{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1949","next":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1949\u0026page=2","last":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1949\u0026page=5"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":5,"limit_value":10,"offset_value":0,"total_count":48,"first_page?":true,"last_page?":false}},"data":[{"id":"viu_repositories_4_resources_782_c01","type":"Series","attributes":{"title":"Accession RG 204-79","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_782_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis series consists of an accession of records (RG 204-79) from the office of the Virginia Law Weekly that contains the Virginia Law Weekly Constitution (1960); a prospectus written by the first editor, Edgar Jones in August 1948; 318 photographs; contact sheets and negatives; and letters from Virginia Law Weekly alums.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_782_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_4_resources_782_c01","ref_ssm":["viu_repositories_4_resources_782_c01"],"id":"viu_repositories_4_resources_782_c01","ead_ssi":"viu_repositories_4_resources_782","_root_":"viu_repositories_4_resources_782","_nest_parent_":"viu_repositories_4_resources_782","parent_ssi":"viu_repositories_4_resources_782","parent_ssim":["viu_repositories_4_resources_782"],"parent_ids_ssim":["viu_repositories_4_resources_782"],"parent_unittitles_ssm":["Virginia Law Weekly records"],"parent_unittitles_tesim":["Virginia Law Weekly records"],"text":["Virginia Law Weekly records","Accession RG 204-79","box 204-79/80 1","box 204-79 1","box 204-79 1.2","box 204-79 1.3","box 204-79 2.1","box 204-79 2.2","box 204-79 2.3","box 204-79 2.4","box 204-79 2.5","box 204-79 3","box 204-79 4","box 204-79 5","box 204-79 6","This series consists of an accession of records (RG 204-79) from the office of the Virginia Law Weekly that contains the Virginia Law Weekly Constitution (1960); a prospectus written by the first editor, Edgar Jones in August 1948; 318 photographs; contact sheets and negatives; and letters from Virginia Law Weekly alums."],"title_filing_ssi":"Accession RG 204-79","title_ssm":["Accession RG 204-79"],"title_tesim":["Accession RG 204-79"],"unitdate_inclusive_ssm":["1948-1979"],"normalized_date_ssm":["1948/1979"],"normalized_title_ssm":["Accession RG 204-79"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Virginia Law Weekly records"],"has_online_content_ssim":["true"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["There are no restrictions on access to the materials in this collection."],"parent_access_terms_tesm":["The Virginia Law Weekly, an independent student organization, published the materials in this collection. It owns the copyright to any content that is not yet in the public domain or was licensed from another party. Individuals who wish to re-publish copyright-protected content will need to seek permission from the party or parties that own it."],"digital_objects_ssm":["{\"label\":\"Digital Images of Photographic Materials from the Virginia Law Weekly RG-204-79 Container 1\",\"href\":\"virginia.edu.viul.4b8ea2a2-9f9f-11f0-9f8a-4ea842a5d5db\"}","{\"label\":\"Digital Images of Photographic Materials from the Virginia Law Weekly RG-204-79 Container 2\",\"href\":\"virginia.edu.viul.f3fbfc5c-a2e0-11f0-9aea-4ea842a5d5db\"}","{\"label\":\"Digital Images of Photographic Materials from the Virginia Law Weekly RG-204-79 Container 3\",\"href\":\"virginia.edu.viul.a279b78e-a2ef-11f0-9d99-4ea842a5d5db\"}","{\"label\":\"Digital Images of Photographic Materials from the Virginia Law Weekly RG-204-79 Container 4\",\"href\":\"virginia.edu.viul.784de8b2-a070-11f0-a0e7-4ea842a5d5db\"}","{\"label\":\"Digital Images of Photographic Materials from the Virginia Law Weekly RG-204-79 Container 5\",\"href\":\"virginia.edu.viul.58367f66-a2ce-11f0-97a7-4ea842a5d5db\"}"],"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"acqinfo_ssim":["In 1979, Virginia Dunmire, the Virginia Law Weekly editor (1978-1979), and Dennis Fogland transferred these records from the office of the Virginia Law Weekly to the University of Virginia Law Library."],"containers_ssim":["box 204-79/80 1","box 204-79 1","box 204-79 1.2","box 204-79 1.3","box 204-79 2.1","box 204-79 2.2","box 204-79 2.3","box 204-79 2.4","box 204-79 2.5","box 204-79 3","box 204-79 4","box 204-79 5","box 204-79 6"],"scopecontent_html_tesm":["\u003cp\u003eThis series consists of an accession of records (RG 204-79) from the office of the Virginia Law Weekly that contains the Virginia Law Weekly Constitution (1960); a prospectus written by the first editor, Edgar Jones in August 1948; 318 photographs; contact sheets and negatives; and letters from Virginia Law Weekly alums.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This series consists of an accession of records (RG 204-79) from the office of the Virginia Law Weekly that contains the Virginia Law Weekly Constitution (1960); a prospectus written by the first editor, Edgar Jones in August 1948; 318 photographs; contact sheets and negatives; and letters from Virginia Law Weekly alums."],"_nest_path_":"/components#0","timestamp":"2026-05-20T23:26:20.177Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_4_resources_782","ead_ssi":"viu_repositories_4_resources_782","_root_":"viu_repositories_4_resources_782","_nest_parent_":"viu_repositories_4_resources_782","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_782.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/169304","title_ssm":["Virginia Law Weekly records"],"title_tesim":["Virginia Law Weekly records"],"unitdate_ssm":["1948-2009"],"unitdate_inclusive_ssm":["1948-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG.32.204","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/782"],"text":["RG.32.204","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/782","Virginia Law Weekly records","There are no restrictions on access to the materials in this collection.","Each series in this collection represents an accession of material to the collection. The accessions are arranged in chronological order by the date they arrived at the University of Virginia Law Library.","In 1948, students at the University of Virginia School of Law founded the Virginia Law Weekly, a periodical and independent student organization. Since its founding, the organization has published weekly editions during the academic year featuring news articles, opinion columns, humor articles, photographs, advertisements, and other materials. This content documents life at the School of Law, as well as student perspectives of the law and the broader world around them.","This collection does not contain copies of the Virginia Law Weekly publication. Researchers can find issues of the Virginia Law Weekly in the following collection at the University of Virginia's Law Library: Virginia Law Weekly, RG-32-511.","This collection consists of the Virginia Law Weekly's organizational records including founding documents, correspondence, and digital media. It also contains photographic prints, negatives, and contact sheets used in the production of the Virginia Law Weekly.","The University of Virginia Law Library made digital copies of many of the photographic items in this collection.","This series consists of an accession of records (RG 204-79) from the office of the Virginia Law Weekly that contains the Virginia Law Weekly Constitution (1960); a prospectus written by the first editor, Edgar Jones in August 1948; 318 photographs; contact sheets and negatives; and letters from Virginia Law Weekly alums.","This series consists of an accession of records (RG 204-80) from the office of the Virginia Law Weekly that contains photographic negatives that were on file in the office of the Virginia Law Weekly.","This series consists of an accession of records (RG 204-83) from the office of the Virginia Law Weekly that contains photographs and negatives. It also contains digital copies of photographic materials from accession RG 204-83.","This series consists of an accession of records (RG 204-96) from the office of the Virginia Law Weekly that contains photographs and negatives. It also includes digital copies of photographic materials from accession RG 204-96.","This series consists of an accession of records (RG 204-09-01 and RG 204-09-02) from the office of the Virginia Law Weekly that contains photographs, and old cartoon, an addressgraph file cabinet, some documents and floppy discs.","The Virginia Law Weekly, an independent student organization, published the materials in this collection. It owns the copyright to any content that is not yet in the public domain or was licensed from another party. Individuals who wish to re-publish copyright-protected content will need to seek permission from the party or parties that own it.","Arthur J. Morris Law Library Special Collections","English"],"unitid_tesim":["RG.32.204","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/782"],"normalized_title_ssm":["Virginia Law Weekly records"],"collection_title_tesim":["Virginia Law Weekly records"],"collection_ssim":["Virginia Law Weekly records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["The Virginia Law Weekly, an independent student organization, published the materials in this collection. It owns the copyright to any content that is not yet in the public domain or was licensed from another party. Individuals who wish to re-publish copyright-protected content will need to seek permission from the party or parties that own it."],"acqinfo_ssim":["At various times in its history, the Virginia Law Weekly donated the materials in this collection to the University of Virginia's Law Library."],"has_online_content_ssim":["true"],"extent_ssm":["20 Linear Feet","767.72 Gigabytes"],"extent_tesim":["20 Linear Feet","767.72 Gigabytes"],"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on access to the materials in this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on access to the materials in this collection."],"arrangement_html_tesm":["\u003cp\u003eEach series in this collection represents an accession of material to the collection. The accessions are arranged in chronological order by the date they arrived at the University of Virginia Law Library.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Each series in this collection represents an accession of material to the collection. The accessions are arranged in chronological order by the date they arrived at the University of Virginia Law Library."],"bioghist_html_tesm":["\u003cp\u003eIn 1948, students at the University of Virginia School of Law founded the Virginia Law Weekly, a periodical and independent student organization. Since its founding, the organization has published weekly editions during the academic year featuring news articles, opinion columns, humor articles, photographs, advertisements, and other materials. This content documents life at the School of Law, as well as student perspectives of the law and the broader world around them.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["In 1948, students at the University of Virginia School of Law founded the Virginia Law Weekly, a periodical and independent student organization. Since its founding, the organization has published weekly editions during the academic year featuring news articles, opinion columns, humor articles, photographs, advertisements, and other materials. This content documents life at the School of Law, as well as student perspectives of the law and the broader world around them."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection does not contain copies of the Virginia Law Weekly publication. Researchers can find issues of the Virginia Law Weekly in the following collection at the University of Virginia's Law Library: Virginia Law Weekly, RG-32-511.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This collection does not contain copies of the Virginia Law Weekly publication. Researchers can find issues of the Virginia Law Weekly in the following collection at the University of Virginia's Law Library: Virginia Law Weekly, RG-32-511."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of the Virginia Law Weekly's organizational records including founding documents, correspondence, and digital media. It also contains photographic prints, negatives, and contact sheets used in the production of the Virginia Law Weekly.\u003c/p\u003e\n","\u003cp\u003eThe University of Virginia Law Library made digital copies of many of the photographic items in this collection.\u003c/p\u003e","\u003cp\u003eThis series consists of an accession of records (RG 204-79) from the office of the Virginia Law Weekly that contains the Virginia Law Weekly Constitution (1960); a prospectus written by the first editor, Edgar Jones in August 1948; 318 photographs; contact sheets and negatives; and letters from Virginia Law Weekly alums.\u003c/p\u003e","\u003cp\u003eThis series consists of an accession of records (RG 204-80) from the office of the Virginia Law Weekly that contains photographic negatives that were on file in the office of the Virginia Law Weekly.\u003c/p\u003e","\u003cp\u003eThis series consists of an accession of records (RG 204-83) from the office of the Virginia Law Weekly that contains photographs and negatives. It also contains digital copies of photographic materials from accession RG 204-83.\u003c/p\u003e","\u003cp\u003eThis series consists of an accession of records (RG 204-96) from the office of the Virginia Law Weekly that contains photographs and negatives. It also includes digital copies of photographic materials from accession RG 204-96.\u003c/p\u003e","\u003cp\u003eThis series consists of an accession of records (RG 204-09-01 and RG 204-09-02) from the office of the Virginia Law Weekly that contains photographs, and old cartoon, an addressgraph file cabinet, some documents and floppy discs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of the Virginia Law Weekly's organizational records including founding documents, correspondence, and digital media. It also contains photographic prints, negatives, and contact sheets used in the production of the Virginia Law Weekly.","The University of Virginia Law Library made digital copies of many of the photographic items in this collection.","This series consists of an accession of records (RG 204-79) from the office of the Virginia Law Weekly that contains the Virginia Law Weekly Constitution (1960); a prospectus written by the first editor, Edgar Jones in August 1948; 318 photographs; contact sheets and negatives; and letters from Virginia Law Weekly alums.","This series consists of an accession of records (RG 204-80) from the office of the Virginia Law Weekly that contains photographic negatives that were on file in the office of the Virginia Law Weekly.","This series consists of an accession of records (RG 204-83) from the office of the Virginia Law Weekly that contains photographs and negatives. It also contains digital copies of photographic materials from accession RG 204-83.","This series consists of an accession of records (RG 204-96) from the office of the Virginia Law Weekly that contains photographs and negatives. It also includes digital copies of photographic materials from accession RG 204-96.","This series consists of an accession of records (RG 204-09-01 and RG 204-09-02) from the office of the Virginia Law Weekly that contains photographs, and old cartoon, an addressgraph file cabinet, some documents and floppy discs."],"userestrict_html_tesm":["\u003cp\u003eThe Virginia Law Weekly, an independent student organization, published the materials in this collection. It owns the copyright to any content that is not yet in the public domain or was licensed from another party. Individuals who wish to re-publish copyright-protected content will need to seek permission from the party or parties that own it.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Virginia Law Weekly, an independent student organization, published the materials in this collection. It owns the copyright to any content that is not yet in the public domain or was licensed from another party. Individuals who wish to re-publish copyright-protected content will need to seek permission from the party or parties that own it."],"names_ssim":["Arthur J. Morris Law Library Special Collections"],"corpname_ssim":["Arthur J. Morris Law Library Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5,"online_item_count_is":8,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:26:20.177Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_4_resources_782_c01"}},{"id":"viu_repositories_3_resources_1440","type":"collection","attributes":{"title":"American Rhododendron Society Records","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1440#creator","type":"document_value","attributes":{"value":"American Rhododendron Society","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1440#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of the records of the Mid-Atlantic Chapter of the American Rhododendron Society. Correspondence, minutes, newsletters, and photographs pertaining to various activities of the chapter. The additions to this collection include information about regional chapters other than the Mid-Atlantic Chapter.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1440#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1440","ead_ssi":"viu_repositories_3_resources_1440","_root_":"viu_repositories_3_resources_1440","_nest_parent_":"viu_repositories_3_resources_1440","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1440.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/146627","title_filing_ssi":"American Rhododendron Society Records","title_ssm":["American Rhododendron Society Records"],"title_tesim":["American Rhododendron Society Records"],"unitdate_ssm":["1927-2022"],"unitdate_inclusive_ssm":["1927-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":[" MSS 10553","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1440"],"text":[" MSS 10553","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1440","American Rhododendron Society Records","Gardens","Newsletters","The collection is open for research use.","This collection is open and minimally processed.","The collection is open for research use.","Archive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can be viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists.   ","Due to their nature, archived websites and webpages do not have the same search functionality as do live websites. Users will not be able to search for content within the scanned documents in the archived site.","The original order of the collection has been maintained, with some modifications. General correspondence files interspersed with separate files on meetings of the Middle Atlantic Chapter, as well as regional and national meetings of the American Rhododendron Society, comprise the bulk of the collection. Also included are minutes of the national organization. Addition 3 contains newsletters of chapters from across the country in 2022. Material within all folders is arranged chronologically.","The American Rhododendron Society was founded in  1944  as an organization for amateur and professional growers of rhododendrons and azaleas. The organization conducts research, offers courses, compiles statistics, registers names of new clonal selections, and sponsors competitions. National meetings are held annually, usually in April or May.","The American Rhododendron Society was founded in  1944  as an organization for amateur and professional growers of rhododendrons and azaleas. The organization conducts research, offers courses, compiles statistics, registers names of new clonal selections, and sponsors competitions. National meetings are held annually, usually in April or May.","\"Dr. Henry Thomas Skinner was born in England in 1907 and died in the U.S. in 1984. He was married to Anna M. Wood. He studied at the Wisley School of the Royal Horticulural Society, then came to the U.S. in 1927, where he obtained a B.Sc. from Cornell University in 1936; M.S. from the University of Pennsylvania in 1938; and Ph.D. from Pennsylvania in 1952. He was curator of the Morris Arboretum from 1940-1943 and from 1945-1952, his work there having been interrupted by service in the USAAF in World War II from 1943-1945.He was director of the U.S. National Arboretum in Washington, D.C. from 1952-1973.","Dr. Skinner served the plant community in many ways through work and committees during his lifetime, a prime example of this being his development of the U.S.D.A. Hardiness Zone Map. He served as president of several plant organizations including the American Association of Botanic Gardens and Arboreta (1947), American Horticultural Society (1962-63), and vice president of the Royal Horticultural Society (1973-1984). He was the recipient of numerous awards, including the prestigious Arthur Hoyt Scott Horticultural Medal (1963); Gold Medal, American Rhododendron Society (1965); Liberty Hyde Bailey Medal, American Horticultural Society (1972); Gold Medal, Massachusetts Horticultural Society (1973); and the Royal Horticultural Society's Veitch Medal was presented to R.W. Skinner, a nephew, on behalf of Dr. Skinner (1983).\"","Reference List:","McDonald, S. (2005, September 7). Introduction. Azaleas.lib.virginia.edu. https://azaleas.lib.virginia.edu/introduction.html ","This finding aid was created for creating access to recent and future additions.","Captured once on September 18, 2023.","The guides for original acquisition and previous additions can be found in the online catalog.","Original guides to collection - \nMSS 10553 - https://search.lib.virginia.edu/sources/uva_library/items/u1750298\nMSS 10553-a - https://search.lib.virginia.edu/sources/uva_library/items/u1750303","Guides for previous additions with the collection numbers MSS 10553-b through MSS 10553-bu can be found in the catalog","This collection consists of the records of the  Mid-Atlantic Chapter of the American Rhododendron Society . Correspondence, minutes, newsletters, and photographs pertaining to various activities of the chapter. The additions to this collection include information about regional chapters other than the Mid-Atlantic Chapter.","A major portion of the records deals with the administration of the Mid-Atlantic Chapter, such as the election of officers, finances, and programs for annual meetings. Minutes, newsletters of various chapters, inventories, catalogs, logbooks and studies of various members, printed articles, maps, and obituaries are also present. ","The correspondence pertains to the registration of new hybrids, seed exchange, research on rhododendrons, publications, and rhododendron gardens. ","This addition is minimally processed. Box 1, Series 1: 1. Le-Mac Nursery Material 2. 1937-1938 3. 1938-1939 selected 4. 1939-1940 selected 5. 1940+1941 selected 6. 1940, 1941 selected 7. 1942 selected WWII 8.1942-1943 selected WWII 9. 943-1944 selected WWII 10. 1943-1944 selected mostly brokers WWII 11. 1945-6 postwar invoice selected 12. 1945-1946 selected 13. 1949-1950 Dr. Thomas Wheeldon was founder of the Middle-Atlantic chapter of ARS 14. 1950-1951 some become MAC-ARS members 15. 1953-1954 16. 1956-1957 17. 1957-1958 selected 18. 1958-1959 19. 1962— 20. 1965-1966 21. 1967-1968 22. 1970-1971 selected 23. 1976-1979 selected 24. 1979-1980 25. 1980-1981 26. 1982-1983 customers (Selected by Ken before he died) 27. 1984-1985 customers 28. MAC fall meeting 2003 29. MAC 50th anniversary 2002 30. Untitled folder 31. Le-Mac plant orders - famous nurseries 32. Le-Mac nurseries, misc. - Kenneth McDonald (Sr.) story + nursery misc. 33. People with ARS connections - 1973 and later 34. Early seed + plant acquisitions by Le-Mac about 1927-1945 35. Henry A. Dreer early orders 36. Early seed, plant, etc orders 1927— 37. Misc. papers - early days -\u003e selected by Ken 38. Jacques Legendre - selected: original partner with Kenneth McDonald Sr. at Le-Mac Legendre later founded Gulf Stream Nursery with Bob Talley 39. McD GC. / Le-Mac / Personal 40. 1929-1934 Plants ordered from Europe etc - corresponding to some catalogues in catalogue file 41. 1929-1932 42. 1931-1932 43. 1932-1933 44. 1934, 1935 45. 1934, 1935, 1936 selected 46. 1936-1937 selected 47. MAC very old newsletters 48. Catalogues M 49. Catalogues N 50. Catalogues O P 51. Catalogues Q R 52. Catalogues S 53. Catalogues T","Box 2, Series 1: Le-Mac Nursery Material contd. 54. Plant catalogues - loose / misc. 55. Plant catalogues - loose / misc. 56. Plant patents with common names 57. Le-Mac deeds 58. Le-Mac deeds 59. Waivers + consent 60. Le Mac stock boy back 1990 61. Untitled 62. Sept 28, 1978 - March 16, 1995 minutes of Le-Mac nurseries, June 63. Minutes book 1 (book, not folder) 64. Minutes book 2 (book, not folder) Series 2: Kenneth McDonald 65. MAC / ARS Meetings 66. ASA 67. Harry Wise Silver 68. The Azalea Society of America (ASA) - misc 69. Miscellaneous azalea and rhododendron booklets 70. Dr. Wheeldon MAC old correspondence 71. Misc. Kenneth McDonald Jr papers - box 1 72. Awards 73. Awards 2001 74. Spring 2003 awards 75. Awards fall 2004 76. MAC miscellaneous meetings 1997, 1999, 2000, 2002, 2003 77. ROY (Rhododendron of the Year) 78. Misc correspondence 79. Correspondence re: UVA 80. Austin C. Kennell copies 81. Don Hyatt 82. Ken - budged + finance comm. 83. Bill Bedwell award of merit","Box 3, Series 2: Kenneth McDonald contd. 84. Silver Medal Norman + Jean Brady 85. District 9 Directors Ken McD + Don Voss 86. Gregory Bald project (aerial photo) 87. MAC ARS Meetings 88. MAC ARS convention 1988 89. Society membership decline 90. Misc. correspondence 91. Misc papers - K. McDonald Series 3: Rhododendron Society material 92. JARS content problem re: change to 50% how-to 93. ARS editorial committee 2004 94. ARS ED COM 2005 95. ED COM 2006 96. ED COM 2007 97. ED COM 2008-2016 98. Obits + Bios 99. Correspondence and miscellaneous 100. Stubbs, Kendon Skinner website 101. MAC History - by Theresa Brent 102. Hurricane Isabel Sept 2003 + MAC members + Jean in Nova Scotia 103. Wise, Harry 104. Wheeldon, Gladys 105. Voss, Don 106. MAC Voss - ed com 107. Spady, Betty speakers + elections N/C 108. Schepker, Hartwig - Christine Glevewenhil[sp?] Gregory Bald filming project 109. Saver, Debby (+David) 110. Sandwich club 111. Dorothy Robinson 112. Ring, George 113. Reilly, Ed 114. Sybil Przypek 115. Pelurie, Frank 116. Nelson, Sonja 117. Murray, Jay 118. Ron Miller 119. Miller, Bill 120. McLellon, George 121. McCollough, Mike 122. Inskip, Jim 123. Hyatt, John 124. Haywood, Mavis 125. Hammond, Jolin 126. Gehnrich, Bud (Herman C. Gehnrich) 127. Donovan, Ian 128. Creel, Mike new og species 129. Cox, Peter 130. Brooks, Dick service + obit 131. Bedwell, Bill 132. Andruczyk, Mike 133. Arsen, Frank 134. American Rhododendron Society (ARS) conventions + newsletters - general and Canada branches 135. Assorted ARS newsletters - Middle Atlantic + NY Chapters 136. \"The Rosebay\" MA ARA Chapter newsletters 137. ARS newsletters - Piedmont, Philadelphia, Susquehanna Valley chapters + NE Regional + SE Chapter 138. 1999 ARS Eastern Regional Meeting 139. Assorted ARS national conventions (DC, Portland OR) 140. ARS \"news and notes\" Mid-Atlantic Branch","Box 4, Series 4: Trade Catalogues 18 folders containing trade plant catalogues from various nurseries ","This addition to MSS 10553, American Rhododendron Society Papers (Records), contains newsletters of the American Rhododendron Society (ARS), primarily from 2019 to 2021. The newsletters document various regional chapters across the United States and British Columbia, Canada, Oregon, California, New York, Massachusetts, Pennsylvania, Washington, Hawaii, and Maryland. Titles include Rhododendron News, The Blue Ridge Review, Macrophyllum, Viva Vireya, Cal Chapter News, Rhody Runner, Mid-Atlantic  Rhododendron News and Notes, and AtlanticRhodo. Also included are the \"Azalea Blooms\" newsletter, the Azalea Chapter of the American Rhododendron Society, and the Mason-Dixon Chapters from 2017 to 2019.","This addition of the American Rhododendron Society Records contains newsletters from various chapters across the United States and British Columbia, Canada in 2022. States include Oregon, California, New York, Massachusetts, Pennsylvania, Washington, and Hawaii. The newsletters are arranged by chapter and then by date. ","Of interest, many of the newsletters mention that people were still meeting online on Zoom due to the Covid pandemic. ","Newsletters in Folder 1 include the Midwest Chapter (The Rootball e-news), North Island (The Rhodoteller), Atlantic Rhododendron and Horticulture Society (Atlantic Rhodo), and the Azalea Chapter (Azalea Blooms).","Newsletters for Chapters in Folder 2 include Portland Chapter (Rhododendron News), Mid-Atlantic Rhododendron News \u0026 Notes, Viva Vireya (Hawaii), Macrophyllum Siustaw Chapter, Greater Philadelphia Chapter (RhodoGravure), SouthEastern Chapter (The Blue Ridge View), Willamette Chapter (California and Northwest), Mount Arrowsmith Chapter (The Rhodovine).","Newsletters for Chapters in Folder 3 include Pilchuck Polinator (Washington State), Eureka Chapter (California), Tacoma Chapter, and Cowichan Valley Chapter. Also included are Massachusetts, and Potomac Valley in Pennsylvania.","Some of the newsletters have a complete run for 2022 and others are missing some months. Some chapters, like the Midwest chapter, have one newsletter in this collection, while others have monthly newsletters, like Mount Arrowsmith and Azalea.","Some newsletters are original, and others appear to be photocopies. It is hard to determine which are photocopies since the originals may have been copies.","The newsletters describe local events, articles about rhododendrons and azaleas, presentations, photographs, and quotes from poets about flowers including William Wordsworth and Alfred Tennyson.","This series contains archived webpages about Dr. Henry T. Skinner's 1951 trip through the southeastern and eastern United States, during which he collected samples and recorded descriptions of various rhododendtron species. The archived website includes images of the two-volume, hand-written Record Book and Notes of Routes, with transcriptions, and images of the list of the Native Azaleas, as well as notes on the expense book that he kept during his travels. The Record Book and Notes of Routes provide the day-to-day detailed record in the field of what Dr. Skinner was discovering in 1951. This website also includes a transcription of an article that Dr. Skinner published in 1955 entitled, \"In Search of Native Azaleas\", and recent photographs of the various species of native azaleas, which were taken in the areas of the southeastern United States that Dr. Skinner visited fifty years ago.","Reference List:","McDonald, S. (2005, September 7). Introduction. Azaleas.lib.virginia.edu. https://azaleas.lib.virginia.edu/introduction.html ","This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials. https://www.library.virginia.edu/special-collections/services/publishing","Albert and Shirley Small Special Collections Library","American Rhododendron Society","Mid-Atlantic Chapter of the American Rhododendron Society","English"],"unitid_tesim":[" MSS 10553","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1440"],"normalized_title_ssm":["American Rhododendron Society Records"],"collection_title_tesim":["American Rhododendron Society Records"],"collection_ssim":["American Rhododendron Society Records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["American Rhododendron Society"],"creator_ssim":["American Rhododendron Society"],"creator_corpname_ssim":["American Rhododendron Society"],"creators_ssim":["American Rhododendron Society"],"access_terms_ssm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials. https://www.library.virginia.edu/special-collections/services/publishing"],"access_subjects_ssim":["Gardens","Newsletters"],"access_subjects_ssm":["Gardens","Newsletters"],"has_online_content_ssim":["true"],"extent_ssm":["100 Cubic Feet","0.1632 Gigabytes"],"extent_tesim":["100 Cubic Feet","0.1632 Gigabytes"],"genreform_ssim":["Newsletters"],"date_range_isim":[1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open and minimally processed.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eArchive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can be viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists.   \u003c/p\u003e\n","\u003cp\u003eDue to their nature, archived websites and webpages do not have the same search functionality as do live websites. Users will not be able to search for content within the scanned documents in the archived site.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Access Note for born-digital materials - Archived webpages"],"accessrestrict_tesim":["The collection is open for research use.","This collection is open and minimally processed.","The collection is open for research use.","Archive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can be viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists.   ","Due to their nature, archived websites and webpages do not have the same search functionality as do live websites. Users will not be able to search for content within the scanned documents in the archived site."],"arrangement_html_tesm":["\u003cp\u003eThe original order of the collection has been maintained, with some modifications. General correspondence files interspersed with separate files on meetings of the Middle Atlantic Chapter, as well as regional and national meetings of the American Rhododendron Society, comprise the bulk of the collection. Also included are minutes of the national organization. Addition 3 contains newsletters of chapters from across the country in 2022. Material within all folders is arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The original order of the collection has been maintained, with some modifications. General correspondence files interspersed with separate files on meetings of the Middle Atlantic Chapter, as well as regional and national meetings of the American Rhododendron Society, comprise the bulk of the collection. Also included are minutes of the national organization. Addition 3 contains newsletters of chapters from across the country in 2022. Material within all folders is arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eThe American Rhododendron Society was founded in \u003cdate\u003e1944\u003c/date\u003e as an organization for amateur and professional growers of rhododendrons and azaleas. The organization conducts research, offers courses, compiles statistics, registers names of new clonal selections, and sponsors competitions. National meetings are held annually, usually in April or May.\u003c/p\u003e","\u003cp\u003eThe American Rhododendron Society was founded in \u003cdate\u003e1944\u003c/date\u003e as an organization for amateur and professional growers of rhododendrons and azaleas. The organization conducts research, offers courses, compiles statistics, registers names of new clonal selections, and sponsors competitions. National meetings are held annually, usually in April or May.\u003c/p\u003e","\u003cp\u003e\"Dr. Henry Thomas Skinner was born in England in 1907 and died in the U.S. in 1984. He was married to Anna M. Wood. He studied at the Wisley School of the Royal Horticulural Society, then came to the U.S. in 1927, where he obtained a B.Sc. from Cornell University in 1936; M.S. from the University of Pennsylvania in 1938; and Ph.D. from Pennsylvania in 1952. He was curator of the Morris Arboretum from 1940-1943 and from 1945-1952, his work there having been interrupted by service in the USAAF in World War II from 1943-1945.He was director of the U.S. National Arboretum in Washington, D.C. from 1952-1973.\u003c/p\u003e\n","\u003cp\u003eDr. Skinner served the plant community in many ways through work and committees during his lifetime, a prime example of this being his development of the U.S.D.A. Hardiness Zone Map. He served as president of several plant organizations including the American Association of Botanic Gardens and Arboreta (1947), American Horticultural Society (1962-63), and vice president of the Royal Horticultural Society (1973-1984). He was the recipient of numerous awards, including the prestigious Arthur Hoyt Scott Horticultural Medal (1963); Gold Medal, American Rhododendron Society (1965); Liberty Hyde Bailey Medal, American Horticultural Society (1972); Gold Medal, Massachusetts Horticultural Society (1973); and the Royal Horticultural Society's Veitch Medal was presented to R.W. Skinner, a nephew, on behalf of Dr. Skinner (1983).\"\u003c/p\u003e\n","\u003cp\u003eReference List:\u003c/p\u003e\n","\u003cp\u003eMcDonald, S. (2005, September 7). Introduction. Azaleas.lib.virginia.edu. https://azaleas.lib.virginia.edu/introduction.html \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["The American Rhododendron Society was founded in  1944  as an organization for amateur and professional growers of rhododendrons and azaleas. The organization conducts research, offers courses, compiles statistics, registers names of new clonal selections, and sponsors competitions. National meetings are held annually, usually in April or May.","The American Rhododendron Society was founded in  1944  as an organization for amateur and professional growers of rhododendrons and azaleas. The organization conducts research, offers courses, compiles statistics, registers names of new clonal selections, and sponsors competitions. National meetings are held annually, usually in April or May.","\"Dr. Henry Thomas Skinner was born in England in 1907 and died in the U.S. in 1984. He was married to Anna M. Wood. He studied at the Wisley School of the Royal Horticulural Society, then came to the U.S. in 1927, where he obtained a B.Sc. from Cornell University in 1936; M.S. from the University of Pennsylvania in 1938; and Ph.D. from Pennsylvania in 1952. He was curator of the Morris Arboretum from 1940-1943 and from 1945-1952, his work there having been interrupted by service in the USAAF in World War II from 1943-1945.He was director of the U.S. National Arboretum in Washington, D.C. from 1952-1973.","Dr. Skinner served the plant community in many ways through work and committees during his lifetime, a prime example of this being his development of the U.S.D.A. Hardiness Zone Map. He served as president of several plant organizations including the American Association of Botanic Gardens and Arboreta (1947), American Horticultural Society (1962-63), and vice president of the Royal Horticultural Society (1973-1984). He was the recipient of numerous awards, including the prestigious Arthur Hoyt Scott Horticultural Medal (1963); Gold Medal, American Rhododendron Society (1965); Liberty Hyde Bailey Medal, American Horticultural Society (1972); Gold Medal, Massachusetts Horticultural Society (1973); and the Royal Horticultural Society's Veitch Medal was presented to R.W. Skinner, a nephew, on behalf of Dr. Skinner (1983).\"","Reference List:","McDonald, S. (2005, September 7). Introduction. Azaleas.lib.virginia.edu. https://azaleas.lib.virginia.edu/introduction.html "],"prefercite_html_tesm":["\u003cp\u003eMSS 10553, American Rhododendron Society Records, Small Special Collections Library, University of Virginia.\u003c/p\u003e","\u003cp\u003eMSS 10553 Addition 3, American Rhododendron Society Records newsletters, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 10553, American Rhododendron Society Records, Small Special Collections Library, University of Virginia.","MSS 10553 Addition 3, American Rhododendron Society Records newsletters, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"processinfo_html_tesm":["\u003cp\u003eThis finding aid was created for creating access to recent and future additions.\u003c/p\u003e","\u003cp\u003eCaptured once on September 18, 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["This finding aid was created for creating access to recent and future additions.","Captured once on September 18, 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe guides for original acquisition and previous additions can be found in the online catalog.\u003c/p\u003e\n","\u003cp\u003eOriginal guides to collection - \nMSS 10553 - https://search.lib.virginia.edu/sources/uva_library/items/u1750298\nMSS 10553-a - https://search.lib.virginia.edu/sources/uva_library/items/u1750303\u003c/p\u003e\n","\u003cp\u003eGuides for previous additions with the collection numbers MSS 10553-b through MSS 10553-bu can be found in the catalog\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The guides for original acquisition and previous additions can be found in the online catalog.","Original guides to collection - \nMSS 10553 - https://search.lib.virginia.edu/sources/uva_library/items/u1750298\nMSS 10553-a - https://search.lib.virginia.edu/sources/uva_library/items/u1750303","Guides for previous additions with the collection numbers MSS 10553-b through MSS 10553-bu can be found in the catalog"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of the records of the \u003ccorpname\u003eMid-Atlantic Chapter of the American Rhododendron Society\u003c/corpname\u003e. Correspondence, minutes, newsletters, and photographs pertaining to various activities of the chapter. The additions to this collection include information about regional chapters other than the Mid-Atlantic Chapter.\u003c/p\u003e\n","\u003cp\u003eA major portion of the records deals with the administration of the Mid-Atlantic Chapter, such as the election of officers, finances, and programs for annual meetings. Minutes, newsletters of various chapters, inventories, catalogs, logbooks and studies of various members, printed articles, maps, and obituaries are also present. \u003c/p\u003e\n","\u003cp\u003eThe correspondence pertains to the registration of new hybrids, seed exchange, research on rhododendrons, publications, and rhododendron gardens. \u003c/p\u003e","\u003cp\u003eThis addition is minimally processed. Box 1, Series 1: 1. Le-Mac Nursery Material 2. 1937-1938 3. 1938-1939 selected 4. 1939-1940 selected 5. 1940+1941 selected 6. 1940, 1941 selected 7. 1942 selected WWII 8.1942-1943 selected WWII 9. 943-1944 selected WWII 10. 1943-1944 selected mostly brokers WWII 11. 1945-6 postwar invoice selected 12. 1945-1946 selected 13. 1949-1950 Dr. Thomas Wheeldon was founder of the Middle-Atlantic chapter of ARS 14. 1950-1951 some become MAC-ARS members 15. 1953-1954 16. 1956-1957 17. 1957-1958 selected 18. 1958-1959 19. 1962— 20. 1965-1966 21. 1967-1968 22. 1970-1971 selected 23. 1976-1979 selected 24. 1979-1980 25. 1980-1981 26. 1982-1983 customers (Selected by Ken before he died) 27. 1984-1985 customers 28. MAC fall meeting 2003 29. MAC 50th anniversary 2002 30. Untitled folder 31. Le-Mac plant orders - famous nurseries 32. Le-Mac nurseries, misc. - Kenneth McDonald (Sr.) story + nursery misc. 33. People with ARS connections - 1973 and later 34. Early seed + plant acquisitions by Le-Mac about 1927-1945 35. Henry A. Dreer early orders 36. Early seed, plant, etc orders 1927— 37. Misc. papers - early days -\u0026gt; selected by Ken 38. Jacques Legendre - selected: original partner with Kenneth McDonald Sr. at Le-Mac Legendre later founded Gulf Stream Nursery with Bob Talley 39. McD GC. / Le-Mac / Personal 40. 1929-1934 Plants ordered from Europe etc - corresponding to some catalogues in catalogue file 41. 1929-1932 42. 1931-1932 43. 1932-1933 44. 1934, 1935 45. 1934, 1935, 1936 selected 46. 1936-1937 selected 47. MAC very old newsletters 48. Catalogues M 49. Catalogues N 50. Catalogues O P 51. Catalogues Q R 52. Catalogues S 53. Catalogues T\u003c/p\u003e\n","\u003cp\u003eBox 2, Series 1: Le-Mac Nursery Material contd. 54. Plant catalogues - loose / misc. 55. Plant catalogues - loose / misc. 56. Plant patents with common names 57. Le-Mac deeds 58. Le-Mac deeds 59. Waivers + consent 60. Le Mac stock boy back 1990 61. Untitled 62. Sept 28, 1978 - March 16, 1995 minutes of Le-Mac nurseries, June 63. Minutes book 1 (book, not folder) 64. Minutes book 2 (book, not folder) Series 2: Kenneth McDonald 65. MAC / ARS Meetings 66. ASA 67. Harry Wise Silver 68. The Azalea Society of America (ASA) - misc 69. Miscellaneous azalea and rhododendron booklets 70. Dr. Wheeldon MAC old correspondence 71. Misc. Kenneth McDonald Jr papers - box 1 72. Awards 73. Awards 2001 74. Spring 2003 awards 75. Awards fall 2004 76. MAC miscellaneous meetings 1997, 1999, 2000, 2002, 2003 77. ROY (Rhododendron of the Year) 78. Misc correspondence 79. Correspondence re: UVA 80. Austin C. Kennell copies 81. Don Hyatt 82. Ken - budged + finance comm. 83. Bill Bedwell award of merit\u003c/p\u003e\n","\u003cp\u003eBox 3, Series 2: Kenneth McDonald contd. 84. Silver Medal Norman + Jean Brady 85. District 9 Directors Ken McD + Don Voss 86. Gregory Bald project (aerial photo) 87. MAC ARS Meetings 88. MAC ARS convention 1988 89. Society membership decline 90. Misc. correspondence 91. Misc papers - K. McDonald Series 3: Rhododendron Society material 92. JARS content problem re: change to 50% how-to 93. ARS editorial committee 2004 94. ARS ED COM 2005 95. ED COM 2006 96. ED COM 2007 97. ED COM 2008-2016 98. Obits + Bios 99. Correspondence and miscellaneous 100. Stubbs, Kendon Skinner website 101. MAC History - by Theresa Brent 102. Hurricane Isabel Sept 2003 + MAC members + Jean in Nova Scotia 103. Wise, Harry 104. Wheeldon, Gladys 105. Voss, Don 106. MAC Voss - ed com 107. Spady, Betty speakers + elections N/C 108. Schepker, Hartwig - Christine Glevewenhil[sp?] Gregory Bald filming project 109. Saver, Debby (+David) 110. Sandwich club 111. Dorothy Robinson 112. Ring, George 113. Reilly, Ed 114. Sybil Przypek 115. Pelurie, Frank 116. Nelson, Sonja 117. Murray, Jay 118. Ron Miller 119. Miller, Bill 120. McLellon, George 121. McCollough, Mike 122. Inskip, Jim 123. Hyatt, John 124. Haywood, Mavis 125. Hammond, Jolin 126. Gehnrich, Bud (Herman C. Gehnrich) 127. Donovan, Ian 128. Creel, Mike new og species 129. Cox, Peter 130. Brooks, Dick service + obit 131. Bedwell, Bill 132. Andruczyk, Mike 133. Arsen, Frank 134. American Rhododendron Society (ARS) conventions + newsletters - general and Canada branches 135. Assorted ARS newsletters - Middle Atlantic + NY Chapters 136. \"The Rosebay\" MA ARA Chapter newsletters 137. ARS newsletters - Piedmont, Philadelphia, Susquehanna Valley chapters + NE Regional + SE Chapter 138. 1999 ARS Eastern Regional Meeting 139. Assorted ARS national conventions (DC, Portland OR) 140. ARS \"news and notes\" Mid-Atlantic Branch\u003c/p\u003e\n","\u003cp\u003eBox 4, Series 4: Trade Catalogues 18 folders containing trade plant catalogues from various nurseries \u003c/p\u003e","\u003cp\u003eThis addition to MSS 10553, American Rhododendron Society Papers (Records), contains newsletters of the American Rhododendron Society (ARS), primarily from 2019 to 2021. The newsletters document various regional chapters across the United States and British Columbia, Canada, Oregon, California, New York, Massachusetts, Pennsylvania, Washington, Hawaii, and Maryland. Titles include Rhododendron News, The Blue Ridge Review, Macrophyllum, Viva Vireya, Cal Chapter News, Rhody Runner, Mid-Atlantic  Rhododendron News and Notes, and AtlanticRhodo. Also included are the \"Azalea Blooms\" newsletter, the Azalea Chapter of the American Rhododendron Society, and the Mason-Dixon Chapters from 2017 to 2019.\u003c/p\u003e","\u003cp\u003eThis addition of the American Rhododendron Society Records contains newsletters from various chapters across the United States and British Columbia, Canada in 2022. States include Oregon, California, New York, Massachusetts, Pennsylvania, Washington, and Hawaii. The newsletters are arranged by chapter and then by date. \u003c/p\u003e\n","\u003cp\u003eOf interest, many of the newsletters mention that people were still meeting online on Zoom due to the Covid pandemic. \u003c/p\u003e\n","\u003cp\u003eNewsletters in Folder 1 include the Midwest Chapter (The Rootball e-news), North Island (The Rhodoteller), Atlantic Rhododendron and Horticulture Society (Atlantic Rhodo), and the Azalea Chapter (Azalea Blooms).\u003c/p\u003e\n","\u003cp\u003eNewsletters for Chapters in Folder 2 include Portland Chapter (Rhododendron News), Mid-Atlantic Rhododendron News \u0026amp; Notes, Viva Vireya (Hawaii), Macrophyllum Siustaw Chapter, Greater Philadelphia Chapter (RhodoGravure), SouthEastern Chapter (The Blue Ridge View), Willamette Chapter (California and Northwest), Mount Arrowsmith Chapter (The Rhodovine).\u003c/p\u003e\n","\u003cp\u003eNewsletters for Chapters in Folder 3 include Pilchuck Polinator (Washington State), Eureka Chapter (California), Tacoma Chapter, and Cowichan Valley Chapter. Also included are Massachusetts, and Potomac Valley in Pennsylvania.\u003c/p\u003e\n","\u003cp\u003eSome of the newsletters have a complete run for 2022 and others are missing some months. Some chapters, like the Midwest chapter, have one newsletter in this collection, while others have monthly newsletters, like Mount Arrowsmith and Azalea.\u003c/p\u003e\n","\u003cp\u003eSome newsletters are original, and others appear to be photocopies. It is hard to determine which are photocopies since the originals may have been copies.\u003c/p\u003e\n","\u003cp\u003eThe newsletters describe local events, articles about rhododendrons and azaleas, presentations, photographs, and quotes from poets about flowers including William Wordsworth and Alfred Tennyson.\u003c/p\u003e","\u003cp\u003eThis series contains archived webpages about Dr. Henry T. Skinner's 1951 trip through the southeastern and eastern United States, during which he collected samples and recorded descriptions of various rhododendtron species. The archived website includes images of the two-volume, hand-written Record Book and Notes of Routes, with transcriptions, and images of the list of the Native Azaleas, as well as notes on the expense book that he kept during his travels. The Record Book and Notes of Routes provide the day-to-day detailed record in the field of what Dr. Skinner was discovering in 1951. This website also includes a transcription of an article that Dr. Skinner published in 1955 entitled, \"In Search of Native Azaleas\", and recent photographs of the various species of native azaleas, which were taken in the areas of the southeastern United States that Dr. Skinner visited fifty years ago.\u003c/p\u003e\n","\u003cp\u003eReference List:\u003c/p\u003e\n","\u003cp\u003eMcDonald, S. (2005, September 7). Introduction. Azaleas.lib.virginia.edu. https://azaleas.lib.virginia.edu/introduction.html \u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of the records of the  Mid-Atlantic Chapter of the American Rhododendron Society . Correspondence, minutes, newsletters, and photographs pertaining to various activities of the chapter. The additions to this collection include information about regional chapters other than the Mid-Atlantic Chapter.","A major portion of the records deals with the administration of the Mid-Atlantic Chapter, such as the election of officers, finances, and programs for annual meetings. Minutes, newsletters of various chapters, inventories, catalogs, logbooks and studies of various members, printed articles, maps, and obituaries are also present. ","The correspondence pertains to the registration of new hybrids, seed exchange, research on rhododendrons, publications, and rhododendron gardens. ","This addition is minimally processed. Box 1, Series 1: 1. Le-Mac Nursery Material 2. 1937-1938 3. 1938-1939 selected 4. 1939-1940 selected 5. 1940+1941 selected 6. 1940, 1941 selected 7. 1942 selected WWII 8.1942-1943 selected WWII 9. 943-1944 selected WWII 10. 1943-1944 selected mostly brokers WWII 11. 1945-6 postwar invoice selected 12. 1945-1946 selected 13. 1949-1950 Dr. Thomas Wheeldon was founder of the Middle-Atlantic chapter of ARS 14. 1950-1951 some become MAC-ARS members 15. 1953-1954 16. 1956-1957 17. 1957-1958 selected 18. 1958-1959 19. 1962— 20. 1965-1966 21. 1967-1968 22. 1970-1971 selected 23. 1976-1979 selected 24. 1979-1980 25. 1980-1981 26. 1982-1983 customers (Selected by Ken before he died) 27. 1984-1985 customers 28. MAC fall meeting 2003 29. MAC 50th anniversary 2002 30. Untitled folder 31. Le-Mac plant orders - famous nurseries 32. Le-Mac nurseries, misc. - Kenneth McDonald (Sr.) story + nursery misc. 33. People with ARS connections - 1973 and later 34. Early seed + plant acquisitions by Le-Mac about 1927-1945 35. Henry A. Dreer early orders 36. Early seed, plant, etc orders 1927— 37. Misc. papers - early days -\u003e selected by Ken 38. Jacques Legendre - selected: original partner with Kenneth McDonald Sr. at Le-Mac Legendre later founded Gulf Stream Nursery with Bob Talley 39. McD GC. / Le-Mac / Personal 40. 1929-1934 Plants ordered from Europe etc - corresponding to some catalogues in catalogue file 41. 1929-1932 42. 1931-1932 43. 1932-1933 44. 1934, 1935 45. 1934, 1935, 1936 selected 46. 1936-1937 selected 47. MAC very old newsletters 48. Catalogues M 49. Catalogues N 50. Catalogues O P 51. Catalogues Q R 52. Catalogues S 53. Catalogues T","Box 2, Series 1: Le-Mac Nursery Material contd. 54. Plant catalogues - loose / misc. 55. Plant catalogues - loose / misc. 56. Plant patents with common names 57. Le-Mac deeds 58. Le-Mac deeds 59. Waivers + consent 60. Le Mac stock boy back 1990 61. Untitled 62. Sept 28, 1978 - March 16, 1995 minutes of Le-Mac nurseries, June 63. Minutes book 1 (book, not folder) 64. Minutes book 2 (book, not folder) Series 2: Kenneth McDonald 65. MAC / ARS Meetings 66. ASA 67. Harry Wise Silver 68. The Azalea Society of America (ASA) - misc 69. Miscellaneous azalea and rhododendron booklets 70. Dr. Wheeldon MAC old correspondence 71. Misc. Kenneth McDonald Jr papers - box 1 72. Awards 73. Awards 2001 74. Spring 2003 awards 75. Awards fall 2004 76. MAC miscellaneous meetings 1997, 1999, 2000, 2002, 2003 77. ROY (Rhododendron of the Year) 78. Misc correspondence 79. Correspondence re: UVA 80. Austin C. Kennell copies 81. Don Hyatt 82. Ken - budged + finance comm. 83. Bill Bedwell award of merit","Box 3, Series 2: Kenneth McDonald contd. 84. Silver Medal Norman + Jean Brady 85. District 9 Directors Ken McD + Don Voss 86. Gregory Bald project (aerial photo) 87. MAC ARS Meetings 88. MAC ARS convention 1988 89. Society membership decline 90. Misc. correspondence 91. Misc papers - K. McDonald Series 3: Rhododendron Society material 92. JARS content problem re: change to 50% how-to 93. ARS editorial committee 2004 94. ARS ED COM 2005 95. ED COM 2006 96. ED COM 2007 97. ED COM 2008-2016 98. Obits + Bios 99. Correspondence and miscellaneous 100. Stubbs, Kendon Skinner website 101. MAC History - by Theresa Brent 102. Hurricane Isabel Sept 2003 + MAC members + Jean in Nova Scotia 103. Wise, Harry 104. Wheeldon, Gladys 105. Voss, Don 106. MAC Voss - ed com 107. Spady, Betty speakers + elections N/C 108. Schepker, Hartwig - Christine Glevewenhil[sp?] Gregory Bald filming project 109. Saver, Debby (+David) 110. Sandwich club 111. Dorothy Robinson 112. Ring, George 113. Reilly, Ed 114. Sybil Przypek 115. Pelurie, Frank 116. Nelson, Sonja 117. Murray, Jay 118. Ron Miller 119. Miller, Bill 120. McLellon, George 121. McCollough, Mike 122. Inskip, Jim 123. Hyatt, John 124. Haywood, Mavis 125. Hammond, Jolin 126. Gehnrich, Bud (Herman C. Gehnrich) 127. Donovan, Ian 128. Creel, Mike new og species 129. Cox, Peter 130. Brooks, Dick service + obit 131. Bedwell, Bill 132. Andruczyk, Mike 133. Arsen, Frank 134. American Rhododendron Society (ARS) conventions + newsletters - general and Canada branches 135. Assorted ARS newsletters - Middle Atlantic + NY Chapters 136. \"The Rosebay\" MA ARA Chapter newsletters 137. ARS newsletters - Piedmont, Philadelphia, Susquehanna Valley chapters + NE Regional + SE Chapter 138. 1999 ARS Eastern Regional Meeting 139. Assorted ARS national conventions (DC, Portland OR) 140. ARS \"news and notes\" Mid-Atlantic Branch","Box 4, Series 4: Trade Catalogues 18 folders containing trade plant catalogues from various nurseries ","This addition to MSS 10553, American Rhododendron Society Papers (Records), contains newsletters of the American Rhododendron Society (ARS), primarily from 2019 to 2021. The newsletters document various regional chapters across the United States and British Columbia, Canada, Oregon, California, New York, Massachusetts, Pennsylvania, Washington, Hawaii, and Maryland. Titles include Rhododendron News, The Blue Ridge Review, Macrophyllum, Viva Vireya, Cal Chapter News, Rhody Runner, Mid-Atlantic  Rhododendron News and Notes, and AtlanticRhodo. Also included are the \"Azalea Blooms\" newsletter, the Azalea Chapter of the American Rhododendron Society, and the Mason-Dixon Chapters from 2017 to 2019.","This addition of the American Rhododendron Society Records contains newsletters from various chapters across the United States and British Columbia, Canada in 2022. States include Oregon, California, New York, Massachusetts, Pennsylvania, Washington, and Hawaii. The newsletters are arranged by chapter and then by date. ","Of interest, many of the newsletters mention that people were still meeting online on Zoom due to the Covid pandemic. ","Newsletters in Folder 1 include the Midwest Chapter (The Rootball e-news), North Island (The Rhodoteller), Atlantic Rhododendron and Horticulture Society (Atlantic Rhodo), and the Azalea Chapter (Azalea Blooms).","Newsletters for Chapters in Folder 2 include Portland Chapter (Rhododendron News), Mid-Atlantic Rhododendron News \u0026 Notes, Viva Vireya (Hawaii), Macrophyllum Siustaw Chapter, Greater Philadelphia Chapter (RhodoGravure), SouthEastern Chapter (The Blue Ridge View), Willamette Chapter (California and Northwest), Mount Arrowsmith Chapter (The Rhodovine).","Newsletters for Chapters in Folder 3 include Pilchuck Polinator (Washington State), Eureka Chapter (California), Tacoma Chapter, and Cowichan Valley Chapter. Also included are Massachusetts, and Potomac Valley in Pennsylvania.","Some of the newsletters have a complete run for 2022 and others are missing some months. Some chapters, like the Midwest chapter, have one newsletter in this collection, while others have monthly newsletters, like Mount Arrowsmith and Azalea.","Some newsletters are original, and others appear to be photocopies. It is hard to determine which are photocopies since the originals may have been copies.","The newsletters describe local events, articles about rhododendrons and azaleas, presentations, photographs, and quotes from poets about flowers including William Wordsworth and Alfred Tennyson.","This series contains archived webpages about Dr. Henry T. Skinner's 1951 trip through the southeastern and eastern United States, during which he collected samples and recorded descriptions of various rhododendtron species. The archived website includes images of the two-volume, hand-written Record Book and Notes of Routes, with transcriptions, and images of the list of the Native Azaleas, as well as notes on the expense book that he kept during his travels. The Record Book and Notes of Routes provide the day-to-day detailed record in the field of what Dr. Skinner was discovering in 1951. This website also includes a transcription of an article that Dr. Skinner published in 1955 entitled, \"In Search of Native Azaleas\", and recent photographs of the various species of native azaleas, which were taken in the areas of the southeastern United States that Dr. Skinner visited fifty years ago.","Reference List:","McDonald, S. (2005, September 7). Introduction. Azaleas.lib.virginia.edu. https://azaleas.lib.virginia.edu/introduction.html "],"userestrict_html_tesm":["\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials. https://www.library.virginia.edu/special-collections/services/publishing\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright"],"userestrict_tesim":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials. https://www.library.virginia.edu/special-collections/services/publishing"],"names_ssim":["Albert and Shirley Small Special Collections Library","American Rhododendron Society","Mid-Atlantic Chapter of the American Rhododendron Society"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","American Rhododendron Society","Mid-Atlantic Chapter of the American Rhododendron Society"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":43,"online_item_count_is":1,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:52:00.356Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1440","ead_ssi":"viu_repositories_3_resources_1440","_root_":"viu_repositories_3_resources_1440","_nest_parent_":"viu_repositories_3_resources_1440","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1440.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/146627","title_filing_ssi":"American Rhododendron Society Records","title_ssm":["American Rhododendron Society Records"],"title_tesim":["American Rhododendron Society Records"],"unitdate_ssm":["1927-2022"],"unitdate_inclusive_ssm":["1927-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":[" MSS 10553","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1440"],"text":[" MSS 10553","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1440","American Rhododendron Society Records","Gardens","Newsletters","The collection is open for research use.","This collection is open and minimally processed.","The collection is open for research use.","Archive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can be viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists.   ","Due to their nature, archived websites and webpages do not have the same search functionality as do live websites. Users will not be able to search for content within the scanned documents in the archived site.","The original order of the collection has been maintained, with some modifications. General correspondence files interspersed with separate files on meetings of the Middle Atlantic Chapter, as well as regional and national meetings of the American Rhododendron Society, comprise the bulk of the collection. Also included are minutes of the national organization. Addition 3 contains newsletters of chapters from across the country in 2022. Material within all folders is arranged chronologically.","The American Rhododendron Society was founded in  1944  as an organization for amateur and professional growers of rhododendrons and azaleas. The organization conducts research, offers courses, compiles statistics, registers names of new clonal selections, and sponsors competitions. National meetings are held annually, usually in April or May.","The American Rhododendron Society was founded in  1944  as an organization for amateur and professional growers of rhododendrons and azaleas. The organization conducts research, offers courses, compiles statistics, registers names of new clonal selections, and sponsors competitions. National meetings are held annually, usually in April or May.","\"Dr. Henry Thomas Skinner was born in England in 1907 and died in the U.S. in 1984. He was married to Anna M. Wood. He studied at the Wisley School of the Royal Horticulural Society, then came to the U.S. in 1927, where he obtained a B.Sc. from Cornell University in 1936; M.S. from the University of Pennsylvania in 1938; and Ph.D. from Pennsylvania in 1952. He was curator of the Morris Arboretum from 1940-1943 and from 1945-1952, his work there having been interrupted by service in the USAAF in World War II from 1943-1945.He was director of the U.S. National Arboretum in Washington, D.C. from 1952-1973.","Dr. Skinner served the plant community in many ways through work and committees during his lifetime, a prime example of this being his development of the U.S.D.A. Hardiness Zone Map. He served as president of several plant organizations including the American Association of Botanic Gardens and Arboreta (1947), American Horticultural Society (1962-63), and vice president of the Royal Horticultural Society (1973-1984). He was the recipient of numerous awards, including the prestigious Arthur Hoyt Scott Horticultural Medal (1963); Gold Medal, American Rhododendron Society (1965); Liberty Hyde Bailey Medal, American Horticultural Society (1972); Gold Medal, Massachusetts Horticultural Society (1973); and the Royal Horticultural Society's Veitch Medal was presented to R.W. Skinner, a nephew, on behalf of Dr. Skinner (1983).\"","Reference List:","McDonald, S. (2005, September 7). Introduction. Azaleas.lib.virginia.edu. https://azaleas.lib.virginia.edu/introduction.html ","This finding aid was created for creating access to recent and future additions.","Captured once on September 18, 2023.","The guides for original acquisition and previous additions can be found in the online catalog.","Original guides to collection - \nMSS 10553 - https://search.lib.virginia.edu/sources/uva_library/items/u1750298\nMSS 10553-a - https://search.lib.virginia.edu/sources/uva_library/items/u1750303","Guides for previous additions with the collection numbers MSS 10553-b through MSS 10553-bu can be found in the catalog","This collection consists of the records of the  Mid-Atlantic Chapter of the American Rhododendron Society . Correspondence, minutes, newsletters, and photographs pertaining to various activities of the chapter. The additions to this collection include information about regional chapters other than the Mid-Atlantic Chapter.","A major portion of the records deals with the administration of the Mid-Atlantic Chapter, such as the election of officers, finances, and programs for annual meetings. Minutes, newsletters of various chapters, inventories, catalogs, logbooks and studies of various members, printed articles, maps, and obituaries are also present. ","The correspondence pertains to the registration of new hybrids, seed exchange, research on rhododendrons, publications, and rhododendron gardens. ","This addition is minimally processed. Box 1, Series 1: 1. Le-Mac Nursery Material 2. 1937-1938 3. 1938-1939 selected 4. 1939-1940 selected 5. 1940+1941 selected 6. 1940, 1941 selected 7. 1942 selected WWII 8.1942-1943 selected WWII 9. 943-1944 selected WWII 10. 1943-1944 selected mostly brokers WWII 11. 1945-6 postwar invoice selected 12. 1945-1946 selected 13. 1949-1950 Dr. Thomas Wheeldon was founder of the Middle-Atlantic chapter of ARS 14. 1950-1951 some become MAC-ARS members 15. 1953-1954 16. 1956-1957 17. 1957-1958 selected 18. 1958-1959 19. 1962— 20. 1965-1966 21. 1967-1968 22. 1970-1971 selected 23. 1976-1979 selected 24. 1979-1980 25. 1980-1981 26. 1982-1983 customers (Selected by Ken before he died) 27. 1984-1985 customers 28. MAC fall meeting 2003 29. MAC 50th anniversary 2002 30. Untitled folder 31. Le-Mac plant orders - famous nurseries 32. Le-Mac nurseries, misc. - Kenneth McDonald (Sr.) story + nursery misc. 33. People with ARS connections - 1973 and later 34. Early seed + plant acquisitions by Le-Mac about 1927-1945 35. Henry A. Dreer early orders 36. Early seed, plant, etc orders 1927— 37. Misc. papers - early days -\u003e selected by Ken 38. Jacques Legendre - selected: original partner with Kenneth McDonald Sr. at Le-Mac Legendre later founded Gulf Stream Nursery with Bob Talley 39. McD GC. / Le-Mac / Personal 40. 1929-1934 Plants ordered from Europe etc - corresponding to some catalogues in catalogue file 41. 1929-1932 42. 1931-1932 43. 1932-1933 44. 1934, 1935 45. 1934, 1935, 1936 selected 46. 1936-1937 selected 47. MAC very old newsletters 48. Catalogues M 49. Catalogues N 50. Catalogues O P 51. Catalogues Q R 52. Catalogues S 53. Catalogues T","Box 2, Series 1: Le-Mac Nursery Material contd. 54. Plant catalogues - loose / misc. 55. Plant catalogues - loose / misc. 56. Plant patents with common names 57. Le-Mac deeds 58. Le-Mac deeds 59. Waivers + consent 60. Le Mac stock boy back 1990 61. Untitled 62. Sept 28, 1978 - March 16, 1995 minutes of Le-Mac nurseries, June 63. Minutes book 1 (book, not folder) 64. Minutes book 2 (book, not folder) Series 2: Kenneth McDonald 65. MAC / ARS Meetings 66. ASA 67. Harry Wise Silver 68. The Azalea Society of America (ASA) - misc 69. Miscellaneous azalea and rhododendron booklets 70. Dr. Wheeldon MAC old correspondence 71. Misc. Kenneth McDonald Jr papers - box 1 72. Awards 73. Awards 2001 74. Spring 2003 awards 75. Awards fall 2004 76. MAC miscellaneous meetings 1997, 1999, 2000, 2002, 2003 77. ROY (Rhododendron of the Year) 78. Misc correspondence 79. Correspondence re: UVA 80. Austin C. Kennell copies 81. Don Hyatt 82. Ken - budged + finance comm. 83. Bill Bedwell award of merit","Box 3, Series 2: Kenneth McDonald contd. 84. Silver Medal Norman + Jean Brady 85. District 9 Directors Ken McD + Don Voss 86. Gregory Bald project (aerial photo) 87. MAC ARS Meetings 88. MAC ARS convention 1988 89. Society membership decline 90. Misc. correspondence 91. Misc papers - K. McDonald Series 3: Rhododendron Society material 92. JARS content problem re: change to 50% how-to 93. ARS editorial committee 2004 94. ARS ED COM 2005 95. ED COM 2006 96. ED COM 2007 97. ED COM 2008-2016 98. Obits + Bios 99. Correspondence and miscellaneous 100. Stubbs, Kendon Skinner website 101. MAC History - by Theresa Brent 102. Hurricane Isabel Sept 2003 + MAC members + Jean in Nova Scotia 103. Wise, Harry 104. Wheeldon, Gladys 105. Voss, Don 106. MAC Voss - ed com 107. Spady, Betty speakers + elections N/C 108. Schepker, Hartwig - Christine Glevewenhil[sp?] Gregory Bald filming project 109. Saver, Debby (+David) 110. Sandwich club 111. Dorothy Robinson 112. Ring, George 113. Reilly, Ed 114. Sybil Przypek 115. Pelurie, Frank 116. Nelson, Sonja 117. Murray, Jay 118. Ron Miller 119. Miller, Bill 120. McLellon, George 121. McCollough, Mike 122. Inskip, Jim 123. Hyatt, John 124. Haywood, Mavis 125. Hammond, Jolin 126. Gehnrich, Bud (Herman C. Gehnrich) 127. Donovan, Ian 128. Creel, Mike new og species 129. Cox, Peter 130. Brooks, Dick service + obit 131. Bedwell, Bill 132. Andruczyk, Mike 133. Arsen, Frank 134. American Rhododendron Society (ARS) conventions + newsletters - general and Canada branches 135. Assorted ARS newsletters - Middle Atlantic + NY Chapters 136. \"The Rosebay\" MA ARA Chapter newsletters 137. ARS newsletters - Piedmont, Philadelphia, Susquehanna Valley chapters + NE Regional + SE Chapter 138. 1999 ARS Eastern Regional Meeting 139. Assorted ARS national conventions (DC, Portland OR) 140. ARS \"news and notes\" Mid-Atlantic Branch","Box 4, Series 4: Trade Catalogues 18 folders containing trade plant catalogues from various nurseries ","This addition to MSS 10553, American Rhododendron Society Papers (Records), contains newsletters of the American Rhododendron Society (ARS), primarily from 2019 to 2021. The newsletters document various regional chapters across the United States and British Columbia, Canada, Oregon, California, New York, Massachusetts, Pennsylvania, Washington, Hawaii, and Maryland. Titles include Rhododendron News, The Blue Ridge Review, Macrophyllum, Viva Vireya, Cal Chapter News, Rhody Runner, Mid-Atlantic  Rhododendron News and Notes, and AtlanticRhodo. Also included are the \"Azalea Blooms\" newsletter, the Azalea Chapter of the American Rhododendron Society, and the Mason-Dixon Chapters from 2017 to 2019.","This addition of the American Rhododendron Society Records contains newsletters from various chapters across the United States and British Columbia, Canada in 2022. States include Oregon, California, New York, Massachusetts, Pennsylvania, Washington, and Hawaii. The newsletters are arranged by chapter and then by date. ","Of interest, many of the newsletters mention that people were still meeting online on Zoom due to the Covid pandemic. ","Newsletters in Folder 1 include the Midwest Chapter (The Rootball e-news), North Island (The Rhodoteller), Atlantic Rhododendron and Horticulture Society (Atlantic Rhodo), and the Azalea Chapter (Azalea Blooms).","Newsletters for Chapters in Folder 2 include Portland Chapter (Rhododendron News), Mid-Atlantic Rhododendron News \u0026 Notes, Viva Vireya (Hawaii), Macrophyllum Siustaw Chapter, Greater Philadelphia Chapter (RhodoGravure), SouthEastern Chapter (The Blue Ridge View), Willamette Chapter (California and Northwest), Mount Arrowsmith Chapter (The Rhodovine).","Newsletters for Chapters in Folder 3 include Pilchuck Polinator (Washington State), Eureka Chapter (California), Tacoma Chapter, and Cowichan Valley Chapter. Also included are Massachusetts, and Potomac Valley in Pennsylvania.","Some of the newsletters have a complete run for 2022 and others are missing some months. Some chapters, like the Midwest chapter, have one newsletter in this collection, while others have monthly newsletters, like Mount Arrowsmith and Azalea.","Some newsletters are original, and others appear to be photocopies. It is hard to determine which are photocopies since the originals may have been copies.","The newsletters describe local events, articles about rhododendrons and azaleas, presentations, photographs, and quotes from poets about flowers including William Wordsworth and Alfred Tennyson.","This series contains archived webpages about Dr. Henry T. Skinner's 1951 trip through the southeastern and eastern United States, during which he collected samples and recorded descriptions of various rhododendtron species. The archived website includes images of the two-volume, hand-written Record Book and Notes of Routes, with transcriptions, and images of the list of the Native Azaleas, as well as notes on the expense book that he kept during his travels. The Record Book and Notes of Routes provide the day-to-day detailed record in the field of what Dr. Skinner was discovering in 1951. This website also includes a transcription of an article that Dr. Skinner published in 1955 entitled, \"In Search of Native Azaleas\", and recent photographs of the various species of native azaleas, which were taken in the areas of the southeastern United States that Dr. Skinner visited fifty years ago.","Reference List:","McDonald, S. (2005, September 7). Introduction. Azaleas.lib.virginia.edu. https://azaleas.lib.virginia.edu/introduction.html ","This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials. https://www.library.virginia.edu/special-collections/services/publishing","Albert and Shirley Small Special Collections Library","American Rhododendron Society","Mid-Atlantic Chapter of the American Rhododendron Society","English"],"unitid_tesim":[" MSS 10553","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1440"],"normalized_title_ssm":["American Rhododendron Society Records"],"collection_title_tesim":["American Rhododendron Society Records"],"collection_ssim":["American Rhododendron Society Records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["American Rhododendron Society"],"creator_ssim":["American Rhododendron Society"],"creator_corpname_ssim":["American Rhododendron Society"],"creators_ssim":["American Rhododendron Society"],"access_terms_ssm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials. https://www.library.virginia.edu/special-collections/services/publishing"],"access_subjects_ssim":["Gardens","Newsletters"],"access_subjects_ssm":["Gardens","Newsletters"],"has_online_content_ssim":["true"],"extent_ssm":["100 Cubic Feet","0.1632 Gigabytes"],"extent_tesim":["100 Cubic Feet","0.1632 Gigabytes"],"genreform_ssim":["Newsletters"],"date_range_isim":[1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open and minimally processed.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eArchive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can be viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists.   \u003c/p\u003e\n","\u003cp\u003eDue to their nature, archived websites and webpages do not have the same search functionality as do live websites. Users will not be able to search for content within the scanned documents in the archived site.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Access Note for born-digital materials - Archived webpages"],"accessrestrict_tesim":["The collection is open for research use.","This collection is open and minimally processed.","The collection is open for research use.","Archive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can be viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists.   ","Due to their nature, archived websites and webpages do not have the same search functionality as do live websites. Users will not be able to search for content within the scanned documents in the archived site."],"arrangement_html_tesm":["\u003cp\u003eThe original order of the collection has been maintained, with some modifications. General correspondence files interspersed with separate files on meetings of the Middle Atlantic Chapter, as well as regional and national meetings of the American Rhododendron Society, comprise the bulk of the collection. Also included are minutes of the national organization. Addition 3 contains newsletters of chapters from across the country in 2022. Material within all folders is arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The original order of the collection has been maintained, with some modifications. General correspondence files interspersed with separate files on meetings of the Middle Atlantic Chapter, as well as regional and national meetings of the American Rhododendron Society, comprise the bulk of the collection. Also included are minutes of the national organization. Addition 3 contains newsletters of chapters from across the country in 2022. Material within all folders is arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eThe American Rhododendron Society was founded in \u003cdate\u003e1944\u003c/date\u003e as an organization for amateur and professional growers of rhododendrons and azaleas. The organization conducts research, offers courses, compiles statistics, registers names of new clonal selections, and sponsors competitions. National meetings are held annually, usually in April or May.\u003c/p\u003e","\u003cp\u003eThe American Rhododendron Society was founded in \u003cdate\u003e1944\u003c/date\u003e as an organization for amateur and professional growers of rhododendrons and azaleas. The organization conducts research, offers courses, compiles statistics, registers names of new clonal selections, and sponsors competitions. National meetings are held annually, usually in April or May.\u003c/p\u003e","\u003cp\u003e\"Dr. Henry Thomas Skinner was born in England in 1907 and died in the U.S. in 1984. He was married to Anna M. Wood. He studied at the Wisley School of the Royal Horticulural Society, then came to the U.S. in 1927, where he obtained a B.Sc. from Cornell University in 1936; M.S. from the University of Pennsylvania in 1938; and Ph.D. from Pennsylvania in 1952. He was curator of the Morris Arboretum from 1940-1943 and from 1945-1952, his work there having been interrupted by service in the USAAF in World War II from 1943-1945.He was director of the U.S. National Arboretum in Washington, D.C. from 1952-1973.\u003c/p\u003e\n","\u003cp\u003eDr. Skinner served the plant community in many ways through work and committees during his lifetime, a prime example of this being his development of the U.S.D.A. Hardiness Zone Map. He served as president of several plant organizations including the American Association of Botanic Gardens and Arboreta (1947), American Horticultural Society (1962-63), and vice president of the Royal Horticultural Society (1973-1984). He was the recipient of numerous awards, including the prestigious Arthur Hoyt Scott Horticultural Medal (1963); Gold Medal, American Rhododendron Society (1965); Liberty Hyde Bailey Medal, American Horticultural Society (1972); Gold Medal, Massachusetts Horticultural Society (1973); and the Royal Horticultural Society's Veitch Medal was presented to R.W. Skinner, a nephew, on behalf of Dr. Skinner (1983).\"\u003c/p\u003e\n","\u003cp\u003eReference List:\u003c/p\u003e\n","\u003cp\u003eMcDonald, S. (2005, September 7). Introduction. Azaleas.lib.virginia.edu. https://azaleas.lib.virginia.edu/introduction.html \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["The American Rhododendron Society was founded in  1944  as an organization for amateur and professional growers of rhododendrons and azaleas. The organization conducts research, offers courses, compiles statistics, registers names of new clonal selections, and sponsors competitions. National meetings are held annually, usually in April or May.","The American Rhododendron Society was founded in  1944  as an organization for amateur and professional growers of rhododendrons and azaleas. The organization conducts research, offers courses, compiles statistics, registers names of new clonal selections, and sponsors competitions. National meetings are held annually, usually in April or May.","\"Dr. Henry Thomas Skinner was born in England in 1907 and died in the U.S. in 1984. He was married to Anna M. Wood. He studied at the Wisley School of the Royal Horticulural Society, then came to the U.S. in 1927, where he obtained a B.Sc. from Cornell University in 1936; M.S. from the University of Pennsylvania in 1938; and Ph.D. from Pennsylvania in 1952. He was curator of the Morris Arboretum from 1940-1943 and from 1945-1952, his work there having been interrupted by service in the USAAF in World War II from 1943-1945.He was director of the U.S. National Arboretum in Washington, D.C. from 1952-1973.","Dr. Skinner served the plant community in many ways through work and committees during his lifetime, a prime example of this being his development of the U.S.D.A. Hardiness Zone Map. He served as president of several plant organizations including the American Association of Botanic Gardens and Arboreta (1947), American Horticultural Society (1962-63), and vice president of the Royal Horticultural Society (1973-1984). He was the recipient of numerous awards, including the prestigious Arthur Hoyt Scott Horticultural Medal (1963); Gold Medal, American Rhododendron Society (1965); Liberty Hyde Bailey Medal, American Horticultural Society (1972); Gold Medal, Massachusetts Horticultural Society (1973); and the Royal Horticultural Society's Veitch Medal was presented to R.W. Skinner, a nephew, on behalf of Dr. Skinner (1983).\"","Reference List:","McDonald, S. (2005, September 7). Introduction. Azaleas.lib.virginia.edu. https://azaleas.lib.virginia.edu/introduction.html "],"prefercite_html_tesm":["\u003cp\u003eMSS 10553, American Rhododendron Society Records, Small Special Collections Library, University of Virginia.\u003c/p\u003e","\u003cp\u003eMSS 10553 Addition 3, American Rhododendron Society Records newsletters, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 10553, American Rhododendron Society Records, Small Special Collections Library, University of Virginia.","MSS 10553 Addition 3, American Rhododendron Society Records newsletters, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"processinfo_html_tesm":["\u003cp\u003eThis finding aid was created for creating access to recent and future additions.\u003c/p\u003e","\u003cp\u003eCaptured once on September 18, 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["This finding aid was created for creating access to recent and future additions.","Captured once on September 18, 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe guides for original acquisition and previous additions can be found in the online catalog.\u003c/p\u003e\n","\u003cp\u003eOriginal guides to collection - \nMSS 10553 - https://search.lib.virginia.edu/sources/uva_library/items/u1750298\nMSS 10553-a - https://search.lib.virginia.edu/sources/uva_library/items/u1750303\u003c/p\u003e\n","\u003cp\u003eGuides for previous additions with the collection numbers MSS 10553-b through MSS 10553-bu can be found in the catalog\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The guides for original acquisition and previous additions can be found in the online catalog.","Original guides to collection - \nMSS 10553 - https://search.lib.virginia.edu/sources/uva_library/items/u1750298\nMSS 10553-a - https://search.lib.virginia.edu/sources/uva_library/items/u1750303","Guides for previous additions with the collection numbers MSS 10553-b through MSS 10553-bu can be found in the catalog"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of the records of the \u003ccorpname\u003eMid-Atlantic Chapter of the American Rhododendron Society\u003c/corpname\u003e. Correspondence, minutes, newsletters, and photographs pertaining to various activities of the chapter. The additions to this collection include information about regional chapters other than the Mid-Atlantic Chapter.\u003c/p\u003e\n","\u003cp\u003eA major portion of the records deals with the administration of the Mid-Atlantic Chapter, such as the election of officers, finances, and programs for annual meetings. Minutes, newsletters of various chapters, inventories, catalogs, logbooks and studies of various members, printed articles, maps, and obituaries are also present. \u003c/p\u003e\n","\u003cp\u003eThe correspondence pertains to the registration of new hybrids, seed exchange, research on rhododendrons, publications, and rhododendron gardens. \u003c/p\u003e","\u003cp\u003eThis addition is minimally processed. Box 1, Series 1: 1. Le-Mac Nursery Material 2. 1937-1938 3. 1938-1939 selected 4. 1939-1940 selected 5. 1940+1941 selected 6. 1940, 1941 selected 7. 1942 selected WWII 8.1942-1943 selected WWII 9. 943-1944 selected WWII 10. 1943-1944 selected mostly brokers WWII 11. 1945-6 postwar invoice selected 12. 1945-1946 selected 13. 1949-1950 Dr. Thomas Wheeldon was founder of the Middle-Atlantic chapter of ARS 14. 1950-1951 some become MAC-ARS members 15. 1953-1954 16. 1956-1957 17. 1957-1958 selected 18. 1958-1959 19. 1962— 20. 1965-1966 21. 1967-1968 22. 1970-1971 selected 23. 1976-1979 selected 24. 1979-1980 25. 1980-1981 26. 1982-1983 customers (Selected by Ken before he died) 27. 1984-1985 customers 28. MAC fall meeting 2003 29. MAC 50th anniversary 2002 30. Untitled folder 31. Le-Mac plant orders - famous nurseries 32. Le-Mac nurseries, misc. - Kenneth McDonald (Sr.) story + nursery misc. 33. People with ARS connections - 1973 and later 34. Early seed + plant acquisitions by Le-Mac about 1927-1945 35. Henry A. Dreer early orders 36. Early seed, plant, etc orders 1927— 37. Misc. papers - early days -\u0026gt; selected by Ken 38. Jacques Legendre - selected: original partner with Kenneth McDonald Sr. at Le-Mac Legendre later founded Gulf Stream Nursery with Bob Talley 39. McD GC. / Le-Mac / Personal 40. 1929-1934 Plants ordered from Europe etc - corresponding to some catalogues in catalogue file 41. 1929-1932 42. 1931-1932 43. 1932-1933 44. 1934, 1935 45. 1934, 1935, 1936 selected 46. 1936-1937 selected 47. MAC very old newsletters 48. Catalogues M 49. Catalogues N 50. Catalogues O P 51. Catalogues Q R 52. Catalogues S 53. Catalogues T\u003c/p\u003e\n","\u003cp\u003eBox 2, Series 1: Le-Mac Nursery Material contd. 54. Plant catalogues - loose / misc. 55. Plant catalogues - loose / misc. 56. Plant patents with common names 57. Le-Mac deeds 58. Le-Mac deeds 59. Waivers + consent 60. Le Mac stock boy back 1990 61. Untitled 62. Sept 28, 1978 - March 16, 1995 minutes of Le-Mac nurseries, June 63. Minutes book 1 (book, not folder) 64. Minutes book 2 (book, not folder) Series 2: Kenneth McDonald 65. MAC / ARS Meetings 66. ASA 67. Harry Wise Silver 68. The Azalea Society of America (ASA) - misc 69. Miscellaneous azalea and rhododendron booklets 70. Dr. Wheeldon MAC old correspondence 71. Misc. Kenneth McDonald Jr papers - box 1 72. Awards 73. Awards 2001 74. Spring 2003 awards 75. Awards fall 2004 76. MAC miscellaneous meetings 1997, 1999, 2000, 2002, 2003 77. ROY (Rhododendron of the Year) 78. Misc correspondence 79. Correspondence re: UVA 80. Austin C. Kennell copies 81. Don Hyatt 82. Ken - budged + finance comm. 83. Bill Bedwell award of merit\u003c/p\u003e\n","\u003cp\u003eBox 3, Series 2: Kenneth McDonald contd. 84. Silver Medal Norman + Jean Brady 85. District 9 Directors Ken McD + Don Voss 86. Gregory Bald project (aerial photo) 87. MAC ARS Meetings 88. MAC ARS convention 1988 89. Society membership decline 90. Misc. correspondence 91. Misc papers - K. McDonald Series 3: Rhododendron Society material 92. JARS content problem re: change to 50% how-to 93. ARS editorial committee 2004 94. ARS ED COM 2005 95. ED COM 2006 96. ED COM 2007 97. ED COM 2008-2016 98. Obits + Bios 99. Correspondence and miscellaneous 100. Stubbs, Kendon Skinner website 101. MAC History - by Theresa Brent 102. Hurricane Isabel Sept 2003 + MAC members + Jean in Nova Scotia 103. Wise, Harry 104. Wheeldon, Gladys 105. Voss, Don 106. MAC Voss - ed com 107. Spady, Betty speakers + elections N/C 108. Schepker, Hartwig - Christine Glevewenhil[sp?] Gregory Bald filming project 109. Saver, Debby (+David) 110. Sandwich club 111. Dorothy Robinson 112. Ring, George 113. Reilly, Ed 114. Sybil Przypek 115. Pelurie, Frank 116. Nelson, Sonja 117. Murray, Jay 118. Ron Miller 119. Miller, Bill 120. McLellon, George 121. McCollough, Mike 122. Inskip, Jim 123. Hyatt, John 124. Haywood, Mavis 125. Hammond, Jolin 126. Gehnrich, Bud (Herman C. Gehnrich) 127. Donovan, Ian 128. Creel, Mike new og species 129. Cox, Peter 130. Brooks, Dick service + obit 131. Bedwell, Bill 132. Andruczyk, Mike 133. Arsen, Frank 134. American Rhododendron Society (ARS) conventions + newsletters - general and Canada branches 135. Assorted ARS newsletters - Middle Atlantic + NY Chapters 136. \"The Rosebay\" MA ARA Chapter newsletters 137. ARS newsletters - Piedmont, Philadelphia, Susquehanna Valley chapters + NE Regional + SE Chapter 138. 1999 ARS Eastern Regional Meeting 139. Assorted ARS national conventions (DC, Portland OR) 140. ARS \"news and notes\" Mid-Atlantic Branch\u003c/p\u003e\n","\u003cp\u003eBox 4, Series 4: Trade Catalogues 18 folders containing trade plant catalogues from various nurseries \u003c/p\u003e","\u003cp\u003eThis addition to MSS 10553, American Rhododendron Society Papers (Records), contains newsletters of the American Rhododendron Society (ARS), primarily from 2019 to 2021. The newsletters document various regional chapters across the United States and British Columbia, Canada, Oregon, California, New York, Massachusetts, Pennsylvania, Washington, Hawaii, and Maryland. Titles include Rhododendron News, The Blue Ridge Review, Macrophyllum, Viva Vireya, Cal Chapter News, Rhody Runner, Mid-Atlantic  Rhododendron News and Notes, and AtlanticRhodo. Also included are the \"Azalea Blooms\" newsletter, the Azalea Chapter of the American Rhododendron Society, and the Mason-Dixon Chapters from 2017 to 2019.\u003c/p\u003e","\u003cp\u003eThis addition of the American Rhododendron Society Records contains newsletters from various chapters across the United States and British Columbia, Canada in 2022. States include Oregon, California, New York, Massachusetts, Pennsylvania, Washington, and Hawaii. The newsletters are arranged by chapter and then by date. \u003c/p\u003e\n","\u003cp\u003eOf interest, many of the newsletters mention that people were still meeting online on Zoom due to the Covid pandemic. \u003c/p\u003e\n","\u003cp\u003eNewsletters in Folder 1 include the Midwest Chapter (The Rootball e-news), North Island (The Rhodoteller), Atlantic Rhododendron and Horticulture Society (Atlantic Rhodo), and the Azalea Chapter (Azalea Blooms).\u003c/p\u003e\n","\u003cp\u003eNewsletters for Chapters in Folder 2 include Portland Chapter (Rhododendron News), Mid-Atlantic Rhododendron News \u0026amp; Notes, Viva Vireya (Hawaii), Macrophyllum Siustaw Chapter, Greater Philadelphia Chapter (RhodoGravure), SouthEastern Chapter (The Blue Ridge View), Willamette Chapter (California and Northwest), Mount Arrowsmith Chapter (The Rhodovine).\u003c/p\u003e\n","\u003cp\u003eNewsletters for Chapters in Folder 3 include Pilchuck Polinator (Washington State), Eureka Chapter (California), Tacoma Chapter, and Cowichan Valley Chapter. Also included are Massachusetts, and Potomac Valley in Pennsylvania.\u003c/p\u003e\n","\u003cp\u003eSome of the newsletters have a complete run for 2022 and others are missing some months. Some chapters, like the Midwest chapter, have one newsletter in this collection, while others have monthly newsletters, like Mount Arrowsmith and Azalea.\u003c/p\u003e\n","\u003cp\u003eSome newsletters are original, and others appear to be photocopies. It is hard to determine which are photocopies since the originals may have been copies.\u003c/p\u003e\n","\u003cp\u003eThe newsletters describe local events, articles about rhododendrons and azaleas, presentations, photographs, and quotes from poets about flowers including William Wordsworth and Alfred Tennyson.\u003c/p\u003e","\u003cp\u003eThis series contains archived webpages about Dr. Henry T. Skinner's 1951 trip through the southeastern and eastern United States, during which he collected samples and recorded descriptions of various rhododendtron species. The archived website includes images of the two-volume, hand-written Record Book and Notes of Routes, with transcriptions, and images of the list of the Native Azaleas, as well as notes on the expense book that he kept during his travels. The Record Book and Notes of Routes provide the day-to-day detailed record in the field of what Dr. Skinner was discovering in 1951. This website also includes a transcription of an article that Dr. Skinner published in 1955 entitled, \"In Search of Native Azaleas\", and recent photographs of the various species of native azaleas, which were taken in the areas of the southeastern United States that Dr. Skinner visited fifty years ago.\u003c/p\u003e\n","\u003cp\u003eReference List:\u003c/p\u003e\n","\u003cp\u003eMcDonald, S. (2005, September 7). Introduction. Azaleas.lib.virginia.edu. https://azaleas.lib.virginia.edu/introduction.html \u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of the records of the  Mid-Atlantic Chapter of the American Rhododendron Society . Correspondence, minutes, newsletters, and photographs pertaining to various activities of the chapter. The additions to this collection include information about regional chapters other than the Mid-Atlantic Chapter.","A major portion of the records deals with the administration of the Mid-Atlantic Chapter, such as the election of officers, finances, and programs for annual meetings. Minutes, newsletters of various chapters, inventories, catalogs, logbooks and studies of various members, printed articles, maps, and obituaries are also present. ","The correspondence pertains to the registration of new hybrids, seed exchange, research on rhododendrons, publications, and rhododendron gardens. ","This addition is minimally processed. Box 1, Series 1: 1. Le-Mac Nursery Material 2. 1937-1938 3. 1938-1939 selected 4. 1939-1940 selected 5. 1940+1941 selected 6. 1940, 1941 selected 7. 1942 selected WWII 8.1942-1943 selected WWII 9. 943-1944 selected WWII 10. 1943-1944 selected mostly brokers WWII 11. 1945-6 postwar invoice selected 12. 1945-1946 selected 13. 1949-1950 Dr. Thomas Wheeldon was founder of the Middle-Atlantic chapter of ARS 14. 1950-1951 some become MAC-ARS members 15. 1953-1954 16. 1956-1957 17. 1957-1958 selected 18. 1958-1959 19. 1962— 20. 1965-1966 21. 1967-1968 22. 1970-1971 selected 23. 1976-1979 selected 24. 1979-1980 25. 1980-1981 26. 1982-1983 customers (Selected by Ken before he died) 27. 1984-1985 customers 28. MAC fall meeting 2003 29. MAC 50th anniversary 2002 30. Untitled folder 31. Le-Mac plant orders - famous nurseries 32. Le-Mac nurseries, misc. - Kenneth McDonald (Sr.) story + nursery misc. 33. People with ARS connections - 1973 and later 34. Early seed + plant acquisitions by Le-Mac about 1927-1945 35. Henry A. Dreer early orders 36. Early seed, plant, etc orders 1927— 37. Misc. papers - early days -\u003e selected by Ken 38. Jacques Legendre - selected: original partner with Kenneth McDonald Sr. at Le-Mac Legendre later founded Gulf Stream Nursery with Bob Talley 39. McD GC. / Le-Mac / Personal 40. 1929-1934 Plants ordered from Europe etc - corresponding to some catalogues in catalogue file 41. 1929-1932 42. 1931-1932 43. 1932-1933 44. 1934, 1935 45. 1934, 1935, 1936 selected 46. 1936-1937 selected 47. MAC very old newsletters 48. Catalogues M 49. Catalogues N 50. Catalogues O P 51. Catalogues Q R 52. Catalogues S 53. Catalogues T","Box 2, Series 1: Le-Mac Nursery Material contd. 54. Plant catalogues - loose / misc. 55. Plant catalogues - loose / misc. 56. Plant patents with common names 57. Le-Mac deeds 58. Le-Mac deeds 59. Waivers + consent 60. Le Mac stock boy back 1990 61. Untitled 62. Sept 28, 1978 - March 16, 1995 minutes of Le-Mac nurseries, June 63. Minutes book 1 (book, not folder) 64. Minutes book 2 (book, not folder) Series 2: Kenneth McDonald 65. MAC / ARS Meetings 66. ASA 67. Harry Wise Silver 68. The Azalea Society of America (ASA) - misc 69. Miscellaneous azalea and rhododendron booklets 70. Dr. Wheeldon MAC old correspondence 71. Misc. Kenneth McDonald Jr papers - box 1 72. Awards 73. Awards 2001 74. Spring 2003 awards 75. Awards fall 2004 76. MAC miscellaneous meetings 1997, 1999, 2000, 2002, 2003 77. ROY (Rhododendron of the Year) 78. Misc correspondence 79. Correspondence re: UVA 80. Austin C. Kennell copies 81. Don Hyatt 82. Ken - budged + finance comm. 83. Bill Bedwell award of merit","Box 3, Series 2: Kenneth McDonald contd. 84. Silver Medal Norman + Jean Brady 85. District 9 Directors Ken McD + Don Voss 86. Gregory Bald project (aerial photo) 87. MAC ARS Meetings 88. MAC ARS convention 1988 89. Society membership decline 90. Misc. correspondence 91. Misc papers - K. McDonald Series 3: Rhododendron Society material 92. JARS content problem re: change to 50% how-to 93. ARS editorial committee 2004 94. ARS ED COM 2005 95. ED COM 2006 96. ED COM 2007 97. ED COM 2008-2016 98. Obits + Bios 99. Correspondence and miscellaneous 100. Stubbs, Kendon Skinner website 101. MAC History - by Theresa Brent 102. Hurricane Isabel Sept 2003 + MAC members + Jean in Nova Scotia 103. Wise, Harry 104. Wheeldon, Gladys 105. Voss, Don 106. MAC Voss - ed com 107. Spady, Betty speakers + elections N/C 108. Schepker, Hartwig - Christine Glevewenhil[sp?] Gregory Bald filming project 109. Saver, Debby (+David) 110. Sandwich club 111. Dorothy Robinson 112. Ring, George 113. Reilly, Ed 114. Sybil Przypek 115. Pelurie, Frank 116. Nelson, Sonja 117. Murray, Jay 118. Ron Miller 119. Miller, Bill 120. McLellon, George 121. McCollough, Mike 122. Inskip, Jim 123. Hyatt, John 124. Haywood, Mavis 125. Hammond, Jolin 126. Gehnrich, Bud (Herman C. Gehnrich) 127. Donovan, Ian 128. Creel, Mike new og species 129. Cox, Peter 130. Brooks, Dick service + obit 131. Bedwell, Bill 132. Andruczyk, Mike 133. Arsen, Frank 134. American Rhododendron Society (ARS) conventions + newsletters - general and Canada branches 135. Assorted ARS newsletters - Middle Atlantic + NY Chapters 136. \"The Rosebay\" MA ARA Chapter newsletters 137. ARS newsletters - Piedmont, Philadelphia, Susquehanna Valley chapters + NE Regional + SE Chapter 138. 1999 ARS Eastern Regional Meeting 139. Assorted ARS national conventions (DC, Portland OR) 140. ARS \"news and notes\" Mid-Atlantic Branch","Box 4, Series 4: Trade Catalogues 18 folders containing trade plant catalogues from various nurseries ","This addition to MSS 10553, American Rhododendron Society Papers (Records), contains newsletters of the American Rhododendron Society (ARS), primarily from 2019 to 2021. The newsletters document various regional chapters across the United States and British Columbia, Canada, Oregon, California, New York, Massachusetts, Pennsylvania, Washington, Hawaii, and Maryland. Titles include Rhododendron News, The Blue Ridge Review, Macrophyllum, Viva Vireya, Cal Chapter News, Rhody Runner, Mid-Atlantic  Rhododendron News and Notes, and AtlanticRhodo. Also included are the \"Azalea Blooms\" newsletter, the Azalea Chapter of the American Rhododendron Society, and the Mason-Dixon Chapters from 2017 to 2019.","This addition of the American Rhododendron Society Records contains newsletters from various chapters across the United States and British Columbia, Canada in 2022. States include Oregon, California, New York, Massachusetts, Pennsylvania, Washington, and Hawaii. The newsletters are arranged by chapter and then by date. ","Of interest, many of the newsletters mention that people were still meeting online on Zoom due to the Covid pandemic. ","Newsletters in Folder 1 include the Midwest Chapter (The Rootball e-news), North Island (The Rhodoteller), Atlantic Rhododendron and Horticulture Society (Atlantic Rhodo), and the Azalea Chapter (Azalea Blooms).","Newsletters for Chapters in Folder 2 include Portland Chapter (Rhododendron News), Mid-Atlantic Rhododendron News \u0026 Notes, Viva Vireya (Hawaii), Macrophyllum Siustaw Chapter, Greater Philadelphia Chapter (RhodoGravure), SouthEastern Chapter (The Blue Ridge View), Willamette Chapter (California and Northwest), Mount Arrowsmith Chapter (The Rhodovine).","Newsletters for Chapters in Folder 3 include Pilchuck Polinator (Washington State), Eureka Chapter (California), Tacoma Chapter, and Cowichan Valley Chapter. Also included are Massachusetts, and Potomac Valley in Pennsylvania.","Some of the newsletters have a complete run for 2022 and others are missing some months. Some chapters, like the Midwest chapter, have one newsletter in this collection, while others have monthly newsletters, like Mount Arrowsmith and Azalea.","Some newsletters are original, and others appear to be photocopies. It is hard to determine which are photocopies since the originals may have been copies.","The newsletters describe local events, articles about rhododendrons and azaleas, presentations, photographs, and quotes from poets about flowers including William Wordsworth and Alfred Tennyson.","This series contains archived webpages about Dr. Henry T. Skinner's 1951 trip through the southeastern and eastern United States, during which he collected samples and recorded descriptions of various rhododendtron species. The archived website includes images of the two-volume, hand-written Record Book and Notes of Routes, with transcriptions, and images of the list of the Native Azaleas, as well as notes on the expense book that he kept during his travels. The Record Book and Notes of Routes provide the day-to-day detailed record in the field of what Dr. Skinner was discovering in 1951. This website also includes a transcription of an article that Dr. Skinner published in 1955 entitled, \"In Search of Native Azaleas\", and recent photographs of the various species of native azaleas, which were taken in the areas of the southeastern United States that Dr. Skinner visited fifty years ago.","Reference List:","McDonald, S. (2005, September 7). Introduction. Azaleas.lib.virginia.edu. https://azaleas.lib.virginia.edu/introduction.html "],"userestrict_html_tesm":["\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials. https://www.library.virginia.edu/special-collections/services/publishing\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright"],"userestrict_tesim":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials. https://www.library.virginia.edu/special-collections/services/publishing"],"names_ssim":["Albert and Shirley Small Special Collections Library","American Rhododendron Society","Mid-Atlantic Chapter of the American Rhododendron Society"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","American Rhododendron Society","Mid-Atlantic Chapter of the American Rhododendron Society"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":43,"online_item_count_is":1,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:52:00.356Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1440"}},{"id":"viu_repositories_4_resources_672","type":"collection","attributes":{"title":"André Kertész photographs","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_672#creator","type":"document_value","attributes":{"value":"Kertész, André, 1894-1985","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_672#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of fifty black-and-white print photographs created by André Kertész, and their digital copies. The photographs capture scenes of New York and Paris.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_672#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_4_resources_672","ead_ssi":"viu_repositories_4_resources_672","_root_":"viu_repositories_4_resources_672","_nest_parent_":"viu_repositories_4_resources_672","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_672.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/130968","title_ssm":["André Kertész photographs"],"title_tesim":["André Kertész photographs"],"unitdate_ssm":["1925-1969"],"unitdate_inclusive_ssm":["1925-1969"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.86.8","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/672"],"text":["MSS.86.8","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/672","André Kertész photographs","Photography, Artistic","There are no restrictions on access to these photographs.","This collection consists of fifty black-and-white print photographs created by André Kertész, and their digital copies. The photographs capture scenes of New York and Paris.","Copyright for all images owned by The André and Elizabeth Kertész Foundation.","Arthur J. Morris Law Library Special Collections","Kertész, André, 1894-1985","English"],"unitid_tesim":["MSS.86.8","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/672"],"normalized_title_ssm":["André Kertész photographs"],"collection_title_tesim":["André Kertész photographs"],"collection_ssim":["André Kertész photographs"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Kertész, André, 1894-1985"],"creator_ssim":["Kertész, André, 1894-1985"],"creator_persname_ssim":["Kertész, André, 1894-1985"],"creators_ssim":["Kertész, André, 1894-1985"],"access_terms_ssm":["Copyright for all images owned by The André and Elizabeth Kertész Foundation."],"acqinfo_ssim":["In 1985, an anonymous alum of the University of Virginia School of Law donated the photographs in this collection to the University of Virginia Law Library. [There is no provenance file.]"],"access_subjects_ssim":["Photography, Artistic"],"access_subjects_ssm":["Photography, Artistic"],"has_online_content_ssim":["true"],"extent_ssm":["3 Cubic Feet","4.959 Gigabytes"],"extent_tesim":["3 Cubic Feet","4.959 Gigabytes"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on access to these photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on access to these photographs."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of fifty black-and-white print photographs created by André Kertész, and their digital copies. The photographs capture scenes of New York and Paris.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of fifty black-and-white print photographs created by André Kertész, and their digital copies. The photographs capture scenes of New York and Paris."],"userestrict_html_tesm":["\u003cp\u003eCopyright for all images owned by The André and Elizabeth Kertész Foundation.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright for all images owned by The André and Elizabeth Kertész Foundation."],"names_ssim":["Arthur J. Morris Law Library Special Collections","Kertész, André, 1894-1985"],"corpname_ssim":["Arthur J. 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"],"total_component_count_is":72,"online_item_count_is":3,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:21:40.219Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_58"}},{"id":"vifgm_sundgaard","type":"collection","attributes":{"title":"Arnold Sundgaard papers","creator":{"id":"https://arvasarchive.org/catalog/vifgm_sundgaard#creator","type":"document_value","attributes":{"value":"Sundgaard, Arnold, 1909-2006","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_sundgaard#abstract_or_scope","type":"document_value","attributes":{"value":"The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_sundgaard#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_sundgaard","ead_ssi":"vifgm_sundgaard","_root_":"vifgm_sundgaard","_nest_parent_":"vifgm_sundgaard","ead_source_url_ssi":"data/gmu/sundgaard.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/sundgaard.html","title_ssm":["Arnold Sundgaard papers"],"title_tesim":["Arnold Sundgaard papers"],"unitdate_ssm":["1925-1988"],"unitdate_other_ssim":["1925-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0226"],"text":["C0226","Arnold Sundgaard papers","New Deal, 1933-1939.","Performing arts.","Playwriting. ","Theater--United States.","There are no access restrictions.","There are digital documents from this and other GMU FTP collections in the  . ","This collection is organized into 8 series based on material type.","Series 1: Correspondence, 1933-1988 (boxes 1-5) Series 2: Musical Scores, 1947-1982 (boxes 5-6, 44-46) Series 3: Newspaper Clippings, 1935-1976 (boxes 6-8, 43) Series 4: Photographs, 1933-1982 (boxes 8, 42, 44) Series 5: Playscripts, 1932-1978 (boxes 8-21, 42) Series 6: Programs and Posters, 1925-1988 (boxes 22-29, oversize folder) Series 7: Writings, Reviews, Publications, 1933-1988 (boxes 29-37, 43, 44) Series 8: Audio Recordings, 1955-1980s (boxes 38-41)","Arnold Olaf Sundgaard was born in St. Paul, Minnesota, on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin.","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage. The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays such as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.","Sundgaard died in Dallas, Texas, on October 22, 2006.","Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.","Series 1, Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2, Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3, Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. ","Series 4, Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5, Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. ","Series 6, Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7, Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8, Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","Series 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Includes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.","Includes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".","Correspondence regarding the royalties from Everywhere I Roam.","Note commenting on Sundgaard's first play at Yale.","Correspondence regarding music and Seven Joys of Buddy Biloxi.","Correspondence regarding plays, rights, and membership in the Guild.","Corresondence with Stephen Murray who appeared in Dublin.","In memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.","Correspondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.","Series 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Original draft to Arnold Sundgaard from Louis Bellson.","Cumberland Fair: A Jamboree; Down in the Valley; Gallantry.","Kittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.","Sunday Excursion; The Lowland Sea; The Lonesome Dove.","Shepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?","Sheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".","Includes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".","Series 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Press releases, newspaper and magazine clippings.","Includes newspaper clippings, program, broadside.","Includes newspaper and clippings, promotional letters and mailings.","Includes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.","Mostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.","Includes mostly newspaper clippings, some programs, one photograph.","Series 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.","Four 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.","Series 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Includes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.","Includes: black and white photographs; program; newspaper clipping.","Outline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.","Outline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.","Sundgaard's first play written in Madison, Wisconsin.","Scripts for a school opera from 1945, and a film version in 1974.","Performed by the Columbia Opera Workshop March 8 to April 7, 1951.","Performed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.","Scripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.","Written for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.","A comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.","Includes: two playscripts, postcard.","Written for first year class in playwriting at Yale during the Fall of 1932.","Yale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.","Free adaptation in collaboration with Albert Marre for Joan Dehner).","Adaptation of Sardou play.","Series 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Two posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.","America Hurrah; Abssence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.","The American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.","The Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.","Brigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.","Cabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.","The Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.","Comedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.","The Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.","The D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.","Eastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.","A Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.","Mexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.","The Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.","Habimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hatful of Rain; Helen; Hello Solly!","Henry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.","I am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.","I was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.","Jamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.","The King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.","The Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.","A Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.","Madam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.","Martha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.","Miss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.","Forests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.","Rhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.","Two issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.","Nobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.","The National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company; New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.","Not Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.","Oakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.","Oxford University Players - The Alchemist King Lear; Operation Sidewinder.","Philemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.","Pilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.","The Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.","The Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.","Ceremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.","Sandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.","Show Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.","The Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.","Tamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Theives Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.","Ti-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;","Under Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.","Very Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.","Waiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.","The Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.","Promised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.","Series 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Short story published by Norske Tidende of Brooklyn.","Article in Living magazine.","John Brown for Erich Hawkins; Forty-Second Street.","Written for the Federal Writers' Project New Orleans.","Text for film written with and for Anton Refregier.","Correspondence, ephemera on Hermann, Missouri.","Report written for Dr. Edna Levine of New York University and deafness research. Includes photographs.","\"Postwar Relaxation, a Story\" article by Sundgaard.","Articles \"The Realtors\" and \"The Lesson of the Potato\".","Speech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.","Unpublished, music by Alec Wilder.","Scenario for a film commissioned by Jed Harris.","Scenario for a film commissioned by Jed Harris.","Cassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.","Article published in International Musician \"Opera in America\".","Issue of The New Yorker containing a review for \"Everywhere I Roam\".","Three issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".","During 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.","\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.","About Unesco; \"Footsteps of Greatness...along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.","\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.","The New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).","Two issues of Manuscript; The New Talent; The Lance.","Story; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.","Voices: A Journal of Poetry; Everybody's Digest.","Indian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!","Tury; The Invader.","The Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.","I am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.","The Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.","Tramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.","Series 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970); Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".","Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.","Contains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.","An Axe, an Apple, and a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas.","There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. ","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006","English\n\t\t"],"unitid_tesim":["C0226"],"normalized_title_ssm":["Arnold Sundgaard papers"],"collection_title_tesim":["Arnold Sundgaard papers"],"collection_ssim":["Arnold Sundgaard papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Sundgaard, Arnold, 1909-2006"],"creator_ssim":["Sundgaard, Arnold, 1909-2006"],"creator_persname_ssim":["Sundgaard, Arnold, 1909-2006"],"creators_ssim":["Sundgaard, Arnold, 1909-2006"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n"],"acqinfo_ssim":["Donated by Arnold Sundgaard to Special Collections and Archives on October 19, 1978."],"access_subjects_ssim":["New Deal, 1933-1939.","Performing arts.","Playwriting. ","Theater--United States."],"access_subjects_ssm":["New Deal, 1933-1939.","Performing arts.","Playwriting. ","Theater--United States."],"has_online_content_ssim":["true"],"extent_ssm":["19.0 linear feet (46 boxes)"],"extent_tesim":["19.0 linear feet (46 boxes)"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThere are digital documents from this and other GMU FTP collections in the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\"\u003e\u003c/extptr\u003e. \u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["There are digital documents from this and other GMU FTP collections in the  . "],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into 8 series based on material type.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1933-1988 (boxes 1-5)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Musical Scores, 1947-1982 (boxes 5-6, 44-46)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Newspaper Clippings, 1935-1976 (boxes 6-8, 43)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Photographs, 1933-1982 (boxes 8, 42, 44)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Playscripts, 1932-1978 (boxes 8-21, 42)\u003c/item\u003e\n        \u003citem\u003eSeries 6: Programs and Posters, 1925-1988 (boxes 22-29, oversize folder)\u003c/item\u003e\n        \u003citem\u003eSeries 7: Writings, Reviews, Publications, 1933-1988 (boxes 29-37, 43, 44)\u003c/item\u003e\n        \u003citem\u003eSeries 8: Audio Recordings, 1955-1980s (boxes 38-41)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into 8 series based on material type.","Series 1: Correspondence, 1933-1988 (boxes 1-5) Series 2: Musical Scores, 1947-1982 (boxes 5-6, 44-46) Series 3: Newspaper Clippings, 1935-1976 (boxes 6-8, 43) Series 4: Photographs, 1933-1982 (boxes 8, 42, 44) Series 5: Playscripts, 1932-1978 (boxes 8-21, 42) Series 6: Programs and Posters, 1925-1988 (boxes 22-29, oversize folder) Series 7: Writings, Reviews, Publications, 1933-1988 (boxes 29-37, 43, 44) Series 8: Audio Recordings, 1955-1980s (boxes 38-41)"],"bioghist_html_tesm":["\u003cp\u003eArnold Olaf Sundgaard was born in St. Paul, Minnesota, on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin.\u003c/p\u003e","\u003cp\u003eSundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage. The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.\u003c/p\u003e","\u003cp\u003eAfter working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays such as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.\u003c/p\u003e","\u003cp\u003eSundgaard died in Dallas, Texas, on October 22, 2006.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Arnold Olaf Sundgaard was born in St. Paul, Minnesota, on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin.","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage. The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays such as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.","Sundgaard died in Dallas, Texas, on October 22, 2006."],"prefercite_html_tesm":["\u003cp\u003eArnold Sundgaard papers, C0226, Special Collections and Archives, George Mason University.\u003c/p\u003e"],"prefercite_tesim":["Arnold Sundgaard papers, C0226, Special Collections and Archives, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in October 2012 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.\u003c/p\u003e","\u003cp\u003eSeries 1, Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.\u003c/p\u003e","\u003cp\u003eSeries 2, Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.\u003c/p\u003e","\u003cp\u003eSeries 3, Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. \u003c/p\u003e","\u003cp\u003eSeries 4, Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.\u003c/p\u003e","\u003cp\u003eSeries 5, Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. \u003c/p\u003e","\u003cp\u003eSeries 6, Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.\u003c/p\u003e","\u003cp\u003eSeries 7, Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eSeries 8, Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.\u003c/p\u003e","\u003cp\u003eIncludes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.\u003c/p\u003e","\u003cp\u003eIncludes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".\u003c/p\u003e","\u003cp\u003eCorrespondence regarding the royalties from Everywhere I Roam.\u003c/p\u003e","\u003cp\u003eNote commenting on Sundgaard's first play at Yale.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding music and Seven Joys of Buddy Biloxi.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding plays, rights, and membership in the Guild.\u003c/p\u003e","\u003cp\u003eCorresondence with Stephen Murray who appeared in Dublin.\u003c/p\u003e","\u003cp\u003eIn memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.\u003c/p\u003e","\u003cp\u003eSeries 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.\u003c/p\u003e","\u003cp\u003eOriginal draft to Arnold Sundgaard from Louis Bellson.\u003c/p\u003e","\u003cp\u003eCumberland Fair: A Jamboree; Down in the Valley; Gallantry.\u003c/p\u003e","\u003cp\u003eKittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.\u003c/p\u003e","\u003cp\u003eSunday Excursion; The Lowland Sea; The Lonesome Dove.\u003c/p\u003e","\u003cp\u003eShepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?\u003c/p\u003e","\u003cp\u003eSheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".\u003c/p\u003e","\u003cp\u003eIncludes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".\u003c/p\u003e","\u003cp\u003eSeries 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.\u003c/p\u003e","\u003cp\u003ePress releases, newspaper and magazine clippings.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings, program, broadside.\u003c/p\u003e","\u003cp\u003eIncludes newspaper and clippings, promotional letters and mailings.\u003c/p\u003e","\u003cp\u003eIncludes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.\u003c/p\u003e","\u003cp\u003eMostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.\u003c/p\u003e","\u003cp\u003eIncludes mostly newspaper clippings, some programs, one photograph.\u003c/p\u003e","\u003cp\u003eSeries 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.\u003c/p\u003e","\u003cp\u003eFour 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.\u003c/p\u003e","\u003cp\u003eSeries 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.\u003c/p\u003e","\u003cp\u003eIncludes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.\u003c/p\u003e","\u003cp\u003eIncludes: black and white photographs; program; newspaper clipping.\u003c/p\u003e","\u003cp\u003eOutline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.\u003c/p\u003e","\u003cp\u003eOutline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.\u003c/p\u003e","\u003cp\u003eSundgaard's first play written in Madison, Wisconsin.\u003c/p\u003e","\u003cp\u003eScripts for a school opera from 1945, and a film version in 1974.\u003c/p\u003e","\u003cp\u003ePerformed by the Columbia Opera Workshop March 8 to April 7, 1951.\u003c/p\u003e","\u003cp\u003ePerformed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.\u003c/p\u003e","\u003cp\u003eScripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.\u003c/p\u003e","\u003cp\u003eWritten for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.\u003c/p\u003e","\u003cp\u003eA comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.\u003c/p\u003e","\u003cp\u003eIncludes: two playscripts, postcard.\u003c/p\u003e","\u003cp\u003eWritten for first year class in playwriting at Yale during the Fall of 1932.\u003c/p\u003e","\u003cp\u003eYale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.\u003c/p\u003e","\u003cp\u003eFree adaptation in collaboration with Albert Marre for Joan Dehner).\u003c/p\u003e","\u003cp\u003eAdaptation of Sardou play.\u003c/p\u003e","\u003cp\u003eSeries 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.\u003c/p\u003e","\u003cp\u003eTwo posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.\u003c/p\u003e","\u003cp\u003eAmerica Hurrah; Abssence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.\u003c/p\u003e","\u003cp\u003eThe American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.\u003c/p\u003e","\u003cp\u003eThe Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.\u003c/p\u003e","\u003cp\u003eBrigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.\u003c/p\u003e","\u003cp\u003eCabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.\u003c/p\u003e","\u003cp\u003eThe Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.\u003c/p\u003e","\u003cp\u003eComedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.\u003c/p\u003e","\u003cp\u003eThe Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.\u003c/p\u003e","\u003cp\u003eThe D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.\u003c/p\u003e","\u003cp\u003eEastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.\u003c/p\u003e","\u003cp\u003eA Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.\u003c/p\u003e","\u003cp\u003eMexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.\u003c/p\u003e","\u003cp\u003eThe Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.\u003c/p\u003e","\u003cp\u003eHabimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hatful of Rain; Helen; Hello Solly!\u003c/p\u003e","\u003cp\u003eHenry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.\u003c/p\u003e","\u003cp\u003eI am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.\u003c/p\u003e","\u003cp\u003eI was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.\u003c/p\u003e","\u003cp\u003eJamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.\u003c/p\u003e","\u003cp\u003eThe King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.\u003c/p\u003e","\u003cp\u003eThe Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.\u003c/p\u003e","\u003cp\u003eA Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.\u003c/p\u003e","\u003cp\u003eMadam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.\u003c/p\u003e","\u003cp\u003eMartha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.\u003c/p\u003e","\u003cp\u003eMiss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.\u003c/p\u003e","\u003cp\u003eForests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.\u003c/p\u003e","\u003cp\u003eRhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.\u003c/p\u003e","\u003cp\u003eTwo issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.\u003c/p\u003e","\u003cp\u003eNobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.\u003c/p\u003e","\u003cp\u003eThe National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company; New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.\u003c/p\u003e","\u003cp\u003eNot Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.\u003c/p\u003e","\u003cp\u003eOakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.\u003c/p\u003e","\u003cp\u003eOxford University Players - The Alchemist King Lear; Operation Sidewinder.\u003c/p\u003e","\u003cp\u003ePhilemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.\u003c/p\u003e","\u003cp\u003ePilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.\u003c/p\u003e","\u003cp\u003eThe Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.\u003c/p\u003e","\u003cp\u003eThe Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.\u003c/p\u003e","\u003cp\u003eCeremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.\u003c/p\u003e","\u003cp\u003eSandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.\u003c/p\u003e","\u003cp\u003eShow Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.\u003c/p\u003e","\u003cp\u003eThe Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.\u003c/p\u003e","\u003cp\u003eTamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Theives Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.\u003c/p\u003e","\u003cp\u003eTi-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;\u003c/p\u003e","\u003cp\u003eUnder Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.\u003c/p\u003e","\u003cp\u003eVery Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.\u003c/p\u003e","\u003cp\u003eWaiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.\u003c/p\u003e","\u003cp\u003eThe Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.\u003c/p\u003e","\u003cp\u003ePromised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eSeries 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eShort story published by Norske Tidende of Brooklyn.\u003c/p\u003e","\u003cp\u003eArticle in Living magazine.\u003c/p\u003e","\u003cp\u003eJohn Brown for Erich Hawkins; Forty-Second Street.\u003c/p\u003e","\u003cp\u003eWritten for the Federal Writers' Project New Orleans.\u003c/p\u003e","\u003cp\u003eText for film written with and for Anton Refregier.\u003c/p\u003e","\u003cp\u003eCorrespondence, ephemera on Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eReport written for Dr. Edna Levine of New York University and deafness research. Includes photographs.\u003c/p\u003e","\u003cp\u003e\"Postwar Relaxation, a Story\" article by Sundgaard.\u003c/p\u003e","\u003cp\u003eArticles \"The Realtors\" and \"The Lesson of the Potato\".\u003c/p\u003e","\u003cp\u003eSpeech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.\u003c/p\u003e","\u003cp\u003eUnpublished, music by Alec Wilder.\u003c/p\u003e","\u003cp\u003eScenario for a film commissioned by Jed Harris.\u003c/p\u003e","\u003cp\u003eScenario for a film commissioned by Jed Harris.\u003c/p\u003e","\u003cp\u003eCassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.\u003c/p\u003e","\u003cp\u003eArticle published in International Musician \"Opera in America\".\u003c/p\u003e","\u003cp\u003eIssue of The New Yorker containing a review for \"Everywhere I Roam\".\u003c/p\u003e","\u003cp\u003eThree issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".\u003c/p\u003e","\u003cp\u003eDuring 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.\u003c/p\u003e","\u003cp\u003e\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.\u003c/p\u003e","\u003cp\u003eAbout Unesco; \"Footsteps of Greatness...along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.\u003c/p\u003e","\u003cp\u003e\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.\u003c/p\u003e","\u003cp\u003eThe New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).\u003c/p\u003e","\u003cp\u003eTwo issues of Manuscript; The New Talent; The Lance.\u003c/p\u003e","\u003cp\u003eStory; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.\u003c/p\u003e","\u003cp\u003eVoices: A Journal of Poetry; Everybody's Digest.\u003c/p\u003e","\u003cp\u003eIndian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!\u003c/p\u003e","\u003cp\u003eTury; The Invader.\u003c/p\u003e","\u003cp\u003eThe Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.\u003c/p\u003e","\u003cp\u003eI am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.\u003c/p\u003e","\u003cp\u003eThe Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.\u003c/p\u003e","\u003cp\u003eTramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.\u003c/p\u003e","\u003cp\u003eSeries 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.\u003c/p\u003e","\u003cp\u003e\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970); Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".\u003c/p\u003e","\u003cp\u003eMontparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.\u003c/p\u003e","\u003cp\u003eContains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.\u003c/p\u003e","\u003cp\u003eAn Axe, an Apple, and a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.","Series 1, Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2, Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3, Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. ","Series 4, Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5, Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. ","Series 6, Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7, Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8, Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","Series 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Includes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.","Includes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".","Correspondence regarding the royalties from Everywhere I Roam.","Note commenting on Sundgaard's first play at Yale.","Correspondence regarding music and Seven Joys of Buddy Biloxi.","Correspondence regarding plays, rights, and membership in the Guild.","Corresondence with Stephen Murray who appeared in Dublin.","In memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.","Correspondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.","Series 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Original draft to Arnold Sundgaard from Louis Bellson.","Cumberland Fair: A Jamboree; Down in the Valley; Gallantry.","Kittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.","Sunday Excursion; The Lowland Sea; The Lonesome Dove.","Shepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?","Sheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".","Includes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".","Series 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Press releases, newspaper and magazine clippings.","Includes newspaper clippings, program, broadside.","Includes newspaper and clippings, promotional letters and mailings.","Includes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.","Mostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.","Includes mostly newspaper clippings, some programs, one photograph.","Series 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.","Four 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.","Series 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Includes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.","Includes: black and white photographs; program; newspaper clipping.","Outline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.","Outline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.","Sundgaard's first play written in Madison, Wisconsin.","Scripts for a school opera from 1945, and a film version in 1974.","Performed by the Columbia Opera Workshop March 8 to April 7, 1951.","Performed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.","Scripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.","Written for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.","A comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.","Includes: two playscripts, postcard.","Written for first year class in playwriting at Yale during the Fall of 1932.","Yale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.","Free adaptation in collaboration with Albert Marre for Joan Dehner).","Adaptation of Sardou play.","Series 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Two posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.","America Hurrah; Abssence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.","The American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.","The Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.","Brigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.","Cabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.","The Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.","Comedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.","The Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.","The D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.","Eastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.","A Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.","Mexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.","The Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.","Habimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hatful of Rain; Helen; Hello Solly!","Henry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.","I am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.","I was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.","Jamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.","The King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.","The Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.","A Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.","Madam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.","Martha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.","Miss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.","Forests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.","Rhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.","Two issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.","Nobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.","The National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company; New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.","Not Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.","Oakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.","Oxford University Players - The Alchemist King Lear; Operation Sidewinder.","Philemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.","Pilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.","The Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.","The Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.","Ceremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.","Sandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.","Show Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.","The Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.","Tamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Theives Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.","Ti-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;","Under Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.","Very Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.","Waiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.","The Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.","Promised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.","Series 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Short story published by Norske Tidende of Brooklyn.","Article in Living magazine.","John Brown for Erich Hawkins; Forty-Second Street.","Written for the Federal Writers' Project New Orleans.","Text for film written with and for Anton Refregier.","Correspondence, ephemera on Hermann, Missouri.","Report written for Dr. Edna Levine of New York University and deafness research. Includes photographs.","\"Postwar Relaxation, a Story\" article by Sundgaard.","Articles \"The Realtors\" and \"The Lesson of the Potato\".","Speech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.","Unpublished, music by Alec Wilder.","Scenario for a film commissioned by Jed Harris.","Scenario for a film commissioned by Jed Harris.","Cassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.","Article published in International Musician \"Opera in America\".","Issue of The New Yorker containing a review for \"Everywhere I Roam\".","Three issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".","During 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.","\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.","About Unesco; \"Footsteps of Greatness...along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.","\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.","The New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).","Two issues of Manuscript; The New Talent; The Lance.","Story; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.","Voices: A Journal of Poetry; Everybody's Digest.","Indian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!","Tury; The Invader.","The Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.","I am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.","The Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.","Tramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.","Series 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970); Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".","Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.","Contains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.","An Axe, an Apple, and a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. \u003c/abstract\u003e"],"abstract_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. "],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Sundgaard, Arnold, 1909-2006"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":527,"online_item_count_is":3,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:07:50.641Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_sundgaard","ead_ssi":"vifgm_sundgaard","_root_":"vifgm_sundgaard","_nest_parent_":"vifgm_sundgaard","ead_source_url_ssi":"data/gmu/sundgaard.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/sundgaard.html","title_ssm":["Arnold Sundgaard papers"],"title_tesim":["Arnold Sundgaard papers"],"unitdate_ssm":["1925-1988"],"unitdate_other_ssim":["1925-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0226"],"text":["C0226","Arnold Sundgaard papers","New Deal, 1933-1939.","Performing arts.","Playwriting. ","Theater--United States.","There are no access restrictions.","There are digital documents from this and other GMU FTP collections in the  . ","This collection is organized into 8 series based on material type.","Series 1: Correspondence, 1933-1988 (boxes 1-5) Series 2: Musical Scores, 1947-1982 (boxes 5-6, 44-46) Series 3: Newspaper Clippings, 1935-1976 (boxes 6-8, 43) Series 4: Photographs, 1933-1982 (boxes 8, 42, 44) Series 5: Playscripts, 1932-1978 (boxes 8-21, 42) Series 6: Programs and Posters, 1925-1988 (boxes 22-29, oversize folder) Series 7: Writings, Reviews, Publications, 1933-1988 (boxes 29-37, 43, 44) Series 8: Audio Recordings, 1955-1980s (boxes 38-41)","Arnold Olaf Sundgaard was born in St. Paul, Minnesota, on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin.","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage. The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays such as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.","Sundgaard died in Dallas, Texas, on October 22, 2006.","Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.","Series 1, Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2, Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3, Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. ","Series 4, Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5, Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. ","Series 6, Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7, Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8, Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","Series 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Includes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.","Includes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".","Correspondence regarding the royalties from Everywhere I Roam.","Note commenting on Sundgaard's first play at Yale.","Correspondence regarding music and Seven Joys of Buddy Biloxi.","Correspondence regarding plays, rights, and membership in the Guild.","Corresondence with Stephen Murray who appeared in Dublin.","In memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.","Correspondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.","Series 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Original draft to Arnold Sundgaard from Louis Bellson.","Cumberland Fair: A Jamboree; Down in the Valley; Gallantry.","Kittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.","Sunday Excursion; The Lowland Sea; The Lonesome Dove.","Shepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?","Sheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".","Includes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".","Series 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Press releases, newspaper and magazine clippings.","Includes newspaper clippings, program, broadside.","Includes newspaper and clippings, promotional letters and mailings.","Includes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.","Mostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.","Includes mostly newspaper clippings, some programs, one photograph.","Series 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.","Four 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.","Series 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Includes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.","Includes: black and white photographs; program; newspaper clipping.","Outline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.","Outline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.","Sundgaard's first play written in Madison, Wisconsin.","Scripts for a school opera from 1945, and a film version in 1974.","Performed by the Columbia Opera Workshop March 8 to April 7, 1951.","Performed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.","Scripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.","Written for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.","A comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.","Includes: two playscripts, postcard.","Written for first year class in playwriting at Yale during the Fall of 1932.","Yale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.","Free adaptation in collaboration with Albert Marre for Joan Dehner).","Adaptation of Sardou play.","Series 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Two posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.","America Hurrah; Abssence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.","The American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.","The Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.","Brigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.","Cabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.","The Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.","Comedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.","The Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.","The D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.","Eastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.","A Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.","Mexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.","The Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.","Habimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hatful of Rain; Helen; Hello Solly!","Henry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.","I am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.","I was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.","Jamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.","The King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.","The Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.","A Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.","Madam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.","Martha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.","Miss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.","Forests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.","Rhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.","Two issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.","Nobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.","The National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company; New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.","Not Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.","Oakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.","Oxford University Players - The Alchemist King Lear; Operation Sidewinder.","Philemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.","Pilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.","The Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.","The Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.","Ceremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.","Sandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.","Show Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.","The Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.","Tamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Theives Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.","Ti-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;","Under Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.","Very Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.","Waiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.","The Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.","Promised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.","Series 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Short story published by Norske Tidende of Brooklyn.","Article in Living magazine.","John Brown for Erich Hawkins; Forty-Second Street.","Written for the Federal Writers' Project New Orleans.","Text for film written with and for Anton Refregier.","Correspondence, ephemera on Hermann, Missouri.","Report written for Dr. Edna Levine of New York University and deafness research. Includes photographs.","\"Postwar Relaxation, a Story\" article by Sundgaard.","Articles \"The Realtors\" and \"The Lesson of the Potato\".","Speech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.","Unpublished, music by Alec Wilder.","Scenario for a film commissioned by Jed Harris.","Scenario for a film commissioned by Jed Harris.","Cassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.","Article published in International Musician \"Opera in America\".","Issue of The New Yorker containing a review for \"Everywhere I Roam\".","Three issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".","During 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.","\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.","About Unesco; \"Footsteps of Greatness...along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.","\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.","The New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).","Two issues of Manuscript; The New Talent; The Lance.","Story; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.","Voices: A Journal of Poetry; Everybody's Digest.","Indian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!","Tury; The Invader.","The Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.","I am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.","The Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.","Tramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.","Series 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970); Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".","Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.","Contains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.","An Axe, an Apple, and a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas.","There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. ","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006","English\n\t\t"],"unitid_tesim":["C0226"],"normalized_title_ssm":["Arnold Sundgaard papers"],"collection_title_tesim":["Arnold Sundgaard papers"],"collection_ssim":["Arnold Sundgaard papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Sundgaard, Arnold, 1909-2006"],"creator_ssim":["Sundgaard, Arnold, 1909-2006"],"creator_persname_ssim":["Sundgaard, Arnold, 1909-2006"],"creators_ssim":["Sundgaard, Arnold, 1909-2006"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n"],"acqinfo_ssim":["Donated by Arnold Sundgaard to Special Collections and Archives on October 19, 1978."],"access_subjects_ssim":["New Deal, 1933-1939.","Performing arts.","Playwriting. ","Theater--United States."],"access_subjects_ssm":["New Deal, 1933-1939.","Performing arts.","Playwriting. ","Theater--United States."],"has_online_content_ssim":["true"],"extent_ssm":["19.0 linear feet (46 boxes)"],"extent_tesim":["19.0 linear feet (46 boxes)"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThere are digital documents from this and other GMU FTP collections in the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\"\u003e\u003c/extptr\u003e. \u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["There are digital documents from this and other GMU FTP collections in the  . "],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into 8 series based on material type.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1933-1988 (boxes 1-5)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Musical Scores, 1947-1982 (boxes 5-6, 44-46)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Newspaper Clippings, 1935-1976 (boxes 6-8, 43)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Photographs, 1933-1982 (boxes 8, 42, 44)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Playscripts, 1932-1978 (boxes 8-21, 42)\u003c/item\u003e\n        \u003citem\u003eSeries 6: Programs and Posters, 1925-1988 (boxes 22-29, oversize folder)\u003c/item\u003e\n        \u003citem\u003eSeries 7: Writings, Reviews, Publications, 1933-1988 (boxes 29-37, 43, 44)\u003c/item\u003e\n        \u003citem\u003eSeries 8: Audio Recordings, 1955-1980s (boxes 38-41)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into 8 series based on material type.","Series 1: Correspondence, 1933-1988 (boxes 1-5) Series 2: Musical Scores, 1947-1982 (boxes 5-6, 44-46) Series 3: Newspaper Clippings, 1935-1976 (boxes 6-8, 43) Series 4: Photographs, 1933-1982 (boxes 8, 42, 44) Series 5: Playscripts, 1932-1978 (boxes 8-21, 42) Series 6: Programs and Posters, 1925-1988 (boxes 22-29, oversize folder) Series 7: Writings, Reviews, Publications, 1933-1988 (boxes 29-37, 43, 44) Series 8: Audio Recordings, 1955-1980s (boxes 38-41)"],"bioghist_html_tesm":["\u003cp\u003eArnold Olaf Sundgaard was born in St. Paul, Minnesota, on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin.\u003c/p\u003e","\u003cp\u003eSundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage. The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.\u003c/p\u003e","\u003cp\u003eAfter working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays such as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.\u003c/p\u003e","\u003cp\u003eSundgaard died in Dallas, Texas, on October 22, 2006.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Arnold Olaf Sundgaard was born in St. Paul, Minnesota, on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin.","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage. The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays such as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.","Sundgaard died in Dallas, Texas, on October 22, 2006."],"prefercite_html_tesm":["\u003cp\u003eArnold Sundgaard papers, C0226, Special Collections and Archives, George Mason University.\u003c/p\u003e"],"prefercite_tesim":["Arnold Sundgaard papers, C0226, Special Collections and Archives, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in October 2012 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.\u003c/p\u003e","\u003cp\u003eSeries 1, Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.\u003c/p\u003e","\u003cp\u003eSeries 2, Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.\u003c/p\u003e","\u003cp\u003eSeries 3, Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. \u003c/p\u003e","\u003cp\u003eSeries 4, Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.\u003c/p\u003e","\u003cp\u003eSeries 5, Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. \u003c/p\u003e","\u003cp\u003eSeries 6, Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.\u003c/p\u003e","\u003cp\u003eSeries 7, Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eSeries 8, Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.\u003c/p\u003e","\u003cp\u003eIncludes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.\u003c/p\u003e","\u003cp\u003eIncludes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".\u003c/p\u003e","\u003cp\u003eCorrespondence regarding the royalties from Everywhere I Roam.\u003c/p\u003e","\u003cp\u003eNote commenting on Sundgaard's first play at Yale.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding music and Seven Joys of Buddy Biloxi.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding plays, rights, and membership in the Guild.\u003c/p\u003e","\u003cp\u003eCorresondence with Stephen Murray who appeared in Dublin.\u003c/p\u003e","\u003cp\u003eIn memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.\u003c/p\u003e","\u003cp\u003eSeries 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.\u003c/p\u003e","\u003cp\u003eOriginal draft to Arnold Sundgaard from Louis Bellson.\u003c/p\u003e","\u003cp\u003eCumberland Fair: A Jamboree; Down in the Valley; Gallantry.\u003c/p\u003e","\u003cp\u003eKittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.\u003c/p\u003e","\u003cp\u003eSunday Excursion; The Lowland Sea; The Lonesome Dove.\u003c/p\u003e","\u003cp\u003eShepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?\u003c/p\u003e","\u003cp\u003eSheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".\u003c/p\u003e","\u003cp\u003eIncludes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".\u003c/p\u003e","\u003cp\u003eSeries 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.\u003c/p\u003e","\u003cp\u003ePress releases, newspaper and magazine clippings.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings, program, broadside.\u003c/p\u003e","\u003cp\u003eIncludes newspaper and clippings, promotional letters and mailings.\u003c/p\u003e","\u003cp\u003eIncludes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.\u003c/p\u003e","\u003cp\u003eMostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.\u003c/p\u003e","\u003cp\u003eIncludes mostly newspaper clippings, some programs, one photograph.\u003c/p\u003e","\u003cp\u003eSeries 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.\u003c/p\u003e","\u003cp\u003eFour 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.\u003c/p\u003e","\u003cp\u003eSeries 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.\u003c/p\u003e","\u003cp\u003eIncludes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.\u003c/p\u003e","\u003cp\u003eIncludes: black and white photographs; program; newspaper clipping.\u003c/p\u003e","\u003cp\u003eOutline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.\u003c/p\u003e","\u003cp\u003eOutline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.\u003c/p\u003e","\u003cp\u003eSundgaard's first play written in Madison, Wisconsin.\u003c/p\u003e","\u003cp\u003eScripts for a school opera from 1945, and a film version in 1974.\u003c/p\u003e","\u003cp\u003ePerformed by the Columbia Opera Workshop March 8 to April 7, 1951.\u003c/p\u003e","\u003cp\u003ePerformed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.\u003c/p\u003e","\u003cp\u003eScripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.\u003c/p\u003e","\u003cp\u003eWritten for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.\u003c/p\u003e","\u003cp\u003eA comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.\u003c/p\u003e","\u003cp\u003eIncludes: two playscripts, postcard.\u003c/p\u003e","\u003cp\u003eWritten for first year class in playwriting at Yale during the Fall of 1932.\u003c/p\u003e","\u003cp\u003eYale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.\u003c/p\u003e","\u003cp\u003eFree adaptation in collaboration with Albert Marre for Joan Dehner).\u003c/p\u003e","\u003cp\u003eAdaptation of Sardou play.\u003c/p\u003e","\u003cp\u003eSeries 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.\u003c/p\u003e","\u003cp\u003eTwo posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.\u003c/p\u003e","\u003cp\u003eAmerica Hurrah; Abssence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.\u003c/p\u003e","\u003cp\u003eThe American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.\u003c/p\u003e","\u003cp\u003eThe Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.\u003c/p\u003e","\u003cp\u003eBrigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.\u003c/p\u003e","\u003cp\u003eCabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.\u003c/p\u003e","\u003cp\u003eThe Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.\u003c/p\u003e","\u003cp\u003eComedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.\u003c/p\u003e","\u003cp\u003eThe Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.\u003c/p\u003e","\u003cp\u003eThe D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.\u003c/p\u003e","\u003cp\u003eEastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.\u003c/p\u003e","\u003cp\u003eA Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.\u003c/p\u003e","\u003cp\u003eMexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.\u003c/p\u003e","\u003cp\u003eThe Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.\u003c/p\u003e","\u003cp\u003eHabimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hatful of Rain; Helen; Hello Solly!\u003c/p\u003e","\u003cp\u003eHenry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.\u003c/p\u003e","\u003cp\u003eI am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.\u003c/p\u003e","\u003cp\u003eI was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.\u003c/p\u003e","\u003cp\u003eJamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.\u003c/p\u003e","\u003cp\u003eThe King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.\u003c/p\u003e","\u003cp\u003eThe Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.\u003c/p\u003e","\u003cp\u003eA Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.\u003c/p\u003e","\u003cp\u003eMadam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.\u003c/p\u003e","\u003cp\u003eMartha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.\u003c/p\u003e","\u003cp\u003eMiss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.\u003c/p\u003e","\u003cp\u003eForests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.\u003c/p\u003e","\u003cp\u003eRhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.\u003c/p\u003e","\u003cp\u003eTwo issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.\u003c/p\u003e","\u003cp\u003eNobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.\u003c/p\u003e","\u003cp\u003eThe National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company; New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.\u003c/p\u003e","\u003cp\u003eNot Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.\u003c/p\u003e","\u003cp\u003eOakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.\u003c/p\u003e","\u003cp\u003eOxford University Players - The Alchemist King Lear; Operation Sidewinder.\u003c/p\u003e","\u003cp\u003ePhilemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.\u003c/p\u003e","\u003cp\u003ePilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.\u003c/p\u003e","\u003cp\u003eThe Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.\u003c/p\u003e","\u003cp\u003eThe Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.\u003c/p\u003e","\u003cp\u003eCeremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.\u003c/p\u003e","\u003cp\u003eSandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.\u003c/p\u003e","\u003cp\u003eShow Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.\u003c/p\u003e","\u003cp\u003eThe Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.\u003c/p\u003e","\u003cp\u003eTamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Theives Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.\u003c/p\u003e","\u003cp\u003eTi-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;\u003c/p\u003e","\u003cp\u003eUnder Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.\u003c/p\u003e","\u003cp\u003eVery Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.\u003c/p\u003e","\u003cp\u003eWaiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.\u003c/p\u003e","\u003cp\u003eThe Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.\u003c/p\u003e","\u003cp\u003ePromised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eSeries 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eShort story published by Norske Tidende of Brooklyn.\u003c/p\u003e","\u003cp\u003eArticle in Living magazine.\u003c/p\u003e","\u003cp\u003eJohn Brown for Erich Hawkins; Forty-Second Street.\u003c/p\u003e","\u003cp\u003eWritten for the Federal Writers' Project New Orleans.\u003c/p\u003e","\u003cp\u003eText for film written with and for Anton Refregier.\u003c/p\u003e","\u003cp\u003eCorrespondence, ephemera on Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eReport written for Dr. Edna Levine of New York University and deafness research. Includes photographs.\u003c/p\u003e","\u003cp\u003e\"Postwar Relaxation, a Story\" article by Sundgaard.\u003c/p\u003e","\u003cp\u003eArticles \"The Realtors\" and \"The Lesson of the Potato\".\u003c/p\u003e","\u003cp\u003eSpeech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.\u003c/p\u003e","\u003cp\u003eUnpublished, music by Alec Wilder.\u003c/p\u003e","\u003cp\u003eScenario for a film commissioned by Jed Harris.\u003c/p\u003e","\u003cp\u003eScenario for a film commissioned by Jed Harris.\u003c/p\u003e","\u003cp\u003eCassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.\u003c/p\u003e","\u003cp\u003eArticle published in International Musician \"Opera in America\".\u003c/p\u003e","\u003cp\u003eIssue of The New Yorker containing a review for \"Everywhere I Roam\".\u003c/p\u003e","\u003cp\u003eThree issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".\u003c/p\u003e","\u003cp\u003eDuring 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.\u003c/p\u003e","\u003cp\u003e\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.\u003c/p\u003e","\u003cp\u003eAbout Unesco; \"Footsteps of Greatness...along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.\u003c/p\u003e","\u003cp\u003e\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.\u003c/p\u003e","\u003cp\u003eThe New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).\u003c/p\u003e","\u003cp\u003eTwo issues of Manuscript; The New Talent; The Lance.\u003c/p\u003e","\u003cp\u003eStory; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.\u003c/p\u003e","\u003cp\u003eVoices: A Journal of Poetry; Everybody's Digest.\u003c/p\u003e","\u003cp\u003eIndian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!\u003c/p\u003e","\u003cp\u003eTury; The Invader.\u003c/p\u003e","\u003cp\u003eThe Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.\u003c/p\u003e","\u003cp\u003eI am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.\u003c/p\u003e","\u003cp\u003eThe Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.\u003c/p\u003e","\u003cp\u003eTramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.\u003c/p\u003e","\u003cp\u003eSeries 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.\u003c/p\u003e","\u003cp\u003e\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970); Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".\u003c/p\u003e","\u003cp\u003eMontparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.\u003c/p\u003e","\u003cp\u003eContains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.\u003c/p\u003e","\u003cp\u003eAn Axe, an Apple, and a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.","Series 1, Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2, Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3, Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. ","Series 4, Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5, Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. ","Series 6, Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7, Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8, Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","Series 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Includes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.","Includes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".","Correspondence regarding the royalties from Everywhere I Roam.","Note commenting on Sundgaard's first play at Yale.","Correspondence regarding music and Seven Joys of Buddy Biloxi.","Correspondence regarding plays, rights, and membership in the Guild.","Corresondence with Stephen Murray who appeared in Dublin.","In memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.","Correspondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.","Series 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Original draft to Arnold Sundgaard from Louis Bellson.","Cumberland Fair: A Jamboree; Down in the Valley; Gallantry.","Kittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.","Sunday Excursion; The Lowland Sea; The Lonesome Dove.","Shepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?","Sheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".","Includes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".","Series 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Press releases, newspaper and magazine clippings.","Includes newspaper clippings, program, broadside.","Includes newspaper and clippings, promotional letters and mailings.","Includes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.","Mostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.","Includes mostly newspaper clippings, some programs, one photograph.","Series 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.","Four 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.","Series 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Includes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.","Includes: black and white photographs; program; newspaper clipping.","Outline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.","Outline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.","Sundgaard's first play written in Madison, Wisconsin.","Scripts for a school opera from 1945, and a film version in 1974.","Performed by the Columbia Opera Workshop March 8 to April 7, 1951.","Performed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.","Scripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.","Written for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.","A comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.","Includes: two playscripts, postcard.","Written for first year class in playwriting at Yale during the Fall of 1932.","Yale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.","Free adaptation in collaboration with Albert Marre for Joan Dehner).","Adaptation of Sardou play.","Series 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Two posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.","America Hurrah; Abssence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.","The American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.","The Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.","Brigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.","Cabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.","The Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.","Comedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.","The Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.","The D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.","Eastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.","A Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.","Mexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.","The Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.","Habimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hatful of Rain; Helen; Hello Solly!","Henry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.","I am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.","I was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.","Jamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.","The King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.","The Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.","A Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.","Madam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.","Martha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.","Miss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.","Forests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.","Rhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.","Two issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.","Nobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.","The National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company; New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.","Not Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.","Oakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.","Oxford University Players - The Alchemist King Lear; Operation Sidewinder.","Philemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.","Pilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.","The Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.","The Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.","Ceremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.","Sandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.","Show Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.","The Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.","Tamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Theives Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.","Ti-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;","Under Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.","Very Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.","Waiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.","The Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.","Promised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.","Series 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Short story published by Norske Tidende of Brooklyn.","Article in Living magazine.","John Brown for Erich Hawkins; Forty-Second Street.","Written for the Federal Writers' Project New Orleans.","Text for film written with and for Anton Refregier.","Correspondence, ephemera on Hermann, Missouri.","Report written for Dr. Edna Levine of New York University and deafness research. Includes photographs.","\"Postwar Relaxation, a Story\" article by Sundgaard.","Articles \"The Realtors\" and \"The Lesson of the Potato\".","Speech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.","Unpublished, music by Alec Wilder.","Scenario for a film commissioned by Jed Harris.","Scenario for a film commissioned by Jed Harris.","Cassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.","Article published in International Musician \"Opera in America\".","Issue of The New Yorker containing a review for \"Everywhere I Roam\".","Three issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".","During 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.","\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.","About Unesco; \"Footsteps of Greatness...along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.","\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.","The New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).","Two issues of Manuscript; The New Talent; The Lance.","Story; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.","Voices: A Journal of Poetry; Everybody's Digest.","Indian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!","Tury; The Invader.","The Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.","I am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.","The Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.","Tramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.","Series 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970); Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".","Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.","Contains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.","An Axe, an Apple, and a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. \u003c/abstract\u003e"],"abstract_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. "],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Sundgaard, Arnold, 1909-2006"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":527,"online_item_count_is":3,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:07:50.641Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_sundgaard"}},{"id":"viu_repositories_3_resources_1446_c02_c03","type":"File","attributes":{"title":"Carr, Greer, and Jones family correspondence","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1446_c02_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1446_c02_c03","ref_ssm":["viu_repositories_3_resources_1446_c02_c03"],"id":"viu_repositories_3_resources_1446_c02_c03","ead_ssi":"viu_repositories_3_resources_1446","_root_":"viu_repositories_3_resources_1446","_nest_parent_":"viu_repositories_3_resources_1446_c02","parent_ssi":"viu_repositories_3_resources_1446_c02","parent_ssim":["viu_repositories_3_resources_1446","viu_repositories_3_resources_1446_c02"],"parent_ids_ssim":["viu_repositories_3_resources_1446","viu_repositories_3_resources_1446_c02"],"parent_unittitles_ssm":["Hugh Carr family papers and River View Farm","Series 2. Correspondence"],"parent_unittitles_tesim":["Hugh Carr family papers and River View Farm","Series 2. Correspondence"],"text":["Hugh Carr family papers and River View Farm","Series 2. Correspondence","Carr, Greer, and Jones family correspondence","box 1","Folder 7"],"title_filing_ssi":"Carr, Greer, and Jones family correspondence","title_ssm":["Carr, Greer, and Jones family correspondence"],"title_tesim":["Carr, Greer, and Jones family correspondence"],"unitdate_inclusive_ssm":["1911-1914; 1961"],"normalized_date_ssm":["1911/1961"],"normalized_title_ssm":["Carr, Greer, and Jones family correspondence"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Hugh Carr family papers and River View Farm"],"has_online_content_ssim":["true"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":9,"parent_access_restrict_tesm":["The collection is open for research use."],"digital_objects_ssm":["{\"label\":\"Carr, Greer, and Jones family correspondence, 1911-1914; 1961\",\"href\":\"https://iiifman.lib.virginia.edu/pid/tsb:107445\"}"],"date_range_isim":[1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961],"containers_ssim":["box 1","Folder 7"],"_nest_path_":"/components#1/components#2","timestamp":"2026-05-20T23:45:23.850Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1446","ead_ssi":"viu_repositories_3_resources_1446","_root_":"viu_repositories_3_resources_1446","_nest_parent_":"viu_repositories_3_resources_1446","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1446.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/147972","title_filing_ssi":"Hugh Carr family and River View Farm ","title_ssm":["Hugh Carr family papers and River View Farm"],"title_tesim":["Hugh Carr family papers and River View Farm"],"unitdate_ssm":["1843-1978"],"unitdate_inclusive_ssm":["1843-1978"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 10176","Archival Resource Key","/repositories/3/resources/1446"],"text":["MSS 10176","Archival Resource Key","/repositories/3/resources/1446","Hugh Carr family papers and River View Farm","Charlottesville (Va.) -- History -- 19th Century","Reconstruction (U.S. history, 1865-1877)","African American families","Dwellings -- Virginia -- Albemarle County.","The collection is open for research use.","During the Reconstruction period of Virginia history, Hugh Carr (1843-1914), who was formerly enslaved by Richard Wingfield, began the long process of purchasing various tracts of land that eventually made up the model farm along Ivy Creek known as \"River View\" in the Union Ridge Hydraulic Mills community.","He and his wife, Texie Mae Hawkins,(1865-1899) raised seven children at River View Farm: Mary Louise Carr Greer, (1884-1973), Fannie Carr Washington (1887-?), Peachie Carr Jackson (1889-1977), Emma Clorinda Carr (1892-1974), Virginia Carr Brown (1893-1935), Ann Hazel Carr (1895-?), and one son Marshall Hubert Carr (1886-1916).The farm continued to grow and by 1890 it was over 125 acres making Carr among the largest African American landowner in Albemarle County. ","\nAs Hugh Carr was deprived of any formal education, he placed an emphasis on education for his daughters and son, all of whom went to school. Many of his children earned college degrees, becoming teachers and community leaders. ","His oldest, Mary Louise Carr became principal of Albemarle Training School and was an influential educator in the local community. Later, she was honored for her commitment to education with the naming of Greer Elementary School after her. In 1916, Mary Carr married Conly Greer, the first African American extension agent for Albemarle County and the last family member to farm at Riverview Farm. After his death in 1957, Mary Carr Greer continued to live there but the land was rented to local farmers to farm. When she died in 1973, she left the estate to her only child, Evangeline Greer Jones, who in turn sold it.","Following its sale, the farm was slated to become one of Charlottesville's newest subdivisions with a projected 200 homes. Elizabeth Conant, a biology teacher at the University of Virginia, realized that the land was ideal for a nature preserve. She contacted the Nature Conservancy who bought the farm and held it until the City of Charlottesville and Albemarle County were able to buy the land. The Ivy Creek Foundation was incorporated on May 23, 1979, and the future management of the land lies with them. Paul Saunier, former University of Virginia administrator, was the first president of the Foundation.","The Ivy Creek Natural Area, which currently borders the South Rivanna Reservoir of the City of Charlottesville and consists of 215 acres of forest, field, and stream, was formed from several tracts of land. These include the original tract from the Mary Carr Greer Estate of eighty acres in 1975, a thirty-eight-acre tract from the City of Charlottesville in 1979, the James Fleming tract of eighty-acres in 1981, the Flamenco tract of sixteen acres in 1981, and four tenths of an acre from Bedford Moore in 1981. The Greer property was named the Rann Preserve when purchased by the Nature Conservancy and was renamed the Ivy Creek Natural Area. The organizers of the Ivy Creek Natural Area recognized the history of the Carr family and worked to save and preserve the land as well as the family documents that were found in the farmhouse. ","Sources: Ivy Creek Foundation, Accessed 1/27/2023 https://ivycreekfoundation.org/cultural-history ","Some items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling.","This collection MSS 10176 is related to the Ivy Creek Natural Area MSS 10770, about the history of River View farm and Hugh Carr family which is now the Ivy Creek Natural Area. MSS 10770 is a deposit. It also contains the history of Ivy Creek Natural Area and how it was purchased by the local government to preserve the land and history.","This collection consists of the history of Hugh Carr, an African American born in enslavement in 1843 and his family who lived on a tract of land (River View Farm) that Carr and his wife Texie Mae Hawkins bought in 1870 after emancipation. He became one of the largest African American landowners in Albemarle County, where he raised several generations of his family in the Union Ridge Hydraulic Mills community, until his death in 1914.","The papers show that Carr highly valued education for his daughters as well as his son. His eldest daughter, Mary Louise Carr Greer became a well-known educator and principal of Albemarle Training School. Her family continued to live on the farm until 1978 when it became the Ivy Creek Natural Area with the support of the Nature Conservancy. ","There are documents, newspaper clippings, photographs pertaining to the history of this prominent African American family. ","Included is the original receipt for the purchase of land for the farm by Hugh Carr in 1870 in the amount of $100 and contracts for when Carr worked as a farm manager for Richard Wingfield and A. A. Southerland. ","There are legal and financial papers of Conly Greer (1883-1956) and correspondence of Mary Carr Greer and her husband, Conly Greer.  Included is a letter written for Hugh Carr giving Conly approval to marry his daughter. (Hugh Carr could not read and write but he would sign his name with an X). There is also correspondence of their daughter, Evangeline Greer Jones while courting her husband, Hinton C. Jones.","Albert and Shirley Small Special Collections Library","English"],"unitid_tesim":["MSS 10176","Archival Resource Key","/repositories/3/resources/1446"],"normalized_title_ssm":["Hugh Carr family papers and River View Farm"],"collection_title_tesim":["Hugh Carr family papers and River View Farm"],"collection_ssim":["Hugh Carr family papers and River View Farm"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Charlottesville (Va.) -- History -- 19th Century"],"geogname_ssim":["Charlottesville (Va.) -- History -- 19th Century"],"places_ssim":["Charlottesville (Va.) -- History -- 19th Century"],"acqinfo_ssim":["MSS 10176,The Hugh Carr family papers and River View Farm  was a gift from Evangeline Greer Jones to the Small Special Collections Library at the University of Virginia Library 25 October, 1976."],"access_subjects_ssim":["Reconstruction (U.S. history, 1865-1877)","African American families","Dwellings -- Virginia -- Albemarle County."],"access_subjects_ssm":["Reconstruction (U.S. history, 1865-1877)","African American families","Dwellings -- Virginia -- Albemarle County."],"has_online_content_ssim":["true"],"extent_ssm":["1 Cubic Feet"],"extent_tesim":["1 Cubic Feet"],"date_range_isim":[1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eDuring the Reconstruction period of Virginia history, Hugh Carr (1843-1914), who was formerly enslaved by Richard Wingfield, began the long process of purchasing various tracts of land that eventually made up the model farm along Ivy Creek known as \"River View\" in the Union Ridge Hydraulic Mills community.\u003c/p\u003e\n","\u003cp\u003eHe and his wife, Texie Mae Hawkins,(1865-1899) raised seven children at River View Farm: Mary Louise Carr Greer, (1884-1973), Fannie Carr Washington (1887-?), Peachie Carr Jackson (1889-1977), Emma Clorinda Carr (1892-1974), Virginia Carr Brown (1893-1935), Ann Hazel Carr (1895-?), and one son Marshall Hubert Carr (1886-1916).The farm continued to grow and by 1890 it was over 125 acres making Carr among the largest African American landowner in Albemarle County. \u003c/p\u003e\n","\u003cp\u003e\nAs Hugh Carr was deprived of any formal education, he placed an emphasis on education for his daughters and son, all of whom went to school. Many of his children earned college degrees, becoming teachers and community leaders. \u003c/p\u003e\n","\u003cp\u003eHis oldest, Mary Louise Carr became principal of Albemarle Training School and was an influential educator in the local community. Later, she was honored for her commitment to education with the naming of Greer Elementary School after her. In 1916, Mary Carr married Conly Greer, the first African American extension agent for Albemarle County and the last family member to farm at Riverview Farm. After his death in 1957, Mary Carr Greer continued to live there but the land was rented to local farmers to farm. When she died in 1973, she left the estate to her only child, Evangeline Greer Jones, who in turn sold it.\u003c/p\u003e\n","\u003cp\u003eFollowing its sale, the farm was slated to become one of Charlottesville's newest subdivisions with a projected 200 homes. Elizabeth Conant, a biology teacher at the University of Virginia, realized that the land was ideal for a nature preserve. She contacted the Nature Conservancy who bought the farm and held it until the City of Charlottesville and Albemarle County were able to buy the land. The Ivy Creek Foundation was incorporated on May 23, 1979, and the future management of the land lies with them. Paul Saunier, former University of Virginia administrator, was the first president of the Foundation.\u003c/p\u003e\n","\u003cp\u003eThe Ivy Creek Natural Area, which currently borders the South Rivanna Reservoir of the City of Charlottesville and consists of 215 acres of forest, field, and stream, was formed from several tracts of land. These include the original tract from the Mary Carr Greer Estate of eighty acres in 1975, a thirty-eight-acre tract from the City of Charlottesville in 1979, the James Fleming tract of eighty-acres in 1981, the Flamenco tract of sixteen acres in 1981, and four tenths of an acre from Bedford Moore in 1981. The Greer property was named the Rann Preserve when purchased by the Nature Conservancy and was renamed the Ivy Creek Natural Area. The organizers of the Ivy Creek Natural Area recognized the history of the Carr family and worked to save and preserve the land as well as the family documents that were found in the farmhouse. \u003c/p\u003e\n","\u003cp\u003eSources: Ivy Creek Foundation, Accessed 1/27/2023 https://ivycreekfoundation.org/cultural-history \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["During the Reconstruction period of Virginia history, Hugh Carr (1843-1914), who was formerly enslaved by Richard Wingfield, began the long process of purchasing various tracts of land that eventually made up the model farm along Ivy Creek known as \"River View\" in the Union Ridge Hydraulic Mills community.","He and his wife, Texie Mae Hawkins,(1865-1899) raised seven children at River View Farm: Mary Louise Carr Greer, (1884-1973), Fannie Carr Washington (1887-?), Peachie Carr Jackson (1889-1977), Emma Clorinda Carr (1892-1974), Virginia Carr Brown (1893-1935), Ann Hazel Carr (1895-?), and one son Marshall Hubert Carr (1886-1916).The farm continued to grow and by 1890 it was over 125 acres making Carr among the largest African American landowner in Albemarle County. ","\nAs Hugh Carr was deprived of any formal education, he placed an emphasis on education for his daughters and son, all of whom went to school. Many of his children earned college degrees, becoming teachers and community leaders. ","His oldest, Mary Louise Carr became principal of Albemarle Training School and was an influential educator in the local community. Later, she was honored for her commitment to education with the naming of Greer Elementary School after her. In 1916, Mary Carr married Conly Greer, the first African American extension agent for Albemarle County and the last family member to farm at Riverview Farm. After his death in 1957, Mary Carr Greer continued to live there but the land was rented to local farmers to farm. When she died in 1973, she left the estate to her only child, Evangeline Greer Jones, who in turn sold it.","Following its sale, the farm was slated to become one of Charlottesville's newest subdivisions with a projected 200 homes. Elizabeth Conant, a biology teacher at the University of Virginia, realized that the land was ideal for a nature preserve. She contacted the Nature Conservancy who bought the farm and held it until the City of Charlottesville and Albemarle County were able to buy the land. The Ivy Creek Foundation was incorporated on May 23, 1979, and the future management of the land lies with them. Paul Saunier, former University of Virginia administrator, was the first president of the Foundation.","The Ivy Creek Natural Area, which currently borders the South Rivanna Reservoir of the City of Charlottesville and consists of 215 acres of forest, field, and stream, was formed from several tracts of land. These include the original tract from the Mary Carr Greer Estate of eighty acres in 1975, a thirty-eight-acre tract from the City of Charlottesville in 1979, the James Fleming tract of eighty-acres in 1981, the Flamenco tract of sixteen acres in 1981, and four tenths of an acre from Bedford Moore in 1981. The Greer property was named the Rann Preserve when purchased by the Nature Conservancy and was renamed the Ivy Creek Natural Area. The organizers of the Ivy Creek Natural Area recognized the history of the Carr family and worked to save and preserve the land as well as the family documents that were found in the farmhouse. ","Sources: Ivy Creek Foundation, Accessed 1/27/2023 https://ivycreekfoundation.org/cultural-history "],"odd_html_tesm":["\u003cp\u003eSome items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling.\u003c/p\u003e"],"odd_heading_ssm":["Conservation"],"odd_tesim":["Some items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling."],"prefercite_html_tesm":["\u003cp\u003eMSS 10176, Hugh Carr family papers and River View Farm, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 10176, Hugh Carr family papers and River View Farm, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection MSS 10176 is related to the Ivy Creek Natural Area MSS 10770, about the history of River View farm and Hugh Carr family which is now the Ivy Creek Natural Area. MSS 10770 is a deposit. It also contains the history of Ivy Creek Natural Area and how it was purchased by the local government to preserve the land and history.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This collection MSS 10176 is related to the Ivy Creek Natural Area MSS 10770, about the history of River View farm and Hugh Carr family which is now the Ivy Creek Natural Area. MSS 10770 is a deposit. It also contains the history of Ivy Creek Natural Area and how it was purchased by the local government to preserve the land and history."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of the history of Hugh Carr, an African American born in enslavement in 1843 and his family who lived on a tract of land (River View Farm) that Carr and his wife Texie Mae Hawkins bought in 1870 after emancipation. He became one of the largest African American landowners in Albemarle County, where he raised several generations of his family in the Union Ridge Hydraulic Mills community, until his death in 1914.\u003c/p\u003e\n","\u003cp\u003eThe papers show that Carr highly valued education for his daughters as well as his son. His eldest daughter, Mary Louise Carr Greer became a well-known educator and principal of Albemarle Training School. Her family continued to live on the farm until 1978 when it became the Ivy Creek Natural Area with the support of the Nature Conservancy. \u003c/p\u003e\n","\u003cp\u003eThere are documents, newspaper clippings, photographs pertaining to the history of this prominent African American family. \u003c/p\u003e\n","\u003cp\u003eIncluded is the original receipt for the purchase of land for the farm by Hugh Carr in 1870 in the amount of $100 and contracts for when Carr worked as a farm manager for Richard Wingfield and A. A. Southerland. \u003c/p\u003e\n","\u003cp\u003eThere are legal and financial papers of Conly Greer (1883-1956) and correspondence of Mary Carr Greer and her husband, Conly Greer.  Included is a letter written for Hugh Carr giving Conly approval to marry his daughter. (Hugh Carr could not read and write but he would sign his name with an X). There is also correspondence of their daughter, Evangeline Greer Jones while courting her husband, Hinton C. Jones.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of the history of Hugh Carr, an African American born in enslavement in 1843 and his family who lived on a tract of land (River View Farm) that Carr and his wife Texie Mae Hawkins bought in 1870 after emancipation. He became one of the largest African American landowners in Albemarle County, where he raised several generations of his family in the Union Ridge Hydraulic Mills community, until his death in 1914.","The papers show that Carr highly valued education for his daughters as well as his son. His eldest daughter, Mary Louise Carr Greer became a well-known educator and principal of Albemarle Training School. Her family continued to live on the farm until 1978 when it became the Ivy Creek Natural Area with the support of the Nature Conservancy. ","There are documents, newspaper clippings, photographs pertaining to the history of this prominent African American family. ","Included is the original receipt for the purchase of land for the farm by Hugh Carr in 1870 in the amount of $100 and contracts for when Carr worked as a farm manager for Richard Wingfield and A. A. Southerland. ","There are legal and financial papers of Conly Greer (1883-1956) and correspondence of Mary Carr Greer and her husband, Conly Greer.  Included is a letter written for Hugh Carr giving Conly approval to marry his daughter. (Hugh Carr could not read and write but he would sign his name with an X). There is also correspondence of their daughter, Evangeline Greer Jones while courting her husband, Hinton C. Jones."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":29,"online_item_count_is":21,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:45:23.850Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1446_c02_c03"}},{"id":"vifgm_mannmaps","type":"collection","attributes":{"title":"C. Harrison Mann, Jr. Map Collection","creator":{"id":"https://arvasarchive.org/catalog/vifgm_mannmaps#creator","type":"document_value","attributes":{"value":"Mann, Charles Harrison, Jr., 1908-1977 \n\t\t","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_mannmaps#abstract_or_scope","type":"document_value","attributes":{"value":"Donated to George Mason University Libraries in September 1978 by the Mann family, the C. Harrison Mann Jr, Map Collection comprises ninety-six maps ranging from the sixteenth to nineteenth centuries and is housed in the Special Collections \u0026amp; Archives department. Though the majority of the maps Mann collected are of Virginia, there are many pertaining to other parts of the United States and the world in the collection.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_mannmaps#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_mannmaps","ead_ssi":"vifgm_mannmaps","_root_":"vifgm_mannmaps","_nest_parent_":"vifgm_mannmaps","ead_source_url_ssi":"data/gmu/mannmaps.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/mannmaps.html","title_ssm":["C. Harrison Mann, Jr. Map Collection"],"title_tesim":["C. Harrison Mann, Jr. Map Collection"],"unitdate_ssm":["1579-1961"],"unitdate_inclusive_ssm":["1579-1961"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0213"],"text":["C0213","C. Harrison Mann, Jr. Map Collection","Maps.","There are no access restrictions.","Selections from the C. Harrison Mann, Jr. Map Collection are also available in the \n                 .","This collection is arranged by size of map.","Charles Harrison Mann, Jr. was born in Alabama in 1908 and received his law degree from the University of Virginia in 1931. He subsequently became an attorney both in Washington, D.C. and in Arlington, Virginia where he and his wife Betty Hart Mann, maintained their home. In 1949, while serving as President of the Northern Virginia Chapter of the University of Virginia Alumni Association, Mann organized an exploratory committee of local citizens to develop support for higher education in Northern Virginia. Through these efforts, the Northern Virginia Center of the University opened in October 1, 1949.","In 1953 Mann organized the Advisory Council to the Northern Virginia Center, which agreed that a two-year branch college should be established. Elected as a Democrat to the Virginia House of Delegates from 1954-1970, Mann sponsored a resolution calling for a study of educational needs for Virginia, and was instrumental in recommending the development of a college system in Virginia, particularly the establishment of a branch in Northern Virginia.","Mann was responsible for creating an educational financial assistance program for Virginia college students, and was instrumental in sponsoring legislation allowing local governments to form regional boards to acquire and transfer land and buildings for educational use.","He also served as the Chairman of George Mason College's first Board of Control. He sponsored bills constituting George Mason College as a branch of the University of Virginia and later elevating it to a four year division of the University with the right to grant degrees and offer graduate programs. He served on the GMU Board of Visitors from 1975 to 1977. He died in 1977.","Processed by Special Collections and Archives staff. EAD markup completed in July 2012 by Greta Kuriger.","Special Collections and Archives also holds   and handwritten draft of his history of George Mason University. Papers pertain to his political career and include subject files, memoranda, campaign materials, speeches, newsclippings and other related materials. In addition, there is the C. Harrison Mann, Jr. collection of rare books and atlases that can be found searching the GMU Libraries catalog.","New Virginia Map published ca. 1660 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20.125 in. x 24.25 in. (51.12 cm x 62.23 cm). Map depicting seventeenth-century Virginia. Titlepiece in upper center. Vignettes of Chief Powhatan in upper left and Native American figure in upper right below explanatory note. This image is based upon the 1608 map by Captain John Smith.","Map of Virginia and Florida published ca. 1640 by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copper plate engraving, color. 21.4 in. x 16.9 in. (54.35 cm x 42.93 cm). Map depicts seventeenth-century Virginia and parts of the southeast Atlantic coast. Large cartouche featuring Native American figures in upper center surrounding titlepiece. Smaller heraldic items in upper right and center of map. Cartouche featuring cherubs surrounds mileage chart in bottom center right.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale.","New Virginia Map by Arnoldis Montanus. Published in Amsterdam in 1671. Copper plate engraving, black and white. 19.3 in. x 16.28 in. (49 cm x 41.35 cm). Map depicts seventeenth-century Virginia. Titlepiece in upper right adorned with images of cherubs. Heraldic image in upper center and Explanatory Note in upper right adorned with figures of Native Americans and animals. Scale in bottom center is also surrounded by cherub figures.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland, and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale. This Map has slightly different coloration than Map 3.","New Belgium and New England published ca. 1662 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 24.3 in. x 20.45 in. (61.72 cm x 51.94 cm). Map depicts seventeenth-century New Belgium, New England, and New Netherland. Titlepiece is middle right and decorated with images of Native Americans, heraldic symbol, and crown. Scale is in bottom left and decorated with images of children. Other artwork in the map include vignettes of stockade-fenced settlements, animals, and ships.","Map of Virginia, Maryland, Pennsylvania, and New Jersey by John Senex (1678-1740) published 1719 in London. Copper plate engraving, color. 24 in. x 20 in. (60.96 cm x 50.8 cm). Map depicts Virginia, Maryland, Pennsylvania, and New Jersey. Titlepiece in upper left. Scale in lower right.","Peter Goos. 17x21.","Homann. 20x23.","Map of Virginia and Maryland by Herman Moll (1654-1732). Published in London ca. 1700. Copper plate Engraving, color. 9.5 in. x 13.85 in. (24.14 cm x 35.18 cm). Map depicts Virginia, Maryland and parts of southern New Jersey. Unadorned titlepiece in upper left.","Map of Virginia and Maryland by Gilles Robert de Vaugondy (1688-1766) published in 1755. Copper plate engraving, color. 31.75 in x 21.5 in (80.64 cm x 54.61 cm). Map depicting Virginia, Maryland, and parts of Pennsylvania and Delaware. Titlepiece and scale in bottom right has cartouche of flora.","State of Virginia Map by Samuel Lewis, Philadelphia. Copper plate engraving, black and white. 21.3 in. x 16.9 in. (54.1 cm x 42.9 cm). Map depicting Virginia, the Northwest Territory, and parts of Maryland. Titlepiece with scale in upper left.","Unidentified. 10x15.","Map of Virginia and Maryland by Emmanuel Bowen. Copper plate engraving, color. 9.75 in. x 16 in. (24.76 cm x 40.64 cm). Map depicts eighteenth-century Virginia, Maryland, and part of New Jersey. Titlepiece and scale are in bottom right.","New Map of Maryland by John Ogilby (1600-1676). Copper plate engraving, color. 20.15 in. x 16.21 in. (51.18 cm x 41.17 cm). Map depicts seventeenth-century Maryland and parts of both Virginia, and New Jersey. Ornate Titlepiece is in top center of map. Dedication, adorned with the coat of arms of Lord Baltimore, is in the upper right, and scale in lower left.","Map of North America by Pierre Schenk (1660-1718) of Amsterdam. Copper plate engraving, color. 25 in. x 20.5 in. (63.5 cm x 52.07 cm). Map depicts eighteenth-century North America. European territorial possessions are colored in. Ornately decorated titlepiece featuring mythological sea creatures is in upper right. Advertisement and scale are in upper left.","Ortelius. 19x23.","Copper plate engraving, color. 8 in. x 11 in (20.32 cm x 27.94 cm). Map depicting the world's continents as seen from the vantage point of the North Pole. No identification, though \"1680\" penciled-in on verso.","America or New World Newly Described by Abraham Ortelius (1528-1598). Copper plate engraving, black and white. 20.25 in x 15.6 in (51.43 cm x 39.62 cm). Map of North and South America. Ornately decorated titlepiece in lower left and sailing ships in center.","Map of Caribbean islands and Gulf of Mexico by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copperplate engraving, color. 23 in. x 19.25 in. (58.42 cm x 48.89 cm). Map depicting Gulf of Mexico and Caribbean Islands and parts of North, South, and Central America. Titlepiece in upper left flanked by cherubs. Ornate dedication in lower left and scale in lower right.","Map of North and South America by Herman Moll (1654-1732), London. Copper plate engraving, color. 9 in. x 14 in. (22.86 cm x 35.56 cm). Map depicts eighteenth-century North and South America. Titlepiece in top left of map.","Map of North and Central America by Guillame Delisle (1675-1726) of Paris. Copper plate engraving, color. 21 in x 25 in (53.34 cm x 63.5 cm). Map depicting the eastern part of North America and Central America. Ornately decorated titlepiece in upper left featuring mythical sea figures and scale in upper right.","Map of the United States by William Faden (1750-1836). Published 1796 in London. Copper plate engraving, color. 23 in. x 31 in. (58.42 cm x 78.74 cm). Map depicts the eighteenth-century United States of America and parts of Canada. Titlepiece in bottom right is decorated with images having to do with shipping and trade. Scale is in bottom left.","Map of Chesapeake Bay Area of Virginia, Mark Tiddeman, London. Copper plate engraving, color. 19 in. x 23.5 in. (48.26 cm x 59.69 cm). Map depicts eighteenth-century Tidewater and Chesapeake Bay area of Virginia. Titlepiece in bottom left. Scale is in bottom center.","Map of North America, J. Spillsbury, London. Copper plate engraving, color. 11 in. x 15 in. (27.94 cm x 38.1 cm). Eighteenth-century map depicting North America. Titlepiece is in bottom right. European territorial claims are delineated by colored outlining.","Map of American Colonies by Thomas Bowen (1700-1763), London. Copper plate engraving, color. 9 in. x 12 in. (22.86 cm x 30.48 cm). Map depicting the eighteenth-century American colonies. Titlepiece in lower right flanked by images of Native Americans. Scale in middle right.","Map of North America by Simon Bolton and engraved by R.W. Seale. Copper plate engraving, color. 21 in. x 26 in. (53.34 cm x 66.04 cm). Map depicts eighteenth-century British and French North America. Large decorated titlepiece in lower right adorned with images of cherubs, a Native American figure, animals, and plants.","New Map of the World, by A. F. De wit. Copper plate engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Seventeenth-century map of the world depicting the eastern and western hemispheres surrounded by images of the seasons, elements, and mythological figures.","World map showing eastern and western hemispheres, G.M. Lowitz. Copper plate engraving, color. 20 in. x 24 in. (49 cm x 41.35 cm). Eighteenth-century map depicting the eastern and western hemispheres of the world. Titlepieces in both upper left (Latin) and upper right (French) adorned with images of flora and fauna. Map has four insets, which depict the Arctic, Antarctic, Horizon of Nuremburg, and the Antipodes of Nuremburg.","Blaeu. 17x21.","Map of England and part of Scotland by Guliel Hole (d. 1624). Copper plate engraving, color. 12 in. x 13 in. (30.48 cm x 33.02 cm). Seventeenth-century map of England and Scotland. Titlepiece in upper right adorned with ornate cartouche featuring a crown and colorful embellishments. Large compass rose in lower left.","Map of the Isle of Wight, Joan Bleau (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 24 in. (50.8 cm x 60.96 cm). Seventeenth-century map of the Isle of Wight off the southern English coast. Title piece in lower left has cartouche featuring a coat of arms, and animals. Scale, adorned with globe, in lower right.","Bleau. 20x24.","Blaeu. 20x24.","John Rocque. 40x50. London. Two sheets.","Map of Warwickshire, England published ca. 1646 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 25 in. (50.8 cm x 63.5 cm). Map depicting seventeenth-century Warwickshire, England. Titlepiece in bottom left decorated with cartouche of fruits and flowers. Coats of arms in top left and bottom right, and scale in top right.","Bellin. 23x36. Paris.","I. Harrison. 21x32. Two sheet map.","Map of the Western Hemisphere published by J. Covens and C. Mortimer in Amsterdam. Copper plate engraving, color. 20 in. x 20 in. (50.8 cm x 50.8 cm). Map depicting eighteenth-century Western Hemisphere (North and South America and Pacific islands). Title in upper part of map. European territorial holdings are outlined in color.","Unidentified. 19x24.","Unidentified. 21x24. Paris.","LaRouge. 21x29. Paris.","From Pinkerton's Atlas. 24x40. London.","Map of roads between Chelmsford and Dover, England published by John Ogilby (1600-1676). Copper plate engraving, color. 15 in. x 18 in. (38.1 cm x 45.72 cm). Map depicts seventeenth-century road from Chelmsford to Dover, England. Titlepiece is in top center of map with a cartouche of mythological sea creatures and figures.","Map of road from London to Bury, England by J. Gibson and published circa 1720. Copper plate engraving, color. 7 in. x 12 in. (17.78 cm x 30.48 cm). Map depicts eighteenth-century road from London to Bury, England. Title runs entire length of map at top. Road is divided into ten numbered columns and towns and mileages are labeled.","2-sheet map of southern London by Christophe Homan (1703-30) and published 1736. Copper plate engraving, color. 25 in. x 31 in. (63.5 cm x 78.74 cm). 2-sheet map depicting eighteenth-century south London, England. Titlepiece in lower right with Lion and Unicorn Cartouche. Title of map is in Latin, while place and street names are in English. Other information is in German.","Map of Virginia, Maryland and Delaware by Henry Schenck Tanner (1786 - 1858), Philadelphia. Engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Nineteenth-century map depicting Virginia, Maryland, and Delaware. Titlepiece is in top center. Scale and Explanation are in bottom center. Counties within each state are colored, while bordering states are left white.","Unidentified. 12x15. Includes: a) Virginia and Maryland, b) Texas, c) Arizona and New Mexica, d) Kentucky and Tennessee, e) Floriday, f) Georgia and Alabama, g) North and South Caroline, h) Baltimore, MD.","Wilkinson. 11x13. London.","Cadell and Davies. 23x30. London.","Unidentified. 9x11.","A. J. Johnson. 18x26. New York.","A. J. Johnson. 18x26. Same as item 52, but a different edition.","Cowperthwait. 14x17. Philadelphia.","Cotton. 16x18. New York.","Johnson. 14x18. New York. Same as item 55.","Colton. 16x18. New York.","Seers \u0026 Co. 11x16.","Unidentified. 17x21.","Cary. 21x24. London.","Unidentified. 18x22.","Unidentified. 18x22.","Unidentified. 18x27. New York.","Begin. 15x17.","Seutter. 221x25. Pictorial map with scene of burning of Lisbon.","Unidentified. 16x32.","Herman Boye. 31x50. Example of the first official map of Virginia backed with cloth in slip case.","Major J.E. Wayes. 22x25. New York. Maps include 1) Petersburg and Five Forks, 2) Antietam, 3) Spotsylvania Courthouse, and 4) Richmond; folded maps each with a hard cover. In 2 folders.","Blackford. 20x24. Baltimore. Folded map with hard cover.","Young. 13x16. Philadelphia.","Mitchell (publisher). 22x18. Philadelphia. Folding traveler's map in red morocco folder (3x5); map torn in folds, folder chipped and rubbed. In the same folder as item 70.","By Richard Long. 21x25. Manuscript map on parchment showing the future site of the Scottish Colony near Panama which existed from 1698 to 1699, when it was captured by the Spanish Army. Darien was to be the Scottish Jamestown and was part of the British effort to expand southward into the Caribbean. The few survivors found refuge in Jamaica.","Wytfliet. 9x12. Louvon.","Ortelius. 17x21. Map from early atlas.","Hondius. 19x23. Hondius edition of John Smith map of 1608.","12x19. Amsterdam.","Leide. 15x19.","27x29. Washington D.C.","There are no restrictions on personal use. Permission to publish material from the C. Harrison Mann, Jr. Map Collection must be obtained from Special Collections Research Center, George Mason University Libraries.","Donated to George Mason University Libraries in September 1978 by the Mann family, the C. Harrison Mann Jr, Map Collection comprises ninety-six maps ranging from the sixteenth to nineteenth centuries and is housed in the Special Collections \u0026 Archives department. Though the majority of the maps Mann collected are of Virginia, there are many pertaining to other parts of the United States and the world in the collection.","George Mason University. Libraries. Special Collections \u0026 Archives","Mann, Charles Harrison, Jr., 1908-1977 \n\t\t","English\n\t\t"],"unitid_tesim":["C0213"],"normalized_title_ssm":["C. Harrison Mann, Jr. Map Collection"],"collection_title_tesim":["C. Harrison Mann, Jr. Map Collection"],"collection_ssim":["C. Harrison Mann, Jr. Map Collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"creator_ssim":["Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"creator_persname_ssim":["Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"creators_ssim":["Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the C. Harrison Mann, Jr. Map Collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Collection donated by Betty Hart Mann in 1979."],"access_subjects_ssim":["Maps."],"access_subjects_ssm":["Maps."],"has_online_content_ssim":["true"],"extent_ssm":["5 linear feet (90 folders)"],"extent_tesim":["5 linear feet (90 folders)"],"date_range_isim":[1579,1580,1581,1582,1583,1584,1585,1586,1587,1588,1589,1590,1591,1592,1593,1594,1595,1596,1597,1598,1599,1600,1601,1602,1603,1604,1605,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eSelections from the C. Harrison Mann, Jr. Map Collection are also available in the \n                \u003cextptr type=\"simple\" show=\"new\" title=\"C. Harrison Mann, Jr. Digitized Map Collection\" href=\"http://digilib.gmu.edu:8080/dspace/handle/1920/1935\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Selections from the C. Harrison Mann, Jr. Map Collection are also available in the \n                 ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by size of map.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by size of map."],"bioghist_html_tesm":["\u003cp\u003eCharles Harrison Mann, Jr. was born in Alabama in 1908 and received his law degree from the University of Virginia in 1931. He subsequently became an attorney both in Washington, D.C. and in Arlington, Virginia where he and his wife Betty Hart Mann, maintained their home. In 1949, while serving as President of the Northern Virginia Chapter of the University of Virginia Alumni Association, Mann organized an exploratory committee of local citizens to develop support for higher education in Northern Virginia. Through these efforts, the Northern Virginia Center of the University opened in October 1, 1949.\u003c/p\u003e","\u003cp\u003eIn 1953 Mann organized the Advisory Council to the Northern Virginia Center, which agreed that a two-year branch college should be established. Elected as a Democrat to the Virginia House of Delegates from 1954-1970, Mann sponsored a resolution calling for a study of educational needs for Virginia, and was instrumental in recommending the development of a college system in Virginia, particularly the establishment of a branch in Northern Virginia.\u003c/p\u003e","\u003cp\u003eMann was responsible for creating an educational financial assistance program for Virginia college students, and was instrumental in sponsoring legislation allowing local governments to form regional boards to acquire and transfer land and buildings for educational use.\u003c/p\u003e","\u003cp\u003eHe also served as the Chairman of George Mason College's first Board of Control. He sponsored bills constituting George Mason College as a branch of the University of Virginia and later elevating it to a four year division of the University with the right to grant degrees and offer graduate programs. He served on the GMU Board of Visitors from 1975 to 1977. He died in 1977.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Charles Harrison Mann, Jr. was born in Alabama in 1908 and received his law degree from the University of Virginia in 1931. He subsequently became an attorney both in Washington, D.C. and in Arlington, Virginia where he and his wife Betty Hart Mann, maintained their home. In 1949, while serving as President of the Northern Virginia Chapter of the University of Virginia Alumni Association, Mann organized an exploratory committee of local citizens to develop support for higher education in Northern Virginia. Through these efforts, the Northern Virginia Center of the University opened in October 1, 1949.","In 1953 Mann organized the Advisory Council to the Northern Virginia Center, which agreed that a two-year branch college should be established. Elected as a Democrat to the Virginia House of Delegates from 1954-1970, Mann sponsored a resolution calling for a study of educational needs for Virginia, and was instrumental in recommending the development of a college system in Virginia, particularly the establishment of a branch in Northern Virginia.","Mann was responsible for creating an educational financial assistance program for Virginia college students, and was instrumental in sponsoring legislation allowing local governments to form regional boards to acquire and transfer land and buildings for educational use.","He also served as the Chairman of George Mason College's first Board of Control. He sponsored bills constituting George Mason College as a branch of the University of Virginia and later elevating it to a four year division of the University with the right to grant degrees and offer graduate programs. He served on the GMU Board of Visitors from 1975 to 1977. He died in 1977."],"prefercite_html_tesm":["\u003cp\u003eC. Harrison Mann, Jr. Map Collection, C0213, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["C. Harrison Mann, Jr. Map Collection, C0213, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff. EAD markup completed in July 2012 by Greta Kuriger.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections and Archives staff. EAD markup completed in July 2012 by Greta Kuriger."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds \u003cextptr type=\"simple\" show=\"new\" title=\"C. Harrison Mann, Jr.'s personal papers\" href=\"http://sca.gmu.edu/finding_aids/mann.html\"\u003e\u003c/extptr\u003e and handwritten draft of his history of George Mason University. Papers pertain to his political career and include subject files, memoranda, campaign materials, speeches, newsclippings and other related materials. In addition, there is the C. Harrison Mann, Jr. collection of rare books and atlases that can be found searching the GMU Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds   and handwritten draft of his history of George Mason University. Papers pertain to his political career and include subject files, memoranda, campaign materials, speeches, newsclippings and other related materials. In addition, there is the C. Harrison Mann, Jr. collection of rare books and atlases that can be found searching the GMU Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eNew Virginia Map published ca. 1660 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20.125 in. x 24.25 in. (51.12 cm x 62.23 cm). Map depicting seventeenth-century Virginia. Titlepiece in upper center. Vignettes of Chief Powhatan in upper left and Native American figure in upper right below explanatory note. This image is based upon the 1608 map by Captain John Smith.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Florida published ca. 1640 by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copper plate engraving, color. 21.4 in. x 16.9 in. (54.35 cm x 42.93 cm). Map depicts seventeenth-century Virginia and parts of the southeast Atlantic coast. Large cartouche featuring Native American figures in upper center surrounding titlepiece. Smaller heraldic items in upper right and center of map. Cartouche featuring cherubs surrounds mileage chart in bottom center right.\u003c/p\u003e","\u003cp\u003eBy Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale.\u003c/p\u003e","\u003cp\u003eNew Virginia Map by Arnoldis Montanus. Published in Amsterdam in 1671. Copper plate engraving, black and white. 19.3 in. x 16.28 in. (49 cm x 41.35 cm). Map depicts seventeenth-century Virginia. Titlepiece in upper right adorned with images of cherubs. Heraldic image in upper center and Explanatory Note in upper right adorned with figures of Native Americans and animals. Scale in bottom center is also surrounded by cherub figures.\u003c/p\u003e","\u003cp\u003eBy Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland, and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale. This Map has slightly different coloration than Map 3.\u003c/p\u003e","\u003cp\u003eNew Belgium and New England published ca. 1662 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 24.3 in. x 20.45 in. (61.72 cm x 51.94 cm). Map depicts seventeenth-century New Belgium, New England, and New Netherland. Titlepiece is middle right and decorated with images of Native Americans, heraldic symbol, and crown. Scale is in bottom left and decorated with images of children. Other artwork in the map include vignettes of stockade-fenced settlements, animals, and ships.\u003c/p\u003e","\u003cp\u003eMap of Virginia, Maryland, Pennsylvania, and New Jersey by John Senex (1678-1740) published 1719 in London. Copper plate engraving, color. 24 in. x 20 in. (60.96 cm x 50.8 cm). Map depicts Virginia, Maryland, Pennsylvania, and New Jersey. Titlepiece in upper left. Scale in lower right.\u003c/p\u003e","\u003cp\u003ePeter Goos. 17x21.\u003c/p\u003e","\u003cp\u003eHomann. 20x23.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Maryland by Herman Moll (1654-1732). Published in London ca. 1700. Copper plate Engraving, color. 9.5 in. x 13.85 in. (24.14 cm x 35.18 cm). Map depicts Virginia, Maryland and parts of southern New Jersey. Unadorned titlepiece in upper left.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Maryland by Gilles Robert de Vaugondy (1688-1766) published in 1755. Copper plate engraving, color. 31.75 in x 21.5 in (80.64 cm x 54.61 cm). Map depicting Virginia, Maryland, and parts of Pennsylvania and Delaware. Titlepiece and scale in bottom right has cartouche of flora.\u003c/p\u003e","\u003cp\u003eState of Virginia Map by Samuel Lewis, Philadelphia. Copper plate engraving, black and white. 21.3 in. x 16.9 in. (54.1 cm x 42.9 cm). Map depicting Virginia, the Northwest Territory, and parts of Maryland. Titlepiece with scale in upper left.\u003c/p\u003e","\u003cp\u003eUnidentified. 10x15.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Maryland by Emmanuel Bowen. Copper plate engraving, color. 9.75 in. x 16 in. (24.76 cm x 40.64 cm). Map depicts eighteenth-century Virginia, Maryland, and part of New Jersey. Titlepiece and scale are in bottom right.\u003c/p\u003e","\u003cp\u003eNew Map of Maryland by John Ogilby (1600-1676). Copper plate engraving, color. 20.15 in. x 16.21 in. (51.18 cm x 41.17 cm). Map depicts seventeenth-century Maryland and parts of both Virginia, and New Jersey. Ornate Titlepiece is in top center of map. Dedication, adorned with the coat of arms of Lord Baltimore, is in the upper right, and scale in lower left.\u003c/p\u003e","\u003cp\u003eMap of North America by Pierre Schenk (1660-1718) of Amsterdam. Copper plate engraving, color. 25 in. x 20.5 in. (63.5 cm x 52.07 cm). Map depicts eighteenth-century North America. European territorial possessions are colored in. Ornately decorated titlepiece featuring mythological sea creatures is in upper right. Advertisement and scale are in upper left.\u003c/p\u003e","\u003cp\u003eOrtelius. 19x23.\u003c/p\u003e","\u003cp\u003eCopper plate engraving, color. 8 in. x 11 in (20.32 cm x 27.94 cm). Map depicting the world's continents as seen from the vantage point of the North Pole. No identification, though \"1680\" penciled-in on verso.\u003c/p\u003e","\u003cp\u003eAmerica or New World Newly Described by Abraham Ortelius (1528-1598). Copper plate engraving, black and white. 20.25 in x 15.6 in (51.43 cm x 39.62 cm). Map of North and South America. Ornately decorated titlepiece in lower left and sailing ships in center.\u003c/p\u003e","\u003cp\u003eMap of Caribbean islands and Gulf of Mexico by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copperplate engraving, color. 23 in. x 19.25 in. (58.42 cm x 48.89 cm). Map depicting Gulf of Mexico and Caribbean Islands and parts of North, South, and Central America. Titlepiece in upper left flanked by cherubs. Ornate dedication in lower left and scale in lower right.\u003c/p\u003e","\u003cp\u003eMap of North and South America by Herman Moll (1654-1732), London. Copper plate engraving, color. 9 in. x 14 in. (22.86 cm x 35.56 cm). Map depicts eighteenth-century North and South America. Titlepiece in top left of map.\u003c/p\u003e","\u003cp\u003eMap of North and Central America by Guillame Delisle (1675-1726) of Paris. Copper plate engraving, color. 21 in x 25 in (53.34 cm x 63.5 cm). Map depicting the eastern part of North America and Central America. Ornately decorated titlepiece in upper left featuring mythical sea figures and scale in upper right.\u003c/p\u003e","\u003cp\u003eMap of the United States by William Faden (1750-1836). Published 1796 in London. Copper plate engraving, color. 23 in. x 31 in. (58.42 cm x 78.74 cm). Map depicts the eighteenth-century United States of America and parts of Canada. Titlepiece in bottom right is decorated with images having to do with shipping and trade. Scale is in bottom left.\u003c/p\u003e","\u003cp\u003eMap of Chesapeake Bay Area of Virginia, Mark Tiddeman, London. Copper plate engraving, color. 19 in. x 23.5 in. (48.26 cm x 59.69 cm). Map depicts eighteenth-century Tidewater and Chesapeake Bay area of Virginia. Titlepiece in bottom left. Scale is in bottom center.\u003c/p\u003e","\u003cp\u003eMap of North America, J. Spillsbury, London. Copper plate engraving, color. 11 in. x 15 in. (27.94 cm x 38.1 cm). Eighteenth-century map depicting North America. Titlepiece is in bottom right. European territorial claims are delineated by colored outlining.\u003c/p\u003e","\u003cp\u003eMap of American Colonies by Thomas Bowen (1700-1763), London. Copper plate engraving, color. 9 in. x 12 in. (22.86 cm x 30.48 cm). Map depicting the eighteenth-century American colonies. Titlepiece in lower right flanked by images of Native Americans. Scale in middle right.\u003c/p\u003e","\u003cp\u003eMap of North America by Simon Bolton and engraved by R.W. Seale. Copper plate engraving, color. 21 in. x 26 in. (53.34 cm x 66.04 cm). Map depicts eighteenth-century British and French North America. Large decorated titlepiece in lower right adorned with images of cherubs, a Native American figure, animals, and plants.\u003c/p\u003e","\u003cp\u003eNew Map of the World, by A. F. De wit. Copper plate engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Seventeenth-century map of the world depicting the eastern and western hemispheres surrounded by images of the seasons, elements, and mythological figures.\u003c/p\u003e","\u003cp\u003eWorld map showing eastern and western hemispheres, G.M. Lowitz. Copper plate engraving, color. 20 in. x 24 in. (49 cm x 41.35 cm). Eighteenth-century map depicting the eastern and western hemispheres of the world. Titlepieces in both upper left (Latin) and upper right (French) adorned with images of flora and fauna. Map has four insets, which depict the Arctic, Antarctic, Horizon of Nuremburg, and the Antipodes of Nuremburg.\u003c/p\u003e","\u003cp\u003eBlaeu. 17x21.\u003c/p\u003e","\u003cp\u003eMap of England and part of Scotland by Guliel Hole (d. 1624). Copper plate engraving, color. 12 in. x 13 in. (30.48 cm x 33.02 cm). Seventeenth-century map of England and Scotland. Titlepiece in upper right adorned with ornate cartouche featuring a crown and colorful embellishments. Large compass rose in lower left.\u003c/p\u003e","\u003cp\u003eMap of the Isle of Wight, Joan Bleau (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 24 in. (50.8 cm x 60.96 cm). Seventeenth-century map of the Isle of Wight off the southern English coast. Title piece in lower left has cartouche featuring a coat of arms, and animals. Scale, adorned with globe, in lower right.\u003c/p\u003e","\u003cp\u003eBleau. 20x24.\u003c/p\u003e","\u003cp\u003eBlaeu. 20x24.\u003c/p\u003e","\u003cp\u003eJohn Rocque. 40x50. London. Two sheets.\u003c/p\u003e","\u003cp\u003eMap of Warwickshire, England published ca. 1646 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 25 in. (50.8 cm x 63.5 cm). Map depicting seventeenth-century Warwickshire, England. Titlepiece in bottom left decorated with cartouche of fruits and flowers. Coats of arms in top left and bottom right, and scale in top right.\u003c/p\u003e","\u003cp\u003eBellin. 23x36. Paris.\u003c/p\u003e","\u003cp\u003eI. Harrison. 21x32. Two sheet map.\u003c/p\u003e","\u003cp\u003eMap of the Western Hemisphere published by J. Covens and C. Mortimer in Amsterdam. Copper plate engraving, color. 20 in. x 20 in. (50.8 cm x 50.8 cm). Map depicting eighteenth-century Western Hemisphere (North and South America and Pacific islands). Title in upper part of map. European territorial holdings are outlined in color.\u003c/p\u003e","\u003cp\u003eUnidentified. 19x24.\u003c/p\u003e","\u003cp\u003eUnidentified. 21x24. Paris.\u003c/p\u003e","\u003cp\u003eLaRouge. 21x29. Paris.\u003c/p\u003e","\u003cp\u003eFrom Pinkerton's Atlas. 24x40. London.\u003c/p\u003e","\u003cp\u003eMap of roads between Chelmsford and Dover, England published by John Ogilby (1600-1676). Copper plate engraving, color. 15 in. x 18 in. (38.1 cm x 45.72 cm). Map depicts seventeenth-century road from Chelmsford to Dover, England. Titlepiece is in top center of map with a cartouche of mythological sea creatures and figures.\u003c/p\u003e","\u003cp\u003eMap of road from London to Bury, England by J. Gibson and published circa 1720. Copper plate engraving, color. 7 in. x 12 in. (17.78 cm x 30.48 cm). Map depicts eighteenth-century road from London to Bury, England. Title runs entire length of map at top. Road is divided into ten numbered columns and towns and mileages are labeled.\u003c/p\u003e","\u003cp\u003e2-sheet map of southern London by Christophe Homan (1703-30) and published 1736. Copper plate engraving, color. 25 in. x 31 in. (63.5 cm x 78.74 cm). 2-sheet map depicting eighteenth-century south London, England. Titlepiece in lower right with Lion and Unicorn Cartouche. Title of map is in Latin, while place and street names are in English. Other information is in German.\u003c/p\u003e","\u003cp\u003eMap of Virginia, Maryland and Delaware by Henry Schenck Tanner (1786 - 1858), Philadelphia. Engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Nineteenth-century map depicting Virginia, Maryland, and Delaware. Titlepiece is in top center. Scale and Explanation are in bottom center. Counties within each state are colored, while bordering states are left white.\u003c/p\u003e","\u003cp\u003eUnidentified. 12x15. Includes: a) Virginia and Maryland, b) Texas, c) Arizona and New Mexica, d) Kentucky and Tennessee, e) Floriday, f) Georgia and Alabama, g) North and South Caroline, h) Baltimore, MD.\u003c/p\u003e","\u003cp\u003eWilkinson. 11x13. London.\u003c/p\u003e","\u003cp\u003eCadell and Davies. 23x30. London.\u003c/p\u003e","\u003cp\u003eUnidentified. 9x11.\u003c/p\u003e","\u003cp\u003eA. J. Johnson. 18x26. New York.\u003c/p\u003e","\u003cp\u003eA. J. Johnson. 18x26. Same as item 52, but a different edition.\u003c/p\u003e","\u003cp\u003eCowperthwait. 14x17. Philadelphia.\u003c/p\u003e","\u003cp\u003eCotton. 16x18. New York.\u003c/p\u003e","\u003cp\u003eJohnson. 14x18. New York. Same as item 55.\u003c/p\u003e","\u003cp\u003eColton. 16x18. New York.\u003c/p\u003e","\u003cp\u003eSeers \u0026amp; Co. 11x16.\u003c/p\u003e","\u003cp\u003eUnidentified. 17x21.\u003c/p\u003e","\u003cp\u003eCary. 21x24. London.\u003c/p\u003e","\u003cp\u003eUnidentified. 18x22.\u003c/p\u003e","\u003cp\u003eUnidentified. 18x22.\u003c/p\u003e","\u003cp\u003eUnidentified. 18x27. New York.\u003c/p\u003e","\u003cp\u003eBegin. 15x17.\u003c/p\u003e","\u003cp\u003eSeutter. 221x25. Pictorial map with scene of burning of Lisbon.\u003c/p\u003e","\u003cp\u003eUnidentified. 16x32.\u003c/p\u003e","\u003cp\u003eHerman Boye. 31x50. Example of the first official map of Virginia backed with cloth in slip case.\u003c/p\u003e","\u003cp\u003eMajor J.E. Wayes. 22x25. New York. Maps include 1) Petersburg and Five Forks, 2) Antietam, 3) Spotsylvania Courthouse, and 4) Richmond; folded maps each with a hard cover. In 2 folders.\u003c/p\u003e","\u003cp\u003eBlackford. 20x24. Baltimore. Folded map with hard cover.\u003c/p\u003e","\u003cp\u003eYoung. 13x16. Philadelphia.\u003c/p\u003e","\u003cp\u003eMitchell (publisher). 22x18. Philadelphia. Folding traveler's map in red morocco folder (3x5); map torn in folds, folder chipped and rubbed. In the same folder as item 70.\u003c/p\u003e","\u003cp\u003eBy Richard Long. 21x25. Manuscript map on parchment showing the future site of the Scottish Colony near Panama which existed from 1698 to 1699, when it was captured by the Spanish Army. Darien was to be the Scottish Jamestown and was part of the British effort to expand southward into the Caribbean. The few survivors found refuge in Jamaica.\u003c/p\u003e","\u003cp\u003eWytfliet. 9x12. Louvon.\u003c/p\u003e","\u003cp\u003eOrtelius. 17x21. Map from early atlas.\u003c/p\u003e","\u003cp\u003eHondius. 19x23. Hondius edition of John Smith map of 1608.\u003c/p\u003e","\u003cp\u003e12x19. Amsterdam.\u003c/p\u003e","\u003cp\u003eLeide. 15x19.\u003c/p\u003e","\u003cp\u003e27x29. Washington D.C.\u003c/p\u003e"],"scopecontent_tesim":["New Virginia Map published ca. 1660 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20.125 in. x 24.25 in. (51.12 cm x 62.23 cm). Map depicting seventeenth-century Virginia. Titlepiece in upper center. Vignettes of Chief Powhatan in upper left and Native American figure in upper right below explanatory note. This image is based upon the 1608 map by Captain John Smith.","Map of Virginia and Florida published ca. 1640 by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copper plate engraving, color. 21.4 in. x 16.9 in. (54.35 cm x 42.93 cm). Map depicts seventeenth-century Virginia and parts of the southeast Atlantic coast. Large cartouche featuring Native American figures in upper center surrounding titlepiece. Smaller heraldic items in upper right and center of map. Cartouche featuring cherubs surrounds mileage chart in bottom center right.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale.","New Virginia Map by Arnoldis Montanus. Published in Amsterdam in 1671. Copper plate engraving, black and white. 19.3 in. x 16.28 in. (49 cm x 41.35 cm). Map depicts seventeenth-century Virginia. Titlepiece in upper right adorned with images of cherubs. Heraldic image in upper center and Explanatory Note in upper right adorned with figures of Native Americans and animals. Scale in bottom center is also surrounded by cherub figures.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland, and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale. This Map has slightly different coloration than Map 3.","New Belgium and New England published ca. 1662 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 24.3 in. x 20.45 in. (61.72 cm x 51.94 cm). Map depicts seventeenth-century New Belgium, New England, and New Netherland. Titlepiece is middle right and decorated with images of Native Americans, heraldic symbol, and crown. Scale is in bottom left and decorated with images of children. Other artwork in the map include vignettes of stockade-fenced settlements, animals, and ships.","Map of Virginia, Maryland, Pennsylvania, and New Jersey by John Senex (1678-1740) published 1719 in London. Copper plate engraving, color. 24 in. x 20 in. (60.96 cm x 50.8 cm). Map depicts Virginia, Maryland, Pennsylvania, and New Jersey. Titlepiece in upper left. Scale in lower right.","Peter Goos. 17x21.","Homann. 20x23.","Map of Virginia and Maryland by Herman Moll (1654-1732). Published in London ca. 1700. Copper plate Engraving, color. 9.5 in. x 13.85 in. (24.14 cm x 35.18 cm). Map depicts Virginia, Maryland and parts of southern New Jersey. Unadorned titlepiece in upper left.","Map of Virginia and Maryland by Gilles Robert de Vaugondy (1688-1766) published in 1755. Copper plate engraving, color. 31.75 in x 21.5 in (80.64 cm x 54.61 cm). Map depicting Virginia, Maryland, and parts of Pennsylvania and Delaware. Titlepiece and scale in bottom right has cartouche of flora.","State of Virginia Map by Samuel Lewis, Philadelphia. Copper plate engraving, black and white. 21.3 in. x 16.9 in. (54.1 cm x 42.9 cm). Map depicting Virginia, the Northwest Territory, and parts of Maryland. Titlepiece with scale in upper left.","Unidentified. 10x15.","Map of Virginia and Maryland by Emmanuel Bowen. Copper plate engraving, color. 9.75 in. x 16 in. (24.76 cm x 40.64 cm). Map depicts eighteenth-century Virginia, Maryland, and part of New Jersey. Titlepiece and scale are in bottom right.","New Map of Maryland by John Ogilby (1600-1676). Copper plate engraving, color. 20.15 in. x 16.21 in. (51.18 cm x 41.17 cm). Map depicts seventeenth-century Maryland and parts of both Virginia, and New Jersey. Ornate Titlepiece is in top center of map. Dedication, adorned with the coat of arms of Lord Baltimore, is in the upper right, and scale in lower left.","Map of North America by Pierre Schenk (1660-1718) of Amsterdam. Copper plate engraving, color. 25 in. x 20.5 in. (63.5 cm x 52.07 cm). Map depicts eighteenth-century North America. European territorial possessions are colored in. Ornately decorated titlepiece featuring mythological sea creatures is in upper right. Advertisement and scale are in upper left.","Ortelius. 19x23.","Copper plate engraving, color. 8 in. x 11 in (20.32 cm x 27.94 cm). Map depicting the world's continents as seen from the vantage point of the North Pole. No identification, though \"1680\" penciled-in on verso.","America or New World Newly Described by Abraham Ortelius (1528-1598). Copper plate engraving, black and white. 20.25 in x 15.6 in (51.43 cm x 39.62 cm). Map of North and South America. Ornately decorated titlepiece in lower left and sailing ships in center.","Map of Caribbean islands and Gulf of Mexico by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copperplate engraving, color. 23 in. x 19.25 in. (58.42 cm x 48.89 cm). Map depicting Gulf of Mexico and Caribbean Islands and parts of North, South, and Central America. Titlepiece in upper left flanked by cherubs. Ornate dedication in lower left and scale in lower right.","Map of North and South America by Herman Moll (1654-1732), London. Copper plate engraving, color. 9 in. x 14 in. (22.86 cm x 35.56 cm). Map depicts eighteenth-century North and South America. Titlepiece in top left of map.","Map of North and Central America by Guillame Delisle (1675-1726) of Paris. Copper plate engraving, color. 21 in x 25 in (53.34 cm x 63.5 cm). Map depicting the eastern part of North America and Central America. Ornately decorated titlepiece in upper left featuring mythical sea figures and scale in upper right.","Map of the United States by William Faden (1750-1836). Published 1796 in London. Copper plate engraving, color. 23 in. x 31 in. (58.42 cm x 78.74 cm). Map depicts the eighteenth-century United States of America and parts of Canada. Titlepiece in bottom right is decorated with images having to do with shipping and trade. Scale is in bottom left.","Map of Chesapeake Bay Area of Virginia, Mark Tiddeman, London. Copper plate engraving, color. 19 in. x 23.5 in. (48.26 cm x 59.69 cm). Map depicts eighteenth-century Tidewater and Chesapeake Bay area of Virginia. Titlepiece in bottom left. Scale is in bottom center.","Map of North America, J. Spillsbury, London. Copper plate engraving, color. 11 in. x 15 in. (27.94 cm x 38.1 cm). Eighteenth-century map depicting North America. Titlepiece is in bottom right. European territorial claims are delineated by colored outlining.","Map of American Colonies by Thomas Bowen (1700-1763), London. Copper plate engraving, color. 9 in. x 12 in. (22.86 cm x 30.48 cm). Map depicting the eighteenth-century American colonies. Titlepiece in lower right flanked by images of Native Americans. Scale in middle right.","Map of North America by Simon Bolton and engraved by R.W. Seale. Copper plate engraving, color. 21 in. x 26 in. (53.34 cm x 66.04 cm). Map depicts eighteenth-century British and French North America. Large decorated titlepiece in lower right adorned with images of cherubs, a Native American figure, animals, and plants.","New Map of the World, by A. F. De wit. Copper plate engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Seventeenth-century map of the world depicting the eastern and western hemispheres surrounded by images of the seasons, elements, and mythological figures.","World map showing eastern and western hemispheres, G.M. Lowitz. Copper plate engraving, color. 20 in. x 24 in. (49 cm x 41.35 cm). Eighteenth-century map depicting the eastern and western hemispheres of the world. Titlepieces in both upper left (Latin) and upper right (French) adorned with images of flora and fauna. Map has four insets, which depict the Arctic, Antarctic, Horizon of Nuremburg, and the Antipodes of Nuremburg.","Blaeu. 17x21.","Map of England and part of Scotland by Guliel Hole (d. 1624). Copper plate engraving, color. 12 in. x 13 in. (30.48 cm x 33.02 cm). Seventeenth-century map of England and Scotland. Titlepiece in upper right adorned with ornate cartouche featuring a crown and colorful embellishments. Large compass rose in lower left.","Map of the Isle of Wight, Joan Bleau (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 24 in. (50.8 cm x 60.96 cm). Seventeenth-century map of the Isle of Wight off the southern English coast. Title piece in lower left has cartouche featuring a coat of arms, and animals. Scale, adorned with globe, in lower right.","Bleau. 20x24.","Blaeu. 20x24.","John Rocque. 40x50. London. Two sheets.","Map of Warwickshire, England published ca. 1646 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 25 in. (50.8 cm x 63.5 cm). Map depicting seventeenth-century Warwickshire, England. Titlepiece in bottom left decorated with cartouche of fruits and flowers. Coats of arms in top left and bottom right, and scale in top right.","Bellin. 23x36. Paris.","I. Harrison. 21x32. Two sheet map.","Map of the Western Hemisphere published by J. Covens and C. Mortimer in Amsterdam. Copper plate engraving, color. 20 in. x 20 in. (50.8 cm x 50.8 cm). Map depicting eighteenth-century Western Hemisphere (North and South America and Pacific islands). Title in upper part of map. European territorial holdings are outlined in color.","Unidentified. 19x24.","Unidentified. 21x24. Paris.","LaRouge. 21x29. Paris.","From Pinkerton's Atlas. 24x40. London.","Map of roads between Chelmsford and Dover, England published by John Ogilby (1600-1676). Copper plate engraving, color. 15 in. x 18 in. (38.1 cm x 45.72 cm). Map depicts seventeenth-century road from Chelmsford to Dover, England. Titlepiece is in top center of map with a cartouche of mythological sea creatures and figures.","Map of road from London to Bury, England by J. Gibson and published circa 1720. Copper plate engraving, color. 7 in. x 12 in. (17.78 cm x 30.48 cm). Map depicts eighteenth-century road from London to Bury, England. Title runs entire length of map at top. Road is divided into ten numbered columns and towns and mileages are labeled.","2-sheet map of southern London by Christophe Homan (1703-30) and published 1736. Copper plate engraving, color. 25 in. x 31 in. (63.5 cm x 78.74 cm). 2-sheet map depicting eighteenth-century south London, England. Titlepiece in lower right with Lion and Unicorn Cartouche. Title of map is in Latin, while place and street names are in English. Other information is in German.","Map of Virginia, Maryland and Delaware by Henry Schenck Tanner (1786 - 1858), Philadelphia. Engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Nineteenth-century map depicting Virginia, Maryland, and Delaware. Titlepiece is in top center. Scale and Explanation are in bottom center. Counties within each state are colored, while bordering states are left white.","Unidentified. 12x15. Includes: a) Virginia and Maryland, b) Texas, c) Arizona and New Mexica, d) Kentucky and Tennessee, e) Floriday, f) Georgia and Alabama, g) North and South Caroline, h) Baltimore, MD.","Wilkinson. 11x13. London.","Cadell and Davies. 23x30. London.","Unidentified. 9x11.","A. J. Johnson. 18x26. New York.","A. J. Johnson. 18x26. Same as item 52, but a different edition.","Cowperthwait. 14x17. Philadelphia.","Cotton. 16x18. New York.","Johnson. 14x18. New York. Same as item 55.","Colton. 16x18. New York.","Seers \u0026 Co. 11x16.","Unidentified. 17x21.","Cary. 21x24. London.","Unidentified. 18x22.","Unidentified. 18x22.","Unidentified. 18x27. New York.","Begin. 15x17.","Seutter. 221x25. Pictorial map with scene of burning of Lisbon.","Unidentified. 16x32.","Herman Boye. 31x50. Example of the first official map of Virginia backed with cloth in slip case.","Major J.E. Wayes. 22x25. New York. Maps include 1) Petersburg and Five Forks, 2) Antietam, 3) Spotsylvania Courthouse, and 4) Richmond; folded maps each with a hard cover. In 2 folders.","Blackford. 20x24. Baltimore. Folded map with hard cover.","Young. 13x16. Philadelphia.","Mitchell (publisher). 22x18. Philadelphia. Folding traveler's map in red morocco folder (3x5); map torn in folds, folder chipped and rubbed. In the same folder as item 70.","By Richard Long. 21x25. Manuscript map on parchment showing the future site of the Scottish Colony near Panama which existed from 1698 to 1699, when it was captured by the Spanish Army. Darien was to be the Scottish Jamestown and was part of the British effort to expand southward into the Caribbean. The few survivors found refuge in Jamaica.","Wytfliet. 9x12. Louvon.","Ortelius. 17x21. Map from early atlas.","Hondius. 19x23. Hondius edition of John Smith map of 1608.","12x19. Amsterdam.","Leide. 15x19.","27x29. Washington D.C."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the C. Harrison Mann, Jr. Map Collection must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the C. Harrison Mann, Jr. Map Collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref175\" label=\"Abstract\"\u003eDonated to George Mason University Libraries in September 1978 by the Mann family, the C. Harrison Mann Jr, Map Collection comprises ninety-six maps ranging from the sixteenth to nineteenth centuries and is housed in the Special Collections \u0026amp; Archives department. Though the majority of the maps Mann collected are of Virginia, there are many pertaining to other parts of the United States and the world in the collection.\u003c/abstract\u003e"],"abstract_tesim":["Donated to George Mason University Libraries in September 1978 by the Mann family, the C. Harrison Mann Jr, Map Collection comprises ninety-six maps ranging from the sixteenth to nineteenth centuries and is housed in the Special Collections \u0026 Archives department. Though the majority of the maps Mann collected are of Virginia, there are many pertaining to other parts of the United States and the world in the collection."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives"],"persname_ssim":["Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"language_ssim":["English\n\t\t"],"total_component_count_is":92,"online_item_count_is":33,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:20:58.362Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_mannmaps","ead_ssi":"vifgm_mannmaps","_root_":"vifgm_mannmaps","_nest_parent_":"vifgm_mannmaps","ead_source_url_ssi":"data/gmu/mannmaps.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/mannmaps.html","title_ssm":["C. Harrison Mann, Jr. Map Collection"],"title_tesim":["C. Harrison Mann, Jr. Map Collection"],"unitdate_ssm":["1579-1961"],"unitdate_inclusive_ssm":["1579-1961"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0213"],"text":["C0213","C. Harrison Mann, Jr. Map Collection","Maps.","There are no access restrictions.","Selections from the C. Harrison Mann, Jr. Map Collection are also available in the \n                 .","This collection is arranged by size of map.","Charles Harrison Mann, Jr. was born in Alabama in 1908 and received his law degree from the University of Virginia in 1931. He subsequently became an attorney both in Washington, D.C. and in Arlington, Virginia where he and his wife Betty Hart Mann, maintained their home. In 1949, while serving as President of the Northern Virginia Chapter of the University of Virginia Alumni Association, Mann organized an exploratory committee of local citizens to develop support for higher education in Northern Virginia. Through these efforts, the Northern Virginia Center of the University opened in October 1, 1949.","In 1953 Mann organized the Advisory Council to the Northern Virginia Center, which agreed that a two-year branch college should be established. Elected as a Democrat to the Virginia House of Delegates from 1954-1970, Mann sponsored a resolution calling for a study of educational needs for Virginia, and was instrumental in recommending the development of a college system in Virginia, particularly the establishment of a branch in Northern Virginia.","Mann was responsible for creating an educational financial assistance program for Virginia college students, and was instrumental in sponsoring legislation allowing local governments to form regional boards to acquire and transfer land and buildings for educational use.","He also served as the Chairman of George Mason College's first Board of Control. He sponsored bills constituting George Mason College as a branch of the University of Virginia and later elevating it to a four year division of the University with the right to grant degrees and offer graduate programs. He served on the GMU Board of Visitors from 1975 to 1977. He died in 1977.","Processed by Special Collections and Archives staff. EAD markup completed in July 2012 by Greta Kuriger.","Special Collections and Archives also holds   and handwritten draft of his history of George Mason University. Papers pertain to his political career and include subject files, memoranda, campaign materials, speeches, newsclippings and other related materials. In addition, there is the C. Harrison Mann, Jr. collection of rare books and atlases that can be found searching the GMU Libraries catalog.","New Virginia Map published ca. 1660 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20.125 in. x 24.25 in. (51.12 cm x 62.23 cm). Map depicting seventeenth-century Virginia. Titlepiece in upper center. Vignettes of Chief Powhatan in upper left and Native American figure in upper right below explanatory note. This image is based upon the 1608 map by Captain John Smith.","Map of Virginia and Florida published ca. 1640 by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copper plate engraving, color. 21.4 in. x 16.9 in. (54.35 cm x 42.93 cm). Map depicts seventeenth-century Virginia and parts of the southeast Atlantic coast. Large cartouche featuring Native American figures in upper center surrounding titlepiece. Smaller heraldic items in upper right and center of map. Cartouche featuring cherubs surrounds mileage chart in bottom center right.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale.","New Virginia Map by Arnoldis Montanus. Published in Amsterdam in 1671. Copper plate engraving, black and white. 19.3 in. x 16.28 in. (49 cm x 41.35 cm). Map depicts seventeenth-century Virginia. Titlepiece in upper right adorned with images of cherubs. Heraldic image in upper center and Explanatory Note in upper right adorned with figures of Native Americans and animals. Scale in bottom center is also surrounded by cherub figures.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland, and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale. This Map has slightly different coloration than Map 3.","New Belgium and New England published ca. 1662 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 24.3 in. x 20.45 in. (61.72 cm x 51.94 cm). Map depicts seventeenth-century New Belgium, New England, and New Netherland. Titlepiece is middle right and decorated with images of Native Americans, heraldic symbol, and crown. Scale is in bottom left and decorated with images of children. Other artwork in the map include vignettes of stockade-fenced settlements, animals, and ships.","Map of Virginia, Maryland, Pennsylvania, and New Jersey by John Senex (1678-1740) published 1719 in London. Copper plate engraving, color. 24 in. x 20 in. (60.96 cm x 50.8 cm). Map depicts Virginia, Maryland, Pennsylvania, and New Jersey. Titlepiece in upper left. Scale in lower right.","Peter Goos. 17x21.","Homann. 20x23.","Map of Virginia and Maryland by Herman Moll (1654-1732). Published in London ca. 1700. Copper plate Engraving, color. 9.5 in. x 13.85 in. (24.14 cm x 35.18 cm). Map depicts Virginia, Maryland and parts of southern New Jersey. Unadorned titlepiece in upper left.","Map of Virginia and Maryland by Gilles Robert de Vaugondy (1688-1766) published in 1755. Copper plate engraving, color. 31.75 in x 21.5 in (80.64 cm x 54.61 cm). Map depicting Virginia, Maryland, and parts of Pennsylvania and Delaware. Titlepiece and scale in bottom right has cartouche of flora.","State of Virginia Map by Samuel Lewis, Philadelphia. Copper plate engraving, black and white. 21.3 in. x 16.9 in. (54.1 cm x 42.9 cm). Map depicting Virginia, the Northwest Territory, and parts of Maryland. Titlepiece with scale in upper left.","Unidentified. 10x15.","Map of Virginia and Maryland by Emmanuel Bowen. Copper plate engraving, color. 9.75 in. x 16 in. (24.76 cm x 40.64 cm). Map depicts eighteenth-century Virginia, Maryland, and part of New Jersey. Titlepiece and scale are in bottom right.","New Map of Maryland by John Ogilby (1600-1676). Copper plate engraving, color. 20.15 in. x 16.21 in. (51.18 cm x 41.17 cm). Map depicts seventeenth-century Maryland and parts of both Virginia, and New Jersey. Ornate Titlepiece is in top center of map. Dedication, adorned with the coat of arms of Lord Baltimore, is in the upper right, and scale in lower left.","Map of North America by Pierre Schenk (1660-1718) of Amsterdam. Copper plate engraving, color. 25 in. x 20.5 in. (63.5 cm x 52.07 cm). Map depicts eighteenth-century North America. European territorial possessions are colored in. Ornately decorated titlepiece featuring mythological sea creatures is in upper right. Advertisement and scale are in upper left.","Ortelius. 19x23.","Copper plate engraving, color. 8 in. x 11 in (20.32 cm x 27.94 cm). Map depicting the world's continents as seen from the vantage point of the North Pole. No identification, though \"1680\" penciled-in on verso.","America or New World Newly Described by Abraham Ortelius (1528-1598). Copper plate engraving, black and white. 20.25 in x 15.6 in (51.43 cm x 39.62 cm). Map of North and South America. Ornately decorated titlepiece in lower left and sailing ships in center.","Map of Caribbean islands and Gulf of Mexico by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copperplate engraving, color. 23 in. x 19.25 in. (58.42 cm x 48.89 cm). Map depicting Gulf of Mexico and Caribbean Islands and parts of North, South, and Central America. Titlepiece in upper left flanked by cherubs. Ornate dedication in lower left and scale in lower right.","Map of North and South America by Herman Moll (1654-1732), London. Copper plate engraving, color. 9 in. x 14 in. (22.86 cm x 35.56 cm). Map depicts eighteenth-century North and South America. Titlepiece in top left of map.","Map of North and Central America by Guillame Delisle (1675-1726) of Paris. Copper plate engraving, color. 21 in x 25 in (53.34 cm x 63.5 cm). Map depicting the eastern part of North America and Central America. Ornately decorated titlepiece in upper left featuring mythical sea figures and scale in upper right.","Map of the United States by William Faden (1750-1836). Published 1796 in London. Copper plate engraving, color. 23 in. x 31 in. (58.42 cm x 78.74 cm). Map depicts the eighteenth-century United States of America and parts of Canada. Titlepiece in bottom right is decorated with images having to do with shipping and trade. Scale is in bottom left.","Map of Chesapeake Bay Area of Virginia, Mark Tiddeman, London. Copper plate engraving, color. 19 in. x 23.5 in. (48.26 cm x 59.69 cm). Map depicts eighteenth-century Tidewater and Chesapeake Bay area of Virginia. Titlepiece in bottom left. Scale is in bottom center.","Map of North America, J. Spillsbury, London. Copper plate engraving, color. 11 in. x 15 in. (27.94 cm x 38.1 cm). Eighteenth-century map depicting North America. Titlepiece is in bottom right. European territorial claims are delineated by colored outlining.","Map of American Colonies by Thomas Bowen (1700-1763), London. Copper plate engraving, color. 9 in. x 12 in. (22.86 cm x 30.48 cm). Map depicting the eighteenth-century American colonies. Titlepiece in lower right flanked by images of Native Americans. Scale in middle right.","Map of North America by Simon Bolton and engraved by R.W. Seale. Copper plate engraving, color. 21 in. x 26 in. (53.34 cm x 66.04 cm). Map depicts eighteenth-century British and French North America. Large decorated titlepiece in lower right adorned with images of cherubs, a Native American figure, animals, and plants.","New Map of the World, by A. F. De wit. Copper plate engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Seventeenth-century map of the world depicting the eastern and western hemispheres surrounded by images of the seasons, elements, and mythological figures.","World map showing eastern and western hemispheres, G.M. Lowitz. Copper plate engraving, color. 20 in. x 24 in. (49 cm x 41.35 cm). Eighteenth-century map depicting the eastern and western hemispheres of the world. Titlepieces in both upper left (Latin) and upper right (French) adorned with images of flora and fauna. Map has four insets, which depict the Arctic, Antarctic, Horizon of Nuremburg, and the Antipodes of Nuremburg.","Blaeu. 17x21.","Map of England and part of Scotland by Guliel Hole (d. 1624). Copper plate engraving, color. 12 in. x 13 in. (30.48 cm x 33.02 cm). Seventeenth-century map of England and Scotland. Titlepiece in upper right adorned with ornate cartouche featuring a crown and colorful embellishments. Large compass rose in lower left.","Map of the Isle of Wight, Joan Bleau (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 24 in. (50.8 cm x 60.96 cm). Seventeenth-century map of the Isle of Wight off the southern English coast. Title piece in lower left has cartouche featuring a coat of arms, and animals. Scale, adorned with globe, in lower right.","Bleau. 20x24.","Blaeu. 20x24.","John Rocque. 40x50. London. Two sheets.","Map of Warwickshire, England published ca. 1646 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 25 in. (50.8 cm x 63.5 cm). Map depicting seventeenth-century Warwickshire, England. Titlepiece in bottom left decorated with cartouche of fruits and flowers. Coats of arms in top left and bottom right, and scale in top right.","Bellin. 23x36. Paris.","I. Harrison. 21x32. Two sheet map.","Map of the Western Hemisphere published by J. Covens and C. Mortimer in Amsterdam. Copper plate engraving, color. 20 in. x 20 in. (50.8 cm x 50.8 cm). Map depicting eighteenth-century Western Hemisphere (North and South America and Pacific islands). Title in upper part of map. European territorial holdings are outlined in color.","Unidentified. 19x24.","Unidentified. 21x24. Paris.","LaRouge. 21x29. Paris.","From Pinkerton's Atlas. 24x40. London.","Map of roads between Chelmsford and Dover, England published by John Ogilby (1600-1676). Copper plate engraving, color. 15 in. x 18 in. (38.1 cm x 45.72 cm). Map depicts seventeenth-century road from Chelmsford to Dover, England. Titlepiece is in top center of map with a cartouche of mythological sea creatures and figures.","Map of road from London to Bury, England by J. Gibson and published circa 1720. Copper plate engraving, color. 7 in. x 12 in. (17.78 cm x 30.48 cm). Map depicts eighteenth-century road from London to Bury, England. Title runs entire length of map at top. Road is divided into ten numbered columns and towns and mileages are labeled.","2-sheet map of southern London by Christophe Homan (1703-30) and published 1736. Copper plate engraving, color. 25 in. x 31 in. (63.5 cm x 78.74 cm). 2-sheet map depicting eighteenth-century south London, England. Titlepiece in lower right with Lion and Unicorn Cartouche. Title of map is in Latin, while place and street names are in English. Other information is in German.","Map of Virginia, Maryland and Delaware by Henry Schenck Tanner (1786 - 1858), Philadelphia. Engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Nineteenth-century map depicting Virginia, Maryland, and Delaware. Titlepiece is in top center. Scale and Explanation are in bottom center. Counties within each state are colored, while bordering states are left white.","Unidentified. 12x15. Includes: a) Virginia and Maryland, b) Texas, c) Arizona and New Mexica, d) Kentucky and Tennessee, e) Floriday, f) Georgia and Alabama, g) North and South Caroline, h) Baltimore, MD.","Wilkinson. 11x13. London.","Cadell and Davies. 23x30. London.","Unidentified. 9x11.","A. J. Johnson. 18x26. New York.","A. J. Johnson. 18x26. Same as item 52, but a different edition.","Cowperthwait. 14x17. Philadelphia.","Cotton. 16x18. New York.","Johnson. 14x18. New York. Same as item 55.","Colton. 16x18. New York.","Seers \u0026 Co. 11x16.","Unidentified. 17x21.","Cary. 21x24. London.","Unidentified. 18x22.","Unidentified. 18x22.","Unidentified. 18x27. New York.","Begin. 15x17.","Seutter. 221x25. Pictorial map with scene of burning of Lisbon.","Unidentified. 16x32.","Herman Boye. 31x50. Example of the first official map of Virginia backed with cloth in slip case.","Major J.E. Wayes. 22x25. New York. Maps include 1) Petersburg and Five Forks, 2) Antietam, 3) Spotsylvania Courthouse, and 4) Richmond; folded maps each with a hard cover. In 2 folders.","Blackford. 20x24. Baltimore. Folded map with hard cover.","Young. 13x16. Philadelphia.","Mitchell (publisher). 22x18. Philadelphia. Folding traveler's map in red morocco folder (3x5); map torn in folds, folder chipped and rubbed. In the same folder as item 70.","By Richard Long. 21x25. Manuscript map on parchment showing the future site of the Scottish Colony near Panama which existed from 1698 to 1699, when it was captured by the Spanish Army. Darien was to be the Scottish Jamestown and was part of the British effort to expand southward into the Caribbean. The few survivors found refuge in Jamaica.","Wytfliet. 9x12. Louvon.","Ortelius. 17x21. Map from early atlas.","Hondius. 19x23. Hondius edition of John Smith map of 1608.","12x19. Amsterdam.","Leide. 15x19.","27x29. Washington D.C.","There are no restrictions on personal use. Permission to publish material from the C. Harrison Mann, Jr. Map Collection must be obtained from Special Collections Research Center, George Mason University Libraries.","Donated to George Mason University Libraries in September 1978 by the Mann family, the C. Harrison Mann Jr, Map Collection comprises ninety-six maps ranging from the sixteenth to nineteenth centuries and is housed in the Special Collections \u0026 Archives department. Though the majority of the maps Mann collected are of Virginia, there are many pertaining to other parts of the United States and the world in the collection.","George Mason University. Libraries. Special Collections \u0026 Archives","Mann, Charles Harrison, Jr., 1908-1977 \n\t\t","English\n\t\t"],"unitid_tesim":["C0213"],"normalized_title_ssm":["C. Harrison Mann, Jr. Map Collection"],"collection_title_tesim":["C. Harrison Mann, Jr. Map Collection"],"collection_ssim":["C. Harrison Mann, Jr. Map Collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"creator_ssim":["Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"creator_persname_ssim":["Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"creators_ssim":["Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the C. Harrison Mann, Jr. Map Collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Collection donated by Betty Hart Mann in 1979."],"access_subjects_ssim":["Maps."],"access_subjects_ssm":["Maps."],"has_online_content_ssim":["true"],"extent_ssm":["5 linear feet (90 folders)"],"extent_tesim":["5 linear feet (90 folders)"],"date_range_isim":[1579,1580,1581,1582,1583,1584,1585,1586,1587,1588,1589,1590,1591,1592,1593,1594,1595,1596,1597,1598,1599,1600,1601,1602,1603,1604,1605,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eSelections from the C. Harrison Mann, Jr. Map Collection are also available in the \n                \u003cextptr type=\"simple\" show=\"new\" title=\"C. Harrison Mann, Jr. Digitized Map Collection\" href=\"http://digilib.gmu.edu:8080/dspace/handle/1920/1935\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Selections from the C. Harrison Mann, Jr. Map Collection are also available in the \n                 ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by size of map.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by size of map."],"bioghist_html_tesm":["\u003cp\u003eCharles Harrison Mann, Jr. was born in Alabama in 1908 and received his law degree from the University of Virginia in 1931. He subsequently became an attorney both in Washington, D.C. and in Arlington, Virginia where he and his wife Betty Hart Mann, maintained their home. In 1949, while serving as President of the Northern Virginia Chapter of the University of Virginia Alumni Association, Mann organized an exploratory committee of local citizens to develop support for higher education in Northern Virginia. Through these efforts, the Northern Virginia Center of the University opened in October 1, 1949.\u003c/p\u003e","\u003cp\u003eIn 1953 Mann organized the Advisory Council to the Northern Virginia Center, which agreed that a two-year branch college should be established. Elected as a Democrat to the Virginia House of Delegates from 1954-1970, Mann sponsored a resolution calling for a study of educational needs for Virginia, and was instrumental in recommending the development of a college system in Virginia, particularly the establishment of a branch in Northern Virginia.\u003c/p\u003e","\u003cp\u003eMann was responsible for creating an educational financial assistance program for Virginia college students, and was instrumental in sponsoring legislation allowing local governments to form regional boards to acquire and transfer land and buildings for educational use.\u003c/p\u003e","\u003cp\u003eHe also served as the Chairman of George Mason College's first Board of Control. He sponsored bills constituting George Mason College as a branch of the University of Virginia and later elevating it to a four year division of the University with the right to grant degrees and offer graduate programs. He served on the GMU Board of Visitors from 1975 to 1977. He died in 1977.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Charles Harrison Mann, Jr. was born in Alabama in 1908 and received his law degree from the University of Virginia in 1931. He subsequently became an attorney both in Washington, D.C. and in Arlington, Virginia where he and his wife Betty Hart Mann, maintained their home. In 1949, while serving as President of the Northern Virginia Chapter of the University of Virginia Alumni Association, Mann organized an exploratory committee of local citizens to develop support for higher education in Northern Virginia. Through these efforts, the Northern Virginia Center of the University opened in October 1, 1949.","In 1953 Mann organized the Advisory Council to the Northern Virginia Center, which agreed that a two-year branch college should be established. Elected as a Democrat to the Virginia House of Delegates from 1954-1970, Mann sponsored a resolution calling for a study of educational needs for Virginia, and was instrumental in recommending the development of a college system in Virginia, particularly the establishment of a branch in Northern Virginia.","Mann was responsible for creating an educational financial assistance program for Virginia college students, and was instrumental in sponsoring legislation allowing local governments to form regional boards to acquire and transfer land and buildings for educational use.","He also served as the Chairman of George Mason College's first Board of Control. He sponsored bills constituting George Mason College as a branch of the University of Virginia and later elevating it to a four year division of the University with the right to grant degrees and offer graduate programs. He served on the GMU Board of Visitors from 1975 to 1977. He died in 1977."],"prefercite_html_tesm":["\u003cp\u003eC. Harrison Mann, Jr. Map Collection, C0213, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["C. Harrison Mann, Jr. Map Collection, C0213, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff. EAD markup completed in July 2012 by Greta Kuriger.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections and Archives staff. EAD markup completed in July 2012 by Greta Kuriger."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds \u003cextptr type=\"simple\" show=\"new\" title=\"C. Harrison Mann, Jr.'s personal papers\" href=\"http://sca.gmu.edu/finding_aids/mann.html\"\u003e\u003c/extptr\u003e and handwritten draft of his history of George Mason University. Papers pertain to his political career and include subject files, memoranda, campaign materials, speeches, newsclippings and other related materials. In addition, there is the C. Harrison Mann, Jr. collection of rare books and atlases that can be found searching the GMU Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds   and handwritten draft of his history of George Mason University. Papers pertain to his political career and include subject files, memoranda, campaign materials, speeches, newsclippings and other related materials. In addition, there is the C. Harrison Mann, Jr. collection of rare books and atlases that can be found searching the GMU Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eNew Virginia Map published ca. 1660 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20.125 in. x 24.25 in. (51.12 cm x 62.23 cm). Map depicting seventeenth-century Virginia. Titlepiece in upper center. Vignettes of Chief Powhatan in upper left and Native American figure in upper right below explanatory note. This image is based upon the 1608 map by Captain John Smith.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Florida published ca. 1640 by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copper plate engraving, color. 21.4 in. x 16.9 in. (54.35 cm x 42.93 cm). Map depicts seventeenth-century Virginia and parts of the southeast Atlantic coast. Large cartouche featuring Native American figures in upper center surrounding titlepiece. Smaller heraldic items in upper right and center of map. Cartouche featuring cherubs surrounds mileage chart in bottom center right.\u003c/p\u003e","\u003cp\u003eBy Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale.\u003c/p\u003e","\u003cp\u003eNew Virginia Map by Arnoldis Montanus. Published in Amsterdam in 1671. Copper plate engraving, black and white. 19.3 in. x 16.28 in. (49 cm x 41.35 cm). Map depicts seventeenth-century Virginia. Titlepiece in upper right adorned with images of cherubs. Heraldic image in upper center and Explanatory Note in upper right adorned with figures of Native Americans and animals. Scale in bottom center is also surrounded by cherub figures.\u003c/p\u003e","\u003cp\u003eBy Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland, and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale. This Map has slightly different coloration than Map 3.\u003c/p\u003e","\u003cp\u003eNew Belgium and New England published ca. 1662 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 24.3 in. x 20.45 in. (61.72 cm x 51.94 cm). Map depicts seventeenth-century New Belgium, New England, and New Netherland. Titlepiece is middle right and decorated with images of Native Americans, heraldic symbol, and crown. Scale is in bottom left and decorated with images of children. Other artwork in the map include vignettes of stockade-fenced settlements, animals, and ships.\u003c/p\u003e","\u003cp\u003eMap of Virginia, Maryland, Pennsylvania, and New Jersey by John Senex (1678-1740) published 1719 in London. Copper plate engraving, color. 24 in. x 20 in. (60.96 cm x 50.8 cm). Map depicts Virginia, Maryland, Pennsylvania, and New Jersey. Titlepiece in upper left. Scale in lower right.\u003c/p\u003e","\u003cp\u003ePeter Goos. 17x21.\u003c/p\u003e","\u003cp\u003eHomann. 20x23.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Maryland by Herman Moll (1654-1732). Published in London ca. 1700. Copper plate Engraving, color. 9.5 in. x 13.85 in. (24.14 cm x 35.18 cm). Map depicts Virginia, Maryland and parts of southern New Jersey. Unadorned titlepiece in upper left.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Maryland by Gilles Robert de Vaugondy (1688-1766) published in 1755. Copper plate engraving, color. 31.75 in x 21.5 in (80.64 cm x 54.61 cm). Map depicting Virginia, Maryland, and parts of Pennsylvania and Delaware. Titlepiece and scale in bottom right has cartouche of flora.\u003c/p\u003e","\u003cp\u003eState of Virginia Map by Samuel Lewis, Philadelphia. Copper plate engraving, black and white. 21.3 in. x 16.9 in. (54.1 cm x 42.9 cm). Map depicting Virginia, the Northwest Territory, and parts of Maryland. Titlepiece with scale in upper left.\u003c/p\u003e","\u003cp\u003eUnidentified. 10x15.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Maryland by Emmanuel Bowen. Copper plate engraving, color. 9.75 in. x 16 in. (24.76 cm x 40.64 cm). Map depicts eighteenth-century Virginia, Maryland, and part of New Jersey. Titlepiece and scale are in bottom right.\u003c/p\u003e","\u003cp\u003eNew Map of Maryland by John Ogilby (1600-1676). Copper plate engraving, color. 20.15 in. x 16.21 in. (51.18 cm x 41.17 cm). Map depicts seventeenth-century Maryland and parts of both Virginia, and New Jersey. Ornate Titlepiece is in top center of map. Dedication, adorned with the coat of arms of Lord Baltimore, is in the upper right, and scale in lower left.\u003c/p\u003e","\u003cp\u003eMap of North America by Pierre Schenk (1660-1718) of Amsterdam. Copper plate engraving, color. 25 in. x 20.5 in. (63.5 cm x 52.07 cm). Map depicts eighteenth-century North America. European territorial possessions are colored in. Ornately decorated titlepiece featuring mythological sea creatures is in upper right. Advertisement and scale are in upper left.\u003c/p\u003e","\u003cp\u003eOrtelius. 19x23.\u003c/p\u003e","\u003cp\u003eCopper plate engraving, color. 8 in. x 11 in (20.32 cm x 27.94 cm). Map depicting the world's continents as seen from the vantage point of the North Pole. No identification, though \"1680\" penciled-in on verso.\u003c/p\u003e","\u003cp\u003eAmerica or New World Newly Described by Abraham Ortelius (1528-1598). Copper plate engraving, black and white. 20.25 in x 15.6 in (51.43 cm x 39.62 cm). Map of North and South America. Ornately decorated titlepiece in lower left and sailing ships in center.\u003c/p\u003e","\u003cp\u003eMap of Caribbean islands and Gulf of Mexico by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copperplate engraving, color. 23 in. x 19.25 in. (58.42 cm x 48.89 cm). Map depicting Gulf of Mexico and Caribbean Islands and parts of North, South, and Central America. Titlepiece in upper left flanked by cherubs. Ornate dedication in lower left and scale in lower right.\u003c/p\u003e","\u003cp\u003eMap of North and South America by Herman Moll (1654-1732), London. Copper plate engraving, color. 9 in. x 14 in. (22.86 cm x 35.56 cm). Map depicts eighteenth-century North and South America. Titlepiece in top left of map.\u003c/p\u003e","\u003cp\u003eMap of North and Central America by Guillame Delisle (1675-1726) of Paris. Copper plate engraving, color. 21 in x 25 in (53.34 cm x 63.5 cm). Map depicting the eastern part of North America and Central America. Ornately decorated titlepiece in upper left featuring mythical sea figures and scale in upper right.\u003c/p\u003e","\u003cp\u003eMap of the United States by William Faden (1750-1836). Published 1796 in London. Copper plate engraving, color. 23 in. x 31 in. (58.42 cm x 78.74 cm). Map depicts the eighteenth-century United States of America and parts of Canada. Titlepiece in bottom right is decorated with images having to do with shipping and trade. Scale is in bottom left.\u003c/p\u003e","\u003cp\u003eMap of Chesapeake Bay Area of Virginia, Mark Tiddeman, London. Copper plate engraving, color. 19 in. x 23.5 in. (48.26 cm x 59.69 cm). Map depicts eighteenth-century Tidewater and Chesapeake Bay area of Virginia. Titlepiece in bottom left. Scale is in bottom center.\u003c/p\u003e","\u003cp\u003eMap of North America, J. Spillsbury, London. Copper plate engraving, color. 11 in. x 15 in. (27.94 cm x 38.1 cm). Eighteenth-century map depicting North America. Titlepiece is in bottom right. European territorial claims are delineated by colored outlining.\u003c/p\u003e","\u003cp\u003eMap of American Colonies by Thomas Bowen (1700-1763), London. Copper plate engraving, color. 9 in. x 12 in. (22.86 cm x 30.48 cm). Map depicting the eighteenth-century American colonies. Titlepiece in lower right flanked by images of Native Americans. Scale in middle right.\u003c/p\u003e","\u003cp\u003eMap of North America by Simon Bolton and engraved by R.W. Seale. Copper plate engraving, color. 21 in. x 26 in. (53.34 cm x 66.04 cm). Map depicts eighteenth-century British and French North America. Large decorated titlepiece in lower right adorned with images of cherubs, a Native American figure, animals, and plants.\u003c/p\u003e","\u003cp\u003eNew Map of the World, by A. F. De wit. Copper plate engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Seventeenth-century map of the world depicting the eastern and western hemispheres surrounded by images of the seasons, elements, and mythological figures.\u003c/p\u003e","\u003cp\u003eWorld map showing eastern and western hemispheres, G.M. Lowitz. Copper plate engraving, color. 20 in. x 24 in. (49 cm x 41.35 cm). Eighteenth-century map depicting the eastern and western hemispheres of the world. Titlepieces in both upper left (Latin) and upper right (French) adorned with images of flora and fauna. Map has four insets, which depict the Arctic, Antarctic, Horizon of Nuremburg, and the Antipodes of Nuremburg.\u003c/p\u003e","\u003cp\u003eBlaeu. 17x21.\u003c/p\u003e","\u003cp\u003eMap of England and part of Scotland by Guliel Hole (d. 1624). Copper plate engraving, color. 12 in. x 13 in. (30.48 cm x 33.02 cm). Seventeenth-century map of England and Scotland. Titlepiece in upper right adorned with ornate cartouche featuring a crown and colorful embellishments. Large compass rose in lower left.\u003c/p\u003e","\u003cp\u003eMap of the Isle of Wight, Joan Bleau (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 24 in. (50.8 cm x 60.96 cm). Seventeenth-century map of the Isle of Wight off the southern English coast. Title piece in lower left has cartouche featuring a coat of arms, and animals. Scale, adorned with globe, in lower right.\u003c/p\u003e","\u003cp\u003eBleau. 20x24.\u003c/p\u003e","\u003cp\u003eBlaeu. 20x24.\u003c/p\u003e","\u003cp\u003eJohn Rocque. 40x50. London. Two sheets.\u003c/p\u003e","\u003cp\u003eMap of Warwickshire, England published ca. 1646 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 25 in. (50.8 cm x 63.5 cm). Map depicting seventeenth-century Warwickshire, England. Titlepiece in bottom left decorated with cartouche of fruits and flowers. Coats of arms in top left and bottom right, and scale in top right.\u003c/p\u003e","\u003cp\u003eBellin. 23x36. Paris.\u003c/p\u003e","\u003cp\u003eI. Harrison. 21x32. Two sheet map.\u003c/p\u003e","\u003cp\u003eMap of the Western Hemisphere published by J. Covens and C. Mortimer in Amsterdam. Copper plate engraving, color. 20 in. x 20 in. (50.8 cm x 50.8 cm). Map depicting eighteenth-century Western Hemisphere (North and South America and Pacific islands). Title in upper part of map. European territorial holdings are outlined in color.\u003c/p\u003e","\u003cp\u003eUnidentified. 19x24.\u003c/p\u003e","\u003cp\u003eUnidentified. 21x24. Paris.\u003c/p\u003e","\u003cp\u003eLaRouge. 21x29. Paris.\u003c/p\u003e","\u003cp\u003eFrom Pinkerton's Atlas. 24x40. London.\u003c/p\u003e","\u003cp\u003eMap of roads between Chelmsford and Dover, England published by John Ogilby (1600-1676). Copper plate engraving, color. 15 in. x 18 in. (38.1 cm x 45.72 cm). Map depicts seventeenth-century road from Chelmsford to Dover, England. Titlepiece is in top center of map with a cartouche of mythological sea creatures and figures.\u003c/p\u003e","\u003cp\u003eMap of road from London to Bury, England by J. Gibson and published circa 1720. Copper plate engraving, color. 7 in. x 12 in. (17.78 cm x 30.48 cm). Map depicts eighteenth-century road from London to Bury, England. Title runs entire length of map at top. Road is divided into ten numbered columns and towns and mileages are labeled.\u003c/p\u003e","\u003cp\u003e2-sheet map of southern London by Christophe Homan (1703-30) and published 1736. Copper plate engraving, color. 25 in. x 31 in. (63.5 cm x 78.74 cm). 2-sheet map depicting eighteenth-century south London, England. Titlepiece in lower right with Lion and Unicorn Cartouche. Title of map is in Latin, while place and street names are in English. Other information is in German.\u003c/p\u003e","\u003cp\u003eMap of Virginia, Maryland and Delaware by Henry Schenck Tanner (1786 - 1858), Philadelphia. Engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Nineteenth-century map depicting Virginia, Maryland, and Delaware. Titlepiece is in top center. Scale and Explanation are in bottom center. Counties within each state are colored, while bordering states are left white.\u003c/p\u003e","\u003cp\u003eUnidentified. 12x15. Includes: a) Virginia and Maryland, b) Texas, c) Arizona and New Mexica, d) Kentucky and Tennessee, e) Floriday, f) Georgia and Alabama, g) North and South Caroline, h) Baltimore, MD.\u003c/p\u003e","\u003cp\u003eWilkinson. 11x13. London.\u003c/p\u003e","\u003cp\u003eCadell and Davies. 23x30. London.\u003c/p\u003e","\u003cp\u003eUnidentified. 9x11.\u003c/p\u003e","\u003cp\u003eA. J. Johnson. 18x26. New York.\u003c/p\u003e","\u003cp\u003eA. J. Johnson. 18x26. Same as item 52, but a different edition.\u003c/p\u003e","\u003cp\u003eCowperthwait. 14x17. Philadelphia.\u003c/p\u003e","\u003cp\u003eCotton. 16x18. New York.\u003c/p\u003e","\u003cp\u003eJohnson. 14x18. New York. Same as item 55.\u003c/p\u003e","\u003cp\u003eColton. 16x18. New York.\u003c/p\u003e","\u003cp\u003eSeers \u0026amp; Co. 11x16.\u003c/p\u003e","\u003cp\u003eUnidentified. 17x21.\u003c/p\u003e","\u003cp\u003eCary. 21x24. London.\u003c/p\u003e","\u003cp\u003eUnidentified. 18x22.\u003c/p\u003e","\u003cp\u003eUnidentified. 18x22.\u003c/p\u003e","\u003cp\u003eUnidentified. 18x27. New York.\u003c/p\u003e","\u003cp\u003eBegin. 15x17.\u003c/p\u003e","\u003cp\u003eSeutter. 221x25. Pictorial map with scene of burning of Lisbon.\u003c/p\u003e","\u003cp\u003eUnidentified. 16x32.\u003c/p\u003e","\u003cp\u003eHerman Boye. 31x50. Example of the first official map of Virginia backed with cloth in slip case.\u003c/p\u003e","\u003cp\u003eMajor J.E. Wayes. 22x25. New York. Maps include 1) Petersburg and Five Forks, 2) Antietam, 3) Spotsylvania Courthouse, and 4) Richmond; folded maps each with a hard cover. In 2 folders.\u003c/p\u003e","\u003cp\u003eBlackford. 20x24. Baltimore. Folded map with hard cover.\u003c/p\u003e","\u003cp\u003eYoung. 13x16. Philadelphia.\u003c/p\u003e","\u003cp\u003eMitchell (publisher). 22x18. Philadelphia. Folding traveler's map in red morocco folder (3x5); map torn in folds, folder chipped and rubbed. In the same folder as item 70.\u003c/p\u003e","\u003cp\u003eBy Richard Long. 21x25. Manuscript map on parchment showing the future site of the Scottish Colony near Panama which existed from 1698 to 1699, when it was captured by the Spanish Army. Darien was to be the Scottish Jamestown and was part of the British effort to expand southward into the Caribbean. The few survivors found refuge in Jamaica.\u003c/p\u003e","\u003cp\u003eWytfliet. 9x12. Louvon.\u003c/p\u003e","\u003cp\u003eOrtelius. 17x21. Map from early atlas.\u003c/p\u003e","\u003cp\u003eHondius. 19x23. Hondius edition of John Smith map of 1608.\u003c/p\u003e","\u003cp\u003e12x19. Amsterdam.\u003c/p\u003e","\u003cp\u003eLeide. 15x19.\u003c/p\u003e","\u003cp\u003e27x29. Washington D.C.\u003c/p\u003e"],"scopecontent_tesim":["New Virginia Map published ca. 1660 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20.125 in. x 24.25 in. (51.12 cm x 62.23 cm). Map depicting seventeenth-century Virginia. Titlepiece in upper center. Vignettes of Chief Powhatan in upper left and Native American figure in upper right below explanatory note. This image is based upon the 1608 map by Captain John Smith.","Map of Virginia and Florida published ca. 1640 by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copper plate engraving, color. 21.4 in. x 16.9 in. (54.35 cm x 42.93 cm). Map depicts seventeenth-century Virginia and parts of the southeast Atlantic coast. Large cartouche featuring Native American figures in upper center surrounding titlepiece. Smaller heraldic items in upper right and center of map. Cartouche featuring cherubs surrounds mileage chart in bottom center right.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale.","New Virginia Map by Arnoldis Montanus. Published in Amsterdam in 1671. Copper plate engraving, black and white. 19.3 in. x 16.28 in. (49 cm x 41.35 cm). Map depicts seventeenth-century Virginia. Titlepiece in upper right adorned with images of cherubs. Heraldic image in upper center and Explanatory Note in upper right adorned with figures of Native Americans and animals. Scale in bottom center is also surrounded by cherub figures.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland, and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale. This Map has slightly different coloration than Map 3.","New Belgium and New England published ca. 1662 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 24.3 in. x 20.45 in. (61.72 cm x 51.94 cm). Map depicts seventeenth-century New Belgium, New England, and New Netherland. Titlepiece is middle right and decorated with images of Native Americans, heraldic symbol, and crown. Scale is in bottom left and decorated with images of children. Other artwork in the map include vignettes of stockade-fenced settlements, animals, and ships.","Map of Virginia, Maryland, Pennsylvania, and New Jersey by John Senex (1678-1740) published 1719 in London. Copper plate engraving, color. 24 in. x 20 in. (60.96 cm x 50.8 cm). Map depicts Virginia, Maryland, Pennsylvania, and New Jersey. Titlepiece in upper left. Scale in lower right.","Peter Goos. 17x21.","Homann. 20x23.","Map of Virginia and Maryland by Herman Moll (1654-1732). Published in London ca. 1700. Copper plate Engraving, color. 9.5 in. x 13.85 in. (24.14 cm x 35.18 cm). Map depicts Virginia, Maryland and parts of southern New Jersey. Unadorned titlepiece in upper left.","Map of Virginia and Maryland by Gilles Robert de Vaugondy (1688-1766) published in 1755. Copper plate engraving, color. 31.75 in x 21.5 in (80.64 cm x 54.61 cm). Map depicting Virginia, Maryland, and parts of Pennsylvania and Delaware. Titlepiece and scale in bottom right has cartouche of flora.","State of Virginia Map by Samuel Lewis, Philadelphia. Copper plate engraving, black and white. 21.3 in. x 16.9 in. (54.1 cm x 42.9 cm). Map depicting Virginia, the Northwest Territory, and parts of Maryland. Titlepiece with scale in upper left.","Unidentified. 10x15.","Map of Virginia and Maryland by Emmanuel Bowen. Copper plate engraving, color. 9.75 in. x 16 in. (24.76 cm x 40.64 cm). Map depicts eighteenth-century Virginia, Maryland, and part of New Jersey. Titlepiece and scale are in bottom right.","New Map of Maryland by John Ogilby (1600-1676). Copper plate engraving, color. 20.15 in. x 16.21 in. (51.18 cm x 41.17 cm). Map depicts seventeenth-century Maryland and parts of both Virginia, and New Jersey. Ornate Titlepiece is in top center of map. Dedication, adorned with the coat of arms of Lord Baltimore, is in the upper right, and scale in lower left.","Map of North America by Pierre Schenk (1660-1718) of Amsterdam. Copper plate engraving, color. 25 in. x 20.5 in. (63.5 cm x 52.07 cm). Map depicts eighteenth-century North America. European territorial possessions are colored in. Ornately decorated titlepiece featuring mythological sea creatures is in upper right. Advertisement and scale are in upper left.","Ortelius. 19x23.","Copper plate engraving, color. 8 in. x 11 in (20.32 cm x 27.94 cm). Map depicting the world's continents as seen from the vantage point of the North Pole. No identification, though \"1680\" penciled-in on verso.","America or New World Newly Described by Abraham Ortelius (1528-1598). Copper plate engraving, black and white. 20.25 in x 15.6 in (51.43 cm x 39.62 cm). Map of North and South America. Ornately decorated titlepiece in lower left and sailing ships in center.","Map of Caribbean islands and Gulf of Mexico by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copperplate engraving, color. 23 in. x 19.25 in. (58.42 cm x 48.89 cm). Map depicting Gulf of Mexico and Caribbean Islands and parts of North, South, and Central America. Titlepiece in upper left flanked by cherubs. Ornate dedication in lower left and scale in lower right.","Map of North and South America by Herman Moll (1654-1732), London. Copper plate engraving, color. 9 in. x 14 in. (22.86 cm x 35.56 cm). Map depicts eighteenth-century North and South America. Titlepiece in top left of map.","Map of North and Central America by Guillame Delisle (1675-1726) of Paris. Copper plate engraving, color. 21 in x 25 in (53.34 cm x 63.5 cm). Map depicting the eastern part of North America and Central America. Ornately decorated titlepiece in upper left featuring mythical sea figures and scale in upper right.","Map of the United States by William Faden (1750-1836). Published 1796 in London. Copper plate engraving, color. 23 in. x 31 in. (58.42 cm x 78.74 cm). Map depicts the eighteenth-century United States of America and parts of Canada. Titlepiece in bottom right is decorated with images having to do with shipping and trade. Scale is in bottom left.","Map of Chesapeake Bay Area of Virginia, Mark Tiddeman, London. Copper plate engraving, color. 19 in. x 23.5 in. (48.26 cm x 59.69 cm). Map depicts eighteenth-century Tidewater and Chesapeake Bay area of Virginia. Titlepiece in bottom left. Scale is in bottom center.","Map of North America, J. Spillsbury, London. Copper plate engraving, color. 11 in. x 15 in. (27.94 cm x 38.1 cm). Eighteenth-century map depicting North America. Titlepiece is in bottom right. European territorial claims are delineated by colored outlining.","Map of American Colonies by Thomas Bowen (1700-1763), London. Copper plate engraving, color. 9 in. x 12 in. (22.86 cm x 30.48 cm). Map depicting the eighteenth-century American colonies. Titlepiece in lower right flanked by images of Native Americans. Scale in middle right.","Map of North America by Simon Bolton and engraved by R.W. Seale. Copper plate engraving, color. 21 in. x 26 in. (53.34 cm x 66.04 cm). Map depicts eighteenth-century British and French North America. Large decorated titlepiece in lower right adorned with images of cherubs, a Native American figure, animals, and plants.","New Map of the World, by A. F. De wit. Copper plate engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Seventeenth-century map of the world depicting the eastern and western hemispheres surrounded by images of the seasons, elements, and mythological figures.","World map showing eastern and western hemispheres, G.M. Lowitz. Copper plate engraving, color. 20 in. x 24 in. (49 cm x 41.35 cm). Eighteenth-century map depicting the eastern and western hemispheres of the world. Titlepieces in both upper left (Latin) and upper right (French) adorned with images of flora and fauna. Map has four insets, which depict the Arctic, Antarctic, Horizon of Nuremburg, and the Antipodes of Nuremburg.","Blaeu. 17x21.","Map of England and part of Scotland by Guliel Hole (d. 1624). Copper plate engraving, color. 12 in. x 13 in. (30.48 cm x 33.02 cm). Seventeenth-century map of England and Scotland. Titlepiece in upper right adorned with ornate cartouche featuring a crown and colorful embellishments. Large compass rose in lower left.","Map of the Isle of Wight, Joan Bleau (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 24 in. (50.8 cm x 60.96 cm). Seventeenth-century map of the Isle of Wight off the southern English coast. Title piece in lower left has cartouche featuring a coat of arms, and animals. Scale, adorned with globe, in lower right.","Bleau. 20x24.","Blaeu. 20x24.","John Rocque. 40x50. London. Two sheets.","Map of Warwickshire, England published ca. 1646 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 25 in. (50.8 cm x 63.5 cm). Map depicting seventeenth-century Warwickshire, England. Titlepiece in bottom left decorated with cartouche of fruits and flowers. Coats of arms in top left and bottom right, and scale in top right.","Bellin. 23x36. Paris.","I. Harrison. 21x32. Two sheet map.","Map of the Western Hemisphere published by J. Covens and C. Mortimer in Amsterdam. Copper plate engraving, color. 20 in. x 20 in. (50.8 cm x 50.8 cm). Map depicting eighteenth-century Western Hemisphere (North and South America and Pacific islands). Title in upper part of map. European territorial holdings are outlined in color.","Unidentified. 19x24.","Unidentified. 21x24. Paris.","LaRouge. 21x29. Paris.","From Pinkerton's Atlas. 24x40. London.","Map of roads between Chelmsford and Dover, England published by John Ogilby (1600-1676). Copper plate engraving, color. 15 in. x 18 in. (38.1 cm x 45.72 cm). Map depicts seventeenth-century road from Chelmsford to Dover, England. Titlepiece is in top center of map with a cartouche of mythological sea creatures and figures.","Map of road from London to Bury, England by J. Gibson and published circa 1720. Copper plate engraving, color. 7 in. x 12 in. (17.78 cm x 30.48 cm). Map depicts eighteenth-century road from London to Bury, England. Title runs entire length of map at top. Road is divided into ten numbered columns and towns and mileages are labeled.","2-sheet map of southern London by Christophe Homan (1703-30) and published 1736. Copper plate engraving, color. 25 in. x 31 in. (63.5 cm x 78.74 cm). 2-sheet map depicting eighteenth-century south London, England. Titlepiece in lower right with Lion and Unicorn Cartouche. Title of map is in Latin, while place and street names are in English. Other information is in German.","Map of Virginia, Maryland and Delaware by Henry Schenck Tanner (1786 - 1858), Philadelphia. Engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Nineteenth-century map depicting Virginia, Maryland, and Delaware. Titlepiece is in top center. Scale and Explanation are in bottom center. Counties within each state are colored, while bordering states are left white.","Unidentified. 12x15. Includes: a) Virginia and Maryland, b) Texas, c) Arizona and New Mexica, d) Kentucky and Tennessee, e) Floriday, f) Georgia and Alabama, g) North and South Caroline, h) Baltimore, MD.","Wilkinson. 11x13. London.","Cadell and Davies. 23x30. London.","Unidentified. 9x11.","A. J. Johnson. 18x26. New York.","A. J. Johnson. 18x26. Same as item 52, but a different edition.","Cowperthwait. 14x17. Philadelphia.","Cotton. 16x18. New York.","Johnson. 14x18. New York. Same as item 55.","Colton. 16x18. New York.","Seers \u0026 Co. 11x16.","Unidentified. 17x21.","Cary. 21x24. London.","Unidentified. 18x22.","Unidentified. 18x22.","Unidentified. 18x27. New York.","Begin. 15x17.","Seutter. 221x25. Pictorial map with scene of burning of Lisbon.","Unidentified. 16x32.","Herman Boye. 31x50. Example of the first official map of Virginia backed with cloth in slip case.","Major J.E. Wayes. 22x25. New York. Maps include 1) Petersburg and Five Forks, 2) Antietam, 3) Spotsylvania Courthouse, and 4) Richmond; folded maps each with a hard cover. In 2 folders.","Blackford. 20x24. Baltimore. Folded map with hard cover.","Young. 13x16. Philadelphia.","Mitchell (publisher). 22x18. Philadelphia. Folding traveler's map in red morocco folder (3x5); map torn in folds, folder chipped and rubbed. In the same folder as item 70.","By Richard Long. 21x25. Manuscript map on parchment showing the future site of the Scottish Colony near Panama which existed from 1698 to 1699, when it was captured by the Spanish Army. Darien was to be the Scottish Jamestown and was part of the British effort to expand southward into the Caribbean. The few survivors found refuge in Jamaica.","Wytfliet. 9x12. Louvon.","Ortelius. 17x21. Map from early atlas.","Hondius. 19x23. Hondius edition of John Smith map of 1608.","12x19. Amsterdam.","Leide. 15x19.","27x29. Washington D.C."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the C. Harrison Mann, Jr. Map Collection must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the C. Harrison Mann, Jr. Map Collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref175\" label=\"Abstract\"\u003eDonated to George Mason University Libraries in September 1978 by the Mann family, the C. Harrison Mann Jr, Map Collection comprises ninety-six maps ranging from the sixteenth to nineteenth centuries and is housed in the Special Collections \u0026amp; Archives department. Though the majority of the maps Mann collected are of Virginia, there are many pertaining to other parts of the United States and the world in the collection.\u003c/abstract\u003e"],"abstract_tesim":["Donated to George Mason University Libraries in September 1978 by the Mann family, the C. Harrison Mann Jr, Map Collection comprises ninety-six maps ranging from the sixteenth to nineteenth centuries and is housed in the Special Collections \u0026 Archives department. Though the majority of the maps Mann collected are of Virginia, there are many pertaining to other parts of the United States and the world in the collection."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives"],"persname_ssim":["Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"language_ssim":["English\n\t\t"],"total_component_count_is":92,"online_item_count_is":33,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:20:58.362Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_mannmaps"}},{"id":"viu_repositories_7_resources_215","type":"collection","attributes":{"title":"Claude Moore Health Sciences Library records","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_215#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of permanent and historically significant institutional records created by the University of Virginia Health Sciences Library and the antecedent Medical Library. These records include, but are not limited to: annual reports, planning documents, newsletters, online exhibits, blogs, social media content, conference programs, department histories, committee records, and library-sponsored lecture materials.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_215#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_7_resources_215","ead_ssi":"viu_repositories_7_resources_215","_root_":"viu_repositories_7_resources_215","_nest_parent_":"viu_repositories_7_resources_215","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_215.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/133046","title_ssm":["Claude Moore Health Sciences Library records"],"title_tesim":["Claude Moore Health Sciences Library records"],"unitdate_ssm":["1942-2025","1848-2019"],"unitdate_bulk_ssim":["1942-2025"],"unitdate_inclusive_ssm":["1848-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG.17.4","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/215"],"text":["RG.17.4","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/215","Claude Moore Health Sciences Library records","University of Virginia","The records of the Claude Moore Health Sciences Library are open to researchers, except where it is noted. Decisions to close records to research are made in accordance with the Health Insurance Portability and Accountability Act of 1996 (HIPAA), the Family Educational Rights and Privacy Act of 1974 (FERPA), the Virginia Freedom of Information Act (VAFOIA), the policies of the University of Virginia, and other relevent laws, regulations, or policies.","The annual reports are open to research.","These records are open to research.","The planning documents and reports are open to research.","The photographs and negatives are open to research.","The public relations files are open to research.","The publications are open to research.","There are no restrictions on access to the newsletters in this subseries.","There are no restrictions on access to the publications of the Health Sciences Library.","The social media files are open to researchers.","The blog files are open to researchers.","The administrative organization and structure files are open to research.","The policies, procedures, and handbooks are open to research.","In accordance with the The Family Educational Rights and Privacy Act of 1974 (FERPA), the library may restrict access to student-authored materials and other protected student records in this series. Course syllabi, course announcements, and other materials produced by University faculty and staff are open to research.","Conference programs and reports are open to research.","The historical and biographical files are open to research.","The reports in this series are open to research.","The committee records and meeting minutes are open to research.","The awards, honors, and commemorations records are open to research.","The lecture and presentation materials are open to research.","The exhibit records are open to research.","The annual reports of the Health Sciences Library are scheduled for permanent retention. There will be accruals to this series if the Health Sciences Library resumes the creation of annual reports.","The correspondence and subject files of the Health Sciences Library director are not scheduled for permanent retention and, in the past, have been transferred to the archives on an irregular basis. No further accruals of this material is expected.","Historically significant planning documents and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a document or report is historically significant. Accruals to this series are expected.","Historically significant photographs and negatives are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a photograph or negative is historically significant. Accruals to this series are expected.","Public relations files are scheduled for permanent retention in the archives. These records are generally created by the University's marketing and communications departments and they are filed in the records groups associated with those units. However, the library does occasionally create its own public relations files that we expect to add to this series.","The publications of the Health Sciences Library are scheduled for permanent retention in the archives. Much of the content that the Library made available through publications is now made available on various online platforms. It is likely that accruals to this series will be infrequent.","Annually, data is downloaded from the Library's active social media sites and added to this collection.","Copies of each existing blog are captured every year and added to the collection.","The organizational charts of the Health Sciences Library are scheduled for permanent retention in the archives. Besides the charts, only historically significant records document administrative structure are retained in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether one of these records is historically significant. Accruals to this series are expected to occur occassionally.","Historically significant policies, procedures, and handbooks produced by the Health Sciences Library are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a record is historically significant. Accruals to this series are expected.","Historically significant syllabi and course materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a course record is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant conference programs and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a program or report is historically significant. Accruals to this series are expected.","Significant historical and biographical materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is significant. Accruals to this series are expected to occur infrequently.","Historically significant reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a report is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant exhibit records are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is historically significant. Accruals to this series are expected to occur infrequently.","Records are generally organized according to the records retention and disposition schedules series maintained by the Library of Virginia (LVA). When necessary, additional subdivisions have been created for materials that do not have clear equivalents in the LVA resources.","Annual reports are arranged into 3 subseries: Medical Library, Health Sciences Libary, and Information Sciences Council. The subseries are arranged chornologically. Inside the subseries annual reports are placed into files that are arranged chronologically.","The correspondence and subject files are arranged into subseries according to the library director who created them. The subseries are then arranged chronologically by the date that each director began his or her term in this position. Beginning and end dates of the directors' terms are given after his or her name in the subseries title.","In this series, a file is created for each planning report and its associated documents. The files are arranged chronologically by the date of creation for the materials they contain.","The photographs and negatives are arranged into subseries by subject. The subseries are then arranged alphabetically by title. The arrangements of the files in the subseries vary.","The photographs and negatives of library artifacts are arranged alphabetically according to the name of the artifact shown.","The images of Health Sciences Library staff and interiors are arranged chronologically according to their date of creation.","The miscellaneous photographs are arranged chronologically according to the date of their creation.","The public relations files are arranged into subseries according to types of materials (e.g. clippings collections and press releases). The subseries are then arranged alphabetically. The files in the subseries are arranged chonologically.","The publications are arranged into subseries according to types of materials (e.g. journals and magazines, newsletters, patient education resources). The subseries are then arranged alphabetically. The arrangements of the files in the subseries vary.","The newsletters are arranged alphabetically by title.","The promotional brochures, flyers, and other publications are arranged chronologically according to their date of creation.","The social media content is arranged into files alphabetically by title.","Blogs are arranged into files alphabetically by title.","Files in this series are arranged chronologically according to the date of their creation.","The policies, procedures, and handbooks are arranged into the following subseries in this order: Staff procedures and handbooks, and Library users procedures and handbooks. The files in each subseries are arranged chronologically.","Syllabi and course materials are arranged chronologically.","Conference records and programs are arranged into files by conference title. The files are arranged chronologically by the date each conference was held. All of the instances of a reoccurring conference are gathered together into the same file. If the conference is reoccurring, it is arranged in relation to the rest of the files according to the first instance of that conference.","Materials in this series are arranged chronologically according to the date that they were created.","The reports are arranged into files. The files are then arranged chronologically by their date of creation. When a report is reoccurring, all of the reports in that series are placed together in a single file.","The directories are arranged by title into files. The files are arranged chronologically.","The records in this series are arranged into files according to committee or department (when the department is holding reccurring general meetings). The files are then arranged alphabetically.","The awards, honors, and commemorations are arranged into files. The files are then arranged chronologically by date. When an award, honor, or commemoration is reoccurring (e.g. annually), all of the records in that series are placed together in a single file.","The records for stand-alone lectures and presentations are arranged into a subseries called \"Single lectures and presentations\". The records of lectures and presentations that belong to a program or lecture series are arranged into subseries named after the program or lecture series. Following the subseries titled \"Single lectures and presentations\", the remaining lecture series are arranged alphabetically by title. ","Records in all of the subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","The materials are arranged into files, each file representing an exhibit. Files are arranged alphabetically by exhibit title.","These files are arranged alphabetically.","These items are arranged alphabetically.","\nBetween 1826 and 1929, the University of Virginia's collection of medical books and journals were kept with the general library collections in the Rotunda. In 1929, the University moved the collections to the new Medical Library inside the recently-constructed Medical School Building. \n","\nBetween 1929 and 1962, a medical librarian with a small staff of student and clerical workers stewarded the library's collections. The Medical Library at this time, although physically separate from the rest of the University's libraries, was administered as part of the central University library system with oversight from School of Medicine faculty serving on the Medical Library Committee. In addition to the management of collections, the medical librarians in this era began to curate exhibits and provide instruction. Only a few of the medical librarians who served in this period had professional library training.\n","\nIn 1962, Wilhelm Moll was appointed the first Director of the Medical Library. During his tenure, Moll oversaw the radical trasnformation of a small branch library into an independent research library. The full-time library staff expanded from 4 to 30, the University built a new library building over Jefferson Park Avenue, the nursing and medical libraries merged to form the Health Sciences Library, a history of medicine program was founded, and the library began to adopt digital technologies.\n","\nAfter Moll's death in 1979, the University apppointed Terry Thorkildsen as the Director of the Claude Moore Health Sciences Library.  Thorkildsen and his successors Linda Watson (1990-2005) and Gretchen Arnold (2005-present) led the library during an era when revolutionary advances in digital technologies (e.g. the Internet, personal computers, databases) presented new challenges and opportunities for the Library.\n","","September 1826: The University of Virginia Library opens in the Rotunda and it includes a collection of medical books. 1911: The University Library's entire collection of medical books and journals are gathered together and moved to the basement of the Rotunda. September 13, 1915: Richard Henry Whitehead, Dean of the School of Medicine, creates the Medical Library Committee. 1919-June 1929: Ella Watson Johnson serves as the Medical Librarian. June 1929: The Medical Library moves from the basement of the Rotunda to its own space in the new Medical School Building, the Medical Library remains a department of the central University Library System. June 1929-September 1929: Margaret Otto serves as the Medical Librarian. 1929-1931: Anne Ashhurst Gwathmey serves as the Medical Librarian. 1931-1934: Caroline Hill Davis serves as the Medical Librarian. March 1934-June 1934: Dora Mitchell Brown serves as the Medical Librarian. 1934-1936: Miriam Thomas Buchanan serves as the Medical Librarian. 1935: The Medical Library institutes its first orientation for first year medical students. 1936-1943: Anne Lewis Morris serves as the Medical Librarian. 1943-1944: Mary Elizabeth Mayo serves as the Medical Librarian. 1944-1947: Mabel Cook Wyllie serves as the Medical Librarian. 1945-1949: The Nursing Library is placed under the Supervision of the Medical Librarian until the appointment of a clerk to manage the Nursing collection. 1947-1962: Elizabeth Frances Adkins serves as the Medical Librarian. September 1962: Wilhelm Moll is appointed the Director of the Medical Library. 1962-1963: As the result of administrative reorganizations during this period, the Medical Library is separated from the central University Library system and placed under the control of the School of Medicine. November 1970: Librarians conduct the first online searches of a database at the University of Virginia Medical Library using the experimental AIM-TWX service developed by the National Library of Medicine's Lister Hill National Center for Biomedical Communications. November 1971: Librarians begin using the National Library of Medicine's MEDLINE system to conduct online searches for patrons. August 1975: The Medical Library and Nursing Library are merged into the Health Sciences Library and Information Center and moved into a new building that spans over Jefferson Park Avenue. Wilhelm Moll is made the Director of the Health Sciences Library. April 1976: The Health Sciences Library is formally dedicated and named after Claude Moore, an alumnus of and donor to the University of Virginia. 1979: Terry Thorkildsen is appointed the Director of the Claude Moore Health Sciences Library. 1989: The library card catalog is digitized and made available through computer terminals. 1990: Linda Watson is appointed the Director of the Claude Moore Health Sciences Library. 2005: Gretchen Arnold is appointed the interim Director of the Claude Moore Health Sciences Library and is then made Director in 2007. 2022: Bart Ragon is appointed the Director of the Claude Moore Health Sciences Library.","(formerly Reference Department from 1987-1991)","Historical Collections and Services was originally concieved in the 1980s by the first director of the Claude Moore Health Sciences Library, Wilhelm Moll. His vision was to create a rare book room that would house the rare books that belonged to the Medical Library. During the Jeffersonian era and up until 1929, the books belonging to the school of medicine and anatomy were housed in the Rotunda Library on Grounds. In 1929, a new Medical School Building opened. This unified all the medical departments, which had been scattered throughout the Grounds. The Medical Collection became the Medical Library, and moved into new quarters in the Medical School Building. When Alderman, now Shannon, Library was built in 1937, the books moved there until the creation of the Claude Moore Health Sciences Library in 1976. Following Dr. Moll's untimely death in 1979, Special Collections librarian Joan Echtenkamp Klein helped to make Moll's reality of a special collections department a reality. She became the curator and manager of Historical Collections and Services, serving in that role until 2015. Dan Cavanaugh took over the role of curator and manager until 2022. Meggan Cashwell became the curator and manager in 2023 and is currently serving in that position.","Some exhibit pages do not have creation dates listed anywhere, but they do have copyright dates at the bottom of the page. This can be confusing in understanding what is the true date of creation.","Many of these online exhibits were once physical exhibits on display in the Claude Moore Health Sciences Library. Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"","When the Claude Moore Health Sciences Library downloads content from a social media platform, the Library preserves all of the original files (e.g. jpeg files, html files, json files) from the capture.","Patrons may contact Historical Collections staff at the Library to request copies of files containing social media content. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. ","When the Claude Moore Health Sciences Library captures a copy of a blog, the Library preserves all of the its original files (e.g. jpeg files, html files) as well as an aggregated web archive file (warc). Both a directory containing the original files and the warc file are bundled together into a single digital object. ","Patrons may contact Historical Collections staff at the Library to request copies of blog files. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. ","Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"","This collection consists of permanent and historically significant institutional records created by the University of Virginia Health Sciences Library and the antecedent Medical Library. These records include, but are not limited to: annual reports, planning documents, newsletters, online exhibits, blogs, social media content, conference programs, department histories, committee records, and library-sponsored lecture materials.","This series consists of annual reports produced by the Medical Library (1929-1975), the Health Sciences Library (1975-Present), and the Information Sciences Council (1990-1996). Annual reports for the Health Sciences Library are missing from this collection for the period from 2006 to the present. Also, the annual reports for the Medical Library are missing from this collections for the period from 1929 to 1942. It is unclear whether the Medical and Health Sciences libraries wrote reports for the years.","The annual reports of the Medical Library contain comprehensive descriptions of the annual activities of the Medical Library. The Medical Library's annual reports from 1929 to 1942 are missing from this collection. It is not known if the reports were ever written by the library.","The annual reports of the Health Sciences Library contain comprehensive descriptions of the annual activities of the Health Sciences Library. The Health Sciences Library's annual reports from 2006 to the present are missing from this collection. It is not known if the reports were ever written by the library.","Informal annual report-like documents and related material, including reports shared on the Claude Moore Health Sciences Library blog and an internal UVA Health System news website (HS Connect). Reports from: March 2007, September 2009 (written by Gretchen Arnold), January 2013 (written by Gretchen Arnold), and March 2018 (written by Gretchen Arnold).","This series consists of correspondence and subject files that were created and assembeled by the directors of the Health Sciences Library while carrying out the responsibilities of their position.","Correspondents include Curators of the HSL--Daniel Spikes, Cassandra Ruane, Frank C. Mevers, Todd L. Savitt, and Doris Leckie of the Smithsonian Institution","Includes articles about Jesse Lazear, Carlos Finlay, Philip Hench and cortisone, Henry R. Carter, Nicolas Chervin, Joseph Y. Porter and Isaac Hulse","Correspondents with Bean include Mary (Mrs. Philip) Hench, Atcheson L. Hench, Byrd S. Leavell, and Todd Savitt","Includes news releases, news clippings, journal articles, and correspondence related to the gift by Mary Hench of the Philip S. Hench Walter Reed Yellow Fever collection.","Includes correspondence with William Bennett Bean","Includes correspondence on Health System reorganization","The records in this series document the planning of historically significant administrative initiatives, purchases, construction, and events at the Health Sciences Library.","This series consists of digital and analog images that show the history and collections of the Health Sciences Library. Image formats in this series include, but are not limited to, photographic prints, film negatives, jpeg files, tiff files, 35mm film slides, CDs or other media containing digital images. The series does not include official identification photographs for faculty, students, and staff.","This subseries contains images of artifacts in the collections of the Health Sciences Library.","The images in this subseries show the staff, faculty, and interior spaces of the Health Sciences Library.","Moll, Bowers, Bowers, and Rudnick are photographed with ceramic vessels used in the early production of penicillin.","LIS officially started in 1989. Dr. Don Detmer is upper right of FF sheet","People identified are: Inhye Son, Sarah Handley, Anne Humphries, Mike Wilson, Jonathan Lord, Elaine Banner, Julia Kochi, Marylin James, Mary Nightengale, Ophelia Payne, Nadine Ellero, Trisha Luby, Sue Daddezio, Diane Ricketson, Deborah Camden, Michael Sullivan, Betty Mickens, Dan Wilson, Shelby Miller John Sesody, Greatchen Arnold, Michelle Martin, Jeri Davis, Barbara Crawford, Cindy Saylor, Susan Yowell, Karen Collier, Pat Shannon, Rick Peterson, Brenda Bikos, Sandy Zoumbaris, Jana Maas, Joan Klein, Mark Mones, Jane Wagner, Eli Casarez, Aulia Gies, Cynthia Siedman-Willen, Catherine Anninos, Judy Shotwell, Linda Watson and Ann Carter.","Individuals not identified.","Front: Kathleen Tracey, karen Collier, Deborah Camden, Ophelia Payne, Rick Peterson\nSecond: Marylin James, Jane Wagner, Barbara Crawford, Polly Sandridge, Linda Watson\nThird: Pat Shannon, Brenda Bikos, Gretchen Naisawald, Anne Humphries, Jeri Davis, Shelby Miller, Jonquil Feldman, Mike Wilson\nFourth: Judith Robinson, Susan Daddezio, Julia Hochi\nFifth: Thomas Speare, Catherine Anninos, Libby Colley, Judy Shotwell\nSixth: Hall Sharp, Rick Weaver, Ann Carter\nSeventh: Nadine Ellero, Megan McCaskey, Sarah Handley\nEighth: Jonathan Lord, Jake Appleford, Mary Nightengale, Inhye Son\nAbsent: Joan Klein, christopher Marks, Betty Mickens, Mark Mones, Diane Spears","Left to right: Dieter Groeschel, Joan Klein, Linda Watson, unidentified person\nIn back: unidentified, Janet Pearson","One photo individuals front left to right Dieter Groeschel, Joan Klein, Linda Watson, unidentified person, in the back an unidentified person and Janet Pearson","Collection Services and Bibliographic Control","Intellectual Access and Collection Development","Library Administration","Ellen Ramsey, David Moody, Bart Ragon, Mike Wilson, Joan Klein, Dave Denton, Inhye Son, Wilma Lynch, Pat Shannon, Gretchen Arnold, Jeri Davis, Joy Nuckolls, Karen Knight, Elaine Attridge, Ann Carter, Jonathan Lord, Andrea Horne Denton, Stephanie Fielding, Adrienne Granitz, Sonya Coleman, Jason Bennett, Tony Hiserman, Tenzin Thosam, Roderick Martin, Nadine Ellero, Patricia Vaughn","This subseries consists of images that do not belong in any other subseries.","Gordon was the coordinator of an exhibit on the history of gastroscopy and visited the medical school to open the exhibit. Photo taken by Ursula Ziolkowki.","Photo was sent to Terry Thorkildson from the Area Health Education Centers Program Eastern Virginia Medical Authority","This series contains historically significant press releases, visual aids, clippings, and other items that record information about the Library that were produced for or by the news media.","This subseries contains print copies of news articles about the Health Sciences Library.","This series consists of publications produced by the Health Sciences Library for public distribution or general internal distribution. Publications include, but are not limited to, magazines, journals, monographs, newsletters, weblogs, weekly announcements, online publications, marketing materials, and patient education resources. This series may contain both print and digital publications.","The materials in this subseries were produced to guide the use of collections housed at the Health Sciences Library.","This subseries consists of digital and print newsletters that provide information about the activities of the Health Sciences Library.","A \"scrapbook\" of Library milestones and appropriate photographs for each medical and nursing graduating class celebrating its reunion in a particular year. The print series was discontinued after 2000, but additional Journey Through Time content is available online through the Historical Collections web exhibits.","This subseries contains brochures, flyers, and other printed ephemera that provide information about the Health Sciences Library.","Envelope has Dr. Wilhelm Moll handwritten on it. Brochure includes library statistics, what is needed in terms of money and space, various endorsements, and tax information.","This series contains social media content that has been produced by the Health Sciences Library for platforms like Facebook, Instagram, and Twitter.","The staff of the Health Sciences Library's Historical Collections and Services department maintains and contributes content to this Facebook page. Many posts and photographs on the page relate to the Department's services, collections, and events. Other posts share information related to the history of the health sciences and the work of libraries, museums, and archives.","This series consists of blogs that were created by the Health Sciences Library. The files in this series were downloaded from the Internet by Library staff. Content in the blogs that are accessed through a link outside of the blog's parent directory (e.g. external YouTube videos, external web pages) are not downloaded and archived in this series.","The Moore Library News (MLN) blog is produced by the Claude Moore Health Sciences Library. MLN blog posts provide information about Library collections, policies, services, and events.","The records in this series document the organizational structure of the Health Sciences Library. It also contains records that document administrative reorganizations of the Library. These materials include, but are not limited to, organizational charts and reports.","This series contains policies, procedures, and handbooks produced by the Health Sciences Library to direct and guide the conduct of its faculty, staff, and patrons. These records may also formally describe and define the relationship between the Health Sciences Library and its faculty, staff, and patrons.","This subseries contains procedures and handbooks for the faculty and staff of the Health Sciences Library.","Includes items from the Printing Office with the new library name: The Claude Moore Health Sciences Library","This subseries consists of procedures and handbooks for the patrons of the Health Sciences Library.","This series contains course announcements, syllabi, notes, and other materials that document classes and workshops taught by the faculty and staff of the Health Sciences Library.","This series consists of programs and reports that document the history of conferences and symposia hosted by the Health Sciences Library. Programs and reports often contain the following information: lists of speakers, presentation titles, schedules of events, and lecture abstracts. The following conference records are not included in this series: registration records, financial records, organization records, attendance lists.","This series consists of significant material that conveys the history of the Health Sciences Library, its administration, its accomplishments, its officials or employees. Includes, but is not limited to, scrapbooks, photographs, articles, program notes and documentation of events sponsored or funded by the agency. Also included are narratives; printed, audio, or audiovisual histories; or matters of significant historical importance.","Includes many photos of the library interior and library staff. Some individuals identified. Probably an exhibit celebrating the library's 15th anniversary in 1991, but photos from 1993 are also in the folder.","Includes photos of library interiors, staff (some identified) and UVA buildings; library organization chart for 2/1995; and Library Building Funds chart, 1975.","This series consists of reports, of a historically significant nature, that do not belong to any other series of the Health Sciences Library records.","This series contains memos, correspondence, subject files, online resources, and meeting minutes of committees working within the Health Sciences Library.","This file includes the meeting minutes, meeting agendas, and other documentation of the Library Management Group. The members of this committee were the leaders of the Health Sciences Library. They met once a month to discuss major library initiatives, provide updates and reports about library department activities, and share other information related to the management of the Library.","This file consists of the meeting minutes, bylaws, constitution, and correspondence of the Medical History Society of the University of Virginia. The Society was formed to promote the knowledge and study of the history of medicine and the health sciences at the University of Virginia. For much of its history, Wilhelm Moll led the Society. It supported the development of historical collections and services at the Health Sciences Library and founded a lecture series that becsme the History of the Health Sciences Lecture Series in 1984.","This series consists of records that document awards, honors, and commemorations presented by the Health Sciences Library. These records may include, but are not limited to, event programs, lists of recipients, and recipient biographies.","The dedication ceremony included remarks by Donald S. Fredrickson, MD, Director, National Institutes of Health.","Includes a tribute to Wilhelm Moll by William B. Bean and another speech by an unidentified individual.","Includes remarks that were given by Dr. Don Detmer.","Includes remarks given by Donald Lindberg. The title of Lindberg's presentation was\"The Computer and the Academical Village\".","This series consists of records that document lectures and presentations sponsored by the Health Sciences Library. These records include, but are not limited to, audiovisual recordings, transcripts, announcements, handouts, and correspondence between presenters and event organizers.","This subseries consists of records associated with standalone lectures and presentations sponsored by the Health Sciences Library.","This subseries contains records that are associated with the Health Sciences Library's History of the Health Sciences Lecture Series.","This subseries contains records that are associated with the Medical History Society of the University of Virginia Lecture Series.","Promotional posters for a medical history lecture series held at the UVA Health Sciences Library and organized by the UVA Medical History Society.","This series consists of records that document exhibits created by the Claude Moore Health Sciences Library of an educational or promotional nature. Some records are physical, and others are archived websites crawled by the Internet Archives' Archive-It service and made accessible by their Wayback Machine.","These materials are physical materials containing exhibit plans and designs, text, labels, and images created for physical exhibits.","Identified individuals in photos are John Guerrant, Ken Crispell, and Barry Marshall","Includes print-out (109 pages) of \"Who's Who on the Philip S. Hench Walter Reed Yellow Fever Collection Website\" (2002) and supplemental list of compiled names.","\"Robley Dunglison: 1798-1869\" Pamphlet produced for a library exhibit honoring the 200th anniversary of Dunglison's birth. 3 copies; 14 pp. Prepared by Historical Collections \u0026 Services, Claude Moore Health Sciences Library. Folder note indicates biography was written by Joby Topper. Includes reference list.","Introduction by Joan Klein","This series contains web archived online exhibits created by Historical Collections and Services between 2007 and circa 2023, although some of the creation dates of the websites are questionable. These 21 exhibits were hosted on the Claude Moore Health Sciences Library website but are now available via the Internet Archives' Wayback Machine.","This online exhibit is centered on the book \"A History of Cancer Care at the University of Virginia, 1901-1911.\" This book provides vast insight into the teamwork, dedication, collegiality, and skill–as well as luck–which was necessary for the Cancer Center to exist today. Twenty-five oral history interviews were conducted in the course of researching the book and are included with the book or may be viewed in the videos section of this website. Written by Henry K. Sharp, Ph.D. and Morton C. Wilhelm, M.D. the Joseph Helms Farrow Professor Emeritus in Surgical Oncology, University of Virginia School of Medicine.","This online exhibit serves as an online \"scrapbook\" with some of the milestones of the Claude Moore Health Sciences Library, Medical Center, and the School of Medicine and the School of Nursing. There are added appropriate photographs for each class year.","This exhibit recounts the origin and early history of the American Lung Association. The American Lung Association of Virginia (ALAV) Collection contains personal and official correspondence, financial and legal papers, minute books, organizational and scientific reports, educational publicity, photographs, and artifacts. ALAV donated its organization's papers to the Claude Moore Health Sciences Library in 1990 and 1991 made this exhibit possible. The ALAV made an additional donation in 2009.","This online exhibit presents images and summaries of the known uses of each instrument. The extant comments of medical writers from antiquity–including Oribasius, Galen, Soranus, Aetius, and the Hippocratic corpus–have provided scholars with some clues about the use of some instruments. Some instruments, such as mixing instruments and tweezers, probably had other household uses, such as the application of cosmetics and paints.","This online exhibit was created under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library. Hal Sharp, a Historical Collections staff member, wrote the essay giving a brief history of anatomical drawing. The exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant. Emily Bowden, Historical Collections, photographed the Denoyer-Geppert Anatomy Series charts. William Crutchfield generously donated W. and A. K. Johnston's Charts of Anatomy and Physiology which were owned for 33 years by his father, Dr. William Gayle Crutchfield.","This exhibit was designed to highlight the UVA Hospital's involvement with supporting United States Army troops during World War I and World War II. It was created by Janet Pearson with the assistance of Joby Topper. Special thanks to Dr. John L. Guerrant, Dorothy Sandridge Gloor, and Elizabeth Harlin Drash for sharing their stories and helping us identify photographs.","This online exhibit shows materials related to eugenics as it relates to UVA and Charlottesville, VA. Alison White and Ina Hofland, staff members of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia, created this Web exhibit. They also created the physical exhibit of the same title on which it is based. The physical exhibit was displayed in the foyer of the Health Sciences Library April-September 2002. Steve Stedman designed the Web exhibit. Special thanks to Sara Huyser, Joan Echtenkamp Klein, Ophelia Payne, Bart Ragon, Hal Sharp, and Mike Wilson for their assistance. Web Exhibit Publish Date: February 13, 2004","This exhibit was created under the direction of Joan Ectenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at the Claude Moore Health Sciences Library. Dr. Morton C. Wilhelm, the Joseph Helms Farrow Professor in Surgical Oncology, wrote the essay with the editorial assistance of Janet Pearson. The web exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant.","This online exhibit offers a look into The Papers of James Carmichael and Son, a collection held at the UVA Albert and Shirley Small Special Collections Library, and tells a story of the early nineteenth-century inhabitants of Fredericksburg, Virginia and its surrounding rural areas. ","The exhibit is organized into two content areas: the Story and the Collection. Each of these areas, as well as the Home and About sections, are represented in the tabs near the top of every page. See the site map for more detail.","The Story section sets the atmosphere for the exhibit. One can get a sense of what the practice of medicine was like for James and Edward Carmichael in the early nineteenth century by reading the essays describing the Pharmacy, the Tools of the Trade, and the Health Care of Slaves.","The Collection section houses the images of the original Carmichael letters, which are meticulously transcribed and categorized to provide access not only to the words, but to the medical conditions, treatments, and philosophies of almost two centuries past. Particularly compelling is the use of Medical Subject Headings (MeSH) to categorize the letters along with a very detailed methodology and definition of MeSH terms. Other items of interest include the daybook kept by Doctor Carmichael from 1816-1817, newspaper clippings, court records \u0026 summaries, period maps, and Virginia WPA Historical Inventory Project records. Additionally, there is an exhaustive Who's Who list of names that appeared in the letters as well as a thorough list of Places Mentioned.","This online exhibit tells the story of how the U.S. Army Commission, comprised of Major Walter Reed, Dr. James Carroll, Dr. Aristides Agramonte, and Dr. Jesse Lazear, confirmed Carlos Finlay's theory about the transmission of yellow fever. By showing without a doubt that mosquitoes were the vector for yellow fever, the researchers empowered public health officials in the Americas to eradicate this devastating disease from much of the Western Hemisphere.","The exhibit is divided into three main sections. The first section, Archives, provides information about and links to the Philip S. Hench Walter Reed Yellow Fever Collection. The collection, most collected by Philip S. Hench and housed at the University of Virginia's Claude Moore Health Sciences Library, is a rich archive of materials that documents the history of the U.S. Army Yellow Fever Commission. The second section, History, tells the story of the U.S. Army Yellow Fever Commission and the impact of its findings. Finally, the third section, Resources, provides access to biographies, bibliographies, and other resources visitors may want to consult to learn more about the Commission and the history of yellow fever.","This exhibit tells the story about 12 physicians practicing in Charlottesville, VA in 1848 mutually agreed to create an agreed rate of medical charges for services.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at The Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the fee bill project and directed it. Todd L. Savitt, Ph.D., wrote the background information essay on fee bills in general and the Charlottesville fee bill in particular. He is a faculty member at East Carolina University in the Department of Bioethics \u0026 Interdisciplinary Studies. Janet Pearson wrote the introduction and the biographical sketches of the twelve signers. She gathered images and took photographs in the University of Virginia Cemetery and Columbarium and in downtown Charlottesville. She is a member of the staff of Historical Collections and Services. Sonya Coleman, also a member of the staff of Historical Collections, contributed to the design elements. David Moody, Claude Moore Health Sciences Library Webmaster, and Jason Bennett, Technology in Education Consultant, provided the programming architecture for the Web exhibit.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at the Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the \"Fever Fighters\" project after the generous donation of Dr. Hanson's diary by his granddaughter, Jane H. Monroe.","Staff members at Historical Collections, Leigh Mantle, Susan Yowell, and Janet Pearson, contributed content and created the GIS Map. Caitlin Summers, a dedicated intern at Historical Collections, also provided editorial assistance in the spring of 2012.","David Moody, Library Webmaster; Mike Wilson, Information Services Specialist; and Jason Bennett, Technology Specialist, provided the programming architecture for the Web exhibit.","This exhibit was inspired by The Mineral Springs of Western Virginia by William Burke, the first volume purchased by the Weaver Family Endowed Rare Book and Medical Materials Fund. Published in 1846, the book describes the setting and development of eleven springs in what are now Virginia and West Virginia. Dr. Burke, a one-time owner and resident physician at Red Sulphur Springs, remarks on the usefulness of the various mineral waters in certain diseases as well as contraindications to their use. The springs range from those that are well known today such as the White Sulphur Springs, currently the Greenbrier resort in West Virginia, to the Blue Sulphur Springs, once able to accommodate several hundred people and now represented by a lone Greek Revival pavilion in the middle of a field near Smoot, West Virginia.","This exhibit was written and organized by Janet Pearson, a member of the staff of Historical Collections and Services, under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library, University of Virginia. Claudia Sueyras, Normajean Hultman, and Sonya Coleman did preliminary research. Rod Martin and Victoria Meyer scanned items from Historical Collections and the Charles L. Brown Science \u0026 Engineering Library. David Moody, with the assistance of Bart Ragon, provided the programming architecture for the Web exhibit. Sonya Coleman contributed to the design elements. Special thanks has been given to the staff at the Albert and Shirley Small Special Collections Library, University of Virginia, as they retrieved dozens of documents and also to the Digital Curation Services staff for their scanning of the documents.","The Anatomical Theatre at the University of Virginia online exhibit tells the story of the Theatre's presence at the University for more than a century. While not included in the earliest plans of the University, the need for the Theatre became clear before the first classes were ever held. Thomas Jefferson himself drew the design which includes two floor plans, a front elevation view, and a cross section. The exhibit traces the construction and later changes to the building, its demise, and archeological investigations at the site. It also gives a glimpse of what happened inside the building and the deeds that were done to procure cadavers so that medical students could learn anatomy.","This exhibit was sparked by the interest of the late Dr. M.C. Wilhelm in the model of the Anatomical Theatre housed in Historical Collections at the University of Virginia Claude Moore Health Sciences Library. A retired surgeon and volunteer in Historical Collections, Dr. Wilhelm gathered resources and did preliminary writing. It was decided to further develop the project, and the result is this exhibit, written and organized by Janet Pearson, a Historical Collections staff member. Originally done under the direction of Joan Echtenkamp Klein, who was the Alvin V. and Nancy Baird Curator for Historical Collections until her untimely death, project support was continued under Dan Cavanaugh, who stepped into Joan's role and position.","Others associated with the University of Virginia community freely shared their ideas and research. These individuals include Garth Anderson, the Facilities Management Historian; Kirt von Daacke, Assistant Dean and Professor, College of Arts \u0026 Sciences; Louis Nelson, Professor in the Department of Architectural History and Associate Provost for Outreach; Robert Bloodgood, Professor in the School of Medicine; Benjamin Ford, Principal Investigator with Rivanna Archaeological Services, LLC; and Sonya Coleman, formerly a staff member in Historical Collections and now at the Library of Virginia. Emily Bowden, the Historical Collections Specialist, answered many technical queries as well as gave editorial assistance. Anson Parker and Jason Bennett provided the programming architecture for the Web exhibit.","This exhibit explores the development of the iron lung during the late nineteenth and early twentieth century and considers the reasons for its success during the height of the poliomyelitis epidemics. Andrew Sallans, Historical Collections Specialist, researched and compiled the content for the online and physical exhibits. The design of the online exhibit was conceived and executed by Steve Stedman, Webmaster for the Claude Moore Health Sciences Library.","This online exhibit displays a digitized copy of Historical Collections and Services' rare book \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England: An Introduction to Orders thought meete by her Maiestie ..., 1578.\"","Anne McKeithen, Janet Pearson, and Andrew Sallans, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, compiled the material for the Plague Book exhibit under the direction of Joan Echtenkamp Klein. Joaquin Bueno designed the Web exhibit and graphics, with the programming architecture of David Moody and the assistance of Bart Ragon.","Unless otherwise noted, the images are courtesy of the Missouri Botanical Garden, © 1995-2006 Missouri Botanical Garden http://www.illustratedgarden.org). They deserve special thanks for their generous permission to reproduce their exquisite illustrations. Special thanks are also given to Duane J. Osheim, Ph.D., Professor and Chair, of the Corcoran Department of History at the University of Virginia for his paper, \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England.\"","In 2001 Historical Collections in the Claude Moore Health Sciences Library created an exhibit that traces the history of the first century of the Hospital in words and images. One copy of the exhibit traveled from location to location in the Health System and beyond; the other set of panels were hung in a busy hospital corridor near the main entrance where they remain today. These panels form the basis for this online exhibit which now includes the addition of a section on the first 14 years of the Hospital's second century. We hope you enjoy following the history of the growth of the University of Virginia Health System as it seeks to fulfill its longstanding vision to benefit human health and improve quality of life through patient care, research, and education.","This exhibition was prepared by Hal Sharp and Janet Pearson of the Department of Historical Collections and Services, The Claude Moore Health Sciences Library.","This online exhibit aims to give viewers a view into more than 50 of Historical Collections and Services' most notable books and see how their authors over the years have documented their discoveries and concepts for contemporaries and for us.  There are digitized versions of many of the books in the Fulltext Books section, which offers links to the scanned images of over half of these rare books.","Sara Huyser, Anne McKeithen, and Janet Pearson, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, wrote and compiled the material for Vaulted Treasures under the direction of Joan Echtenkamp Klein.","Joaquin Bueno designed the Web exhibit and graphics, with the server expertise of David Moody and the assistance of Bart Ragon. Special thanks to Claudia Sueyras who scanned many of the books and Andrew Sallans who provided technical assistance.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","Mary Wagner donated the caricatures in this exhibit to Historical Collections and Services, The Claude Moore Health Sciences Library. Her husband, the late Robert R. Wagner, M.D., collected these when he was a post-doctoral fellow at the National Institute for Medical Research in London from 1950 to 1951. Wagner was Chair of the Department of Microbiology at the University of Virginia from 1967 to 1994, and Director of the UVa Cancer Center from 1983 to 1993. Thanks to Mary Wagner's generosity, the caricatures recently have been professionally treated, preserved, and reframed. The originals are on display in Historical Collections and Services and in the Department of Microbiology in the Robert R. Wagner Conference Room. These nineteenth-century satirical prints will thus continue to delight future generations.","This exhibit was written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.","Walter Reed's professional experiences with typhoid fever stand in marked contrast to his professional encounters with yellow fever. In the case of typhoid, he was more a messenger than a conqueror. Typhoid fever remained defiant during a career that oversaw the rout of yellow fever. Through a humanizing story that shows how fate brought Reed continuing frustration as well as talent and success, this exhibit seeks to render him a more accessible role model for students of medicine and history.","This exhibit was written by Noel G. Harrison, a graduate student in The Corcoran Department of History at the University of Virginia and an intern in Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia during the fall of 2002. The Web exhibit was prepared and designed by Mike Wilson and Sara Huyser. Special thanks to Bart Ragon, Joan Echtenkamp Klein, and Hal Sharp for their assistance.","This series includes records related to Historical Collections and Services, the special collections and archives department of the Claude Moore Health Sciences Library. Records the public can access are related to exhibitions that were curated by staff and displayed in the library.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies.","The Rector and Visitors of the University of Virginia own the copyright to the annual reports in this series.","The Rector and Visitors of the University of Virginia owns the copyright to records in this series that were created by the library directors while they were acting within the scope of their position, except scholarly and academic works. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the planning documents and reports created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to images created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to publications created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The University of Virginia owns the copyrights to publications produced by the Health Sciences Library. Other copyright restrictions may apply to some materials.","Copyright restrictions may apply.","The Rector and Visitors of the University of Virginia own the copyright for social media content (e.g. posts, photographs) created by University employees while acting within the scope of their employment, except scholarly and academic works. The organizations that own the social media platforms might also hold licenses to all of the content posted by University of Virginia employees. Copyright ownership varies for other content that has been posted on the Library's social media platforms and archived here.","The Rector and Visitors of the University of Virginia own the copyright to blogs and blog posts created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to conference records and programs created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to reports created by University employees while acting within the scope of their employment. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the records in this series that were created by University employees while acting within the scope of their employment.","The Rector and Visitors of the University of Virginia own the copyright to materials in this series created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to exhibit content created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","Claude Moore Health Sciences Library","English"],"unitid_tesim":["RG.17.4","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/215"],"normalized_title_ssm":["Claude Moore Health Sciences Library records"],"collection_title_tesim":["Claude Moore Health Sciences Library records"],"collection_ssim":["Claude Moore Health Sciences Library records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  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Decisions to close records to research are made in accordance with the Health Insurance Portability and Accountability Act of 1996 (HIPAA), the Family Educational Rights and Privacy Act of 1974 (FERPA), the Virginia Freedom of Information Act (VAFOIA), the policies of the University of Virginia, and other relevent laws, regulations, or policies.\u003c/p\u003e","\u003cp\u003eThe annual reports are open to research.\u003c/p\u003e","\u003cp\u003eThese records are open to research.\u003c/p\u003e","\u003cp\u003eThe planning documents and reports are open to research.\u003c/p\u003e","\u003cp\u003eThe photographs and negatives are open to research.\u003c/p\u003e","\u003cp\u003eThe public relations files are open to research.\u003c/p\u003e","\u003cp\u003eThe publications are open to research.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the newsletters in this subseries.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the publications of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThe social media files are open to researchers.\u003c/p\u003e","\u003cp\u003eThe blog files are open to researchers.\u003c/p\u003e","\u003cp\u003eThe administrative organization and structure files are open to research.\u003c/p\u003e","\u003cp\u003eThe policies, procedures, and handbooks are open to research.\u003c/p\u003e","\u003cp\u003eIn accordance with the The Family Educational Rights and Privacy Act of 1974 (FERPA), the library may restrict access to student-authored materials and other protected student records in this series. Course syllabi, course announcements, and other materials produced by University faculty and staff are open to research.\u003c/p\u003e","\u003cp\u003eConference programs and reports are open to research.\u003c/p\u003e","\u003cp\u003eThe historical and biographical files are open to research.\u003c/p\u003e","\u003cp\u003eThe reports in this series are open to research.\u003c/p\u003e","\u003cp\u003eThe committee records and meeting minutes are open to research.\u003c/p\u003e","\u003cp\u003eThe awards, honors, and commemorations records are open to research.\u003c/p\u003e","\u003cp\u003eThe lecture and presentation materials are open to research.\u003c/p\u003e","\u003cp\u003eThe exhibit records are open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The records of the Claude Moore Health Sciences Library are open to researchers, except where it is noted. Decisions to close records to research are made in accordance with the Health Insurance Portability and Accountability Act of 1996 (HIPAA), the Family Educational Rights and Privacy Act of 1974 (FERPA), the Virginia Freedom of Information Act (VAFOIA), the policies of the University of Virginia, and other relevent laws, regulations, or policies.","The annual reports are open to research.","These records are open to research.","The planning documents and reports are open to research.","The photographs and negatives are open to research.","The public relations files are open to research.","The publications are open to research.","There are no restrictions on access to the newsletters in this subseries.","There are no restrictions on access to the publications of the Health Sciences Library.","The social media files are open to researchers.","The blog files are open to researchers.","The administrative organization and structure files are open to research.","The policies, procedures, and handbooks are open to research.","In accordance with the The Family Educational Rights and Privacy Act of 1974 (FERPA), the library may restrict access to student-authored materials and other protected student records in this series. Course syllabi, course announcements, and other materials produced by University faculty and staff are open to research.","Conference programs and reports are open to research.","The historical and biographical files are open to research.","The reports in this series are open to research.","The committee records and meeting minutes are open to research.","The awards, honors, and commemorations records are open to research.","The lecture and presentation materials are open to research.","The exhibit records are open to research."],"accruals_html_tesm":["\u003cp\u003eThe annual reports of the Health Sciences Library are scheduled for permanent retention. There will be accruals to this series if the Health Sciences Library resumes the creation of annual reports.\u003c/p\u003e","\u003cp\u003eThe correspondence and subject files of the Health Sciences Library director are not scheduled for permanent retention and, in the past, have been transferred to the archives on an irregular basis. No further accruals of this material is expected.\u003c/p\u003e","\u003cp\u003eHistorically significant planning documents and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a document or report is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003eHistorically significant photographs and negatives are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a photograph or negative is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003ePublic relations files are scheduled for permanent retention in the archives. These records are generally created by the University's marketing and communications departments and they are filed in the records groups associated with those units. However, the library does occasionally create its own public relations files that we expect to add to this series.\u003c/p\u003e","\u003cp\u003eThe publications of the Health Sciences Library are scheduled for permanent retention in the archives. Much of the content that the Library made available through publications is now made available on various online platforms. It is likely that accruals to this series will be infrequent.\u003c/p\u003e","\u003cp\u003eAnnually, data is downloaded from the Library's active social media sites and added to this collection.\u003c/p\u003e","\u003cp\u003eCopies of each existing blog are captured every year and added to the collection.\u003c/p\u003e","\u003cp\u003eThe organizational charts of the Health Sciences Library are scheduled for permanent retention in the archives. Besides the charts, only historically significant records document administrative structure are retained in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether one of these records is historically significant. Accruals to this series are expected to occur occassionally.\u003c/p\u003e","\u003cp\u003eHistorically significant policies, procedures, and handbooks produced by the Health Sciences Library are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a record is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003eHistorically significant syllabi and course materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a course record is historically significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e","\u003cp\u003eHistorically significant conference programs and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a program or report is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003eSignificant historical and biographical materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e","\u003cp\u003eHistorically significant reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a report is historically significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e","\u003cp\u003eHistorically significant exhibit records are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is historically significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals"],"accruals_tesim":["The annual reports of the Health Sciences Library are scheduled for permanent retention. There will be accruals to this series if the Health Sciences Library resumes the creation of annual reports.","The correspondence and subject files of the Health Sciences Library director are not scheduled for permanent retention and, in the past, have been transferred to the archives on an irregular basis. No further accruals of this material is expected.","Historically significant planning documents and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a document or report is historically significant. Accruals to this series are expected.","Historically significant photographs and negatives are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a photograph or negative is historically significant. Accruals to this series are expected.","Public relations files are scheduled for permanent retention in the archives. These records are generally created by the University's marketing and communications departments and they are filed in the records groups associated with those units. However, the library does occasionally create its own public relations files that we expect to add to this series.","The publications of the Health Sciences Library are scheduled for permanent retention in the archives. Much of the content that the Library made available through publications is now made available on various online platforms. It is likely that accruals to this series will be infrequent.","Annually, data is downloaded from the Library's active social media sites and added to this collection.","Copies of each existing blog are captured every year and added to the collection.","The organizational charts of the Health Sciences Library are scheduled for permanent retention in the archives. Besides the charts, only historically significant records document administrative structure are retained in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether one of these records is historically significant. Accruals to this series are expected to occur occassionally.","Historically significant policies, procedures, and handbooks produced by the Health Sciences Library are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a record is historically significant. Accruals to this series are expected.","Historically significant syllabi and course materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a course record is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant conference programs and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a program or report is historically significant. Accruals to this series are expected.","Significant historical and biographical materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is significant. Accruals to this series are expected to occur infrequently.","Historically significant reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a report is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant exhibit records are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is historically significant. Accruals to this series are expected to occur infrequently."],"arrangement_html_tesm":["\u003cp\u003eRecords are generally organized according to the records retention and disposition schedules series maintained by the Library of Virginia (LVA). When necessary, additional subdivisions have been created for materials that do not have clear equivalents in the LVA resources.\u003c/p\u003e","\u003cp\u003eAnnual reports are arranged into 3 subseries: Medical Library, Health Sciences Libary, and Information Sciences Council. The subseries are arranged chornologically. Inside the subseries annual reports are placed into files that are arranged chronologically.\u003c/p\u003e","\u003cp\u003eThe correspondence and subject files are arranged into subseries according to the library director who created them. The subseries are then arranged chronologically by the date that each director began his or her term in this position. Beginning and end dates of the directors' terms are given after his or her name in the subseries title.\u003c/p\u003e","\u003cp\u003eIn this series, a file is created for each planning report and its associated documents. The files are arranged chronologically by the date of creation for the materials they contain.\u003c/p\u003e","\u003cp\u003eThe photographs and negatives are arranged into subseries by subject. The subseries are then arranged alphabetically by title. The arrangements of the files in the subseries vary.\u003c/p\u003e","\u003cp\u003eThe photographs and negatives of library artifacts are arranged alphabetically according to the name of the artifact shown.\u003c/p\u003e","\u003cp\u003eThe images of Health Sciences Library staff and interiors are arranged chronologically according to their date of creation.\u003c/p\u003e","\u003cp\u003eThe miscellaneous photographs are arranged chronologically according to the date of their creation.\u003c/p\u003e","\u003cp\u003eThe public relations files are arranged into subseries according to types of materials (e.g. clippings collections and press releases). The subseries are then arranged alphabetically. The files in the subseries are arranged chonologically.\u003c/p\u003e","\u003cp\u003eThe publications are arranged into subseries according to types of materials (e.g. journals and magazines, newsletters, patient education resources). The subseries are then arranged alphabetically. The arrangements of the files in the subseries vary.\u003c/p\u003e","\u003cp\u003eThe newsletters are arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eThe promotional brochures, flyers, and other publications are arranged chronologically according to their date of creation.\u003c/p\u003e","\u003cp\u003eThe social media content is arranged into files alphabetically by title.\u003c/p\u003e","\u003cp\u003eBlogs are arranged into files alphabetically by title.\u003c/p\u003e","\u003cp\u003eFiles in this series are arranged chronologically according to the date of their creation.\u003c/p\u003e","\u003cp\u003eThe policies, procedures, and handbooks are arranged into the following subseries in this order: Staff procedures and handbooks, and Library users procedures and handbooks. The files in each subseries are arranged chronologically.\u003c/p\u003e","\u003cp\u003eSyllabi and course materials are arranged chronologically.\u003c/p\u003e","\u003cp\u003eConference records and programs are arranged into files by conference title. The files are arranged chronologically by the date each conference was held. All of the instances of a reoccurring conference are gathered together into the same file. If the conference is reoccurring, it is arranged in relation to the rest of the files according to the first instance of that conference.\u003c/p\u003e","\u003cp\u003eMaterials in this series are arranged chronologically according to the date that they were created.\u003c/p\u003e","\u003cp\u003eThe reports are arranged into files. The files are then arranged chronologically by their date of creation. When a report is reoccurring, all of the reports in that series are placed together in a single file.\u003c/p\u003e","\u003cp\u003eThe directories are arranged by title into files. The files are arranged chronologically.\u003c/p\u003e","\u003cp\u003eThe records in this series are arranged into files according to committee or department (when the department is holding reccurring general meetings). The files are then arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThe awards, honors, and commemorations are arranged into files. The files are then arranged chronologically by date. When an award, honor, or commemoration is reoccurring (e.g. annually), all of the records in that series are placed together in a single file.\u003c/p\u003e","\u003cp\u003eThe records for stand-alone lectures and presentations are arranged into a subseries called \"Single lectures and presentations\". The records of lectures and presentations that belong to a program or lecture series are arranged into subseries named after the program or lecture series. Following the subseries titled \"Single lectures and presentations\", the remaining lecture series are arranged alphabetically by title. \u003c/p\u003e\n","\u003cp\u003eRecords in all of the subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.\u003c/p\u003e","\u003cp\u003eRecords in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.\u003c/p\u003e","\u003cp\u003eRecords in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.\u003c/p\u003e","\u003cp\u003eThe materials are arranged into files, each file representing an exhibit. Files are arranged alphabetically by exhibit title.\u003c/p\u003e","\u003cp\u003eThese files are arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThese items are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["Records are generally organized according to the records retention and disposition schedules series maintained by the Library of Virginia (LVA). When necessary, additional subdivisions have been created for materials that do not have clear equivalents in the LVA resources.","Annual reports are arranged into 3 subseries: Medical Library, Health Sciences Libary, and Information Sciences Council. The subseries are arranged chornologically. Inside the subseries annual reports are placed into files that are arranged chronologically.","The correspondence and subject files are arranged into subseries according to the library director who created them. The subseries are then arranged chronologically by the date that each director began his or her term in this position. Beginning and end dates of the directors' terms are given after his or her name in the subseries title.","In this series, a file is created for each planning report and its associated documents. The files are arranged chronologically by the date of creation for the materials they contain.","The photographs and negatives are arranged into subseries by subject. The subseries are then arranged alphabetically by title. The arrangements of the files in the subseries vary.","The photographs and negatives of library artifacts are arranged alphabetically according to the name of the artifact shown.","The images of Health Sciences Library staff and interiors are arranged chronologically according to their date of creation.","The miscellaneous photographs are arranged chronologically according to the date of their creation.","The public relations files are arranged into subseries according to types of materials (e.g. clippings collections and press releases). The subseries are then arranged alphabetically. The files in the subseries are arranged chonologically.","The publications are arranged into subseries according to types of materials (e.g. journals and magazines, newsletters, patient education resources). The subseries are then arranged alphabetically. The arrangements of the files in the subseries vary.","The newsletters are arranged alphabetically by title.","The promotional brochures, flyers, and other publications are arranged chronologically according to their date of creation.","The social media content is arranged into files alphabetically by title.","Blogs are arranged into files alphabetically by title.","Files in this series are arranged chronologically according to the date of their creation.","The policies, procedures, and handbooks are arranged into the following subseries in this order: Staff procedures and handbooks, and Library users procedures and handbooks. The files in each subseries are arranged chronologically.","Syllabi and course materials are arranged chronologically.","Conference records and programs are arranged into files by conference title. The files are arranged chronologically by the date each conference was held. All of the instances of a reoccurring conference are gathered together into the same file. If the conference is reoccurring, it is arranged in relation to the rest of the files according to the first instance of that conference.","Materials in this series are arranged chronologically according to the date that they were created.","The reports are arranged into files. The files are then arranged chronologically by their date of creation. When a report is reoccurring, all of the reports in that series are placed together in a single file.","The directories are arranged by title into files. The files are arranged chronologically.","The records in this series are arranged into files according to committee or department (when the department is holding reccurring general meetings). The files are then arranged alphabetically.","The awards, honors, and commemorations are arranged into files. The files are then arranged chronologically by date. When an award, honor, or commemoration is reoccurring (e.g. annually), all of the records in that series are placed together in a single file.","The records for stand-alone lectures and presentations are arranged into a subseries called \"Single lectures and presentations\". The records of lectures and presentations that belong to a program or lecture series are arranged into subseries named after the program or lecture series. Following the subseries titled \"Single lectures and presentations\", the remaining lecture series are arranged alphabetically by title. ","Records in all of the subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","The materials are arranged into files, each file representing an exhibit. Files are arranged alphabetically by exhibit title.","These files are arranged alphabetically.","These items are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003e\nBetween 1826 and 1929, the University of Virginia's collection of medical books and journals were kept with the general library collections in the Rotunda. In 1929, the University moved the collections to the new Medical Library inside the recently-constructed Medical School Building. \n\u003c/p\u003e","\u003cp\u003e\nBetween 1929 and 1962, a medical librarian with a small staff of student and clerical workers stewarded the library's collections. The Medical Library at this time, although physically separate from the rest of the University's libraries, was administered as part of the central University library system with oversight from School of Medicine faculty serving on the Medical Library Committee. In addition to the management of collections, the medical librarians in this era began to curate exhibits and provide instruction. Only a few of the medical librarians who served in this period had professional library training.\n\u003c/p\u003e","\u003cp\u003e\nIn 1962, Wilhelm Moll was appointed the first Director of the Medical Library. During his tenure, Moll oversaw the radical trasnformation of a small branch library into an independent research library. The full-time library staff expanded from 4 to 30, the University built a new library building over Jefferson Park Avenue, the nursing and medical libraries merged to form the Health Sciences Library, a history of medicine program was founded, and the library began to adopt digital technologies.\n\u003c/p\u003e","\u003cp\u003e\nAfter Moll's death in 1979, the University apppointed Terry Thorkildsen as the Director of the Claude Moore Health Sciences Library.  Thorkildsen and his successors Linda Watson (1990-2005) and Gretchen Arnold (2005-present) led the library during an era when revolutionary advances in digital technologies (e.g. the Internet, personal computers, databases) presented new challenges and opportunities for the Library.\n\u003c/p\u003e","\u003cbr\u003e","\u003cul\u003e\n\u003cli\u003eSeptember 1826: The University of Virginia Library opens in the Rotunda and it includes a collection of medical books.\u003c/li\u003e\n\u003cli\u003e1911: The University Library's entire collection of medical books and journals are gathered together and moved to the basement of the Rotunda.\u003c/li\u003e\n\u003cli\u003eSeptember 13, 1915: Richard Henry Whitehead, Dean of the School of Medicine, creates the Medical Library Committee.\u003c/li\u003e\n\u003cli\u003e1919-June 1929: Ella Watson Johnson serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003eJune 1929: The Medical Library moves from the basement of the Rotunda to its own space in the new Medical School Building, the Medical Library remains a department of the central University Library System.\u003c/li\u003e\n\u003cli\u003eJune 1929-September 1929: Margaret Otto serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1929-1931: Anne Ashhurst Gwathmey serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1931-1934: Caroline Hill Davis serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003eMarch 1934-June 1934: Dora Mitchell Brown serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1934-1936: Miriam Thomas Buchanan serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1935: The Medical Library institutes its first orientation for first year medical students.\u003c/li\u003e\n\u003cli\u003e1936-1943: Anne Lewis Morris serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1943-1944: Mary Elizabeth Mayo serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1944-1947: Mabel Cook Wyllie serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1945-1949: The Nursing Library is placed under the Supervision of the Medical Librarian until the appointment of a clerk to manage the Nursing collection.\u003c/li\u003e\n\u003cli\u003e1947-1962: Elizabeth Frances Adkins serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003eSeptember 1962: Wilhelm Moll is appointed the Director of the Medical Library.\u003c/li\u003e\n\u003cli\u003e1962-1963: As the result of administrative reorganizations during this period, the Medical Library is separated from the central University Library system and placed under the control of the School of Medicine.\u003c/li\u003e\n\u003cli\u003eNovember 1970: Librarians conduct the first online searches of a database at the University of Virginia Medical Library using the experimental AIM-TWX service developed by the National Library of Medicine's Lister Hill National Center for Biomedical Communications.\u003c/li\u003e\n\u003cli\u003eNovember 1971: Librarians begin using the National Library of Medicine's MEDLINE system to conduct online searches for patrons.\u003c/li\u003e\n\u003cli\u003eAugust 1975: The Medical Library and Nursing Library are merged into the Health Sciences Library and Information Center and moved into a new building that spans over Jefferson Park Avenue. Wilhelm Moll is made the Director of the Health Sciences Library.\u003c/li\u003e\n\u003cli\u003eApril 1976: The Health Sciences Library is formally dedicated and named after Claude Moore, an alumnus of and donor to the University of Virginia.\u003c/li\u003e\n\u003cli\u003e1979: Terry Thorkildsen is appointed the Director of the Claude Moore Health Sciences Library.\u003c/li\u003e\n\u003cli\u003e1989: The library card catalog is digitized and made available through computer terminals.\u003c/li\u003e\n\u003cli\u003e1990: Linda Watson is appointed the Director of the Claude Moore Health Sciences Library.\u003c/li\u003e\n\u003cli\u003e2005: Gretchen Arnold is appointed the interim Director of the Claude Moore Health Sciences Library and is then made Director in 2007.\u003c/li\u003e\n\u003cli\u003e2022: Bart Ragon is appointed the Director of the Claude Moore Health Sciences Library.\u003c/li\u003e\n\u003c/ul\u003e","\u003cp\u003e(formerly Reference Department from 1987-1991)\u003c/p\u003e","\u003cp\u003eHistorical Collections and Services was originally concieved in the 1980s by the first director of the Claude Moore Health Sciences Library, Wilhelm Moll. His vision was to create a rare book room that would house the rare books that belonged to the Medical Library. During the Jeffersonian era and up until 1929, the books belonging to the school of medicine and anatomy were housed in the Rotunda Library on Grounds. In 1929, a new Medical School Building opened. This unified all the medical departments, which had been scattered throughout the Grounds. The Medical Collection became the Medical Library, and moved into new quarters in the Medical School Building. When Alderman, now Shannon, Library was built in 1937, the books moved there until the creation of the Claude Moore Health Sciences Library in 1976. Following Dr. Moll's untimely death in 1979, Special Collections librarian Joan Echtenkamp Klein helped to make Moll's reality of a special collections department a reality. She became the curator and manager of Historical Collections and Services, serving in that role until 2015. Dan Cavanaugh took over the role of curator and manager until 2022. Meggan Cashwell became the curator and manager in 2023 and is currently serving in that position.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["\nBetween 1826 and 1929, the University of Virginia's collection of medical books and journals were kept with the general library collections in the Rotunda. In 1929, the University moved the collections to the new Medical Library inside the recently-constructed Medical School Building. \n","\nBetween 1929 and 1962, a medical librarian with a small staff of student and clerical workers stewarded the library's collections. The Medical Library at this time, although physically separate from the rest of the University's libraries, was administered as part of the central University library system with oversight from School of Medicine faculty serving on the Medical Library Committee. In addition to the management of collections, the medical librarians in this era began to curate exhibits and provide instruction. Only a few of the medical librarians who served in this period had professional library training.\n","\nIn 1962, Wilhelm Moll was appointed the first Director of the Medical Library. During his tenure, Moll oversaw the radical trasnformation of a small branch library into an independent research library. The full-time library staff expanded from 4 to 30, the University built a new library building over Jefferson Park Avenue, the nursing and medical libraries merged to form the Health Sciences Library, a history of medicine program was founded, and the library began to adopt digital technologies.\n","\nAfter Moll's death in 1979, the University apppointed Terry Thorkildsen as the Director of the Claude Moore Health Sciences Library.  Thorkildsen and his successors Linda Watson (1990-2005) and Gretchen Arnold (2005-present) led the library during an era when revolutionary advances in digital technologies (e.g. the Internet, personal computers, databases) presented new challenges and opportunities for the Library.\n","","September 1826: The University of Virginia Library opens in the Rotunda and it includes a collection of medical books. 1911: The University Library's entire collection of medical books and journals are gathered together and moved to the basement of the Rotunda. September 13, 1915: Richard Henry Whitehead, Dean of the School of Medicine, creates the Medical Library Committee. 1919-June 1929: Ella Watson Johnson serves as the Medical Librarian. June 1929: The Medical Library moves from the basement of the Rotunda to its own space in the new Medical School Building, the Medical Library remains a department of the central University Library System. June 1929-September 1929: Margaret Otto serves as the Medical Librarian. 1929-1931: Anne Ashhurst Gwathmey serves as the Medical Librarian. 1931-1934: Caroline Hill Davis serves as the Medical Librarian. March 1934-June 1934: Dora Mitchell Brown serves as the Medical Librarian. 1934-1936: Miriam Thomas Buchanan serves as the Medical Librarian. 1935: The Medical Library institutes its first orientation for first year medical students. 1936-1943: Anne Lewis Morris serves as the Medical Librarian. 1943-1944: Mary Elizabeth Mayo serves as the Medical Librarian. 1944-1947: Mabel Cook Wyllie serves as the Medical Librarian. 1945-1949: The Nursing Library is placed under the Supervision of the Medical Librarian until the appointment of a clerk to manage the Nursing collection. 1947-1962: Elizabeth Frances Adkins serves as the Medical Librarian. September 1962: Wilhelm Moll is appointed the Director of the Medical Library. 1962-1963: As the result of administrative reorganizations during this period, the Medical Library is separated from the central University Library system and placed under the control of the School of Medicine. November 1970: Librarians conduct the first online searches of a database at the University of Virginia Medical Library using the experimental AIM-TWX service developed by the National Library of Medicine's Lister Hill National Center for Biomedical Communications. November 1971: Librarians begin using the National Library of Medicine's MEDLINE system to conduct online searches for patrons. August 1975: The Medical Library and Nursing Library are merged into the Health Sciences Library and Information Center and moved into a new building that spans over Jefferson Park Avenue. Wilhelm Moll is made the Director of the Health Sciences Library. April 1976: The Health Sciences Library is formally dedicated and named after Claude Moore, an alumnus of and donor to the University of Virginia. 1979: Terry Thorkildsen is appointed the Director of the Claude Moore Health Sciences Library. 1989: The library card catalog is digitized and made available through computer terminals. 1990: Linda Watson is appointed the Director of the Claude Moore Health Sciences Library. 2005: Gretchen Arnold is appointed the interim Director of the Claude Moore Health Sciences Library and is then made Director in 2007. 2022: Bart Ragon is appointed the Director of the Claude Moore Health Sciences Library.","(formerly Reference Department from 1987-1991)","Historical Collections and Services was originally concieved in the 1980s by the first director of the Claude Moore Health Sciences Library, Wilhelm Moll. His vision was to create a rare book room that would house the rare books that belonged to the Medical Library. During the Jeffersonian era and up until 1929, the books belonging to the school of medicine and anatomy were housed in the Rotunda Library on Grounds. In 1929, a new Medical School Building opened. This unified all the medical departments, which had been scattered throughout the Grounds. The Medical Collection became the Medical Library, and moved into new quarters in the Medical School Building. When Alderman, now Shannon, Library was built in 1937, the books moved there until the creation of the Claude Moore Health Sciences Library in 1976. Following Dr. Moll's untimely death in 1979, Special Collections librarian Joan Echtenkamp Klein helped to make Moll's reality of a special collections department a reality. She became the curator and manager of Historical Collections and Services, serving in that role until 2015. Dan Cavanaugh took over the role of curator and manager until 2022. Meggan Cashwell became the curator and manager in 2023 and is currently serving in that position."],"odd_html_tesm":["\u003cp\u003eSome exhibit pages do not have creation dates listed anywhere, but they do have copyright dates at the bottom of the page. This can be confusing in understanding what is the true date of creation.\u003c/p\u003e"],"odd_heading_ssm":["Date Discrepancies"],"odd_tesim":["Some exhibit pages do not have creation dates listed anywhere, but they do have copyright dates at the bottom of the page. This can be confusing in understanding what is the true date of creation."],"originalsloc_html_tesm":["\u003cp\u003eMany of these online exhibits were once physical exhibits on display in the Claude Moore Health Sciences Library. Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Many of these online exhibits were once physical exhibits on display in the Claude Moore Health Sciences Library. Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\""],"phystech_html_tesm":["\u003cp\u003eWhen the Claude Moore Health Sciences Library downloads content from a social media platform, the Library preserves all of the original files (e.g. jpeg files, html files, json files) from the capture.\u003c/p\u003e","\u003cp\u003ePatrons may contact Historical Collections staff at the Library to request copies of files containing social media content. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. \u003c/p\u003e","\u003cp\u003eWhen the Claude Moore Health Sciences Library captures a copy of a blog, the Library preserves all of the its original files (e.g. jpeg files, html files) as well as an aggregated web archive file (warc). Both a directory containing the original files and the warc file are bundled together into a single digital object. \u003c/p\u003e","\u003cp\u003ePatrons may contact Historical Collections staff at the Library to request copies of blog files. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. \u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements"],"phystech_tesim":["When the Claude Moore Health Sciences Library downloads content from a social media platform, the Library preserves all of the original files (e.g. jpeg files, html files, json files) from the capture.","Patrons may contact Historical Collections staff at the Library to request copies of files containing social media content. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. ","When the Claude Moore Health Sciences Library captures a copy of a blog, the Library preserves all of the its original files (e.g. jpeg files, html files) as well as an aggregated web archive file (warc). Both a directory containing the original files and the warc file are bundled together into a single digital object. ","Patrons may contact Historical Collections staff at the Library to request copies of blog files. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. "],"relatedmaterial_html_tesm":["\u003cp\u003eExhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\""],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of permanent and historically significant institutional records created by the University of Virginia Health Sciences Library and the antecedent Medical Library. These records include, but are not limited to: annual reports, planning documents, newsletters, online exhibits, blogs, social media content, conference programs, department histories, committee records, and library-sponsored lecture materials.\u003c/p\u003e","\u003cp\u003eThis series consists of annual reports produced by the Medical Library (1929-1975), the Health Sciences Library (1975-Present), and the Information Sciences Council (1990-1996). Annual reports for the Health Sciences Library are missing from this collection for the period from 2006 to the present. Also, the annual reports for the Medical Library are missing from this collections for the period from 1929 to 1942. It is unclear whether the Medical and Health Sciences libraries wrote reports for the years.\u003c/p\u003e","\u003cp\u003eThe annual reports of the Medical Library contain comprehensive descriptions of the annual activities of the Medical Library. The Medical Library's annual reports from 1929 to 1942 are missing from this collection. It is not known if the reports were ever written by the library.\u003c/p\u003e","\u003cp\u003eThe annual reports of the Health Sciences Library contain comprehensive descriptions of the annual activities of the Health Sciences Library. The Health Sciences Library's annual reports from 2006 to the present are missing from this collection. It is not known if the reports were ever written by the library.\u003c/p\u003e","\u003cp\u003eInformal annual report-like documents and related material, including reports shared on the Claude Moore Health Sciences Library blog and an internal UVA Health System news website (HS Connect). Reports from: March 2007, September 2009 (written by Gretchen Arnold), January 2013 (written by Gretchen Arnold), and March 2018 (written by Gretchen Arnold).\u003c/p\u003e","\u003cp\u003eThis series consists of correspondence and subject files that were created and assembeled by the directors of the Health Sciences Library while carrying out the responsibilities of their position.\u003c/p\u003e","\u003cp\u003eCorrespondents include Curators of the HSL--Daniel Spikes, Cassandra Ruane, Frank C. Mevers, Todd L. Savitt, and Doris Leckie of the Smithsonian Institution\u003c/p\u003e","\u003cp\u003eIncludes articles about Jesse Lazear, Carlos Finlay, Philip Hench and cortisone, Henry R. Carter, Nicolas Chervin, Joseph Y. Porter and Isaac Hulse\u003c/p\u003e","\u003cp\u003eCorrespondents with Bean include Mary (Mrs. Philip) Hench, Atcheson L. Hench, Byrd S. Leavell, and Todd Savitt\u003c/p\u003e","\u003cp\u003eIncludes news releases, news clippings, journal articles, and correspondence related to the gift by Mary Hench of the Philip S. Hench Walter Reed Yellow Fever collection.\u003c/p\u003e","\u003cp\u003eIncludes correspondence with William Bennett Bean\u003c/p\u003e","\u003cp\u003eIncludes correspondence on Health System reorganization\u003c/p\u003e","\u003cp\u003eThe records in this series document the planning of historically significant administrative initiatives, purchases, construction, and events at the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series consists of digital and analog images that show the history and collections of the Health Sciences Library. Image formats in this series include, but are not limited to, photographic prints, film negatives, jpeg files, tiff files, 35mm film slides, CDs or other media containing digital images. The series does not include official identification photographs for faculty, students, and staff.\u003c/p\u003e","\u003cp\u003eThis subseries contains images of artifacts in the collections of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThe images in this subseries show the staff, faculty, and interior spaces of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eMoll, Bowers, Bowers, and Rudnick are photographed with ceramic vessels used in the early production of penicillin.\u003c/p\u003e","\u003cp\u003eLIS officially started in 1989. Dr. Don Detmer is upper right of FF sheet\u003c/p\u003e","\u003cp\u003ePeople identified are: Inhye Son, Sarah Handley, Anne Humphries, Mike Wilson, Jonathan Lord, Elaine Banner, Julia Kochi, Marylin James, Mary Nightengale, Ophelia Payne, Nadine Ellero, Trisha Luby, Sue Daddezio, Diane Ricketson, Deborah Camden, Michael Sullivan, Betty Mickens, Dan Wilson, Shelby Miller John Sesody, Greatchen Arnold, Michelle Martin, Jeri Davis, Barbara Crawford, Cindy Saylor, Susan Yowell, Karen Collier, Pat Shannon, Rick Peterson, Brenda Bikos, Sandy Zoumbaris, Jana Maas, Joan Klein, Mark Mones, Jane Wagner, Eli Casarez, Aulia Gies, Cynthia Siedman-Willen, Catherine Anninos, Judy Shotwell, Linda Watson and Ann Carter.\u003c/p\u003e","\u003cp\u003eIndividuals not identified.\u003c/p\u003e","\u003cp\u003eFront: Kathleen Tracey, karen Collier, Deborah Camden, Ophelia Payne, Rick Peterson\nSecond: Marylin James, Jane Wagner, Barbara Crawford, Polly Sandridge, Linda Watson\nThird: Pat Shannon, Brenda Bikos, Gretchen Naisawald, Anne Humphries, Jeri Davis, Shelby Miller, Jonquil Feldman, Mike Wilson\nFourth: Judith Robinson, Susan Daddezio, Julia Hochi\nFifth: Thomas Speare, Catherine Anninos, Libby Colley, Judy Shotwell\nSixth: Hall Sharp, Rick Weaver, Ann Carter\nSeventh: Nadine Ellero, Megan McCaskey, Sarah Handley\nEighth: Jonathan Lord, Jake Appleford, Mary Nightengale, Inhye Son\nAbsent: Joan Klein, christopher Marks, Betty Mickens, Mark Mones, Diane Spears\u003c/p\u003e","\u003cp\u003eLeft to right: Dieter Groeschel, Joan Klein, Linda Watson, unidentified person\nIn back: unidentified, Janet Pearson\u003c/p\u003e","\u003cp\u003eOne photo individuals front left to right Dieter Groeschel, Joan Klein, Linda Watson, unidentified person, in the back an unidentified person and Janet Pearson\u003c/p\u003e","\u003cp\u003eCollection Services and Bibliographic Control\u003c/p\u003e","\u003cp\u003eIntellectual Access and Collection Development\u003c/p\u003e","\u003cp\u003eLibrary Administration\u003c/p\u003e","\u003cp\u003eEllen Ramsey, David Moody, Bart Ragon, Mike Wilson, Joan Klein, Dave Denton, Inhye Son, Wilma Lynch, Pat Shannon, Gretchen Arnold, Jeri Davis, Joy Nuckolls, Karen Knight, Elaine Attridge, Ann Carter, Jonathan Lord, Andrea Horne Denton, Stephanie Fielding, Adrienne Granitz, Sonya Coleman, Jason Bennett, Tony Hiserman, Tenzin Thosam, Roderick Martin, Nadine Ellero, Patricia Vaughn\u003c/p\u003e","\u003cp\u003eThis subseries consists of images that do not belong in any other subseries.\u003c/p\u003e","\u003cp\u003eGordon was the coordinator of an exhibit on the history of gastroscopy and visited the medical school to open the exhibit. Photo taken by Ursula Ziolkowki.\u003c/p\u003e","\u003cp\u003ePhoto was sent to Terry Thorkildson from the Area Health Education Centers Program Eastern Virginia Medical Authority\u003c/p\u003e","\u003cp\u003eThis series contains historically significant press releases, visual aids, clippings, and other items that record information about the Library that were produced for or by the news media.\u003c/p\u003e","\u003cp\u003eThis subseries contains print copies of news articles about the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series consists of publications produced by the Health Sciences Library for public distribution or general internal distribution. Publications include, but are not limited to, magazines, journals, monographs, newsletters, weblogs, weekly announcements, online publications, marketing materials, and patient education resources. This series may contain both print and digital publications.\u003c/p\u003e","\u003cp\u003eThe materials in this subseries were produced to guide the use of collections housed at the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis subseries consists of digital and print newsletters that provide information about the activities of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eA \"scrapbook\" of Library milestones and appropriate photographs for each medical and nursing graduating class celebrating its reunion in a particular year. The print series was discontinued after 2000, but additional Journey Through Time content is available online through the Historical Collections web exhibits.\u003c/p\u003e","\u003cp\u003eThis subseries contains brochures, flyers, and other printed ephemera that provide information about the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eEnvelope has Dr. Wilhelm Moll handwritten on it. Brochure includes library statistics, what is needed in terms of money and space, various endorsements, and tax information.\u003c/p\u003e","\u003cp\u003eThis series contains social media content that has been produced by the Health Sciences Library for platforms like Facebook, Instagram, and Twitter.\u003c/p\u003e","\u003cp\u003eThe staff of the Health Sciences Library's Historical Collections and Services department maintains and contributes content to this Facebook page. Many posts and photographs on the page relate to the Department's services, collections, and events. Other posts share information related to the history of the health sciences and the work of libraries, museums, and archives.\u003c/p\u003e","\u003cp\u003eThis series consists of blogs that were created by the Health Sciences Library. The files in this series were downloaded from the Internet by Library staff. Content in the blogs that are accessed through a link outside of the blog's parent directory (e.g. external YouTube videos, external web pages) are not downloaded and archived in this series.\u003c/p\u003e","\u003cp\u003eThe Moore Library News (MLN) blog is produced by the Claude Moore Health Sciences Library. MLN blog posts provide information about Library collections, policies, services, and events.\u003c/p\u003e","\u003cp\u003eThe records in this series document the organizational structure of the Health Sciences Library. It also contains records that document administrative reorganizations of the Library. These materials include, but are not limited to, organizational charts and reports.\u003c/p\u003e","\u003cp\u003eThis series contains policies, procedures, and handbooks produced by the Health Sciences Library to direct and guide the conduct of its faculty, staff, and patrons. These records may also formally describe and define the relationship between the Health Sciences Library and its faculty, staff, and patrons.\u003c/p\u003e","\u003cp\u003eThis subseries contains procedures and handbooks for the faculty and staff of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eIncludes items from the Printing Office with the new library name: The Claude Moore Health Sciences Library\u003c/p\u003e","\u003cp\u003eThis subseries consists of procedures and handbooks for the patrons of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series contains course announcements, syllabi, notes, and other materials that document classes and workshops taught by the faculty and staff of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series consists of programs and reports that document the history of conferences and symposia hosted by the Health Sciences Library. Programs and reports often contain the following information: lists of speakers, presentation titles, schedules of events, and lecture abstracts. The following conference records are not included in this series: registration records, financial records, organization records, attendance lists.\u003c/p\u003e","\u003cp\u003eThis series consists of significant material that conveys the history of the Health Sciences Library, its administration, its accomplishments, its officials or employees. Includes, but is not limited to, scrapbooks, photographs, articles, program notes and documentation of events sponsored or funded by the agency. Also included are narratives; printed, audio, or audiovisual histories; or matters of significant historical importance.\u003c/p\u003e","\u003cp\u003eIncludes many photos of the library interior and library staff. Some individuals identified. Probably an exhibit celebrating the library's 15th anniversary in 1991, but photos from 1993 are also in the folder.\u003c/p\u003e","\u003cp\u003eIncludes photos of library interiors, staff (some identified) and UVA buildings; library organization chart for 2/1995; and Library Building Funds chart, 1975.\u003c/p\u003e","\u003cp\u003eThis series consists of reports, of a historically significant nature, that do not belong to any other series of the Health Sciences Library records.\u003c/p\u003e","\u003cp\u003eThis series contains memos, correspondence, subject files, online resources, and meeting minutes of committees working within the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis file includes the meeting minutes, meeting agendas, and other documentation of the Library Management Group. The members of this committee were the leaders of the Health Sciences Library. They met once a month to discuss major library initiatives, provide updates and reports about library department activities, and share other information related to the management of the Library.\u003c/p\u003e","\u003cp\u003eThis file consists of the meeting minutes, bylaws, constitution, and correspondence of the Medical History Society of the University of Virginia. The Society was formed to promote the knowledge and study of the history of medicine and the health sciences at the University of Virginia. For much of its history, Wilhelm Moll led the Society. It supported the development of historical collections and services at the Health Sciences Library and founded a lecture series that becsme the History of the Health Sciences Lecture Series in 1984.\u003c/p\u003e","\u003cp\u003eThis series consists of records that document awards, honors, and commemorations presented by the Health Sciences Library. These records may include, but are not limited to, event programs, lists of recipients, and recipient biographies.\u003c/p\u003e","\u003cp\u003eThe dedication ceremony included remarks by Donald S. Fredrickson, MD, Director, National Institutes of Health.\u003c/p\u003e","\u003cp\u003eIncludes a tribute to Wilhelm Moll by William B. Bean and another speech by an unidentified individual.\u003c/p\u003e","\u003cp\u003eIncludes remarks that were given by Dr. Don Detmer.\u003c/p\u003e","\u003cp\u003eIncludes remarks given by Donald Lindberg. The title of Lindberg's presentation was\"The Computer and the Academical Village\".\u003c/p\u003e","\u003cp\u003eThis series consists of records that document lectures and presentations sponsored by the Health Sciences Library. These records include, but are not limited to, audiovisual recordings, transcripts, announcements, handouts, and correspondence between presenters and event organizers.\u003c/p\u003e","\u003cp\u003eThis subseries consists of records associated with standalone lectures and presentations sponsored by the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis subseries contains records that are associated with the Health Sciences Library's History of the Health Sciences Lecture Series.\u003c/p\u003e","\u003cp\u003eThis subseries contains records that are associated with the Medical History Society of the University of Virginia Lecture Series.\u003c/p\u003e","\u003cp\u003ePromotional posters for a medical history lecture series held at the UVA Health Sciences Library and organized by the UVA Medical History Society.\u003c/p\u003e","\u003cp\u003eThis series consists of records that document exhibits created by the Claude Moore Health Sciences Library of an educational or promotional nature. Some records are physical, and others are archived websites crawled by the Internet Archives' Archive-It service and made accessible by their Wayback Machine.\u003c/p\u003e","\u003cp\u003eThese materials are physical materials containing exhibit plans and designs, text, labels, and images created for physical exhibits.\u003c/p\u003e","\u003cp\u003eIdentified individuals in photos are John Guerrant, Ken Crispell, and Barry Marshall\u003c/p\u003e","\u003cp\u003eIncludes print-out (109 pages) of \"Who's Who on the Philip S. Hench Walter Reed Yellow Fever Collection Website\" (2002) and supplemental list of compiled names.\u003c/p\u003e","\u003cp\u003e\"Robley Dunglison: 1798-1869\" Pamphlet produced for a library exhibit honoring the 200th anniversary of Dunglison's birth. 3 copies; 14 pp. Prepared by Historical Collections \u0026amp; Services, Claude Moore Health Sciences Library. Folder note indicates biography was written by Joby Topper. Includes reference list.\u003c/p\u003e","\u003cp\u003eIntroduction by Joan Klein\u003c/p\u003e","\u003cp\u003eThis series contains web archived online exhibits created by Historical Collections and Services between 2007 and circa 2023, although some of the creation dates of the websites are questionable. These 21 exhibits were hosted on the Claude Moore Health Sciences Library website but are now available via the Internet Archives' Wayback Machine.\u003c/p\u003e","\u003cp\u003eThis online exhibit is centered on the book \"A History of Cancer Care at the University of Virginia, 1901-1911.\" This book provides vast insight into the teamwork, dedication, collegiality, and skill–as well as luck–which was necessary for the Cancer Center to exist today. Twenty-five oral history interviews were conducted in the course of researching the book and are included with the book or may be viewed in the videos section of this website. Written by Henry K. Sharp, Ph.D. and Morton C. Wilhelm, M.D. the Joseph Helms Farrow Professor Emeritus in Surgical Oncology, University of Virginia School of Medicine.\u003c/p\u003e","\u003cp\u003eThis online exhibit serves as an online \"scrapbook\" with some of the milestones of the Claude Moore Health Sciences Library, Medical Center, and the School of Medicine and the School of Nursing. There are added appropriate photographs for each class year.\u003c/p\u003e","\u003cp\u003eThis exhibit recounts the origin and early history of the American Lung Association. The American Lung Association of Virginia (ALAV) Collection contains personal and official correspondence, financial and legal papers, minute books, organizational and scientific reports, educational publicity, photographs, and artifacts. ALAV donated its organization's papers to the Claude Moore Health Sciences Library in 1990 and 1991 made this exhibit possible. The ALAV made an additional donation in 2009.\u003c/p\u003e","\u003cp\u003eThis online exhibit presents images and summaries of the known uses of each instrument. The extant comments of medical writers from antiquity–including Oribasius, Galen, Soranus, Aetius, and the Hippocratic corpus–have provided scholars with some clues about the use of some instruments. Some instruments, such as mixing instruments and tweezers, probably had other household uses, such as the application of cosmetics and paints.\u003c/p\u003e","\u003cp\u003eThis online exhibit was created under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library. Hal Sharp, a Historical Collections staff member, wrote the essay giving a brief history of anatomical drawing. The exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant. Emily Bowden, Historical Collections, photographed the Denoyer-Geppert Anatomy Series charts. William Crutchfield generously donated W. and A. K. Johnston's Charts of Anatomy and Physiology which were owned for 33 years by his father, Dr. William Gayle Crutchfield.\u003c/p\u003e","\u003cp\u003eThis exhibit was designed to highlight the UVA Hospital's involvement with supporting United States Army troops during World War I and World War II. It was created by Janet Pearson with the assistance of Joby Topper. Special thanks to Dr. John L. Guerrant, Dorothy Sandridge Gloor, and Elizabeth Harlin Drash for sharing their stories and helping us identify photographs.\u003c/p\u003e","\u003cp\u003eThis online exhibit shows materials related to eugenics as it relates to UVA and Charlottesville, VA. Alison White and Ina Hofland, staff members of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia, created this Web exhibit. They also created the physical exhibit of the same title on which it is based. The physical exhibit was displayed in the foyer of the Health Sciences Library April-September 2002. Steve Stedman designed the Web exhibit. Special thanks to Sara Huyser, Joan Echtenkamp Klein, Ophelia Payne, Bart Ragon, Hal Sharp, and Mike Wilson for their assistance. Web Exhibit Publish Date: February 13, 2004\u003c/p\u003e","\u003cp\u003eThis exhibit was created under the direction of Joan Ectenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at the Claude Moore Health Sciences Library. Dr. Morton C. Wilhelm, the Joseph Helms Farrow Professor in Surgical Oncology, wrote the essay with the editorial assistance of Janet Pearson. The web exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant.\u003c/p\u003e","\u003cp\u003eThis online exhibit offers a look into The Papers of James Carmichael and Son, a collection held at the UVA Albert and Shirley Small Special Collections Library, and tells a story of the early nineteenth-century inhabitants of Fredericksburg, Virginia and its surrounding rural areas. \u003c/p\u003e\n","\u003cp\u003eThe exhibit is organized into two content areas: the Story and the Collection. Each of these areas, as well as the Home and About sections, are represented in the tabs near the top of every page. See the site map for more detail.\u003c/p\u003e\n","\u003cp\u003eThe Story section sets the atmosphere for the exhibit. One can get a sense of what the practice of medicine was like for James and Edward Carmichael in the early nineteenth century by reading the essays describing the Pharmacy, the Tools of the Trade, and the Health Care of Slaves.\u003c/p\u003e\n","\u003cp\u003eThe Collection section houses the images of the original Carmichael letters, which are meticulously transcribed and categorized to provide access not only to the words, but to the medical conditions, treatments, and philosophies of almost two centuries past. Particularly compelling is the use of Medical Subject Headings (MeSH) to categorize the letters along with a very detailed methodology and definition of MeSH terms. Other items of interest include the daybook kept by Doctor Carmichael from 1816-1817, newspaper clippings, court records \u0026amp; summaries, period maps, and Virginia WPA Historical Inventory Project records. Additionally, there is an exhaustive Who's Who list of names that appeared in the letters as well as a thorough list of Places Mentioned.\u003c/p\u003e","\u003cp\u003eThis online exhibit tells the story of how the U.S. Army Commission, comprised of Major Walter Reed, Dr. James Carroll, Dr. Aristides Agramonte, and Dr. Jesse Lazear, confirmed Carlos Finlay's theory about the transmission of yellow fever. By showing without a doubt that mosquitoes were the vector for yellow fever, the researchers empowered public health officials in the Americas to eradicate this devastating disease from much of the Western Hemisphere.\u003c/p\u003e\n","\u003cp\u003eThe exhibit is divided into three main sections. The first section, Archives, provides information about and links to the Philip S. Hench Walter Reed Yellow Fever Collection. The collection, most collected by Philip S. Hench and housed at the University of Virginia's Claude Moore Health Sciences Library, is a rich archive of materials that documents the history of the U.S. Army Yellow Fever Commission. The second section, History, tells the story of the U.S. Army Yellow Fever Commission and the impact of its findings. Finally, the third section, Resources, provides access to biographies, bibliographies, and other resources visitors may want to consult to learn more about the Commission and the history of yellow fever.\u003c/p\u003e","\u003cp\u003eThis exhibit tells the story about 12 physicians practicing in Charlottesville, VA in 1848 mutually agreed to create an agreed rate of medical charges for services.\u003c/p\u003e\n","\u003cp\u003eJoan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026amp; Services at The Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the fee bill project and directed it. Todd L. Savitt, Ph.D., wrote the background information essay on fee bills in general and the Charlottesville fee bill in particular. He is a faculty member at East Carolina University in the Department of Bioethics \u0026amp; Interdisciplinary Studies. Janet Pearson wrote the introduction and the biographical sketches of the twelve signers. She gathered images and took photographs in the University of Virginia Cemetery and Columbarium and in downtown Charlottesville. She is a member of the staff of Historical Collections and Services. Sonya Coleman, also a member of the staff of Historical Collections, contributed to the design elements. David Moody, Claude Moore Health Sciences Library Webmaster, and Jason Bennett, Technology in Education Consultant, provided the programming architecture for the Web exhibit.\u003c/p\u003e","\u003cp\u003eJoan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026amp; Services at the Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the \"Fever Fighters\" project after the generous donation of Dr. Hanson's diary by his granddaughter, Jane H. Monroe.\u003c/p\u003e\n","\u003cp\u003eStaff members at Historical Collections, Leigh Mantle, Susan Yowell, and Janet Pearson, contributed content and created the GIS Map. Caitlin Summers, a dedicated intern at Historical Collections, also provided editorial assistance in the spring of 2012.\u003c/p\u003e\n","\u003cp\u003eDavid Moody, Library Webmaster; Mike Wilson, Information Services Specialist; and Jason Bennett, Technology Specialist, provided the programming architecture for the Web exhibit.\u003c/p\u003e","\u003cp\u003eThis exhibit was inspired by The Mineral Springs of Western Virginia by William Burke, the first volume purchased by the Weaver Family Endowed Rare Book and Medical Materials Fund. Published in 1846, the book describes the setting and development of eleven springs in what are now Virginia and West Virginia. Dr. Burke, a one-time owner and resident physician at Red Sulphur Springs, remarks on the usefulness of the various mineral waters in certain diseases as well as contraindications to their use. The springs range from those that are well known today such as the White Sulphur Springs, currently the Greenbrier resort in West Virginia, to the Blue Sulphur Springs, once able to accommodate several hundred people and now represented by a lone Greek Revival pavilion in the middle of a field near Smoot, West Virginia.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was written and organized by Janet Pearson, a member of the staff of Historical Collections and Services, under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library, University of Virginia. Claudia Sueyras, Normajean Hultman, and Sonya Coleman did preliminary research. Rod Martin and Victoria Meyer scanned items from Historical Collections and the Charles L. Brown Science \u0026amp; Engineering Library. David Moody, with the assistance of Bart Ragon, provided the programming architecture for the Web exhibit. Sonya Coleman contributed to the design elements. Special thanks has been given to the staff at the Albert and Shirley Small Special Collections Library, University of Virginia, as they retrieved dozens of documents and also to the Digital Curation Services staff for their scanning of the documents.\u003c/p\u003e","\u003cp\u003eThe Anatomical Theatre at the University of Virginia online exhibit tells the story of the Theatre's presence at the University for more than a century. While not included in the earliest plans of the University, the need for the Theatre became clear before the first classes were ever held. Thomas Jefferson himself drew the design which includes two floor plans, a front elevation view, and a cross section. The exhibit traces the construction and later changes to the building, its demise, and archeological investigations at the site. It also gives a glimpse of what happened inside the building and the deeds that were done to procure cadavers so that medical students could learn anatomy.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was sparked by the interest of the late Dr. M.C. Wilhelm in the model of the Anatomical Theatre housed in Historical Collections at the University of Virginia Claude Moore Health Sciences Library. A retired surgeon and volunteer in Historical Collections, Dr. Wilhelm gathered resources and did preliminary writing. It was decided to further develop the project, and the result is this exhibit, written and organized by Janet Pearson, a Historical Collections staff member. Originally done under the direction of Joan Echtenkamp Klein, who was the Alvin V. and Nancy Baird Curator for Historical Collections until her untimely death, project support was continued under Dan Cavanaugh, who stepped into Joan's role and position.\u003c/p\u003e\n","\u003cp\u003eOthers associated with the University of Virginia community freely shared their ideas and research. These individuals include Garth Anderson, the Facilities Management Historian; Kirt von Daacke, Assistant Dean and Professor, College of Arts \u0026amp; Sciences; Louis Nelson, Professor in the Department of Architectural History and Associate Provost for Outreach; Robert Bloodgood, Professor in the School of Medicine; Benjamin Ford, Principal Investigator with Rivanna Archaeological Services, LLC; and Sonya Coleman, formerly a staff member in Historical Collections and now at the Library of Virginia. Emily Bowden, the Historical Collections Specialist, answered many technical queries as well as gave editorial assistance. Anson Parker and Jason Bennett provided the programming architecture for the Web exhibit.\u003c/p\u003e","\u003cp\u003eThis exhibit explores the development of the iron lung during the late nineteenth and early twentieth century and considers the reasons for its success during the height of the poliomyelitis epidemics. Andrew Sallans, Historical Collections Specialist, researched and compiled the content for the online and physical exhibits. The design of the online exhibit was conceived and executed by Steve Stedman, Webmaster for the Claude Moore Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis online exhibit displays a digitized copy of Historical Collections and Services' rare book \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England: An Introduction to Orders thought meete by her Maiestie ..., 1578.\"\u003c/p\u003e\n","\u003cp\u003eAnne McKeithen, Janet Pearson, and Andrew Sallans, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, compiled the material for the Plague Book exhibit under the direction of Joan Echtenkamp Klein. Joaquin Bueno designed the Web exhibit and graphics, with the programming architecture of David Moody and the assistance of Bart Ragon.\u003c/p\u003e\n","\u003cp\u003eUnless otherwise noted, the images are courtesy of the Missouri Botanical Garden, © 1995-2006 Missouri Botanical Garden http://www.illustratedgarden.org). They deserve special thanks for their generous permission to reproduce their exquisite illustrations. Special thanks are also given to Duane J. Osheim, Ph.D., Professor and Chair, of the Corcoran Department of History at the University of Virginia for his paper, \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England.\"\u003c/p\u003e","\u003cp\u003eIn 2001 Historical Collections in the Claude Moore Health Sciences Library created an exhibit that traces the history of the first century of the Hospital in words and images. One copy of the exhibit traveled from location to location in the Health System and beyond; the other set of panels were hung in a busy hospital corridor near the main entrance where they remain today. These panels form the basis for this online exhibit which now includes the addition of a section on the first 14 years of the Hospital's second century. We hope you enjoy following the history of the growth of the University of Virginia Health System as it seeks to fulfill its longstanding vision to benefit human health and improve quality of life through patient care, research, and education.\u003c/p\u003e\n","\u003cp\u003eThis exhibition was prepared by Hal Sharp and Janet Pearson of the Department of Historical Collections and Services, The Claude Moore Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis online exhibit aims to give viewers a view into more than 50 of Historical Collections and Services' most notable books and see how their authors over the years have documented their discoveries and concepts for contemporaries and for us.  There are digitized versions of many of the books in the Fulltext Books section, which offers links to the scanned images of over half of these rare books.\u003c/p\u003e\n","\u003cp\u003eSara Huyser, Anne McKeithen, and Janet Pearson, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, wrote and compiled the material for Vaulted Treasures under the direction of Joan Echtenkamp Klein.\u003c/p\u003e\n","\u003cp\u003eJoaquin Bueno designed the Web exhibit and graphics, with the server expertise of David Moody and the assistance of Bart Ragon. Special thanks to Claudia Sueyras who scanned many of the books and Andrew Sallans who provided technical assistance.\u003c/p\u003e","\u003cp\u003eThe 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.\u003c/p\u003e\n","\u003cp\u003eMary Wagner donated the caricatures in this exhibit to Historical Collections and Services, The Claude Moore Health Sciences Library. Her husband, the late Robert R. Wagner, M.D., collected these when he was a post-doctoral fellow at the National Institute for Medical Research in London from 1950 to 1951. Wagner was Chair of the Department of Microbiology at the University of Virginia from 1967 to 1994, and Director of the UVa Cancer Center from 1983 to 1993. Thanks to Mary Wagner's generosity, the caricatures recently have been professionally treated, preserved, and reframed. The originals are on display in Historical Collections and Services and in the Department of Microbiology in the Robert R. Wagner Conference Room. These nineteenth-century satirical prints will thus continue to delight future generations.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.\u003c/p\u003e","\u003cp\u003eWalter Reed's professional experiences with typhoid fever stand in marked contrast to his professional encounters with yellow fever. In the case of typhoid, he was more a messenger than a conqueror. Typhoid fever remained defiant during a career that oversaw the rout of yellow fever. Through a humanizing story that shows how fate brought Reed continuing frustration as well as talent and success, this exhibit seeks to render him a more accessible role model for students of medicine and history.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was written by Noel G. Harrison, a graduate student in The Corcoran Department of History at the University of Virginia and an intern in Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia during the fall of 2002. The Web exhibit was prepared and designed by Mike Wilson and Sara Huyser. Special thanks to Bart Ragon, Joan Echtenkamp Klein, and Hal Sharp for their assistance.\u003c/p\u003e","\u003cp\u003eThis series includes records related to Historical Collections and Services, the special collections and archives department of the Claude Moore Health Sciences Library. Records the public can access are related to exhibitions that were curated by staff and displayed in the library.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of permanent and historically significant institutional records created by the University of Virginia Health Sciences Library and the antecedent Medical Library. These records include, but are not limited to: annual reports, planning documents, newsletters, online exhibits, blogs, social media content, conference programs, department histories, committee records, and library-sponsored lecture materials.","This series consists of annual reports produced by the Medical Library (1929-1975), the Health Sciences Library (1975-Present), and the Information Sciences Council (1990-1996). Annual reports for the Health Sciences Library are missing from this collection for the period from 2006 to the present. Also, the annual reports for the Medical Library are missing from this collections for the period from 1929 to 1942. It is unclear whether the Medical and Health Sciences libraries wrote reports for the years.","The annual reports of the Medical Library contain comprehensive descriptions of the annual activities of the Medical Library. The Medical Library's annual reports from 1929 to 1942 are missing from this collection. It is not known if the reports were ever written by the library.","The annual reports of the Health Sciences Library contain comprehensive descriptions of the annual activities of the Health Sciences Library. The Health Sciences Library's annual reports from 2006 to the present are missing from this collection. It is not known if the reports were ever written by the library.","Informal annual report-like documents and related material, including reports shared on the Claude Moore Health Sciences Library blog and an internal UVA Health System news website (HS Connect). Reports from: March 2007, September 2009 (written by Gretchen Arnold), January 2013 (written by Gretchen Arnold), and March 2018 (written by Gretchen Arnold).","This series consists of correspondence and subject files that were created and assembeled by the directors of the Health Sciences Library while carrying out the responsibilities of their position.","Correspondents include Curators of the HSL--Daniel Spikes, Cassandra Ruane, Frank C. Mevers, Todd L. Savitt, and Doris Leckie of the Smithsonian Institution","Includes articles about Jesse Lazear, Carlos Finlay, Philip Hench and cortisone, Henry R. Carter, Nicolas Chervin, Joseph Y. Porter and Isaac Hulse","Correspondents with Bean include Mary (Mrs. Philip) Hench, Atcheson L. Hench, Byrd S. Leavell, and Todd Savitt","Includes news releases, news clippings, journal articles, and correspondence related to the gift by Mary Hench of the Philip S. Hench Walter Reed Yellow Fever collection.","Includes correspondence with William Bennett Bean","Includes correspondence on Health System reorganization","The records in this series document the planning of historically significant administrative initiatives, purchases, construction, and events at the Health Sciences Library.","This series consists of digital and analog images that show the history and collections of the Health Sciences Library. Image formats in this series include, but are not limited to, photographic prints, film negatives, jpeg files, tiff files, 35mm film slides, CDs or other media containing digital images. The series does not include official identification photographs for faculty, students, and staff.","This subseries contains images of artifacts in the collections of the Health Sciences Library.","The images in this subseries show the staff, faculty, and interior spaces of the Health Sciences Library.","Moll, Bowers, Bowers, and Rudnick are photographed with ceramic vessels used in the early production of penicillin.","LIS officially started in 1989. Dr. Don Detmer is upper right of FF sheet","People identified are: Inhye Son, Sarah Handley, Anne Humphries, Mike Wilson, Jonathan Lord, Elaine Banner, Julia Kochi, Marylin James, Mary Nightengale, Ophelia Payne, Nadine Ellero, Trisha Luby, Sue Daddezio, Diane Ricketson, Deborah Camden, Michael Sullivan, Betty Mickens, Dan Wilson, Shelby Miller John Sesody, Greatchen Arnold, Michelle Martin, Jeri Davis, Barbara Crawford, Cindy Saylor, Susan Yowell, Karen Collier, Pat Shannon, Rick Peterson, Brenda Bikos, Sandy Zoumbaris, Jana Maas, Joan Klein, Mark Mones, Jane Wagner, Eli Casarez, Aulia Gies, Cynthia Siedman-Willen, Catherine Anninos, Judy Shotwell, Linda Watson and Ann Carter.","Individuals not identified.","Front: Kathleen Tracey, karen Collier, Deborah Camden, Ophelia Payne, Rick Peterson\nSecond: Marylin James, Jane Wagner, Barbara Crawford, Polly Sandridge, Linda Watson\nThird: Pat Shannon, Brenda Bikos, Gretchen Naisawald, Anne Humphries, Jeri Davis, Shelby Miller, Jonquil Feldman, Mike Wilson\nFourth: Judith Robinson, Susan Daddezio, Julia Hochi\nFifth: Thomas Speare, Catherine Anninos, Libby Colley, Judy Shotwell\nSixth: Hall Sharp, Rick Weaver, Ann Carter\nSeventh: Nadine Ellero, Megan McCaskey, Sarah Handley\nEighth: Jonathan Lord, Jake Appleford, Mary Nightengale, Inhye Son\nAbsent: Joan Klein, christopher Marks, Betty Mickens, Mark Mones, Diane Spears","Left to right: Dieter Groeschel, Joan Klein, Linda Watson, unidentified person\nIn back: unidentified, Janet Pearson","One photo individuals front left to right Dieter Groeschel, Joan Klein, Linda Watson, unidentified person, in the back an unidentified person and Janet Pearson","Collection Services and Bibliographic Control","Intellectual Access and Collection Development","Library Administration","Ellen Ramsey, David Moody, Bart Ragon, Mike Wilson, Joan Klein, Dave Denton, Inhye Son, Wilma Lynch, Pat Shannon, Gretchen Arnold, Jeri Davis, Joy Nuckolls, Karen Knight, Elaine Attridge, Ann Carter, Jonathan Lord, Andrea Horne Denton, Stephanie Fielding, Adrienne Granitz, Sonya Coleman, Jason Bennett, Tony Hiserman, Tenzin Thosam, Roderick Martin, Nadine Ellero, Patricia Vaughn","This subseries consists of images that do not belong in any other subseries.","Gordon was the coordinator of an exhibit on the history of gastroscopy and visited the medical school to open the exhibit. Photo taken by Ursula Ziolkowki.","Photo was sent to Terry Thorkildson from the Area Health Education Centers Program Eastern Virginia Medical Authority","This series contains historically significant press releases, visual aids, clippings, and other items that record information about the Library that were produced for or by the news media.","This subseries contains print copies of news articles about the Health Sciences Library.","This series consists of publications produced by the Health Sciences Library for public distribution or general internal distribution. Publications include, but are not limited to, magazines, journals, monographs, newsletters, weblogs, weekly announcements, online publications, marketing materials, and patient education resources. This series may contain both print and digital publications.","The materials in this subseries were produced to guide the use of collections housed at the Health Sciences Library.","This subseries consists of digital and print newsletters that provide information about the activities of the Health Sciences Library.","A \"scrapbook\" of Library milestones and appropriate photographs for each medical and nursing graduating class celebrating its reunion in a particular year. The print series was discontinued after 2000, but additional Journey Through Time content is available online through the Historical Collections web exhibits.","This subseries contains brochures, flyers, and other printed ephemera that provide information about the Health Sciences Library.","Envelope has Dr. Wilhelm Moll handwritten on it. Brochure includes library statistics, what is needed in terms of money and space, various endorsements, and tax information.","This series contains social media content that has been produced by the Health Sciences Library for platforms like Facebook, Instagram, and Twitter.","The staff of the Health Sciences Library's Historical Collections and Services department maintains and contributes content to this Facebook page. Many posts and photographs on the page relate to the Department's services, collections, and events. Other posts share information related to the history of the health sciences and the work of libraries, museums, and archives.","This series consists of blogs that were created by the Health Sciences Library. The files in this series were downloaded from the Internet by Library staff. Content in the blogs that are accessed through a link outside of the blog's parent directory (e.g. external YouTube videos, external web pages) are not downloaded and archived in this series.","The Moore Library News (MLN) blog is produced by the Claude Moore Health Sciences Library. MLN blog posts provide information about Library collections, policies, services, and events.","The records in this series document the organizational structure of the Health Sciences Library. It also contains records that document administrative reorganizations of the Library. These materials include, but are not limited to, organizational charts and reports.","This series contains policies, procedures, and handbooks produced by the Health Sciences Library to direct and guide the conduct of its faculty, staff, and patrons. These records may also formally describe and define the relationship between the Health Sciences Library and its faculty, staff, and patrons.","This subseries contains procedures and handbooks for the faculty and staff of the Health Sciences Library.","Includes items from the Printing Office with the new library name: The Claude Moore Health Sciences Library","This subseries consists of procedures and handbooks for the patrons of the Health Sciences Library.","This series contains course announcements, syllabi, notes, and other materials that document classes and workshops taught by the faculty and staff of the Health Sciences Library.","This series consists of programs and reports that document the history of conferences and symposia hosted by the Health Sciences Library. Programs and reports often contain the following information: lists of speakers, presentation titles, schedules of events, and lecture abstracts. The following conference records are not included in this series: registration records, financial records, organization records, attendance lists.","This series consists of significant material that conveys the history of the Health Sciences Library, its administration, its accomplishments, its officials or employees. Includes, but is not limited to, scrapbooks, photographs, articles, program notes and documentation of events sponsored or funded by the agency. Also included are narratives; printed, audio, or audiovisual histories; or matters of significant historical importance.","Includes many photos of the library interior and library staff. Some individuals identified. Probably an exhibit celebrating the library's 15th anniversary in 1991, but photos from 1993 are also in the folder.","Includes photos of library interiors, staff (some identified) and UVA buildings; library organization chart for 2/1995; and Library Building Funds chart, 1975.","This series consists of reports, of a historically significant nature, that do not belong to any other series of the Health Sciences Library records.","This series contains memos, correspondence, subject files, online resources, and meeting minutes of committees working within the Health Sciences Library.","This file includes the meeting minutes, meeting agendas, and other documentation of the Library Management Group. The members of this committee were the leaders of the Health Sciences Library. They met once a month to discuss major library initiatives, provide updates and reports about library department activities, and share other information related to the management of the Library.","This file consists of the meeting minutes, bylaws, constitution, and correspondence of the Medical History Society of the University of Virginia. The Society was formed to promote the knowledge and study of the history of medicine and the health sciences at the University of Virginia. For much of its history, Wilhelm Moll led the Society. It supported the development of historical collections and services at the Health Sciences Library and founded a lecture series that becsme the History of the Health Sciences Lecture Series in 1984.","This series consists of records that document awards, honors, and commemorations presented by the Health Sciences Library. These records may include, but are not limited to, event programs, lists of recipients, and recipient biographies.","The dedication ceremony included remarks by Donald S. Fredrickson, MD, Director, National Institutes of Health.","Includes a tribute to Wilhelm Moll by William B. Bean and another speech by an unidentified individual.","Includes remarks that were given by Dr. Don Detmer.","Includes remarks given by Donald Lindberg. The title of Lindberg's presentation was\"The Computer and the Academical Village\".","This series consists of records that document lectures and presentations sponsored by the Health Sciences Library. These records include, but are not limited to, audiovisual recordings, transcripts, announcements, handouts, and correspondence between presenters and event organizers.","This subseries consists of records associated with standalone lectures and presentations sponsored by the Health Sciences Library.","This subseries contains records that are associated with the Health Sciences Library's History of the Health Sciences Lecture Series.","This subseries contains records that are associated with the Medical History Society of the University of Virginia Lecture Series.","Promotional posters for a medical history lecture series held at the UVA Health Sciences Library and organized by the UVA Medical History Society.","This series consists of records that document exhibits created by the Claude Moore Health Sciences Library of an educational or promotional nature. Some records are physical, and others are archived websites crawled by the Internet Archives' Archive-It service and made accessible by their Wayback Machine.","These materials are physical materials containing exhibit plans and designs, text, labels, and images created for physical exhibits.","Identified individuals in photos are John Guerrant, Ken Crispell, and Barry Marshall","Includes print-out (109 pages) of \"Who's Who on the Philip S. Hench Walter Reed Yellow Fever Collection Website\" (2002) and supplemental list of compiled names.","\"Robley Dunglison: 1798-1869\" Pamphlet produced for a library exhibit honoring the 200th anniversary of Dunglison's birth. 3 copies; 14 pp. Prepared by Historical Collections \u0026 Services, Claude Moore Health Sciences Library. Folder note indicates biography was written by Joby Topper. Includes reference list.","Introduction by Joan Klein","This series contains web archived online exhibits created by Historical Collections and Services between 2007 and circa 2023, although some of the creation dates of the websites are questionable. These 21 exhibits were hosted on the Claude Moore Health Sciences Library website but are now available via the Internet Archives' Wayback Machine.","This online exhibit is centered on the book \"A History of Cancer Care at the University of Virginia, 1901-1911.\" This book provides vast insight into the teamwork, dedication, collegiality, and skill–as well as luck–which was necessary for the Cancer Center to exist today. Twenty-five oral history interviews were conducted in the course of researching the book and are included with the book or may be viewed in the videos section of this website. Written by Henry K. Sharp, Ph.D. and Morton C. Wilhelm, M.D. the Joseph Helms Farrow Professor Emeritus in Surgical Oncology, University of Virginia School of Medicine.","This online exhibit serves as an online \"scrapbook\" with some of the milestones of the Claude Moore Health Sciences Library, Medical Center, and the School of Medicine and the School of Nursing. There are added appropriate photographs for each class year.","This exhibit recounts the origin and early history of the American Lung Association. The American Lung Association of Virginia (ALAV) Collection contains personal and official correspondence, financial and legal papers, minute books, organizational and scientific reports, educational publicity, photographs, and artifacts. ALAV donated its organization's papers to the Claude Moore Health Sciences Library in 1990 and 1991 made this exhibit possible. The ALAV made an additional donation in 2009.","This online exhibit presents images and summaries of the known uses of each instrument. The extant comments of medical writers from antiquity–including Oribasius, Galen, Soranus, Aetius, and the Hippocratic corpus–have provided scholars with some clues about the use of some instruments. Some instruments, such as mixing instruments and tweezers, probably had other household uses, such as the application of cosmetics and paints.","This online exhibit was created under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library. Hal Sharp, a Historical Collections staff member, wrote the essay giving a brief history of anatomical drawing. The exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant. Emily Bowden, Historical Collections, photographed the Denoyer-Geppert Anatomy Series charts. William Crutchfield generously donated W. and A. K. Johnston's Charts of Anatomy and Physiology which were owned for 33 years by his father, Dr. William Gayle Crutchfield.","This exhibit was designed to highlight the UVA Hospital's involvement with supporting United States Army troops during World War I and World War II. It was created by Janet Pearson with the assistance of Joby Topper. Special thanks to Dr. John L. Guerrant, Dorothy Sandridge Gloor, and Elizabeth Harlin Drash for sharing their stories and helping us identify photographs.","This online exhibit shows materials related to eugenics as it relates to UVA and Charlottesville, VA. Alison White and Ina Hofland, staff members of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia, created this Web exhibit. They also created the physical exhibit of the same title on which it is based. The physical exhibit was displayed in the foyer of the Health Sciences Library April-September 2002. Steve Stedman designed the Web exhibit. Special thanks to Sara Huyser, Joan Echtenkamp Klein, Ophelia Payne, Bart Ragon, Hal Sharp, and Mike Wilson for their assistance. Web Exhibit Publish Date: February 13, 2004","This exhibit was created under the direction of Joan Ectenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at the Claude Moore Health Sciences Library. Dr. Morton C. Wilhelm, the Joseph Helms Farrow Professor in Surgical Oncology, wrote the essay with the editorial assistance of Janet Pearson. The web exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant.","This online exhibit offers a look into The Papers of James Carmichael and Son, a collection held at the UVA Albert and Shirley Small Special Collections Library, and tells a story of the early nineteenth-century inhabitants of Fredericksburg, Virginia and its surrounding rural areas. ","The exhibit is organized into two content areas: the Story and the Collection. Each of these areas, as well as the Home and About sections, are represented in the tabs near the top of every page. See the site map for more detail.","The Story section sets the atmosphere for the exhibit. One can get a sense of what the practice of medicine was like for James and Edward Carmichael in the early nineteenth century by reading the essays describing the Pharmacy, the Tools of the Trade, and the Health Care of Slaves.","The Collection section houses the images of the original Carmichael letters, which are meticulously transcribed and categorized to provide access not only to the words, but to the medical conditions, treatments, and philosophies of almost two centuries past. Particularly compelling is the use of Medical Subject Headings (MeSH) to categorize the letters along with a very detailed methodology and definition of MeSH terms. Other items of interest include the daybook kept by Doctor Carmichael from 1816-1817, newspaper clippings, court records \u0026 summaries, period maps, and Virginia WPA Historical Inventory Project records. Additionally, there is an exhaustive Who's Who list of names that appeared in the letters as well as a thorough list of Places Mentioned.","This online exhibit tells the story of how the U.S. Army Commission, comprised of Major Walter Reed, Dr. James Carroll, Dr. Aristides Agramonte, and Dr. Jesse Lazear, confirmed Carlos Finlay's theory about the transmission of yellow fever. By showing without a doubt that mosquitoes were the vector for yellow fever, the researchers empowered public health officials in the Americas to eradicate this devastating disease from much of the Western Hemisphere.","The exhibit is divided into three main sections. The first section, Archives, provides information about and links to the Philip S. Hench Walter Reed Yellow Fever Collection. The collection, most collected by Philip S. Hench and housed at the University of Virginia's Claude Moore Health Sciences Library, is a rich archive of materials that documents the history of the U.S. Army Yellow Fever Commission. The second section, History, tells the story of the U.S. Army Yellow Fever Commission and the impact of its findings. Finally, the third section, Resources, provides access to biographies, bibliographies, and other resources visitors may want to consult to learn more about the Commission and the history of yellow fever.","This exhibit tells the story about 12 physicians practicing in Charlottesville, VA in 1848 mutually agreed to create an agreed rate of medical charges for services.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at The Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the fee bill project and directed it. Todd L. Savitt, Ph.D., wrote the background information essay on fee bills in general and the Charlottesville fee bill in particular. He is a faculty member at East Carolina University in the Department of Bioethics \u0026 Interdisciplinary Studies. Janet Pearson wrote the introduction and the biographical sketches of the twelve signers. She gathered images and took photographs in the University of Virginia Cemetery and Columbarium and in downtown Charlottesville. She is a member of the staff of Historical Collections and Services. Sonya Coleman, also a member of the staff of Historical Collections, contributed to the design elements. David Moody, Claude Moore Health Sciences Library Webmaster, and Jason Bennett, Technology in Education Consultant, provided the programming architecture for the Web exhibit.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at the Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the \"Fever Fighters\" project after the generous donation of Dr. Hanson's diary by his granddaughter, Jane H. Monroe.","Staff members at Historical Collections, Leigh Mantle, Susan Yowell, and Janet Pearson, contributed content and created the GIS Map. Caitlin Summers, a dedicated intern at Historical Collections, also provided editorial assistance in the spring of 2012.","David Moody, Library Webmaster; Mike Wilson, Information Services Specialist; and Jason Bennett, Technology Specialist, provided the programming architecture for the Web exhibit.","This exhibit was inspired by The Mineral Springs of Western Virginia by William Burke, the first volume purchased by the Weaver Family Endowed Rare Book and Medical Materials Fund. Published in 1846, the book describes the setting and development of eleven springs in what are now Virginia and West Virginia. Dr. Burke, a one-time owner and resident physician at Red Sulphur Springs, remarks on the usefulness of the various mineral waters in certain diseases as well as contraindications to their use. The springs range from those that are well known today such as the White Sulphur Springs, currently the Greenbrier resort in West Virginia, to the Blue Sulphur Springs, once able to accommodate several hundred people and now represented by a lone Greek Revival pavilion in the middle of a field near Smoot, West Virginia.","This exhibit was written and organized by Janet Pearson, a member of the staff of Historical Collections and Services, under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library, University of Virginia. Claudia Sueyras, Normajean Hultman, and Sonya Coleman did preliminary research. Rod Martin and Victoria Meyer scanned items from Historical Collections and the Charles L. Brown Science \u0026 Engineering Library. David Moody, with the assistance of Bart Ragon, provided the programming architecture for the Web exhibit. Sonya Coleman contributed to the design elements. Special thanks has been given to the staff at the Albert and Shirley Small Special Collections Library, University of Virginia, as they retrieved dozens of documents and also to the Digital Curation Services staff for their scanning of the documents.","The Anatomical Theatre at the University of Virginia online exhibit tells the story of the Theatre's presence at the University for more than a century. While not included in the earliest plans of the University, the need for the Theatre became clear before the first classes were ever held. Thomas Jefferson himself drew the design which includes two floor plans, a front elevation view, and a cross section. The exhibit traces the construction and later changes to the building, its demise, and archeological investigations at the site. It also gives a glimpse of what happened inside the building and the deeds that were done to procure cadavers so that medical students could learn anatomy.","This exhibit was sparked by the interest of the late Dr. M.C. Wilhelm in the model of the Anatomical Theatre housed in Historical Collections at the University of Virginia Claude Moore Health Sciences Library. A retired surgeon and volunteer in Historical Collections, Dr. Wilhelm gathered resources and did preliminary writing. It was decided to further develop the project, and the result is this exhibit, written and organized by Janet Pearson, a Historical Collections staff member. Originally done under the direction of Joan Echtenkamp Klein, who was the Alvin V. and Nancy Baird Curator for Historical Collections until her untimely death, project support was continued under Dan Cavanaugh, who stepped into Joan's role and position.","Others associated with the University of Virginia community freely shared their ideas and research. These individuals include Garth Anderson, the Facilities Management Historian; Kirt von Daacke, Assistant Dean and Professor, College of Arts \u0026 Sciences; Louis Nelson, Professor in the Department of Architectural History and Associate Provost for Outreach; Robert Bloodgood, Professor in the School of Medicine; Benjamin Ford, Principal Investigator with Rivanna Archaeological Services, LLC; and Sonya Coleman, formerly a staff member in Historical Collections and now at the Library of Virginia. Emily Bowden, the Historical Collections Specialist, answered many technical queries as well as gave editorial assistance. Anson Parker and Jason Bennett provided the programming architecture for the Web exhibit.","This exhibit explores the development of the iron lung during the late nineteenth and early twentieth century and considers the reasons for its success during the height of the poliomyelitis epidemics. Andrew Sallans, Historical Collections Specialist, researched and compiled the content for the online and physical exhibits. The design of the online exhibit was conceived and executed by Steve Stedman, Webmaster for the Claude Moore Health Sciences Library.","This online exhibit displays a digitized copy of Historical Collections and Services' rare book \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England: An Introduction to Orders thought meete by her Maiestie ..., 1578.\"","Anne McKeithen, Janet Pearson, and Andrew Sallans, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, compiled the material for the Plague Book exhibit under the direction of Joan Echtenkamp Klein. Joaquin Bueno designed the Web exhibit and graphics, with the programming architecture of David Moody and the assistance of Bart Ragon.","Unless otherwise noted, the images are courtesy of the Missouri Botanical Garden, © 1995-2006 Missouri Botanical Garden http://www.illustratedgarden.org). They deserve special thanks for their generous permission to reproduce their exquisite illustrations. Special thanks are also given to Duane J. Osheim, Ph.D., Professor and Chair, of the Corcoran Department of History at the University of Virginia for his paper, \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England.\"","In 2001 Historical Collections in the Claude Moore Health Sciences Library created an exhibit that traces the history of the first century of the Hospital in words and images. One copy of the exhibit traveled from location to location in the Health System and beyond; the other set of panels were hung in a busy hospital corridor near the main entrance where they remain today. These panels form the basis for this online exhibit which now includes the addition of a section on the first 14 years of the Hospital's second century. We hope you enjoy following the history of the growth of the University of Virginia Health System as it seeks to fulfill its longstanding vision to benefit human health and improve quality of life through patient care, research, and education.","This exhibition was prepared by Hal Sharp and Janet Pearson of the Department of Historical Collections and Services, The Claude Moore Health Sciences Library.","This online exhibit aims to give viewers a view into more than 50 of Historical Collections and Services' most notable books and see how their authors over the years have documented their discoveries and concepts for contemporaries and for us.  There are digitized versions of many of the books in the Fulltext Books section, which offers links to the scanned images of over half of these rare books.","Sara Huyser, Anne McKeithen, and Janet Pearson, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, wrote and compiled the material for Vaulted Treasures under the direction of Joan Echtenkamp Klein.","Joaquin Bueno designed the Web exhibit and graphics, with the server expertise of David Moody and the assistance of Bart Ragon. Special thanks to Claudia Sueyras who scanned many of the books and Andrew Sallans who provided technical assistance.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","Mary Wagner donated the caricatures in this exhibit to Historical Collections and Services, The Claude Moore Health Sciences Library. Her husband, the late Robert R. Wagner, M.D., collected these when he was a post-doctoral fellow at the National Institute for Medical Research in London from 1950 to 1951. Wagner was Chair of the Department of Microbiology at the University of Virginia from 1967 to 1994, and Director of the UVa Cancer Center from 1983 to 1993. Thanks to Mary Wagner's generosity, the caricatures recently have been professionally treated, preserved, and reframed. The originals are on display in Historical Collections and Services and in the Department of Microbiology in the Robert R. Wagner Conference Room. These nineteenth-century satirical prints will thus continue to delight future generations.","This exhibit was written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.","Walter Reed's professional experiences with typhoid fever stand in marked contrast to his professional encounters with yellow fever. In the case of typhoid, he was more a messenger than a conqueror. Typhoid fever remained defiant during a career that oversaw the rout of yellow fever. Through a humanizing story that shows how fate brought Reed continuing frustration as well as talent and success, this exhibit seeks to render him a more accessible role model for students of medicine and history.","This exhibit was written by Noel G. Harrison, a graduate student in The Corcoran Department of History at the University of Virginia and an intern in Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia during the fall of 2002. The Web exhibit was prepared and designed by Mike Wilson and Sara Huyser. Special thanks to Bart Ragon, Joan Echtenkamp Klein, and Hal Sharp for their assistance.","This series includes records related to Historical Collections and Services, the special collections and archives department of the Claude Moore Health Sciences Library. Records the public can access are related to exhibitions that were curated by staff and displayed in the library."],"userestrict_html_tesm":["\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to the annual reports in this series.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia owns the copyright to records in this series that were created by the library directors while they were acting within the scope of their position, except scholarly and academic works. Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to the planning documents and reports created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to images created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to publications created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe University of Virginia owns the copyrights to publications produced by the Health Sciences Library. Other copyright restrictions may apply to some materials.\u003c/p\u003e","\u003cp\u003eCopyright restrictions may apply.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright for social media content (e.g. posts, photographs) created by University employees while acting within the scope of their employment, except scholarly and academic works. The organizations that own the social media platforms might also hold licenses to all of the content posted by University of Virginia employees. Copyright ownership varies for other content that has been posted on the Library's social media platforms and archived here.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to blogs and blog posts created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to conference records and programs created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eCopyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to reports created by University employees while acting within the scope of their employment. Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to the records in this series that were created by University employees while acting within the scope of their employment.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to materials in this series created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to exhibit content created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies.","The Rector and Visitors of the University of Virginia own the copyright to the annual reports in this series.","The Rector and Visitors of the University of Virginia owns the copyright to records in this series that were created by the library directors while they were acting within the scope of their position, except scholarly and academic works. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the planning documents and reports created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to images created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to publications created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The University of Virginia owns the copyrights to publications produced by the Health Sciences Library. Other copyright restrictions may apply to some materials.","Copyright restrictions may apply.","The Rector and Visitors of the University of Virginia own the copyright for social media content (e.g. posts, photographs) created by University employees while acting within the scope of their employment, except scholarly and academic works. The organizations that own the social media platforms might also hold licenses to all of the content posted by University of Virginia employees. Copyright ownership varies for other content that has been posted on the Library's social media platforms and archived here.","The Rector and Visitors of the University of Virginia own the copyright to blogs and blog posts created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to conference records and programs created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to reports created by University employees while acting within the scope of their employment. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the records in this series that were created by University employees while acting within the scope of their employment.","The Rector and Visitors of the University of Virginia own the copyright to materials in this series created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to exhibit content created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies."],"names_ssim":["Claude Moore Health Sciences Library"],"corpname_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":471,"online_item_count_is":26,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:41:23.997Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_7_resources_215","ead_ssi":"viu_repositories_7_resources_215","_root_":"viu_repositories_7_resources_215","_nest_parent_":"viu_repositories_7_resources_215","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_215.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/133046","title_ssm":["Claude Moore Health Sciences Library records"],"title_tesim":["Claude Moore Health Sciences Library records"],"unitdate_ssm":["1942-2025","1848-2019"],"unitdate_bulk_ssim":["1942-2025"],"unitdate_inclusive_ssm":["1848-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG.17.4","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/215"],"text":["RG.17.4","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/215","Claude Moore Health Sciences Library records","University of Virginia","The records of the Claude Moore Health Sciences Library are open to researchers, except where it is noted. Decisions to close records to research are made in accordance with the Health Insurance Portability and Accountability Act of 1996 (HIPAA), the Family Educational Rights and Privacy Act of 1974 (FERPA), the Virginia Freedom of Information Act (VAFOIA), the policies of the University of Virginia, and other relevent laws, regulations, or policies.","The annual reports are open to research.","These records are open to research.","The planning documents and reports are open to research.","The photographs and negatives are open to research.","The public relations files are open to research.","The publications are open to research.","There are no restrictions on access to the newsletters in this subseries.","There are no restrictions on access to the publications of the Health Sciences Library.","The social media files are open to researchers.","The blog files are open to researchers.","The administrative organization and structure files are open to research.","The policies, procedures, and handbooks are open to research.","In accordance with the The Family Educational Rights and Privacy Act of 1974 (FERPA), the library may restrict access to student-authored materials and other protected student records in this series. Course syllabi, course announcements, and other materials produced by University faculty and staff are open to research.","Conference programs and reports are open to research.","The historical and biographical files are open to research.","The reports in this series are open to research.","The committee records and meeting minutes are open to research.","The awards, honors, and commemorations records are open to research.","The lecture and presentation materials are open to research.","The exhibit records are open to research.","The annual reports of the Health Sciences Library are scheduled for permanent retention. There will be accruals to this series if the Health Sciences Library resumes the creation of annual reports.","The correspondence and subject files of the Health Sciences Library director are not scheduled for permanent retention and, in the past, have been transferred to the archives on an irregular basis. No further accruals of this material is expected.","Historically significant planning documents and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a document or report is historically significant. Accruals to this series are expected.","Historically significant photographs and negatives are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a photograph or negative is historically significant. Accruals to this series are expected.","Public relations files are scheduled for permanent retention in the archives. These records are generally created by the University's marketing and communications departments and they are filed in the records groups associated with those units. However, the library does occasionally create its own public relations files that we expect to add to this series.","The publications of the Health Sciences Library are scheduled for permanent retention in the archives. Much of the content that the Library made available through publications is now made available on various online platforms. It is likely that accruals to this series will be infrequent.","Annually, data is downloaded from the Library's active social media sites and added to this collection.","Copies of each existing blog are captured every year and added to the collection.","The organizational charts of the Health Sciences Library are scheduled for permanent retention in the archives. Besides the charts, only historically significant records document administrative structure are retained in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether one of these records is historically significant. Accruals to this series are expected to occur occassionally.","Historically significant policies, procedures, and handbooks produced by the Health Sciences Library are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a record is historically significant. Accruals to this series are expected.","Historically significant syllabi and course materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a course record is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant conference programs and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a program or report is historically significant. Accruals to this series are expected.","Significant historical and biographical materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is significant. Accruals to this series are expected to occur infrequently.","Historically significant reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a report is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant exhibit records are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is historically significant. Accruals to this series are expected to occur infrequently.","Records are generally organized according to the records retention and disposition schedules series maintained by the Library of Virginia (LVA). When necessary, additional subdivisions have been created for materials that do not have clear equivalents in the LVA resources.","Annual reports are arranged into 3 subseries: Medical Library, Health Sciences Libary, and Information Sciences Council. The subseries are arranged chornologically. Inside the subseries annual reports are placed into files that are arranged chronologically.","The correspondence and subject files are arranged into subseries according to the library director who created them. The subseries are then arranged chronologically by the date that each director began his or her term in this position. Beginning and end dates of the directors' terms are given after his or her name in the subseries title.","In this series, a file is created for each planning report and its associated documents. The files are arranged chronologically by the date of creation for the materials they contain.","The photographs and negatives are arranged into subseries by subject. The subseries are then arranged alphabetically by title. The arrangements of the files in the subseries vary.","The photographs and negatives of library artifacts are arranged alphabetically according to the name of the artifact shown.","The images of Health Sciences Library staff and interiors are arranged chronologically according to their date of creation.","The miscellaneous photographs are arranged chronologically according to the date of their creation.","The public relations files are arranged into subseries according to types of materials (e.g. clippings collections and press releases). The subseries are then arranged alphabetically. The files in the subseries are arranged chonologically.","The publications are arranged into subseries according to types of materials (e.g. journals and magazines, newsletters, patient education resources). The subseries are then arranged alphabetically. The arrangements of the files in the subseries vary.","The newsletters are arranged alphabetically by title.","The promotional brochures, flyers, and other publications are arranged chronologically according to their date of creation.","The social media content is arranged into files alphabetically by title.","Blogs are arranged into files alphabetically by title.","Files in this series are arranged chronologically according to the date of their creation.","The policies, procedures, and handbooks are arranged into the following subseries in this order: Staff procedures and handbooks, and Library users procedures and handbooks. The files in each subseries are arranged chronologically.","Syllabi and course materials are arranged chronologically.","Conference records and programs are arranged into files by conference title. The files are arranged chronologically by the date each conference was held. All of the instances of a reoccurring conference are gathered together into the same file. If the conference is reoccurring, it is arranged in relation to the rest of the files according to the first instance of that conference.","Materials in this series are arranged chronologically according to the date that they were created.","The reports are arranged into files. The files are then arranged chronologically by their date of creation. When a report is reoccurring, all of the reports in that series are placed together in a single file.","The directories are arranged by title into files. The files are arranged chronologically.","The records in this series are arranged into files according to committee or department (when the department is holding reccurring general meetings). The files are then arranged alphabetically.","The awards, honors, and commemorations are arranged into files. The files are then arranged chronologically by date. When an award, honor, or commemoration is reoccurring (e.g. annually), all of the records in that series are placed together in a single file.","The records for stand-alone lectures and presentations are arranged into a subseries called \"Single lectures and presentations\". The records of lectures and presentations that belong to a program or lecture series are arranged into subseries named after the program or lecture series. Following the subseries titled \"Single lectures and presentations\", the remaining lecture series are arranged alphabetically by title. ","Records in all of the subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","The materials are arranged into files, each file representing an exhibit. Files are arranged alphabetically by exhibit title.","These files are arranged alphabetically.","These items are arranged alphabetically.","\nBetween 1826 and 1929, the University of Virginia's collection of medical books and journals were kept with the general library collections in the Rotunda. In 1929, the University moved the collections to the new Medical Library inside the recently-constructed Medical School Building. \n","\nBetween 1929 and 1962, a medical librarian with a small staff of student and clerical workers stewarded the library's collections. The Medical Library at this time, although physically separate from the rest of the University's libraries, was administered as part of the central University library system with oversight from School of Medicine faculty serving on the Medical Library Committee. In addition to the management of collections, the medical librarians in this era began to curate exhibits and provide instruction. Only a few of the medical librarians who served in this period had professional library training.\n","\nIn 1962, Wilhelm Moll was appointed the first Director of the Medical Library. During his tenure, Moll oversaw the radical trasnformation of a small branch library into an independent research library. The full-time library staff expanded from 4 to 30, the University built a new library building over Jefferson Park Avenue, the nursing and medical libraries merged to form the Health Sciences Library, a history of medicine program was founded, and the library began to adopt digital technologies.\n","\nAfter Moll's death in 1979, the University apppointed Terry Thorkildsen as the Director of the Claude Moore Health Sciences Library.  Thorkildsen and his successors Linda Watson (1990-2005) and Gretchen Arnold (2005-present) led the library during an era when revolutionary advances in digital technologies (e.g. the Internet, personal computers, databases) presented new challenges and opportunities for the Library.\n","","September 1826: The University of Virginia Library opens in the Rotunda and it includes a collection of medical books. 1911: The University Library's entire collection of medical books and journals are gathered together and moved to the basement of the Rotunda. September 13, 1915: Richard Henry Whitehead, Dean of the School of Medicine, creates the Medical Library Committee. 1919-June 1929: Ella Watson Johnson serves as the Medical Librarian. June 1929: The Medical Library moves from the basement of the Rotunda to its own space in the new Medical School Building, the Medical Library remains a department of the central University Library System. June 1929-September 1929: Margaret Otto serves as the Medical Librarian. 1929-1931: Anne Ashhurst Gwathmey serves as the Medical Librarian. 1931-1934: Caroline Hill Davis serves as the Medical Librarian. March 1934-June 1934: Dora Mitchell Brown serves as the Medical Librarian. 1934-1936: Miriam Thomas Buchanan serves as the Medical Librarian. 1935: The Medical Library institutes its first orientation for first year medical students. 1936-1943: Anne Lewis Morris serves as the Medical Librarian. 1943-1944: Mary Elizabeth Mayo serves as the Medical Librarian. 1944-1947: Mabel Cook Wyllie serves as the Medical Librarian. 1945-1949: The Nursing Library is placed under the Supervision of the Medical Librarian until the appointment of a clerk to manage the Nursing collection. 1947-1962: Elizabeth Frances Adkins serves as the Medical Librarian. September 1962: Wilhelm Moll is appointed the Director of the Medical Library. 1962-1963: As the result of administrative reorganizations during this period, the Medical Library is separated from the central University Library system and placed under the control of the School of Medicine. November 1970: Librarians conduct the first online searches of a database at the University of Virginia Medical Library using the experimental AIM-TWX service developed by the National Library of Medicine's Lister Hill National Center for Biomedical Communications. November 1971: Librarians begin using the National Library of Medicine's MEDLINE system to conduct online searches for patrons. August 1975: The Medical Library and Nursing Library are merged into the Health Sciences Library and Information Center and moved into a new building that spans over Jefferson Park Avenue. Wilhelm Moll is made the Director of the Health Sciences Library. April 1976: The Health Sciences Library is formally dedicated and named after Claude Moore, an alumnus of and donor to the University of Virginia. 1979: Terry Thorkildsen is appointed the Director of the Claude Moore Health Sciences Library. 1989: The library card catalog is digitized and made available through computer terminals. 1990: Linda Watson is appointed the Director of the Claude Moore Health Sciences Library. 2005: Gretchen Arnold is appointed the interim Director of the Claude Moore Health Sciences Library and is then made Director in 2007. 2022: Bart Ragon is appointed the Director of the Claude Moore Health Sciences Library.","(formerly Reference Department from 1987-1991)","Historical Collections and Services was originally concieved in the 1980s by the first director of the Claude Moore Health Sciences Library, Wilhelm Moll. His vision was to create a rare book room that would house the rare books that belonged to the Medical Library. During the Jeffersonian era and up until 1929, the books belonging to the school of medicine and anatomy were housed in the Rotunda Library on Grounds. In 1929, a new Medical School Building opened. This unified all the medical departments, which had been scattered throughout the Grounds. The Medical Collection became the Medical Library, and moved into new quarters in the Medical School Building. When Alderman, now Shannon, Library was built in 1937, the books moved there until the creation of the Claude Moore Health Sciences Library in 1976. Following Dr. Moll's untimely death in 1979, Special Collections librarian Joan Echtenkamp Klein helped to make Moll's reality of a special collections department a reality. She became the curator and manager of Historical Collections and Services, serving in that role until 2015. Dan Cavanaugh took over the role of curator and manager until 2022. Meggan Cashwell became the curator and manager in 2023 and is currently serving in that position.","Some exhibit pages do not have creation dates listed anywhere, but they do have copyright dates at the bottom of the page. This can be confusing in understanding what is the true date of creation.","Many of these online exhibits were once physical exhibits on display in the Claude Moore Health Sciences Library. Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"","When the Claude Moore Health Sciences Library downloads content from a social media platform, the Library preserves all of the original files (e.g. jpeg files, html files, json files) from the capture.","Patrons may contact Historical Collections staff at the Library to request copies of files containing social media content. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. ","When the Claude Moore Health Sciences Library captures a copy of a blog, the Library preserves all of the its original files (e.g. jpeg files, html files) as well as an aggregated web archive file (warc). Both a directory containing the original files and the warc file are bundled together into a single digital object. ","Patrons may contact Historical Collections staff at the Library to request copies of blog files. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. ","Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"","This collection consists of permanent and historically significant institutional records created by the University of Virginia Health Sciences Library and the antecedent Medical Library. These records include, but are not limited to: annual reports, planning documents, newsletters, online exhibits, blogs, social media content, conference programs, department histories, committee records, and library-sponsored lecture materials.","This series consists of annual reports produced by the Medical Library (1929-1975), the Health Sciences Library (1975-Present), and the Information Sciences Council (1990-1996). Annual reports for the Health Sciences Library are missing from this collection for the period from 2006 to the present. Also, the annual reports for the Medical Library are missing from this collections for the period from 1929 to 1942. It is unclear whether the Medical and Health Sciences libraries wrote reports for the years.","The annual reports of the Medical Library contain comprehensive descriptions of the annual activities of the Medical Library. The Medical Library's annual reports from 1929 to 1942 are missing from this collection. It is not known if the reports were ever written by the library.","The annual reports of the Health Sciences Library contain comprehensive descriptions of the annual activities of the Health Sciences Library. The Health Sciences Library's annual reports from 2006 to the present are missing from this collection. It is not known if the reports were ever written by the library.","Informal annual report-like documents and related material, including reports shared on the Claude Moore Health Sciences Library blog and an internal UVA Health System news website (HS Connect). Reports from: March 2007, September 2009 (written by Gretchen Arnold), January 2013 (written by Gretchen Arnold), and March 2018 (written by Gretchen Arnold).","This series consists of correspondence and subject files that were created and assembeled by the directors of the Health Sciences Library while carrying out the responsibilities of their position.","Correspondents include Curators of the HSL--Daniel Spikes, Cassandra Ruane, Frank C. Mevers, Todd L. Savitt, and Doris Leckie of the Smithsonian Institution","Includes articles about Jesse Lazear, Carlos Finlay, Philip Hench and cortisone, Henry R. Carter, Nicolas Chervin, Joseph Y. Porter and Isaac Hulse","Correspondents with Bean include Mary (Mrs. Philip) Hench, Atcheson L. Hench, Byrd S. Leavell, and Todd Savitt","Includes news releases, news clippings, journal articles, and correspondence related to the gift by Mary Hench of the Philip S. Hench Walter Reed Yellow Fever collection.","Includes correspondence with William Bennett Bean","Includes correspondence on Health System reorganization","The records in this series document the planning of historically significant administrative initiatives, purchases, construction, and events at the Health Sciences Library.","This series consists of digital and analog images that show the history and collections of the Health Sciences Library. Image formats in this series include, but are not limited to, photographic prints, film negatives, jpeg files, tiff files, 35mm film slides, CDs or other media containing digital images. The series does not include official identification photographs for faculty, students, and staff.","This subseries contains images of artifacts in the collections of the Health Sciences Library.","The images in this subseries show the staff, faculty, and interior spaces of the Health Sciences Library.","Moll, Bowers, Bowers, and Rudnick are photographed with ceramic vessels used in the early production of penicillin.","LIS officially started in 1989. Dr. Don Detmer is upper right of FF sheet","People identified are: Inhye Son, Sarah Handley, Anne Humphries, Mike Wilson, Jonathan Lord, Elaine Banner, Julia Kochi, Marylin James, Mary Nightengale, Ophelia Payne, Nadine Ellero, Trisha Luby, Sue Daddezio, Diane Ricketson, Deborah Camden, Michael Sullivan, Betty Mickens, Dan Wilson, Shelby Miller John Sesody, Greatchen Arnold, Michelle Martin, Jeri Davis, Barbara Crawford, Cindy Saylor, Susan Yowell, Karen Collier, Pat Shannon, Rick Peterson, Brenda Bikos, Sandy Zoumbaris, Jana Maas, Joan Klein, Mark Mones, Jane Wagner, Eli Casarez, Aulia Gies, Cynthia Siedman-Willen, Catherine Anninos, Judy Shotwell, Linda Watson and Ann Carter.","Individuals not identified.","Front: Kathleen Tracey, karen Collier, Deborah Camden, Ophelia Payne, Rick Peterson\nSecond: Marylin James, Jane Wagner, Barbara Crawford, Polly Sandridge, Linda Watson\nThird: Pat Shannon, Brenda Bikos, Gretchen Naisawald, Anne Humphries, Jeri Davis, Shelby Miller, Jonquil Feldman, Mike Wilson\nFourth: Judith Robinson, Susan Daddezio, Julia Hochi\nFifth: Thomas Speare, Catherine Anninos, Libby Colley, Judy Shotwell\nSixth: Hall Sharp, Rick Weaver, Ann Carter\nSeventh: Nadine Ellero, Megan McCaskey, Sarah Handley\nEighth: Jonathan Lord, Jake Appleford, Mary Nightengale, Inhye Son\nAbsent: Joan Klein, christopher Marks, Betty Mickens, Mark Mones, Diane Spears","Left to right: Dieter Groeschel, Joan Klein, Linda Watson, unidentified person\nIn back: unidentified, Janet Pearson","One photo individuals front left to right Dieter Groeschel, Joan Klein, Linda Watson, unidentified person, in the back an unidentified person and Janet Pearson","Collection Services and Bibliographic Control","Intellectual Access and Collection Development","Library Administration","Ellen Ramsey, David Moody, Bart Ragon, Mike Wilson, Joan Klein, Dave Denton, Inhye Son, Wilma Lynch, Pat Shannon, Gretchen Arnold, Jeri Davis, Joy Nuckolls, Karen Knight, Elaine Attridge, Ann Carter, Jonathan Lord, Andrea Horne Denton, Stephanie Fielding, Adrienne Granitz, Sonya Coleman, Jason Bennett, Tony Hiserman, Tenzin Thosam, Roderick Martin, Nadine Ellero, Patricia Vaughn","This subseries consists of images that do not belong in any other subseries.","Gordon was the coordinator of an exhibit on the history of gastroscopy and visited the medical school to open the exhibit. Photo taken by Ursula Ziolkowki.","Photo was sent to Terry Thorkildson from the Area Health Education Centers Program Eastern Virginia Medical Authority","This series contains historically significant press releases, visual aids, clippings, and other items that record information about the Library that were produced for or by the news media.","This subseries contains print copies of news articles about the Health Sciences Library.","This series consists of publications produced by the Health Sciences Library for public distribution or general internal distribution. Publications include, but are not limited to, magazines, journals, monographs, newsletters, weblogs, weekly announcements, online publications, marketing materials, and patient education resources. This series may contain both print and digital publications.","The materials in this subseries were produced to guide the use of collections housed at the Health Sciences Library.","This subseries consists of digital and print newsletters that provide information about the activities of the Health Sciences Library.","A \"scrapbook\" of Library milestones and appropriate photographs for each medical and nursing graduating class celebrating its reunion in a particular year. The print series was discontinued after 2000, but additional Journey Through Time content is available online through the Historical Collections web exhibits.","This subseries contains brochures, flyers, and other printed ephemera that provide information about the Health Sciences Library.","Envelope has Dr. Wilhelm Moll handwritten on it. Brochure includes library statistics, what is needed in terms of money and space, various endorsements, and tax information.","This series contains social media content that has been produced by the Health Sciences Library for platforms like Facebook, Instagram, and Twitter.","The staff of the Health Sciences Library's Historical Collections and Services department maintains and contributes content to this Facebook page. Many posts and photographs on the page relate to the Department's services, collections, and events. Other posts share information related to the history of the health sciences and the work of libraries, museums, and archives.","This series consists of blogs that were created by the Health Sciences Library. The files in this series were downloaded from the Internet by Library staff. Content in the blogs that are accessed through a link outside of the blog's parent directory (e.g. external YouTube videos, external web pages) are not downloaded and archived in this series.","The Moore Library News (MLN) blog is produced by the Claude Moore Health Sciences Library. MLN blog posts provide information about Library collections, policies, services, and events.","The records in this series document the organizational structure of the Health Sciences Library. It also contains records that document administrative reorganizations of the Library. These materials include, but are not limited to, organizational charts and reports.","This series contains policies, procedures, and handbooks produced by the Health Sciences Library to direct and guide the conduct of its faculty, staff, and patrons. These records may also formally describe and define the relationship between the Health Sciences Library and its faculty, staff, and patrons.","This subseries contains procedures and handbooks for the faculty and staff of the Health Sciences Library.","Includes items from the Printing Office with the new library name: The Claude Moore Health Sciences Library","This subseries consists of procedures and handbooks for the patrons of the Health Sciences Library.","This series contains course announcements, syllabi, notes, and other materials that document classes and workshops taught by the faculty and staff of the Health Sciences Library.","This series consists of programs and reports that document the history of conferences and symposia hosted by the Health Sciences Library. Programs and reports often contain the following information: lists of speakers, presentation titles, schedules of events, and lecture abstracts. The following conference records are not included in this series: registration records, financial records, organization records, attendance lists.","This series consists of significant material that conveys the history of the Health Sciences Library, its administration, its accomplishments, its officials or employees. Includes, but is not limited to, scrapbooks, photographs, articles, program notes and documentation of events sponsored or funded by the agency. Also included are narratives; printed, audio, or audiovisual histories; or matters of significant historical importance.","Includes many photos of the library interior and library staff. Some individuals identified. Probably an exhibit celebrating the library's 15th anniversary in 1991, but photos from 1993 are also in the folder.","Includes photos of library interiors, staff (some identified) and UVA buildings; library organization chart for 2/1995; and Library Building Funds chart, 1975.","This series consists of reports, of a historically significant nature, that do not belong to any other series of the Health Sciences Library records.","This series contains memos, correspondence, subject files, online resources, and meeting minutes of committees working within the Health Sciences Library.","This file includes the meeting minutes, meeting agendas, and other documentation of the Library Management Group. The members of this committee were the leaders of the Health Sciences Library. They met once a month to discuss major library initiatives, provide updates and reports about library department activities, and share other information related to the management of the Library.","This file consists of the meeting minutes, bylaws, constitution, and correspondence of the Medical History Society of the University of Virginia. The Society was formed to promote the knowledge and study of the history of medicine and the health sciences at the University of Virginia. For much of its history, Wilhelm Moll led the Society. It supported the development of historical collections and services at the Health Sciences Library and founded a lecture series that becsme the History of the Health Sciences Lecture Series in 1984.","This series consists of records that document awards, honors, and commemorations presented by the Health Sciences Library. These records may include, but are not limited to, event programs, lists of recipients, and recipient biographies.","The dedication ceremony included remarks by Donald S. Fredrickson, MD, Director, National Institutes of Health.","Includes a tribute to Wilhelm Moll by William B. Bean and another speech by an unidentified individual.","Includes remarks that were given by Dr. Don Detmer.","Includes remarks given by Donald Lindberg. The title of Lindberg's presentation was\"The Computer and the Academical Village\".","This series consists of records that document lectures and presentations sponsored by the Health Sciences Library. These records include, but are not limited to, audiovisual recordings, transcripts, announcements, handouts, and correspondence between presenters and event organizers.","This subseries consists of records associated with standalone lectures and presentations sponsored by the Health Sciences Library.","This subseries contains records that are associated with the Health Sciences Library's History of the Health Sciences Lecture Series.","This subseries contains records that are associated with the Medical History Society of the University of Virginia Lecture Series.","Promotional posters for a medical history lecture series held at the UVA Health Sciences Library and organized by the UVA Medical History Society.","This series consists of records that document exhibits created by the Claude Moore Health Sciences Library of an educational or promotional nature. Some records are physical, and others are archived websites crawled by the Internet Archives' Archive-It service and made accessible by their Wayback Machine.","These materials are physical materials containing exhibit plans and designs, text, labels, and images created for physical exhibits.","Identified individuals in photos are John Guerrant, Ken Crispell, and Barry Marshall","Includes print-out (109 pages) of \"Who's Who on the Philip S. Hench Walter Reed Yellow Fever Collection Website\" (2002) and supplemental list of compiled names.","\"Robley Dunglison: 1798-1869\" Pamphlet produced for a library exhibit honoring the 200th anniversary of Dunglison's birth. 3 copies; 14 pp. Prepared by Historical Collections \u0026 Services, Claude Moore Health Sciences Library. Folder note indicates biography was written by Joby Topper. Includes reference list.","Introduction by Joan Klein","This series contains web archived online exhibits created by Historical Collections and Services between 2007 and circa 2023, although some of the creation dates of the websites are questionable. These 21 exhibits were hosted on the Claude Moore Health Sciences Library website but are now available via the Internet Archives' Wayback Machine.","This online exhibit is centered on the book \"A History of Cancer Care at the University of Virginia, 1901-1911.\" This book provides vast insight into the teamwork, dedication, collegiality, and skill–as well as luck–which was necessary for the Cancer Center to exist today. Twenty-five oral history interviews were conducted in the course of researching the book and are included with the book or may be viewed in the videos section of this website. Written by Henry K. Sharp, Ph.D. and Morton C. Wilhelm, M.D. the Joseph Helms Farrow Professor Emeritus in Surgical Oncology, University of Virginia School of Medicine.","This online exhibit serves as an online \"scrapbook\" with some of the milestones of the Claude Moore Health Sciences Library, Medical Center, and the School of Medicine and the School of Nursing. There are added appropriate photographs for each class year.","This exhibit recounts the origin and early history of the American Lung Association. The American Lung Association of Virginia (ALAV) Collection contains personal and official correspondence, financial and legal papers, minute books, organizational and scientific reports, educational publicity, photographs, and artifacts. ALAV donated its organization's papers to the Claude Moore Health Sciences Library in 1990 and 1991 made this exhibit possible. The ALAV made an additional donation in 2009.","This online exhibit presents images and summaries of the known uses of each instrument. The extant comments of medical writers from antiquity–including Oribasius, Galen, Soranus, Aetius, and the Hippocratic corpus–have provided scholars with some clues about the use of some instruments. Some instruments, such as mixing instruments and tweezers, probably had other household uses, such as the application of cosmetics and paints.","This online exhibit was created under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library. Hal Sharp, a Historical Collections staff member, wrote the essay giving a brief history of anatomical drawing. The exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant. Emily Bowden, Historical Collections, photographed the Denoyer-Geppert Anatomy Series charts. William Crutchfield generously donated W. and A. K. Johnston's Charts of Anatomy and Physiology which were owned for 33 years by his father, Dr. William Gayle Crutchfield.","This exhibit was designed to highlight the UVA Hospital's involvement with supporting United States Army troops during World War I and World War II. It was created by Janet Pearson with the assistance of Joby Topper. Special thanks to Dr. John L. Guerrant, Dorothy Sandridge Gloor, and Elizabeth Harlin Drash for sharing their stories and helping us identify photographs.","This online exhibit shows materials related to eugenics as it relates to UVA and Charlottesville, VA. Alison White and Ina Hofland, staff members of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia, created this Web exhibit. They also created the physical exhibit of the same title on which it is based. The physical exhibit was displayed in the foyer of the Health Sciences Library April-September 2002. Steve Stedman designed the Web exhibit. Special thanks to Sara Huyser, Joan Echtenkamp Klein, Ophelia Payne, Bart Ragon, Hal Sharp, and Mike Wilson for their assistance. Web Exhibit Publish Date: February 13, 2004","This exhibit was created under the direction of Joan Ectenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at the Claude Moore Health Sciences Library. Dr. Morton C. Wilhelm, the Joseph Helms Farrow Professor in Surgical Oncology, wrote the essay with the editorial assistance of Janet Pearson. The web exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant.","This online exhibit offers a look into The Papers of James Carmichael and Son, a collection held at the UVA Albert and Shirley Small Special Collections Library, and tells a story of the early nineteenth-century inhabitants of Fredericksburg, Virginia and its surrounding rural areas. ","The exhibit is organized into two content areas: the Story and the Collection. Each of these areas, as well as the Home and About sections, are represented in the tabs near the top of every page. See the site map for more detail.","The Story section sets the atmosphere for the exhibit. One can get a sense of what the practice of medicine was like for James and Edward Carmichael in the early nineteenth century by reading the essays describing the Pharmacy, the Tools of the Trade, and the Health Care of Slaves.","The Collection section houses the images of the original Carmichael letters, which are meticulously transcribed and categorized to provide access not only to the words, but to the medical conditions, treatments, and philosophies of almost two centuries past. Particularly compelling is the use of Medical Subject Headings (MeSH) to categorize the letters along with a very detailed methodology and definition of MeSH terms. Other items of interest include the daybook kept by Doctor Carmichael from 1816-1817, newspaper clippings, court records \u0026 summaries, period maps, and Virginia WPA Historical Inventory Project records. Additionally, there is an exhaustive Who's Who list of names that appeared in the letters as well as a thorough list of Places Mentioned.","This online exhibit tells the story of how the U.S. Army Commission, comprised of Major Walter Reed, Dr. James Carroll, Dr. Aristides Agramonte, and Dr. Jesse Lazear, confirmed Carlos Finlay's theory about the transmission of yellow fever. By showing without a doubt that mosquitoes were the vector for yellow fever, the researchers empowered public health officials in the Americas to eradicate this devastating disease from much of the Western Hemisphere.","The exhibit is divided into three main sections. The first section, Archives, provides information about and links to the Philip S. Hench Walter Reed Yellow Fever Collection. The collection, most collected by Philip S. Hench and housed at the University of Virginia's Claude Moore Health Sciences Library, is a rich archive of materials that documents the history of the U.S. Army Yellow Fever Commission. The second section, History, tells the story of the U.S. Army Yellow Fever Commission and the impact of its findings. Finally, the third section, Resources, provides access to biographies, bibliographies, and other resources visitors may want to consult to learn more about the Commission and the history of yellow fever.","This exhibit tells the story about 12 physicians practicing in Charlottesville, VA in 1848 mutually agreed to create an agreed rate of medical charges for services.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at The Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the fee bill project and directed it. Todd L. Savitt, Ph.D., wrote the background information essay on fee bills in general and the Charlottesville fee bill in particular. He is a faculty member at East Carolina University in the Department of Bioethics \u0026 Interdisciplinary Studies. Janet Pearson wrote the introduction and the biographical sketches of the twelve signers. She gathered images and took photographs in the University of Virginia Cemetery and Columbarium and in downtown Charlottesville. She is a member of the staff of Historical Collections and Services. Sonya Coleman, also a member of the staff of Historical Collections, contributed to the design elements. David Moody, Claude Moore Health Sciences Library Webmaster, and Jason Bennett, Technology in Education Consultant, provided the programming architecture for the Web exhibit.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at the Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the \"Fever Fighters\" project after the generous donation of Dr. Hanson's diary by his granddaughter, Jane H. Monroe.","Staff members at Historical Collections, Leigh Mantle, Susan Yowell, and Janet Pearson, contributed content and created the GIS Map. Caitlin Summers, a dedicated intern at Historical Collections, also provided editorial assistance in the spring of 2012.","David Moody, Library Webmaster; Mike Wilson, Information Services Specialist; and Jason Bennett, Technology Specialist, provided the programming architecture for the Web exhibit.","This exhibit was inspired by The Mineral Springs of Western Virginia by William Burke, the first volume purchased by the Weaver Family Endowed Rare Book and Medical Materials Fund. Published in 1846, the book describes the setting and development of eleven springs in what are now Virginia and West Virginia. Dr. Burke, a one-time owner and resident physician at Red Sulphur Springs, remarks on the usefulness of the various mineral waters in certain diseases as well as contraindications to their use. The springs range from those that are well known today such as the White Sulphur Springs, currently the Greenbrier resort in West Virginia, to the Blue Sulphur Springs, once able to accommodate several hundred people and now represented by a lone Greek Revival pavilion in the middle of a field near Smoot, West Virginia.","This exhibit was written and organized by Janet Pearson, a member of the staff of Historical Collections and Services, under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library, University of Virginia. Claudia Sueyras, Normajean Hultman, and Sonya Coleman did preliminary research. Rod Martin and Victoria Meyer scanned items from Historical Collections and the Charles L. Brown Science \u0026 Engineering Library. David Moody, with the assistance of Bart Ragon, provided the programming architecture for the Web exhibit. Sonya Coleman contributed to the design elements. Special thanks has been given to the staff at the Albert and Shirley Small Special Collections Library, University of Virginia, as they retrieved dozens of documents and also to the Digital Curation Services staff for their scanning of the documents.","The Anatomical Theatre at the University of Virginia online exhibit tells the story of the Theatre's presence at the University for more than a century. While not included in the earliest plans of the University, the need for the Theatre became clear before the first classes were ever held. Thomas Jefferson himself drew the design which includes two floor plans, a front elevation view, and a cross section. The exhibit traces the construction and later changes to the building, its demise, and archeological investigations at the site. It also gives a glimpse of what happened inside the building and the deeds that were done to procure cadavers so that medical students could learn anatomy.","This exhibit was sparked by the interest of the late Dr. M.C. Wilhelm in the model of the Anatomical Theatre housed in Historical Collections at the University of Virginia Claude Moore Health Sciences Library. A retired surgeon and volunteer in Historical Collections, Dr. Wilhelm gathered resources and did preliminary writing. It was decided to further develop the project, and the result is this exhibit, written and organized by Janet Pearson, a Historical Collections staff member. Originally done under the direction of Joan Echtenkamp Klein, who was the Alvin V. and Nancy Baird Curator for Historical Collections until her untimely death, project support was continued under Dan Cavanaugh, who stepped into Joan's role and position.","Others associated with the University of Virginia community freely shared their ideas and research. These individuals include Garth Anderson, the Facilities Management Historian; Kirt von Daacke, Assistant Dean and Professor, College of Arts \u0026 Sciences; Louis Nelson, Professor in the Department of Architectural History and Associate Provost for Outreach; Robert Bloodgood, Professor in the School of Medicine; Benjamin Ford, Principal Investigator with Rivanna Archaeological Services, LLC; and Sonya Coleman, formerly a staff member in Historical Collections and now at the Library of Virginia. Emily Bowden, the Historical Collections Specialist, answered many technical queries as well as gave editorial assistance. Anson Parker and Jason Bennett provided the programming architecture for the Web exhibit.","This exhibit explores the development of the iron lung during the late nineteenth and early twentieth century and considers the reasons for its success during the height of the poliomyelitis epidemics. Andrew Sallans, Historical Collections Specialist, researched and compiled the content for the online and physical exhibits. The design of the online exhibit was conceived and executed by Steve Stedman, Webmaster for the Claude Moore Health Sciences Library.","This online exhibit displays a digitized copy of Historical Collections and Services' rare book \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England: An Introduction to Orders thought meete by her Maiestie ..., 1578.\"","Anne McKeithen, Janet Pearson, and Andrew Sallans, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, compiled the material for the Plague Book exhibit under the direction of Joan Echtenkamp Klein. Joaquin Bueno designed the Web exhibit and graphics, with the programming architecture of David Moody and the assistance of Bart Ragon.","Unless otherwise noted, the images are courtesy of the Missouri Botanical Garden, © 1995-2006 Missouri Botanical Garden http://www.illustratedgarden.org). They deserve special thanks for their generous permission to reproduce their exquisite illustrations. Special thanks are also given to Duane J. Osheim, Ph.D., Professor and Chair, of the Corcoran Department of History at the University of Virginia for his paper, \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England.\"","In 2001 Historical Collections in the Claude Moore Health Sciences Library created an exhibit that traces the history of the first century of the Hospital in words and images. One copy of the exhibit traveled from location to location in the Health System and beyond; the other set of panels were hung in a busy hospital corridor near the main entrance where they remain today. These panels form the basis for this online exhibit which now includes the addition of a section on the first 14 years of the Hospital's second century. We hope you enjoy following the history of the growth of the University of Virginia Health System as it seeks to fulfill its longstanding vision to benefit human health and improve quality of life through patient care, research, and education.","This exhibition was prepared by Hal Sharp and Janet Pearson of the Department of Historical Collections and Services, The Claude Moore Health Sciences Library.","This online exhibit aims to give viewers a view into more than 50 of Historical Collections and Services' most notable books and see how their authors over the years have documented their discoveries and concepts for contemporaries and for us.  There are digitized versions of many of the books in the Fulltext Books section, which offers links to the scanned images of over half of these rare books.","Sara Huyser, Anne McKeithen, and Janet Pearson, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, wrote and compiled the material for Vaulted Treasures under the direction of Joan Echtenkamp Klein.","Joaquin Bueno designed the Web exhibit and graphics, with the server expertise of David Moody and the assistance of Bart Ragon. Special thanks to Claudia Sueyras who scanned many of the books and Andrew Sallans who provided technical assistance.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","Mary Wagner donated the caricatures in this exhibit to Historical Collections and Services, The Claude Moore Health Sciences Library. Her husband, the late Robert R. Wagner, M.D., collected these when he was a post-doctoral fellow at the National Institute for Medical Research in London from 1950 to 1951. Wagner was Chair of the Department of Microbiology at the University of Virginia from 1967 to 1994, and Director of the UVa Cancer Center from 1983 to 1993. Thanks to Mary Wagner's generosity, the caricatures recently have been professionally treated, preserved, and reframed. The originals are on display in Historical Collections and Services and in the Department of Microbiology in the Robert R. Wagner Conference Room. These nineteenth-century satirical prints will thus continue to delight future generations.","This exhibit was written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.","Walter Reed's professional experiences with typhoid fever stand in marked contrast to his professional encounters with yellow fever. In the case of typhoid, he was more a messenger than a conqueror. Typhoid fever remained defiant during a career that oversaw the rout of yellow fever. Through a humanizing story that shows how fate brought Reed continuing frustration as well as talent and success, this exhibit seeks to render him a more accessible role model for students of medicine and history.","This exhibit was written by Noel G. Harrison, a graduate student in The Corcoran Department of History at the University of Virginia and an intern in Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia during the fall of 2002. The Web exhibit was prepared and designed by Mike Wilson and Sara Huyser. Special thanks to Bart Ragon, Joan Echtenkamp Klein, and Hal Sharp for their assistance.","This series includes records related to Historical Collections and Services, the special collections and archives department of the Claude Moore Health Sciences Library. Records the public can access are related to exhibitions that were curated by staff and displayed in the library.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies.","The Rector and Visitors of the University of Virginia own the copyright to the annual reports in this series.","The Rector and Visitors of the University of Virginia owns the copyright to records in this series that were created by the library directors while they were acting within the scope of their position, except scholarly and academic works. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the planning documents and reports created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to images created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to publications created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The University of Virginia owns the copyrights to publications produced by the Health Sciences Library. Other copyright restrictions may apply to some materials.","Copyright restrictions may apply.","The Rector and Visitors of the University of Virginia own the copyright for social media content (e.g. posts, photographs) created by University employees while acting within the scope of their employment, except scholarly and academic works. The organizations that own the social media platforms might also hold licenses to all of the content posted by University of Virginia employees. Copyright ownership varies for other content that has been posted on the Library's social media platforms and archived here.","The Rector and Visitors of the University of Virginia own the copyright to blogs and blog posts created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to conference records and programs created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to reports created by University employees while acting within the scope of their employment. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the records in this series that were created by University employees while acting within the scope of their employment.","The Rector and Visitors of the University of Virginia own the copyright to materials in this series created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to exhibit content created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","Claude Moore Health Sciences Library","English"],"unitid_tesim":["RG.17.4","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/215"],"normalized_title_ssm":["Claude Moore Health Sciences Library records"],"collection_title_tesim":["Claude Moore Health Sciences Library records"],"collection_ssim":["Claude Moore Health Sciences Library records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies."],"access_subjects_ssim":["University of Virginia"],"access_subjects_ssm":["University of Virginia"],"has_online_content_ssim":["true"],"extent_ssm":["97 Volumes 97 bound volumes and enclosures on book shelves","8 Linear Feet 29 archival boxes"],"extent_tesim":["97 Volumes 97 bound volumes and enclosures on book shelves","8 Linear Feet 29 archival boxes"],"date_range_isim":[1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eThe records of the Claude Moore Health Sciences Library are open to researchers, except where it is noted. Decisions to close records to research are made in accordance with the Health Insurance Portability and Accountability Act of 1996 (HIPAA), the Family Educational Rights and Privacy Act of 1974 (FERPA), the Virginia Freedom of Information Act (VAFOIA), the policies of the University of Virginia, and other relevent laws, regulations, or policies.\u003c/p\u003e","\u003cp\u003eThe annual reports are open to research.\u003c/p\u003e","\u003cp\u003eThese records are open to research.\u003c/p\u003e","\u003cp\u003eThe planning documents and reports are open to research.\u003c/p\u003e","\u003cp\u003eThe photographs and negatives are open to research.\u003c/p\u003e","\u003cp\u003eThe public relations files are open to research.\u003c/p\u003e","\u003cp\u003eThe publications are open to research.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the newsletters in this subseries.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the publications of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThe social media files are open to researchers.\u003c/p\u003e","\u003cp\u003eThe blog files are open to researchers.\u003c/p\u003e","\u003cp\u003eThe administrative organization and structure files are open to research.\u003c/p\u003e","\u003cp\u003eThe policies, procedures, and handbooks are open to research.\u003c/p\u003e","\u003cp\u003eIn accordance with the The Family Educational Rights and Privacy Act of 1974 (FERPA), the library may restrict access to student-authored materials and other protected student records in this series. Course syllabi, course announcements, and other materials produced by University faculty and staff are open to research.\u003c/p\u003e","\u003cp\u003eConference programs and reports are open to research.\u003c/p\u003e","\u003cp\u003eThe historical and biographical files are open to research.\u003c/p\u003e","\u003cp\u003eThe reports in this series are open to research.\u003c/p\u003e","\u003cp\u003eThe committee records and meeting minutes are open to research.\u003c/p\u003e","\u003cp\u003eThe awards, honors, and commemorations records are open to research.\u003c/p\u003e","\u003cp\u003eThe lecture and presentation materials are open to research.\u003c/p\u003e","\u003cp\u003eThe exhibit records are open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The records of the Claude Moore Health Sciences Library are open to researchers, except where it is noted. Decisions to close records to research are made in accordance with the Health Insurance Portability and Accountability Act of 1996 (HIPAA), the Family Educational Rights and Privacy Act of 1974 (FERPA), the Virginia Freedom of Information Act (VAFOIA), the policies of the University of Virginia, and other relevent laws, regulations, or policies.","The annual reports are open to research.","These records are open to research.","The planning documents and reports are open to research.","The photographs and negatives are open to research.","The public relations files are open to research.","The publications are open to research.","There are no restrictions on access to the newsletters in this subseries.","There are no restrictions on access to the publications of the Health Sciences Library.","The social media files are open to researchers.","The blog files are open to researchers.","The administrative organization and structure files are open to research.","The policies, procedures, and handbooks are open to research.","In accordance with the The Family Educational Rights and Privacy Act of 1974 (FERPA), the library may restrict access to student-authored materials and other protected student records in this series. Course syllabi, course announcements, and other materials produced by University faculty and staff are open to research.","Conference programs and reports are open to research.","The historical and biographical files are open to research.","The reports in this series are open to research.","The committee records and meeting minutes are open to research.","The awards, honors, and commemorations records are open to research.","The lecture and presentation materials are open to research.","The exhibit records are open to research."],"accruals_html_tesm":["\u003cp\u003eThe annual reports of the Health Sciences Library are scheduled for permanent retention. There will be accruals to this series if the Health Sciences Library resumes the creation of annual reports.\u003c/p\u003e","\u003cp\u003eThe correspondence and subject files of the Health Sciences Library director are not scheduled for permanent retention and, in the past, have been transferred to the archives on an irregular basis. No further accruals of this material is expected.\u003c/p\u003e","\u003cp\u003eHistorically significant planning documents and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a document or report is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003eHistorically significant photographs and negatives are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a photograph or negative is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003ePublic relations files are scheduled for permanent retention in the archives. These records are generally created by the University's marketing and communications departments and they are filed in the records groups associated with those units. However, the library does occasionally create its own public relations files that we expect to add to this series.\u003c/p\u003e","\u003cp\u003eThe publications of the Health Sciences Library are scheduled for permanent retention in the archives. Much of the content that the Library made available through publications is now made available on various online platforms. It is likely that accruals to this series will be infrequent.\u003c/p\u003e","\u003cp\u003eAnnually, data is downloaded from the Library's active social media sites and added to this collection.\u003c/p\u003e","\u003cp\u003eCopies of each existing blog are captured every year and added to the collection.\u003c/p\u003e","\u003cp\u003eThe organizational charts of the Health Sciences Library are scheduled for permanent retention in the archives. Besides the charts, only historically significant records document administrative structure are retained in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether one of these records is historically significant. Accruals to this series are expected to occur occassionally.\u003c/p\u003e","\u003cp\u003eHistorically significant policies, procedures, and handbooks produced by the Health Sciences Library are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a record is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003eHistorically significant syllabi and course materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a course record is historically significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e","\u003cp\u003eHistorically significant conference programs and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a program or report is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003eSignificant historical and biographical materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e","\u003cp\u003eHistorically significant reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a report is historically significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e","\u003cp\u003eHistorically significant exhibit records are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is historically significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals"],"accruals_tesim":["The annual reports of the Health Sciences Library are scheduled for permanent retention. There will be accruals to this series if the Health Sciences Library resumes the creation of annual reports.","The correspondence and subject files of the Health Sciences Library director are not scheduled for permanent retention and, in the past, have been transferred to the archives on an irregular basis. No further accruals of this material is expected.","Historically significant planning documents and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a document or report is historically significant. Accruals to this series are expected.","Historically significant photographs and negatives are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a photograph or negative is historically significant. Accruals to this series are expected.","Public relations files are scheduled for permanent retention in the archives. These records are generally created by the University's marketing and communications departments and they are filed in the records groups associated with those units. However, the library does occasionally create its own public relations files that we expect to add to this series.","The publications of the Health Sciences Library are scheduled for permanent retention in the archives. Much of the content that the Library made available through publications is now made available on various online platforms. It is likely that accruals to this series will be infrequent.","Annually, data is downloaded from the Library's active social media sites and added to this collection.","Copies of each existing blog are captured every year and added to the collection.","The organizational charts of the Health Sciences Library are scheduled for permanent retention in the archives. Besides the charts, only historically significant records document administrative structure are retained in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether one of these records is historically significant. Accruals to this series are expected to occur occassionally.","Historically significant policies, procedures, and handbooks produced by the Health Sciences Library are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a record is historically significant. Accruals to this series are expected.","Historically significant syllabi and course materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a course record is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant conference programs and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a program or report is historically significant. Accruals to this series are expected.","Significant historical and biographical materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is significant. Accruals to this series are expected to occur infrequently.","Historically significant reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a report is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant exhibit records are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is historically significant. Accruals to this series are expected to occur infrequently."],"arrangement_html_tesm":["\u003cp\u003eRecords are generally organized according to the records retention and disposition schedules series maintained by the Library of Virginia (LVA). When necessary, additional subdivisions have been created for materials that do not have clear equivalents in the LVA resources.\u003c/p\u003e","\u003cp\u003eAnnual reports are arranged into 3 subseries: Medical Library, Health Sciences Libary, and Information Sciences Council. The subseries are arranged chornologically. Inside the subseries annual reports are placed into files that are arranged chronologically.\u003c/p\u003e","\u003cp\u003eThe correspondence and subject files are arranged into subseries according to the library director who created them. The subseries are then arranged chronologically by the date that each director began his or her term in this position. Beginning and end dates of the directors' terms are given after his or her name in the subseries title.\u003c/p\u003e","\u003cp\u003eIn this series, a file is created for each planning report and its associated documents. The files are arranged chronologically by the date of creation for the materials they contain.\u003c/p\u003e","\u003cp\u003eThe photographs and negatives are arranged into subseries by subject. The subseries are then arranged alphabetically by title. The arrangements of the files in the subseries vary.\u003c/p\u003e","\u003cp\u003eThe photographs and negatives of library artifacts are arranged alphabetically according to the name of the artifact shown.\u003c/p\u003e","\u003cp\u003eThe images of Health Sciences Library staff and interiors are arranged chronologically according to their date of creation.\u003c/p\u003e","\u003cp\u003eThe miscellaneous photographs are arranged chronologically according to the date of their creation.\u003c/p\u003e","\u003cp\u003eThe public relations files are arranged into subseries according to types of materials (e.g. clippings collections and press releases). The subseries are then arranged alphabetically. The files in the subseries are arranged chonologically.\u003c/p\u003e","\u003cp\u003eThe publications are arranged into subseries according to types of materials (e.g. journals and magazines, newsletters, patient education resources). The subseries are then arranged alphabetically. The arrangements of the files in the subseries vary.\u003c/p\u003e","\u003cp\u003eThe newsletters are arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eThe promotional brochures, flyers, and other publications are arranged chronologically according to their date of creation.\u003c/p\u003e","\u003cp\u003eThe social media content is arranged into files alphabetically by title.\u003c/p\u003e","\u003cp\u003eBlogs are arranged into files alphabetically by title.\u003c/p\u003e","\u003cp\u003eFiles in this series are arranged chronologically according to the date of their creation.\u003c/p\u003e","\u003cp\u003eThe policies, procedures, and handbooks are arranged into the following subseries in this order: Staff procedures and handbooks, and Library users procedures and handbooks. The files in each subseries are arranged chronologically.\u003c/p\u003e","\u003cp\u003eSyllabi and course materials are arranged chronologically.\u003c/p\u003e","\u003cp\u003eConference records and programs are arranged into files by conference title. The files are arranged chronologically by the date each conference was held. All of the instances of a reoccurring conference are gathered together into the same file. If the conference is reoccurring, it is arranged in relation to the rest of the files according to the first instance of that conference.\u003c/p\u003e","\u003cp\u003eMaterials in this series are arranged chronologically according to the date that they were created.\u003c/p\u003e","\u003cp\u003eThe reports are arranged into files. The files are then arranged chronologically by their date of creation. When a report is reoccurring, all of the reports in that series are placed together in a single file.\u003c/p\u003e","\u003cp\u003eThe directories are arranged by title into files. The files are arranged chronologically.\u003c/p\u003e","\u003cp\u003eThe records in this series are arranged into files according to committee or department (when the department is holding reccurring general meetings). The files are then arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThe awards, honors, and commemorations are arranged into files. The files are then arranged chronologically by date. When an award, honor, or commemoration is reoccurring (e.g. annually), all of the records in that series are placed together in a single file.\u003c/p\u003e","\u003cp\u003eThe records for stand-alone lectures and presentations are arranged into a subseries called \"Single lectures and presentations\". The records of lectures and presentations that belong to a program or lecture series are arranged into subseries named after the program or lecture series. Following the subseries titled \"Single lectures and presentations\", the remaining lecture series are arranged alphabetically by title. \u003c/p\u003e\n","\u003cp\u003eRecords in all of the subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.\u003c/p\u003e","\u003cp\u003eRecords in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.\u003c/p\u003e","\u003cp\u003eRecords in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.\u003c/p\u003e","\u003cp\u003eThe materials are arranged into files, each file representing an exhibit. Files are arranged alphabetically by exhibit title.\u003c/p\u003e","\u003cp\u003eThese files are arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThese items are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["Records are generally organized according to the records retention and disposition schedules series maintained by the Library of Virginia (LVA). When necessary, additional subdivisions have been created for materials that do not have clear equivalents in the LVA resources.","Annual reports are arranged into 3 subseries: Medical Library, Health Sciences Libary, and Information Sciences Council. The subseries are arranged chornologically. Inside the subseries annual reports are placed into files that are arranged chronologically.","The correspondence and subject files are arranged into subseries according to the library director who created them. The subseries are then arranged chronologically by the date that each director began his or her term in this position. Beginning and end dates of the directors' terms are given after his or her name in the subseries title.","In this series, a file is created for each planning report and its associated documents. The files are arranged chronologically by the date of creation for the materials they contain.","The photographs and negatives are arranged into subseries by subject. The subseries are then arranged alphabetically by title. The arrangements of the files in the subseries vary.","The photographs and negatives of library artifacts are arranged alphabetically according to the name of the artifact shown.","The images of Health Sciences Library staff and interiors are arranged chronologically according to their date of creation.","The miscellaneous photographs are arranged chronologically according to the date of their creation.","The public relations files are arranged into subseries according to types of materials (e.g. clippings collections and press releases). The subseries are then arranged alphabetically. The files in the subseries are arranged chonologically.","The publications are arranged into subseries according to types of materials (e.g. journals and magazines, newsletters, patient education resources). The subseries are then arranged alphabetically. The arrangements of the files in the subseries vary.","The newsletters are arranged alphabetically by title.","The promotional brochures, flyers, and other publications are arranged chronologically according to their date of creation.","The social media content is arranged into files alphabetically by title.","Blogs are arranged into files alphabetically by title.","Files in this series are arranged chronologically according to the date of their creation.","The policies, procedures, and handbooks are arranged into the following subseries in this order: Staff procedures and handbooks, and Library users procedures and handbooks. The files in each subseries are arranged chronologically.","Syllabi and course materials are arranged chronologically.","Conference records and programs are arranged into files by conference title. The files are arranged chronologically by the date each conference was held. All of the instances of a reoccurring conference are gathered together into the same file. If the conference is reoccurring, it is arranged in relation to the rest of the files according to the first instance of that conference.","Materials in this series are arranged chronologically according to the date that they were created.","The reports are arranged into files. The files are then arranged chronologically by their date of creation. When a report is reoccurring, all of the reports in that series are placed together in a single file.","The directories are arranged by title into files. The files are arranged chronologically.","The records in this series are arranged into files according to committee or department (when the department is holding reccurring general meetings). The files are then arranged alphabetically.","The awards, honors, and commemorations are arranged into files. The files are then arranged chronologically by date. When an award, honor, or commemoration is reoccurring (e.g. annually), all of the records in that series are placed together in a single file.","The records for stand-alone lectures and presentations are arranged into a subseries called \"Single lectures and presentations\". The records of lectures and presentations that belong to a program or lecture series are arranged into subseries named after the program or lecture series. Following the subseries titled \"Single lectures and presentations\", the remaining lecture series are arranged alphabetically by title. ","Records in all of the subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","The materials are arranged into files, each file representing an exhibit. Files are arranged alphabetically by exhibit title.","These files are arranged alphabetically.","These items are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003e\nBetween 1826 and 1929, the University of Virginia's collection of medical books and journals were kept with the general library collections in the Rotunda. In 1929, the University moved the collections to the new Medical Library inside the recently-constructed Medical School Building. \n\u003c/p\u003e","\u003cp\u003e\nBetween 1929 and 1962, a medical librarian with a small staff of student and clerical workers stewarded the library's collections. The Medical Library at this time, although physically separate from the rest of the University's libraries, was administered as part of the central University library system with oversight from School of Medicine faculty serving on the Medical Library Committee. In addition to the management of collections, the medical librarians in this era began to curate exhibits and provide instruction. Only a few of the medical librarians who served in this period had professional library training.\n\u003c/p\u003e","\u003cp\u003e\nIn 1962, Wilhelm Moll was appointed the first Director of the Medical Library. During his tenure, Moll oversaw the radical trasnformation of a small branch library into an independent research library. The full-time library staff expanded from 4 to 30, the University built a new library building over Jefferson Park Avenue, the nursing and medical libraries merged to form the Health Sciences Library, a history of medicine program was founded, and the library began to adopt digital technologies.\n\u003c/p\u003e","\u003cp\u003e\nAfter Moll's death in 1979, the University apppointed Terry Thorkildsen as the Director of the Claude Moore Health Sciences Library.  Thorkildsen and his successors Linda Watson (1990-2005) and Gretchen Arnold (2005-present) led the library during an era when revolutionary advances in digital technologies (e.g. the Internet, personal computers, databases) presented new challenges and opportunities for the Library.\n\u003c/p\u003e","\u003cbr\u003e","\u003cul\u003e\n\u003cli\u003eSeptember 1826: The University of Virginia Library opens in the Rotunda and it includes a collection of medical books.\u003c/li\u003e\n\u003cli\u003e1911: The University Library's entire collection of medical books and journals are gathered together and moved to the basement of the Rotunda.\u003c/li\u003e\n\u003cli\u003eSeptember 13, 1915: Richard Henry Whitehead, Dean of the School of Medicine, creates the Medical Library Committee.\u003c/li\u003e\n\u003cli\u003e1919-June 1929: Ella Watson Johnson serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003eJune 1929: The Medical Library moves from the basement of the Rotunda to its own space in the new Medical School Building, the Medical Library remains a department of the central University Library System.\u003c/li\u003e\n\u003cli\u003eJune 1929-September 1929: Margaret Otto serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1929-1931: Anne Ashhurst Gwathmey serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1931-1934: Caroline Hill Davis serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003eMarch 1934-June 1934: Dora Mitchell Brown serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1934-1936: Miriam Thomas Buchanan serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1935: The Medical Library institutes its first orientation for first year medical students.\u003c/li\u003e\n\u003cli\u003e1936-1943: Anne Lewis Morris serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1943-1944: Mary Elizabeth Mayo serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1944-1947: Mabel Cook Wyllie serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1945-1949: The Nursing Library is placed under the Supervision of the Medical Librarian until the appointment of a clerk to manage the Nursing collection.\u003c/li\u003e\n\u003cli\u003e1947-1962: Elizabeth Frances Adkins serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003eSeptember 1962: Wilhelm Moll is appointed the Director of the Medical Library.\u003c/li\u003e\n\u003cli\u003e1962-1963: As the result of administrative reorganizations during this period, the Medical Library is separated from the central University Library system and placed under the control of the School of Medicine.\u003c/li\u003e\n\u003cli\u003eNovember 1970: Librarians conduct the first online searches of a database at the University of Virginia Medical Library using the experimental AIM-TWX service developed by the National Library of Medicine's Lister Hill National Center for Biomedical Communications.\u003c/li\u003e\n\u003cli\u003eNovember 1971: Librarians begin using the National Library of Medicine's MEDLINE system to conduct online searches for patrons.\u003c/li\u003e\n\u003cli\u003eAugust 1975: The Medical Library and Nursing Library are merged into the Health Sciences Library and Information Center and moved into a new building that spans over Jefferson Park Avenue. Wilhelm Moll is made the Director of the Health Sciences Library.\u003c/li\u003e\n\u003cli\u003eApril 1976: The Health Sciences Library is formally dedicated and named after Claude Moore, an alumnus of and donor to the University of Virginia.\u003c/li\u003e\n\u003cli\u003e1979: Terry Thorkildsen is appointed the Director of the Claude Moore Health Sciences Library.\u003c/li\u003e\n\u003cli\u003e1989: The library card catalog is digitized and made available through computer terminals.\u003c/li\u003e\n\u003cli\u003e1990: Linda Watson is appointed the Director of the Claude Moore Health Sciences Library.\u003c/li\u003e\n\u003cli\u003e2005: Gretchen Arnold is appointed the interim Director of the Claude Moore Health Sciences Library and is then made Director in 2007.\u003c/li\u003e\n\u003cli\u003e2022: Bart Ragon is appointed the Director of the Claude Moore Health Sciences Library.\u003c/li\u003e\n\u003c/ul\u003e","\u003cp\u003e(formerly Reference Department from 1987-1991)\u003c/p\u003e","\u003cp\u003eHistorical Collections and Services was originally concieved in the 1980s by the first director of the Claude Moore Health Sciences Library, Wilhelm Moll. His vision was to create a rare book room that would house the rare books that belonged to the Medical Library. During the Jeffersonian era and up until 1929, the books belonging to the school of medicine and anatomy were housed in the Rotunda Library on Grounds. In 1929, a new Medical School Building opened. This unified all the medical departments, which had been scattered throughout the Grounds. The Medical Collection became the Medical Library, and moved into new quarters in the Medical School Building. When Alderman, now Shannon, Library was built in 1937, the books moved there until the creation of the Claude Moore Health Sciences Library in 1976. Following Dr. Moll's untimely death in 1979, Special Collections librarian Joan Echtenkamp Klein helped to make Moll's reality of a special collections department a reality. She became the curator and manager of Historical Collections and Services, serving in that role until 2015. Dan Cavanaugh took over the role of curator and manager until 2022. Meggan Cashwell became the curator and manager in 2023 and is currently serving in that position.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["\nBetween 1826 and 1929, the University of Virginia's collection of medical books and journals were kept with the general library collections in the Rotunda. In 1929, the University moved the collections to the new Medical Library inside the recently-constructed Medical School Building. \n","\nBetween 1929 and 1962, a medical librarian with a small staff of student and clerical workers stewarded the library's collections. The Medical Library at this time, although physically separate from the rest of the University's libraries, was administered as part of the central University library system with oversight from School of Medicine faculty serving on the Medical Library Committee. In addition to the management of collections, the medical librarians in this era began to curate exhibits and provide instruction. Only a few of the medical librarians who served in this period had professional library training.\n","\nIn 1962, Wilhelm Moll was appointed the first Director of the Medical Library. During his tenure, Moll oversaw the radical trasnformation of a small branch library into an independent research library. The full-time library staff expanded from 4 to 30, the University built a new library building over Jefferson Park Avenue, the nursing and medical libraries merged to form the Health Sciences Library, a history of medicine program was founded, and the library began to adopt digital technologies.\n","\nAfter Moll's death in 1979, the University apppointed Terry Thorkildsen as the Director of the Claude Moore Health Sciences Library.  Thorkildsen and his successors Linda Watson (1990-2005) and Gretchen Arnold (2005-present) led the library during an era when revolutionary advances in digital technologies (e.g. the Internet, personal computers, databases) presented new challenges and opportunities for the Library.\n","","September 1826: The University of Virginia Library opens in the Rotunda and it includes a collection of medical books. 1911: The University Library's entire collection of medical books and journals are gathered together and moved to the basement of the Rotunda. September 13, 1915: Richard Henry Whitehead, Dean of the School of Medicine, creates the Medical Library Committee. 1919-June 1929: Ella Watson Johnson serves as the Medical Librarian. June 1929: The Medical Library moves from the basement of the Rotunda to its own space in the new Medical School Building, the Medical Library remains a department of the central University Library System. June 1929-September 1929: Margaret Otto serves as the Medical Librarian. 1929-1931: Anne Ashhurst Gwathmey serves as the Medical Librarian. 1931-1934: Caroline Hill Davis serves as the Medical Librarian. March 1934-June 1934: Dora Mitchell Brown serves as the Medical Librarian. 1934-1936: Miriam Thomas Buchanan serves as the Medical Librarian. 1935: The Medical Library institutes its first orientation for first year medical students. 1936-1943: Anne Lewis Morris serves as the Medical Librarian. 1943-1944: Mary Elizabeth Mayo serves as the Medical Librarian. 1944-1947: Mabel Cook Wyllie serves as the Medical Librarian. 1945-1949: The Nursing Library is placed under the Supervision of the Medical Librarian until the appointment of a clerk to manage the Nursing collection. 1947-1962: Elizabeth Frances Adkins serves as the Medical Librarian. September 1962: Wilhelm Moll is appointed the Director of the Medical Library. 1962-1963: As the result of administrative reorganizations during this period, the Medical Library is separated from the central University Library system and placed under the control of the School of Medicine. November 1970: Librarians conduct the first online searches of a database at the University of Virginia Medical Library using the experimental AIM-TWX service developed by the National Library of Medicine's Lister Hill National Center for Biomedical Communications. November 1971: Librarians begin using the National Library of Medicine's MEDLINE system to conduct online searches for patrons. August 1975: The Medical Library and Nursing Library are merged into the Health Sciences Library and Information Center and moved into a new building that spans over Jefferson Park Avenue. Wilhelm Moll is made the Director of the Health Sciences Library. April 1976: The Health Sciences Library is formally dedicated and named after Claude Moore, an alumnus of and donor to the University of Virginia. 1979: Terry Thorkildsen is appointed the Director of the Claude Moore Health Sciences Library. 1989: The library card catalog is digitized and made available through computer terminals. 1990: Linda Watson is appointed the Director of the Claude Moore Health Sciences Library. 2005: Gretchen Arnold is appointed the interim Director of the Claude Moore Health Sciences Library and is then made Director in 2007. 2022: Bart Ragon is appointed the Director of the Claude Moore Health Sciences Library.","(formerly Reference Department from 1987-1991)","Historical Collections and Services was originally concieved in the 1980s by the first director of the Claude Moore Health Sciences Library, Wilhelm Moll. His vision was to create a rare book room that would house the rare books that belonged to the Medical Library. During the Jeffersonian era and up until 1929, the books belonging to the school of medicine and anatomy were housed in the Rotunda Library on Grounds. In 1929, a new Medical School Building opened. This unified all the medical departments, which had been scattered throughout the Grounds. The Medical Collection became the Medical Library, and moved into new quarters in the Medical School Building. When Alderman, now Shannon, Library was built in 1937, the books moved there until the creation of the Claude Moore Health Sciences Library in 1976. Following Dr. Moll's untimely death in 1979, Special Collections librarian Joan Echtenkamp Klein helped to make Moll's reality of a special collections department a reality. She became the curator and manager of Historical Collections and Services, serving in that role until 2015. Dan Cavanaugh took over the role of curator and manager until 2022. Meggan Cashwell became the curator and manager in 2023 and is currently serving in that position."],"odd_html_tesm":["\u003cp\u003eSome exhibit pages do not have creation dates listed anywhere, but they do have copyright dates at the bottom of the page. This can be confusing in understanding what is the true date of creation.\u003c/p\u003e"],"odd_heading_ssm":["Date Discrepancies"],"odd_tesim":["Some exhibit pages do not have creation dates listed anywhere, but they do have copyright dates at the bottom of the page. This can be confusing in understanding what is the true date of creation."],"originalsloc_html_tesm":["\u003cp\u003eMany of these online exhibits were once physical exhibits on display in the Claude Moore Health Sciences Library. Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Many of these online exhibits were once physical exhibits on display in the Claude Moore Health Sciences Library. Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\""],"phystech_html_tesm":["\u003cp\u003eWhen the Claude Moore Health Sciences Library downloads content from a social media platform, the Library preserves all of the original files (e.g. jpeg files, html files, json files) from the capture.\u003c/p\u003e","\u003cp\u003ePatrons may contact Historical Collections staff at the Library to request copies of files containing social media content. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. \u003c/p\u003e","\u003cp\u003eWhen the Claude Moore Health Sciences Library captures a copy of a blog, the Library preserves all of the its original files (e.g. jpeg files, html files) as well as an aggregated web archive file (warc). Both a directory containing the original files and the warc file are bundled together into a single digital object. \u003c/p\u003e","\u003cp\u003ePatrons may contact Historical Collections staff at the Library to request copies of blog files. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. \u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements"],"phystech_tesim":["When the Claude Moore Health Sciences Library downloads content from a social media platform, the Library preserves all of the original files (e.g. jpeg files, html files, json files) from the capture.","Patrons may contact Historical Collections staff at the Library to request copies of files containing social media content. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. ","When the Claude Moore Health Sciences Library captures a copy of a blog, the Library preserves all of the its original files (e.g. jpeg files, html files) as well as an aggregated web archive file (warc). Both a directory containing the original files and the warc file are bundled together into a single digital object. ","Patrons may contact Historical Collections staff at the Library to request copies of blog files. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. "],"relatedmaterial_html_tesm":["\u003cp\u003eExhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\""],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of permanent and historically significant institutional records created by the University of Virginia Health Sciences Library and the antecedent Medical Library. These records include, but are not limited to: annual reports, planning documents, newsletters, online exhibits, blogs, social media content, conference programs, department histories, committee records, and library-sponsored lecture materials.\u003c/p\u003e","\u003cp\u003eThis series consists of annual reports produced by the Medical Library (1929-1975), the Health Sciences Library (1975-Present), and the Information Sciences Council (1990-1996). Annual reports for the Health Sciences Library are missing from this collection for the period from 2006 to the present. Also, the annual reports for the Medical Library are missing from this collections for the period from 1929 to 1942. It is unclear whether the Medical and Health Sciences libraries wrote reports for the years.\u003c/p\u003e","\u003cp\u003eThe annual reports of the Medical Library contain comprehensive descriptions of the annual activities of the Medical Library. The Medical Library's annual reports from 1929 to 1942 are missing from this collection. It is not known if the reports were ever written by the library.\u003c/p\u003e","\u003cp\u003eThe annual reports of the Health Sciences Library contain comprehensive descriptions of the annual activities of the Health Sciences Library. The Health Sciences Library's annual reports from 2006 to the present are missing from this collection. It is not known if the reports were ever written by the library.\u003c/p\u003e","\u003cp\u003eInformal annual report-like documents and related material, including reports shared on the Claude Moore Health Sciences Library blog and an internal UVA Health System news website (HS Connect). Reports from: March 2007, September 2009 (written by Gretchen Arnold), January 2013 (written by Gretchen Arnold), and March 2018 (written by Gretchen Arnold).\u003c/p\u003e","\u003cp\u003eThis series consists of correspondence and subject files that were created and assembeled by the directors of the Health Sciences Library while carrying out the responsibilities of their position.\u003c/p\u003e","\u003cp\u003eCorrespondents include Curators of the HSL--Daniel Spikes, Cassandra Ruane, Frank C. Mevers, Todd L. Savitt, and Doris Leckie of the Smithsonian Institution\u003c/p\u003e","\u003cp\u003eIncludes articles about Jesse Lazear, Carlos Finlay, Philip Hench and cortisone, Henry R. Carter, Nicolas Chervin, Joseph Y. Porter and Isaac Hulse\u003c/p\u003e","\u003cp\u003eCorrespondents with Bean include Mary (Mrs. Philip) Hench, Atcheson L. Hench, Byrd S. Leavell, and Todd Savitt\u003c/p\u003e","\u003cp\u003eIncludes news releases, news clippings, journal articles, and correspondence related to the gift by Mary Hench of the Philip S. Hench Walter Reed Yellow Fever collection.\u003c/p\u003e","\u003cp\u003eIncludes correspondence with William Bennett Bean\u003c/p\u003e","\u003cp\u003eIncludes correspondence on Health System reorganization\u003c/p\u003e","\u003cp\u003eThe records in this series document the planning of historically significant administrative initiatives, purchases, construction, and events at the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series consists of digital and analog images that show the history and collections of the Health Sciences Library. Image formats in this series include, but are not limited to, photographic prints, film negatives, jpeg files, tiff files, 35mm film slides, CDs or other media containing digital images. The series does not include official identification photographs for faculty, students, and staff.\u003c/p\u003e","\u003cp\u003eThis subseries contains images of artifacts in the collections of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThe images in this subseries show the staff, faculty, and interior spaces of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eMoll, Bowers, Bowers, and Rudnick are photographed with ceramic vessels used in the early production of penicillin.\u003c/p\u003e","\u003cp\u003eLIS officially started in 1989. Dr. Don Detmer is upper right of FF sheet\u003c/p\u003e","\u003cp\u003ePeople identified are: Inhye Son, Sarah Handley, Anne Humphries, Mike Wilson, Jonathan Lord, Elaine Banner, Julia Kochi, Marylin James, Mary Nightengale, Ophelia Payne, Nadine Ellero, Trisha Luby, Sue Daddezio, Diane Ricketson, Deborah Camden, Michael Sullivan, Betty Mickens, Dan Wilson, Shelby Miller John Sesody, Greatchen Arnold, Michelle Martin, Jeri Davis, Barbara Crawford, Cindy Saylor, Susan Yowell, Karen Collier, Pat Shannon, Rick Peterson, Brenda Bikos, Sandy Zoumbaris, Jana Maas, Joan Klein, Mark Mones, Jane Wagner, Eli Casarez, Aulia Gies, Cynthia Siedman-Willen, Catherine Anninos, Judy Shotwell, Linda Watson and Ann Carter.\u003c/p\u003e","\u003cp\u003eIndividuals not identified.\u003c/p\u003e","\u003cp\u003eFront: Kathleen Tracey, karen Collier, Deborah Camden, Ophelia Payne, Rick Peterson\nSecond: Marylin James, Jane Wagner, Barbara Crawford, Polly Sandridge, Linda Watson\nThird: Pat Shannon, Brenda Bikos, Gretchen Naisawald, Anne Humphries, Jeri Davis, Shelby Miller, Jonquil Feldman, Mike Wilson\nFourth: Judith Robinson, Susan Daddezio, Julia Hochi\nFifth: Thomas Speare, Catherine Anninos, Libby Colley, Judy Shotwell\nSixth: Hall Sharp, Rick Weaver, Ann Carter\nSeventh: Nadine Ellero, Megan McCaskey, Sarah Handley\nEighth: Jonathan Lord, Jake Appleford, Mary Nightengale, Inhye Son\nAbsent: Joan Klein, christopher Marks, Betty Mickens, Mark Mones, Diane Spears\u003c/p\u003e","\u003cp\u003eLeft to right: Dieter Groeschel, Joan Klein, Linda Watson, unidentified person\nIn back: unidentified, Janet Pearson\u003c/p\u003e","\u003cp\u003eOne photo individuals front left to right Dieter Groeschel, Joan Klein, Linda Watson, unidentified person, in the back an unidentified person and Janet Pearson\u003c/p\u003e","\u003cp\u003eCollection Services and Bibliographic Control\u003c/p\u003e","\u003cp\u003eIntellectual Access and Collection Development\u003c/p\u003e","\u003cp\u003eLibrary Administration\u003c/p\u003e","\u003cp\u003eEllen Ramsey, David Moody, Bart Ragon, Mike Wilson, Joan Klein, Dave Denton, Inhye Son, Wilma Lynch, Pat Shannon, Gretchen Arnold, Jeri Davis, Joy Nuckolls, Karen Knight, Elaine Attridge, Ann Carter, Jonathan Lord, Andrea Horne Denton, Stephanie Fielding, Adrienne Granitz, Sonya Coleman, Jason Bennett, Tony Hiserman, Tenzin Thosam, Roderick Martin, Nadine Ellero, Patricia Vaughn\u003c/p\u003e","\u003cp\u003eThis subseries consists of images that do not belong in any other subseries.\u003c/p\u003e","\u003cp\u003eGordon was the coordinator of an exhibit on the history of gastroscopy and visited the medical school to open the exhibit. Photo taken by Ursula Ziolkowki.\u003c/p\u003e","\u003cp\u003ePhoto was sent to Terry Thorkildson from the Area Health Education Centers Program Eastern Virginia Medical Authority\u003c/p\u003e","\u003cp\u003eThis series contains historically significant press releases, visual aids, clippings, and other items that record information about the Library that were produced for or by the news media.\u003c/p\u003e","\u003cp\u003eThis subseries contains print copies of news articles about the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series consists of publications produced by the Health Sciences Library for public distribution or general internal distribution. Publications include, but are not limited to, magazines, journals, monographs, newsletters, weblogs, weekly announcements, online publications, marketing materials, and patient education resources. This series may contain both print and digital publications.\u003c/p\u003e","\u003cp\u003eThe materials in this subseries were produced to guide the use of collections housed at the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis subseries consists of digital and print newsletters that provide information about the activities of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eA \"scrapbook\" of Library milestones and appropriate photographs for each medical and nursing graduating class celebrating its reunion in a particular year. The print series was discontinued after 2000, but additional Journey Through Time content is available online through the Historical Collections web exhibits.\u003c/p\u003e","\u003cp\u003eThis subseries contains brochures, flyers, and other printed ephemera that provide information about the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eEnvelope has Dr. Wilhelm Moll handwritten on it. Brochure includes library statistics, what is needed in terms of money and space, various endorsements, and tax information.\u003c/p\u003e","\u003cp\u003eThis series contains social media content that has been produced by the Health Sciences Library for platforms like Facebook, Instagram, and Twitter.\u003c/p\u003e","\u003cp\u003eThe staff of the Health Sciences Library's Historical Collections and Services department maintains and contributes content to this Facebook page. Many posts and photographs on the page relate to the Department's services, collections, and events. Other posts share information related to the history of the health sciences and the work of libraries, museums, and archives.\u003c/p\u003e","\u003cp\u003eThis series consists of blogs that were created by the Health Sciences Library. The files in this series were downloaded from the Internet by Library staff. Content in the blogs that are accessed through a link outside of the blog's parent directory (e.g. external YouTube videos, external web pages) are not downloaded and archived in this series.\u003c/p\u003e","\u003cp\u003eThe Moore Library News (MLN) blog is produced by the Claude Moore Health Sciences Library. MLN blog posts provide information about Library collections, policies, services, and events.\u003c/p\u003e","\u003cp\u003eThe records in this series document the organizational structure of the Health Sciences Library. It also contains records that document administrative reorganizations of the Library. These materials include, but are not limited to, organizational charts and reports.\u003c/p\u003e","\u003cp\u003eThis series contains policies, procedures, and handbooks produced by the Health Sciences Library to direct and guide the conduct of its faculty, staff, and patrons. These records may also formally describe and define the relationship between the Health Sciences Library and its faculty, staff, and patrons.\u003c/p\u003e","\u003cp\u003eThis subseries contains procedures and handbooks for the faculty and staff of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eIncludes items from the Printing Office with the new library name: The Claude Moore Health Sciences Library\u003c/p\u003e","\u003cp\u003eThis subseries consists of procedures and handbooks for the patrons of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series contains course announcements, syllabi, notes, and other materials that document classes and workshops taught by the faculty and staff of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series consists of programs and reports that document the history of conferences and symposia hosted by the Health Sciences Library. Programs and reports often contain the following information: lists of speakers, presentation titles, schedules of events, and lecture abstracts. The following conference records are not included in this series: registration records, financial records, organization records, attendance lists.\u003c/p\u003e","\u003cp\u003eThis series consists of significant material that conveys the history of the Health Sciences Library, its administration, its accomplishments, its officials or employees. Includes, but is not limited to, scrapbooks, photographs, articles, program notes and documentation of events sponsored or funded by the agency. Also included are narratives; printed, audio, or audiovisual histories; or matters of significant historical importance.\u003c/p\u003e","\u003cp\u003eIncludes many photos of the library interior and library staff. Some individuals identified. Probably an exhibit celebrating the library's 15th anniversary in 1991, but photos from 1993 are also in the folder.\u003c/p\u003e","\u003cp\u003eIncludes photos of library interiors, staff (some identified) and UVA buildings; library organization chart for 2/1995; and Library Building Funds chart, 1975.\u003c/p\u003e","\u003cp\u003eThis series consists of reports, of a historically significant nature, that do not belong to any other series of the Health Sciences Library records.\u003c/p\u003e","\u003cp\u003eThis series contains memos, correspondence, subject files, online resources, and meeting minutes of committees working within the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis file includes the meeting minutes, meeting agendas, and other documentation of the Library Management Group. The members of this committee were the leaders of the Health Sciences Library. They met once a month to discuss major library initiatives, provide updates and reports about library department activities, and share other information related to the management of the Library.\u003c/p\u003e","\u003cp\u003eThis file consists of the meeting minutes, bylaws, constitution, and correspondence of the Medical History Society of the University of Virginia. The Society was formed to promote the knowledge and study of the history of medicine and the health sciences at the University of Virginia. For much of its history, Wilhelm Moll led the Society. It supported the development of historical collections and services at the Health Sciences Library and founded a lecture series that becsme the History of the Health Sciences Lecture Series in 1984.\u003c/p\u003e","\u003cp\u003eThis series consists of records that document awards, honors, and commemorations presented by the Health Sciences Library. These records may include, but are not limited to, event programs, lists of recipients, and recipient biographies.\u003c/p\u003e","\u003cp\u003eThe dedication ceremony included remarks by Donald S. Fredrickson, MD, Director, National Institutes of Health.\u003c/p\u003e","\u003cp\u003eIncludes a tribute to Wilhelm Moll by William B. Bean and another speech by an unidentified individual.\u003c/p\u003e","\u003cp\u003eIncludes remarks that were given by Dr. Don Detmer.\u003c/p\u003e","\u003cp\u003eIncludes remarks given by Donald Lindberg. The title of Lindberg's presentation was\"The Computer and the Academical Village\".\u003c/p\u003e","\u003cp\u003eThis series consists of records that document lectures and presentations sponsored by the Health Sciences Library. These records include, but are not limited to, audiovisual recordings, transcripts, announcements, handouts, and correspondence between presenters and event organizers.\u003c/p\u003e","\u003cp\u003eThis subseries consists of records associated with standalone lectures and presentations sponsored by the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis subseries contains records that are associated with the Health Sciences Library's History of the Health Sciences Lecture Series.\u003c/p\u003e","\u003cp\u003eThis subseries contains records that are associated with the Medical History Society of the University of Virginia Lecture Series.\u003c/p\u003e","\u003cp\u003ePromotional posters for a medical history lecture series held at the UVA Health Sciences Library and organized by the UVA Medical History Society.\u003c/p\u003e","\u003cp\u003eThis series consists of records that document exhibits created by the Claude Moore Health Sciences Library of an educational or promotional nature. Some records are physical, and others are archived websites crawled by the Internet Archives' Archive-It service and made accessible by their Wayback Machine.\u003c/p\u003e","\u003cp\u003eThese materials are physical materials containing exhibit plans and designs, text, labels, and images created for physical exhibits.\u003c/p\u003e","\u003cp\u003eIdentified individuals in photos are John Guerrant, Ken Crispell, and Barry Marshall\u003c/p\u003e","\u003cp\u003eIncludes print-out (109 pages) of \"Who's Who on the Philip S. Hench Walter Reed Yellow Fever Collection Website\" (2002) and supplemental list of compiled names.\u003c/p\u003e","\u003cp\u003e\"Robley Dunglison: 1798-1869\" Pamphlet produced for a library exhibit honoring the 200th anniversary of Dunglison's birth. 3 copies; 14 pp. Prepared by Historical Collections \u0026amp; Services, Claude Moore Health Sciences Library. Folder note indicates biography was written by Joby Topper. Includes reference list.\u003c/p\u003e","\u003cp\u003eIntroduction by Joan Klein\u003c/p\u003e","\u003cp\u003eThis series contains web archived online exhibits created by Historical Collections and Services between 2007 and circa 2023, although some of the creation dates of the websites are questionable. These 21 exhibits were hosted on the Claude Moore Health Sciences Library website but are now available via the Internet Archives' Wayback Machine.\u003c/p\u003e","\u003cp\u003eThis online exhibit is centered on the book \"A History of Cancer Care at the University of Virginia, 1901-1911.\" This book provides vast insight into the teamwork, dedication, collegiality, and skill–as well as luck–which was necessary for the Cancer Center to exist today. Twenty-five oral history interviews were conducted in the course of researching the book and are included with the book or may be viewed in the videos section of this website. Written by Henry K. Sharp, Ph.D. and Morton C. Wilhelm, M.D. the Joseph Helms Farrow Professor Emeritus in Surgical Oncology, University of Virginia School of Medicine.\u003c/p\u003e","\u003cp\u003eThis online exhibit serves as an online \"scrapbook\" with some of the milestones of the Claude Moore Health Sciences Library, Medical Center, and the School of Medicine and the School of Nursing. There are added appropriate photographs for each class year.\u003c/p\u003e","\u003cp\u003eThis exhibit recounts the origin and early history of the American Lung Association. The American Lung Association of Virginia (ALAV) Collection contains personal and official correspondence, financial and legal papers, minute books, organizational and scientific reports, educational publicity, photographs, and artifacts. ALAV donated its organization's papers to the Claude Moore Health Sciences Library in 1990 and 1991 made this exhibit possible. The ALAV made an additional donation in 2009.\u003c/p\u003e","\u003cp\u003eThis online exhibit presents images and summaries of the known uses of each instrument. The extant comments of medical writers from antiquity–including Oribasius, Galen, Soranus, Aetius, and the Hippocratic corpus–have provided scholars with some clues about the use of some instruments. Some instruments, such as mixing instruments and tweezers, probably had other household uses, such as the application of cosmetics and paints.\u003c/p\u003e","\u003cp\u003eThis online exhibit was created under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library. Hal Sharp, a Historical Collections staff member, wrote the essay giving a brief history of anatomical drawing. The exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant. Emily Bowden, Historical Collections, photographed the Denoyer-Geppert Anatomy Series charts. William Crutchfield generously donated W. and A. K. Johnston's Charts of Anatomy and Physiology which were owned for 33 years by his father, Dr. William Gayle Crutchfield.\u003c/p\u003e","\u003cp\u003eThis exhibit was designed to highlight the UVA Hospital's involvement with supporting United States Army troops during World War I and World War II. It was created by Janet Pearson with the assistance of Joby Topper. Special thanks to Dr. John L. Guerrant, Dorothy Sandridge Gloor, and Elizabeth Harlin Drash for sharing their stories and helping us identify photographs.\u003c/p\u003e","\u003cp\u003eThis online exhibit shows materials related to eugenics as it relates to UVA and Charlottesville, VA. Alison White and Ina Hofland, staff members of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia, created this Web exhibit. They also created the physical exhibit of the same title on which it is based. The physical exhibit was displayed in the foyer of the Health Sciences Library April-September 2002. Steve Stedman designed the Web exhibit. Special thanks to Sara Huyser, Joan Echtenkamp Klein, Ophelia Payne, Bart Ragon, Hal Sharp, and Mike Wilson for their assistance. Web Exhibit Publish Date: February 13, 2004\u003c/p\u003e","\u003cp\u003eThis exhibit was created under the direction of Joan Ectenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at the Claude Moore Health Sciences Library. Dr. Morton C. Wilhelm, the Joseph Helms Farrow Professor in Surgical Oncology, wrote the essay with the editorial assistance of Janet Pearson. The web exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant.\u003c/p\u003e","\u003cp\u003eThis online exhibit offers a look into The Papers of James Carmichael and Son, a collection held at the UVA Albert and Shirley Small Special Collections Library, and tells a story of the early nineteenth-century inhabitants of Fredericksburg, Virginia and its surrounding rural areas. \u003c/p\u003e\n","\u003cp\u003eThe exhibit is organized into two content areas: the Story and the Collection. Each of these areas, as well as the Home and About sections, are represented in the tabs near the top of every page. See the site map for more detail.\u003c/p\u003e\n","\u003cp\u003eThe Story section sets the atmosphere for the exhibit. One can get a sense of what the practice of medicine was like for James and Edward Carmichael in the early nineteenth century by reading the essays describing the Pharmacy, the Tools of the Trade, and the Health Care of Slaves.\u003c/p\u003e\n","\u003cp\u003eThe Collection section houses the images of the original Carmichael letters, which are meticulously transcribed and categorized to provide access not only to the words, but to the medical conditions, treatments, and philosophies of almost two centuries past. Particularly compelling is the use of Medical Subject Headings (MeSH) to categorize the letters along with a very detailed methodology and definition of MeSH terms. Other items of interest include the daybook kept by Doctor Carmichael from 1816-1817, newspaper clippings, court records \u0026amp; summaries, period maps, and Virginia WPA Historical Inventory Project records. Additionally, there is an exhaustive Who's Who list of names that appeared in the letters as well as a thorough list of Places Mentioned.\u003c/p\u003e","\u003cp\u003eThis online exhibit tells the story of how the U.S. Army Commission, comprised of Major Walter Reed, Dr. James Carroll, Dr. Aristides Agramonte, and Dr. Jesse Lazear, confirmed Carlos Finlay's theory about the transmission of yellow fever. By showing without a doubt that mosquitoes were the vector for yellow fever, the researchers empowered public health officials in the Americas to eradicate this devastating disease from much of the Western Hemisphere.\u003c/p\u003e\n","\u003cp\u003eThe exhibit is divided into three main sections. The first section, Archives, provides information about and links to the Philip S. Hench Walter Reed Yellow Fever Collection. The collection, most collected by Philip S. Hench and housed at the University of Virginia's Claude Moore Health Sciences Library, is a rich archive of materials that documents the history of the U.S. Army Yellow Fever Commission. The second section, History, tells the story of the U.S. Army Yellow Fever Commission and the impact of its findings. Finally, the third section, Resources, provides access to biographies, bibliographies, and other resources visitors may want to consult to learn more about the Commission and the history of yellow fever.\u003c/p\u003e","\u003cp\u003eThis exhibit tells the story about 12 physicians practicing in Charlottesville, VA in 1848 mutually agreed to create an agreed rate of medical charges for services.\u003c/p\u003e\n","\u003cp\u003eJoan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026amp; Services at The Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the fee bill project and directed it. Todd L. Savitt, Ph.D., wrote the background information essay on fee bills in general and the Charlottesville fee bill in particular. He is a faculty member at East Carolina University in the Department of Bioethics \u0026amp; Interdisciplinary Studies. Janet Pearson wrote the introduction and the biographical sketches of the twelve signers. She gathered images and took photographs in the University of Virginia Cemetery and Columbarium and in downtown Charlottesville. She is a member of the staff of Historical Collections and Services. Sonya Coleman, also a member of the staff of Historical Collections, contributed to the design elements. David Moody, Claude Moore Health Sciences Library Webmaster, and Jason Bennett, Technology in Education Consultant, provided the programming architecture for the Web exhibit.\u003c/p\u003e","\u003cp\u003eJoan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026amp; Services at the Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the \"Fever Fighters\" project after the generous donation of Dr. Hanson's diary by his granddaughter, Jane H. Monroe.\u003c/p\u003e\n","\u003cp\u003eStaff members at Historical Collections, Leigh Mantle, Susan Yowell, and Janet Pearson, contributed content and created the GIS Map. Caitlin Summers, a dedicated intern at Historical Collections, also provided editorial assistance in the spring of 2012.\u003c/p\u003e\n","\u003cp\u003eDavid Moody, Library Webmaster; Mike Wilson, Information Services Specialist; and Jason Bennett, Technology Specialist, provided the programming architecture for the Web exhibit.\u003c/p\u003e","\u003cp\u003eThis exhibit was inspired by The Mineral Springs of Western Virginia by William Burke, the first volume purchased by the Weaver Family Endowed Rare Book and Medical Materials Fund. Published in 1846, the book describes the setting and development of eleven springs in what are now Virginia and West Virginia. Dr. Burke, a one-time owner and resident physician at Red Sulphur Springs, remarks on the usefulness of the various mineral waters in certain diseases as well as contraindications to their use. The springs range from those that are well known today such as the White Sulphur Springs, currently the Greenbrier resort in West Virginia, to the Blue Sulphur Springs, once able to accommodate several hundred people and now represented by a lone Greek Revival pavilion in the middle of a field near Smoot, West Virginia.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was written and organized by Janet Pearson, a member of the staff of Historical Collections and Services, under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library, University of Virginia. Claudia Sueyras, Normajean Hultman, and Sonya Coleman did preliminary research. Rod Martin and Victoria Meyer scanned items from Historical Collections and the Charles L. Brown Science \u0026amp; Engineering Library. David Moody, with the assistance of Bart Ragon, provided the programming architecture for the Web exhibit. Sonya Coleman contributed to the design elements. Special thanks has been given to the staff at the Albert and Shirley Small Special Collections Library, University of Virginia, as they retrieved dozens of documents and also to the Digital Curation Services staff for their scanning of the documents.\u003c/p\u003e","\u003cp\u003eThe Anatomical Theatre at the University of Virginia online exhibit tells the story of the Theatre's presence at the University for more than a century. While not included in the earliest plans of the University, the need for the Theatre became clear before the first classes were ever held. Thomas Jefferson himself drew the design which includes two floor plans, a front elevation view, and a cross section. The exhibit traces the construction and later changes to the building, its demise, and archeological investigations at the site. It also gives a glimpse of what happened inside the building and the deeds that were done to procure cadavers so that medical students could learn anatomy.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was sparked by the interest of the late Dr. M.C. Wilhelm in the model of the Anatomical Theatre housed in Historical Collections at the University of Virginia Claude Moore Health Sciences Library. A retired surgeon and volunteer in Historical Collections, Dr. Wilhelm gathered resources and did preliminary writing. It was decided to further develop the project, and the result is this exhibit, written and organized by Janet Pearson, a Historical Collections staff member. Originally done under the direction of Joan Echtenkamp Klein, who was the Alvin V. and Nancy Baird Curator for Historical Collections until her untimely death, project support was continued under Dan Cavanaugh, who stepped into Joan's role and position.\u003c/p\u003e\n","\u003cp\u003eOthers associated with the University of Virginia community freely shared their ideas and research. These individuals include Garth Anderson, the Facilities Management Historian; Kirt von Daacke, Assistant Dean and Professor, College of Arts \u0026amp; Sciences; Louis Nelson, Professor in the Department of Architectural History and Associate Provost for Outreach; Robert Bloodgood, Professor in the School of Medicine; Benjamin Ford, Principal Investigator with Rivanna Archaeological Services, LLC; and Sonya Coleman, formerly a staff member in Historical Collections and now at the Library of Virginia. Emily Bowden, the Historical Collections Specialist, answered many technical queries as well as gave editorial assistance. Anson Parker and Jason Bennett provided the programming architecture for the Web exhibit.\u003c/p\u003e","\u003cp\u003eThis exhibit explores the development of the iron lung during the late nineteenth and early twentieth century and considers the reasons for its success during the height of the poliomyelitis epidemics. Andrew Sallans, Historical Collections Specialist, researched and compiled the content for the online and physical exhibits. The design of the online exhibit was conceived and executed by Steve Stedman, Webmaster for the Claude Moore Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis online exhibit displays a digitized copy of Historical Collections and Services' rare book \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England: An Introduction to Orders thought meete by her Maiestie ..., 1578.\"\u003c/p\u003e\n","\u003cp\u003eAnne McKeithen, Janet Pearson, and Andrew Sallans, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, compiled the material for the Plague Book exhibit under the direction of Joan Echtenkamp Klein. Joaquin Bueno designed the Web exhibit and graphics, with the programming architecture of David Moody and the assistance of Bart Ragon.\u003c/p\u003e\n","\u003cp\u003eUnless otherwise noted, the images are courtesy of the Missouri Botanical Garden, © 1995-2006 Missouri Botanical Garden http://www.illustratedgarden.org). They deserve special thanks for their generous permission to reproduce their exquisite illustrations. Special thanks are also given to Duane J. Osheim, Ph.D., Professor and Chair, of the Corcoran Department of History at the University of Virginia for his paper, \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England.\"\u003c/p\u003e","\u003cp\u003eIn 2001 Historical Collections in the Claude Moore Health Sciences Library created an exhibit that traces the history of the first century of the Hospital in words and images. One copy of the exhibit traveled from location to location in the Health System and beyond; the other set of panels were hung in a busy hospital corridor near the main entrance where they remain today. These panels form the basis for this online exhibit which now includes the addition of a section on the first 14 years of the Hospital's second century. We hope you enjoy following the history of the growth of the University of Virginia Health System as it seeks to fulfill its longstanding vision to benefit human health and improve quality of life through patient care, research, and education.\u003c/p\u003e\n","\u003cp\u003eThis exhibition was prepared by Hal Sharp and Janet Pearson of the Department of Historical Collections and Services, The Claude Moore Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis online exhibit aims to give viewers a view into more than 50 of Historical Collections and Services' most notable books and see how their authors over the years have documented their discoveries and concepts for contemporaries and for us.  There are digitized versions of many of the books in the Fulltext Books section, which offers links to the scanned images of over half of these rare books.\u003c/p\u003e\n","\u003cp\u003eSara Huyser, Anne McKeithen, and Janet Pearson, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, wrote and compiled the material for Vaulted Treasures under the direction of Joan Echtenkamp Klein.\u003c/p\u003e\n","\u003cp\u003eJoaquin Bueno designed the Web exhibit and graphics, with the server expertise of David Moody and the assistance of Bart Ragon. Special thanks to Claudia Sueyras who scanned many of the books and Andrew Sallans who provided technical assistance.\u003c/p\u003e","\u003cp\u003eThe 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.\u003c/p\u003e\n","\u003cp\u003eMary Wagner donated the caricatures in this exhibit to Historical Collections and Services, The Claude Moore Health Sciences Library. Her husband, the late Robert R. Wagner, M.D., collected these when he was a post-doctoral fellow at the National Institute for Medical Research in London from 1950 to 1951. Wagner was Chair of the Department of Microbiology at the University of Virginia from 1967 to 1994, and Director of the UVa Cancer Center from 1983 to 1993. Thanks to Mary Wagner's generosity, the caricatures recently have been professionally treated, preserved, and reframed. The originals are on display in Historical Collections and Services and in the Department of Microbiology in the Robert R. Wagner Conference Room. These nineteenth-century satirical prints will thus continue to delight future generations.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.\u003c/p\u003e","\u003cp\u003eWalter Reed's professional experiences with typhoid fever stand in marked contrast to his professional encounters with yellow fever. In the case of typhoid, he was more a messenger than a conqueror. Typhoid fever remained defiant during a career that oversaw the rout of yellow fever. Through a humanizing story that shows how fate brought Reed continuing frustration as well as talent and success, this exhibit seeks to render him a more accessible role model for students of medicine and history.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was written by Noel G. Harrison, a graduate student in The Corcoran Department of History at the University of Virginia and an intern in Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia during the fall of 2002. The Web exhibit was prepared and designed by Mike Wilson and Sara Huyser. Special thanks to Bart Ragon, Joan Echtenkamp Klein, and Hal Sharp for their assistance.\u003c/p\u003e","\u003cp\u003eThis series includes records related to Historical Collections and Services, the special collections and archives department of the Claude Moore Health Sciences Library. Records the public can access are related to exhibitions that were curated by staff and displayed in the library.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of permanent and historically significant institutional records created by the University of Virginia Health Sciences Library and the antecedent Medical Library. These records include, but are not limited to: annual reports, planning documents, newsletters, online exhibits, blogs, social media content, conference programs, department histories, committee records, and library-sponsored lecture materials.","This series consists of annual reports produced by the Medical Library (1929-1975), the Health Sciences Library (1975-Present), and the Information Sciences Council (1990-1996). Annual reports for the Health Sciences Library are missing from this collection for the period from 2006 to the present. Also, the annual reports for the Medical Library are missing from this collections for the period from 1929 to 1942. It is unclear whether the Medical and Health Sciences libraries wrote reports for the years.","The annual reports of the Medical Library contain comprehensive descriptions of the annual activities of the Medical Library. The Medical Library's annual reports from 1929 to 1942 are missing from this collection. It is not known if the reports were ever written by the library.","The annual reports of the Health Sciences Library contain comprehensive descriptions of the annual activities of the Health Sciences Library. The Health Sciences Library's annual reports from 2006 to the present are missing from this collection. It is not known if the reports were ever written by the library.","Informal annual report-like documents and related material, including reports shared on the Claude Moore Health Sciences Library blog and an internal UVA Health System news website (HS Connect). Reports from: March 2007, September 2009 (written by Gretchen Arnold), January 2013 (written by Gretchen Arnold), and March 2018 (written by Gretchen Arnold).","This series consists of correspondence and subject files that were created and assembeled by the directors of the Health Sciences Library while carrying out the responsibilities of their position.","Correspondents include Curators of the HSL--Daniel Spikes, Cassandra Ruane, Frank C. Mevers, Todd L. Savitt, and Doris Leckie of the Smithsonian Institution","Includes articles about Jesse Lazear, Carlos Finlay, Philip Hench and cortisone, Henry R. Carter, Nicolas Chervin, Joseph Y. Porter and Isaac Hulse","Correspondents with Bean include Mary (Mrs. Philip) Hench, Atcheson L. Hench, Byrd S. Leavell, and Todd Savitt","Includes news releases, news clippings, journal articles, and correspondence related to the gift by Mary Hench of the Philip S. Hench Walter Reed Yellow Fever collection.","Includes correspondence with William Bennett Bean","Includes correspondence on Health System reorganization","The records in this series document the planning of historically significant administrative initiatives, purchases, construction, and events at the Health Sciences Library.","This series consists of digital and analog images that show the history and collections of the Health Sciences Library. Image formats in this series include, but are not limited to, photographic prints, film negatives, jpeg files, tiff files, 35mm film slides, CDs or other media containing digital images. The series does not include official identification photographs for faculty, students, and staff.","This subseries contains images of artifacts in the collections of the Health Sciences Library.","The images in this subseries show the staff, faculty, and interior spaces of the Health Sciences Library.","Moll, Bowers, Bowers, and Rudnick are photographed with ceramic vessels used in the early production of penicillin.","LIS officially started in 1989. Dr. Don Detmer is upper right of FF sheet","People identified are: Inhye Son, Sarah Handley, Anne Humphries, Mike Wilson, Jonathan Lord, Elaine Banner, Julia Kochi, Marylin James, Mary Nightengale, Ophelia Payne, Nadine Ellero, Trisha Luby, Sue Daddezio, Diane Ricketson, Deborah Camden, Michael Sullivan, Betty Mickens, Dan Wilson, Shelby Miller John Sesody, Greatchen Arnold, Michelle Martin, Jeri Davis, Barbara Crawford, Cindy Saylor, Susan Yowell, Karen Collier, Pat Shannon, Rick Peterson, Brenda Bikos, Sandy Zoumbaris, Jana Maas, Joan Klein, Mark Mones, Jane Wagner, Eli Casarez, Aulia Gies, Cynthia Siedman-Willen, Catherine Anninos, Judy Shotwell, Linda Watson and Ann Carter.","Individuals not identified.","Front: Kathleen Tracey, karen Collier, Deborah Camden, Ophelia Payne, Rick Peterson\nSecond: Marylin James, Jane Wagner, Barbara Crawford, Polly Sandridge, Linda Watson\nThird: Pat Shannon, Brenda Bikos, Gretchen Naisawald, Anne Humphries, Jeri Davis, Shelby Miller, Jonquil Feldman, Mike Wilson\nFourth: Judith Robinson, Susan Daddezio, Julia Hochi\nFifth: Thomas Speare, Catherine Anninos, Libby Colley, Judy Shotwell\nSixth: Hall Sharp, Rick Weaver, Ann Carter\nSeventh: Nadine Ellero, Megan McCaskey, Sarah Handley\nEighth: Jonathan Lord, Jake Appleford, Mary Nightengale, Inhye Son\nAbsent: Joan Klein, christopher Marks, Betty Mickens, Mark Mones, Diane Spears","Left to right: Dieter Groeschel, Joan Klein, Linda Watson, unidentified person\nIn back: unidentified, Janet Pearson","One photo individuals front left to right Dieter Groeschel, Joan Klein, Linda Watson, unidentified person, in the back an unidentified person and Janet Pearson","Collection Services and Bibliographic Control","Intellectual Access and Collection Development","Library Administration","Ellen Ramsey, David Moody, Bart Ragon, Mike Wilson, Joan Klein, Dave Denton, Inhye Son, Wilma Lynch, Pat Shannon, Gretchen Arnold, Jeri Davis, Joy Nuckolls, Karen Knight, Elaine Attridge, Ann Carter, Jonathan Lord, Andrea Horne Denton, Stephanie Fielding, Adrienne Granitz, Sonya Coleman, Jason Bennett, Tony Hiserman, Tenzin Thosam, Roderick Martin, Nadine Ellero, Patricia Vaughn","This subseries consists of images that do not belong in any other subseries.","Gordon was the coordinator of an exhibit on the history of gastroscopy and visited the medical school to open the exhibit. Photo taken by Ursula Ziolkowki.","Photo was sent to Terry Thorkildson from the Area Health Education Centers Program Eastern Virginia Medical Authority","This series contains historically significant press releases, visual aids, clippings, and other items that record information about the Library that were produced for or by the news media.","This subseries contains print copies of news articles about the Health Sciences Library.","This series consists of publications produced by the Health Sciences Library for public distribution or general internal distribution. Publications include, but are not limited to, magazines, journals, monographs, newsletters, weblogs, weekly announcements, online publications, marketing materials, and patient education resources. This series may contain both print and digital publications.","The materials in this subseries were produced to guide the use of collections housed at the Health Sciences Library.","This subseries consists of digital and print newsletters that provide information about the activities of the Health Sciences Library.","A \"scrapbook\" of Library milestones and appropriate photographs for each medical and nursing graduating class celebrating its reunion in a particular year. The print series was discontinued after 2000, but additional Journey Through Time content is available online through the Historical Collections web exhibits.","This subseries contains brochures, flyers, and other printed ephemera that provide information about the Health Sciences Library.","Envelope has Dr. Wilhelm Moll handwritten on it. Brochure includes library statistics, what is needed in terms of money and space, various endorsements, and tax information.","This series contains social media content that has been produced by the Health Sciences Library for platforms like Facebook, Instagram, and Twitter.","The staff of the Health Sciences Library's Historical Collections and Services department maintains and contributes content to this Facebook page. Many posts and photographs on the page relate to the Department's services, collections, and events. Other posts share information related to the history of the health sciences and the work of libraries, museums, and archives.","This series consists of blogs that were created by the Health Sciences Library. The files in this series were downloaded from the Internet by Library staff. Content in the blogs that are accessed through a link outside of the blog's parent directory (e.g. external YouTube videos, external web pages) are not downloaded and archived in this series.","The Moore Library News (MLN) blog is produced by the Claude Moore Health Sciences Library. MLN blog posts provide information about Library collections, policies, services, and events.","The records in this series document the organizational structure of the Health Sciences Library. It also contains records that document administrative reorganizations of the Library. These materials include, but are not limited to, organizational charts and reports.","This series contains policies, procedures, and handbooks produced by the Health Sciences Library to direct and guide the conduct of its faculty, staff, and patrons. These records may also formally describe and define the relationship between the Health Sciences Library and its faculty, staff, and patrons.","This subseries contains procedures and handbooks for the faculty and staff of the Health Sciences Library.","Includes items from the Printing Office with the new library name: The Claude Moore Health Sciences Library","This subseries consists of procedures and handbooks for the patrons of the Health Sciences Library.","This series contains course announcements, syllabi, notes, and other materials that document classes and workshops taught by the faculty and staff of the Health Sciences Library.","This series consists of programs and reports that document the history of conferences and symposia hosted by the Health Sciences Library. Programs and reports often contain the following information: lists of speakers, presentation titles, schedules of events, and lecture abstracts. The following conference records are not included in this series: registration records, financial records, organization records, attendance lists.","This series consists of significant material that conveys the history of the Health Sciences Library, its administration, its accomplishments, its officials or employees. Includes, but is not limited to, scrapbooks, photographs, articles, program notes and documentation of events sponsored or funded by the agency. Also included are narratives; printed, audio, or audiovisual histories; or matters of significant historical importance.","Includes many photos of the library interior and library staff. Some individuals identified. Probably an exhibit celebrating the library's 15th anniversary in 1991, but photos from 1993 are also in the folder.","Includes photos of library interiors, staff (some identified) and UVA buildings; library organization chart for 2/1995; and Library Building Funds chart, 1975.","This series consists of reports, of a historically significant nature, that do not belong to any other series of the Health Sciences Library records.","This series contains memos, correspondence, subject files, online resources, and meeting minutes of committees working within the Health Sciences Library.","This file includes the meeting minutes, meeting agendas, and other documentation of the Library Management Group. The members of this committee were the leaders of the Health Sciences Library. They met once a month to discuss major library initiatives, provide updates and reports about library department activities, and share other information related to the management of the Library.","This file consists of the meeting minutes, bylaws, constitution, and correspondence of the Medical History Society of the University of Virginia. The Society was formed to promote the knowledge and study of the history of medicine and the health sciences at the University of Virginia. For much of its history, Wilhelm Moll led the Society. It supported the development of historical collections and services at the Health Sciences Library and founded a lecture series that becsme the History of the Health Sciences Lecture Series in 1984.","This series consists of records that document awards, honors, and commemorations presented by the Health Sciences Library. These records may include, but are not limited to, event programs, lists of recipients, and recipient biographies.","The dedication ceremony included remarks by Donald S. Fredrickson, MD, Director, National Institutes of Health.","Includes a tribute to Wilhelm Moll by William B. Bean and another speech by an unidentified individual.","Includes remarks that were given by Dr. Don Detmer.","Includes remarks given by Donald Lindberg. The title of Lindberg's presentation was\"The Computer and the Academical Village\".","This series consists of records that document lectures and presentations sponsored by the Health Sciences Library. These records include, but are not limited to, audiovisual recordings, transcripts, announcements, handouts, and correspondence between presenters and event organizers.","This subseries consists of records associated with standalone lectures and presentations sponsored by the Health Sciences Library.","This subseries contains records that are associated with the Health Sciences Library's History of the Health Sciences Lecture Series.","This subseries contains records that are associated with the Medical History Society of the University of Virginia Lecture Series.","Promotional posters for a medical history lecture series held at the UVA Health Sciences Library and organized by the UVA Medical History Society.","This series consists of records that document exhibits created by the Claude Moore Health Sciences Library of an educational or promotional nature. Some records are physical, and others are archived websites crawled by the Internet Archives' Archive-It service and made accessible by their Wayback Machine.","These materials are physical materials containing exhibit plans and designs, text, labels, and images created for physical exhibits.","Identified individuals in photos are John Guerrant, Ken Crispell, and Barry Marshall","Includes print-out (109 pages) of \"Who's Who on the Philip S. Hench Walter Reed Yellow Fever Collection Website\" (2002) and supplemental list of compiled names.","\"Robley Dunglison: 1798-1869\" Pamphlet produced for a library exhibit honoring the 200th anniversary of Dunglison's birth. 3 copies; 14 pp. Prepared by Historical Collections \u0026 Services, Claude Moore Health Sciences Library. Folder note indicates biography was written by Joby Topper. Includes reference list.","Introduction by Joan Klein","This series contains web archived online exhibits created by Historical Collections and Services between 2007 and circa 2023, although some of the creation dates of the websites are questionable. These 21 exhibits were hosted on the Claude Moore Health Sciences Library website but are now available via the Internet Archives' Wayback Machine.","This online exhibit is centered on the book \"A History of Cancer Care at the University of Virginia, 1901-1911.\" This book provides vast insight into the teamwork, dedication, collegiality, and skill–as well as luck–which was necessary for the Cancer Center to exist today. Twenty-five oral history interviews were conducted in the course of researching the book and are included with the book or may be viewed in the videos section of this website. Written by Henry K. Sharp, Ph.D. and Morton C. Wilhelm, M.D. the Joseph Helms Farrow Professor Emeritus in Surgical Oncology, University of Virginia School of Medicine.","This online exhibit serves as an online \"scrapbook\" with some of the milestones of the Claude Moore Health Sciences Library, Medical Center, and the School of Medicine and the School of Nursing. There are added appropriate photographs for each class year.","This exhibit recounts the origin and early history of the American Lung Association. The American Lung Association of Virginia (ALAV) Collection contains personal and official correspondence, financial and legal papers, minute books, organizational and scientific reports, educational publicity, photographs, and artifacts. ALAV donated its organization's papers to the Claude Moore Health Sciences Library in 1990 and 1991 made this exhibit possible. The ALAV made an additional donation in 2009.","This online exhibit presents images and summaries of the known uses of each instrument. The extant comments of medical writers from antiquity–including Oribasius, Galen, Soranus, Aetius, and the Hippocratic corpus–have provided scholars with some clues about the use of some instruments. Some instruments, such as mixing instruments and tweezers, probably had other household uses, such as the application of cosmetics and paints.","This online exhibit was created under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library. Hal Sharp, a Historical Collections staff member, wrote the essay giving a brief history of anatomical drawing. The exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant. Emily Bowden, Historical Collections, photographed the Denoyer-Geppert Anatomy Series charts. William Crutchfield generously donated W. and A. K. Johnston's Charts of Anatomy and Physiology which were owned for 33 years by his father, Dr. William Gayle Crutchfield.","This exhibit was designed to highlight the UVA Hospital's involvement with supporting United States Army troops during World War I and World War II. It was created by Janet Pearson with the assistance of Joby Topper. Special thanks to Dr. John L. Guerrant, Dorothy Sandridge Gloor, and Elizabeth Harlin Drash for sharing their stories and helping us identify photographs.","This online exhibit shows materials related to eugenics as it relates to UVA and Charlottesville, VA. Alison White and Ina Hofland, staff members of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia, created this Web exhibit. They also created the physical exhibit of the same title on which it is based. The physical exhibit was displayed in the foyer of the Health Sciences Library April-September 2002. Steve Stedman designed the Web exhibit. Special thanks to Sara Huyser, Joan Echtenkamp Klein, Ophelia Payne, Bart Ragon, Hal Sharp, and Mike Wilson for their assistance. Web Exhibit Publish Date: February 13, 2004","This exhibit was created under the direction of Joan Ectenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at the Claude Moore Health Sciences Library. Dr. Morton C. Wilhelm, the Joseph Helms Farrow Professor in Surgical Oncology, wrote the essay with the editorial assistance of Janet Pearson. The web exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant.","This online exhibit offers a look into The Papers of James Carmichael and Son, a collection held at the UVA Albert and Shirley Small Special Collections Library, and tells a story of the early nineteenth-century inhabitants of Fredericksburg, Virginia and its surrounding rural areas. ","The exhibit is organized into two content areas: the Story and the Collection. Each of these areas, as well as the Home and About sections, are represented in the tabs near the top of every page. See the site map for more detail.","The Story section sets the atmosphere for the exhibit. One can get a sense of what the practice of medicine was like for James and Edward Carmichael in the early nineteenth century by reading the essays describing the Pharmacy, the Tools of the Trade, and the Health Care of Slaves.","The Collection section houses the images of the original Carmichael letters, which are meticulously transcribed and categorized to provide access not only to the words, but to the medical conditions, treatments, and philosophies of almost two centuries past. Particularly compelling is the use of Medical Subject Headings (MeSH) to categorize the letters along with a very detailed methodology and definition of MeSH terms. Other items of interest include the daybook kept by Doctor Carmichael from 1816-1817, newspaper clippings, court records \u0026 summaries, period maps, and Virginia WPA Historical Inventory Project records. Additionally, there is an exhaustive Who's Who list of names that appeared in the letters as well as a thorough list of Places Mentioned.","This online exhibit tells the story of how the U.S. Army Commission, comprised of Major Walter Reed, Dr. James Carroll, Dr. Aristides Agramonte, and Dr. Jesse Lazear, confirmed Carlos Finlay's theory about the transmission of yellow fever. By showing without a doubt that mosquitoes were the vector for yellow fever, the researchers empowered public health officials in the Americas to eradicate this devastating disease from much of the Western Hemisphere.","The exhibit is divided into three main sections. The first section, Archives, provides information about and links to the Philip S. Hench Walter Reed Yellow Fever Collection. The collection, most collected by Philip S. Hench and housed at the University of Virginia's Claude Moore Health Sciences Library, is a rich archive of materials that documents the history of the U.S. Army Yellow Fever Commission. The second section, History, tells the story of the U.S. Army Yellow Fever Commission and the impact of its findings. Finally, the third section, Resources, provides access to biographies, bibliographies, and other resources visitors may want to consult to learn more about the Commission and the history of yellow fever.","This exhibit tells the story about 12 physicians practicing in Charlottesville, VA in 1848 mutually agreed to create an agreed rate of medical charges for services.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at The Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the fee bill project and directed it. Todd L. Savitt, Ph.D., wrote the background information essay on fee bills in general and the Charlottesville fee bill in particular. He is a faculty member at East Carolina University in the Department of Bioethics \u0026 Interdisciplinary Studies. Janet Pearson wrote the introduction and the biographical sketches of the twelve signers. She gathered images and took photographs in the University of Virginia Cemetery and Columbarium and in downtown Charlottesville. She is a member of the staff of Historical Collections and Services. Sonya Coleman, also a member of the staff of Historical Collections, contributed to the design elements. David Moody, Claude Moore Health Sciences Library Webmaster, and Jason Bennett, Technology in Education Consultant, provided the programming architecture for the Web exhibit.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at the Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the \"Fever Fighters\" project after the generous donation of Dr. Hanson's diary by his granddaughter, Jane H. Monroe.","Staff members at Historical Collections, Leigh Mantle, Susan Yowell, and Janet Pearson, contributed content and created the GIS Map. Caitlin Summers, a dedicated intern at Historical Collections, also provided editorial assistance in the spring of 2012.","David Moody, Library Webmaster; Mike Wilson, Information Services Specialist; and Jason Bennett, Technology Specialist, provided the programming architecture for the Web exhibit.","This exhibit was inspired by The Mineral Springs of Western Virginia by William Burke, the first volume purchased by the Weaver Family Endowed Rare Book and Medical Materials Fund. Published in 1846, the book describes the setting and development of eleven springs in what are now Virginia and West Virginia. Dr. Burke, a one-time owner and resident physician at Red Sulphur Springs, remarks on the usefulness of the various mineral waters in certain diseases as well as contraindications to their use. The springs range from those that are well known today such as the White Sulphur Springs, currently the Greenbrier resort in West Virginia, to the Blue Sulphur Springs, once able to accommodate several hundred people and now represented by a lone Greek Revival pavilion in the middle of a field near Smoot, West Virginia.","This exhibit was written and organized by Janet Pearson, a member of the staff of Historical Collections and Services, under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library, University of Virginia. Claudia Sueyras, Normajean Hultman, and Sonya Coleman did preliminary research. Rod Martin and Victoria Meyer scanned items from Historical Collections and the Charles L. Brown Science \u0026 Engineering Library. David Moody, with the assistance of Bart Ragon, provided the programming architecture for the Web exhibit. Sonya Coleman contributed to the design elements. Special thanks has been given to the staff at the Albert and Shirley Small Special Collections Library, University of Virginia, as they retrieved dozens of documents and also to the Digital Curation Services staff for their scanning of the documents.","The Anatomical Theatre at the University of Virginia online exhibit tells the story of the Theatre's presence at the University for more than a century. While not included in the earliest plans of the University, the need for the Theatre became clear before the first classes were ever held. Thomas Jefferson himself drew the design which includes two floor plans, a front elevation view, and a cross section. The exhibit traces the construction and later changes to the building, its demise, and archeological investigations at the site. It also gives a glimpse of what happened inside the building and the deeds that were done to procure cadavers so that medical students could learn anatomy.","This exhibit was sparked by the interest of the late Dr. M.C. Wilhelm in the model of the Anatomical Theatre housed in Historical Collections at the University of Virginia Claude Moore Health Sciences Library. A retired surgeon and volunteer in Historical Collections, Dr. Wilhelm gathered resources and did preliminary writing. It was decided to further develop the project, and the result is this exhibit, written and organized by Janet Pearson, a Historical Collections staff member. Originally done under the direction of Joan Echtenkamp Klein, who was the Alvin V. and Nancy Baird Curator for Historical Collections until her untimely death, project support was continued under Dan Cavanaugh, who stepped into Joan's role and position.","Others associated with the University of Virginia community freely shared their ideas and research. These individuals include Garth Anderson, the Facilities Management Historian; Kirt von Daacke, Assistant Dean and Professor, College of Arts \u0026 Sciences; Louis Nelson, Professor in the Department of Architectural History and Associate Provost for Outreach; Robert Bloodgood, Professor in the School of Medicine; Benjamin Ford, Principal Investigator with Rivanna Archaeological Services, LLC; and Sonya Coleman, formerly a staff member in Historical Collections and now at the Library of Virginia. Emily Bowden, the Historical Collections Specialist, answered many technical queries as well as gave editorial assistance. Anson Parker and Jason Bennett provided the programming architecture for the Web exhibit.","This exhibit explores the development of the iron lung during the late nineteenth and early twentieth century and considers the reasons for its success during the height of the poliomyelitis epidemics. Andrew Sallans, Historical Collections Specialist, researched and compiled the content for the online and physical exhibits. The design of the online exhibit was conceived and executed by Steve Stedman, Webmaster for the Claude Moore Health Sciences Library.","This online exhibit displays a digitized copy of Historical Collections and Services' rare book \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England: An Introduction to Orders thought meete by her Maiestie ..., 1578.\"","Anne McKeithen, Janet Pearson, and Andrew Sallans, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, compiled the material for the Plague Book exhibit under the direction of Joan Echtenkamp Klein. Joaquin Bueno designed the Web exhibit and graphics, with the programming architecture of David Moody and the assistance of Bart Ragon.","Unless otherwise noted, the images are courtesy of the Missouri Botanical Garden, © 1995-2006 Missouri Botanical Garden http://www.illustratedgarden.org). They deserve special thanks for their generous permission to reproduce their exquisite illustrations. Special thanks are also given to Duane J. Osheim, Ph.D., Professor and Chair, of the Corcoran Department of History at the University of Virginia for his paper, \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England.\"","In 2001 Historical Collections in the Claude Moore Health Sciences Library created an exhibit that traces the history of the first century of the Hospital in words and images. One copy of the exhibit traveled from location to location in the Health System and beyond; the other set of panels were hung in a busy hospital corridor near the main entrance where they remain today. These panels form the basis for this online exhibit which now includes the addition of a section on the first 14 years of the Hospital's second century. We hope you enjoy following the history of the growth of the University of Virginia Health System as it seeks to fulfill its longstanding vision to benefit human health and improve quality of life through patient care, research, and education.","This exhibition was prepared by Hal Sharp and Janet Pearson of the Department of Historical Collections and Services, The Claude Moore Health Sciences Library.","This online exhibit aims to give viewers a view into more than 50 of Historical Collections and Services' most notable books and see how their authors over the years have documented their discoveries and concepts for contemporaries and for us.  There are digitized versions of many of the books in the Fulltext Books section, which offers links to the scanned images of over half of these rare books.","Sara Huyser, Anne McKeithen, and Janet Pearson, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, wrote and compiled the material for Vaulted Treasures under the direction of Joan Echtenkamp Klein.","Joaquin Bueno designed the Web exhibit and graphics, with the server expertise of David Moody and the assistance of Bart Ragon. Special thanks to Claudia Sueyras who scanned many of the books and Andrew Sallans who provided technical assistance.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","Mary Wagner donated the caricatures in this exhibit to Historical Collections and Services, The Claude Moore Health Sciences Library. Her husband, the late Robert R. Wagner, M.D., collected these when he was a post-doctoral fellow at the National Institute for Medical Research in London from 1950 to 1951. Wagner was Chair of the Department of Microbiology at the University of Virginia from 1967 to 1994, and Director of the UVa Cancer Center from 1983 to 1993. Thanks to Mary Wagner's generosity, the caricatures recently have been professionally treated, preserved, and reframed. The originals are on display in Historical Collections and Services and in the Department of Microbiology in the Robert R. Wagner Conference Room. These nineteenth-century satirical prints will thus continue to delight future generations.","This exhibit was written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.","Walter Reed's professional experiences with typhoid fever stand in marked contrast to his professional encounters with yellow fever. In the case of typhoid, he was more a messenger than a conqueror. Typhoid fever remained defiant during a career that oversaw the rout of yellow fever. Through a humanizing story that shows how fate brought Reed continuing frustration as well as talent and success, this exhibit seeks to render him a more accessible role model for students of medicine and history.","This exhibit was written by Noel G. Harrison, a graduate student in The Corcoran Department of History at the University of Virginia and an intern in Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia during the fall of 2002. The Web exhibit was prepared and designed by Mike Wilson and Sara Huyser. Special thanks to Bart Ragon, Joan Echtenkamp Klein, and Hal Sharp for their assistance.","This series includes records related to Historical Collections and Services, the special collections and archives department of the Claude Moore Health Sciences Library. Records the public can access are related to exhibitions that were curated by staff and displayed in the library."],"userestrict_html_tesm":["\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to the annual reports in this series.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia owns the copyright to records in this series that were created by the library directors while they were acting within the scope of their position, except scholarly and academic works. Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to the planning documents and reports created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to images created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to publications created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe University of Virginia owns the copyrights to publications produced by the Health Sciences Library. Other copyright restrictions may apply to some materials.\u003c/p\u003e","\u003cp\u003eCopyright restrictions may apply.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright for social media content (e.g. posts, photographs) created by University employees while acting within the scope of their employment, except scholarly and academic works. The organizations that own the social media platforms might also hold licenses to all of the content posted by University of Virginia employees. Copyright ownership varies for other content that has been posted on the Library's social media platforms and archived here.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to blogs and blog posts created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to conference records and programs created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eCopyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to reports created by University employees while acting within the scope of their employment. Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to the records in this series that were created by University employees while acting within the scope of their employment.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to materials in this series created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to exhibit content created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies.","The Rector and Visitors of the University of Virginia own the copyright to the annual reports in this series.","The Rector and Visitors of the University of Virginia owns the copyright to records in this series that were created by the library directors while they were acting within the scope of their position, except scholarly and academic works. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the planning documents and reports created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to images created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to publications created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The University of Virginia owns the copyrights to publications produced by the Health Sciences Library. Other copyright restrictions may apply to some materials.","Copyright restrictions may apply.","The Rector and Visitors of the University of Virginia own the copyright for social media content (e.g. posts, photographs) created by University employees while acting within the scope of their employment, except scholarly and academic works. The organizations that own the social media platforms might also hold licenses to all of the content posted by University of Virginia employees. Copyright ownership varies for other content that has been posted on the Library's social media platforms and archived here.","The Rector and Visitors of the University of Virginia own the copyright to blogs and blog posts created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to conference records and programs created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to reports created by University employees while acting within the scope of their employment. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the records in this series that were created by University employees while acting within the scope of their employment.","The Rector and Visitors of the University of Virginia own the copyright to materials in this series created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to exhibit content created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies."],"names_ssim":["Claude Moore Health Sciences Library"],"corpname_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":471,"online_item_count_is":26,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:41:23.997Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_7_resources_215"}},{"id":"viu_repositories_3_resources_488","type":"collection","attributes":{"title":"Collection of W. W. Yen materials","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_488#creator","type":"document_value","attributes":{"value":"Yen, Hui-chʻing, 1877-1950","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_488#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of three published books and one notebook. The Moral philosophy notebook and Standard Masonic Monitor have been digitized by the library.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_488#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_488","ead_ssi":"viu_repositories_3_resources_488","_root_":"viu_repositories_3_resources_488","_nest_parent_":"viu_repositories_3_resources_488","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_488.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/123517","title_filing_ssi":"Yen, Collection of W. W., materials ","title_ssm":["Collection of W. W. Yen materials"],"title_tesim":["Collection of W. W. Yen materials"],"unitdate_ssm":["1899-1974"],"unitdate_inclusive_ssm":["1899-1974"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["MSS 16323","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/488"],"text":["MSS 16323","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/488","Collection of W. W. Yen materials","Notebooks","diaries","Autobiography (genre)","This collection is open for research use.","Yen Hui-Ch'ing, (Name in English: Yen, Wei Ching Williams or W.W. Yen) was born on 2 April 1877 and passed away on 24 May 1950. He was a Chinese writer, politician, and diplomat from Shanghai.","A graduate of the University of Virginia, he taught the English language at St. John's University, Shanghai in a short time after coming back from the United States and then went to Beijing to start his political career. It was in the US he became a Freemason.","He served as premier five times and simultaneously as acting president on his last premiership in 1926. Wu Peifu handpicked him for the acting presidency to pave the way for Cao Kun's restoration but he was unable to take office due to Zhang Zuolin's objection. When Yan finally took his post, he immediately resigned and appointed navy minister Du Xigui as his successor.","He was also China's first ambassador to the Soviet Union and he was a delegate in the League of Nations. During World War II, he translated and compiled Stories of Old China in Hong Kong while under Japanese house-arrest in 1942. He took his first plane trip in 1949 to Moscow in hopes of resolving the Chinese Civil War.","Source:\n\"Yan Huiqing.\" Wikipedia, https://en.wikipedia.org/wiki/Yan_Huiqing.  Accessed 12 July 2017.","This collection consists of three published books and one notebook.  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Wu Peifu handpicked him for the acting presidency to pave the way for Cao Kun's restoration but he was unable to take office due to Zhang Zuolin's objection. When Yan finally took his post, he immediately resigned and appointed navy minister Du Xigui as his successor.","He was also China's first ambassador to the Soviet Union and he was a delegate in the League of Nations. During World War II, he translated and compiled Stories of Old China in Hong Kong while under Japanese house-arrest in 1942. He took his first plane trip in 1949 to Moscow in hopes of resolving the Chinese Civil War.","Source:\n\"Yan Huiqing.\" Wikipedia, https://en.wikipedia.org/wiki/Yan_Huiqing.  Accessed 12 July 2017."],"prefercite_html_tesm":["\u003cp\u003eMSS 16323, Collection of W. W. Yen materials, Albert \u0026amp; Shirley Small Special Collections Library, University of Virginia\u003c/p\u003e"],"prefercite_tesim":["MSS 16323, Collection of W. W. 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It contains the following series of materials:\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_1517#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_4_resources_1517","ead_ssi":"viu_repositories_4_resources_1517","_root_":"viu_repositories_4_resources_1517","_nest_parent_":"viu_repositories_4_resources_1517","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_1517.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/189280","title_ssm":["Directories - University of Virginia School of Law"],"title_tesim":["Directories - University of Virginia School of Law"],"unitdate_ssm":["1940-2026"],"unitdate_inclusive_ssm":["1940-2026"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG.32.502","Archival Resource Key","/repositories/4/resources/1517"],"text":["RG.32.502","Archival Resource Key","/repositories/4/resources/1517","Directories - University of Virginia School of Law","University of Virginia. School of Law","There are no restrictions on access to the directories in this series.","There are no restrictions on access to the alumni directories.","There are no restrictions on access to this directory.","There are no restrictions on access to these directories.","There are no restrictions on access to the faculty directories.","There are no restrictions on access to the items in this series.","There are no restrictions on access to the telephone directories.","There are no restrictions on access to these directories.","There are no restrictions on access to the online directories.","There are no restrictions on access to the student photograph directories.","The Arthur J. Morris Law Library expects to add items to this collection periodically.","The online directories originally existed as a series of web pages. Archivists strive to capture the directories in a state close to how they would have appeared to users when it was live. However, to overcome technological limitations and to allow for sustainable preservation, archivists made appraisal decisions that resulted in the creation of archived resources that might function and look different from the originals.","When using copies of the online directories, researchers should know that they are not identical to the originals. They are close representations shaped by the appraisal decisions of archivists.","The student photograph directory originally existed as a series of web pages. Archivists strive to capture the directory in a state close to how it would have appeared to users when it was live. However, to overcome technological limitations and to allow for sustainable preservation, archivists made appraisal decisions that resulted in the creation of archived resources that might function and look different from the originals.","When using copies of the student photograph directory, researchers should know that they are not identical to the originals. They are close representations shaped by the appraisal decisions of archivists.","The series in this collection are arranged in chronological order.","During the nineteenth and twentieth centuries, the University of Virginia published lists of law faculty, staff, and students in the University of Virginia general and School of Law catalogs.","This is a collection of print and digital directories that list the faculty, staff, students, and alumni of the University of Virginia School of Law. It contains the following series of materials:","Alumni Directories of the University of Virginia School of Law (1940-2005)","Directory of the Faculty and Students of the University of Virginia (1942-1943)","Directory of the Law School, University of Virginia (1947-1973)","Faculty Directories of the University of Virginia School of Law (1974, 1982-2000)","\nGraduate Studies Directories, University of Virginia School of Law (1998-2012)","Law School Telephone Directories, University of Virginia (1998-2020)","University of Virginia Telephone Directories (2002-2014)","Online Faculty, Staff, and Department Directories of the University of Virginia School of Law (2003-2026)","Photograph Directories of the University of Virginia School of Law (2010-2024)","The University of Virginia School of Law Foundation produced comprehensive directories of Law School alumni, and widely distributed them among the alumni. They generally list names, addresses, graduating years, and occupations. Alumni are often sorted using alphabetical order, geographic location, and graduating year. The 1962 and 1972 editions list both living and deceased alumni. The other directories list only living alumni.","Many directories also list the names of Foundation officers and Law School faculty.","There are 4 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 2 copies of this directory.","There are 2 print copies and 1 CD copy of this directory.","There are 2 copies of this directory.","The Young Men's Christian Association of the University of Virginia published this directory. It lists the names and addresses of University students. The directory also provides the names of faculty, instructors, administrators, and student organization officers.","The Phi Alpha Delta legal fraternity compiled and published these directories. The directories list the Law School's faculty, staff, and students. Job titles are listed with the faculty and staff names.","There are 4 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There is 1 copy of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 5 copies of this directory.","There are 4 copies of this directory.","There are 3 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There is copy of this directory.","The first faculty directory in this series dates from the 1974-1975 academic year. It contains the names and short biographies of University of Virginia School of Law faculty and it was produced for a small internal audience.","The subsequent directories, dating from 1983 to 2000, provide more substantial information about School of Law faculty, adjuncts, and administration. They include extended biographies, photographs, and letters from the School's Dean. Unlike the directory from 1974-1975, these later resources were designed for wide distribution among Law School faculty, students, alums, staff, and supporters. Every few years, the University of Virginia published complete directories and distributed supplemental printings to profile new faculty hired in the years between publications. ","This series consists of paper directories dating from 1998 to 2011. They list the names of LL.M. candidates, S.J.D. candidates, and scholars-in-residence at the University of Virginia School of Law. Portrait photographs and short biographies are usually included with the names listed in the directories.","Printed directories that list the names, office locations, departments, and telephone numbers of law school faculty and staff.","The University of Virginia printed these directories to share contact information for its faculty, staff, and students. They also include emergency numbers, department listings, student organization listings, advertisements, and coupons.","The University of Virginia School of Law published faculty, staff, and department directories on its public website. The online directories provide lists of names, titles, and contact information. Many versions of them also include photographs, biographies, and department affiliations.","The items in this series are representations of the online directories. Early versions of the online directory were printed onto paper and archived into this series. Later versions are preserved as born-digital objects.","This is a print copy of the online faculty directory from the 2003-2004 academic year.","This is a print copy of the online faculty directory from the 2005-2006 academic year.","This is a print copy of the online faculty directory from the 2006-2007 academic year.","This file consists of 13 digital representations of the University of Virginia School of Law's online faculty directory stored in .docx file. The representations date from the following calendar and academic years: 2014, 2015, 2016, 2019-2020, 2020-2021, 2021-2022.","This is a digital representation of the Law School website's faculty, staff, and department directory stored in a .wacz file.","This is a digital representation of the Law School website's faculty, staff, and department directory stored in a .wacz file.","This is a digital representation of the Law School website's faculty, staff, and department directory stored in a .wacz file.","This is a digital representation of the Law School website's faculty, staff, and department directory stored in a .wacz file.","The University of Virginia School of Law made this directory available to its faculty, staff, and students on the School's Intranet platform. It is divided into graduating classes, and the students in each class are listed in alphabetical order according to their last names. Low-resolution portrait photographs of most of the students are included in the directory.","The digital files in this series are representations of the original sudent photograph directories. ","This file consists of 9 .pdf representations of content downloaded from the University of Virginia School of Law's Online Student Photograph Directory. There is one .pdf file for each of the following classes of law students: 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017, 2018.","Because of the nature of this collection, copyright status might vary across the materials. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property that it owns in the name of The Rector and Visitors of the University of Virginia.","The University of Virginia Law School Foundation published the alumni directories and they own the copyright to them. However, under U.S. copyright law, earlier editions may now be in the public domain.","This item is in the public domain.","These directories are in the public domain. Permission to publish or reproduce is not required.","The University of Virginia owns the copyright to the items in this series.","The University of Virginia owns the copyright to content in these directories that has not yet entered the public domain.","There are no restrictions on the use of the telephone directories.","The University of Virginia printed and owns the copyright to these directories.","The University of Virginia produced the directories in this series. The copyright status of each of these items is unknown, either the University owns the copyright to them, or they are in the public domain.","The University of Virginia produced the directories in this series. The copyright status of each of these items is unknown, either the University owns the copyright to them, or they are in the public domain.","Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law","University of Virginia. School of Law. 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Law School Foundation","Young Men's Christian Association (Alexandria,VA)"],"creators_ssim":["University of Virginia. School of Law","University of Virginia. School of Law. Law School Foundation","Young Men's Christian Association (Alexandria,VA)"],"access_terms_ssm":["Because of the nature of this collection, copyright status might vary across the materials. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property that it owns in the name of The Rector and Visitors of the University of Virginia."],"acqinfo_ssim":["The directories came to the Arthur J. Morris Law Library from various sources. When the source of a single directory or group of directories is known, archivists include that information in the finding aid inventory."],"access_subjects_ssim":["University of Virginia. School of Law"],"access_subjects_ssm":["University of Virginia. School of Law"],"has_online_content_ssim":["true"],"extent_ssm":["37.369 Gigabytes","3.13 Linear Feet","24 Volumes"],"extent_tesim":["37.369 Gigabytes","3.13 Linear Feet","24 Volumes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025,2026],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on access to the directories in this series.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the alumni directories.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to this directory.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to these directories.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the faculty directories.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the items in this series.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the telephone directories.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to these directories.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the online directories.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the student photograph directories.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on access to the directories in this series.","There are no restrictions on access to the alumni directories.","There are no restrictions on access to this directory.","There are no restrictions on access to these directories.","There are no restrictions on access to the faculty directories.","There are no restrictions on access to the items in this series.","There are no restrictions on access to the telephone directories.","There are no restrictions on access to these directories.","There are no restrictions on access to the online directories.","There are no restrictions on access to the student photograph directories."],"accruals_html_tesm":["\u003cp\u003eThe Arthur J. Morris Law Library expects to add items to this collection periodically.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["The Arthur J. Morris Law Library expects to add items to this collection periodically."],"appraisal_html_tesm":["\u003cp\u003eThe online directories originally existed as a series of web pages. Archivists strive to capture the directories in a state close to how they would have appeared to users when it was live. However, to overcome technological limitations and to allow for sustainable preservation, archivists made appraisal decisions that resulted in the creation of archived resources that might function and look different from the originals.\u003c/p\u003e\n","\u003cp\u003eWhen using copies of the online directories, researchers should know that they are not identical to the originals. They are close representations shaped by the appraisal decisions of archivists.\u003c/p\u003e","\u003cp\u003eThe student photograph directory originally existed as a series of web pages. Archivists strive to capture the directory in a state close to how it would have appeared to users when it was live. However, to overcome technological limitations and to allow for sustainable preservation, archivists made appraisal decisions that resulted in the creation of archived resources that might function and look different from the originals.\u003c/p\u003e\n","\u003cp\u003eWhen using copies of the student photograph directory, researchers should know that they are not identical to the originals. They are close representations shaped by the appraisal decisions of archivists.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal","Appraisal"],"appraisal_tesim":["The online directories originally existed as a series of web pages. Archivists strive to capture the directories in a state close to how they would have appeared to users when it was live. However, to overcome technological limitations and to allow for sustainable preservation, archivists made appraisal decisions that resulted in the creation of archived resources that might function and look different from the originals.","When using copies of the online directories, researchers should know that they are not identical to the originals. They are close representations shaped by the appraisal decisions of archivists.","The student photograph directory originally existed as a series of web pages. Archivists strive to capture the directory in a state close to how it would have appeared to users when it was live. However, to overcome technological limitations and to allow for sustainable preservation, archivists made appraisal decisions that resulted in the creation of archived resources that might function and look different from the originals.","When using copies of the student photograph directory, researchers should know that they are not identical to the originals. They are close representations shaped by the appraisal decisions of archivists."],"arrangement_html_tesm":["\u003cp\u003eThe series in this collection are arranged in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The series in this collection are arranged in chronological order."],"relatedmaterial_html_tesm":["\u003cp\u003eDuring the nineteenth and twentieth centuries, the University of Virginia published lists of law faculty, staff, and students in the University of Virginia general and School of Law catalogs.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["During the nineteenth and twentieth centuries, the University of Virginia published lists of law faculty, staff, and students in the University of Virginia general and School of Law catalogs."],"scopecontent_html_tesm":["\u003cp\u003eThis is a collection of print and digital directories that list the faculty, staff, students, and alumni of the University of Virginia School of Law. It contains the following series of materials:\u003c/p\u003e","\u003cp\u003eAlumni Directories of the University of Virginia School of Law (1940-2005)\u003c/p\u003e\n","\u003cp\u003eDirectory of the Faculty and Students of the University of Virginia (1942-1943)\u003c/p\u003e\n","\u003cp\u003eDirectory of the Law School, University of Virginia (1947-1973)\u003c/p\u003e\n","\u003cp\u003eFaculty Directories of the University of Virginia School of Law (1974, 1982-2000)\u003c/p\u003e\n","\u003cp\u003e\nGraduate Studies Directories, University of Virginia School of Law (1998-2012)\u003c/p\u003e\n","\u003cp\u003eLaw School Telephone Directories, University of Virginia (1998-2020)\u003c/p\u003e\n","\u003cp\u003eUniversity of Virginia Telephone Directories (2002-2014)\u003c/p\u003e","\u003cp\u003eOnline Faculty, Staff, and Department Directories of the University of Virginia School of Law (2003-2026)\u003c/p\u003e","\u003cp\u003ePhotograph Directories of the University of Virginia School of Law (2010-2024)\u003c/p\u003e","\u003cp\u003eThe University of Virginia School of Law Foundation produced comprehensive directories of Law School alumni, and widely distributed them among the alumni. They generally list names, addresses, graduating years, and occupations. Alumni are often sorted using alphabetical order, geographic location, and graduating year. The 1962 and 1972 editions list both living and deceased alumni. The other directories list only living alumni.\u003c/p\u003e\n","\u003cp\u003eMany directories also list the names of Foundation officers and Law School faculty.\u003c/p\u003e","\u003cp\u003eThere are 4 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 3 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 3 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 3 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 3 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 3 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 3 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 print copies and 1 CD copy of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThe Young Men's Christian Association of the University of Virginia published this directory. It lists the names and addresses of University students. The directory also provides the names of faculty, instructors, administrators, and student organization officers.\u003c/p\u003e","\u003cp\u003eThe Phi Alpha Delta legal fraternity compiled and published these directories. The directories list the Law School's faculty, staff, and students. Job titles are listed with the faculty and staff names.\u003c/p\u003e","\u003cp\u003eThere are 4 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 3 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 3 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere is 1 copy of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 3 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 3 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 3 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 3 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 5 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 4 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 3 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere is copy of this directory.\u003c/p\u003e","\u003cp\u003eThe first faculty directory in this series dates from the 1974-1975 academic year. It contains the names and short biographies of University of Virginia School of Law faculty and it was produced for a small internal audience.\u003c/p\u003e\n","\u003cp\u003eThe subsequent directories, dating from 1983 to 2000, provide more substantial information about School of Law faculty, adjuncts, and administration. They include extended biographies, photographs, and letters from the School's Dean. Unlike the directory from 1974-1975, these later resources were designed for wide distribution among Law School faculty, students, alums, staff, and supporters. Every few years, the University of Virginia published complete directories and distributed supplemental printings to profile new faculty hired in the years between publications. \u003c/p\u003e","\u003cp\u003eThis series consists of paper directories dating from 1998 to 2011. They list the names of LL.M. candidates, S.J.D. candidates, and scholars-in-residence at the University of Virginia School of Law. Portrait photographs and short biographies are usually included with the names listed in the directories.\u003c/p\u003e","\u003cp\u003ePrinted directories that list the names, office locations, departments, and telephone numbers of law school faculty and staff.\u003c/p\u003e","\u003cp\u003eThe University of Virginia printed these directories to share contact information for its faculty, staff, and students. They also include emergency numbers, department listings, student organization listings, advertisements, and coupons.\u003c/p\u003e","\u003cp\u003eThe University of Virginia School of Law published faculty, staff, and department directories on its public website. The online directories provide lists of names, titles, and contact information. Many versions of them also include photographs, biographies, and department affiliations.\u003c/p\u003e\n","\u003cp\u003eThe items in this series are representations of the online directories. Early versions of the online directory were printed onto paper and archived into this series. Later versions are preserved as born-digital objects.\u003c/p\u003e","\u003cp\u003eThis is a print copy of the online faculty directory from the 2003-2004 academic year.\u003c/p\u003e","\u003cp\u003eThis is a print copy of the online faculty directory from the 2005-2006 academic year.\u003c/p\u003e","\u003cp\u003eThis is a print copy of the online faculty directory from the 2006-2007 academic year.\u003c/p\u003e","\u003cp\u003eThis file consists of 13 digital representations of the University of Virginia School of Law's online faculty directory stored in .docx file. The representations date from the following calendar and academic years: 2014, 2015, 2016, 2019-2020, 2020-2021, 2021-2022.\u003c/p\u003e","\u003cp\u003eThis is a digital representation of the Law School website's faculty, staff, and department directory stored in a .wacz file.\u003c/p\u003e","\u003cp\u003eThis is a digital representation of the Law School website's faculty, staff, and department directory stored in a .wacz file.\u003c/p\u003e","\u003cp\u003eThis is a digital representation of the Law School website's faculty, staff, and department directory stored in a .wacz file.\u003c/p\u003e","\u003cp\u003eThis is a digital representation of the Law School website's faculty, staff, and department directory stored in a .wacz file.\u003c/p\u003e","\u003cp\u003eThe University of Virginia School of Law made this directory available to its faculty, staff, and students on the School's Intranet platform. It is divided into graduating classes, and the students in each class are listed in alphabetical order according to their last names. Low-resolution portrait photographs of most of the students are included in the directory.\u003c/p\u003e\n","\u003cp\u003eThe digital files in this series are representations of the original sudent photograph directories. \u003c/p\u003e","\u003cp\u003eThis file consists of 9 .pdf representations of content downloaded from the University of Virginia School of Law's Online Student Photograph Directory. There is one .pdf file for each of the following classes of law students: 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017, 2018.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This is a collection of print and digital directories that list the faculty, staff, students, and alumni of the University of Virginia School of Law. It contains the following series of materials:","Alumni Directories of the University of Virginia School of Law (1940-2005)","Directory of the Faculty and Students of the University of Virginia (1942-1943)","Directory of the Law School, University of Virginia (1947-1973)","Faculty Directories of the University of Virginia School of Law (1974, 1982-2000)","\nGraduate Studies Directories, University of Virginia School of Law (1998-2012)","Law School Telephone Directories, University of Virginia (1998-2020)","University of Virginia Telephone Directories (2002-2014)","Online Faculty, Staff, and Department Directories of the University of Virginia School of Law (2003-2026)","Photograph Directories of the University of Virginia School of Law (2010-2024)","The University of Virginia School of Law Foundation produced comprehensive directories of Law School alumni, and widely distributed them among the alumni. They generally list names, addresses, graduating years, and occupations. Alumni are often sorted using alphabetical order, geographic location, and graduating year. The 1962 and 1972 editions list both living and deceased alumni. The other directories list only living alumni.","Many directories also list the names of Foundation officers and Law School faculty.","There are 4 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 2 copies of this directory.","There are 2 print copies and 1 CD copy of this directory.","There are 2 copies of this directory.","The Young Men's Christian Association of the University of Virginia published this directory. It lists the names and addresses of University students. The directory also provides the names of faculty, instructors, administrators, and student organization officers.","The Phi Alpha Delta legal fraternity compiled and published these directories. The directories list the Law School's faculty, staff, and students. Job titles are listed with the faculty and staff names.","There are 4 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There is 1 copy of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 5 copies of this directory.","There are 4 copies of this directory.","There are 3 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There is copy of this directory.","The first faculty directory in this series dates from the 1974-1975 academic year. It contains the names and short biographies of University of Virginia School of Law faculty and it was produced for a small internal audience.","The subsequent directories, dating from 1983 to 2000, provide more substantial information about School of Law faculty, adjuncts, and administration. They include extended biographies, photographs, and letters from the School's Dean. Unlike the directory from 1974-1975, these later resources were designed for wide distribution among Law School faculty, students, alums, staff, and supporters. Every few years, the University of Virginia published complete directories and distributed supplemental printings to profile new faculty hired in the years between publications. ","This series consists of paper directories dating from 1998 to 2011. They list the names of LL.M. candidates, S.J.D. candidates, and scholars-in-residence at the University of Virginia School of Law. Portrait photographs and short biographies are usually included with the names listed in the directories.","Printed directories that list the names, office locations, departments, and telephone numbers of law school faculty and staff.","The University of Virginia printed these directories to share contact information for its faculty, staff, and students. They also include emergency numbers, department listings, student organization listings, advertisements, and coupons.","The University of Virginia School of Law published faculty, staff, and department directories on its public website. The online directories provide lists of names, titles, and contact information. Many versions of them also include photographs, biographies, and department affiliations.","The items in this series are representations of the online directories. Early versions of the online directory were printed onto paper and archived into this series. Later versions are preserved as born-digital objects.","This is a print copy of the online faculty directory from the 2003-2004 academic year.","This is a print copy of the online faculty directory from the 2005-2006 academic year.","This is a print copy of the online faculty directory from the 2006-2007 academic year.","This file consists of 13 digital representations of the University of Virginia School of Law's online faculty directory stored in .docx file. The representations date from the following calendar and academic years: 2014, 2015, 2016, 2019-2020, 2020-2021, 2021-2022.","This is a digital representation of the Law School website's faculty, staff, and department directory stored in a .wacz file.","This is a digital representation of the Law School website's faculty, staff, and department directory stored in a .wacz file.","This is a digital representation of the Law School website's faculty, staff, and department directory stored in a .wacz file.","This is a digital representation of the Law School website's faculty, staff, and department directory stored in a .wacz file.","The University of Virginia School of Law made this directory available to its faculty, staff, and students on the School's Intranet platform. It is divided into graduating classes, and the students in each class are listed in alphabetical order according to their last names. Low-resolution portrait photographs of most of the students are included in the directory.","The digital files in this series are representations of the original sudent photograph directories. ","This file consists of 9 .pdf representations of content downloaded from the University of Virginia School of Law's Online Student Photograph Directory. There is one .pdf file for each of the following classes of law students: 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017, 2018."],"userestrict_html_tesm":["\u003cp\u003eBecause of the nature of this collection, copyright status might vary across the materials. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property that it owns in the name of The Rector and Visitors of the University of Virginia.\u003c/p\u003e","\u003cp\u003eThe University of Virginia Law School Foundation published the alumni directories and they own the copyright to them. However, under U.S. copyright law, earlier editions may now be in the public domain.\u003c/p\u003e","\u003cp\u003eThis item is in the public domain.\u003c/p\u003e","\u003cp\u003eThese directories are in the public domain. Permission to publish or reproduce is not required.\u003c/p\u003e","\u003cp\u003eThe University of Virginia owns the copyright to the items in this series.\u003c/p\u003e","\u003cp\u003eThe University of Virginia owns the copyright to content in these directories that has not yet entered the public domain.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on the use of the telephone directories.\u003c/p\u003e","\u003cp\u003eThe University of Virginia printed and owns the copyright to these directories.\u003c/p\u003e","\u003cp\u003eThe University of Virginia produced the directories in this series. The copyright status of each of these items is unknown, either the University owns the copyright to them, or they are in the public domain.\u003c/p\u003e","\u003cp\u003eThe University of Virginia produced the directories in this series. The copyright status of each of these items is unknown, either the University owns the copyright to them, or they are in the public domain.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["Because of the nature of this collection, copyright status might vary across the materials. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property that it owns in the name of The Rector and Visitors of the University of Virginia.","The University of Virginia Law School Foundation published the alumni directories and they own the copyright to them. However, under U.S. copyright law, earlier editions may now be in the public domain.","This item is in the public domain.","These directories are in the public domain. Permission to publish or reproduce is not required.","The University of Virginia owns the copyright to the items in this series.","The University of Virginia owns the copyright to content in these directories that has not yet entered the public domain.","There are no restrictions on the use of the telephone directories.","The University of Virginia printed and owns the copyright to these directories.","The University of Virginia produced the directories in this series. The copyright status of each of these items is unknown, either the University owns the copyright to them, or they are in the public domain.","The University of Virginia produced the directories in this series. The copyright status of each of these items is unknown, either the University owns the copyright to them, or they are in the public domain."],"names_ssim":["Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law","University of Virginia. School of Law. Law School Foundation","Young Men's Christian Association (Alexandria,VA)"],"corpname_ssim":["Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law","University of Virginia. School of Law. Law School Foundation","Young Men's Christian Association (Alexandria,VA)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":102,"online_item_count_is":9,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:44:38.801Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_4_resources_1517","ead_ssi":"viu_repositories_4_resources_1517","_root_":"viu_repositories_4_resources_1517","_nest_parent_":"viu_repositories_4_resources_1517","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_1517.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/189280","title_ssm":["Directories - University of Virginia School of Law"],"title_tesim":["Directories - University of Virginia School of Law"],"unitdate_ssm":["1940-2026"],"unitdate_inclusive_ssm":["1940-2026"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG.32.502","Archival Resource Key","/repositories/4/resources/1517"],"text":["RG.32.502","Archival Resource Key","/repositories/4/resources/1517","Directories - University of Virginia School of Law","University of Virginia. School of Law","There are no restrictions on access to the directories in this series.","There are no restrictions on access to the alumni directories.","There are no restrictions on access to this directory.","There are no restrictions on access to these directories.","There are no restrictions on access to the faculty directories.","There are no restrictions on access to the items in this series.","There are no restrictions on access to the telephone directories.","There are no restrictions on access to these directories.","There are no restrictions on access to the online directories.","There are no restrictions on access to the student photograph directories.","The Arthur J. Morris Law Library expects to add items to this collection periodically.","The online directories originally existed as a series of web pages. Archivists strive to capture the directories in a state close to how they would have appeared to users when it was live. However, to overcome technological limitations and to allow for sustainable preservation, archivists made appraisal decisions that resulted in the creation of archived resources that might function and look different from the originals.","When using copies of the online directories, researchers should know that they are not identical to the originals. They are close representations shaped by the appraisal decisions of archivists.","The student photograph directory originally existed as a series of web pages. Archivists strive to capture the directory in a state close to how it would have appeared to users when it was live. However, to overcome technological limitations and to allow for sustainable preservation, archivists made appraisal decisions that resulted in the creation of archived resources that might function and look different from the originals.","When using copies of the student photograph directory, researchers should know that they are not identical to the originals. They are close representations shaped by the appraisal decisions of archivists.","The series in this collection are arranged in chronological order.","During the nineteenth and twentieth centuries, the University of Virginia published lists of law faculty, staff, and students in the University of Virginia general and School of Law catalogs.","This is a collection of print and digital directories that list the faculty, staff, students, and alumni of the University of Virginia School of Law. It contains the following series of materials:","Alumni Directories of the University of Virginia School of Law (1940-2005)","Directory of the Faculty and Students of the University of Virginia (1942-1943)","Directory of the Law School, University of Virginia (1947-1973)","Faculty Directories of the University of Virginia School of Law (1974, 1982-2000)","\nGraduate Studies Directories, University of Virginia School of Law (1998-2012)","Law School Telephone Directories, University of Virginia (1998-2020)","University of Virginia Telephone Directories (2002-2014)","Online Faculty, Staff, and Department Directories of the University of Virginia School of Law (2003-2026)","Photograph Directories of the University of Virginia School of Law (2010-2024)","The University of Virginia School of Law Foundation produced comprehensive directories of Law School alumni, and widely distributed them among the alumni. They generally list names, addresses, graduating years, and occupations. Alumni are often sorted using alphabetical order, geographic location, and graduating year. The 1962 and 1972 editions list both living and deceased alumni. The other directories list only living alumni.","Many directories also list the names of Foundation officers and Law School faculty.","There are 4 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 2 copies of this directory.","There are 2 print copies and 1 CD copy of this directory.","There are 2 copies of this directory.","The Young Men's Christian Association of the University of Virginia published this directory. It lists the names and addresses of University students. The directory also provides the names of faculty, instructors, administrators, and student organization officers.","The Phi Alpha Delta legal fraternity compiled and published these directories. The directories list the Law School's faculty, staff, and students. Job titles are listed with the faculty and staff names.","There are 4 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There is 1 copy of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 5 copies of this directory.","There are 4 copies of this directory.","There are 3 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There is copy of this directory.","The first faculty directory in this series dates from the 1974-1975 academic year. It contains the names and short biographies of University of Virginia School of Law faculty and it was produced for a small internal audience.","The subsequent directories, dating from 1983 to 2000, provide more substantial information about School of Law faculty, adjuncts, and administration. They include extended biographies, photographs, and letters from the School's Dean. Unlike the directory from 1974-1975, these later resources were designed for wide distribution among Law School faculty, students, alums, staff, and supporters. Every few years, the University of Virginia published complete directories and distributed supplemental printings to profile new faculty hired in the years between publications. ","This series consists of paper directories dating from 1998 to 2011. They list the names of LL.M. candidates, S.J.D. candidates, and scholars-in-residence at the University of Virginia School of Law. Portrait photographs and short biographies are usually included with the names listed in the directories.","Printed directories that list the names, office locations, departments, and telephone numbers of law school faculty and staff.","The University of Virginia printed these directories to share contact information for its faculty, staff, and students. They also include emergency numbers, department listings, student organization listings, advertisements, and coupons.","The University of Virginia School of Law published faculty, staff, and department directories on its public website. The online directories provide lists of names, titles, and contact information. Many versions of them also include photographs, biographies, and department affiliations.","The items in this series are representations of the online directories. Early versions of the online directory were printed onto paper and archived into this series. Later versions are preserved as born-digital objects.","This is a print copy of the online faculty directory from the 2003-2004 academic year.","This is a print copy of the online faculty directory from the 2005-2006 academic year.","This is a print copy of the online faculty directory from the 2006-2007 academic year.","This file consists of 13 digital representations of the University of Virginia School of Law's online faculty directory stored in .docx file. The representations date from the following calendar and academic years: 2014, 2015, 2016, 2019-2020, 2020-2021, 2021-2022.","This is a digital representation of the Law School website's faculty, staff, and department directory stored in a .wacz file.","This is a digital representation of the Law School website's faculty, staff, and department directory stored in a .wacz file.","This is a digital representation of the Law School website's faculty, staff, and department directory stored in a .wacz file.","This is a digital representation of the Law School website's faculty, staff, and department directory stored in a .wacz file.","The University of Virginia School of Law made this directory available to its faculty, staff, and students on the School's Intranet platform. It is divided into graduating classes, and the students in each class are listed in alphabetical order according to their last names. Low-resolution portrait photographs of most of the students are included in the directory.","The digital files in this series are representations of the original sudent photograph directories. ","This file consists of 9 .pdf representations of content downloaded from the University of Virginia School of Law's Online Student Photograph Directory. There is one .pdf file for each of the following classes of law students: 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017, 2018.","Because of the nature of this collection, copyright status might vary across the materials. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property that it owns in the name of The Rector and Visitors of the University of Virginia.","The University of Virginia Law School Foundation published the alumni directories and they own the copyright to them. However, under U.S. copyright law, earlier editions may now be in the public domain.","This item is in the public domain.","These directories are in the public domain. Permission to publish or reproduce is not required.","The University of Virginia owns the copyright to the items in this series.","The University of Virginia owns the copyright to content in these directories that has not yet entered the public domain.","There are no restrictions on the use of the telephone directories.","The University of Virginia printed and owns the copyright to these directories.","The University of Virginia produced the directories in this series. The copyright status of each of these items is unknown, either the University owns the copyright to them, or they are in the public domain.","The University of Virginia produced the directories in this series. The copyright status of each of these items is unknown, either the University owns the copyright to them, or they are in the public domain.","Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law","University of Virginia. School of Law. Law School Foundation","Young Men's Christian Association (Alexandria,VA)","English"],"unitid_tesim":["RG.32.502","Archival Resource Key","/repositories/4/resources/1517"],"normalized_title_ssm":["Directories - University of Virginia School of Law"],"collection_title_tesim":["Directories - University of Virginia School of Law"],"collection_ssim":["Directories - University of Virginia School of Law"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["University of Virginia. School of Law","University of Virginia. School of Law. Law School Foundation","Young Men's Christian Association (Alexandria,VA)"],"creator_ssim":["University of Virginia. School of Law","University of Virginia. School of Law. Law School Foundation","Young Men's Christian Association (Alexandria,VA)"],"creator_corpname_ssim":["University of Virginia. School of Law","University of Virginia. School of Law. Law School Foundation","Young Men's Christian Association (Alexandria,VA)"],"creators_ssim":["University of Virginia. School of Law","University of Virginia. School of Law. Law School Foundation","Young Men's Christian Association (Alexandria,VA)"],"access_terms_ssm":["Because of the nature of this collection, copyright status might vary across the materials. Copyright is assumed to be held by the original creator of individual items; these items are expected to pass into the public domain 120 years after their creation. The University may grant permission to publish or reproduce intellectual property that it owns in the name of The Rector and Visitors of the University of Virginia."],"acqinfo_ssim":["The directories came to the Arthur J. Morris Law Library from various sources. When the source of a single directory or group of directories is known, archivists include that information in the finding aid inventory."],"access_subjects_ssim":["University of Virginia. School of Law"],"access_subjects_ssm":["University of Virginia. School of Law"],"has_online_content_ssim":["true"],"extent_ssm":["37.369 Gigabytes","3.13 Linear Feet","24 Volumes"],"extent_tesim":["37.369 Gigabytes","3.13 Linear Feet","24 Volumes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025,2026],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on access to the directories in this series.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the alumni directories.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to this directory.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to these directories.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the faculty directories.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the items in this series.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the telephone directories.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to these directories.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the online directories.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the student photograph directories.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on access to the directories in this series.","There are no restrictions on access to the alumni directories.","There are no restrictions on access to this directory.","There are no restrictions on access to these directories.","There are no restrictions on access to the faculty directories.","There are no restrictions on access to the items in this series.","There are no restrictions on access to the telephone directories.","There are no restrictions on access to these directories.","There are no restrictions on access to the online directories.","There are no restrictions on access to the student photograph directories."],"accruals_html_tesm":["\u003cp\u003eThe Arthur J. Morris Law Library expects to add items to this collection periodically.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["The Arthur J. Morris Law Library expects to add items to this collection periodically."],"appraisal_html_tesm":["\u003cp\u003eThe online directories originally existed as a series of web pages. Archivists strive to capture the directories in a state close to how they would have appeared to users when it was live. However, to overcome technological limitations and to allow for sustainable preservation, archivists made appraisal decisions that resulted in the creation of archived resources that might function and look different from the originals.\u003c/p\u003e\n","\u003cp\u003eWhen using copies of the online directories, researchers should know that they are not identical to the originals. They are close representations shaped by the appraisal decisions of archivists.\u003c/p\u003e","\u003cp\u003eThe student photograph directory originally existed as a series of web pages. Archivists strive to capture the directory in a state close to how it would have appeared to users when it was live. However, to overcome technological limitations and to allow for sustainable preservation, archivists made appraisal decisions that resulted in the creation of archived resources that might function and look different from the originals.\u003c/p\u003e\n","\u003cp\u003eWhen using copies of the student photograph directory, researchers should know that they are not identical to the originals. They are close representations shaped by the appraisal decisions of archivists.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal","Appraisal"],"appraisal_tesim":["The online directories originally existed as a series of web pages. Archivists strive to capture the directories in a state close to how they would have appeared to users when it was live. However, to overcome technological limitations and to allow for sustainable preservation, archivists made appraisal decisions that resulted in the creation of archived resources that might function and look different from the originals.","When using copies of the online directories, researchers should know that they are not identical to the originals. They are close representations shaped by the appraisal decisions of archivists.","The student photograph directory originally existed as a series of web pages. Archivists strive to capture the directory in a state close to how it would have appeared to users when it was live. However, to overcome technological limitations and to allow for sustainable preservation, archivists made appraisal decisions that resulted in the creation of archived resources that might function and look different from the originals.","When using copies of the student photograph directory, researchers should know that they are not identical to the originals. They are close representations shaped by the appraisal decisions of archivists."],"arrangement_html_tesm":["\u003cp\u003eThe series in this collection are arranged in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The series in this collection are arranged in chronological order."],"relatedmaterial_html_tesm":["\u003cp\u003eDuring the nineteenth and twentieth centuries, the University of Virginia published lists of law faculty, staff, and students in the University of Virginia general and School of Law catalogs.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["During the nineteenth and twentieth centuries, the University of Virginia published lists of law faculty, staff, and students in the University of Virginia general and School of Law catalogs."],"scopecontent_html_tesm":["\u003cp\u003eThis is a collection of print and digital directories that list the faculty, staff, students, and alumni of the University of Virginia School of Law. It contains the following series of materials:\u003c/p\u003e","\u003cp\u003eAlumni Directories of the University of Virginia School of Law (1940-2005)\u003c/p\u003e\n","\u003cp\u003eDirectory of the Faculty and Students of the University of Virginia (1942-1943)\u003c/p\u003e\n","\u003cp\u003eDirectory of the Law School, University of Virginia (1947-1973)\u003c/p\u003e\n","\u003cp\u003eFaculty Directories of the University of Virginia School of Law (1974, 1982-2000)\u003c/p\u003e\n","\u003cp\u003e\nGraduate Studies Directories, University of Virginia School of Law (1998-2012)\u003c/p\u003e\n","\u003cp\u003eLaw School Telephone Directories, University of Virginia (1998-2020)\u003c/p\u003e\n","\u003cp\u003eUniversity of Virginia Telephone Directories (2002-2014)\u003c/p\u003e","\u003cp\u003eOnline Faculty, Staff, and Department Directories of the University of Virginia School of Law (2003-2026)\u003c/p\u003e","\u003cp\u003ePhotograph Directories of the University of Virginia School of Law (2010-2024)\u003c/p\u003e","\u003cp\u003eThe University of Virginia School of Law Foundation produced comprehensive directories of Law School alumni, and widely distributed them among the alumni. They generally list names, addresses, graduating years, and occupations. Alumni are often sorted using alphabetical order, geographic location, and graduating year. The 1962 and 1972 editions list both living and deceased alumni. The other directories list only living alumni.\u003c/p\u003e\n","\u003cp\u003eMany directories also list the names of Foundation officers and Law School faculty.\u003c/p\u003e","\u003cp\u003eThere are 4 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 3 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 3 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 3 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 3 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 3 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 3 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 print copies and 1 CD copy of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThe Young Men's Christian Association of the University of Virginia published this directory. It lists the names and addresses of University students. The directory also provides the names of faculty, instructors, administrators, and student organization officers.\u003c/p\u003e","\u003cp\u003eThe Phi Alpha Delta legal fraternity compiled and published these directories. The directories list the Law School's faculty, staff, and students. Job titles are listed with the faculty and staff names.\u003c/p\u003e","\u003cp\u003eThere are 4 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 3 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 3 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere is 1 copy of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 3 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 3 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 3 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 3 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 5 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 4 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 3 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere are 2 copies of this directory.\u003c/p\u003e","\u003cp\u003eThere is copy of this directory.\u003c/p\u003e","\u003cp\u003eThe first faculty directory in this series dates from the 1974-1975 academic year. It contains the names and short biographies of University of Virginia School of Law faculty and it was produced for a small internal audience.\u003c/p\u003e\n","\u003cp\u003eThe subsequent directories, dating from 1983 to 2000, provide more substantial information about School of Law faculty, adjuncts, and administration. They include extended biographies, photographs, and letters from the School's Dean. Unlike the directory from 1974-1975, these later resources were designed for wide distribution among Law School faculty, students, alums, staff, and supporters. Every few years, the University of Virginia published complete directories and distributed supplemental printings to profile new faculty hired in the years between publications. \u003c/p\u003e","\u003cp\u003eThis series consists of paper directories dating from 1998 to 2011. They list the names of LL.M. candidates, S.J.D. candidates, and scholars-in-residence at the University of Virginia School of Law. Portrait photographs and short biographies are usually included with the names listed in the directories.\u003c/p\u003e","\u003cp\u003ePrinted directories that list the names, office locations, departments, and telephone numbers of law school faculty and staff.\u003c/p\u003e","\u003cp\u003eThe University of Virginia printed these directories to share contact information for its faculty, staff, and students. They also include emergency numbers, department listings, student organization listings, advertisements, and coupons.\u003c/p\u003e","\u003cp\u003eThe University of Virginia School of Law published faculty, staff, and department directories on its public website. The online directories provide lists of names, titles, and contact information. Many versions of them also include photographs, biographies, and department affiliations.\u003c/p\u003e\n","\u003cp\u003eThe items in this series are representations of the online directories. Early versions of the online directory were printed onto paper and archived into this series. Later versions are preserved as born-digital objects.\u003c/p\u003e","\u003cp\u003eThis is a print copy of the online faculty directory from the 2003-2004 academic year.\u003c/p\u003e","\u003cp\u003eThis is a print copy of the online faculty directory from the 2005-2006 academic year.\u003c/p\u003e","\u003cp\u003eThis is a print copy of the online faculty directory from the 2006-2007 academic year.\u003c/p\u003e","\u003cp\u003eThis file consists of 13 digital representations of the University of Virginia School of Law's online faculty directory stored in .docx file. The representations date from the following calendar and academic years: 2014, 2015, 2016, 2019-2020, 2020-2021, 2021-2022.\u003c/p\u003e","\u003cp\u003eThis is a digital representation of the Law School website's faculty, staff, and department directory stored in a .wacz file.\u003c/p\u003e","\u003cp\u003eThis is a digital representation of the Law School website's faculty, staff, and department directory stored in a .wacz file.\u003c/p\u003e","\u003cp\u003eThis is a digital representation of the Law School website's faculty, staff, and department directory stored in a .wacz file.\u003c/p\u003e","\u003cp\u003eThis is a digital representation of the Law School website's faculty, staff, and department directory stored in a .wacz file.\u003c/p\u003e","\u003cp\u003eThe University of Virginia School of Law made this directory available to its faculty, staff, and students on the School's Intranet platform. It is divided into graduating classes, and the students in each class are listed in alphabetical order according to their last names. Low-resolution portrait photographs of most of the students are included in the directory.\u003c/p\u003e\n","\u003cp\u003eThe digital files in this series are representations of the original sudent photograph directories. \u003c/p\u003e","\u003cp\u003eThis file consists of 9 .pdf representations of content downloaded from the University of Virginia School of Law's Online Student Photograph Directory. There is one .pdf file for each of the following classes of law students: 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017, 2018.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This is a collection of print and digital directories that list the faculty, staff, students, and alumni of the University of Virginia School of Law. It contains the following series of materials:","Alumni Directories of the University of Virginia School of Law (1940-2005)","Directory of the Faculty and Students of the University of Virginia (1942-1943)","Directory of the Law School, University of Virginia (1947-1973)","Faculty Directories of the University of Virginia School of Law (1974, 1982-2000)","\nGraduate Studies Directories, University of Virginia School of Law (1998-2012)","Law School Telephone Directories, University of Virginia (1998-2020)","University of Virginia Telephone Directories (2002-2014)","Online Faculty, Staff, and Department Directories of the University of Virginia School of Law (2003-2026)","Photograph Directories of the University of Virginia School of Law (2010-2024)","The University of Virginia School of Law Foundation produced comprehensive directories of Law School alumni, and widely distributed them among the alumni. They generally list names, addresses, graduating years, and occupations. Alumni are often sorted using alphabetical order, geographic location, and graduating year. The 1962 and 1972 editions list both living and deceased alumni. The other directories list only living alumni.","Many directories also list the names of Foundation officers and Law School faculty.","There are 4 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 2 copies of this directory.","There are 2 print copies and 1 CD copy of this directory.","There are 2 copies of this directory.","The Young Men's Christian Association of the University of Virginia published this directory. It lists the names and addresses of University students. The directory also provides the names of faculty, instructors, administrators, and student organization officers.","The Phi Alpha Delta legal fraternity compiled and published these directories. The directories list the Law School's faculty, staff, and students. Job titles are listed with the faculty and staff names.","There are 4 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There is 1 copy of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 3 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 5 copies of this directory.","There are 4 copies of this directory.","There are 3 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There are 2 copies of this directory.","There is copy of this directory.","The first faculty directory in this series dates from the 1974-1975 academic year. It contains the names and short biographies of University of Virginia School of Law faculty and it was produced for a small internal audience.","The subsequent directories, dating from 1983 to 2000, provide more substantial information about School of Law faculty, adjuncts, and administration. They include extended biographies, photographs, and letters from the School's Dean. Unlike the directory from 1974-1975, these later resources were designed for wide distribution among Law School faculty, students, alums, staff, and supporters. Every few years, the University of Virginia published complete directories and distributed supplemental printings to profile new faculty hired in the years between publications. ","This series consists of paper directories dating from 1998 to 2011. They list the names of LL.M. candidates, S.J.D. candidates, and scholars-in-residence at the University of Virginia School of Law. Portrait photographs and short biographies are usually included with the names listed in the directories.","Printed directories that list the names, office locations, departments, and telephone numbers of law school faculty and staff.","The University of Virginia printed these directories to share contact information for its faculty, staff, and students. They also include emergency numbers, department listings, student organization listings, advertisements, and coupons.","The University of Virginia School of Law published faculty, staff, and department directories on its public website. The online directories provide lists of names, titles, and contact information. Many versions of them also include photographs, biographies, and department affiliations.","The items in this series are representations of the online directories. Early versions of the online directory were printed onto paper and archived into this series. Later versions are preserved as born-digital objects.","This is a print copy of the online faculty directory from the 2003-2004 academic year.","This is a print copy of the online faculty directory from the 2005-2006 academic year.","This is a print copy of the online faculty directory from the 2006-2007 academic year.","This file consists of 13 digital representations of the University of Virginia School of Law's online faculty directory stored in .docx file. The representations date from the following calendar and academic years: 2014, 2015, 2016, 2019-2020, 2020-2021, 2021-2022.","This is a digital representation of the Law School website's faculty, staff, and department directory stored in a .wacz file.","This is a digital representation of the Law School website's faculty, staff, and department directory stored in a .wacz file.","This is a digital representation of the Law School website's faculty, staff, and department directory stored in a .wacz file.","This is a digital representation of the Law School website's faculty, staff, and department directory stored in a .wacz file.","The University of Virginia School of Law made this directory available to its faculty, staff, and students on the School's Intranet platform. It is divided into graduating classes, and the students in each class are listed in alphabetical order according to their last names. 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The copyright status of each of these items is unknown, either the University owns the copyright to them, or they are in the public domain.","The University of Virginia produced the directories in this series. The copyright status of each of these items is unknown, either the University owns the copyright to them, or they are in the public domain."],"names_ssim":["Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law","University of Virginia. School of Law. Law School Foundation","Young Men's Christian Association (Alexandria,VA)"],"corpname_ssim":["Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law","University of Virginia. School of Law. 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