e","\u003cp\u003eThe files in this sub-series are arranged in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The files in this series are arranged by subject into 14 sub-series.","The files in this sub-series are arranged in chronological order.","The files in this sub-series are arranged in chronological order."],"bioghist_html_tesm":["\u003cp\u003eWhile it is understood that the misuse of psychiatry for non-medical reasons allegedly started in the U.S.S.R. after the October Revolution of 1917, its widespread and systematic use as a tool to silence political dissent became well-documented during Khrushchev's era. In a 1959 speech attributed to Khrushchev, he allegedly attempted to justify putting dissidents in psychiatric hospitals by saying that only a mentally ill person may be opposed to Communism (1). While there also were \"political\" parts of the R.S.F.S.R. Criminal Code that criminalized anti-Soviet agitation and slander of the Soviet state, psychiatry was often used to isolate dissidents, punish them with psychiatric drugs, discredit their ideas, and avoid criminal law procedures.\u003c/p\u003e\n","\u003cp\u003eThe \"Sluggish schizophrenia\" concept developed by academician Snezhnevsky had overly broad diagnostic criteria that allowed the diagnosis of schizophrenia in patients who showed no symptoms, on the assumption that these symptoms would appear later (2). In almost every case, dissidents were examined at the Serbsky Central Research Institute for Forensic Psychiatry.\nInformation about Soviet repressive psychiatry became well-known in the West after 1971 dissident Vladimir Bukovsky smuggled over 150 pages documenting the political abuse of psychiatric institutions in the Soviet Union into the West. The papers were studied by independent psychiatrists in several countries and released to the press (3). \"Bukovsky's papers\" galvanized human rights activists worldwide and those within the Soviet Union.\u003c/p\u003e\n","\u003cp\u003eWhile the attempt to bring the matter to the official agenda of the World Psychiatric Association (W.P.A.) at their 1971 World Congress in Mexico was unsuccessful, it kept gaining more and more outcry worldwide. So, in 1977, the W.P.A. adopted the Hawaii Declaration – a milestone defining principles of good and ethical medical practice. The All-Union Society of Psychiatrists and Narcologists, the official Soviet professional organization, was bound to withdraw from the W.P.A. at its next Congress in 1983—the allegations of the political abuse of psychiatry inflicted irretrievable damage on the prestige of Soviet medicine.\u003c/p\u003e\n","\u003cp\u003eIn 1975, the Soviet Union, the United States, and other countries signed the Helsinki Accords - the key document of the Conference of Security and Cooperation in Europe (C.S.C.E.). The Accords signaled a détente between the East and the West and built the foundation for the end of the Cold War, the U.S.-Soviet disarmament talks, and the \"third basket\" on human rights and freedoms in the Soviet Union.\u003c/p\u003e\n","\u003cp\u003eMikhail Gorbachev, who became the head of the Soviet Communist Party in 1985, prioritized the improvement of U.S.-Soviet relations. Also, Gorbachev launched the domestic \"perestroika\" (restructuring) and \"glasnost\" (openness) initiatives. These combined foreign and domestic policy developments fostered interest, internally and externally, in the plight of Soviet political prisoners. The Soviet Union released many political prisoners from labor camps, and in April 1987, Secretary Schultz and Soviet Minister of Foreign Affairs Shevardnadze agreed on a human rights dialog (4). As part of this broader dialog, in September 1987, the Soviet representatives began to try to assure their American counterparts that the abuse of psychiatry had ended (5).\u003c/p\u003e\n","\u003cp\u003eNotes:\u003c/p\u003e\n","\u003cp\u003e1. Khrushchev had said this in a speech published in the state newspaper Pravda on 24 May 1959: A crime is a deviation from generally recognized standards of behaviour frequently caused by mental disorder. Can there be diseases, nervous disorders among certain people in a Communist society? Evidently yes. If that is so, then there will also be offences, which are characteristic of people with abnormal minds. Of those who might start calling for opposition to Communism on this basis, we can say that clearly their mental state is not normal.\nKnapp, Martin, et al. Mental Health Policy and Practice Across Europe: The Future Direction of Mental Health Care, McGraw-Hill Education, 2006. ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/uva/detail.action?docID=316293.\u003c/p\u003e\n","\u003cp\u003e2. Sfera, Adonis. Can psychiatry be misused again?. Frontiers in Psychiatry. 9 September 2013;(4):101. doi:10.3389/fpsyt.2013.00101. PMID 24058348.\u003c/p\u003e\n","\u003cp\u003e3. For more information, see Reddaway, Peter (12 March 1971). \"Plea to West on Soviet 'mad-house' jails\". The Times. p. 8.; Bloch, Sidney; Reddaway, Peter (1984). Soviet Psychiatric Abuse. The Shadow Over World Psychiatry. London: Gollancz.\u003c/p\u003e\n","\u003cp\u003e4. Schifter-Adamishin book, timeline, page xix\u003c/p\u003e\n","\u003cp\u003e5. Id, pages xix and xx\u003c/p\u003e","\u003cp\u003eDuring the late 1980s, U.S.-Soviet discussions about the abuse of psychiatry led to the formation of a special U.S. delegation to the Soviet Union. In February 1989, the U.S.S.R. allowed the delegation to independently assess 27 Soviet citizens believed to have been psychiatrically committed for non-medical reasons. The U.S.S.R. also allowed the delegation to inspect ordinary psychiatric hospitals and other hospitals known as \"psychoprisons.\" The U.S. delegation's psychiatric leader was Dr. Loren Roth of the University of Pittsburgh. The U.S. State Department organized the trip, closely cooperating with the American Psychiatric Association and the National Institute of Mental Health. Their Soviet counterparts were the Ministry of Foreign Affairs. The Soviet Ministry of Health and the conservative leadership of Soviet psychiatry, both believed to have been deeply involved in abuse, internally opposed the visit. However, the Ministry of Foreign Affairs overcame this opposition, and their support was critical to the U.S. delegation's success.\u003c/p\u003e\n","\u003cp\u003eThe U.S. delegation consisted of leading experts in psychiatry, forensic psychiatry, forensic psychology, law, and Sovietology. Also, it included a representative of the American Psychological Association (A.P.A.), and émigré Soviet psychiatrists living in the United States.\u003c/p\u003e\n","\u003cp\u003eFrom April 1988 onward, Dr. Loren Roth engaged in extensive negotiations with his Soviet counterparts on the details of the visit. They discussed the list of people (\"patients\") to be assessed by the delegation and the processes for obtaining their consent. There were difficult negotiations over the presence of Soviet psychiatrists during the examinations, and the need to protect the interviewees from potential intimidation and retaliation.\u003c/p\u003e\n","\u003cp\u003eThe U.S. delegation advocated for and adopted critical precautions to ensure the transparency of the mission and its findings. They used scientifically developed structural psychiatric interview schedules, brought U.S. interpreters to assist the delegation, avoided sharing the cost of the trip with the Soviet side, collected urine samples to rule out overmedication, videotaped the interviews, and spoke with friends/relatives of those interviewed.\u003c/p\u003e\n","\u003cp\u003eAlthough there was a significant risk that the Soviet Union would cancel the delegation's visit, it occurred between February and March, 1989. The American team evaluated 27 Soviet citizens and inspected special psychiatric hospitals in Kazan and Chernyakhovsk as well as ordinary psychiatric hospitals in Vilnius and Kaunas.\u003c/p\u003e\n","\u003cp\u003eAmong those interviewed by the U.S. team were people still hospitalized, and those who had been previously discharged. The American team was greatly assisted by Mr. Aleksandr \"Sasha\" Podrabinek, the Soviet and, subsequently, Russian dissident. He was an expert on the issue of abuse of psychiatry and author of the 1979 book \"Punitive Medicine\" (see references). Mr. Podrabinek facilitated access to those who had been previously released and claimed to be unavailable by Soviet counterparts.\u003c/p\u003e\n","\u003cp\u003eThe U.S. team detailed their conclusions in their final report, \"Assessment of Recent Changes in Soviet Psychiatry\" (available in this collection), which researchers are encouraged to read. The Soviet Union responded officially with its own report.\u003c/p\u003e\n","\u003cp\u003eThe 1989 visit laid a foundation for subsequent collaboration between the two countries in the area of mental health. The U.S.-Russia Health Committee met from 1994 to 2000 as a part of a larger Gore-Chernomyrdin Commission. It focused, in particular, on mental health care during disasters and the primary care physician's role in caring for patients with depression.\u003c/p\u003e\n","\u003cp\u003eShortly after the American mission was over, the W.P.A. congress in Athens decided to provisionally readmit the Soviet All-Union Society after receiving an official, although somewhat vague, admission of the past wrongdoings (covered in detail in On Dissidents and Madness by Robert van Voren). In 1991, the W.P.A. undertook an ad hoc psychiatric inspection of the Soviet Union that Dr. Jim Birley headed. Dr. Loren Roth and other experts who served on the 1989 U.S. State Department mission joined this inspection.\u003c/p\u003e\n","\u003cp\u003eIn 1990, a delegation of Soviet psychiatrists and politicians visited the United States for an educational trip to American psychiatric services and scholarly dialogues.\u003c/p\u003e\n","\u003cp\u003e\nResearchers are encouraged to read the resources listed below to gain a better understanding of the historical events surrounding the 1989 delegation:\u003c/p\u003e\n","\u003cp\u003e- the Schizophrenia Bulletin (supplement to Vol 15, # 4, 1989), which contains the brief overview of the reasons, methodology, and findings of the American team in the U.S., the final report of the U.S. delegation both in English and Russian, as well as the Soviet response in both languages (Hyperlink1)\n- The New York Times article \"Accord Is Sought by U.S. And Soviet on Mental Wards\" of May 22, 1988\n- The Journal of the American Academy of Psychiatry and the Law, Volume 49, Number 4, 2021 \"Jonas Rappeport: A Direct, Accomplished AAPL Leader\" by Dr. Loren Roth\n- Report by the World Psychiatric Association Team on the Visit to the Soviet Union, 9-29 June 1991, headed by Dr. Jim Burley\n- Human Rights, Perestroika, and the End of the Cold War co-authored by Anatoly Adamishin and Richard Schifter in 2009\u003c/p\u003e","\u003cp\u003eIn 2021, three decades after the 1989 trip to assess the conditions of Soviet citizens confined in psychiatric hospitals for political reasons, an oral history project was initiated to document it. Loren H. Roth, Ellen Mercer, and Richard Bonnie, three members of the delegation, had always wanted to evaluate if the mission had had any lasting impact on the lives of the people interviewed and on the quality and ethical integrity of psychiatric care in the countries of the former Soviet Union. The oral history project began in conjunction with the donation of Loren Roth's papers to the University of Virginia School of Law Library. Olena Protsenko, a Ukrainian human rights lawyer, organized Roth's papers and began researching related collections. Richard Bonnie's papers and Saleem Shah's files on the abuse of psychiatry, also part of the University of Virginia Law Library manuscript collections, were essential to the project's development.\u003c/p\u003e","\u003cp\u003eDr. Joseph D. Bloom was one of the few forensic psychiatrists on the 1989 U.S. Department of State Delegation to the Soviet Union to investigate the abuse of psychiatry. Bloom is Dean Emeritus of the Oregon Health and Science University and Clinical Professor at the Department of Psychiatry of the University of Arizona Fenix College of Medicine.\u003c/p\u003e","\u003cp\u003eMr. Borissow is an American of a Russian descend. He was a contract interpreter for the U.S. State Department for many years. During the 1989 trip, he was on the sub-team # 3 under the leadership of Dr. Hirschfeld, interpreting in Leningrad.\u003c/p\u003e","\u003cp\u003eDr. William Carpenter was leader of team #2 of the 1989 American investigative scientific mission to the Soviet Union. He is Professor of Medicine at the University of Maryland School of Medicine and former Director of the Maryland Psychiatric Research Center.\u003c/p\u003e","\u003cp\u003eRobert William Farrand retired in 1998 after 34 years in the U.S. Foreign Service. He served as Ambassador to Papua New Guinea, Solomon Islands, and Vanuatu from 1990 until 1993. \u003c/p\u003e\n","\u003cp\u003eIn 1988-89 he led the U.S. delegation of medical and forensic professionals to investigate the Soviet Union's political weaponizing of psychiatry, for which he received a Superior Honor Award.\u003c/p\u003e\n","\u003cp\u003eFarrand was concurrently Supervisor of the Bosnian city of Brčko and Deputy High Representative for the northern sector of Bosnia and Herzegovina (1997 to 2000).  \u003c/p\u003e","\u003cp\u003eDr. Robert Hirschfeld is Professor of Psychiatry at Weill Cornell Medical College. He was the team leader of team # 3 during the 1989 psychiatric delegation to the U.S.S.R.\u003c/p\u003e","\u003cp\u003eMr. William Hopkins is a retired U.S. State Department staff interpreter. During the 1989 U.S. psychiatric mission to the USSR, he interpreted for team # 2 under the leadership of Dr. William Carpenter.\u003c/p\u003e","\u003cp\u003eMr. I. is a Soviet/Ukrainian dissident who was repeatedly involuntarily committed to a psychiatric hospital for political reasons. He was one of the people interviewed by the U.S. State Department investigative psychiatric mission to the U.S.S.R. in 1989.\u003c/p\u003e","\u003cp\u003eDr. Keith is the Emeritus Milton Rosenbaum Professor of Psychiatry and Psychology at the University of New Mexico School of Medicine. He was a Deputy Director and Associate Director for Schizophrenia Programs at the NIMH as of 1989. He was the team leader of team # 1 during the 1989 psychiatric delegation to the U.S.S.R.\u003c/p\u003e","\u003cp\u003eDr. Felix Kleyman is a psychiatrist practicing in New York City. At the time of the 1989 U.S. State Department mission to the Soviet Union to investigate abuse of psychiatry, Dr. Kleyman was an assistant clinical professor of psychiatry at New York Medical College. Dr. Kleyman was one of the few Russian-speaking, U.S.S.R. and U.S.-trained psychiatrists on the American team. Dr. Kleyman was also a member of the 1991 W.P.A.  mission to the Soviet Union once the All-Union Society of Psychiatrists and Narcologists was provisionally readmitted to the W.P.A.\u003c/p\u003e","\u003cp\u003eAs of 1989, Mr. Kovalev was a Senior Advisor of the Department for International Humanitarian and Cultural Relations at the Soviet Ministry of Foreign Affairs. He was charged with bringing Soviet legislation and practice in line with the international obligations of the U.S.S.R. Mr. Kovalev was responsible for the development and implementation of the psychiatric reform, including the organization of the visit of the American psychiatric delegation in 1989.\u003c/p\u003e","\u003cp\u003eAt the time of the 1989 U.S. psychiatric mission to the U.S.S.R. Ms. Mercer was the Director of the A.P.A. Office of International Affairs. She is believed to be one of the initiators of the visit and was deeply involved in its planning and preparation as the representative of the American Psychiatric Association (A.P.A.). During the visit itself, she was a member of the team inspecting psychiatric hospitals on the ground.\u003c/p\u003e","\u003cp\u003eJohn T. Monahan is the John S. Shannon Distinguished Professor of Law, Professor of Psychology, Hunton Andrews Kurth Professor of Law at the University of Virginia School of Law. He was the only forensic psychologist on the 1989 U.S. State Department investigative psychiatric mission to the Soviet Union.\u003c/p\u003e","\u003cp\u003eMr. Reddaway is a renowned expert on Russian and Soviet politics, author of many books and publications. He is Professor Emeritus of Political Science and International Affairs at George Washington University.\u003c/p\u003e","\u003cp\u003eDr. Darrel Regier was the Scientific Director of the 1989 State Department investigative mission to the U.S.S.R. and coordinated all aspects of the clinical assessment procedure. Dr. Regier completed twenty-five years at the National Institute of Mental Health (N.I.M.H.), during which time he directed three research divisions in the areas of epidemiology, prevention, clinical research, and health services research. Dr. Regier is currently a Senior Scientist at the Center for the Study of Traumatic Stress, in the Henry M. Jackson Foundation for the Advancement of Military Medicine and Department of Psychiatry, Uniformed Services University. He also serves as an independent senior scientific consultant to the American Psychiatric Association (A.P.A.) on DSM-5 and research related issues.\u003c/p\u003e","\u003cp\u003eDr. Roth was the psychiatric leader of the 1989 U.S. State Department investigative psychiatric mission to the U.S.S.R. Following 44 years of distinguished service to the Department of Psychiatry and the University of Pittsburgh School of Medicine, Loren H. Roth, M.D., M.P.H., was recognized and awarded Emeritus status at a special reception following the Department's Annual Research Day held June 7, 2018. \nPrior to his being an Emeritus Professor, for the previous five years Dr. Roth was the Associate Senior Vice Chancellor, Clinic Policy and Planning, Health Sciences, University of Pittsburgh; Distinguished Service Professor of Psychiatry, Professor of Health Policy and Management, and Clinical and Translational Science; and Senior Advisor, Quality, UPMC Health Plan.  In addition to his many academic positions, Dr. Roth has held multiple leadership roles at UPMC culminating in his being the first Chief Medical Officer of the University of Pittsburgh Medical Center (U.P.M.C.) (2003-2007).\u003c/p\u003e","\u003cp\u003eMr. S. is a Soviet/Russian dissident who was repeatedly involuntarily committed to a psychiatric hospital for political reasons. He was one of the people interviewed by the U.S. State Department investigative psychiatric mission to the U.S.S.R. in 1989.\u003c/p\u003e","\u003cp\u003eFluent in English and Russian, Ms. Smith was a contract interpreter for the U.S. State Department for many years. She interpreted for both the 1989 American delegation and the 1991 WPA delegation to the Soviet Union. During the 1989 trip, she was on the sub-team # 1 under the leadership of Dr. Samuel J. Keith, M.D. interpreting in Moscow.\u003c/p\u003e","\u003cp\u003eDr. Leon Stern is a Russian-speaking psychiatrist who was a member of the field team that inspected four psychiatric hospitals across the Soviet Union. Dr. Stern is a psychiatrist in private practice.\u003c/p\u003e"],"bioghist_heading_ssm":["History of the Abuse of Psychiatry and Psychiatrists in the U.S.S.R.","History of the 1989 U.S. State Department Investigative Mission to the U.S.S.R.","History of the 2021-2022 Oral History Project","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["While it is understood that the misuse of psychiatry for non-medical reasons allegedly started in the U.S.S.R. after the October Revolution of 1917, its widespread and systematic use as a tool to silence political dissent became well-documented during Khrushchev's era. In a 1959 speech attributed to Khrushchev, he allegedly attempted to justify putting dissidents in psychiatric hospitals by saying that only a mentally ill person may be opposed to Communism (1). While there also were \"political\" parts of the R.S.F.S.R. Criminal Code that criminalized anti-Soviet agitation and slander of the Soviet state, psychiatry was often used to isolate dissidents, punish them with psychiatric drugs, discredit their ideas, and avoid criminal law procedures.","The \"Sluggish schizophrenia\" concept developed by academician Snezhnevsky had overly broad diagnostic criteria that allowed the diagnosis of schizophrenia in patients who showed no symptoms, on the assumption that these symptoms would appear later (2). In almost every case, dissidents were examined at the Serbsky Central Research Institute for Forensic Psychiatry.\nInformation about Soviet repressive psychiatry became well-known in the West after 1971 dissident Vladimir Bukovsky smuggled over 150 pages documenting the political abuse of psychiatric institutions in the Soviet Union into the West. The papers were studied by independent psychiatrists in several countries and released to the press (3). \"Bukovsky's papers\" galvanized human rights activists worldwide and those within the Soviet Union.","While the attempt to bring the matter to the official agenda of the World Psychiatric Association (W.P.A.) at their 1971 World Congress in Mexico was unsuccessful, it kept gaining more and more outcry worldwide. So, in 1977, the W.P.A. adopted the Hawaii Declaration – a milestone defining principles of good and ethical medical practice. The All-Union Society of Psychiatrists and Narcologists, the official Soviet professional organization, was bound to withdraw from the W.P.A. at its next Congress in 1983—the allegations of the political abuse of psychiatry inflicted irretrievable damage on the prestige of Soviet medicine.","In 1975, the Soviet Union, the United States, and other countries signed the Helsinki Accords - the key document of the Conference of Security and Cooperation in Europe (C.S.C.E.). The Accords signaled a détente between the East and the West and built the foundation for the end of the Cold War, the U.S.-Soviet disarmament talks, and the \"third basket\" on human rights and freedoms in the Soviet Union.","Mikhail Gorbachev, who became the head of the Soviet Communist Party in 1985, prioritized the improvement of U.S.-Soviet relations. Also, Gorbachev launched the domestic \"perestroika\" (restructuring) and \"glasnost\" (openness) initiatives. These combined foreign and domestic policy developments fostered interest, internally and externally, in the plight of Soviet political prisoners. The Soviet Union released many political prisoners from labor camps, and in April 1987, Secretary Schultz and Soviet Minister of Foreign Affairs Shevardnadze agreed on a human rights dialog (4). As part of this broader dialog, in September 1987, the Soviet representatives began to try to assure their American counterparts that the abuse of psychiatry had ended (5).","Notes:","1. Khrushchev had said this in a speech published in the state newspaper Pravda on 24 May 1959: A crime is a deviation from generally recognized standards of behaviour frequently caused by mental disorder. Can there be diseases, nervous disorders among certain people in a Communist society? Evidently yes. If that is so, then there will also be offences, which are characteristic of people with abnormal minds. Of those who might start calling for opposition to Communism on this basis, we can say that clearly their mental state is not normal.\nKnapp, Martin, et al. Mental Health Policy and Practice Across Europe: The Future Direction of Mental Health Care, McGraw-Hill Education, 2006. ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/uva/detail.action?docID=316293.","2. Sfera, Adonis. Can psychiatry be misused again?. Frontiers in Psychiatry. 9 September 2013;(4):101. doi:10.3389/fpsyt.2013.00101. PMID 24058348.","3. For more information, see Reddaway, Peter (12 March 1971). \"Plea to West on Soviet 'mad-house' jails\". The Times. p. 8.; Bloch, Sidney; Reddaway, Peter (1984). Soviet Psychiatric Abuse. The Shadow Over World Psychiatry. London: Gollancz.","4. Schifter-Adamishin book, timeline, page xix","5. Id, pages xix and xx","During the late 1980s, U.S.-Soviet discussions about the abuse of psychiatry led to the formation of a special U.S. delegation to the Soviet Union. In February 1989, the U.S.S.R. allowed the delegation to independently assess 27 Soviet citizens believed to have been psychiatrically committed for non-medical reasons. The U.S.S.R. also allowed the delegation to inspect ordinary psychiatric hospitals and other hospitals known as \"psychoprisons.\" The U.S. delegation's psychiatric leader was Dr. Loren Roth of the University of Pittsburgh. The U.S. State Department organized the trip, closely cooperating with the American Psychiatric Association and the National Institute of Mental Health. Their Soviet counterparts were the Ministry of Foreign Affairs. The Soviet Ministry of Health and the conservative leadership of Soviet psychiatry, both believed to have been deeply involved in abuse, internally opposed the visit. However, the Ministry of Foreign Affairs overcame this opposition, and their support was critical to the U.S. delegation's success.","The U.S. delegation consisted of leading experts in psychiatry, forensic psychiatry, forensic psychology, law, and Sovietology. Also, it included a representative of the American Psychological Association (A.P.A.), and émigré Soviet psychiatrists living in the United States.","From April 1988 onward, Dr. Loren Roth engaged in extensive negotiations with his Soviet counterparts on the details of the visit. They discussed the list of people (\"patients\") to be assessed by the delegation and the processes for obtaining their consent. There were difficult negotiations over the presence of Soviet psychiatrists during the examinations, and the need to protect the interviewees from potential intimidation and retaliation.","The U.S. delegation advocated for and adopted critical precautions to ensure the transparency of the mission and its findings. They used scientifically developed structural psychiatric interview schedules, brought U.S. interpreters to assist the delegation, avoided sharing the cost of the trip with the Soviet side, collected urine samples to rule out overmedication, videotaped the interviews, and spoke with friends/relatives of those interviewed.","Although there was a significant risk that the Soviet Union would cancel the delegation's visit, it occurred between February and March, 1989. The American team evaluated 27 Soviet citizens and inspected special psychiatric hospitals in Kazan and Chernyakhovsk as well as ordinary psychiatric hospitals in Vilnius and Kaunas.","Among those interviewed by the U.S. team were people still hospitalized, and those who had been previously discharged. The American team was greatly assisted by Mr. Aleksandr \"Sasha\" Podrabinek, the Soviet and, subsequently, Russian dissident. He was an expert on the issue of abuse of psychiatry and author of the 1979 book \"Punitive Medicine\" (see references). Mr. Podrabinek facilitated access to those who had been previously released and claimed to be unavailable by Soviet counterparts.","The U.S. team detailed their conclusions in their final report, \"Assessment of Recent Changes in Soviet Psychiatry\" (available in this collection), which researchers are encouraged to read. The Soviet Union responded officially with its own report.","The 1989 visit laid a foundation for subsequent collaboration between the two countries in the area of mental health. The U.S.-Russia Health Committee met from 1994 to 2000 as a part of a larger Gore-Chernomyrdin Commission. It focused, in particular, on mental health care during disasters and the primary care physician's role in caring for patients with depression.","Shortly after the American mission was over, the W.P.A. congress in Athens decided to provisionally readmit the Soviet All-Union Society after receiving an official, although somewhat vague, admission of the past wrongdoings (covered in detail in On Dissidents and Madness by Robert van Voren). In 1991, the W.P.A. undertook an ad hoc psychiatric inspection of the Soviet Union that Dr. Jim Birley headed. Dr. Loren Roth and other experts who served on the 1989 U.S. State Department mission joined this inspection.","In 1990, a delegation of Soviet psychiatrists and politicians visited the United States for an educational trip to American psychiatric services and scholarly dialogues.","\nResearchers are encouraged to read the resources listed below to gain a better understanding of the historical events surrounding the 1989 delegation:","- the Schizophrenia Bulletin (supplement to Vol 15, # 4, 1989), which contains the brief overview of the reasons, methodology, and findings of the American team in the U.S., the final report of the U.S. delegation both in English and Russian, as well as the Soviet response in both languages (Hyperlink1)\n- The New York Times article \"Accord Is Sought by U.S. And Soviet on Mental Wards\" of May 22, 1988\n- The Journal of the American Academy of Psychiatry and the Law, Volume 49, Number 4, 2021 \"Jonas Rappeport: A Direct, Accomplished AAPL Leader\" by Dr. Loren Roth\n- Report by the World Psychiatric Association Team on the Visit to the Soviet Union, 9-29 June 1991, headed by Dr. Jim Burley\n- Human Rights, Perestroika, and the End of the Cold War co-authored by Anatoly Adamishin and Richard Schifter in 2009","In 2021, three decades after the 1989 trip to assess the conditions of Soviet citizens confined in psychiatric hospitals for political reasons, an oral history project was initiated to document it. Loren H. Roth, Ellen Mercer, and Richard Bonnie, three members of the delegation, had always wanted to evaluate if the mission had had any lasting impact on the lives of the people interviewed and on the quality and ethical integrity of psychiatric care in the countries of the former Soviet Union. The oral history project began in conjunction with the donation of Loren Roth's papers to the University of Virginia School of Law Library. Olena Protsenko, a Ukrainian human rights lawyer, organized Roth's papers and began researching related collections. Richard Bonnie's papers and Saleem Shah's files on the abuse of psychiatry, also part of the University of Virginia Law Library manuscript collections, were essential to the project's development.","Dr. Joseph D. Bloom was one of the few forensic psychiatrists on the 1989 U.S. Department of State Delegation to the Soviet Union to investigate the abuse of psychiatry. Bloom is Dean Emeritus of the Oregon Health and Science University and Clinical Professor at the Department of Psychiatry of the University of Arizona Fenix College of Medicine.","Mr. Borissow is an American of a Russian descend. He was a contract interpreter for the U.S. State Department for many years. During the 1989 trip, he was on the sub-team # 3 under the leadership of Dr. Hirschfeld, interpreting in Leningrad.","Dr. William Carpenter was leader of team #2 of the 1989 American investigative scientific mission to the Soviet Union. He is Professor of Medicine at the University of Maryland School of Medicine and former Director of the Maryland Psychiatric Research Center.","Robert William Farrand retired in 1998 after 34 years in the U.S. Foreign Service. He served as Ambassador to Papua New Guinea, Solomon Islands, and Vanuatu from 1990 until 1993. ","In 1988-89 he led the U.S. delegation of medical and forensic professionals to investigate the Soviet Union's political weaponizing of psychiatry, for which he received a Superior Honor Award.","Farrand was concurrently Supervisor of the Bosnian city of Brčko and Deputy High Representative for the northern sector of Bosnia and Herzegovina (1997 to 2000).  ","Dr. Robert Hirschfeld is Professor of Psychiatry at Weill Cornell Medical College. He was the team leader of team # 3 during the 1989 psychiatric delegation to the U.S.S.R.","Mr. William Hopkins is a retired U.S. State Department staff interpreter. During the 1989 U.S. psychiatric mission to the USSR, he interpreted for team # 2 under the leadership of Dr. William Carpenter.","Mr. I. is a Soviet/Ukrainian dissident who was repeatedly involuntarily committed to a psychiatric hospital for political reasons. He was one of the people interviewed by the U.S. State Department investigative psychiatric mission to the U.S.S.R. in 1989.","Dr. Keith is the Emeritus Milton Rosenbaum Professor of Psychiatry and Psychology at the University of New Mexico School of Medicine. He was a Deputy Director and Associate Director for Schizophrenia Programs at the NIMH as of 1989. He was the team leader of team # 1 during the 1989 psychiatric delegation to the U.S.S.R.","Dr. Felix Kleyman is a psychiatrist practicing in New York City. At the time of the 1989 U.S. State Department mission to the Soviet Union to investigate abuse of psychiatry, Dr. Kleyman was an assistant clinical professor of psychiatry at New York Medical College. Dr. Kleyman was one of the few Russian-speaking, U.S.S.R. and U.S.-trained psychiatrists on the American team. Dr. Kleyman was also a member of the 1991 W.P.A.  mission to the Soviet Union once the All-Union Society of Psychiatrists and Narcologists was provisionally readmitted to the W.P.A.","As of 1989, Mr. Kovalev was a Senior Advisor of the Department for International Humanitarian and Cultural Relations at the Soviet Ministry of Foreign Affairs. He was charged with bringing Soviet legislation and practice in line with the international obligations of the U.S.S.R. Mr. Kovalev was responsible for the development and implementation of the psychiatric reform, including the organization of the visit of the American psychiatric delegation in 1989.","At the time of the 1989 U.S. psychiatric mission to the U.S.S.R. Ms. Mercer was the Director of the A.P.A. Office of International Affairs. She is believed to be one of the initiators of the visit and was deeply involved in its planning and preparation as the representative of the American Psychiatric Association (A.P.A.). During the visit itself, she was a member of the team inspecting psychiatric hospitals on the ground.","John T. Monahan is the John S. Shannon Distinguished Professor of Law, Professor of Psychology, Hunton Andrews Kurth Professor of Law at the University of Virginia School of Law. He was the only forensic psychologist on the 1989 U.S. State Department investigative psychiatric mission to the Soviet Union.","Mr. Reddaway is a renowned expert on Russian and Soviet politics, author of many books and publications. He is Professor Emeritus of Political Science and International Affairs at George Washington University.","Dr. Darrel Regier was the Scientific Director of the 1989 State Department investigative mission to the U.S.S.R. and coordinated all aspects of the clinical assessment procedure. Dr. Regier completed twenty-five years at the National Institute of Mental Health (N.I.M.H.), during which time he directed three research divisions in the areas of epidemiology, prevention, clinical research, and health services research. Dr. Regier is currently a Senior Scientist at the Center for the Study of Traumatic Stress, in the Henry M. Jackson Foundation for the Advancement of Military Medicine and Department of Psychiatry, Uniformed Services University. He also serves as an independent senior scientific consultant to the American Psychiatric Association (A.P.A.) on DSM-5 and research related issues.","Dr. Roth was the psychiatric leader of the 1989 U.S. State Department investigative psychiatric mission to the U.S.S.R. Following 44 years of distinguished service to the Department of Psychiatry and the University of Pittsburgh School of Medicine, Loren H. Roth, M.D., M.P.H., was recognized and awarded Emeritus status at a special reception following the Department's Annual Research Day held June 7, 2018. \nPrior to his being an Emeritus Professor, for the previous five years Dr. Roth was the Associate Senior Vice Chancellor, Clinic Policy and Planning, Health Sciences, University of Pittsburgh; Distinguished Service Professor of Psychiatry, Professor of Health Policy and Management, and Clinical and Translational Science; and Senior Advisor, Quality, UPMC Health Plan.  In addition to his many academic positions, Dr. Roth has held multiple leadership roles at UPMC culminating in his being the first Chief Medical Officer of the University of Pittsburgh Medical Center (U.P.M.C.) (2003-2007).","Mr. S. is a Soviet/Russian dissident who was repeatedly involuntarily committed to a psychiatric hospital for political reasons. He was one of the people interviewed by the U.S. State Department investigative psychiatric mission to the U.S.S.R. in 1989.","Fluent in English and Russian, Ms. Smith was a contract interpreter for the U.S. State Department for many years. She interpreted for both the 1989 American delegation and the 1991 WPA delegation to the Soviet Union. During the 1989 trip, she was on the sub-team # 1 under the leadership of Dr. Samuel J. Keith, M.D. interpreting in Moscow.","Dr. Leon Stern is a Russian-speaking psychiatrist who was a member of the field team that inspected four psychiatric hospitals across the Soviet Union. Dr. Stern is a psychiatrist in private practice."],"processinfo_html_tesm":["\u003cp\u003eOlena Protsenko processed this collection. She was a post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Olena Protsenko processed this collection. She was a post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is divided into two series. The first series, \"abuse of psychiatry and psychiatrists\", consists of subject files compiled by Dr. Loren Roth, Professor of Psychiatry at the University of Pittsburgh. They are evidence of Dr. Roth's efforts to stop the abuse of psychiatry and psychiatrists for political reasons, with an emphasis on the former Soviet Union. The subject files contain correspondence, articles, reports, evaluations, meeting minutes, agendas, planning materials, diaries, photographs, memoranda, handwritten notes, programs, books, videotapes, ephemera, and other items. Together, these materials date from around 1950 to 2008. However the bulk of them date from the 1970s to the 1990s, when Dr. Roth participated in U.S. delegations to the former Soviet Union and was part of the American Psychological Association's (APA) Committees on Human Rights and International Abuse of Psychiatry and Psychiatrists.\u003c/p\u003e\n","\u003cp\u003e\nThe second series consists of materials that were gathered and produced for the \"Retrospective Review of the 1989 U.S. State Department Psychiatric Mission to the U.S.S.R.\" project. These materials include oral history interviews with individuals involved with the 1989 mission, a 1989 recorded interview with a psychiatric patient, project correspondence, biographical files, interview minutes, and an organizational chart. Most of the items in this series date from the time of the project, 2021 to 2022.\u003c/p\u003e","\u003cp\u003eThis series consists of subject files that Dr. Loren Henry Roth assembled and used while working to stop the abuse of psychiatry and psychiatrists for political reasons, emphasizing abuse in the former Soviet Union. The files contain correspondence, memoranda, meeting documents, articles, reports, lists, forms, evaluations, photographs, diaries, and other materials.\u003c/p\u003e","\u003cp\u003eWorld Psychiatric Association Proposed Declaration of Hawaii; \"Honolulu Paper\": Somerville, John: \"Ethics and Psychiatry,\" (1977); Committee of French Psychiatrists Against The Political Uses of Psychiatry Special Bulletin, the World Congress of Psychiatry in Hawaii; newspaper clippings from Hawaiian newspapers (1977). APA white paper: \"Misuse and Abuse of Psychiatry in the U.S.: A definition and Discussion,\" (1991); correspondence and papers of Paul Chodoff, (1989-1990 and undated); Helmchen, H. and A. Okasha: \"From the Hawaii Declaration to the Declaration of Madrid,\" Acta Psychiatr Scand 200:101: 2023\u003c/p\u003e","\u003cp\u003eCopy of the Report to the Board of Trustees, American Psychiatric Association of the Ad Hoc Committee on the Use of Psychiatric Institutions for the Commitment of Political Dissenters (1972); Boekovski Berichten Bukovsky News: The Case of Irina Grivnina (1985?); Statement of Dr. Algirdas Statkevicius to the Commission on Security and Cooperation in Europe (1988); copy of letter from Peter Reddaway to Viktor Nakas, Leon Stern, Robert van Voren and Algirdas Statkevicius (1989); copy of translation of SB case (1987-1989); U.S. Helsinki Watch Committee [memorandum] re Shatravka Family (1988); Committee of Concerned Scientists, Inc \"Call for Action for Three Soviet Former Prisoners of Conscience,\" (1988); and newspaper clippings mainly of Pyotr G. Grigorenko and Anatoly Koryagin\u003c/p\u003e","\u003cp\u003e\"Special Report, The Medical Profession and the Prevention of Torture,\" The New England Journal of Medicine (October 1985); \"Sowing fear: The Uses of Torture and Psychological Abuse in Chile,\" A Report by Physicians for Human Rights (October 1988); Proposal. Center for Rehabilitation of Torture Victims [RCT], New York, NY and Roseland, New Jersey (undated); RCT International Newsletter on Treatment and Rehabilitation of Torture Victims (1990-1991); RCT IRCT [International Rehabilitation Council for Torture Victims]: Torture [packet of documents] (1991-1992); Jacobsen, Lone and Pete Vesti: Torture Survivors – a New Group of Patients, The Danish Nurses Organization, 1990; Canadian Centre for Victims of Torture\u003c/p\u003e","\u003cp\u003eHuman Rights Task Force of the APA survey on human rights organizations (1984); Human Rights Survey Responses (1988); Human Rights Cases Monitored by the APA (1990); photocopy of European Convention on Human Rights Collected Texts, Strasbourg, 1965.  Folder includes an incomplete set of The World Medical Association press releases (1975-1990), printed materials and news clippings\u003c/p\u003e","\u003cp\u003eDocuments from the Ninth Session of the U.S.-U.S.S.R. Joint Committee for Health Cooperation, (1988-11-17); Trip Report – P.H.S. Delegation Visit to the Soviet Union  November 13-20, 1988 Ninth U.S.-U.S.S.R. Health Committee Meeting (1989-01-25); Summary of Cooperation in Health Between the US Public Health Service and the Ministry of Health of the U.S.S.R. (1989-01-26); Peter Henry thoughts re Implications of Trip for U.S.-Soviet Health Agreement (1989-02-02)\u003c/p\u003e","\u003cp\u003eRoth's printed account of trip that he made with Rabbi Mark Staitman, Larry Hurwitz, cardiologist;  Harold and Esther Garfinkel, community leaders; Joy Weber, science writer, and Rabbi Jonathan Stein. September 20-October 1, 1986. (2 versions)\u003c/p\u003e","\u003cp\u003eDr. Roth and Ambassador Schifter's preliminary planning documents for the U.S. mission to the U.S.S.R. in April of 1988.\u003c/p\u003e","\u003cp\u003eAPA Memorandum re \"use of psychiatry for political purposes\" (1988-03-21); [USSR] Regulations for Psychiatric Hospitals, LS No. 124600 JS/AO Russian, Appendix to Decree No. 225 of the USSR Ministry of Public Health, 21 March 1988; Pre-summit discussions. Report of Soviet Contact (1988-03-23): Gennadi N. Milyokhin, M.D. visit to Parklawn;  [Unedited] On the Record Briefing of Richard Schifter, Assistant Secretary of State for Human Rights and Humanitarian Affairs,  March 25, 1988\u003c/p\u003e","\u003cp\u003ePeter Reddaway: \"Will Perestroika End Political Abuse in Soviet Psychiatry?\" (1988-07-03); copy of pages 5-6 of \"Argumenty I fakty\" No. 11/1987, [Reporter V. Romanenko interviews with  Dr. Marat Vartanyan (1987- 03-21-27)]; anonymous draft \"Ground Rounds\", \"Abuses in Soviet Psychiatry\" (undated); Karklins, Rasma: \"The Dissent/Coercion Nexus in the USSR, Working Paper #36, Soviet Interview Project (1987-05); Roth's handwritten notes; copies of printed materials related to Soviet psychiatry; annotated copy of Berman, Harold J.: Soviet Criminal Law and Procedure. The RSFR Codes. Cambridge, Harvard University Press, 1977, pp. 3-124\u003c/p\u003e","\u003cp\u003eStipulations for Delegation of U.S. Psychiatrists and Other Experts Visiting the USSR (1988-11-09); Roth's handwritten notes. Also Ellen Mercer U.S.S.R. Trip Confidential  Report (1988 -11) and Saleem A. Shah Department of Health and Human Services Report on International Travel (1988-11-18). Correspondence to Alexander A. Churkin  with documents: US-Soviet Understanding for Delegation of US Psychiatrists and Other Experts Visiting the USSR; \"Discussions\"; Consent Forms for Persons Interviewed and of Relatives and Friends (1988-12-19)\u003c/p\u003e","\u003cp\u003ere assesment of Soviet Psychiatry (1988-08-04), memorandum re \"Sensible Tactics re U.S. Delegation on Soviet Psychiatry; human rights and Soviet Psychiatry; \"things to do; Roth's notes; and Roth: \"Uses of Psychiatry in the U.S.S.R. and U.S.A,\" Browning Hoffman Lecture, UVA School of LAw (1988-10-07).\u003c/p\u003e","\u003cp\u003eInternational Association on the Political Use of Psychiatry [IAPUP]: Information Bulletin Nos. 3, 9, 11, 18-21; also copy of \"II. The Case of All-Union Society (undated). Soviet Psychiatry News, vol. 1, nos. 1-2 (1989)\u003c/p\u003e","\u003cp\u003eUS State Department Soviet Psychiatric Project Delegation to the Soviet Union Planning Trip – correspondence, telegrams, memoranda re: negotiations, support and concerns, instructions, logistics for the trip. Correspondence with Soviet and US officials, and other psychiatrists. Summary of discussions with Ambassador Richard Schifter (1989-02-11); comments from Saleem Shah (1989-02-10); from Robert van Voren, Ellen Mercer, Dr. Edward Kelty and others.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials related to the organization, planning and logistics of the trip, as well as background information about the psychiatric abuse in the U.S.S.R.\u003c/p\u003e","\u003cp\u003eThis file contains memoranda, handwritten notes, list of participants, questionnaires, Forensic Interview Schedule, and Interpersonal Personality Disorder Examination (IPDE).\u003c/p\u003e","\u003cp\u003eDSM-III-R Criteria Checklist (1988-05-23; Structural Clinical Interview for DSM-III-R Patient Version (1988-06-01) SCID-NP/OP Psychotic Screening (1988-06-01); Instruction Manual for the Structured Clinical Interview for DSM-III-R (1988 and 1989)\u003c/p\u003e","\u003cp\u003eDSM-III-R Criteria Checklist (1988-05-23; Structural Clinical Interview for DSM-III-R Patient Version (1988-06-01) SCID-NP/OP Psychotic Screening (1988-06-01); Instruction Manual for the Structured Clinical Interview for DSM-III-R (1988 and 1989)\u003c/p\u003e","\u003cp\u003eRussian version of IPDE (1989-02-16); Russian version of Revised SCID Standardized Clinical Study According to DSM-III-PD Criteria (SKID) (1991-04); Russian version of World Psychiatric Association visit to the USSR Forensic Examination (1991-03)\u003c/p\u003e","\u003cp\u003eThe reports were written by doctors Jonas Rappeport, M.D., Vladimir Levit, MD., Samuel J. Keith, M.D, Darrell A. Regier, M.D., Loren Roth, M.D., Felix Kleyman, M.D., Joseph Bloom, M.D., William. T. Carpenter, M.D., Robert Hirschfeld, M.D., Alla Arsenian (interpreter); Elmore Rigamer, M.D., Joel Klein; Boris Shostokovich, M.D.; John Monahan; Nancy Andreason, M.D.; William Farrand.\u003c/p\u003e","\u003cp\u003eReports of forensic evaluations done in Moscow and Leningrad by Jonas R. Rappeport, John Monahan, Joseph D. Bloom; draft of Roth's \"Patient Sample –Description. Methodological Issues – Obstacles\" (1989-04-10); assessments and handwritten notes re patients; Russian document with translation re patients (undated); Roth's notes on various interviewees (1991-02-07)\u003c/p\u003e","\u003cp\u003eThe materials in this file include Roth's letters to persons who he wished to interview but didn't; U.S. Department of State \"transliteration\" of names (1989-04-04) and inventory of status of cases (1989-04-05)\u003c/p\u003e","\u003cp\u003e\"Delegation of US Psychiatrists Issues Press Statement\" signed by members of the US Psychiatric Delegation: Nancy Andreasen, M. D.; Joseph D. Bloom, M.D.; Richard J. Bonnie; William T. Carpenter, M.D.; Robert M. A. Hirschfeld, M. D.; Samuel J. Keith, M.D.; Joel Klein; Felix L. Kleyman, M.D.; Vladimir A. Levit, M.D.;  David Lozovsky, M. D.; Ellen Mercer, John Monahan, PhD; Jonas R. Rappeport, M.D.; Peter B. Reddaway, Ph.D; Darrel A. Regier, MD.D., M.P.H.; Elmore E. Rigamer, M.D.; Leon Stern, M.D.; Harold M. Visotsky, M. D.]\u003c/p\u003e","\u003cp\u003eTestimonies of Darrel A. Regier, Robert W. Farrard, Peter Reddaway, Robert van Voren, Loren H. Roth; statement of Steny H. Hoyer; LHR's handwritten notes; correspondence; responses, printed materials; draft I Report of the U.S. Delegation and Preliminary Soviet Reply: Brief Analysis of Points of Agreement and Disagreement; Loren H. Roth Final Report of the US Delegation to Assess Recent Changes in Soviet Psychiatry. Objectives and Execution of the Visit. American Psychiatric Association Annual Meeting, New York, NY, May 15 1990; some correspondence and memoranda related to CSCE meetings in Copenhagen (June 1990); and copy of U.S. Report (speech) on CSCE – Moscow (1991-10-02)\u003c/p\u003e","\u003cp\u003eCopy of Reddaway's Trip to Moscow, October 29-November 2, 1988; memo re: \"The difficult situation we are in: how should we proceed,\" (1989, 02-19); notes on Soviet Psychiatry Developments (1990-01-20); copy of \"Trip to Moscow, August 20-30, 1992.\"\u003c/p\u003e","\u003cp\u003e\"Dissent and Disorder: Human Rights in Soviet Psychiatry,\" (1989-07-); copy of unauthored paper; \"The Legacy of Psychiatric Abuse in the U.S.S.R.,\" (undated); Russian version and translation of \"Proceedings of the session of Working Party formulating the draft law on 'Psychiatric Help in the U.S.S.R.',\" (1991-02-14)\u003c/p\u003e","\u003cp\u003e\"Soviet Access to and Utilization of Mental Health Services: A Comparative View,\"  paper presented at the National Conference on Soviet Refugee Health and Mental Health, Chicago, IL (1991-12-11); Isaac Ray Lectures: \"The Future of the Doctor-Patient Relationship. Lesson from Two Cultures, The Former Soviet Union and the United States,\" Discussants: Loren H. Roth, M.D., Dean Eckenrode, George Huber, J.D., Mark Schmidhofer, M.D. (1998-05-07)\u003c/p\u003e","\u003cp\u003e\"The New Soviet Legislation on the Provision of Psychiatric Care,\" speech delivered at the symposium of the International Association on the Political Use of Psychiatry, Washington, D.C., (1988-10-14); Koryagin: \"A Green Light of Injustice,\" Zurich, (1988-12-20); notes from Boris Zoubok, M.D.; copy of \"Law of the USSR on the protection of the rights and legal interests of persons suffering from psychiatric disorders and on the grounds and procedures for the administration of psychiatric care,\" (1990-10-08); Roth's Notes on Meeting of USSR Supreme Soviet Committee on Mental Health Law, Moscow (1990-10-26); copy of Smit, Jonna: \"Human Rights and Mental Health Legislation: the USSR,\" (1991-05-21); van Voren, Robert: \"Ukrainian Psychiatry: Starting from Scratch,\" (undated); Regulations on a psychiatric hospital (Положение о психиатрической больнице), [printed Russian document] CCCP, No. 225, 1988; printed materials and news clippings, 1988-2004; Patients in Psychiatric Hospital Requiring Follow-up and Review – interview methodology, list, memoranda\u003c/p\u003e","\u003cp\u003eDraft and confidential memorandum of meeting with Minister of the Department of Humanitarian Affairs [Yuri A.] Reshetov. Also interview methodology and memoranda.\u003c/p\u003e","\u003cp\u003eKazan Special Psychiatric Hospital, Vilnius Ordinary Hospital, Kaunas Hospital, Chernyashovsk Special Psychiatric Hospital\u003c/p\u003e","\u003cp\u003eRichard J. Bonnie draft; \"Legal and Humanitarian Aspects of Soviet Psychiatry: Some Preliminary Conclusions\" (1989-03-28); also comments on Klein's and Reddaway reports (1989-04 to 1989-05); LHR Confidential Drafts #1-5 (1989-05-19-31); Objectives of the Clinical Interviews (1989-05-22); Dr. Harold M. Visotsky Response to Joel Kline (1989-05-30); Hospital Team Report by Harold Visotsky, Elmore Rigamer, and Loren H. Roth (1989-05-30); remarks from Joe Bloom (1989-06-05); Richard Bonnie: Note to Members of the US Delegation to the Soviet Union (1989-06-16); Bill Farrad; Executive Summary [annotated] (1989-06-20); \"USSR Psychiatrists at a Human Rights Round Table in Moscow in April 1988,\" annotated copy of attachment sent by Joel Kline to Roth (undated); Vladimir A. Levit comments (1989-06-26); Saleem [Shah]: Soviet Compliance and Study Limitations (1989-06-28) and comments (1989-06-26); Peter Reddaway draft (1989-06-28) [2 folders], 1989-03 to 1989-06\u003c/p\u003e","\u003cp\u003eAlso: State Department \"rough translation\" of Soviet response: \"Response to the medical part of the report by the U.S. delegation of psychiatrists and lawyers,\" (1989-07-06); Draft translation of the final Soviet comments on the report: Commentary on the Report [130008 JS/AO Russian] (1989-09-26); U.S. Department of State Memorandum re Comments on the Soviet response to the Report (1989-10-12); printed Russian document inscribed by Polubinskaya to Loren H. Roth: [Academy of Sciences of the U.S.S.R., Soviet State and Right. Separate Report, Moscow 1990];  translation of S. V. Polubinskaya and S. V. Borodin: \"The Legal Problems of Soviet Psychiatry: The Views of American and Soviet Experts,\" Soviet State Law, No. 5, 1990, pp. 67-76\u003c/p\u003e","\u003cp\u003eResolution of the WPA (1989-10-17); WPA Statement by the All Union Society of Soviet Psychiatrists and Narcologists of the U.S.S.R. before the World Psychiatric Association General Assembly in Athens (1989-10-18); Memorandum re: Site Visit by the WPA Review Committee to the U.S.S.R. (1990-03-13); Reddaway, Peter: The Struggle over Reform in Soviet Psychiatry Intensifies: Is the Establishment Beginning to Panic? (1990-04-30); Remarks by Svetlana Poloubinskaya at the APA's Committee of International Abuse of Psychiatry and Psychiatrists (1990-05-16)\u003c/p\u003e","\u003cp\u003eAPA correspondence with the Center for Democracy in the U.S.S.R., U.S. Department of State, (Schifter and Mercer); University of London Institute of Psychiatry, 1989-05 to 1989-11. Also, miscellaneous correspondence with literary agents (1989-03 to 1989-04)\u003c/p\u003e","\u003cp\u003eTranslations of A.  Karpov, Chief Psychiatrist, U.S.S.R. Ministry of Health: \"The Registration of Mental Patients in the U.S.S.R.\" (1990-10-25) and \"Basic Findings of the Conclusion of the U.S.S.R. Constitutional Supervision Committee on Whether Legislation for the Compulsory Treatment and Re-Education of Through Labour of Persons Suffering from Alcoholism or Drug-Addiction Conforms to the U.S.S.R. Constitution and International Enactments on Human Rights,\" by B. M. Lazarev, Deputy Chairman of the USSR Constitutional Supervision Committee (1990-10-25). Also Saleem A. Shah: \"Forensic Interview Schedule\". Correspondence with Otto Dorr Zegers, Csaba Banki, M.P. Deva, Driss Moussaoui, Jim Birley, and Gerard Low-Geer\u003c/p\u003e","\u003cp\u003eCorrespondence with Dr. Otto Dörr-Zegers (Chile); Dr. Csava Bànki (Hungary); Dr. M. P. Deva (Malaysia); Dr. Driss Moussaoui (Morocco); Dr. Jim Birley (WPA Negotiating Team); Dr. Gerard Low-Greer (England).\u003c/p\u003e","\u003cp\u003eIncluded are: Gostin, Larry: \"Human Rights in Mental Health: Japan. Report of an international mission to Japan: 1987,\"  World Health Organization/Harvard University International Collaborating Center on Health Legislation, World Federation for Mental Health [1987]; Kawasaki, Shigeru: \"Like a Shedding Snake,\" English Summary, J. JAPH 2:2 Spring 1991; news-clippings.\u003c/p\u003e","\u003cp\u003eCorrespondence with Ellen Mercer re Singapore (1985-09-18); UN Commission on Human Rights E/CN. 4 Sub.2/1988/23: Report on the Sessional Working Group on the question of persons detained on the grounds of mental ill-health or suffering from mental disorder; Proceedings. International Forum on Mental Health Reform, Kyoto, Japan, January 29-30, 1987; Benatar, S. R.: correspondence and articles (1990); Final draft of the \"UN Principles Produced by the Working Group on Human Rights,\" Annex A Principles for the Protection of Persons with Mental Illness and for the Improvement of Mental Health Care\u003c/p\u003e","\u003cp\u003eThe sub-series consists of materials Loren Roth collected as part of his work on this committee. These include meeting minutes and agendas, correspondence, reports, articles, clippings, memoranda, and other items.\u003c/p\u003e","\u003cp\u003eAPA lists of cases in the U.S.S.R., Yugoslavia and Romania (1988-07-05); memo for the record re Soviet dissidents\u003c/p\u003e","\u003cp\u003eAPA minutes of meeting (1988-09-07); Draft Statement Following Discussion with Dr. Sabshin; APA Draft Resolution by the Committee on International Abuse of Psychiatry to not object to the re-admittance of  the All-Union Society of Psychiatrists and Neuropathologists of the USSR into the WPA (1988-09-07); minutes of the APA Committee on Human Rights (1988-09-09); some correspondence, (1988 -09)\u003c/p\u003e","\u003cp\u003eMinutes of conference call (1989-02-15); correspondence; IAPUP documents re to Soviet psychiatry (1989-02); copy of Dr. Marvin Brook handwritten comments on the By-Laws of the WPA (undated); Application of the Independent Psychiatric Association of the USSR (IPA) for membership to the WPA, includes Constitution and Declaration (1989-03-09); APA Guidelines for Psychiatric Services in Jails and Prisons; APA draft guidelines on the Right of Refuse (Anti-Psychotic) Medication.\u003c/p\u003e","\u003cp\u003eIncludes some correspondence and documents: Memorandum re Revision of the WPA Review Committee's Operational Instrument ( 1989-04-270; translation of letter from Nikolai Fedrovich Zhukov to US Congress (1989-03-04); IAPUP Documents on the Political Abuse of Psychiatry in the USSR 18: The Founding of the Association of Independent Psychiatrists in the USSR and the US Delegation of Psychiatrist to the USSR (March 1989); IAPUP Report and brochures, 1989-04\u003c/p\u003e","\u003cp\u003eMemorandum re Detention of Cuban psychiatrist Dr. Alfredo Samuel Martínez Lara (1989-04-19); WPA Proposed alterations (1989-04 -25); copy of entrance application of the International Independent Research Centre on Psychiatry to the WPA (1989-03-27), news clippings; Dr. Marat Vartanian original article sent to the International Journal on Mental Health\u003c/p\u003e","\u003cp\u003eIncluded are: Ellen Mercer and Fini Schulsinger interviews with Radio Canada (1989-03); and \"rough\" transcripts of  Radio Free Europe with Viktor Lanovoy, President of the Independent Association of Psychiatrists (1989-06-15); Croatian Committee for Human Rights press release re human rights abuses (1989-06-24); [translation] of M. Buyanov articles in Uchitelskaya Gazeta (1988-11-19); Association Psychiatric Independent (IPA) press release (1989-04-12); Commission of the European Communities: \"Observations on the State of Implementation of Programme of Psychiatrists Reform in Greece,: (1987-12-31); IAPUP Documents Special Issue: \"The Political Abuse of Psychiatry in Rumania (June 1989);  IAPUP Documents on the Political Abuse of Psychiatry Nos. 22, 23, 24, 25 (June-July 1989)\u003c/p\u003e","\u003cp\u003eIncludes Summary of the WPA Executive Committee in Athens and Resolutions (1989-08-18); excerpts of anonymous document \"Autumm 1988, Gerlovka\" re abuse in the USSR ; printed articles, news clippings\u003c/p\u003e","\u003cp\u003eIncludes unofficial translation of  Statement by the All-Union Scientific Society of Psychiatrists (1989-10-02); Remarks of Christian Barton Concerning Allegations of Psychiatric Abuse of Dissidents by the Cuban Government (1989-09-13); Sabshin, Melvin: Statement to the Subcommittee on Health and Environment of the US House of Representatives re APA position on Soviet psychiatric practices (undated); Testimony of Victor Davidoff, former victim of abuse in the Soviet Union (undated); Commentary on the Report \"Assessment of Recent Changes in Soviet Psychiatry, prepared by the US Delegation on the Results of its visit to the USSR,\" (1989-09-15); IPA bulletins (1989 -08-07 and 1989-08-31); news clippings\u003c/p\u003e","\u003cp\u003eIncludes: Liaison Report (1989-10); Gluzman, Semyon: \"Bureaucratic Ethics and Soviet Psychiatry,\" (1989-11) and Commentary on the Memorandum of G. Lukacher (1989-10-14) re All Union Scientific Society of Psychiatrists; translation of A.I. letter \"To the World Congress of the WPA,\" (1989-10-16); translation of letter from Social Organizations in Leningrad To the Participants in the Congress of the WPA (Athens, Greece, October 1989); Schifter, Richard: \"An Inventory of Soviet Human Rights Developments\" (1989-10-04); IAPUP Documents on the Political Abuse of Psychiatry in the USSR No. 29, 30\u003c/p\u003e","\u003cp\u003eSome copies of  documents related to the former Yugoslavia; lists of interments and releases in the Soviet Union (1989-12-21); draft translation of [Sotsialisticheskaya Industriya] A Detail report: Psychiatry Without Secrets (1989-10-31); Documents on the Political Abuse of Psychiatry in the Soviet Union 31 (1989-12); WPA Minutes (1989-08-11-13)\u003c/p\u003e","\u003cp\u003eCorrespondence related to abuses in Cuba; Pena, Jose M. et al: \"Abuse and Misuse of Psychiatry in the U.S.: The Need for an Institutional Ethics,\" (1990-02); list of human rights cases monitored by the APA in Argentina, Bulgaria, Cuba, Czechoslovakia, Hungary, Malawi, Morocco, Romania, South Africa, Sudan, Turkey, Uruguay, Yugoslavia, Zaire (1990-02-06); Mercer, Ellen: USSR Trip Report/February 25-March 3, 1990\u003c/p\u003e","\u003cp\u003eIncludes: Second World Center Annual Report 1989 and APA Statement on Simón Bolívar Award and Lecture (1990-02-15)\u003c/p\u003e","\u003cp\u003eCorrespondence re Cuban psychiatrists (1990-04); Keston College Support Group: \"Igor Rodionov Report\" (1990-04); Yelena Izyumova Open Letter to the Members of the APA, Moscow May 20, 1990; anonymous essay re : Psychiatric Abuse in the USSR (Helsinki Watch), undated\u003c/p\u003e","\u003cp\u003eAlso: \"Proposed New Policies for the APA in Regard to the Abuse of Psychiatry for Political and Other Non-Medical Purposes in the USSR,\" (undated)\u003c/p\u003e","\u003cp\u003eIncludes copy of Human Rights Survey Responses (1988-04-01) and reports of the Council on International Affairs, Committee on Human Rights and Committee on International Education\u003c/p\u003e","\u003cp\u003eIncludes reports of the Council on International Affairs, Committee on Human Rights and Committee on International Education; memoranda re IAPUP meetings in Germany (1990-09); letter from Dr. Jeffrey Heller to the Committee on Abuse of Psychiatry re Soviet Delegation at H and CP Institute (1990-10-10); Documents on the Political Abuse of Psychiatry in the USSR No. 38 (1990-09)\u003c/p\u003e","\u003cp\u003eIncludes correspondence from Dr. Valerian Tuculesco re post-traumatic stress disorder after the Romanian revolution (1990-10); correspondence re Oleg Vitalyevich Kozlov re hijacked plane to Helsinki (1990-11); American Ambassadors People to People Trip to the USSR 14-27 August 1990 \"Professional Diary\" compiled by E. B. Brody (1990-09-05);  \"Psychiatric Issues Encountered on Recent Trip to USSR,\" memorandum from Holt Ruffin (World Without War) (1990-10-25); Hartmann, Lawrence M.D.: \"Notes on Some Social Psychiatric Problems in Chile, South Africa and the Soviet Union,\" (1990-10); Documents on the Political Abuse of Psychiatry in the USSR Nos. 39, 40, 41; documents relative to the Joint APA-Caribbean Psychiatric Association Meeting; Ellen Mercer: China Trip Report (1990-11)\u003c/p\u003e","\u003cp\u003eIncludes reports of the Committee on International Education; Final draft of the UN Principles for the Protection of Persons with Mental Illness and for the Improvement of Mental Health Case (1990-12-11); \"Sugar, Jonathan M.D. et al: \"Psychiatry's Global Challenge: Responsibilities of American Psychiatrists in International Health (undated)\u003c/p\u003e","\u003cp\u003eIncludes letter from Dr. Dainiys Pūras re abuse of psychiatry in Lithuania (1991-01-19); correspondence re abuse in Romania (1991-02-08); \"Proposal for The Moscow Center for Rehabilitation of Torture Victims (undated)\u003c/p\u003e","\u003cp\u003eIncludes correspondence and document re abuses in Romania; correspondence between Dr. Roth, Gennadi Milyokhin, Juan José López-Ibor, re Revaz Uturgaury (1991-03); correspondence re Soviet individuals\u003c/p\u003e","\u003cp\u003eIncludes CIOMS: Development of International, Ethical Guidelines for Epidemiological Research and Practice, Plenary III Issues related to the HIV/AIDS Pandemic. Proposed Guidelines for International Testing of Vaccines and Drugs against HIV Infection and Aids (1990-11); copies of correspondence between and V. Tuculescu re Romania; Reddaway, Peter: Psychiatric Developments in the USSR (1991-06) and \" Problems of Reforming Soviet Psychiatry and Assuring Rights for the Mentally Ill,\" (undated); \"The Heartbeat of Reform. Soviet Jurists and Political Scientists Discuss the Progress of Perestroika, Glasnot, Democracy, Socialism,\" Translated from the Russian by Vic Schneierson, Moscow, [1991]; Documents on the Political Abuse of Psychiatry in the USSR No. 47, 48\u003c/p\u003e","\u003cp\u003eIncludes reports of the Council on International Affairs, Committee on Human Rights and Committee on International Education. Also includes several documents dated September 1991: Memo for the Record Briefing Meeting for the Chinese Academy of Social Sciences Human Rights Study Group (1991-09-24); USSR Draft Law (17 June 91) on Psychiatric Assistance; Ministry of Health, USSR, All-Union Society of Psychiatrists Governing Board Decision (1991-05-15-16); WPA Memorandum to the All-Union Society of Psychiatrists (1991-07-28); Dr. Stanislaw Golec: \"Health Care in Poland 91\"; \"Instructional Recommendations on the Application of USSR Ministry of Health Order No. 555 (1989-09-19); WPA documents; International Committee of the Red Cross Report on \"Second Working Group of Experts on Battlefield Laser Weapons,\" (1990-11-05-06)\u003c/p\u003e","\u003cp\u003eIncludes \"copy of a part\" of Japanese Mental Health Law with translation (1988); translation of  \"law on patient's rights\" in Finland (1991-08); WHO Guidelines for the Clinical Investigation of Antidepressant Drugs (1984)\u003c/p\u003e","\u003cp\u003eIncludes LHR handwritten notes re Abuse Committee (1992-04); \"Cuban Dissidents in Psychiatric Hospitals An Update of the Politics of Psychiatry in Revolutionary Cuba,\"; \"Dimineata, 7th January 1992, The Mad People Were Dissidents,\" re Romania (undated); \"The Plenary Session of the Board of Directors of the All-Union Scientific Society of Psychiatrists (1992-05) and Follow-Up of US Team's 1989 Patients list, Appendices 1 and 2 sent to Dr. Birley with names of patients (1992-02); Information about the Patient Bill of Rights Tally Sheet (1992-04); Geneva Initiative on Psychiatry [GPI]: Documents on the Abolition and Prevention of Political Abuse of Psychiatry (1992-03 and 1992-04)\u003c/p\u003e","\u003cp\u003eIncludes reports of the Council on International Affairs, Committee on Human Rights and Committee on International Education. Also: Country Reports on Human Rights Practices: Yugoslavia (1992-06-01); GPI: Documents on the Abolition and Prevention of Political Abuse of Psychiatry, April – June 1992; Mercer, Ellen: Exploring Hungarian Psychiatry (1992-05)\u003c/p\u003e","\u003cp\u003eIncludes reports of the Council on International Affairs, Committee on Human Rights. Also: International Association for Child and Adolescent Psychiatry and Allied Professions Proclamation of May 1992: Assuring the Mental Health of Children; APA Bilateral Exchange with Poland Czechoslovakia and Hungary. Summary of Responses and Recommendations of American Participants (1992-03-24 to 1992-04-12); copy of Act of the Russian Federation \"On Psychiatric Care and Citizens' Rights With Regard to Such Care,\" (1992-01); Polubinskaya, Svetlana: \"From the USSR to the Independent States: Where the Former Soviet Psychiatry Will Go,\" (1992-05); GIP Documents on the Abolition and Prevention of Political Abuse of Psychiatry 56, June 1992\u003c/p\u003e","\u003cp\u003eIncludes reports of the Council on International Affairs, Committee on Human Rights. Also correspondence re psychiatric abuse in the former GDR, with the Romanian Psychiatric Association and the Committee to End the Chinese Gulag. \"Psychiatry Under Tyranny. An Assessment of the Political Abuse of Romanian Psychiatry During the Ceaucescu Years,\" Report of a consultative mission to Bucharest on behalf of the Geneva Initiative on Psychiatry (1992-06); GIP Documents on the Abolition and Prevention of Political Abuse of Psychiatry 57, July – August 1992\u003c/p\u003e","\u003cp\u003eThe sub-series consists of materials Loren Roth collected as part of his work with this committee. These include meeting minutes and agendas, correspondence, reports, articles, clippings, memoranda, and other items.\u003c/p\u003e","\u003cp\u003eIncluded: \"Human Rights of Mental Patients in Japan,\" (1987 -04); Reich, Walter Report of Meeting with Gennadiy M. Yevstafiev (Soviet, member of the delegation to the Vienna Review Meeting) (1987-07-28); copy of letter from Senator Edward M. Kennedy to Lawrence Hartmann, M.D. re human rights violations in Paraguay (1988-04-22); World Medical Association, INC. memorandum: \"The Facts regarding health services in South Africa during 1987, and the role played by the Medical Association of South Africa,\" (1987-07- 08); Reddaway, Peter: Does Moscow's Purge of Corrupt Psychiatrists Threaten the Psychiatric Gulag?\" (1987-07-13); \"More Revelations about Stefanis' Negotiations with the Soviets (1987-09-11); Center for Victims of Torture pilot project (1987-08-28 and 1987-10); South Africa Briefing (1987-08-07); Minutes of Committee on Abuse of Psychiatry (1987-09-09 and 1987-12-02); \"Victims of Torture in Afghanistan. Presentation for Cairo World Congress\" by Mohammad Azam Dadfar (1987-10-18-22); Gralnick, Alexander M.D.: \"Public Health and Psychiatric Care in Cuba, Personal Report\" (November 1987);Political Imprisonment in Cuba. A Special Report from Amnesty International, The Cuban American Nation Foundation, 1987;  US/Soviet Human Rights Seminar: Statement by Ellen Mercer for the APA (1987-12-03). Also Bloche, Maxwell Gregg: \"Uruguay's Military Physicians: Cogs in a System of State Terror,\" (1987-03)\u003c/p\u003e","\u003cp\u003eMiscellaneous documents: minutes, memoranda, correspondence. Included: [Argentina] Tribunal Etico de la Salud contra la Impunidad translation of statement: Medical Ethics Tribunal Against Impunity,\" (1988-01-11); Minutes of the APA Committee on Abuse of Psychiatry (1988-01-20, 1988-04-21; 1988-05-10); some documents related to South Africa, Pakistan, Argentina; Human Rights Survey Responses (1988-03-09); Amnesty International: \"China. Detention Without Trial, Ill-Treatment of Detainees and Police Shooting of Civilians in Tibet,\" (1988-02); Bitsch Christensen, Svend: \"Torture Related Documentation,\" (1987); International Commission of Jurists' Mission to Japan Preliminary Report and Recommendations (1988-04); \"The Casualties of Conflict: Medical Care and Human Rights in the West Bank and Gaza Strip,\" Report of a Medical Fact Finding Mission by Physicians for Human Rights, (1988-03); Amnesty International Commission Medicale: Medicine at Risks. The Doctor as Abuser or Victim,\" (1987-09)\u003c/p\u003e","\u003cp\u003eMiscellaneous documents: minutes, memoranda, correspondence related to Soviet psychiatry; human rights abuses in Honduras, Czechoslovakia, Somalia, South Africa, Israel, Haiti, Cuba, Egypt, China, BahrainGudava, Eduard M.D.: \"The events in Tbilisi, Georgia  (1989-04-18); Vesti, Peter and Inge Kemp: \"Chapter I: Treatment of Torture Survivors – theoretical views,\" \"Chapter 2: Rehabilitation of Torture Survivors, \" (1989-10); Collazo, Carlos R. M.D. and Martha Gerpe M.D.: \"Missing Parents,\" Paper presented at The World Psychiatric Association, Athens, October 1989\u003c/p\u003e","\u003cp\u003eFile includes: RCT [Rehabilitation and Research Centre for Torture Victims] 7th Annual Report (1990-01); APA Position Statement on Apartheid and Academic Boycotting of South Africa (1990-01); Human Rights Cases Monitored by the APA (1990-02-01); signed Petition by doctors to recommend the APA to condemn the government of Turkey (1990-08); LHR handwritten notes of September meeting;  APA Council on International Affairs Joint Reference Committee (1990-10-12); Boyajian, Levon Z. M.D.: The Psychological Sequelae of the Armenian Genocide (1982); Leros Trip. Report on Visit to the Mental Institution on the Island of Leros, Greece (1989-12-3-5); \"'Bloody Sunday Trauma in Tbilisi. The Eents of April 9, 1989 and their Aftermath,\" Report of a Medical Mission to Soviet Georgia by Physicians for Human Rights, February 1990; printed materials.\u003c/p\u003e","\u003cp\u003eFiles include documents re Armenian Genocide and from the Free Romanian Foundation; \"Program for Administrators and Educators Specializing in Programs for People With Disabilities,\" with the Persian Gulf (1991-04); Martínez Lara, Samuel: \"Psychiatry in Cuba: Perspectives of a Human Rights Activist\" (1991-09-27);  ); National Academy of Sciences: \"Considerations Regarding Individual Scientific Visits to the People's Republic of China,\" (October 1991); also some documents about torture\u003c/p\u003e","\u003cp\u003eFiles include documents re torture in Egypt (1992-01); Dadfar, A. Azam M.D.: \"The Deep Scars of a Forgotten War, \" Psychiatry Centre for the Afghans; correspondence with Levon Z. Boyajian M.D. (1992-02); Croatian Medical Journal: \"Medical Testimony of the Vukovar Tragedy\"; memorandum re \"Abuse and Misuse of Psychiatry in the United States\" (1992-02); Committee to End the Chinese Gulag: \"On behalf of Political Prisoners in China: How to Raise Human Rights Cases,\" (1992-04); memoranda and correspondence re abuse of Palestinian physician (1992-05); APA Position Statement on Homosexuality and Civil Rights (1992-07); Americas Watch, Vol.4, Issue 7: \"Dangerous Dialogue, Attacks on Freedom of Expression in Miami's Cuban Exile Community,\" (1992-08);  Amnesty International French Section, Medical Group: \"Corporal Punishment. A study on legislation and enforcement in 18 countries,\" (1992); \"Stop Torture in Korea (STIK)\" (1998-08); APA Council on International Affairs: \"International Inpatients Bill of Rights,\" (1992-08); APA Communications Plan 1992-1994; APA: \"Human Rights and the American Psychiatric Association,\" (1992); memorandum and correspondence re abuse of psychiatry and psychiatrists in México (1992-100; US Department of State: \"Renewing the U.S. Commitment to Human Rights,\" Special Report No. 164;  printed materials\u003c/p\u003e","\u003cp\u003eWorld Health Organization Assignment Report re \"mentally infirm in Romania and possibilities for improvement,\" (1991-11); Rosenberg, David R. M.D. et al: \"A Cross-Cultural Study of \"Ceausescu's Orphans,\" (1992-03); Blom, G. et al: \"Program Touch – A Volunteer Intervention Program to Orphaned Disabled Children in Romania,\" (1991-11); Roth's reappointment as APA Chairperson of the Committee on Human Rights under the Council of International Affairs, (1992-04-13); draft of A.P.A. Action Paper Rescinding the 1982 APA Position on the Insanity Defense (1992-05-01); Pierce, Chester M. M.D.: \"Public Health and Human Rights: Racism, Torture and Terrorism,\" presented at American Psychiatric Association Annual Meeting (1992-05-04)\u003c/p\u003e","\u003cp\u003eFiles include translation of Croatian pamphlet: \"Protect Yourself and Help Others (1993-02); APA Office of International Affairs: Responses to Human Rights Questionnaire,\" (1993-08-18); Citizens Support Committee for the Psychiatric Farm Hospital Dr. Manuel Ramírez Moreno (1993-7-13)\u003c/p\u003e","\u003cp\u003ecorrespondence and handwritten notes\u003c/p\u003e","\u003cp\u003eevaluation forms and printed materials\u003c/p\u003e","\u003cp\u003eMeetings between Ukrainian doctors Semyon F. Gluzman, Vladimir I. Poltavets, Valery N. Kutznetsov, Ada I. Korotenko, Oleg A, Nasinnik, Vladimir M. Cherniavsky and Juan Mezzich, American psychiatrist from the West Psychiatric Institute and Clinic, University of Pittsburgh; also some case summaries (1994-02). Russian and English translation.\u003c/p\u003e","\u003cp\u003eextensive correspondence, reports, handwritten notes. Savychyj, Jurij M.D.: \"Psychiatry in Ukraine,\" [1992]\u003c/p\u003e","\u003cp\u003ecorrespondence, Ukrainian fliers, and handwritten notes\u003c/p\u003e","\u003cp\u003eextensive correspondence, reports, data analysis, forms, handwritten notes (1995-05), \"Codebook\"\u003c/p\u003e","\u003cp\u003ecorrespondence, clinical assessment forms, and handwritten notes\u003c/p\u003e","\u003cp\u003eGeneva Initiative on Psychiatry. Annual Reports 1992 and 1995; Documents on the Abolition and Prevention of Political Abuse of Psychiatry Nos. 65-67, 72, 74; \"Concepts for Developing Mental Health Care in Ukraine (First Draft),\" Developed by Experts of Ministry for Health Care, Kiev Research Institute of General and Forensic Psychiatry, Regional Chief Experts and Kiev Psychiatrists.\u003c/p\u003e","\u003cp\u003ecorrespondence and forms\u003c/p\u003e","\u003cp\u003eemail correspondence, brochures, printed photographs\u003c/p\u003e","\u003cp\u003eJoseph D. Bloom, Kyrill Borissow, William T. Carpenter, Robert W. Farrand, Robert M.A. Hirschfield, William H. Hopkins, Samuel Keith, Felix Kleyman, Andrei A. Kovalev, Ellen Mercer, John Monahan, Darrel A. Regier, Elmore F. Rigamer Jr, Carolyn Smith, Leon Stern\u003c/p\u003e","\u003cp\u003eIncludes: United States – Russia Health Committee 2000 – 2002, printed copies of photographs; The U.S.A. – Russia Health Committee: \"Access to Quality Health Care\" (draft), undated; \"Additional Materials on Diagnosing and Treating Mild and Moderate Depressions,\" [document in Russian with English title]\u003c/p\u003e","\u003cp\u003eGershman, Carl: Psychiatric Abuse in the Soviet Union,\" Society, July/August 1984; Lapenna, Ivo: \"The Medico-Legal Society. Use and Misuse of Psychiatry in the USSR,\" The Royal Society of Medicine, London 12th June 1986; McCready, John and Harold Merskey: \"Compliance by physicians with the 1978 Ontario Mental Health Act,\" Reprint from the Canadian Medical Association Journal, Vol. 124, March 15, 1981; McCready, John and Harold Merskey: \"On the Recoding of Mental Illness for Civil Commitment,\" Can. J. Psychiatry Vol. 27, March 1982; Slovenko, Ralph: Analysis. The Destiny of South Africa,\" The World and I, July 1991.\u003c/p\u003e","\u003cp\u003eIn 2021, members of the 1989 American delegation, some Soviet patients, Soviet doctors and other professionals, were invited to participate in the \"Retrospective Review of the 1989 U.S. State Department Psychiatric Mission to the USSR\" oral history project. Nineteen interviews were recorded, sixteen of them with the surviving members of the U.S. delegation, one with Andrei Kovalev, an official at the Ministry of Foreign Affairs in the U.S.S.R. at the time, and two with former \"Soviet patients.\" There is also an original 1989 recording of one interview.\u003c/p\u003e\n","\u003cp\u003eThese interviews provide a comprehensive overview of the history of Soviet psychiatric abuse, the reasons why psychiatric diagnosis was used to suppress dissent, the methods, medical and legal procedures, and who were the major players in Soviet psychiatric abuse. Emphasis is also made on assessing the U.S.-Soviet relationship in the 1980s and the special place that the 1989 State Department psychiatric mission to the U.S.S.R. held in the détente. All stages of negotiations and preparations for the mission were discussed as well as the methodology of psychiatric evaluations and the findings of the American experts. An additional emphasis was also made on assessing the state of Soviet psychiatric care as of the late 1980s and all the significant changes it was going through at the time. The role of World Psychiatric Association (WPA), the All-Union Society of Psychiatrists and Narcologists, the American Psychiatric Association and other important organizations, is also given proper attention. The interviewees also discuss the long-term impact that the 1989 U.S. mission made on Soviet and post-Soviet psychiatry.\u003c/p\u003e","\u003cp\u003eIn the interview Dr. Bloom discusses his career, his interest in the topic of abuse of psychiatry and his involvement in the 1989 U.S. State Department psychiatric delegation to the U.S.S.R. He talks about the U.S. and Soviet (both Soviet professionals and Soviet interviewees) understanding of the purpose of the visit and  the Soviet's compliance with the terms negotiated for the visit. He also talks about psychiatric hospitalization, detention and commitment process in the U.S.S.R., conditions of hospitalization in Soviet psychiatric hospitals and the legal rights of persons with mental disorders in the U.S.S.R.  Dr. Bloom's explains his impressions from the trip to the Soviet Union and the conclusions made by the American delegation. \u003c/p\u003e\n","\u003cp\u003eThe highlights of the interview pertain to Dr. Bloom's recollection of a Soviet person who allegedly had a mental disorder, and his opinion as to the way the American final report should have been approached.\u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eMr. Borissow shares his life story and describes his career. He talks about getting involved in the 1989 State Department trip to the Soviet Union, his previous trips to the U.S.S.R., and the  social and political context that surrounded the visit and made it possible in the first place. Mr. Borissow describes his experience of interpreting in one of the psychiatric hospitals in Moscow as a part of the 1989 American mission as well as the work that Mr. Borissow's sub-team #3 did in Leningrad. He shares very interesting anecdotes that happened during the trip and talks about the lessons he learned during this trip.\u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eIn the interview Dr. Carpenter discusses his career, his involvement in the 1989 US State Department psychiatric delegation to the USSR, the main goals of the mission, various aspects of the implementation in great detail, the diagnostic aspects of the study, interview instruments and methodology, the Soviet mental health care system and its shortcomings, the conclusions made by Dr. Carpenter's sub-team, the impact the American visit made to the interviewed individuals an mental health in the region. \u003c/p\u003e\n","\u003cp\u003eDr. Carpenter also discusses the United States - Great Britain cross-national study of schizophrenia conducted in the 1960s and 70s and its pertinency to the 1989 U.S. State Department psychiatric investigative mission to the U.S.S.R. He also talks about the broad diagnostic criteria for sluggish schizophrenia and how much contributed to the missuse of psychiatry in the Soviet Union.\u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eAmbassador Farrand talks about his long successful career in the U.S. State Department, the importance of the Soviet psychiatric abuse to the U.S. government and the larger context of the U.S. - U.S.S.R. relationships. As a person who worked closely with Ambassador Richard Schifter for many years, Mr. Farrand describes Schifter's goals and vision of the 1989 psychiatric mission to the U.S.S.R. \u003c/p\u003e\n","\u003cp\u003eMr. Farrand describes the process of negotiating the terms of the visit and shares insights about interacting with a superpower as the Soviet Union was at that time. He also talks about the the peculiarities of governance in the U.S.S.R., and power dynamics inside the country. Mr. Farrand describes the efforts to preserve transparency and independence of the mission as well as managing its financial aspects and its highlighting in media. Mr. Farrand also talks about glasnost, perestroika, and the collapse of the Soviet Union.\u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eDr. Hirschfeld shares memories about his education and career, the way he got involved in the 1989 State Department psychiatric mission to the U.S.S.R., the methodological approach to the patient interviews, the range of findings of his sub-team # 3 in Leningrad, and his general impressions of the Soviet Union as of 1989.\u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eMr. Hopkins talks at length about the way he became immersed in the Russian studies, his education, and career. He well remembers the settings and arrangements of interviewing the Soviet citizens who allegedly had mental disorders, his expectations and apprehensions about the upcoming 1989 mission, the types of questions asked of the Soviet interviewees, and the peculiarities of his task as an interpreter during this unique venture. He also mentions the debrief that the entire American team had in Washington, D.C. after the visit was over.\u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eMr. I. talks about his early life, family, education, how his dissident views formed and evolved with time. He shares about his repeated contacts with psychiatric system; he also describes his social and political activity and the repercussions he faced as a result. Mr. I. then tells about his criminal case, his forensic psychiatric evaluation, diagnosis, \"symptoms\", finding of non-imputability, the legal procedure used to involuntarily commit him to the Dnepropetrovsk special psychiatric hospital, and the inhumane conditions there. \nMr. I. then describes his transfer to Nikolayev ordinary psychiatric hospital and release; he talks about his dissident activity that brought him back to the same hospital. He also describes his contacts with Ukrainian dissident movement at the end of 1980s and how he got on the list of people to be assessed by the U.S. team. The details of his participation in 1989 U.S. State Department mission are discussed next. Mr. I. then shares about the long-term impact this mission made on his life, his subsequent legal rehabilitation, being taken off the psychiatric register, the removal of his psychiatric diagnosis, his life and activism after 1989. Mr. I. describes some of his most interesting campaigns. The interview ends with a brief discussion of the Russian invasion of Ukraine and how it affected Mr. I.'s life. \u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eDr. Keith talks about the role and expertise of NIMH that was crucial to the success of the 1989 U.S. psychiatric mission to the U.S.S.R. He recapitulates the main points and stumbling blocks of the negotiations with the Soviets in November 1988, various organizational aspects of the mission, as well as the interview instruments and methodology used by the American team. Dr. Keith shares his opinion about the concept of sluggish schizophrenia, its diagnostic criteria, and other factors that made it possible to abuse psychiatry in the Soviet Union. He also emphasizes Soviet life, society, and governance as of 1989. Dr. Keith discusses the Soviets' admission of \"hyperdiagnoses\" and the validity of the excuse of \"hyperdiagnoses\" from the professional point of view. He also expresses his opinion about the tone of the final report and the general context that the American team had to keep in mind when drafting it. Dr. Keith describes Schizophrenia Bulletin and his role as its editor-in-chief. He also talks about the 1990 Soviet Reciprocal Visit to the U.S.\u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eDr. Kleyman is a great source of knowledge about the ins and outs of the Soviet mental health care system as the person who had about 10 years of professional experience on the ground. He talked about the uniqueness of his role during the American psychiatric mission to the U.S.S.R. that resulted from him being a native Russian speaker and being well familiar with life in the Soviet Union. Dr. Kleyman discusses the social and political context that surrounded the 1989 U.S. State Department visit and made it possible in the first place; the doctor patient relationship in the U.S.S.R.; Soviet diagnostic approaches and the role of Soviet psychiatrists during the American visit. Dr. Kleyman recalls his unique trip to Moscow Psychiatric Hospital # 5 to briefly speak with the patient who was claimed by the Soviets to have refused examination. He also talks about his experience as a member of the 1991 W.P.A. mission to the U.S.S.R.\u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eMr. Kovalev tells about the role of various domestic and international actors in the process of democratization of the U.S.S.R. in the late 1980s and bringing human rights into the Soviet Union. He also assesses the political factors of the early 1980s that allowed Gorbachev come to power and retain it. Mr. Kovalev shares his insights about the Soviet foreign policy of the second half of 1980s-early 1990s and the U.S. - U.S.S.R. relationships. He shares his knowledge about the history of abuse of psychiatry and the reasons for resorting to it; the Soviet psychiatric register and the consequences of being on a register; the sealed instruction on involuntary commitment that existed but was not available to the public. Mr. Kovalev talks about the chain of decision making in ensuring that the American visit will actually happen and the key events on that road. He also comments on the internal tensions between the Ministry of Foreign Affairs and the Ministry of Health (M.O.H.) as well as the resistance put up by the M.O.H. in organizing the American visit. He also shares his views about the \"system dissidents\" in the U.S.S.R.\u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eMs. Mercer talks about her career at the APA and the role that the APA played in advocating for the rights of the persons committed to psychiatric hospitals for non-medical reasons in the USSR. She then discusses the historical context for the 1989 State Department psychiatric delegation to the Soviet Union, including the 1977 Declaration of Hawaii and the All-Union Society's walking out of the WPA in 1983 in the face of an almost certain expulsion. Being a part of the November 1988 negotiation team to the Soviet Union, Ms. Mercer shares her thoughts about the negotiation process and the Soviet's compliance with the terms agreed upon. Ms. Mercer describes the field visit to Soviet psychiatric hospitals and then talks about the Soviet's readmission to the WPA, the role the 1989 U.S. State Department played in this process, the APA's and Ms. Mercer's personal stance with regard to the readmission. Ms. Mercer concludes by discussing the difference the American visit made in the big picture.\u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eDr. Monahan talks about his professional training and the highlights of his career, his memories from the 1989 American visit to the Soviet Union, including the goals of the visit,  its organizational aspects, and its media coverage. Dr. Monahan then focuses on the forensic evaluation methods and results, the rights of psychiatric patients in the Soviet Union, conditions of their hospitalization, treatment, and hospital staffing. Dr. Monahan concludes by describing his general impressions of Moscow and Leningrad and the conclusions the American team made as a result of the visit. \u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eMr. Reddaway talks about his education and career and the way he became interested and immersed in the issue of abuse of psychiatry in the U.S.S.R. He discusses the impact that his and Sidney Bloch's 1977 and 1983 books made in the Soviet Union. He also shares his knowledge about the evolution of punitive psychiatry with each new Soviet leader. Mr. Reddaway talks about Mr. Gorbachev's personality, the political factors in the early 1980s that allowed for such a leader to emerge and retain power; the reasons for perestroika;  the peculiarities of perestroika in psychiatry versus other spheres. Mr. Reddaway gives a comprehensive overview of various internal processes in the Soviet Union at the end of 1980s that were important prerequisites for the 1989 U.S. psychiatric mission. He discusses at length the role of the WPA in the battle against the abuse of psychiatry in the Soviet Union. Mr. Reddaway also gives a detailed overview of the field inspections to Soviet psychiatric hospitals that he did as a member of the 1989 U.S. State Department psychiatric mission to the U.S.S.R.\u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eThe interview with Dr. Regier is of critical importance for the comprehensive retrospective evaluation of the long-term impact of the 1989 State Department investigative mission to the U.S.S.R. Dr. Regier not only played a key role in the preparation and implementation of the mission, but also successfully continued to help develop the quality and accessibility of mental health services in Russia after the U.S.S.R. collapse. Dr. Regier also continued to tackle the issue of psychiatric abuse in China.  \nIn his interview, Dr. Regier gives a historical overview of the development of diagnostic criteria that was subsequently used during the U.S. State Department investigative mission to the U.S.S.R. relating to psychiatric abuse. This interview provides a great description of the methodology used during the interviews. Dr. Regier also describes the NIMH goals, unique role and contribution to the 1989 mission and shares his insights about the factors that made it possible to weaponize psychiatry against dissidents in the Soviet Union. Dr. Regier also tells about his role in the work of Gore-Chernomyrdin Commission in the area on mental health care in Russia post the Soviet Union breakup.\u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eDr. Roth describes his training and the highlights of his career; he then tells how he became interested in the issue of abuse of psychiatry in the U.S.S.R. His two human rights trips to the U.S.S.R. in 1985 and 1986 are discussed next. Dr. Roth then gives an overview of the general political background to the visit and tensions between him and Ambassador Schifter about some critical aspect of the visit. Dr. Roth then describes in detail the negotiation process between the U.S. and Soviet side, the main stumbling blocks, how he managed to overcome them, and who were his allies. Dr. Roth describes the Soviet uncooperativeness and tensions between the Ministry of Health and Ministry of Foreign Affairs. He then talks about informed consents, interview procedures, and the visit dynamics. He shares some anecdotes and most memorable events; he also talks about the people who meaningfully contributed to making the mission successful.\u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eMr. S. describes his early years, how his dissident views formed, his first arrest under Article 70 of the Criminal Code, his expert psychiatric evaluation at the Serbsky Institute, and the judicial procedure that followed. He describes his subsequent commitment in an 'ordinary' psychiatric hospital and shares insights about the internal regulations, regime, and the release procedure. He also talks about his next arrest and the legal aspects of it. Mr. S. shares his views about whether Soviet psychiatrists seriously believed that 'failure to adapt to the society' was a sign of mental illness and whether they can be blamed for presumably following the orders from above.  Mr. S. proceedes to describe his transfer to a special psychiatric hospital, the mass release of political prisoners in 1987, the reasons for such a drastic change of the political course in the Soviet Union, and gives an overview of the U.S. – U.S.S.R. relationship in the second half of the twentieth century. He then talks about how the 1989 U.S. State Department psychiatric mission to the U.S.S.R. fit into the broader human rights negotiations in the CSCE. Mr. S. tells how he taken off the psychiatric register\nand legally rehabilitated; he talks about the destiny of the Criminal Code 'political' articles 70 and 190-1 and current political articles in Russian Criminal Code used to suppress dissent.\nMr. S. shares about his life and political activity after 1989, his subsequent arrests, and his assessment of the evolution of civil and political freedom in Russia after 1989.\nHe then talks about the future of Russia, his own future as a dissident in Russia, and his views about the Russian war in Ukraine.\u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e\n","\u003cp\u003eIn addition to the oral history given in 2022, this file contains a recording of an interview that Mr. S gave on March 2, 1989.\u003c/p\u003e","\u003cp\u003eMs. Smith shares her memories about interpreting for both 1989 U.S. State Department delegation and the 1991 WPA delegation to the Soviet Union. She explains how this experience compares to the other interesting projects she has been involved in throughout her career. She describes her most prominent memories about this job as well as the Soviet Union as of 1989. \u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eDr. Stern describes his career and his pathway from the Soviet Union to the U.S. He shares his insights about some aspects of Soviet history, the issue of psychiatric abuse, its roots and reasons the Soviet government resorted to psychiatry to oppress dissent. Dr. Stern talks about the major differences between special psychiatrist hospitals vs. ordinary psychiatrist hospitals and gives some excellent illustrations of \"symptoms\" that the Soviet school of psychiatry considered signs of mental disorder. Dr. Stern shares his opinion as to the reasons why Soviet psychiatrists engaged in unethical practices. Dr. Stern describes the field trip in great detail, including some anecdotes and specific instances. He concludes by identifying the most important changes needed in Soviet psychiatry at the time and assesses the overall success of the American mission to the Soviet Union. \u003c/p\u003e\n","\u003cp\u003eOlena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.\u003c/p\u003e","\u003cp\u003eThis file includes correspondence with Richard Schifter and Robert van Voren.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection is divided into two series. The first series, \"abuse of psychiatry and psychiatrists\", consists of subject files compiled by Dr. Loren Roth, Professor of Psychiatry at the University of Pittsburgh. They are evidence of Dr. Roth's efforts to stop the abuse of psychiatry and psychiatrists for political reasons, with an emphasis on the former Soviet Union. The subject files contain correspondence, articles, reports, evaluations, meeting minutes, agendas, planning materials, diaries, photographs, memoranda, handwritten notes, programs, books, videotapes, ephemera, and other items. Together, these materials date from around 1950 to 2008. However the bulk of them date from the 1970s to the 1990s, when Dr. Roth participated in U.S. delegations to the former Soviet Union and was part of the American Psychological Association's (APA) Committees on Human Rights and International Abuse of Psychiatry and Psychiatrists.","\nThe second series consists of materials that were gathered and produced for the \"Retrospective Review of the 1989 U.S. State Department Psychiatric Mission to the U.S.S.R.\" project. These materials include oral history interviews with individuals involved with the 1989 mission, a 1989 recorded interview with a psychiatric patient, project correspondence, biographical files, interview minutes, and an organizational chart. Most of the items in this series date from the time of the project, 2021 to 2022.","This series consists of subject files that Dr. Loren Henry Roth assembled and used while working to stop the abuse of psychiatry and psychiatrists for political reasons, emphasizing abuse in the former Soviet Union. The files contain correspondence, memoranda, meeting documents, articles, reports, lists, forms, evaluations, photographs, diaries, and other materials.","World Psychiatric Association Proposed Declaration of Hawaii; \"Honolulu Paper\": Somerville, John: \"Ethics and Psychiatry,\" (1977); Committee of French Psychiatrists Against The Political Uses of Psychiatry Special Bulletin, the World Congress of Psychiatry in Hawaii; newspaper clippings from Hawaiian newspapers (1977). APA white paper: \"Misuse and Abuse of Psychiatry in the U.S.: A definition and Discussion,\" (1991); correspondence and papers of Paul Chodoff, (1989-1990 and undated); Helmchen, H. and A. Okasha: \"From the Hawaii Declaration to the Declaration of Madrid,\" Acta Psychiatr Scand 200:101: 2023","Copy of the Report to the Board of Trustees, American Psychiatric Association of the Ad Hoc Committee on the Use of Psychiatric Institutions for the Commitment of Political Dissenters (1972); Boekovski Berichten Bukovsky News: The Case of Irina Grivnina (1985?); Statement of Dr. Algirdas Statkevicius to the Commission on Security and Cooperation in Europe (1988); copy of letter from Peter Reddaway to Viktor Nakas, Leon Stern, Robert van Voren and Algirdas Statkevicius (1989); copy of translation of SB case (1987-1989); U.S. Helsinki Watch Committee [memorandum] re Shatravka Family (1988); Committee of Concerned Scientists, Inc \"Call for Action for Three Soviet Former Prisoners of Conscience,\" (1988); and newspaper clippings mainly of Pyotr G. Grigorenko and Anatoly Koryagin","\"Special Report, The Medical Profession and the Prevention of Torture,\" The New England Journal of Medicine (October 1985); \"Sowing fear: The Uses of Torture and Psychological Abuse in Chile,\" A Report by Physicians for Human Rights (October 1988); Proposal. Center for Rehabilitation of Torture Victims [RCT], New York, NY and Roseland, New Jersey (undated); RCT International Newsletter on Treatment and Rehabilitation of Torture Victims (1990-1991); RCT IRCT [International Rehabilitation Council for Torture Victims]: Torture [packet of documents] (1991-1992); Jacobsen, Lone and Pete Vesti: Torture Survivors – a New Group of Patients, The Danish Nurses Organization, 1990; Canadian Centre for Victims of Torture","Human Rights Task Force of the APA survey on human rights organizations (1984); Human Rights Survey Responses (1988); Human Rights Cases Monitored by the APA (1990); photocopy of European Convention on Human Rights Collected Texts, Strasbourg, 1965.  Folder includes an incomplete set of The World Medical Association press releases (1975-1990), printed materials and news clippings","Documents from the Ninth Session of the U.S.-U.S.S.R. Joint Committee for Health Cooperation, (1988-11-17); Trip Report – P.H.S. Delegation Visit to the Soviet Union  November 13-20, 1988 Ninth U.S.-U.S.S.R. Health Committee Meeting (1989-01-25); Summary of Cooperation in Health Between the US Public Health Service and the Ministry of Health of the U.S.S.R. (1989-01-26); Peter Henry thoughts re Implications of Trip for U.S.-Soviet Health Agreement (1989-02-02)","Roth's printed account of trip that he made with Rabbi Mark Staitman, Larry Hurwitz, cardiologist;  Harold and Esther Garfinkel, community leaders; Joy Weber, science writer, and Rabbi Jonathan Stein. September 20-October 1, 1986. (2 versions)","Dr. Roth and Ambassador Schifter's preliminary planning documents for the U.S. mission to the U.S.S.R. in April of 1988.","APA Memorandum re \"use of psychiatry for political purposes\" (1988-03-21); [USSR] Regulations for Psychiatric Hospitals, LS No. 124600 JS/AO Russian, Appendix to Decree No. 225 of the USSR Ministry of Public Health, 21 March 1988; Pre-summit discussions. Report of Soviet Contact (1988-03-23): Gennadi N. Milyokhin, M.D. visit to Parklawn;  [Unedited] On the Record Briefing of Richard Schifter, Assistant Secretary of State for Human Rights and Humanitarian Affairs,  March 25, 1988","Peter Reddaway: \"Will Perestroika End Political Abuse in Soviet Psychiatry?\" (1988-07-03); copy of pages 5-6 of \"Argumenty I fakty\" No. 11/1987, [Reporter V. Romanenko interviews with  Dr. Marat Vartanyan (1987- 03-21-27)]; anonymous draft \"Ground Rounds\", \"Abuses in Soviet Psychiatry\" (undated); Karklins, Rasma: \"The Dissent/Coercion Nexus in the USSR, Working Paper #36, Soviet Interview Project (1987-05); Roth's handwritten notes; copies of printed materials related to Soviet psychiatry; annotated copy of Berman, Harold J.: Soviet Criminal Law and Procedure. The RSFR Codes. Cambridge, Harvard University Press, 1977, pp. 3-124","Stipulations for Delegation of U.S. Psychiatrists and Other Experts Visiting the USSR (1988-11-09); Roth's handwritten notes. Also Ellen Mercer U.S.S.R. Trip Confidential  Report (1988 -11) and Saleem A. Shah Department of Health and Human Services Report on International Travel (1988-11-18). Correspondence to Alexander A. Churkin  with documents: US-Soviet Understanding for Delegation of US Psychiatrists and Other Experts Visiting the USSR; \"Discussions\"; Consent Forms for Persons Interviewed and of Relatives and Friends (1988-12-19)","re assesment of Soviet Psychiatry (1988-08-04), memorandum re \"Sensible Tactics re U.S. Delegation on Soviet Psychiatry; human rights and Soviet Psychiatry; \"things to do; Roth's notes; and Roth: \"Uses of Psychiatry in the U.S.S.R. and U.S.A,\" Browning Hoffman Lecture, UVA School of LAw (1988-10-07).","International Association on the Political Use of Psychiatry [IAPUP]: Information Bulletin Nos. 3, 9, 11, 18-21; also copy of \"II. The Case of All-Union Society (undated). Soviet Psychiatry News, vol. 1, nos. 1-2 (1989)","US State Department Soviet Psychiatric Project Delegation to the Soviet Union Planning Trip – correspondence, telegrams, memoranda re: negotiations, support and concerns, instructions, logistics for the trip. Correspondence with Soviet and US officials, and other psychiatrists. Summary of discussions with Ambassador Richard Schifter (1989-02-11); comments from Saleem Shah (1989-02-10); from Robert van Voren, Ellen Mercer, Dr. Edward Kelty and others.","This sub-series contains materials related to the organization, planning and logistics of the trip, as well as background information about the psychiatric abuse in the U.S.S.R.","This file contains memoranda, handwritten notes, list of participants, questionnaires, Forensic Interview Schedule, and Interpersonal Personality Disorder Examination (IPDE).","DSM-III-R Criteria Checklist (1988-05-23; Structural Clinical Interview for DSM-III-R Patient Version (1988-06-01) SCID-NP/OP Psychotic Screening (1988-06-01); Instruction Manual for the Structured Clinical Interview for DSM-III-R (1988 and 1989)","DSM-III-R Criteria Checklist (1988-05-23; Structural Clinical Interview for DSM-III-R Patient Version (1988-06-01) SCID-NP/OP Psychotic Screening (1988-06-01); Instruction Manual for the Structured Clinical Interview for DSM-III-R (1988 and 1989)","Russian version of IPDE (1989-02-16); Russian version of Revised SCID Standardized Clinical Study According to DSM-III-PD Criteria (SKID) (1991-04); Russian version of World Psychiatric Association visit to the USSR Forensic Examination (1991-03)","The reports were written by doctors Jonas Rappeport, M.D., Vladimir Levit, MD., Samuel J. Keith, M.D, Darrell A. Regier, M.D., Loren Roth, M.D., Felix Kleyman, M.D., Joseph Bloom, M.D., William. T. Carpenter, M.D., Robert Hirschfeld, M.D., Alla Arsenian (interpreter); Elmore Rigamer, M.D., Joel Klein; Boris Shostokovich, M.D.; John Monahan; Nancy Andreason, M.D.; William Farrand.","Reports of forensic evaluations done in Moscow and Leningrad by Jonas R. Rappeport, John Monahan, Joseph D. Bloom; draft of Roth's \"Patient Sample –Description. Methodological Issues – Obstacles\" (1989-04-10); assessments and handwritten notes re patients; Russian document with translation re patients (undated); Roth's notes on various interviewees (1991-02-07)","The materials in this file include Roth's letters to persons who he wished to interview but didn't; U.S. Department of State \"transliteration\" of names (1989-04-04) and inventory of status of cases (1989-04-05)","\"Delegation of US Psychiatrists Issues Press Statement\" signed by members of the US Psychiatric Delegation: Nancy Andreasen, M. D.; Joseph D. Bloom, M.D.; Richard J. Bonnie; William T. Carpenter, M.D.; Robert M. A. Hirschfeld, M. D.; Samuel J. Keith, M.D.; Joel Klein; Felix L. Kleyman, M.D.; Vladimir A. Levit, M.D.;  David Lozovsky, M. D.; Ellen Mercer, John Monahan, PhD; Jonas R. Rappeport, M.D.; Peter B. Reddaway, Ph.D; Darrel A. Regier, MD.D., M.P.H.; Elmore E. Rigamer, M.D.; Leon Stern, M.D.; Harold M. Visotsky, M. D.]","Testimonies of Darrel A. Regier, Robert W. Farrard, Peter Reddaway, Robert van Voren, Loren H. Roth; statement of Steny H. Hoyer; LHR's handwritten notes; correspondence; responses, printed materials; draft I Report of the U.S. Delegation and Preliminary Soviet Reply: Brief Analysis of Points of Agreement and Disagreement; Loren H. Roth Final Report of the US Delegation to Assess Recent Changes in Soviet Psychiatry. Objectives and Execution of the Visit. American Psychiatric Association Annual Meeting, New York, NY, May 15 1990; some correspondence and memoranda related to CSCE meetings in Copenhagen (June 1990); and copy of U.S. Report (speech) on CSCE – Moscow (1991-10-02)","Copy of Reddaway's Trip to Moscow, October 29-November 2, 1988; memo re: \"The difficult situation we are in: how should we proceed,\" (1989, 02-19); notes on Soviet Psychiatry Developments (1990-01-20); copy of \"Trip to Moscow, August 20-30, 1992.\"","\"Dissent and Disorder: Human Rights in Soviet Psychiatry,\" (1989-07-); copy of unauthored paper; \"The Legacy of Psychiatric Abuse in the U.S.S.R.,\" (undated); Russian version and translation of \"Proceedings of the session of Working Party formulating the draft law on 'Psychiatric Help in the U.S.S.R.',\" (1991-02-14)","\"Soviet Access to and Utilization of Mental Health Services: A Comparative View,\"  paper presented at the National Conference on Soviet Refugee Health and Mental Health, Chicago, IL (1991-12-11); Isaac Ray Lectures: \"The Future of the Doctor-Patient Relationship. Lesson from Two Cultures, The Former Soviet Union and the United States,\" Discussants: Loren H. Roth, M.D., Dean Eckenrode, George Huber, J.D., Mark Schmidhofer, M.D. (1998-05-07)","\"The New Soviet Legislation on the Provision of Psychiatric Care,\" speech delivered at the symposium of the International Association on the Political Use of Psychiatry, Washington, D.C., (1988-10-14); Koryagin: \"A Green Light of Injustice,\" Zurich, (1988-12-20); notes from Boris Zoubok, M.D.; copy of \"Law of the USSR on the protection of the rights and legal interests of persons suffering from psychiatric disorders and on the grounds and procedures for the administration of psychiatric care,\" (1990-10-08); Roth's Notes on Meeting of USSR Supreme Soviet Committee on Mental Health Law, Moscow (1990-10-26); copy of Smit, Jonna: \"Human Rights and Mental Health Legislation: the USSR,\" (1991-05-21); van Voren, Robert: \"Ukrainian Psychiatry: Starting from Scratch,\" (undated); Regulations on a psychiatric hospital (Положение о психиатрической больнице), [printed Russian document] CCCP, No. 225, 1988; printed materials and news clippings, 1988-2004; Patients in Psychiatric Hospital Requiring Follow-up and Review – interview methodology, list, memoranda","Draft and confidential memorandum of meeting with Minister of the Department of Humanitarian Affairs [Yuri A.] Reshetov. Also interview methodology and memoranda.","Kazan Special Psychiatric Hospital, Vilnius Ordinary Hospital, Kaunas Hospital, Chernyashovsk Special Psychiatric Hospital","Richard J. Bonnie draft; \"Legal and Humanitarian Aspects of Soviet Psychiatry: Some Preliminary Conclusions\" (1989-03-28); also comments on Klein's and Reddaway reports (1989-04 to 1989-05); LHR Confidential Drafts #1-5 (1989-05-19-31); Objectives of the Clinical Interviews (1989-05-22); Dr. Harold M. Visotsky Response to Joel Kline (1989-05-30); Hospital Team Report by Harold Visotsky, Elmore Rigamer, and Loren H. Roth (1989-05-30); remarks from Joe Bloom (1989-06-05); Richard Bonnie: Note to Members of the US Delegation to the Soviet Union (1989-06-16); Bill Farrad; Executive Summary [annotated] (1989-06-20); \"USSR Psychiatrists at a Human Rights Round Table in Moscow in April 1988,\" annotated copy of attachment sent by Joel Kline to Roth (undated); Vladimir A. Levit comments (1989-06-26); Saleem [Shah]: Soviet Compliance and Study Limitations (1989-06-28) and comments (1989-06-26); Peter Reddaway draft (1989-06-28) [2 folders], 1989-03 to 1989-06","Also: State Department \"rough translation\" of Soviet response: \"Response to the medical part of the report by the U.S. delegation of psychiatrists and lawyers,\" (1989-07-06); Draft translation of the final Soviet comments on the report: Commentary on the Report [130008 JS/AO Russian] (1989-09-26); U.S. Department of State Memorandum re Comments on the Soviet response to the Report (1989-10-12); printed Russian document inscribed by Polubinskaya to Loren H. Roth: [Academy of Sciences of the U.S.S.R., Soviet State and Right. Separate Report, Moscow 1990];  translation of S. V. Polubinskaya and S. V. Borodin: \"The Legal Problems of Soviet Psychiatry: The Views of American and Soviet Experts,\" Soviet State Law, No. 5, 1990, pp. 67-76","Resolution of the WPA (1989-10-17); WPA Statement by the All Union Society of Soviet Psychiatrists and Narcologists of the U.S.S.R. before the World Psychiatric Association General Assembly in Athens (1989-10-18); Memorandum re: Site Visit by the WPA Review Committee to the U.S.S.R. (1990-03-13); Reddaway, Peter: The Struggle over Reform in Soviet Psychiatry Intensifies: Is the Establishment Beginning to Panic? (1990-04-30); Remarks by Svetlana Poloubinskaya at the APA's Committee of International Abuse of Psychiatry and Psychiatrists (1990-05-16)","APA correspondence with the Center for Democracy in the U.S.S.R., U.S. Department of State, (Schifter and Mercer); University of London Institute of Psychiatry, 1989-05 to 1989-11. Also, miscellaneous correspondence with literary agents (1989-03 to 1989-04)","Translations of A.  Karpov, Chief Psychiatrist, U.S.S.R. Ministry of Health: \"The Registration of Mental Patients in the U.S.S.R.\" (1990-10-25) and \"Basic Findings of the Conclusion of the U.S.S.R. Constitutional Supervision Committee on Whether Legislation for the Compulsory Treatment and Re-Education of Through Labour of Persons Suffering from Alcoholism or Drug-Addiction Conforms to the U.S.S.R. Constitution and International Enactments on Human Rights,\" by B. M. Lazarev, Deputy Chairman of the USSR Constitutional Supervision Committee (1990-10-25). Also Saleem A. Shah: \"Forensic Interview Schedule\". Correspondence with Otto Dorr Zegers, Csaba Banki, M.P. Deva, Driss Moussaoui, Jim Birley, and Gerard Low-Geer","Correspondence with Dr. Otto Dörr-Zegers (Chile); Dr. Csava Bànki (Hungary); Dr. M. P. Deva (Malaysia); Dr. Driss Moussaoui (Morocco); Dr. Jim Birley (WPA Negotiating Team); Dr. Gerard Low-Greer (England).","Included are: Gostin, Larry: \"Human Rights in Mental Health: Japan. Report of an international mission to Japan: 1987,\"  World Health Organization/Harvard University International Collaborating Center on Health Legislation, World Federation for Mental Health [1987]; Kawasaki, Shigeru: \"Like a Shedding Snake,\" English Summary, J. JAPH 2:2 Spring 1991; news-clippings.","Correspondence with Ellen Mercer re Singapore (1985-09-18); UN Commission on Human Rights E/CN. 4 Sub.2/1988/23: Report on the Sessional Working Group on the question of persons detained on the grounds of mental ill-health or suffering from mental disorder; Proceedings. International Forum on Mental Health Reform, Kyoto, Japan, January 29-30, 1987; Benatar, S. R.: correspondence and articles (1990); Final draft of the \"UN Principles Produced by the Working Group on Human Rights,\" Annex A Principles for the Protection of Persons with Mental Illness and for the Improvement of Mental Health Care","The sub-series consists of materials Loren Roth collected as part of his work on this committee. These include meeting minutes and agendas, correspondence, reports, articles, clippings, memoranda, and other items.","APA lists of cases in the U.S.S.R., Yugoslavia and Romania (1988-07-05); memo for the record re Soviet dissidents","APA minutes of meeting (1988-09-07); Draft Statement Following Discussion with Dr. Sabshin; APA Draft Resolution by the Committee on International Abuse of Psychiatry to not object to the re-admittance of  the All-Union Society of Psychiatrists and Neuropathologists of the USSR into the WPA (1988-09-07); minutes of the APA Committee on Human Rights (1988-09-09); some correspondence, (1988 -09)","Minutes of conference call (1989-02-15); correspondence; IAPUP documents re to Soviet psychiatry (1989-02); copy of Dr. Marvin Brook handwritten comments on the By-Laws of the WPA (undated); Application of the Independent Psychiatric Association of the USSR (IPA) for membership to the WPA, includes Constitution and Declaration (1989-03-09); APA Guidelines for Psychiatric Services in Jails and Prisons; APA draft guidelines on the Right of Refuse (Anti-Psychotic) Medication.","Includes some correspondence and documents: Memorandum re Revision of the WPA Review Committee's Operational Instrument ( 1989-04-270; translation of letter from Nikolai Fedrovich Zhukov to US Congress (1989-03-04); IAPUP Documents on the Political Abuse of Psychiatry in the USSR 18: The Founding of the Association of Independent Psychiatrists in the USSR and the US Delegation of Psychiatrist to the USSR (March 1989); IAPUP Report and brochures, 1989-04","Memorandum re Detention of Cuban psychiatrist Dr. Alfredo Samuel Martínez Lara (1989-04-19); WPA Proposed alterations (1989-04 -25); copy of entrance application of the International Independent Research Centre on Psychiatry to the WPA (1989-03-27), news clippings; Dr. Marat Vartanian original article sent to the International Journal on Mental Health","Included are: Ellen Mercer and Fini Schulsinger interviews with Radio Canada (1989-03); and \"rough\" transcripts of  Radio Free Europe with Viktor Lanovoy, President of the Independent Association of Psychiatrists (1989-06-15); Croatian Committee for Human Rights press release re human rights abuses (1989-06-24); [translation] of M. Buyanov articles in Uchitelskaya Gazeta (1988-11-19); Association Psychiatric Independent (IPA) press release (1989-04-12); Commission of the European Communities: \"Observations on the State of Implementation of Programme of Psychiatrists Reform in Greece,: (1987-12-31); IAPUP Documents Special Issue: \"The Political Abuse of Psychiatry in Rumania (June 1989);  IAPUP Documents on the Political Abuse of Psychiatry Nos. 22, 23, 24, 25 (June-July 1989)","Includes Summary of the WPA Executive Committee in Athens and Resolutions (1989-08-18); excerpts of anonymous document \"Autumm 1988, Gerlovka\" re abuse in the USSR ; printed articles, news clippings","Includes unofficial translation of  Statement by the All-Union Scientific Society of Psychiatrists (1989-10-02); Remarks of Christian Barton Concerning Allegations of Psychiatric Abuse of Dissidents by the Cuban Government (1989-09-13); Sabshin, Melvin: Statement to the Subcommittee on Health and Environment of the US House of Representatives re APA position on Soviet psychiatric practices (undated); Testimony of Victor Davidoff, former victim of abuse in the Soviet Union (undated); Commentary on the Report \"Assessment of Recent Changes in Soviet Psychiatry, prepared by the US Delegation on the Results of its visit to the USSR,\" (1989-09-15); IPA bulletins (1989 -08-07 and 1989-08-31); news clippings","Includes: Liaison Report (1989-10); Gluzman, Semyon: \"Bureaucratic Ethics and Soviet Psychiatry,\" (1989-11) and Commentary on the Memorandum of G. Lukacher (1989-10-14) re All Union Scientific Society of Psychiatrists; translation of A.I. letter \"To the World Congress of the WPA,\" (1989-10-16); translation of letter from Social Organizations in Leningrad To the Participants in the Congress of the WPA (Athens, Greece, October 1989); Schifter, Richard: \"An Inventory of Soviet Human Rights Developments\" (1989-10-04); IAPUP Documents on the Political Abuse of Psychiatry in the USSR No. 29, 30","Some copies of  documents related to the former Yugoslavia; lists of interments and releases in the Soviet Union (1989-12-21); draft translation of [Sotsialisticheskaya Industriya] A Detail report: Psychiatry Without Secrets (1989-10-31); Documents on the Political Abuse of Psychiatry in the Soviet Union 31 (1989-12); WPA Minutes (1989-08-11-13)","Correspondence related to abuses in Cuba; Pena, Jose M. et al: \"Abuse and Misuse of Psychiatry in the U.S.: The Need for an Institutional Ethics,\" (1990-02); list of human rights cases monitored by the APA in Argentina, Bulgaria, Cuba, Czechoslovakia, Hungary, Malawi, Morocco, Romania, South Africa, Sudan, Turkey, Uruguay, Yugoslavia, Zaire (1990-02-06); Mercer, Ellen: USSR Trip Report/February 25-March 3, 1990","Includes: Second World Center Annual Report 1989 and APA Statement on Simón Bolívar Award and Lecture (1990-02-15)","Correspondence re Cuban psychiatrists (1990-04); Keston College Support Group: \"Igor Rodionov Report\" (1990-04); Yelena Izyumova Open Letter to the Members of the APA, Moscow May 20, 1990; anonymous essay re : Psychiatric Abuse in the USSR (Helsinki Watch), undated","Also: \"Proposed New Policies for the APA in Regard to the Abuse of Psychiatry for Political and Other Non-Medical Purposes in the USSR,\" (undated)","Includes copy of Human Rights Survey Responses (1988-04-01) and reports of the Council on International Affairs, Committee on Human Rights and Committee on International Education","Includes reports of the Council on International Affairs, Committee on Human Rights and Committee on International Education; memoranda re IAPUP meetings in Germany (1990-09); letter from Dr. Jeffrey Heller to the Committee on Abuse of Psychiatry re Soviet Delegation at H and CP Institute (1990-10-10); Documents on the Political Abuse of Psychiatry in the USSR No. 38 (1990-09)","Includes correspondence from Dr. Valerian Tuculesco re post-traumatic stress disorder after the Romanian revolution (1990-10); correspondence re Oleg Vitalyevich Kozlov re hijacked plane to Helsinki (1990-11); American Ambassadors People to People Trip to the USSR 14-27 August 1990 \"Professional Diary\" compiled by E. B. Brody (1990-09-05);  \"Psychiatric Issues Encountered on Recent Trip to USSR,\" memorandum from Holt Ruffin (World Without War) (1990-10-25); Hartmann, Lawrence M.D.: \"Notes on Some Social Psychiatric Problems in Chile, South Africa and the Soviet Union,\" (1990-10); Documents on the Political Abuse of Psychiatry in the USSR Nos. 39, 40, 41; documents relative to the Joint APA-Caribbean Psychiatric Association Meeting; Ellen Mercer: China Trip Report (1990-11)","Includes reports of the Committee on International Education; Final draft of the UN Principles for the Protection of Persons with Mental Illness and for the Improvement of Mental Health Case (1990-12-11); \"Sugar, Jonathan M.D. et al: \"Psychiatry's Global Challenge: Responsibilities of American Psychiatrists in International Health (undated)","Includes letter from Dr. Dainiys Pūras re abuse of psychiatry in Lithuania (1991-01-19); correspondence re abuse in Romania (1991-02-08); \"Proposal for The Moscow Center for Rehabilitation of Torture Victims (undated)","Includes correspondence and document re abuses in Romania; correspondence between Dr. Roth, Gennadi Milyokhin, Juan José López-Ibor, re Revaz Uturgaury (1991-03); correspondence re Soviet individuals","Includes CIOMS: Development of International, Ethical Guidelines for Epidemiological Research and Practice, Plenary III Issues related to the HIV/AIDS Pandemic. Proposed Guidelines for International Testing of Vaccines and Drugs against HIV Infection and Aids (1990-11); copies of correspondence between and V. Tuculescu re Romania; Reddaway, Peter: Psychiatric Developments in the USSR (1991-06) and \" Problems of Reforming Soviet Psychiatry and Assuring Rights for the Mentally Ill,\" (undated); \"The Heartbeat of Reform. Soviet Jurists and Political Scientists Discuss the Progress of Perestroika, Glasnot, Democracy, Socialism,\" Translated from the Russian by Vic Schneierson, Moscow, [1991]; Documents on the Political Abuse of Psychiatry in the USSR No. 47, 48","Includes reports of the Council on International Affairs, Committee on Human Rights and Committee on International Education. Also includes several documents dated September 1991: Memo for the Record Briefing Meeting for the Chinese Academy of Social Sciences Human Rights Study Group (1991-09-24); USSR Draft Law (17 June 91) on Psychiatric Assistance; Ministry of Health, USSR, All-Union Society of Psychiatrists Governing Board Decision (1991-05-15-16); WPA Memorandum to the All-Union Society of Psychiatrists (1991-07-28); Dr. Stanislaw Golec: \"Health Care in Poland 91\"; \"Instructional Recommendations on the Application of USSR Ministry of Health Order No. 555 (1989-09-19); WPA documents; International Committee of the Red Cross Report on \"Second Working Group of Experts on Battlefield Laser Weapons,\" (1990-11-05-06)","Includes \"copy of a part\" of Japanese Mental Health Law with translation (1988); translation of  \"law on patient's rights\" in Finland (1991-08); WHO Guidelines for the Clinical Investigation of Antidepressant Drugs (1984)","Includes LHR handwritten notes re Abuse Committee (1992-04); \"Cuban Dissidents in Psychiatric Hospitals An Update of the Politics of Psychiatry in Revolutionary Cuba,\"; \"Dimineata, 7th January 1992, The Mad People Were Dissidents,\" re Romania (undated); \"The Plenary Session of the Board of Directors of the All-Union Scientific Society of Psychiatrists (1992-05) and Follow-Up of US Team's 1989 Patients list, Appendices 1 and 2 sent to Dr. Birley with names of patients (1992-02); Information about the Patient Bill of Rights Tally Sheet (1992-04); Geneva Initiative on Psychiatry [GPI]: Documents on the Abolition and Prevention of Political Abuse of Psychiatry (1992-03 and 1992-04)","Includes reports of the Council on International Affairs, Committee on Human Rights and Committee on International Education. Also: Country Reports on Human Rights Practices: Yugoslavia (1992-06-01); GPI: Documents on the Abolition and Prevention of Political Abuse of Psychiatry, April – June 1992; Mercer, Ellen: Exploring Hungarian Psychiatry (1992-05)","Includes reports of the Council on International Affairs, Committee on Human Rights. Also: International Association for Child and Adolescent Psychiatry and Allied Professions Proclamation of May 1992: Assuring the Mental Health of Children; APA Bilateral Exchange with Poland Czechoslovakia and Hungary. Summary of Responses and Recommendations of American Participants (1992-03-24 to 1992-04-12); copy of Act of the Russian Federation \"On Psychiatric Care and Citizens' Rights With Regard to Such Care,\" (1992-01); Polubinskaya, Svetlana: \"From the USSR to the Independent States: Where the Former Soviet Psychiatry Will Go,\" (1992-05); GIP Documents on the Abolition and Prevention of Political Abuse of Psychiatry 56, June 1992","Includes reports of the Council on International Affairs, Committee on Human Rights. Also correspondence re psychiatric abuse in the former GDR, with the Romanian Psychiatric Association and the Committee to End the Chinese Gulag. \"Psychiatry Under Tyranny. An Assessment of the Political Abuse of Romanian Psychiatry During the Ceaucescu Years,\" Report of a consultative mission to Bucharest on behalf of the Geneva Initiative on Psychiatry (1992-06); GIP Documents on the Abolition and Prevention of Political Abuse of Psychiatry 57, July – August 1992","The sub-series consists of materials Loren Roth collected as part of his work with this committee. These include meeting minutes and agendas, correspondence, reports, articles, clippings, memoranda, and other items.","Included: \"Human Rights of Mental Patients in Japan,\" (1987 -04); Reich, Walter Report of Meeting with Gennadiy M. Yevstafiev (Soviet, member of the delegation to the Vienna Review Meeting) (1987-07-28); copy of letter from Senator Edward M. Kennedy to Lawrence Hartmann, M.D. re human rights violations in Paraguay (1988-04-22); World Medical Association, INC. memorandum: \"The Facts regarding health services in South Africa during 1987, and the role played by the Medical Association of South Africa,\" (1987-07- 08); Reddaway, Peter: Does Moscow's Purge of Corrupt Psychiatrists Threaten the Psychiatric Gulag?\" (1987-07-13); \"More Revelations about Stefanis' Negotiations with the Soviets (1987-09-11); Center for Victims of Torture pilot project (1987-08-28 and 1987-10); South Africa Briefing (1987-08-07); Minutes of Committee on Abuse of Psychiatry (1987-09-09 and 1987-12-02); \"Victims of Torture in Afghanistan. Presentation for Cairo World Congress\" by Mohammad Azam Dadfar (1987-10-18-22); Gralnick, Alexander M.D.: \"Public Health and Psychiatric Care in Cuba, Personal Report\" (November 1987);Political Imprisonment in Cuba. A Special Report from Amnesty International, The Cuban American Nation Foundation, 1987;  US/Soviet Human Rights Seminar: Statement by Ellen Mercer for the APA (1987-12-03). Also Bloche, Maxwell Gregg: \"Uruguay's Military Physicians: Cogs in a System of State Terror,\" (1987-03)","Miscellaneous documents: minutes, memoranda, correspondence. Included: [Argentina] Tribunal Etico de la Salud contra la Impunidad translation of statement: Medical Ethics Tribunal Against Impunity,\" (1988-01-11); Minutes of the APA Committee on Abuse of Psychiatry (1988-01-20, 1988-04-21; 1988-05-10); some documents related to South Africa, Pakistan, Argentina; Human Rights Survey Responses (1988-03-09); Amnesty International: \"China. Detention Without Trial, Ill-Treatment of Detainees and Police Shooting of Civilians in Tibet,\" (1988-02); Bitsch Christensen, Svend: \"Torture Related Documentation,\" (1987); International Commission of Jurists' Mission to Japan Preliminary Report and Recommendations (1988-04); \"The Casualties of Conflict: Medical Care and Human Rights in the West Bank and Gaza Strip,\" Report of a Medical Fact Finding Mission by Physicians for Human Rights, (1988-03); Amnesty International Commission Medicale: Medicine at Risks. The Doctor as Abuser or Victim,\" (1987-09)","Miscellaneous documents: minutes, memoranda, correspondence related to Soviet psychiatry; human rights abuses in Honduras, Czechoslovakia, Somalia, South Africa, Israel, Haiti, Cuba, Egypt, China, BahrainGudava, Eduard M.D.: \"The events in Tbilisi, Georgia  (1989-04-18); Vesti, Peter and Inge Kemp: \"Chapter I: Treatment of Torture Survivors – theoretical views,\" \"Chapter 2: Rehabilitation of Torture Survivors, \" (1989-10); Collazo, Carlos R. M.D. and Martha Gerpe M.D.: \"Missing Parents,\" Paper presented at The World Psychiatric Association, Athens, October 1989","File includes: RCT [Rehabilitation and Research Centre for Torture Victims] 7th Annual Report (1990-01); APA Position Statement on Apartheid and Academic Boycotting of South Africa (1990-01); Human Rights Cases Monitored by the APA (1990-02-01); signed Petition by doctors to recommend the APA to condemn the government of Turkey (1990-08); LHR handwritten notes of September meeting;  APA Council on International Affairs Joint Reference Committee (1990-10-12); Boyajian, Levon Z. M.D.: The Psychological Sequelae of the Armenian Genocide (1982); Leros Trip. Report on Visit to the Mental Institution on the Island of Leros, Greece (1989-12-3-5); \"'Bloody Sunday Trauma in Tbilisi. The Eents of April 9, 1989 and their Aftermath,\" Report of a Medical Mission to Soviet Georgia by Physicians for Human Rights, February 1990; printed materials.","Files include documents re Armenian Genocide and from the Free Romanian Foundation; \"Program for Administrators and Educators Specializing in Programs for People With Disabilities,\" with the Persian Gulf (1991-04); Martínez Lara, Samuel: \"Psychiatry in Cuba: Perspectives of a Human Rights Activist\" (1991-09-27);  ); National Academy of Sciences: \"Considerations Regarding Individual Scientific Visits to the People's Republic of China,\" (October 1991); also some documents about torture","Files include documents re torture in Egypt (1992-01); Dadfar, A. Azam M.D.: \"The Deep Scars of a Forgotten War, \" Psychiatry Centre for the Afghans; correspondence with Levon Z. Boyajian M.D. (1992-02); Croatian Medical Journal: \"Medical Testimony of the Vukovar Tragedy\"; memorandum re \"Abuse and Misuse of Psychiatry in the United States\" (1992-02); Committee to End the Chinese Gulag: \"On behalf of Political Prisoners in China: How to Raise Human Rights Cases,\" (1992-04); memoranda and correspondence re abuse of Palestinian physician (1992-05); APA Position Statement on Homosexuality and Civil Rights (1992-07); Americas Watch, Vol.4, Issue 7: \"Dangerous Dialogue, Attacks on Freedom of Expression in Miami's Cuban Exile Community,\" (1992-08);  Amnesty International French Section, Medical Group: \"Corporal Punishment. A study on legislation and enforcement in 18 countries,\" (1992); \"Stop Torture in Korea (STIK)\" (1998-08); APA Council on International Affairs: \"International Inpatients Bill of Rights,\" (1992-08); APA Communications Plan 1992-1994; APA: \"Human Rights and the American Psychiatric Association,\" (1992); memorandum and correspondence re abuse of psychiatry and psychiatrists in México (1992-100; US Department of State: \"Renewing the U.S. Commitment to Human Rights,\" Special Report No. 164;  printed materials","World Health Organization Assignment Report re \"mentally infirm in Romania and possibilities for improvement,\" (1991-11); Rosenberg, David R. M.D. et al: \"A Cross-Cultural Study of \"Ceausescu's Orphans,\" (1992-03); Blom, G. et al: \"Program Touch – A Volunteer Intervention Program to Orphaned Disabled Children in Romania,\" (1991-11); Roth's reappointment as APA Chairperson of the Committee on Human Rights under the Council of International Affairs, (1992-04-13); draft of A.P.A. Action Paper Rescinding the 1982 APA Position on the Insanity Defense (1992-05-01); Pierce, Chester M. M.D.: \"Public Health and Human Rights: Racism, Torture and Terrorism,\" presented at American Psychiatric Association Annual Meeting (1992-05-04)","Files include translation of Croatian pamphlet: \"Protect Yourself and Help Others (1993-02); APA Office of International Affairs: Responses to Human Rights Questionnaire,\" (1993-08-18); Citizens Support Committee for the Psychiatric Farm Hospital Dr. Manuel Ramírez Moreno (1993-7-13)","correspondence and handwritten notes","evaluation forms and printed materials","Meetings between Ukrainian doctors Semyon F. Gluzman, Vladimir I. Poltavets, Valery N. Kutznetsov, Ada I. Korotenko, Oleg A, Nasinnik, Vladimir M. Cherniavsky and Juan Mezzich, American psychiatrist from the West Psychiatric Institute and Clinic, University of Pittsburgh; also some case summaries (1994-02). Russian and English translation.","extensive correspondence, reports, handwritten notes. Savychyj, Jurij M.D.: \"Psychiatry in Ukraine,\" [1992]","correspondence, Ukrainian fliers, and handwritten notes","extensive correspondence, reports, data analysis, forms, handwritten notes (1995-05), \"Codebook\"","correspondence, clinical assessment forms, and handwritten notes","Geneva Initiative on Psychiatry. Annual Reports 1992 and 1995; Documents on the Abolition and Prevention of Political Abuse of Psychiatry Nos. 65-67, 72, 74; \"Concepts for Developing Mental Health Care in Ukraine (First Draft),\" Developed by Experts of Ministry for Health Care, Kiev Research Institute of General and Forensic Psychiatry, Regional Chief Experts and Kiev Psychiatrists.","correspondence and forms","email correspondence, brochures, printed photographs","Joseph D. Bloom, Kyrill Borissow, William T. Carpenter, Robert W. Farrand, Robert M.A. Hirschfield, William H. Hopkins, Samuel Keith, Felix Kleyman, Andrei A. Kovalev, Ellen Mercer, John Monahan, Darrel A. Regier, Elmore F. Rigamer Jr, Carolyn Smith, Leon Stern","Includes: United States – Russia Health Committee 2000 – 2002, printed copies of photographs; The U.S.A. – Russia Health Committee: \"Access to Quality Health Care\" (draft), undated; \"Additional Materials on Diagnosing and Treating Mild and Moderate Depressions,\" [document in Russian with English title]","Gershman, Carl: Psychiatric Abuse in the Soviet Union,\" Society, July/August 1984; Lapenna, Ivo: \"The Medico-Legal Society. Use and Misuse of Psychiatry in the USSR,\" The Royal Society of Medicine, London 12th June 1986; McCready, John and Harold Merskey: \"Compliance by physicians with the 1978 Ontario Mental Health Act,\" Reprint from the Canadian Medical Association Journal, Vol. 124, March 15, 1981; McCready, John and Harold Merskey: \"On the Recoding of Mental Illness for Civil Commitment,\" Can. J. Psychiatry Vol. 27, March 1982; Slovenko, Ralph: Analysis. The Destiny of South Africa,\" The World and I, July 1991.","In 2021, members of the 1989 American delegation, some Soviet patients, Soviet doctors and other professionals, were invited to participate in the \"Retrospective Review of the 1989 U.S. State Department Psychiatric Mission to the USSR\" oral history project. Nineteen interviews were recorded, sixteen of them with the surviving members of the U.S. delegation, one with Andrei Kovalev, an official at the Ministry of Foreign Affairs in the U.S.S.R. at the time, and two with former \"Soviet patients.\" There is also an original 1989 recording of one interview.","These interviews provide a comprehensive overview of the history of Soviet psychiatric abuse, the reasons why psychiatric diagnosis was used to suppress dissent, the methods, medical and legal procedures, and who were the major players in Soviet psychiatric abuse. Emphasis is also made on assessing the U.S.-Soviet relationship in the 1980s and the special place that the 1989 State Department psychiatric mission to the U.S.S.R. held in the détente. All stages of negotiations and preparations for the mission were discussed as well as the methodology of psychiatric evaluations and the findings of the American experts. An additional emphasis was also made on assessing the state of Soviet psychiatric care as of the late 1980s and all the significant changes it was going through at the time. The role of World Psychiatric Association (WPA), the All-Union Society of Psychiatrists and Narcologists, the American Psychiatric Association and other important organizations, is also given proper attention. The interviewees also discuss the long-term impact that the 1989 U.S. mission made on Soviet and post-Soviet psychiatry.","In the interview Dr. Bloom discusses his career, his interest in the topic of abuse of psychiatry and his involvement in the 1989 U.S. State Department psychiatric delegation to the U.S.S.R. He talks about the U.S. and Soviet (both Soviet professionals and Soviet interviewees) understanding of the purpose of the visit and  the Soviet's compliance with the terms negotiated for the visit. He also talks about psychiatric hospitalization, detention and commitment process in the U.S.S.R., conditions of hospitalization in Soviet psychiatric hospitals and the legal rights of persons with mental disorders in the U.S.S.R.  Dr. Bloom's explains his impressions from the trip to the Soviet Union and the conclusions made by the American delegation. ","The highlights of the interview pertain to Dr. Bloom's recollection of a Soviet person who allegedly had a mental disorder, and his opinion as to the way the American final report should have been approached.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Mr. Borissow shares his life story and describes his career. He talks about getting involved in the 1989 State Department trip to the Soviet Union, his previous trips to the U.S.S.R., and the  social and political context that surrounded the visit and made it possible in the first place. Mr. Borissow describes his experience of interpreting in one of the psychiatric hospitals in Moscow as a part of the 1989 American mission as well as the work that Mr. Borissow's sub-team #3 did in Leningrad. He shares very interesting anecdotes that happened during the trip and talks about the lessons he learned during this trip.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","In the interview Dr. Carpenter discusses his career, his involvement in the 1989 US State Department psychiatric delegation to the USSR, the main goals of the mission, various aspects of the implementation in great detail, the diagnostic aspects of the study, interview instruments and methodology, the Soviet mental health care system and its shortcomings, the conclusions made by Dr. Carpenter's sub-team, the impact the American visit made to the interviewed individuals an mental health in the region. ","Dr. Carpenter also discusses the United States - Great Britain cross-national study of schizophrenia conducted in the 1960s and 70s and its pertinency to the 1989 U.S. State Department psychiatric investigative mission to the U.S.S.R. He also talks about the broad diagnostic criteria for sluggish schizophrenia and how much contributed to the missuse of psychiatry in the Soviet Union.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Ambassador Farrand talks about his long successful career in the U.S. State Department, the importance of the Soviet psychiatric abuse to the U.S. government and the larger context of the U.S. - U.S.S.R. relationships. As a person who worked closely with Ambassador Richard Schifter for many years, Mr. Farrand describes Schifter's goals and vision of the 1989 psychiatric mission to the U.S.S.R. ","Mr. Farrand describes the process of negotiating the terms of the visit and shares insights about interacting with a superpower as the Soviet Union was at that time. He also talks about the the peculiarities of governance in the U.S.S.R., and power dynamics inside the country. Mr. Farrand describes the efforts to preserve transparency and independence of the mission as well as managing its financial aspects and its highlighting in media. Mr. Farrand also talks about glasnost, perestroika, and the collapse of the Soviet Union.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Dr. Hirschfeld shares memories about his education and career, the way he got involved in the 1989 State Department psychiatric mission to the U.S.S.R., the methodological approach to the patient interviews, the range of findings of his sub-team # 3 in Leningrad, and his general impressions of the Soviet Union as of 1989.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Mr. Hopkins talks at length about the way he became immersed in the Russian studies, his education, and career. He well remembers the settings and arrangements of interviewing the Soviet citizens who allegedly had mental disorders, his expectations and apprehensions about the upcoming 1989 mission, the types of questions asked of the Soviet interviewees, and the peculiarities of his task as an interpreter during this unique venture. He also mentions the debrief that the entire American team had in Washington, D.C. after the visit was over.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Mr. I. talks about his early life, family, education, how his dissident views formed and evolved with time. He shares about his repeated contacts with psychiatric system; he also describes his social and political activity and the repercussions he faced as a result. Mr. I. then tells about his criminal case, his forensic psychiatric evaluation, diagnosis, \"symptoms\", finding of non-imputability, the legal procedure used to involuntarily commit him to the Dnepropetrovsk special psychiatric hospital, and the inhumane conditions there. \nMr. I. then describes his transfer to Nikolayev ordinary psychiatric hospital and release; he talks about his dissident activity that brought him back to the same hospital. He also describes his contacts with Ukrainian dissident movement at the end of 1980s and how he got on the list of people to be assessed by the U.S. team. The details of his participation in 1989 U.S. State Department mission are discussed next. Mr. I. then shares about the long-term impact this mission made on his life, his subsequent legal rehabilitation, being taken off the psychiatric register, the removal of his psychiatric diagnosis, his life and activism after 1989. Mr. I. describes some of his most interesting campaigns. The interview ends with a brief discussion of the Russian invasion of Ukraine and how it affected Mr. I.'s life. ","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Dr. Keith talks about the role and expertise of NIMH that was crucial to the success of the 1989 U.S. psychiatric mission to the U.S.S.R. He recapitulates the main points and stumbling blocks of the negotiations with the Soviets in November 1988, various organizational aspects of the mission, as well as the interview instruments and methodology used by the American team. Dr. Keith shares his opinion about the concept of sluggish schizophrenia, its diagnostic criteria, and other factors that made it possible to abuse psychiatry in the Soviet Union. He also emphasizes Soviet life, society, and governance as of 1989. Dr. Keith discusses the Soviets' admission of \"hyperdiagnoses\" and the validity of the excuse of \"hyperdiagnoses\" from the professional point of view. He also expresses his opinion about the tone of the final report and the general context that the American team had to keep in mind when drafting it. Dr. Keith describes Schizophrenia Bulletin and his role as its editor-in-chief. He also talks about the 1990 Soviet Reciprocal Visit to the U.S.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Dr. Kleyman is a great source of knowledge about the ins and outs of the Soviet mental health care system as the person who had about 10 years of professional experience on the ground. He talked about the uniqueness of his role during the American psychiatric mission to the U.S.S.R. that resulted from him being a native Russian speaker and being well familiar with life in the Soviet Union. Dr. Kleyman discusses the social and political context that surrounded the 1989 U.S. State Department visit and made it possible in the first place; the doctor patient relationship in the U.S.S.R.; Soviet diagnostic approaches and the role of Soviet psychiatrists during the American visit. Dr. Kleyman recalls his unique trip to Moscow Psychiatric Hospital # 5 to briefly speak with the patient who was claimed by the Soviets to have refused examination. He also talks about his experience as a member of the 1991 W.P.A. mission to the U.S.S.R.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Mr. Kovalev tells about the role of various domestic and international actors in the process of democratization of the U.S.S.R. in the late 1980s and bringing human rights into the Soviet Union. He also assesses the political factors of the early 1980s that allowed Gorbachev come to power and retain it. Mr. Kovalev shares his insights about the Soviet foreign policy of the second half of 1980s-early 1990s and the U.S. - U.S.S.R. relationships. He shares his knowledge about the history of abuse of psychiatry and the reasons for resorting to it; the Soviet psychiatric register and the consequences of being on a register; the sealed instruction on involuntary commitment that existed but was not available to the public. Mr. Kovalev talks about the chain of decision making in ensuring that the American visit will actually happen and the key events on that road. He also comments on the internal tensions between the Ministry of Foreign Affairs and the Ministry of Health (M.O.H.) as well as the resistance put up by the M.O.H. in organizing the American visit. He also shares his views about the \"system dissidents\" in the U.S.S.R.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Ms. Mercer talks about her career at the APA and the role that the APA played in advocating for the rights of the persons committed to psychiatric hospitals for non-medical reasons in the USSR. She then discusses the historical context for the 1989 State Department psychiatric delegation to the Soviet Union, including the 1977 Declaration of Hawaii and the All-Union Society's walking out of the WPA in 1983 in the face of an almost certain expulsion. Being a part of the November 1988 negotiation team to the Soviet Union, Ms. Mercer shares her thoughts about the negotiation process and the Soviet's compliance with the terms agreed upon. Ms. Mercer describes the field visit to Soviet psychiatric hospitals and then talks about the Soviet's readmission to the WPA, the role the 1989 U.S. State Department played in this process, the APA's and Ms. Mercer's personal stance with regard to the readmission. Ms. Mercer concludes by discussing the difference the American visit made in the big picture.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Dr. Monahan talks about his professional training and the highlights of his career, his memories from the 1989 American visit to the Soviet Union, including the goals of the visit,  its organizational aspects, and its media coverage. Dr. Monahan then focuses on the forensic evaluation methods and results, the rights of psychiatric patients in the Soviet Union, conditions of their hospitalization, treatment, and hospital staffing. Dr. Monahan concludes by describing his general impressions of Moscow and Leningrad and the conclusions the American team made as a result of the visit. ","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Mr. Reddaway talks about his education and career and the way he became interested and immersed in the issue of abuse of psychiatry in the U.S.S.R. He discusses the impact that his and Sidney Bloch's 1977 and 1983 books made in the Soviet Union. He also shares his knowledge about the evolution of punitive psychiatry with each new Soviet leader. Mr. Reddaway talks about Mr. Gorbachev's personality, the political factors in the early 1980s that allowed for such a leader to emerge and retain power; the reasons for perestroika;  the peculiarities of perestroika in psychiatry versus other spheres. Mr. Reddaway gives a comprehensive overview of various internal processes in the Soviet Union at the end of 1980s that were important prerequisites for the 1989 U.S. psychiatric mission. He discusses at length the role of the WPA in the battle against the abuse of psychiatry in the Soviet Union. Mr. Reddaway also gives a detailed overview of the field inspections to Soviet psychiatric hospitals that he did as a member of the 1989 U.S. State Department psychiatric mission to the U.S.S.R.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","The interview with Dr. Regier is of critical importance for the comprehensive retrospective evaluation of the long-term impact of the 1989 State Department investigative mission to the U.S.S.R. Dr. Regier not only played a key role in the preparation and implementation of the mission, but also successfully continued to help develop the quality and accessibility of mental health services in Russia after the U.S.S.R. collapse. Dr. Regier also continued to tackle the issue of psychiatric abuse in China.  \nIn his interview, Dr. Regier gives a historical overview of the development of diagnostic criteria that was subsequently used during the U.S. State Department investigative mission to the U.S.S.R. relating to psychiatric abuse. This interview provides a great description of the methodology used during the interviews. Dr. Regier also describes the NIMH goals, unique role and contribution to the 1989 mission and shares his insights about the factors that made it possible to weaponize psychiatry against dissidents in the Soviet Union. Dr. Regier also tells about his role in the work of Gore-Chernomyrdin Commission in the area on mental health care in Russia post the Soviet Union breakup.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Dr. Roth describes his training and the highlights of his career; he then tells how he became interested in the issue of abuse of psychiatry in the U.S.S.R. His two human rights trips to the U.S.S.R. in 1985 and 1986 are discussed next. Dr. Roth then gives an overview of the general political background to the visit and tensions between him and Ambassador Schifter about some critical aspect of the visit. Dr. Roth then describes in detail the negotiation process between the U.S. and Soviet side, the main stumbling blocks, how he managed to overcome them, and who were his allies. Dr. Roth describes the Soviet uncooperativeness and tensions between the Ministry of Health and Ministry of Foreign Affairs. He then talks about informed consents, interview procedures, and the visit dynamics. He shares some anecdotes and most memorable events; he also talks about the people who meaningfully contributed to making the mission successful.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Mr. S. describes his early years, how his dissident views formed, his first arrest under Article 70 of the Criminal Code, his expert psychiatric evaluation at the Serbsky Institute, and the judicial procedure that followed. He describes his subsequent commitment in an 'ordinary' psychiatric hospital and shares insights about the internal regulations, regime, and the release procedure. He also talks about his next arrest and the legal aspects of it. Mr. S. shares his views about whether Soviet psychiatrists seriously believed that 'failure to adapt to the society' was a sign of mental illness and whether they can be blamed for presumably following the orders from above.  Mr. S. proceedes to describe his transfer to a special psychiatric hospital, the mass release of political prisoners in 1987, the reasons for such a drastic change of the political course in the Soviet Union, and gives an overview of the U.S. – U.S.S.R. relationship in the second half of the twentieth century. He then talks about how the 1989 U.S. State Department psychiatric mission to the U.S.S.R. fit into the broader human rights negotiations in the CSCE. Mr. S. tells how he taken off the psychiatric register\nand legally rehabilitated; he talks about the destiny of the Criminal Code 'political' articles 70 and 190-1 and current political articles in Russian Criminal Code used to suppress dissent.\nMr. S. shares about his life and political activity after 1989, his subsequent arrests, and his assessment of the evolution of civil and political freedom in Russia after 1989.\nHe then talks about the future of Russia, his own future as a dissident in Russia, and his views about the Russian war in Ukraine.","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","In addition to the oral history given in 2022, this file contains a recording of an interview that Mr. S gave on March 2, 1989.","Ms. Smith shares her memories about interpreting for both 1989 U.S. State Department delegation and the 1991 WPA delegation to the Soviet Union. She explains how this experience compares to the other interesting projects she has been involved in throughout her career. She describes her most prominent memories about this job as well as the Soviet Union as of 1989. ","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","Dr. Stern describes his career and his pathway from the Soviet Union to the U.S. He shares his insights about some aspects of Soviet history, the issue of psychiatric abuse, its roots and reasons the Soviet government resorted to psychiatry to oppress dissent. Dr. Stern talks about the major differences between special psychiatrist hospitals vs. ordinary psychiatrist hospitals and gives some excellent illustrations of \"symptoms\" that the Soviet school of psychiatry considered signs of mental disorder. Dr. Stern shares his opinion as to the reasons why Soviet psychiatrists engaged in unethical practices. Dr. Stern describes the field trip in great detail, including some anecdotes and specific instances. He concludes by identifying the most important changes needed in Soviet psychiatry at the time and assesses the overall success of the American mission to the Soviet Union. ","Olena Protsenko, a Post-doctoral Research Associate in Psychiatry and Law at the University of Virginia School of Law, conducted this interview remotely over the Zoom application.","This file includes correspondence with Richard Schifter and Robert van Voren."],"userestrict_html_tesm":["\u003cp\u003eThe Arthur J. Morris Law Library does not grant researchers permission to publish copies of any of the materials in this collection.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Arthur J. Morris Law Library does not grant researchers permission to publish copies of any of the materials in this collection."],"names_ssim":["Arthur J. Morris Law Library Special Collections","Roth, Loren H.","Bloom, Joseph D.","Borissow, Kyrill","Carpenter, William T.","Farrand, Robert William, 1934-","Hirschfeld, Robert M. A.","Hopkins, William H. (William Hugh), 1942-","Keith, Samuel J.","Kleyman, Felix, Dr.","Kovalev, A. A. (Andreĭ Anatolʹevich)","Mercer, Ellen Robertson","Monahan, John (John Thomas), 1946-","Reddaway, Peter (1939)","Regier, Darrel A.","Smith, Carolyn","Stern, Leon"],"corpname_ssim":["Arthur J. Morris Law Library Special Collections"],"persname_ssim":["Roth, Loren H.","Bloom, Joseph D.","Borissow, Kyrill","Carpenter, William T.","Farrand, Robert William, 1934-","Hirschfeld, Robert M. A.","Hopkins, William H. (William Hugh), 1942-","Keith, Samuel J.","Kleyman, Felix, Dr.","Kovalev, A. A. (Andreĭ Anatolʹevich)","Mercer, Ellen Robertson","Monahan, John (John Thomas), 1946-","Reddaway, Peter (1939)","Regier, Darrel A.","Smith, Carolyn","Stern, Leon"],"language_ssim":["English Russian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":263,"online_item_count_is":18,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:31:33.580Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_4_resources_1347"}},{"id":"viu_repositories_4_resources_946_c02","type":"Series","attributes":{"title":"May Days Oral History Project","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_946_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection currently includes X interviews with former legal marshals, Law School faculty, and citizens that participated in the various student demonstrations of May 1970. Unless otherwise stated, each interview is presented in video format with an accompanying transcript. Interviews were conducted in-person until the outbreak of the novel COVID-19 virus, in which case they were conducted via Zoom. This collection and associated documentary research are currently available for viewing on the Marshaling May Days online exhibition site. [insert hyperlink]\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_946_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_4_resources_946_c02","ref_ssm":["viu_repositories_4_resources_946_c02"],"id":"viu_repositories_4_resources_946_c02","ead_ssi":"viu_repositories_4_resources_946","_root_":"viu_repositories_4_resources_946","_nest_parent_":"viu_repositories_4_resources_946","parent_ssi":"viu_repositories_4_resources_946","parent_ssim":["viu_repositories_4_resources_946"],"parent_ids_ssim":["viu_repositories_4_resources_946"],"parent_unittitles_ssm":["University of Virginia School of Law oral history collection"],"parent_unittitles_tesim":["University of Virginia School of Law oral history collection"],"text":["University of Virginia School of Law oral history collection","May Days Oral History Project","Sullivan, Daniel, \"Dan\"","MacFarlane, Gerald, \"Jake\"","Olson, Robert, \"Bob\"","McDermott, Francis, \"Frank\"","Finch, Edwin, \"Ed\"","English .","The May Days Oral History Project is an ongoing initiative to preserve the history of UVA Law in the era of the Vietnam War. This era of the University's history was a period of intense activism not only about the war but also about issues of race, gender, and American governance. This project aims to honor and preserve a diversity of law school perspectives and experiences from the 1960s and 1970s, but particularly the concentrated period of student demonstrations at the University of Virginia during the month of May of 1970. \nThe primary timeline of events of May 1970 are well-represented in the University of Virginia's archives. However, information on UVA Law's \"legal marshals\" is sparse and has received little attention despite their integral role in maintaining peace during student demonstrations. Considering this fact, Class of 1970 alum Edward \"Ted\" Hogshire contacted UVA Law Special Collections in early 2019 and recommended that the library preserve and tell the \"legal marshal\" story. May 2020 also marks the 50th anniversary of the student strike movement at the University of Virginia. With that encouragement, the Law Special Collections team decided to revitalize the library's oral history program, starting with the stories of student marshals during the \"May Days\" protests.","This collection currently includes X interviews with former legal marshals, Law School faculty, and citizens that participated in the various student demonstrations of May 1970. Unless otherwise stated, each interview is presented in video format with an accompanying transcript. Interviews were conducted in-person until the outbreak of the novel COVID-19 virus, in which case they were conducted via Zoom.\nThis collection and associated documentary research are currently available for viewing on the Marshaling May Days online exhibition site. [insert hyperlink]"],"title_filing_ssi":"May Days Oral History Project","title_ssm":["May Days Oral History Project"],"title_tesim":["May Days Oral History Project"],"unitdate_bulk_ssim":["1960-2020"],"normalized_title_ssm":["May Days Oral History Project"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["University of Virginia School of Law oral history collection"],"extent_ssm":["9 items 9 digital interviews and their accompanying transcripts"],"extent_tesim":["9 items 9 digital interviews and their accompanying transcripts"],"has_online_content_ssim":["true"],"child_component_count_isi":8,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":2,"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"names_ssim":["Sullivan, Daniel, \"Dan\"","MacFarlane, Gerald, \"Jake\"","Olson, Robert, \"Bob\"","McDermott, Francis, \"Frank\"","Finch, Edwin, \"Ed\""],"persname_ssim":["Sullivan, Daniel, \"Dan\"","MacFarlane, Gerald, \"Jake\"","Olson, Robert, \"Bob\"","McDermott, Francis, \"Frank\"","Finch, Edwin, \"Ed\""],"language_ssim":["English ."],"bioghist_html_tesm":["\u003cp\u003eThe May Days Oral History Project is an ongoing initiative to preserve the history of UVA Law in the era of the Vietnam War. This era of the University's history was a period of intense activism not only about the war but also about issues of race, gender, and American governance. This project aims to honor and preserve a diversity of law school perspectives and experiences from the 1960s and 1970s, but particularly the concentrated period of student demonstrations at the University of Virginia during the month of May of 1970. \nThe primary timeline of events of May 1970 are well-represented in the University of Virginia's archives. However, information on UVA Law's \"legal marshals\" is sparse and has received little attention despite their integral role in maintaining peace during student demonstrations. Considering this fact, Class of 1970 alum Edward \"Ted\" Hogshire contacted UVA Law Special Collections in early 2019 and recommended that the library preserve and tell the \"legal marshal\" story. May 2020 also marks the 50th anniversary of the student strike movement at the University of Virginia. 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However, information on UVA Law's \"legal marshals\" is sparse and has received little attention despite their integral role in maintaining peace during student demonstrations. Considering this fact, Class of 1970 alum Edward \"Ted\" Hogshire contacted UVA Law Special Collections in early 2019 and recommended that the library preserve and tell the \"legal marshal\" story. May 2020 also marks the 50th anniversary of the student strike movement at the University of Virginia. With that encouragement, the Law Special Collections team decided to revitalize the library's oral history program, starting with the stories of student marshals during the \"May Days\" protests."],"scopecontent_html_tesm":["\u003cp\u003eThis collection currently includes X interviews with former legal marshals, Law School faculty, and citizens that participated in the various student demonstrations of May 1970. Unless otherwise stated, each interview is presented in video format with an accompanying transcript. Interviews were conducted in-person until the outbreak of the novel COVID-19 virus, in which case they were conducted via Zoom.\nThis collection and associated documentary research are currently available for viewing on the Marshaling May Days online exhibition site. [insert hyperlink]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection currently includes X interviews with former legal marshals, Law School faculty, and citizens that participated in the various student demonstrations of May 1970. Unless otherwise stated, each interview is presented in video format with an accompanying transcript. Interviews were conducted in-person until the outbreak of the novel COVID-19 virus, in which case they were conducted via Zoom.\nThis collection and associated documentary research are currently available for viewing on the Marshaling May Days online exhibition site. [insert hyperlink]"],"_nest_path_":"/components#1","timestamp":"2026-05-20T23:39:25.068Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_4_resources_946","ead_ssi":"viu_repositories_4_resources_946","_root_":"viu_repositories_4_resources_946","_nest_parent_":"viu_repositories_4_resources_946","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_946.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/164739","title_ssm":["University of Virginia School of Law oral history collection"],"title_tesim":["University of Virginia School of Law oral history collection"],"unitdate_ssm":["2020"],"unitdate_other_ssim":["2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG.32.405","Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/946"],"text":["RG.32.405","Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/946","University of Virginia School of Law oral history collection","The May Days Oral History Project is an ongoing initiative to preserve the history of UVA Law in the era of the Vietnam War. This era of the University's history was a period of intense activism not only about the war but also about issues of race, gender, and American governance. This project aims to honor and preserve a diversity of law school perspectives and experiences from the 1960s and 1970s, but particularly the concentrated period of student demonstrations at the University of Virginia during the month of May of 1970. \nThe primary timeline of events of May 1970 are well-represented in the University of Virginia's archives. However, information on UVA Law's \"legal marshals\" is sparse and has received little attention despite their integral role in maintaining peace during student demonstrations. Considering this fact, Class of 1970 alum Edward \"Ted\" Hogshire contacted UVA Law Special Collections in early 2019 and recommended that the library preserve and tell the \"legal marshal\" story. May 2020 also marks the 50th anniversary of the student strike movement at the University of Virginia. With that encouragement, the Law Special Collections team decided to revitalize the library's oral history program, starting with the stories of student marshals during the \"May Days\" protests.","This collection currently includes X interviews with former legal marshals, Law School faculty, and citizens that participated in the various student demonstrations of May 1970. Unless otherwise stated, each interview is presented in video format with an accompanying transcript. Interviews were conducted in-person until the outbreak of the novel COVID-19 virus, in which case they were conducted via Zoom.\nThis collection and associated documentary research are currently available for viewing on the Marshaling May Days online exhibition site. [insert hyperlink]","Randall Flaherty, Meggan Cashwell, and Michael Klepper drove from Charlottesville, Virginia to Fairfax, Virginia to interview Class of 1970 alum David Levy for the May Days Oral History Project. Through documentary research, Levy was identified as a legal marshal during May 1970. Interview questions were prepared ahead of time, although interviewers posed follow-up questions where appropriate.","Edward \"Ted\" Hogshire approached Randall Flaherty in early 2019 with a proposition for a new Law Library initiative concerning those individuals involved as \"legal marshals\" during the various student demonstrations at the University of Virginia in May 1970. Hogshire was a legal marshal and agreed to conduct the first oral history interview for this initiative. His insistence lit the spark for what later became the May Days Oral History Project. Interview questions were prepared ahead of time, although interviewers posed follow-up questions where appropriate.","Due to the novel COVID-19 virus, Randall Flaherty, Addison Patrick, and Meggan Cashwell connected with Edwin \"Ed\" Finch and Francis \"Frank\" McDermott via Zoom. Finch and McDermott preferred to be interviewed together because they were good friends during Law School and could jog each other's memories. Through documentary research, MacFarlane was identified as a legal marshal during May 1970. Interview questions were prepared ahead of time, although interviewers posed follow-up questions where appropriate.","Due to the novel COVID-19 virus, Randall Flaherty, Addison Patrick, and Meggan Cashwell connected with H. Lane Kneedler via Zoom. Kneedler was Assistant Dean of the Law School in May 1970, having graduated from UVA Law himself in 1969. Through documentary research and previous oral history interviews, Kneedler was identified as being actively involved in the legal marshal program. In late May, 1970, he was charged by Dean Monrad Paulsen to investigate the key players and events of the student demontrations at the University to determine if any disciplinary action needed to be taken. This final report of the investigation was deemed unnecessary by President Edgar Shannon. The investigation is stored in the Albert and Shirley Small Special Collections Library and was a crucial source for the May Days Oral History Project (\"Papers of the Ad-Hoc Committee on Student Affairs Pertaining to the Student Strike of 1970,\" RG-19/3/10.781).","Due to the novel COVID-19 virus, Randall Flaherty, Addison Patrick, and Meggan Cashwell connected with Jim Carpenter via Zoom. Technical difficulties prevented the ability to screen record, so Cashwell recorded the interview on her phone. Carpenter was identified as an interviewee for the May Days Oral History Project because he photographed many of the events of May 1970 at the University of Virginia for the Charlottesville Daily Progress. The interview was conversational.","Randall Flaherty, Meggan Cashwell, and Michael Klepper flew from Charlottesville, Virginia to Aspen, Colorado to interview Class of 1970 alum Robert \"Bob\" Olson for the May Days Oral History Project. Through documentary research, Olson was identified as a legal marshal during May 1970. Interview questions were prepared ahead of time, although interviewers posed follow-up questions where appropriate.","Arthur J. Morris Law Library Special Collections","Sullivan, Daniel, \"Dan\"","MacFarlane, Gerald, \"Jake\"","Olson, Robert, \"Bob\"","McDermott, Francis, \"Frank\"","Finch, Edwin, \"Ed\"","English \n.    "],"unitid_tesim":["RG.32.405","Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/946"],"normalized_title_ssm":["University of Virginia School of Law oral history collection"],"collection_title_tesim":["University of Virginia School of Law oral history collection"],"collection_ssim":["University of Virginia School of Law oral history collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"has_online_content_ssim":["true"],"extent_ssm":["86 items plus digital files"],"extent_tesim":["86 items plus digital files"],"date_range_isim":[2020],"bioghist_html_tesm":["\u003cp\u003eThe May Days Oral History Project is an ongoing initiative to preserve the history of UVA Law in the era of the Vietnam War. This era of the University's history was a period of intense activism not only about the war but also about issues of race, gender, and American governance. This project aims to honor and preserve a diversity of law school perspectives and experiences from the 1960s and 1970s, but particularly the concentrated period of student demonstrations at the University of Virginia during the month of May of 1970. \nThe primary timeline of events of May 1970 are well-represented in the University of Virginia's archives. However, information on UVA Law's \"legal marshals\" is sparse and has received little attention despite their integral role in maintaining peace during student demonstrations. Considering this fact, Class of 1970 alum Edward \"Ted\" Hogshire contacted UVA Law Special Collections in early 2019 and recommended that the library preserve and tell the \"legal marshal\" story. May 2020 also marks the 50th anniversary of the student strike movement at the University of Virginia. With that encouragement, the Law Special Collections team decided to revitalize the library's oral history program, starting with the stories of student marshals during the \"May Days\" protests.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The May Days Oral History Project is an ongoing initiative to preserve the history of UVA Law in the era of the Vietnam War. This era of the University's history was a period of intense activism not only about the war but also about issues of race, gender, and American governance. This project aims to honor and preserve a diversity of law school perspectives and experiences from the 1960s and 1970s, but particularly the concentrated period of student demonstrations at the University of Virginia during the month of May of 1970. \nThe primary timeline of events of May 1970 are well-represented in the University of Virginia's archives. However, information on UVA Law's \"legal marshals\" is sparse and has received little attention despite their integral role in maintaining peace during student demonstrations. Considering this fact, Class of 1970 alum Edward \"Ted\" Hogshire contacted UVA Law Special Collections in early 2019 and recommended that the library preserve and tell the \"legal marshal\" story. May 2020 also marks the 50th anniversary of the student strike movement at the University of Virginia. With that encouragement, the Law Special Collections team decided to revitalize the library's oral history program, starting with the stories of student marshals during the \"May Days\" protests."],"scopecontent_html_tesm":["\u003cp\u003eThis collection currently includes X interviews with former legal marshals, Law School faculty, and citizens that participated in the various student demonstrations of May 1970. Unless otherwise stated, each interview is presented in video format with an accompanying transcript. Interviews were conducted in-person until the outbreak of the novel COVID-19 virus, in which case they were conducted via Zoom.\nThis collection and associated documentary research are currently available for viewing on the Marshaling May Days online exhibition site. [insert hyperlink]\u003c/p\u003e","\u003cp\u003eRandall Flaherty, Meggan Cashwell, and Michael Klepper drove from Charlottesville, Virginia to Fairfax, Virginia to interview Class of 1970 alum David Levy for the May Days Oral History Project. Through documentary research, Levy was identified as a legal marshal during May 1970. Interview questions were prepared ahead of time, although interviewers posed follow-up questions where appropriate.\u003c/p\u003e","\u003cp\u003eEdward \"Ted\" Hogshire approached Randall Flaherty in early 2019 with a proposition for a new Law Library initiative concerning those individuals involved as \"legal marshals\" during the various student demonstrations at the University of Virginia in May 1970. Hogshire was a legal marshal and agreed to conduct the first oral history interview for this initiative. His insistence lit the spark for what later became the May Days Oral History Project. Interview questions were prepared ahead of time, although interviewers posed follow-up questions where appropriate.\u003c/p\u003e","\u003cp\u003eDue to the novel COVID-19 virus, Randall Flaherty, Addison Patrick, and Meggan Cashwell connected with Edwin \"Ed\" Finch and Francis \"Frank\" McDermott via Zoom. Finch and McDermott preferred to be interviewed together because they were good friends during Law School and could jog each other's memories. Through documentary research, MacFarlane was identified as a legal marshal during May 1970. Interview questions were prepared ahead of time, although interviewers posed follow-up questions where appropriate.\u003c/p\u003e","\u003cp\u003eDue to the novel COVID-19 virus, Randall Flaherty, Addison Patrick, and Meggan Cashwell connected with H. Lane Kneedler via Zoom. Kneedler was Assistant Dean of the Law School in May 1970, having graduated from UVA Law himself in 1969. Through documentary research and previous oral history interviews, Kneedler was identified as being actively involved in the legal marshal program. In late May, 1970, he was charged by Dean Monrad Paulsen to investigate the key players and events of the student demontrations at the University to determine if any disciplinary action needed to be taken. This final report of the investigation was deemed unnecessary by President Edgar Shannon. The investigation is stored in the Albert and Shirley Small Special Collections Library and was a crucial source for the May Days Oral History Project (\"Papers of the Ad-Hoc Committee on Student Affairs Pertaining to the Student Strike of 1970,\" RG-19/3/10.781).\u003c/p\u003e","\u003cp\u003eDue to the novel COVID-19 virus, Randall Flaherty, Addison Patrick, and Meggan Cashwell connected with Jim Carpenter via Zoom. Technical difficulties prevented the ability to screen record, so Cashwell recorded the interview on her phone. Carpenter was identified as an interviewee for the May Days Oral History Project because he photographed many of the events of May 1970 at the University of Virginia for the Charlottesville Daily Progress. The interview was conversational.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection currently includes X interviews with former legal marshals, Law School faculty, and citizens that participated in the various student demonstrations of May 1970. Unless otherwise stated, each interview is presented in video format with an accompanying transcript. Interviews were conducted in-person until the outbreak of the novel COVID-19 virus, in which case they were conducted via Zoom.\nThis collection and associated documentary research are currently available for viewing on the Marshaling May Days online exhibition site. [insert hyperlink]","Randall Flaherty, Meggan Cashwell, and Michael Klepper drove from Charlottesville, Virginia to Fairfax, Virginia to interview Class of 1970 alum David Levy for the May Days Oral History Project. Through documentary research, Levy was identified as a legal marshal during May 1970. Interview questions were prepared ahead of time, although interviewers posed follow-up questions where appropriate.","Edward \"Ted\" Hogshire approached Randall Flaherty in early 2019 with a proposition for a new Law Library initiative concerning those individuals involved as \"legal marshals\" during the various student demonstrations at the University of Virginia in May 1970. Hogshire was a legal marshal and agreed to conduct the first oral history interview for this initiative. His insistence lit the spark for what later became the May Days Oral History Project. Interview questions were prepared ahead of time, although interviewers posed follow-up questions where appropriate.","Due to the novel COVID-19 virus, Randall Flaherty, Addison Patrick, and Meggan Cashwell connected with Edwin \"Ed\" Finch and Francis \"Frank\" McDermott via Zoom. Finch and McDermott preferred to be interviewed together because they were good friends during Law School and could jog each other's memories. Through documentary research, MacFarlane was identified as a legal marshal during May 1970. Interview questions were prepared ahead of time, although interviewers posed follow-up questions where appropriate.","Due to the novel COVID-19 virus, Randall Flaherty, Addison Patrick, and Meggan Cashwell connected with H. Lane Kneedler via Zoom. Kneedler was Assistant Dean of the Law School in May 1970, having graduated from UVA Law himself in 1969. Through documentary research and previous oral history interviews, Kneedler was identified as being actively involved in the legal marshal program. In late May, 1970, he was charged by Dean Monrad Paulsen to investigate the key players and events of the student demontrations at the University to determine if any disciplinary action needed to be taken. This final report of the investigation was deemed unnecessary by President Edgar Shannon. The investigation is stored in the Albert and Shirley Small Special Collections Library and was a crucial source for the May Days Oral History Project (\"Papers of the Ad-Hoc Committee on Student Affairs Pertaining to the Student Strike of 1970,\" RG-19/3/10.781).","Due to the novel COVID-19 virus, Randall Flaherty, Addison Patrick, and Meggan Cashwell connected with Jim Carpenter via Zoom. Technical difficulties prevented the ability to screen record, so Cashwell recorded the interview on her phone. Carpenter was identified as an interviewee for the May Days Oral History Project because he photographed many of the events of May 1970 at the University of Virginia for the Charlottesville Daily Progress. The interview was conversational."],"separatedmaterial_html_tesm":["\u003cp\u003eRandall Flaherty, Meggan Cashwell, and Michael Klepper flew from Charlottesville, Virginia to Aspen, Colorado to interview Class of 1970 alum Robert \"Bob\" Olson for the May Days Oral History Project. Through documentary research, Olson was identified as a legal marshal during May 1970. Interview questions were prepared ahead of time, although interviewers posed follow-up questions where appropriate.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Randall Flaherty, Meggan Cashwell, and Michael Klepper flew from Charlottesville, Virginia to Aspen, Colorado to interview Class of 1970 alum Robert \"Bob\" Olson for the May Days Oral History Project. Through documentary research, Olson was identified as a legal marshal during May 1970. Interview questions were prepared ahead of time, although interviewers posed follow-up questions where appropriate."],"names_ssim":["Arthur J. Morris Law Library Special Collections","Sullivan, Daniel, \"Dan\"","MacFarlane, Gerald, \"Jake\"","Olson, Robert, \"Bob\"","McDermott, Francis, \"Frank\"","Finch, Edwin, \"Ed\""],"corpname_ssim":["Arthur J. Morris Law Library Special Collections"],"persname_ssim":["Sullivan, Daniel, \"Dan\"","MacFarlane, Gerald, \"Jake\"","Olson, Robert, \"Bob\"","McDermott, Francis, \"Frank\"","Finch, Edwin, \"Ed\""],"language_ssim":["English \n.    "],"total_component_count_is":10,"online_item_count_is":1,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:39:25.068Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_4_resources_946_c02"}},{"id":"vifgm_reich","type":"collection","attributes":{"title":"Molka Reich papers","creator":{"id":"https://arvasarchive.org/catalog/vifgm_reich#creator","type":"document_value","attributes":{"value":"Reich, Molka","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_reich#abstract_or_scope","type":"document_value","attributes":{"value":"The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_reich#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_reich","ead_ssi":"vifgm_reich","_root_":"vifgm_reich","_nest_parent_":"vifgm_reich","ead_source_url_ssi":"data/gmu/reich.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/reich.html","title_ssm":["Molka Reich papers"],"title_tesim":["Molka Reich papers"],"unitdate_ssm":["1904-1986"],"unitdate_inclusive_ssm":["1904-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0229"],"text":["C0229","Molka Reich papers","New Deal, 1933-1939.","Theater--United States.","There are no access restrictions.","\nThere are scripts from this collection and other FTP collections online in the  . ","Series 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9) Series 2: Newspaper clippings, 1936-1986 (Box 2) Series 3: Photographs, circa 1930s-1940s (Boxes 2, 9) Series 4: Playscripts, 1920s-1953 (Boxes 2-6) Series 5: Programs, 1928-1950s (Boxes 6-7) Series 6: Scrapbooks, 1920s-1950s (Boxes 7-8)","Molka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club.","Processed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter.","Special Collections and Archives also holds the  , the  , the  , as well as numerous other personal papers.","The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Series 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Series 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses and published plays and vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Blueprint for portable stage","Original artwork for set and other designs - watercolors, pencil drawings","Newsletters, catalogs, pamphlets related to dolls, marionettes, and puppets","Pamphlets and newsletters related to George Mason events revolving around puppetry and the Federal Theatre Project","\"Dear Charlotte\", possibly from Scott Griffin","Newsletters from The Puppetry Guild of Greater New York, The Puppeteers of America, The Puppeteers of America Regional Reporter for the Southeast Region, D. C. Puppetimes, George Mason University Golden Anniversary Puppetry Festival, The Puppet Guild of Greater Miami, Barry University Department of Theatre, The Puppet Masters calendar featuring famous puppeteers, itinerary for trip to Japan (UNIMA XV 1988)","12 Plays for Boys and Girls edited by Ben Blake with pictures by Bill Siegel; The Slave with Two Faces by Mary Carolyn Davies","Three issues: Art of Acting Issue (1936), Second Art of Acting Issue (1937), Fall Issue (1937)","Series 2 contains newspaper clippings from Miami, Florida newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Ah, Wilderness; Altars of Steel","Boy Meets Girl; The Bride the Sun Shines On","Candle Light; Chalk Dust; Coquette; Criminal at Large","Miami Federal Theatre; Molka Reich; Mystery of the Boardwalk Asylum","\"New Director Named for Theatre Project\", article about Dorothea Lynch becoming state director for the Federal Theatre.","Smilin' Through; actor Scott Griffin","Series 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of the Jack and the Beanstalk marionette. This series is arranged alphabetically.","1 production photograph featuring actors on stage. An actor in center is holding a gun to his head.","Color photographs of Jack and the beanstalk puppet.","12 oversize photographs, 10 of which are professional portraits taken by Charles Cooper in Miami, Florida.","2 oversize matted photographic portraits of Molka Reich.","14 color photographs of Reich leading a marionette demonstration.","9 black and white photographs of Reich's marionettes, staged productions with actors, and includes two photographs of an audience of children watching Bimbo perform.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Includes script and sheet music","Abstract","Scott Griffin's copy","Photocopy","Director's copy","Includes note from Syl to Helen: \"Couldn't find the columns I mentioned to you, but in the search uncovered some old Morgan scripts I did for the Eversharp show. The enclosed is an excerpt, from about the only one that could be cut and still be effective. Probably would serve as a space filler and be good for a few laughs. Will try to find the other stuff for a later issue.\"","Photocopy of Federal Theatre Project script","Photocopy","Sheet music","Radio production with Andrew Jergens","Photocopy","Photocopy of script and sheet music","Photocopy","Script for the American Brotherhood: The National Conference of Christians and Jews","Photocopy. Includes four scripts, one for each actor.","Photocopy","Multiple scripts with holiday themes","Miscellaneous mostly handwritten pages of sheet music and lyrics, some for marionette productions","Photocopy","Script and sheet music","Includes script and music","Includes script and music","Photocopy","Photocopy","Pages 2 to 30. Characters include Mrs. Giles, Mrs. Adams, Harry, Miss Mobray, and Walter.","Scott Griffin's script","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Altars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)","The Ghost Train; The Gallows Gate; The Great Sebastians","The Happiest Millionaire; If Ye Break Faith; Inherit the Wind; International Society for Contemporary Music; Lightnin (invitation and program); The Loud Red Patrick","Double sided one page flyer for the Marionette Unit directed by Molka Reich. The front page features reviews from places the troop performed, the back features their repertoire.","May Day; Margin for Error; The Mask and the Face; Mehitable Wing; The Matchmaker; The New York Idea; The 9th Guest; No Time for Sergeants; One More Spring; An Evening of Experimental One Act Plays; Post Road","Two invitations for events at the Molka Reich Studio.","The Starlight Theatre (1957 Summer calendar); Room Service; The Reluctant Debutante; Smilin' Through (includes ticket, programs, press release, for Jacksonville, Florida production); Separate Tables; Sabrina Fair; Twelfth Night; Visit to a Small Planet; Whom Dreams Possess; What a Life; What a Woman Wants; Witness for Prosecution","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Separated 8.25\"x9.25\" scrapbook pages with 5\"x7\" black and white photographs adhered to them. Photographs feature marionettes and Molka Reich.","1 of 5","2 of 5. Newspaper clippings, programs, telegrams, and handwritten notes to and about Scott Griffin regarding theatre productions including: Coquette, This Thing Called Love, two one act plays performed at the Little Theatre (Bereguisse and The Torch-Bearers), a calendar for plays at the Florida Forum and Assembly (1934), The Pretender, Broken Dishes, Hired Husbands, The Nervous Wreck, The Big Pond, Why Wives Worry, Smilin' Thru, Thank You, and The Love Critic.","3 of 5","4 of 5. Includes programs for The Last of Mrs. Cheney, Our Town, Little Women, and Room Service. Includes playscripts for If Ye Break Faith and Two Crooks and a Lady, as well as handwritten and typewritten notes, a flyer for the production of Coquette, and an entry ticket for the Manhattan Repertory Theatre Co. at the Miami Playhouse.","5 of 5. Material relating to Billy Griffin (later Scott Griffin). Includes negatives and portrait print as well as report cards and calling cards.","1 of 2. Contains primarily magazine and newspaper articles featuring marionettes. There is also a certificate for Mrs. Howard Fitch for completing the Cultural Olympics in Woodstown, New Jersey (May 5, 1938). Clippings and certificate are attached to scrapbook paper.","2 of 2. Contains loose newspaper and magazine clippings featuring articles on marionettes.","Includes newsclippings, newsclippings attached to paper, a program, and marionette patterns.","Includes programs for the West Florida Music and Arts Festival, International Society for Contemporary Music (1931), newspaper and magazine clippings featuring marionettes.","Newspaper articles from the Monitor titled \"Marionettes by Children\" that illustrate how one can make their own marionette.","Oversize. Molka Reich scrapbook featuring newspaper clippings and programs from Miami Federal Theatre and non Federal Theatre productions. Pages have been separated.","Oversize. Scrapbook pages separated, featuring programs and newspaper clipping from productions performed at Starlight Theater in Pawling, New York.","There are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n","The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Reich, Molka","English\n\t\t"],"unitid_tesim":["C0229"],"normalized_title_ssm":["Molka Reich papers"],"collection_title_tesim":["Molka Reich papers"],"collection_ssim":["Molka Reich papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Reich, Molka"],"creator_ssim":["Reich, Molka"],"creator_persname_ssim":["Reich, Molka"],"creators_ssim":["Reich, Molka"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n"],"acqinfo_ssim":["Donated by Molka Reich in 1980 and 1981. Scott Griffin material presented by Molka Reich for the Scott Griffin estate on June 25, 1979."],"access_subjects_ssim":["New Deal, 1933-1939.","Theater--United States."],"access_subjects_ssm":["New Deal, 1933-1939.","Theater--United States."],"has_online_content_ssim":["true"],"extent_ssm":["6.0 linear feet (9 boxes)"],"extent_tesim":["6.0 linear feet (9 boxes)"],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003e\nThere are scripts from this collection and other FTP collections online in the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\"\u003e\u003c/extptr\u003e. \u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["\nThere are scripts from this collection and other FTP collections online in the  . "],"arrangement_html_tesm":["\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Newspaper clippings, 1936-1986 (Box 2)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, circa 1930s-1940s (Boxes 2, 9)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Playscripts, 1920s-1953 (Boxes 2-6)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Programs, 1928-1950s (Boxes 6-7)\u003c/item\u003e\n        \u003citem\u003eSeries 6: Scrapbooks, 1920s-1950s (Boxes 7-8)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9) Series 2: Newspaper clippings, 1936-1986 (Box 2) Series 3: Photographs, circa 1930s-1940s (Boxes 2, 9) Series 4: Playscripts, 1920s-1953 (Boxes 2-6) Series 5: Programs, 1928-1950s (Boxes 6-7) Series 6: Scrapbooks, 1920s-1950s (Boxes 7-8)"],"bioghist_html_tesm":["\u003cp\u003eMolka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Molka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club."],"prefercite_html_tesm":["\u003cp\u003eMolka Reich papers, C0229, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Molka Reich papers, C0229, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the \u003cextptr type=\"simple\" title=\"Works Progress Administration oral histories collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/wpaoh.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/ftp.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Federal Theatre Project photograph collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/ftpphoto.html\"\u003e\u003c/extptr\u003e, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds the  , the  , the  , as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.\u003c/p\u003e","\u003cp\u003eSeries 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSeries 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSeries 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSeries 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSeries 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSeries 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.\u003c/p\u003e","\u003cp\u003eSeries 1 contains many different types of materials including essays, puppetry newsletters, play synopses and published plays and vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.\u003c/p\u003e","\u003cp\u003eBlueprint for portable stage\u003c/p\u003e","\u003cp\u003eOriginal artwork for set and other designs - watercolors, pencil drawings\u003c/p\u003e","\u003cp\u003eNewsletters, catalogs, pamphlets related to dolls, marionettes, and puppets\u003c/p\u003e","\u003cp\u003ePamphlets and newsletters related to George Mason events revolving around puppetry and the Federal Theatre Project\u003c/p\u003e","\u003cp\u003e\"Dear Charlotte\", possibly from Scott Griffin\u003c/p\u003e","\u003cp\u003eNewsletters from The Puppetry Guild of Greater New York, The Puppeteers of America, The Puppeteers of America Regional Reporter for the Southeast Region, D. C. Puppetimes, George Mason University Golden Anniversary Puppetry Festival, The Puppet Guild of Greater Miami, Barry University Department of Theatre, The Puppet Masters calendar featuring famous puppeteers, itinerary for trip to Japan (UNIMA XV 1988)\u003c/p\u003e","\u003cp\u003e12 Plays for Boys and Girls edited by Ben Blake with pictures by Bill Siegel; The Slave with Two Faces by Mary Carolyn Davies\u003c/p\u003e","\u003cp\u003eThree issues: Art of Acting Issue (1936), Second Art of Acting Issue (1937), Fall Issue (1937)\u003c/p\u003e","\u003cp\u003eSeries 2 contains newspaper clippings from Miami, Florida newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eAh, Wilderness; Altars of Steel\u003c/p\u003e","\u003cp\u003eBoy Meets Girl; The Bride the Sun Shines On\u003c/p\u003e","\u003cp\u003eCandle Light; Chalk Dust; Coquette; Criminal at Large\u003c/p\u003e","\u003cp\u003eMiami Federal Theatre; Molka Reich; Mystery of the Boardwalk Asylum\u003c/p\u003e","\u003cp\u003e\"New Director Named for Theatre Project\", article about Dorothea Lynch becoming state director for the Federal Theatre.\u003c/p\u003e","\u003cp\u003eSmilin' Through; actor Scott Griffin\u003c/p\u003e","\u003cp\u003eSeries 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of the Jack and the Beanstalk marionette. This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003e1 production photograph featuring actors on stage. An actor in center is holding a gun to his head.\u003c/p\u003e","\u003cp\u003eColor photographs of Jack and the beanstalk puppet.\u003c/p\u003e","\u003cp\u003e12 oversize photographs, 10 of which are professional portraits taken by Charles Cooper in Miami, Florida.\u003c/p\u003e","\u003cp\u003e2 oversize matted photographic portraits of Molka Reich.\u003c/p\u003e","\u003cp\u003e14 color photographs of Reich leading a marionette demonstration.\u003c/p\u003e","\u003cp\u003e9 black and white photographs of Reich's marionettes, staged productions with actors, and includes two photographs of an audience of children watching Bimbo perform.\u003c/p\u003e","\u003cp\u003eSeries 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eIncludes script and sheet music\u003c/p\u003e","\u003cp\u003eAbstract\u003c/p\u003e","\u003cp\u003eScott Griffin's copy\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eDirector's copy\u003c/p\u003e","\u003cp\u003eIncludes note from Syl to Helen: \"Couldn't find the columns I mentioned to you, but in the search uncovered some old Morgan scripts I did for the Eversharp show. The enclosed is an excerpt, from about the only one that could be cut and still be effective. Probably would serve as a space filler and be good for a few laughs. Will try to find the other stuff for a later issue.\"\u003c/p\u003e","\u003cp\u003ePhotocopy of Federal Theatre Project script\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eSheet music\u003c/p\u003e","\u003cp\u003eRadio production with Andrew Jergens\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003ePhotocopy of script and sheet music\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eScript for the American Brotherhood: The National Conference of Christians and Jews\u003c/p\u003e","\u003cp\u003ePhotocopy. Includes four scripts, one for each actor.\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eMultiple scripts with holiday themes\u003c/p\u003e","\u003cp\u003eMiscellaneous mostly handwritten pages of sheet music and lyrics, some for marionette productions\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eScript and sheet music\u003c/p\u003e","\u003cp\u003eIncludes script and music\u003c/p\u003e","\u003cp\u003eIncludes script and music\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003ePages 2 to 30. Characters include Mrs. Giles, Mrs. Adams, Harry, Miss Mobray, and Walter.\u003c/p\u003e","\u003cp\u003eScott Griffin's script\u003c/p\u003e","\u003cp\u003eSeries 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eAltars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)\u003c/p\u003e","\u003cp\u003eThe Ghost Train; The Gallows Gate; The Great Sebastians\u003c/p\u003e","\u003cp\u003eThe Happiest Millionaire; If Ye Break Faith; Inherit the Wind; International Society for Contemporary Music; Lightnin (invitation and program); The Loud Red Patrick\u003c/p\u003e","\u003cp\u003eDouble sided one page flyer for the Marionette Unit directed by Molka Reich. The front page features reviews from places the troop performed, the back features their repertoire.\u003c/p\u003e","\u003cp\u003eMay Day; Margin for Error; The Mask and the Face; Mehitable Wing; The Matchmaker; The New York Idea; The 9th Guest; No Time for Sergeants; One More Spring; An Evening of Experimental One Act Plays; Post Road\u003c/p\u003e","\u003cp\u003eTwo invitations for events at the Molka Reich Studio.\u003c/p\u003e","\u003cp\u003eThe Starlight Theatre (1957 Summer calendar); Room Service; The Reluctant Debutante; Smilin' Through (includes ticket, programs, press release, for Jacksonville, Florida production); Separate Tables; Sabrina Fair; Twelfth Night; Visit to a Small Planet; Whom Dreams Possess; What a Life; What a Woman Wants; Witness for Prosecution\u003c/p\u003e","\u003cp\u003eSeries 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.\u003c/p\u003e","\u003cp\u003eSeparated 8.25\"x9.25\" scrapbook pages with 5\"x7\" black and white photographs adhered to them. Photographs feature marionettes and Molka Reich.\u003c/p\u003e","\u003cp\u003e1 of 5\u003c/p\u003e","\u003cp\u003e2 of 5. Newspaper clippings, programs, telegrams, and handwritten notes to and about Scott Griffin regarding theatre productions including: Coquette, This Thing Called Love, two one act plays performed at the Little Theatre (Bereguisse and The Torch-Bearers), a calendar for plays at the Florida Forum and Assembly (1934), The Pretender, Broken Dishes, Hired Husbands, The Nervous Wreck, The Big Pond, Why Wives Worry, Smilin' Thru, Thank You, and The Love Critic.\u003c/p\u003e","\u003cp\u003e3 of 5\u003c/p\u003e","\u003cp\u003e4 of 5. Includes programs for The Last of Mrs. Cheney, Our Town, Little Women, and Room Service. Includes playscripts for If Ye Break Faith and Two Crooks and a Lady, as well as handwritten and typewritten notes, a flyer for the production of Coquette, and an entry ticket for the Manhattan Repertory Theatre Co. at the Miami Playhouse.\u003c/p\u003e","\u003cp\u003e5 of 5. Material relating to Billy Griffin (later Scott Griffin). Includes negatives and portrait print as well as report cards and calling cards.\u003c/p\u003e","\u003cp\u003e1 of 2. Contains primarily magazine and newspaper articles featuring marionettes. There is also a certificate for Mrs. Howard Fitch for completing the Cultural Olympics in Woodstown, New Jersey (May 5, 1938). Clippings and certificate are attached to scrapbook paper.\u003c/p\u003e","\u003cp\u003e2 of 2. Contains loose newspaper and magazine clippings featuring articles on marionettes.\u003c/p\u003e","\u003cp\u003eIncludes newsclippings, newsclippings attached to paper, a program, and marionette patterns.\u003c/p\u003e","\u003cp\u003eIncludes programs for the West Florida Music and Arts Festival, International Society for Contemporary Music (1931), newspaper and magazine clippings featuring marionettes.\u003c/p\u003e","\u003cp\u003eNewspaper articles from the Monitor titled \"Marionettes by Children\" that illustrate how one can make their own marionette.\u003c/p\u003e","\u003cp\u003eOversize. Molka Reich scrapbook featuring newspaper clippings and programs from Miami Federal Theatre and non Federal Theatre productions. Pages have been separated.\u003c/p\u003e","\u003cp\u003eOversize. Scrapbook pages separated, featuring programs and newspaper clipping from productions performed at Starlight Theater in Pawling, New York.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Series 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Series 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses and published plays and vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Blueprint for portable stage","Original artwork for set and other designs - watercolors, pencil drawings","Newsletters, catalogs, pamphlets related to dolls, marionettes, and puppets","Pamphlets and newsletters related to George Mason events revolving around puppetry and the Federal Theatre Project","\"Dear Charlotte\", possibly from Scott Griffin","Newsletters from The Puppetry Guild of Greater New York, The Puppeteers of America, The Puppeteers of America Regional Reporter for the Southeast Region, D. C. Puppetimes, George Mason University Golden Anniversary Puppetry Festival, The Puppet Guild of Greater Miami, Barry University Department of Theatre, The Puppet Masters calendar featuring famous puppeteers, itinerary for trip to Japan (UNIMA XV 1988)","12 Plays for Boys and Girls edited by Ben Blake with pictures by Bill Siegel; The Slave with Two Faces by Mary Carolyn Davies","Three issues: Art of Acting Issue (1936), Second Art of Acting Issue (1937), Fall Issue (1937)","Series 2 contains newspaper clippings from Miami, Florida newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Ah, Wilderness; Altars of Steel","Boy Meets Girl; The Bride the Sun Shines On","Candle Light; Chalk Dust; Coquette; Criminal at Large","Miami Federal Theatre; Molka Reich; Mystery of the Boardwalk Asylum","\"New Director Named for Theatre Project\", article about Dorothea Lynch becoming state director for the Federal Theatre.","Smilin' Through; actor Scott Griffin","Series 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of the Jack and the Beanstalk marionette. This series is arranged alphabetically.","1 production photograph featuring actors on stage. An actor in center is holding a gun to his head.","Color photographs of Jack and the beanstalk puppet.","12 oversize photographs, 10 of which are professional portraits taken by Charles Cooper in Miami, Florida.","2 oversize matted photographic portraits of Molka Reich.","14 color photographs of Reich leading a marionette demonstration.","9 black and white photographs of Reich's marionettes, staged productions with actors, and includes two photographs of an audience of children watching Bimbo perform.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Includes script and sheet music","Abstract","Scott Griffin's copy","Photocopy","Director's copy","Includes note from Syl to Helen: \"Couldn't find the columns I mentioned to you, but in the search uncovered some old Morgan scripts I did for the Eversharp show. The enclosed is an excerpt, from about the only one that could be cut and still be effective. Probably would serve as a space filler and be good for a few laughs. Will try to find the other stuff for a later issue.\"","Photocopy of Federal Theatre Project script","Photocopy","Sheet music","Radio production with Andrew Jergens","Photocopy","Photocopy of script and sheet music","Photocopy","Script for the American Brotherhood: The National Conference of Christians and Jews","Photocopy. Includes four scripts, one for each actor.","Photocopy","Multiple scripts with holiday themes","Miscellaneous mostly handwritten pages of sheet music and lyrics, some for marionette productions","Photocopy","Script and sheet music","Includes script and music","Includes script and music","Photocopy","Photocopy","Pages 2 to 30. Characters include Mrs. Giles, Mrs. Adams, Harry, Miss Mobray, and Walter.","Scott Griffin's script","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Altars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)","The Ghost Train; The Gallows Gate; The Great Sebastians","The Happiest Millionaire; If Ye Break Faith; Inherit the Wind; International Society for Contemporary Music; Lightnin (invitation and program); The Loud Red Patrick","Double sided one page flyer for the Marionette Unit directed by Molka Reich. The front page features reviews from places the troop performed, the back features their repertoire.","May Day; Margin for Error; The Mask and the Face; Mehitable Wing; The Matchmaker; The New York Idea; The 9th Guest; No Time for Sergeants; One More Spring; An Evening of Experimental One Act Plays; Post Road","Two invitations for events at the Molka Reich Studio.","The Starlight Theatre (1957 Summer calendar); Room Service; The Reluctant Debutante; Smilin' Through (includes ticket, programs, press release, for Jacksonville, Florida production); Separate Tables; Sabrina Fair; Twelfth Night; Visit to a Small Planet; Whom Dreams Possess; What a Life; What a Woman Wants; Witness for Prosecution","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Separated 8.25\"x9.25\" scrapbook pages with 5\"x7\" black and white photographs adhered to them. Photographs feature marionettes and Molka Reich.","1 of 5","2 of 5. Newspaper clippings, programs, telegrams, and handwritten notes to and about Scott Griffin regarding theatre productions including: Coquette, This Thing Called Love, two one act plays performed at the Little Theatre (Bereguisse and The Torch-Bearers), a calendar for plays at the Florida Forum and Assembly (1934), The Pretender, Broken Dishes, Hired Husbands, The Nervous Wreck, The Big Pond, Why Wives Worry, Smilin' Thru, Thank You, and The Love Critic.","3 of 5","4 of 5. Includes programs for The Last of Mrs. Cheney, Our Town, Little Women, and Room Service. Includes playscripts for If Ye Break Faith and Two Crooks and a Lady, as well as handwritten and typewritten notes, a flyer for the production of Coquette, and an entry ticket for the Manhattan Repertory Theatre Co. at the Miami Playhouse.","5 of 5. Material relating to Billy Griffin (later Scott Griffin). Includes negatives and portrait print as well as report cards and calling cards.","1 of 2. Contains primarily magazine and newspaper articles featuring marionettes. There is also a certificate for Mrs. Howard Fitch for completing the Cultural Olympics in Woodstown, New Jersey (May 5, 1938). Clippings and certificate are attached to scrapbook paper.","2 of 2. Contains loose newspaper and magazine clippings featuring articles on marionettes.","Includes newsclippings, newsclippings attached to paper, a program, and marionette patterns.","Includes programs for the West Florida Music and Arts Festival, International Society for Contemporary Music (1931), newspaper and magazine clippings featuring marionettes.","Newspaper articles from the Monitor titled \"Marionettes by Children\" that illustrate how one can make their own marionette.","Oversize. Molka Reich scrapbook featuring newspaper clippings and programs from Miami Federal Theatre and non Federal Theatre productions. Pages have been separated.","Oversize. Scrapbook pages separated, featuring programs and newspaper clipping from productions performed at Starlight Theater in Pawling, New York."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n"],"abstract_html_tesm":["\u003cabstract id=\"ref297\" label=\"Abstract\"\u003eThe Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.\u003c/abstract\u003e"],"abstract_tesim":["The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Reich, Molka"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Reich, Molka"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":226,"online_item_count_is":12,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:28:37.394Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_reich","ead_ssi":"vifgm_reich","_root_":"vifgm_reich","_nest_parent_":"vifgm_reich","ead_source_url_ssi":"data/gmu/reich.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/reich.html","title_ssm":["Molka Reich papers"],"title_tesim":["Molka Reich papers"],"unitdate_ssm":["1904-1986"],"unitdate_inclusive_ssm":["1904-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0229"],"text":["C0229","Molka Reich papers","New Deal, 1933-1939.","Theater--United States.","There are no access restrictions.","\nThere are scripts from this collection and other FTP collections online in the  . ","Series 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9) Series 2: Newspaper clippings, 1936-1986 (Box 2) Series 3: Photographs, circa 1930s-1940s (Boxes 2, 9) Series 4: Playscripts, 1920s-1953 (Boxes 2-6) Series 5: Programs, 1928-1950s (Boxes 6-7) Series 6: Scrapbooks, 1920s-1950s (Boxes 7-8)","Molka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club.","Processed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter.","Special Collections and Archives also holds the  , the  , the  , as well as numerous other personal papers.","The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Series 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Series 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses and published plays and vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Blueprint for portable stage","Original artwork for set and other designs - watercolors, pencil drawings","Newsletters, catalogs, pamphlets related to dolls, marionettes, and puppets","Pamphlets and newsletters related to George Mason events revolving around puppetry and the Federal Theatre Project","\"Dear Charlotte\", possibly from Scott Griffin","Newsletters from The Puppetry Guild of Greater New York, The Puppeteers of America, The Puppeteers of America Regional Reporter for the Southeast Region, D. C. Puppetimes, George Mason University Golden Anniversary Puppetry Festival, The Puppet Guild of Greater Miami, Barry University Department of Theatre, The Puppet Masters calendar featuring famous puppeteers, itinerary for trip to Japan (UNIMA XV 1988)","12 Plays for Boys and Girls edited by Ben Blake with pictures by Bill Siegel; The Slave with Two Faces by Mary Carolyn Davies","Three issues: Art of Acting Issue (1936), Second Art of Acting Issue (1937), Fall Issue (1937)","Series 2 contains newspaper clippings from Miami, Florida newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Ah, Wilderness; Altars of Steel","Boy Meets Girl; The Bride the Sun Shines On","Candle Light; Chalk Dust; Coquette; Criminal at Large","Miami Federal Theatre; Molka Reich; Mystery of the Boardwalk Asylum","\"New Director Named for Theatre Project\", article about Dorothea Lynch becoming state director for the Federal Theatre.","Smilin' Through; actor Scott Griffin","Series 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of the Jack and the Beanstalk marionette. This series is arranged alphabetically.","1 production photograph featuring actors on stage. An actor in center is holding a gun to his head.","Color photographs of Jack and the beanstalk puppet.","12 oversize photographs, 10 of which are professional portraits taken by Charles Cooper in Miami, Florida.","2 oversize matted photographic portraits of Molka Reich.","14 color photographs of Reich leading a marionette demonstration.","9 black and white photographs of Reich's marionettes, staged productions with actors, and includes two photographs of an audience of children watching Bimbo perform.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Includes script and sheet music","Abstract","Scott Griffin's copy","Photocopy","Director's copy","Includes note from Syl to Helen: \"Couldn't find the columns I mentioned to you, but in the search uncovered some old Morgan scripts I did for the Eversharp show. The enclosed is an excerpt, from about the only one that could be cut and still be effective. Probably would serve as a space filler and be good for a few laughs. Will try to find the other stuff for a later issue.\"","Photocopy of Federal Theatre Project script","Photocopy","Sheet music","Radio production with Andrew Jergens","Photocopy","Photocopy of script and sheet music","Photocopy","Script for the American Brotherhood: The National Conference of Christians and Jews","Photocopy. Includes four scripts, one for each actor.","Photocopy","Multiple scripts with holiday themes","Miscellaneous mostly handwritten pages of sheet music and lyrics, some for marionette productions","Photocopy","Script and sheet music","Includes script and music","Includes script and music","Photocopy","Photocopy","Pages 2 to 30. Characters include Mrs. Giles, Mrs. Adams, Harry, Miss Mobray, and Walter.","Scott Griffin's script","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Altars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)","The Ghost Train; The Gallows Gate; The Great Sebastians","The Happiest Millionaire; If Ye Break Faith; Inherit the Wind; International Society for Contemporary Music; Lightnin (invitation and program); The Loud Red Patrick","Double sided one page flyer for the Marionette Unit directed by Molka Reich. The front page features reviews from places the troop performed, the back features their repertoire.","May Day; Margin for Error; The Mask and the Face; Mehitable Wing; The Matchmaker; The New York Idea; The 9th Guest; No Time for Sergeants; One More Spring; An Evening of Experimental One Act Plays; Post Road","Two invitations for events at the Molka Reich Studio.","The Starlight Theatre (1957 Summer calendar); Room Service; The Reluctant Debutante; Smilin' Through (includes ticket, programs, press release, for Jacksonville, Florida production); Separate Tables; Sabrina Fair; Twelfth Night; Visit to a Small Planet; Whom Dreams Possess; What a Life; What a Woman Wants; Witness for Prosecution","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Separated 8.25\"x9.25\" scrapbook pages with 5\"x7\" black and white photographs adhered to them. Photographs feature marionettes and Molka Reich.","1 of 5","2 of 5. Newspaper clippings, programs, telegrams, and handwritten notes to and about Scott Griffin regarding theatre productions including: Coquette, This Thing Called Love, two one act plays performed at the Little Theatre (Bereguisse and The Torch-Bearers), a calendar for plays at the Florida Forum and Assembly (1934), The Pretender, Broken Dishes, Hired Husbands, The Nervous Wreck, The Big Pond, Why Wives Worry, Smilin' Thru, Thank You, and The Love Critic.","3 of 5","4 of 5. Includes programs for The Last of Mrs. Cheney, Our Town, Little Women, and Room Service. Includes playscripts for If Ye Break Faith and Two Crooks and a Lady, as well as handwritten and typewritten notes, a flyer for the production of Coquette, and an entry ticket for the Manhattan Repertory Theatre Co. at the Miami Playhouse.","5 of 5. Material relating to Billy Griffin (later Scott Griffin). Includes negatives and portrait print as well as report cards and calling cards.","1 of 2. Contains primarily magazine and newspaper articles featuring marionettes. There is also a certificate for Mrs. Howard Fitch for completing the Cultural Olympics in Woodstown, New Jersey (May 5, 1938). Clippings and certificate are attached to scrapbook paper.","2 of 2. Contains loose newspaper and magazine clippings featuring articles on marionettes.","Includes newsclippings, newsclippings attached to paper, a program, and marionette patterns.","Includes programs for the West Florida Music and Arts Festival, International Society for Contemporary Music (1931), newspaper and magazine clippings featuring marionettes.","Newspaper articles from the Monitor titled \"Marionettes by Children\" that illustrate how one can make their own marionette.","Oversize. Molka Reich scrapbook featuring newspaper clippings and programs from Miami Federal Theatre and non Federal Theatre productions. Pages have been separated.","Oversize. Scrapbook pages separated, featuring programs and newspaper clipping from productions performed at Starlight Theater in Pawling, New York.","There are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n","The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Reich, Molka","English\n\t\t"],"unitid_tesim":["C0229"],"normalized_title_ssm":["Molka Reich papers"],"collection_title_tesim":["Molka Reich papers"],"collection_ssim":["Molka Reich papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Reich, Molka"],"creator_ssim":["Reich, Molka"],"creator_persname_ssim":["Reich, Molka"],"creators_ssim":["Reich, Molka"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n"],"acqinfo_ssim":["Donated by Molka Reich in 1980 and 1981. Scott Griffin material presented by Molka Reich for the Scott Griffin estate on June 25, 1979."],"access_subjects_ssim":["New Deal, 1933-1939.","Theater--United States."],"access_subjects_ssm":["New Deal, 1933-1939.","Theater--United States."],"has_online_content_ssim":["true"],"extent_ssm":["6.0 linear feet (9 boxes)"],"extent_tesim":["6.0 linear feet (9 boxes)"],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003e\nThere are scripts from this collection and other FTP collections online in the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\"\u003e\u003c/extptr\u003e. \u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["\nThere are scripts from this collection and other FTP collections online in the  . "],"arrangement_html_tesm":["\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Newspaper clippings, 1936-1986 (Box 2)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, circa 1930s-1940s (Boxes 2, 9)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Playscripts, 1920s-1953 (Boxes 2-6)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Programs, 1928-1950s (Boxes 6-7)\u003c/item\u003e\n        \u003citem\u003eSeries 6: Scrapbooks, 1920s-1950s (Boxes 7-8)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9) Series 2: Newspaper clippings, 1936-1986 (Box 2) Series 3: Photographs, circa 1930s-1940s (Boxes 2, 9) Series 4: Playscripts, 1920s-1953 (Boxes 2-6) Series 5: Programs, 1928-1950s (Boxes 6-7) Series 6: Scrapbooks, 1920s-1950s (Boxes 7-8)"],"bioghist_html_tesm":["\u003cp\u003eMolka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Molka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club."],"prefercite_html_tesm":["\u003cp\u003eMolka Reich papers, C0229, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Molka Reich papers, C0229, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the \u003cextptr type=\"simple\" title=\"Works Progress Administration oral histories collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/wpaoh.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/ftp.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Federal Theatre Project photograph collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/ftpphoto.html\"\u003e\u003c/extptr\u003e, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds the  , the  , the  , as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.\u003c/p\u003e","\u003cp\u003eSeries 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSeries 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSeries 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSeries 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSeries 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSeries 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.\u003c/p\u003e","\u003cp\u003eSeries 1 contains many different types of materials including essays, puppetry newsletters, play synopses and published plays and vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.\u003c/p\u003e","\u003cp\u003eBlueprint for portable stage\u003c/p\u003e","\u003cp\u003eOriginal artwork for set and other designs - watercolors, pencil drawings\u003c/p\u003e","\u003cp\u003eNewsletters, catalogs, pamphlets related to dolls, marionettes, and puppets\u003c/p\u003e","\u003cp\u003ePamphlets and newsletters related to George Mason events revolving around puppetry and the Federal Theatre Project\u003c/p\u003e","\u003cp\u003e\"Dear Charlotte\", possibly from Scott Griffin\u003c/p\u003e","\u003cp\u003eNewsletters from The Puppetry Guild of Greater New York, The Puppeteers of America, The Puppeteers of America Regional Reporter for the Southeast Region, D. C. Puppetimes, George Mason University Golden Anniversary Puppetry Festival, The Puppet Guild of Greater Miami, Barry University Department of Theatre, The Puppet Masters calendar featuring famous puppeteers, itinerary for trip to Japan (UNIMA XV 1988)\u003c/p\u003e","\u003cp\u003e12 Plays for Boys and Girls edited by Ben Blake with pictures by Bill Siegel; The Slave with Two Faces by Mary Carolyn Davies\u003c/p\u003e","\u003cp\u003eThree issues: Art of Acting Issue (1936), Second Art of Acting Issue (1937), Fall Issue (1937)\u003c/p\u003e","\u003cp\u003eSeries 2 contains newspaper clippings from Miami, Florida newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eAh, Wilderness; Altars of Steel\u003c/p\u003e","\u003cp\u003eBoy Meets Girl; The Bride the Sun Shines On\u003c/p\u003e","\u003cp\u003eCandle Light; Chalk Dust; Coquette; Criminal at Large\u003c/p\u003e","\u003cp\u003eMiami Federal Theatre; Molka Reich; Mystery of the Boardwalk Asylum\u003c/p\u003e","\u003cp\u003e\"New Director Named for Theatre Project\", article about Dorothea Lynch becoming state director for the Federal Theatre.\u003c/p\u003e","\u003cp\u003eSmilin' Through; actor Scott Griffin\u003c/p\u003e","\u003cp\u003eSeries 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of the Jack and the Beanstalk marionette. This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003e1 production photograph featuring actors on stage. An actor in center is holding a gun to his head.\u003c/p\u003e","\u003cp\u003eColor photographs of Jack and the beanstalk puppet.\u003c/p\u003e","\u003cp\u003e12 oversize photographs, 10 of which are professional portraits taken by Charles Cooper in Miami, Florida.\u003c/p\u003e","\u003cp\u003e2 oversize matted photographic portraits of Molka Reich.\u003c/p\u003e","\u003cp\u003e14 color photographs of Reich leading a marionette demonstration.\u003c/p\u003e","\u003cp\u003e9 black and white photographs of Reich's marionettes, staged productions with actors, and includes two photographs of an audience of children watching Bimbo perform.\u003c/p\u003e","\u003cp\u003eSeries 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eIncludes script and sheet music\u003c/p\u003e","\u003cp\u003eAbstract\u003c/p\u003e","\u003cp\u003eScott Griffin's copy\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eDirector's copy\u003c/p\u003e","\u003cp\u003eIncludes note from Syl to Helen: \"Couldn't find the columns I mentioned to you, but in the search uncovered some old Morgan scripts I did for the Eversharp show. The enclosed is an excerpt, from about the only one that could be cut and still be effective. Probably would serve as a space filler and be good for a few laughs. Will try to find the other stuff for a later issue.\"\u003c/p\u003e","\u003cp\u003ePhotocopy of Federal Theatre Project script\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eSheet music\u003c/p\u003e","\u003cp\u003eRadio production with Andrew Jergens\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003ePhotocopy of script and sheet music\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eScript for the American Brotherhood: The National Conference of Christians and Jews\u003c/p\u003e","\u003cp\u003ePhotocopy. Includes four scripts, one for each actor.\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eMultiple scripts with holiday themes\u003c/p\u003e","\u003cp\u003eMiscellaneous mostly handwritten pages of sheet music and lyrics, some for marionette productions\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eScript and sheet music\u003c/p\u003e","\u003cp\u003eIncludes script and music\u003c/p\u003e","\u003cp\u003eIncludes script and music\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003ePages 2 to 30. Characters include Mrs. Giles, Mrs. Adams, Harry, Miss Mobray, and Walter.\u003c/p\u003e","\u003cp\u003eScott Griffin's script\u003c/p\u003e","\u003cp\u003eSeries 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eAltars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)\u003c/p\u003e","\u003cp\u003eThe Ghost Train; The Gallows Gate; The Great Sebastians\u003c/p\u003e","\u003cp\u003eThe Happiest Millionaire; If Ye Break Faith; Inherit the Wind; International Society for Contemporary Music; Lightnin (invitation and program); The Loud Red Patrick\u003c/p\u003e","\u003cp\u003eDouble sided one page flyer for the Marionette Unit directed by Molka Reich. The front page features reviews from places the troop performed, the back features their repertoire.\u003c/p\u003e","\u003cp\u003eMay Day; Margin for Error; The Mask and the Face; Mehitable Wing; The Matchmaker; The New York Idea; The 9th Guest; No Time for Sergeants; One More Spring; An Evening of Experimental One Act Plays; Post Road\u003c/p\u003e","\u003cp\u003eTwo invitations for events at the Molka Reich Studio.\u003c/p\u003e","\u003cp\u003eThe Starlight Theatre (1957 Summer calendar); Room Service; The Reluctant Debutante; Smilin' Through (includes ticket, programs, press release, for Jacksonville, Florida production); Separate Tables; Sabrina Fair; Twelfth Night; Visit to a Small Planet; Whom Dreams Possess; What a Life; What a Woman Wants; Witness for Prosecution\u003c/p\u003e","\u003cp\u003eSeries 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.\u003c/p\u003e","\u003cp\u003eSeparated 8.25\"x9.25\" scrapbook pages with 5\"x7\" black and white photographs adhered to them. Photographs feature marionettes and Molka Reich.\u003c/p\u003e","\u003cp\u003e1 of 5\u003c/p\u003e","\u003cp\u003e2 of 5. Newspaper clippings, programs, telegrams, and handwritten notes to and about Scott Griffin regarding theatre productions including: Coquette, This Thing Called Love, two one act plays performed at the Little Theatre (Bereguisse and The Torch-Bearers), a calendar for plays at the Florida Forum and Assembly (1934), The Pretender, Broken Dishes, Hired Husbands, The Nervous Wreck, The Big Pond, Why Wives Worry, Smilin' Thru, Thank You, and The Love Critic.\u003c/p\u003e","\u003cp\u003e3 of 5\u003c/p\u003e","\u003cp\u003e4 of 5. Includes programs for The Last of Mrs. Cheney, Our Town, Little Women, and Room Service. Includes playscripts for If Ye Break Faith and Two Crooks and a Lady, as well as handwritten and typewritten notes, a flyer for the production of Coquette, and an entry ticket for the Manhattan Repertory Theatre Co. at the Miami Playhouse.\u003c/p\u003e","\u003cp\u003e5 of 5. Material relating to Billy Griffin (later Scott Griffin). Includes negatives and portrait print as well as report cards and calling cards.\u003c/p\u003e","\u003cp\u003e1 of 2. Contains primarily magazine and newspaper articles featuring marionettes. There is also a certificate for Mrs. Howard Fitch for completing the Cultural Olympics in Woodstown, New Jersey (May 5, 1938). Clippings and certificate are attached to scrapbook paper.\u003c/p\u003e","\u003cp\u003e2 of 2. Contains loose newspaper and magazine clippings featuring articles on marionettes.\u003c/p\u003e","\u003cp\u003eIncludes newsclippings, newsclippings attached to paper, a program, and marionette patterns.\u003c/p\u003e","\u003cp\u003eIncludes programs for the West Florida Music and Arts Festival, International Society for Contemporary Music (1931), newspaper and magazine clippings featuring marionettes.\u003c/p\u003e","\u003cp\u003eNewspaper articles from the Monitor titled \"Marionettes by Children\" that illustrate how one can make their own marionette.\u003c/p\u003e","\u003cp\u003eOversize. Molka Reich scrapbook featuring newspaper clippings and programs from Miami Federal Theatre and non Federal Theatre productions. Pages have been separated.\u003c/p\u003e","\u003cp\u003eOversize. Scrapbook pages separated, featuring programs and newspaper clipping from productions performed at Starlight Theater in Pawling, New York.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Series 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Series 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses and published plays and vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Blueprint for portable stage","Original artwork for set and other designs - watercolors, pencil drawings","Newsletters, catalogs, pamphlets related to dolls, marionettes, and puppets","Pamphlets and newsletters related to George Mason events revolving around puppetry and the Federal Theatre Project","\"Dear Charlotte\", possibly from Scott Griffin","Newsletters from The Puppetry Guild of Greater New York, The Puppeteers of America, The Puppeteers of America Regional Reporter for the Southeast Region, D. C. Puppetimes, George Mason University Golden Anniversary Puppetry Festival, The Puppet Guild of Greater Miami, Barry University Department of Theatre, The Puppet Masters calendar featuring famous puppeteers, itinerary for trip to Japan (UNIMA XV 1988)","12 Plays for Boys and Girls edited by Ben Blake with pictures by Bill Siegel; The Slave with Two Faces by Mary Carolyn Davies","Three issues: Art of Acting Issue (1936), Second Art of Acting Issue (1937), Fall Issue (1937)","Series 2 contains newspaper clippings from Miami, Florida newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Ah, Wilderness; Altars of Steel","Boy Meets Girl; The Bride the Sun Shines On","Candle Light; Chalk Dust; Coquette; Criminal at Large","Miami Federal Theatre; Molka Reich; Mystery of the Boardwalk Asylum","\"New Director Named for Theatre Project\", article about Dorothea Lynch becoming state director for the Federal Theatre.","Smilin' Through; actor Scott Griffin","Series 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of the Jack and the Beanstalk marionette. This series is arranged alphabetically.","1 production photograph featuring actors on stage. An actor in center is holding a gun to his head.","Color photographs of Jack and the beanstalk puppet.","12 oversize photographs, 10 of which are professional portraits taken by Charles Cooper in Miami, Florida.","2 oversize matted photographic portraits of Molka Reich.","14 color photographs of Reich leading a marionette demonstration.","9 black and white photographs of Reich's marionettes, staged productions with actors, and includes two photographs of an audience of children watching Bimbo perform.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Includes script and sheet music","Abstract","Scott Griffin's copy","Photocopy","Director's copy","Includes note from Syl to Helen: \"Couldn't find the columns I mentioned to you, but in the search uncovered some old Morgan scripts I did for the Eversharp show. The enclosed is an excerpt, from about the only one that could be cut and still be effective. Probably would serve as a space filler and be good for a few laughs. Will try to find the other stuff for a later issue.\"","Photocopy of Federal Theatre Project script","Photocopy","Sheet music","Radio production with Andrew Jergens","Photocopy","Photocopy of script and sheet music","Photocopy","Script for the American Brotherhood: The National Conference of Christians and Jews","Photocopy. Includes four scripts, one for each actor.","Photocopy","Multiple scripts with holiday themes","Miscellaneous mostly handwritten pages of sheet music and lyrics, some for marionette productions","Photocopy","Script and sheet music","Includes script and music","Includes script and music","Photocopy","Photocopy","Pages 2 to 30. Characters include Mrs. Giles, Mrs. Adams, Harry, Miss Mobray, and Walter.","Scott Griffin's script","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Altars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)","The Ghost Train; The Gallows Gate; The Great Sebastians","The Happiest Millionaire; If Ye Break Faith; Inherit the Wind; International Society for Contemporary Music; Lightnin (invitation and program); The Loud Red Patrick","Double sided one page flyer for the Marionette Unit directed by Molka Reich. The front page features reviews from places the troop performed, the back features their repertoire.","May Day; Margin for Error; The Mask and the Face; Mehitable Wing; The Matchmaker; The New York Idea; The 9th Guest; No Time for Sergeants; One More Spring; An Evening of Experimental One Act Plays; Post Road","Two invitations for events at the Molka Reich Studio.","The Starlight Theatre (1957 Summer calendar); Room Service; The Reluctant Debutante; Smilin' Through (includes ticket, programs, press release, for Jacksonville, Florida production); Separate Tables; Sabrina Fair; Twelfth Night; Visit to a Small Planet; Whom Dreams Possess; What a Life; What a Woman Wants; Witness for Prosecution","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Separated 8.25\"x9.25\" scrapbook pages with 5\"x7\" black and white photographs adhered to them. Photographs feature marionettes and Molka Reich.","1 of 5","2 of 5. Newspaper clippings, programs, telegrams, and handwritten notes to and about Scott Griffin regarding theatre productions including: Coquette, This Thing Called Love, two one act plays performed at the Little Theatre (Bereguisse and The Torch-Bearers), a calendar for plays at the Florida Forum and Assembly (1934), The Pretender, Broken Dishes, Hired Husbands, The Nervous Wreck, The Big Pond, Why Wives Worry, Smilin' Thru, Thank You, and The Love Critic.","3 of 5","4 of 5. Includes programs for The Last of Mrs. Cheney, Our Town, Little Women, and Room Service. Includes playscripts for If Ye Break Faith and Two Crooks and a Lady, as well as handwritten and typewritten notes, a flyer for the production of Coquette, and an entry ticket for the Manhattan Repertory Theatre Co. at the Miami Playhouse.","5 of 5. Material relating to Billy Griffin (later Scott Griffin). Includes negatives and portrait print as well as report cards and calling cards.","1 of 2. Contains primarily magazine and newspaper articles featuring marionettes. There is also a certificate for Mrs. Howard Fitch for completing the Cultural Olympics in Woodstown, New Jersey (May 5, 1938). Clippings and certificate are attached to scrapbook paper.","2 of 2. Contains loose newspaper and magazine clippings featuring articles on marionettes.","Includes newsclippings, newsclippings attached to paper, a program, and marionette patterns.","Includes programs for the West Florida Music and Arts Festival, International Society for Contemporary Music (1931), newspaper and magazine clippings featuring marionettes.","Newspaper articles from the Monitor titled \"Marionettes by Children\" that illustrate how one can make their own marionette.","Oversize. Molka Reich scrapbook featuring newspaper clippings and programs from Miami Federal Theatre and non Federal Theatre productions. Pages have been separated.","Oversize. Scrapbook pages separated, featuring programs and newspaper clipping from productions performed at Starlight Theater in Pawling, New York."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n"],"abstract_html_tesm":["\u003cabstract id=\"ref297\" label=\"Abstract\"\u003eThe Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.\u003c/abstract\u003e"],"abstract_tesim":["The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Reich, Molka"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Reich, Molka"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":226,"online_item_count_is":12,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:28:37.394Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_reich"}},{"id":"vifgm_restonblackfocus_c08_c51","type":"File","attributes":{"title":"Of Black America,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_restonblackfocus_c08_c51#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_restonblackfocus_c08_c51#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_restonblackfocus_c08_c51","ref_ssm":["vifgm_restonblackfocus_c08_c51"],"id":"vifgm_restonblackfocus_c08_c51","ead_ssi":"vifgm_restonblackfocus","_root_":"vifgm_restonblackfocus","_nest_parent_":"vifgm_restonblackfocus_c08","parent_ssi":"vifgm_restonblackfocus_c08","parent_ssim":["vifgm_restonblackfocus","vifgm_restonblackfocus_c08"],"parent_ids_ssim":["vifgm_restonblackfocus","vifgm_restonblackfocus_c08"],"parent_unittitles_ssm":["Reston Black Focus records","Series 8: General Information,"],"parent_unittitles_tesim":["Reston Black Focus records","Series 8: General Information,"],"text":["Reston Black Focus records","Series 8: General Information,","Of Black America,","Box 6","Folder 12",""],"title_filing_ssi":"Of Black America,","title_ssm":["Of Black America,"],"title_tesim":["Of Black America,"],"unitdate_other_ssim":["1969"],"normalized_date_ssm":["1969"],"normalized_title_ssm":["Of Black America,"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Reston Black Focus records"],"has_online_content_ssim":["true"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":353,"digital_objects_ssm":["{\"label\":\"Of Black America\",\"href\":\"http://hdl.handle.net/1920/9590\"}"],"date_range_isim":[1969],"containers_ssim":["Box 6","Folder 12"],"scopecontent_html_tesm":["\u003cp/\u003e"],"scopecontent_tesim":[""],"_nest_path_":"/components#7/components#50","timestamp":"2026-05-21T06:45:26.642Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_restonblackfocus","ead_ssi":"vifgm_restonblackfocus","_root_":"vifgm_restonblackfocus","_nest_parent_":"vifgm_restonblackfocus","ead_source_url_ssi":"data/gmu/restonblackfocus.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/restonblackfocus.html","title_ssm":["Reston Black Focus records"],"title_tesim":["Reston Black Focus records"],"unitdate_ssm":["1960-2005\n"],"unitdate_inclusive_ssm":["1960-2005\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0137\n"],"text":["C0137\n","Reston Black Focus records","African Americans--Virginia--Reston.","Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","There are no access restrictions.\n","The entire collection is digtized and availalbe through the Reston Black Focus collection \n                 .","Organized into eight series.\n","Series 1: Correspondence, 1967-2005 (Box 1-2)\n Series 2: By-Laws, 1968-1974 (Box 2)\n Series 3: Committee, 1969-1975 (Box 2-3)\n Series 4: Finance, 1970-1975 (Box 3)\n Series 5: Publications, 1965-2000 (Box 3-4)\n Series 6: Newsclippings, 1960-2005 (Box 4-5)\n Series 7: Reston Homeowners Association (RHOA), 1960-1972 (Box 5)\n Series 8: General Information, 1960-2005 (Box 5-6)\n","Reston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  During the late 1960s and early 1970s, the Reston Black Focus was established.  The Reston Black Focus was created to encourage black citizens to participate more in Reston and to promote black culture and lifestyles.\n","Processed in June 2009 by Emily Martin.\n","The Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia, and other planned communities.\n","The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.\n","Series one is titled correspondence.  The series has correspondence to and from the Reston Black Focus.  The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others.  Also included in the collection are emails dated later than most of the series.  The series contained in boxes 1 through 2 and is dated from 1967 to 2005.\n","Series two is titled By-laws.  The series is a collection of various By-laws from the Reston Black Focus.  The By-laws are in draft and final form.  Also included are Environmental Management Committee Charter, Fairfax County-Wide Black Citizens Association (BCA) and other committees.  The series is contained in box 2 only and is dated from 1968 to 1974.\n","Series three is titled committee.  The series contains paperwork from different committees.  Included are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.  The series is contained in boxes 2 through 3 and is dated from 1969 to 1975.\n","Series four is titled finance.  The series has information relating to the finances of the Reston Black Focus.  The papers include calculations, financial reports, budgets and other financial documents.  The series is contained in box 3 only and is dated from 1970 to 1975.\n","Series five is titled publications.  This contains mostly booklets, brochures and other information from Reston and the Reston Black Focus.  Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.  The series is contained in boxes 3 through 4 and is dated 1965 to 2000.\n","Series six is titled newsclippings.  The newsclippings are articles written about Reston and the Reston Black Focus.  Included are articles from the Reston Times and the Washington Post.  The series is contained in boxes 4 through 5 and is dated from 1960 to 2005.\n","Series seven is titled Reston Homeowners Association (RHOA).  The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.  The series is contained in box 5 only and is dated from 1960 to 1972.\n","Series eight is titled General Information.  This series contains a variety of papers relating to Reston Black Focus.  Included are maps, biographies, schedule of events and general notes.  The series is contained in boxes 5 through 6 and is dated from 1960 to 2005.\n","The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others. Also included in the collection are emails dated later than most of the series.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","The series is a collection of various By-laws from the Reston Black Focus. The By-laws are in draft and final form. Also included is Environmental Management Committee Charter and other committees.","","","","","","","","","","","","","","","","","Included in the series are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","The series has information relating to the finances of the Reston Black Focus. The papers include calculations, budgets and other financial documents.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This contains mostly brochures and other information from Reston and the Reston Black Focus. Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.","","","","","","","","","","","","","","","","","","","","","","","The newsclippings are articles written about Reston and the Reston Black Focus. Included are articles from the Reston Times and the Washington Post.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.","","","","","","","","","","","","","This series contains a variety of papers relating to Reston Black Focus. Included are maps, biographies, schedule of events and general notes.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","There are no restrictions on personal use. Permission to publish material from the Reston Black Focus records must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\n","The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.\n","George Mason University.  Special Collections and Archives.\n","Reston Association.","Reston Black Focus.","Edward G. Sharp\n","English\n"],"unitid_tesim":["C0137\n"],"normalized_title_ssm":["Reston Black Focus records"],"collection_title_tesim":["Reston Black Focus records"],"collection_ssim":["Reston Black Focus records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Edward G. Sharp\n"],"creator_ssim":["Edward G. Sharp\n"],"creator_persname_ssim":["Edward G. Sharp\n"],"creators_ssim":["Edward G. Sharp\n"],"acqinfo_ssim":["Donated by Edward G. Sharp on December 16, 2008.\n"],"access_subjects_ssim":["African Americans--Virginia--Reston.","Housing--Virginia--Reston.","Planned communities--Virginia--Reston."],"access_subjects_ssm":["African Americans--Virginia--Reston.","Housing--Virginia--Reston.","Planned communities--Virginia--Reston."],"has_online_content_ssim":["true"],"extent_ssm":["2.75 linear feet (6 boxes)"],"extent_tesim":["2.75 linear feet (6 boxes)"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions\n"],"accessrestrict_tesim":["There are no access restrictions.\n"],"altformavail_html_tesm":["\u003cp\u003eThe entire collection is digtized and availalbe through the Reston Black Focus collection \n                \u003cextptr type=\"simple\" show=\"new\" title=\"Reston Black Focus collection\" href=\"http://digilib.gmu.edu/handle/1920/9244\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The entire collection is digtized and availalbe through the Reston Black Focus collection \n                 ."],"arrangement_html_tesm":["\u003cp\u003eOrganized into eight series.\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1967-2005 (Box 1-2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: By-Laws, 1968-1974 (Box 2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Committee, 1969-1975 (Box 2-3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Finance, 1970-1975 (Box 3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Publications, 1965-2000 (Box 3-4)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Newsclippings, 1960-2005 (Box 4-5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Reston Homeowners Association (RHOA), 1960-1972 (Box 5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8: General Information, 1960-2005 (Box 5-6)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["Organized into eight series.\n","Series 1: Correspondence, 1967-2005 (Box 1-2)\n Series 2: By-Laws, 1968-1974 (Box 2)\n Series 3: Committee, 1969-1975 (Box 2-3)\n Series 4: Finance, 1970-1975 (Box 3)\n Series 5: Publications, 1965-2000 (Box 3-4)\n Series 6: Newsclippings, 1960-2005 (Box 4-5)\n Series 7: Reston Homeowners Association (RHOA), 1960-1972 (Box 5)\n Series 8: General Information, 1960-2005 (Box 5-6)\n"],"bioghist_html_tesm":["\u003cp\u003eReston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  During the late 1960s and early 1970s, the Reston Black Focus was established.  The Reston Black Focus was created to encourage black citizens to participate more in Reston and to promote black culture and lifestyles.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information\n"],"bioghist_tesim":["Reston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  During the late 1960s and early 1970s, the Reston Black Focus was established.  The Reston Black Focus was created to encourage black citizens to participate more in Reston and to promote black culture and lifestyles.\n"],"prefercite_html_tesm":["\u003cp\u003eReston Black Focus records, C0137, Special Collections and Archives, George Mason University Libraries.\n\u003c/p\u003e"],"prefercite_tesim":["Reston Black Focus records, C0137, Special Collections and Archives, George Mason University Libraries.\n"],"processinfo_html_tesm":["\u003cp\u003eProcessed in June 2009 by Emily Martin.\n\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information\n"],"processinfo_tesim":["Processed in June 2009 by Emily Martin.\n"],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia, and other planned communities.\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material\n"],"relatedmaterial_tesim":["The Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia, and other planned communities.\n"],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.\n\u003c/p\u003e","\u003cp\u003eSeries one is titled correspondence.  The series has correspondence to and from the Reston Black Focus.  The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others.  Also included in the collection are emails dated later than most of the series.  The series contained in boxes 1 through 2 and is dated from 1967 to 2005.\n\u003c/p\u003e","\u003cp\u003eSeries two is titled By-laws.  The series is a collection of various By-laws from the Reston Black Focus.  The By-laws are in draft and final form.  Also included are Environmental Management Committee Charter, Fairfax County-Wide Black Citizens Association (BCA) and other committees.  The series is contained in box 2 only and is dated from 1968 to 1974.\n\u003c/p\u003e","\u003cp\u003eSeries three is titled committee.  The series contains paperwork from different committees.  Included are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.  The series is contained in boxes 2 through 3 and is dated from 1969 to 1975.\n\u003c/p\u003e","\u003cp\u003eSeries four is titled finance.  The series has information relating to the finances of the Reston Black Focus.  The papers include calculations, financial reports, budgets and other financial documents.  The series is contained in box 3 only and is dated from 1970 to 1975.\n\u003c/p\u003e","\u003cp\u003eSeries five is titled publications.  This contains mostly booklets, brochures and other information from Reston and the Reston Black Focus.  Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.  The series is contained in boxes 3 through 4 and is dated 1965 to 2000.\n\u003c/p\u003e","\u003cp\u003eSeries six is titled newsclippings.  The newsclippings are articles written about Reston and the Reston Black Focus.  Included are articles from the Reston Times and the Washington Post.  The series is contained in boxes 4 through 5 and is dated from 1960 to 2005.\n\u003c/p\u003e","\u003cp\u003eSeries seven is titled Reston Homeowners Association (RHOA).  The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.  The series is contained in box 5 only and is dated from 1960 to 1972.\n\u003c/p\u003e","\u003cp\u003eSeries eight is titled General Information.  This series contains a variety of papers relating to Reston Black Focus.  Included are maps, biographies, schedule of events and general notes.  The series is contained in boxes 5 through 6 and is dated from 1960 to 2005.\n\u003c/p\u003e","\u003cp\u003eThe correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others. Also included in the collection are emails dated later than most of the series.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThe series is a collection of various By-laws from the Reston Black Focus. The By-laws are in draft and final form. Also included is Environmental Management Committee Charter and other committees.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eIncluded in the series are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThe series has information relating to the finances of the Reston Black Focus. The papers include calculations, budgets and other financial documents.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis contains mostly brochures and other information from Reston and the Reston Black Focus. Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThe newsclippings are articles written about Reston and the Reston Black Focus. Included are articles from the Reston Times and the Washington Post.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThe series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series contains a variety of papers relating to Reston Black Focus. Included are maps, biographies, schedule of events and general notes.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.\n","Series one is titled correspondence.  The series has correspondence to and from the Reston Black Focus.  The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others.  Also included in the collection are emails dated later than most of the series.  The series contained in boxes 1 through 2 and is dated from 1967 to 2005.\n","Series two is titled By-laws.  The series is a collection of various By-laws from the Reston Black Focus.  The By-laws are in draft and final form.  Also included are Environmental Management Committee Charter, Fairfax County-Wide Black Citizens Association (BCA) and other committees.  The series is contained in box 2 only and is dated from 1968 to 1974.\n","Series three is titled committee.  The series contains paperwork from different committees.  Included are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.  The series is contained in boxes 2 through 3 and is dated from 1969 to 1975.\n","Series four is titled finance.  The series has information relating to the finances of the Reston Black Focus.  The papers include calculations, financial reports, budgets and other financial documents.  The series is contained in box 3 only and is dated from 1970 to 1975.\n","Series five is titled publications.  This contains mostly booklets, brochures and other information from Reston and the Reston Black Focus.  Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.  The series is contained in boxes 3 through 4 and is dated 1965 to 2000.\n","Series six is titled newsclippings.  The newsclippings are articles written about Reston and the Reston Black Focus.  Included are articles from the Reston Times and the Washington Post.  The series is contained in boxes 4 through 5 and is dated from 1960 to 2005.\n","Series seven is titled Reston Homeowners Association (RHOA).  The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.  The series is contained in box 5 only and is dated from 1960 to 1972.\n","Series eight is titled General Information.  This series contains a variety of papers relating to Reston Black Focus.  Included are maps, biographies, schedule of events and general notes.  The series is contained in boxes 5 through 6 and is dated from 1960 to 2005.\n","The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others. Also included in the collection are emails dated later than most of the series.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","The series is a collection of various By-laws from the Reston Black Focus. The By-laws are in draft and final form. Also included is Environmental Management Committee Charter and other committees.","","","","","","","","","","","","","","","","","Included in the series are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","The series has information relating to the finances of the Reston Black Focus. The papers include calculations, budgets and other financial documents.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This contains mostly brochures and other information from Reston and the Reston Black Focus. Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.","","","","","","","","","","","","","","","","","","","","","","","The newsclippings are articles written about Reston and the Reston Black Focus. Included are articles from the Reston Times and the Washington Post.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.","","","","","","","","","","","","","This series contains a variety of papers relating to Reston Black Focus. Included are maps, biographies, schedule of events and general notes.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","",""],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Reston Black Focus records must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Reston Black Focus records must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.\n\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.\n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","Reston Association.","Reston Black Focus.","Edward G. Sharp\n"],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","Reston Association.","Reston Black Focus."],"persname_ssim":["Edward G. Sharp\n"],"language_ssim":["English\n"],"total_component_count_is":369,"online_item_count_is":361,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:45:26.642Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_restonblackfocus_c08_c51"}},{"id":"vifgm_restonblackfocus_c01_c44","type":"File","attributes":{"title":"Open Letter to Members Reston Second Homeowners Association,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_restonblackfocus_c01_c44#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_restonblackfocus_c01_c44#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_restonblackfocus_c01_c44","ref_ssm":["vifgm_restonblackfocus_c01_c44"],"id":"vifgm_restonblackfocus_c01_c44","ead_ssi":"vifgm_restonblackfocus","_root_":"vifgm_restonblackfocus","_nest_parent_":"vifgm_restonblackfocus_c01","parent_ssi":"vifgm_restonblackfocus_c01","parent_ssim":["vifgm_restonblackfocus","vifgm_restonblackfocus_c01"],"parent_ids_ssim":["vifgm_restonblackfocus","vifgm_restonblackfocus_c01"],"parent_unittitles_ssm":["Reston Black Focus records","Series 1: Correspondence,"],"parent_unittitles_tesim":["Reston Black Focus records","Series 1: Correspondence,"],"text":["Reston Black Focus records","Series 1: Correspondence,","Open Letter to Members Reston Second Homeowners Association,","Box 1","Folder 44",""],"title_filing_ssi":"Open Letter to Members Reston Second Homeowners Association,","title_ssm":["Open Letter to Members Reston Second Homeowners Association,"],"title_tesim":["Open Letter to Members Reston Second Homeowners Association,"],"unitdate_other_ssim":["April 24, 1969"],"normalized_date_ssm":["1969"],"normalized_title_ssm":["Open Letter to Members Reston Second Homeowners Association,"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Reston Black Focus records"],"has_online_content_ssim":["true"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":45,"digital_objects_ssm":["{\"label\":\"Open Letter to Members Reston Second Homeowners Association\",\"href\":\"http://hdl.handle.net/1920/9290\"}"],"date_range_isim":[1969],"containers_ssim":["Box 1","Folder 44"],"scopecontent_html_tesm":["\u003cp/\u003e"],"scopecontent_tesim":[""],"_nest_path_":"/components#0/components#43","timestamp":"2026-05-21T06:45:26.642Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_restonblackfocus","ead_ssi":"vifgm_restonblackfocus","_root_":"vifgm_restonblackfocus","_nest_parent_":"vifgm_restonblackfocus","ead_source_url_ssi":"data/gmu/restonblackfocus.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/restonblackfocus.html","title_ssm":["Reston Black Focus records"],"title_tesim":["Reston Black Focus records"],"unitdate_ssm":["1960-2005\n"],"unitdate_inclusive_ssm":["1960-2005\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0137\n"],"text":["C0137\n","Reston Black Focus records","African Americans--Virginia--Reston.","Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","There are no access restrictions.\n","The entire collection is digtized and availalbe through the Reston Black Focus collection \n                 .","Organized into eight series.\n","Series 1: Correspondence, 1967-2005 (Box 1-2)\n Series 2: By-Laws, 1968-1974 (Box 2)\n Series 3: Committee, 1969-1975 (Box 2-3)\n Series 4: Finance, 1970-1975 (Box 3)\n Series 5: Publications, 1965-2000 (Box 3-4)\n Series 6: Newsclippings, 1960-2005 (Box 4-5)\n Series 7: Reston Homeowners Association (RHOA), 1960-1972 (Box 5)\n Series 8: General Information, 1960-2005 (Box 5-6)\n","Reston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  During the late 1960s and early 1970s, the Reston Black Focus was established.  The Reston Black Focus was created to encourage black citizens to participate more in Reston and to promote black culture and lifestyles.\n","Processed in June 2009 by Emily Martin.\n","The Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia, and other planned communities.\n","The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.\n","Series one is titled correspondence.  The series has correspondence to and from the Reston Black Focus.  The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others.  Also included in the collection are emails dated later than most of the series.  The series contained in boxes 1 through 2 and is dated from 1967 to 2005.\n","Series two is titled By-laws.  The series is a collection of various By-laws from the Reston Black Focus.  The By-laws are in draft and final form.  Also included are Environmental Management Committee Charter, Fairfax County-Wide Black Citizens Association (BCA) and other committees.  The series is contained in box 2 only and is dated from 1968 to 1974.\n","Series three is titled committee.  The series contains paperwork from different committees.  Included are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.  The series is contained in boxes 2 through 3 and is dated from 1969 to 1975.\n","Series four is titled finance.  The series has information relating to the finances of the Reston Black Focus.  The papers include calculations, financial reports, budgets and other financial documents.  The series is contained in box 3 only and is dated from 1970 to 1975.\n","Series five is titled publications.  This contains mostly booklets, brochures and other information from Reston and the Reston Black Focus.  Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.  The series is contained in boxes 3 through 4 and is dated 1965 to 2000.\n","Series six is titled newsclippings.  The newsclippings are articles written about Reston and the Reston Black Focus.  Included are articles from the Reston Times and the Washington Post.  The series is contained in boxes 4 through 5 and is dated from 1960 to 2005.\n","Series seven is titled Reston Homeowners Association (RHOA).  The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.  The series is contained in box 5 only and is dated from 1960 to 1972.\n","Series eight is titled General Information.  This series contains a variety of papers relating to Reston Black Focus.  Included are maps, biographies, schedule of events and general notes.  The series is contained in boxes 5 through 6 and is dated from 1960 to 2005.\n","The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others. Also included in the collection are emails dated later than most of the series.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","The series is a collection of various By-laws from the Reston Black Focus. The By-laws are in draft and final form. Also included is Environmental Management Committee Charter and other committees.","","","","","","","","","","","","","","","","","Included in the series are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","The series has information relating to the finances of the Reston Black Focus. The papers include calculations, budgets and other financial documents.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This contains mostly brochures and other information from Reston and the Reston Black Focus. Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.","","","","","","","","","","","","","","","","","","","","","","","The newsclippings are articles written about Reston and the Reston Black Focus. Included are articles from the Reston Times and the Washington Post.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.","","","","","","","","","","","","","This series contains a variety of papers relating to Reston Black Focus. Included are maps, biographies, schedule of events and general notes.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","There are no restrictions on personal use. Permission to publish material from the Reston Black Focus records must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\n","The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.\n","George Mason University.  Special Collections and Archives.\n","Reston Association.","Reston Black Focus.","Edward G. Sharp\n","English\n"],"unitid_tesim":["C0137\n"],"normalized_title_ssm":["Reston Black Focus records"],"collection_title_tesim":["Reston Black Focus records"],"collection_ssim":["Reston Black Focus records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Edward G. Sharp\n"],"creator_ssim":["Edward G. Sharp\n"],"creator_persname_ssim":["Edward G. Sharp\n"],"creators_ssim":["Edward G. Sharp\n"],"acqinfo_ssim":["Donated by Edward G. Sharp on December 16, 2008.\n"],"access_subjects_ssim":["African Americans--Virginia--Reston.","Housing--Virginia--Reston.","Planned communities--Virginia--Reston."],"access_subjects_ssm":["African Americans--Virginia--Reston.","Housing--Virginia--Reston.","Planned communities--Virginia--Reston."],"has_online_content_ssim":["true"],"extent_ssm":["2.75 linear feet (6 boxes)"],"extent_tesim":["2.75 linear feet (6 boxes)"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions\n"],"accessrestrict_tesim":["There are no access restrictions.\n"],"altformavail_html_tesm":["\u003cp\u003eThe entire collection is digtized and availalbe through the Reston Black Focus collection \n                \u003cextptr type=\"simple\" show=\"new\" title=\"Reston Black Focus collection\" href=\"http://digilib.gmu.edu/handle/1920/9244\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The entire collection is digtized and availalbe through the Reston Black Focus collection \n                 ."],"arrangement_html_tesm":["\u003cp\u003eOrganized into eight series.\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1967-2005 (Box 1-2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: By-Laws, 1968-1974 (Box 2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Committee, 1969-1975 (Box 2-3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Finance, 1970-1975 (Box 3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Publications, 1965-2000 (Box 3-4)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Newsclippings, 1960-2005 (Box 4-5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Reston Homeowners Association (RHOA), 1960-1972 (Box 5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8: General Information, 1960-2005 (Box 5-6)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["Organized into eight series.\n","Series 1: Correspondence, 1967-2005 (Box 1-2)\n Series 2: By-Laws, 1968-1974 (Box 2)\n Series 3: Committee, 1969-1975 (Box 2-3)\n Series 4: Finance, 1970-1975 (Box 3)\n Series 5: Publications, 1965-2000 (Box 3-4)\n Series 6: Newsclippings, 1960-2005 (Box 4-5)\n Series 7: Reston Homeowners Association (RHOA), 1960-1972 (Box 5)\n Series 8: General Information, 1960-2005 (Box 5-6)\n"],"bioghist_html_tesm":["\u003cp\u003eReston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  During the late 1960s and early 1970s, the Reston Black Focus was established.  The Reston Black Focus was created to encourage black citizens to participate more in Reston and to promote black culture and lifestyles.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information\n"],"bioghist_tesim":["Reston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  During the late 1960s and early 1970s, the Reston Black Focus was established.  The Reston Black Focus was created to encourage black citizens to participate more in Reston and to promote black culture and lifestyles.\n"],"prefercite_html_tesm":["\u003cp\u003eReston Black Focus records, C0137, Special Collections and Archives, George Mason University Libraries.\n\u003c/p\u003e"],"prefercite_tesim":["Reston Black Focus records, C0137, Special Collections and Archives, George Mason University Libraries.\n"],"processinfo_html_tesm":["\u003cp\u003eProcessed in June 2009 by Emily Martin.\n\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information\n"],"processinfo_tesim":["Processed in June 2009 by Emily Martin.\n"],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia, and other planned communities.\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material\n"],"relatedmaterial_tesim":["The Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia, and other planned communities.\n"],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.\n\u003c/p\u003e","\u003cp\u003eSeries one is titled correspondence.  The series has correspondence to and from the Reston Black Focus.  The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others.  Also included in the collection are emails dated later than most of the series.  The series contained in boxes 1 through 2 and is dated from 1967 to 2005.\n\u003c/p\u003e","\u003cp\u003eSeries two is titled By-laws.  The series is a collection of various By-laws from the Reston Black Focus.  The By-laws are in draft and final form.  Also included are Environmental Management Committee Charter, Fairfax County-Wide Black Citizens Association (BCA) and other committees.  The series is contained in box 2 only and is dated from 1968 to 1974.\n\u003c/p\u003e","\u003cp\u003eSeries three is titled committee.  The series contains paperwork from different committees.  Included are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.  The series is contained in boxes 2 through 3 and is dated from 1969 to 1975.\n\u003c/p\u003e","\u003cp\u003eSeries four is titled finance.  The series has information relating to the finances of the Reston Black Focus.  The papers include calculations, financial reports, budgets and other financial documents.  The series is contained in box 3 only and is dated from 1970 to 1975.\n\u003c/p\u003e","\u003cp\u003eSeries five is titled publications.  This contains mostly booklets, brochures and other information from Reston and the Reston Black Focus.  Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.  The series is contained in boxes 3 through 4 and is dated 1965 to 2000.\n\u003c/p\u003e","\u003cp\u003eSeries six is titled newsclippings.  The newsclippings are articles written about Reston and the Reston Black Focus.  Included are articles from the Reston Times and the Washington Post.  The series is contained in boxes 4 through 5 and is dated from 1960 to 2005.\n\u003c/p\u003e","\u003cp\u003eSeries seven is titled Reston Homeowners Association (RHOA).  The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.  The series is contained in box 5 only and is dated from 1960 to 1972.\n\u003c/p\u003e","\u003cp\u003eSeries eight is titled General Information.  This series contains a variety of papers relating to Reston Black Focus.  Included are maps, biographies, schedule of events and general notes.  The series is contained in boxes 5 through 6 and is dated from 1960 to 2005.\n\u003c/p\u003e","\u003cp\u003eThe correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others. Also included in the collection are emails dated later than most of the series.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThe series is a collection of various By-laws from the Reston Black Focus. The By-laws are in draft and final form. Also included is Environmental Management Committee Charter and other committees.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eIncluded in the series are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThe series has information relating to the finances of the Reston Black Focus. The papers include calculations, budgets and other financial documents.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis contains mostly brochures and other information from Reston and the Reston Black Focus. Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThe newsclippings are articles written about Reston and the Reston Black Focus. Included are articles from the Reston Times and the Washington Post.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThe series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series contains a variety of papers relating to Reston Black Focus. Included are maps, biographies, schedule of events and general notes.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.\n","Series one is titled correspondence.  The series has correspondence to and from the Reston Black Focus.  The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others.  Also included in the collection are emails dated later than most of the series.  The series contained in boxes 1 through 2 and is dated from 1967 to 2005.\n","Series two is titled By-laws.  The series is a collection of various By-laws from the Reston Black Focus.  The By-laws are in draft and final form.  Also included are Environmental Management Committee Charter, Fairfax County-Wide Black Citizens Association (BCA) and other committees.  The series is contained in box 2 only and is dated from 1968 to 1974.\n","Series three is titled committee.  The series contains paperwork from different committees.  Included are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.  The series is contained in boxes 2 through 3 and is dated from 1969 to 1975.\n","Series four is titled finance.  The series has information relating to the finances of the Reston Black Focus.  The papers include calculations, financial reports, budgets and other financial documents.  The series is contained in box 3 only and is dated from 1970 to 1975.\n","Series five is titled publications.  This contains mostly booklets, brochures and other information from Reston and the Reston Black Focus.  Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.  The series is contained in boxes 3 through 4 and is dated 1965 to 2000.\n","Series six is titled newsclippings.  The newsclippings are articles written about Reston and the Reston Black Focus.  Included are articles from the Reston Times and the Washington Post.  The series is contained in boxes 4 through 5 and is dated from 1960 to 2005.\n","Series seven is titled Reston Homeowners Association (RHOA).  The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.  The series is contained in box 5 only and is dated from 1960 to 1972.\n","Series eight is titled General Information.  This series contains a variety of papers relating to Reston Black Focus.  Included are maps, biographies, schedule of events and general notes.  The series is contained in boxes 5 through 6 and is dated from 1960 to 2005.\n","The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others. Also included in the collection are emails dated later than most of the series.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","The series is a collection of various By-laws from the Reston Black Focus. The By-laws are in draft and final form. Also included is Environmental Management Committee Charter and other committees.","","","","","","","","","","","","","","","","","Included in the series are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","The series has information relating to the finances of the Reston Black Focus. The papers include calculations, budgets and other financial documents.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This contains mostly brochures and other information from Reston and the Reston Black Focus. Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.","","","","","","","","","","","","","","","","","","","","","","","The newsclippings are articles written about Reston and the Reston Black Focus. Included are articles from the Reston Times and the Washington Post.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.","","","","","","","","","","","","","This series contains a variety of papers relating to Reston Black Focus. Included are maps, biographies, schedule of events and general notes.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","",""],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Reston Black Focus records must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Reston Black Focus records must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.\n\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.\n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","Reston Association.","Reston Black Focus.","Edward G. Sharp\n"],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","Reston Association.","Reston Black Focus."],"persname_ssim":["Edward G. Sharp\n"],"language_ssim":["English\n"],"total_component_count_is":369,"online_item_count_is":361,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:45:26.642Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_restonblackfocus_c01_c44"}},{"id":"viu_repositories_4_resources_869","type":"collection","attributes":{"title":"Peter V. Lacouture photograph collection","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_869#creator","type":"document_value","attributes":{"value":"Lacouture, Peter V.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_869#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of photographic prints and negatives created by Peter V. Lacouture. They document the following events at the University of Virginia: the Moratorium of Peace (October 15, 1969), Senator George S. McGovern's Address to the University of Virginia community (October 10, 1969), and the \"May Days\" student strikes (Spring, 1970).\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_869#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_4_resources_869","ead_ssi":"viu_repositories_4_resources_869","_root_":"viu_repositories_4_resources_869","_nest_parent_":"viu_repositories_4_resources_869","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_869.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/107017","title_ssm":["Peter V. Lacouture photograph collection"],"title_tesim":["Peter V. Lacouture photograph collection"],"unitdate_ssm":["1969-1970"],"unitdate_inclusive_ssm":["1969-1970"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.2014.03","Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/869"],"text":["MSS.2014.03","Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/869","Peter V. Lacouture photograph collection","University of Virginia","Vietnam War, 1961-1975 -- University of Virginia","Vietnam War, 1961-1975 -- Protest movements -- United States","There are no restrictions on access to the materials in this collection.","Peter V. Lacouture is a 1972 graduate of the University of Virginia School of Law. During his time at the school, Lacouture helped to produce the Virginia Law Weekly. In 1969, he began his tenure there as a photographer. Later, in 1971, he served as one of the newspaper's two executive directors. While working at the Virginia Law Weekly, Lacouture documented events at the University of Virginia including the 1970 \"May Days\" student strikes.","This collection consists of photographic prints and negatives created by Peter V. Lacouture. They document the following events at the University of Virginia: the Moratorium of Peace (October 15, 1969), Senator George S. McGovern's Address to the University of Virginia community (October 10, 1969), and the \"May Days\" student strikes (Spring, 1970).","The University of Virginia Law Library made digital copies of the photographic materials in this collection.","Upon donating these materials to the University of Virginia Law Library, the creator dedicated all their rights in the photographs and negatives to the public domain.","Arthur J. Morris Law Library Special Collections","Lacouture, Peter V.","English"],"unitid_tesim":["MSS.2014.03","Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/869"],"normalized_title_ssm":["Peter V. Lacouture photograph collection"],"collection_title_tesim":["Peter V. Lacouture photograph collection"],"collection_ssim":["Peter V. Lacouture photograph collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Lacouture, Peter V."],"creator_ssim":["Lacouture, Peter V."],"creator_persname_ssim":["Lacouture, Peter V."],"creators_ssim":["Lacouture, Peter V."],"access_terms_ssm":["Upon donating these materials to the University of Virginia Law Library, the creator dedicated all their rights in the photographs and negatives to the public domain."],"acqinfo_ssim":["On May 8, 2014, Peter V. Lacouture donated this collection to the University of Virginia Law Library."],"access_subjects_ssim":["University of Virginia","Vietnam War, 1961-1975 -- University of Virginia","Vietnam War, 1961-1975 -- Protest movements -- United States"],"access_subjects_ssm":["University of Virginia","Vietnam War, 1961-1975 -- University of Virginia","Vietnam War, 1961-1975 -- Protest movements -- United States"],"has_online_content_ssim":["true"],"digital_objects_ssm":["{\"label\":\"Digital Copies of Photographic Materials from the Peter V. Lacouture Collection\",\"href\":\"virginia.edu.viul.dc30bb12-a44d-11f0-a7a9-4ea842a5d5db\"}"],"extent_ssm":[".45 Linear Feet","6.36 Gigabytes"],"extent_tesim":[".45 Linear Feet","6.36 Gigabytes"],"date_range_isim":[1969,1970],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on access to the materials in this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on access to the materials in this collection."],"bioghist_html_tesm":["\u003cp\u003ePeter V. Lacouture is a 1972 graduate of the University of Virginia School of Law. During his time at the school, Lacouture helped to produce the Virginia Law Weekly. In 1969, he began his tenure there as a photographer. Later, in 1971, he served as one of the newspaper's two executive directors. While working at the Virginia Law Weekly, Lacouture documented events at the University of Virginia including the 1970 \"May Days\" student strikes.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Peter V. Lacouture is a 1972 graduate of the University of Virginia School of Law. During his time at the school, Lacouture helped to produce the Virginia Law Weekly. In 1969, he began his tenure there as a photographer. Later, in 1971, he served as one of the newspaper's two executive directors. While working at the Virginia Law Weekly, Lacouture documented events at the University of Virginia including the 1970 \"May Days\" student strikes."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of photographic prints and negatives created by Peter V. Lacouture. They document the following events at the University of Virginia: the Moratorium of Peace (October 15, 1969), Senator George S. McGovern's Address to the University of Virginia community (October 10, 1969), and the \"May Days\" student strikes (Spring, 1970).\u003c/p\u003e\n","\u003cp\u003eThe University of Virginia Law Library made digital copies of the photographic materials in this collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of photographic prints and negatives created by Peter V. Lacouture. They document the following events at the University of Virginia: the Moratorium of Peace (October 15, 1969), Senator George S. McGovern's Address to the University of Virginia community (October 10, 1969), and the \"May Days\" student strikes (Spring, 1970).","The University of Virginia Law Library made digital copies of the photographic materials in this collection."],"userestrict_html_tesm":["\u003cp\u003eUpon donating these materials to the University of Virginia Law Library, the creator dedicated all their rights in the photographs and negatives to the public domain.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Upon donating these materials to the University of Virginia Law Library, the creator dedicated all their rights in the photographs and negatives to the public domain."],"names_ssim":["Arthur J. Morris Law Library Special Collections","Lacouture, Peter V."],"corpname_ssim":["Arthur J. Morris Law Library Special Collections"],"persname_ssim":["Lacouture, Peter V."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":1,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:36:50.491Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_4_resources_869","ead_ssi":"viu_repositories_4_resources_869","_root_":"viu_repositories_4_resources_869","_nest_parent_":"viu_repositories_4_resources_869","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_869.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/107017","title_ssm":["Peter V. Lacouture photograph collection"],"title_tesim":["Peter V. Lacouture photograph collection"],"unitdate_ssm":["1969-1970"],"unitdate_inclusive_ssm":["1969-1970"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.2014.03","Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/869"],"text":["MSS.2014.03","Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/869","Peter V. Lacouture photograph collection","University of Virginia","Vietnam War, 1961-1975 -- University of Virginia","Vietnam War, 1961-1975 -- Protest movements -- United States","There are no restrictions on access to the materials in this collection.","Peter V. Lacouture is a 1972 graduate of the University of Virginia School of Law. During his time at the school, Lacouture helped to produce the Virginia Law Weekly. In 1969, he began his tenure there as a photographer. Later, in 1971, he served as one of the newspaper's two executive directors. While working at the Virginia Law Weekly, Lacouture documented events at the University of Virginia including the 1970 \"May Days\" student strikes.","This collection consists of photographic prints and negatives created by Peter V. Lacouture. They document the following events at the University of Virginia: the Moratorium of Peace (October 15, 1969), Senator George S. McGovern's Address to the University of Virginia community (October 10, 1969), and the \"May Days\" student strikes (Spring, 1970).","The University of Virginia Law Library made digital copies of the photographic materials in this collection.","Upon donating these materials to the University of Virginia Law Library, the creator dedicated all their rights in the photographs and negatives to the public domain.","Arthur J. Morris Law Library Special Collections","Lacouture, Peter V.","English"],"unitid_tesim":["MSS.2014.03","Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/869"],"normalized_title_ssm":["Peter V. Lacouture photograph collection"],"collection_title_tesim":["Peter V. Lacouture photograph collection"],"collection_ssim":["Peter V. Lacouture photograph collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Lacouture, Peter V."],"creator_ssim":["Lacouture, Peter V."],"creator_persname_ssim":["Lacouture, Peter V."],"creators_ssim":["Lacouture, Peter V."],"access_terms_ssm":["Upon donating these materials to the University of Virginia Law Library, the creator dedicated all their rights in the photographs and negatives to the public domain."],"acqinfo_ssim":["On May 8, 2014, Peter V. Lacouture donated this collection to the University of Virginia Law Library."],"access_subjects_ssim":["University of Virginia","Vietnam War, 1961-1975 -- University of Virginia","Vietnam War, 1961-1975 -- Protest movements -- United States"],"access_subjects_ssm":["University of Virginia","Vietnam War, 1961-1975 -- University of Virginia","Vietnam War, 1961-1975 -- Protest movements -- United States"],"has_online_content_ssim":["true"],"digital_objects_ssm":["{\"label\":\"Digital Copies of Photographic Materials from the Peter V. Lacouture Collection\",\"href\":\"virginia.edu.viul.dc30bb12-a44d-11f0-a7a9-4ea842a5d5db\"}"],"extent_ssm":[".45 Linear Feet","6.36 Gigabytes"],"extent_tesim":[".45 Linear Feet","6.36 Gigabytes"],"date_range_isim":[1969,1970],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on access to the materials in this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on access to the materials in this collection."],"bioghist_html_tesm":["\u003cp\u003ePeter V. Lacouture is a 1972 graduate of the University of Virginia School of Law. During his time at the school, Lacouture helped to produce the Virginia Law Weekly. In 1969, he began his tenure there as a photographer. Later, in 1971, he served as one of the newspaper's two executive directors. While working at the Virginia Law Weekly, Lacouture documented events at the University of Virginia including the 1970 \"May Days\" student strikes.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Peter V. Lacouture is a 1972 graduate of the University of Virginia School of Law. During his time at the school, Lacouture helped to produce the Virginia Law Weekly. In 1969, he began his tenure there as a photographer. Later, in 1971, he served as one of the newspaper's two executive directors. While working at the Virginia Law Weekly, Lacouture documented events at the University of Virginia including the 1970 \"May Days\" student strikes."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of photographic prints and negatives created by Peter V. Lacouture. They document the following events at the University of Virginia: the Moratorium of Peace (October 15, 1969), Senator George S. McGovern's Address to the University of Virginia community (October 10, 1969), and the \"May Days\" student strikes (Spring, 1970).\u003c/p\u003e\n","\u003cp\u003eThe University of Virginia Law Library made digital copies of the photographic materials in this collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of photographic prints and negatives created by Peter V. Lacouture. They document the following events at the University of Virginia: the Moratorium of Peace (October 15, 1969), Senator George S. McGovern's Address to the University of Virginia community (October 10, 1969), and the \"May Days\" student strikes (Spring, 1970).","The University of Virginia Law Library made digital copies of the photographic materials in this collection."],"userestrict_html_tesm":["\u003cp\u003eUpon donating these materials to the University of Virginia Law Library, the creator dedicated all their rights in the photographs and negatives to the public domain.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Upon donating these materials to the University of Virginia Law Library, the creator dedicated all their rights in the photographs and negatives to the public domain."],"names_ssim":["Arthur J. Morris Law Library Special Collections","Lacouture, Peter V."],"corpname_ssim":["Arthur J. 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The photographs capture scenes of New York and Paris.","Copyright for all images owned by The André and Elizabeth Kertész Foundation.","Arthur J. Morris Law Library Special Collections","Kertész, André, 1894-1985","English"],"unitid_tesim":["MSS.86.8","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/672"],"normalized_title_ssm":["André Kertész photographs"],"collection_title_tesim":["André Kertész photographs"],"collection_ssim":["André Kertész photographs"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Kertész, André, 1894-1985"],"creator_ssim":["Kertész, André, 1894-1985"],"creator_persname_ssim":["Kertész, André, 1894-1985"],"creators_ssim":["Kertész, André, 1894-1985"],"access_terms_ssm":["Copyright for all images owned by The André and Elizabeth Kertész Foundation."],"acqinfo_ssim":["In 1985, an anonymous alum of the University of Virginia School of Law donated the photographs in this collection to the University of Virginia Law Library. 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