{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1898\u0026page=3","prev":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1898\u0026page=2","next":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1898\u0026page=4","last":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1898\u0026page=5"},"meta":{"pages":{"current_page":3,"next_page":4,"prev_page":2,"total_pages":5,"limit_value":10,"offset_value":20,"total_count":45,"first_page?":false,"last_page?":false}},"data":[{"id":"viu_repositories_3_resources_488_c02","type":"Item","attributes":{"title":"Moral philosophy notebook.","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_488_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eHandwritten notebook of W. W. Yen.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_488_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_488_c02","ref_ssm":["viu_repositories_3_resources_488_c02"],"id":"viu_repositories_3_resources_488_c02","ead_ssi":"viu_repositories_3_resources_488","_root_":"viu_repositories_3_resources_488","_nest_parent_":"viu_repositories_3_resources_488","parent_ssi":"viu_repositories_3_resources_488","parent_ssim":["viu_repositories_3_resources_488"],"parent_ids_ssim":["viu_repositories_3_resources_488"],"parent_unittitles_ssm":["Collection of W. W. Yen materials"],"parent_unittitles_tesim":["Collection of W. W. Yen materials"],"text":["Collection of W. W. Yen materials","Moral philosophy notebook.","English","Handwritten notebook of W. W. Yen."],"title_filing_ssi":"Moral philosophy notebook.","title_ssm":["Moral philosophy notebook."],"title_tesim":["Moral philosophy notebook."],"unitdate_inclusive_ssm":["1898-1899"],"normalized_date_ssm":["1898/1899"],"normalized_title_ssm":["Moral philosophy notebook."],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Collection of W. W. Yen materials"],"has_online_content_ssim":["true"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2,"parent_access_restrict_tesm":["This collection is open for research use."],"digital_objects_ssm":["{\"label\":\"Moral philosophy notebook.\",\"href\":\"https://iiifman.lib.virginia.edu/pid/uva-lib:2833566\"}"],"date_range_isim":[1898,1899],"language_ssim":["English"],"scopecontent_html_tesm":["\u003cp\u003eHandwritten notebook of W. W. Yen.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Handwritten notebook of W. W. Yen."],"_nest_path_":"/components#1","timestamp":"2026-05-20T23:39:55.343Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_488","ead_ssi":"viu_repositories_3_resources_488","_root_":"viu_repositories_3_resources_488","_nest_parent_":"viu_repositories_3_resources_488","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_488.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/123517","title_filing_ssi":"Yen, Collection of W. W., materials ","title_ssm":["Collection of W. W. Yen materials"],"title_tesim":["Collection of W. W. Yen materials"],"unitdate_ssm":["1899-1974"],"unitdate_inclusive_ssm":["1899-1974"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["MSS 16323","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/488"],"text":["MSS 16323","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/488","Collection of W. W. Yen materials","Notebooks","diaries","Autobiography (genre)","This collection is open for research use.","Yen Hui-Ch'ing, (Name in English: Yen, Wei Ching Williams or W.W. Yen) was born on 2 April 1877 and passed away on 24 May 1950. He was a Chinese writer, politician, and diplomat from Shanghai.","A graduate of the University of Virginia, he taught the English language at St. John's University, Shanghai in a short time after coming back from the United States and then went to Beijing to start his political career. It was in the US he became a Freemason.","He served as premier five times and simultaneously as acting president on his last premiership in 1926. Wu Peifu handpicked him for the acting presidency to pave the way for Cao Kun's restoration but he was unable to take office due to Zhang Zuolin's objection. When Yan finally took his post, he immediately resigned and appointed navy minister Du Xigui as his successor.","He was also China's first ambassador to the Soviet Union and he was a delegate in the League of Nations. During World War II, he translated and compiled Stories of Old China in Hong Kong while under Japanese house-arrest in 1942. He took his first plane trip in 1949 to Moscow in hopes of resolving the Chinese Civil War.","Source:\n\"Yan Huiqing.\" Wikipedia, https://en.wikipedia.org/wiki/Yan_Huiqing.  Accessed 12 July 2017.","This collection consists of three published books and one notebook.  The Moral philosophy notebook and Standard Masonic Monitor have been digitized by the library.","Handwritten notebook of W. W. Yen.","Albert and Shirley Small Special Collections Library","University of Virginia--Students--Social life and customs.","Yen, Hui-chʻing, 1877-1950","Three  items are in English, one item is in Chinese."],"unitid_tesim":["MSS 16323","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/488"],"normalized_title_ssm":["Collection of W. W. Yen materials"],"collection_title_tesim":["Collection of W. W. Yen materials"],"collection_ssim":["Collection of W. W. 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Yen) was born on 2 April 1877 and passed away on 24 May 1950. He was a Chinese writer, politician, and diplomat from Shanghai.\u003c/p\u003e\n","\u003cp\u003eA graduate of the University of Virginia, he taught the English language at St. John's University, Shanghai in a short time after coming back from the United States and then went to Beijing to start his political career. It was in the US he became a Freemason.\u003c/p\u003e\n","\u003cp\u003eHe served as premier five times and simultaneously as acting president on his last premiership in 1926. Wu Peifu handpicked him for the acting presidency to pave the way for Cao Kun's restoration but he was unable to take office due to Zhang Zuolin's objection. When Yan finally took his post, he immediately resigned and appointed navy minister Du Xigui as his successor.\u003c/p\u003e\n","\u003cp\u003eHe was also China's first ambassador to the Soviet Union and he was a delegate in the League of Nations. During World War II, he translated and compiled Stories of Old China in Hong Kong while under Japanese house-arrest in 1942. He took his first plane trip in 1949 to Moscow in hopes of resolving the Chinese Civil War.\u003c/p\u003e\n","\u003cp\u003eSource:\n\"Yan Huiqing.\" Wikipedia, https://en.wikipedia.org/wiki/Yan_Huiqing.  Accessed 12 July 2017.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Yen Hui-Ch'ing, (Name in English: Yen, Wei Ching Williams or W.W. Yen) was born on 2 April 1877 and passed away on 24 May 1950. He was a Chinese writer, politician, and diplomat from Shanghai.","A graduate of the University of Virginia, he taught the English language at St. John's University, Shanghai in a short time after coming back from the United States and then went to Beijing to start his political career. It was in the US he became a Freemason.","He served as premier five times and simultaneously as acting president on his last premiership in 1926. Wu Peifu handpicked him for the acting presidency to pave the way for Cao Kun's restoration but he was unable to take office due to Zhang Zuolin's objection. When Yan finally took his post, he immediately resigned and appointed navy minister Du Xigui as his successor.","He was also China's first ambassador to the Soviet Union and he was a delegate in the League of Nations. During World War II, he translated and compiled Stories of Old China in Hong Kong while under Japanese house-arrest in 1942. He took his first plane trip in 1949 to Moscow in hopes of resolving the Chinese Civil War.","Source:\n\"Yan Huiqing.\" Wikipedia, https://en.wikipedia.org/wiki/Yan_Huiqing.  Accessed 12 July 2017."],"prefercite_html_tesm":["\u003cp\u003eMSS 16323, Collection of W. W. Yen materials, Albert \u0026amp; Shirley Small Special Collections Library, University of Virginia\u003c/p\u003e"],"prefercite_tesim":["MSS 16323, Collection of W. W. Yen materials, Albert \u0026 Shirley Small Special Collections Library, University of Virginia"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of three published books and one notebook.  The Moral philosophy notebook and Standard Masonic Monitor have been digitized by the library.\u003c/p\u003e","\u003cp\u003eHandwritten notebook of W. W. Yen.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Note:","Scope and Contents"],"scopecontent_tesim":["This collection consists of three published books and one notebook.  The Moral philosophy notebook and Standard Masonic Monitor have been digitized by the library.","Handwritten notebook of W. W. 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Accretions: MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f.","The most recent addition (ViU-2017-0179) that is represented in this finding aid is arranged chronologically.","The collection centers around the family of John Teackle of Kegotank (1753-1817) and his wife Elizabeth Dennis Teackle (1760-1811) and their children  from the Eastern Shore (Somerset County and Accomack County of Maryland). Their granddaughter, Elizabeth Ann Teackle (daughter of their son Littleton Dennis Teackle (1777-1848) and his wife Elizabeth \"Eliza\" Upshur (1783-1835), married Aaron Balderston Quinby in 1839.","Both families came to Virginia and Maryland from Great Britain around the same time, were owners of enslaved people and were probably related through cousins.  Genealogy: Arthur Upshur (1624-1709) was born in Essex County, England. He immigrated to the Eastern Shore of Virginia about 1637. His descendants for the next five generations remained on the Eastern Shore.  The Teackle family goes back to Thomas Teackle (1624-1695) who came to the Eastern Shore from Gloucester, England. They are related to the Admiral Lord Nelson (1758-1805) who fought in the Battle of Trafalgar. ","The collection is reparative in that Elizabeth Upshur Teackle was an exemplary independent woman and poet. It is also reparative because the Teackle family enslaved many people, who are mentioned in the letters. ","The Voices of the Eastern Shore project headed by Dreanna Belden sums it up well, \"Topics such as: slavery, women's history, home life, the economy, the War of 1812, social life, religion, health, and death – the letters encompass virtually every aspect of society that informs our understanding of the era.\" ","Children of John Teackle of Kegotank,Maryland and Elizabeth Dennis: \nLittleton Dennis Teackle (1777-1848) m. Eliza Upshur (1783-1835)\nSarah Upshur Teackle Bancker (1783-183)\nHenrietta (Hetty) Teackle Chauncey (1780-1832)\nElizabeth Dennis Teackle Montgomery (1786-1823)\nHenry Dennis Teackle (1786-1807)\nJohn Justice Teackle (1790-1824)\nEsther (Hetty)  Maria Fisher Teackle (1795-1840)\nJames Henry Dennis Teackle (1796-1840)","Ann Upsher Eyre,sister of Elizabeth Upshur Teackle (1780-1829) lived at Eyre Hall with her husband John Eyre.","Sources:\nUpshur, John, A. \"Upshur Family in Virginia\" Omohundro Institute of Early American History and Culture is collaborating with JSTOR to digitize,preserve and extend access to The William and Mary College Quarterly Historical Magazine\nhttps://www.jstor.org/stable/1923340?seq=2","Digitized letters by the Voices of the Eastern Shore and was provided by the Albert and Shirley Small Special Collections Library to The Portal to Texas History, a digital repository hosted by the UNT Libraries. \nhttps://voicesoftheeasternshore.org/","Item level description for this addition ViU-2017-0179 was created so that digitized copies of the documents can be accessed.","MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f MSS 2871","These letters have been digitized and are online at Voices for the Eastern Shore. https://texashistory.unt.edu/explore/collections/VOESH/","This letter has been digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries","https://texashistory.unt.edu/ark:/67531/metapth1618897/?q=elizabeth%20upshur%20teackle%20to%20sarah%20teackle%20bancker","This letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/ark:/67531/metapth1618900/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/ark:/67531/metapth1618898/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\nhttps://texashistory.unt.edu/ark:/67531/metapth1618901/?q=john%20teackle%20to%20sarah%20teackle%20bancker","This letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/explore/collections/VOESH/browse/?q=william+white+bancker+to+aunt+hetty\u0026t=fulltext\u0026sort=","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries","https://texashistory.unt.edu/ark:/67531/metapth1711690/?q=littleton%20dennis","The larger collection consists of the original materials and 7 additions including the most recent one represented in this finding aid. ","In this addition, ViU-2017-0179, are six  Elizabeth Upshur Teackle  letters with transcriptions. Five letters are written by Mrs. Teackle, and one is addressed to Mrs. Teackle from  William Wirt , esquire. In the letters Mrs. Teackle mainly discusses the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return home of her husband from prison and some of their experiences after his return, as well as her desire to see her family.","Addition ViU-2024-0134 has its own scope and content note and bio note. It contains a handwritten document listing enslaved people and 8 letters among family members particular the Teackle and Bancker family members.","The records for the rest of the collection can be found here:","MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871 -  Quinby ,  Teackle , and  Upshur  families of  Somerset County ,  Maryland , and  Accomack  and  Northampton  Counties,  Virginia  papers: \n https://search.lib.virginia.edu/sources/uva_library/items/u3928667","MSS 2338-c - Papers of the  Quinby Family : \n https://search.lib.virginia.edu/sources/uva_library/items/u3928668","MSS 2338-d -  Accomack County , Land Patent: \n https://search.lib.virginia.edu/sources/uva_library/items/u4367998","MSS 2338-e - Genealogy of the  Evans Family : \n https://search.lib.virginia.edu/sources/uva_library/items/u3927001","MSS 2338-f - Letter to  Mary Emma Justis Sturgis : \n https://search.lib.virginia.edu/sources/uva_library/items/u2674611 http://ead.lib.virginia.edu/vivaead/published/uva-sc/vivadoc.pl?file=viu00995.xml","1825  and  1842  letters from  Henry Clay  to  Littleton Teackle  and  Aaron Quinby  (2 folders) interfiled in the Henry Clay Papers","An  1826 Mar 29  letter from  James Madison  to  Littleton Teakle  (1 folder) interfiled in the James Madison Papers.","Six  Elizabeth Upshur Teackle  letters with transcriptions, one of which is addressed to Mrs. Teackle from William Wirt, esquire. Mrs. Teackle in the letters mainly discuss the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return of her husband from prison and some of their experiences after, as well as her desire to see her family.","These letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/","In this letter Mrs. Teackle includes a copy of a June 1822 letter in her own hand.","This addition (ViU-2024-0134) to MSS 2338, Quinby, Teackle, and Upshur Families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers includes one legal document and eight handwritten letters from the Teackle and Bancker family. Correspondents are Elizabeth Dennis Teackle Montgomery, Littleton Dennis Teackle, John Teackle, and William White Bancker. Letter recipients are Elizabeth's sister, Sarah Upshur Teackle Bancker, Henrietta Bancker, Aunt Hetty (Esther Maria Fisher Teackle), and Messrs. Blair from the Maryland House of Delegates. ","The legal document, dated 1801, is from Littleton Dennis Teackle, recording his moving two enslaved women, Sarah alias Sally and Nanny alias Nancy, from Virginia to Maryland. The rest are letters dated between 1807 and 1835, primarily to family members. One included letter is from John Teackle to his granddaughter Henrietta Bancker, dated 1815 and postmarked to Chestnut Street, Philidelphia, is a photocopy of an original not present in this collection. The eight remaining letters are originals, postmarked on their exterior. ","These letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/","This collection contains some in-copyright material. Visit our Permissions and Publishing page https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","Quinby","Teackle","Upshur","Quinby Family","Evans Family","Elizabeth Upshur Teackle","William Wirt","Mary Emma Justis Sturgis","Henry Clay","Littleton Teackle","Aaron Quinby","James Madison","Littleton Teakle","Teackle, John, 1756-1817","English"],"unitid_tesim":["MSS 2338","Archival Resource Key","/repositories/3/resources/1655"],"normalized_title_ssm":["Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers"],"collection_title_tesim":["Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers"],"collection_ssim":["Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States -- History -- War of 1812"],"geogname_ssim":["United States -- History -- War of 1812"],"places_ssim":["United States -- History -- War of 1812"],"access_terms_ssm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"acqinfo_ssim":["Gift, 2017 August 19"],"access_subjects_ssim":["University of Virginia","Legal correspondence","letters (correspondence)","family papers","photographs"],"access_subjects_ssm":["University of Virginia","Legal correspondence","letters (correspondence)","family papers","photographs"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good"],"extent_ssm":["4.44 Cubic Feet 7 legal-size document boxes, 17 legal-size folders, 1  legal size folder for addition ViU-2024-0134, 2 large oversize folders. Includes 2 legal-sized folders in the Henry Clay Papers (1825 \u0026 1842 letters from Clay to Littleton Teackle and Aaron Quinby); and 1 legal-sized folder in the James Madison Papers (1826 Mar 29 letter from Madison to Littleton Teackle)."],"extent_tesim":["4.44 Cubic Feet 7 legal-size document boxes, 17 legal-size folders, 1  legal size folder for addition ViU-2024-0134, 2 large oversize folders. Includes 2 legal-sized folders in the Henry Clay Papers (1825 \u0026 1842 letters from Clay to Littleton Teackle and Aaron Quinby); and 1 legal-sized folder in the James Madison Papers (1826 Mar 29 letter from Madison to Littleton Teackle)."],"genreform_ssim":["Legal correspondence","letters (correspondence)","family papers","photographs"],"date_range_isim":[1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research.","This collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe overall collection is arranged sequentially in order by its different accretions, except the MSS 2871 material, which is interfiled among the first three. Accretions: MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f.\u003c/p\u003e\n","\u003cp\u003eThe most recent addition (ViU-2017-0179) that is represented in this finding aid is arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The overall collection is arranged sequentially in order by its different accretions, except the MSS 2871 material, which is interfiled among the first three. Accretions: MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f.","The most recent addition (ViU-2017-0179) that is represented in this finding aid is arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eThe collection centers around the family of John Teackle of Kegotank (1753-1817) and his wife Elizabeth Dennis Teackle (1760-1811) and their children  from the Eastern Shore (Somerset County and Accomack County of Maryland). Their granddaughter, Elizabeth Ann Teackle (daughter of their son Littleton Dennis Teackle (1777-1848) and his wife Elizabeth \"Eliza\" Upshur (1783-1835), married Aaron Balderston Quinby in 1839.\u003c/p\u003e\n","\u003cp\u003eBoth families came to Virginia and Maryland from Great Britain around the same time, were owners of enslaved people and were probably related through cousins.  Genealogy: Arthur Upshur (1624-1709) was born in Essex County, England. He immigrated to the Eastern Shore of Virginia about 1637. His descendants for the next five generations remained on the Eastern Shore.  The Teackle family goes back to Thomas Teackle (1624-1695) who came to the Eastern Shore from Gloucester, England. They are related to the Admiral Lord Nelson (1758-1805) who fought in the Battle of Trafalgar. \u003c/p\u003e\n","\u003cp\u003eThe collection is reparative in that Elizabeth Upshur Teackle was an exemplary independent woman and poet. It is also reparative because the Teackle family enslaved many people, who are mentioned in the letters. \u003c/p\u003e\n","\u003cp\u003eThe Voices of the Eastern Shore project headed by Dreanna Belden sums it up well, \"Topics such as: slavery, women's history, home life, the economy, the War of 1812, social life, religion, health, and death – the letters encompass virtually every aspect of society that informs our understanding of the era.\" \u003c/p\u003e\n","\u003cp\u003eChildren of John Teackle of Kegotank,Maryland and Elizabeth Dennis: \nLittleton Dennis Teackle (1777-1848) m. Eliza Upshur (1783-1835)\nSarah Upshur Teackle Bancker (1783-183)\nHenrietta (Hetty) Teackle Chauncey (1780-1832)\nElizabeth Dennis Teackle Montgomery (1786-1823)\nHenry Dennis Teackle (1786-1807)\nJohn Justice Teackle (1790-1824)\nEsther (Hetty)  Maria Fisher Teackle (1795-1840)\nJames Henry Dennis Teackle (1796-1840)\u003c/p\u003e\n","\u003cp\u003eAnn Upsher Eyre,sister of Elizabeth Upshur Teackle (1780-1829) lived at Eyre Hall with her husband John Eyre.\u003c/p\u003e\n","\u003cp\u003eSources:\nUpshur, John, A. \"Upshur Family in Virginia\" Omohundro Institute of Early American History and Culture is collaborating with JSTOR to digitize,preserve and extend access to The William and Mary College Quarterly Historical Magazine\nhttps://www.jstor.org/stable/1923340?seq=2\u003c/p\u003e\n","\u003cp\u003eDigitized letters by the Voices of the Eastern Shore and was provided by the Albert and Shirley Small Special Collections Library to The Portal to Texas History, a digital repository hosted by the UNT Libraries. \nhttps://voicesoftheeasternshore.org/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The collection centers around the family of John Teackle of Kegotank (1753-1817) and his wife Elizabeth Dennis Teackle (1760-1811) and their children  from the Eastern Shore (Somerset County and Accomack County of Maryland). Their granddaughter, Elizabeth Ann Teackle (daughter of their son Littleton Dennis Teackle (1777-1848) and his wife Elizabeth \"Eliza\" Upshur (1783-1835), married Aaron Balderston Quinby in 1839.","Both families came to Virginia and Maryland from Great Britain around the same time, were owners of enslaved people and were probably related through cousins.  Genealogy: Arthur Upshur (1624-1709) was born in Essex County, England. He immigrated to the Eastern Shore of Virginia about 1637. His descendants for the next five generations remained on the Eastern Shore.  The Teackle family goes back to Thomas Teackle (1624-1695) who came to the Eastern Shore from Gloucester, England. They are related to the Admiral Lord Nelson (1758-1805) who fought in the Battle of Trafalgar. ","The collection is reparative in that Elizabeth Upshur Teackle was an exemplary independent woman and poet. It is also reparative because the Teackle family enslaved many people, who are mentioned in the letters. ","The Voices of the Eastern Shore project headed by Dreanna Belden sums it up well, \"Topics such as: slavery, women's history, home life, the economy, the War of 1812, social life, religion, health, and death – the letters encompass virtually every aspect of society that informs our understanding of the era.\" ","Children of John Teackle of Kegotank,Maryland and Elizabeth Dennis: \nLittleton Dennis Teackle (1777-1848) m. Eliza Upshur (1783-1835)\nSarah Upshur Teackle Bancker (1783-183)\nHenrietta (Hetty) Teackle Chauncey (1780-1832)\nElizabeth Dennis Teackle Montgomery (1786-1823)\nHenry Dennis Teackle (1786-1807)\nJohn Justice Teackle (1790-1824)\nEsther (Hetty)  Maria Fisher Teackle (1795-1840)\nJames Henry Dennis Teackle (1796-1840)","Ann Upsher Eyre,sister of Elizabeth Upshur Teackle (1780-1829) lived at Eyre Hall with her husband John Eyre.","Sources:\nUpshur, John, A. \"Upshur Family in Virginia\" Omohundro Institute of Early American History and Culture is collaborating with JSTOR to digitize,preserve and extend access to The William and Mary College Quarterly Historical Magazine\nhttps://www.jstor.org/stable/1923340?seq=2","Digitized letters by the Voices of the Eastern Shore and was provided by the Albert and Shirley Small Special Collections Library to The Portal to Texas History, a digital repository hosted by the UNT Libraries. \nhttps://voicesoftheeasternshore.org/"],"otherfindaid_html_tesm":["\u003cp\u003e\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3928667\u003c/extref\u003e; \u003c/p\u003e\n","\u003cp\u003e\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3928668\u003c/extref\u003e; \u003c/p\u003e\n","\u003cp\u003e\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u4367998\u003c/extref\u003e; \u003c/p\u003e\n","\u003cp\u003e\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3927001\u003c/extref\u003e; \u003c/p\u003e\n","\u003cp\u003e\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u2674611\u003c/extref\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["https://search.lib.virginia.edu/sources/uva_library/items/u3928667 ; ","https://search.lib.virginia.edu/sources/uva_library/items/u3928668 ; ","https://search.lib.virginia.edu/sources/uva_library/items/u4367998 ; ","https://search.lib.virginia.edu/sources/uva_library/items/u3927001 ; ","https://search.lib.virginia.edu/sources/uva_library/items/u2674611"],"prefercite_html_tesm":["\u003cp\u003eMSS 2338, Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia papers, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e","\u003cp\u003eMSS 2338, Teackle and Bancker family papers, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 2338, Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia papers, Albert and Shirley Small Special Collections Library, University of Virginia.","MSS 2338, Teackle and Bancker family papers, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"processinfo_html_tesm":["\u003cp\u003eItem level description for this addition ViU-2017-0179 was created so that digitized copies of the documents can be accessed.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Item level description for this addition ViU-2017-0179 was created so that digitized copies of the documents can be accessed."],"relatedmaterial_html_tesm":["\u003cp\u003eMSS 2338, MSS 2338-a, MSS 2338-b, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f MSS 2871\u003c/p\u003e\n","\u003cp\u003eThese letters have been digitized and are online at Voices for the Eastern Shore. https://texashistory.unt.edu/explore/collections/VOESH/\u003c/p\u003e","\u003cp\u003eThis letter has been digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries\u003c/p\u003e\n","\u003cp\u003ehttps://texashistory.unt.edu/ark:/67531/metapth1618897/?q=elizabeth%20upshur%20teackle%20to%20sarah%20teackle%20bancker\u003c/p\u003e","\u003cp\u003eThis letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\u003c/p\u003e\n","\u003cp\u003ehttps://texashistory.unt.edu/ark:/67531/metapth1618900/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker\u003c/p\u003e","\u003cp\u003eThis letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\u003c/p\u003e\n","\u003cp\u003ehttps://texashistory.unt.edu/ark:/67531/metapth1618898/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker\u003c/p\u003e","\u003cp\u003eThis letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\nhttps://texashistory.unt.edu/ark:/67531/metapth1618901/?q=john%20teackle%20to%20sarah%20teackle%20bancker\u003c/p\u003e","\u003cp\u003eThis letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\u003c/p\u003e\n","\u003cp\u003ehttps://texashistory.unt.edu/explore/collections/VOESH/browse/?q=william+white+bancker+to+aunt+hetty\u0026amp;t=fulltext\u0026amp;sort=\u003c/p\u003e","\u003cp\u003eThis letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries\u003c/p\u003e\n","\u003cp\u003ehttps://texashistory.unt.edu/ark:/67531/metapth1711690/?q=littleton%20dennis\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f MSS 2871","These letters have been digitized and are online at Voices for the Eastern Shore. https://texashistory.unt.edu/explore/collections/VOESH/","This letter has been digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries","https://texashistory.unt.edu/ark:/67531/metapth1618897/?q=elizabeth%20upshur%20teackle%20to%20sarah%20teackle%20bancker","This letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/ark:/67531/metapth1618900/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/ark:/67531/metapth1618898/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\nhttps://texashistory.unt.edu/ark:/67531/metapth1618901/?q=john%20teackle%20to%20sarah%20teackle%20bancker","This letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/explore/collections/VOESH/browse/?q=william+white+bancker+to+aunt+hetty\u0026t=fulltext\u0026sort=","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries","https://texashistory.unt.edu/ark:/67531/metapth1711690/?q=littleton%20dennis"],"scopecontent_html_tesm":["\u003cp\u003eThe larger collection consists of the original materials and 7 additions including the most recent one represented in this finding aid. \u003c/p\u003e\n","\u003cp\u003eIn this addition, ViU-2017-0179, are six \u003cpersname\u003eElizabeth Upshur Teackle\u003c/persname\u003e letters with transcriptions. Five letters are written by Mrs. Teackle, and one is addressed to Mrs. Teackle from \u003cpersname\u003eWilliam Wirt\u003c/persname\u003e, esquire. In the letters Mrs. Teackle mainly discusses the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return home of her husband from prison and some of their experiences after his return, as well as her desire to see her family.\u003c/p\u003e\n","\u003cp\u003eAddition ViU-2024-0134 has its own scope and content note and bio note. It contains a handwritten document listing enslaved people and 8 letters among family members particular the Teackle and Bancker family members.\u003c/p\u003e\n","\u003cp\u003eThe records for the rest of the collection can be found here:\u003c/p\u003e\n","\u003cp\u003eMSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871 - \u003cfamname\u003eQuinby\u003c/famname\u003e, \u003cfamname\u003eTeackle\u003c/famname\u003e, and \u003cfamname\u003eUpshur\u003c/famname\u003e families of \u003cgeogname\u003eSomerset County\u003c/geogname\u003e, \u003cgeogname\u003eMaryland\u003c/geogname\u003e, and \u003cgeogname\u003eAccomack\u003c/geogname\u003e and \u003cgeogname\u003eNorthampton\u003c/geogname\u003e Counties, \u003cgeogname\u003eVirginia\u003c/geogname\u003e papers: \n\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3928667\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eMSS 2338-c - Papers of the \u003cfamname\u003eQuinby Family\u003c/famname\u003e: \n\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3928668\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eMSS 2338-d - \u003cgeogname\u003eAccomack County\u003c/geogname\u003e, Land Patent: \n\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u4367998\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eMSS 2338-e - Genealogy of the \u003cfamname\u003eEvans Family\u003c/famname\u003e: \n\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3927001\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eMSS 2338-f - Letter to \u003cpersname\u003eMary Emma Justis Sturgis\u003c/persname\u003e: \n\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u2674611\u003c/extref\u003e\n\u003cextref\u003ehttp://ead.lib.virginia.edu/vivaead/published/uva-sc/vivadoc.pl?file=viu00995.xml\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cdate\u003e1825\u003c/date\u003e and \u003cdate\u003e1842\u003c/date\u003e letters from \u003cpersname\u003eHenry Clay\u003c/persname\u003e to \u003cpersname\u003eLittleton Teackle\u003c/persname\u003e and \u003cpersname\u003eAaron Quinby\u003c/persname\u003e (2 folders) interfiled in the Henry Clay Papers\u003c/p\u003e\n","\u003cp\u003eAn \u003cdate\u003e1826 Mar 29\u003c/date\u003e letter from \u003cpersname\u003eJames Madison\u003c/persname\u003e to \u003cpersname\u003eLittleton Teakle\u003c/persname\u003e (1 folder) interfiled in the James Madison Papers.\u003c/p\u003e","\u003cp\u003eSix \u003cpersname\u003eElizabeth Upshur Teackle\u003c/persname\u003e letters with transcriptions, one of which is addressed to Mrs. Teackle from William Wirt, esquire. Mrs. Teackle in the letters mainly discuss the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return of her husband from prison and some of their experiences after, as well as her desire to see her family.\u003c/p\u003e\n","\u003cp\u003eThese letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/\u003c/p\u003e","\u003cp\u003eIn this letter Mrs. Teackle includes a copy of a June 1822 letter in her own hand.\u003c/p\u003e","\u003cp\u003eThis addition (ViU-2024-0134) to MSS 2338, Quinby, Teackle, and Upshur Families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers includes one legal document and eight handwritten letters from the Teackle and Bancker family. Correspondents are Elizabeth Dennis Teackle Montgomery, Littleton Dennis Teackle, John Teackle, and William White Bancker. Letter recipients are Elizabeth's sister, Sarah Upshur Teackle Bancker, Henrietta Bancker, Aunt Hetty (Esther Maria Fisher Teackle), and Messrs. Blair from the Maryland House of Delegates. \u003c/p\u003e\n","\u003cp\u003eThe legal document, dated 1801, is from Littleton Dennis Teackle, recording his moving two enslaved women, Sarah alias Sally and Nanny alias Nancy, from Virginia to Maryland. The rest are letters dated between 1807 and 1835, primarily to family members. One included letter is from John Teackle to his granddaughter Henrietta Bancker, dated 1815 and postmarked to Chestnut Street, Philidelphia, is a photocopy of an original not present in this collection. The eight remaining letters are originals, postmarked on their exterior. \u003c/p\u003e\n","\u003cp\u003eThese letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The larger collection consists of the original materials and 7 additions including the most recent one represented in this finding aid. ","In this addition, ViU-2017-0179, are six  Elizabeth Upshur Teackle  letters with transcriptions. Five letters are written by Mrs. Teackle, and one is addressed to Mrs. Teackle from  William Wirt , esquire. In the letters Mrs. Teackle mainly discusses the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return home of her husband from prison and some of their experiences after his return, as well as her desire to see her family.","Addition ViU-2024-0134 has its own scope and content note and bio note. It contains a handwritten document listing enslaved people and 8 letters among family members particular the Teackle and Bancker family members.","The records for the rest of the collection can be found here:","MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871 -  Quinby ,  Teackle , and  Upshur  families of  Somerset County ,  Maryland , and  Accomack  and  Northampton  Counties,  Virginia  papers: \n https://search.lib.virginia.edu/sources/uva_library/items/u3928667","MSS 2338-c - Papers of the  Quinby Family : \n https://search.lib.virginia.edu/sources/uva_library/items/u3928668","MSS 2338-d -  Accomack County , Land Patent: \n https://search.lib.virginia.edu/sources/uva_library/items/u4367998","MSS 2338-e - Genealogy of the  Evans Family : \n https://search.lib.virginia.edu/sources/uva_library/items/u3927001","MSS 2338-f - Letter to  Mary Emma Justis Sturgis : \n https://search.lib.virginia.edu/sources/uva_library/items/u2674611 http://ead.lib.virginia.edu/vivaead/published/uva-sc/vivadoc.pl?file=viu00995.xml","1825  and  1842  letters from  Henry Clay  to  Littleton Teackle  and  Aaron Quinby  (2 folders) interfiled in the Henry Clay Papers","An  1826 Mar 29  letter from  James Madison  to  Littleton Teakle  (1 folder) interfiled in the James Madison Papers.","Six  Elizabeth Upshur Teackle  letters with transcriptions, one of which is addressed to Mrs. Teackle from William Wirt, esquire. Mrs. Teackle in the letters mainly discuss the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return of her husband from prison and some of their experiences after, as well as her desire to see her family.","These letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/","In this letter Mrs. Teackle includes a copy of a June 1822 letter in her own hand.","This addition (ViU-2024-0134) to MSS 2338, Quinby, Teackle, and Upshur Families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers includes one legal document and eight handwritten letters from the Teackle and Bancker family. Correspondents are Elizabeth Dennis Teackle Montgomery, Littleton Dennis Teackle, John Teackle, and William White Bancker. Letter recipients are Elizabeth's sister, Sarah Upshur Teackle Bancker, Henrietta Bancker, Aunt Hetty (Esther Maria Fisher Teackle), and Messrs. Blair from the Maryland House of Delegates. ","The legal document, dated 1801, is from Littleton Dennis Teackle, recording his moving two enslaved women, Sarah alias Sally and Nanny alias Nancy, from Virginia to Maryland. The rest are letters dated between 1807 and 1835, primarily to family members. One included letter is from John Teackle to his granddaughter Henrietta Bancker, dated 1815 and postmarked to Chestnut Street, Philidelphia, is a photocopy of an original not present in this collection. The eight remaining letters are originals, postmarked on their exterior. ","These letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/"],"userestrict_html_tesm":["\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e","\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["This collection contains some in-copyright material. Visit our Permissions and Publishing page https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"names_ssim":["Albert and Shirley Small Special Collections Library","Quinby","Teackle","Upshur","Quinby Family","Evans Family","Elizabeth Upshur Teackle","William Wirt","Mary Emma Justis Sturgis","Henry Clay","Littleton Teackle","Aaron Quinby","James Madison","Littleton Teakle","Teackle, John, 1756-1817"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"famname_ssim":["Quinby","Teackle","Upshur","Quinby Family","Evans Family"],"persname_ssim":["Elizabeth Upshur Teackle","William Wirt","Mary Emma Justis Sturgis","Henry Clay","Littleton Teackle","Aaron Quinby","James Madison","Littleton Teakle","Teackle, John, 1756-1817"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":17,"online_item_count_is":6,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:50:00.935Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1655","ead_ssi":"viu_repositories_3_resources_1655","_root_":"viu_repositories_3_resources_1655","_nest_parent_":"viu_repositories_3_resources_1655","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1655.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/196559","title_filing_ssi":"Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia papers","title_ssm":["Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers"],"title_tesim":["Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers"],"unitdate_ssm":["1713-1977"],"unitdate_inclusive_ssm":["1713-1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2338","Archival Resource Key","/repositories/3/resources/1655"],"text":["MSS 2338","Archival Resource Key","/repositories/3/resources/1655","Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers","United States -- History -- War of 1812","University of Virginia","Legal correspondence","letters (correspondence)","family papers","photographs","Good","This collection is open for research.","This collection is open for research.","The overall collection is arranged sequentially in order by its different accretions, except the MSS 2871 material, which is interfiled among the first three. Accretions: MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f.","The most recent addition (ViU-2017-0179) that is represented in this finding aid is arranged chronologically.","The collection centers around the family of John Teackle of Kegotank (1753-1817) and his wife Elizabeth Dennis Teackle (1760-1811) and their children  from the Eastern Shore (Somerset County and Accomack County of Maryland). Their granddaughter, Elizabeth Ann Teackle (daughter of their son Littleton Dennis Teackle (1777-1848) and his wife Elizabeth \"Eliza\" Upshur (1783-1835), married Aaron Balderston Quinby in 1839.","Both families came to Virginia and Maryland from Great Britain around the same time, were owners of enslaved people and were probably related through cousins.  Genealogy: Arthur Upshur (1624-1709) was born in Essex County, England. He immigrated to the Eastern Shore of Virginia about 1637. His descendants for the next five generations remained on the Eastern Shore.  The Teackle family goes back to Thomas Teackle (1624-1695) who came to the Eastern Shore from Gloucester, England. They are related to the Admiral Lord Nelson (1758-1805) who fought in the Battle of Trafalgar. ","The collection is reparative in that Elizabeth Upshur Teackle was an exemplary independent woman and poet. It is also reparative because the Teackle family enslaved many people, who are mentioned in the letters. ","The Voices of the Eastern Shore project headed by Dreanna Belden sums it up well, \"Topics such as: slavery, women's history, home life, the economy, the War of 1812, social life, religion, health, and death – the letters encompass virtually every aspect of society that informs our understanding of the era.\" ","Children of John Teackle of Kegotank,Maryland and Elizabeth Dennis: \nLittleton Dennis Teackle (1777-1848) m. Eliza Upshur (1783-1835)\nSarah Upshur Teackle Bancker (1783-183)\nHenrietta (Hetty) Teackle Chauncey (1780-1832)\nElizabeth Dennis Teackle Montgomery (1786-1823)\nHenry Dennis Teackle (1786-1807)\nJohn Justice Teackle (1790-1824)\nEsther (Hetty)  Maria Fisher Teackle (1795-1840)\nJames Henry Dennis Teackle (1796-1840)","Ann Upsher Eyre,sister of Elizabeth Upshur Teackle (1780-1829) lived at Eyre Hall with her husband John Eyre.","Sources:\nUpshur, John, A. \"Upshur Family in Virginia\" Omohundro Institute of Early American History and Culture is collaborating with JSTOR to digitize,preserve and extend access to The William and Mary College Quarterly Historical Magazine\nhttps://www.jstor.org/stable/1923340?seq=2","Digitized letters by the Voices of the Eastern Shore and was provided by the Albert and Shirley Small Special Collections Library to The Portal to Texas History, a digital repository hosted by the UNT Libraries. \nhttps://voicesoftheeasternshore.org/","Item level description for this addition ViU-2017-0179 was created so that digitized copies of the documents can be accessed.","MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f MSS 2871","These letters have been digitized and are online at Voices for the Eastern Shore. https://texashistory.unt.edu/explore/collections/VOESH/","This letter has been digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries","https://texashistory.unt.edu/ark:/67531/metapth1618897/?q=elizabeth%20upshur%20teackle%20to%20sarah%20teackle%20bancker","This letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/ark:/67531/metapth1618900/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/ark:/67531/metapth1618898/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\nhttps://texashistory.unt.edu/ark:/67531/metapth1618901/?q=john%20teackle%20to%20sarah%20teackle%20bancker","This letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/explore/collections/VOESH/browse/?q=william+white+bancker+to+aunt+hetty\u0026t=fulltext\u0026sort=","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries","https://texashistory.unt.edu/ark:/67531/metapth1711690/?q=littleton%20dennis","The larger collection consists of the original materials and 7 additions including the most recent one represented in this finding aid. ","In this addition, ViU-2017-0179, are six  Elizabeth Upshur Teackle  letters with transcriptions. Five letters are written by Mrs. Teackle, and one is addressed to Mrs. Teackle from  William Wirt , esquire. In the letters Mrs. Teackle mainly discusses the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return home of her husband from prison and some of their experiences after his return, as well as her desire to see her family.","Addition ViU-2024-0134 has its own scope and content note and bio note. It contains a handwritten document listing enslaved people and 8 letters among family members particular the Teackle and Bancker family members.","The records for the rest of the collection can be found here:","MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871 -  Quinby ,  Teackle , and  Upshur  families of  Somerset County ,  Maryland , and  Accomack  and  Northampton  Counties,  Virginia  papers: \n https://search.lib.virginia.edu/sources/uva_library/items/u3928667","MSS 2338-c - Papers of the  Quinby Family : \n https://search.lib.virginia.edu/sources/uva_library/items/u3928668","MSS 2338-d -  Accomack County , Land Patent: \n https://search.lib.virginia.edu/sources/uva_library/items/u4367998","MSS 2338-e - Genealogy of the  Evans Family : \n https://search.lib.virginia.edu/sources/uva_library/items/u3927001","MSS 2338-f - Letter to  Mary Emma Justis Sturgis : \n https://search.lib.virginia.edu/sources/uva_library/items/u2674611 http://ead.lib.virginia.edu/vivaead/published/uva-sc/vivadoc.pl?file=viu00995.xml","1825  and  1842  letters from  Henry Clay  to  Littleton Teackle  and  Aaron Quinby  (2 folders) interfiled in the Henry Clay Papers","An  1826 Mar 29  letter from  James Madison  to  Littleton Teakle  (1 folder) interfiled in the James Madison Papers.","Six  Elizabeth Upshur Teackle  letters with transcriptions, one of which is addressed to Mrs. Teackle from William Wirt, esquire. Mrs. Teackle in the letters mainly discuss the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return of her husband from prison and some of their experiences after, as well as her desire to see her family.","These letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/","In this letter Mrs. Teackle includes a copy of a June 1822 letter in her own hand.","This addition (ViU-2024-0134) to MSS 2338, Quinby, Teackle, and Upshur Families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers includes one legal document and eight handwritten letters from the Teackle and Bancker family. Correspondents are Elizabeth Dennis Teackle Montgomery, Littleton Dennis Teackle, John Teackle, and William White Bancker. Letter recipients are Elizabeth's sister, Sarah Upshur Teackle Bancker, Henrietta Bancker, Aunt Hetty (Esther Maria Fisher Teackle), and Messrs. Blair from the Maryland House of Delegates. ","The legal document, dated 1801, is from Littleton Dennis Teackle, recording his moving two enslaved women, Sarah alias Sally and Nanny alias Nancy, from Virginia to Maryland. The rest are letters dated between 1807 and 1835, primarily to family members. One included letter is from John Teackle to his granddaughter Henrietta Bancker, dated 1815 and postmarked to Chestnut Street, Philidelphia, is a photocopy of an original not present in this collection. The eight remaining letters are originals, postmarked on their exterior. ","These letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/","This collection contains some in-copyright material. Visit our Permissions and Publishing page https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","Quinby","Teackle","Upshur","Quinby Family","Evans Family","Elizabeth Upshur Teackle","William Wirt","Mary Emma Justis Sturgis","Henry Clay","Littleton Teackle","Aaron Quinby","James Madison","Littleton Teakle","Teackle, John, 1756-1817","English"],"unitid_tesim":["MSS 2338","Archival Resource Key","/repositories/3/resources/1655"],"normalized_title_ssm":["Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers"],"collection_title_tesim":["Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers"],"collection_ssim":["Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States -- History -- War of 1812"],"geogname_ssim":["United States -- History -- War of 1812"],"places_ssim":["United States -- History -- War of 1812"],"access_terms_ssm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"acqinfo_ssim":["Gift, 2017 August 19"],"access_subjects_ssim":["University of Virginia","Legal correspondence","letters (correspondence)","family papers","photographs"],"access_subjects_ssm":["University of Virginia","Legal correspondence","letters (correspondence)","family papers","photographs"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good"],"extent_ssm":["4.44 Cubic Feet 7 legal-size document boxes, 17 legal-size folders, 1  legal size folder for addition ViU-2024-0134, 2 large oversize folders. Includes 2 legal-sized folders in the Henry Clay Papers (1825 \u0026 1842 letters from Clay to Littleton Teackle and Aaron Quinby); and 1 legal-sized folder in the James Madison Papers (1826 Mar 29 letter from Madison to Littleton Teackle)."],"extent_tesim":["4.44 Cubic Feet 7 legal-size document boxes, 17 legal-size folders, 1  legal size folder for addition ViU-2024-0134, 2 large oversize folders. Includes 2 legal-sized folders in the Henry Clay Papers (1825 \u0026 1842 letters from Clay to Littleton Teackle and Aaron Quinby); and 1 legal-sized folder in the James Madison Papers (1826 Mar 29 letter from Madison to Littleton Teackle)."],"genreform_ssim":["Legal correspondence","letters (correspondence)","family papers","photographs"],"date_range_isim":[1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research.","This collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe overall collection is arranged sequentially in order by its different accretions, except the MSS 2871 material, which is interfiled among the first three. Accretions: MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f.\u003c/p\u003e\n","\u003cp\u003eThe most recent addition (ViU-2017-0179) that is represented in this finding aid is arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The overall collection is arranged sequentially in order by its different accretions, except the MSS 2871 material, which is interfiled among the first three. Accretions: MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f.","The most recent addition (ViU-2017-0179) that is represented in this finding aid is arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eThe collection centers around the family of John Teackle of Kegotank (1753-1817) and his wife Elizabeth Dennis Teackle (1760-1811) and their children  from the Eastern Shore (Somerset County and Accomack County of Maryland). Their granddaughter, Elizabeth Ann Teackle (daughter of their son Littleton Dennis Teackle (1777-1848) and his wife Elizabeth \"Eliza\" Upshur (1783-1835), married Aaron Balderston Quinby in 1839.\u003c/p\u003e\n","\u003cp\u003eBoth families came to Virginia and Maryland from Great Britain around the same time, were owners of enslaved people and were probably related through cousins.  Genealogy: Arthur Upshur (1624-1709) was born in Essex County, England. He immigrated to the Eastern Shore of Virginia about 1637. His descendants for the next five generations remained on the Eastern Shore.  The Teackle family goes back to Thomas Teackle (1624-1695) who came to the Eastern Shore from Gloucester, England. They are related to the Admiral Lord Nelson (1758-1805) who fought in the Battle of Trafalgar. \u003c/p\u003e\n","\u003cp\u003eThe collection is reparative in that Elizabeth Upshur Teackle was an exemplary independent woman and poet. It is also reparative because the Teackle family enslaved many people, who are mentioned in the letters. \u003c/p\u003e\n","\u003cp\u003eThe Voices of the Eastern Shore project headed by Dreanna Belden sums it up well, \"Topics such as: slavery, women's history, home life, the economy, the War of 1812, social life, religion, health, and death – the letters encompass virtually every aspect of society that informs our understanding of the era.\" \u003c/p\u003e\n","\u003cp\u003eChildren of John Teackle of Kegotank,Maryland and Elizabeth Dennis: \nLittleton Dennis Teackle (1777-1848) m. Eliza Upshur (1783-1835)\nSarah Upshur Teackle Bancker (1783-183)\nHenrietta (Hetty) Teackle Chauncey (1780-1832)\nElizabeth Dennis Teackle Montgomery (1786-1823)\nHenry Dennis Teackle (1786-1807)\nJohn Justice Teackle (1790-1824)\nEsther (Hetty)  Maria Fisher Teackle (1795-1840)\nJames Henry Dennis Teackle (1796-1840)\u003c/p\u003e\n","\u003cp\u003eAnn Upsher Eyre,sister of Elizabeth Upshur Teackle (1780-1829) lived at Eyre Hall with her husband John Eyre.\u003c/p\u003e\n","\u003cp\u003eSources:\nUpshur, John, A. \"Upshur Family in Virginia\" Omohundro Institute of Early American History and Culture is collaborating with JSTOR to digitize,preserve and extend access to The William and Mary College Quarterly Historical Magazine\nhttps://www.jstor.org/stable/1923340?seq=2\u003c/p\u003e\n","\u003cp\u003eDigitized letters by the Voices of the Eastern Shore and was provided by the Albert and Shirley Small Special Collections Library to The Portal to Texas History, a digital repository hosted by the UNT Libraries. \nhttps://voicesoftheeasternshore.org/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The collection centers around the family of John Teackle of Kegotank (1753-1817) and his wife Elizabeth Dennis Teackle (1760-1811) and their children  from the Eastern Shore (Somerset County and Accomack County of Maryland). Their granddaughter, Elizabeth Ann Teackle (daughter of their son Littleton Dennis Teackle (1777-1848) and his wife Elizabeth \"Eliza\" Upshur (1783-1835), married Aaron Balderston Quinby in 1839.","Both families came to Virginia and Maryland from Great Britain around the same time, were owners of enslaved people and were probably related through cousins.  Genealogy: Arthur Upshur (1624-1709) was born in Essex County, England. He immigrated to the Eastern Shore of Virginia about 1637. His descendants for the next five generations remained on the Eastern Shore.  The Teackle family goes back to Thomas Teackle (1624-1695) who came to the Eastern Shore from Gloucester, England. They are related to the Admiral Lord Nelson (1758-1805) who fought in the Battle of Trafalgar. ","The collection is reparative in that Elizabeth Upshur Teackle was an exemplary independent woman and poet. It is also reparative because the Teackle family enslaved many people, who are mentioned in the letters. ","The Voices of the Eastern Shore project headed by Dreanna Belden sums it up well, \"Topics such as: slavery, women's history, home life, the economy, the War of 1812, social life, religion, health, and death – the letters encompass virtually every aspect of society that informs our understanding of the era.\" ","Children of John Teackle of Kegotank,Maryland and Elizabeth Dennis: \nLittleton Dennis Teackle (1777-1848) m. Eliza Upshur (1783-1835)\nSarah Upshur Teackle Bancker (1783-183)\nHenrietta (Hetty) Teackle Chauncey (1780-1832)\nElizabeth Dennis Teackle Montgomery (1786-1823)\nHenry Dennis Teackle (1786-1807)\nJohn Justice Teackle (1790-1824)\nEsther (Hetty)  Maria Fisher Teackle (1795-1840)\nJames Henry Dennis Teackle (1796-1840)","Ann Upsher Eyre,sister of Elizabeth Upshur Teackle (1780-1829) lived at Eyre Hall with her husband John Eyre.","Sources:\nUpshur, John, A. \"Upshur Family in Virginia\" Omohundro Institute of Early American History and Culture is collaborating with JSTOR to digitize,preserve and extend access to The William and Mary College Quarterly Historical Magazine\nhttps://www.jstor.org/stable/1923340?seq=2","Digitized letters by the Voices of the Eastern Shore and was provided by the Albert and Shirley Small Special Collections Library to The Portal to Texas History, a digital repository hosted by the UNT Libraries. \nhttps://voicesoftheeasternshore.org/"],"otherfindaid_html_tesm":["\u003cp\u003e\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3928667\u003c/extref\u003e; \u003c/p\u003e\n","\u003cp\u003e\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3928668\u003c/extref\u003e; \u003c/p\u003e\n","\u003cp\u003e\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u4367998\u003c/extref\u003e; \u003c/p\u003e\n","\u003cp\u003e\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3927001\u003c/extref\u003e; \u003c/p\u003e\n","\u003cp\u003e\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u2674611\u003c/extref\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["https://search.lib.virginia.edu/sources/uva_library/items/u3928667 ; ","https://search.lib.virginia.edu/sources/uva_library/items/u3928668 ; ","https://search.lib.virginia.edu/sources/uva_library/items/u4367998 ; ","https://search.lib.virginia.edu/sources/uva_library/items/u3927001 ; ","https://search.lib.virginia.edu/sources/uva_library/items/u2674611"],"prefercite_html_tesm":["\u003cp\u003eMSS 2338, Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia papers, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e","\u003cp\u003eMSS 2338, Teackle and Bancker family papers, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 2338, Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia papers, Albert and Shirley Small Special Collections Library, University of Virginia.","MSS 2338, Teackle and Bancker family papers, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"processinfo_html_tesm":["\u003cp\u003eItem level description for this addition ViU-2017-0179 was created so that digitized copies of the documents can be accessed.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Item level description for this addition ViU-2017-0179 was created so that digitized copies of the documents can be accessed."],"relatedmaterial_html_tesm":["\u003cp\u003eMSS 2338, MSS 2338-a, MSS 2338-b, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f MSS 2871\u003c/p\u003e\n","\u003cp\u003eThese letters have been digitized and are online at Voices for the Eastern Shore. https://texashistory.unt.edu/explore/collections/VOESH/\u003c/p\u003e","\u003cp\u003eThis letter has been digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries\u003c/p\u003e\n","\u003cp\u003ehttps://texashistory.unt.edu/ark:/67531/metapth1618897/?q=elizabeth%20upshur%20teackle%20to%20sarah%20teackle%20bancker\u003c/p\u003e","\u003cp\u003eThis letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\u003c/p\u003e\n","\u003cp\u003ehttps://texashistory.unt.edu/ark:/67531/metapth1618900/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker\u003c/p\u003e","\u003cp\u003eThis letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\u003c/p\u003e\n","\u003cp\u003ehttps://texashistory.unt.edu/ark:/67531/metapth1618898/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker\u003c/p\u003e","\u003cp\u003eThis letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\nhttps://texashistory.unt.edu/ark:/67531/metapth1618901/?q=john%20teackle%20to%20sarah%20teackle%20bancker\u003c/p\u003e","\u003cp\u003eThis letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\u003c/p\u003e\n","\u003cp\u003ehttps://texashistory.unt.edu/explore/collections/VOESH/browse/?q=william+white+bancker+to+aunt+hetty\u0026amp;t=fulltext\u0026amp;sort=\u003c/p\u003e","\u003cp\u003eThis letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries\u003c/p\u003e\n","\u003cp\u003ehttps://texashistory.unt.edu/ark:/67531/metapth1711690/?q=littleton%20dennis\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f MSS 2871","These letters have been digitized and are online at Voices for the Eastern Shore. https://texashistory.unt.edu/explore/collections/VOESH/","This letter has been digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries","https://texashistory.unt.edu/ark:/67531/metapth1618897/?q=elizabeth%20upshur%20teackle%20to%20sarah%20teackle%20bancker","This letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/ark:/67531/metapth1618900/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/ark:/67531/metapth1618898/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\nhttps://texashistory.unt.edu/ark:/67531/metapth1618901/?q=john%20teackle%20to%20sarah%20teackle%20bancker","This letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/explore/collections/VOESH/browse/?q=william+white+bancker+to+aunt+hetty\u0026t=fulltext\u0026sort=","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries","https://texashistory.unt.edu/ark:/67531/metapth1711690/?q=littleton%20dennis"],"scopecontent_html_tesm":["\u003cp\u003eThe larger collection consists of the original materials and 7 additions including the most recent one represented in this finding aid. \u003c/p\u003e\n","\u003cp\u003eIn this addition, ViU-2017-0179, are six \u003cpersname\u003eElizabeth Upshur Teackle\u003c/persname\u003e letters with transcriptions. Five letters are written by Mrs. Teackle, and one is addressed to Mrs. Teackle from \u003cpersname\u003eWilliam Wirt\u003c/persname\u003e, esquire. In the letters Mrs. Teackle mainly discusses the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return home of her husband from prison and some of their experiences after his return, as well as her desire to see her family.\u003c/p\u003e\n","\u003cp\u003eAddition ViU-2024-0134 has its own scope and content note and bio note. It contains a handwritten document listing enslaved people and 8 letters among family members particular the Teackle and Bancker family members.\u003c/p\u003e\n","\u003cp\u003eThe records for the rest of the collection can be found here:\u003c/p\u003e\n","\u003cp\u003eMSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871 - \u003cfamname\u003eQuinby\u003c/famname\u003e, \u003cfamname\u003eTeackle\u003c/famname\u003e, and \u003cfamname\u003eUpshur\u003c/famname\u003e families of \u003cgeogname\u003eSomerset County\u003c/geogname\u003e, \u003cgeogname\u003eMaryland\u003c/geogname\u003e, and \u003cgeogname\u003eAccomack\u003c/geogname\u003e and \u003cgeogname\u003eNorthampton\u003c/geogname\u003e Counties, \u003cgeogname\u003eVirginia\u003c/geogname\u003e papers: \n\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3928667\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eMSS 2338-c - Papers of the \u003cfamname\u003eQuinby Family\u003c/famname\u003e: \n\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3928668\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eMSS 2338-d - \u003cgeogname\u003eAccomack County\u003c/geogname\u003e, Land Patent: \n\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u4367998\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eMSS 2338-e - Genealogy of the \u003cfamname\u003eEvans Family\u003c/famname\u003e: \n\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3927001\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eMSS 2338-f - Letter to \u003cpersname\u003eMary Emma Justis Sturgis\u003c/persname\u003e: \n\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u2674611\u003c/extref\u003e\n\u003cextref\u003ehttp://ead.lib.virginia.edu/vivaead/published/uva-sc/vivadoc.pl?file=viu00995.xml\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cdate\u003e1825\u003c/date\u003e and \u003cdate\u003e1842\u003c/date\u003e letters from \u003cpersname\u003eHenry Clay\u003c/persname\u003e to \u003cpersname\u003eLittleton Teackle\u003c/persname\u003e and \u003cpersname\u003eAaron Quinby\u003c/persname\u003e (2 folders) interfiled in the Henry Clay Papers\u003c/p\u003e\n","\u003cp\u003eAn \u003cdate\u003e1826 Mar 29\u003c/date\u003e letter from \u003cpersname\u003eJames Madison\u003c/persname\u003e to \u003cpersname\u003eLittleton Teakle\u003c/persname\u003e (1 folder) interfiled in the James Madison Papers.\u003c/p\u003e","\u003cp\u003eSix \u003cpersname\u003eElizabeth Upshur Teackle\u003c/persname\u003e letters with transcriptions, one of which is addressed to Mrs. Teackle from William Wirt, esquire. Mrs. Teackle in the letters mainly discuss the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return of her husband from prison and some of their experiences after, as well as her desire to see her family.\u003c/p\u003e\n","\u003cp\u003eThese letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/\u003c/p\u003e","\u003cp\u003eIn this letter Mrs. Teackle includes a copy of a June 1822 letter in her own hand.\u003c/p\u003e","\u003cp\u003eThis addition (ViU-2024-0134) to MSS 2338, Quinby, Teackle, and Upshur Families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers includes one legal document and eight handwritten letters from the Teackle and Bancker family. Correspondents are Elizabeth Dennis Teackle Montgomery, Littleton Dennis Teackle, John Teackle, and William White Bancker. Letter recipients are Elizabeth's sister, Sarah Upshur Teackle Bancker, Henrietta Bancker, Aunt Hetty (Esther Maria Fisher Teackle), and Messrs. Blair from the Maryland House of Delegates. \u003c/p\u003e\n","\u003cp\u003eThe legal document, dated 1801, is from Littleton Dennis Teackle, recording his moving two enslaved women, Sarah alias Sally and Nanny alias Nancy, from Virginia to Maryland. The rest are letters dated between 1807 and 1835, primarily to family members. One included letter is from John Teackle to his granddaughter Henrietta Bancker, dated 1815 and postmarked to Chestnut Street, Philidelphia, is a photocopy of an original not present in this collection. The eight remaining letters are originals, postmarked on their exterior. \u003c/p\u003e\n","\u003cp\u003eThese letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The larger collection consists of the original materials and 7 additions including the most recent one represented in this finding aid. ","In this addition, ViU-2017-0179, are six  Elizabeth Upshur Teackle  letters with transcriptions. Five letters are written by Mrs. Teackle, and one is addressed to Mrs. Teackle from  William Wirt , esquire. In the letters Mrs. Teackle mainly discusses the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return home of her husband from prison and some of their experiences after his return, as well as her desire to see her family.","Addition ViU-2024-0134 has its own scope and content note and bio note. It contains a handwritten document listing enslaved people and 8 letters among family members particular the Teackle and Bancker family members.","The records for the rest of the collection can be found here:","MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871 -  Quinby ,  Teackle , and  Upshur  families of  Somerset County ,  Maryland , and  Accomack  and  Northampton  Counties,  Virginia  papers: \n https://search.lib.virginia.edu/sources/uva_library/items/u3928667","MSS 2338-c - Papers of the  Quinby Family : \n https://search.lib.virginia.edu/sources/uva_library/items/u3928668","MSS 2338-d -  Accomack County , Land Patent: \n https://search.lib.virginia.edu/sources/uva_library/items/u4367998","MSS 2338-e - Genealogy of the  Evans Family : \n https://search.lib.virginia.edu/sources/uva_library/items/u3927001","MSS 2338-f - Letter to  Mary Emma Justis Sturgis : \n https://search.lib.virginia.edu/sources/uva_library/items/u2674611 http://ead.lib.virginia.edu/vivaead/published/uva-sc/vivadoc.pl?file=viu00995.xml","1825  and  1842  letters from  Henry Clay  to  Littleton Teackle  and  Aaron Quinby  (2 folders) interfiled in the Henry Clay Papers","An  1826 Mar 29  letter from  James Madison  to  Littleton Teakle  (1 folder) interfiled in the James Madison Papers.","Six  Elizabeth Upshur Teackle  letters with transcriptions, one of which is addressed to Mrs. Teackle from William Wirt, esquire. Mrs. Teackle in the letters mainly discuss the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return of her husband from prison and some of their experiences after, as well as her desire to see her family.","These letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/","In this letter Mrs. Teackle includes a copy of a June 1822 letter in her own hand.","This addition (ViU-2024-0134) to MSS 2338, Quinby, Teackle, and Upshur Families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers includes one legal document and eight handwritten letters from the Teackle and Bancker family. Correspondents are Elizabeth Dennis Teackle Montgomery, Littleton Dennis Teackle, John Teackle, and William White Bancker. Letter recipients are Elizabeth's sister, Sarah Upshur Teackle Bancker, Henrietta Bancker, Aunt Hetty (Esther Maria Fisher Teackle), and Messrs. Blair from the Maryland House of Delegates. ","The legal document, dated 1801, is from Littleton Dennis Teackle, recording his moving two enslaved women, Sarah alias Sally and Nanny alias Nancy, from Virginia to Maryland. The rest are letters dated between 1807 and 1835, primarily to family members. One included letter is from John Teackle to his granddaughter Henrietta Bancker, dated 1815 and postmarked to Chestnut Street, Philidelphia, is a photocopy of an original not present in this collection. The eight remaining letters are originals, postmarked on their exterior. ","These letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/"],"userestrict_html_tesm":["\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e","\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["This collection contains some in-copyright material. Visit our Permissions and Publishing page https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"names_ssim":["Albert and Shirley Small Special Collections Library","Quinby","Teackle","Upshur","Quinby Family","Evans Family","Elizabeth Upshur Teackle","William Wirt","Mary Emma Justis Sturgis","Henry Clay","Littleton Teackle","Aaron Quinby","James Madison","Littleton Teakle","Teackle, John, 1756-1817"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"famname_ssim":["Quinby","Teackle","Upshur","Quinby Family","Evans Family"],"persname_ssim":["Elizabeth Upshur Teackle","William Wirt","Mary Emma Justis Sturgis","Henry Clay","Littleton Teackle","Aaron Quinby","James Madison","Littleton Teakle","Teackle, John, 1756-1817"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":17,"online_item_count_is":6,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:50:00.935Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1655"}},{"id":"viu_repositories_3_resources_941_c01","type":"Series","attributes":{"title":"Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSeries 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_941_c01","ref_ssm":["viu_repositories_3_resources_941_c01"],"id":"viu_repositories_3_resources_941_c01","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941","parent_ssi":"viu_repositories_3_resources_941","parent_ssim":["viu_repositories_3_resources_941"],"parent_ids_ssim":["viu_repositories_3_resources_941"],"parent_unittitles_ssm":["John L. Nau III Civil War History Collection"],"parent_unittitles_tesim":["John L. Nau III Civil War History Collection"],"text":["John L. Nau III Civil War History Collection","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962)."],"title_filing_ssi":"Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians","title_ssm":["Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians"],"title_tesim":["Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians"],"unitdate_inclusive_ssm":["1806-1988"],"normalized_date_ssm":["1806/1988"],"normalized_title_ssm":["Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["John L. 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Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. \u003c/p\u003e","\u003cp\u003eThe above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). \u003c/p\u003e","\u003cp\u003eSubseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.\u003c/p\u003e","\u003cp\u003eSubseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. "],"scopecontent_html_tesm":["\u003cp\u003eSeries 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962)."],"_nest_path_":"/components#0","timestamp":"2026-05-21T14:31:55.729Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_941","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_941.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/189095","title_filing_ssi":"Nau, John L. III, Civil War History Collection","title_ssm":["John L. Nau III Civil War History Collection"],"title_tesim":["John L. Nau III Civil War History Collection"],"unitdate_ssm":["1806-1988","1861-1865"],"unitdate_bulk_ssim":["1861-1865"],"unitdate_inclusive_ssm":["1806-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous 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Key","Previous Archival Resource Key","/repositories/3/resources/941"],"text":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource 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Nau III Civil War History Collection","United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives","letters (correspondence)","Photograph albums","photographs","newspapers","Good.","The collection is open for research.","The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch","The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.","The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. ","The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.","Albert and Shirley Small Special Collections Library","The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"unitid_tesim":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941"],"normalized_title_ssm":["John L. Nau III Civil War History Collection"],"collection_title_tesim":["John L. Nau III Civil War History Collection"],"collection_ssim":["John L. Nau III Civil War History Collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"geogname_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"places_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"acqinfo_ssim":["The John L. Nau III Civil War History Collection was acquired and donated by John L. Nau III. It was accessioned by the Albert and Shirley Small Special Collections Library on September 3, 2019 (2019-0149) and in an additional accession in October 2019 (2019-0231)."],"access_subjects_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"access_subjects_ssm":["letters (correspondence)","Photograph albums","photographs","newspapers"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good."],"extent_ssm":["133 Cubic Feet 255 boxes; 9 framed items"],"extent_tesim":["133 Cubic Feet 255 boxes; 9 framed items"],"genreform_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).\u003c/p\u003e","\u003cp\u003eSeries 1 is arranged in three subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Personal Papers, Service Records, and Artifacts, 1806-1988\u003c/p\u003e\n","\u003cp\u003eThe arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. \u003c/p\u003e\n","\u003cp\u003eThe above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003eSubseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.\u003c/p\u003e\n","\u003cp\u003eSubseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. \u003c/p\u003e","\u003cp\u003eSeries 2 is arranged in the following subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.\u003c/p\u003e\n","\u003cp\u003eSubseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities\u003c/p\u003e","\u003cp\u003eSeries 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Petty, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Whitehurst \u0026amp; Co., Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knowles \u0026amp; Hillman, New Bedford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearus, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gooding, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by Handy, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bocardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. W. Barker, Canton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wing's Gallery, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Varriell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. K. Brown, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry M. Wells, Cambridge, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lewis and Kane, Victoria, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003eFrench \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts, and Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Walzl, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co. of New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Bros., Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Pratt, Aurora, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Worms \u0026amp; Co. 383 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Cramer, Carondelet, Missouri\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Williams Gallery; Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Beach, Hastings, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks and Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conaut, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hesler Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallett, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eB. F. Smith and Son, Portland, Maine\u003c/p\u003e","\u003cp\u003eJ. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Beaumont, Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wells and Collins, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. Moses, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Morgan, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. L. Bergstresser, Army of the Potomac\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Jenks, Paterson, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bett's and Prusia, Dansville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stone Bros., Trumansburch, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck's, Elsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. J. Pierce, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003eLe Rue Lemer, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gibbon, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson of New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026amp; New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washburn's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenney, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Benjamin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Watson, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burnite \u0026amp; Weldon, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William C. North, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Th. Gubelman, Puliski, TN\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hermos, Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by W.V. Lane, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Tombarger, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. P. Howe, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cooley \u0026amp; Becket, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. G. Montgomery of Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cushing \u0026amp; King Photographers, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. C. Brown, Norwich, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Marse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Silli, Nice, France\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. E. Mosely, Newburyport\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Burnite \u0026amp; Co., Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. B. Brown's, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Tait, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conant and Johnson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Durgan, Farmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C.H. Freeman, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kilgore's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePublished by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003eBarr \u0026amp; Young, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Marks, Austin, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Rhodes, St. Law Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Munger \u0026amp; Stone, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Cross, Belvidere, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Emery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. McHenry, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. P. Smith, Kankakee City, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.T. Bradshaw \u0026amp; Co., successors to G. Moses, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Braisted, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce, Galena, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. \u0026amp; F. W. Hardy, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slagle, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slee Brothers, Poughkeepsie, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Lewis Wires, Milford\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. Evans, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. B. Jones, Davenport, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. H. Black, Natchez, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of The Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George B. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joseph Ward, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pein \u0026amp; Co., Washington City\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Good \u0026amp; Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacob's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. \u0026amp; J. L. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Layton's, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bachrach \u0026amp; Bro, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cross and Franke, Arlington, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Watson, Raleigh, North Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Julius Brill, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Weiss, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Cadwallader, Toledo, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Jennings, artist, The New \u0026amp; Reliable Gallery, Lancaster, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow and Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thomas and Pearson, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew B. Brady\u003c/p\u003e","\u003cp\u003eWilliam Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. P. H. Capron \u0026amp; Bros. , Springfield, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Giers \u0026amp; Co., Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney and Paradise, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: August Morand, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Davis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler and King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, El Mira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Guay and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George D. Puffer, Nashua, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Murphy Bros., Alton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Godshaw \u0026amp; Flexner, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moffat and Simpson, Key West, Florida\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. P. Ayer, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William F. Blunt, North Anson, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anson's\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassetts Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gardner, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Meade Brothers, Astor, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alex. Gardner, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Watson's, Raleigh, NC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. Thompson, Norwich, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenny, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mason \u0026amp; Gardner, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Outley's, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bragy Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank E. Stanley, Auburn, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Browne, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs \u0026amp; Company, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask \u0026amp; Lewis\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles K. Bill's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wilder Brothers, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Alex Gardner; Published by Philp \u0026amp; Solomons, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Smith, Utica, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Dunshee's, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Adams, Nashville, Tenn.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. I. Prince, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Nims, Photographer, Fort Edward, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Summerhays\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Filley \u0026amp; Gilbert, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. N. Medernach, Danville, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thompson Gallery, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. G. Fetters, Peru, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: New Orleans Photographic Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees of Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.L. Winner, Annapolis, MD\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Photographers, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Conant, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Paige, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Powelson's, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePublished by Vannerson \u0026amp; Jones, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Jewett, Lebanon, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: James S. Earle \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Havens, Jacksonville, FL\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.C. Benjamin, Newark, N. J.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brendann Bros., Baltimore\u003c/p\u003e","\u003cp\u003ePhotographed by Wenderoth \u0026amp; Taylor; Published by McAllister \u0026amp; Bro., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; Smith, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. R. Davis, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003eBrady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. Brown, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredericks and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowers, Lynn, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kin, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Piper \u0026amp; Sanborn, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Ames, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. D. Phillips, 14th Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. K. Marshall, Circleville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. German, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hawkins \u0026amp; Philpot, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. De Camp, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003eUnknown Photographer; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pratt's Gallery, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schreiber \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Erekson \u0026amp; Bodurtha, Bridgeport, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abraham Fisher, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Wilson, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Birney Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Louis Walzl\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. A. Turner, D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. White, Jacksonport, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Col, Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Evans and Prince, York, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Clark, Ionia, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. C. Giers, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. R. Bideout \u0026amp; Co., Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eJ. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. B. King, Taunton, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  L. D. Cox, Ludlow, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Davis, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Brainstead, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Tyler \u0026amp; Co., Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George C. White, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McLure, Allen P.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow \u0026amp; Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nollen \u0026amp; Van Grieken, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. L. Jackson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. G. Carleton, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gilbert's, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Curtis, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Campbell \u0026amp; Ecker, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce \u0026amp; Cogswell, Rochelle, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, Lawrence, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kennedy \u0026amp; Schenck, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morell, George Webb\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, South Royalton, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New Yor\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer's, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. L. Eaton, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hagaman, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Reimer, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hanford, New London, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Carr, Old Town, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Fassett, Dexter, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kertson \u0026amp; Barker, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball \u0026amp; Sons, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by A. A. Turner; Published by D. Appleton \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Taylor and Seavey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Milton Lapham, Decatur, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, \u0026amp; Co, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. I. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haseltine, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Evans, Norfolk, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M' Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole of Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. F. Ryder, Cleveland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenny, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Tapley, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. E. Gibbs, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lutges, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney and Son, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George E. Collins; Bucksport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quicks, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Porter's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. J. Thompson \u0026amp; Co., Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Stevens, Richmond, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rivers', St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Rockwood, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burwell \u0026amp; Homan, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Magnolia, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith \u0026amp; Wybrant, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Weitfle \u0026amp; Wright, 1st Division, 6th Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles S. Hart, Watertown, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C.H. Smedley \u0026amp; Co., Middletown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. A. Lewis, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Moses \u0026amp; Co., Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. F. Child, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimberly Brothers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel Masury, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, Habana, Paris\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hopkins, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Churchill \u0026amp; Dennison, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster and Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. L. Heath, Norwalk, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck, Ellsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crocket, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Field, Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Greenwald, Newark, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorham and Co, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinton \u0026amp; Cleary's, Montgomery, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. Yung\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Brown, Photographer of the Army of Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Davis, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Butler, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cahill, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George H. Wood, Towanda, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: by H. Glosser, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Turner, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Case, Halifax, Nova Scotia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Balkan Studio, Wartham, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jordan \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. A. Colley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Burgan, Yarmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's Art Palace, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Thurlow, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith, Southbridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Photographers Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knight, Batavia, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bradley \u0026amp; Rulofson, San Francisco, California\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. Loud, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Klauber \u0026amp; Campbell, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler \u0026amp; Smetters, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassett's Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney \u0026amp; Paradise, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony,  New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Brown's, Waldoboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bailey \u0026amp; Silver's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Piper, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Troxell, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wykes \u0026amp; Brown, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lamson, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Wing's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Case and Getchell, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell \u0026amp; Brother, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Paul, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Estabrook's Ferrotypes, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, 363 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Otto Wagner, 385 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Johnson's, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton, and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026amp; Brother, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Williamson's Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. G. Trask, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallet, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sumner \u0026amp; Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lomas, Eastport Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. M. Fassett, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Sellers, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Aiken, Ware, Massachusetts\u003c/p\u003e","\u003cp\u003eLithograph by Murray \u0026amp; Goodwin, Albany, New York; Published by G. H. Treadwell, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Theodore Harris, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Wearn, Columbia, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keenan, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. R. Phipps, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Frank Browne\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Royan M. Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Quimby of Charleston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Maynard \u0026amp; Willis, Milford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pa.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Daily, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor \u0026amp; Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lupton \u0026amp; Brown, Winchester, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Richardson of Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Holt, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Orcutt's, Cambridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victor Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Borthers, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Frederick, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. L. Averill, Oldtown, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ball \u0026amp; Thomas, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Price, New Philadelphia, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. N. Blanchard, Barre, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. M. Vanaken, Lowville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Goben, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank Winter, Fort Shaw, Montana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. J. Tate, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. 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Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch"],"odd_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eThe donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. \u003c/p\u003e\n","\u003cp\u003eDonor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).\u003c/p\u003e\n","\u003cp\u003eThese donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eAbout External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eUpon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.\u003c/p\u003e\n","\u003cp\u003ePlease note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). \u003c/p\u003e\n","\u003cp\u003ePlease also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSuggestions for Using the Donation Listing Spreadsheet\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eMaterials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003ePlease note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.\u003c/p\u003e\n","\u003cp\u003eResearchers can use the spreadsheet to explore the collection in many ways, including the following: \u003c/p\u003e\n","\u003cp\u003e- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).\u003c/p\u003e\n","\u003cp\u003e- To identify photographs of women, Black soldiers, and Native American soldiers.\u003c/p\u003e\n","\u003cp\u003e- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAbout External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eTranscript files are titled by donor accession number. (See above note titled Alphanumeric Designations).\u003c/p\u003e\n","\u003cp\u003ePlease be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eAdditional materials relating to Fitzhugh Lee are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eAdditional materials related to William S. Rosecrans are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to States Rights Gist are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003eThis photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional Materials relating to Fitzhugh Lee are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0342.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0371.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThis case contains portraits of the same unknown soldier in both ambrotype and tintype formats.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003ePT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.\u003c/p\u003e","\u003cp\u003eImage was accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eAccessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThis photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003e34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eCarte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Alphanumeric Designations","Important Information about External Documents","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs."],"prefercite_html_tesm":["\u003cp\u003eJohn L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["John L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online \u003cemph render=\"italic\"\u003eCivil War Soldiers and Sailors Database\u003c/emph\u003e (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's \u003cemph render=\"italic\"\u003eConfederate and Southern State Currency\u003c/emph\u003e, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's \u003cemph render=\"italic\"\u003eCivil War High Commands\u003c/emph\u003e (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).\u003c/p\u003e","\u003cp\u003eEfforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. \u003c/p\u003e","\u003cp\u003eFile titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. "],"scopecontent_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. \u003c/p\u003e\n","\u003cp\u003eThe collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). \u003c/p\u003e","\u003cp\u003eSeries 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).\u003c/p\u003e","\u003cp\u003eSeries 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.\u003c/p\u003e","\u003cp\u003eSeries 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.\u003c/p\u003e","\u003cp\u003eSeries 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.\u003c/p\u003e","\u003cp\u003eSeries 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10302,"online_item_count_is":5,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:31:55.729Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941_c01"}},{"id":"viu_repositories_3_resources_941_c02","type":"Series","attributes":{"title":"Series 2: Photographs and Prints","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSeries 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers. Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_941_c02","ref_ssm":["viu_repositories_3_resources_941_c02"],"id":"viu_repositories_3_resources_941_c02","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941","parent_ssi":"viu_repositories_3_resources_941","parent_ssim":["viu_repositories_3_resources_941"],"parent_ids_ssim":["viu_repositories_3_resources_941"],"parent_unittitles_ssm":["John L. Nau III Civil War History Collection"],"parent_unittitles_tesim":["John L. Nau III Civil War History Collection"],"text":["John L. Nau III Civil War History Collection","Series 2: Photographs and Prints","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints."],"title_filing_ssi":"Series 2: Photographs and Prints","title_ssm":["Series 2: Photographs and Prints"],"title_tesim":["Series 2: Photographs and Prints"],"unitdate_inclusive_ssm":["circa 1848-1939"],"normalized_date_ssm":["1848/1939"],"normalized_title_ssm":["Series 2: Photographs and Prints"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["John L. Nau III Civil War History Collection"],"has_online_content_ssim":["true"],"child_component_count_isi":8,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":5408,"parent_access_restrict_tesm":["The collection is open for research."],"date_range_isim":[1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939],"arrangement_html_tesm":["\u003cp\u003eSeries 2 is arranged in the following subseries.\u003c/p\u003e","\u003cp\u003eSubseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.\u003c/p\u003e","\u003cp\u003eSubseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record)."],"scopecontent_html_tesm":["\u003cp\u003eSeries 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints."],"_nest_path_":"/components#1","timestamp":"2026-05-21T14:31:55.729Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_941","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_941.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/189095","title_filing_ssi":"Nau, John L. III, Civil War History Collection","title_ssm":["John L. Nau III Civil War History Collection"],"title_tesim":["John L. Nau III Civil War History Collection"],"unitdate_ssm":["1806-1988","1861-1865"],"unitdate_bulk_ssim":["1861-1865"],"unitdate_inclusive_ssm":["1806-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival 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Key","Previous Archival Resource Key","/repositories/3/resources/941"],"text":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource 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Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941","John L. Nau III Civil War History Collection","United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives","letters (correspondence)","Photograph albums","photographs","newspapers","Good.","The collection is open for research.","The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch","The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.","The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. ","The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.","Albert and Shirley Small Special Collections Library","The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"unitid_tesim":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941"],"normalized_title_ssm":["John L. Nau III Civil War History Collection"],"collection_title_tesim":["John L. Nau III Civil War History Collection"],"collection_ssim":["John L. Nau III Civil War History Collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"geogname_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"places_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"acqinfo_ssim":["The John L. Nau III Civil War History Collection was acquired and donated by John L. Nau III. It was accessioned by the Albert and Shirley Small Special Collections Library on September 3, 2019 (2019-0149) and in an additional accession in October 2019 (2019-0231)."],"access_subjects_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"access_subjects_ssm":["letters (correspondence)","Photograph albums","photographs","newspapers"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good."],"extent_ssm":["133 Cubic Feet 255 boxes; 9 framed items"],"extent_tesim":["133 Cubic Feet 255 boxes; 9 framed items"],"genreform_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).\u003c/p\u003e","\u003cp\u003eSeries 1 is arranged in three subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Personal Papers, Service Records, and Artifacts, 1806-1988\u003c/p\u003e\n","\u003cp\u003eThe arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. \u003c/p\u003e\n","\u003cp\u003eThe above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003eSubseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.\u003c/p\u003e\n","\u003cp\u003eSubseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. \u003c/p\u003e","\u003cp\u003eSeries 2 is arranged in the following subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.\u003c/p\u003e\n","\u003cp\u003eSubseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities\u003c/p\u003e","\u003cp\u003eSeries 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Petty, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Whitehurst \u0026amp; Co., Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knowles \u0026amp; Hillman, New Bedford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearus, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gooding, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by Handy, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bocardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. W. Barker, Canton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wing's Gallery, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Varriell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. K. Brown, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry M. Wells, Cambridge, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lewis and Kane, Victoria, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003eFrench \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts, and Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Walzl, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co. of New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Bros., Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Pratt, Aurora, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Worms \u0026amp; Co. 383 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Cramer, Carondelet, Missouri\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Williams Gallery; Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Beach, Hastings, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks and Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conaut, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hesler Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallett, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eB. F. Smith and Son, Portland, Maine\u003c/p\u003e","\u003cp\u003eJ. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Beaumont, Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wells and Collins, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. Moses, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Morgan, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. L. Bergstresser, Army of the Potomac\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Jenks, Paterson, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bett's and Prusia, Dansville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stone Bros., Trumansburch, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck's, Elsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. J. Pierce, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003eLe Rue Lemer, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gibbon, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson of New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026amp; New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washburn's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenney, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Benjamin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Watson, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burnite \u0026amp; Weldon, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William C. North, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Th. Gubelman, Puliski, TN\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hermos, Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by W.V. Lane, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Tombarger, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. P. Howe, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cooley \u0026amp; Becket, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. G. Montgomery of Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cushing \u0026amp; King Photographers, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. C. Brown, Norwich, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Marse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Silli, Nice, France\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. E. Mosely, Newburyport\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Burnite \u0026amp; Co., Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. B. Brown's, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Tait, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conant and Johnson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Durgan, Farmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C.H. Freeman, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kilgore's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePublished by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003eBarr \u0026amp; Young, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Marks, Austin, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Rhodes, St. Law Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Munger \u0026amp; Stone, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Cross, Belvidere, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Emery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. McHenry, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. P. Smith, Kankakee City, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.T. Bradshaw \u0026amp; Co., successors to G. Moses, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Braisted, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce, Galena, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. \u0026amp; F. W. Hardy, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slagle, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slee Brothers, Poughkeepsie, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Lewis Wires, Milford\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. Evans, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. B. Jones, Davenport, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. H. Black, Natchez, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of The Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George B. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joseph Ward, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pein \u0026amp; Co., Washington City\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Good \u0026amp; Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacob's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. \u0026amp; J. L. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Layton's, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bachrach \u0026amp; Bro, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cross and Franke, Arlington, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Watson, Raleigh, North Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Julius Brill, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Weiss, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Cadwallader, Toledo, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Jennings, artist, The New \u0026amp; Reliable Gallery, Lancaster, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow and Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thomas and Pearson, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew B. Brady\u003c/p\u003e","\u003cp\u003eWilliam Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. P. H. Capron \u0026amp; Bros. , Springfield, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Giers \u0026amp; Co., Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney and Paradise, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: August Morand, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Davis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler and King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, El Mira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Guay and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George D. Puffer, Nashua, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Murphy Bros., Alton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Godshaw \u0026amp; Flexner, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moffat and Simpson, Key West, Florida\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. P. Ayer, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William F. Blunt, North Anson, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anson's\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassetts Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gardner, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Meade Brothers, Astor, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alex. Gardner, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Watson's, Raleigh, NC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. Thompson, Norwich, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenny, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mason \u0026amp; Gardner, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Outley's, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bragy Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank E. Stanley, Auburn, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Browne, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs \u0026amp; Company, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask \u0026amp; Lewis\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles K. Bill's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wilder Brothers, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Alex Gardner; Published by Philp \u0026amp; Solomons, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Smith, Utica, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Dunshee's, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Adams, Nashville, Tenn.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. I. Prince, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Nims, Photographer, Fort Edward, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Summerhays\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Filley \u0026amp; Gilbert, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. N. Medernach, Danville, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thompson Gallery, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. G. Fetters, Peru, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: New Orleans Photographic Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees of Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.L. Winner, Annapolis, MD\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Photographers, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Conant, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Paige, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Powelson's, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePublished by Vannerson \u0026amp; Jones, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Jewett, Lebanon, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: James S. Earle \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Havens, Jacksonville, FL\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.C. Benjamin, Newark, N. J.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brendann Bros., Baltimore\u003c/p\u003e","\u003cp\u003ePhotographed by Wenderoth \u0026amp; Taylor; Published by McAllister \u0026amp; Bro., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; Smith, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. R. Davis, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003eBrady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. Brown, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredericks and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowers, Lynn, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kin, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Piper \u0026amp; Sanborn, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Ames, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. D. Phillips, 14th Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. K. Marshall, Circleville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. German, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hawkins \u0026amp; Philpot, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. De Camp, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003eUnknown Photographer; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pratt's Gallery, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schreiber \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Erekson \u0026amp; Bodurtha, Bridgeport, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abraham Fisher, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Wilson, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Birney Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Louis Walzl\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. A. Turner, D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. White, Jacksonport, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Col, Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Evans and Prince, York, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Clark, Ionia, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. C. Giers, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. R. Bideout \u0026amp; Co., Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eJ. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. B. King, Taunton, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  L. D. Cox, Ludlow, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Davis, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Brainstead, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Tyler \u0026amp; Co., Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George C. White, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McLure, Allen P.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow \u0026amp; Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nollen \u0026amp; Van Grieken, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. L. Jackson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. G. Carleton, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gilbert's, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Curtis, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Campbell \u0026amp; Ecker, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce \u0026amp; Cogswell, Rochelle, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, Lawrence, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kennedy \u0026amp; Schenck, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morell, George Webb\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, South Royalton, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New Yor\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer's, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. L. Eaton, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hagaman, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Reimer, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hanford, New London, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Carr, Old Town, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Fassett, Dexter, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kertson \u0026amp; Barker, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball \u0026amp; Sons, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by A. A. Turner; Published by D. Appleton \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Taylor and Seavey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Milton Lapham, Decatur, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, \u0026amp; Co, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. I. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haseltine, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Evans, Norfolk, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M' Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole of Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. F. Ryder, Cleveland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenny, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Tapley, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. E. Gibbs, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lutges, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney and Son, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George E. Collins; Bucksport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quicks, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Porter's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. J. Thompson \u0026amp; Co., Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Stevens, Richmond, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rivers', St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Rockwood, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burwell \u0026amp; Homan, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Magnolia, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith \u0026amp; Wybrant, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Weitfle \u0026amp; Wright, 1st Division, 6th Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles S. Hart, Watertown, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C.H. Smedley \u0026amp; Co., Middletown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. A. Lewis, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Moses \u0026amp; Co., Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. F. Child, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimberly Brothers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel Masury, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, Habana, Paris\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hopkins, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Churchill \u0026amp; Dennison, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster and Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. L. Heath, Norwalk, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck, Ellsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crocket, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Field, Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Greenwald, Newark, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorham and Co, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinton \u0026amp; Cleary's, Montgomery, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. Yung\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Brown, Photographer of the Army of Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Davis, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Butler, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cahill, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George H. Wood, Towanda, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: by H. Glosser, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Turner, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Case, Halifax, Nova Scotia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Balkan Studio, Wartham, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jordan \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. A. Colley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Burgan, Yarmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's Art Palace, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Thurlow, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith, Southbridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Photographers Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knight, Batavia, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bradley \u0026amp; Rulofson, San Francisco, California\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. Loud, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Klauber \u0026amp; Campbell, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler \u0026amp; Smetters, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassett's Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney \u0026amp; Paradise, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony,  New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Brown's, Waldoboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bailey \u0026amp; Silver's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Piper, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Troxell, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wykes \u0026amp; Brown, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lamson, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Wing's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Case and Getchell, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell \u0026amp; Brother, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Paul, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Estabrook's Ferrotypes, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, 363 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Otto Wagner, 385 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Johnson's, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton, and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026amp; Brother, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Williamson's Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. G. Trask, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallet, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sumner \u0026amp; Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lomas, Eastport Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. M. Fassett, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Sellers, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Aiken, Ware, Massachusetts\u003c/p\u003e","\u003cp\u003eLithograph by Murray \u0026amp; Goodwin, Albany, New York; Published by G. H. Treadwell, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Theodore Harris, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Wearn, Columbia, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keenan, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. R. Phipps, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Frank Browne\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Royan M. Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Quimby of Charleston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Maynard \u0026amp; Willis, Milford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pa.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Daily, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor \u0026amp; Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lupton \u0026amp; Brown, Winchester, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Richardson of Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Holt, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Orcutt's, Cambridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victor Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Borthers, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Frederick, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. L. Averill, Oldtown, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. 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F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch"],"odd_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eThe donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. \u003c/p\u003e\n","\u003cp\u003eDonor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).\u003c/p\u003e\n","\u003cp\u003eThese donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eAbout External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eUpon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.\u003c/p\u003e\n","\u003cp\u003ePlease note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). \u003c/p\u003e\n","\u003cp\u003ePlease also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSuggestions for Using the Donation Listing Spreadsheet\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eMaterials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003ePlease note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.\u003c/p\u003e\n","\u003cp\u003eResearchers can use the spreadsheet to explore the collection in many ways, including the following: \u003c/p\u003e\n","\u003cp\u003e- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).\u003c/p\u003e\n","\u003cp\u003e- To identify photographs of women, Black soldiers, and Native American soldiers.\u003c/p\u003e\n","\u003cp\u003e- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAbout External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eTranscript files are titled by donor accession number. (See above note titled Alphanumeric Designations).\u003c/p\u003e\n","\u003cp\u003ePlease be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eAdditional materials relating to Fitzhugh Lee are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eAdditional materials related to William S. Rosecrans are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to States Rights Gist are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003eThis photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional Materials relating to Fitzhugh Lee are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0342.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0371.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThis case contains portraits of the same unknown soldier in both ambrotype and tintype formats.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003ePT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.\u003c/p\u003e","\u003cp\u003eImage was accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eAccessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThis photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003e34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eCarte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Alphanumeric Designations","Important Information about External Documents","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs."],"prefercite_html_tesm":["\u003cp\u003eJohn L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["John L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online \u003cemph render=\"italic\"\u003eCivil War Soldiers and Sailors Database\u003c/emph\u003e (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's \u003cemph render=\"italic\"\u003eConfederate and Southern State Currency\u003c/emph\u003e, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's \u003cemph render=\"italic\"\u003eCivil War High Commands\u003c/emph\u003e (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).\u003c/p\u003e","\u003cp\u003eEfforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. \u003c/p\u003e","\u003cp\u003eFile titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. "],"scopecontent_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. \u003c/p\u003e\n","\u003cp\u003eThe collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). \u003c/p\u003e","\u003cp\u003eSeries 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).\u003c/p\u003e","\u003cp\u003eSeries 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.\u003c/p\u003e","\u003cp\u003eSeries 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.\u003c/p\u003e","\u003cp\u003eSeries 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.\u003c/p\u003e","\u003cp\u003eSeries 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10302,"online_item_count_is":5,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:31:55.729Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941_c02"}},{"id":"viu_repositories_3_resources_941_c01_c01","type":"Subseries","attributes":{"title":"Subseries A: Personal Papers, Service Records, and Artifacts","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_941_c01_c01","ref_ssm":["viu_repositories_3_resources_941_c01_c01"],"id":"viu_repositories_3_resources_941_c01_c01","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941_c01","parent_ssi":"viu_repositories_3_resources_941_c01","parent_ssim":["viu_repositories_3_resources_941","viu_repositories_3_resources_941_c01"],"parent_ids_ssim":["viu_repositories_3_resources_941","viu_repositories_3_resources_941_c01"],"parent_unittitles_ssm":["John L. Nau III Civil War History Collection","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians"],"parent_unittitles_tesim":["John L. Nau III Civil War History Collection","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians"],"text":["John L. Nau III Civil War History Collection","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians","Subseries A: Personal Papers, Service Records, and Artifacts"],"title_filing_ssi":"Subseries A: Personal Papers, Service Records, and Artifacts","title_ssm":["Subseries A: Personal Papers, Service Records, and Artifacts"],"title_tesim":["Subseries A: Personal Papers, Service Records, and Artifacts"],"unitdate_inclusive_ssm":["1806-1988"],"normalized_date_ssm":["1806/1988"],"normalized_title_ssm":["Subseries A: Personal Papers, Service Records, and Artifacts"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["John L. Nau III Civil War History Collection"],"has_online_content_ssim":["true"],"child_component_count_isi":5383,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":2,"parent_access_restrict_tesm":["The collection is open for research."],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"_nest_path_":"/components#0/components#0","timestamp":"2026-05-21T14:31:55.729Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_941","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_941.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/189095","title_filing_ssi":"Nau, John L. III, Civil War History Collection","title_ssm":["John L. Nau III Civil War History Collection"],"title_tesim":["John L. Nau III Civil War History Collection"],"unitdate_ssm":["1806-1988","1861-1865"],"unitdate_bulk_ssim":["1861-1865"],"unitdate_inclusive_ssm":["1806-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous 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Key","Previous Archival Resource Key","/repositories/3/resources/941"],"text":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource 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Nau III Civil War History Collection","United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives","letters (correspondence)","Photograph albums","photographs","newspapers","Good.","The collection is open for research.","The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch","The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.","The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. ","The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.","Albert and Shirley Small Special Collections Library","The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"unitid_tesim":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941"],"normalized_title_ssm":["John L. Nau III Civil War History Collection"],"collection_title_tesim":["John L. Nau III Civil War History Collection"],"collection_ssim":["John L. Nau III Civil War History Collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"geogname_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"places_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"acqinfo_ssim":["The John L. Nau III Civil War History Collection was acquired and donated by John L. Nau III. It was accessioned by the Albert and Shirley Small Special Collections Library on September 3, 2019 (2019-0149) and in an additional accession in October 2019 (2019-0231)."],"access_subjects_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"access_subjects_ssm":["letters (correspondence)","Photograph albums","photographs","newspapers"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good."],"extent_ssm":["133 Cubic Feet 255 boxes; 9 framed items"],"extent_tesim":["133 Cubic Feet 255 boxes; 9 framed items"],"genreform_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).\u003c/p\u003e","\u003cp\u003eSeries 1 is arranged in three subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Personal Papers, Service Records, and Artifacts, 1806-1988\u003c/p\u003e\n","\u003cp\u003eThe arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. \u003c/p\u003e\n","\u003cp\u003eThe above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003eSubseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.\u003c/p\u003e\n","\u003cp\u003eSubseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. \u003c/p\u003e","\u003cp\u003eSeries 2 is arranged in the following subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.\u003c/p\u003e\n","\u003cp\u003eSubseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities\u003c/p\u003e","\u003cp\u003eSeries 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Petty, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Whitehurst \u0026amp; Co., Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knowles \u0026amp; Hillman, New Bedford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearus, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gooding, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by Handy, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bocardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. W. Barker, Canton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wing's Gallery, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Varriell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. K. Brown, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry M. Wells, Cambridge, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lewis and Kane, Victoria, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003eFrench \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts, and Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Walzl, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co. of New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Bros., Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Pratt, Aurora, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Worms \u0026amp; Co. 383 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Cramer, Carondelet, Missouri\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Williams Gallery; Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Beach, Hastings, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks and Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conaut, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hesler Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallett, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eB. F. Smith and Son, Portland, Maine\u003c/p\u003e","\u003cp\u003eJ. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Beaumont, Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wells and Collins, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. Moses, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Morgan, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. L. Bergstresser, Army of the Potomac\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Jenks, Paterson, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bett's and Prusia, Dansville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stone Bros., Trumansburch, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck's, Elsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. J. Pierce, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003eLe Rue Lemer, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gibbon, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson of New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026amp; New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washburn's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenney, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Benjamin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Watson, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burnite \u0026amp; Weldon, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William C. North, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Th. Gubelman, Puliski, TN\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hermos, Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by W.V. Lane, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Tombarger, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. P. Howe, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cooley \u0026amp; Becket, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. G. Montgomery of Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cushing \u0026amp; King Photographers, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. C. Brown, Norwich, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Marse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Silli, Nice, France\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. E. Mosely, Newburyport\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Burnite \u0026amp; Co., Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. B. Brown's, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Tait, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conant and Johnson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Durgan, Farmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C.H. Freeman, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kilgore's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePublished by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003eBarr \u0026amp; Young, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Marks, Austin, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Rhodes, St. Law Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Munger \u0026amp; Stone, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Cross, Belvidere, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Emery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. McHenry, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. P. Smith, Kankakee City, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.T. Bradshaw \u0026amp; Co., successors to G. Moses, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Braisted, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce, Galena, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. \u0026amp; F. W. Hardy, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slagle, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slee Brothers, Poughkeepsie, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Lewis Wires, Milford\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. Evans, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. B. Jones, Davenport, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. H. Black, Natchez, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of The Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George B. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joseph Ward, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pein \u0026amp; Co., Washington City\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Good \u0026amp; Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacob's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. \u0026amp; J. L. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Layton's, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bachrach \u0026amp; Bro, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cross and Franke, Arlington, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Watson, Raleigh, North Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Julius Brill, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Weiss, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Cadwallader, Toledo, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Jennings, artist, The New \u0026amp; Reliable Gallery, Lancaster, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow and Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thomas and Pearson, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew B. Brady\u003c/p\u003e","\u003cp\u003eWilliam Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. P. H. Capron \u0026amp; Bros. , Springfield, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Giers \u0026amp; Co., Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney and Paradise, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: August Morand, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Davis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler and King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, El Mira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Guay and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George D. Puffer, Nashua, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Murphy Bros., Alton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Godshaw \u0026amp; Flexner, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moffat and Simpson, Key West, Florida\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. P. Ayer, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William F. Blunt, North Anson, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anson's\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassetts Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gardner, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Meade Brothers, Astor, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alex. Gardner, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Watson's, Raleigh, NC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. Thompson, Norwich, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenny, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mason \u0026amp; Gardner, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Outley's, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bragy Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank E. Stanley, Auburn, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Browne, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs \u0026amp; Company, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask \u0026amp; Lewis\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles K. Bill's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wilder Brothers, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Alex Gardner; Published by Philp \u0026amp; Solomons, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Smith, Utica, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Dunshee's, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Adams, Nashville, Tenn.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. I. Prince, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Nims, Photographer, Fort Edward, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Summerhays\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Filley \u0026amp; Gilbert, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. N. Medernach, Danville, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thompson Gallery, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. G. Fetters, Peru, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: New Orleans Photographic Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees of Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.L. Winner, Annapolis, MD\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Photographers, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Conant, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Paige, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Powelson's, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePublished by Vannerson \u0026amp; Jones, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Jewett, Lebanon, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: James S. Earle \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Havens, Jacksonville, FL\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.C. Benjamin, Newark, N. J.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brendann Bros., Baltimore\u003c/p\u003e","\u003cp\u003ePhotographed by Wenderoth \u0026amp; Taylor; Published by McAllister \u0026amp; Bro., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; Smith, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. R. Davis, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003eBrady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. Brown, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredericks and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowers, Lynn, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kin, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Piper \u0026amp; Sanborn, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Ames, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. 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German, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hawkins \u0026amp; Philpot, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. De Camp, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003eUnknown Photographer; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pratt's Gallery, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schreiber \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Erekson \u0026amp; Bodurtha, Bridgeport, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abraham Fisher, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Wilson, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Birney Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Louis Walzl\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. A. Turner, D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. White, Jacksonport, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Col, Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Evans and Prince, York, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Clark, Ionia, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. C. Giers, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. R. Bideout \u0026amp; Co., Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eJ. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. B. King, Taunton, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  L. D. Cox, Ludlow, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Davis, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Brainstead, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Tyler \u0026amp; Co., Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George C. White, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McLure, Allen P.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow \u0026amp; Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nollen \u0026amp; Van Grieken, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. L. Jackson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. G. Carleton, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gilbert's, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Curtis, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Campbell \u0026amp; Ecker, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce \u0026amp; Cogswell, Rochelle, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, Lawrence, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kennedy \u0026amp; Schenck, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morell, George Webb\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, South Royalton, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New Yor\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer's, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. L. Eaton, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hagaman, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Reimer, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hanford, New London, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Carr, Old Town, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Fassett, Dexter, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kertson \u0026amp; Barker, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball \u0026amp; Sons, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by A. A. Turner; Published by D. Appleton \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Taylor and Seavey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Milton Lapham, Decatur, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, \u0026amp; Co, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. I. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haseltine, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Evans, Norfolk, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M' Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole of Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. F. Ryder, Cleveland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenny, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Tapley, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. E. Gibbs, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lutges, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney and Son, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George E. Collins; Bucksport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quicks, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Porter's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. J. Thompson \u0026amp; Co., Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Stevens, Richmond, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rivers', St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Rockwood, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. 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King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burwell \u0026amp; Homan, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Magnolia, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith \u0026amp; Wybrant, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Weitfle \u0026amp; Wright, 1st Division, 6th Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles S. Hart, Watertown, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C.H. Smedley \u0026amp; Co., Middletown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. A. Lewis, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Moses \u0026amp; Co., Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. F. Child, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimberly Brothers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel Masury, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, Habana, Paris\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hopkins, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Churchill \u0026amp; Dennison, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster and Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. L. Heath, Norwalk, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck, Ellsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crocket, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Field, Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Greenwald, Newark, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorham and Co, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinton \u0026amp; Cleary's, Montgomery, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. Yung\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Brown, Photographer of the Army of Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Davis, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Butler, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cahill, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George H. Wood, Towanda, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: by H. Glosser, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Turner, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Case, Halifax, Nova Scotia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Balkan Studio, Wartham, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jordan \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. A. Colley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Burgan, Yarmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's Art Palace, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Thurlow, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith, Southbridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Photographers Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knight, Batavia, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bradley \u0026amp; Rulofson, San Francisco, California\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. Loud, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Klauber \u0026amp; Campbell, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler \u0026amp; Smetters, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassett's Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney \u0026amp; Paradise, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony,  New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Brown's, Waldoboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bailey \u0026amp; Silver's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Piper, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Troxell, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wykes \u0026amp; Brown, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lamson, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Wing's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Case and Getchell, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell \u0026amp; Brother, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Paul, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Estabrook's Ferrotypes, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, 363 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Otto Wagner, 385 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Johnson's, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton, and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026amp; Brother, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Williamson's Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. G. Trask, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallet, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sumner \u0026amp; Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lomas, Eastport Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. M. Fassett, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Sellers, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Aiken, Ware, Massachusetts\u003c/p\u003e","\u003cp\u003eLithograph by Murray \u0026amp; Goodwin, Albany, New York; Published by G. H. Treadwell, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Theodore Harris, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Wearn, Columbia, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keenan, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. R. Phipps, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Frank Browne\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Royan M. Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Quimby of Charleston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Maynard \u0026amp; Willis, Milford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pa.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Daily, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor \u0026amp; Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lupton \u0026amp; Brown, Winchester, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Richardson of Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Holt, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Orcutt's, Cambridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victor Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Borthers, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Frederick, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. L. Averill, Oldtown, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ball \u0026amp; Thomas, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Price, New Philadelphia, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. N. Blanchard, Barre, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. 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F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch"],"odd_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eThe donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. \u003c/p\u003e\n","\u003cp\u003eDonor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).\u003c/p\u003e\n","\u003cp\u003eThese donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eAbout External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eUpon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.\u003c/p\u003e\n","\u003cp\u003ePlease note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). \u003c/p\u003e\n","\u003cp\u003ePlease also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSuggestions for Using the Donation Listing Spreadsheet\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eMaterials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003ePlease note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.\u003c/p\u003e\n","\u003cp\u003eResearchers can use the spreadsheet to explore the collection in many ways, including the following: \u003c/p\u003e\n","\u003cp\u003e- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).\u003c/p\u003e\n","\u003cp\u003e- To identify photographs of women, Black soldiers, and Native American soldiers.\u003c/p\u003e\n","\u003cp\u003e- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAbout External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eTranscript files are titled by donor accession number. (See above note titled Alphanumeric Designations).\u003c/p\u003e\n","\u003cp\u003ePlease be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eAdditional materials relating to Fitzhugh Lee are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eAdditional materials related to William S. Rosecrans are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to States Rights Gist are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003eThis photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional Materials relating to Fitzhugh Lee are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0342.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0371.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThis case contains portraits of the same unknown soldier in both ambrotype and tintype formats.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003ePT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.\u003c/p\u003e","\u003cp\u003eImage was accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eAccessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThis photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003e34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eCarte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Alphanumeric Designations","Important Information about External Documents","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs."],"prefercite_html_tesm":["\u003cp\u003eJohn L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["John L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online \u003cemph render=\"italic\"\u003eCivil War Soldiers and Sailors Database\u003c/emph\u003e (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's \u003cemph render=\"italic\"\u003eConfederate and Southern State Currency\u003c/emph\u003e, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's \u003cemph render=\"italic\"\u003eCivil War High Commands\u003c/emph\u003e (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).\u003c/p\u003e","\u003cp\u003eEfforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. \u003c/p\u003e","\u003cp\u003eFile titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. "],"scopecontent_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. \u003c/p\u003e\n","\u003cp\u003eThe collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). \u003c/p\u003e","\u003cp\u003eSeries 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).\u003c/p\u003e","\u003cp\u003eSeries 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.\u003c/p\u003e","\u003cp\u003eSeries 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.\u003c/p\u003e","\u003cp\u003eSeries 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.\u003c/p\u003e","\u003cp\u003eSeries 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10302,"online_item_count_is":5,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:31:55.729Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941_c01_c01"}},{"id":"viu_repositories_3_resources_941_c02_c08","type":"Subseries","attributes":{"title":"Subseries H: Photograph Albums and Collections","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941_c02_c08#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_941_c02_c08","ref_ssm":["viu_repositories_3_resources_941_c02_c08"],"id":"viu_repositories_3_resources_941_c02_c08","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941_c02","parent_ssi":"viu_repositories_3_resources_941_c02","parent_ssim":["viu_repositories_3_resources_941","viu_repositories_3_resources_941_c02"],"parent_ids_ssim":["viu_repositories_3_resources_941","viu_repositories_3_resources_941_c02"],"parent_unittitles_ssm":["John L. Nau III Civil War History Collection","Series 2: Photographs and Prints"],"parent_unittitles_tesim":["John L. Nau III Civil War History Collection","Series 2: Photographs and Prints"],"text":["John L. Nau III Civil War History Collection","Series 2: Photographs and Prints","Subseries H: Photograph Albums and Collections"],"title_filing_ssi":"Subseries H: Photograph Albums and Collections","title_ssm":["Subseries H: Photograph Albums and Collections"],"title_tesim":["Subseries H: Photograph Albums and Collections"],"unitdate_inclusive_ssm":["circa 1861-1901"],"normalized_date_ssm":["1861/1901"],"normalized_title_ssm":["Subseries H: Photograph Albums and Collections"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["John L. Nau III Civil War History Collection"],"has_online_content_ssim":["true"],"child_component_count_isi":321,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":9136,"parent_access_restrict_tesm":["The collection is open for research."],"date_range_isim":[1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901],"_nest_path_":"/components#1/components#7","timestamp":"2026-05-21T14:31:55.729Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_941","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_941.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/189095","title_filing_ssi":"Nau, John L. III, Civil War History Collection","title_ssm":["John L. Nau III Civil War History Collection"],"title_tesim":["John L. Nau III Civil War History Collection"],"unitdate_ssm":["1806-1988","1861-1865"],"unitdate_bulk_ssim":["1861-1865"],"unitdate_inclusive_ssm":["1806-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous 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Key","Previous Archival Resource Key","/repositories/3/resources/941"],"text":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource 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Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941","John L. Nau III Civil War History Collection","United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives","letters (correspondence)","Photograph albums","photographs","newspapers","Good.","The collection is open for research.","The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch","The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.","The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. ","The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.","Albert and Shirley Small Special Collections Library","The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"unitid_tesim":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941"],"normalized_title_ssm":["John L. Nau III Civil War History Collection"],"collection_title_tesim":["John L. Nau III Civil War History Collection"],"collection_ssim":["John L. Nau III Civil War History Collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"geogname_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"places_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"acqinfo_ssim":["The John L. Nau III Civil War History Collection was acquired and donated by John L. Nau III. It was accessioned by the Albert and Shirley Small Special Collections Library on September 3, 2019 (2019-0149) and in an additional accession in October 2019 (2019-0231)."],"access_subjects_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"access_subjects_ssm":["letters (correspondence)","Photograph albums","photographs","newspapers"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good."],"extent_ssm":["133 Cubic Feet 255 boxes; 9 framed items"],"extent_tesim":["133 Cubic Feet 255 boxes; 9 framed items"],"genreform_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).\u003c/p\u003e","\u003cp\u003eSeries 1 is arranged in three subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Personal Papers, Service Records, and Artifacts, 1806-1988\u003c/p\u003e\n","\u003cp\u003eThe arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. \u003c/p\u003e\n","\u003cp\u003eThe above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003eSubseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.\u003c/p\u003e\n","\u003cp\u003eSubseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. \u003c/p\u003e","\u003cp\u003eSeries 2 is arranged in the following subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.\u003c/p\u003e\n","\u003cp\u003eSubseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities\u003c/p\u003e","\u003cp\u003eSeries 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Petty, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Whitehurst \u0026amp; Co., Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knowles \u0026amp; Hillman, New Bedford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearus, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gooding, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by Handy, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bocardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. W. Barker, Canton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wing's Gallery, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Varriell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. K. Brown, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry M. Wells, Cambridge, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lewis and Kane, Victoria, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003eFrench \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts, and Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Walzl, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co. of New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Bros., Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Pratt, Aurora, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Worms \u0026amp; Co. 383 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Cramer, Carondelet, Missouri\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Williams Gallery; Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Beach, Hastings, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks and Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conaut, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hesler Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallett, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eB. F. Smith and Son, Portland, Maine\u003c/p\u003e","\u003cp\u003eJ. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Beaumont, Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wells and Collins, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. Moses, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Morgan, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. L. Bergstresser, Army of the Potomac\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Jenks, Paterson, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bett's and Prusia, Dansville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stone Bros., Trumansburch, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck's, Elsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. J. Pierce, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003eLe Rue Lemer, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gibbon, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson of New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026amp; New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washburn's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenney, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Benjamin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Watson, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burnite \u0026amp; Weldon, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William C. North, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Th. Gubelman, Puliski, TN\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hermos, Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by W.V. Lane, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Tombarger, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. P. Howe, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cooley \u0026amp; Becket, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. G. Montgomery of Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cushing \u0026amp; King Photographers, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. C. Brown, Norwich, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Marse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Silli, Nice, France\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. E. Mosely, Newburyport\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Burnite \u0026amp; Co., Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. B. Brown's, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Tait, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conant and Johnson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Durgan, Farmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C.H. Freeman, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kilgore's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePublished by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003eBarr \u0026amp; Young, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Marks, Austin, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Rhodes, St. Law Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Munger \u0026amp; Stone, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Cross, Belvidere, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Emery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. McHenry, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. P. Smith, Kankakee City, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.T. Bradshaw \u0026amp; Co., successors to G. Moses, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Braisted, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce, Galena, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. \u0026amp; F. W. Hardy, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slagle, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slee Brothers, Poughkeepsie, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Lewis Wires, Milford\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. Evans, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. B. Jones, Davenport, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. H. Black, Natchez, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of The Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George B. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joseph Ward, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pein \u0026amp; Co., Washington City\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Good \u0026amp; Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacob's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. \u0026amp; J. L. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Layton's, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bachrach \u0026amp; Bro, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cross and Franke, Arlington, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Watson, Raleigh, North Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Julius Brill, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Weiss, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Cadwallader, Toledo, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Jennings, artist, The New \u0026amp; Reliable Gallery, Lancaster, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow and Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thomas and Pearson, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew B. Brady\u003c/p\u003e","\u003cp\u003eWilliam Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. P. H. Capron \u0026amp; Bros. , Springfield, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Giers \u0026amp; Co., Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney and Paradise, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: August Morand, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Davis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler and King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, El Mira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Guay and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George D. Puffer, Nashua, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Murphy Bros., Alton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Godshaw \u0026amp; Flexner, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moffat and Simpson, Key West, Florida\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. P. Ayer, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William F. Blunt, North Anson, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anson's\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassetts Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gardner, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Meade Brothers, Astor, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alex. Gardner, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Watson's, Raleigh, NC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. Thompson, Norwich, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenny, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mason \u0026amp; Gardner, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Outley's, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bragy Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank E. Stanley, Auburn, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Browne, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs \u0026amp; Company, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask \u0026amp; Lewis\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles K. Bill's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wilder Brothers, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Alex Gardner; Published by Philp \u0026amp; Solomons, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Smith, Utica, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Dunshee's, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Adams, Nashville, Tenn.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. I. Prince, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Nims, Photographer, Fort Edward, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Summerhays\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Filley \u0026amp; Gilbert, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. N. Medernach, Danville, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thompson Gallery, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. G. Fetters, Peru, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: New Orleans Photographic Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees of Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.L. Winner, Annapolis, MD\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Photographers, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Conant, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Paige, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Powelson's, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePublished by Vannerson \u0026amp; Jones, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Jewett, Lebanon, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: James S. Earle \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Havens, Jacksonville, FL\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.C. Benjamin, Newark, N. J.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brendann Bros., Baltimore\u003c/p\u003e","\u003cp\u003ePhotographed by Wenderoth \u0026amp; Taylor; Published by McAllister \u0026amp; Bro., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; Smith, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. R. Davis, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003eBrady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. Brown, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredericks and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowers, Lynn, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kin, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Piper \u0026amp; Sanborn, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Ames, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. D. Phillips, 14th Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. K. Marshall, Circleville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. German, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hawkins \u0026amp; Philpot, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. De Camp, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003eUnknown Photographer; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pratt's Gallery, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schreiber \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Erekson \u0026amp; Bodurtha, Bridgeport, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abraham Fisher, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Wilson, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Birney Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Louis Walzl\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. A. Turner, D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. White, Jacksonport, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Col, Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Evans and Prince, York, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Clark, Ionia, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. C. Giers, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. R. Bideout \u0026amp; Co., Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eJ. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. B. King, Taunton, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  L. D. Cox, Ludlow, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Davis, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Brainstead, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Tyler \u0026amp; Co., Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George C. White, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McLure, Allen P.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow \u0026amp; Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nollen \u0026amp; Van Grieken, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. L. Jackson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. G. Carleton, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gilbert's, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Curtis, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Campbell \u0026amp; Ecker, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce \u0026amp; Cogswell, Rochelle, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, Lawrence, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kennedy \u0026amp; Schenck, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morell, George Webb\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, South Royalton, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New Yor\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer's, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. L. Eaton, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hagaman, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Reimer, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hanford, New London, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Carr, Old Town, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Fassett, Dexter, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kertson \u0026amp; Barker, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball \u0026amp; Sons, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by A. A. Turner; Published by D. Appleton \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Taylor and Seavey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Milton Lapham, Decatur, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, \u0026amp; Co, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. I. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haseltine, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Evans, Norfolk, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M' Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole of Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. F. Ryder, Cleveland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenny, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Tapley, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. E. Gibbs, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lutges, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney and Son, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George E. Collins; Bucksport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quicks, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Porter's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. J. Thompson \u0026amp; Co., Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Stevens, Richmond, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rivers', St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Rockwood, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burwell \u0026amp; Homan, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Magnolia, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith \u0026amp; Wybrant, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Weitfle \u0026amp; Wright, 1st Division, 6th Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles S. Hart, Watertown, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C.H. Smedley \u0026amp; Co., Middletown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. A. Lewis, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Moses \u0026amp; Co., Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. F. Child, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimberly Brothers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel Masury, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, Habana, Paris\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hopkins, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Churchill \u0026amp; Dennison, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster and Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. L. Heath, Norwalk, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck, Ellsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crocket, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Field, Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Greenwald, Newark, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorham and Co, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinton \u0026amp; Cleary's, Montgomery, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. Yung\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Brown, Photographer of the Army of Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Davis, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Butler, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cahill, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George H. Wood, Towanda, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: by H. Glosser, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Turner, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Case, Halifax, Nova Scotia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Balkan Studio, Wartham, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jordan \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. A. Colley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Burgan, Yarmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's Art Palace, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Thurlow, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith, Southbridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Photographers Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knight, Batavia, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bradley \u0026amp; Rulofson, San Francisco, California\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. Loud, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Klauber \u0026amp; Campbell, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler \u0026amp; Smetters, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassett's Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney \u0026amp; Paradise, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony,  New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Brown's, Waldoboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bailey \u0026amp; Silver's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Piper, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Troxell, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wykes \u0026amp; Brown, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lamson, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Wing's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Case and Getchell, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell \u0026amp; Brother, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Paul, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Estabrook's Ferrotypes, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, 363 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Otto Wagner, 385 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Johnson's, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton, and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026amp; Brother, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Williamson's Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. G. Trask, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallet, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sumner \u0026amp; Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lomas, Eastport Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. M. Fassett, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Sellers, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Aiken, Ware, Massachusetts\u003c/p\u003e","\u003cp\u003eLithograph by Murray \u0026amp; Goodwin, Albany, New York; Published by G. H. Treadwell, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Theodore Harris, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Wearn, Columbia, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keenan, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. R. Phipps, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Frank Browne\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Royan M. Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Quimby of Charleston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Maynard \u0026amp; Willis, Milford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pa.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Daily, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor \u0026amp; Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lupton \u0026amp; Brown, Winchester, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Richardson of Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Holt, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Orcutt's, Cambridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victor Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Borthers, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Frederick, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. L. Averill, Oldtown, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ball \u0026amp; Thomas, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Price, New Philadelphia, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. N. Blanchard, Barre, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. M. Vanaken, Lowville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Goben, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank Winter, Fort Shaw, Montana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. J. Tate, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M. Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis \u0026amp; Cosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Platt, Oberlin, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. E. Prall, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Worms \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Roth, Freehold, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Barker, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Knecht, Easton, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victory Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by G. L. Collins, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ullary \u0026amp; Perry, Greenville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Roberts, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. B. Zay, Findlay, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: V. B. Massey, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Kasten, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Aldridge \u0026amp; Merriman, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Rees \u0026amp; Bros., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Pope, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Klauber, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. J. Jacobs, New Orleans\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Company\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: D. P. Barr, Army Photographer, Vicksburg, Miss.\u003c/p\u003e","\u003cp\u003ePhotographer: French \u0026amp; Co., Vicksburg, Miss.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Barr \u0026amp; Young, Army Photographers, Fort Pickering, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographed and Published by B. W. Kilburn, Littleton, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed and Published by Kilburn Brothers, Littleton, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rollins \u0026amp; Linn\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Company\u003c/p\u003e","\u003cp\u003ePhotographed by Brady \u0026amp; Co., Washington, D.C.; Published by E. \u0026amp; H. T. Anthony \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., Negative by Brady \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. 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F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch"],"odd_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eThe donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. \u003c/p\u003e\n","\u003cp\u003eDonor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).\u003c/p\u003e\n","\u003cp\u003eThese donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eAbout External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eUpon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.\u003c/p\u003e\n","\u003cp\u003ePlease note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). \u003c/p\u003e\n","\u003cp\u003ePlease also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSuggestions for Using the Donation Listing Spreadsheet\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eMaterials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003ePlease note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.\u003c/p\u003e\n","\u003cp\u003eResearchers can use the spreadsheet to explore the collection in many ways, including the following: \u003c/p\u003e\n","\u003cp\u003e- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).\u003c/p\u003e\n","\u003cp\u003e- To identify photographs of women, Black soldiers, and Native American soldiers.\u003c/p\u003e\n","\u003cp\u003e- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAbout External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eTranscript files are titled by donor accession number. (See above note titled Alphanumeric Designations).\u003c/p\u003e\n","\u003cp\u003ePlease be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eAdditional materials relating to Fitzhugh Lee are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eAdditional materials related to William S. Rosecrans are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to States Rights Gist are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003eThis photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional Materials relating to Fitzhugh Lee are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0342.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0371.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThis case contains portraits of the same unknown soldier in both ambrotype and tintype formats.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003ePT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.\u003c/p\u003e","\u003cp\u003eImage was accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eAccessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThis photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003e34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eCarte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Alphanumeric Designations","Important Information about External Documents","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs."],"prefercite_html_tesm":["\u003cp\u003eJohn L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["John L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online \u003cemph render=\"italic\"\u003eCivil War Soldiers and Sailors Database\u003c/emph\u003e (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's \u003cemph render=\"italic\"\u003eConfederate and Southern State Currency\u003c/emph\u003e, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's \u003cemph render=\"italic\"\u003eCivil War High Commands\u003c/emph\u003e (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).\u003c/p\u003e","\u003cp\u003eEfforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. \u003c/p\u003e","\u003cp\u003eFile titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. "],"scopecontent_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. \u003c/p\u003e\n","\u003cp\u003eThe collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). \u003c/p\u003e","\u003cp\u003eSeries 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).\u003c/p\u003e","\u003cp\u003eSeries 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.\u003c/p\u003e","\u003cp\u003eSeries 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.\u003c/p\u003e","\u003cp\u003eSeries 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.\u003c/p\u003e","\u003cp\u003eSeries 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10302,"online_item_count_is":5,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:31:55.729Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941_c02_c08"}},{"id":"vimtvl_repositories_2_resources_32","type":"collection","attributes":{"title":"Superintendent's Letter Books, Diaries, and Monthly Reports - collection of bound volumes","creator":{"id":"https://arvasarchive.org/catalog/vimtvl_repositories_2_resources_32#creator","type":"document_value","attributes":{"value":"Wall, Charles Cecil, 1903-1995","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vimtvl_repositories_2_resources_32#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection includes bound volumes of primary sources by the Superintendent or Resident Director of Mount Vernon: the letter books and diaries of Superintendent Harrison H. Dodge from the 1885 to 1927, and the monthly reports to the Regent by Superintendent (later Resident Director) Charles Cecil Wall for the years 1948-1967. Dodge's letter books contain letterpress and handwritten copies of outgoing correspondence. These were bound into 32 volumes in 1968-1969. The majority of these letters are to the Regent, and some take the form of a monthly report. Dodge's diaries include handwritten day-to-day descriptions of the activities going on at Mount Vernon. Copies of Mr. Wall's monthly reports to the Regent were also bound in 1968 \"for ready reference.\" (Council Minutes 1968) The monthly reports and some of Dodge's correspondence are also found in the Papers of the Superintendent and Resident Director.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vimtvl_repositories_2_resources_32#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vimtvl_repositories_2_resources_32","ead_ssi":"vimtvl_repositories_2_resources_32","_root_":"vimtvl_repositories_2_resources_32","_nest_parent_":"vimtvl_repositories_2_resources_32","ead_source_url_ssi":"data/oai/MV/repositories_2_resources_32.xml","title_ssm":["Superintendent's Letter Books, Diaries, and Monthly Reports - collection of bound volumes"],"title_tesim":["Superintendent's Letter Books, Diaries, and Monthly Reports - collection of bound volumes"],"unitdate_ssm":["1885-1967"],"unitdate_inclusive_ssm":["1885-1967"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A.SUP","/repositories/2/resources/32"],"text":["A.SUP","/repositories/2/resources/32","Superintendent's Letter Books, Diaries, and Monthly Reports - collection of bound volumes","This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes.","Chronological order.","- Minutes of the Council\n- Papers of the MVLA\n- Papers of the Superintendent and Resident Director\n- Papers of James Rees","This collection includes bound volumes of primary sources by the Superintendent or Resident Director of Mount Vernon: the letter books and diaries of Superintendent Harrison H. Dodge from the 1885 to 1927, and the monthly reports to the Regent by Superintendent (later Resident Director) Charles Cecil Wall for the years 1948-1967. Dodge's letter books contain letterpress and handwritten copies of outgoing correspondence. These were bound into 32 volumes in 1968-1969. The majority of these letters are to the Regent, and some take the form of a monthly report. Dodge's diaries include handwritten day-to-day descriptions of the activities going on at Mount Vernon. Copies of Mr. Wall's monthly reports to the Regent were also bound in 1968 \"for ready reference.\" (Council Minutes 1968) The monthly reports and some of Dodge's correspondence are also found in the Papers of the Superintendent and Resident Director.","Archives of the Mount Vernon Ladies' Association","The Crowley Company","Wall, Charles Cecil, 1903-1995","Dodge, Harrison Howell, 1852-1937","English \n.    "],"unitid_tesim":["A.SUP","/repositories/2/resources/32"],"normalized_title_ssm":["Superintendent's Letter Books, Diaries, and Monthly Reports - collection of bound volumes"],"collection_title_tesim":["Superintendent's Letter Books, Diaries, and Monthly Reports - collection of bound volumes"],"collection_ssim":["Superintendent's Letter Books, Diaries, and Monthly Reports - collection of bound volumes"],"repository_ssm":["The George Washington Presidential Library at Mount Vernon"],"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"creator_ssm":["Wall, Charles Cecil, 1903-1995","Dodge, Harrison Howell, 1852-1937"],"creator_ssim":["Wall, Charles Cecil, 1903-1995","Dodge, Harrison Howell, 1852-1937"],"creator_persname_ssim":["Wall, Charles Cecil, 1903-1995","Dodge, Harrison Howell, 1852-1937"],"creators_ssim":["Wall, Charles Cecil, 1903-1995","Dodge, Harrison Howell, 1852-1937"],"has_online_content_ssim":["true"],"extent_ssm":["91 Volumes"],"extent_tesim":["91 Volumes"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes."],"arrangement_html_tesm":["\u003cp\u003eChronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Chronological order."],"prefercite_html_tesm":["\u003cp\u003e[Name and date of item], Superintendent's Letter Books, Diaries, and Monthly Reports, [Series, Folder], Archives of the Mount Vernon Ladies' Association, Fred W. Smith National Library for the Study of George Washington [hereafter Washington Library], Mount Vernon, Virginia \u003c/p\u003e","\u003cp\u003eSee the Chicago Manual of Style for additional examples. \u003c/p\u003e"],"prefercite_tesim":["[Name and date of item], Superintendent's Letter Books, Diaries, and Monthly Reports, [Series, Folder], Archives of the Mount Vernon Ladies' Association, Fred W. Smith National Library for the Study of George Washington [hereafter Washington Library], Mount Vernon, Virginia ","See the Chicago Manual of Style for additional examples. "],"relatedmaterial_html_tesm":["\u003cp\u003e- Minutes of the Council\n- Papers of the MVLA\n- Papers of the Superintendent and Resident Director\n- Papers of James Rees\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["- Minutes of the Council\n- Papers of the MVLA\n- Papers of the Superintendent and Resident Director\n- Papers of James Rees"],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes bound volumes of primary sources by the Superintendent or Resident Director of Mount Vernon: the letter books and diaries of Superintendent Harrison H. Dodge from the 1885 to 1927, and the monthly reports to the Regent by Superintendent (later Resident Director) Charles Cecil Wall for the years 1948-1967. Dodge's letter books contain letterpress and handwritten copies of outgoing correspondence. These were bound into 32 volumes in 1968-1969. The majority of these letters are to the Regent, and some take the form of a monthly report. Dodge's diaries include handwritten day-to-day descriptions of the activities going on at Mount Vernon. Copies of Mr. Wall's monthly reports to the Regent were also bound in 1968 \"for ready reference.\" (Council Minutes 1968) The monthly reports and some of Dodge's correspondence are also found in the Papers of the Superintendent and Resident Director.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes bound volumes of primary sources by the Superintendent or Resident Director of Mount Vernon: the letter books and diaries of Superintendent Harrison H. Dodge from the 1885 to 1927, and the monthly reports to the Regent by Superintendent (later Resident Director) Charles Cecil Wall for the years 1948-1967. Dodge's letter books contain letterpress and handwritten copies of outgoing correspondence. These were bound into 32 volumes in 1968-1969. The majority of these letters are to the Regent, and some take the form of a monthly report. Dodge's diaries include handwritten day-to-day descriptions of the activities going on at Mount Vernon. Copies of Mr. Wall's monthly reports to the Regent were also bound in 1968 \"for ready reference.\" (Council Minutes 1968) The monthly reports and some of Dodge's correspondence are also found in the Papers of the Superintendent and Resident Director."],"names_ssim":["Archives of the Mount Vernon Ladies' Association","The Crowley Company","Wall, Charles Cecil, 1903-1995","Dodge, Harrison Howell, 1852-1937"],"corpname_ssim":["Archives of the Mount Vernon Ladies' Association","The Crowley Company"],"persname_ssim":["Wall, Charles Cecil, 1903-1995","Dodge, Harrison Howell, 1852-1937"],"language_ssim":["English \n.    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Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes.","Chronological order.","- Minutes of the Council\n- Papers of the MVLA\n- Papers of the Superintendent and Resident Director\n- Papers of James Rees","This collection includes bound volumes of primary sources by the Superintendent or Resident Director of Mount Vernon: the letter books and diaries of Superintendent Harrison H. Dodge from the 1885 to 1927, and the monthly reports to the Regent by Superintendent (later Resident Director) Charles Cecil Wall for the years 1948-1967. Dodge's letter books contain letterpress and handwritten copies of outgoing correspondence. These were bound into 32 volumes in 1968-1969. The majority of these letters are to the Regent, and some take the form of a monthly report. Dodge's diaries include handwritten day-to-day descriptions of the activities going on at Mount Vernon. Copies of Mr. Wall's monthly reports to the Regent were also bound in 1968 \"for ready reference.\" (Council Minutes 1968) The monthly reports and some of Dodge's correspondence are also found in the Papers of the Superintendent and Resident Director.","Archives of the Mount Vernon Ladies' Association","The Crowley Company","Wall, Charles Cecil, 1903-1995","Dodge, Harrison Howell, 1852-1937","English \n.    "],"unitid_tesim":["A.SUP","/repositories/2/resources/32"],"normalized_title_ssm":["Superintendent's Letter Books, Diaries, and Monthly Reports - collection of bound volumes"],"collection_title_tesim":["Superintendent's Letter Books, Diaries, and Monthly Reports - collection of bound volumes"],"collection_ssim":["Superintendent's Letter Books, Diaries, and Monthly Reports - collection of bound volumes"],"repository_ssm":["The George Washington Presidential Library at Mount Vernon"],"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"creator_ssm":["Wall, Charles Cecil, 1903-1995","Dodge, Harrison Howell, 1852-1937"],"creator_ssim":["Wall, Charles Cecil, 1903-1995","Dodge, Harrison Howell, 1852-1937"],"creator_persname_ssim":["Wall, Charles Cecil, 1903-1995","Dodge, Harrison Howell, 1852-1937"],"creators_ssim":["Wall, Charles Cecil, 1903-1995","Dodge, Harrison Howell, 1852-1937"],"has_online_content_ssim":["true"],"extent_ssm":["91 Volumes"],"extent_tesim":["91 Volumes"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes."],"arrangement_html_tesm":["\u003cp\u003eChronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Chronological order."],"prefercite_html_tesm":["\u003cp\u003e[Name and date of item], Superintendent's Letter Books, Diaries, and Monthly Reports, [Series, Folder], Archives of the Mount Vernon Ladies' Association, Fred W. Smith National Library for the Study of George Washington [hereafter Washington Library], Mount Vernon, Virginia \u003c/p\u003e","\u003cp\u003eSee the Chicago Manual of Style for additional examples. \u003c/p\u003e"],"prefercite_tesim":["[Name and date of item], Superintendent's Letter Books, Diaries, and Monthly Reports, [Series, Folder], Archives of the Mount Vernon Ladies' Association, Fred W. Smith National Library for the Study of George Washington [hereafter Washington Library], Mount Vernon, Virginia ","See the Chicago Manual of Style for additional examples. "],"relatedmaterial_html_tesm":["\u003cp\u003e- Minutes of the Council\n- Papers of the MVLA\n- Papers of the Superintendent and Resident Director\n- Papers of James Rees\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["- Minutes of the Council\n- Papers of the MVLA\n- Papers of the Superintendent and Resident Director\n- Papers of James Rees"],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes bound volumes of primary sources by the Superintendent or Resident Director of Mount Vernon: the letter books and diaries of Superintendent Harrison H. Dodge from the 1885 to 1927, and the monthly reports to the Regent by Superintendent (later Resident Director) Charles Cecil Wall for the years 1948-1967. Dodge's letter books contain letterpress and handwritten copies of outgoing correspondence. These were bound into 32 volumes in 1968-1969. The majority of these letters are to the Regent, and some take the form of a monthly report. Dodge's diaries include handwritten day-to-day descriptions of the activities going on at Mount Vernon. Copies of Mr. Wall's monthly reports to the Regent were also bound in 1968 \"for ready reference.\" (Council Minutes 1968) The monthly reports and some of Dodge's correspondence are also found in the Papers of the Superintendent and Resident Director.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes bound volumes of primary sources by the Superintendent or Resident Director of Mount Vernon: the letter books and diaries of Superintendent Harrison H. Dodge from the 1885 to 1927, and the monthly reports to the Regent by Superintendent (later Resident Director) Charles Cecil Wall for the years 1948-1967. Dodge's letter books contain letterpress and handwritten copies of outgoing correspondence. These were bound into 32 volumes in 1968-1969. The majority of these letters are to the Regent, and some take the form of a monthly report. Dodge's diaries include handwritten day-to-day descriptions of the activities going on at Mount Vernon. Copies of Mr. Wall's monthly reports to the Regent were also bound in 1968 \"for ready reference.\" (Council Minutes 1968) The monthly reports and some of Dodge's correspondence are also found in the Papers of the Superintendent and Resident Director."],"names_ssim":["Archives of the Mount Vernon Ladies' Association","The Crowley Company","Wall, Charles Cecil, 1903-1995","Dodge, Harrison Howell, 1852-1937"],"corpname_ssim":["Archives of the Mount Vernon Ladies' Association","The Crowley Company"],"persname_ssim":["Wall, Charles Cecil, 1903-1995","Dodge, Harrison Howell, 1852-1937"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":550,"online_item_count_is":458,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:50:40.181Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vimtvl_repositories_2_resources_32"}},{"id":"viu_repositories_3_resources_1482","type":"collection","attributes":{"title":"The University of Virginia Collection on the History of Childhood, Parenting, and Family Building.","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1482#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe University of Virginia Collection on the History of Childhood, Parenting, and Family Building is an artificial collection and periodic additions are expected.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1482#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1482","ead_ssi":"viu_repositories_3_resources_1482","_root_":"viu_repositories_3_resources_1482","_nest_parent_":"viu_repositories_3_resources_1482","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1482.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/169294","title_filing_ssi":"The University of Virginia Collection on the History of Childhood, Parenting, and Family Building.","title_ssm":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"title_tesim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"unitdate_ssm":["1700-2014"],"unitdate_inclusive_ssm":["1700-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16758","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1482"],"text":["MSS 16758","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1482","The University of Virginia Collection on the History of Childhood, Parenting, and Family Building.","Children","Children's art","postcards","Good","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","Some restrictions may apply due to fragile condition of paper dolls.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request. The sketchbook is availble for research.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","This collection is open for research.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","There are 23 pamphlets associated with this collection but 9 were removed for print cataloging. Rose Oliveira-Abbey: No.1, 3, 4, 5, 10a, 10b, 11a, 11b, and 11c on the invoice cataloged as print. See invoice in Control folder for Invoice/PurchaseOrder for titles.\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\n\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families","Jane Elizabeth \"Jennie\" Hoyt-Stevens was born in Concord, Massachusetts to Sewell Hoit (1807-1875) and Hannah Elizabeth Hoyt, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907.She encouraged a younger generation of women in their medical careers, including Mary Runnells Bird, and donated her family home, (\"impressive mansion\"), to the use of the New Hampshire Congregational Conference, reserving \"a small upstairs apartment\" for her own use.","In 1906, she represented the New Hampshire Medical Society as a delegate to the International Medical Congress in Lisbon, and traveled in Spain and North Africa during that trip. She met Gandhi during an extended visit to India, and published writings about her impressions of him in 1931. She adopted a son in Spain, named Abelardo Linares. She died in 1933, in Concord, New Hampshire, at the age of 72","The mathematical fraktur may have belonged to Elizabeth Urban as a gift from her tutor, A. G. Lees in Conestoga Township, Lancaster County, Pennsylvania. Elizabeth Urban was born on July 22, 1795 in Conestoga to George Urban (1740-1843) and Barbara Keagy (1743-1828). Educational frakturs are very rare.","Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","Bilalians is a name used by early African-American Muslims. It refers to Bilal, a former Black enslaved person of Muhammad. Bilal's importance as the first Muslim muezzin, his ardent support for early Islam, and his favored status under Muhammad made him an important symbol of Black honor and dignity, major themes of early African-American Islam.","The Da'wah Institute (DIN) is the research and public enlightenment department of the Islamic Education Trust (IET) which has its headquarters in Minna, and Zonal Coordinators across Nigeria and West Africa. Its mission is to \"strive in the capacity building and empowerment of other Islamic organizations and individuals involved in facilitating the correct understanding of the message of Islam.\"","Source: \nOxford University Press. Oxford Reference. Accessed 7/18/2024\nhttps://www.oxfordreference.com/display/10.1093/oi/authority.20110803095505567","Da'wah Institute of Nigeria Accessed 7/18/2024\nhttps://dawahinstitute.org/dawah-institute-nigeria-din/","This material contains references or imagery involving racism. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","See also Series 4 \"A Report of a Conference on Day Care and the Working Mother\" material from the Morris Child Development Center Addition 23","See also Series 4 Addition 58 Photograph album of the Morris Child Development Center","The University of Virginia Collection on the History of Childhood, Parenting, and Family Building is an artificial collection and periodic additions are expected.","Addition 53 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one calligraphy manuscript of Hans Rudolf Gujer from Wermatswil, Switzerland. The book contains thirty-seven leaves in landscape format, in various colored inks and watercolor, with some use of gouache. ","It also includes seven large original drawings; one is in pen-and-ink, and six are ink and watercolor; three pages of alphabets; most other pages have three compartments including ornately decorated capital initials, floral, figurative, and abstract ornamental borders and infills throughout; one page with music, and one with micrograph. The last leaf contains a full-page colophon of calligrapher:  \"Von Mir geschriben, Hans Rudolf guier, Zu Wermmet-schweil, 1750,\" with marginal calligraphic addition noting his age at the time of writing, \"mein alter war 20 jahr.\" ","The German texts of the album are religious: biblical quotations, prayers, and other devotional texts. Gujer was a relative of Jacob Gujer, a celebrated \"philosopher farmer.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one handmade picturebook of hand-colored engraved cutouts. A later inscription on the front pastedown reads, \"Fait par la baronne de Chalancey née Delcey pour as fille Clémence devenue Ctsse d' Esclaibes d'Hurst.\" The book was was created by the Baroness de Chalancey for her little girl Clemence, born in 1797.  ","Francoise Marie Gabrielle Delecey de Changey, who went under the nickname Fanny, was born in 1769 in Langres, Haute-Marne; she married Baron Jean-Francois Bichet de Chalancey in 1791, whose chateau in Chalancey was 30 kilometers from Langres.  Their first child, a boy, died in 1796 at four; a daughter, Clemence, was born the following year.  Fanny lived to age 77, and Clemence survived her mother by 20 years. ","The book starts with la maison, the home, and it shows people, trades, activities, places, architectural details, animals, concepts, fictional characters, and various household people in various activities.","Indenture between Richard Cumming Weeks, the son of a plumber and brazier, to serve as an apprentice shipwright to James King, a shipwright at His Majesty's Dock in Plymouth, England in 1802.","The contract sets out conditions of Weeks' seven-year apprenticeship and his wages of five shillings per quarter to start with and a note signed by James King, increasing his wages to to \"twelve shillings for single time\" and to \"one Pound a quarter for double time\" in 1804  Signed by Richard, his father, and by two Dock officials, with embossed revenue stamps. The indenture measures 40X 33 cm/ 15.75\" X 13\".","This addition 1 of the collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. ","While the collection spans from the 1830s to the 1960s, the bulk date between 1880 and 1925. ","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and instruction manuals given to parents or teachers on child welfare.","This collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. ","While the collection spans from the 1830s to the 1960s, the bulk dates are between 1880 and 1925. ","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps, Ocean parties; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and a government child welfare manual that gives instruction to parents or teachers on child welfare, child needs and development.","1st part of MSS 16758. Twenty-three pamphlets about puberty for women. Some are directed toward mothers, while others are created specifically for daughters. Dates range from 1933 to 1981. ","Earlier pamphlets discuss the process through storytelling, while later examples utilize more medical terminology. ","Titles include \"Marjorie May's Twelfth Birthday\" \"Very Personally Yours,\"  and \"Growing Up and Liking It.\" All pamphlets are illustrated; some have calendars others have quizzes. ","Each pamphlet was published by a manufacturer of women's sanitary products:  Holland-Rantos Co., International Cellucotton Products Co., Kotex (Kimberly Clark), Modess, Personal Product Corporation, and TeenForm. ","Included in folder 3 are two Kotex print blocks, used to illustrate their product packaging in marketing materials. This is part of an artificial collection, ie a  collection of materials with different provenance assembled and organized to facilitate its management or use.","The resolution was passed at a public meeting on August 15, 1838. The resolution discusses the establishment of an infant school. It further describes how education benefits children in the whole community by establishing a desire to learn in children. The pamphlet also notes that parents will be free during the day to work when children are in school, showing a shift in the economic role of mothers.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., contains the artworks of two sisters from Maine, Mary A. Hackett (1830-1908) and Nancy F. (1825-1883) Hackett. The works include watercolors, prose, a reward of Merritt, and two cartes de visite of their great-grandfather Hacket and Aunt Mary Hacket. ","The sister's parents were William Hackett (1780-1869) and Lydia Dutch (1793-1898).  Nancy married Nathaniel Thompson. Census records indicate Mary never married and, as an adult, lived with Nancy in Kennebunk, Maine.  Mary attended Union Academy and Nancy attended Limerick Academy.","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains one handmade juvenile manuscript titled The History of Little Fanny. Dated to March 24, 1849, the book features eleven pages of text with a watercolored cover. A set of seven watercolored paper dolls is in the accompanying slipcase, with each corresponding to a section of the written story. The reader can enact the tale throughout the story by changing Fanny's head between the paper costumes to illustrate her progress.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one volume of an anonymous bereavement commonplace book, dated 1856 and 1874. The manuscript consists of ninety-eight pages of writing, with the rest left blank. The manuscript contains writings by three different women. The first (and most extensive) is by an unnamed governess who writes of the loss of a child in her care, Harry. Her spidery handwriting is even and accomplished, and her use of \"thee\" and \"thou\" throughout suggests she may have been a Quaker. For thirty pages, she expresses her heartfelt love for the child and her grief during Harry's decline. She describes her memories of the boy and his siblings and details the boy's last illness, of about six days' duration, and death.  ","The following forty-eight pages include bereavement verses including poetry, both original and copied from published works, segments of stories, and verses from the bible.  within these pages, the Governess left three pages blank; on the first of these blank pages, \"M.E.G.\" [later identified as Mary E. Grote] wrote about the death of her firstborn son, \"Ernie,\" whose father was Ernest William Davis. In the first line of her text, Grote refers to the manuscript itself as \"this choice collection.\" ","The verse then continues in the governess' hand. Until another passage by Mary Grote appears. It is a five-page memorial titled \"To Ernie,\" dated August 30th, 1874. It is possible that Grote's earlier one-page passage may have been written in 1874. Fourteen blank leaves separate Grote's writing to an entirely different hand and content. ","There are five pages of \"Hints For Housewives.\" These undated, unrelated notes seem to be brief views on issues that arise in a household including damp cupboards, flies, roasting meat, buying eggs, mending china, and other domestic matters.","This addition 11 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains publications, metamorphic trading cards, volvelle (color wheels), and posters. Topics include motherhood, instructional materials on children's behaviour, toilet training, adolescent health, soil conservation for children, and a book about the the education for blind children. ","Folder 1 contains folded out (metamorphic) advertisements for children's clothing by Davidson Brothers, Solar Tip Shoes, E. G. Burrows, J. H. Baldwin \u0026 Company patent table tray, and children's knee elastic protectors (to protect clothes)","Folder 2 contains pamphlets \"Training the Baby\" published in 1931, 1952, and 1957.","Folder 3 contains five illustrated posters with instructions for children on cleaning and bathing themselves.","Folder 4 contains pamphlets for expectant mothers on how to care for their infants: \"The Modern Baby\",  \"Quiet, Baby Is Sleeping\", \"the 14 Days that can seem like a lifetime!\", \"Preparing Baby's Formula\", \"Keeping Baby Clean\", \"Modern Evenflo Nursers\"","Folder 5 contains pamphlets from the Lysol Family Library, \"The Scientific Side of Health and Youth\", \"When Baby Comes\", and \"Preventing the Spread of Common Diseases\"","Folder 6 contains three color wheels ","Folder 7 contains a pledge card for teenagers to abstain from alcoholic drinks and a card that outlines safety guidelines \"Code for survival\"","Folder 8 Publications: \"Let's Save Soil with Sam and Sue\", \"For Bigger Boys and Girls\", \"Facts about the Education of Blind Children\", \"Understanding Your Teenager\"","Compiled in 1858, the decorative title page Cahier d'Écriture par Mercier dédié à mes bien-aimés parents, the book features twenty-four calligraphy entries from a teenage student at the Grand-Classe St. Etienne in Saint-Étienne, France. The entries include the author's reflections on friendship, anger, anxieties, family life, hopes, and religious devotion. ","Several font samplers are present throughout the book, as are full-color pencil-sketched illustrations. Illustrations include buildings, animals, people, and urban scenes. The majority of the calligraphy entries are bordered by an elaborate design, either pressed into the paper or drawn by the author herself. ","This addition to MSS 16758,  The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a small pocket diary with ownership signature of \"Louisa J. Pratt, New Paltz Landing, New York to front endpaper with an early 20th-century hand adding to pastedown and endpaper, \"born 1846\" and \"13 years old.\"  ","The diary contains 366 pages in legible hand. It focuses on the many losses she experiences across 1859 and her youthful awakening to the numerous hardships the women around her confront.  From parental loss to poverty to disease to mental health emergencies, the events of Louisa's 13th year were formative, and she turned to her diary as a place for working out private emotions that burdened her.  ","Louisa balances school, friends, and church with an increasing oversight of her home.  More detail is given as the family continues struggling to keep domestic workers, and it is hinted that Mr. Pratt and the members of the church are drawing labor from girls pulled from the sex trade.  Unprepared for the situations they find themselves in, the girls act out, have mental health crises, and ultimately flee which are documented by Louisa.","While grief, loss, and unexpected adulthood shape much of Louisa's year, she also reports the kinds of joys that remind us she is entering her teens.  Her numerous friends, her love for sleigh rides and horseback riding, her appreciation for school and her recitations are cornerstones.","Addition 7 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two circulars promoting the American School Institute and Schermerhorn's School Agency. There is also a tri-fold trade card ad for a White Mountain refrigerator; an advertisement booklet for a carpet called \"Something Under Foot\"  used as a diary by \"Sara\"; and a plaited hair sentiment with a verse from Charlotte A. Lewis which was sent to a girl named Maryann Gilman.","This addition 12 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a friendship album of Jennie Lizzie Hoit (Dr. Jane Elizabeth Hoyt) made between 1866 and 1871 and a Pennsylvania German Mathematical Fraktur made in 1808 for Elizabeth Urban. ","The friendship book belonging to Jennie is small (3 X 5 inches), about 60 pages, and contains compliments and well wishes from her family members and friends. ","\nThe collection also contains a Pennsylvania German Mathematical Fraktur presented to a schoolgirl, most likely Elizabeth Urban. Fraktur is a Germanic tradition of decorated manuscripts and printed documents noted for its use of bold colors and whimsical motifs. The page contains a Multiplication Table and Pence Table, dated September 15, 1808, inscribed \"Miss Urban, I have the honour to be your humble servant,\" signed A.G. Lees, Conestoga Township, Lancaster County. Initials EU appear in the intersecting hearts. The page is decorated with birds and flowers. The student was likely Elizabeth Urban, born on July 22, 1795. The table was probably presented by her tutor or teacher, possibly Alexander Lees, residing in nearby York County from 1779 to 1781, or Abraham Lees, in York County in 1785. ","Jennie was born in Concord, Massachusetts, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907. ","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains 23 pamphlets on early learning, education, adolescence, growth and development, health, prenatal and Infant care, and parenting.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to women's health, infancy, and childhood. ","This includes \n1. Woman's tried and true friend, Portland, ME: Caulocorea Mfg. Co.,c.1893; ","2. Friar Medicine Company ephemera (5 sheets), 1901; ","3. Taylor, Marion Sayle, \"The seat of love and youth: plain truths for women, c.1927; ","4. Taylor, Marion Sayle, \"Body hygiene for women,\"1928;","5. Williamson, George H.,\"Personal hygiene for women: explaining the new hygiene which is bringing comfort, peace-of-mind and greater health and efficiency to the world of women,\" 1928; ","6. Wells, H.J. (edited and published by),\" Tennessee journal of medical and surgical diseases of women and children, and abstracts of the medical sciences,\"1884; ","7. \" Wasting diseases: their causes, treatment, and cure,\" New York: Scott \u0026 Bowne, c, 1877; ","8.Sheffield, Herman B., \"The baby's record and health,\" 1913; ","9. Olmstead, Allen S., \"This will interest mothers: Mother Gray, the children's friend,\" c.1910.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one notebook kept by S.B. Coulson with notes regarding Friedrich Fröbel teaching approach and use of Fröbel gifts, which include play materials such as balls, cylinders, cubes, and tablets. ","The instructors were \"Miss Doyle,\" \"Miss Symond,\" and \"Mrs. Meleney,\" the latter being Carrie Coit Meleney, a student and later prolific correspondent of Maria Kraus-Boelté (1836-1918), a pioneer of Fröbel education in the United States and author of the textbook, \"The kindergarten guide\" (1877). The notebook also contains diagrams and illustrations depicting configurations of tiles and boxes. Several pages have been torn out of the notebook.","This addition to MSS-16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia),  contains six pieces of advertising ephemera. Included are: 1. Mrs. Prettyman's celebrated breast salve, c. 1866-1895, (3 advertising broadsides); 2. Celluloid starch requires no cooking, a die-cut point-of-sale display card with an attached cardboard stand depicting a baby seated on a pillow holding a paper advertising celluloid starch; 3. Display card for Johnson and Johnson baby powder; and  4. a pamphlet titled Your baby's diet: Heinz strained foods: their uses and nutritional values. (circa 1950s).","Addition 19 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet: \"Tennessee Industrial School for the Benefit of Orphan, Helpless and Wayward Children, Nashville, Tenn.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a travel diary of Frederica King Davis as she traveled through England and France during her 19th year.  The bulk of the diary contains vivid and dense descriptions of her travel route, means of travel, companions, sites visited, and observations on art and culture; toward the end, she meticulously documents her allowance received, her expenditures, and the list of books she aims to read as a result of her trip.  ","The diary offers insight not only into the type of grand tour provided to well-off 19th-century American women but also into the history of tourism, transport, and a history of artistic exhibits and art criticism, women's education in domestic accounts and budgeting, traditions in women's gift-giving and charitable contributions, the history of women's fashion, and the history of friendship and courtship etiquette.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a set of Courtesy posters to color, a Children's Aid Society Donation Circular, and educational game ideas handwritten and compiled on index cards by elementary school teacher Jane Ehrhard. The educational games are housed in two small commercial portfolios produced by Burgess Publishing Company for their line of printed educational games.  ","Contemporary ink signature of Jane Ehrhard on the back of both portfolios.  One red portfolio is printed with the title \"File O' Fun for social recreation,\" with Jane A. Harris listed as the author.  The second portfolio is orange and printed with \"Games for the elementary school grades: playground, gymnasium, classroom,\" by Hazel A. Richardson.  It appears Jane Ehrhard has repurposed the portfolios. Both measure 18 x 12 cm and are bound with an elastic cord.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets and booklets on pre and post-natal advice for expectant mothers in America. They include: 1. Information for expectant mothers, by Frank LeCocq Jr., and Albert Bostrom, Jr. (c.1959); 2. Instructions for expectant mothers (c.1959); 3. While I am waiting, (1960); 4. Mrs Winslows soothing syrup: for children teething, (c.1888); 5. Baby is king,(1890); Baby feeding made easier, (1956) accompanied by two pieces of ephemera \"It's the nipple that makes the nurser, the Davol No.155 Nipple...\" and \"Terminal sterilization of baby's formula; 6. Pre-natal care: what expectant mothers should know, compiled by Obstetrical Department of The Western Montana Clinic (c.1955); 7. Your baby's formula (1953, 1955); 8.How food helps mother and baby, for parents-to-be (1954); 9. Modern methods of preparing baby's formula: practical suggestions by doctors, nurses, hospitals and mothers, (1954); 10. More nearly perfect: when baby needs milk from a bottle (1934); and 11. Prenatal care (1949).","Addition 63 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets about women at work both in and outside the home. These include: 1.\"My busy week,\" Herrmann Hdkf. Co 1949; 2. \"When women work,\"[Washington, D.C.] : Women's Bureau, U.S. Department of Labor, 1921; 3. Trade card \"Armour's mince meat and canned meats, c.1890; and 4. Trade cards:  Two round cards depicting 19th century women and girls doing laundry washing by hand.","This addition (69) to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains fourteen pamphlets on the subjects of family planning, women's reproductive health, contraception, hildhood disease prevention, gender, religion, education, history published between 1892 and 1973. Many of these pamphlets were distributed as promotional materials by insurance or healthcare companies. ","The pamphlets are: \"Speaking of Birth Control\", \"Industrial Gems\", \"Keeping a Healthy Home\",   \"Protecting the Home Against Disease\", \"Giving Babies Nestle's Food\", \"Nestle's Better Babies\", \"Where Shall We Put the Baby?, \"Vanta Baby Garments\"[advertisement],\"Your Baby's Protection\", \"So You Don't Want to be a Sex Object\",\"Johnny Takes A Wife\", \"Baby Speaks Out on This Matter of Toilet Training\", \"The Power of a Woman\", and \"A Woman's Guide to the Methods of Postponing or Preventing Pregnancy\"","Addition 61 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on childhood growth and development and women's health.","These include: 1. Child culture before and after birth: truths of profound significance to parents and prospective parents, with illustrative examples from real life, Chicago: National Purity Association,|c.1895; 2. Caldwell, J.B., Pre-natal influences, Chicago: National Purity Association,c.1900; 3. Getting ready for baby, Bloomfield, New Jersey: Lehn \u0026 Fink, Inc.,1930; 4. Weeks, Mary Hezlep Harmon, How to tell the story of reproduction to very young children, 1910; 5. Mothers' clubs' and teachers' organizations' course of study, Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910 (2 copies); 6.) Wood-Allen, Mary, Great books for child instruction, Cooperstown, N.Y.: Arthur H. Crist Co.,c.1910; 7. Wood-Allen, Mary, Valuable books for parent and child (2 copies), Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910; 8. Stephens, Elizabeth L., Sacredness \u0026 responsibility of motherhood, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall,c.1910; 9. Stephens, Elizabeth L., Teaching Obedience, Cooperstown, N.Y., Crist, Scott \u0026 Parshall,:,c.1910; 10. King, E.A. The Cigarette and Youth, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall, c.1910;  10. What shall be taught and who shall teach it? 1907; 11. Mrs. J.H. Kellogg, Work as an element in character building, c.1907; 12. Rev. W.W. Cook, The father as his sons' counselor, 1907; 13.  Mary Wood-Allen, Confidential relations between mothers \u0026 daughters, c.1907,14. Mary Wood-Allen, When does bodily education begin?,1907, 15. P.M. Bruner, The integrity of the sex nature, 1907; 16. Mary Wood-Allen, A friendly letter to boys, 1907; 17. Preg-No-Matic: the scientific calculator that takes the guesswork out of rhythm, Bridgport, CT: Brooklawn-Park Laboratory, 1956-1957; 18. Mel Johnson. Going steady, 1964; 19. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1935; 20. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1939; 21.What every woman wants to know about personal hygiene; Cincinnati, Ohio: Hydrosal Laboratories,1926; 22. Marvel syringe: Whirling Spray for women, c.1900; 23. Healthy happy womanhood: a pamphlet for girls and young women, Springfield, IL: Illinois Dept. of Public Health, Division of Communicable Diseases, c.1938; 24.Sol Gordon, Ten heavy facts about sex that your friends don't know, illustrated by Roger Conant, 1971; 25. Charles A. Clinton, M.D, Sex behavior in marriage, undated, and 26.  M. Sayle Taylor, Ph. D., What's wrong with marriage?,1932.","This addition 13 (ViU-2023-0134)of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the teaching archive of Mrs. Florence Tuttle Baldwin of North Haven, Connecticut (Boxes 3-7). Florence was born in 1854, married in 1881, and died in 1926. She spent her career at the Sixth District School in New Haven, Connecticut. ","It is a large addition containing her teaching materials including her ruler (signed by her), book catalogs, lesson plans and educational books from map making to mathematics, grade book, periodicals, manuscripts poems and letters, art work, needlepoint, phonetical drill cards, flash cards, educational games, and family planning from 1899 to 1905.  ","\nIn addition to Baldwin's teaching materials, other materials include a drawing book entitled \"Our Chat\" with stories by Ella Smith and Audrey, Yvonne \u0026 Clifford Evans; publications on vertical writing (handwriting), \"Talks and Tales\"; and five England-published pamphlets from the 1950s discussing family planning practices and contraception. Titles include \"Modern Family Planning,\" \"A Planned Family,\" \"Planning a Family,\" \"The Planning of a Family\", and a Lloyd's Family Planning Centre pamphlet.","There is a 1934 New York-published pamphlet that discusses Zonite as a family medicine and feminine hygiene products. Titles include \"Another Zonite Product for Intimate Feminine Hygiene;\" \"Facts for Women;\" and \"The real meaning of Antiseptic in everyday family life.\" ","There is a flyer entitled \"Please Give A Quarter\" which promotes the Salvation Army's Fresh Air Camps published circa 1900. ","Also included is a dating book belonging to a young girl titled \"My Him Book\" which has categories of \"High School Hims,\" \"College Hims,\" \"Home Hims,\" and \"Movie Hims\" about her romantic interests, and denotes William Purdy as the \"best of all my beaus\" under the \"Wedding Hims\" section. ","Florence Eleanor Paget (1887-1965) was a professional nature illustrator and artist from England who studied under George Vernon Stokes, a British wildlife and landscape artist. She made these books when she was a young woman, roughly between 1900 and 1910. ","One oblong linen book is labeled \"Sketches\" in pencil on the rear cover, and the owner's signature is on the pastedown in the front of the book. Paget likely drew in the \"Sketches\" book when she was twelve or thirteen. The book has forty drawings in pencil and watercolors. The subjects include landscapes like Redcar Pier, Saltburn Cliffs, Kew Gardens, Etal Church, and Etal Castle, as well as many sketches of her dogs, observations of people, fruit, and fauna. Some drawings have captions that identify the place or provide a funny caption. ","The other is an oblong publisher's cloth binding in green with \"Flora\" stamped in gilt. The book  was likely created five to ten years after the \"Sketches\" book. Dried flowers and plants are artfully pasted down and numbered. She wrote the binomial names in cursive, opposite of the pasted-down plants. There are a total of six total entries. ","The books are mainly written in English, except for one sketch with a caption in French and the Flora books with scientific names in Latin.","Addition 20 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a Salvation Army \"Help the Children\" flyer from June of 1903 sent to raise funds for an outing for poor children in Columbus, Ohio. ","The outing was meant to \"bring some brightness, cheer and comfort into the lives of the poor children of the slums and crowded tenement districts.\" The plea was written by John M. Richards, Adjutant, and the flyer has a cartoon illustration of a children's parade as a decorative border. On the verso of the flyer is a letter written in German written by a woman from Columbus,  dated September 13, 1904.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building,  features one string-bound scrapbook with pasted photographs of dolls collected by Helen E. Perkins. Compiled between 1909 and 1939 by Perkins and Miss Frances Grier, the scrapbook features sixty-nine pasted photographs of dolls of varying origins. Each entry includes the doll's name, a number, their height, manufacturer, material, and place of origin. Nations that have dolls represented in Perkins's album include China, Denmark, Finland, France, Germany, Greece, Guatemala, Holland, Ireland, Mexico, Morocco, Portugal, Russia, and Sweden. ","The material culture of childhood aspect to this scrapbook gives  insight into the importance playing with these dolls to the two girls.  In several of the photos, they've created scenes with the dolls, even  placing them all on the stairs for a \"family portrait.\" ","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains three pamphlets: 1.) Natural Science Camp (Keuka Lake), 1905; 2.) Boy Conservation Bureau (New York, N.Y.) [1930]; and 3.) Teenage gangs, New York City Youth Board, 1957.","4 items were cataloged separately in the print collection: 1.) Playskool Toys, 1956; 2.) J.L. Hammett Company, School Supplies 1928-1929; 3.) The First Public Policy Seminar from a Black Perspective, 1972; and 4.)Stylish Apparel for Expectant Mothers Spring and Summer, 1920.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains six pamphlets and one poster related generally to child care. Titles included are 1. \"Trimble Helps For Mothers,\" 1940; 2. \"Narcotics and the Family,\"c.1970; 3.\"What your neighbors say: dream book compliments of World's Dispensary Medical Association, c.1910s; 4.\"How to take care of the baby: treatise on the care and feeding of infants,\" 1905; 5. \"Your Baby,\" 1942; 6. \"Baby Feeding Without Tears,\"c.1940s and 7.\"Correct posture guide,\" c.1955.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a commonplace book belonging to Ethel Shearer (1893-1952). ","Shearer was a prominent artist in the mid-twentieth century San Francisco scene, being one of the featured artists at the opening of the San Francisco Museum of Art and Oakland Art Gallery. She was a member of the Society of Francisco Women Artists. ","Her commonplace book was compiled when Shearer was between thirteen and seventeen years old between 1906 and 1910. The book includes invitations and greeting cards from Ethel's friends, newspaper clippings, clippings from various other media, Ethel's own handwritten entries, and pasted photographs. Drawings from Shearer are present throughout, calling to her future career as an artist. ","Additon 21 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets relating to childhood education and parenting. \"The Nursery Chair\" was distributed by Shepard, Norwell, and Co., Winter Street, Boston, and advertises various department store goods following a short story. \"Bradley's Kindergarten Material and School Aids\", published in 1906, advertises tools for learning shapes and colors, instruments for art, mathematical instruments, and standard inks, leads, etc. \"Food-The Teeth and Health\" discusses the ideal diet of a young person, published in 1930 by the City of New York Department of Health and Board of Education.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains leaflets issued by American motherhood magazine from 1907. They are: \"The Ideal Mother\" and \" Confidential Relationships between Mothers and Daughters.\"","Addition 15 of MSS 16758,  the University of Virginia Collection on Childhood, Parenting, and Family Building, contains twenty-five nursery rhyme handkerchiefs. ","Commonly tucked into story books, these were popular children's mementos between the 1910s and the 1960s. Most handkerchiefs are illustrated in full color and have sewn and colored borders. ","However, six of the earliest editions are printed in black and white or sepia with raw edges.Most examples have sewn and colored borders, besides the earliest examples featuring raw, uncolored trim. ","Seven color designs are by British children's illustrator Mabel Lucie Attwell; others are unattributed.  Stories depicted by Atwell include \"Little Miss Muffet,\" \"Ding-Dong Bell,\" \"Jack and Jill,\" \"Little Bo-Peep,\" \"Hush-A-Bye-Baby,\" \"Little Boy Blue,\" and \"Dickory Dickory Dock.\"","\"Going steady\" / by Daniel A. Lord;\nTonsils and adenoids: is your child handicapped?;\nGood habits for children /|cMetropolitan Life Insurance Company ; [prepared with the cooperation and advice of the National Committee for Mental Hygiene];\nHearing, Metropolitan Life Insurance Company;\nCommon childhood diseases, New York: Metropolitan Life Insurance Company,c[1946];\nMrs. Winslow's diet instruction book for the baby. New York: Anglo-American Drug Company|c[1922];\nCollection of Bank Street Publications pamphlets on early childhood education (35 pamphlets);\nKeeping the well baby well.Washington:U.S. G.P.O.,c. 1927;\nOut of babyhood into childhood: 1 to 6 years. Washington:U.S. G.P.O.,c. 1943;\nWhen your child's in the teens /by Edwina A. Cowan;\nYour child grows up,|cby Edgar A. Doll.[Boston],|b[John Hancock mutual life insurance Company],|1939;\nBetween two years and six / by Richard M. Smith; Boston : John Hancock Mutual Life Insurance Co., 1941.\nThe healthy school child.Boston, Massachusetts : Life Conservation Service of the John Hancock Mutual Life Insurance Company, [1940];\nCount down to discovery!--3- 2- 1-year olds : child development, unit 2 / Alice T. Teddlie. Baton Rouge : LSU Cooperative Extension Service, 1972;\nDiscover the wonderful world of 4 and 5 year-olds. Baton Rouge, La.: Louisiana State University Agricultural and Mechanical College, Cooperative Extension Service,| c[1976];\nThe Student advocate, New York: American Student Union,c1936-1938;\nA doctor talks to 5-to-8 year-olds /|cby Dona Z. Meilach in consultation with Elias Mandel; Chicag :Budlong Press Co.,c1967;\nThe care of the baby: prepared by a committee of the American Association for the Study and Prevention of Infant Mortality and presented to the Association at its annual meeting held in Washington D.C., November 14-17, 1913;\nYour child from one to six / U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, Washington, D.C : U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, 1945;\nYour child from 6 to 12, written by Mrs. Marion L. Faegre, Washington, D.C. :| Federal Security Agency, Social Security Administration, Children's Bureau,c1949.","This addition to MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a 9.5\" x 6.5\" wooden puzzle with a  wooden frame and a glass window titled the Silver Bullet: Or the Road to Berlin. ","Original metal ball and elements intact. Directions on the verso of the game.  British dexterity puzzle for a juvenile audience, made of wood and glass. The game's object is maneuvering a metal ball through a winding course, avoiding holes, to the Berlin area. Although the topography of the play suggests the trenches of the Western Front, at the time of the game's creation, the troops had not \"dug in.\" The title, Silver Bullet, suggests a quick victory and supports the view that the British public believed the war would be over by Christmas 1914.","Addition 25 of MSS 16758 The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains twenty-five printed ephemera, including pamphlets and advertising on topics include parenting, child development, sex education, public health, and care of pregnant inmates.","40 posters from the Hope of a Nation Poster Series","Feeding the majority of bottle babies.Mead Johnson \u0026 Co. of Canada, Ltd.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two items relating to scouting. The first is a broadside printing of the ten Girl Scout laws set among art nouveau illustrations from the 1930s. The second is a photo album compiled by a boy at Kerrville, Texas, with images of playing in the streets, swimming in the Guadalupe River, playing baseball, hiking, marching, and being at a local Boy Scout camp. The black cloth photo album contains fifty-two black and white photos, measuring 10 x 7 cm, with a caption on the album leaves. ","There is a  photograph of an African American man. (Caption reads, \"Uncle Allen\").","African Americans were often referred to as Uncle or Aunt even though they were not a family relative.They were denied use of courtesy titles.\"Aunt,\" as in \"Aunt Jemima,\" was the term used for older enslaved women in the South who were not allowed by their white owners to use the term Mrs or Miss. The same was true for Uncle, as in Uncle Ben's Converted Rice. Uncle was used for older enslaved men because they were not allowed by their white owners to use the term Mr. The African American in this photograph is referred to as \"Uncle Allen.\" It is important to recognize the use of these terms and confront the racism that is embedded in these white cultural terms.","Source:\nGreen, Mark. Do You Know Why Aunt Jemima is Called \"Aunt?\"\nWhy is Aunt Jemima racist? Here's exactly why. And I do mean exactly.\" Medium. Human Stories and Ideas. Acessed 7/17/2024.\nhttps://remakingmanhood.medium.com/do-you-know-why-aunt-jemima-is-called-aunt-5d111b0765a5","This collection consists of a handmade notebook titled Punctuation Party by Melba Tice. The book presents punctuations as characters with rhymes and cutouts from 19th-century editions of Alice in Wonderland and Through the Looking Glass, as well as contemporary advertisements, explaining punctuation rules. Some punctuation characters are not from Carroll, and their descriptions illustrate cultural viewpoints of the time period, including a racist depiction of a \"mammy' figure and a Clorinda Colon\" as an old maid figure.","Addition 2 of MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven hand-painted postcards presumably created by Elisabeth, the sender. The postcards, drawn in black ink, depict children playing outside: a child pushing another child's sled; two children talking under a tree in spring/summer; two children playing with a balloon; a girl having a picnic with a bunny; one older and one younger girl in the snow; an older girl on a swing; and a girl on a dock by a body of water. ","Two of the postcards have written messages and are addressed to Miss Henebry and Miss Camilla Cole. The cards are postmarked Mount Kisco, NY, July 14 and 15, 1922. Both are sent in the care of Graham Miles of Alexandria Bay, New York. ","Miles was a stockbroker and hydroplane racer. He married and divorced Louise Clover Boldt, the daughter of George and Louise Boldt, wealthy Philadelphians and owners of the Boldt Castle in the Thousand Islands. Miles and Boldt had a daughter, Clover Wotherspoon Miles, but Miles's connection to Elisabeth or the other children named is unclear.","Addition 18 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 7 pieces of pamphlets/ or ephemera. \"What every teenager ought to know\" by Abigail Van Buren; T\"urn this page and do as this little man does\" by Colgate \u0026 Co; \"Ways to keep well and happy: booklet for upper elementary grades \"by Ruth Strang; \"Keeping fit\" by the State Board of Health, Bureau of Venereal Disease, North Dakota; \"Family meals at low cost using donated foods\" by the US Dept. of Agriculture; \"The gas cook book for young people\"by Athens Store Works, Inc., Athens, Tennessee; and \"The picture and rhyme book.\"","Addition 16 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three advertising pamphlets that pertain to parents purchasing products for their children. \"The Tinies that Live in a Tube\" advertises toothpaste, \"Flibitty Jibblit\" advertises rennet powder, and \"The New Boss in the House\" promotes the Pittsburgh District Dairy Council. Each uses imagery of children and parents utilizing the respective product.","Addition 17 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets: \"The Science of Prenatal Astrology\" by Edwin S. McKeever; \"The Space Child's Mother Goose\" verses by Frederick Winsor and illustrations by Marian Parry. The third item is a pamphlet titled,\"Reducing the new common sense way\" about the Kryon method of reducing weight by Continental Pharmaceutical Corp. ","\"The Space Child's Mother Goose\" is a personal copy owned by Arthur Schulman, an Associate Professor of Psychology at the University of Virginia and one of the organizers of the American Civil Liberties Union in Charlottesville. ","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven signs used to warn the public about the spread of contagious diseases and institute quarantine for diseases like smallpox, measles, polio, and diphtheria.","Addition 4 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the American History Hektograph Posters. These are twelve individual monochrome printed poster sheets, measuring 12 X 9 inches,  featuring historical instances in American history. ","Published in 1926 by Beckley-Cardy Company, each scene is intended to be colored, likely by a child. Each scene features suggested coloring methods, a title for the event, and a brief synopsis of the instance below. Scenes are typical origin stories, colonizers, and dominant white narratives and are examples of the narratives taught in classrooms circa 1926. The scenes are numbered 1 through 12, with each respective number placed in the center under the title. Events depicted: 1 - \"Landing of Columbus,\" 2 - \"The Mayflower at Cape Cod,\" 3 - \"The Pilgrims Planting Corn,\" 4 - \"The First Thanksgiving,\" 5 - \"George Washington's Early Home,\" 6 - \"Signing of the Declaration of Independence,\" 7 - \"Washington as President,\" 8 - \"Lincoln Studying by Firelight,\" 9 - \"Lincoln Writing His Inaugural Address,\" 10 - \"The Gettysburg Address,\" 11 - \"Grant Made Commander In Chief,\"  and 12 - \"Digging the Panama Canal.\" ","\"Red Man\" and a Native American \"wearing his bright [British] red coat with great pride\" suggests the presence of reparative content. \"","This addition to  MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building collection, contains one brad-bound scrapbook with a \"HYGIENE\" stencil cut from the paper on its cover. The content discusses healthy living practices for young girls. Entries feature drawings, pasted images, newspaper articles and clippings, handwritten queries on health, and ideas on diet and grooming practices. There are 49 \"chapters,\" each no longer than two pages. The corresponding pages for each chapter are presented in a table of contents at the beginning of the book.","Addition 57 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to teenagers, parenting, and sex education. These include: 1.) The school lunch, Battle Creek, Michigan:|bEducational Department, Postum Company, Inc., (1928); 2.) Sex in life: young men, by Dr. Douglas White (1933); Sex in life: young women, by Violet D. Swaisland (1933); 3.) What parents should tell their children (1933);  4.) Starting to school in Kingsport, Kingsport, Tennessee, Kingsport City Schools (1953), 5.) How life goes on and on:  story for girls of high school age, y Thurman B. Rice (1937); 6.) When children ask about sex, by the staff of the Child Study Association of America. Foreword by Marianne Kris (1953);  7.) Woman against myth, by Betty Millard (1948); 8.) The teacher and mental health [prepared by the National Institute of Mental Health] (1955); 9.)The safety zone:|ba frank talk with women concerning their personal problems (1940), 10.)Teen-agers and parties, Ernest F. Miller (1960), 11.) Tips for teeners  by Antoinette Donnelly (c.1950); 12.) Think straight before you date, D.F. Miller. (1959); and 13) Teen-agers and dope, Howard Morin, C.SS.R. (1957)","Addition 5 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single press photograph from the children's clinic at the ridge avenue dispensary in Philadelphia in the 1930s.  The photograph is a group photograph of Black nurses and children in a clinical setting. A typed caption is affixed to the top right edge of the picture. No photographer or studio is noted.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a pamphlet titled Strong bodies sound minds: some health hints for the school-day years (c.1930).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on public health topics including syphilis and sex education. These include: 1. Management of syphilis in general practice, Joseph Earle Moore, in collaboration with: Harold N. Cole [and others], 1938; 2. Genitoinfectious disease control in Massachusetts, prepared by The Massachusetts Department of Public Health co-operating with the United States Public Health Service, 1940; 3. The diagnosis of syphilis by the general practitioner by Joseph Earle Moore, M.D., 1938; 4. Syphilis in mother and child,by Harold N. Cole and Philip C. Jeans, in collaboration with Joseph Earle Moore ... [et al.], 1940; 5.Your baby and the blood test law, Ernest B. Howard, M.D., c.1939; 6.Clinical excerpts, 1942; 7. Sex education for the preschool child by Harold E. Jones and Katherine Read, 1941; 8. Sex education for the ten year old /|cby M. Marjorie Bolles, 1941; 9. Sex education for the adolescent. by George W. Corner and Carney Landis, 1941; and 10. Sex education for the woman at menopause by Carl G. Hartman, 1941.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the publication of an educational booklet titled \"The Story of Sex Hormones,\" produced by the Schering Corporation, an American pharmaceutical company. The pamphlet was distributed at the Hall of Science at the Golden Gate International Exposition at an informative display called \"Hormone Woman.\" It briefly outlines recent advances in endocrinology and offers illustrated explanations of menstrual cycles and sex hormones, as well as a short description of menopause.19 cm","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a sample book titled \"Kiddie flowers\" consisting of eight mounted samples of floral fabric potentially for children's clothing.","Addition 24 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet for the Davis Home for Colored Children 34th Anniversary located in in Pittsburgh. This promotional booklet is for the  \"34th Anniversary\" of the Davis Home, a temporary home and day nursery for African-American children. Also of note in the booklet are advertisements for what are likely Black businesses that supported the home. \n \n   Note says, \"This book is dedicated to my mother, Mrs. Fannie Louis Davis, who was the founder of the Davis Temporary Home and Day Nursery in 1907, and organizer of the Colored Women's Relief Association of Western Pennsylvania in 1909. To my wife, Mrs Louise Scott Davis, President of the Davis Home for Colored Children, who has been loyal and faithful in giving her life toward the advancement of this home. To my friends, who have contributed to this Home in any way they could. Finley T. Davis, Business Manager.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains Paul Kenton Conrad's childhood cartooning album and scrapbook. The sketchbook, a string-tied leatherette album, documents a young boy's self-guided attempts to develop cartooning skills. Cut-out tutorials from Frank Webb's \"How to Make Faces\" are mounted on the album's early pages, with attempts in pencil to follow their instructions. Midway through, Conrad branches out from these copies into creating his original subject matter, including army airplanes, sheriffs, pistols, cowboy hats, and a series of one-panel strips titled \"Stuff that's funny.\" The artist, a Pittsburgh native who settled in Honolulu, would later become a successful lounge pianist and musician of some note in the 'Exotica' genre, releasing one well-received album (\"Exotic Paradise\").","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet titled \"Growing Up in the World Today: for Boys and Girls in the Teens\" by Emily V. Clapp.(1946)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets for parents and teachers about puberty and sex education. ","Titles include 1. \"Sex Behavior and sex interest in Children,\" by Louise Bates Ames (1952); 2. \"When children ask about sex,\" by the staff of the Child Study Association of America, Sidonie M. Gruenberg [and others] Anna W.M. Wolf, editor, (1946); 3. \"Preparation for puberty: a sex education manual for parents and teachers,\" written by Mrs. Linda K. Teller, illustrated by Mrs. Dorothy Teeters (1965); and 4. \"Sex education in the home,\" Georgia Department of Public Health, (c.1950).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a chart of hormone interrelation upon which the film \"The physiology of normal menstruation\" is based. Printed in green and black, full color chart. 1 sheet folded to 8 unumbered pages. 23x62 cm folder to 23x16 text.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains  a set of twelve offprints titled \"Your baby at [1-12] months.\" There are twelve pamphlets, one for each month of a baby's first year of life. Reprinted from Baby Talk, published by the Parenting Group, New York, N.Y.Author: Beulah Sanford France (1891)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a spiral-bound sketchbook belonging to an unnamed art student, most likely living in New York City. Page one of the sketchbook details the student's assignment: \"DUE - 300 by June 2nd, Marked Chronologically.\" Traces of what may be an owner's name and grades of \"B\" and \"B+\" are written on the cover. Each sketch is numbered in pencil and is stamped between March and June 1952. The sketchbook's seventy leaves have drawings only on the recto. Drawings are completed in pencil, ink, and crayon.  This student's sketches are primarily figure studies of those in transit on the subway. Other scenes include a roller derby skater, pin-up figure, river traffic with a bridge, a parked car, a cat, and exotic animals.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a handmade fundraising appeal concertina album to the artist Oskar Kokoschka. The book was created by design students at the Modeschule der Stadt Wien (Fashion School of Vienna). In 1946, the school relocated to Schloss Hetzendorf, an eighteenth-century palace that sustained significant damage during the Second World War.Students were pressed to raise money for their art supplies amid the renovations. This fundraising appeal was addressed to exiled Austrian artist Oskar Kokoschka, known for his contributions to expressionism. The album contains hand-cut stencil letters, hand-colored illustrations, and collages of paper, felt, yarn, tin foil, leather, and chipboard. The book reads: \"Dear O.K. [Oscar Kokoschka] / if we would have brushes and colours to paint / coloured paper for handykraft / wools to weave / leather for gloves and bags / felt for millinery/magazines to get suggestions / spezial [sic] books for library/material for dressmaking / then all would be OK. Photographs of the students at rest and at work sewing, trimming, painting, weaving, and drawing are pasted on the verso of each collage. Kokoschka fled Vienna, Austria under the Nazi regime and never returned. It is unknown whether he responded to this appeal from the Modeschule students.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet titled Your Child's Development - Infant to 16 years.","\"This booklet is based on recent studies at the Gesell Institute. Dr. Arnold Gesell, the Institute's research consultant and a household word to parents, founded the Yale Clinic of Child Development, which he directed for 37 years. Today, Dr. Gesell and his collaborators, Dr. Frances L. Ilg, a pediatrician, and Dr. Louise Bates Ames, a psychologist, carry on the pioneer work of the institute.\"","Published by Good Reading Rack Service, Inc., a division of Geffe, Morton \u0026 Griffiths, 76 Ninth Avenue","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains an  original calligraphic manuscript of thirty variously colored linocuts, each by a different girl from a class at St. Helen's Norwood, London. Each linocut has the student's name below in ink. The contents are handwritten verses of Benedicte Omnia Opera. The title page notes, \"Lettered, illustrated and bound by all the members of IVA.\" The endpapers are also original handpainted images of angels. Bound in original black cloth at the school by L. Hardy, D. Lines, and J. Scarth.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single pamphlet titled \"Doors to Open\" by Ellis Gladwin and Rama Braggiotti (illustrator) published by the Connecticut Mutual Life Insurance Company. It is written as a guide for young people but specifically addresses men embarking on college life and advises on new life changes in the context of conservative social constructs of the mid-twentieth century. Sixth in a series of booklets that dealtwith the tensions of everyday life.","Each segment has a hypothetical person encountering specific issues like overcoming shyness and finding social niches. Towards the end of the booklet, a piece titled \"Girl of My Dreams\" is a thinly veiled reference to a young man questioning and discovering an LGBTQIA+ identity. The advice is negative and clarifies that the hypothetical person should stifle these questions and stick to a hetronormative lifestyle, stating \" \"George is very unhappy, [and] needs help to cope with these festering needs. Otherwise, he may settle for a dim life, arrested by a succession of psychosomatic illness.\" ","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building,  contains a game titled \"Judy's Neighbors: Negro Family.\" It includes two dimensional pressed wood figures of an African-American family including mother, father, daughter, and two sons. There are also stands for the figures. Judy's Neighbors was released sometime between 1963 and 1964.This was part of a series and was sold individually and in sets. Teachers used the game to encourage racial diversity.","Addition 14 of MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building contains two promotional posters (22\"X6\") for the 1965 and 1967 New York Children's Book Week. The art of Caldecott Medal-winning illustrator Barbara Cooney made the artwork for the 1965 poster. The illustration depicts a fox carrying a stack of books with a crow overhead, looking down at the fox perched from a branch with the words \"Sing out for Books\" in French. The other poster from 1967 contains a linocut illustration of hot air balloons with a floating banner reading \"Take Off With Books.\" Marcia Brown, the only triple Caldecott Medal winner, made the art for this poster.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a photo album for the Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","The photographs document the center's daily operations, including staff and children, and special events, including several photographs of its graduation ceremony and a special \"Father of the Year\" award presentation for the fathers of the \"graduating class.\" The center closed permanently in 2005.","This addition (23) contains a three-fold pamphlet titled, \"A Report of a Conference on Day Care and the Working Mother\" for the Morris Child Development Center: State of Michigan Pilot program.","Addition 6 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains materials collected and produced by the Bilalian Child Development Center and the Developing a World for All Humanity (DAWAH) in Highland Park, Michigan. The Bilalian Child Development Center was incorporated as a non-profit agency in 1977 and appears to provide community services and educational services for the community.  The DAWAH is an institute developed by a group of African-American Muslims in Michigan to develop an effective DAWAH program in America.  ","Contents include an advertising and enrollment form, two brochures for the Bilalian Center, and another for the DAWAH Institute in Highland Park. Also included are the contents of a binder for the DAWAH Institute. Separated by subject tabs, materials include handwritten notes and a typed agenda for the First National Meeting of the DAWAH Institute, an application of employment to the Institute, papers on Community Services, the A.B.C.D. Savings Program, a photocopy of a Western Union Mailgram to President Ronald Reagan, papers on the Food Co-Op \u0026 Gardening club, Home Garden booklet from the 4-H Youth Programs, Fundraising and Grantsmanship, invitations, brochures, news releases, educational programs, news clippings, and a curriculum statement.","Addition 22 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 21 handbills and handouts on HIV and AIDS and LGBTQ health concerns for teens.","Some guidelines to follow in talking to teens about sex and AIDS/STD's -- Where do mermaids stand (From: All I really need to know i learned in kindergarten by Robert Fulghum) -- Bi-Friendly #40, October 1991, San Francisco, East Bay, and U.C. -- 1991 Fact Sheet / State of California Department of Health Services AIDS Prevention and Follow up Centers Early Intervention Program -- Continuing Education Questionnaire -- Continuing Education Agenda / UCSF AIDS Health Project, San Francisco, CA -- Antiviral AIDS drugs in the pipeline, 1991 -- Fact Sheet 1991 / [San Francisco] -- Syphilis Rate Soaring Among S.F. Teenagers / by Nanette Asimov, Chronicle Staff Writer -- Indications for Encouraging Counseling and Testing for Adolescents -- Special Programs for youth consent form for HIV testing -- Special programs for youth pre-test counselor sign-off sheet for informed consent -- A.T.S. Recommendations for youth and young adults / Adolescent HIV Coalition -- Referral list for HIV+ youth and young adults / prepared by Michael Baxter, Adolescent HIV Coalition Chair, San Francisco -- Youth and the HIV antibody test -- Project ahead / [San Francisco Health Clinics] -- Crisis alert: African American youth and HIV/AIDS / by W.J. Brandy Moore -- Some of the barriers that Latino/adolescents can encounter if they do seek health care and related services for HIV/AIDS / presented by Marisa Davis, Aids Health Project -- Counseling high risk youth / Ken Dunnigan, M.D. April 28, 1988 -- Youth and HIV: no immunity / Jane Shalwitz, MD and Ken Dunnigan, MD, circa 1983 -- Normal adolescent development / Parent Survival Kit, Denise Phelan-Desmond, Luanna Rodgers, Mary Isham, et. al. -- The ten mos asked HIV-Insurance questions / reprinted by AIDS Project, Los Angeles ©1988","Addition 8 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a signed broadside print (11 X 8.5 inches) titled \"My Life Matters\" by the artist and muralist LMNOPI. ","The signed print based on muralist LMNOPI's wheat-pasted street art, is originally produced in response to the Ferguson protests. Artist LMNOPI writes: \"This painting was inspired by the Black Lives Matter movement which originated in Ferguson, Missouri last year in response to the police murder of Mike Brown. I have been doing a series of street paste ups around this movement.\" ","LMNOPI found this image of a young protestor online, eventually identifying the child as a boy named Myles. The image of Myles warily clutching his protest sign (#DontShoot #Ferguson #YourLifeMatters), pasted up on the door of an a condemned factory in Bedford-Stuyvesant, became part of the community: \"The wheatpaste of Myles was much loved by local residents. Often I would observe people taking photos of it on their way to work. I saw many people post it on Instagram. It even survived a local graffiti bomb squad who came through last winter during a snowstorm. They tagged up the entire wall, but did not touch Myles.\" ","Source from LMNOPI's website: lmnopi.com/my-life-matters.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one handmade child's artist book based on Samuel Roger's Poem \"Address to the Butterfly.\"","Unidentified youth creates a story beginning with a cardboard hand-cut apple; as the story progresses, a cardboard cut-out worm escapes the apple and begins to \"eat\" the pages before cocooning and then emerging as a pop-up butterfly.  ","Crudely bound with black leather over boards; a window cut out of the front cover allows the painted apple on page [1] to show through. ","A small pocket mounted inside the back board holds five cards printed with Samuel Rogers' poem \"To the butterfly.\"  The pocket is stamped with \"Address to the butterfly, Samuel Rogers.\"","This addition to MSS16758, University of Virginia History of Childhood, Parenting, and Family Building, contains thirty-four pamphlets on various topics, including puberty and sexual development, childhood diseases, motherhood, birth control, and nutrition.\nList of items:\n A Story About You, by Marion O. Lerrigo [and] Helen Southard [in consultation with] Milton J.E. Senn.\nFinding Yourself, by Marion O. Lerrigo, Helen Southard; medical consultant, Milton J.E. Senn.\nApproaching adulthood, by Marion O. Lerrigo, Helen Southard [in consultation with] Milton J.E. Senn.\nHow to use My Bookhouse, Miller, Olive Beaupré, editor.\nScarlet Fever, Metropolitan Life Insurance Co. (c.1925)\nScarlet fever. Metropolitan Life Insurance Company (1940)\nWhooping cough.Metropolitan Life Insurance Co.(c.1930s)\nWhooping cough.Metropolitan Life Insurance Co.(1921)\nVaccination protects you against smallpox. Metropolitan Life Insurance Co. (c.1926)\nFor your information about Rheumatic Fever.Rheumatic Fever Foundation, 20-30 International,(c.1956).\nMeasles and their prevention. Richmond, Virginia, State Health Department (c.1965).\nCommunicable diseases in Virginia: mumps.Virginia, Commonwealth of Virginia Department of Health (c.1967)\nTraining is fun with Little Toidey. Juvenile Wood Products, Inc.,(c.1938)\nSmallpox is still here. Metropolitan Life Insurance Company, (c.1939?)\nRickets \u0026 scurvy. Metropolitan Life Insurance Co. (c.192-?)\nGood teeth: how to get them and keep them. Metropolitan Life Insurance Co. (c.1900s)\nYour baby book.Wyeth Laboratories, Division American Home Products Corporation, (c.1962)\nWomen who go to school.Washington, D.C.National Congress of Parents and Teachers (c.1945)\nChildhood diseases. Prudential Insurance Company of America (c.1966)\nThe prize winner. M.L.I. Co. Press (c.1935?)\n52 bones in a terrible hurry.The May Co.(c.1950's)\nHeight and weight tables for Children-Borden Dairy. The Borden Company (c.1920's)\nVariety gives nutritional balance. Stokely Van Camp, Inc. (c.1950's)\nA better start in life with meat.Nutrition Division, Research Laboratories, Swift \u0026 Company,(c.1950's)\nTummy tingles by Josephine Beardsley; illustrations by Marjorie Peters. (c.1937)\nLydia E. Pinkham's private text-book:  ailments peculiar to women. Lydia E. Pinkham Medicine Co. (between 1878 and 1940)\nMy views on birth control by Dr. B. Goodman. (c.1944)\nWedlock and birth control: straightforward talk on a momentous and delicate subject by Dr. Grayling Stewart (c.1950?)\nA Book about birth control written by Donna Cherniak ; edited by Shirley Pettifer (c.1984)\nThe age of romance. American medical Association (1933)\nQuestions and answers about intrauterine devices.Planned Parenthood Federation, Inc.(c.1970)\nSecrets married women should know.America's Medicine (c.1930?)\nThe new germcide Hyomei: positive cure for coughs, bronchitis, asthma, and consumption.The R.T. Booth Company (c.1906)","The following books have been transferred to the library collection: List of titles\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\nThe new family / Virginia. Bureau of Child Welfare.\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families","This collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request.","Albert and Shirley Small Special Collections Library","Musinsky Rare Books","Plymouth (England)","HMNB Portsmouth (England)","Bluemango Books and Manuscripts","Sophie Schneideman Rare Books","Whitmore Rare Books","Salvation Army","Ellipsis Rare Books","Tomberg Rare Books","King, James","Weeks, Richard Cumming","Dugdale, Florence Eleanor Paget, 1887-1965","English German French"],"unitid_tesim":["MSS 16758","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1482"],"normalized_title_ssm":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"collection_title_tesim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"collection_ssim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["This collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials."],"access_subjects_ssim":["Children","Children's art","postcards"],"access_subjects_ssm":["Children","Children's art","postcards"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good"],"extent_ssm":["7.5 Cubic Feet 12 document boxes, 2 os boxes and 1 cubic box"],"extent_tesim":["7.5 Cubic Feet 12 document boxes, 2 os boxes and 1 cubic box"],"genreform_ssim":["postcards"],"date_range_isim":[1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eSome restrictions may apply due to fragile condition of paper dolls.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request. The sketchbook is availble for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","Some restrictions may apply due to fragile condition of paper dolls.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request. The sketchbook is availble for research.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","This collection is open for research.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThere are 23 pamphlets associated with this collection but 9 were removed for print cataloging. Rose Oliveira-Abbey: No.1, 3, 4, 5, 10a, 10b, 11a, 11b, and 11c on the invoice cataloged as print. See invoice in Control folder for Invoice/PurchaseOrder for titles.\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\n\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["There are 23 pamphlets associated with this collection but 9 were removed for print cataloging. Rose Oliveira-Abbey: No.1, 3, 4, 5, 10a, 10b, 11a, 11b, and 11c on the invoice cataloged as print. See invoice in Control folder for Invoice/PurchaseOrder for titles.\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\n\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families"],"bioghist_html_tesm":["\u003cp\u003eJane Elizabeth \"Jennie\" Hoyt-Stevens was born in Concord, Massachusetts to Sewell Hoit (1807-1875) and Hannah Elizabeth Hoyt, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907.She encouraged a younger generation of women in their medical careers, including Mary Runnells Bird, and donated her family home, (\"impressive mansion\"), to the use of the New Hampshire Congregational Conference, reserving \"a small upstairs apartment\" for her own use.\u003c/p\u003e\n","\u003cp\u003eIn 1906, she represented the New Hampshire Medical Society as a delegate to the International Medical Congress in Lisbon, and traveled in Spain and North Africa during that trip. She met Gandhi during an extended visit to India, and published writings about her impressions of him in 1931. She adopted a son in Spain, named Abelardo Linares. She died in 1933, in Concord, New Hampshire, at the age of 72\u003c/p\u003e\n","\u003cp\u003eThe mathematical fraktur may have belonged to Elizabeth Urban as a gift from her tutor, A. G. Lees in Conestoga Township, Lancaster County, Pennsylvania. Elizabeth Urban was born on July 22, 1795 in Conestoga to George Urban (1740-1843) and Barbara Keagy (1743-1828). Educational frakturs are very rare.\u003c/p\u003e","\u003cp\u003eMorris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.\u003c/p\u003e","\u003cp\u003eBilalians is a name used by early African-American Muslims. It refers to Bilal, a former Black enslaved person of Muhammad. Bilal's importance as the first Muslim muezzin, his ardent support for early Islam, and his favored status under Muhammad made him an important symbol of Black honor and dignity, major themes of early African-American Islam.\u003c/p\u003e\n","\u003cp\u003eThe Da'wah Institute (DIN) is the research and public enlightenment department of the Islamic Education Trust (IET) which has its headquarters in Minna, and Zonal Coordinators across Nigeria and West Africa. Its mission is to \"strive in the capacity building and empowerment of other Islamic organizations and individuals involved in facilitating the correct understanding of the message of Islam.\"\u003c/p\u003e\n","\u003cp\u003eSource: \nOxford University Press. Oxford Reference. Accessed 7/18/2024\nhttps://www.oxfordreference.com/display/10.1093/oi/authority.20110803095505567\u003c/p\u003e\n","\u003cp\u003eDa'wah Institute of Nigeria Accessed 7/18/2024\nhttps://dawahinstitute.org/dawah-institute-nigeria-din/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Jane Elizabeth \"Jennie\" Hoyt-Stevens was born in Concord, Massachusetts to Sewell Hoit (1807-1875) and Hannah Elizabeth Hoyt, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907.She encouraged a younger generation of women in their medical careers, including Mary Runnells Bird, and donated her family home, (\"impressive mansion\"), to the use of the New Hampshire Congregational Conference, reserving \"a small upstairs apartment\" for her own use.","In 1906, she represented the New Hampshire Medical Society as a delegate to the International Medical Congress in Lisbon, and traveled in Spain and North Africa during that trip. She met Gandhi during an extended visit to India, and published writings about her impressions of him in 1931. She adopted a son in Spain, named Abelardo Linares. She died in 1933, in Concord, New Hampshire, at the age of 72","The mathematical fraktur may have belonged to Elizabeth Urban as a gift from her tutor, A. G. Lees in Conestoga Township, Lancaster County, Pennsylvania. Elizabeth Urban was born on July 22, 1795 in Conestoga to George Urban (1740-1843) and Barbara Keagy (1743-1828). Educational frakturs are very rare.","Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","Bilalians is a name used by early African-American Muslims. It refers to Bilal, a former Black enslaved person of Muhammad. Bilal's importance as the first Muslim muezzin, his ardent support for early Islam, and his favored status under Muhammad made him an important symbol of Black honor and dignity, major themes of early African-American Islam.","The Da'wah Institute (DIN) is the research and public enlightenment department of the Islamic Education Trust (IET) which has its headquarters in Minna, and Zonal Coordinators across Nigeria and West Africa. Its mission is to \"strive in the capacity building and empowerment of other Islamic organizations and individuals involved in facilitating the correct understanding of the message of Islam.\"","Source: \nOxford University Press. Oxford Reference. Accessed 7/18/2024\nhttps://www.oxfordreference.com/display/10.1093/oi/authority.20110803095505567","Da'wah Institute of Nigeria Accessed 7/18/2024\nhttps://dawahinstitute.org/dawah-institute-nigeria-din/"],"odd_html_tesm":["\u003cp\u003eThis material contains references or imagery involving racism. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e"],"odd_heading_ssm":["Content Warning"],"odd_tesim":["This material contains references or imagery involving racism. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 1, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia Collection of the History of Childhood, Parenting, and Family Buiding, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 31, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 59, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 39, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16748, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, Addition 70, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 11, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 40, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 35, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 7, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 12, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 25a, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 60, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 51, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 42, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 19, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 36, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 9, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 43, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 63, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 69, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 61, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 13, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 67, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 20, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 33, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 56, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 66, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 41, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 21, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building \nAddition 46, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, the University of Virginia Collection on Childhood, Parenting, and Family Building Addition 15, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 34, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 27, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 25, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 10, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 30, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 2, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 18, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 16, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 17, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 55, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia History of Childhood Collection, Parenting, and Family Building, Addition 4, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 29, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758,  University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 57, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building-Addition 5 African American Nurses and Children photograph at the Ridge Avenue clinic in Philadelphia, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 45, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 62, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 65, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 38, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 24, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 28, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 48, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 49, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 64, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 47, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 68, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758 , The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 71, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 44, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 54, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 37, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 26, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The UVA Collection on Childhood, Parenting, and Family Building Addition 14, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 58, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection of the History of Childhood, Parenting, and Family Building Addition 23, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 6, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 22, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 8, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 50, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 32, University of Virginia Library, Albert and Shirley Small Special Collections Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 1, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection of the History of Childhood, Parenting, and Family Buiding, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 31, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 59, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 39, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16748, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, Addition 70, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 11, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 40, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 35, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 7, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 12, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 25a, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 60, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 51, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 42, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 19, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 36, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 9, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 43, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 63, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 69, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 61, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 13, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 67, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 20, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 33, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 56, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 66, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 41, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 21, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building \nAddition 46, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, the University of Virginia Collection on Childhood, Parenting, and Family Building Addition 15, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 34, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 27, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 25, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 10, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 30, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 2, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 18, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 16, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 17, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 55, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia History of Childhood Collection, Parenting, and Family Building, Addition 4, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 29, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758,  University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 57, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building-Addition 5 African American Nurses and Children photograph at the Ridge Avenue clinic in Philadelphia, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 45, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 62, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 65, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 38, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 24, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 28, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 48, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 49, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 64, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 47, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 68, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758 , The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 71, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 44, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 54, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 37, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 26, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building Addition 14, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 58, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection of the History of Childhood, Parenting, and Family Building Addition 23, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 6, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 22, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 8, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 50, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 32, University of Virginia Library, Albert and Shirley Small Special Collections Library."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also Series 4 \"A Report of a Conference on Day Care and the Working Mother\" material from the Morris Child Development Center Addition 23\u003c/p\u003e","\u003cp\u003eSee also Series 4 Addition 58 Photograph album of the Morris Child Development Center\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials"],"relatedmaterial_tesim":["See also Series 4 \"A Report of a Conference on Day Care and the Working Mother\" material from the Morris Child Development Center Addition 23","See also Series 4 Addition 58 Photograph album of the Morris Child Development Center"],"scopecontent_html_tesm":["\u003cp\u003eThe University of Virginia Collection on the History of Childhood, Parenting, and Family Building is an artificial collection and periodic additions are expected.\u003c/p\u003e","\u003cp\u003eAddition 53 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one calligraphy manuscript of Hans Rudolf Gujer from Wermatswil, Switzerland. The book contains thirty-seven leaves in landscape format, in various colored inks and watercolor, with some use of gouache. \u003c/p\u003e\n","\u003cp\u003eIt also includes seven large original drawings; one is in pen-and-ink, and six are ink and watercolor; three pages of alphabets; most other pages have three compartments including ornately decorated capital initials, floral, figurative, and abstract ornamental borders and infills throughout; one page with music, and one with micrograph. The last leaf contains a full-page colophon of calligrapher:  \"Von Mir geschriben, Hans Rudolf guier, Zu Wermmet-schweil, 1750,\" with marginal calligraphic addition noting his age at the time of writing, \"mein alter war 20 jahr.\" \u003c/p\u003e\n","\u003cp\u003eThe German texts of the album are religious: biblical quotations, prayers, and other devotional texts. Gujer was a relative of Jacob Gujer, a celebrated \"philosopher farmer.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one handmade picturebook of hand-colored engraved cutouts. A later inscription on the front pastedown reads, \"Fait par la baronne de Chalancey née Delcey pour as fille Clémence devenue Ctsse d' Esclaibes d'Hurst.\" The book was was created by the Baroness de Chalancey for her little girl Clemence, born in 1797.  \u003c/p\u003e\n","\u003cp\u003eFrancoise Marie Gabrielle Delecey de Changey, who went under the nickname Fanny, was born in 1769 in Langres, Haute-Marne; she married Baron Jean-Francois Bichet de Chalancey in 1791, whose chateau in Chalancey was 30 kilometers from Langres.  Their first child, a boy, died in 1796 at four; a daughter, Clemence, was born the following year.  Fanny lived to age 77, and Clemence survived her mother by 20 years. \u003c/p\u003e\n","\u003cp\u003eThe book starts with la maison, the home, and it shows people, trades, activities, places, architectural details, animals, concepts, fictional characters, and various household people in various activities.\u003c/p\u003e","\u003cp\u003eIndenture between Richard Cumming Weeks, the son of a plumber and brazier, to serve as an apprentice shipwright to James King, a shipwright at His Majesty's Dock in Plymouth, England in 1802.\u003c/p\u003e\n","\u003cp\u003eThe contract sets out conditions of Weeks' seven-year apprenticeship and his wages of five shillings per quarter to start with and a note signed by James King, increasing his wages to to \"twelve shillings for single time\" and to \"one Pound a quarter for double time\" in 1804  Signed by Richard, his father, and by two Dock officials, with embossed revenue stamps. The indenture measures 40X 33 cm/ 15.75\" X 13\".\u003c/p\u003e","\u003cp\u003eThis addition 1 of the collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. \u003c/p\u003e\n","\u003cp\u003eWhile the collection spans from the 1830s to the 1960s, the bulk date between 1880 and 1925. \u003c/p\u003e\n","\u003cp\u003eCategories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and instruction manuals given to parents or teachers on child welfare.\u003c/p\u003e","\u003cp\u003eThis collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. \u003c/p\u003e\n","\u003cp\u003eWhile the collection spans from the 1830s to the 1960s, the bulk dates are between 1880 and 1925. \u003c/p\u003e\n","\u003cp\u003eCategories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps, Ocean parties; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and a government child welfare manual that gives instruction to parents or teachers on child welfare, child needs and development.\u003c/p\u003e","\u003cp\u003e1st part of MSS 16758. Twenty-three pamphlets about puberty for women. Some are directed toward mothers, while others are created specifically for daughters. Dates range from 1933 to 1981. \u003c/p\u003e\n","\u003cp\u003eEarlier pamphlets discuss the process through storytelling, while later examples utilize more medical terminology. \u003c/p\u003e\n","\u003cp\u003eTitles include \"Marjorie May's Twelfth Birthday\" \"Very Personally Yours,\"  and \"Growing Up and Liking It.\" All pamphlets are illustrated; some have calendars others have quizzes. \u003c/p\u003e\n","\u003cp\u003eEach pamphlet was published by a manufacturer of women's sanitary products:  Holland-Rantos Co., International Cellucotton Products Co., Kotex (Kimberly Clark), Modess, Personal Product Corporation, and TeenForm. \u003c/p\u003e\n","\u003cp\u003eIncluded in folder 3 are two Kotex print blocks, used to illustrate their product packaging in marketing materials. This is part of an artificial collection, ie a  collection of materials with different provenance assembled and organized to facilitate its management or use.\u003c/p\u003e","\u003cp\u003eThe resolution was passed at a public meeting on August 15, 1838. The resolution discusses the establishment of an infant school. It further describes how education benefits children in the whole community by establishing a desire to learn in children. The pamphlet also notes that parents will be free during the day to work when children are in school, showing a shift in the economic role of mothers.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., contains the artworks of two sisters from Maine, Mary A. Hackett (1830-1908) and Nancy F. (1825-1883) Hackett. The works include watercolors, prose, a reward of Merritt, and two cartes de visite of their great-grandfather Hacket and Aunt Mary Hacket. \u003c/p\u003e\n","\u003cp\u003eThe sister's parents were William Hackett (1780-1869) and Lydia Dutch (1793-1898).  Nancy married Nathaniel Thompson. Census records indicate Mary never married and, as an adult, lived with Nancy in Kennebunk, Maine.  Mary attended Union Academy and Nancy attended Limerick Academy.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains one handmade juvenile manuscript titled The History of Little Fanny. Dated to March 24, 1849, the book features eleven pages of text with a watercolored cover. A set of seven watercolored paper dolls is in the accompanying slipcase, with each corresponding to a section of the written story. The reader can enact the tale throughout the story by changing Fanny's head between the paper costumes to illustrate her progress.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one volume of an anonymous bereavement commonplace book, dated 1856 and 1874. The manuscript consists of ninety-eight pages of writing, with the rest left blank. The manuscript contains writings by three different women. The first (and most extensive) is by an unnamed governess who writes of the loss of a child in her care, Harry. Her spidery handwriting is even and accomplished, and her use of \"thee\" and \"thou\" throughout suggests she may have been a Quaker. For thirty pages, she expresses her heartfelt love for the child and her grief during Harry's decline. She describes her memories of the boy and his siblings and details the boy's last illness, of about six days' duration, and death.  \u003c/p\u003e\n","\u003cp\u003eThe following forty-eight pages include bereavement verses including poetry, both original and copied from published works, segments of stories, and verses from the bible.  within these pages, the Governess left three pages blank; on the first of these blank pages, \"M.E.G.\" [later identified as Mary E. Grote] wrote about the death of her firstborn son, \"Ernie,\" whose father was Ernest William Davis. In the first line of her text, Grote refers to the manuscript itself as \"this choice collection.\" \u003c/p\u003e\n","\u003cp\u003eThe verse then continues in the governess' hand. Until another passage by Mary Grote appears. It is a five-page memorial titled \"To Ernie,\" dated August 30th, 1874. It is possible that Grote's earlier one-page passage may have been written in 1874. Fourteen blank leaves separate Grote's writing to an entirely different hand and content. \u003c/p\u003e\n","\u003cp\u003eThere are five pages of \"Hints For Housewives.\" These undated, unrelated notes seem to be brief views on issues that arise in a household including damp cupboards, flies, roasting meat, buying eggs, mending china, and other domestic matters.\u003c/p\u003e","\u003cp\u003eThis addition 11 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains publications, metamorphic trading cards, volvelle (color wheels), and posters. Topics include motherhood, instructional materials on children's behaviour, toilet training, adolescent health, soil conservation for children, and a book about the the education for blind children. \u003c/p\u003e\n","\u003cp\u003eFolder 1 contains folded out (metamorphic) advertisements for children's clothing by Davidson Brothers, Solar Tip Shoes, E. G. Burrows, J. H. Baldwin \u0026amp; Company patent table tray, and children's knee elastic protectors (to protect clothes)\u003c/p\u003e\n","\u003cp\u003eFolder 2 contains pamphlets \"Training the Baby\" published in 1931, 1952, and 1957.\u003c/p\u003e\n","\u003cp\u003eFolder 3 contains five illustrated posters with instructions for children on cleaning and bathing themselves.\u003c/p\u003e\n","\u003cp\u003eFolder 4 contains pamphlets for expectant mothers on how to care for their infants: \"The Modern Baby\",  \"Quiet, Baby Is Sleeping\", \"the 14 Days that can seem like a lifetime!\", \"Preparing Baby's Formula\", \"Keeping Baby Clean\", \"Modern Evenflo Nursers\"\u003c/p\u003e\n","\u003cp\u003eFolder 5 contains pamphlets from the Lysol Family Library, \"The Scientific Side of Health and Youth\", \"When Baby Comes\", and \"Preventing the Spread of Common Diseases\"\u003c/p\u003e\n","\u003cp\u003eFolder 6 contains three color wheels \u003c/p\u003e\n","\u003cp\u003eFolder 7 contains a pledge card for teenagers to abstain from alcoholic drinks and a card that outlines safety guidelines \"Code for survival\"\u003c/p\u003e\n","\u003cp\u003eFolder 8 Publications: \"Let's Save Soil with Sam and Sue\", \"For Bigger Boys and Girls\", \"Facts about the Education of Blind Children\", \"Understanding Your Teenager\"\u003c/p\u003e","\u003cp\u003eCompiled in 1858, the decorative title page Cahier d'Écriture par Mercier dédié à mes bien-aimés parents, the book features twenty-four calligraphy entries from a teenage student at the Grand-Classe St. Etienne in Saint-Étienne, France. The entries include the author's reflections on friendship, anger, anxieties, family life, hopes, and religious devotion. \u003c/p\u003e\n","\u003cp\u003eSeveral font samplers are present throughout the book, as are full-color pencil-sketched illustrations. Illustrations include buildings, animals, people, and urban scenes. The majority of the calligraphy entries are bordered by an elaborate design, either pressed into the paper or drawn by the author herself. \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758,  The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a small pocket diary with ownership signature of \"Louisa J. Pratt, New Paltz Landing, New York to front endpaper with an early 20th-century hand adding to pastedown and endpaper, \"born 1846\" and \"13 years old.\"  \u003c/p\u003e\n","\u003cp\u003eThe diary contains 366 pages in legible hand. It focuses on the many losses she experiences across 1859 and her youthful awakening to the numerous hardships the women around her confront.  From parental loss to poverty to disease to mental health emergencies, the events of Louisa's 13th year were formative, and she turned to her diary as a place for working out private emotions that burdened her.  \u003c/p\u003e\n","\u003cp\u003eLouisa balances school, friends, and church with an increasing oversight of her home.  More detail is given as the family continues struggling to keep domestic workers, and it is hinted that Mr. Pratt and the members of the church are drawing labor from girls pulled from the sex trade.  Unprepared for the situations they find themselves in, the girls act out, have mental health crises, and ultimately flee which are documented by Louisa.\u003c/p\u003e\n","\u003cp\u003eWhile grief, loss, and unexpected adulthood shape much of Louisa's year, she also reports the kinds of joys that remind us she is entering her teens.  Her numerous friends, her love for sleigh rides and horseback riding, her appreciation for school and her recitations are cornerstones.\u003c/p\u003e","\u003cp\u003eAddition 7 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two circulars promoting the American School Institute and Schermerhorn's School Agency. There is also a tri-fold trade card ad for a White Mountain refrigerator; an advertisement booklet for a carpet called \"Something Under Foot\"  used as a diary by \"Sara\"; and a plaited hair sentiment with a verse from Charlotte A. Lewis which was sent to a girl named Maryann Gilman.\u003c/p\u003e","\u003cp\u003eThis addition 12 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a friendship album of Jennie Lizzie Hoit (Dr. Jane Elizabeth Hoyt) made between 1866 and 1871 and a Pennsylvania German Mathematical Fraktur made in 1808 for Elizabeth Urban. \u003c/p\u003e\n","\u003cp\u003eThe friendship book belonging to Jennie is small (3 X 5 inches), about 60 pages, and contains compliments and well wishes from her family members and friends. \u003c/p\u003e\n","\u003cp\u003e\nThe collection also contains a Pennsylvania German Mathematical Fraktur presented to a schoolgirl, most likely Elizabeth Urban. Fraktur is a Germanic tradition of decorated manuscripts and printed documents noted for its use of bold colors and whimsical motifs. The page contains a Multiplication Table and Pence Table, dated September 15, 1808, inscribed \"Miss Urban, I have the honour to be your humble servant,\" signed A.G. Lees, Conestoga Township, Lancaster County. Initials EU appear in the intersecting hearts. The page is decorated with birds and flowers. The student was likely Elizabeth Urban, born on July 22, 1795. The table was probably presented by her tutor or teacher, possibly Alexander Lees, residing in nearby York County from 1779 to 1781, or Abraham Lees, in York County in 1785. \u003c/p\u003e\n","\u003cp\u003eJennie was born in Concord, Massachusetts, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907. \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains 23 pamphlets on early learning, education, adolescence, growth and development, health, prenatal and Infant care, and parenting.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to women's health, infancy, and childhood. \u003c/p\u003e\n","\u003cp\u003eThis includes \n1. Woman's tried and true friend, Portland, ME: Caulocorea Mfg. Co.,c.1893; \u003c/p\u003e\n","\u003cp\u003e2. Friar Medicine Company ephemera (5 sheets), 1901; \u003c/p\u003e\n","\u003cp\u003e3. Taylor, Marion Sayle, \"The seat of love and youth: plain truths for women, c.1927; \u003c/p\u003e\n","\u003cp\u003e4. Taylor, Marion Sayle, \"Body hygiene for women,\"1928;\u003c/p\u003e\n","\u003cp\u003e5. Williamson, George H.,\"Personal hygiene for women: explaining the new hygiene which is bringing comfort, peace-of-mind and greater health and efficiency to the world of women,\" 1928; \u003c/p\u003e\n","\u003cp\u003e6. Wells, H.J. (edited and published by),\" Tennessee journal of medical and surgical diseases of women and children, and abstracts of the medical sciences,\"1884; \u003c/p\u003e\n","\u003cp\u003e7. \" Wasting diseases: their causes, treatment, and cure,\" New York: Scott \u0026amp; Bowne, c, 1877; \u003c/p\u003e\n","\u003cp\u003e8.Sheffield, Herman B., \"The baby's record and health,\" 1913; \u003c/p\u003e\n","\u003cp\u003e9. Olmstead, Allen S., \"This will interest mothers: Mother Gray, the children's friend,\" c.1910.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one notebook kept by S.B. Coulson with notes regarding Friedrich Fröbel teaching approach and use of Fröbel gifts, which include play materials such as balls, cylinders, cubes, and tablets. \u003c/p\u003e\n","\u003cp\u003eThe instructors were \"Miss Doyle,\" \"Miss Symond,\" and \"Mrs. Meleney,\" the latter being Carrie Coit Meleney, a student and later prolific correspondent of Maria Kraus-Boelté (1836-1918), a pioneer of Fröbel education in the United States and author of the textbook, \"The kindergarten guide\" (1877). The notebook also contains diagrams and illustrations depicting configurations of tiles and boxes. Several pages have been torn out of the notebook.\u003c/p\u003e","\u003cp\u003eThis addition to MSS-16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia),  contains six pieces of advertising ephemera. Included are: 1. Mrs. Prettyman's celebrated breast salve, c. 1866-1895, (3 advertising broadsides); 2. Celluloid starch requires no cooking, a die-cut point-of-sale display card with an attached cardboard stand depicting a baby seated on a pillow holding a paper advertising celluloid starch; 3. Display card for Johnson and Johnson baby powder; and  4. a pamphlet titled Your baby's diet: Heinz strained foods: their uses and nutritional values. (circa 1950s).\u003c/p\u003e","\u003cp\u003eAddition 19 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet: \"Tennessee Industrial School for the Benefit of Orphan, Helpless and Wayward Children, Nashville, Tenn.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a travel diary of Frederica King Davis as she traveled through England and France during her 19th year.  The bulk of the diary contains vivid and dense descriptions of her travel route, means of travel, companions, sites visited, and observations on art and culture; toward the end, she meticulously documents her allowance received, her expenditures, and the list of books she aims to read as a result of her trip.  \u003c/p\u003e\n","\u003cp\u003eThe diary offers insight not only into the type of grand tour provided to well-off 19th-century American women but also into the history of tourism, transport, and a history of artistic exhibits and art criticism, women's education in domestic accounts and budgeting, traditions in women's gift-giving and charitable contributions, the history of women's fashion, and the history of friendship and courtship etiquette.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a set of Courtesy posters to color, a Children's Aid Society Donation Circular, and educational game ideas handwritten and compiled on index cards by elementary school teacher Jane Ehrhard. The educational games are housed in two small commercial portfolios produced by Burgess Publishing Company for their line of printed educational games.  \u003c/p\u003e\n","\u003cp\u003eContemporary ink signature of Jane Ehrhard on the back of both portfolios.  One red portfolio is printed with the title \"File O' Fun for social recreation,\" with Jane A. Harris listed as the author.  The second portfolio is orange and printed with \"Games for the elementary school grades: playground, gymnasium, classroom,\" by Hazel A. Richardson.  It appears Jane Ehrhard has repurposed the portfolios. Both measure 18 x 12 cm and are bound with an elastic cord.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets and booklets on pre and post-natal advice for expectant mothers in America. They include: 1. Information for expectant mothers, by Frank LeCocq Jr., and Albert Bostrom, Jr. (c.1959); 2. Instructions for expectant mothers (c.1959); 3. While I am waiting, (1960); 4. Mrs Winslows soothing syrup: for children teething, (c.1888); 5. Baby is king,(1890); Baby feeding made easier, (1956) accompanied by two pieces of ephemera \"It's the nipple that makes the nurser, the Davol No.155 Nipple...\" and \"Terminal sterilization of baby's formula; 6. Pre-natal care: what expectant mothers should know, compiled by Obstetrical Department of The Western Montana Clinic (c.1955); 7. Your baby's formula (1953, 1955); 8.How food helps mother and baby, for parents-to-be (1954); 9. Modern methods of preparing baby's formula: practical suggestions by doctors, nurses, hospitals and mothers, (1954); 10. More nearly perfect: when baby needs milk from a bottle (1934); and 11. Prenatal care (1949).\u003c/p\u003e","\u003cp\u003eAddition 63 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets about women at work both in and outside the home. These include: 1.\"My busy week,\" Herrmann Hdkf. Co 1949; 2. \"When women work,\"[Washington, D.C.] : Women's Bureau, U.S. Department of Labor, 1921; 3. Trade card \"Armour's mince meat and canned meats, c.1890; and 4. Trade cards:  Two round cards depicting 19th century women and girls doing laundry washing by hand.\u003c/p\u003e","\u003cp\u003eThis addition (69) to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains fourteen pamphlets on the subjects of family planning, women's reproductive health, contraception, hildhood disease prevention, gender, religion, education, history published between 1892 and 1973. Many of these pamphlets were distributed as promotional materials by insurance or healthcare companies. \u003c/p\u003e\n","\u003cp\u003eThe pamphlets are: \"Speaking of Birth Control\", \"Industrial Gems\", \"Keeping a Healthy Home\",   \"Protecting the Home Against Disease\", \"Giving Babies Nestle's Food\", \"Nestle's Better Babies\", \"Where Shall We Put the Baby?, \"Vanta Baby Garments\"[advertisement],\"Your Baby's Protection\", \"So You Don't Want to be a Sex Object\",\"Johnny Takes A Wife\", \"Baby Speaks Out on This Matter of Toilet Training\", \"The Power of a Woman\", and \"A Woman's Guide to the Methods of Postponing or Preventing Pregnancy\"\u003c/p\u003e","\u003cp\u003eAddition 61 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on childhood growth and development and women's health.\u003c/p\u003e\n","\u003cp\u003eThese include: 1. Child culture before and after birth: truths of profound significance to parents and prospective parents, with illustrative examples from real life, Chicago: National Purity Association,|c.1895; 2. Caldwell, J.B., Pre-natal influences, Chicago: National Purity Association,c.1900; 3. Getting ready for baby, Bloomfield, New Jersey: Lehn \u0026amp; Fink, Inc.,1930; 4. Weeks, Mary Hezlep Harmon, How to tell the story of reproduction to very young children, 1910; 5. Mothers' clubs' and teachers' organizations' course of study, Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910 (2 copies); 6.) Wood-Allen, Mary, Great books for child instruction, Cooperstown, N.Y.: Arthur H. Crist Co.,c.1910; 7. Wood-Allen, Mary, Valuable books for parent and child (2 copies), Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910; 8. Stephens, Elizabeth L., Sacredness \u0026amp; responsibility of motherhood, Cooperstown, N.Y.,: Crist, Scott \u0026amp; Parshall,c.1910; 9. Stephens, Elizabeth L., Teaching Obedience, Cooperstown, N.Y., Crist, Scott \u0026amp; Parshall,:,c.1910; 10. King, E.A. The Cigarette and Youth, Cooperstown, N.Y.,: Crist, Scott \u0026amp; Parshall, c.1910;  10. What shall be taught and who shall teach it? 1907; 11. Mrs. J.H. Kellogg, Work as an element in character building, c.1907; 12. Rev. W.W. Cook, The father as his sons' counselor, 1907; 13.  Mary Wood-Allen, Confidential relations between mothers \u0026amp; daughters, c.1907,14. Mary Wood-Allen, When does bodily education begin?,1907, 15. P.M. Bruner, The integrity of the sex nature, 1907; 16. Mary Wood-Allen, A friendly letter to boys, 1907; 17. Preg-No-Matic: the scientific calculator that takes the guesswork out of rhythm, Bridgport, CT: Brooklawn-Park Laboratory, 1956-1957; 18. Mel Johnson. Going steady, 1964; 19. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1935; 20. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1939; 21.What every woman wants to know about personal hygiene; Cincinnati, Ohio: Hydrosal Laboratories,1926; 22. Marvel syringe: Whirling Spray for women, c.1900; 23. Healthy happy womanhood: a pamphlet for girls and young women, Springfield, IL: Illinois Dept. of Public Health, Division of Communicable Diseases, c.1938; 24.Sol Gordon, Ten heavy facts about sex that your friends don't know, illustrated by Roger Conant, 1971; 25. Charles A. Clinton, M.D, Sex behavior in marriage, undated, and 26.  M. Sayle Taylor, Ph. D., What's wrong with marriage?,1932.\u003c/p\u003e","\u003cp\u003eThis addition 13 (ViU-2023-0134)of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the teaching archive of Mrs. Florence Tuttle Baldwin of North Haven, Connecticut (Boxes 3-7). Florence was born in 1854, married in 1881, and died in 1926. She spent her career at the Sixth District School in New Haven, Connecticut. \u003c/p\u003e\n","\u003cp\u003eIt is a large addition containing her teaching materials including her ruler (signed by her), book catalogs, lesson plans and educational books from map making to mathematics, grade book, periodicals, manuscripts poems and letters, art work, needlepoint, phonetical drill cards, flash cards, educational games, and family planning from 1899 to 1905.  \u003c/p\u003e\n","\u003cp\u003e\nIn addition to Baldwin's teaching materials, other materials include a drawing book entitled \"Our Chat\" with stories by Ella Smith and Audrey, Yvonne \u0026amp; Clifford Evans; publications on vertical writing (handwriting), \"Talks and Tales\"; and five England-published pamphlets from the 1950s discussing family planning practices and contraception. Titles include \"Modern Family Planning,\" \"A Planned Family,\" \"Planning a Family,\" \"The Planning of a Family\", and a Lloyd's Family Planning Centre pamphlet.\u003c/p\u003e\n","\u003cp\u003eThere is a 1934 New York-published pamphlet that discusses Zonite as a family medicine and feminine hygiene products. Titles include \"Another Zonite Product for Intimate Feminine Hygiene;\" \"Facts for Women;\" and \"The real meaning of Antiseptic in everyday family life.\" \u003c/p\u003e\n","\u003cp\u003eThere is a flyer entitled \"Please Give A Quarter\" which promotes the Salvation Army's Fresh Air Camps published circa 1900. \u003c/p\u003e\n","\u003cp\u003eAlso included is a dating book belonging to a young girl titled \"My Him Book\" which has categories of \"High School Hims,\" \"College Hims,\" \"Home Hims,\" and \"Movie Hims\" about her romantic interests, and denotes William Purdy as the \"best of all my beaus\" under the \"Wedding Hims\" section. \u003c/p\u003e","\u003cp\u003eFlorence Eleanor Paget (1887-1965) was a professional nature illustrator and artist from England who studied under George Vernon Stokes, a British wildlife and landscape artist. She made these books when she was a young woman, roughly between 1900 and 1910. \u003c/p\u003e\n","\u003cp\u003eOne oblong linen book is labeled \"Sketches\" in pencil on the rear cover, and the owner's signature is on the pastedown in the front of the book. Paget likely drew in the \"Sketches\" book when she was twelve or thirteen. The book has forty drawings in pencil and watercolors. The subjects include landscapes like Redcar Pier, Saltburn Cliffs, Kew Gardens, Etal Church, and Etal Castle, as well as many sketches of her dogs, observations of people, fruit, and fauna. Some drawings have captions that identify the place or provide a funny caption. \u003c/p\u003e\n","\u003cp\u003eThe other is an oblong publisher's cloth binding in green with \"Flora\" stamped in gilt. The book  was likely created five to ten years after the \"Sketches\" book. Dried flowers and plants are artfully pasted down and numbered. She wrote the binomial names in cursive, opposite of the pasted-down plants. There are a total of six total entries. \u003c/p\u003e\n","\u003cp\u003eThe books are mainly written in English, except for one sketch with a caption in French and the Flora books with scientific names in Latin.\u003c/p\u003e","\u003cp\u003eAddition 20 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a Salvation Army \"Help the Children\" flyer from June of 1903 sent to raise funds for an outing for poor children in Columbus, Ohio. \u003c/p\u003e\n","\u003cp\u003eThe outing was meant to \"bring some brightness, cheer and comfort into the lives of the poor children of the slums and crowded tenement districts.\" The plea was written by John M. Richards, Adjutant, and the flyer has a cartoon illustration of a children's parade as a decorative border. On the verso of the flyer is a letter written in German written by a woman from Columbus,  dated September 13, 1904.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building,  features one string-bound scrapbook with pasted photographs of dolls collected by Helen E. Perkins. Compiled between 1909 and 1939 by Perkins and Miss Frances Grier, the scrapbook features sixty-nine pasted photographs of dolls of varying origins. Each entry includes the doll's name, a number, their height, manufacturer, material, and place of origin. Nations that have dolls represented in Perkins's album include China, Denmark, Finland, France, Germany, Greece, Guatemala, Holland, Ireland, Mexico, Morocco, Portugal, Russia, and Sweden. \u003c/p\u003e\n","\u003cp\u003eThe material culture of childhood aspect to this scrapbook gives  insight into the importance playing with these dolls to the two girls.  In several of the photos, they've created scenes with the dolls, even  placing them all on the stairs for a \"family portrait.\" \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains three pamphlets: 1.) Natural Science Camp (Keuka Lake), 1905; 2.) Boy Conservation Bureau (New York, N.Y.) [1930]; and 3.) Teenage gangs, New York City Youth Board, 1957.\u003c/p\u003e\n","\u003cp\u003e4 items were cataloged separately in the print collection: 1.) Playskool Toys, 1956; 2.) J.L. Hammett Company, School Supplies 1928-1929; 3.) The First Public Policy Seminar from a Black Perspective, 1972; and 4.)Stylish Apparel for Expectant Mothers Spring and Summer, 1920.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains six pamphlets and one poster related generally to child care. Titles included are 1. \"Trimble Helps For Mothers,\" 1940; 2. \"Narcotics and the Family,\"c.1970; 3.\"What your neighbors say: dream book compliments of World's Dispensary Medical Association, c.1910s; 4.\"How to take care of the baby: treatise on the care and feeding of infants,\" 1905; 5. \"Your Baby,\" 1942; 6. \"Baby Feeding Without Tears,\"c.1940s and 7.\"Correct posture guide,\" c.1955.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a commonplace book belonging to Ethel Shearer (1893-1952). \u003c/p\u003e\n","\u003cp\u003eShearer was a prominent artist in the mid-twentieth century San Francisco scene, being one of the featured artists at the opening of the San Francisco Museum of Art and Oakland Art Gallery. She was a member of the Society of Francisco Women Artists. \u003c/p\u003e\n","\u003cp\u003eHer commonplace book was compiled when Shearer was between thirteen and seventeen years old between 1906 and 1910. The book includes invitations and greeting cards from Ethel's friends, newspaper clippings, clippings from various other media, Ethel's own handwritten entries, and pasted photographs. Drawings from Shearer are present throughout, calling to her future career as an artist. \u003c/p\u003e","\u003cp\u003eAdditon 21 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets relating to childhood education and parenting. \"The Nursery Chair\" was distributed by Shepard, Norwell, and Co., Winter Street, Boston, and advertises various department store goods following a short story. \"Bradley's Kindergarten Material and School Aids\", published in 1906, advertises tools for learning shapes and colors, instruments for art, mathematical instruments, and standard inks, leads, etc. \"Food-The Teeth and Health\" discusses the ideal diet of a young person, published in 1930 by the City of New York Department of Health and Board of Education.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains leaflets issued by American motherhood magazine from 1907. They are: \"The Ideal Mother\" and \" Confidential Relationships between Mothers and Daughters.\"\u003c/p\u003e","\u003cp\u003eAddition 15 of MSS 16758,  the University of Virginia Collection on Childhood, Parenting, and Family Building, contains twenty-five nursery rhyme handkerchiefs. \u003c/p\u003e\n","\u003cp\u003eCommonly tucked into story books, these were popular children's mementos between the 1910s and the 1960s. Most handkerchiefs are illustrated in full color and have sewn and colored borders. \u003c/p\u003e\n","\u003cp\u003eHowever, six of the earliest editions are printed in black and white or sepia with raw edges.Most examples have sewn and colored borders, besides the earliest examples featuring raw, uncolored trim. \u003c/p\u003e\n","\u003cp\u003eSeven color designs are by British children's illustrator Mabel Lucie Attwell; others are unattributed.  Stories depicted by Atwell include \"Little Miss Muffet,\" \"Ding-Dong Bell,\" \"Jack and Jill,\" \"Little Bo-Peep,\" \"Hush-A-Bye-Baby,\" \"Little Boy Blue,\" and \"Dickory Dickory Dock.\"\u003c/p\u003e","\u003cp\u003e\"Going steady\" / by Daniel A. Lord;\nTonsils and adenoids: is your child handicapped?;\nGood habits for children /|cMetropolitan Life Insurance Company ; [prepared with the cooperation and advice of the National Committee for Mental Hygiene];\nHearing, Metropolitan Life Insurance Company;\nCommon childhood diseases, New York: Metropolitan Life Insurance Company,c[1946];\nMrs. Winslow's diet instruction book for the baby. New York: Anglo-American Drug Company|c[1922];\nCollection of Bank Street Publications pamphlets on early childhood education (35 pamphlets);\nKeeping the well baby well.Washington:U.S. G.P.O.,c. 1927;\nOut of babyhood into childhood: 1 to 6 years. Washington:U.S. G.P.O.,c. 1943;\nWhen your child's in the teens /by Edwina A. Cowan;\nYour child grows up,|cby Edgar A. Doll.[Boston],|b[John Hancock mutual life insurance Company],|1939;\nBetween two years and six / by Richard M. Smith; Boston : John Hancock Mutual Life Insurance Co., 1941.\nThe healthy school child.Boston, Massachusetts : Life Conservation Service of the John Hancock Mutual Life Insurance Company, [1940];\nCount down to discovery!--3- 2- 1-year olds : child development, unit 2 / Alice T. Teddlie. Baton Rouge : LSU Cooperative Extension Service, 1972;\nDiscover the wonderful world of 4 and 5 year-olds. Baton Rouge, La.: Louisiana State University Agricultural and Mechanical College, Cooperative Extension Service,| c[1976];\nThe Student advocate, New York: American Student Union,c1936-1938;\nA doctor talks to 5-to-8 year-olds /|cby Dona Z. Meilach in consultation with Elias Mandel; Chicag :Budlong Press Co.,c1967;\nThe care of the baby: prepared by a committee of the American Association for the Study and Prevention of Infant Mortality and presented to the Association at its annual meeting held in Washington D.C., November 14-17, 1913;\nYour child from one to six / U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, Washington, D.C : U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, 1945;\nYour child from 6 to 12, written by Mrs. Marion L. Faegre, Washington, D.C. :| Federal Security Agency, Social Security Administration, Children's Bureau,c1949.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a 9.5\" x 6.5\" wooden puzzle with a  wooden frame and a glass window titled the Silver Bullet: Or the Road to Berlin. \u003c/p\u003e\n","\u003cp\u003eOriginal metal ball and elements intact. Directions on the verso of the game.  British dexterity puzzle for a juvenile audience, made of wood and glass. The game's object is maneuvering a metal ball through a winding course, avoiding holes, to the Berlin area. Although the topography of the play suggests the trenches of the Western Front, at the time of the game's creation, the troops had not \"dug in.\" The title, Silver Bullet, suggests a quick victory and supports the view that the British public believed the war would be over by Christmas 1914.\u003c/p\u003e","\u003cp\u003eAddition 25 of MSS 16758 The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains twenty-five printed ephemera, including pamphlets and advertising on topics include parenting, child development, sex education, public health, and care of pregnant inmates.\u003c/p\u003e\n","\u003cp\u003e40 posters from the Hope of a Nation Poster Series\u003c/p\u003e\n","\u003cp\u003eFeeding the majority of bottle babies.Mead Johnson \u0026amp; Co. of Canada, Ltd.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two items relating to scouting. The first is a broadside printing of the ten Girl Scout laws set among art nouveau illustrations from the 1930s. The second is a photo album compiled by a boy at Kerrville, Texas, with images of playing in the streets, swimming in the Guadalupe River, playing baseball, hiking, marching, and being at a local Boy Scout camp. The black cloth photo album contains fifty-two black and white photos, measuring 10 x 7 cm, with a caption on the album leaves. \u003c/p\u003e\n","\u003cp\u003eThere is a  photograph of an African American man. (Caption reads, \"Uncle Allen\").\u003c/p\u003e\n","\u003cp\u003eAfrican Americans were often referred to as Uncle or Aunt even though they were not a family relative.They were denied use of courtesy titles.\"Aunt,\" as in \"Aunt Jemima,\" was the term used for older enslaved women in the South who were not allowed by their white owners to use the term Mrs or Miss. The same was true for Uncle, as in Uncle Ben's Converted Rice. Uncle was used for older enslaved men because they were not allowed by their white owners to use the term Mr. The African American in this photograph is referred to as \"Uncle Allen.\" It is important to recognize the use of these terms and confront the racism that is embedded in these white cultural terms.\u003c/p\u003e\n","\u003cp\u003eSource:\nGreen, Mark. Do You Know Why Aunt Jemima is Called \"Aunt?\"\nWhy is Aunt Jemima racist? Here's exactly why. And I do mean exactly.\" Medium. Human Stories and Ideas. Acessed 7/17/2024.\nhttps://remakingmanhood.medium.com/do-you-know-why-aunt-jemima-is-called-aunt-5d111b0765a5\u003c/p\u003e","\u003cp\u003eThis collection consists of a handmade notebook titled Punctuation Party by Melba Tice. The book presents punctuations as characters with rhymes and cutouts from 19th-century editions of Alice in Wonderland and Through the Looking Glass, as well as contemporary advertisements, explaining punctuation rules. Some punctuation characters are not from Carroll, and their descriptions illustrate cultural viewpoints of the time period, including a racist depiction of a \"mammy' figure and a Clorinda Colon\" as an old maid figure.\u003c/p\u003e","\u003cp\u003eAddition 2 of MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven hand-painted postcards presumably created by Elisabeth, the sender. The postcards, drawn in black ink, depict children playing outside: a child pushing another child's sled; two children talking under a tree in spring/summer; two children playing with a balloon; a girl having a picnic with a bunny; one older and one younger girl in the snow; an older girl on a swing; and a girl on a dock by a body of water. \u003c/p\u003e\n","\u003cp\u003eTwo of the postcards have written messages and are addressed to Miss Henebry and Miss Camilla Cole. The cards are postmarked Mount Kisco, NY, July 14 and 15, 1922. Both are sent in the care of Graham Miles of Alexandria Bay, New York. \u003c/p\u003e\n","\u003cp\u003eMiles was a stockbroker and hydroplane racer. He married and divorced Louise Clover Boldt, the daughter of George and Louise Boldt, wealthy Philadelphians and owners of the Boldt Castle in the Thousand Islands. Miles and Boldt had a daughter, Clover Wotherspoon Miles, but Miles's connection to Elisabeth or the other children named is unclear.\u003c/p\u003e","\u003cp\u003eAddition 18 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 7 pieces of pamphlets/ or ephemera. \"What every teenager ought to know\" by Abigail Van Buren; T\"urn this page and do as this little man does\" by Colgate \u0026amp; Co; \"Ways to keep well and happy: booklet for upper elementary grades \"by Ruth Strang; \"Keeping fit\" by the State Board of Health, Bureau of Venereal Disease, North Dakota; \"Family meals at low cost using donated foods\" by the US Dept. of Agriculture; \"The gas cook book for young people\"by Athens Store Works, Inc., Athens, Tennessee; and \"The picture and rhyme book.\"\u003c/p\u003e","\u003cp\u003eAddition 16 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three advertising pamphlets that pertain to parents purchasing products for their children. \"The Tinies that Live in a Tube\" advertises toothpaste, \"Flibitty Jibblit\" advertises rennet powder, and \"The New Boss in the House\" promotes the Pittsburgh District Dairy Council. Each uses imagery of children and parents utilizing the respective product.\u003c/p\u003e","\u003cp\u003eAddition 17 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets: \"The Science of Prenatal Astrology\" by Edwin S. McKeever; \"The Space Child's Mother Goose\" verses by Frederick Winsor and illustrations by Marian Parry. The third item is a pamphlet titled,\"Reducing the new common sense way\" about the Kryon method of reducing weight by Continental Pharmaceutical Corp. \u003c/p\u003e\n","\u003cp\u003e\"The Space Child's Mother Goose\" is a personal copy owned by Arthur Schulman, an Associate Professor of Psychology at the University of Virginia and one of the organizers of the American Civil Liberties Union in Charlottesville. \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven signs used to warn the public about the spread of contagious diseases and institute quarantine for diseases like smallpox, measles, polio, and diphtheria.\u003c/p\u003e","\u003cp\u003eAddition 4 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the American History Hektograph Posters. These are twelve individual monochrome printed poster sheets, measuring 12 X 9 inches,  featuring historical instances in American history. \u003c/p\u003e\n","\u003cp\u003ePublished in 1926 by Beckley-Cardy Company, each scene is intended to be colored, likely by a child. Each scene features suggested coloring methods, a title for the event, and a brief synopsis of the instance below. Scenes are typical origin stories, colonizers, and dominant white narratives and are examples of the narratives taught in classrooms circa 1926. The scenes are numbered 1 through 12, with each respective number placed in the center under the title. Events depicted: 1 - \"Landing of Columbus,\" 2 - \"The Mayflower at Cape Cod,\" 3 - \"The Pilgrims Planting Corn,\" 4 - \"The First Thanksgiving,\" 5 - \"George Washington's Early Home,\" 6 - \"Signing of the Declaration of Independence,\" 7 - \"Washington as President,\" 8 - \"Lincoln Studying by Firelight,\" 9 - \"Lincoln Writing His Inaugural Address,\" 10 - \"The Gettysburg Address,\" 11 - \"Grant Made Commander In Chief,\"  and 12 - \"Digging the Panama Canal.\" \u003c/p\u003e\n","\u003cp\u003e\"Red Man\" and a Native American \"wearing his bright [British] red coat with great pride\" suggests the presence of reparative content. \"\u003c/p\u003e","\u003cp\u003eThis addition to  MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building collection, contains one brad-bound scrapbook with a \"HYGIENE\" stencil cut from the paper on its cover. The content discusses healthy living practices for young girls. Entries feature drawings, pasted images, newspaper articles and clippings, handwritten queries on health, and ideas on diet and grooming practices. There are 49 \"chapters,\" each no longer than two pages. The corresponding pages for each chapter are presented in a table of contents at the beginning of the book.\u003c/p\u003e","\u003cp\u003eAddition 57 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to teenagers, parenting, and sex education. These include: 1.) The school lunch, Battle Creek, Michigan:|bEducational Department, Postum Company, Inc., (1928); 2.) Sex in life: young men, by Dr. Douglas White (1933); Sex in life: young women, by Violet D. Swaisland (1933); 3.) What parents should tell their children (1933);  4.) Starting to school in Kingsport, Kingsport, Tennessee, Kingsport City Schools (1953), 5.) How life goes on and on:  story for girls of high school age, y Thurman B. Rice (1937); 6.) When children ask about sex, by the staff of the Child Study Association of America. Foreword by Marianne Kris (1953);  7.) Woman against myth, by Betty Millard (1948); 8.) The teacher and mental health [prepared by the National Institute of Mental Health] (1955); 9.)The safety zone:|ba frank talk with women concerning their personal problems (1940), 10.)Teen-agers and parties, Ernest F. Miller (1960), 11.) Tips for teeners  by Antoinette Donnelly (c.1950); 12.) Think straight before you date, D.F. Miller. (1959); and 13) Teen-agers and dope, Howard Morin, C.SS.R. (1957)\u003c/p\u003e","\u003cp\u003eAddition 5 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single press photograph from the children's clinic at the ridge avenue dispensary in Philadelphia in the 1930s.  The photograph is a group photograph of Black nurses and children in a clinical setting. A typed caption is affixed to the top right edge of the picture. No photographer or studio is noted.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a pamphlet titled Strong bodies sound minds: some health hints for the school-day years (c.1930).\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on public health topics including syphilis and sex education. These include: 1. Management of syphilis in general practice, Joseph Earle Moore, in collaboration with: Harold N. Cole [and others], 1938; 2. Genitoinfectious disease control in Massachusetts, prepared by The Massachusetts Department of Public Health co-operating with the United States Public Health Service, 1940; 3. The diagnosis of syphilis by the general practitioner by Joseph Earle Moore, M.D., 1938; 4. Syphilis in mother and child,by Harold N. Cole and Philip C. Jeans, in collaboration with Joseph Earle Moore ... [et al.], 1940; 5.Your baby and the blood test law, Ernest B. Howard, M.D., c.1939; 6.Clinical excerpts, 1942; 7. Sex education for the preschool child by Harold E. Jones and Katherine Read, 1941; 8. Sex education for the ten year old /|cby M. Marjorie Bolles, 1941; 9. Sex education for the adolescent. by George W. Corner and Carney Landis, 1941; and 10. Sex education for the woman at menopause by Carl G. Hartman, 1941.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the publication of an educational booklet titled \"The Story of Sex Hormones,\" produced by the Schering Corporation, an American pharmaceutical company. The pamphlet was distributed at the Hall of Science at the Golden Gate International Exposition at an informative display called \"Hormone Woman.\" It briefly outlines recent advances in endocrinology and offers illustrated explanations of menstrual cycles and sex hormones, as well as a short description of menopause.19 cm\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a sample book titled \"Kiddie flowers\" consisting of eight mounted samples of floral fabric potentially for children's clothing.\u003c/p\u003e","\u003cp\u003eAddition 24 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet for the Davis Home for Colored Children 34th Anniversary located in in Pittsburgh. This promotional booklet is for the  \"34th Anniversary\" of the Davis Home, a temporary home and day nursery for African-American children. Also of note in the booklet are advertisements for what are likely Black businesses that supported the home. \n \n   Note says, \"This book is dedicated to my mother, Mrs. Fannie Louis Davis, who was the founder of the Davis Temporary Home and Day Nursery in 1907, and organizer of the Colored Women's Relief Association of Western Pennsylvania in 1909. To my wife, Mrs Louise Scott Davis, President of the Davis Home for Colored Children, who has been loyal and faithful in giving her life toward the advancement of this home. To my friends, who have contributed to this Home in any way they could. Finley T. Davis, Business Manager.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains Paul Kenton Conrad's childhood cartooning album and scrapbook. The sketchbook, a string-tied leatherette album, documents a young boy's self-guided attempts to develop cartooning skills. Cut-out tutorials from Frank Webb's \"How to Make Faces\" are mounted on the album's early pages, with attempts in pencil to follow their instructions. Midway through, Conrad branches out from these copies into creating his original subject matter, including army airplanes, sheriffs, pistols, cowboy hats, and a series of one-panel strips titled \"Stuff that's funny.\" The artist, a Pittsburgh native who settled in Honolulu, would later become a successful lounge pianist and musician of some note in the 'Exotica' genre, releasing one well-received album (\"Exotic Paradise\").\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet titled \"Growing Up in the World Today: for Boys and Girls in the Teens\" by Emily V. Clapp.(1946)\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets for parents and teachers about puberty and sex education. \u003c/p\u003e\n","\u003cp\u003eTitles include 1. \"Sex Behavior and sex interest in Children,\" by Louise Bates Ames (1952); 2. \"When children ask about sex,\" by the staff of the Child Study Association of America, Sidonie M. Gruenberg [and others] Anna W.M. Wolf, editor, (1946); 3. \"Preparation for puberty: a sex education manual for parents and teachers,\" written by Mrs. Linda K. Teller, illustrated by Mrs. Dorothy Teeters (1965); and 4. \"Sex education in the home,\" Georgia Department of Public Health, (c.1950).\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a chart of hormone interrelation upon which the film \"The physiology of normal menstruation\" is based. Printed in green and black, full color chart. 1 sheet folded to 8 unumbered pages. 23x62 cm folder to 23x16 text.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains  a set of twelve offprints titled \"Your baby at [1-12] months.\" There are twelve pamphlets, one for each month of a baby's first year of life. Reprinted from Baby Talk, published by the Parenting Group, New York, N.Y.Author: Beulah Sanford France (1891)\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a spiral-bound sketchbook belonging to an unnamed art student, most likely living in New York City. Page one of the sketchbook details the student's assignment: \"DUE - 300 by June 2nd, Marked Chronologically.\" Traces of what may be an owner's name and grades of \"B\" and \"B+\" are written on the cover. Each sketch is numbered in pencil and is stamped between March and June 1952. The sketchbook's seventy leaves have drawings only on the recto. Drawings are completed in pencil, ink, and crayon.  This student's sketches are primarily figure studies of those in transit on the subway. Other scenes include a roller derby skater, pin-up figure, river traffic with a bridge, a parked car, a cat, and exotic animals.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a handmade fundraising appeal concertina album to the artist Oskar Kokoschka. The book was created by design students at the Modeschule der Stadt Wien (Fashion School of Vienna). In 1946, the school relocated to Schloss Hetzendorf, an eighteenth-century palace that sustained significant damage during the Second World War.Students were pressed to raise money for their art supplies amid the renovations. This fundraising appeal was addressed to exiled Austrian artist Oskar Kokoschka, known for his contributions to expressionism. The album contains hand-cut stencil letters, hand-colored illustrations, and collages of paper, felt, yarn, tin foil, leather, and chipboard. The book reads: \"Dear O.K. [Oscar Kokoschka] / if we would have brushes and colours to paint / coloured paper for handykraft / wools to weave / leather for gloves and bags / felt for millinery/magazines to get suggestions / spezial [sic] books for library/material for dressmaking / then all would be OK. Photographs of the students at rest and at work sewing, trimming, painting, weaving, and drawing are pasted on the verso of each collage. Kokoschka fled Vienna, Austria under the Nazi regime and never returned. It is unknown whether he responded to this appeal from the Modeschule students.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet titled Your Child's Development - Infant to 16 years.\u003c/p\u003e\n","\u003cp\u003e\"This booklet is based on recent studies at the Gesell Institute. Dr. Arnold Gesell, the Institute's research consultant and a household word to parents, founded the Yale Clinic of Child Development, which he directed for 37 years. Today, Dr. Gesell and his collaborators, Dr. Frances L. Ilg, a pediatrician, and Dr. Louise Bates Ames, a psychologist, carry on the pioneer work of the institute.\"\u003c/p\u003e\n","\u003cp\u003ePublished by Good Reading Rack Service, Inc., a division of Geffe, Morton \u0026amp; Griffiths, 76 Ninth Avenue\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains an  original calligraphic manuscript of thirty variously colored linocuts, each by a different girl from a class at St. Helen's Norwood, London. Each linocut has the student's name below in ink. The contents are handwritten verses of Benedicte Omnia Opera. The title page notes, \"Lettered, illustrated and bound by all the members of IVA.\" The endpapers are also original handpainted images of angels. Bound in original black cloth at the school by L. Hardy, D. Lines, and J. Scarth.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single pamphlet titled \"Doors to Open\" by Ellis Gladwin and Rama Braggiotti (illustrator) published by the Connecticut Mutual Life Insurance Company. It is written as a guide for young people but specifically addresses men embarking on college life and advises on new life changes in the context of conservative social constructs of the mid-twentieth century. Sixth in a series of booklets that dealtwith the tensions of everyday life.\u003c/p\u003e\n","\u003cp\u003eEach segment has a hypothetical person encountering specific issues like overcoming shyness and finding social niches. Towards the end of the booklet, a piece titled \"Girl of My Dreams\" is a thinly veiled reference to a young man questioning and discovering an LGBTQIA+ identity. The advice is negative and clarifies that the hypothetical person should stifle these questions and stick to a hetronormative lifestyle, stating \" \"George is very unhappy, [and] needs help to cope with these festering needs. Otherwise, he may settle for a dim life, arrested by a succession of psychosomatic illness.\" \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building,  contains a game titled \"Judy's Neighbors: Negro Family.\" It includes two dimensional pressed wood figures of an African-American family including mother, father, daughter, and two sons. There are also stands for the figures. Judy's Neighbors was released sometime between 1963 and 1964.This was part of a series and was sold individually and in sets. Teachers used the game to encourage racial diversity.\u003c/p\u003e","\u003cp\u003eAddition 14 of MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building contains two promotional posters (22\"X6\") for the 1965 and 1967 New York Children's Book Week. The art of Caldecott Medal-winning illustrator Barbara Cooney made the artwork for the 1965 poster. The illustration depicts a fox carrying a stack of books with a crow overhead, looking down at the fox perched from a branch with the words \"Sing out for Books\" in French. The other poster from 1967 contains a linocut illustration of hot air balloons with a floating banner reading \"Take Off With Books.\" Marcia Brown, the only triple Caldecott Medal winner, made the art for this poster.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a photo album for the Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.\u003c/p\u003e\n","\u003cp\u003eThe photographs document the center's daily operations, including staff and children, and special events, including several photographs of its graduation ceremony and a special \"Father of the Year\" award presentation for the fathers of the \"graduating class.\" The center closed permanently in 2005.\u003c/p\u003e","\u003cp\u003eThis addition (23) contains a three-fold pamphlet titled, \"A Report of a Conference on Day Care and the Working Mother\" for the Morris Child Development Center: State of Michigan Pilot program.\u003c/p\u003e","\u003cp\u003eAddition 6 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains materials collected and produced by the Bilalian Child Development Center and the Developing a World for All Humanity (DAWAH) in Highland Park, Michigan. The Bilalian Child Development Center was incorporated as a non-profit agency in 1977 and appears to provide community services and educational services for the community.  The DAWAH is an institute developed by a group of African-American Muslims in Michigan to develop an effective DAWAH program in America.  \u003c/p\u003e\n","\u003cp\u003eContents include an advertising and enrollment form, two brochures for the Bilalian Center, and another for the DAWAH Institute in Highland Park. Also included are the contents of a binder for the DAWAH Institute. Separated by subject tabs, materials include handwritten notes and a typed agenda for the First National Meeting of the DAWAH Institute, an application of employment to the Institute, papers on Community Services, the A.B.C.D. Savings Program, a photocopy of a Western Union Mailgram to President Ronald Reagan, papers on the Food Co-Op \u0026amp; Gardening club, Home Garden booklet from the 4-H Youth Programs, Fundraising and Grantsmanship, invitations, brochures, news releases, educational programs, news clippings, and a curriculum statement.\u003c/p\u003e","\u003cp\u003eAddition 22 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 21 handbills and handouts on HIV and AIDS and LGBTQ health concerns for teens.\u003c/p\u003e\n","\u003cp\u003eSome guidelines to follow in talking to teens about sex and AIDS/STD's -- Where do mermaids stand (From: All I really need to know i learned in kindergarten by Robert Fulghum) -- Bi-Friendly #40, October 1991, San Francisco, East Bay, and U.C. -- 1991 Fact Sheet / State of California Department of Health Services AIDS Prevention and Follow up Centers Early Intervention Program -- Continuing Education Questionnaire -- Continuing Education Agenda / UCSF AIDS Health Project, San Francisco, CA -- Antiviral AIDS drugs in the pipeline, 1991 -- Fact Sheet 1991 / [San Francisco] -- Syphilis Rate Soaring Among S.F. Teenagers / by Nanette Asimov, Chronicle Staff Writer -- Indications for Encouraging Counseling and Testing for Adolescents -- Special Programs for youth consent form for HIV testing -- Special programs for youth pre-test counselor sign-off sheet for informed consent -- A.T.S. Recommendations for youth and young adults / Adolescent HIV Coalition -- Referral list for HIV+ youth and young adults / prepared by Michael Baxter, Adolescent HIV Coalition Chair, San Francisco -- Youth and the HIV antibody test -- Project ahead / [San Francisco Health Clinics] -- Crisis alert: African American youth and HIV/AIDS / by W.J. Brandy Moore -- Some of the barriers that Latino/adolescents can encounter if they do seek health care and related services for HIV/AIDS / presented by Marisa Davis, Aids Health Project -- Counseling high risk youth / Ken Dunnigan, M.D. April 28, 1988 -- Youth and HIV: no immunity / Jane Shalwitz, MD and Ken Dunnigan, MD, circa 1983 -- Normal adolescent development / Parent Survival Kit, Denise Phelan-Desmond, Luanna Rodgers, Mary Isham, et. al. -- The ten mos asked HIV-Insurance questions / reprinted by AIDS Project, Los Angeles ©1988\u003c/p\u003e","\u003cp\u003eAddition 8 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a signed broadside print (11 X 8.5 inches) titled \"My Life Matters\" by the artist and muralist LMNOPI. \u003c/p\u003e\n","\u003cp\u003eThe signed print based on muralist LMNOPI's wheat-pasted street art, is originally produced in response to the Ferguson protests. Artist LMNOPI writes: \"This painting was inspired by the Black Lives Matter movement which originated in Ferguson, Missouri last year in response to the police murder of Mike Brown. I have been doing a series of street paste ups around this movement.\" \u003c/p\u003e\n","\u003cp\u003eLMNOPI found this image of a young protestor online, eventually identifying the child as a boy named Myles. The image of Myles warily clutching his protest sign (#DontShoot #Ferguson #YourLifeMatters), pasted up on the door of an a condemned factory in Bedford-Stuyvesant, became part of the community: \"The wheatpaste of Myles was much loved by local residents. Often I would observe people taking photos of it on their way to work. I saw many people post it on Instagram. It even survived a local graffiti bomb squad who came through last winter during a snowstorm. They tagged up the entire wall, but did not touch Myles.\" \u003c/p\u003e\n","\u003cp\u003eSource from LMNOPI's website: lmnopi.com/my-life-matters.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one handmade child's artist book based on Samuel Roger's Poem \"Address to the Butterfly.\"\u003c/p\u003e\n","\u003cp\u003eUnidentified youth creates a story beginning with a cardboard hand-cut apple; as the story progresses, a cardboard cut-out worm escapes the apple and begins to \"eat\" the pages before cocooning and then emerging as a pop-up butterfly.  \u003c/p\u003e\n","\u003cp\u003eCrudely bound with black leather over boards; a window cut out of the front cover allows the painted apple on page [1] to show through. \u003c/p\u003e\n","\u003cp\u003eA small pocket mounted inside the back board holds five cards printed with Samuel Rogers' poem \"To the butterfly.\"  The pocket is stamped with \"Address to the butterfly, Samuel Rogers.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS16758, University of Virginia History of Childhood, Parenting, and Family Building, contains thirty-four pamphlets on various topics, including puberty and sexual development, childhood diseases, motherhood, birth control, and nutrition.\nList of items:\n A Story About You, by Marion O. Lerrigo [and] Helen Southard [in consultation with] Milton J.E. Senn.\nFinding Yourself, by Marion O. Lerrigo, Helen Southard; medical consultant, Milton J.E. Senn.\nApproaching adulthood, by Marion O. Lerrigo, Helen Southard [in consultation with] Milton J.E. Senn.\nHow to use My Bookhouse, Miller, Olive Beaupré, editor.\nScarlet Fever, Metropolitan Life Insurance Co. (c.1925)\nScarlet fever. Metropolitan Life Insurance Company (1940)\nWhooping cough.Metropolitan Life Insurance Co.(c.1930s)\nWhooping cough.Metropolitan Life Insurance Co.(1921)\nVaccination protects you against smallpox. Metropolitan Life Insurance Co. (c.1926)\nFor your information about Rheumatic Fever.Rheumatic Fever Foundation, 20-30 International,(c.1956).\nMeasles and their prevention. Richmond, Virginia, State Health Department (c.1965).\nCommunicable diseases in Virginia: mumps.Virginia, Commonwealth of Virginia Department of Health (c.1967)\nTraining is fun with Little Toidey. Juvenile Wood Products, Inc.,(c.1938)\nSmallpox is still here. Metropolitan Life Insurance Company, (c.1939?)\nRickets \u0026amp; scurvy. Metropolitan Life Insurance Co. (c.192-?)\nGood teeth: how to get them and keep them. Metropolitan Life Insurance Co. (c.1900s)\nYour baby book.Wyeth Laboratories, Division American Home Products Corporation, (c.1962)\nWomen who go to school.Washington, D.C.National Congress of Parents and Teachers (c.1945)\nChildhood diseases. Prudential Insurance Company of America (c.1966)\nThe prize winner. M.L.I. Co. Press (c.1935?)\n52 bones in a terrible hurry.The May Co.(c.1950's)\nHeight and weight tables for Children-Borden Dairy. The Borden Company (c.1920's)\nVariety gives nutritional balance. Stokely Van Camp, Inc. (c.1950's)\nA better start in life with meat.Nutrition Division, Research Laboratories, Swift \u0026amp; Company,(c.1950's)\nTummy tingles by Josephine Beardsley; illustrations by Marjorie Peters. (c.1937)\nLydia E. Pinkham's private text-book:  ailments peculiar to women. Lydia E. Pinkham Medicine Co. (between 1878 and 1940)\nMy views on birth control by Dr. B. Goodman. (c.1944)\nWedlock and birth control: straightforward talk on a momentous and delicate subject by Dr. Grayling Stewart (c.1950?)\nA Book about birth control written by Donna Cherniak ; edited by Shirley Pettifer (c.1984)\nThe age of romance. American medical Association (1933)\nQuestions and answers about intrauterine devices.Planned Parenthood Federation, Inc.(c.1970)\nSecrets married women should know.America's Medicine (c.1930?)\nThe new germcide Hyomei: positive cure for coughs, bronchitis, asthma, and consumption.The R.T. Booth Company (c.1906)\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building is an artificial collection and periodic additions are expected.","Addition 53 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one calligraphy manuscript of Hans Rudolf Gujer from Wermatswil, Switzerland. The book contains thirty-seven leaves in landscape format, in various colored inks and watercolor, with some use of gouache. ","It also includes seven large original drawings; one is in pen-and-ink, and six are ink and watercolor; three pages of alphabets; most other pages have three compartments including ornately decorated capital initials, floral, figurative, and abstract ornamental borders and infills throughout; one page with music, and one with micrograph. The last leaf contains a full-page colophon of calligrapher:  \"Von Mir geschriben, Hans Rudolf guier, Zu Wermmet-schweil, 1750,\" with marginal calligraphic addition noting his age at the time of writing, \"mein alter war 20 jahr.\" ","The German texts of the album are religious: biblical quotations, prayers, and other devotional texts. Gujer was a relative of Jacob Gujer, a celebrated \"philosopher farmer.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one handmade picturebook of hand-colored engraved cutouts. A later inscription on the front pastedown reads, \"Fait par la baronne de Chalancey née Delcey pour as fille Clémence devenue Ctsse d' Esclaibes d'Hurst.\" The book was was created by the Baroness de Chalancey for her little girl Clemence, born in 1797.  ","Francoise Marie Gabrielle Delecey de Changey, who went under the nickname Fanny, was born in 1769 in Langres, Haute-Marne; she married Baron Jean-Francois Bichet de Chalancey in 1791, whose chateau in Chalancey was 30 kilometers from Langres.  Their first child, a boy, died in 1796 at four; a daughter, Clemence, was born the following year.  Fanny lived to age 77, and Clemence survived her mother by 20 years. ","The book starts with la maison, the home, and it shows people, trades, activities, places, architectural details, animals, concepts, fictional characters, and various household people in various activities.","Indenture between Richard Cumming Weeks, the son of a plumber and brazier, to serve as an apprentice shipwright to James King, a shipwright at His Majesty's Dock in Plymouth, England in 1802.","The contract sets out conditions of Weeks' seven-year apprenticeship and his wages of five shillings per quarter to start with and a note signed by James King, increasing his wages to to \"twelve shillings for single time\" and to \"one Pound a quarter for double time\" in 1804  Signed by Richard, his father, and by two Dock officials, with embossed revenue stamps. The indenture measures 40X 33 cm/ 15.75\" X 13\".","This addition 1 of the collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. ","While the collection spans from the 1830s to the 1960s, the bulk date between 1880 and 1925. ","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and instruction manuals given to parents or teachers on child welfare.","This collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. ","While the collection spans from the 1830s to the 1960s, the bulk dates are between 1880 and 1925. ","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps, Ocean parties; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and a government child welfare manual that gives instruction to parents or teachers on child welfare, child needs and development.","1st part of MSS 16758. Twenty-three pamphlets about puberty for women. Some are directed toward mothers, while others are created specifically for daughters. Dates range from 1933 to 1981. ","Earlier pamphlets discuss the process through storytelling, while later examples utilize more medical terminology. ","Titles include \"Marjorie May's Twelfth Birthday\" \"Very Personally Yours,\"  and \"Growing Up and Liking It.\" All pamphlets are illustrated; some have calendars others have quizzes. ","Each pamphlet was published by a manufacturer of women's sanitary products:  Holland-Rantos Co., International Cellucotton Products Co., Kotex (Kimberly Clark), Modess, Personal Product Corporation, and TeenForm. ","Included in folder 3 are two Kotex print blocks, used to illustrate their product packaging in marketing materials. This is part of an artificial collection, ie a  collection of materials with different provenance assembled and organized to facilitate its management or use.","The resolution was passed at a public meeting on August 15, 1838. The resolution discusses the establishment of an infant school. It further describes how education benefits children in the whole community by establishing a desire to learn in children. The pamphlet also notes that parents will be free during the day to work when children are in school, showing a shift in the economic role of mothers.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., contains the artworks of two sisters from Maine, Mary A. Hackett (1830-1908) and Nancy F. (1825-1883) Hackett. The works include watercolors, prose, a reward of Merritt, and two cartes de visite of their great-grandfather Hacket and Aunt Mary Hacket. ","The sister's parents were William Hackett (1780-1869) and Lydia Dutch (1793-1898).  Nancy married Nathaniel Thompson. Census records indicate Mary never married and, as an adult, lived with Nancy in Kennebunk, Maine.  Mary attended Union Academy and Nancy attended Limerick Academy.","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains one handmade juvenile manuscript titled The History of Little Fanny. Dated to March 24, 1849, the book features eleven pages of text with a watercolored cover. A set of seven watercolored paper dolls is in the accompanying slipcase, with each corresponding to a section of the written story. The reader can enact the tale throughout the story by changing Fanny's head between the paper costumes to illustrate her progress.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one volume of an anonymous bereavement commonplace book, dated 1856 and 1874. The manuscript consists of ninety-eight pages of writing, with the rest left blank. The manuscript contains writings by three different women. The first (and most extensive) is by an unnamed governess who writes of the loss of a child in her care, Harry. Her spidery handwriting is even and accomplished, and her use of \"thee\" and \"thou\" throughout suggests she may have been a Quaker. For thirty pages, she expresses her heartfelt love for the child and her grief during Harry's decline. She describes her memories of the boy and his siblings and details the boy's last illness, of about six days' duration, and death.  ","The following forty-eight pages include bereavement verses including poetry, both original and copied from published works, segments of stories, and verses from the bible.  within these pages, the Governess left three pages blank; on the first of these blank pages, \"M.E.G.\" [later identified as Mary E. Grote] wrote about the death of her firstborn son, \"Ernie,\" whose father was Ernest William Davis. In the first line of her text, Grote refers to the manuscript itself as \"this choice collection.\" ","The verse then continues in the governess' hand. Until another passage by Mary Grote appears. It is a five-page memorial titled \"To Ernie,\" dated August 30th, 1874. It is possible that Grote's earlier one-page passage may have been written in 1874. Fourteen blank leaves separate Grote's writing to an entirely different hand and content. ","There are five pages of \"Hints For Housewives.\" These undated, unrelated notes seem to be brief views on issues that arise in a household including damp cupboards, flies, roasting meat, buying eggs, mending china, and other domestic matters.","This addition 11 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains publications, metamorphic trading cards, volvelle (color wheels), and posters. Topics include motherhood, instructional materials on children's behaviour, toilet training, adolescent health, soil conservation for children, and a book about the the education for blind children. ","Folder 1 contains folded out (metamorphic) advertisements for children's clothing by Davidson Brothers, Solar Tip Shoes, E. G. Burrows, J. H. Baldwin \u0026 Company patent table tray, and children's knee elastic protectors (to protect clothes)","Folder 2 contains pamphlets \"Training the Baby\" published in 1931, 1952, and 1957.","Folder 3 contains five illustrated posters with instructions for children on cleaning and bathing themselves.","Folder 4 contains pamphlets for expectant mothers on how to care for their infants: \"The Modern Baby\",  \"Quiet, Baby Is Sleeping\", \"the 14 Days that can seem like a lifetime!\", \"Preparing Baby's Formula\", \"Keeping Baby Clean\", \"Modern Evenflo Nursers\"","Folder 5 contains pamphlets from the Lysol Family Library, \"The Scientific Side of Health and Youth\", \"When Baby Comes\", and \"Preventing the Spread of Common Diseases\"","Folder 6 contains three color wheels ","Folder 7 contains a pledge card for teenagers to abstain from alcoholic drinks and a card that outlines safety guidelines \"Code for survival\"","Folder 8 Publications: \"Let's Save Soil with Sam and Sue\", \"For Bigger Boys and Girls\", \"Facts about the Education of Blind Children\", \"Understanding Your Teenager\"","Compiled in 1858, the decorative title page Cahier d'Écriture par Mercier dédié à mes bien-aimés parents, the book features twenty-four calligraphy entries from a teenage student at the Grand-Classe St. Etienne in Saint-Étienne, France. The entries include the author's reflections on friendship, anger, anxieties, family life, hopes, and religious devotion. ","Several font samplers are present throughout the book, as are full-color pencil-sketched illustrations. Illustrations include buildings, animals, people, and urban scenes. The majority of the calligraphy entries are bordered by an elaborate design, either pressed into the paper or drawn by the author herself. ","This addition to MSS 16758,  The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a small pocket diary with ownership signature of \"Louisa J. Pratt, New Paltz Landing, New York to front endpaper with an early 20th-century hand adding to pastedown and endpaper, \"born 1846\" and \"13 years old.\"  ","The diary contains 366 pages in legible hand. It focuses on the many losses she experiences across 1859 and her youthful awakening to the numerous hardships the women around her confront.  From parental loss to poverty to disease to mental health emergencies, the events of Louisa's 13th year were formative, and she turned to her diary as a place for working out private emotions that burdened her.  ","Louisa balances school, friends, and church with an increasing oversight of her home.  More detail is given as the family continues struggling to keep domestic workers, and it is hinted that Mr. Pratt and the members of the church are drawing labor from girls pulled from the sex trade.  Unprepared for the situations they find themselves in, the girls act out, have mental health crises, and ultimately flee which are documented by Louisa.","While grief, loss, and unexpected adulthood shape much of Louisa's year, she also reports the kinds of joys that remind us she is entering her teens.  Her numerous friends, her love for sleigh rides and horseback riding, her appreciation for school and her recitations are cornerstones.","Addition 7 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two circulars promoting the American School Institute and Schermerhorn's School Agency. There is also a tri-fold trade card ad for a White Mountain refrigerator; an advertisement booklet for a carpet called \"Something Under Foot\"  used as a diary by \"Sara\"; and a plaited hair sentiment with a verse from Charlotte A. Lewis which was sent to a girl named Maryann Gilman.","This addition 12 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a friendship album of Jennie Lizzie Hoit (Dr. Jane Elizabeth Hoyt) made between 1866 and 1871 and a Pennsylvania German Mathematical Fraktur made in 1808 for Elizabeth Urban. ","The friendship book belonging to Jennie is small (3 X 5 inches), about 60 pages, and contains compliments and well wishes from her family members and friends. ","\nThe collection also contains a Pennsylvania German Mathematical Fraktur presented to a schoolgirl, most likely Elizabeth Urban. Fraktur is a Germanic tradition of decorated manuscripts and printed documents noted for its use of bold colors and whimsical motifs. The page contains a Multiplication Table and Pence Table, dated September 15, 1808, inscribed \"Miss Urban, I have the honour to be your humble servant,\" signed A.G. Lees, Conestoga Township, Lancaster County. Initials EU appear in the intersecting hearts. The page is decorated with birds and flowers. The student was likely Elizabeth Urban, born on July 22, 1795. The table was probably presented by her tutor or teacher, possibly Alexander Lees, residing in nearby York County from 1779 to 1781, or Abraham Lees, in York County in 1785. ","Jennie was born in Concord, Massachusetts, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907. ","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains 23 pamphlets on early learning, education, adolescence, growth and development, health, prenatal and Infant care, and parenting.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to women's health, infancy, and childhood. ","This includes \n1. Woman's tried and true friend, Portland, ME: Caulocorea Mfg. Co.,c.1893; ","2. Friar Medicine Company ephemera (5 sheets), 1901; ","3. Taylor, Marion Sayle, \"The seat of love and youth: plain truths for women, c.1927; ","4. Taylor, Marion Sayle, \"Body hygiene for women,\"1928;","5. Williamson, George H.,\"Personal hygiene for women: explaining the new hygiene which is bringing comfort, peace-of-mind and greater health and efficiency to the world of women,\" 1928; ","6. Wells, H.J. (edited and published by),\" Tennessee journal of medical and surgical diseases of women and children, and abstracts of the medical sciences,\"1884; ","7. \" Wasting diseases: their causes, treatment, and cure,\" New York: Scott \u0026 Bowne, c, 1877; ","8.Sheffield, Herman B., \"The baby's record and health,\" 1913; ","9. Olmstead, Allen S., \"This will interest mothers: Mother Gray, the children's friend,\" c.1910.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one notebook kept by S.B. Coulson with notes regarding Friedrich Fröbel teaching approach and use of Fröbel gifts, which include play materials such as balls, cylinders, cubes, and tablets. ","The instructors were \"Miss Doyle,\" \"Miss Symond,\" and \"Mrs. Meleney,\" the latter being Carrie Coit Meleney, a student and later prolific correspondent of Maria Kraus-Boelté (1836-1918), a pioneer of Fröbel education in the United States and author of the textbook, \"The kindergarten guide\" (1877). The notebook also contains diagrams and illustrations depicting configurations of tiles and boxes. Several pages have been torn out of the notebook.","This addition to MSS-16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia),  contains six pieces of advertising ephemera. Included are: 1. Mrs. Prettyman's celebrated breast salve, c. 1866-1895, (3 advertising broadsides); 2. Celluloid starch requires no cooking, a die-cut point-of-sale display card with an attached cardboard stand depicting a baby seated on a pillow holding a paper advertising celluloid starch; 3. Display card for Johnson and Johnson baby powder; and  4. a pamphlet titled Your baby's diet: Heinz strained foods: their uses and nutritional values. (circa 1950s).","Addition 19 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet: \"Tennessee Industrial School for the Benefit of Orphan, Helpless and Wayward Children, Nashville, Tenn.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a travel diary of Frederica King Davis as she traveled through England and France during her 19th year.  The bulk of the diary contains vivid and dense descriptions of her travel route, means of travel, companions, sites visited, and observations on art and culture; toward the end, she meticulously documents her allowance received, her expenditures, and the list of books she aims to read as a result of her trip.  ","The diary offers insight not only into the type of grand tour provided to well-off 19th-century American women but also into the history of tourism, transport, and a history of artistic exhibits and art criticism, women's education in domestic accounts and budgeting, traditions in women's gift-giving and charitable contributions, the history of women's fashion, and the history of friendship and courtship etiquette.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a set of Courtesy posters to color, a Children's Aid Society Donation Circular, and educational game ideas handwritten and compiled on index cards by elementary school teacher Jane Ehrhard. The educational games are housed in two small commercial portfolios produced by Burgess Publishing Company for their line of printed educational games.  ","Contemporary ink signature of Jane Ehrhard on the back of both portfolios.  One red portfolio is printed with the title \"File O' Fun for social recreation,\" with Jane A. Harris listed as the author.  The second portfolio is orange and printed with \"Games for the elementary school grades: playground, gymnasium, classroom,\" by Hazel A. Richardson.  It appears Jane Ehrhard has repurposed the portfolios. Both measure 18 x 12 cm and are bound with an elastic cord.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets and booklets on pre and post-natal advice for expectant mothers in America. They include: 1. Information for expectant mothers, by Frank LeCocq Jr., and Albert Bostrom, Jr. (c.1959); 2. Instructions for expectant mothers (c.1959); 3. While I am waiting, (1960); 4. Mrs Winslows soothing syrup: for children teething, (c.1888); 5. Baby is king,(1890); Baby feeding made easier, (1956) accompanied by two pieces of ephemera \"It's the nipple that makes the nurser, the Davol No.155 Nipple...\" and \"Terminal sterilization of baby's formula; 6. Pre-natal care: what expectant mothers should know, compiled by Obstetrical Department of The Western Montana Clinic (c.1955); 7. Your baby's formula (1953, 1955); 8.How food helps mother and baby, for parents-to-be (1954); 9. Modern methods of preparing baby's formula: practical suggestions by doctors, nurses, hospitals and mothers, (1954); 10. More nearly perfect: when baby needs milk from a bottle (1934); and 11. Prenatal care (1949).","Addition 63 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets about women at work both in and outside the home. These include: 1.\"My busy week,\" Herrmann Hdkf. Co 1949; 2. \"When women work,\"[Washington, D.C.] : Women's Bureau, U.S. Department of Labor, 1921; 3. Trade card \"Armour's mince meat and canned meats, c.1890; and 4. Trade cards:  Two round cards depicting 19th century women and girls doing laundry washing by hand.","This addition (69) to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains fourteen pamphlets on the subjects of family planning, women's reproductive health, contraception, hildhood disease prevention, gender, religion, education, history published between 1892 and 1973. Many of these pamphlets were distributed as promotional materials by insurance or healthcare companies. ","The pamphlets are: \"Speaking of Birth Control\", \"Industrial Gems\", \"Keeping a Healthy Home\",   \"Protecting the Home Against Disease\", \"Giving Babies Nestle's Food\", \"Nestle's Better Babies\", \"Where Shall We Put the Baby?, \"Vanta Baby Garments\"[advertisement],\"Your Baby's Protection\", \"So You Don't Want to be a Sex Object\",\"Johnny Takes A Wife\", \"Baby Speaks Out on This Matter of Toilet Training\", \"The Power of a Woman\", and \"A Woman's Guide to the Methods of Postponing or Preventing Pregnancy\"","Addition 61 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on childhood growth and development and women's health.","These include: 1. Child culture before and after birth: truths of profound significance to parents and prospective parents, with illustrative examples from real life, Chicago: National Purity Association,|c.1895; 2. Caldwell, J.B., Pre-natal influences, Chicago: National Purity Association,c.1900; 3. Getting ready for baby, Bloomfield, New Jersey: Lehn \u0026 Fink, Inc.,1930; 4. Weeks, Mary Hezlep Harmon, How to tell the story of reproduction to very young children, 1910; 5. Mothers' clubs' and teachers' organizations' course of study, Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910 (2 copies); 6.) Wood-Allen, Mary, Great books for child instruction, Cooperstown, N.Y.: Arthur H. Crist Co.,c.1910; 7. Wood-Allen, Mary, Valuable books for parent and child (2 copies), Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910; 8. Stephens, Elizabeth L., Sacredness \u0026 responsibility of motherhood, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall,c.1910; 9. Stephens, Elizabeth L., Teaching Obedience, Cooperstown, N.Y., Crist, Scott \u0026 Parshall,:,c.1910; 10. King, E.A. The Cigarette and Youth, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall, c.1910;  10. What shall be taught and who shall teach it? 1907; 11. Mrs. J.H. Kellogg, Work as an element in character building, c.1907; 12. Rev. W.W. Cook, The father as his sons' counselor, 1907; 13.  Mary Wood-Allen, Confidential relations between mothers \u0026 daughters, c.1907,14. Mary Wood-Allen, When does bodily education begin?,1907, 15. P.M. Bruner, The integrity of the sex nature, 1907; 16. Mary Wood-Allen, A friendly letter to boys, 1907; 17. Preg-No-Matic: the scientific calculator that takes the guesswork out of rhythm, Bridgport, CT: Brooklawn-Park Laboratory, 1956-1957; 18. Mel Johnson. Going steady, 1964; 19. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1935; 20. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1939; 21.What every woman wants to know about personal hygiene; Cincinnati, Ohio: Hydrosal Laboratories,1926; 22. Marvel syringe: Whirling Spray for women, c.1900; 23. Healthy happy womanhood: a pamphlet for girls and young women, Springfield, IL: Illinois Dept. of Public Health, Division of Communicable Diseases, c.1938; 24.Sol Gordon, Ten heavy facts about sex that your friends don't know, illustrated by Roger Conant, 1971; 25. Charles A. Clinton, M.D, Sex behavior in marriage, undated, and 26.  M. Sayle Taylor, Ph. D., What's wrong with marriage?,1932.","This addition 13 (ViU-2023-0134)of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the teaching archive of Mrs. Florence Tuttle Baldwin of North Haven, Connecticut (Boxes 3-7). Florence was born in 1854, married in 1881, and died in 1926. She spent her career at the Sixth District School in New Haven, Connecticut. ","It is a large addition containing her teaching materials including her ruler (signed by her), book catalogs, lesson plans and educational books from map making to mathematics, grade book, periodicals, manuscripts poems and letters, art work, needlepoint, phonetical drill cards, flash cards, educational games, and family planning from 1899 to 1905.  ","\nIn addition to Baldwin's teaching materials, other materials include a drawing book entitled \"Our Chat\" with stories by Ella Smith and Audrey, Yvonne \u0026 Clifford Evans; publications on vertical writing (handwriting), \"Talks and Tales\"; and five England-published pamphlets from the 1950s discussing family planning practices and contraception. Titles include \"Modern Family Planning,\" \"A Planned Family,\" \"Planning a Family,\" \"The Planning of a Family\", and a Lloyd's Family Planning Centre pamphlet.","There is a 1934 New York-published pamphlet that discusses Zonite as a family medicine and feminine hygiene products. Titles include \"Another Zonite Product for Intimate Feminine Hygiene;\" \"Facts for Women;\" and \"The real meaning of Antiseptic in everyday family life.\" ","There is a flyer entitled \"Please Give A Quarter\" which promotes the Salvation Army's Fresh Air Camps published circa 1900. ","Also included is a dating book belonging to a young girl titled \"My Him Book\" which has categories of \"High School Hims,\" \"College Hims,\" \"Home Hims,\" and \"Movie Hims\" about her romantic interests, and denotes William Purdy as the \"best of all my beaus\" under the \"Wedding Hims\" section. ","Florence Eleanor Paget (1887-1965) was a professional nature illustrator and artist from England who studied under George Vernon Stokes, a British wildlife and landscape artist. She made these books when she was a young woman, roughly between 1900 and 1910. ","One oblong linen book is labeled \"Sketches\" in pencil on the rear cover, and the owner's signature is on the pastedown in the front of the book. Paget likely drew in the \"Sketches\" book when she was twelve or thirteen. The book has forty drawings in pencil and watercolors. The subjects include landscapes like Redcar Pier, Saltburn Cliffs, Kew Gardens, Etal Church, and Etal Castle, as well as many sketches of her dogs, observations of people, fruit, and fauna. Some drawings have captions that identify the place or provide a funny caption. ","The other is an oblong publisher's cloth binding in green with \"Flora\" stamped in gilt. The book  was likely created five to ten years after the \"Sketches\" book. Dried flowers and plants are artfully pasted down and numbered. She wrote the binomial names in cursive, opposite of the pasted-down plants. There are a total of six total entries. ","The books are mainly written in English, except for one sketch with a caption in French and the Flora books with scientific names in Latin.","Addition 20 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a Salvation Army \"Help the Children\" flyer from June of 1903 sent to raise funds for an outing for poor children in Columbus, Ohio. ","The outing was meant to \"bring some brightness, cheer and comfort into the lives of the poor children of the slums and crowded tenement districts.\" The plea was written by John M. Richards, Adjutant, and the flyer has a cartoon illustration of a children's parade as a decorative border. On the verso of the flyer is a letter written in German written by a woman from Columbus,  dated September 13, 1904.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building,  features one string-bound scrapbook with pasted photographs of dolls collected by Helen E. Perkins. Compiled between 1909 and 1939 by Perkins and Miss Frances Grier, the scrapbook features sixty-nine pasted photographs of dolls of varying origins. Each entry includes the doll's name, a number, their height, manufacturer, material, and place of origin. Nations that have dolls represented in Perkins's album include China, Denmark, Finland, France, Germany, Greece, Guatemala, Holland, Ireland, Mexico, Morocco, Portugal, Russia, and Sweden. ","The material culture of childhood aspect to this scrapbook gives  insight into the importance playing with these dolls to the two girls.  In several of the photos, they've created scenes with the dolls, even  placing them all on the stairs for a \"family portrait.\" ","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains three pamphlets: 1.) Natural Science Camp (Keuka Lake), 1905; 2.) Boy Conservation Bureau (New York, N.Y.) [1930]; and 3.) Teenage gangs, New York City Youth Board, 1957.","4 items were cataloged separately in the print collection: 1.) Playskool Toys, 1956; 2.) J.L. Hammett Company, School Supplies 1928-1929; 3.) The First Public Policy Seminar from a Black Perspective, 1972; and 4.)Stylish Apparel for Expectant Mothers Spring and Summer, 1920.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains six pamphlets and one poster related generally to child care. Titles included are 1. \"Trimble Helps For Mothers,\" 1940; 2. \"Narcotics and the Family,\"c.1970; 3.\"What your neighbors say: dream book compliments of World's Dispensary Medical Association, c.1910s; 4.\"How to take care of the baby: treatise on the care and feeding of infants,\" 1905; 5. \"Your Baby,\" 1942; 6. \"Baby Feeding Without Tears,\"c.1940s and 7.\"Correct posture guide,\" c.1955.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a commonplace book belonging to Ethel Shearer (1893-1952). ","Shearer was a prominent artist in the mid-twentieth century San Francisco scene, being one of the featured artists at the opening of the San Francisco Museum of Art and Oakland Art Gallery. She was a member of the Society of Francisco Women Artists. ","Her commonplace book was compiled when Shearer was between thirteen and seventeen years old between 1906 and 1910. The book includes invitations and greeting cards from Ethel's friends, newspaper clippings, clippings from various other media, Ethel's own handwritten entries, and pasted photographs. Drawings from Shearer are present throughout, calling to her future career as an artist. ","Additon 21 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets relating to childhood education and parenting. \"The Nursery Chair\" was distributed by Shepard, Norwell, and Co., Winter Street, Boston, and advertises various department store goods following a short story. \"Bradley's Kindergarten Material and School Aids\", published in 1906, advertises tools for learning shapes and colors, instruments for art, mathematical instruments, and standard inks, leads, etc. \"Food-The Teeth and Health\" discusses the ideal diet of a young person, published in 1930 by the City of New York Department of Health and Board of Education.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains leaflets issued by American motherhood magazine from 1907. They are: \"The Ideal Mother\" and \" Confidential Relationships between Mothers and Daughters.\"","Addition 15 of MSS 16758,  the University of Virginia Collection on Childhood, Parenting, and Family Building, contains twenty-five nursery rhyme handkerchiefs. ","Commonly tucked into story books, these were popular children's mementos between the 1910s and the 1960s. Most handkerchiefs are illustrated in full color and have sewn and colored borders. ","However, six of the earliest editions are printed in black and white or sepia with raw edges.Most examples have sewn and colored borders, besides the earliest examples featuring raw, uncolored trim. ","Seven color designs are by British children's illustrator Mabel Lucie Attwell; others are unattributed.  Stories depicted by Atwell include \"Little Miss Muffet,\" \"Ding-Dong Bell,\" \"Jack and Jill,\" \"Little Bo-Peep,\" \"Hush-A-Bye-Baby,\" \"Little Boy Blue,\" and \"Dickory Dickory Dock.\"","\"Going steady\" / by Daniel A. Lord;\nTonsils and adenoids: is your child handicapped?;\nGood habits for children /|cMetropolitan Life Insurance Company ; [prepared with the cooperation and advice of the National Committee for Mental Hygiene];\nHearing, Metropolitan Life Insurance Company;\nCommon childhood diseases, New York: Metropolitan Life Insurance Company,c[1946];\nMrs. Winslow's diet instruction book for the baby. New York: Anglo-American Drug Company|c[1922];\nCollection of Bank Street Publications pamphlets on early childhood education (35 pamphlets);\nKeeping the well baby well.Washington:U.S. G.P.O.,c. 1927;\nOut of babyhood into childhood: 1 to 6 years. Washington:U.S. G.P.O.,c. 1943;\nWhen your child's in the teens /by Edwina A. Cowan;\nYour child grows up,|cby Edgar A. Doll.[Boston],|b[John Hancock mutual life insurance Company],|1939;\nBetween two years and six / by Richard M. Smith; Boston : John Hancock Mutual Life Insurance Co., 1941.\nThe healthy school child.Boston, Massachusetts : Life Conservation Service of the John Hancock Mutual Life Insurance Company, [1940];\nCount down to discovery!--3- 2- 1-year olds : child development, unit 2 / Alice T. Teddlie. Baton Rouge : LSU Cooperative Extension Service, 1972;\nDiscover the wonderful world of 4 and 5 year-olds. Baton Rouge, La.: Louisiana State University Agricultural and Mechanical College, Cooperative Extension Service,| c[1976];\nThe Student advocate, New York: American Student Union,c1936-1938;\nA doctor talks to 5-to-8 year-olds /|cby Dona Z. Meilach in consultation with Elias Mandel; Chicag :Budlong Press Co.,c1967;\nThe care of the baby: prepared by a committee of the American Association for the Study and Prevention of Infant Mortality and presented to the Association at its annual meeting held in Washington D.C., November 14-17, 1913;\nYour child from one to six / U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, Washington, D.C : U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, 1945;\nYour child from 6 to 12, written by Mrs. Marion L. Faegre, Washington, D.C. :| Federal Security Agency, Social Security Administration, Children's Bureau,c1949.","This addition to MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a 9.5\" x 6.5\" wooden puzzle with a  wooden frame and a glass window titled the Silver Bullet: Or the Road to Berlin. ","Original metal ball and elements intact. Directions on the verso of the game.  British dexterity puzzle for a juvenile audience, made of wood and glass. The game's object is maneuvering a metal ball through a winding course, avoiding holes, to the Berlin area. Although the topography of the play suggests the trenches of the Western Front, at the time of the game's creation, the troops had not \"dug in.\" The title, Silver Bullet, suggests a quick victory and supports the view that the British public believed the war would be over by Christmas 1914.","Addition 25 of MSS 16758 The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains twenty-five printed ephemera, including pamphlets and advertising on topics include parenting, child development, sex education, public health, and care of pregnant inmates.","40 posters from the Hope of a Nation Poster Series","Feeding the majority of bottle babies.Mead Johnson \u0026 Co. of Canada, Ltd.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two items relating to scouting. The first is a broadside printing of the ten Girl Scout laws set among art nouveau illustrations from the 1930s. The second is a photo album compiled by a boy at Kerrville, Texas, with images of playing in the streets, swimming in the Guadalupe River, playing baseball, hiking, marching, and being at a local Boy Scout camp. The black cloth photo album contains fifty-two black and white photos, measuring 10 x 7 cm, with a caption on the album leaves. ","There is a  photograph of an African American man. (Caption reads, \"Uncle Allen\").","African Americans were often referred to as Uncle or Aunt even though they were not a family relative.They were denied use of courtesy titles.\"Aunt,\" as in \"Aunt Jemima,\" was the term used for older enslaved women in the South who were not allowed by their white owners to use the term Mrs or Miss. The same was true for Uncle, as in Uncle Ben's Converted Rice. Uncle was used for older enslaved men because they were not allowed by their white owners to use the term Mr. The African American in this photograph is referred to as \"Uncle Allen.\" It is important to recognize the use of these terms and confront the racism that is embedded in these white cultural terms.","Source:\nGreen, Mark. Do You Know Why Aunt Jemima is Called \"Aunt?\"\nWhy is Aunt Jemima racist? Here's exactly why. And I do mean exactly.\" Medium. Human Stories and Ideas. Acessed 7/17/2024.\nhttps://remakingmanhood.medium.com/do-you-know-why-aunt-jemima-is-called-aunt-5d111b0765a5","This collection consists of a handmade notebook titled Punctuation Party by Melba Tice. The book presents punctuations as characters with rhymes and cutouts from 19th-century editions of Alice in Wonderland and Through the Looking Glass, as well as contemporary advertisements, explaining punctuation rules. Some punctuation characters are not from Carroll, and their descriptions illustrate cultural viewpoints of the time period, including a racist depiction of a \"mammy' figure and a Clorinda Colon\" as an old maid figure.","Addition 2 of MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven hand-painted postcards presumably created by Elisabeth, the sender. The postcards, drawn in black ink, depict children playing outside: a child pushing another child's sled; two children talking under a tree in spring/summer; two children playing with a balloon; a girl having a picnic with a bunny; one older and one younger girl in the snow; an older girl on a swing; and a girl on a dock by a body of water. ","Two of the postcards have written messages and are addressed to Miss Henebry and Miss Camilla Cole. The cards are postmarked Mount Kisco, NY, July 14 and 15, 1922. Both are sent in the care of Graham Miles of Alexandria Bay, New York. ","Miles was a stockbroker and hydroplane racer. He married and divorced Louise Clover Boldt, the daughter of George and Louise Boldt, wealthy Philadelphians and owners of the Boldt Castle in the Thousand Islands. Miles and Boldt had a daughter, Clover Wotherspoon Miles, but Miles's connection to Elisabeth or the other children named is unclear.","Addition 18 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 7 pieces of pamphlets/ or ephemera. \"What every teenager ought to know\" by Abigail Van Buren; T\"urn this page and do as this little man does\" by Colgate \u0026 Co; \"Ways to keep well and happy: booklet for upper elementary grades \"by Ruth Strang; \"Keeping fit\" by the State Board of Health, Bureau of Venereal Disease, North Dakota; \"Family meals at low cost using donated foods\" by the US Dept. of Agriculture; \"The gas cook book for young people\"by Athens Store Works, Inc., Athens, Tennessee; and \"The picture and rhyme book.\"","Addition 16 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three advertising pamphlets that pertain to parents purchasing products for their children. \"The Tinies that Live in a Tube\" advertises toothpaste, \"Flibitty Jibblit\" advertises rennet powder, and \"The New Boss in the House\" promotes the Pittsburgh District Dairy Council. Each uses imagery of children and parents utilizing the respective product.","Addition 17 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets: \"The Science of Prenatal Astrology\" by Edwin S. McKeever; \"The Space Child's Mother Goose\" verses by Frederick Winsor and illustrations by Marian Parry. The third item is a pamphlet titled,\"Reducing the new common sense way\" about the Kryon method of reducing weight by Continental Pharmaceutical Corp. ","\"The Space Child's Mother Goose\" is a personal copy owned by Arthur Schulman, an Associate Professor of Psychology at the University of Virginia and one of the organizers of the American Civil Liberties Union in Charlottesville. ","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven signs used to warn the public about the spread of contagious diseases and institute quarantine for diseases like smallpox, measles, polio, and diphtheria.","Addition 4 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the American History Hektograph Posters. These are twelve individual monochrome printed poster sheets, measuring 12 X 9 inches,  featuring historical instances in American history. ","Published in 1926 by Beckley-Cardy Company, each scene is intended to be colored, likely by a child. Each scene features suggested coloring methods, a title for the event, and a brief synopsis of the instance below. Scenes are typical origin stories, colonizers, and dominant white narratives and are examples of the narratives taught in classrooms circa 1926. The scenes are numbered 1 through 12, with each respective number placed in the center under the title. Events depicted: 1 - \"Landing of Columbus,\" 2 - \"The Mayflower at Cape Cod,\" 3 - \"The Pilgrims Planting Corn,\" 4 - \"The First Thanksgiving,\" 5 - \"George Washington's Early Home,\" 6 - \"Signing of the Declaration of Independence,\" 7 - \"Washington as President,\" 8 - \"Lincoln Studying by Firelight,\" 9 - \"Lincoln Writing His Inaugural Address,\" 10 - \"The Gettysburg Address,\" 11 - \"Grant Made Commander In Chief,\"  and 12 - \"Digging the Panama Canal.\" ","\"Red Man\" and a Native American \"wearing his bright [British] red coat with great pride\" suggests the presence of reparative content. \"","This addition to  MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building collection, contains one brad-bound scrapbook with a \"HYGIENE\" stencil cut from the paper on its cover. The content discusses healthy living practices for young girls. Entries feature drawings, pasted images, newspaper articles and clippings, handwritten queries on health, and ideas on diet and grooming practices. There are 49 \"chapters,\" each no longer than two pages. The corresponding pages for each chapter are presented in a table of contents at the beginning of the book.","Addition 57 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to teenagers, parenting, and sex education. These include: 1.) The school lunch, Battle Creek, Michigan:|bEducational Department, Postum Company, Inc., (1928); 2.) Sex in life: young men, by Dr. Douglas White (1933); Sex in life: young women, by Violet D. Swaisland (1933); 3.) What parents should tell their children (1933);  4.) Starting to school in Kingsport, Kingsport, Tennessee, Kingsport City Schools (1953), 5.) How life goes on and on:  story for girls of high school age, y Thurman B. Rice (1937); 6.) When children ask about sex, by the staff of the Child Study Association of America. Foreword by Marianne Kris (1953);  7.) Woman against myth, by Betty Millard (1948); 8.) The teacher and mental health [prepared by the National Institute of Mental Health] (1955); 9.)The safety zone:|ba frank talk with women concerning their personal problems (1940), 10.)Teen-agers and parties, Ernest F. Miller (1960), 11.) Tips for teeners  by Antoinette Donnelly (c.1950); 12.) Think straight before you date, D.F. Miller. (1959); and 13) Teen-agers and dope, Howard Morin, C.SS.R. (1957)","Addition 5 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single press photograph from the children's clinic at the ridge avenue dispensary in Philadelphia in the 1930s.  The photograph is a group photograph of Black nurses and children in a clinical setting. A typed caption is affixed to the top right edge of the picture. No photographer or studio is noted.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a pamphlet titled Strong bodies sound minds: some health hints for the school-day years (c.1930).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on public health topics including syphilis and sex education. These include: 1. Management of syphilis in general practice, Joseph Earle Moore, in collaboration with: Harold N. Cole [and others], 1938; 2. Genitoinfectious disease control in Massachusetts, prepared by The Massachusetts Department of Public Health co-operating with the United States Public Health Service, 1940; 3. The diagnosis of syphilis by the general practitioner by Joseph Earle Moore, M.D., 1938; 4. Syphilis in mother and child,by Harold N. Cole and Philip C. Jeans, in collaboration with Joseph Earle Moore ... [et al.], 1940; 5.Your baby and the blood test law, Ernest B. Howard, M.D., c.1939; 6.Clinical excerpts, 1942; 7. Sex education for the preschool child by Harold E. Jones and Katherine Read, 1941; 8. Sex education for the ten year old /|cby M. Marjorie Bolles, 1941; 9. Sex education for the adolescent. by George W. Corner and Carney Landis, 1941; and 10. Sex education for the woman at menopause by Carl G. Hartman, 1941.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the publication of an educational booklet titled \"The Story of Sex Hormones,\" produced by the Schering Corporation, an American pharmaceutical company. The pamphlet was distributed at the Hall of Science at the Golden Gate International Exposition at an informative display called \"Hormone Woman.\" It briefly outlines recent advances in endocrinology and offers illustrated explanations of menstrual cycles and sex hormones, as well as a short description of menopause.19 cm","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a sample book titled \"Kiddie flowers\" consisting of eight mounted samples of floral fabric potentially for children's clothing.","Addition 24 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet for the Davis Home for Colored Children 34th Anniversary located in in Pittsburgh. This promotional booklet is for the  \"34th Anniversary\" of the Davis Home, a temporary home and day nursery for African-American children. Also of note in the booklet are advertisements for what are likely Black businesses that supported the home. \n \n   Note says, \"This book is dedicated to my mother, Mrs. Fannie Louis Davis, who was the founder of the Davis Temporary Home and Day Nursery in 1907, and organizer of the Colored Women's Relief Association of Western Pennsylvania in 1909. To my wife, Mrs Louise Scott Davis, President of the Davis Home for Colored Children, who has been loyal and faithful in giving her life toward the advancement of this home. To my friends, who have contributed to this Home in any way they could. Finley T. Davis, Business Manager.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains Paul Kenton Conrad's childhood cartooning album and scrapbook. The sketchbook, a string-tied leatherette album, documents a young boy's self-guided attempts to develop cartooning skills. Cut-out tutorials from Frank Webb's \"How to Make Faces\" are mounted on the album's early pages, with attempts in pencil to follow their instructions. Midway through, Conrad branches out from these copies into creating his original subject matter, including army airplanes, sheriffs, pistols, cowboy hats, and a series of one-panel strips titled \"Stuff that's funny.\" The artist, a Pittsburgh native who settled in Honolulu, would later become a successful lounge pianist and musician of some note in the 'Exotica' genre, releasing one well-received album (\"Exotic Paradise\").","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet titled \"Growing Up in the World Today: for Boys and Girls in the Teens\" by Emily V. Clapp.(1946)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets for parents and teachers about puberty and sex education. ","Titles include 1. \"Sex Behavior and sex interest in Children,\" by Louise Bates Ames (1952); 2. \"When children ask about sex,\" by the staff of the Child Study Association of America, Sidonie M. Gruenberg [and others] Anna W.M. Wolf, editor, (1946); 3. \"Preparation for puberty: a sex education manual for parents and teachers,\" written by Mrs. Linda K. Teller, illustrated by Mrs. Dorothy Teeters (1965); and 4. \"Sex education in the home,\" Georgia Department of Public Health, (c.1950).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a chart of hormone interrelation upon which the film \"The physiology of normal menstruation\" is based. Printed in green and black, full color chart. 1 sheet folded to 8 unumbered pages. 23x62 cm folder to 23x16 text.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains  a set of twelve offprints titled \"Your baby at [1-12] months.\" There are twelve pamphlets, one for each month of a baby's first year of life. Reprinted from Baby Talk, published by the Parenting Group, New York, N.Y.Author: Beulah Sanford France (1891)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a spiral-bound sketchbook belonging to an unnamed art student, most likely living in New York City. Page one of the sketchbook details the student's assignment: \"DUE - 300 by June 2nd, Marked Chronologically.\" Traces of what may be an owner's name and grades of \"B\" and \"B+\" are written on the cover. Each sketch is numbered in pencil and is stamped between March and June 1952. The sketchbook's seventy leaves have drawings only on the recto. Drawings are completed in pencil, ink, and crayon.  This student's sketches are primarily figure studies of those in transit on the subway. Other scenes include a roller derby skater, pin-up figure, river traffic with a bridge, a parked car, a cat, and exotic animals.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a handmade fundraising appeal concertina album to the artist Oskar Kokoschka. The book was created by design students at the Modeschule der Stadt Wien (Fashion School of Vienna). In 1946, the school relocated to Schloss Hetzendorf, an eighteenth-century palace that sustained significant damage during the Second World War.Students were pressed to raise money for their art supplies amid the renovations. This fundraising appeal was addressed to exiled Austrian artist Oskar Kokoschka, known for his contributions to expressionism. The album contains hand-cut stencil letters, hand-colored illustrations, and collages of paper, felt, yarn, tin foil, leather, and chipboard. The book reads: \"Dear O.K. [Oscar Kokoschka] / if we would have brushes and colours to paint / coloured paper for handykraft / wools to weave / leather for gloves and bags / felt for millinery/magazines to get suggestions / spezial [sic] books for library/material for dressmaking / then all would be OK. Photographs of the students at rest and at work sewing, trimming, painting, weaving, and drawing are pasted on the verso of each collage. Kokoschka fled Vienna, Austria under the Nazi regime and never returned. It is unknown whether he responded to this appeal from the Modeschule students.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet titled Your Child's Development - Infant to 16 years.","\"This booklet is based on recent studies at the Gesell Institute. Dr. Arnold Gesell, the Institute's research consultant and a household word to parents, founded the Yale Clinic of Child Development, which he directed for 37 years. Today, Dr. Gesell and his collaborators, Dr. Frances L. Ilg, a pediatrician, and Dr. Louise Bates Ames, a psychologist, carry on the pioneer work of the institute.\"","Published by Good Reading Rack Service, Inc., a division of Geffe, Morton \u0026 Griffiths, 76 Ninth Avenue","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains an  original calligraphic manuscript of thirty variously colored linocuts, each by a different girl from a class at St. Helen's Norwood, London. Each linocut has the student's name below in ink. The contents are handwritten verses of Benedicte Omnia Opera. The title page notes, \"Lettered, illustrated and bound by all the members of IVA.\" The endpapers are also original handpainted images of angels. Bound in original black cloth at the school by L. Hardy, D. Lines, and J. Scarth.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single pamphlet titled \"Doors to Open\" by Ellis Gladwin and Rama Braggiotti (illustrator) published by the Connecticut Mutual Life Insurance Company. It is written as a guide for young people but specifically addresses men embarking on college life and advises on new life changes in the context of conservative social constructs of the mid-twentieth century. Sixth in a series of booklets that dealtwith the tensions of everyday life.","Each segment has a hypothetical person encountering specific issues like overcoming shyness and finding social niches. Towards the end of the booklet, a piece titled \"Girl of My Dreams\" is a thinly veiled reference to a young man questioning and discovering an LGBTQIA+ identity. The advice is negative and clarifies that the hypothetical person should stifle these questions and stick to a hetronormative lifestyle, stating \" \"George is very unhappy, [and] needs help to cope with these festering needs. Otherwise, he may settle for a dim life, arrested by a succession of psychosomatic illness.\" ","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building,  contains a game titled \"Judy's Neighbors: Negro Family.\" It includes two dimensional pressed wood figures of an African-American family including mother, father, daughter, and two sons. There are also stands for the figures. Judy's Neighbors was released sometime between 1963 and 1964.This was part of a series and was sold individually and in sets. Teachers used the game to encourage racial diversity.","Addition 14 of MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building contains two promotional posters (22\"X6\") for the 1965 and 1967 New York Children's Book Week. The art of Caldecott Medal-winning illustrator Barbara Cooney made the artwork for the 1965 poster. The illustration depicts a fox carrying a stack of books with a crow overhead, looking down at the fox perched from a branch with the words \"Sing out for Books\" in French. The other poster from 1967 contains a linocut illustration of hot air balloons with a floating banner reading \"Take Off With Books.\" Marcia Brown, the only triple Caldecott Medal winner, made the art for this poster.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a photo album for the Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","The photographs document the center's daily operations, including staff and children, and special events, including several photographs of its graduation ceremony and a special \"Father of the Year\" award presentation for the fathers of the \"graduating class.\" The center closed permanently in 2005.","This addition (23) contains a three-fold pamphlet titled, \"A Report of a Conference on Day Care and the Working Mother\" for the Morris Child Development Center: State of Michigan Pilot program.","Addition 6 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains materials collected and produced by the Bilalian Child Development Center and the Developing a World for All Humanity (DAWAH) in Highland Park, Michigan. The Bilalian Child Development Center was incorporated as a non-profit agency in 1977 and appears to provide community services and educational services for the community.  The DAWAH is an institute developed by a group of African-American Muslims in Michigan to develop an effective DAWAH program in America.  ","Contents include an advertising and enrollment form, two brochures for the Bilalian Center, and another for the DAWAH Institute in Highland Park. Also included are the contents of a binder for the DAWAH Institute. Separated by subject tabs, materials include handwritten notes and a typed agenda for the First National Meeting of the DAWAH Institute, an application of employment to the Institute, papers on Community Services, the A.B.C.D. Savings Program, a photocopy of a Western Union Mailgram to President Ronald Reagan, papers on the Food Co-Op \u0026 Gardening club, Home Garden booklet from the 4-H Youth Programs, Fundraising and Grantsmanship, invitations, brochures, news releases, educational programs, news clippings, and a curriculum statement.","Addition 22 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 21 handbills and handouts on HIV and AIDS and LGBTQ health concerns for teens.","Some guidelines to follow in talking to teens about sex and AIDS/STD's -- Where do mermaids stand (From: All I really need to know i learned in kindergarten by Robert Fulghum) -- Bi-Friendly #40, October 1991, San Francisco, East Bay, and U.C. -- 1991 Fact Sheet / State of California Department of Health Services AIDS Prevention and Follow up Centers Early Intervention Program -- Continuing Education Questionnaire -- Continuing Education Agenda / UCSF AIDS Health Project, San Francisco, CA -- Antiviral AIDS drugs in the pipeline, 1991 -- Fact Sheet 1991 / [San Francisco] -- Syphilis Rate Soaring Among S.F. Teenagers / by Nanette Asimov, Chronicle Staff Writer -- Indications for Encouraging Counseling and Testing for Adolescents -- Special Programs for youth consent form for HIV testing -- Special programs for youth pre-test counselor sign-off sheet for informed consent -- A.T.S. Recommendations for youth and young adults / Adolescent HIV Coalition -- Referral list for HIV+ youth and young adults / prepared by Michael Baxter, Adolescent HIV Coalition Chair, San Francisco -- Youth and the HIV antibody test -- Project ahead / [San Francisco Health Clinics] -- Crisis alert: African American youth and HIV/AIDS / by W.J. Brandy Moore -- Some of the barriers that Latino/adolescents can encounter if they do seek health care and related services for HIV/AIDS / presented by Marisa Davis, Aids Health Project -- Counseling high risk youth / Ken Dunnigan, M.D. April 28, 1988 -- Youth and HIV: no immunity / Jane Shalwitz, MD and Ken Dunnigan, MD, circa 1983 -- Normal adolescent development / Parent Survival Kit, Denise Phelan-Desmond, Luanna Rodgers, Mary Isham, et. al. -- The ten mos asked HIV-Insurance questions / reprinted by AIDS Project, Los Angeles ©1988","Addition 8 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a signed broadside print (11 X 8.5 inches) titled \"My Life Matters\" by the artist and muralist LMNOPI. ","The signed print based on muralist LMNOPI's wheat-pasted street art, is originally produced in response to the Ferguson protests. Artist LMNOPI writes: \"This painting was inspired by the Black Lives Matter movement which originated in Ferguson, Missouri last year in response to the police murder of Mike Brown. I have been doing a series of street paste ups around this movement.\" ","LMNOPI found this image of a young protestor online, eventually identifying the child as a boy named Myles. The image of Myles warily clutching his protest sign (#DontShoot #Ferguson #YourLifeMatters), pasted up on the door of an a condemned factory in Bedford-Stuyvesant, became part of the community: \"The wheatpaste of Myles was much loved by local residents. Often I would observe people taking photos of it on their way to work. I saw many people post it on Instagram. It even survived a local graffiti bomb squad who came through last winter during a snowstorm. They tagged up the entire wall, but did not touch Myles.\" ","Source from LMNOPI's website: lmnopi.com/my-life-matters.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one handmade child's artist book based on Samuel Roger's Poem \"Address to the Butterfly.\"","Unidentified youth creates a story beginning with a cardboard hand-cut apple; as the story progresses, a cardboard cut-out worm escapes the apple and begins to \"eat\" the pages before cocooning and then emerging as a pop-up butterfly.  ","Crudely bound with black leather over boards; a window cut out of the front cover allows the painted apple on page [1] to show through. ","A small pocket mounted inside the back board holds five cards printed with Samuel Rogers' poem \"To the butterfly.\"  The pocket is stamped with \"Address to the butterfly, Samuel Rogers.\"","This addition to MSS16758, University of Virginia History of Childhood, Parenting, and Family Building, contains thirty-four pamphlets on various topics, including puberty and sexual development, childhood diseases, motherhood, birth control, and nutrition.\nList of items:\n A Story About You, by Marion O. Lerrigo [and] Helen Southard [in consultation with] Milton J.E. Senn.\nFinding Yourself, by Marion O. Lerrigo, Helen Southard; medical consultant, Milton J.E. Senn.\nApproaching adulthood, by Marion O. Lerrigo, Helen Southard [in consultation with] Milton J.E. Senn.\nHow to use My Bookhouse, Miller, Olive Beaupré, editor.\nScarlet Fever, Metropolitan Life Insurance Co. (c.1925)\nScarlet fever. Metropolitan Life Insurance Company (1940)\nWhooping cough.Metropolitan Life Insurance Co.(c.1930s)\nWhooping cough.Metropolitan Life Insurance Co.(1921)\nVaccination protects you against smallpox. Metropolitan Life Insurance Co. (c.1926)\nFor your information about Rheumatic Fever.Rheumatic Fever Foundation, 20-30 International,(c.1956).\nMeasles and their prevention. Richmond, Virginia, State Health Department (c.1965).\nCommunicable diseases in Virginia: mumps.Virginia, Commonwealth of Virginia Department of Health (c.1967)\nTraining is fun with Little Toidey. Juvenile Wood Products, Inc.,(c.1938)\nSmallpox is still here. Metropolitan Life Insurance Company, (c.1939?)\nRickets \u0026 scurvy. Metropolitan Life Insurance Co. (c.192-?)\nGood teeth: how to get them and keep them. Metropolitan Life Insurance Co. (c.1900s)\nYour baby book.Wyeth Laboratories, Division American Home Products Corporation, (c.1962)\nWomen who go to school.Washington, D.C.National Congress of Parents and Teachers (c.1945)\nChildhood diseases. Prudential Insurance Company of America (c.1966)\nThe prize winner. M.L.I. Co. Press (c.1935?)\n52 bones in a terrible hurry.The May Co.(c.1950's)\nHeight and weight tables for Children-Borden Dairy. The Borden Company (c.1920's)\nVariety gives nutritional balance. Stokely Van Camp, Inc. (c.1950's)\nA better start in life with meat.Nutrition Division, Research Laboratories, Swift \u0026 Company,(c.1950's)\nTummy tingles by Josephine Beardsley; illustrations by Marjorie Peters. (c.1937)\nLydia E. Pinkham's private text-book:  ailments peculiar to women. Lydia E. Pinkham Medicine Co. (between 1878 and 1940)\nMy views on birth control by Dr. B. Goodman. (c.1944)\nWedlock and birth control: straightforward talk on a momentous and delicate subject by Dr. Grayling Stewart (c.1950?)\nA Book about birth control written by Donna Cherniak ; edited by Shirley Pettifer (c.1984)\nThe age of romance. American medical Association (1933)\nQuestions and answers about intrauterine devices.Planned Parenthood Federation, Inc.(c.1970)\nSecrets married women should know.America's Medicine (c.1930?)\nThe new germcide Hyomei: positive cure for coughs, bronchitis, asthma, and consumption.The R.T. Booth Company (c.1906)"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following books have been transferred to the library collection: List of titles\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\nThe new family / Virginia. Bureau of Child Welfare.\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following books have been transferred to the library collection: List of titles\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\nThe new family / Virginia. Bureau of Child Welfare.\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families"],"userestrict_html_tesm":["\u003cp\u003eThis collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials.\u003c/p\u003e","\u003cp\u003eThe Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["This collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request."],"names_ssim":["Albert and Shirley Small Special Collections Library","Musinsky Rare Books","Plymouth (England)","HMNB Portsmouth (England)","Bluemango Books and Manuscripts","Sophie Schneideman Rare Books","Whitmore Rare Books","Salvation Army","Ellipsis Rare Books","Tomberg Rare Books","King, James","Weeks, Richard Cumming","Dugdale, Florence Eleanor Paget, 1887-1965"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Musinsky Rare Books","Plymouth (England)","HMNB Portsmouth (England)","Bluemango Books and Manuscripts","Sophie Schneideman Rare Books","Whitmore Rare Books","Salvation Army","Ellipsis Rare Books","Tomberg Rare Books"],"persname_ssim":["King, James","Weeks, Richard Cumming","Dugdale, Florence Eleanor Paget, 1887-1965"],"language_ssim":["English German French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":81,"online_item_count_is":1,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:25:29.745Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1482","ead_ssi":"viu_repositories_3_resources_1482","_root_":"viu_repositories_3_resources_1482","_nest_parent_":"viu_repositories_3_resources_1482","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1482.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/169294","title_filing_ssi":"The University of Virginia Collection on the History of Childhood, Parenting, and Family Building.","title_ssm":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"title_tesim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"unitdate_ssm":["1700-2014"],"unitdate_inclusive_ssm":["1700-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16758","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1482"],"text":["MSS 16758","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1482","The University of Virginia Collection on the History of Childhood, Parenting, and Family Building.","Children","Children's art","postcards","Good","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","Some restrictions may apply due to fragile condition of paper dolls.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request. The sketchbook is availble for research.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","This collection is open for research.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","There are 23 pamphlets associated with this collection but 9 were removed for print cataloging. Rose Oliveira-Abbey: No.1, 3, 4, 5, 10a, 10b, 11a, 11b, and 11c on the invoice cataloged as print. See invoice in Control folder for Invoice/PurchaseOrder for titles.\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\n\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families","Jane Elizabeth \"Jennie\" Hoyt-Stevens was born in Concord, Massachusetts to Sewell Hoit (1807-1875) and Hannah Elizabeth Hoyt, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907.She encouraged a younger generation of women in their medical careers, including Mary Runnells Bird, and donated her family home, (\"impressive mansion\"), to the use of the New Hampshire Congregational Conference, reserving \"a small upstairs apartment\" for her own use.","In 1906, she represented the New Hampshire Medical Society as a delegate to the International Medical Congress in Lisbon, and traveled in Spain and North Africa during that trip. She met Gandhi during an extended visit to India, and published writings about her impressions of him in 1931. She adopted a son in Spain, named Abelardo Linares. She died in 1933, in Concord, New Hampshire, at the age of 72","The mathematical fraktur may have belonged to Elizabeth Urban as a gift from her tutor, A. G. Lees in Conestoga Township, Lancaster County, Pennsylvania. Elizabeth Urban was born on July 22, 1795 in Conestoga to George Urban (1740-1843) and Barbara Keagy (1743-1828). Educational frakturs are very rare.","Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","Bilalians is a name used by early African-American Muslims. It refers to Bilal, a former Black enslaved person of Muhammad. Bilal's importance as the first Muslim muezzin, his ardent support for early Islam, and his favored status under Muhammad made him an important symbol of Black honor and dignity, major themes of early African-American Islam.","The Da'wah Institute (DIN) is the research and public enlightenment department of the Islamic Education Trust (IET) which has its headquarters in Minna, and Zonal Coordinators across Nigeria and West Africa. Its mission is to \"strive in the capacity building and empowerment of other Islamic organizations and individuals involved in facilitating the correct understanding of the message of Islam.\"","Source: \nOxford University Press. Oxford Reference. Accessed 7/18/2024\nhttps://www.oxfordreference.com/display/10.1093/oi/authority.20110803095505567","Da'wah Institute of Nigeria Accessed 7/18/2024\nhttps://dawahinstitute.org/dawah-institute-nigeria-din/","This material contains references or imagery involving racism. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","See also Series 4 \"A Report of a Conference on Day Care and the Working Mother\" material from the Morris Child Development Center Addition 23","See also Series 4 Addition 58 Photograph album of the Morris Child Development Center","The University of Virginia Collection on the History of Childhood, Parenting, and Family Building is an artificial collection and periodic additions are expected.","Addition 53 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one calligraphy manuscript of Hans Rudolf Gujer from Wermatswil, Switzerland. The book contains thirty-seven leaves in landscape format, in various colored inks and watercolor, with some use of gouache. ","It also includes seven large original drawings; one is in pen-and-ink, and six are ink and watercolor; three pages of alphabets; most other pages have three compartments including ornately decorated capital initials, floral, figurative, and abstract ornamental borders and infills throughout; one page with music, and one with micrograph. The last leaf contains a full-page colophon of calligrapher:  \"Von Mir geschriben, Hans Rudolf guier, Zu Wermmet-schweil, 1750,\" with marginal calligraphic addition noting his age at the time of writing, \"mein alter war 20 jahr.\" ","The German texts of the album are religious: biblical quotations, prayers, and other devotional texts. Gujer was a relative of Jacob Gujer, a celebrated \"philosopher farmer.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one handmade picturebook of hand-colored engraved cutouts. A later inscription on the front pastedown reads, \"Fait par la baronne de Chalancey née Delcey pour as fille Clémence devenue Ctsse d' Esclaibes d'Hurst.\" The book was was created by the Baroness de Chalancey for her little girl Clemence, born in 1797.  ","Francoise Marie Gabrielle Delecey de Changey, who went under the nickname Fanny, was born in 1769 in Langres, Haute-Marne; she married Baron Jean-Francois Bichet de Chalancey in 1791, whose chateau in Chalancey was 30 kilometers from Langres.  Their first child, a boy, died in 1796 at four; a daughter, Clemence, was born the following year.  Fanny lived to age 77, and Clemence survived her mother by 20 years. ","The book starts with la maison, the home, and it shows people, trades, activities, places, architectural details, animals, concepts, fictional characters, and various household people in various activities.","Indenture between Richard Cumming Weeks, the son of a plumber and brazier, to serve as an apprentice shipwright to James King, a shipwright at His Majesty's Dock in Plymouth, England in 1802.","The contract sets out conditions of Weeks' seven-year apprenticeship and his wages of five shillings per quarter to start with and a note signed by James King, increasing his wages to to \"twelve shillings for single time\" and to \"one Pound a quarter for double time\" in 1804  Signed by Richard, his father, and by two Dock officials, with embossed revenue stamps. The indenture measures 40X 33 cm/ 15.75\" X 13\".","This addition 1 of the collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. ","While the collection spans from the 1830s to the 1960s, the bulk date between 1880 and 1925. ","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and instruction manuals given to parents or teachers on child welfare.","This collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. ","While the collection spans from the 1830s to the 1960s, the bulk dates are between 1880 and 1925. ","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps, Ocean parties; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and a government child welfare manual that gives instruction to parents or teachers on child welfare, child needs and development.","1st part of MSS 16758. Twenty-three pamphlets about puberty for women. Some are directed toward mothers, while others are created specifically for daughters. Dates range from 1933 to 1981. ","Earlier pamphlets discuss the process through storytelling, while later examples utilize more medical terminology. ","Titles include \"Marjorie May's Twelfth Birthday\" \"Very Personally Yours,\"  and \"Growing Up and Liking It.\" All pamphlets are illustrated; some have calendars others have quizzes. ","Each pamphlet was published by a manufacturer of women's sanitary products:  Holland-Rantos Co., International Cellucotton Products Co., Kotex (Kimberly Clark), Modess, Personal Product Corporation, and TeenForm. ","Included in folder 3 are two Kotex print blocks, used to illustrate their product packaging in marketing materials. This is part of an artificial collection, ie a  collection of materials with different provenance assembled and organized to facilitate its management or use.","The resolution was passed at a public meeting on August 15, 1838. The resolution discusses the establishment of an infant school. It further describes how education benefits children in the whole community by establishing a desire to learn in children. The pamphlet also notes that parents will be free during the day to work when children are in school, showing a shift in the economic role of mothers.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., contains the artworks of two sisters from Maine, Mary A. Hackett (1830-1908) and Nancy F. (1825-1883) Hackett. The works include watercolors, prose, a reward of Merritt, and two cartes de visite of their great-grandfather Hacket and Aunt Mary Hacket. ","The sister's parents were William Hackett (1780-1869) and Lydia Dutch (1793-1898).  Nancy married Nathaniel Thompson. Census records indicate Mary never married and, as an adult, lived with Nancy in Kennebunk, Maine.  Mary attended Union Academy and Nancy attended Limerick Academy.","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains one handmade juvenile manuscript titled The History of Little Fanny. Dated to March 24, 1849, the book features eleven pages of text with a watercolored cover. A set of seven watercolored paper dolls is in the accompanying slipcase, with each corresponding to a section of the written story. The reader can enact the tale throughout the story by changing Fanny's head between the paper costumes to illustrate her progress.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one volume of an anonymous bereavement commonplace book, dated 1856 and 1874. The manuscript consists of ninety-eight pages of writing, with the rest left blank. The manuscript contains writings by three different women. The first (and most extensive) is by an unnamed governess who writes of the loss of a child in her care, Harry. Her spidery handwriting is even and accomplished, and her use of \"thee\" and \"thou\" throughout suggests she may have been a Quaker. For thirty pages, she expresses her heartfelt love for the child and her grief during Harry's decline. She describes her memories of the boy and his siblings and details the boy's last illness, of about six days' duration, and death.  ","The following forty-eight pages include bereavement verses including poetry, both original and copied from published works, segments of stories, and verses from the bible.  within these pages, the Governess left three pages blank; on the first of these blank pages, \"M.E.G.\" [later identified as Mary E. Grote] wrote about the death of her firstborn son, \"Ernie,\" whose father was Ernest William Davis. In the first line of her text, Grote refers to the manuscript itself as \"this choice collection.\" ","The verse then continues in the governess' hand. Until another passage by Mary Grote appears. It is a five-page memorial titled \"To Ernie,\" dated August 30th, 1874. It is possible that Grote's earlier one-page passage may have been written in 1874. Fourteen blank leaves separate Grote's writing to an entirely different hand and content. ","There are five pages of \"Hints For Housewives.\" These undated, unrelated notes seem to be brief views on issues that arise in a household including damp cupboards, flies, roasting meat, buying eggs, mending china, and other domestic matters.","This addition 11 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains publications, metamorphic trading cards, volvelle (color wheels), and posters. Topics include motherhood, instructional materials on children's behaviour, toilet training, adolescent health, soil conservation for children, and a book about the the education for blind children. ","Folder 1 contains folded out (metamorphic) advertisements for children's clothing by Davidson Brothers, Solar Tip Shoes, E. G. Burrows, J. H. Baldwin \u0026 Company patent table tray, and children's knee elastic protectors (to protect clothes)","Folder 2 contains pamphlets \"Training the Baby\" published in 1931, 1952, and 1957.","Folder 3 contains five illustrated posters with instructions for children on cleaning and bathing themselves.","Folder 4 contains pamphlets for expectant mothers on how to care for their infants: \"The Modern Baby\",  \"Quiet, Baby Is Sleeping\", \"the 14 Days that can seem like a lifetime!\", \"Preparing Baby's Formula\", \"Keeping Baby Clean\", \"Modern Evenflo Nursers\"","Folder 5 contains pamphlets from the Lysol Family Library, \"The Scientific Side of Health and Youth\", \"When Baby Comes\", and \"Preventing the Spread of Common Diseases\"","Folder 6 contains three color wheels ","Folder 7 contains a pledge card for teenagers to abstain from alcoholic drinks and a card that outlines safety guidelines \"Code for survival\"","Folder 8 Publications: \"Let's Save Soil with Sam and Sue\", \"For Bigger Boys and Girls\", \"Facts about the Education of Blind Children\", \"Understanding Your Teenager\"","Compiled in 1858, the decorative title page Cahier d'Écriture par Mercier dédié à mes bien-aimés parents, the book features twenty-four calligraphy entries from a teenage student at the Grand-Classe St. Etienne in Saint-Étienne, France. The entries include the author's reflections on friendship, anger, anxieties, family life, hopes, and religious devotion. ","Several font samplers are present throughout the book, as are full-color pencil-sketched illustrations. Illustrations include buildings, animals, people, and urban scenes. The majority of the calligraphy entries are bordered by an elaborate design, either pressed into the paper or drawn by the author herself. ","This addition to MSS 16758,  The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a small pocket diary with ownership signature of \"Louisa J. Pratt, New Paltz Landing, New York to front endpaper with an early 20th-century hand adding to pastedown and endpaper, \"born 1846\" and \"13 years old.\"  ","The diary contains 366 pages in legible hand. It focuses on the many losses she experiences across 1859 and her youthful awakening to the numerous hardships the women around her confront.  From parental loss to poverty to disease to mental health emergencies, the events of Louisa's 13th year were formative, and she turned to her diary as a place for working out private emotions that burdened her.  ","Louisa balances school, friends, and church with an increasing oversight of her home.  More detail is given as the family continues struggling to keep domestic workers, and it is hinted that Mr. Pratt and the members of the church are drawing labor from girls pulled from the sex trade.  Unprepared for the situations they find themselves in, the girls act out, have mental health crises, and ultimately flee which are documented by Louisa.","While grief, loss, and unexpected adulthood shape much of Louisa's year, she also reports the kinds of joys that remind us she is entering her teens.  Her numerous friends, her love for sleigh rides and horseback riding, her appreciation for school and her recitations are cornerstones.","Addition 7 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two circulars promoting the American School Institute and Schermerhorn's School Agency. There is also a tri-fold trade card ad for a White Mountain refrigerator; an advertisement booklet for a carpet called \"Something Under Foot\"  used as a diary by \"Sara\"; and a plaited hair sentiment with a verse from Charlotte A. Lewis which was sent to a girl named Maryann Gilman.","This addition 12 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a friendship album of Jennie Lizzie Hoit (Dr. Jane Elizabeth Hoyt) made between 1866 and 1871 and a Pennsylvania German Mathematical Fraktur made in 1808 for Elizabeth Urban. ","The friendship book belonging to Jennie is small (3 X 5 inches), about 60 pages, and contains compliments and well wishes from her family members and friends. ","\nThe collection also contains a Pennsylvania German Mathematical Fraktur presented to a schoolgirl, most likely Elizabeth Urban. Fraktur is a Germanic tradition of decorated manuscripts and printed documents noted for its use of bold colors and whimsical motifs. The page contains a Multiplication Table and Pence Table, dated September 15, 1808, inscribed \"Miss Urban, I have the honour to be your humble servant,\" signed A.G. Lees, Conestoga Township, Lancaster County. Initials EU appear in the intersecting hearts. The page is decorated with birds and flowers. The student was likely Elizabeth Urban, born on July 22, 1795. The table was probably presented by her tutor or teacher, possibly Alexander Lees, residing in nearby York County from 1779 to 1781, or Abraham Lees, in York County in 1785. ","Jennie was born in Concord, Massachusetts, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907. ","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains 23 pamphlets on early learning, education, adolescence, growth and development, health, prenatal and Infant care, and parenting.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to women's health, infancy, and childhood. ","This includes \n1. Woman's tried and true friend, Portland, ME: Caulocorea Mfg. Co.,c.1893; ","2. Friar Medicine Company ephemera (5 sheets), 1901; ","3. Taylor, Marion Sayle, \"The seat of love and youth: plain truths for women, c.1927; ","4. Taylor, Marion Sayle, \"Body hygiene for women,\"1928;","5. Williamson, George H.,\"Personal hygiene for women: explaining the new hygiene which is bringing comfort, peace-of-mind and greater health and efficiency to the world of women,\" 1928; ","6. Wells, H.J. (edited and published by),\" Tennessee journal of medical and surgical diseases of women and children, and abstracts of the medical sciences,\"1884; ","7. \" Wasting diseases: their causes, treatment, and cure,\" New York: Scott \u0026 Bowne, c, 1877; ","8.Sheffield, Herman B., \"The baby's record and health,\" 1913; ","9. Olmstead, Allen S., \"This will interest mothers: Mother Gray, the children's friend,\" c.1910.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one notebook kept by S.B. Coulson with notes regarding Friedrich Fröbel teaching approach and use of Fröbel gifts, which include play materials such as balls, cylinders, cubes, and tablets. ","The instructors were \"Miss Doyle,\" \"Miss Symond,\" and \"Mrs. Meleney,\" the latter being Carrie Coit Meleney, a student and later prolific correspondent of Maria Kraus-Boelté (1836-1918), a pioneer of Fröbel education in the United States and author of the textbook, \"The kindergarten guide\" (1877). The notebook also contains diagrams and illustrations depicting configurations of tiles and boxes. Several pages have been torn out of the notebook.","This addition to MSS-16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia),  contains six pieces of advertising ephemera. Included are: 1. Mrs. Prettyman's celebrated breast salve, c. 1866-1895, (3 advertising broadsides); 2. Celluloid starch requires no cooking, a die-cut point-of-sale display card with an attached cardboard stand depicting a baby seated on a pillow holding a paper advertising celluloid starch; 3. Display card for Johnson and Johnson baby powder; and  4. a pamphlet titled Your baby's diet: Heinz strained foods: their uses and nutritional values. (circa 1950s).","Addition 19 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet: \"Tennessee Industrial School for the Benefit of Orphan, Helpless and Wayward Children, Nashville, Tenn.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a travel diary of Frederica King Davis as she traveled through England and France during her 19th year.  The bulk of the diary contains vivid and dense descriptions of her travel route, means of travel, companions, sites visited, and observations on art and culture; toward the end, she meticulously documents her allowance received, her expenditures, and the list of books she aims to read as a result of her trip.  ","The diary offers insight not only into the type of grand tour provided to well-off 19th-century American women but also into the history of tourism, transport, and a history of artistic exhibits and art criticism, women's education in domestic accounts and budgeting, traditions in women's gift-giving and charitable contributions, the history of women's fashion, and the history of friendship and courtship etiquette.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a set of Courtesy posters to color, a Children's Aid Society Donation Circular, and educational game ideas handwritten and compiled on index cards by elementary school teacher Jane Ehrhard. The educational games are housed in two small commercial portfolios produced by Burgess Publishing Company for their line of printed educational games.  ","Contemporary ink signature of Jane Ehrhard on the back of both portfolios.  One red portfolio is printed with the title \"File O' Fun for social recreation,\" with Jane A. Harris listed as the author.  The second portfolio is orange and printed with \"Games for the elementary school grades: playground, gymnasium, classroom,\" by Hazel A. Richardson.  It appears Jane Ehrhard has repurposed the portfolios. Both measure 18 x 12 cm and are bound with an elastic cord.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets and booklets on pre and post-natal advice for expectant mothers in America. They include: 1. Information for expectant mothers, by Frank LeCocq Jr., and Albert Bostrom, Jr. (c.1959); 2. Instructions for expectant mothers (c.1959); 3. While I am waiting, (1960); 4. Mrs Winslows soothing syrup: for children teething, (c.1888); 5. Baby is king,(1890); Baby feeding made easier, (1956) accompanied by two pieces of ephemera \"It's the nipple that makes the nurser, the Davol No.155 Nipple...\" and \"Terminal sterilization of baby's formula; 6. Pre-natal care: what expectant mothers should know, compiled by Obstetrical Department of The Western Montana Clinic (c.1955); 7. Your baby's formula (1953, 1955); 8.How food helps mother and baby, for parents-to-be (1954); 9. Modern methods of preparing baby's formula: practical suggestions by doctors, nurses, hospitals and mothers, (1954); 10. More nearly perfect: when baby needs milk from a bottle (1934); and 11. Prenatal care (1949).","Addition 63 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets about women at work both in and outside the home. These include: 1.\"My busy week,\" Herrmann Hdkf. Co 1949; 2. \"When women work,\"[Washington, D.C.] : Women's Bureau, U.S. Department of Labor, 1921; 3. Trade card \"Armour's mince meat and canned meats, c.1890; and 4. Trade cards:  Two round cards depicting 19th century women and girls doing laundry washing by hand.","This addition (69) to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains fourteen pamphlets on the subjects of family planning, women's reproductive health, contraception, hildhood disease prevention, gender, religion, education, history published between 1892 and 1973. Many of these pamphlets were distributed as promotional materials by insurance or healthcare companies. ","The pamphlets are: \"Speaking of Birth Control\", \"Industrial Gems\", \"Keeping a Healthy Home\",   \"Protecting the Home Against Disease\", \"Giving Babies Nestle's Food\", \"Nestle's Better Babies\", \"Where Shall We Put the Baby?, \"Vanta Baby Garments\"[advertisement],\"Your Baby's Protection\", \"So You Don't Want to be a Sex Object\",\"Johnny Takes A Wife\", \"Baby Speaks Out on This Matter of Toilet Training\", \"The Power of a Woman\", and \"A Woman's Guide to the Methods of Postponing or Preventing Pregnancy\"","Addition 61 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on childhood growth and development and women's health.","These include: 1. Child culture before and after birth: truths of profound significance to parents and prospective parents, with illustrative examples from real life, Chicago: National Purity Association,|c.1895; 2. Caldwell, J.B., Pre-natal influences, Chicago: National Purity Association,c.1900; 3. Getting ready for baby, Bloomfield, New Jersey: Lehn \u0026 Fink, Inc.,1930; 4. Weeks, Mary Hezlep Harmon, How to tell the story of reproduction to very young children, 1910; 5. Mothers' clubs' and teachers' organizations' course of study, Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910 (2 copies); 6.) Wood-Allen, Mary, Great books for child instruction, Cooperstown, N.Y.: Arthur H. Crist Co.,c.1910; 7. Wood-Allen, Mary, Valuable books for parent and child (2 copies), Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910; 8. Stephens, Elizabeth L., Sacredness \u0026 responsibility of motherhood, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall,c.1910; 9. Stephens, Elizabeth L., Teaching Obedience, Cooperstown, N.Y., Crist, Scott \u0026 Parshall,:,c.1910; 10. King, E.A. The Cigarette and Youth, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall, c.1910;  10. What shall be taught and who shall teach it? 1907; 11. Mrs. J.H. Kellogg, Work as an element in character building, c.1907; 12. Rev. W.W. Cook, The father as his sons' counselor, 1907; 13.  Mary Wood-Allen, Confidential relations between mothers \u0026 daughters, c.1907,14. Mary Wood-Allen, When does bodily education begin?,1907, 15. P.M. Bruner, The integrity of the sex nature, 1907; 16. Mary Wood-Allen, A friendly letter to boys, 1907; 17. Preg-No-Matic: the scientific calculator that takes the guesswork out of rhythm, Bridgport, CT: Brooklawn-Park Laboratory, 1956-1957; 18. Mel Johnson. Going steady, 1964; 19. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1935; 20. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1939; 21.What every woman wants to know about personal hygiene; Cincinnati, Ohio: Hydrosal Laboratories,1926; 22. Marvel syringe: Whirling Spray for women, c.1900; 23. Healthy happy womanhood: a pamphlet for girls and young women, Springfield, IL: Illinois Dept. of Public Health, Division of Communicable Diseases, c.1938; 24.Sol Gordon, Ten heavy facts about sex that your friends don't know, illustrated by Roger Conant, 1971; 25. Charles A. Clinton, M.D, Sex behavior in marriage, undated, and 26.  M. Sayle Taylor, Ph. D., What's wrong with marriage?,1932.","This addition 13 (ViU-2023-0134)of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the teaching archive of Mrs. Florence Tuttle Baldwin of North Haven, Connecticut (Boxes 3-7). Florence was born in 1854, married in 1881, and died in 1926. She spent her career at the Sixth District School in New Haven, Connecticut. ","It is a large addition containing her teaching materials including her ruler (signed by her), book catalogs, lesson plans and educational books from map making to mathematics, grade book, periodicals, manuscripts poems and letters, art work, needlepoint, phonetical drill cards, flash cards, educational games, and family planning from 1899 to 1905.  ","\nIn addition to Baldwin's teaching materials, other materials include a drawing book entitled \"Our Chat\" with stories by Ella Smith and Audrey, Yvonne \u0026 Clifford Evans; publications on vertical writing (handwriting), \"Talks and Tales\"; and five England-published pamphlets from the 1950s discussing family planning practices and contraception. Titles include \"Modern Family Planning,\" \"A Planned Family,\" \"Planning a Family,\" \"The Planning of a Family\", and a Lloyd's Family Planning Centre pamphlet.","There is a 1934 New York-published pamphlet that discusses Zonite as a family medicine and feminine hygiene products. Titles include \"Another Zonite Product for Intimate Feminine Hygiene;\" \"Facts for Women;\" and \"The real meaning of Antiseptic in everyday family life.\" ","There is a flyer entitled \"Please Give A Quarter\" which promotes the Salvation Army's Fresh Air Camps published circa 1900. ","Also included is a dating book belonging to a young girl titled \"My Him Book\" which has categories of \"High School Hims,\" \"College Hims,\" \"Home Hims,\" and \"Movie Hims\" about her romantic interests, and denotes William Purdy as the \"best of all my beaus\" under the \"Wedding Hims\" section. ","Florence Eleanor Paget (1887-1965) was a professional nature illustrator and artist from England who studied under George Vernon Stokes, a British wildlife and landscape artist. She made these books when she was a young woman, roughly between 1900 and 1910. ","One oblong linen book is labeled \"Sketches\" in pencil on the rear cover, and the owner's signature is on the pastedown in the front of the book. Paget likely drew in the \"Sketches\" book when she was twelve or thirteen. The book has forty drawings in pencil and watercolors. The subjects include landscapes like Redcar Pier, Saltburn Cliffs, Kew Gardens, Etal Church, and Etal Castle, as well as many sketches of her dogs, observations of people, fruit, and fauna. Some drawings have captions that identify the place or provide a funny caption. ","The other is an oblong publisher's cloth binding in green with \"Flora\" stamped in gilt. The book  was likely created five to ten years after the \"Sketches\" book. Dried flowers and plants are artfully pasted down and numbered. She wrote the binomial names in cursive, opposite of the pasted-down plants. There are a total of six total entries. ","The books are mainly written in English, except for one sketch with a caption in French and the Flora books with scientific names in Latin.","Addition 20 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a Salvation Army \"Help the Children\" flyer from June of 1903 sent to raise funds for an outing for poor children in Columbus, Ohio. ","The outing was meant to \"bring some brightness, cheer and comfort into the lives of the poor children of the slums and crowded tenement districts.\" The plea was written by John M. Richards, Adjutant, and the flyer has a cartoon illustration of a children's parade as a decorative border. On the verso of the flyer is a letter written in German written by a woman from Columbus,  dated September 13, 1904.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building,  features one string-bound scrapbook with pasted photographs of dolls collected by Helen E. Perkins. Compiled between 1909 and 1939 by Perkins and Miss Frances Grier, the scrapbook features sixty-nine pasted photographs of dolls of varying origins. Each entry includes the doll's name, a number, their height, manufacturer, material, and place of origin. Nations that have dolls represented in Perkins's album include China, Denmark, Finland, France, Germany, Greece, Guatemala, Holland, Ireland, Mexico, Morocco, Portugal, Russia, and Sweden. ","The material culture of childhood aspect to this scrapbook gives  insight into the importance playing with these dolls to the two girls.  In several of the photos, they've created scenes with the dolls, even  placing them all on the stairs for a \"family portrait.\" ","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains three pamphlets: 1.) Natural Science Camp (Keuka Lake), 1905; 2.) Boy Conservation Bureau (New York, N.Y.) [1930]; and 3.) Teenage gangs, New York City Youth Board, 1957.","4 items were cataloged separately in the print collection: 1.) Playskool Toys, 1956; 2.) J.L. Hammett Company, School Supplies 1928-1929; 3.) The First Public Policy Seminar from a Black Perspective, 1972; and 4.)Stylish Apparel for Expectant Mothers Spring and Summer, 1920.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains six pamphlets and one poster related generally to child care. Titles included are 1. \"Trimble Helps For Mothers,\" 1940; 2. \"Narcotics and the Family,\"c.1970; 3.\"What your neighbors say: dream book compliments of World's Dispensary Medical Association, c.1910s; 4.\"How to take care of the baby: treatise on the care and feeding of infants,\" 1905; 5. \"Your Baby,\" 1942; 6. \"Baby Feeding Without Tears,\"c.1940s and 7.\"Correct posture guide,\" c.1955.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a commonplace book belonging to Ethel Shearer (1893-1952). ","Shearer was a prominent artist in the mid-twentieth century San Francisco scene, being one of the featured artists at the opening of the San Francisco Museum of Art and Oakland Art Gallery. She was a member of the Society of Francisco Women Artists. ","Her commonplace book was compiled when Shearer was between thirteen and seventeen years old between 1906 and 1910. The book includes invitations and greeting cards from Ethel's friends, newspaper clippings, clippings from various other media, Ethel's own handwritten entries, and pasted photographs. Drawings from Shearer are present throughout, calling to her future career as an artist. ","Additon 21 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets relating to childhood education and parenting. \"The Nursery Chair\" was distributed by Shepard, Norwell, and Co., Winter Street, Boston, and advertises various department store goods following a short story. \"Bradley's Kindergarten Material and School Aids\", published in 1906, advertises tools for learning shapes and colors, instruments for art, mathematical instruments, and standard inks, leads, etc. \"Food-The Teeth and Health\" discusses the ideal diet of a young person, published in 1930 by the City of New York Department of Health and Board of Education.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains leaflets issued by American motherhood magazine from 1907. They are: \"The Ideal Mother\" and \" Confidential Relationships between Mothers and Daughters.\"","Addition 15 of MSS 16758,  the University of Virginia Collection on Childhood, Parenting, and Family Building, contains twenty-five nursery rhyme handkerchiefs. ","Commonly tucked into story books, these were popular children's mementos between the 1910s and the 1960s. Most handkerchiefs are illustrated in full color and have sewn and colored borders. ","However, six of the earliest editions are printed in black and white or sepia with raw edges.Most examples have sewn and colored borders, besides the earliest examples featuring raw, uncolored trim. ","Seven color designs are by British children's illustrator Mabel Lucie Attwell; others are unattributed.  Stories depicted by Atwell include \"Little Miss Muffet,\" \"Ding-Dong Bell,\" \"Jack and Jill,\" \"Little Bo-Peep,\" \"Hush-A-Bye-Baby,\" \"Little Boy Blue,\" and \"Dickory Dickory Dock.\"","\"Going steady\" / by Daniel A. Lord;\nTonsils and adenoids: is your child handicapped?;\nGood habits for children /|cMetropolitan Life Insurance Company ; [prepared with the cooperation and advice of the National Committee for Mental Hygiene];\nHearing, Metropolitan Life Insurance Company;\nCommon childhood diseases, New York: Metropolitan Life Insurance Company,c[1946];\nMrs. Winslow's diet instruction book for the baby. New York: Anglo-American Drug Company|c[1922];\nCollection of Bank Street Publications pamphlets on early childhood education (35 pamphlets);\nKeeping the well baby well.Washington:U.S. G.P.O.,c. 1927;\nOut of babyhood into childhood: 1 to 6 years. Washington:U.S. G.P.O.,c. 1943;\nWhen your child's in the teens /by Edwina A. Cowan;\nYour child grows up,|cby Edgar A. Doll.[Boston],|b[John Hancock mutual life insurance Company],|1939;\nBetween two years and six / by Richard M. Smith; Boston : John Hancock Mutual Life Insurance Co., 1941.\nThe healthy school child.Boston, Massachusetts : Life Conservation Service of the John Hancock Mutual Life Insurance Company, [1940];\nCount down to discovery!--3- 2- 1-year olds : child development, unit 2 / Alice T. Teddlie. Baton Rouge : LSU Cooperative Extension Service, 1972;\nDiscover the wonderful world of 4 and 5 year-olds. Baton Rouge, La.: Louisiana State University Agricultural and Mechanical College, Cooperative Extension Service,| c[1976];\nThe Student advocate, New York: American Student Union,c1936-1938;\nA doctor talks to 5-to-8 year-olds /|cby Dona Z. Meilach in consultation with Elias Mandel; Chicag :Budlong Press Co.,c1967;\nThe care of the baby: prepared by a committee of the American Association for the Study and Prevention of Infant Mortality and presented to the Association at its annual meeting held in Washington D.C., November 14-17, 1913;\nYour child from one to six / U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, Washington, D.C : U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, 1945;\nYour child from 6 to 12, written by Mrs. Marion L. Faegre, Washington, D.C. :| Federal Security Agency, Social Security Administration, Children's Bureau,c1949.","This addition to MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a 9.5\" x 6.5\" wooden puzzle with a  wooden frame and a glass window titled the Silver Bullet: Or the Road to Berlin. ","Original metal ball and elements intact. Directions on the verso of the game.  British dexterity puzzle for a juvenile audience, made of wood and glass. The game's object is maneuvering a metal ball through a winding course, avoiding holes, to the Berlin area. Although the topography of the play suggests the trenches of the Western Front, at the time of the game's creation, the troops had not \"dug in.\" The title, Silver Bullet, suggests a quick victory and supports the view that the British public believed the war would be over by Christmas 1914.","Addition 25 of MSS 16758 The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains twenty-five printed ephemera, including pamphlets and advertising on topics include parenting, child development, sex education, public health, and care of pregnant inmates.","40 posters from the Hope of a Nation Poster Series","Feeding the majority of bottle babies.Mead Johnson \u0026 Co. of Canada, Ltd.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two items relating to scouting. The first is a broadside printing of the ten Girl Scout laws set among art nouveau illustrations from the 1930s. The second is a photo album compiled by a boy at Kerrville, Texas, with images of playing in the streets, swimming in the Guadalupe River, playing baseball, hiking, marching, and being at a local Boy Scout camp. The black cloth photo album contains fifty-two black and white photos, measuring 10 x 7 cm, with a caption on the album leaves. ","There is a  photograph of an African American man. (Caption reads, \"Uncle Allen\").","African Americans were often referred to as Uncle or Aunt even though they were not a family relative.They were denied use of courtesy titles.\"Aunt,\" as in \"Aunt Jemima,\" was the term used for older enslaved women in the South who were not allowed by their white owners to use the term Mrs or Miss. The same was true for Uncle, as in Uncle Ben's Converted Rice. Uncle was used for older enslaved men because they were not allowed by their white owners to use the term Mr. The African American in this photograph is referred to as \"Uncle Allen.\" It is important to recognize the use of these terms and confront the racism that is embedded in these white cultural terms.","Source:\nGreen, Mark. Do You Know Why Aunt Jemima is Called \"Aunt?\"\nWhy is Aunt Jemima racist? Here's exactly why. And I do mean exactly.\" Medium. Human Stories and Ideas. Acessed 7/17/2024.\nhttps://remakingmanhood.medium.com/do-you-know-why-aunt-jemima-is-called-aunt-5d111b0765a5","This collection consists of a handmade notebook titled Punctuation Party by Melba Tice. The book presents punctuations as characters with rhymes and cutouts from 19th-century editions of Alice in Wonderland and Through the Looking Glass, as well as contemporary advertisements, explaining punctuation rules. Some punctuation characters are not from Carroll, and their descriptions illustrate cultural viewpoints of the time period, including a racist depiction of a \"mammy' figure and a Clorinda Colon\" as an old maid figure.","Addition 2 of MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven hand-painted postcards presumably created by Elisabeth, the sender. The postcards, drawn in black ink, depict children playing outside: a child pushing another child's sled; two children talking under a tree in spring/summer; two children playing with a balloon; a girl having a picnic with a bunny; one older and one younger girl in the snow; an older girl on a swing; and a girl on a dock by a body of water. ","Two of the postcards have written messages and are addressed to Miss Henebry and Miss Camilla Cole. The cards are postmarked Mount Kisco, NY, July 14 and 15, 1922. Both are sent in the care of Graham Miles of Alexandria Bay, New York. ","Miles was a stockbroker and hydroplane racer. He married and divorced Louise Clover Boldt, the daughter of George and Louise Boldt, wealthy Philadelphians and owners of the Boldt Castle in the Thousand Islands. Miles and Boldt had a daughter, Clover Wotherspoon Miles, but Miles's connection to Elisabeth or the other children named is unclear.","Addition 18 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 7 pieces of pamphlets/ or ephemera. \"What every teenager ought to know\" by Abigail Van Buren; T\"urn this page and do as this little man does\" by Colgate \u0026 Co; \"Ways to keep well and happy: booklet for upper elementary grades \"by Ruth Strang; \"Keeping fit\" by the State Board of Health, Bureau of Venereal Disease, North Dakota; \"Family meals at low cost using donated foods\" by the US Dept. of Agriculture; \"The gas cook book for young people\"by Athens Store Works, Inc., Athens, Tennessee; and \"The picture and rhyme book.\"","Addition 16 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three advertising pamphlets that pertain to parents purchasing products for their children. \"The Tinies that Live in a Tube\" advertises toothpaste, \"Flibitty Jibblit\" advertises rennet powder, and \"The New Boss in the House\" promotes the Pittsburgh District Dairy Council. Each uses imagery of children and parents utilizing the respective product.","Addition 17 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets: \"The Science of Prenatal Astrology\" by Edwin S. McKeever; \"The Space Child's Mother Goose\" verses by Frederick Winsor and illustrations by Marian Parry. The third item is a pamphlet titled,\"Reducing the new common sense way\" about the Kryon method of reducing weight by Continental Pharmaceutical Corp. ","\"The Space Child's Mother Goose\" is a personal copy owned by Arthur Schulman, an Associate Professor of Psychology at the University of Virginia and one of the organizers of the American Civil Liberties Union in Charlottesville. ","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven signs used to warn the public about the spread of contagious diseases and institute quarantine for diseases like smallpox, measles, polio, and diphtheria.","Addition 4 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the American History Hektograph Posters. These are twelve individual monochrome printed poster sheets, measuring 12 X 9 inches,  featuring historical instances in American history. ","Published in 1926 by Beckley-Cardy Company, each scene is intended to be colored, likely by a child. Each scene features suggested coloring methods, a title for the event, and a brief synopsis of the instance below. Scenes are typical origin stories, colonizers, and dominant white narratives and are examples of the narratives taught in classrooms circa 1926. The scenes are numbered 1 through 12, with each respective number placed in the center under the title. Events depicted: 1 - \"Landing of Columbus,\" 2 - \"The Mayflower at Cape Cod,\" 3 - \"The Pilgrims Planting Corn,\" 4 - \"The First Thanksgiving,\" 5 - \"George Washington's Early Home,\" 6 - \"Signing of the Declaration of Independence,\" 7 - \"Washington as President,\" 8 - \"Lincoln Studying by Firelight,\" 9 - \"Lincoln Writing His Inaugural Address,\" 10 - \"The Gettysburg Address,\" 11 - \"Grant Made Commander In Chief,\"  and 12 - \"Digging the Panama Canal.\" ","\"Red Man\" and a Native American \"wearing his bright [British] red coat with great pride\" suggests the presence of reparative content. \"","This addition to  MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building collection, contains one brad-bound scrapbook with a \"HYGIENE\" stencil cut from the paper on its cover. The content discusses healthy living practices for young girls. Entries feature drawings, pasted images, newspaper articles and clippings, handwritten queries on health, and ideas on diet and grooming practices. There are 49 \"chapters,\" each no longer than two pages. The corresponding pages for each chapter are presented in a table of contents at the beginning of the book.","Addition 57 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to teenagers, parenting, and sex education. These include: 1.) The school lunch, Battle Creek, Michigan:|bEducational Department, Postum Company, Inc., (1928); 2.) Sex in life: young men, by Dr. Douglas White (1933); Sex in life: young women, by Violet D. Swaisland (1933); 3.) What parents should tell their children (1933);  4.) Starting to school in Kingsport, Kingsport, Tennessee, Kingsport City Schools (1953), 5.) How life goes on and on:  story for girls of high school age, y Thurman B. Rice (1937); 6.) When children ask about sex, by the staff of the Child Study Association of America. Foreword by Marianne Kris (1953);  7.) Woman against myth, by Betty Millard (1948); 8.) The teacher and mental health [prepared by the National Institute of Mental Health] (1955); 9.)The safety zone:|ba frank talk with women concerning their personal problems (1940), 10.)Teen-agers and parties, Ernest F. Miller (1960), 11.) Tips for teeners  by Antoinette Donnelly (c.1950); 12.) Think straight before you date, D.F. Miller. (1959); and 13) Teen-agers and dope, Howard Morin, C.SS.R. (1957)","Addition 5 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single press photograph from the children's clinic at the ridge avenue dispensary in Philadelphia in the 1930s.  The photograph is a group photograph of Black nurses and children in a clinical setting. A typed caption is affixed to the top right edge of the picture. No photographer or studio is noted.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a pamphlet titled Strong bodies sound minds: some health hints for the school-day years (c.1930).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on public health topics including syphilis and sex education. These include: 1. Management of syphilis in general practice, Joseph Earle Moore, in collaboration with: Harold N. Cole [and others], 1938; 2. Genitoinfectious disease control in Massachusetts, prepared by The Massachusetts Department of Public Health co-operating with the United States Public Health Service, 1940; 3. The diagnosis of syphilis by the general practitioner by Joseph Earle Moore, M.D., 1938; 4. Syphilis in mother and child,by Harold N. Cole and Philip C. Jeans, in collaboration with Joseph Earle Moore ... [et al.], 1940; 5.Your baby and the blood test law, Ernest B. Howard, M.D., c.1939; 6.Clinical excerpts, 1942; 7. Sex education for the preschool child by Harold E. Jones and Katherine Read, 1941; 8. Sex education for the ten year old /|cby M. Marjorie Bolles, 1941; 9. Sex education for the adolescent. by George W. Corner and Carney Landis, 1941; and 10. Sex education for the woman at menopause by Carl G. Hartman, 1941.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the publication of an educational booklet titled \"The Story of Sex Hormones,\" produced by the Schering Corporation, an American pharmaceutical company. The pamphlet was distributed at the Hall of Science at the Golden Gate International Exposition at an informative display called \"Hormone Woman.\" It briefly outlines recent advances in endocrinology and offers illustrated explanations of menstrual cycles and sex hormones, as well as a short description of menopause.19 cm","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a sample book titled \"Kiddie flowers\" consisting of eight mounted samples of floral fabric potentially for children's clothing.","Addition 24 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet for the Davis Home for Colored Children 34th Anniversary located in in Pittsburgh. This promotional booklet is for the  \"34th Anniversary\" of the Davis Home, a temporary home and day nursery for African-American children. Also of note in the booklet are advertisements for what are likely Black businesses that supported the home. \n \n   Note says, \"This book is dedicated to my mother, Mrs. Fannie Louis Davis, who was the founder of the Davis Temporary Home and Day Nursery in 1907, and organizer of the Colored Women's Relief Association of Western Pennsylvania in 1909. To my wife, Mrs Louise Scott Davis, President of the Davis Home for Colored Children, who has been loyal and faithful in giving her life toward the advancement of this home. To my friends, who have contributed to this Home in any way they could. Finley T. Davis, Business Manager.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains Paul Kenton Conrad's childhood cartooning album and scrapbook. The sketchbook, a string-tied leatherette album, documents a young boy's self-guided attempts to develop cartooning skills. Cut-out tutorials from Frank Webb's \"How to Make Faces\" are mounted on the album's early pages, with attempts in pencil to follow their instructions. Midway through, Conrad branches out from these copies into creating his original subject matter, including army airplanes, sheriffs, pistols, cowboy hats, and a series of one-panel strips titled \"Stuff that's funny.\" The artist, a Pittsburgh native who settled in Honolulu, would later become a successful lounge pianist and musician of some note in the 'Exotica' genre, releasing one well-received album (\"Exotic Paradise\").","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet titled \"Growing Up in the World Today: for Boys and Girls in the Teens\" by Emily V. Clapp.(1946)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets for parents and teachers about puberty and sex education. ","Titles include 1. \"Sex Behavior and sex interest in Children,\" by Louise Bates Ames (1952); 2. \"When children ask about sex,\" by the staff of the Child Study Association of America, Sidonie M. Gruenberg [and others] Anna W.M. Wolf, editor, (1946); 3. \"Preparation for puberty: a sex education manual for parents and teachers,\" written by Mrs. Linda K. Teller, illustrated by Mrs. Dorothy Teeters (1965); and 4. \"Sex education in the home,\" Georgia Department of Public Health, (c.1950).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a chart of hormone interrelation upon which the film \"The physiology of normal menstruation\" is based. Printed in green and black, full color chart. 1 sheet folded to 8 unumbered pages. 23x62 cm folder to 23x16 text.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains  a set of twelve offprints titled \"Your baby at [1-12] months.\" There are twelve pamphlets, one for each month of a baby's first year of life. Reprinted from Baby Talk, published by the Parenting Group, New York, N.Y.Author: Beulah Sanford France (1891)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a spiral-bound sketchbook belonging to an unnamed art student, most likely living in New York City. Page one of the sketchbook details the student's assignment: \"DUE - 300 by June 2nd, Marked Chronologically.\" Traces of what may be an owner's name and grades of \"B\" and \"B+\" are written on the cover. Each sketch is numbered in pencil and is stamped between March and June 1952. The sketchbook's seventy leaves have drawings only on the recto. Drawings are completed in pencil, ink, and crayon.  This student's sketches are primarily figure studies of those in transit on the subway. Other scenes include a roller derby skater, pin-up figure, river traffic with a bridge, a parked car, a cat, and exotic animals.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a handmade fundraising appeal concertina album to the artist Oskar Kokoschka. The book was created by design students at the Modeschule der Stadt Wien (Fashion School of Vienna). In 1946, the school relocated to Schloss Hetzendorf, an eighteenth-century palace that sustained significant damage during the Second World War.Students were pressed to raise money for their art supplies amid the renovations. This fundraising appeal was addressed to exiled Austrian artist Oskar Kokoschka, known for his contributions to expressionism. The album contains hand-cut stencil letters, hand-colored illustrations, and collages of paper, felt, yarn, tin foil, leather, and chipboard. The book reads: \"Dear O.K. [Oscar Kokoschka] / if we would have brushes and colours to paint / coloured paper for handykraft / wools to weave / leather for gloves and bags / felt for millinery/magazines to get suggestions / spezial [sic] books for library/material for dressmaking / then all would be OK. Photographs of the students at rest and at work sewing, trimming, painting, weaving, and drawing are pasted on the verso of each collage. Kokoschka fled Vienna, Austria under the Nazi regime and never returned. It is unknown whether he responded to this appeal from the Modeschule students.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet titled Your Child's Development - Infant to 16 years.","\"This booklet is based on recent studies at the Gesell Institute. Dr. Arnold Gesell, the Institute's research consultant and a household word to parents, founded the Yale Clinic of Child Development, which he directed for 37 years. Today, Dr. Gesell and his collaborators, Dr. Frances L. Ilg, a pediatrician, and Dr. Louise Bates Ames, a psychologist, carry on the pioneer work of the institute.\"","Published by Good Reading Rack Service, Inc., a division of Geffe, Morton \u0026 Griffiths, 76 Ninth Avenue","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains an  original calligraphic manuscript of thirty variously colored linocuts, each by a different girl from a class at St. Helen's Norwood, London. Each linocut has the student's name below in ink. The contents are handwritten verses of Benedicte Omnia Opera. The title page notes, \"Lettered, illustrated and bound by all the members of IVA.\" The endpapers are also original handpainted images of angels. Bound in original black cloth at the school by L. Hardy, D. Lines, and J. Scarth.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single pamphlet titled \"Doors to Open\" by Ellis Gladwin and Rama Braggiotti (illustrator) published by the Connecticut Mutual Life Insurance Company. It is written as a guide for young people but specifically addresses men embarking on college life and advises on new life changes in the context of conservative social constructs of the mid-twentieth century. Sixth in a series of booklets that dealtwith the tensions of everyday life.","Each segment has a hypothetical person encountering specific issues like overcoming shyness and finding social niches. Towards the end of the booklet, a piece titled \"Girl of My Dreams\" is a thinly veiled reference to a young man questioning and discovering an LGBTQIA+ identity. The advice is negative and clarifies that the hypothetical person should stifle these questions and stick to a hetronormative lifestyle, stating \" \"George is very unhappy, [and] needs help to cope with these festering needs. Otherwise, he may settle for a dim life, arrested by a succession of psychosomatic illness.\" ","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building,  contains a game titled \"Judy's Neighbors: Negro Family.\" It includes two dimensional pressed wood figures of an African-American family including mother, father, daughter, and two sons. There are also stands for the figures. Judy's Neighbors was released sometime between 1963 and 1964.This was part of a series and was sold individually and in sets. Teachers used the game to encourage racial diversity.","Addition 14 of MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building contains two promotional posters (22\"X6\") for the 1965 and 1967 New York Children's Book Week. The art of Caldecott Medal-winning illustrator Barbara Cooney made the artwork for the 1965 poster. The illustration depicts a fox carrying a stack of books with a crow overhead, looking down at the fox perched from a branch with the words \"Sing out for Books\" in French. The other poster from 1967 contains a linocut illustration of hot air balloons with a floating banner reading \"Take Off With Books.\" Marcia Brown, the only triple Caldecott Medal winner, made the art for this poster.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a photo album for the Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","The photographs document the center's daily operations, including staff and children, and special events, including several photographs of its graduation ceremony and a special \"Father of the Year\" award presentation for the fathers of the \"graduating class.\" The center closed permanently in 2005.","This addition (23) contains a three-fold pamphlet titled, \"A Report of a Conference on Day Care and the Working Mother\" for the Morris Child Development Center: State of Michigan Pilot program.","Addition 6 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains materials collected and produced by the Bilalian Child Development Center and the Developing a World for All Humanity (DAWAH) in Highland Park, Michigan. The Bilalian Child Development Center was incorporated as a non-profit agency in 1977 and appears to provide community services and educational services for the community.  The DAWAH is an institute developed by a group of African-American Muslims in Michigan to develop an effective DAWAH program in America.  ","Contents include an advertising and enrollment form, two brochures for the Bilalian Center, and another for the DAWAH Institute in Highland Park. Also included are the contents of a binder for the DAWAH Institute. Separated by subject tabs, materials include handwritten notes and a typed agenda for the First National Meeting of the DAWAH Institute, an application of employment to the Institute, papers on Community Services, the A.B.C.D. Savings Program, a photocopy of a Western Union Mailgram to President Ronald Reagan, papers on the Food Co-Op \u0026 Gardening club, Home Garden booklet from the 4-H Youth Programs, Fundraising and Grantsmanship, invitations, brochures, news releases, educational programs, news clippings, and a curriculum statement.","Addition 22 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 21 handbills and handouts on HIV and AIDS and LGBTQ health concerns for teens.","Some guidelines to follow in talking to teens about sex and AIDS/STD's -- Where do mermaids stand (From: All I really need to know i learned in kindergarten by Robert Fulghum) -- Bi-Friendly #40, October 1991, San Francisco, East Bay, and U.C. -- 1991 Fact Sheet / State of California Department of Health Services AIDS Prevention and Follow up Centers Early Intervention Program -- Continuing Education Questionnaire -- Continuing Education Agenda / UCSF AIDS Health Project, San Francisco, CA -- Antiviral AIDS drugs in the pipeline, 1991 -- Fact Sheet 1991 / [San Francisco] -- Syphilis Rate Soaring Among S.F. Teenagers / by Nanette Asimov, Chronicle Staff Writer -- Indications for Encouraging Counseling and Testing for Adolescents -- Special Programs for youth consent form for HIV testing -- Special programs for youth pre-test counselor sign-off sheet for informed consent -- A.T.S. Recommendations for youth and young adults / Adolescent HIV Coalition -- Referral list for HIV+ youth and young adults / prepared by Michael Baxter, Adolescent HIV Coalition Chair, San Francisco -- Youth and the HIV antibody test -- Project ahead / [San Francisco Health Clinics] -- Crisis alert: African American youth and HIV/AIDS / by W.J. Brandy Moore -- Some of the barriers that Latino/adolescents can encounter if they do seek health care and related services for HIV/AIDS / presented by Marisa Davis, Aids Health Project -- Counseling high risk youth / Ken Dunnigan, M.D. April 28, 1988 -- Youth and HIV: no immunity / Jane Shalwitz, MD and Ken Dunnigan, MD, circa 1983 -- Normal adolescent development / Parent Survival Kit, Denise Phelan-Desmond, Luanna Rodgers, Mary Isham, et. al. -- The ten mos asked HIV-Insurance questions / reprinted by AIDS Project, Los Angeles ©1988","Addition 8 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a signed broadside print (11 X 8.5 inches) titled \"My Life Matters\" by the artist and muralist LMNOPI. ","The signed print based on muralist LMNOPI's wheat-pasted street art, is originally produced in response to the Ferguson protests. Artist LMNOPI writes: \"This painting was inspired by the Black Lives Matter movement which originated in Ferguson, Missouri last year in response to the police murder of Mike Brown. I have been doing a series of street paste ups around this movement.\" ","LMNOPI found this image of a young protestor online, eventually identifying the child as a boy named Myles. The image of Myles warily clutching his protest sign (#DontShoot #Ferguson #YourLifeMatters), pasted up on the door of an a condemned factory in Bedford-Stuyvesant, became part of the community: \"The wheatpaste of Myles was much loved by local residents. Often I would observe people taking photos of it on their way to work. I saw many people post it on Instagram. It even survived a local graffiti bomb squad who came through last winter during a snowstorm. They tagged up the entire wall, but did not touch Myles.\" ","Source from LMNOPI's website: lmnopi.com/my-life-matters.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one handmade child's artist book based on Samuel Roger's Poem \"Address to the Butterfly.\"","Unidentified youth creates a story beginning with a cardboard hand-cut apple; as the story progresses, a cardboard cut-out worm escapes the apple and begins to \"eat\" the pages before cocooning and then emerging as a pop-up butterfly.  ","Crudely bound with black leather over boards; a window cut out of the front cover allows the painted apple on page [1] to show through. ","A small pocket mounted inside the back board holds five cards printed with Samuel Rogers' poem \"To the butterfly.\"  The pocket is stamped with \"Address to the butterfly, Samuel Rogers.\"","This addition to MSS16758, University of Virginia History of Childhood, Parenting, and Family Building, contains thirty-four pamphlets on various topics, including puberty and sexual development, childhood diseases, motherhood, birth control, and nutrition.\nList of items:\n A Story About You, by Marion O. Lerrigo [and] Helen Southard [in consultation with] Milton J.E. Senn.\nFinding Yourself, by Marion O. Lerrigo, Helen Southard; medical consultant, Milton J.E. Senn.\nApproaching adulthood, by Marion O. Lerrigo, Helen Southard [in consultation with] Milton J.E. Senn.\nHow to use My Bookhouse, Miller, Olive Beaupré, editor.\nScarlet Fever, Metropolitan Life Insurance Co. (c.1925)\nScarlet fever. Metropolitan Life Insurance Company (1940)\nWhooping cough.Metropolitan Life Insurance Co.(c.1930s)\nWhooping cough.Metropolitan Life Insurance Co.(1921)\nVaccination protects you against smallpox. Metropolitan Life Insurance Co. (c.1926)\nFor your information about Rheumatic Fever.Rheumatic Fever Foundation, 20-30 International,(c.1956).\nMeasles and their prevention. Richmond, Virginia, State Health Department (c.1965).\nCommunicable diseases in Virginia: mumps.Virginia, Commonwealth of Virginia Department of Health (c.1967)\nTraining is fun with Little Toidey. Juvenile Wood Products, Inc.,(c.1938)\nSmallpox is still here. Metropolitan Life Insurance Company, (c.1939?)\nRickets \u0026 scurvy. Metropolitan Life Insurance Co. (c.192-?)\nGood teeth: how to get them and keep them. Metropolitan Life Insurance Co. (c.1900s)\nYour baby book.Wyeth Laboratories, Division American Home Products Corporation, (c.1962)\nWomen who go to school.Washington, D.C.National Congress of Parents and Teachers (c.1945)\nChildhood diseases. Prudential Insurance Company of America (c.1966)\nThe prize winner. M.L.I. Co. Press (c.1935?)\n52 bones in a terrible hurry.The May Co.(c.1950's)\nHeight and weight tables for Children-Borden Dairy. The Borden Company (c.1920's)\nVariety gives nutritional balance. Stokely Van Camp, Inc. (c.1950's)\nA better start in life with meat.Nutrition Division, Research Laboratories, Swift \u0026 Company,(c.1950's)\nTummy tingles by Josephine Beardsley; illustrations by Marjorie Peters. (c.1937)\nLydia E. Pinkham's private text-book:  ailments peculiar to women. Lydia E. Pinkham Medicine Co. (between 1878 and 1940)\nMy views on birth control by Dr. B. Goodman. (c.1944)\nWedlock and birth control: straightforward talk on a momentous and delicate subject by Dr. Grayling Stewart (c.1950?)\nA Book about birth control written by Donna Cherniak ; edited by Shirley Pettifer (c.1984)\nThe age of romance. American medical Association (1933)\nQuestions and answers about intrauterine devices.Planned Parenthood Federation, Inc.(c.1970)\nSecrets married women should know.America's Medicine (c.1930?)\nThe new germcide Hyomei: positive cure for coughs, bronchitis, asthma, and consumption.The R.T. Booth Company (c.1906)","The following books have been transferred to the library collection: List of titles\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\nThe new family / Virginia. Bureau of Child Welfare.\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families","This collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request.","Albert and Shirley Small Special Collections Library","Musinsky Rare Books","Plymouth (England)","HMNB Portsmouth (England)","Bluemango Books and Manuscripts","Sophie Schneideman Rare Books","Whitmore Rare Books","Salvation Army","Ellipsis Rare Books","Tomberg Rare Books","King, James","Weeks, Richard Cumming","Dugdale, Florence Eleanor Paget, 1887-1965","English German French"],"unitid_tesim":["MSS 16758","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1482"],"normalized_title_ssm":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"collection_title_tesim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"collection_ssim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["This collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials."],"access_subjects_ssim":["Children","Children's art","postcards"],"access_subjects_ssm":["Children","Children's art","postcards"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good"],"extent_ssm":["7.5 Cubic Feet 12 document boxes, 2 os boxes and 1 cubic box"],"extent_tesim":["7.5 Cubic Feet 12 document boxes, 2 os boxes and 1 cubic box"],"genreform_ssim":["postcards"],"date_range_isim":[1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eSome restrictions may apply due to fragile condition of paper dolls.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request. The sketchbook is availble for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","Some restrictions may apply due to fragile condition of paper dolls.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request. The sketchbook is availble for research.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","This collection is open for research.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThere are 23 pamphlets associated with this collection but 9 were removed for print cataloging. Rose Oliveira-Abbey: No.1, 3, 4, 5, 10a, 10b, 11a, 11b, and 11c on the invoice cataloged as print. See invoice in Control folder for Invoice/PurchaseOrder for titles.\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\n\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["There are 23 pamphlets associated with this collection but 9 were removed for print cataloging. Rose Oliveira-Abbey: No.1, 3, 4, 5, 10a, 10b, 11a, 11b, and 11c on the invoice cataloged as print. See invoice in Control folder for Invoice/PurchaseOrder for titles.\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\n\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families"],"bioghist_html_tesm":["\u003cp\u003eJane Elizabeth \"Jennie\" Hoyt-Stevens was born in Concord, Massachusetts to Sewell Hoit (1807-1875) and Hannah Elizabeth Hoyt, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907.She encouraged a younger generation of women in their medical careers, including Mary Runnells Bird, and donated her family home, (\"impressive mansion\"), to the use of the New Hampshire Congregational Conference, reserving \"a small upstairs apartment\" for her own use.\u003c/p\u003e\n","\u003cp\u003eIn 1906, she represented the New Hampshire Medical Society as a delegate to the International Medical Congress in Lisbon, and traveled in Spain and North Africa during that trip. She met Gandhi during an extended visit to India, and published writings about her impressions of him in 1931. She adopted a son in Spain, named Abelardo Linares. She died in 1933, in Concord, New Hampshire, at the age of 72\u003c/p\u003e\n","\u003cp\u003eThe mathematical fraktur may have belonged to Elizabeth Urban as a gift from her tutor, A. G. Lees in Conestoga Township, Lancaster County, Pennsylvania. Elizabeth Urban was born on July 22, 1795 in Conestoga to George Urban (1740-1843) and Barbara Keagy (1743-1828). Educational frakturs are very rare.\u003c/p\u003e","\u003cp\u003eMorris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.\u003c/p\u003e","\u003cp\u003eBilalians is a name used by early African-American Muslims. It refers to Bilal, a former Black enslaved person of Muhammad. Bilal's importance as the first Muslim muezzin, his ardent support for early Islam, and his favored status under Muhammad made him an important symbol of Black honor and dignity, major themes of early African-American Islam.\u003c/p\u003e\n","\u003cp\u003eThe Da'wah Institute (DIN) is the research and public enlightenment department of the Islamic Education Trust (IET) which has its headquarters in Minna, and Zonal Coordinators across Nigeria and West Africa. Its mission is to \"strive in the capacity building and empowerment of other Islamic organizations and individuals involved in facilitating the correct understanding of the message of Islam.\"\u003c/p\u003e\n","\u003cp\u003eSource: \nOxford University Press. Oxford Reference. Accessed 7/18/2024\nhttps://www.oxfordreference.com/display/10.1093/oi/authority.20110803095505567\u003c/p\u003e\n","\u003cp\u003eDa'wah Institute of Nigeria Accessed 7/18/2024\nhttps://dawahinstitute.org/dawah-institute-nigeria-din/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Jane Elizabeth \"Jennie\" Hoyt-Stevens was born in Concord, Massachusetts to Sewell Hoit (1807-1875) and Hannah Elizabeth Hoyt, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907.She encouraged a younger generation of women in their medical careers, including Mary Runnells Bird, and donated her family home, (\"impressive mansion\"), to the use of the New Hampshire Congregational Conference, reserving \"a small upstairs apartment\" for her own use.","In 1906, she represented the New Hampshire Medical Society as a delegate to the International Medical Congress in Lisbon, and traveled in Spain and North Africa during that trip. She met Gandhi during an extended visit to India, and published writings about her impressions of him in 1931. She adopted a son in Spain, named Abelardo Linares. She died in 1933, in Concord, New Hampshire, at the age of 72","The mathematical fraktur may have belonged to Elizabeth Urban as a gift from her tutor, A. G. Lees in Conestoga Township, Lancaster County, Pennsylvania. Elizabeth Urban was born on July 22, 1795 in Conestoga to George Urban (1740-1843) and Barbara Keagy (1743-1828). Educational frakturs are very rare.","Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","Bilalians is a name used by early African-American Muslims. It refers to Bilal, a former Black enslaved person of Muhammad. Bilal's importance as the first Muslim muezzin, his ardent support for early Islam, and his favored status under Muhammad made him an important symbol of Black honor and dignity, major themes of early African-American Islam.","The Da'wah Institute (DIN) is the research and public enlightenment department of the Islamic Education Trust (IET) which has its headquarters in Minna, and Zonal Coordinators across Nigeria and West Africa. Its mission is to \"strive in the capacity building and empowerment of other Islamic organizations and individuals involved in facilitating the correct understanding of the message of Islam.\"","Source: \nOxford University Press. Oxford Reference. Accessed 7/18/2024\nhttps://www.oxfordreference.com/display/10.1093/oi/authority.20110803095505567","Da'wah Institute of Nigeria Accessed 7/18/2024\nhttps://dawahinstitute.org/dawah-institute-nigeria-din/"],"odd_html_tesm":["\u003cp\u003eThis material contains references or imagery involving racism. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e"],"odd_heading_ssm":["Content Warning"],"odd_tesim":["This material contains references or imagery involving racism. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 1, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia Collection of the History of Childhood, Parenting, and Family Buiding, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 31, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 59, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 39, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16748, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, Addition 70, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 11, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 40, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 35, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 7, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 12, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 25a, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 60, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 51, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 42, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 19, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 36, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 9, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 43, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 63, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 69, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 61, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 13, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 67, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 20, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 33, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 56, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 66, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 41, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 21, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building \nAddition 46, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, the University of Virginia Collection on Childhood, Parenting, and Family Building Addition 15, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 34, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 27, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 25, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 10, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 30, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 2, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 18, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 16, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 17, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 55, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia History of Childhood Collection, Parenting, and Family Building, Addition 4, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 29, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758,  University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 57, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building-Addition 5 African American Nurses and Children photograph at the Ridge Avenue clinic in Philadelphia, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 45, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 62, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 65, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 38, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 24, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 28, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 48, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 49, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 64, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 47, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 68, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758 , The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 71, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 44, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 54, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 37, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 26, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The UVA Collection on Childhood, Parenting, and Family Building Addition 14, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 58, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection of the History of Childhood, Parenting, and Family Building Addition 23, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 6, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 22, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 8, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 50, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 32, University of Virginia Library, Albert and Shirley Small Special Collections Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 1, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection of the History of Childhood, Parenting, and Family Buiding, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 31, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 59, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 39, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16748, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, Addition 70, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 11, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 40, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 35, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 7, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 12, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 25a, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 60, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 51, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 42, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 19, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 36, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 9, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 43, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 63, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 69, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 61, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 13, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 67, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 20, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 33, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 56, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 66, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 41, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 21, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building \nAddition 46, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, the University of Virginia Collection on Childhood, Parenting, and Family Building Addition 15, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 34, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 27, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 25, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 10, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 30, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 2, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 18, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 16, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 17, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 55, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia History of Childhood Collection, Parenting, and Family Building, Addition 4, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 29, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758,  University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 57, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building-Addition 5 African American Nurses and Children photograph at the Ridge Avenue clinic in Philadelphia, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 45, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 62, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 65, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 38, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 24, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 28, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 48, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 49, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 64, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 47, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 68, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758 , The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 71, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 44, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 54, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 37, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 26, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building Addition 14, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 58, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection of the History of Childhood, Parenting, and Family Building Addition 23, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 6, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 22, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 8, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 50, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 32, University of Virginia Library, Albert and Shirley Small Special Collections Library."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also Series 4 \"A Report of a Conference on Day Care and the Working Mother\" material from the Morris Child Development Center Addition 23\u003c/p\u003e","\u003cp\u003eSee also Series 4 Addition 58 Photograph album of the Morris Child Development Center\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials"],"relatedmaterial_tesim":["See also Series 4 \"A Report of a Conference on Day Care and the Working Mother\" material from the Morris Child Development Center Addition 23","See also Series 4 Addition 58 Photograph album of the Morris Child Development Center"],"scopecontent_html_tesm":["\u003cp\u003eThe University of Virginia Collection on the History of Childhood, Parenting, and Family Building is an artificial collection and periodic additions are expected.\u003c/p\u003e","\u003cp\u003eAddition 53 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one calligraphy manuscript of Hans Rudolf Gujer from Wermatswil, Switzerland. The book contains thirty-seven leaves in landscape format, in various colored inks and watercolor, with some use of gouache. \u003c/p\u003e\n","\u003cp\u003eIt also includes seven large original drawings; one is in pen-and-ink, and six are ink and watercolor; three pages of alphabets; most other pages have three compartments including ornately decorated capital initials, floral, figurative, and abstract ornamental borders and infills throughout; one page with music, and one with micrograph. The last leaf contains a full-page colophon of calligrapher:  \"Von Mir geschriben, Hans Rudolf guier, Zu Wermmet-schweil, 1750,\" with marginal calligraphic addition noting his age at the time of writing, \"mein alter war 20 jahr.\" \u003c/p\u003e\n","\u003cp\u003eThe German texts of the album are religious: biblical quotations, prayers, and other devotional texts. Gujer was a relative of Jacob Gujer, a celebrated \"philosopher farmer.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one handmade picturebook of hand-colored engraved cutouts. A later inscription on the front pastedown reads, \"Fait par la baronne de Chalancey née Delcey pour as fille Clémence devenue Ctsse d' Esclaibes d'Hurst.\" The book was was created by the Baroness de Chalancey for her little girl Clemence, born in 1797.  \u003c/p\u003e\n","\u003cp\u003eFrancoise Marie Gabrielle Delecey de Changey, who went under the nickname Fanny, was born in 1769 in Langres, Haute-Marne; she married Baron Jean-Francois Bichet de Chalancey in 1791, whose chateau in Chalancey was 30 kilometers from Langres.  Their first child, a boy, died in 1796 at four; a daughter, Clemence, was born the following year.  Fanny lived to age 77, and Clemence survived her mother by 20 years. \u003c/p\u003e\n","\u003cp\u003eThe book starts with la maison, the home, and it shows people, trades, activities, places, architectural details, animals, concepts, fictional characters, and various household people in various activities.\u003c/p\u003e","\u003cp\u003eIndenture between Richard Cumming Weeks, the son of a plumber and brazier, to serve as an apprentice shipwright to James King, a shipwright at His Majesty's Dock in Plymouth, England in 1802.\u003c/p\u003e\n","\u003cp\u003eThe contract sets out conditions of Weeks' seven-year apprenticeship and his wages of five shillings per quarter to start with and a note signed by James King, increasing his wages to to \"twelve shillings for single time\" and to \"one Pound a quarter for double time\" in 1804  Signed by Richard, his father, and by two Dock officials, with embossed revenue stamps. The indenture measures 40X 33 cm/ 15.75\" X 13\".\u003c/p\u003e","\u003cp\u003eThis addition 1 of the collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. \u003c/p\u003e\n","\u003cp\u003eWhile the collection spans from the 1830s to the 1960s, the bulk date between 1880 and 1925. \u003c/p\u003e\n","\u003cp\u003eCategories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and instruction manuals given to parents or teachers on child welfare.\u003c/p\u003e","\u003cp\u003eThis collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. \u003c/p\u003e\n","\u003cp\u003eWhile the collection spans from the 1830s to the 1960s, the bulk dates are between 1880 and 1925. \u003c/p\u003e\n","\u003cp\u003eCategories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps, Ocean parties; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and a government child welfare manual that gives instruction to parents or teachers on child welfare, child needs and development.\u003c/p\u003e","\u003cp\u003e1st part of MSS 16758. Twenty-three pamphlets about puberty for women. Some are directed toward mothers, while others are created specifically for daughters. Dates range from 1933 to 1981. \u003c/p\u003e\n","\u003cp\u003eEarlier pamphlets discuss the process through storytelling, while later examples utilize more medical terminology. \u003c/p\u003e\n","\u003cp\u003eTitles include \"Marjorie May's Twelfth Birthday\" \"Very Personally Yours,\"  and \"Growing Up and Liking It.\" All pamphlets are illustrated; some have calendars others have quizzes. \u003c/p\u003e\n","\u003cp\u003eEach pamphlet was published by a manufacturer of women's sanitary products:  Holland-Rantos Co., International Cellucotton Products Co., Kotex (Kimberly Clark), Modess, Personal Product Corporation, and TeenForm. \u003c/p\u003e\n","\u003cp\u003eIncluded in folder 3 are two Kotex print blocks, used to illustrate their product packaging in marketing materials. This is part of an artificial collection, ie a  collection of materials with different provenance assembled and organized to facilitate its management or use.\u003c/p\u003e","\u003cp\u003eThe resolution was passed at a public meeting on August 15, 1838. The resolution discusses the establishment of an infant school. It further describes how education benefits children in the whole community by establishing a desire to learn in children. The pamphlet also notes that parents will be free during the day to work when children are in school, showing a shift in the economic role of mothers.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., contains the artworks of two sisters from Maine, Mary A. Hackett (1830-1908) and Nancy F. (1825-1883) Hackett. The works include watercolors, prose, a reward of Merritt, and two cartes de visite of their great-grandfather Hacket and Aunt Mary Hacket. \u003c/p\u003e\n","\u003cp\u003eThe sister's parents were William Hackett (1780-1869) and Lydia Dutch (1793-1898).  Nancy married Nathaniel Thompson. Census records indicate Mary never married and, as an adult, lived with Nancy in Kennebunk, Maine.  Mary attended Union Academy and Nancy attended Limerick Academy.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains one handmade juvenile manuscript titled The History of Little Fanny. Dated to March 24, 1849, the book features eleven pages of text with a watercolored cover. A set of seven watercolored paper dolls is in the accompanying slipcase, with each corresponding to a section of the written story. The reader can enact the tale throughout the story by changing Fanny's head between the paper costumes to illustrate her progress.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one volume of an anonymous bereavement commonplace book, dated 1856 and 1874. The manuscript consists of ninety-eight pages of writing, with the rest left blank. The manuscript contains writings by three different women. The first (and most extensive) is by an unnamed governess who writes of the loss of a child in her care, Harry. Her spidery handwriting is even and accomplished, and her use of \"thee\" and \"thou\" throughout suggests she may have been a Quaker. For thirty pages, she expresses her heartfelt love for the child and her grief during Harry's decline. She describes her memories of the boy and his siblings and details the boy's last illness, of about six days' duration, and death.  \u003c/p\u003e\n","\u003cp\u003eThe following forty-eight pages include bereavement verses including poetry, both original and copied from published works, segments of stories, and verses from the bible.  within these pages, the Governess left three pages blank; on the first of these blank pages, \"M.E.G.\" [later identified as Mary E. Grote] wrote about the death of her firstborn son, \"Ernie,\" whose father was Ernest William Davis. In the first line of her text, Grote refers to the manuscript itself as \"this choice collection.\" \u003c/p\u003e\n","\u003cp\u003eThe verse then continues in the governess' hand. Until another passage by Mary Grote appears. It is a five-page memorial titled \"To Ernie,\" dated August 30th, 1874. It is possible that Grote's earlier one-page passage may have been written in 1874. Fourteen blank leaves separate Grote's writing to an entirely different hand and content. \u003c/p\u003e\n","\u003cp\u003eThere are five pages of \"Hints For Housewives.\" These undated, unrelated notes seem to be brief views on issues that arise in a household including damp cupboards, flies, roasting meat, buying eggs, mending china, and other domestic matters.\u003c/p\u003e","\u003cp\u003eThis addition 11 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains publications, metamorphic trading cards, volvelle (color wheels), and posters. Topics include motherhood, instructional materials on children's behaviour, toilet training, adolescent health, soil conservation for children, and a book about the the education for blind children. \u003c/p\u003e\n","\u003cp\u003eFolder 1 contains folded out (metamorphic) advertisements for children's clothing by Davidson Brothers, Solar Tip Shoes, E. G. Burrows, J. H. Baldwin \u0026amp; Company patent table tray, and children's knee elastic protectors (to protect clothes)\u003c/p\u003e\n","\u003cp\u003eFolder 2 contains pamphlets \"Training the Baby\" published in 1931, 1952, and 1957.\u003c/p\u003e\n","\u003cp\u003eFolder 3 contains five illustrated posters with instructions for children on cleaning and bathing themselves.\u003c/p\u003e\n","\u003cp\u003eFolder 4 contains pamphlets for expectant mothers on how to care for their infants: \"The Modern Baby\",  \"Quiet, Baby Is Sleeping\", \"the 14 Days that can seem like a lifetime!\", \"Preparing Baby's Formula\", \"Keeping Baby Clean\", \"Modern Evenflo Nursers\"\u003c/p\u003e\n","\u003cp\u003eFolder 5 contains pamphlets from the Lysol Family Library, \"The Scientific Side of Health and Youth\", \"When Baby Comes\", and \"Preventing the Spread of Common Diseases\"\u003c/p\u003e\n","\u003cp\u003eFolder 6 contains three color wheels \u003c/p\u003e\n","\u003cp\u003eFolder 7 contains a pledge card for teenagers to abstain from alcoholic drinks and a card that outlines safety guidelines \"Code for survival\"\u003c/p\u003e\n","\u003cp\u003eFolder 8 Publications: \"Let's Save Soil with Sam and Sue\", \"For Bigger Boys and Girls\", \"Facts about the Education of Blind Children\", \"Understanding Your Teenager\"\u003c/p\u003e","\u003cp\u003eCompiled in 1858, the decorative title page Cahier d'Écriture par Mercier dédié à mes bien-aimés parents, the book features twenty-four calligraphy entries from a teenage student at the Grand-Classe St. Etienne in Saint-Étienne, France. The entries include the author's reflections on friendship, anger, anxieties, family life, hopes, and religious devotion. \u003c/p\u003e\n","\u003cp\u003eSeveral font samplers are present throughout the book, as are full-color pencil-sketched illustrations. Illustrations include buildings, animals, people, and urban scenes. The majority of the calligraphy entries are bordered by an elaborate design, either pressed into the paper or drawn by the author herself. \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758,  The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a small pocket diary with ownership signature of \"Louisa J. Pratt, New Paltz Landing, New York to front endpaper with an early 20th-century hand adding to pastedown and endpaper, \"born 1846\" and \"13 years old.\"  \u003c/p\u003e\n","\u003cp\u003eThe diary contains 366 pages in legible hand. It focuses on the many losses she experiences across 1859 and her youthful awakening to the numerous hardships the women around her confront.  From parental loss to poverty to disease to mental health emergencies, the events of Louisa's 13th year were formative, and she turned to her diary as a place for working out private emotions that burdened her.  \u003c/p\u003e\n","\u003cp\u003eLouisa balances school, friends, and church with an increasing oversight of her home.  More detail is given as the family continues struggling to keep domestic workers, and it is hinted that Mr. Pratt and the members of the church are drawing labor from girls pulled from the sex trade.  Unprepared for the situations they find themselves in, the girls act out, have mental health crises, and ultimately flee which are documented by Louisa.\u003c/p\u003e\n","\u003cp\u003eWhile grief, loss, and unexpected adulthood shape much of Louisa's year, she also reports the kinds of joys that remind us she is entering her teens.  Her numerous friends, her love for sleigh rides and horseback riding, her appreciation for school and her recitations are cornerstones.\u003c/p\u003e","\u003cp\u003eAddition 7 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two circulars promoting the American School Institute and Schermerhorn's School Agency. There is also a tri-fold trade card ad for a White Mountain refrigerator; an advertisement booklet for a carpet called \"Something Under Foot\"  used as a diary by \"Sara\"; and a plaited hair sentiment with a verse from Charlotte A. Lewis which was sent to a girl named Maryann Gilman.\u003c/p\u003e","\u003cp\u003eThis addition 12 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a friendship album of Jennie Lizzie Hoit (Dr. Jane Elizabeth Hoyt) made between 1866 and 1871 and a Pennsylvania German Mathematical Fraktur made in 1808 for Elizabeth Urban. \u003c/p\u003e\n","\u003cp\u003eThe friendship book belonging to Jennie is small (3 X 5 inches), about 60 pages, and contains compliments and well wishes from her family members and friends. \u003c/p\u003e\n","\u003cp\u003e\nThe collection also contains a Pennsylvania German Mathematical Fraktur presented to a schoolgirl, most likely Elizabeth Urban. Fraktur is a Germanic tradition of decorated manuscripts and printed documents noted for its use of bold colors and whimsical motifs. The page contains a Multiplication Table and Pence Table, dated September 15, 1808, inscribed \"Miss Urban, I have the honour to be your humble servant,\" signed A.G. Lees, Conestoga Township, Lancaster County. Initials EU appear in the intersecting hearts. The page is decorated with birds and flowers. The student was likely Elizabeth Urban, born on July 22, 1795. The table was probably presented by her tutor or teacher, possibly Alexander Lees, residing in nearby York County from 1779 to 1781, or Abraham Lees, in York County in 1785. \u003c/p\u003e\n","\u003cp\u003eJennie was born in Concord, Massachusetts, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907. \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains 23 pamphlets on early learning, education, adolescence, growth and development, health, prenatal and Infant care, and parenting.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to women's health, infancy, and childhood. \u003c/p\u003e\n","\u003cp\u003eThis includes \n1. Woman's tried and true friend, Portland, ME: Caulocorea Mfg. Co.,c.1893; \u003c/p\u003e\n","\u003cp\u003e2. Friar Medicine Company ephemera (5 sheets), 1901; \u003c/p\u003e\n","\u003cp\u003e3. Taylor, Marion Sayle, \"The seat of love and youth: plain truths for women, c.1927; \u003c/p\u003e\n","\u003cp\u003e4. Taylor, Marion Sayle, \"Body hygiene for women,\"1928;\u003c/p\u003e\n","\u003cp\u003e5. Williamson, George H.,\"Personal hygiene for women: explaining the new hygiene which is bringing comfort, peace-of-mind and greater health and efficiency to the world of women,\" 1928; \u003c/p\u003e\n","\u003cp\u003e6. Wells, H.J. (edited and published by),\" Tennessee journal of medical and surgical diseases of women and children, and abstracts of the medical sciences,\"1884; \u003c/p\u003e\n","\u003cp\u003e7. \" Wasting diseases: their causes, treatment, and cure,\" New York: Scott \u0026amp; Bowne, c, 1877; \u003c/p\u003e\n","\u003cp\u003e8.Sheffield, Herman B., \"The baby's record and health,\" 1913; \u003c/p\u003e\n","\u003cp\u003e9. Olmstead, Allen S., \"This will interest mothers: Mother Gray, the children's friend,\" c.1910.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one notebook kept by S.B. Coulson with notes regarding Friedrich Fröbel teaching approach and use of Fröbel gifts, which include play materials such as balls, cylinders, cubes, and tablets. \u003c/p\u003e\n","\u003cp\u003eThe instructors were \"Miss Doyle,\" \"Miss Symond,\" and \"Mrs. Meleney,\" the latter being Carrie Coit Meleney, a student and later prolific correspondent of Maria Kraus-Boelté (1836-1918), a pioneer of Fröbel education in the United States and author of the textbook, \"The kindergarten guide\" (1877). The notebook also contains diagrams and illustrations depicting configurations of tiles and boxes. Several pages have been torn out of the notebook.\u003c/p\u003e","\u003cp\u003eThis addition to MSS-16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia),  contains six pieces of advertising ephemera. Included are: 1. Mrs. Prettyman's celebrated breast salve, c. 1866-1895, (3 advertising broadsides); 2. Celluloid starch requires no cooking, a die-cut point-of-sale display card with an attached cardboard stand depicting a baby seated on a pillow holding a paper advertising celluloid starch; 3. Display card for Johnson and Johnson baby powder; and  4. a pamphlet titled Your baby's diet: Heinz strained foods: their uses and nutritional values. (circa 1950s).\u003c/p\u003e","\u003cp\u003eAddition 19 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet: \"Tennessee Industrial School for the Benefit of Orphan, Helpless and Wayward Children, Nashville, Tenn.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a travel diary of Frederica King Davis as she traveled through England and France during her 19th year.  The bulk of the diary contains vivid and dense descriptions of her travel route, means of travel, companions, sites visited, and observations on art and culture; toward the end, she meticulously documents her allowance received, her expenditures, and the list of books she aims to read as a result of her trip.  \u003c/p\u003e\n","\u003cp\u003eThe diary offers insight not only into the type of grand tour provided to well-off 19th-century American women but also into the history of tourism, transport, and a history of artistic exhibits and art criticism, women's education in domestic accounts and budgeting, traditions in women's gift-giving and charitable contributions, the history of women's fashion, and the history of friendship and courtship etiquette.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a set of Courtesy posters to color, a Children's Aid Society Donation Circular, and educational game ideas handwritten and compiled on index cards by elementary school teacher Jane Ehrhard. The educational games are housed in two small commercial portfolios produced by Burgess Publishing Company for their line of printed educational games.  \u003c/p\u003e\n","\u003cp\u003eContemporary ink signature of Jane Ehrhard on the back of both portfolios.  One red portfolio is printed with the title \"File O' Fun for social recreation,\" with Jane A. Harris listed as the author.  The second portfolio is orange and printed with \"Games for the elementary school grades: playground, gymnasium, classroom,\" by Hazel A. Richardson.  It appears Jane Ehrhard has repurposed the portfolios. Both measure 18 x 12 cm and are bound with an elastic cord.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets and booklets on pre and post-natal advice for expectant mothers in America. They include: 1. Information for expectant mothers, by Frank LeCocq Jr., and Albert Bostrom, Jr. (c.1959); 2. Instructions for expectant mothers (c.1959); 3. While I am waiting, (1960); 4. Mrs Winslows soothing syrup: for children teething, (c.1888); 5. Baby is king,(1890); Baby feeding made easier, (1956) accompanied by two pieces of ephemera \"It's the nipple that makes the nurser, the Davol No.155 Nipple...\" and \"Terminal sterilization of baby's formula; 6. Pre-natal care: what expectant mothers should know, compiled by Obstetrical Department of The Western Montana Clinic (c.1955); 7. Your baby's formula (1953, 1955); 8.How food helps mother and baby, for parents-to-be (1954); 9. Modern methods of preparing baby's formula: practical suggestions by doctors, nurses, hospitals and mothers, (1954); 10. More nearly perfect: when baby needs milk from a bottle (1934); and 11. Prenatal care (1949).\u003c/p\u003e","\u003cp\u003eAddition 63 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets about women at work both in and outside the home. These include: 1.\"My busy week,\" Herrmann Hdkf. Co 1949; 2. \"When women work,\"[Washington, D.C.] : Women's Bureau, U.S. Department of Labor, 1921; 3. Trade card \"Armour's mince meat and canned meats, c.1890; and 4. Trade cards:  Two round cards depicting 19th century women and girls doing laundry washing by hand.\u003c/p\u003e","\u003cp\u003eThis addition (69) to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains fourteen pamphlets on the subjects of family planning, women's reproductive health, contraception, hildhood disease prevention, gender, religion, education, history published between 1892 and 1973. Many of these pamphlets were distributed as promotional materials by insurance or healthcare companies. \u003c/p\u003e\n","\u003cp\u003eThe pamphlets are: \"Speaking of Birth Control\", \"Industrial Gems\", \"Keeping a Healthy Home\",   \"Protecting the Home Against Disease\", \"Giving Babies Nestle's Food\", \"Nestle's Better Babies\", \"Where Shall We Put the Baby?, \"Vanta Baby Garments\"[advertisement],\"Your Baby's Protection\", \"So You Don't Want to be a Sex Object\",\"Johnny Takes A Wife\", \"Baby Speaks Out on This Matter of Toilet Training\", \"The Power of a Woman\", and \"A Woman's Guide to the Methods of Postponing or Preventing Pregnancy\"\u003c/p\u003e","\u003cp\u003eAddition 61 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on childhood growth and development and women's health.\u003c/p\u003e\n","\u003cp\u003eThese include: 1. Child culture before and after birth: truths of profound significance to parents and prospective parents, with illustrative examples from real life, Chicago: National Purity Association,|c.1895; 2. Caldwell, J.B., Pre-natal influences, Chicago: National Purity Association,c.1900; 3. Getting ready for baby, Bloomfield, New Jersey: Lehn \u0026amp; Fink, Inc.,1930; 4. Weeks, Mary Hezlep Harmon, How to tell the story of reproduction to very young children, 1910; 5. Mothers' clubs' and teachers' organizations' course of study, Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910 (2 copies); 6.) Wood-Allen, Mary, Great books for child instruction, Cooperstown, N.Y.: Arthur H. Crist Co.,c.1910; 7. Wood-Allen, Mary, Valuable books for parent and child (2 copies), Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910; 8. Stephens, Elizabeth L., Sacredness \u0026amp; responsibility of motherhood, Cooperstown, N.Y.,: Crist, Scott \u0026amp; Parshall,c.1910; 9. Stephens, Elizabeth L., Teaching Obedience, Cooperstown, N.Y., Crist, Scott \u0026amp; Parshall,:,c.1910; 10. King, E.A. The Cigarette and Youth, Cooperstown, N.Y.,: Crist, Scott \u0026amp; Parshall, c.1910;  10. What shall be taught and who shall teach it? 1907; 11. Mrs. J.H. Kellogg, Work as an element in character building, c.1907; 12. Rev. W.W. Cook, The father as his sons' counselor, 1907; 13.  Mary Wood-Allen, Confidential relations between mothers \u0026amp; daughters, c.1907,14. Mary Wood-Allen, When does bodily education begin?,1907, 15. P.M. Bruner, The integrity of the sex nature, 1907; 16. Mary Wood-Allen, A friendly letter to boys, 1907; 17. Preg-No-Matic: the scientific calculator that takes the guesswork out of rhythm, Bridgport, CT: Brooklawn-Park Laboratory, 1956-1957; 18. Mel Johnson. Going steady, 1964; 19. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1935; 20. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1939; 21.What every woman wants to know about personal hygiene; Cincinnati, Ohio: Hydrosal Laboratories,1926; 22. Marvel syringe: Whirling Spray for women, c.1900; 23. Healthy happy womanhood: a pamphlet for girls and young women, Springfield, IL: Illinois Dept. of Public Health, Division of Communicable Diseases, c.1938; 24.Sol Gordon, Ten heavy facts about sex that your friends don't know, illustrated by Roger Conant, 1971; 25. Charles A. Clinton, M.D, Sex behavior in marriage, undated, and 26.  M. Sayle Taylor, Ph. D., What's wrong with marriage?,1932.\u003c/p\u003e","\u003cp\u003eThis addition 13 (ViU-2023-0134)of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the teaching archive of Mrs. Florence Tuttle Baldwin of North Haven, Connecticut (Boxes 3-7). Florence was born in 1854, married in 1881, and died in 1926. She spent her career at the Sixth District School in New Haven, Connecticut. \u003c/p\u003e\n","\u003cp\u003eIt is a large addition containing her teaching materials including her ruler (signed by her), book catalogs, lesson plans and educational books from map making to mathematics, grade book, periodicals, manuscripts poems and letters, art work, needlepoint, phonetical drill cards, flash cards, educational games, and family planning from 1899 to 1905.  \u003c/p\u003e\n","\u003cp\u003e\nIn addition to Baldwin's teaching materials, other materials include a drawing book entitled \"Our Chat\" with stories by Ella Smith and Audrey, Yvonne \u0026amp; Clifford Evans; publications on vertical writing (handwriting), \"Talks and Tales\"; and five England-published pamphlets from the 1950s discussing family planning practices and contraception. Titles include \"Modern Family Planning,\" \"A Planned Family,\" \"Planning a Family,\" \"The Planning of a Family\", and a Lloyd's Family Planning Centre pamphlet.\u003c/p\u003e\n","\u003cp\u003eThere is a 1934 New York-published pamphlet that discusses Zonite as a family medicine and feminine hygiene products. Titles include \"Another Zonite Product for Intimate Feminine Hygiene;\" \"Facts for Women;\" and \"The real meaning of Antiseptic in everyday family life.\" \u003c/p\u003e\n","\u003cp\u003eThere is a flyer entitled \"Please Give A Quarter\" which promotes the Salvation Army's Fresh Air Camps published circa 1900. \u003c/p\u003e\n","\u003cp\u003eAlso included is a dating book belonging to a young girl titled \"My Him Book\" which has categories of \"High School Hims,\" \"College Hims,\" \"Home Hims,\" and \"Movie Hims\" about her romantic interests, and denotes William Purdy as the \"best of all my beaus\" under the \"Wedding Hims\" section. \u003c/p\u003e","\u003cp\u003eFlorence Eleanor Paget (1887-1965) was a professional nature illustrator and artist from England who studied under George Vernon Stokes, a British wildlife and landscape artist. She made these books when she was a young woman, roughly between 1900 and 1910. \u003c/p\u003e\n","\u003cp\u003eOne oblong linen book is labeled \"Sketches\" in pencil on the rear cover, and the owner's signature is on the pastedown in the front of the book. Paget likely drew in the \"Sketches\" book when she was twelve or thirteen. The book has forty drawings in pencil and watercolors. The subjects include landscapes like Redcar Pier, Saltburn Cliffs, Kew Gardens, Etal Church, and Etal Castle, as well as many sketches of her dogs, observations of people, fruit, and fauna. Some drawings have captions that identify the place or provide a funny caption. \u003c/p\u003e\n","\u003cp\u003eThe other is an oblong publisher's cloth binding in green with \"Flora\" stamped in gilt. The book  was likely created five to ten years after the \"Sketches\" book. Dried flowers and plants are artfully pasted down and numbered. She wrote the binomial names in cursive, opposite of the pasted-down plants. There are a total of six total entries. \u003c/p\u003e\n","\u003cp\u003eThe books are mainly written in English, except for one sketch with a caption in French and the Flora books with scientific names in Latin.\u003c/p\u003e","\u003cp\u003eAddition 20 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a Salvation Army \"Help the Children\" flyer from June of 1903 sent to raise funds for an outing for poor children in Columbus, Ohio. \u003c/p\u003e\n","\u003cp\u003eThe outing was meant to \"bring some brightness, cheer and comfort into the lives of the poor children of the slums and crowded tenement districts.\" The plea was written by John M. Richards, Adjutant, and the flyer has a cartoon illustration of a children's parade as a decorative border. On the verso of the flyer is a letter written in German written by a woman from Columbus,  dated September 13, 1904.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building,  features one string-bound scrapbook with pasted photographs of dolls collected by Helen E. Perkins. Compiled between 1909 and 1939 by Perkins and Miss Frances Grier, the scrapbook features sixty-nine pasted photographs of dolls of varying origins. Each entry includes the doll's name, a number, their height, manufacturer, material, and place of origin. Nations that have dolls represented in Perkins's album include China, Denmark, Finland, France, Germany, Greece, Guatemala, Holland, Ireland, Mexico, Morocco, Portugal, Russia, and Sweden. \u003c/p\u003e\n","\u003cp\u003eThe material culture of childhood aspect to this scrapbook gives  insight into the importance playing with these dolls to the two girls.  In several of the photos, they've created scenes with the dolls, even  placing them all on the stairs for a \"family portrait.\" \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains three pamphlets: 1.) Natural Science Camp (Keuka Lake), 1905; 2.) Boy Conservation Bureau (New York, N.Y.) [1930]; and 3.) Teenage gangs, New York City Youth Board, 1957.\u003c/p\u003e\n","\u003cp\u003e4 items were cataloged separately in the print collection: 1.) Playskool Toys, 1956; 2.) J.L. Hammett Company, School Supplies 1928-1929; 3.) The First Public Policy Seminar from a Black Perspective, 1972; and 4.)Stylish Apparel for Expectant Mothers Spring and Summer, 1920.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains six pamphlets and one poster related generally to child care. Titles included are 1. \"Trimble Helps For Mothers,\" 1940; 2. \"Narcotics and the Family,\"c.1970; 3.\"What your neighbors say: dream book compliments of World's Dispensary Medical Association, c.1910s; 4.\"How to take care of the baby: treatise on the care and feeding of infants,\" 1905; 5. \"Your Baby,\" 1942; 6. \"Baby Feeding Without Tears,\"c.1940s and 7.\"Correct posture guide,\" c.1955.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a commonplace book belonging to Ethel Shearer (1893-1952). \u003c/p\u003e\n","\u003cp\u003eShearer was a prominent artist in the mid-twentieth century San Francisco scene, being one of the featured artists at the opening of the San Francisco Museum of Art and Oakland Art Gallery. She was a member of the Society of Francisco Women Artists. \u003c/p\u003e\n","\u003cp\u003eHer commonplace book was compiled when Shearer was between thirteen and seventeen years old between 1906 and 1910. The book includes invitations and greeting cards from Ethel's friends, newspaper clippings, clippings from various other media, Ethel's own handwritten entries, and pasted photographs. Drawings from Shearer are present throughout, calling to her future career as an artist. \u003c/p\u003e","\u003cp\u003eAdditon 21 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets relating to childhood education and parenting. \"The Nursery Chair\" was distributed by Shepard, Norwell, and Co., Winter Street, Boston, and advertises various department store goods following a short story. \"Bradley's Kindergarten Material and School Aids\", published in 1906, advertises tools for learning shapes and colors, instruments for art, mathematical instruments, and standard inks, leads, etc. \"Food-The Teeth and Health\" discusses the ideal diet of a young person, published in 1930 by the City of New York Department of Health and Board of Education.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains leaflets issued by American motherhood magazine from 1907. They are: \"The Ideal Mother\" and \" Confidential Relationships between Mothers and Daughters.\"\u003c/p\u003e","\u003cp\u003eAddition 15 of MSS 16758,  the University of Virginia Collection on Childhood, Parenting, and Family Building, contains twenty-five nursery rhyme handkerchiefs. \u003c/p\u003e\n","\u003cp\u003eCommonly tucked into story books, these were popular children's mementos between the 1910s and the 1960s. Most handkerchiefs are illustrated in full color and have sewn and colored borders. \u003c/p\u003e\n","\u003cp\u003eHowever, six of the earliest editions are printed in black and white or sepia with raw edges.Most examples have sewn and colored borders, besides the earliest examples featuring raw, uncolored trim. \u003c/p\u003e\n","\u003cp\u003eSeven color designs are by British children's illustrator Mabel Lucie Attwell; others are unattributed.  Stories depicted by Atwell include \"Little Miss Muffet,\" \"Ding-Dong Bell,\" \"Jack and Jill,\" \"Little Bo-Peep,\" \"Hush-A-Bye-Baby,\" \"Little Boy Blue,\" and \"Dickory Dickory Dock.\"\u003c/p\u003e","\u003cp\u003e\"Going steady\" / by Daniel A. Lord;\nTonsils and adenoids: is your child handicapped?;\nGood habits for children /|cMetropolitan Life Insurance Company ; [prepared with the cooperation and advice of the National Committee for Mental Hygiene];\nHearing, Metropolitan Life Insurance Company;\nCommon childhood diseases, New York: Metropolitan Life Insurance Company,c[1946];\nMrs. Winslow's diet instruction book for the baby. New York: Anglo-American Drug Company|c[1922];\nCollection of Bank Street Publications pamphlets on early childhood education (35 pamphlets);\nKeeping the well baby well.Washington:U.S. G.P.O.,c. 1927;\nOut of babyhood into childhood: 1 to 6 years. Washington:U.S. G.P.O.,c. 1943;\nWhen your child's in the teens /by Edwina A. Cowan;\nYour child grows up,|cby Edgar A. Doll.[Boston],|b[John Hancock mutual life insurance Company],|1939;\nBetween two years and six / by Richard M. Smith; Boston : John Hancock Mutual Life Insurance Co., 1941.\nThe healthy school child.Boston, Massachusetts : Life Conservation Service of the John Hancock Mutual Life Insurance Company, [1940];\nCount down to discovery!--3- 2- 1-year olds : child development, unit 2 / Alice T. Teddlie. Baton Rouge : LSU Cooperative Extension Service, 1972;\nDiscover the wonderful world of 4 and 5 year-olds. Baton Rouge, La.: Louisiana State University Agricultural and Mechanical College, Cooperative Extension Service,| c[1976];\nThe Student advocate, New York: American Student Union,c1936-1938;\nA doctor talks to 5-to-8 year-olds /|cby Dona Z. Meilach in consultation with Elias Mandel; Chicag :Budlong Press Co.,c1967;\nThe care of the baby: prepared by a committee of the American Association for the Study and Prevention of Infant Mortality and presented to the Association at its annual meeting held in Washington D.C., November 14-17, 1913;\nYour child from one to six / U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, Washington, D.C : U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, 1945;\nYour child from 6 to 12, written by Mrs. Marion L. Faegre, Washington, D.C. :| Federal Security Agency, Social Security Administration, Children's Bureau,c1949.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a 9.5\" x 6.5\" wooden puzzle with a  wooden frame and a glass window titled the Silver Bullet: Or the Road to Berlin. \u003c/p\u003e\n","\u003cp\u003eOriginal metal ball and elements intact. Directions on the verso of the game.  British dexterity puzzle for a juvenile audience, made of wood and glass. The game's object is maneuvering a metal ball through a winding course, avoiding holes, to the Berlin area. Although the topography of the play suggests the trenches of the Western Front, at the time of the game's creation, the troops had not \"dug in.\" The title, Silver Bullet, suggests a quick victory and supports the view that the British public believed the war would be over by Christmas 1914.\u003c/p\u003e","\u003cp\u003eAddition 25 of MSS 16758 The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains twenty-five printed ephemera, including pamphlets and advertising on topics include parenting, child development, sex education, public health, and care of pregnant inmates.\u003c/p\u003e\n","\u003cp\u003e40 posters from the Hope of a Nation Poster Series\u003c/p\u003e\n","\u003cp\u003eFeeding the majority of bottle babies.Mead Johnson \u0026amp; Co. of Canada, Ltd.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two items relating to scouting. The first is a broadside printing of the ten Girl Scout laws set among art nouveau illustrations from the 1930s. The second is a photo album compiled by a boy at Kerrville, Texas, with images of playing in the streets, swimming in the Guadalupe River, playing baseball, hiking, marching, and being at a local Boy Scout camp. The black cloth photo album contains fifty-two black and white photos, measuring 10 x 7 cm, with a caption on the album leaves. \u003c/p\u003e\n","\u003cp\u003eThere is a  photograph of an African American man. (Caption reads, \"Uncle Allen\").\u003c/p\u003e\n","\u003cp\u003eAfrican Americans were often referred to as Uncle or Aunt even though they were not a family relative.They were denied use of courtesy titles.\"Aunt,\" as in \"Aunt Jemima,\" was the term used for older enslaved women in the South who were not allowed by their white owners to use the term Mrs or Miss. The same was true for Uncle, as in Uncle Ben's Converted Rice. Uncle was used for older enslaved men because they were not allowed by their white owners to use the term Mr. The African American in this photograph is referred to as \"Uncle Allen.\" It is important to recognize the use of these terms and confront the racism that is embedded in these white cultural terms.\u003c/p\u003e\n","\u003cp\u003eSource:\nGreen, Mark. Do You Know Why Aunt Jemima is Called \"Aunt?\"\nWhy is Aunt Jemima racist? Here's exactly why. And I do mean exactly.\" Medium. Human Stories and Ideas. Acessed 7/17/2024.\nhttps://remakingmanhood.medium.com/do-you-know-why-aunt-jemima-is-called-aunt-5d111b0765a5\u003c/p\u003e","\u003cp\u003eThis collection consists of a handmade notebook titled Punctuation Party by Melba Tice. The book presents punctuations as characters with rhymes and cutouts from 19th-century editions of Alice in Wonderland and Through the Looking Glass, as well as contemporary advertisements, explaining punctuation rules. Some punctuation characters are not from Carroll, and their descriptions illustrate cultural viewpoints of the time period, including a racist depiction of a \"mammy' figure and a Clorinda Colon\" as an old maid figure.\u003c/p\u003e","\u003cp\u003eAddition 2 of MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven hand-painted postcards presumably created by Elisabeth, the sender. The postcards, drawn in black ink, depict children playing outside: a child pushing another child's sled; two children talking under a tree in spring/summer; two children playing with a balloon; a girl having a picnic with a bunny; one older and one younger girl in the snow; an older girl on a swing; and a girl on a dock by a body of water. \u003c/p\u003e\n","\u003cp\u003eTwo of the postcards have written messages and are addressed to Miss Henebry and Miss Camilla Cole. The cards are postmarked Mount Kisco, NY, July 14 and 15, 1922. Both are sent in the care of Graham Miles of Alexandria Bay, New York. \u003c/p\u003e\n","\u003cp\u003eMiles was a stockbroker and hydroplane racer. He married and divorced Louise Clover Boldt, the daughter of George and Louise Boldt, wealthy Philadelphians and owners of the Boldt Castle in the Thousand Islands. Miles and Boldt had a daughter, Clover Wotherspoon Miles, but Miles's connection to Elisabeth or the other children named is unclear.\u003c/p\u003e","\u003cp\u003eAddition 18 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 7 pieces of pamphlets/ or ephemera. \"What every teenager ought to know\" by Abigail Van Buren; T\"urn this page and do as this little man does\" by Colgate \u0026amp; Co; \"Ways to keep well and happy: booklet for upper elementary grades \"by Ruth Strang; \"Keeping fit\" by the State Board of Health, Bureau of Venereal Disease, North Dakota; \"Family meals at low cost using donated foods\" by the US Dept. of Agriculture; \"The gas cook book for young people\"by Athens Store Works, Inc., Athens, Tennessee; and \"The picture and rhyme book.\"\u003c/p\u003e","\u003cp\u003eAddition 16 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three advertising pamphlets that pertain to parents purchasing products for their children. \"The Tinies that Live in a Tube\" advertises toothpaste, \"Flibitty Jibblit\" advertises rennet powder, and \"The New Boss in the House\" promotes the Pittsburgh District Dairy Council. Each uses imagery of children and parents utilizing the respective product.\u003c/p\u003e","\u003cp\u003eAddition 17 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets: \"The Science of Prenatal Astrology\" by Edwin S. McKeever; \"The Space Child's Mother Goose\" verses by Frederick Winsor and illustrations by Marian Parry. The third item is a pamphlet titled,\"Reducing the new common sense way\" about the Kryon method of reducing weight by Continental Pharmaceutical Corp. \u003c/p\u003e\n","\u003cp\u003e\"The Space Child's Mother Goose\" is a personal copy owned by Arthur Schulman, an Associate Professor of Psychology at the University of Virginia and one of the organizers of the American Civil Liberties Union in Charlottesville. \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven signs used to warn the public about the spread of contagious diseases and institute quarantine for diseases like smallpox, measles, polio, and diphtheria.\u003c/p\u003e","\u003cp\u003eAddition 4 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the American History Hektograph Posters. These are twelve individual monochrome printed poster sheets, measuring 12 X 9 inches,  featuring historical instances in American history. \u003c/p\u003e\n","\u003cp\u003ePublished in 1926 by Beckley-Cardy Company, each scene is intended to be colored, likely by a child. Each scene features suggested coloring methods, a title for the event, and a brief synopsis of the instance below. Scenes are typical origin stories, colonizers, and dominant white narratives and are examples of the narratives taught in classrooms circa 1926. The scenes are numbered 1 through 12, with each respective number placed in the center under the title. Events depicted: 1 - \"Landing of Columbus,\" 2 - \"The Mayflower at Cape Cod,\" 3 - \"The Pilgrims Planting Corn,\" 4 - \"The First Thanksgiving,\" 5 - \"George Washington's Early Home,\" 6 - \"Signing of the Declaration of Independence,\" 7 - \"Washington as President,\" 8 - \"Lincoln Studying by Firelight,\" 9 - \"Lincoln Writing His Inaugural Address,\" 10 - \"The Gettysburg Address,\" 11 - \"Grant Made Commander In Chief,\"  and 12 - \"Digging the Panama Canal.\" \u003c/p\u003e\n","\u003cp\u003e\"Red Man\" and a Native American \"wearing his bright [British] red coat with great pride\" suggests the presence of reparative content. \"\u003c/p\u003e","\u003cp\u003eThis addition to  MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building collection, contains one brad-bound scrapbook with a \"HYGIENE\" stencil cut from the paper on its cover. The content discusses healthy living practices for young girls. Entries feature drawings, pasted images, newspaper articles and clippings, handwritten queries on health, and ideas on diet and grooming practices. There are 49 \"chapters,\" each no longer than two pages. The corresponding pages for each chapter are presented in a table of contents at the beginning of the book.\u003c/p\u003e","\u003cp\u003eAddition 57 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to teenagers, parenting, and sex education. These include: 1.) The school lunch, Battle Creek, Michigan:|bEducational Department, Postum Company, Inc., (1928); 2.) Sex in life: young men, by Dr. Douglas White (1933); Sex in life: young women, by Violet D. Swaisland (1933); 3.) What parents should tell their children (1933);  4.) Starting to school in Kingsport, Kingsport, Tennessee, Kingsport City Schools (1953), 5.) How life goes on and on:  story for girls of high school age, y Thurman B. Rice (1937); 6.) When children ask about sex, by the staff of the Child Study Association of America. Foreword by Marianne Kris (1953);  7.) Woman against myth, by Betty Millard (1948); 8.) The teacher and mental health [prepared by the National Institute of Mental Health] (1955); 9.)The safety zone:|ba frank talk with women concerning their personal problems (1940), 10.)Teen-agers and parties, Ernest F. Miller (1960), 11.) Tips for teeners  by Antoinette Donnelly (c.1950); 12.) Think straight before you date, D.F. Miller. (1959); and 13) Teen-agers and dope, Howard Morin, C.SS.R. (1957)\u003c/p\u003e","\u003cp\u003eAddition 5 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single press photograph from the children's clinic at the ridge avenue dispensary in Philadelphia in the 1930s.  The photograph is a group photograph of Black nurses and children in a clinical setting. A typed caption is affixed to the top right edge of the picture. No photographer or studio is noted.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a pamphlet titled Strong bodies sound minds: some health hints for the school-day years (c.1930).\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on public health topics including syphilis and sex education. These include: 1. Management of syphilis in general practice, Joseph Earle Moore, in collaboration with: Harold N. Cole [and others], 1938; 2. Genitoinfectious disease control in Massachusetts, prepared by The Massachusetts Department of Public Health co-operating with the United States Public Health Service, 1940; 3. The diagnosis of syphilis by the general practitioner by Joseph Earle Moore, M.D., 1938; 4. Syphilis in mother and child,by Harold N. Cole and Philip C. Jeans, in collaboration with Joseph Earle Moore ... [et al.], 1940; 5.Your baby and the blood test law, Ernest B. Howard, M.D., c.1939; 6.Clinical excerpts, 1942; 7. Sex education for the preschool child by Harold E. Jones and Katherine Read, 1941; 8. Sex education for the ten year old /|cby M. Marjorie Bolles, 1941; 9. Sex education for the adolescent. by George W. Corner and Carney Landis, 1941; and 10. Sex education for the woman at menopause by Carl G. Hartman, 1941.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the publication of an educational booklet titled \"The Story of Sex Hormones,\" produced by the Schering Corporation, an American pharmaceutical company. The pamphlet was distributed at the Hall of Science at the Golden Gate International Exposition at an informative display called \"Hormone Woman.\" It briefly outlines recent advances in endocrinology and offers illustrated explanations of menstrual cycles and sex hormones, as well as a short description of menopause.19 cm\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a sample book titled \"Kiddie flowers\" consisting of eight mounted samples of floral fabric potentially for children's clothing.\u003c/p\u003e","\u003cp\u003eAddition 24 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet for the Davis Home for Colored Children 34th Anniversary located in in Pittsburgh. This promotional booklet is for the  \"34th Anniversary\" of the Davis Home, a temporary home and day nursery for African-American children. Also of note in the booklet are advertisements for what are likely Black businesses that supported the home. \n \n   Note says, \"This book is dedicated to my mother, Mrs. Fannie Louis Davis, who was the founder of the Davis Temporary Home and Day Nursery in 1907, and organizer of the Colored Women's Relief Association of Western Pennsylvania in 1909. To my wife, Mrs Louise Scott Davis, President of the Davis Home for Colored Children, who has been loyal and faithful in giving her life toward the advancement of this home. To my friends, who have contributed to this Home in any way they could. Finley T. Davis, Business Manager.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains Paul Kenton Conrad's childhood cartooning album and scrapbook. The sketchbook, a string-tied leatherette album, documents a young boy's self-guided attempts to develop cartooning skills. Cut-out tutorials from Frank Webb's \"How to Make Faces\" are mounted on the album's early pages, with attempts in pencil to follow their instructions. Midway through, Conrad branches out from these copies into creating his original subject matter, including army airplanes, sheriffs, pistols, cowboy hats, and a series of one-panel strips titled \"Stuff that's funny.\" The artist, a Pittsburgh native who settled in Honolulu, would later become a successful lounge pianist and musician of some note in the 'Exotica' genre, releasing one well-received album (\"Exotic Paradise\").\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet titled \"Growing Up in the World Today: for Boys and Girls in the Teens\" by Emily V. Clapp.(1946)\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets for parents and teachers about puberty and sex education. \u003c/p\u003e\n","\u003cp\u003eTitles include 1. \"Sex Behavior and sex interest in Children,\" by Louise Bates Ames (1952); 2. \"When children ask about sex,\" by the staff of the Child Study Association of America, Sidonie M. Gruenberg [and others] Anna W.M. Wolf, editor, (1946); 3. \"Preparation for puberty: a sex education manual for parents and teachers,\" written by Mrs. Linda K. Teller, illustrated by Mrs. Dorothy Teeters (1965); and 4. \"Sex education in the home,\" Georgia Department of Public Health, (c.1950).\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a chart of hormone interrelation upon which the film \"The physiology of normal menstruation\" is based. Printed in green and black, full color chart. 1 sheet folded to 8 unumbered pages. 23x62 cm folder to 23x16 text.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains  a set of twelve offprints titled \"Your baby at [1-12] months.\" There are twelve pamphlets, one for each month of a baby's first year of life. Reprinted from Baby Talk, published by the Parenting Group, New York, N.Y.Author: Beulah Sanford France (1891)\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a spiral-bound sketchbook belonging to an unnamed art student, most likely living in New York City. Page one of the sketchbook details the student's assignment: \"DUE - 300 by June 2nd, Marked Chronologically.\" Traces of what may be an owner's name and grades of \"B\" and \"B+\" are written on the cover. Each sketch is numbered in pencil and is stamped between March and June 1952. The sketchbook's seventy leaves have drawings only on the recto. Drawings are completed in pencil, ink, and crayon.  This student's sketches are primarily figure studies of those in transit on the subway. Other scenes include a roller derby skater, pin-up figure, river traffic with a bridge, a parked car, a cat, and exotic animals.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a handmade fundraising appeal concertina album to the artist Oskar Kokoschka. The book was created by design students at the Modeschule der Stadt Wien (Fashion School of Vienna). In 1946, the school relocated to Schloss Hetzendorf, an eighteenth-century palace that sustained significant damage during the Second World War.Students were pressed to raise money for their art supplies amid the renovations. This fundraising appeal was addressed to exiled Austrian artist Oskar Kokoschka, known for his contributions to expressionism. The album contains hand-cut stencil letters, hand-colored illustrations, and collages of paper, felt, yarn, tin foil, leather, and chipboard. The book reads: \"Dear O.K. [Oscar Kokoschka] / if we would have brushes and colours to paint / coloured paper for handykraft / wools to weave / leather for gloves and bags / felt for millinery/magazines to get suggestions / spezial [sic] books for library/material for dressmaking / then all would be OK. Photographs of the students at rest and at work sewing, trimming, painting, weaving, and drawing are pasted on the verso of each collage. Kokoschka fled Vienna, Austria under the Nazi regime and never returned. It is unknown whether he responded to this appeal from the Modeschule students.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet titled Your Child's Development - Infant to 16 years.\u003c/p\u003e\n","\u003cp\u003e\"This booklet is based on recent studies at the Gesell Institute. Dr. Arnold Gesell, the Institute's research consultant and a household word to parents, founded the Yale Clinic of Child Development, which he directed for 37 years. Today, Dr. Gesell and his collaborators, Dr. Frances L. Ilg, a pediatrician, and Dr. Louise Bates Ames, a psychologist, carry on the pioneer work of the institute.\"\u003c/p\u003e\n","\u003cp\u003ePublished by Good Reading Rack Service, Inc., a division of Geffe, Morton \u0026amp; Griffiths, 76 Ninth Avenue\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains an  original calligraphic manuscript of thirty variously colored linocuts, each by a different girl from a class at St. Helen's Norwood, London. Each linocut has the student's name below in ink. The contents are handwritten verses of Benedicte Omnia Opera. The title page notes, \"Lettered, illustrated and bound by all the members of IVA.\" The endpapers are also original handpainted images of angels. Bound in original black cloth at the school by L. Hardy, D. Lines, and J. Scarth.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single pamphlet titled \"Doors to Open\" by Ellis Gladwin and Rama Braggiotti (illustrator) published by the Connecticut Mutual Life Insurance Company. It is written as a guide for young people but specifically addresses men embarking on college life and advises on new life changes in the context of conservative social constructs of the mid-twentieth century. Sixth in a series of booklets that dealtwith the tensions of everyday life.\u003c/p\u003e\n","\u003cp\u003eEach segment has a hypothetical person encountering specific issues like overcoming shyness and finding social niches. Towards the end of the booklet, a piece titled \"Girl of My Dreams\" is a thinly veiled reference to a young man questioning and discovering an LGBTQIA+ identity. The advice is negative and clarifies that the hypothetical person should stifle these questions and stick to a hetronormative lifestyle, stating \" \"George is very unhappy, [and] needs help to cope with these festering needs. Otherwise, he may settle for a dim life, arrested by a succession of psychosomatic illness.\" \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building,  contains a game titled \"Judy's Neighbors: Negro Family.\" It includes two dimensional pressed wood figures of an African-American family including mother, father, daughter, and two sons. There are also stands for the figures. Judy's Neighbors was released sometime between 1963 and 1964.This was part of a series and was sold individually and in sets. Teachers used the game to encourage racial diversity.\u003c/p\u003e","\u003cp\u003eAddition 14 of MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building contains two promotional posters (22\"X6\") for the 1965 and 1967 New York Children's Book Week. The art of Caldecott Medal-winning illustrator Barbara Cooney made the artwork for the 1965 poster. The illustration depicts a fox carrying a stack of books with a crow overhead, looking down at the fox perched from a branch with the words \"Sing out for Books\" in French. The other poster from 1967 contains a linocut illustration of hot air balloons with a floating banner reading \"Take Off With Books.\" Marcia Brown, the only triple Caldecott Medal winner, made the art for this poster.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a photo album for the Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.\u003c/p\u003e\n","\u003cp\u003eThe photographs document the center's daily operations, including staff and children, and special events, including several photographs of its graduation ceremony and a special \"Father of the Year\" award presentation for the fathers of the \"graduating class.\" The center closed permanently in 2005.\u003c/p\u003e","\u003cp\u003eThis addition (23) contains a three-fold pamphlet titled, \"A Report of a Conference on Day Care and the Working Mother\" for the Morris Child Development Center: State of Michigan Pilot program.\u003c/p\u003e","\u003cp\u003eAddition 6 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains materials collected and produced by the Bilalian Child Development Center and the Developing a World for All Humanity (DAWAH) in Highland Park, Michigan. The Bilalian Child Development Center was incorporated as a non-profit agency in 1977 and appears to provide community services and educational services for the community.  The DAWAH is an institute developed by a group of African-American Muslims in Michigan to develop an effective DAWAH program in America.  \u003c/p\u003e\n","\u003cp\u003eContents include an advertising and enrollment form, two brochures for the Bilalian Center, and another for the DAWAH Institute in Highland Park. Also included are the contents of a binder for the DAWAH Institute. Separated by subject tabs, materials include handwritten notes and a typed agenda for the First National Meeting of the DAWAH Institute, an application of employment to the Institute, papers on Community Services, the A.B.C.D. Savings Program, a photocopy of a Western Union Mailgram to President Ronald Reagan, papers on the Food Co-Op \u0026amp; Gardening club, Home Garden booklet from the 4-H Youth Programs, Fundraising and Grantsmanship, invitations, brochures, news releases, educational programs, news clippings, and a curriculum statement.\u003c/p\u003e","\u003cp\u003eAddition 22 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 21 handbills and handouts on HIV and AIDS and LGBTQ health concerns for teens.\u003c/p\u003e\n","\u003cp\u003eSome guidelines to follow in talking to teens about sex and AIDS/STD's -- Where do mermaids stand (From: All I really need to know i learned in kindergarten by Robert Fulghum) -- Bi-Friendly #40, October 1991, San Francisco, East Bay, and U.C. -- 1991 Fact Sheet / State of California Department of Health Services AIDS Prevention and Follow up Centers Early Intervention Program -- Continuing Education Questionnaire -- Continuing Education Agenda / UCSF AIDS Health Project, San Francisco, CA -- Antiviral AIDS drugs in the pipeline, 1991 -- Fact Sheet 1991 / [San Francisco] -- Syphilis Rate Soaring Among S.F. Teenagers / by Nanette Asimov, Chronicle Staff Writer -- Indications for Encouraging Counseling and Testing for Adolescents -- Special Programs for youth consent form for HIV testing -- Special programs for youth pre-test counselor sign-off sheet for informed consent -- A.T.S. Recommendations for youth and young adults / Adolescent HIV Coalition -- Referral list for HIV+ youth and young adults / prepared by Michael Baxter, Adolescent HIV Coalition Chair, San Francisco -- Youth and the HIV antibody test -- Project ahead / [San Francisco Health Clinics] -- Crisis alert: African American youth and HIV/AIDS / by W.J. Brandy Moore -- Some of the barriers that Latino/adolescents can encounter if they do seek health care and related services for HIV/AIDS / presented by Marisa Davis, Aids Health Project -- Counseling high risk youth / Ken Dunnigan, M.D. April 28, 1988 -- Youth and HIV: no immunity / Jane Shalwitz, MD and Ken Dunnigan, MD, circa 1983 -- Normal adolescent development / Parent Survival Kit, Denise Phelan-Desmond, Luanna Rodgers, Mary Isham, et. al. -- The ten mos asked HIV-Insurance questions / reprinted by AIDS Project, Los Angeles ©1988\u003c/p\u003e","\u003cp\u003eAddition 8 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a signed broadside print (11 X 8.5 inches) titled \"My Life Matters\" by the artist and muralist LMNOPI. \u003c/p\u003e\n","\u003cp\u003eThe signed print based on muralist LMNOPI's wheat-pasted street art, is originally produced in response to the Ferguson protests. Artist LMNOPI writes: \"This painting was inspired by the Black Lives Matter movement which originated in Ferguson, Missouri last year in response to the police murder of Mike Brown. I have been doing a series of street paste ups around this movement.\" \u003c/p\u003e\n","\u003cp\u003eLMNOPI found this image of a young protestor online, eventually identifying the child as a boy named Myles. The image of Myles warily clutching his protest sign (#DontShoot #Ferguson #YourLifeMatters), pasted up on the door of an a condemned factory in Bedford-Stuyvesant, became part of the community: \"The wheatpaste of Myles was much loved by local residents. Often I would observe people taking photos of it on their way to work. I saw many people post it on Instagram. It even survived a local graffiti bomb squad who came through last winter during a snowstorm. They tagged up the entire wall, but did not touch Myles.\" \u003c/p\u003e\n","\u003cp\u003eSource from LMNOPI's website: lmnopi.com/my-life-matters.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one handmade child's artist book based on Samuel Roger's Poem \"Address to the Butterfly.\"\u003c/p\u003e\n","\u003cp\u003eUnidentified youth creates a story beginning with a cardboard hand-cut apple; as the story progresses, a cardboard cut-out worm escapes the apple and begins to \"eat\" the pages before cocooning and then emerging as a pop-up butterfly.  \u003c/p\u003e\n","\u003cp\u003eCrudely bound with black leather over boards; a window cut out of the front cover allows the painted apple on page [1] to show through. \u003c/p\u003e\n","\u003cp\u003eA small pocket mounted inside the back board holds five cards printed with Samuel Rogers' poem \"To the butterfly.\"  The pocket is stamped with \"Address to the butterfly, Samuel Rogers.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS16758, University of Virginia History of Childhood, Parenting, and Family Building, contains thirty-four pamphlets on various topics, including puberty and sexual development, childhood diseases, motherhood, birth control, and nutrition.\nList of items:\n A Story About You, by Marion O. Lerrigo [and] Helen Southard [in consultation with] Milton J.E. Senn.\nFinding Yourself, by Marion O. Lerrigo, Helen Southard; medical consultant, Milton J.E. Senn.\nApproaching adulthood, by Marion O. Lerrigo, Helen Southard [in consultation with] Milton J.E. Senn.\nHow to use My Bookhouse, Miller, Olive Beaupré, editor.\nScarlet Fever, Metropolitan Life Insurance Co. (c.1925)\nScarlet fever. Metropolitan Life Insurance Company (1940)\nWhooping cough.Metropolitan Life Insurance Co.(c.1930s)\nWhooping cough.Metropolitan Life Insurance Co.(1921)\nVaccination protects you against smallpox. Metropolitan Life Insurance Co. (c.1926)\nFor your information about Rheumatic Fever.Rheumatic Fever Foundation, 20-30 International,(c.1956).\nMeasles and their prevention. Richmond, Virginia, State Health Department (c.1965).\nCommunicable diseases in Virginia: mumps.Virginia, Commonwealth of Virginia Department of Health (c.1967)\nTraining is fun with Little Toidey. Juvenile Wood Products, Inc.,(c.1938)\nSmallpox is still here. Metropolitan Life Insurance Company, (c.1939?)\nRickets \u0026amp; scurvy. Metropolitan Life Insurance Co. (c.192-?)\nGood teeth: how to get them and keep them. Metropolitan Life Insurance Co. (c.1900s)\nYour baby book.Wyeth Laboratories, Division American Home Products Corporation, (c.1962)\nWomen who go to school.Washington, D.C.National Congress of Parents and Teachers (c.1945)\nChildhood diseases. Prudential Insurance Company of America (c.1966)\nThe prize winner. M.L.I. Co. Press (c.1935?)\n52 bones in a terrible hurry.The May Co.(c.1950's)\nHeight and weight tables for Children-Borden Dairy. The Borden Company (c.1920's)\nVariety gives nutritional balance. Stokely Van Camp, Inc. (c.1950's)\nA better start in life with meat.Nutrition Division, Research Laboratories, Swift \u0026amp; Company,(c.1950's)\nTummy tingles by Josephine Beardsley; illustrations by Marjorie Peters. (c.1937)\nLydia E. Pinkham's private text-book:  ailments peculiar to women. Lydia E. Pinkham Medicine Co. (between 1878 and 1940)\nMy views on birth control by Dr. B. Goodman. (c.1944)\nWedlock and birth control: straightforward talk on a momentous and delicate subject by Dr. Grayling Stewart (c.1950?)\nA Book about birth control written by Donna Cherniak ; edited by Shirley Pettifer (c.1984)\nThe age of romance. American medical Association (1933)\nQuestions and answers about intrauterine devices.Planned Parenthood Federation, Inc.(c.1970)\nSecrets married women should know.America's Medicine (c.1930?)\nThe new germcide Hyomei: positive cure for coughs, bronchitis, asthma, and consumption.The R.T. Booth Company (c.1906)\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building is an artificial collection and periodic additions are expected.","Addition 53 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one calligraphy manuscript of Hans Rudolf Gujer from Wermatswil, Switzerland. The book contains thirty-seven leaves in landscape format, in various colored inks and watercolor, with some use of gouache. ","It also includes seven large original drawings; one is in pen-and-ink, and six are ink and watercolor; three pages of alphabets; most other pages have three compartments including ornately decorated capital initials, floral, figurative, and abstract ornamental borders and infills throughout; one page with music, and one with micrograph. The last leaf contains a full-page colophon of calligrapher:  \"Von Mir geschriben, Hans Rudolf guier, Zu Wermmet-schweil, 1750,\" with marginal calligraphic addition noting his age at the time of writing, \"mein alter war 20 jahr.\" ","The German texts of the album are religious: biblical quotations, prayers, and other devotional texts. Gujer was a relative of Jacob Gujer, a celebrated \"philosopher farmer.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one handmade picturebook of hand-colored engraved cutouts. A later inscription on the front pastedown reads, \"Fait par la baronne de Chalancey née Delcey pour as fille Clémence devenue Ctsse d' Esclaibes d'Hurst.\" The book was was created by the Baroness de Chalancey for her little girl Clemence, born in 1797.  ","Francoise Marie Gabrielle Delecey de Changey, who went under the nickname Fanny, was born in 1769 in Langres, Haute-Marne; she married Baron Jean-Francois Bichet de Chalancey in 1791, whose chateau in Chalancey was 30 kilometers from Langres.  Their first child, a boy, died in 1796 at four; a daughter, Clemence, was born the following year.  Fanny lived to age 77, and Clemence survived her mother by 20 years. ","The book starts with la maison, the home, and it shows people, trades, activities, places, architectural details, animals, concepts, fictional characters, and various household people in various activities.","Indenture between Richard Cumming Weeks, the son of a plumber and brazier, to serve as an apprentice shipwright to James King, a shipwright at His Majesty's Dock in Plymouth, England in 1802.","The contract sets out conditions of Weeks' seven-year apprenticeship and his wages of five shillings per quarter to start with and a note signed by James King, increasing his wages to to \"twelve shillings for single time\" and to \"one Pound a quarter for double time\" in 1804  Signed by Richard, his father, and by two Dock officials, with embossed revenue stamps. The indenture measures 40X 33 cm/ 15.75\" X 13\".","This addition 1 of the collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. ","While the collection spans from the 1830s to the 1960s, the bulk date between 1880 and 1925. ","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and instruction manuals given to parents or teachers on child welfare.","This collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. ","While the collection spans from the 1830s to the 1960s, the bulk dates are between 1880 and 1925. ","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps, Ocean parties; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and a government child welfare manual that gives instruction to parents or teachers on child welfare, child needs and development.","1st part of MSS 16758. Twenty-three pamphlets about puberty for women. Some are directed toward mothers, while others are created specifically for daughters. Dates range from 1933 to 1981. ","Earlier pamphlets discuss the process through storytelling, while later examples utilize more medical terminology. ","Titles include \"Marjorie May's Twelfth Birthday\" \"Very Personally Yours,\"  and \"Growing Up and Liking It.\" All pamphlets are illustrated; some have calendars others have quizzes. ","Each pamphlet was published by a manufacturer of women's sanitary products:  Holland-Rantos Co., International Cellucotton Products Co., Kotex (Kimberly Clark), Modess, Personal Product Corporation, and TeenForm. ","Included in folder 3 are two Kotex print blocks, used to illustrate their product packaging in marketing materials. This is part of an artificial collection, ie a  collection of materials with different provenance assembled and organized to facilitate its management or use.","The resolution was passed at a public meeting on August 15, 1838. The resolution discusses the establishment of an infant school. It further describes how education benefits children in the whole community by establishing a desire to learn in children. The pamphlet also notes that parents will be free during the day to work when children are in school, showing a shift in the economic role of mothers.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., contains the artworks of two sisters from Maine, Mary A. Hackett (1830-1908) and Nancy F. (1825-1883) Hackett. The works include watercolors, prose, a reward of Merritt, and two cartes de visite of their great-grandfather Hacket and Aunt Mary Hacket. ","The sister's parents were William Hackett (1780-1869) and Lydia Dutch (1793-1898).  Nancy married Nathaniel Thompson. Census records indicate Mary never married and, as an adult, lived with Nancy in Kennebunk, Maine.  Mary attended Union Academy and Nancy attended Limerick Academy.","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains one handmade juvenile manuscript titled The History of Little Fanny. Dated to March 24, 1849, the book features eleven pages of text with a watercolored cover. A set of seven watercolored paper dolls is in the accompanying slipcase, with each corresponding to a section of the written story. The reader can enact the tale throughout the story by changing Fanny's head between the paper costumes to illustrate her progress.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one volume of an anonymous bereavement commonplace book, dated 1856 and 1874. The manuscript consists of ninety-eight pages of writing, with the rest left blank. The manuscript contains writings by three different women. The first (and most extensive) is by an unnamed governess who writes of the loss of a child in her care, Harry. Her spidery handwriting is even and accomplished, and her use of \"thee\" and \"thou\" throughout suggests she may have been a Quaker. For thirty pages, she expresses her heartfelt love for the child and her grief during Harry's decline. She describes her memories of the boy and his siblings and details the boy's last illness, of about six days' duration, and death.  ","The following forty-eight pages include bereavement verses including poetry, both original and copied from published works, segments of stories, and verses from the bible.  within these pages, the Governess left three pages blank; on the first of these blank pages, \"M.E.G.\" [later identified as Mary E. Grote] wrote about the death of her firstborn son, \"Ernie,\" whose father was Ernest William Davis. In the first line of her text, Grote refers to the manuscript itself as \"this choice collection.\" ","The verse then continues in the governess' hand. Until another passage by Mary Grote appears. It is a five-page memorial titled \"To Ernie,\" dated August 30th, 1874. It is possible that Grote's earlier one-page passage may have been written in 1874. Fourteen blank leaves separate Grote's writing to an entirely different hand and content. ","There are five pages of \"Hints For Housewives.\" These undated, unrelated notes seem to be brief views on issues that arise in a household including damp cupboards, flies, roasting meat, buying eggs, mending china, and other domestic matters.","This addition 11 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains publications, metamorphic trading cards, volvelle (color wheels), and posters. Topics include motherhood, instructional materials on children's behaviour, toilet training, adolescent health, soil conservation for children, and a book about the the education for blind children. ","Folder 1 contains folded out (metamorphic) advertisements for children's clothing by Davidson Brothers, Solar Tip Shoes, E. G. Burrows, J. H. Baldwin \u0026 Company patent table tray, and children's knee elastic protectors (to protect clothes)","Folder 2 contains pamphlets \"Training the Baby\" published in 1931, 1952, and 1957.","Folder 3 contains five illustrated posters with instructions for children on cleaning and bathing themselves.","Folder 4 contains pamphlets for expectant mothers on how to care for their infants: \"The Modern Baby\",  \"Quiet, Baby Is Sleeping\", \"the 14 Days that can seem like a lifetime!\", \"Preparing Baby's Formula\", \"Keeping Baby Clean\", \"Modern Evenflo Nursers\"","Folder 5 contains pamphlets from the Lysol Family Library, \"The Scientific Side of Health and Youth\", \"When Baby Comes\", and \"Preventing the Spread of Common Diseases\"","Folder 6 contains three color wheels ","Folder 7 contains a pledge card for teenagers to abstain from alcoholic drinks and a card that outlines safety guidelines \"Code for survival\"","Folder 8 Publications: \"Let's Save Soil with Sam and Sue\", \"For Bigger Boys and Girls\", \"Facts about the Education of Blind Children\", \"Understanding Your Teenager\"","Compiled in 1858, the decorative title page Cahier d'Écriture par Mercier dédié à mes bien-aimés parents, the book features twenty-four calligraphy entries from a teenage student at the Grand-Classe St. Etienne in Saint-Étienne, France. The entries include the author's reflections on friendship, anger, anxieties, family life, hopes, and religious devotion. ","Several font samplers are present throughout the book, as are full-color pencil-sketched illustrations. Illustrations include buildings, animals, people, and urban scenes. The majority of the calligraphy entries are bordered by an elaborate design, either pressed into the paper or drawn by the author herself. ","This addition to MSS 16758,  The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a small pocket diary with ownership signature of \"Louisa J. Pratt, New Paltz Landing, New York to front endpaper with an early 20th-century hand adding to pastedown and endpaper, \"born 1846\" and \"13 years old.\"  ","The diary contains 366 pages in legible hand. It focuses on the many losses she experiences across 1859 and her youthful awakening to the numerous hardships the women around her confront.  From parental loss to poverty to disease to mental health emergencies, the events of Louisa's 13th year were formative, and she turned to her diary as a place for working out private emotions that burdened her.  ","Louisa balances school, friends, and church with an increasing oversight of her home.  More detail is given as the family continues struggling to keep domestic workers, and it is hinted that Mr. Pratt and the members of the church are drawing labor from girls pulled from the sex trade.  Unprepared for the situations they find themselves in, the girls act out, have mental health crises, and ultimately flee which are documented by Louisa.","While grief, loss, and unexpected adulthood shape much of Louisa's year, she also reports the kinds of joys that remind us she is entering her teens.  Her numerous friends, her love for sleigh rides and horseback riding, her appreciation for school and her recitations are cornerstones.","Addition 7 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two circulars promoting the American School Institute and Schermerhorn's School Agency. There is also a tri-fold trade card ad for a White Mountain refrigerator; an advertisement booklet for a carpet called \"Something Under Foot\"  used as a diary by \"Sara\"; and a plaited hair sentiment with a verse from Charlotte A. Lewis which was sent to a girl named Maryann Gilman.","This addition 12 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a friendship album of Jennie Lizzie Hoit (Dr. Jane Elizabeth Hoyt) made between 1866 and 1871 and a Pennsylvania German Mathematical Fraktur made in 1808 for Elizabeth Urban. ","The friendship book belonging to Jennie is small (3 X 5 inches), about 60 pages, and contains compliments and well wishes from her family members and friends. ","\nThe collection also contains a Pennsylvania German Mathematical Fraktur presented to a schoolgirl, most likely Elizabeth Urban. Fraktur is a Germanic tradition of decorated manuscripts and printed documents noted for its use of bold colors and whimsical motifs. The page contains a Multiplication Table and Pence Table, dated September 15, 1808, inscribed \"Miss Urban, I have the honour to be your humble servant,\" signed A.G. Lees, Conestoga Township, Lancaster County. Initials EU appear in the intersecting hearts. The page is decorated with birds and flowers. The student was likely Elizabeth Urban, born on July 22, 1795. The table was probably presented by her tutor or teacher, possibly Alexander Lees, residing in nearby York County from 1779 to 1781, or Abraham Lees, in York County in 1785. ","Jennie was born in Concord, Massachusetts, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907. ","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains 23 pamphlets on early learning, education, adolescence, growth and development, health, prenatal and Infant care, and parenting.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to women's health, infancy, and childhood. ","This includes \n1. Woman's tried and true friend, Portland, ME: Caulocorea Mfg. Co.,c.1893; ","2. Friar Medicine Company ephemera (5 sheets), 1901; ","3. Taylor, Marion Sayle, \"The seat of love and youth: plain truths for women, c.1927; ","4. Taylor, Marion Sayle, \"Body hygiene for women,\"1928;","5. Williamson, George H.,\"Personal hygiene for women: explaining the new hygiene which is bringing comfort, peace-of-mind and greater health and efficiency to the world of women,\" 1928; ","6. Wells, H.J. (edited and published by),\" Tennessee journal of medical and surgical diseases of women and children, and abstracts of the medical sciences,\"1884; ","7. \" Wasting diseases: their causes, treatment, and cure,\" New York: Scott \u0026 Bowne, c, 1877; ","8.Sheffield, Herman B., \"The baby's record and health,\" 1913; ","9. Olmstead, Allen S., \"This will interest mothers: Mother Gray, the children's friend,\" c.1910.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one notebook kept by S.B. Coulson with notes regarding Friedrich Fröbel teaching approach and use of Fröbel gifts, which include play materials such as balls, cylinders, cubes, and tablets. ","The instructors were \"Miss Doyle,\" \"Miss Symond,\" and \"Mrs. Meleney,\" the latter being Carrie Coit Meleney, a student and later prolific correspondent of Maria Kraus-Boelté (1836-1918), a pioneer of Fröbel education in the United States and author of the textbook, \"The kindergarten guide\" (1877). The notebook also contains diagrams and illustrations depicting configurations of tiles and boxes. Several pages have been torn out of the notebook.","This addition to MSS-16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia),  contains six pieces of advertising ephemera. Included are: 1. Mrs. Prettyman's celebrated breast salve, c. 1866-1895, (3 advertising broadsides); 2. Celluloid starch requires no cooking, a die-cut point-of-sale display card with an attached cardboard stand depicting a baby seated on a pillow holding a paper advertising celluloid starch; 3. Display card for Johnson and Johnson baby powder; and  4. a pamphlet titled Your baby's diet: Heinz strained foods: their uses and nutritional values. (circa 1950s).","Addition 19 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet: \"Tennessee Industrial School for the Benefit of Orphan, Helpless and Wayward Children, Nashville, Tenn.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a travel diary of Frederica King Davis as she traveled through England and France during her 19th year.  The bulk of the diary contains vivid and dense descriptions of her travel route, means of travel, companions, sites visited, and observations on art and culture; toward the end, she meticulously documents her allowance received, her expenditures, and the list of books she aims to read as a result of her trip.  ","The diary offers insight not only into the type of grand tour provided to well-off 19th-century American women but also into the history of tourism, transport, and a history of artistic exhibits and art criticism, women's education in domestic accounts and budgeting, traditions in women's gift-giving and charitable contributions, the history of women's fashion, and the history of friendship and courtship etiquette.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a set of Courtesy posters to color, a Children's Aid Society Donation Circular, and educational game ideas handwritten and compiled on index cards by elementary school teacher Jane Ehrhard. The educational games are housed in two small commercial portfolios produced by Burgess Publishing Company for their line of printed educational games.  ","Contemporary ink signature of Jane Ehrhard on the back of both portfolios.  One red portfolio is printed with the title \"File O' Fun for social recreation,\" with Jane A. Harris listed as the author.  The second portfolio is orange and printed with \"Games for the elementary school grades: playground, gymnasium, classroom,\" by Hazel A. Richardson.  It appears Jane Ehrhard has repurposed the portfolios. Both measure 18 x 12 cm and are bound with an elastic cord.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets and booklets on pre and post-natal advice for expectant mothers in America. They include: 1. Information for expectant mothers, by Frank LeCocq Jr., and Albert Bostrom, Jr. (c.1959); 2. Instructions for expectant mothers (c.1959); 3. While I am waiting, (1960); 4. Mrs Winslows soothing syrup: for children teething, (c.1888); 5. Baby is king,(1890); Baby feeding made easier, (1956) accompanied by two pieces of ephemera \"It's the nipple that makes the nurser, the Davol No.155 Nipple...\" and \"Terminal sterilization of baby's formula; 6. Pre-natal care: what expectant mothers should know, compiled by Obstetrical Department of The Western Montana Clinic (c.1955); 7. Your baby's formula (1953, 1955); 8.How food helps mother and baby, for parents-to-be (1954); 9. Modern methods of preparing baby's formula: practical suggestions by doctors, nurses, hospitals and mothers, (1954); 10. More nearly perfect: when baby needs milk from a bottle (1934); and 11. Prenatal care (1949).","Addition 63 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets about women at work both in and outside the home. These include: 1.\"My busy week,\" Herrmann Hdkf. Co 1949; 2. \"When women work,\"[Washington, D.C.] : Women's Bureau, U.S. Department of Labor, 1921; 3. Trade card \"Armour's mince meat and canned meats, c.1890; and 4. Trade cards:  Two round cards depicting 19th century women and girls doing laundry washing by hand.","This addition (69) to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains fourteen pamphlets on the subjects of family planning, women's reproductive health, contraception, hildhood disease prevention, gender, religion, education, history published between 1892 and 1973. Many of these pamphlets were distributed as promotional materials by insurance or healthcare companies. ","The pamphlets are: \"Speaking of Birth Control\", \"Industrial Gems\", \"Keeping a Healthy Home\",   \"Protecting the Home Against Disease\", \"Giving Babies Nestle's Food\", \"Nestle's Better Babies\", \"Where Shall We Put the Baby?, \"Vanta Baby Garments\"[advertisement],\"Your Baby's Protection\", \"So You Don't Want to be a Sex Object\",\"Johnny Takes A Wife\", \"Baby Speaks Out on This Matter of Toilet Training\", \"The Power of a Woman\", and \"A Woman's Guide to the Methods of Postponing or Preventing Pregnancy\"","Addition 61 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on childhood growth and development and women's health.","These include: 1. Child culture before and after birth: truths of profound significance to parents and prospective parents, with illustrative examples from real life, Chicago: National Purity Association,|c.1895; 2. Caldwell, J.B., Pre-natal influences, Chicago: National Purity Association,c.1900; 3. Getting ready for baby, Bloomfield, New Jersey: Lehn \u0026 Fink, Inc.,1930; 4. Weeks, Mary Hezlep Harmon, How to tell the story of reproduction to very young children, 1910; 5. Mothers' clubs' and teachers' organizations' course of study, Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910 (2 copies); 6.) Wood-Allen, Mary, Great books for child instruction, Cooperstown, N.Y.: Arthur H. Crist Co.,c.1910; 7. Wood-Allen, Mary, Valuable books for parent and child (2 copies), Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910; 8. Stephens, Elizabeth L., Sacredness \u0026 responsibility of motherhood, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall,c.1910; 9. Stephens, Elizabeth L., Teaching Obedience, Cooperstown, N.Y., Crist, Scott \u0026 Parshall,:,c.1910; 10. King, E.A. The Cigarette and Youth, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall, c.1910;  10. What shall be taught and who shall teach it? 1907; 11. Mrs. J.H. Kellogg, Work as an element in character building, c.1907; 12. Rev. W.W. Cook, The father as his sons' counselor, 1907; 13.  Mary Wood-Allen, Confidential relations between mothers \u0026 daughters, c.1907,14. Mary Wood-Allen, When does bodily education begin?,1907, 15. P.M. Bruner, The integrity of the sex nature, 1907; 16. Mary Wood-Allen, A friendly letter to boys, 1907; 17. Preg-No-Matic: the scientific calculator that takes the guesswork out of rhythm, Bridgport, CT: Brooklawn-Park Laboratory, 1956-1957; 18. Mel Johnson. Going steady, 1964; 19. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1935; 20. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1939; 21.What every woman wants to know about personal hygiene; Cincinnati, Ohio: Hydrosal Laboratories,1926; 22. Marvel syringe: Whirling Spray for women, c.1900; 23. Healthy happy womanhood: a pamphlet for girls and young women, Springfield, IL: Illinois Dept. of Public Health, Division of Communicable Diseases, c.1938; 24.Sol Gordon, Ten heavy facts about sex that your friends don't know, illustrated by Roger Conant, 1971; 25. Charles A. Clinton, M.D, Sex behavior in marriage, undated, and 26.  M. Sayle Taylor, Ph. D., What's wrong with marriage?,1932.","This addition 13 (ViU-2023-0134)of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the teaching archive of Mrs. Florence Tuttle Baldwin of North Haven, Connecticut (Boxes 3-7). Florence was born in 1854, married in 1881, and died in 1926. She spent her career at the Sixth District School in New Haven, Connecticut. ","It is a large addition containing her teaching materials including her ruler (signed by her), book catalogs, lesson plans and educational books from map making to mathematics, grade book, periodicals, manuscripts poems and letters, art work, needlepoint, phonetical drill cards, flash cards, educational games, and family planning from 1899 to 1905.  ","\nIn addition to Baldwin's teaching materials, other materials include a drawing book entitled \"Our Chat\" with stories by Ella Smith and Audrey, Yvonne \u0026 Clifford Evans; publications on vertical writing (handwriting), \"Talks and Tales\"; and five England-published pamphlets from the 1950s discussing family planning practices and contraception. Titles include \"Modern Family Planning,\" \"A Planned Family,\" \"Planning a Family,\" \"The Planning of a Family\", and a Lloyd's Family Planning Centre pamphlet.","There is a 1934 New York-published pamphlet that discusses Zonite as a family medicine and feminine hygiene products. Titles include \"Another Zonite Product for Intimate Feminine Hygiene;\" \"Facts for Women;\" and \"The real meaning of Antiseptic in everyday family life.\" ","There is a flyer entitled \"Please Give A Quarter\" which promotes the Salvation Army's Fresh Air Camps published circa 1900. ","Also included is a dating book belonging to a young girl titled \"My Him Book\" which has categories of \"High School Hims,\" \"College Hims,\" \"Home Hims,\" and \"Movie Hims\" about her romantic interests, and denotes William Purdy as the \"best of all my beaus\" under the \"Wedding Hims\" section. ","Florence Eleanor Paget (1887-1965) was a professional nature illustrator and artist from England who studied under George Vernon Stokes, a British wildlife and landscape artist. She made these books when she was a young woman, roughly between 1900 and 1910. ","One oblong linen book is labeled \"Sketches\" in pencil on the rear cover, and the owner's signature is on the pastedown in the front of the book. Paget likely drew in the \"Sketches\" book when she was twelve or thirteen. The book has forty drawings in pencil and watercolors. The subjects include landscapes like Redcar Pier, Saltburn Cliffs, Kew Gardens, Etal Church, and Etal Castle, as well as many sketches of her dogs, observations of people, fruit, and fauna. Some drawings have captions that identify the place or provide a funny caption. ","The other is an oblong publisher's cloth binding in green with \"Flora\" stamped in gilt. The book  was likely created five to ten years after the \"Sketches\" book. Dried flowers and plants are artfully pasted down and numbered. She wrote the binomial names in cursive, opposite of the pasted-down plants. There are a total of six total entries. ","The books are mainly written in English, except for one sketch with a caption in French and the Flora books with scientific names in Latin.","Addition 20 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a Salvation Army \"Help the Children\" flyer from June of 1903 sent to raise funds for an outing for poor children in Columbus, Ohio. ","The outing was meant to \"bring some brightness, cheer and comfort into the lives of the poor children of the slums and crowded tenement districts.\" The plea was written by John M. Richards, Adjutant, and the flyer has a cartoon illustration of a children's parade as a decorative border. On the verso of the flyer is a letter written in German written by a woman from Columbus,  dated September 13, 1904.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building,  features one string-bound scrapbook with pasted photographs of dolls collected by Helen E. Perkins. Compiled between 1909 and 1939 by Perkins and Miss Frances Grier, the scrapbook features sixty-nine pasted photographs of dolls of varying origins. Each entry includes the doll's name, a number, their height, manufacturer, material, and place of origin. Nations that have dolls represented in Perkins's album include China, Denmark, Finland, France, Germany, Greece, Guatemala, Holland, Ireland, Mexico, Morocco, Portugal, Russia, and Sweden. ","The material culture of childhood aspect to this scrapbook gives  insight into the importance playing with these dolls to the two girls.  In several of the photos, they've created scenes with the dolls, even  placing them all on the stairs for a \"family portrait.\" ","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains three pamphlets: 1.) Natural Science Camp (Keuka Lake), 1905; 2.) Boy Conservation Bureau (New York, N.Y.) [1930]; and 3.) Teenage gangs, New York City Youth Board, 1957.","4 items were cataloged separately in the print collection: 1.) Playskool Toys, 1956; 2.) J.L. Hammett Company, School Supplies 1928-1929; 3.) The First Public Policy Seminar from a Black Perspective, 1972; and 4.)Stylish Apparel for Expectant Mothers Spring and Summer, 1920.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains six pamphlets and one poster related generally to child care. Titles included are 1. \"Trimble Helps For Mothers,\" 1940; 2. \"Narcotics and the Family,\"c.1970; 3.\"What your neighbors say: dream book compliments of World's Dispensary Medical Association, c.1910s; 4.\"How to take care of the baby: treatise on the care and feeding of infants,\" 1905; 5. \"Your Baby,\" 1942; 6. \"Baby Feeding Without Tears,\"c.1940s and 7.\"Correct posture guide,\" c.1955.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a commonplace book belonging to Ethel Shearer (1893-1952). ","Shearer was a prominent artist in the mid-twentieth century San Francisco scene, being one of the featured artists at the opening of the San Francisco Museum of Art and Oakland Art Gallery. She was a member of the Society of Francisco Women Artists. ","Her commonplace book was compiled when Shearer was between thirteen and seventeen years old between 1906 and 1910. The book includes invitations and greeting cards from Ethel's friends, newspaper clippings, clippings from various other media, Ethel's own handwritten entries, and pasted photographs. Drawings from Shearer are present throughout, calling to her future career as an artist. ","Additon 21 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets relating to childhood education and parenting. \"The Nursery Chair\" was distributed by Shepard, Norwell, and Co., Winter Street, Boston, and advertises various department store goods following a short story. \"Bradley's Kindergarten Material and School Aids\", published in 1906, advertises tools for learning shapes and colors, instruments for art, mathematical instruments, and standard inks, leads, etc. \"Food-The Teeth and Health\" discusses the ideal diet of a young person, published in 1930 by the City of New York Department of Health and Board of Education.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains leaflets issued by American motherhood magazine from 1907. They are: \"The Ideal Mother\" and \" Confidential Relationships between Mothers and Daughters.\"","Addition 15 of MSS 16758,  the University of Virginia Collection on Childhood, Parenting, and Family Building, contains twenty-five nursery rhyme handkerchiefs. ","Commonly tucked into story books, these were popular children's mementos between the 1910s and the 1960s. Most handkerchiefs are illustrated in full color and have sewn and colored borders. ","However, six of the earliest editions are printed in black and white or sepia with raw edges.Most examples have sewn and colored borders, besides the earliest examples featuring raw, uncolored trim. ","Seven color designs are by British children's illustrator Mabel Lucie Attwell; others are unattributed.  Stories depicted by Atwell include \"Little Miss Muffet,\" \"Ding-Dong Bell,\" \"Jack and Jill,\" \"Little Bo-Peep,\" \"Hush-A-Bye-Baby,\" \"Little Boy Blue,\" and \"Dickory Dickory Dock.\"","\"Going steady\" / by Daniel A. Lord;\nTonsils and adenoids: is your child handicapped?;\nGood habits for children /|cMetropolitan Life Insurance Company ; [prepared with the cooperation and advice of the National Committee for Mental Hygiene];\nHearing, Metropolitan Life Insurance Company;\nCommon childhood diseases, New York: Metropolitan Life Insurance Company,c[1946];\nMrs. Winslow's diet instruction book for the baby. New York: Anglo-American Drug Company|c[1922];\nCollection of Bank Street Publications pamphlets on early childhood education (35 pamphlets);\nKeeping the well baby well.Washington:U.S. G.P.O.,c. 1927;\nOut of babyhood into childhood: 1 to 6 years. Washington:U.S. G.P.O.,c. 1943;\nWhen your child's in the teens /by Edwina A. Cowan;\nYour child grows up,|cby Edgar A. Doll.[Boston],|b[John Hancock mutual life insurance Company],|1939;\nBetween two years and six / by Richard M. Smith; Boston : John Hancock Mutual Life Insurance Co., 1941.\nThe healthy school child.Boston, Massachusetts : Life Conservation Service of the John Hancock Mutual Life Insurance Company, [1940];\nCount down to discovery!--3- 2- 1-year olds : child development, unit 2 / Alice T. Teddlie. Baton Rouge : LSU Cooperative Extension Service, 1972;\nDiscover the wonderful world of 4 and 5 year-olds. Baton Rouge, La.: Louisiana State University Agricultural and Mechanical College, Cooperative Extension Service,| c[1976];\nThe Student advocate, New York: American Student Union,c1936-1938;\nA doctor talks to 5-to-8 year-olds /|cby Dona Z. Meilach in consultation with Elias Mandel; Chicag :Budlong Press Co.,c1967;\nThe care of the baby: prepared by a committee of the American Association for the Study and Prevention of Infant Mortality and presented to the Association at its annual meeting held in Washington D.C., November 14-17, 1913;\nYour child from one to six / U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, Washington, D.C : U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, 1945;\nYour child from 6 to 12, written by Mrs. Marion L. Faegre, Washington, D.C. :| Federal Security Agency, Social Security Administration, Children's Bureau,c1949.","This addition to MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a 9.5\" x 6.5\" wooden puzzle with a  wooden frame and a glass window titled the Silver Bullet: Or the Road to Berlin. ","Original metal ball and elements intact. Directions on the verso of the game.  British dexterity puzzle for a juvenile audience, made of wood and glass. The game's object is maneuvering a metal ball through a winding course, avoiding holes, to the Berlin area. Although the topography of the play suggests the trenches of the Western Front, at the time of the game's creation, the troops had not \"dug in.\" The title, Silver Bullet, suggests a quick victory and supports the view that the British public believed the war would be over by Christmas 1914.","Addition 25 of MSS 16758 The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains twenty-five printed ephemera, including pamphlets and advertising on topics include parenting, child development, sex education, public health, and care of pregnant inmates.","40 posters from the Hope of a Nation Poster Series","Feeding the majority of bottle babies.Mead Johnson \u0026 Co. of Canada, Ltd.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two items relating to scouting. The first is a broadside printing of the ten Girl Scout laws set among art nouveau illustrations from the 1930s. The second is a photo album compiled by a boy at Kerrville, Texas, with images of playing in the streets, swimming in the Guadalupe River, playing baseball, hiking, marching, and being at a local Boy Scout camp. The black cloth photo album contains fifty-two black and white photos, measuring 10 x 7 cm, with a caption on the album leaves. ","There is a  photograph of an African American man. (Caption reads, \"Uncle Allen\").","African Americans were often referred to as Uncle or Aunt even though they were not a family relative.They were denied use of courtesy titles.\"Aunt,\" as in \"Aunt Jemima,\" was the term used for older enslaved women in the South who were not allowed by their white owners to use the term Mrs or Miss. The same was true for Uncle, as in Uncle Ben's Converted Rice. Uncle was used for older enslaved men because they were not allowed by their white owners to use the term Mr. The African American in this photograph is referred to as \"Uncle Allen.\" It is important to recognize the use of these terms and confront the racism that is embedded in these white cultural terms.","Source:\nGreen, Mark. Do You Know Why Aunt Jemima is Called \"Aunt?\"\nWhy is Aunt Jemima racist? Here's exactly why. And I do mean exactly.\" Medium. Human Stories and Ideas. Acessed 7/17/2024.\nhttps://remakingmanhood.medium.com/do-you-know-why-aunt-jemima-is-called-aunt-5d111b0765a5","This collection consists of a handmade notebook titled Punctuation Party by Melba Tice. The book presents punctuations as characters with rhymes and cutouts from 19th-century editions of Alice in Wonderland and Through the Looking Glass, as well as contemporary advertisements, explaining punctuation rules. Some punctuation characters are not from Carroll, and their descriptions illustrate cultural viewpoints of the time period, including a racist depiction of a \"mammy' figure and a Clorinda Colon\" as an old maid figure.","Addition 2 of MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven hand-painted postcards presumably created by Elisabeth, the sender. The postcards, drawn in black ink, depict children playing outside: a child pushing another child's sled; two children talking under a tree in spring/summer; two children playing with a balloon; a girl having a picnic with a bunny; one older and one younger girl in the snow; an older girl on a swing; and a girl on a dock by a body of water. ","Two of the postcards have written messages and are addressed to Miss Henebry and Miss Camilla Cole. The cards are postmarked Mount Kisco, NY, July 14 and 15, 1922. Both are sent in the care of Graham Miles of Alexandria Bay, New York. ","Miles was a stockbroker and hydroplane racer. He married and divorced Louise Clover Boldt, the daughter of George and Louise Boldt, wealthy Philadelphians and owners of the Boldt Castle in the Thousand Islands. Miles and Boldt had a daughter, Clover Wotherspoon Miles, but Miles's connection to Elisabeth or the other children named is unclear.","Addition 18 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 7 pieces of pamphlets/ or ephemera. \"What every teenager ought to know\" by Abigail Van Buren; T\"urn this page and do as this little man does\" by Colgate \u0026 Co; \"Ways to keep well and happy: booklet for upper elementary grades \"by Ruth Strang; \"Keeping fit\" by the State Board of Health, Bureau of Venereal Disease, North Dakota; \"Family meals at low cost using donated foods\" by the US Dept. of Agriculture; \"The gas cook book for young people\"by Athens Store Works, Inc., Athens, Tennessee; and \"The picture and rhyme book.\"","Addition 16 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three advertising pamphlets that pertain to parents purchasing products for their children. \"The Tinies that Live in a Tube\" advertises toothpaste, \"Flibitty Jibblit\" advertises rennet powder, and \"The New Boss in the House\" promotes the Pittsburgh District Dairy Council. Each uses imagery of children and parents utilizing the respective product.","Addition 17 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets: \"The Science of Prenatal Astrology\" by Edwin S. McKeever; \"The Space Child's Mother Goose\" verses by Frederick Winsor and illustrations by Marian Parry. The third item is a pamphlet titled,\"Reducing the new common sense way\" about the Kryon method of reducing weight by Continental Pharmaceutical Corp. ","\"The Space Child's Mother Goose\" is a personal copy owned by Arthur Schulman, an Associate Professor of Psychology at the University of Virginia and one of the organizers of the American Civil Liberties Union in Charlottesville. ","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven signs used to warn the public about the spread of contagious diseases and institute quarantine for diseases like smallpox, measles, polio, and diphtheria.","Addition 4 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the American History Hektograph Posters. These are twelve individual monochrome printed poster sheets, measuring 12 X 9 inches,  featuring historical instances in American history. ","Published in 1926 by Beckley-Cardy Company, each scene is intended to be colored, likely by a child. Each scene features suggested coloring methods, a title for the event, and a brief synopsis of the instance below. Scenes are typical origin stories, colonizers, and dominant white narratives and are examples of the narratives taught in classrooms circa 1926. The scenes are numbered 1 through 12, with each respective number placed in the center under the title. Events depicted: 1 - \"Landing of Columbus,\" 2 - \"The Mayflower at Cape Cod,\" 3 - \"The Pilgrims Planting Corn,\" 4 - \"The First Thanksgiving,\" 5 - \"George Washington's Early Home,\" 6 - \"Signing of the Declaration of Independence,\" 7 - \"Washington as President,\" 8 - \"Lincoln Studying by Firelight,\" 9 - \"Lincoln Writing His Inaugural Address,\" 10 - \"The Gettysburg Address,\" 11 - \"Grant Made Commander In Chief,\"  and 12 - \"Digging the Panama Canal.\" ","\"Red Man\" and a Native American \"wearing his bright [British] red coat with great pride\" suggests the presence of reparative content. \"","This addition to  MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building collection, contains one brad-bound scrapbook with a \"HYGIENE\" stencil cut from the paper on its cover. The content discusses healthy living practices for young girls. Entries feature drawings, pasted images, newspaper articles and clippings, handwritten queries on health, and ideas on diet and grooming practices. There are 49 \"chapters,\" each no longer than two pages. The corresponding pages for each chapter are presented in a table of contents at the beginning of the book.","Addition 57 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to teenagers, parenting, and sex education. These include: 1.) The school lunch, Battle Creek, Michigan:|bEducational Department, Postum Company, Inc., (1928); 2.) Sex in life: young men, by Dr. Douglas White (1933); Sex in life: young women, by Violet D. Swaisland (1933); 3.) What parents should tell their children (1933);  4.) Starting to school in Kingsport, Kingsport, Tennessee, Kingsport City Schools (1953), 5.) How life goes on and on:  story for girls of high school age, y Thurman B. Rice (1937); 6.) When children ask about sex, by the staff of the Child Study Association of America. Foreword by Marianne Kris (1953);  7.) Woman against myth, by Betty Millard (1948); 8.) The teacher and mental health [prepared by the National Institute of Mental Health] (1955); 9.)The safety zone:|ba frank talk with women concerning their personal problems (1940), 10.)Teen-agers and parties, Ernest F. Miller (1960), 11.) Tips for teeners  by Antoinette Donnelly (c.1950); 12.) Think straight before you date, D.F. Miller. (1959); and 13) Teen-agers and dope, Howard Morin, C.SS.R. (1957)","Addition 5 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single press photograph from the children's clinic at the ridge avenue dispensary in Philadelphia in the 1930s.  The photograph is a group photograph of Black nurses and children in a clinical setting. A typed caption is affixed to the top right edge of the picture. No photographer or studio is noted.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a pamphlet titled Strong bodies sound minds: some health hints for the school-day years (c.1930).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on public health topics including syphilis and sex education. These include: 1. Management of syphilis in general practice, Joseph Earle Moore, in collaboration with: Harold N. Cole [and others], 1938; 2. Genitoinfectious disease control in Massachusetts, prepared by The Massachusetts Department of Public Health co-operating with the United States Public Health Service, 1940; 3. The diagnosis of syphilis by the general practitioner by Joseph Earle Moore, M.D., 1938; 4. Syphilis in mother and child,by Harold N. Cole and Philip C. Jeans, in collaboration with Joseph Earle Moore ... [et al.], 1940; 5.Your baby and the blood test law, Ernest B. Howard, M.D., c.1939; 6.Clinical excerpts, 1942; 7. Sex education for the preschool child by Harold E. Jones and Katherine Read, 1941; 8. Sex education for the ten year old /|cby M. Marjorie Bolles, 1941; 9. Sex education for the adolescent. by George W. Corner and Carney Landis, 1941; and 10. Sex education for the woman at menopause by Carl G. Hartman, 1941.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the publication of an educational booklet titled \"The Story of Sex Hormones,\" produced by the Schering Corporation, an American pharmaceutical company. The pamphlet was distributed at the Hall of Science at the Golden Gate International Exposition at an informative display called \"Hormone Woman.\" It briefly outlines recent advances in endocrinology and offers illustrated explanations of menstrual cycles and sex hormones, as well as a short description of menopause.19 cm","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a sample book titled \"Kiddie flowers\" consisting of eight mounted samples of floral fabric potentially for children's clothing.","Addition 24 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet for the Davis Home for Colored Children 34th Anniversary located in in Pittsburgh. This promotional booklet is for the  \"34th Anniversary\" of the Davis Home, a temporary home and day nursery for African-American children. Also of note in the booklet are advertisements for what are likely Black businesses that supported the home. \n \n   Note says, \"This book is dedicated to my mother, Mrs. Fannie Louis Davis, who was the founder of the Davis Temporary Home and Day Nursery in 1907, and organizer of the Colored Women's Relief Association of Western Pennsylvania in 1909. To my wife, Mrs Louise Scott Davis, President of the Davis Home for Colored Children, who has been loyal and faithful in giving her life toward the advancement of this home. To my friends, who have contributed to this Home in any way they could. Finley T. Davis, Business Manager.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains Paul Kenton Conrad's childhood cartooning album and scrapbook. The sketchbook, a string-tied leatherette album, documents a young boy's self-guided attempts to develop cartooning skills. Cut-out tutorials from Frank Webb's \"How to Make Faces\" are mounted on the album's early pages, with attempts in pencil to follow their instructions. Midway through, Conrad branches out from these copies into creating his original subject matter, including army airplanes, sheriffs, pistols, cowboy hats, and a series of one-panel strips titled \"Stuff that's funny.\" The artist, a Pittsburgh native who settled in Honolulu, would later become a successful lounge pianist and musician of some note in the 'Exotica' genre, releasing one well-received album (\"Exotic Paradise\").","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet titled \"Growing Up in the World Today: for Boys and Girls in the Teens\" by Emily V. Clapp.(1946)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets for parents and teachers about puberty and sex education. ","Titles include 1. \"Sex Behavior and sex interest in Children,\" by Louise Bates Ames (1952); 2. \"When children ask about sex,\" by the staff of the Child Study Association of America, Sidonie M. Gruenberg [and others] Anna W.M. Wolf, editor, (1946); 3. \"Preparation for puberty: a sex education manual for parents and teachers,\" written by Mrs. Linda K. Teller, illustrated by Mrs. Dorothy Teeters (1965); and 4. \"Sex education in the home,\" Georgia Department of Public Health, (c.1950).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a chart of hormone interrelation upon which the film \"The physiology of normal menstruation\" is based. Printed in green and black, full color chart. 1 sheet folded to 8 unumbered pages. 23x62 cm folder to 23x16 text.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains  a set of twelve offprints titled \"Your baby at [1-12] months.\" There are twelve pamphlets, one for each month of a baby's first year of life. Reprinted from Baby Talk, published by the Parenting Group, New York, N.Y.Author: Beulah Sanford France (1891)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a spiral-bound sketchbook belonging to an unnamed art student, most likely living in New York City. Page one of the sketchbook details the student's assignment: \"DUE - 300 by June 2nd, Marked Chronologically.\" Traces of what may be an owner's name and grades of \"B\" and \"B+\" are written on the cover. Each sketch is numbered in pencil and is stamped between March and June 1952. The sketchbook's seventy leaves have drawings only on the recto. Drawings are completed in pencil, ink, and crayon.  This student's sketches are primarily figure studies of those in transit on the subway. Other scenes include a roller derby skater, pin-up figure, river traffic with a bridge, a parked car, a cat, and exotic animals.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a handmade fundraising appeal concertina album to the artist Oskar Kokoschka. The book was created by design students at the Modeschule der Stadt Wien (Fashion School of Vienna). In 1946, the school relocated to Schloss Hetzendorf, an eighteenth-century palace that sustained significant damage during the Second World War.Students were pressed to raise money for their art supplies amid the renovations. This fundraising appeal was addressed to exiled Austrian artist Oskar Kokoschka, known for his contributions to expressionism. The album contains hand-cut stencil letters, hand-colored illustrations, and collages of paper, felt, yarn, tin foil, leather, and chipboard. The book reads: \"Dear O.K. [Oscar Kokoschka] / if we would have brushes and colours to paint / coloured paper for handykraft / wools to weave / leather for gloves and bags / felt for millinery/magazines to get suggestions / spezial [sic] books for library/material for dressmaking / then all would be OK. Photographs of the students at rest and at work sewing, trimming, painting, weaving, and drawing are pasted on the verso of each collage. Kokoschka fled Vienna, Austria under the Nazi regime and never returned. It is unknown whether he responded to this appeal from the Modeschule students.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet titled Your Child's Development - Infant to 16 years.","\"This booklet is based on recent studies at the Gesell Institute. Dr. Arnold Gesell, the Institute's research consultant and a household word to parents, founded the Yale Clinic of Child Development, which he directed for 37 years. Today, Dr. Gesell and his collaborators, Dr. Frances L. Ilg, a pediatrician, and Dr. Louise Bates Ames, a psychologist, carry on the pioneer work of the institute.\"","Published by Good Reading Rack Service, Inc., a division of Geffe, Morton \u0026 Griffiths, 76 Ninth Avenue","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains an  original calligraphic manuscript of thirty variously colored linocuts, each by a different girl from a class at St. Helen's Norwood, London. Each linocut has the student's name below in ink. The contents are handwritten verses of Benedicte Omnia Opera. The title page notes, \"Lettered, illustrated and bound by all the members of IVA.\" The endpapers are also original handpainted images of angels. Bound in original black cloth at the school by L. Hardy, D. Lines, and J. Scarth.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single pamphlet titled \"Doors to Open\" by Ellis Gladwin and Rama Braggiotti (illustrator) published by the Connecticut Mutual Life Insurance Company. It is written as a guide for young people but specifically addresses men embarking on college life and advises on new life changes in the context of conservative social constructs of the mid-twentieth century. Sixth in a series of booklets that dealtwith the tensions of everyday life.","Each segment has a hypothetical person encountering specific issues like overcoming shyness and finding social niches. Towards the end of the booklet, a piece titled \"Girl of My Dreams\" is a thinly veiled reference to a young man questioning and discovering an LGBTQIA+ identity. The advice is negative and clarifies that the hypothetical person should stifle these questions and stick to a hetronormative lifestyle, stating \" \"George is very unhappy, [and] needs help to cope with these festering needs. Otherwise, he may settle for a dim life, arrested by a succession of psychosomatic illness.\" ","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building,  contains a game titled \"Judy's Neighbors: Negro Family.\" It includes two dimensional pressed wood figures of an African-American family including mother, father, daughter, and two sons. There are also stands for the figures. Judy's Neighbors was released sometime between 1963 and 1964.This was part of a series and was sold individually and in sets. Teachers used the game to encourage racial diversity.","Addition 14 of MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building contains two promotional posters (22\"X6\") for the 1965 and 1967 New York Children's Book Week. The art of Caldecott Medal-winning illustrator Barbara Cooney made the artwork for the 1965 poster. The illustration depicts a fox carrying a stack of books with a crow overhead, looking down at the fox perched from a branch with the words \"Sing out for Books\" in French. The other poster from 1967 contains a linocut illustration of hot air balloons with a floating banner reading \"Take Off With Books.\" Marcia Brown, the only triple Caldecott Medal winner, made the art for this poster.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a photo album for the Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","The photographs document the center's daily operations, including staff and children, and special events, including several photographs of its graduation ceremony and a special \"Father of the Year\" award presentation for the fathers of the \"graduating class.\" The center closed permanently in 2005.","This addition (23) contains a three-fold pamphlet titled, \"A Report of a Conference on Day Care and the Working Mother\" for the Morris Child Development Center: State of Michigan Pilot program.","Addition 6 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains materials collected and produced by the Bilalian Child Development Center and the Developing a World for All Humanity (DAWAH) in Highland Park, Michigan. The Bilalian Child Development Center was incorporated as a non-profit agency in 1977 and appears to provide community services and educational services for the community.  The DAWAH is an institute developed by a group of African-American Muslims in Michigan to develop an effective DAWAH program in America.  ","Contents include an advertising and enrollment form, two brochures for the Bilalian Center, and another for the DAWAH Institute in Highland Park. Also included are the contents of a binder for the DAWAH Institute. Separated by subject tabs, materials include handwritten notes and a typed agenda for the First National Meeting of the DAWAH Institute, an application of employment to the Institute, papers on Community Services, the A.B.C.D. Savings Program, a photocopy of a Western Union Mailgram to President Ronald Reagan, papers on the Food Co-Op \u0026 Gardening club, Home Garden booklet from the 4-H Youth Programs, Fundraising and Grantsmanship, invitations, brochures, news releases, educational programs, news clippings, and a curriculum statement.","Addition 22 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 21 handbills and handouts on HIV and AIDS and LGBTQ health concerns for teens.","Some guidelines to follow in talking to teens about sex and AIDS/STD's -- Where do mermaids stand (From: All I really need to know i learned in kindergarten by Robert Fulghum) -- Bi-Friendly #40, October 1991, San Francisco, East Bay, and U.C. -- 1991 Fact Sheet / State of California Department of Health Services AIDS Prevention and Follow up Centers Early Intervention Program -- Continuing Education Questionnaire -- Continuing Education Agenda / UCSF AIDS Health Project, San Francisco, CA -- Antiviral AIDS drugs in the pipeline, 1991 -- Fact Sheet 1991 / [San Francisco] -- Syphilis Rate Soaring Among S.F. Teenagers / by Nanette Asimov, Chronicle Staff Writer -- Indications for Encouraging Counseling and Testing for Adolescents -- Special Programs for youth consent form for HIV testing -- Special programs for youth pre-test counselor sign-off sheet for informed consent -- A.T.S. Recommendations for youth and young adults / Adolescent HIV Coalition -- Referral list for HIV+ youth and young adults / prepared by Michael Baxter, Adolescent HIV Coalition Chair, San Francisco -- Youth and the HIV antibody test -- Project ahead / [San Francisco Health Clinics] -- Crisis alert: African American youth and HIV/AIDS / by W.J. Brandy Moore -- Some of the barriers that Latino/adolescents can encounter if they do seek health care and related services for HIV/AIDS / presented by Marisa Davis, Aids Health Project -- Counseling high risk youth / Ken Dunnigan, M.D. April 28, 1988 -- Youth and HIV: no immunity / Jane Shalwitz, MD and Ken Dunnigan, MD, circa 1983 -- Normal adolescent development / Parent Survival Kit, Denise Phelan-Desmond, Luanna Rodgers, Mary Isham, et. al. -- The ten mos asked HIV-Insurance questions / reprinted by AIDS Project, Los Angeles ©1988","Addition 8 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a signed broadside print (11 X 8.5 inches) titled \"My Life Matters\" by the artist and muralist LMNOPI. ","The signed print based on muralist LMNOPI's wheat-pasted street art, is originally produced in response to the Ferguson protests. Artist LMNOPI writes: \"This painting was inspired by the Black Lives Matter movement which originated in Ferguson, Missouri last year in response to the police murder of Mike Brown. I have been doing a series of street paste ups around this movement.\" ","LMNOPI found this image of a young protestor online, eventually identifying the child as a boy named Myles. The image of Myles warily clutching his protest sign (#DontShoot #Ferguson #YourLifeMatters), pasted up on the door of an a condemned factory in Bedford-Stuyvesant, became part of the community: \"The wheatpaste of Myles was much loved by local residents. Often I would observe people taking photos of it on their way to work. I saw many people post it on Instagram. It even survived a local graffiti bomb squad who came through last winter during a snowstorm. They tagged up the entire wall, but did not touch Myles.\" ","Source from LMNOPI's website: lmnopi.com/my-life-matters.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one handmade child's artist book based on Samuel Roger's Poem \"Address to the Butterfly.\"","Unidentified youth creates a story beginning with a cardboard hand-cut apple; as the story progresses, a cardboard cut-out worm escapes the apple and begins to \"eat\" the pages before cocooning and then emerging as a pop-up butterfly.  ","Crudely bound with black leather over boards; a window cut out of the front cover allows the painted apple on page [1] to show through. ","A small pocket mounted inside the back board holds five cards printed with Samuel Rogers' poem \"To the butterfly.\"  The pocket is stamped with \"Address to the butterfly, Samuel Rogers.\"","This addition to MSS16758, University of Virginia History of Childhood, Parenting, and Family Building, contains thirty-four pamphlets on various topics, including puberty and sexual development, childhood diseases, motherhood, birth control, and nutrition.\nList of items:\n A Story About You, by Marion O. Lerrigo [and] Helen Southard [in consultation with] Milton J.E. Senn.\nFinding Yourself, by Marion O. Lerrigo, Helen Southard; medical consultant, Milton J.E. Senn.\nApproaching adulthood, by Marion O. Lerrigo, Helen Southard [in consultation with] Milton J.E. Senn.\nHow to use My Bookhouse, Miller, Olive Beaupré, editor.\nScarlet Fever, Metropolitan Life Insurance Co. (c.1925)\nScarlet fever. Metropolitan Life Insurance Company (1940)\nWhooping cough.Metropolitan Life Insurance Co.(c.1930s)\nWhooping cough.Metropolitan Life Insurance Co.(1921)\nVaccination protects you against smallpox. Metropolitan Life Insurance Co. (c.1926)\nFor your information about Rheumatic Fever.Rheumatic Fever Foundation, 20-30 International,(c.1956).\nMeasles and their prevention. Richmond, Virginia, State Health Department (c.1965).\nCommunicable diseases in Virginia: mumps.Virginia, Commonwealth of Virginia Department of Health (c.1967)\nTraining is fun with Little Toidey. Juvenile Wood Products, Inc.,(c.1938)\nSmallpox is still here. Metropolitan Life Insurance Company, (c.1939?)\nRickets \u0026 scurvy. Metropolitan Life Insurance Co. (c.192-?)\nGood teeth: how to get them and keep them. Metropolitan Life Insurance Co. (c.1900s)\nYour baby book.Wyeth Laboratories, Division American Home Products Corporation, (c.1962)\nWomen who go to school.Washington, D.C.National Congress of Parents and Teachers (c.1945)\nChildhood diseases. Prudential Insurance Company of America (c.1966)\nThe prize winner. M.L.I. Co. Press (c.1935?)\n52 bones in a terrible hurry.The May Co.(c.1950's)\nHeight and weight tables for Children-Borden Dairy. The Borden Company (c.1920's)\nVariety gives nutritional balance. Stokely Van Camp, Inc. (c.1950's)\nA better start in life with meat.Nutrition Division, Research Laboratories, Swift \u0026 Company,(c.1950's)\nTummy tingles by Josephine Beardsley; illustrations by Marjorie Peters. (c.1937)\nLydia E. Pinkham's private text-book:  ailments peculiar to women. Lydia E. Pinkham Medicine Co. (between 1878 and 1940)\nMy views on birth control by Dr. B. Goodman. (c.1944)\nWedlock and birth control: straightforward talk on a momentous and delicate subject by Dr. Grayling Stewart (c.1950?)\nA Book about birth control written by Donna Cherniak ; edited by Shirley Pettifer (c.1984)\nThe age of romance. American medical Association (1933)\nQuestions and answers about intrauterine devices.Planned Parenthood Federation, Inc.(c.1970)\nSecrets married women should know.America's Medicine (c.1930?)\nThe new germcide Hyomei: positive cure for coughs, bronchitis, asthma, and consumption.The R.T. Booth Company (c.1906)"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following books have been transferred to the library collection: List of titles\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\nThe new family / Virginia. Bureau of Child Welfare.\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following books have been transferred to the library collection: List of titles\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\nThe new family / Virginia. Bureau of Child Welfare.\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families"],"userestrict_html_tesm":["\u003cp\u003eThis collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials.\u003c/p\u003e","\u003cp\u003eThe Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["This collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request."],"names_ssim":["Albert and Shirley Small Special Collections Library","Musinsky Rare Books","Plymouth (England)","HMNB Portsmouth (England)","Bluemango Books and Manuscripts","Sophie Schneideman Rare Books","Whitmore Rare Books","Salvation Army","Ellipsis Rare Books","Tomberg Rare Books","King, James","Weeks, Richard Cumming","Dugdale, Florence Eleanor Paget, 1887-1965"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Musinsky Rare Books","Plymouth (England)","HMNB Portsmouth (England)","Bluemango Books and Manuscripts","Sophie Schneideman Rare Books","Whitmore Rare Books","Salvation Army","Ellipsis Rare Books","Tomberg Rare Books"],"persname_ssim":["King, James","Weeks, Richard Cumming","Dugdale, Florence Eleanor Paget, 1887-1965"],"language_ssim":["English German French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":81,"online_item_count_is":1,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:25:29.745Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1482"}},{"id":"viu_repositories_3_resources_1438","type":"collection","attributes":{"title":"The University of Virginia Jefferson Papers","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1438#creator","type":"document_value","attributes":{"value":"Jefferson, Thomas, 1743-1826","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1438#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of letters written by and addressed to Thomas Jefferson, as well as architectural plans and studies that were created or endorsed by Jefferson, created by other individuals associated with him, deeds, plats, and maps, some of which pertain to the subjects of the architectural studies, and other miscellaneous materials.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1438#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1438","ead_ssi":"viu_repositories_3_resources_1438","_root_":"viu_repositories_3_resources_1438","_nest_parent_":"viu_repositories_3_resources_1438","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1438.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/146623","title_filing_ssi":"Jefferson, Thomas Papers, University of Virginia","title_ssm":["The University of Virginia Jefferson Papers"],"title_tesim":["The University of Virginia Jefferson Papers"],"unitdate_ssm":["1751-1898"],"unitdate_inclusive_ssm":["1751-1898"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Jefferson Papers","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1438"],"text":["Jefferson Papers","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1438","The University of Virginia Jefferson Papers","University of Virginia","Real property -- Virginia","Architecture--Virginia","Collection is open for research. Users must use a copy or microfilm of materials unless prior permission to use originals has been obtained from senior Special Collections staff.","N 545, MSS 9090-a is restricted. No access without written permission of the owner.","Photocopy of this letter is boxed with 6240-a.\nOriginal file draft of this letter filed as MSS 2573.","Letters are arranged chronologically. Archtectural drawings, other oversized, and miscellaneous materials are arranged by Nichols (N) number where applicable, and by MSS number otherwise.","Arranged according to Nichols (N) number system. Each of Jefferson's architectural drawings is listed individually with the corresponding \"Nichols number\" taken from Thomas Jefferson's architectural drawings / compiled and with commentary and a check list by Frederick Doveton Nichols. -- 4th ed. - (Charlottesville : Thomas Jefferson Memorial Foundation, 1988, c1995.).","Thomas Jefferson (1743-1826) was the third president of the United States, born in Goochland (now Albemarle County), Virginia. He was a member of the Virginia House of Burgesses from 1769 to 1775, and with R. H. Lee and Patrick Henry initiated the inter-colonial committee of correspondence in 1773. He wrote the widely circulated Summary View of the Rights of British America in 1774. Jefferson was a member of the Continental Congress in 1775 and 1776, and was chairman of committee that prepared Declaration of Independence. Jefferson himself wrote and presented the first draft of Declaration to Congress on July 2, 1776. He then signed Declaration with other founding fathers. Jefferson was Governor of Virginia from 1779 to 1781, and again a member of the Continental Congress from 1783 to 1785. He proposed decimal coinage, a series of provisions later embodied in Ordinance of 1787. He served as U.S. minister to France from 1785 to 1789, and as U.S. Secretary of State from 1790 to 1793. He served as Vice president of the U.S. from 1797 to 1801, and drafted the Kentucky Resolves in 1798, against the Alien and Sedition Acts. ","Jefferson was President of the United States from 1801 to 1809, elected by the House of Representatives after a tie in electoral vote (with Aaron Burr, q.v.). His presidential administration is remembered for the purchase of Louisiana from France in 1803 and dispatch of Lewis and Clark to explore it; the war against Algerian pirates from 1801 to 1805; diplomatic trouble with Great Britain over \"impressments\" of American seamen (Embargo Act of 1807); and prohibition of the importation of slaves. ","After retirement from presidency, Jefferson lived on his plantation at Monticello near Charlottesville, Virginia. He was instrumental in founding the University of Virginia in 1819. He was a noted naturalist, scholar, and architect, and author of Notes on the State of Virginia in 1785. Jefferson died 4 July 1826 and is buried at Monticello.","Epithet: actor, son of Joseph Jefferson","SNAC Cooperative. British Library Archives and Manuscripts Catalogue : Person : Description : ark:/81055/vdc_100000000544.0x00007c. https://snaccooperative.org/view/83449756","Provenance unknown","Provenance unknown","This is an artificial collection with multiple accession/manuscript numbers, as well as a variety of implemented arrangement systems.","To locate specific Architectural drawings in the Calendar of the Jefferson Papers of the University of Virginia, search the page for the item or folder date, Nichols (N) number, or MSS/Acc. number.","Like the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the  University of Virginia . However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.","Like the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the University of Virginia. However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.","Other institutions with significant collections of Thomas Jefferson and Jefferson family manuscripts:","LIBRARY OF CONGRESS (DLC):","Thomas Jefferson Papers, 1606 to 1827","MASSACHUSETTS HISTORICAL SOCIETY (MHI):","Coolidge Collection of Thomas Jefferson Manuscripts, Massachusetts Historical Society.","MISSOURI HISTORY MUSEUM (MOSHI):","Thomas Jefferson Collection, 1773-1826","HUNTINGTON LIBRARY (CSMH):","Thomas Jefferson collection, The Huntington Library, San Marino, California.","HISTORICAL SOCIETY OF PENNSYLVANIA (PHI):","Thomas Jefferson Papers, 1766-1825","AMERICAN PHILOSOPHICAL SOCIETY (PPAMP):","Thomas Jefferson papers, 1775-1825, Mss.B.J35","COLLEGE OF WILLIAM AND MARY (VIW):","Thomas Jefferson Papers, 1761-1931","NEW YORK PUBLIC LIBRARY (NN):","Thomas Jefferson papers, 1766-1826, MssCol 1557","VIRGINIA HISTORICAL SOCIETY (VIHI):","Thomas Jefferson Papers, 1780-1826, Mss2 J3595","Original owned by Thomas Jefferson Memorial Foundation.","This collection consists of letters written by and addressed to Thomas Jefferson, as well as architectural plans and studies that were created or endorsed by Jefferson, created by other individuals associated with him, deeds, plats, and maps, some of which pertain to the subjects of the architectural studies, and other miscellaneous materials.","All of the Architectural Drawings and Other Oversized \u0026 Miscellaneous Materials listed in the Jefferson Papers Calendar are fully represented in this finding aid, spanning the dates 1751-1898. However, the materials described here only represent a portion of the complete Jefferson Papers. Please see the Jefferson Papers Calendar, this collection's main finding aid, for a full chronological listing of all of the materials (1732-1898): https://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml","Lists enslaved persons at Poplar Forest by name, including ages of those under 8 years old. Also lists livestock.","Letter from  James Madison  to  Thomas Jefferson  submitting his first donation for founding the \"Central College,\" which would become the  University of Virginia . Docketed in Jefferson's hand on verso, \"Madison Ja.,  Montpellier  [missing text on margin] recd M [missing text on margin]\"","This is one eight-page manuscript is entitled \"Proposed list of instruments for the classes of [N]at[ural] philosophy \u0026 Mathematics,\" written by Thomas Jefferson around April 26, 1824. The instruments recommended by Jefferson were to outfit the departments of science in the Academical Village classrooms and laboratories at the University of Virginia, which held its first term in 1826. The listed is organized through headings by equipment requirements for each scientific department at the University: \"Genl purposes,\" \"Mechanics,\" \"Hydrostatics,\" \"Optics,\" \"Electricity Etc.,\" \"Astronomy,\" and \"Miscellaneous.\" Jefferson's list includes a \"very accurate set of weights\" outlined with a table, a \"model of Braham's fire engine,\" \"a good Kaleidoscope,\" a \"simple Planetarium, 3f diam. with Sun, moon \u0026 earth only,\" a \"Lithographic press,\" an \"Electric battery,\" a \"Turning lathe with Tools for working in wood \u0026 brass,\" a \"Magic lanthern,\" \"12 f of brass chain for electrical machine,\" a camera lucida, a variety of pumps, a charcoal furnace, and many other scientific dependencies. For his request of \"a very large supply\" of glass tubes, Jefferson included three simple drawings of his preferred tube types. This list of proposed instruments was penned by Jefferson shortly before Francis Walker Gilmer, an emissary of Jefferson, was dispatched to Europe to gather mechanical and scientific instruments, as well as recruit professors from London, Cambridge, and Edinburgh colleges for the forming University of Virginia. Gilmer returned to Virginia at the end of 1824 with five professorships filled. Three small paper fragments from the manuscript are also present.","This series primarily consists of architectural studies on structures found at the University of Virginia, at Thomas Jefferson's private properties like Monticello and Poplar Forest, and studies on structures in Richmond, VA. The studies in the collection contain elevations, plans, and sections, most of which include Jefferson's specifications. These architectural drawings were created mainly by Thomas Jefferson. Some were created or augmented by John Organ, Dr. William Thorton, James Dinsmore, John Neilson, John Hartwell Cocke (possibly), Robert Mills, and Cornelia J. Randolph.","Deposited by Wilson Cary Nicholas Randolph with the Proctor of the University of Virginia","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink on paper.","T.J. early free-hand sketch of elevation and plan for Monticello showing porches. 1 item. laid paper.","Study for final elevation of the first version. 1 item. ink on paper.","Drawing of archiatrave in the Monticello Dining Room. 1 item. ink and pencil on paper.","Undated plat by T. J. of Poplar Forest tract shows boundaries, roads, existing and proposed buildings; floor plan of house on verso, rooms designated in Anglo-Saxon. 2 pp. (note: see N 269 for missing section). 1 item. ink on paper.","Same as N 350","Same as N 351","Thomas Jefferson's first floor plans showing rotunda house with wings. Nichols mis-identified the second plan (N 282) as the second floor plan of the governor's house. It is the first floor. 2 items. ink on paper.","Letter from Thomas Jefferson to Dr. William Thornton describing ideas for the academical village. Contains rough sketch of Jefferson's early idea for the ground plans, showing seven pavilions around an open space with grass and trees. This sketch appears in Jefferson's first letter to Dr. William Thornton regarding the design of the Pavilions in his proposed academical village. 1 item. iron gall ink on plain wove stationary.","Same as N 352","Second study of Ground plan of West range with dormitories and hotels A and B. The suggestion for making this revised study of the West Range with the Hotels and Dormitories facing away from the Lawn instead of towards the backs of the Pavilions came from Joseph C. Cabell at the Board of Visitors meeting of 29 March 1819. One of three variants. 1 item. iron gall ink and pencil on graph paper.","This original study for the West Range shows Jefferson's initial intention to place the West Range directly behind the Pavilions and Dormitories of the Lawn. One of three variants. 1 item. iron gall ink and pencil on graph paper.","These two sheets were once joined. Together they are the studies for Pavilion VII's lower portico. South and west elevations. 2 items. pricking, scoring, and iron gall ink on graph paper.","Earlier study for plan of lawn with rotunda (N 366). 1 item. ink on paper.","This is an early study for Pavilion VII, the first building erected. It shows an elevation of the pavilion with adjacent dormitories and Chinese railings, and plans of the first and second floors. On back is an early study of the Lawn showing nine identical paviliions; the specifications begin: \"The walls of the Pavilion are 116 feet running measure.\" Includes construction notes on verso. 1 item. ink on paper.","Elevation (front facade) of pavillions with two-story dormitories. Watermarked J. Whatman. Drawn by Dr. William Thornton. In May 1817 Jefferson wrote to Dr. William Thornton describing his plan for the Central College with separate pavilions and a range of dormitories. Thornton responded on June 11 with a two story composition of student rooms and pavilions. 1 item. ink and watercolor on thin wove paper.","Elevation and three plans of Pavilion VII's front facade and floor plans and specifications for the building. The plan of the Pavilion measures 34 feet wide by 26 feet deep, precisely the dimensions that Jefferson used on his study for a typical Pavilion for Central Colllege. Cornerstone laid October 6, 1817. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.","Plan and comparative study for garden walls. While decorative, the walls are not particularly strong. 1 item. pricking and iron gall ink on graph paper.","Elevation of Pavilion III's front facade and floor plans and specifications for the building, one with alternate flap. Specifications on verso. On this revised study for Pavilion III, Jefferson has included a basement floor plan and has shifted the elevation to the side of the first floor plan instead of above it. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.","Pocket memorandum book containing initial specifications, ink drawings, and other data used and compiled by T. J. while directing the construction of the University of Virginia (Central College until 1819). Description of proposed buildings, style of architecture, measurements, materials to be used, and the amount of brick or stone required. Includes notes for the rotunda planetarium. 23 item. iron gall ink on wove paper.","Drawing of an elevation and three floor plans for Pavillion II with specifications on verso. On the first floor is the large schoolroom, and on the second floor are the professor's three rooms. On June 5, 1819, Jefferson wrote that he was about to begin the drawings for the pavilion on the east. 1 item. pricking, scoring, iron gall ink, and india ink on paper.","Drawing of an elevation and three plans for Pavillion IV with specifications on verso. 1 item. pricking, scoring, iron gall ink, and india ink on paper.","Elevation and three plans. Specifications on back. Porticos on the first and second floor plans are erased. 1 item. pricking, scoring, iron gall ink and india ink on paper.","Elevation and three plans. Specifications on back. Jefferson's notes continue to call this a \"lodge.\" 1 item. iron gall ink on graph paper.","Elevations and three plans. Shows location of Franklin stoves. Specifications on back. 1 item. ink on paper.","Same as N 326, but without the Franklin stoves or specifications. Formerly incorrectly attributed to Cornelia Jefferson Randolph. Thomas S. Ridgeway statement on verso identifies as T. J.'s work. This is the only carpenter's copy of a University of Virginia building known to have survived the building process. 1 item. pricking and iron gall ink on graph paper.","Southern elevation of Rotunda. The exterior is based upon the Pantheon in Rome at one-half scale. Construction began in 1823. 1 item. ink on paper.","Lateral section of Rotunda. On same sheet with N 328. 1 item. ink on paper.","Flat exterior buttress walls on the north and south ends of the building, and a hexastyle portico on the south end. Specifications on back. Construction began in 1823. 1 item. ink on paper.","Plan of dome room with specifications on back, beginning: \"Rotunda, reduced to the proportions of the Pantheon and accomodated to the purposes of a Library for the University with rooms for drawing, music, examinations and other accessory purposes.\" Construction began in 1823. 1 item. ink on paper.","Jefferson's notes and drawing for framing the dome. On verso: small framing diagram for library dome. 1 item. pricking, iron gall ink on plain wove paper.","Incomplete drawing showing window openings and a fireplace in a circular format. 1 item. ink on paper.","Bird's-eye view of lawn and ranges w/out Rotunda, in parallel perspective. This drawing has been attributed to Thomas Jefferson and his granddaughter, Cornelia Jefferson Randolph, but there is no conclusive proof that either one of them is its author. 1 item. pencil and watercolor on heavy cold-pressed paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and east elevation of Hotel B (labeled as Hotel A). 1 item. pricking, india ink, and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and north elevation of Hotel A (labeled as Hotel B). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of dining Hotel D (labeled as Hotel C). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel C (labeled as Hotel D). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel F (labeled as Hotel E). 1 item. india ink, watercolor, pencil on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel E (labeled as Hotel F). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and pencil on graph paper.","West elevation and first floor plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","Pavilion IV East facade and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","Second floor plans. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","East facade elevation and plan. Inked, shaded and tinted by John Neilson. Neilson has represented the parapet as a series of dies and panels which Jefferson did not indicate on N-356. 1 item. india ink and watercolor on graph paper.","West front facade elevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","First floor plan of Jefferson's octagonal retreat in Bedford County. Inked, shaded and tinted by John Neilson. The design was probably drawn by Cornelia J. Randolph or John Neilson, and based on William Kent's edition of Inigo Jones, Vol. II, Plate 17. This is one of Jefferson's most successful designs. 1 item. india ink on graph paper.","South façade garden elevation of Poplar Forest probably drawn by Cornelia J. Randolph or John Neilson. 1 item. india ink and watercolor on graph paper.","Plan of Bremo, Fluvanna county, Virginia by John Neilson. This is the principal story of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.","Elevation of Bremo, Fluvanna county, Virginia by John Neilson. This is the North front of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.","Doric and Corinthian Pavilion Facade Studies by William Thornton. 1 item. pencil and wash on paper.","Elevation. West facade of Pavilion X. Possibly by John Neilson. The drawing style is consistent with the confirmed Neilson drawings. 1 item. india ink, watercollor, and white ink on paper.","South elevation of Rotunda with South elevations of pavilions IX \u0026 X. Probably drawn by John Neilson. Previously attributed to Cornelia Jefferson Randolph. 1 item. ink with tinted washes on paper.","East elevation and three floor plans of \"No. 1 Pav. West\". Specifications on back. 1 item. pricking, scoring, iron gall ink on graph paper.","East elevation and three plans of \"Pavilion No. V. W. Palladio's Ionic Order, with Modilions.\" Specifications on back. Construction finished in 1821. 1 item. pricking, scoring, iron gall ink on graph paper.","East elevation and three plans of \"Pavilion No. IX We. Ionic of the temple of Fortuna Virilis\". This elevation contains the only example of a Jefferson drawing of a slate roof. It is also the only example of Jefferosn's use of a semicircular niche and pedimented windows on a Pavilion. \"Latrobe\" in Jefferson's writing, upper right. Specifications on back. The entrance motif is a favorite of Ledoux', whose work Jefferson had admired in Paris. Building completed 1821, as Jefferson wrote on September 30 of that year. 1 item. pricking, scoring, iron gall ink on graph paper.","Elevation and three plans of \"C. Hotel. Ionic Dentil.\" Construction completed in 1822. 1 item.","Unfinished studies for plan and elevation of \"Hotel B. West.\" Construction completed in 1822. 1 item.","Elevation and two plans, with detail of arched window set in cornice. Specifications on back headed: \"Hotel A. East. One story with a flat roof and Chinese parapet.\" Construction completed in 1822. 1 item.","Elevation and two plans of Jefferson's \"Hotel C. West. Proctor's\". The first floor plan on this sheet is copied from N-301. One story. Specifications on back. Construction completed in 1822. 1 item. iron gall ink and pencil on graph paper.","Jefferson's elevation and plan of \"Hotel D. East\". One story. Specifications on back. Construction completed in 1822. 1 item. pricking, iron gall ink, and pencil on graph paper.","Elevation and three plans of front facade and a dining hall. Two stories. Specifications on back. Construction completed in 1822. 1 item. ink on paper.","Study of first floor plans. 1 item. pricking, iron gall ink, and pencil on graph paper.","Study of first and second floor plans, east elevation and section. Jefferson designed this building at the request of Dr. Robley Dunglison, the Univesity's first medical professor, and Jefferson's personal physician. Completed in 1826. 1 item. pricking, scoring, iron-gall ink, and pencil on paper.","Study for Lawn with pavilions and rotunda. N-306 was cut from this piece to permit substitutions. 1 item. pricking, scoring, iron-gall ink on paper.","Elevation and section of dormitories. Section through lawn colonnade and a dormitory room. 1 item. pricking, scoring, iron-gall ink on graph paper.","South elevation by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.","Third study or variant for West range. Gardens, hotels, dormitories, and serpentine walls. 1 item. iron gall ink on graph paper.","Section of rails. 1 item. ink on paper.","Plan of a clock for the rotunda. 1 item. ink on paper.","Study and elevation of a Tuscan column that includes the capital, shaft, and base of the order. 1 item. iron gall ink on graph paper.","Dormitory study with elevation and plans of three floors with eight rooms to each floor. Probably studies for University of Virginia, but not by Jefferson. Possibly by General John Hartwell Cocke; see his letter of May 3, 1819, to Jefferson. 1 item. pencil, india Ink and gray wash on paper.","Elevation of two-story dormitory with wings. Elevation of one-story dormitory. Two first-floor plans and one second-floor plan. Possibly another study for N 374. 1 item. ink and wash on paper.","Elevation and two floor plans for two-story dormitory. This sheet contains a study for a two story Dormitory block. The ground floor contains twelve rooms for the students, and the upper floor contains two large spaces separated by a central passage containing stairs. Possibly another study for N 374. 1 item. pencil, india ink, and wash on paper.","Study for dormitory. Ground plan and elevation. Elevation shows arches on first floor and wood columns above. This study depicts alternate plans for a two story single pile vs. a one story double pile range of Dormitories. There is also a large dining hall at the left end of the range, as evidenced by what appear to be two long tables in the upper plan. Above the plans is a larger scale elevation of one of the two story blocks of Dormitories showing an arcade on the ground floor and a series of posts above. Possibly another study for N 374. 1 item. pencil, india ink, and iron gaul ink on paper.","Two unrelated pages. One is a page from a book of map symbols and the other is an old drawing in poor shape, which may not be a drawing by Jefferson. Possibly Architrave. 2 items.","Floor plan. The Observatory plan study has alcove beds. The geometric plan consists of four octagonal rooms surround a cross-shaped central passage, with two recessed loggias, a trapezoidal vestibule, and a projecting loggia. 1 item. pencil on graph paper.","Floor plan with specifications on back. 1 item. ink on paper.","Two photostats of a manuscript ground plan of the University, possibly that from which Maverick made his 1822 engraving, olus three enlarged copies. The drawing shows the first floor of the Rotunda with three oval rooms, and wings containing eight rooms each. The overlay shows the plan of the Dome Room. 5 items. Facsimiles.","Four copies of 1923 facsimile of Peter Maverick's 1822 plan of the University of Virginia. Design sources for pavilions written in ink by Ellen Randolph Coolidge. 4 items.","Drawn by John Neilson. Peter Maverick's 1825 plan showing plan of rotunda dome room. This version of the Maverick engraving shows the first floor of the Rotunda with the plan of the Dome Room as an overlay. Each of the two Gymnasia wings contains eight rooms, each of which is shown to have its own fireplace and door. 5 items.","Plan of south wing of capitol. Not executed by Jefferson. 1 item. ink and watercolor on paper.","Rough draft and specifications for rotunda-style floor plan. Probably for the president's house in Washington, D.C. Notes on verso. 1 item. pencil and ink on paper.","Rough draft for rotunda-style floor plans. Probably for the president's house in Washington, D.C. 1 item. pencil on paper.","Plan of a rotunda style house by Robert Mills. Probably the President's house in Washington, D.C. 1 item. ink on paper.","Section of a rotunda house. Probably the President's house in Washington, D.C. 1 item.","Front and side elevation with floor plan and balcony plan of a church by John Neilson. Created for Thomas Jefferson to submit to Rev. Hatch for the design of Christ Episcopal Church, Charlottesville. 1 item. ink and watercolor on paper.","Plan (sketch) of a house with portico and dependencies. Addressed on verso to T. J., Albemarle. 1 item.","Plan of building with four porticos in the form of a Greek cross, with a framing plan (Probably a development of N-490). possibly a retreat. 1 item. photostatic copy of original.","Plan and section of a garden seat. Writing not by Jefferson, perhaps John Neilson. A study of rendering. 1 item. ink on paper.","Possibly a study by Robert Mills to teach Cornelia J. Randolph rendering. 1 item. rendered in wash.","Rough plan of porticoed building with four octagonal rooms arranged about a square. On verso of letter, 1777 August 15 from Charles S. Lewis, Jr. May be related to N-496. 1 item.","Authenticated in unidentified hand. 1 item.","By Cornelia J. Randolph. 2 items.","Notes on the land lines of Poplar Forest. Survey of roads from Campbell Court House to Poplar Forest. 3 items. ink on paper.","Deeds, surveys, plats, field notes, memoranda, some relating to a land dispute that involved one of the abutting property owners searching all early patents and surveys in the neighborhood, some dating from 1762. In 1811 also, Jefferson was engaged in road building and other extensive improvement on his Poplar Forest tract. Some of the documents are mathematical calculations and field notes, others are elaborately certified surveys. 66 items.","Two plats of same date for 11,777 and 1,790 acres of land on branches of Black Water, a tributary of the Fluvanna (James) River in Albemarle (later Bedford) County, VA, and on Tomahawk and Rock Castle creeks, respectively. The first plat, by Thomas Jefferson, was attested by Daniel Smith, Albemarle County Surveyor, and the second was amended by Jefferson with notes on sequence of titles. 3 items. The missing section from N 255 is located in this folder.","Survey of University of Virginia lawn by James Dinsmore. James Dinsmore made this drawing of the Lawn in order to show the position of Pavilion VII relative to the \"first rise\" on the north. 1 item.","Survey of University site showing Rotunda, East street, and West street. In folder with other fragments: financial figures; dimensions for \"Perry's Houses\"; cost per acres; forms; the Rotunda in relation to the road; and a plat of land with area. 7 items. ink on paper.","Plat showing acquisition of parcels. Purchases from John Perry, Daniel and Mary A. F. Piper, and Jesse W. Garth. Lands held by Alexander Garrett, Arthur Spicer Brockenbrough, and Nathan Barksdale as University Proctors. 1 item. ink on paper.","James Dinsmore's Measurements of Dormitories and Pavilions. Includes Jefferson's further notes. 1 item. ink on paper.","\"Description of a joint or splice\", with cutout model. 3 items.","Thomas Jefferson's recipe for plaster. 1 item.","Thomas Jefferson's design and sketch for a desk. 1 item.","Map of a canal and saw mill by Thomas Jefferson. 1 item.","Description of the hewing of stone. Calculations of verso. 1 item.","Homemade. 1 item.","1 item.","Plat of Monticello by Thomas Jefferson. 1 item.","For phaeton. Five \"figs\" and notes on three sheets. Notes on verso of p.1. 2 items. Ink on paper.","George Carrington map of the county of Cumberland in the hand of Thomas Jefferson. 1 item.","Road to the Thoroughfare. 1 item.","Cf. Betts, Garden Book, Plate XV. Shows boundary with river. 1 item.","Albemarle county: plat of lands of Charles Lewis Bankhead","Instructions regarding work on the University's Rotunda, clock and bell, macadamizing roads, water supply, botanical garden, purchasing of chemicals and gas lights for Dr. Emmet's use, and copy of enactments for each student. Penciled annotations by Brockenbrough of cost of various items. Includes a sketch for measuring \"the tympanum of the portico of the Rotunda\" for a clock and bell. 1 item.","Mr. Harrison's mill and Woodson's Ferry. 1 item.","Two plats of land containing 153 acres and 92 1/1 acres of land bounded by Three Chopped Road and Wheeler' Road were surveyed by William Woods as the site of Central College (University of Virginia).","In Thomas Jefferson's hand","Copyright not Evaluated: \nhttps://rightsstatements.org/page/CNE/1.0/?language=en","More about Rights and Permissions at UVA:\nhttps://www.library.virginia.edu/policies/use-of-materials","Digital reproductions are available:","links to individual pages found under each scanned item in the calendar here: \nhttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml;query=;","Architectural Drawings here: \nhttps://static.lib.virginia.edu/rmds/nichols/index.html ","Reproduction of N-362 restricted withouth the written permission of the Library of Virginia.","Reproduction restricted withouth the written permission of the Library of Virginia.","Albert and Shirley Small Special Collections Library","University of Virginia","Randolph family","Jefferson, Thomas, 1743-1826","Madison, James, 1751-1836","James Madison","Thomas Jefferson","Cooper, Thomas, 1759-1839","English"],"unitid_tesim":["Jefferson Papers","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1438"],"normalized_title_ssm":["The University of Virginia Jefferson Papers"],"collection_title_tesim":["The University of Virginia Jefferson Papers"],"collection_ssim":["The University of Virginia Jefferson Papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Jefferson, Thomas, 1743-1826","Randolph family"],"creator_ssim":["Jefferson, Thomas, 1743-1826","Randolph family"],"creator_persname_ssim":["Jefferson, Thomas, 1743-1826"],"creator_famname_ssim":["Randolph family"],"creators_ssim":["Jefferson, Thomas, 1743-1826","Randolph family"],"access_terms_ssm":["Copyright not Evaluated: \nhttps://rightsstatements.org/page/CNE/1.0/?language=en","More about Rights and Permissions at UVA:\nhttps://www.library.virginia.edu/policies/use-of-materials","Digital reproductions are available:","links to individual pages found under each scanned item in the calendar here: \nhttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml;query=;","Architectural Drawings here: \nhttps://static.lib.virginia.edu/rmds/nichols/index.html "],"acqinfo_ssim":["Acquired by gift and purchase, 1825-present."],"access_subjects_ssim":["University of Virginia","Real property -- Virginia","Architecture--Virginia"],"access_subjects_ssm":["University of Virginia","Real property -- Virginia","Architecture--Virginia"],"has_online_content_ssim":["true"],"extent_ssm":["14.2 Cubic Feet 1 legal document box, 1 half-width legal document box, 6 oversize flat boxes, 2 filing cabinets (4 drawers each)."],"extent_tesim":["14.2 Cubic Feet 1 legal document box, 1 half-width legal document box, 6 oversize flat boxes, 2 filing cabinets (4 drawers each)."],"date_range_isim":[1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Users must use a copy or microfilm of materials unless prior permission to use originals has been obtained from senior Special Collections staff.\u003c/p\u003e","\u003cp\u003eN 545, MSS 9090-a is restricted. No access without written permission of the owner.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research. Users must use a copy or microfilm of materials unless prior permission to use originals has been obtained from senior Special Collections staff.","N 545, MSS 9090-a is restricted. No access without written permission of the owner."],"altformavail_html_tesm":["\u003cp\u003ePhotocopy of this letter is boxed with 6240-a.\nOriginal file draft of this letter filed as MSS 2573.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Photocopy of this letter is boxed with 6240-a.\nOriginal file draft of this letter filed as MSS 2573."],"arrangement_html_tesm":["\u003cp\u003eLetters are arranged chronologically. Archtectural drawings, other oversized, and miscellaneous materials are arranged by Nichols (N) number where applicable, and by MSS number otherwise.\u003c/p\u003e","\u003cp\u003eArranged according to Nichols (N) number system. Each of Jefferson's architectural drawings is listed individually with the corresponding \"Nichols number\" taken from Thomas Jefferson's architectural drawings / compiled and with commentary and a check list by Frederick Doveton Nichols. -- 4th ed. - (Charlottesville : Thomas Jefferson Memorial Foundation, 1988, c1995.).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["Letters are arranged chronologically. Archtectural drawings, other oversized, and miscellaneous materials are arranged by Nichols (N) number where applicable, and by MSS number otherwise.","Arranged according to Nichols (N) number system. Each of Jefferson's architectural drawings is listed individually with the corresponding \"Nichols number\" taken from Thomas Jefferson's architectural drawings / compiled and with commentary and a check list by Frederick Doveton Nichols. -- 4th ed. - (Charlottesville : Thomas Jefferson Memorial Foundation, 1988, c1995.)."],"bioghist_html_tesm":["\u003cp\u003eThomas Jefferson (1743-1826) was the third president of the United States, born in Goochland (now Albemarle County), Virginia. He was a member of the Virginia House of Burgesses from 1769 to 1775, and with R. H. Lee and Patrick Henry initiated the inter-colonial committee of correspondence in 1773. He wrote the widely circulated Summary View of the Rights of British America in 1774. Jefferson was a member of the Continental Congress in 1775 and 1776, and was chairman of committee that prepared Declaration of Independence. Jefferson himself wrote and presented the first draft of Declaration to Congress on July 2, 1776. He then signed Declaration with other founding fathers. Jefferson was Governor of Virginia from 1779 to 1781, and again a member of the Continental Congress from 1783 to 1785. He proposed decimal coinage, a series of provisions later embodied in Ordinance of 1787. He served as U.S. minister to France from 1785 to 1789, and as U.S. Secretary of State from 1790 to 1793. He served as Vice president of the U.S. from 1797 to 1801, and drafted the Kentucky Resolves in 1798, against the Alien and Sedition Acts. \u003c/p\u003e\n","\u003cp\u003eJefferson was President of the United States from 1801 to 1809, elected by the House of Representatives after a tie in electoral vote (with Aaron Burr, q.v.). His presidential administration is remembered for the purchase of Louisiana from France in 1803 and dispatch of Lewis and Clark to explore it; the war against Algerian pirates from 1801 to 1805; diplomatic trouble with Great Britain over \"impressments\" of American seamen (Embargo Act of 1807); and prohibition of the importation of slaves. \u003c/p\u003e\n","\u003cp\u003eAfter retirement from presidency, Jefferson lived on his plantation at Monticello near Charlottesville, Virginia. He was instrumental in founding the University of Virginia in 1819. He was a noted naturalist, scholar, and architect, and author of Notes on the State of Virginia in 1785. Jefferson died 4 July 1826 and is buried at Monticello.\u003c/p\u003e\n","\u003cp\u003eEpithet: actor, son of Joseph Jefferson\u003c/p\u003e\n","\u003cp\u003eSNAC Cooperative. British Library Archives and Manuscripts Catalogue : Person : Description : ark:/81055/vdc_100000000544.0x00007c. https://snaccooperative.org/view/83449756\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Thomas Jefferson (1743-1826) was the third president of the United States, born in Goochland (now Albemarle County), Virginia. He was a member of the Virginia House of Burgesses from 1769 to 1775, and with R. H. Lee and Patrick Henry initiated the inter-colonial committee of correspondence in 1773. He wrote the widely circulated Summary View of the Rights of British America in 1774. Jefferson was a member of the Continental Congress in 1775 and 1776, and was chairman of committee that prepared Declaration of Independence. Jefferson himself wrote and presented the first draft of Declaration to Congress on July 2, 1776. He then signed Declaration with other founding fathers. Jefferson was Governor of Virginia from 1779 to 1781, and again a member of the Continental Congress from 1783 to 1785. He proposed decimal coinage, a series of provisions later embodied in Ordinance of 1787. He served as U.S. minister to France from 1785 to 1789, and as U.S. Secretary of State from 1790 to 1793. He served as Vice president of the U.S. from 1797 to 1801, and drafted the Kentucky Resolves in 1798, against the Alien and Sedition Acts. ","Jefferson was President of the United States from 1801 to 1809, elected by the House of Representatives after a tie in electoral vote (with Aaron Burr, q.v.). His presidential administration is remembered for the purchase of Louisiana from France in 1803 and dispatch of Lewis and Clark to explore it; the war against Algerian pirates from 1801 to 1805; diplomatic trouble with Great Britain over \"impressments\" of American seamen (Embargo Act of 1807); and prohibition of the importation of slaves. ","After retirement from presidency, Jefferson lived on his plantation at Monticello near Charlottesville, Virginia. He was instrumental in founding the University of Virginia in 1819. He was a noted naturalist, scholar, and architect, and author of Notes on the State of Virginia in 1785. Jefferson died 4 July 1826 and is buried at Monticello.","Epithet: actor, son of Joseph Jefferson","SNAC Cooperative. British Library Archives and Manuscripts Catalogue : Person : Description : ark:/81055/vdc_100000000544.0x00007c. https://snaccooperative.org/view/83449756"],"custodhist_html_tesm":["\u003cp\u003eProvenance unknown\u003c/p\u003e","\u003cp\u003eProvenance unknown\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History","Custodial History"],"custodhist_tesim":["Provenance unknown","Provenance unknown"],"odd_html_tesm":["\u003cp\u003eThis is an artificial collection with multiple accession/manuscript numbers, as well as a variety of implemented arrangement systems.\u003c/p\u003e","\u003cp\u003eTo locate specific Architectural drawings in the Calendar of the Jefferson Papers of the University of Virginia, search the page for the item or folder date, Nichols (N) number, or MSS/Acc. number.\u003c/p\u003e"],"odd_heading_ssm":["General","General"],"odd_tesim":["This is an artificial collection with multiple accession/manuscript numbers, as well as a variety of implemented arrangement systems.","To locate specific Architectural drawings in the Calendar of the Jefferson Papers of the University of Virginia, search the page for the item or folder date, Nichols (N) number, or MSS/Acc. number."],"otherfindaid_html_tesm":["\u003cp\u003eMain finding aid for this collection, A Calendar of The Jefferson Papers of the University of Virginia:\u003c/p\u003e\n","\u003cp\u003ehttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml\u003c/p\u003e\n","\u003cp\u003e\nDigital images of the architectural drawings, Nichols Tiffs:\u003c/p\u003e\n","\u003cp\u003ehttps://static.lib.virginia.edu/rmds/nichols/index.html\u003c/p\u003e\n","\u003cp\u003e\nOther online catalog, UVA Catalog of Jefferson's Drawings: \u003c/p\u003e\n","\u003cp\u003ehttp://www2.iath.virginia.edu/wilson/drawings/uvacat.html\u003c/p\u003e","\u003cp\u003eSeparate record for most of the architectural drawings in this collection: https://search.lib.virginia.edu/sources/uva_library/items/u4401249\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids","Other Finding Aids"],"otherfindaid_tesim":["Main finding aid for this collection, A Calendar of The Jefferson Papers of the University of Virginia:","https://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml","\nDigital images of the architectural drawings, Nichols Tiffs:","https://static.lib.virginia.edu/rmds/nichols/index.html","\nOther online catalog, UVA Catalog of Jefferson's Drawings: ","http://www2.iath.virginia.edu/wilson/drawings/uvacat.html","Separate record for most of the architectural drawings in this collection: https://search.lib.virginia.edu/sources/uva_library/items/u4401249"],"prefercite_html_tesm":["\u003cp\u003eJefferson Papers, The University of Virginia Jefferson Papers, folder title and number [if applicable], manuscript or record group number of original collection [if known], Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["Jefferson Papers, The University of Virginia Jefferson Papers, folder title and number [if applicable], manuscript or record group number of original collection [if known], Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eLike the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the \u003ccorpname\u003eUniversity of Virginia\u003c/corpname\u003e. However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.\u003c/p\u003e","\u003cp\u003eLike the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the University of Virginia. However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["Like the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the  University of Virginia . However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.","Like the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the University of Virginia. However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items."],"relatedmaterial_html_tesm":["\u003cp\u003eOther institutions with significant collections of Thomas Jefferson and Jefferson family manuscripts:\u003c/p\u003e\n","\u003cp\u003eLIBRARY OF CONGRESS (DLC):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson Papers, 1606 to 1827\u003c/p\u003e\n","\u003cp\u003eMASSACHUSETTS HISTORICAL SOCIETY (MHI):\u003c/p\u003e\n","\u003cp\u003eCoolidge Collection of Thomas Jefferson Manuscripts, Massachusetts Historical Society.\u003c/p\u003e\n","\u003cp\u003eMISSOURI HISTORY MUSEUM (MOSHI):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson Collection, 1773-1826\u003c/p\u003e\n","\u003cp\u003eHUNTINGTON LIBRARY (CSMH):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson collection, The Huntington Library, San Marino, California.\u003c/p\u003e\n","\u003cp\u003eHISTORICAL SOCIETY OF PENNSYLVANIA (PHI):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson Papers, 1766-1825\u003c/p\u003e\n","\u003cp\u003eAMERICAN PHILOSOPHICAL SOCIETY (PPAMP):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson papers, 1775-1825, Mss.B.J35\u003c/p\u003e\n","\u003cp\u003eCOLLEGE OF WILLIAM AND MARY (VIW):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson Papers, 1761-1931\u003c/p\u003e\n","\u003cp\u003eNEW YORK PUBLIC LIBRARY (NN):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson papers, 1766-1826, MssCol 1557\u003c/p\u003e\n","\u003cp\u003eVIRGINIA HISTORICAL SOCIETY (VIHI):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson Papers, 1780-1826, Mss2 J3595\u003c/p\u003e","\u003cp\u003eOriginal owned by Thomas Jefferson Memorial Foundation.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials"],"relatedmaterial_tesim":["Other institutions with significant collections of Thomas Jefferson and Jefferson family manuscripts:","LIBRARY OF CONGRESS (DLC):","Thomas Jefferson Papers, 1606 to 1827","MASSACHUSETTS HISTORICAL SOCIETY (MHI):","Coolidge Collection of Thomas Jefferson Manuscripts, Massachusetts Historical Society.","MISSOURI HISTORY MUSEUM (MOSHI):","Thomas Jefferson Collection, 1773-1826","HUNTINGTON LIBRARY (CSMH):","Thomas Jefferson collection, The Huntington Library, San Marino, California.","HISTORICAL SOCIETY OF PENNSYLVANIA (PHI):","Thomas Jefferson Papers, 1766-1825","AMERICAN PHILOSOPHICAL SOCIETY (PPAMP):","Thomas Jefferson papers, 1775-1825, Mss.B.J35","COLLEGE OF WILLIAM AND MARY (VIW):","Thomas Jefferson Papers, 1761-1931","NEW YORK PUBLIC LIBRARY (NN):","Thomas Jefferson papers, 1766-1826, MssCol 1557","VIRGINIA HISTORICAL SOCIETY (VIHI):","Thomas Jefferson Papers, 1780-1826, Mss2 J3595","Original owned by Thomas Jefferson Memorial Foundation."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of letters written by and addressed to Thomas Jefferson, as well as architectural plans and studies that were created or endorsed by Jefferson, created by other individuals associated with him, deeds, plats, and maps, some of which pertain to the subjects of the architectural studies, and other miscellaneous materials.\u003c/p\u003e\n","\u003cp\u003eAll of the Architectural Drawings and Other Oversized \u0026amp; Miscellaneous Materials listed in the Jefferson Papers Calendar are fully represented in this finding aid, spanning the dates 1751-1898. However, the materials described here only represent a portion of the complete Jefferson Papers. Please see the Jefferson Papers Calendar, this collection's main finding aid, for a full chronological listing of all of the materials (1732-1898): https://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml\u003c/p\u003e","\u003cp\u003eLists enslaved persons at Poplar Forest by name, including ages of those under 8 years old. Also lists livestock.\u003c/p\u003e","\u003cp\u003eLetter from \u003cpersname\u003eJames Madison\u003c/persname\u003e to \u003cpersname\u003eThomas Jefferson\u003c/persname\u003e submitting his first donation for founding the \"Central College,\" which would become the \u003ccorpname\u003eUniversity of Virginia\u003c/corpname\u003e. Docketed in Jefferson's hand on verso, \"Madison Ja., \u003cgeogname\u003eMontpellier\u003c/geogname\u003e [missing text on margin] recd M [missing text on margin]\"\u003c/p\u003e","\u003cp\u003eThis is one eight-page manuscript is entitled \"Proposed list of instruments for the classes of [N]at[ural] philosophy \u0026amp; Mathematics,\" written by Thomas Jefferson around April 26, 1824. The instruments recommended by Jefferson were to outfit the departments of science in the Academical Village classrooms and laboratories at the University of Virginia, which held its first term in 1826. The listed is organized through headings by equipment requirements for each scientific department at the University: \"Genl purposes,\" \"Mechanics,\" \"Hydrostatics,\" \"Optics,\" \"Electricity Etc.,\" \"Astronomy,\" and \"Miscellaneous.\" Jefferson's list includes a \"very accurate set of weights\" outlined with a table, a \"model of Braham's fire engine,\" \"a good Kaleidoscope,\" a \"simple Planetarium, 3f diam. with Sun, moon \u0026amp; earth only,\" a \"Lithographic press,\" an \"Electric battery,\" a \"Turning lathe with Tools for working in wood \u0026amp; brass,\" a \"Magic lanthern,\" \"12 f of brass chain for electrical machine,\" a camera lucida, a variety of pumps, a charcoal furnace, and many other scientific dependencies. For his request of \"a very large supply\" of glass tubes, Jefferson included three simple drawings of his preferred tube types. This list of proposed instruments was penned by Jefferson shortly before Francis Walker Gilmer, an emissary of Jefferson, was dispatched to Europe to gather mechanical and scientific instruments, as well as recruit professors from London, Cambridge, and Edinburgh colleges for the forming University of Virginia. Gilmer returned to Virginia at the end of 1824 with five professorships filled. Three small paper fragments from the manuscript are also present.\u003c/p\u003e","\u003cp\u003eThis series primarily consists of architectural studies on structures found at the University of Virginia, at Thomas Jefferson's private properties like Monticello and Poplar Forest, and studies on structures in Richmond, VA. The studies in the collection contain elevations, plans, and sections, most of which include Jefferson's specifications. These architectural drawings were created mainly by Thomas Jefferson. Some were created or augmented by John Organ, Dr. William Thorton, James Dinsmore, John Neilson, John Hartwell Cocke (possibly), Robert Mills, and Cornelia J. Randolph.\u003c/p\u003e","\u003cp\u003eDeposited by Wilson Cary Nicholas Randolph with the Proctor of the University of Virginia\u003c/p\u003e","\u003cp\u003eThe remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on paper.\u003c/p\u003e","\u003cp\u003eThe remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.\u003c/p\u003e","\u003cp\u003eThe remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.\u003c/p\u003e","\u003cp\u003eThe remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eT.J. early free-hand sketch of elevation and plan for Monticello showing porches. 1 item. laid paper.\u003c/p\u003e","\u003cp\u003eStudy for final elevation of the first version. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eDrawing of archiatrave in the Monticello Dining Room. 1 item. ink and pencil on paper.\u003c/p\u003e","\u003cp\u003eUndated plat by T. J. of Poplar Forest tract shows boundaries, roads, existing and proposed buildings; floor plan of house on verso, rooms designated in Anglo-Saxon. 2 pp. (note: see N 269 for missing section). 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eSame as N 350\u003c/p\u003e","\u003cp\u003eSame as N 351\u003c/p\u003e","\u003cp\u003eThomas Jefferson's first floor plans showing rotunda house with wings. Nichols mis-identified the second plan (N 282) as the second floor plan of the governor's house. It is the first floor. 2 items. ink on paper.\u003c/p\u003e","\u003cp\u003eLetter from Thomas Jefferson to Dr. William Thornton describing ideas for the academical village. Contains rough sketch of Jefferson's early idea for the ground plans, showing seven pavilions around an open space with grass and trees. This sketch appears in Jefferson's first letter to Dr. William Thornton regarding the design of the Pavilions in his proposed academical village. 1 item. iron gall ink on plain wove stationary.\u003c/p\u003e","\u003cp\u003eSame as N 352\u003c/p\u003e","\u003cp\u003eSecond study of Ground plan of West range with dormitories and hotels A and B. The suggestion for making this revised study of the West Range with the Hotels and Dormitories facing away from the Lawn instead of towards the backs of the Pavilions came from Joseph C. Cabell at the Board of Visitors meeting of 29 March 1819. One of three variants. 1 item. iron gall ink and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eThis original study for the West Range shows Jefferson's initial intention to place the West Range directly behind the Pavilions and Dormitories of the Lawn. One of three variants. 1 item. iron gall ink and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eThese two sheets were once joined. Together they are the studies for Pavilion VII's lower portico. South and west elevations. 2 items. pricking, scoring, and iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eEarlier study for plan of lawn with rotunda (N 366). 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eThis is an early study for Pavilion VII, the first building erected. It shows an elevation of the pavilion with adjacent dormitories and Chinese railings, and plans of the first and second floors. On back is an early study of the Lawn showing nine identical paviliions; the specifications begin: \"The walls of the Pavilion are 116 feet running measure.\" Includes construction notes on verso. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eElevation (front facade) of pavillions with two-story dormitories. Watermarked J. Whatman. Drawn by Dr. William Thornton. In May 1817 Jefferson wrote to Dr. William Thornton describing his plan for the Central College with separate pavilions and a range of dormitories. Thornton responded on June 11 with a two story composition of student rooms and pavilions. 1 item. ink and watercolor on thin wove paper.\u003c/p\u003e","\u003cp\u003eElevation and three plans of Pavilion VII's front facade and floor plans and specifications for the building. The plan of the Pavilion measures 34 feet wide by 26 feet deep, precisely the dimensions that Jefferson used on his study for a typical Pavilion for Central Colllege. Cornerstone laid October 6, 1817. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.\u003c/p\u003e","\u003cp\u003ePlan and comparative study for garden walls. While decorative, the walls are not particularly strong. 1 item. pricking and iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eElevation of Pavilion III's front facade and floor plans and specifications for the building, one with alternate flap. Specifications on verso. On this revised study for Pavilion III, Jefferson has included a basement floor plan and has shifted the elevation to the side of the first floor plan instead of above it. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.\u003c/p\u003e","\u003cp\u003ePocket memorandum book containing initial specifications, ink drawings, and other data used and compiled by T. J. while directing the construction of the University of Virginia (Central College until 1819). Description of proposed buildings, style of architecture, measurements, materials to be used, and the amount of brick or stone required. Includes notes for the rotunda planetarium. 23 item. iron gall ink on wove paper.\u003c/p\u003e","\u003cp\u003eDrawing of an elevation and three floor plans for Pavillion II with specifications on verso. On the first floor is the large schoolroom, and on the second floor are the professor's three rooms. On June 5, 1819, Jefferson wrote that he was about to begin the drawings for the pavilion on the east. 1 item. pricking, scoring, iron gall ink, and india ink on paper.\u003c/p\u003e","\u003cp\u003eDrawing of an elevation and three plans for Pavillion IV with specifications on verso. 1 item. pricking, scoring, iron gall ink, and india ink on paper.\u003c/p\u003e","\u003cp\u003eElevation and three plans. Specifications on back. Porticos on the first and second floor plans are erased. 1 item. pricking, scoring, iron gall ink and india ink on paper.\u003c/p\u003e","\u003cp\u003eElevation and three plans. Specifications on back. Jefferson's notes continue to call this a \"lodge.\" 1 item. iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eElevations and three plans. Shows location of Franklin stoves. Specifications on back. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eSame as N 326, but without the Franklin stoves or specifications. Formerly incorrectly attributed to Cornelia Jefferson Randolph. Thomas S. Ridgeway statement on verso identifies as T. J.'s work. This is the only carpenter's copy of a University of Virginia building known to have survived the building process. 1 item. pricking and iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eSouthern elevation of Rotunda. The exterior is based upon the Pantheon in Rome at one-half scale. Construction began in 1823. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eLateral section of Rotunda. On same sheet with N 328. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eFlat exterior buttress walls on the north and south ends of the building, and a hexastyle portico on the south end. Specifications on back. Construction began in 1823. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003ePlan of dome room with specifications on back, beginning: \"Rotunda, reduced to the proportions of the Pantheon and accomodated to the purposes of a Library for the University with rooms for drawing, music, examinations and other accessory purposes.\" Construction began in 1823. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eJefferson's notes and drawing for framing the dome. On verso: small framing diagram for library dome. 1 item. pricking, iron gall ink on plain wove paper.\u003c/p\u003e","\u003cp\u003eIncomplete drawing showing window openings and a fireplace in a circular format. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eBird's-eye view of lawn and ranges w/out Rotunda, in parallel perspective. This drawing has been attributed to Thomas Jefferson and his granddaughter, Cornelia Jefferson Randolph, but there is no conclusive proof that either one of them is its author. 1 item. pencil and watercolor on heavy cold-pressed paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and east elevation of Hotel B (labeled as Hotel A). 1 item. pricking, india ink, and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and north elevation of Hotel A (labeled as Hotel B). 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of dining Hotel D (labeled as Hotel C). 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel C (labeled as Hotel D). 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel F (labeled as Hotel E). 1 item. india ink, watercolor, pencil on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel E (labeled as Hotel F). 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eWest elevation and first floor plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003ePavilion IV East facade and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eSecond floor plans. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eEast facade elevation and plan. Inked, shaded and tinted by John Neilson. Neilson has represented the parapet as a series of dies and panels which Jefferson did not indicate on N-356. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eWest front facade elevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eFirst floor plan of Jefferson's octagonal retreat in Bedford County. Inked, shaded and tinted by John Neilson. The design was probably drawn by Cornelia J. Randolph or John Neilson, and based on William Kent's edition of Inigo Jones, Vol. II, Plate 17. This is one of Jefferson's most successful designs. 1 item. india ink on graph paper.\u003c/p\u003e","\u003cp\u003eSouth façade garden elevation of Poplar Forest probably drawn by Cornelia J. Randolph or John Neilson. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003ePlan of Bremo, Fluvanna county, Virginia by John Neilson. This is the principal story of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.\u003c/p\u003e","\u003cp\u003eElevation of Bremo, Fluvanna county, Virginia by John Neilson. This is the North front of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.\u003c/p\u003e","\u003cp\u003eDoric and Corinthian Pavilion Facade Studies by William Thornton. 1 item. pencil and wash on paper.\u003c/p\u003e","\u003cp\u003eElevation. West facade of Pavilion X. Possibly by John Neilson. The drawing style is consistent with the confirmed Neilson drawings. 1 item. india ink, watercollor, and white ink on paper.\u003c/p\u003e","\u003cp\u003eSouth elevation of Rotunda with South elevations of pavilions IX \u0026amp; X. Probably drawn by John Neilson. Previously attributed to Cornelia Jefferson Randolph. 1 item. ink with tinted washes on paper.\u003c/p\u003e","\u003cp\u003eEast elevation and three floor plans of \"No. 1 Pav. West\". Specifications on back. 1 item. pricking, scoring, iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eEast elevation and three plans of \"Pavilion No. V. W. Palladio's Ionic Order, with Modilions.\" Specifications on back. Construction finished in 1821. 1 item. pricking, scoring, iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eEast elevation and three plans of \"Pavilion No. IX We. Ionic of the temple of Fortuna Virilis\". This elevation contains the only example of a Jefferson drawing of a slate roof. It is also the only example of Jefferosn's use of a semicircular niche and pedimented windows on a Pavilion. \"Latrobe\" in Jefferson's writing, upper right. Specifications on back. The entrance motif is a favorite of Ledoux', whose work Jefferson had admired in Paris. Building completed 1821, as Jefferson wrote on September 30 of that year. 1 item. pricking, scoring, iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and three plans of \"C. Hotel. Ionic Dentil.\" Construction completed in 1822. 1 item.\u003c/p\u003e","\u003cp\u003eUnfinished studies for plan and elevation of \"Hotel B. West.\" Construction completed in 1822. 1 item.\u003c/p\u003e","\u003cp\u003eElevation and two plans, with detail of arched window set in cornice. Specifications on back headed: \"Hotel A. East. One story with a flat roof and Chinese parapet.\" Construction completed in 1822. 1 item.\u003c/p\u003e","\u003cp\u003eElevation and two plans of Jefferson's \"Hotel C. West. Proctor's\". The first floor plan on this sheet is copied from N-301. One story. Specifications on back. Construction completed in 1822. 1 item. iron gall ink and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eJefferson's elevation and plan of \"Hotel D. East\". One story. Specifications on back. Construction completed in 1822. 1 item. pricking, iron gall ink, and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and three plans of front facade and a dining hall. Two stories. Specifications on back. Construction completed in 1822. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eStudy of first floor plans. 1 item. pricking, iron gall ink, and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eStudy of first and second floor plans, east elevation and section. Jefferson designed this building at the request of Dr. Robley Dunglison, the Univesity's first medical professor, and Jefferson's personal physician. Completed in 1826. 1 item. pricking, scoring, iron-gall ink, and pencil on paper.\u003c/p\u003e","\u003cp\u003eStudy for Lawn with pavilions and rotunda. N-306 was cut from this piece to permit substitutions. 1 item. pricking, scoring, iron-gall ink on paper.\u003c/p\u003e","\u003cp\u003eElevation and section of dormitories. Section through lawn colonnade and a dormitory room. 1 item. pricking, scoring, iron-gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eSouth elevation by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.\u003c/p\u003e","\u003cp\u003eThird study or variant for West range. Gardens, hotels, dormitories, and serpentine walls. 1 item. iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eSection of rails. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003ePlan of a clock for the rotunda. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eStudy and elevation of a Tuscan column that includes the capital, shaft, and base of the order. 1 item. iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eDormitory study with elevation and plans of three floors with eight rooms to each floor. Probably studies for University of Virginia, but not by Jefferson. Possibly by General John Hartwell Cocke; see his letter of May 3, 1819, to Jefferson. 1 item. pencil, india Ink and gray wash on paper.\u003c/p\u003e","\u003cp\u003eElevation of two-story dormitory with wings. Elevation of one-story dormitory. Two first-floor plans and one second-floor plan. Possibly another study for N 374. 1 item. ink and wash on paper.\u003c/p\u003e","\u003cp\u003eElevation and two floor plans for two-story dormitory. This sheet contains a study for a two story Dormitory block. The ground floor contains twelve rooms for the students, and the upper floor contains two large spaces separated by a central passage containing stairs. Possibly another study for N 374. 1 item. pencil, india ink, and wash on paper.\u003c/p\u003e","\u003cp\u003eStudy for dormitory. Ground plan and elevation. Elevation shows arches on first floor and wood columns above. This study depicts alternate plans for a two story single pile vs. a one story double pile range of Dormitories. There is also a large dining hall at the left end of the range, as evidenced by what appear to be two long tables in the upper plan. Above the plans is a larger scale elevation of one of the two story blocks of Dormitories showing an arcade on the ground floor and a series of posts above. Possibly another study for N 374. 1 item. pencil, india ink, and iron gaul ink on paper.\u003c/p\u003e","\u003cp\u003eTwo unrelated pages. One is a page from a book of map symbols and the other is an old drawing in poor shape, which may not be a drawing by Jefferson. Possibly Architrave. 2 items.\u003c/p\u003e","\u003cp\u003eFloor plan. The Observatory plan study has alcove beds. The geometric plan consists of four octagonal rooms surround a cross-shaped central passage, with two recessed loggias, a trapezoidal vestibule, and a projecting loggia. 1 item. pencil on graph paper.\u003c/p\u003e","\u003cp\u003eFloor plan with specifications on back. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eTwo photostats of a manuscript ground plan of the University, possibly that from which Maverick made his 1822 engraving, olus three enlarged copies. The drawing shows the first floor of the Rotunda with three oval rooms, and wings containing eight rooms each. The overlay shows the plan of the Dome Room. 5 items. Facsimiles.\u003c/p\u003e","\u003cp\u003eFour copies of 1923 facsimile of Peter Maverick's 1822 plan of the University of Virginia. Design sources for pavilions written in ink by Ellen Randolph Coolidge. 4 items.\u003c/p\u003e","\u003cp\u003eDrawn by John Neilson. Peter Maverick's 1825 plan showing plan of rotunda dome room. This version of the Maverick engraving shows the first floor of the Rotunda with the plan of the Dome Room as an overlay. Each of the two Gymnasia wings contains eight rooms, each of which is shown to have its own fireplace and door. 5 items.\u003c/p\u003e","\u003cp\u003ePlan of south wing of capitol. Not executed by Jefferson. 1 item. ink and watercolor on paper.\u003c/p\u003e","\u003cp\u003eRough draft and specifications for rotunda-style floor plan. Probably for the president's house in Washington, D.C. Notes on verso. 1 item. pencil and ink on paper.\u003c/p\u003e","\u003cp\u003eRough draft for rotunda-style floor plans. Probably for the president's house in Washington, D.C. 1 item. pencil on paper.\u003c/p\u003e","\u003cp\u003ePlan of a rotunda style house by Robert Mills. Probably the President's house in Washington, D.C. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eSection of a rotunda house. Probably the President's house in Washington, D.C. 1 item.\u003c/p\u003e","\u003cp\u003eFront and side elevation with floor plan and balcony plan of a church by John Neilson. Created for Thomas Jefferson to submit to Rev. Hatch for the design of Christ Episcopal Church, Charlottesville. 1 item. ink and watercolor on paper.\u003c/p\u003e","\u003cp\u003ePlan (sketch) of a house with portico and dependencies. Addressed on verso to T. J., Albemarle. 1 item.\u003c/p\u003e","\u003cp\u003ePlan of building with four porticos in the form of a Greek cross, with a framing plan (Probably a development of N-490). possibly a retreat. 1 item. photostatic copy of original.\u003c/p\u003e","\u003cp\u003ePlan and section of a garden seat. Writing not by Jefferson, perhaps John Neilson. A study of rendering. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003ePossibly a study by Robert Mills to teach Cornelia J. Randolph rendering. 1 item. rendered in wash.\u003c/p\u003e","\u003cp\u003eRough plan of porticoed building with four octagonal rooms arranged about a square. On verso of letter, 1777 August 15 from Charles S. Lewis, Jr. May be related to N-496. 1 item.\u003c/p\u003e","\u003cp\u003eAuthenticated in unidentified hand. 1 item.\u003c/p\u003e","\u003cp\u003eBy Cornelia J. Randolph. 2 items.\u003c/p\u003e","\u003cp\u003eNotes on the land lines of Poplar Forest. Survey of roads from Campbell Court House to Poplar Forest. 3 items. ink on paper.\u003c/p\u003e","\u003cp\u003eDeeds, surveys, plats, field notes, memoranda, some relating to a land dispute that involved one of the abutting property owners searching all early patents and surveys in the neighborhood, some dating from 1762. In 1811 also, Jefferson was engaged in road building and other extensive improvement on his Poplar Forest tract. Some of the documents are mathematical calculations and field notes, others are elaborately certified surveys. 66 items.\u003c/p\u003e","\u003cp\u003eTwo plats of same date for 11,777 and 1,790 acres of land on branches of Black Water, a tributary of the Fluvanna (James) River in Albemarle (later Bedford) County, VA, and on Tomahawk and Rock Castle creeks, respectively. The first plat, by Thomas Jefferson, was attested by Daniel Smith, Albemarle County Surveyor, and the second was amended by Jefferson with notes on sequence of titles. 3 items. The missing section from N 255 is located in this folder.\u003c/p\u003e","\u003cp\u003eSurvey of University of Virginia lawn by James Dinsmore. James Dinsmore made this drawing of the Lawn in order to show the position of Pavilion VII relative to the \"first rise\" on the north. 1 item.\u003c/p\u003e","\u003cp\u003eSurvey of University site showing Rotunda, East street, and West street. In folder with other fragments: financial figures; dimensions for \"Perry's Houses\"; cost per acres; forms; the Rotunda in relation to the road; and a plat of land with area. 7 items. ink on paper.\u003c/p\u003e","\u003cp\u003ePlat showing acquisition of parcels. Purchases from John Perry, Daniel and Mary A. F. Piper, and Jesse W. Garth. Lands held by Alexander Garrett, Arthur Spicer Brockenbrough, and Nathan Barksdale as University Proctors. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eJames Dinsmore's Measurements of Dormitories and Pavilions. Includes Jefferson's further notes. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003e\"Description of a joint or splice\", with cutout model. 3 items.\u003c/p\u003e","\u003cp\u003eThomas Jefferson's recipe for plaster. 1 item.\u003c/p\u003e","\u003cp\u003eThomas Jefferson's design and sketch for a desk. 1 item.\u003c/p\u003e","\u003cp\u003eMap of a canal and saw mill by Thomas Jefferson. 1 item.\u003c/p\u003e","\u003cp\u003eDescription of the hewing of stone. Calculations of verso. 1 item.\u003c/p\u003e","\u003cp\u003eHomemade. 1 item.\u003c/p\u003e","\u003cp\u003e1 item.\u003c/p\u003e","\u003cp\u003ePlat of Monticello by Thomas Jefferson. 1 item.\u003c/p\u003e","\u003cp\u003eFor phaeton. Five \"figs\" and notes on three sheets. Notes on verso of p.1. 2 items. Ink on paper.\u003c/p\u003e","\u003cp\u003eGeorge Carrington map of the county of Cumberland in the hand of Thomas Jefferson. 1 item.\u003c/p\u003e","\u003cp\u003eRoad to the Thoroughfare. 1 item.\u003c/p\u003e","\u003cp\u003eCf. Betts, Garden Book, Plate XV. Shows boundary with river. 1 item.\u003c/p\u003e","\u003cp\u003eAlbemarle county: plat of lands of Charles Lewis Bankhead\u003c/p\u003e","\u003cp\u003eInstructions regarding work on the University's Rotunda, clock and bell, macadamizing roads, water supply, botanical garden, purchasing of chemicals and gas lights for Dr. Emmet's use, and copy of enactments for each student. Penciled annotations by Brockenbrough of cost of various items. Includes a sketch for measuring \"the tympanum of the portico of the Rotunda\" for a clock and bell. 1 item.\u003c/p\u003e","\u003cp\u003eMr. Harrison's mill and Woodson's Ferry. 1 item.\u003c/p\u003e","\u003cp\u003eTwo plats of land containing 153 acres and 92 1/1 acres of land bounded by Three Chopped Road and Wheeler' Road were surveyed by William Woods as the site of Central College (University of Virginia).\u003c/p\u003e","\u003cp\u003eIn Thomas Jefferson's hand\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of letters written by and addressed to Thomas Jefferson, as well as architectural plans and studies that were created or endorsed by Jefferson, created by other individuals associated with him, deeds, plats, and maps, some of which pertain to the subjects of the architectural studies, and other miscellaneous materials.","All of the Architectural Drawings and Other Oversized \u0026 Miscellaneous Materials listed in the Jefferson Papers Calendar are fully represented in this finding aid, spanning the dates 1751-1898. However, the materials described here only represent a portion of the complete Jefferson Papers. Please see the Jefferson Papers Calendar, this collection's main finding aid, for a full chronological listing of all of the materials (1732-1898): https://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml","Lists enslaved persons at Poplar Forest by name, including ages of those under 8 years old. Also lists livestock.","Letter from  James Madison  to  Thomas Jefferson  submitting his first donation for founding the \"Central College,\" which would become the  University of Virginia . Docketed in Jefferson's hand on verso, \"Madison Ja.,  Montpellier  [missing text on margin] recd M [missing text on margin]\"","This is one eight-page manuscript is entitled \"Proposed list of instruments for the classes of [N]at[ural] philosophy \u0026 Mathematics,\" written by Thomas Jefferson around April 26, 1824. The instruments recommended by Jefferson were to outfit the departments of science in the Academical Village classrooms and laboratories at the University of Virginia, which held its first term in 1826. The listed is organized through headings by equipment requirements for each scientific department at the University: \"Genl purposes,\" \"Mechanics,\" \"Hydrostatics,\" \"Optics,\" \"Electricity Etc.,\" \"Astronomy,\" and \"Miscellaneous.\" Jefferson's list includes a \"very accurate set of weights\" outlined with a table, a \"model of Braham's fire engine,\" \"a good Kaleidoscope,\" a \"simple Planetarium, 3f diam. with Sun, moon \u0026 earth only,\" a \"Lithographic press,\" an \"Electric battery,\" a \"Turning lathe with Tools for working in wood \u0026 brass,\" a \"Magic lanthern,\" \"12 f of brass chain for electrical machine,\" a camera lucida, a variety of pumps, a charcoal furnace, and many other scientific dependencies. For his request of \"a very large supply\" of glass tubes, Jefferson included three simple drawings of his preferred tube types. This list of proposed instruments was penned by Jefferson shortly before Francis Walker Gilmer, an emissary of Jefferson, was dispatched to Europe to gather mechanical and scientific instruments, as well as recruit professors from London, Cambridge, and Edinburgh colleges for the forming University of Virginia. Gilmer returned to Virginia at the end of 1824 with five professorships filled. Three small paper fragments from the manuscript are also present.","This series primarily consists of architectural studies on structures found at the University of Virginia, at Thomas Jefferson's private properties like Monticello and Poplar Forest, and studies on structures in Richmond, VA. The studies in the collection contain elevations, plans, and sections, most of which include Jefferson's specifications. These architectural drawings were created mainly by Thomas Jefferson. Some were created or augmented by John Organ, Dr. William Thorton, James Dinsmore, John Neilson, John Hartwell Cocke (possibly), Robert Mills, and Cornelia J. Randolph.","Deposited by Wilson Cary Nicholas Randolph with the Proctor of the University of Virginia","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink on paper.","T.J. early free-hand sketch of elevation and plan for Monticello showing porches. 1 item. laid paper.","Study for final elevation of the first version. 1 item. ink on paper.","Drawing of archiatrave in the Monticello Dining Room. 1 item. ink and pencil on paper.","Undated plat by T. J. of Poplar Forest tract shows boundaries, roads, existing and proposed buildings; floor plan of house on verso, rooms designated in Anglo-Saxon. 2 pp. (note: see N 269 for missing section). 1 item. ink on paper.","Same as N 350","Same as N 351","Thomas Jefferson's first floor plans showing rotunda house with wings. Nichols mis-identified the second plan (N 282) as the second floor plan of the governor's house. It is the first floor. 2 items. ink on paper.","Letter from Thomas Jefferson to Dr. William Thornton describing ideas for the academical village. Contains rough sketch of Jefferson's early idea for the ground plans, showing seven pavilions around an open space with grass and trees. This sketch appears in Jefferson's first letter to Dr. William Thornton regarding the design of the Pavilions in his proposed academical village. 1 item. iron gall ink on plain wove stationary.","Same as N 352","Second study of Ground plan of West range with dormitories and hotels A and B. The suggestion for making this revised study of the West Range with the Hotels and Dormitories facing away from the Lawn instead of towards the backs of the Pavilions came from Joseph C. Cabell at the Board of Visitors meeting of 29 March 1819. One of three variants. 1 item. iron gall ink and pencil on graph paper.","This original study for the West Range shows Jefferson's initial intention to place the West Range directly behind the Pavilions and Dormitories of the Lawn. One of three variants. 1 item. iron gall ink and pencil on graph paper.","These two sheets were once joined. Together they are the studies for Pavilion VII's lower portico. South and west elevations. 2 items. pricking, scoring, and iron gall ink on graph paper.","Earlier study for plan of lawn with rotunda (N 366). 1 item. ink on paper.","This is an early study for Pavilion VII, the first building erected. It shows an elevation of the pavilion with adjacent dormitories and Chinese railings, and plans of the first and second floors. On back is an early study of the Lawn showing nine identical paviliions; the specifications begin: \"The walls of the Pavilion are 116 feet running measure.\" Includes construction notes on verso. 1 item. ink on paper.","Elevation (front facade) of pavillions with two-story dormitories. Watermarked J. Whatman. Drawn by Dr. William Thornton. In May 1817 Jefferson wrote to Dr. William Thornton describing his plan for the Central College with separate pavilions and a range of dormitories. Thornton responded on June 11 with a two story composition of student rooms and pavilions. 1 item. ink and watercolor on thin wove paper.","Elevation and three plans of Pavilion VII's front facade and floor plans and specifications for the building. The plan of the Pavilion measures 34 feet wide by 26 feet deep, precisely the dimensions that Jefferson used on his study for a typical Pavilion for Central Colllege. Cornerstone laid October 6, 1817. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.","Plan and comparative study for garden walls. While decorative, the walls are not particularly strong. 1 item. pricking and iron gall ink on graph paper.","Elevation of Pavilion III's front facade and floor plans and specifications for the building, one with alternate flap. Specifications on verso. On this revised study for Pavilion III, Jefferson has included a basement floor plan and has shifted the elevation to the side of the first floor plan instead of above it. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.","Pocket memorandum book containing initial specifications, ink drawings, and other data used and compiled by T. J. while directing the construction of the University of Virginia (Central College until 1819). Description of proposed buildings, style of architecture, measurements, materials to be used, and the amount of brick or stone required. Includes notes for the rotunda planetarium. 23 item. iron gall ink on wove paper.","Drawing of an elevation and three floor plans for Pavillion II with specifications on verso. On the first floor is the large schoolroom, and on the second floor are the professor's three rooms. On June 5, 1819, Jefferson wrote that he was about to begin the drawings for the pavilion on the east. 1 item. pricking, scoring, iron gall ink, and india ink on paper.","Drawing of an elevation and three plans for Pavillion IV with specifications on verso. 1 item. pricking, scoring, iron gall ink, and india ink on paper.","Elevation and three plans. Specifications on back. Porticos on the first and second floor plans are erased. 1 item. pricking, scoring, iron gall ink and india ink on paper.","Elevation and three plans. Specifications on back. Jefferson's notes continue to call this a \"lodge.\" 1 item. iron gall ink on graph paper.","Elevations and three plans. Shows location of Franklin stoves. Specifications on back. 1 item. ink on paper.","Same as N 326, but without the Franklin stoves or specifications. Formerly incorrectly attributed to Cornelia Jefferson Randolph. Thomas S. Ridgeway statement on verso identifies as T. J.'s work. This is the only carpenter's copy of a University of Virginia building known to have survived the building process. 1 item. pricking and iron gall ink on graph paper.","Southern elevation of Rotunda. The exterior is based upon the Pantheon in Rome at one-half scale. Construction began in 1823. 1 item. ink on paper.","Lateral section of Rotunda. On same sheet with N 328. 1 item. ink on paper.","Flat exterior buttress walls on the north and south ends of the building, and a hexastyle portico on the south end. Specifications on back. Construction began in 1823. 1 item. ink on paper.","Plan of dome room with specifications on back, beginning: \"Rotunda, reduced to the proportions of the Pantheon and accomodated to the purposes of a Library for the University with rooms for drawing, music, examinations and other accessory purposes.\" Construction began in 1823. 1 item. ink on paper.","Jefferson's notes and drawing for framing the dome. On verso: small framing diagram for library dome. 1 item. pricking, iron gall ink on plain wove paper.","Incomplete drawing showing window openings and a fireplace in a circular format. 1 item. ink on paper.","Bird's-eye view of lawn and ranges w/out Rotunda, in parallel perspective. This drawing has been attributed to Thomas Jefferson and his granddaughter, Cornelia Jefferson Randolph, but there is no conclusive proof that either one of them is its author. 1 item. pencil and watercolor on heavy cold-pressed paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and east elevation of Hotel B (labeled as Hotel A). 1 item. pricking, india ink, and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and north elevation of Hotel A (labeled as Hotel B). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of dining Hotel D (labeled as Hotel C). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel C (labeled as Hotel D). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel F (labeled as Hotel E). 1 item. india ink, watercolor, pencil on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel E (labeled as Hotel F). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and pencil on graph paper.","West elevation and first floor plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","Pavilion IV East facade and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","Second floor plans. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","East facade elevation and plan. Inked, shaded and tinted by John Neilson. Neilson has represented the parapet as a series of dies and panels which Jefferson did not indicate on N-356. 1 item. india ink and watercolor on graph paper.","West front facade elevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","First floor plan of Jefferson's octagonal retreat in Bedford County. Inked, shaded and tinted by John Neilson. The design was probably drawn by Cornelia J. Randolph or John Neilson, and based on William Kent's edition of Inigo Jones, Vol. II, Plate 17. This is one of Jefferson's most successful designs. 1 item. india ink on graph paper.","South façade garden elevation of Poplar Forest probably drawn by Cornelia J. Randolph or John Neilson. 1 item. india ink and watercolor on graph paper.","Plan of Bremo, Fluvanna county, Virginia by John Neilson. This is the principal story of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.","Elevation of Bremo, Fluvanna county, Virginia by John Neilson. This is the North front of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.","Doric and Corinthian Pavilion Facade Studies by William Thornton. 1 item. pencil and wash on paper.","Elevation. West facade of Pavilion X. Possibly by John Neilson. The drawing style is consistent with the confirmed Neilson drawings. 1 item. india ink, watercollor, and white ink on paper.","South elevation of Rotunda with South elevations of pavilions IX \u0026 X. Probably drawn by John Neilson. Previously attributed to Cornelia Jefferson Randolph. 1 item. ink with tinted washes on paper.","East elevation and three floor plans of \"No. 1 Pav. West\". Specifications on back. 1 item. pricking, scoring, iron gall ink on graph paper.","East elevation and three plans of \"Pavilion No. V. W. Palladio's Ionic Order, with Modilions.\" Specifications on back. Construction finished in 1821. 1 item. pricking, scoring, iron gall ink on graph paper.","East elevation and three plans of \"Pavilion No. IX We. Ionic of the temple of Fortuna Virilis\". This elevation contains the only example of a Jefferson drawing of a slate roof. It is also the only example of Jefferosn's use of a semicircular niche and pedimented windows on a Pavilion. \"Latrobe\" in Jefferson's writing, upper right. Specifications on back. The entrance motif is a favorite of Ledoux', whose work Jefferson had admired in Paris. Building completed 1821, as Jefferson wrote on September 30 of that year. 1 item. pricking, scoring, iron gall ink on graph paper.","Elevation and three plans of \"C. Hotel. Ionic Dentil.\" Construction completed in 1822. 1 item.","Unfinished studies for plan and elevation of \"Hotel B. West.\" Construction completed in 1822. 1 item.","Elevation and two plans, with detail of arched window set in cornice. Specifications on back headed: \"Hotel A. East. One story with a flat roof and Chinese parapet.\" Construction completed in 1822. 1 item.","Elevation and two plans of Jefferson's \"Hotel C. West. Proctor's\". The first floor plan on this sheet is copied from N-301. One story. Specifications on back. Construction completed in 1822. 1 item. iron gall ink and pencil on graph paper.","Jefferson's elevation and plan of \"Hotel D. East\". One story. Specifications on back. Construction completed in 1822. 1 item. pricking, iron gall ink, and pencil on graph paper.","Elevation and three plans of front facade and a dining hall. Two stories. Specifications on back. Construction completed in 1822. 1 item. ink on paper.","Study of first floor plans. 1 item. pricking, iron gall ink, and pencil on graph paper.","Study of first and second floor plans, east elevation and section. Jefferson designed this building at the request of Dr. Robley Dunglison, the Univesity's first medical professor, and Jefferson's personal physician. Completed in 1826. 1 item. pricking, scoring, iron-gall ink, and pencil on paper.","Study for Lawn with pavilions and rotunda. N-306 was cut from this piece to permit substitutions. 1 item. pricking, scoring, iron-gall ink on paper.","Elevation and section of dormitories. Section through lawn colonnade and a dormitory room. 1 item. pricking, scoring, iron-gall ink on graph paper.","South elevation by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.","Third study or variant for West range. Gardens, hotels, dormitories, and serpentine walls. 1 item. iron gall ink on graph paper.","Section of rails. 1 item. ink on paper.","Plan of a clock for the rotunda. 1 item. ink on paper.","Study and elevation of a Tuscan column that includes the capital, shaft, and base of the order. 1 item. iron gall ink on graph paper.","Dormitory study with elevation and plans of three floors with eight rooms to each floor. Probably studies for University of Virginia, but not by Jefferson. Possibly by General John Hartwell Cocke; see his letter of May 3, 1819, to Jefferson. 1 item. pencil, india Ink and gray wash on paper.","Elevation of two-story dormitory with wings. Elevation of one-story dormitory. Two first-floor plans and one second-floor plan. Possibly another study for N 374. 1 item. ink and wash on paper.","Elevation and two floor plans for two-story dormitory. This sheet contains a study for a two story Dormitory block. The ground floor contains twelve rooms for the students, and the upper floor contains two large spaces separated by a central passage containing stairs. Possibly another study for N 374. 1 item. pencil, india ink, and wash on paper.","Study for dormitory. Ground plan and elevation. Elevation shows arches on first floor and wood columns above. This study depicts alternate plans for a two story single pile vs. a one story double pile range of Dormitories. There is also a large dining hall at the left end of the range, as evidenced by what appear to be two long tables in the upper plan. Above the plans is a larger scale elevation of one of the two story blocks of Dormitories showing an arcade on the ground floor and a series of posts above. Possibly another study for N 374. 1 item. pencil, india ink, and iron gaul ink on paper.","Two unrelated pages. One is a page from a book of map symbols and the other is an old drawing in poor shape, which may not be a drawing by Jefferson. Possibly Architrave. 2 items.","Floor plan. The Observatory plan study has alcove beds. The geometric plan consists of four octagonal rooms surround a cross-shaped central passage, with two recessed loggias, a trapezoidal vestibule, and a projecting loggia. 1 item. pencil on graph paper.","Floor plan with specifications on back. 1 item. ink on paper.","Two photostats of a manuscript ground plan of the University, possibly that from which Maverick made his 1822 engraving, olus three enlarged copies. The drawing shows the first floor of the Rotunda with three oval rooms, and wings containing eight rooms each. The overlay shows the plan of the Dome Room. 5 items. Facsimiles.","Four copies of 1923 facsimile of Peter Maverick's 1822 plan of the University of Virginia. Design sources for pavilions written in ink by Ellen Randolph Coolidge. 4 items.","Drawn by John Neilson. Peter Maverick's 1825 plan showing plan of rotunda dome room. This version of the Maverick engraving shows the first floor of the Rotunda with the plan of the Dome Room as an overlay. Each of the two Gymnasia wings contains eight rooms, each of which is shown to have its own fireplace and door. 5 items.","Plan of south wing of capitol. Not executed by Jefferson. 1 item. ink and watercolor on paper.","Rough draft and specifications for rotunda-style floor plan. Probably for the president's house in Washington, D.C. Notes on verso. 1 item. pencil and ink on paper.","Rough draft for rotunda-style floor plans. Probably for the president's house in Washington, D.C. 1 item. pencil on paper.","Plan of a rotunda style house by Robert Mills. Probably the President's house in Washington, D.C. 1 item. ink on paper.","Section of a rotunda house. Probably the President's house in Washington, D.C. 1 item.","Front and side elevation with floor plan and balcony plan of a church by John Neilson. Created for Thomas Jefferson to submit to Rev. Hatch for the design of Christ Episcopal Church, Charlottesville. 1 item. ink and watercolor on paper.","Plan (sketch) of a house with portico and dependencies. Addressed on verso to T. J., Albemarle. 1 item.","Plan of building with four porticos in the form of a Greek cross, with a framing plan (Probably a development of N-490). possibly a retreat. 1 item. photostatic copy of original.","Plan and section of a garden seat. Writing not by Jefferson, perhaps John Neilson. A study of rendering. 1 item. ink on paper.","Possibly a study by Robert Mills to teach Cornelia J. Randolph rendering. 1 item. rendered in wash.","Rough plan of porticoed building with four octagonal rooms arranged about a square. On verso of letter, 1777 August 15 from Charles S. Lewis, Jr. May be related to N-496. 1 item.","Authenticated in unidentified hand. 1 item.","By Cornelia J. Randolph. 2 items.","Notes on the land lines of Poplar Forest. Survey of roads from Campbell Court House to Poplar Forest. 3 items. ink on paper.","Deeds, surveys, plats, field notes, memoranda, some relating to a land dispute that involved one of the abutting property owners searching all early patents and surveys in the neighborhood, some dating from 1762. In 1811 also, Jefferson was engaged in road building and other extensive improvement on his Poplar Forest tract. Some of the documents are mathematical calculations and field notes, others are elaborately certified surveys. 66 items.","Two plats of same date for 11,777 and 1,790 acres of land on branches of Black Water, a tributary of the Fluvanna (James) River in Albemarle (later Bedford) County, VA, and on Tomahawk and Rock Castle creeks, respectively. The first plat, by Thomas Jefferson, was attested by Daniel Smith, Albemarle County Surveyor, and the second was amended by Jefferson with notes on sequence of titles. 3 items. The missing section from N 255 is located in this folder.","Survey of University of Virginia lawn by James Dinsmore. James Dinsmore made this drawing of the Lawn in order to show the position of Pavilion VII relative to the \"first rise\" on the north. 1 item.","Survey of University site showing Rotunda, East street, and West street. In folder with other fragments: financial figures; dimensions for \"Perry's Houses\"; cost per acres; forms; the Rotunda in relation to the road; and a plat of land with area. 7 items. ink on paper.","Plat showing acquisition of parcels. Purchases from John Perry, Daniel and Mary A. F. Piper, and Jesse W. Garth. Lands held by Alexander Garrett, Arthur Spicer Brockenbrough, and Nathan Barksdale as University Proctors. 1 item. ink on paper.","James Dinsmore's Measurements of Dormitories and Pavilions. Includes Jefferson's further notes. 1 item. ink on paper.","\"Description of a joint or splice\", with cutout model. 3 items.","Thomas Jefferson's recipe for plaster. 1 item.","Thomas Jefferson's design and sketch for a desk. 1 item.","Map of a canal and saw mill by Thomas Jefferson. 1 item.","Description of the hewing of stone. Calculations of verso. 1 item.","Homemade. 1 item.","1 item.","Plat of Monticello by Thomas Jefferson. 1 item.","For phaeton. Five \"figs\" and notes on three sheets. Notes on verso of p.1. 2 items. Ink on paper.","George Carrington map of the county of Cumberland in the hand of Thomas Jefferson. 1 item.","Road to the Thoroughfare. 1 item.","Cf. Betts, Garden Book, Plate XV. Shows boundary with river. 1 item.","Albemarle county: plat of lands of Charles Lewis Bankhead","Instructions regarding work on the University's Rotunda, clock and bell, macadamizing roads, water supply, botanical garden, purchasing of chemicals and gas lights for Dr. Emmet's use, and copy of enactments for each student. Penciled annotations by Brockenbrough of cost of various items. Includes a sketch for measuring \"the tympanum of the portico of the Rotunda\" for a clock and bell. 1 item.","Mr. Harrison's mill and Woodson's Ferry. 1 item.","Two plats of land containing 153 acres and 92 1/1 acres of land bounded by Three Chopped Road and Wheeler' Road were surveyed by William Woods as the site of Central College (University of Virginia).","In Thomas Jefferson's hand"],"userestrict_html_tesm":["\u003cp\u003eCopyright not Evaluated: \nhttps://rightsstatements.org/page/CNE/1.0/?language=en\u003c/p\u003e\n","\u003cp\u003eMore about Rights and Permissions at UVA:\nhttps://www.library.virginia.edu/policies/use-of-materials\u003c/p\u003e\n","\u003cp\u003eDigital reproductions are available:\u003c/p\u003e\n","\u003cp\u003elinks to individual pages found under each scanned item in the calendar here: \nhttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml;query=;\u003c/p\u003e\n","\u003cp\u003eArchitectural Drawings here: \nhttps://static.lib.virginia.edu/rmds/nichols/index.html \u003c/p\u003e","\u003cp\u003eReproduction of N-362 restricted withouth the written permission of the Library of Virginia.\u003c/p\u003e","\u003cp\u003eReproduction restricted withouth the written permission of the Library of Virginia.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["Copyright not Evaluated: \nhttps://rightsstatements.org/page/CNE/1.0/?language=en","More about Rights and Permissions at UVA:\nhttps://www.library.virginia.edu/policies/use-of-materials","Digital reproductions are available:","links to individual pages found under each scanned item in the calendar here: \nhttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml;query=;","Architectural Drawings here: \nhttps://static.lib.virginia.edu/rmds/nichols/index.html ","Reproduction of N-362 restricted withouth the written permission of the Library of Virginia.","Reproduction restricted withouth the written permission of the Library of Virginia."],"names_ssim":["Albert and Shirley Small Special Collections Library","University of Virginia","Randolph family","Jefferson, Thomas, 1743-1826","Madison, James, 1751-1836","James Madison","Thomas Jefferson","Cooper, Thomas, 1759-1839"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","University of Virginia"],"famname_ssim":["Randolph family"],"persname_ssim":["Jefferson, Thomas, 1743-1826","Madison, James, 1751-1836","James Madison","Thomas Jefferson","Cooper, Thomas, 1759-1839"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":175,"online_item_count_is":98,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:33:01.301Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1438","ead_ssi":"viu_repositories_3_resources_1438","_root_":"viu_repositories_3_resources_1438","_nest_parent_":"viu_repositories_3_resources_1438","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1438.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/146623","title_filing_ssi":"Jefferson, Thomas Papers, University of Virginia","title_ssm":["The University of Virginia Jefferson Papers"],"title_tesim":["The University of Virginia Jefferson Papers"],"unitdate_ssm":["1751-1898"],"unitdate_inclusive_ssm":["1751-1898"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Jefferson Papers","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1438"],"text":["Jefferson Papers","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1438","The University of Virginia Jefferson Papers","University of Virginia","Real property -- Virginia","Architecture--Virginia","Collection is open for research. Users must use a copy or microfilm of materials unless prior permission to use originals has been obtained from senior Special Collections staff.","N 545, MSS 9090-a is restricted. No access without written permission of the owner.","Photocopy of this letter is boxed with 6240-a.\nOriginal file draft of this letter filed as MSS 2573.","Letters are arranged chronologically. Archtectural drawings, other oversized, and miscellaneous materials are arranged by Nichols (N) number where applicable, and by MSS number otherwise.","Arranged according to Nichols (N) number system. Each of Jefferson's architectural drawings is listed individually with the corresponding \"Nichols number\" taken from Thomas Jefferson's architectural drawings / compiled and with commentary and a check list by Frederick Doveton Nichols. -- 4th ed. - (Charlottesville : Thomas Jefferson Memorial Foundation, 1988, c1995.).","Thomas Jefferson (1743-1826) was the third president of the United States, born in Goochland (now Albemarle County), Virginia. He was a member of the Virginia House of Burgesses from 1769 to 1775, and with R. H. Lee and Patrick Henry initiated the inter-colonial committee of correspondence in 1773. He wrote the widely circulated Summary View of the Rights of British America in 1774. Jefferson was a member of the Continental Congress in 1775 and 1776, and was chairman of committee that prepared Declaration of Independence. Jefferson himself wrote and presented the first draft of Declaration to Congress on July 2, 1776. He then signed Declaration with other founding fathers. Jefferson was Governor of Virginia from 1779 to 1781, and again a member of the Continental Congress from 1783 to 1785. He proposed decimal coinage, a series of provisions later embodied in Ordinance of 1787. He served as U.S. minister to France from 1785 to 1789, and as U.S. Secretary of State from 1790 to 1793. He served as Vice president of the U.S. from 1797 to 1801, and drafted the Kentucky Resolves in 1798, against the Alien and Sedition Acts. ","Jefferson was President of the United States from 1801 to 1809, elected by the House of Representatives after a tie in electoral vote (with Aaron Burr, q.v.). His presidential administration is remembered for the purchase of Louisiana from France in 1803 and dispatch of Lewis and Clark to explore it; the war against Algerian pirates from 1801 to 1805; diplomatic trouble with Great Britain over \"impressments\" of American seamen (Embargo Act of 1807); and prohibition of the importation of slaves. ","After retirement from presidency, Jefferson lived on his plantation at Monticello near Charlottesville, Virginia. He was instrumental in founding the University of Virginia in 1819. He was a noted naturalist, scholar, and architect, and author of Notes on the State of Virginia in 1785. Jefferson died 4 July 1826 and is buried at Monticello.","Epithet: actor, son of Joseph Jefferson","SNAC Cooperative. British Library Archives and Manuscripts Catalogue : Person : Description : ark:/81055/vdc_100000000544.0x00007c. https://snaccooperative.org/view/83449756","Provenance unknown","Provenance unknown","This is an artificial collection with multiple accession/manuscript numbers, as well as a variety of implemented arrangement systems.","To locate specific Architectural drawings in the Calendar of the Jefferson Papers of the University of Virginia, search the page for the item or folder date, Nichols (N) number, or MSS/Acc. number.","Like the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the  University of Virginia . However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.","Like the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the University of Virginia. However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.","Other institutions with significant collections of Thomas Jefferson and Jefferson family manuscripts:","LIBRARY OF CONGRESS (DLC):","Thomas Jefferson Papers, 1606 to 1827","MASSACHUSETTS HISTORICAL SOCIETY (MHI):","Coolidge Collection of Thomas Jefferson Manuscripts, Massachusetts Historical Society.","MISSOURI HISTORY MUSEUM (MOSHI):","Thomas Jefferson Collection, 1773-1826","HUNTINGTON LIBRARY (CSMH):","Thomas Jefferson collection, The Huntington Library, San Marino, California.","HISTORICAL SOCIETY OF PENNSYLVANIA (PHI):","Thomas Jefferson Papers, 1766-1825","AMERICAN PHILOSOPHICAL SOCIETY (PPAMP):","Thomas Jefferson papers, 1775-1825, Mss.B.J35","COLLEGE OF WILLIAM AND MARY (VIW):","Thomas Jefferson Papers, 1761-1931","NEW YORK PUBLIC LIBRARY (NN):","Thomas Jefferson papers, 1766-1826, MssCol 1557","VIRGINIA HISTORICAL SOCIETY (VIHI):","Thomas Jefferson Papers, 1780-1826, Mss2 J3595","Original owned by Thomas Jefferson Memorial Foundation.","This collection consists of letters written by and addressed to Thomas Jefferson, as well as architectural plans and studies that were created or endorsed by Jefferson, created by other individuals associated with him, deeds, plats, and maps, some of which pertain to the subjects of the architectural studies, and other miscellaneous materials.","All of the Architectural Drawings and Other Oversized \u0026 Miscellaneous Materials listed in the Jefferson Papers Calendar are fully represented in this finding aid, spanning the dates 1751-1898. However, the materials described here only represent a portion of the complete Jefferson Papers. Please see the Jefferson Papers Calendar, this collection's main finding aid, for a full chronological listing of all of the materials (1732-1898): https://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml","Lists enslaved persons at Poplar Forest by name, including ages of those under 8 years old. Also lists livestock.","Letter from  James Madison  to  Thomas Jefferson  submitting his first donation for founding the \"Central College,\" which would become the  University of Virginia . Docketed in Jefferson's hand on verso, \"Madison Ja.,  Montpellier  [missing text on margin] recd M [missing text on margin]\"","This is one eight-page manuscript is entitled \"Proposed list of instruments for the classes of [N]at[ural] philosophy \u0026 Mathematics,\" written by Thomas Jefferson around April 26, 1824. The instruments recommended by Jefferson were to outfit the departments of science in the Academical Village classrooms and laboratories at the University of Virginia, which held its first term in 1826. The listed is organized through headings by equipment requirements for each scientific department at the University: \"Genl purposes,\" \"Mechanics,\" \"Hydrostatics,\" \"Optics,\" \"Electricity Etc.,\" \"Astronomy,\" and \"Miscellaneous.\" Jefferson's list includes a \"very accurate set of weights\" outlined with a table, a \"model of Braham's fire engine,\" \"a good Kaleidoscope,\" a \"simple Planetarium, 3f diam. with Sun, moon \u0026 earth only,\" a \"Lithographic press,\" an \"Electric battery,\" a \"Turning lathe with Tools for working in wood \u0026 brass,\" a \"Magic lanthern,\" \"12 f of brass chain for electrical machine,\" a camera lucida, a variety of pumps, a charcoal furnace, and many other scientific dependencies. For his request of \"a very large supply\" of glass tubes, Jefferson included three simple drawings of his preferred tube types. This list of proposed instruments was penned by Jefferson shortly before Francis Walker Gilmer, an emissary of Jefferson, was dispatched to Europe to gather mechanical and scientific instruments, as well as recruit professors from London, Cambridge, and Edinburgh colleges for the forming University of Virginia. Gilmer returned to Virginia at the end of 1824 with five professorships filled. Three small paper fragments from the manuscript are also present.","This series primarily consists of architectural studies on structures found at the University of Virginia, at Thomas Jefferson's private properties like Monticello and Poplar Forest, and studies on structures in Richmond, VA. The studies in the collection contain elevations, plans, and sections, most of which include Jefferson's specifications. These architectural drawings were created mainly by Thomas Jefferson. Some were created or augmented by John Organ, Dr. William Thorton, James Dinsmore, John Neilson, John Hartwell Cocke (possibly), Robert Mills, and Cornelia J. Randolph.","Deposited by Wilson Cary Nicholas Randolph with the Proctor of the University of Virginia","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink on paper.","T.J. early free-hand sketch of elevation and plan for Monticello showing porches. 1 item. laid paper.","Study for final elevation of the first version. 1 item. ink on paper.","Drawing of archiatrave in the Monticello Dining Room. 1 item. ink and pencil on paper.","Undated plat by T. J. of Poplar Forest tract shows boundaries, roads, existing and proposed buildings; floor plan of house on verso, rooms designated in Anglo-Saxon. 2 pp. (note: see N 269 for missing section). 1 item. ink on paper.","Same as N 350","Same as N 351","Thomas Jefferson's first floor plans showing rotunda house with wings. Nichols mis-identified the second plan (N 282) as the second floor plan of the governor's house. It is the first floor. 2 items. ink on paper.","Letter from Thomas Jefferson to Dr. William Thornton describing ideas for the academical village. Contains rough sketch of Jefferson's early idea for the ground plans, showing seven pavilions around an open space with grass and trees. This sketch appears in Jefferson's first letter to Dr. William Thornton regarding the design of the Pavilions in his proposed academical village. 1 item. iron gall ink on plain wove stationary.","Same as N 352","Second study of Ground plan of West range with dormitories and hotels A and B. The suggestion for making this revised study of the West Range with the Hotels and Dormitories facing away from the Lawn instead of towards the backs of the Pavilions came from Joseph C. Cabell at the Board of Visitors meeting of 29 March 1819. One of three variants. 1 item. iron gall ink and pencil on graph paper.","This original study for the West Range shows Jefferson's initial intention to place the West Range directly behind the Pavilions and Dormitories of the Lawn. One of three variants. 1 item. iron gall ink and pencil on graph paper.","These two sheets were once joined. Together they are the studies for Pavilion VII's lower portico. South and west elevations. 2 items. pricking, scoring, and iron gall ink on graph paper.","Earlier study for plan of lawn with rotunda (N 366). 1 item. ink on paper.","This is an early study for Pavilion VII, the first building erected. It shows an elevation of the pavilion with adjacent dormitories and Chinese railings, and plans of the first and second floors. On back is an early study of the Lawn showing nine identical paviliions; the specifications begin: \"The walls of the Pavilion are 116 feet running measure.\" Includes construction notes on verso. 1 item. ink on paper.","Elevation (front facade) of pavillions with two-story dormitories. Watermarked J. Whatman. Drawn by Dr. William Thornton. In May 1817 Jefferson wrote to Dr. William Thornton describing his plan for the Central College with separate pavilions and a range of dormitories. Thornton responded on June 11 with a two story composition of student rooms and pavilions. 1 item. ink and watercolor on thin wove paper.","Elevation and three plans of Pavilion VII's front facade and floor plans and specifications for the building. The plan of the Pavilion measures 34 feet wide by 26 feet deep, precisely the dimensions that Jefferson used on his study for a typical Pavilion for Central Colllege. Cornerstone laid October 6, 1817. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.","Plan and comparative study for garden walls. While decorative, the walls are not particularly strong. 1 item. pricking and iron gall ink on graph paper.","Elevation of Pavilion III's front facade and floor plans and specifications for the building, one with alternate flap. Specifications on verso. On this revised study for Pavilion III, Jefferson has included a basement floor plan and has shifted the elevation to the side of the first floor plan instead of above it. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.","Pocket memorandum book containing initial specifications, ink drawings, and other data used and compiled by T. J. while directing the construction of the University of Virginia (Central College until 1819). Description of proposed buildings, style of architecture, measurements, materials to be used, and the amount of brick or stone required. Includes notes for the rotunda planetarium. 23 item. iron gall ink on wove paper.","Drawing of an elevation and three floor plans for Pavillion II with specifications on verso. On the first floor is the large schoolroom, and on the second floor are the professor's three rooms. On June 5, 1819, Jefferson wrote that he was about to begin the drawings for the pavilion on the east. 1 item. pricking, scoring, iron gall ink, and india ink on paper.","Drawing of an elevation and three plans for Pavillion IV with specifications on verso. 1 item. pricking, scoring, iron gall ink, and india ink on paper.","Elevation and three plans. Specifications on back. Porticos on the first and second floor plans are erased. 1 item. pricking, scoring, iron gall ink and india ink on paper.","Elevation and three plans. Specifications on back. Jefferson's notes continue to call this a \"lodge.\" 1 item. iron gall ink on graph paper.","Elevations and three plans. Shows location of Franklin stoves. Specifications on back. 1 item. ink on paper.","Same as N 326, but without the Franklin stoves or specifications. Formerly incorrectly attributed to Cornelia Jefferson Randolph. Thomas S. Ridgeway statement on verso identifies as T. J.'s work. This is the only carpenter's copy of a University of Virginia building known to have survived the building process. 1 item. pricking and iron gall ink on graph paper.","Southern elevation of Rotunda. The exterior is based upon the Pantheon in Rome at one-half scale. Construction began in 1823. 1 item. ink on paper.","Lateral section of Rotunda. On same sheet with N 328. 1 item. ink on paper.","Flat exterior buttress walls on the north and south ends of the building, and a hexastyle portico on the south end. Specifications on back. Construction began in 1823. 1 item. ink on paper.","Plan of dome room with specifications on back, beginning: \"Rotunda, reduced to the proportions of the Pantheon and accomodated to the purposes of a Library for the University with rooms for drawing, music, examinations and other accessory purposes.\" Construction began in 1823. 1 item. ink on paper.","Jefferson's notes and drawing for framing the dome. On verso: small framing diagram for library dome. 1 item. pricking, iron gall ink on plain wove paper.","Incomplete drawing showing window openings and a fireplace in a circular format. 1 item. ink on paper.","Bird's-eye view of lawn and ranges w/out Rotunda, in parallel perspective. This drawing has been attributed to Thomas Jefferson and his granddaughter, Cornelia Jefferson Randolph, but there is no conclusive proof that either one of them is its author. 1 item. pencil and watercolor on heavy cold-pressed paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and east elevation of Hotel B (labeled as Hotel A). 1 item. pricking, india ink, and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and north elevation of Hotel A (labeled as Hotel B). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of dining Hotel D (labeled as Hotel C). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel C (labeled as Hotel D). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel F (labeled as Hotel E). 1 item. india ink, watercolor, pencil on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel E (labeled as Hotel F). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and pencil on graph paper.","West elevation and first floor plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","Pavilion IV East facade and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","Second floor plans. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","East facade elevation and plan. Inked, shaded and tinted by John Neilson. Neilson has represented the parapet as a series of dies and panels which Jefferson did not indicate on N-356. 1 item. india ink and watercolor on graph paper.","West front facade elevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","First floor plan of Jefferson's octagonal retreat in Bedford County. Inked, shaded and tinted by John Neilson. The design was probably drawn by Cornelia J. Randolph or John Neilson, and based on William Kent's edition of Inigo Jones, Vol. II, Plate 17. This is one of Jefferson's most successful designs. 1 item. india ink on graph paper.","South façade garden elevation of Poplar Forest probably drawn by Cornelia J. Randolph or John Neilson. 1 item. india ink and watercolor on graph paper.","Plan of Bremo, Fluvanna county, Virginia by John Neilson. This is the principal story of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.","Elevation of Bremo, Fluvanna county, Virginia by John Neilson. This is the North front of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.","Doric and Corinthian Pavilion Facade Studies by William Thornton. 1 item. pencil and wash on paper.","Elevation. West facade of Pavilion X. Possibly by John Neilson. The drawing style is consistent with the confirmed Neilson drawings. 1 item. india ink, watercollor, and white ink on paper.","South elevation of Rotunda with South elevations of pavilions IX \u0026 X. Probably drawn by John Neilson. Previously attributed to Cornelia Jefferson Randolph. 1 item. ink with tinted washes on paper.","East elevation and three floor plans of \"No. 1 Pav. West\". Specifications on back. 1 item. pricking, scoring, iron gall ink on graph paper.","East elevation and three plans of \"Pavilion No. V. W. Palladio's Ionic Order, with Modilions.\" Specifications on back. Construction finished in 1821. 1 item. pricking, scoring, iron gall ink on graph paper.","East elevation and three plans of \"Pavilion No. IX We. Ionic of the temple of Fortuna Virilis\". This elevation contains the only example of a Jefferson drawing of a slate roof. It is also the only example of Jefferosn's use of a semicircular niche and pedimented windows on a Pavilion. \"Latrobe\" in Jefferson's writing, upper right. Specifications on back. The entrance motif is a favorite of Ledoux', whose work Jefferson had admired in Paris. Building completed 1821, as Jefferson wrote on September 30 of that year. 1 item. pricking, scoring, iron gall ink on graph paper.","Elevation and three plans of \"C. Hotel. Ionic Dentil.\" Construction completed in 1822. 1 item.","Unfinished studies for plan and elevation of \"Hotel B. West.\" Construction completed in 1822. 1 item.","Elevation and two plans, with detail of arched window set in cornice. Specifications on back headed: \"Hotel A. East. One story with a flat roof and Chinese parapet.\" Construction completed in 1822. 1 item.","Elevation and two plans of Jefferson's \"Hotel C. West. Proctor's\". The first floor plan on this sheet is copied from N-301. One story. Specifications on back. Construction completed in 1822. 1 item. iron gall ink and pencil on graph paper.","Jefferson's elevation and plan of \"Hotel D. East\". One story. Specifications on back. Construction completed in 1822. 1 item. pricking, iron gall ink, and pencil on graph paper.","Elevation and three plans of front facade and a dining hall. Two stories. Specifications on back. Construction completed in 1822. 1 item. ink on paper.","Study of first floor plans. 1 item. pricking, iron gall ink, and pencil on graph paper.","Study of first and second floor plans, east elevation and section. Jefferson designed this building at the request of Dr. Robley Dunglison, the Univesity's first medical professor, and Jefferson's personal physician. Completed in 1826. 1 item. pricking, scoring, iron-gall ink, and pencil on paper.","Study for Lawn with pavilions and rotunda. N-306 was cut from this piece to permit substitutions. 1 item. pricking, scoring, iron-gall ink on paper.","Elevation and section of dormitories. Section through lawn colonnade and a dormitory room. 1 item. pricking, scoring, iron-gall ink on graph paper.","South elevation by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.","Third study or variant for West range. Gardens, hotels, dormitories, and serpentine walls. 1 item. iron gall ink on graph paper.","Section of rails. 1 item. ink on paper.","Plan of a clock for the rotunda. 1 item. ink on paper.","Study and elevation of a Tuscan column that includes the capital, shaft, and base of the order. 1 item. iron gall ink on graph paper.","Dormitory study with elevation and plans of three floors with eight rooms to each floor. Probably studies for University of Virginia, but not by Jefferson. Possibly by General John Hartwell Cocke; see his letter of May 3, 1819, to Jefferson. 1 item. pencil, india Ink and gray wash on paper.","Elevation of two-story dormitory with wings. Elevation of one-story dormitory. Two first-floor plans and one second-floor plan. Possibly another study for N 374. 1 item. ink and wash on paper.","Elevation and two floor plans for two-story dormitory. This sheet contains a study for a two story Dormitory block. The ground floor contains twelve rooms for the students, and the upper floor contains two large spaces separated by a central passage containing stairs. Possibly another study for N 374. 1 item. pencil, india ink, and wash on paper.","Study for dormitory. Ground plan and elevation. Elevation shows arches on first floor and wood columns above. This study depicts alternate plans for a two story single pile vs. a one story double pile range of Dormitories. There is also a large dining hall at the left end of the range, as evidenced by what appear to be two long tables in the upper plan. Above the plans is a larger scale elevation of one of the two story blocks of Dormitories showing an arcade on the ground floor and a series of posts above. Possibly another study for N 374. 1 item. pencil, india ink, and iron gaul ink on paper.","Two unrelated pages. One is a page from a book of map symbols and the other is an old drawing in poor shape, which may not be a drawing by Jefferson. Possibly Architrave. 2 items.","Floor plan. The Observatory plan study has alcove beds. The geometric plan consists of four octagonal rooms surround a cross-shaped central passage, with two recessed loggias, a trapezoidal vestibule, and a projecting loggia. 1 item. pencil on graph paper.","Floor plan with specifications on back. 1 item. ink on paper.","Two photostats of a manuscript ground plan of the University, possibly that from which Maverick made his 1822 engraving, olus three enlarged copies. The drawing shows the first floor of the Rotunda with three oval rooms, and wings containing eight rooms each. The overlay shows the plan of the Dome Room. 5 items. Facsimiles.","Four copies of 1923 facsimile of Peter Maverick's 1822 plan of the University of Virginia. Design sources for pavilions written in ink by Ellen Randolph Coolidge. 4 items.","Drawn by John Neilson. Peter Maverick's 1825 plan showing plan of rotunda dome room. This version of the Maverick engraving shows the first floor of the Rotunda with the plan of the Dome Room as an overlay. Each of the two Gymnasia wings contains eight rooms, each of which is shown to have its own fireplace and door. 5 items.","Plan of south wing of capitol. Not executed by Jefferson. 1 item. ink and watercolor on paper.","Rough draft and specifications for rotunda-style floor plan. Probably for the president's house in Washington, D.C. Notes on verso. 1 item. pencil and ink on paper.","Rough draft for rotunda-style floor plans. Probably for the president's house in Washington, D.C. 1 item. pencil on paper.","Plan of a rotunda style house by Robert Mills. Probably the President's house in Washington, D.C. 1 item. ink on paper.","Section of a rotunda house. Probably the President's house in Washington, D.C. 1 item.","Front and side elevation with floor plan and balcony plan of a church by John Neilson. Created for Thomas Jefferson to submit to Rev. Hatch for the design of Christ Episcopal Church, Charlottesville. 1 item. ink and watercolor on paper.","Plan (sketch) of a house with portico and dependencies. Addressed on verso to T. J., Albemarle. 1 item.","Plan of building with four porticos in the form of a Greek cross, with a framing plan (Probably a development of N-490). possibly a retreat. 1 item. photostatic copy of original.","Plan and section of a garden seat. Writing not by Jefferson, perhaps John Neilson. A study of rendering. 1 item. ink on paper.","Possibly a study by Robert Mills to teach Cornelia J. Randolph rendering. 1 item. rendered in wash.","Rough plan of porticoed building with four octagonal rooms arranged about a square. On verso of letter, 1777 August 15 from Charles S. Lewis, Jr. May be related to N-496. 1 item.","Authenticated in unidentified hand. 1 item.","By Cornelia J. Randolph. 2 items.","Notes on the land lines of Poplar Forest. Survey of roads from Campbell Court House to Poplar Forest. 3 items. ink on paper.","Deeds, surveys, plats, field notes, memoranda, some relating to a land dispute that involved one of the abutting property owners searching all early patents and surveys in the neighborhood, some dating from 1762. In 1811 also, Jefferson was engaged in road building and other extensive improvement on his Poplar Forest tract. Some of the documents are mathematical calculations and field notes, others are elaborately certified surveys. 66 items.","Two plats of same date for 11,777 and 1,790 acres of land on branches of Black Water, a tributary of the Fluvanna (James) River in Albemarle (later Bedford) County, VA, and on Tomahawk and Rock Castle creeks, respectively. The first plat, by Thomas Jefferson, was attested by Daniel Smith, Albemarle County Surveyor, and the second was amended by Jefferson with notes on sequence of titles. 3 items. The missing section from N 255 is located in this folder.","Survey of University of Virginia lawn by James Dinsmore. James Dinsmore made this drawing of the Lawn in order to show the position of Pavilion VII relative to the \"first rise\" on the north. 1 item.","Survey of University site showing Rotunda, East street, and West street. In folder with other fragments: financial figures; dimensions for \"Perry's Houses\"; cost per acres; forms; the Rotunda in relation to the road; and a plat of land with area. 7 items. ink on paper.","Plat showing acquisition of parcels. Purchases from John Perry, Daniel and Mary A. F. Piper, and Jesse W. Garth. Lands held by Alexander Garrett, Arthur Spicer Brockenbrough, and Nathan Barksdale as University Proctors. 1 item. ink on paper.","James Dinsmore's Measurements of Dormitories and Pavilions. Includes Jefferson's further notes. 1 item. ink on paper.","\"Description of a joint or splice\", with cutout model. 3 items.","Thomas Jefferson's recipe for plaster. 1 item.","Thomas Jefferson's design and sketch for a desk. 1 item.","Map of a canal and saw mill by Thomas Jefferson. 1 item.","Description of the hewing of stone. Calculations of verso. 1 item.","Homemade. 1 item.","1 item.","Plat of Monticello by Thomas Jefferson. 1 item.","For phaeton. Five \"figs\" and notes on three sheets. Notes on verso of p.1. 2 items. Ink on paper.","George Carrington map of the county of Cumberland in the hand of Thomas Jefferson. 1 item.","Road to the Thoroughfare. 1 item.","Cf. Betts, Garden Book, Plate XV. Shows boundary with river. 1 item.","Albemarle county: plat of lands of Charles Lewis Bankhead","Instructions regarding work on the University's Rotunda, clock and bell, macadamizing roads, water supply, botanical garden, purchasing of chemicals and gas lights for Dr. Emmet's use, and copy of enactments for each student. Penciled annotations by Brockenbrough of cost of various items. Includes a sketch for measuring \"the tympanum of the portico of the Rotunda\" for a clock and bell. 1 item.","Mr. Harrison's mill and Woodson's Ferry. 1 item.","Two plats of land containing 153 acres and 92 1/1 acres of land bounded by Three Chopped Road and Wheeler' Road were surveyed by William Woods as the site of Central College (University of Virginia).","In Thomas Jefferson's hand","Copyright not Evaluated: \nhttps://rightsstatements.org/page/CNE/1.0/?language=en","More about Rights and Permissions at UVA:\nhttps://www.library.virginia.edu/policies/use-of-materials","Digital reproductions are available:","links to individual pages found under each scanned item in the calendar here: \nhttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml;query=;","Architectural Drawings here: \nhttps://static.lib.virginia.edu/rmds/nichols/index.html ","Reproduction of N-362 restricted withouth the written permission of the Library of Virginia.","Reproduction restricted withouth the written permission of the Library of Virginia.","Albert and Shirley Small Special Collections Library","University of Virginia","Randolph family","Jefferson, Thomas, 1743-1826","Madison, James, 1751-1836","James Madison","Thomas Jefferson","Cooper, Thomas, 1759-1839","English"],"unitid_tesim":["Jefferson Papers","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1438"],"normalized_title_ssm":["The University of Virginia Jefferson Papers"],"collection_title_tesim":["The University of Virginia Jefferson Papers"],"collection_ssim":["The University of Virginia Jefferson Papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Jefferson, Thomas, 1743-1826","Randolph family"],"creator_ssim":["Jefferson, Thomas, 1743-1826","Randolph family"],"creator_persname_ssim":["Jefferson, Thomas, 1743-1826"],"creator_famname_ssim":["Randolph family"],"creators_ssim":["Jefferson, Thomas, 1743-1826","Randolph family"],"access_terms_ssm":["Copyright not Evaluated: \nhttps://rightsstatements.org/page/CNE/1.0/?language=en","More about Rights and Permissions at UVA:\nhttps://www.library.virginia.edu/policies/use-of-materials","Digital reproductions are available:","links to individual pages found under each scanned item in the calendar here: \nhttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml;query=;","Architectural Drawings here: \nhttps://static.lib.virginia.edu/rmds/nichols/index.html "],"acqinfo_ssim":["Acquired by gift and purchase, 1825-present."],"access_subjects_ssim":["University of Virginia","Real property -- Virginia","Architecture--Virginia"],"access_subjects_ssm":["University of Virginia","Real property -- Virginia","Architecture--Virginia"],"has_online_content_ssim":["true"],"extent_ssm":["14.2 Cubic Feet 1 legal document box, 1 half-width legal document box, 6 oversize flat boxes, 2 filing cabinets (4 drawers each)."],"extent_tesim":["14.2 Cubic Feet 1 legal document box, 1 half-width legal document box, 6 oversize flat boxes, 2 filing cabinets (4 drawers each)."],"date_range_isim":[1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Users must use a copy or microfilm of materials unless prior permission to use originals has been obtained from senior Special Collections staff.\u003c/p\u003e","\u003cp\u003eN 545, MSS 9090-a is restricted. No access without written permission of the owner.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research. Users must use a copy or microfilm of materials unless prior permission to use originals has been obtained from senior Special Collections staff.","N 545, MSS 9090-a is restricted. No access without written permission of the owner."],"altformavail_html_tesm":["\u003cp\u003ePhotocopy of this letter is boxed with 6240-a.\nOriginal file draft of this letter filed as MSS 2573.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Photocopy of this letter is boxed with 6240-a.\nOriginal file draft of this letter filed as MSS 2573."],"arrangement_html_tesm":["\u003cp\u003eLetters are arranged chronologically. Archtectural drawings, other oversized, and miscellaneous materials are arranged by Nichols (N) number where applicable, and by MSS number otherwise.\u003c/p\u003e","\u003cp\u003eArranged according to Nichols (N) number system. Each of Jefferson's architectural drawings is listed individually with the corresponding \"Nichols number\" taken from Thomas Jefferson's architectural drawings / compiled and with commentary and a check list by Frederick Doveton Nichols. -- 4th ed. - (Charlottesville : Thomas Jefferson Memorial Foundation, 1988, c1995.).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["Letters are arranged chronologically. Archtectural drawings, other oversized, and miscellaneous materials are arranged by Nichols (N) number where applicable, and by MSS number otherwise.","Arranged according to Nichols (N) number system. Each of Jefferson's architectural drawings is listed individually with the corresponding \"Nichols number\" taken from Thomas Jefferson's architectural drawings / compiled and with commentary and a check list by Frederick Doveton Nichols. -- 4th ed. - (Charlottesville : Thomas Jefferson Memorial Foundation, 1988, c1995.)."],"bioghist_html_tesm":["\u003cp\u003eThomas Jefferson (1743-1826) was the third president of the United States, born in Goochland (now Albemarle County), Virginia. He was a member of the Virginia House of Burgesses from 1769 to 1775, and with R. H. Lee and Patrick Henry initiated the inter-colonial committee of correspondence in 1773. He wrote the widely circulated Summary View of the Rights of British America in 1774. Jefferson was a member of the Continental Congress in 1775 and 1776, and was chairman of committee that prepared Declaration of Independence. Jefferson himself wrote and presented the first draft of Declaration to Congress on July 2, 1776. He then signed Declaration with other founding fathers. Jefferson was Governor of Virginia from 1779 to 1781, and again a member of the Continental Congress from 1783 to 1785. He proposed decimal coinage, a series of provisions later embodied in Ordinance of 1787. He served as U.S. minister to France from 1785 to 1789, and as U.S. Secretary of State from 1790 to 1793. He served as Vice president of the U.S. from 1797 to 1801, and drafted the Kentucky Resolves in 1798, against the Alien and Sedition Acts. \u003c/p\u003e\n","\u003cp\u003eJefferson was President of the United States from 1801 to 1809, elected by the House of Representatives after a tie in electoral vote (with Aaron Burr, q.v.). His presidential administration is remembered for the purchase of Louisiana from France in 1803 and dispatch of Lewis and Clark to explore it; the war against Algerian pirates from 1801 to 1805; diplomatic trouble with Great Britain over \"impressments\" of American seamen (Embargo Act of 1807); and prohibition of the importation of slaves. \u003c/p\u003e\n","\u003cp\u003eAfter retirement from presidency, Jefferson lived on his plantation at Monticello near Charlottesville, Virginia. He was instrumental in founding the University of Virginia in 1819. He was a noted naturalist, scholar, and architect, and author of Notes on the State of Virginia in 1785. Jefferson died 4 July 1826 and is buried at Monticello.\u003c/p\u003e\n","\u003cp\u003eEpithet: actor, son of Joseph Jefferson\u003c/p\u003e\n","\u003cp\u003eSNAC Cooperative. British Library Archives and Manuscripts Catalogue : Person : Description : ark:/81055/vdc_100000000544.0x00007c. https://snaccooperative.org/view/83449756\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Thomas Jefferson (1743-1826) was the third president of the United States, born in Goochland (now Albemarle County), Virginia. He was a member of the Virginia House of Burgesses from 1769 to 1775, and with R. H. Lee and Patrick Henry initiated the inter-colonial committee of correspondence in 1773. He wrote the widely circulated Summary View of the Rights of British America in 1774. Jefferson was a member of the Continental Congress in 1775 and 1776, and was chairman of committee that prepared Declaration of Independence. Jefferson himself wrote and presented the first draft of Declaration to Congress on July 2, 1776. He then signed Declaration with other founding fathers. Jefferson was Governor of Virginia from 1779 to 1781, and again a member of the Continental Congress from 1783 to 1785. He proposed decimal coinage, a series of provisions later embodied in Ordinance of 1787. He served as U.S. minister to France from 1785 to 1789, and as U.S. Secretary of State from 1790 to 1793. He served as Vice president of the U.S. from 1797 to 1801, and drafted the Kentucky Resolves in 1798, against the Alien and Sedition Acts. ","Jefferson was President of the United States from 1801 to 1809, elected by the House of Representatives after a tie in electoral vote (with Aaron Burr, q.v.). His presidential administration is remembered for the purchase of Louisiana from France in 1803 and dispatch of Lewis and Clark to explore it; the war against Algerian pirates from 1801 to 1805; diplomatic trouble with Great Britain over \"impressments\" of American seamen (Embargo Act of 1807); and prohibition of the importation of slaves. ","After retirement from presidency, Jefferson lived on his plantation at Monticello near Charlottesville, Virginia. He was instrumental in founding the University of Virginia in 1819. He was a noted naturalist, scholar, and architect, and author of Notes on the State of Virginia in 1785. Jefferson died 4 July 1826 and is buried at Monticello.","Epithet: actor, son of Joseph Jefferson","SNAC Cooperative. British Library Archives and Manuscripts Catalogue : Person : Description : ark:/81055/vdc_100000000544.0x00007c. https://snaccooperative.org/view/83449756"],"custodhist_html_tesm":["\u003cp\u003eProvenance unknown\u003c/p\u003e","\u003cp\u003eProvenance unknown\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History","Custodial History"],"custodhist_tesim":["Provenance unknown","Provenance unknown"],"odd_html_tesm":["\u003cp\u003eThis is an artificial collection with multiple accession/manuscript numbers, as well as a variety of implemented arrangement systems.\u003c/p\u003e","\u003cp\u003eTo locate specific Architectural drawings in the Calendar of the Jefferson Papers of the University of Virginia, search the page for the item or folder date, Nichols (N) number, or MSS/Acc. number.\u003c/p\u003e"],"odd_heading_ssm":["General","General"],"odd_tesim":["This is an artificial collection with multiple accession/manuscript numbers, as well as a variety of implemented arrangement systems.","To locate specific Architectural drawings in the Calendar of the Jefferson Papers of the University of Virginia, search the page for the item or folder date, Nichols (N) number, or MSS/Acc. number."],"otherfindaid_html_tesm":["\u003cp\u003eMain finding aid for this collection, A Calendar of The Jefferson Papers of the University of Virginia:\u003c/p\u003e\n","\u003cp\u003ehttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml\u003c/p\u003e\n","\u003cp\u003e\nDigital images of the architectural drawings, Nichols Tiffs:\u003c/p\u003e\n","\u003cp\u003ehttps://static.lib.virginia.edu/rmds/nichols/index.html\u003c/p\u003e\n","\u003cp\u003e\nOther online catalog, UVA Catalog of Jefferson's Drawings: \u003c/p\u003e\n","\u003cp\u003ehttp://www2.iath.virginia.edu/wilson/drawings/uvacat.html\u003c/p\u003e","\u003cp\u003eSeparate record for most of the architectural drawings in this collection: https://search.lib.virginia.edu/sources/uva_library/items/u4401249\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids","Other Finding Aids"],"otherfindaid_tesim":["Main finding aid for this collection, A Calendar of The Jefferson Papers of the University of Virginia:","https://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml","\nDigital images of the architectural drawings, Nichols Tiffs:","https://static.lib.virginia.edu/rmds/nichols/index.html","\nOther online catalog, UVA Catalog of Jefferson's Drawings: ","http://www2.iath.virginia.edu/wilson/drawings/uvacat.html","Separate record for most of the architectural drawings in this collection: https://search.lib.virginia.edu/sources/uva_library/items/u4401249"],"prefercite_html_tesm":["\u003cp\u003eJefferson Papers, The University of Virginia Jefferson Papers, folder title and number [if applicable], manuscript or record group number of original collection [if known], Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["Jefferson Papers, The University of Virginia Jefferson Papers, folder title and number [if applicable], manuscript or record group number of original collection [if known], Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eLike the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the \u003ccorpname\u003eUniversity of Virginia\u003c/corpname\u003e. However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.\u003c/p\u003e","\u003cp\u003eLike the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the University of Virginia. However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["Like the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the  University of Virginia . However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.","Like the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the University of Virginia. However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items."],"relatedmaterial_html_tesm":["\u003cp\u003eOther institutions with significant collections of Thomas Jefferson and Jefferson family manuscripts:\u003c/p\u003e\n","\u003cp\u003eLIBRARY OF CONGRESS (DLC):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson Papers, 1606 to 1827\u003c/p\u003e\n","\u003cp\u003eMASSACHUSETTS HISTORICAL SOCIETY (MHI):\u003c/p\u003e\n","\u003cp\u003eCoolidge Collection of Thomas Jefferson Manuscripts, Massachusetts Historical Society.\u003c/p\u003e\n","\u003cp\u003eMISSOURI HISTORY MUSEUM (MOSHI):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson Collection, 1773-1826\u003c/p\u003e\n","\u003cp\u003eHUNTINGTON LIBRARY (CSMH):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson collection, The Huntington Library, San Marino, California.\u003c/p\u003e\n","\u003cp\u003eHISTORICAL SOCIETY OF PENNSYLVANIA (PHI):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson Papers, 1766-1825\u003c/p\u003e\n","\u003cp\u003eAMERICAN PHILOSOPHICAL SOCIETY (PPAMP):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson papers, 1775-1825, Mss.B.J35\u003c/p\u003e\n","\u003cp\u003eCOLLEGE OF WILLIAM AND MARY (VIW):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson Papers, 1761-1931\u003c/p\u003e\n","\u003cp\u003eNEW YORK PUBLIC LIBRARY (NN):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson papers, 1766-1826, MssCol 1557\u003c/p\u003e\n","\u003cp\u003eVIRGINIA HISTORICAL SOCIETY (VIHI):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson Papers, 1780-1826, Mss2 J3595\u003c/p\u003e","\u003cp\u003eOriginal owned by Thomas Jefferson Memorial Foundation.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials"],"relatedmaterial_tesim":["Other institutions with significant collections of Thomas Jefferson and Jefferson family manuscripts:","LIBRARY OF CONGRESS (DLC):","Thomas Jefferson Papers, 1606 to 1827","MASSACHUSETTS HISTORICAL SOCIETY (MHI):","Coolidge Collection of Thomas Jefferson Manuscripts, Massachusetts Historical Society.","MISSOURI HISTORY MUSEUM (MOSHI):","Thomas Jefferson Collection, 1773-1826","HUNTINGTON LIBRARY (CSMH):","Thomas Jefferson collection, The Huntington Library, San Marino, California.","HISTORICAL SOCIETY OF PENNSYLVANIA (PHI):","Thomas Jefferson Papers, 1766-1825","AMERICAN PHILOSOPHICAL SOCIETY (PPAMP):","Thomas Jefferson papers, 1775-1825, Mss.B.J35","COLLEGE OF WILLIAM AND MARY (VIW):","Thomas Jefferson Papers, 1761-1931","NEW YORK PUBLIC LIBRARY (NN):","Thomas Jefferson papers, 1766-1826, MssCol 1557","VIRGINIA HISTORICAL SOCIETY (VIHI):","Thomas Jefferson Papers, 1780-1826, Mss2 J3595","Original owned by Thomas Jefferson Memorial Foundation."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of letters written by and addressed to Thomas Jefferson, as well as architectural plans and studies that were created or endorsed by Jefferson, created by other individuals associated with him, deeds, plats, and maps, some of which pertain to the subjects of the architectural studies, and other miscellaneous materials.\u003c/p\u003e\n","\u003cp\u003eAll of the Architectural Drawings and Other Oversized \u0026amp; Miscellaneous Materials listed in the Jefferson Papers Calendar are fully represented in this finding aid, spanning the dates 1751-1898. However, the materials described here only represent a portion of the complete Jefferson Papers. Please see the Jefferson Papers Calendar, this collection's main finding aid, for a full chronological listing of all of the materials (1732-1898): https://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml\u003c/p\u003e","\u003cp\u003eLists enslaved persons at Poplar Forest by name, including ages of those under 8 years old. Also lists livestock.\u003c/p\u003e","\u003cp\u003eLetter from \u003cpersname\u003eJames Madison\u003c/persname\u003e to \u003cpersname\u003eThomas Jefferson\u003c/persname\u003e submitting his first donation for founding the \"Central College,\" which would become the \u003ccorpname\u003eUniversity of Virginia\u003c/corpname\u003e. Docketed in Jefferson's hand on verso, \"Madison Ja., \u003cgeogname\u003eMontpellier\u003c/geogname\u003e [missing text on margin] recd M [missing text on margin]\"\u003c/p\u003e","\u003cp\u003eThis is one eight-page manuscript is entitled \"Proposed list of instruments for the classes of [N]at[ural] philosophy \u0026amp; Mathematics,\" written by Thomas Jefferson around April 26, 1824. The instruments recommended by Jefferson were to outfit the departments of science in the Academical Village classrooms and laboratories at the University of Virginia, which held its first term in 1826. The listed is organized through headings by equipment requirements for each scientific department at the University: \"Genl purposes,\" \"Mechanics,\" \"Hydrostatics,\" \"Optics,\" \"Electricity Etc.,\" \"Astronomy,\" and \"Miscellaneous.\" Jefferson's list includes a \"very accurate set of weights\" outlined with a table, a \"model of Braham's fire engine,\" \"a good Kaleidoscope,\" a \"simple Planetarium, 3f diam. with Sun, moon \u0026amp; earth only,\" a \"Lithographic press,\" an \"Electric battery,\" a \"Turning lathe with Tools for working in wood \u0026amp; brass,\" a \"Magic lanthern,\" \"12 f of brass chain for electrical machine,\" a camera lucida, a variety of pumps, a charcoal furnace, and many other scientific dependencies. For his request of \"a very large supply\" of glass tubes, Jefferson included three simple drawings of his preferred tube types. This list of proposed instruments was penned by Jefferson shortly before Francis Walker Gilmer, an emissary of Jefferson, was dispatched to Europe to gather mechanical and scientific instruments, as well as recruit professors from London, Cambridge, and Edinburgh colleges for the forming University of Virginia. Gilmer returned to Virginia at the end of 1824 with five professorships filled. Three small paper fragments from the manuscript are also present.\u003c/p\u003e","\u003cp\u003eThis series primarily consists of architectural studies on structures found at the University of Virginia, at Thomas Jefferson's private properties like Monticello and Poplar Forest, and studies on structures in Richmond, VA. The studies in the collection contain elevations, plans, and sections, most of which include Jefferson's specifications. These architectural drawings were created mainly by Thomas Jefferson. Some were created or augmented by John Organ, Dr. William Thorton, James Dinsmore, John Neilson, John Hartwell Cocke (possibly), Robert Mills, and Cornelia J. Randolph.\u003c/p\u003e","\u003cp\u003eDeposited by Wilson Cary Nicholas Randolph with the Proctor of the University of Virginia\u003c/p\u003e","\u003cp\u003eThe remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on paper.\u003c/p\u003e","\u003cp\u003eThe remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.\u003c/p\u003e","\u003cp\u003eThe remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.\u003c/p\u003e","\u003cp\u003eThe remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eT.J. early free-hand sketch of elevation and plan for Monticello showing porches. 1 item. laid paper.\u003c/p\u003e","\u003cp\u003eStudy for final elevation of the first version. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eDrawing of archiatrave in the Monticello Dining Room. 1 item. ink and pencil on paper.\u003c/p\u003e","\u003cp\u003eUndated plat by T. J. of Poplar Forest tract shows boundaries, roads, existing and proposed buildings; floor plan of house on verso, rooms designated in Anglo-Saxon. 2 pp. (note: see N 269 for missing section). 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eSame as N 350\u003c/p\u003e","\u003cp\u003eSame as N 351\u003c/p\u003e","\u003cp\u003eThomas Jefferson's first floor plans showing rotunda house with wings. Nichols mis-identified the second plan (N 282) as the second floor plan of the governor's house. It is the first floor. 2 items. ink on paper.\u003c/p\u003e","\u003cp\u003eLetter from Thomas Jefferson to Dr. William Thornton describing ideas for the academical village. Contains rough sketch of Jefferson's early idea for the ground plans, showing seven pavilions around an open space with grass and trees. This sketch appears in Jefferson's first letter to Dr. William Thornton regarding the design of the Pavilions in his proposed academical village. 1 item. iron gall ink on plain wove stationary.\u003c/p\u003e","\u003cp\u003eSame as N 352\u003c/p\u003e","\u003cp\u003eSecond study of Ground plan of West range with dormitories and hotels A and B. The suggestion for making this revised study of the West Range with the Hotels and Dormitories facing away from the Lawn instead of towards the backs of the Pavilions came from Joseph C. Cabell at the Board of Visitors meeting of 29 March 1819. One of three variants. 1 item. iron gall ink and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eThis original study for the West Range shows Jefferson's initial intention to place the West Range directly behind the Pavilions and Dormitories of the Lawn. One of three variants. 1 item. iron gall ink and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eThese two sheets were once joined. Together they are the studies for Pavilion VII's lower portico. South and west elevations. 2 items. pricking, scoring, and iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eEarlier study for plan of lawn with rotunda (N 366). 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eThis is an early study for Pavilion VII, the first building erected. It shows an elevation of the pavilion with adjacent dormitories and Chinese railings, and plans of the first and second floors. On back is an early study of the Lawn showing nine identical paviliions; the specifications begin: \"The walls of the Pavilion are 116 feet running measure.\" Includes construction notes on verso. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eElevation (front facade) of pavillions with two-story dormitories. Watermarked J. Whatman. Drawn by Dr. William Thornton. In May 1817 Jefferson wrote to Dr. William Thornton describing his plan for the Central College with separate pavilions and a range of dormitories. Thornton responded on June 11 with a two story composition of student rooms and pavilions. 1 item. ink and watercolor on thin wove paper.\u003c/p\u003e","\u003cp\u003eElevation and three plans of Pavilion VII's front facade and floor plans and specifications for the building. The plan of the Pavilion measures 34 feet wide by 26 feet deep, precisely the dimensions that Jefferson used on his study for a typical Pavilion for Central Colllege. Cornerstone laid October 6, 1817. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.\u003c/p\u003e","\u003cp\u003ePlan and comparative study for garden walls. While decorative, the walls are not particularly strong. 1 item. pricking and iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eElevation of Pavilion III's front facade and floor plans and specifications for the building, one with alternate flap. Specifications on verso. On this revised study for Pavilion III, Jefferson has included a basement floor plan and has shifted the elevation to the side of the first floor plan instead of above it. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.\u003c/p\u003e","\u003cp\u003ePocket memorandum book containing initial specifications, ink drawings, and other data used and compiled by T. J. while directing the construction of the University of Virginia (Central College until 1819). Description of proposed buildings, style of architecture, measurements, materials to be used, and the amount of brick or stone required. Includes notes for the rotunda planetarium. 23 item. iron gall ink on wove paper.\u003c/p\u003e","\u003cp\u003eDrawing of an elevation and three floor plans for Pavillion II with specifications on verso. On the first floor is the large schoolroom, and on the second floor are the professor's three rooms. On June 5, 1819, Jefferson wrote that he was about to begin the drawings for the pavilion on the east. 1 item. pricking, scoring, iron gall ink, and india ink on paper.\u003c/p\u003e","\u003cp\u003eDrawing of an elevation and three plans for Pavillion IV with specifications on verso. 1 item. pricking, scoring, iron gall ink, and india ink on paper.\u003c/p\u003e","\u003cp\u003eElevation and three plans. Specifications on back. Porticos on the first and second floor plans are erased. 1 item. pricking, scoring, iron gall ink and india ink on paper.\u003c/p\u003e","\u003cp\u003eElevation and three plans. Specifications on back. Jefferson's notes continue to call this a \"lodge.\" 1 item. iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eElevations and three plans. Shows location of Franklin stoves. Specifications on back. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eSame as N 326, but without the Franklin stoves or specifications. Formerly incorrectly attributed to Cornelia Jefferson Randolph. Thomas S. Ridgeway statement on verso identifies as T. J.'s work. This is the only carpenter's copy of a University of Virginia building known to have survived the building process. 1 item. pricking and iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eSouthern elevation of Rotunda. The exterior is based upon the Pantheon in Rome at one-half scale. Construction began in 1823. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eLateral section of Rotunda. On same sheet with N 328. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eFlat exterior buttress walls on the north and south ends of the building, and a hexastyle portico on the south end. Specifications on back. Construction began in 1823. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003ePlan of dome room with specifications on back, beginning: \"Rotunda, reduced to the proportions of the Pantheon and accomodated to the purposes of a Library for the University with rooms for drawing, music, examinations and other accessory purposes.\" Construction began in 1823. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eJefferson's notes and drawing for framing the dome. On verso: small framing diagram for library dome. 1 item. pricking, iron gall ink on plain wove paper.\u003c/p\u003e","\u003cp\u003eIncomplete drawing showing window openings and a fireplace in a circular format. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eBird's-eye view of lawn and ranges w/out Rotunda, in parallel perspective. This drawing has been attributed to Thomas Jefferson and his granddaughter, Cornelia Jefferson Randolph, but there is no conclusive proof that either one of them is its author. 1 item. pencil and watercolor on heavy cold-pressed paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and east elevation of Hotel B (labeled as Hotel A). 1 item. pricking, india ink, and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and north elevation of Hotel A (labeled as Hotel B). 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of dining Hotel D (labeled as Hotel C). 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel C (labeled as Hotel D). 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel F (labeled as Hotel E). 1 item. india ink, watercolor, pencil on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel E (labeled as Hotel F). 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eWest elevation and first floor plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003ePavilion IV East facade and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eSecond floor plans. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eEast facade elevation and plan. Inked, shaded and tinted by John Neilson. Neilson has represented the parapet as a series of dies and panels which Jefferson did not indicate on N-356. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eWest front facade elevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eFirst floor plan of Jefferson's octagonal retreat in Bedford County. Inked, shaded and tinted by John Neilson. The design was probably drawn by Cornelia J. Randolph or John Neilson, and based on William Kent's edition of Inigo Jones, Vol. II, Plate 17. This is one of Jefferson's most successful designs. 1 item. india ink on graph paper.\u003c/p\u003e","\u003cp\u003eSouth façade garden elevation of Poplar Forest probably drawn by Cornelia J. Randolph or John Neilson. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003ePlan of Bremo, Fluvanna county, Virginia by John Neilson. This is the principal story of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.\u003c/p\u003e","\u003cp\u003eElevation of Bremo, Fluvanna county, Virginia by John Neilson. This is the North front of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.\u003c/p\u003e","\u003cp\u003eDoric and Corinthian Pavilion Facade Studies by William Thornton. 1 item. pencil and wash on paper.\u003c/p\u003e","\u003cp\u003eElevation. West facade of Pavilion X. Possibly by John Neilson. The drawing style is consistent with the confirmed Neilson drawings. 1 item. india ink, watercollor, and white ink on paper.\u003c/p\u003e","\u003cp\u003eSouth elevation of Rotunda with South elevations of pavilions IX \u0026amp; X. Probably drawn by John Neilson. Previously attributed to Cornelia Jefferson Randolph. 1 item. ink with tinted washes on paper.\u003c/p\u003e","\u003cp\u003eEast elevation and three floor plans of \"No. 1 Pav. West\". Specifications on back. 1 item. pricking, scoring, iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eEast elevation and three plans of \"Pavilion No. V. W. Palladio's Ionic Order, with Modilions.\" Specifications on back. Construction finished in 1821. 1 item. pricking, scoring, iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eEast elevation and three plans of \"Pavilion No. IX We. Ionic of the temple of Fortuna Virilis\". This elevation contains the only example of a Jefferson drawing of a slate roof. It is also the only example of Jefferosn's use of a semicircular niche and pedimented windows on a Pavilion. \"Latrobe\" in Jefferson's writing, upper right. Specifications on back. The entrance motif is a favorite of Ledoux', whose work Jefferson had admired in Paris. Building completed 1821, as Jefferson wrote on September 30 of that year. 1 item. pricking, scoring, iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and three plans of \"C. Hotel. Ionic Dentil.\" Construction completed in 1822. 1 item.\u003c/p\u003e","\u003cp\u003eUnfinished studies for plan and elevation of \"Hotel B. West.\" Construction completed in 1822. 1 item.\u003c/p\u003e","\u003cp\u003eElevation and two plans, with detail of arched window set in cornice. Specifications on back headed: \"Hotel A. East. One story with a flat roof and Chinese parapet.\" Construction completed in 1822. 1 item.\u003c/p\u003e","\u003cp\u003eElevation and two plans of Jefferson's \"Hotel C. West. Proctor's\". The first floor plan on this sheet is copied from N-301. One story. Specifications on back. Construction completed in 1822. 1 item. iron gall ink and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eJefferson's elevation and plan of \"Hotel D. East\". One story. Specifications on back. Construction completed in 1822. 1 item. pricking, iron gall ink, and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and three plans of front facade and a dining hall. Two stories. Specifications on back. Construction completed in 1822. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eStudy of first floor plans. 1 item. pricking, iron gall ink, and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eStudy of first and second floor plans, east elevation and section. Jefferson designed this building at the request of Dr. Robley Dunglison, the Univesity's first medical professor, and Jefferson's personal physician. Completed in 1826. 1 item. pricking, scoring, iron-gall ink, and pencil on paper.\u003c/p\u003e","\u003cp\u003eStudy for Lawn with pavilions and rotunda. N-306 was cut from this piece to permit substitutions. 1 item. pricking, scoring, iron-gall ink on paper.\u003c/p\u003e","\u003cp\u003eElevation and section of dormitories. Section through lawn colonnade and a dormitory room. 1 item. pricking, scoring, iron-gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eSouth elevation by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.\u003c/p\u003e","\u003cp\u003eThird study or variant for West range. Gardens, hotels, dormitories, and serpentine walls. 1 item. iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eSection of rails. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003ePlan of a clock for the rotunda. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eStudy and elevation of a Tuscan column that includes the capital, shaft, and base of the order. 1 item. iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eDormitory study with elevation and plans of three floors with eight rooms to each floor. Probably studies for University of Virginia, but not by Jefferson. Possibly by General John Hartwell Cocke; see his letter of May 3, 1819, to Jefferson. 1 item. pencil, india Ink and gray wash on paper.\u003c/p\u003e","\u003cp\u003eElevation of two-story dormitory with wings. Elevation of one-story dormitory. Two first-floor plans and one second-floor plan. Possibly another study for N 374. 1 item. ink and wash on paper.\u003c/p\u003e","\u003cp\u003eElevation and two floor plans for two-story dormitory. This sheet contains a study for a two story Dormitory block. The ground floor contains twelve rooms for the students, and the upper floor contains two large spaces separated by a central passage containing stairs. Possibly another study for N 374. 1 item. pencil, india ink, and wash on paper.\u003c/p\u003e","\u003cp\u003eStudy for dormitory. Ground plan and elevation. Elevation shows arches on first floor and wood columns above. This study depicts alternate plans for a two story single pile vs. a one story double pile range of Dormitories. There is also a large dining hall at the left end of the range, as evidenced by what appear to be two long tables in the upper plan. Above the plans is a larger scale elevation of one of the two story blocks of Dormitories showing an arcade on the ground floor and a series of posts above. Possibly another study for N 374. 1 item. pencil, india ink, and iron gaul ink on paper.\u003c/p\u003e","\u003cp\u003eTwo unrelated pages. One is a page from a book of map symbols and the other is an old drawing in poor shape, which may not be a drawing by Jefferson. Possibly Architrave. 2 items.\u003c/p\u003e","\u003cp\u003eFloor plan. The Observatory plan study has alcove beds. The geometric plan consists of four octagonal rooms surround a cross-shaped central passage, with two recessed loggias, a trapezoidal vestibule, and a projecting loggia. 1 item. pencil on graph paper.\u003c/p\u003e","\u003cp\u003eFloor plan with specifications on back. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eTwo photostats of a manuscript ground plan of the University, possibly that from which Maverick made his 1822 engraving, olus three enlarged copies. The drawing shows the first floor of the Rotunda with three oval rooms, and wings containing eight rooms each. The overlay shows the plan of the Dome Room. 5 items. Facsimiles.\u003c/p\u003e","\u003cp\u003eFour copies of 1923 facsimile of Peter Maverick's 1822 plan of the University of Virginia. Design sources for pavilions written in ink by Ellen Randolph Coolidge. 4 items.\u003c/p\u003e","\u003cp\u003eDrawn by John Neilson. Peter Maverick's 1825 plan showing plan of rotunda dome room. This version of the Maverick engraving shows the first floor of the Rotunda with the plan of the Dome Room as an overlay. Each of the two Gymnasia wings contains eight rooms, each of which is shown to have its own fireplace and door. 5 items.\u003c/p\u003e","\u003cp\u003ePlan of south wing of capitol. Not executed by Jefferson. 1 item. ink and watercolor on paper.\u003c/p\u003e","\u003cp\u003eRough draft and specifications for rotunda-style floor plan. Probably for the president's house in Washington, D.C. Notes on verso. 1 item. pencil and ink on paper.\u003c/p\u003e","\u003cp\u003eRough draft for rotunda-style floor plans. Probably for the president's house in Washington, D.C. 1 item. pencil on paper.\u003c/p\u003e","\u003cp\u003ePlan of a rotunda style house by Robert Mills. Probably the President's house in Washington, D.C. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eSection of a rotunda house. Probably the President's house in Washington, D.C. 1 item.\u003c/p\u003e","\u003cp\u003eFront and side elevation with floor plan and balcony plan of a church by John Neilson. Created for Thomas Jefferson to submit to Rev. Hatch for the design of Christ Episcopal Church, Charlottesville. 1 item. ink and watercolor on paper.\u003c/p\u003e","\u003cp\u003ePlan (sketch) of a house with portico and dependencies. Addressed on verso to T. J., Albemarle. 1 item.\u003c/p\u003e","\u003cp\u003ePlan of building with four porticos in the form of a Greek cross, with a framing plan (Probably a development of N-490). possibly a retreat. 1 item. photostatic copy of original.\u003c/p\u003e","\u003cp\u003ePlan and section of a garden seat. Writing not by Jefferson, perhaps John Neilson. A study of rendering. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003ePossibly a study by Robert Mills to teach Cornelia J. Randolph rendering. 1 item. rendered in wash.\u003c/p\u003e","\u003cp\u003eRough plan of porticoed building with four octagonal rooms arranged about a square. On verso of letter, 1777 August 15 from Charles S. Lewis, Jr. May be related to N-496. 1 item.\u003c/p\u003e","\u003cp\u003eAuthenticated in unidentified hand. 1 item.\u003c/p\u003e","\u003cp\u003eBy Cornelia J. Randolph. 2 items.\u003c/p\u003e","\u003cp\u003eNotes on the land lines of Poplar Forest. Survey of roads from Campbell Court House to Poplar Forest. 3 items. ink on paper.\u003c/p\u003e","\u003cp\u003eDeeds, surveys, plats, field notes, memoranda, some relating to a land dispute that involved one of the abutting property owners searching all early patents and surveys in the neighborhood, some dating from 1762. In 1811 also, Jefferson was engaged in road building and other extensive improvement on his Poplar Forest tract. Some of the documents are mathematical calculations and field notes, others are elaborately certified surveys. 66 items.\u003c/p\u003e","\u003cp\u003eTwo plats of same date for 11,777 and 1,790 acres of land on branches of Black Water, a tributary of the Fluvanna (James) River in Albemarle (later Bedford) County, VA, and on Tomahawk and Rock Castle creeks, respectively. The first plat, by Thomas Jefferson, was attested by Daniel Smith, Albemarle County Surveyor, and the second was amended by Jefferson with notes on sequence of titles. 3 items. The missing section from N 255 is located in this folder.\u003c/p\u003e","\u003cp\u003eSurvey of University of Virginia lawn by James Dinsmore. James Dinsmore made this drawing of the Lawn in order to show the position of Pavilion VII relative to the \"first rise\" on the north. 1 item.\u003c/p\u003e","\u003cp\u003eSurvey of University site showing Rotunda, East street, and West street. In folder with other fragments: financial figures; dimensions for \"Perry's Houses\"; cost per acres; forms; the Rotunda in relation to the road; and a plat of land with area. 7 items. ink on paper.\u003c/p\u003e","\u003cp\u003ePlat showing acquisition of parcels. Purchases from John Perry, Daniel and Mary A. F. Piper, and Jesse W. Garth. Lands held by Alexander Garrett, Arthur Spicer Brockenbrough, and Nathan Barksdale as University Proctors. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eJames Dinsmore's Measurements of Dormitories and Pavilions. Includes Jefferson's further notes. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003e\"Description of a joint or splice\", with cutout model. 3 items.\u003c/p\u003e","\u003cp\u003eThomas Jefferson's recipe for plaster. 1 item.\u003c/p\u003e","\u003cp\u003eThomas Jefferson's design and sketch for a desk. 1 item.\u003c/p\u003e","\u003cp\u003eMap of a canal and saw mill by Thomas Jefferson. 1 item.\u003c/p\u003e","\u003cp\u003eDescription of the hewing of stone. Calculations of verso. 1 item.\u003c/p\u003e","\u003cp\u003eHomemade. 1 item.\u003c/p\u003e","\u003cp\u003e1 item.\u003c/p\u003e","\u003cp\u003ePlat of Monticello by Thomas Jefferson. 1 item.\u003c/p\u003e","\u003cp\u003eFor phaeton. Five \"figs\" and notes on three sheets. Notes on verso of p.1. 2 items. Ink on paper.\u003c/p\u003e","\u003cp\u003eGeorge Carrington map of the county of Cumberland in the hand of Thomas Jefferson. 1 item.\u003c/p\u003e","\u003cp\u003eRoad to the Thoroughfare. 1 item.\u003c/p\u003e","\u003cp\u003eCf. Betts, Garden Book, Plate XV. Shows boundary with river. 1 item.\u003c/p\u003e","\u003cp\u003eAlbemarle county: plat of lands of Charles Lewis Bankhead\u003c/p\u003e","\u003cp\u003eInstructions regarding work on the University's Rotunda, clock and bell, macadamizing roads, water supply, botanical garden, purchasing of chemicals and gas lights for Dr. Emmet's use, and copy of enactments for each student. Penciled annotations by Brockenbrough of cost of various items. Includes a sketch for measuring \"the tympanum of the portico of the Rotunda\" for a clock and bell. 1 item.\u003c/p\u003e","\u003cp\u003eMr. Harrison's mill and Woodson's Ferry. 1 item.\u003c/p\u003e","\u003cp\u003eTwo plats of land containing 153 acres and 92 1/1 acres of land bounded by Three Chopped Road and Wheeler' Road were surveyed by William Woods as the site of Central College (University of Virginia).\u003c/p\u003e","\u003cp\u003eIn Thomas Jefferson's hand\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of letters written by and addressed to Thomas Jefferson, as well as architectural plans and studies that were created or endorsed by Jefferson, created by other individuals associated with him, deeds, plats, and maps, some of which pertain to the subjects of the architectural studies, and other miscellaneous materials.","All of the Architectural Drawings and Other Oversized \u0026 Miscellaneous Materials listed in the Jefferson Papers Calendar are fully represented in this finding aid, spanning the dates 1751-1898. However, the materials described here only represent a portion of the complete Jefferson Papers. Please see the Jefferson Papers Calendar, this collection's main finding aid, for a full chronological listing of all of the materials (1732-1898): https://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml","Lists enslaved persons at Poplar Forest by name, including ages of those under 8 years old. Also lists livestock.","Letter from  James Madison  to  Thomas Jefferson  submitting his first donation for founding the \"Central College,\" which would become the  University of Virginia . Docketed in Jefferson's hand on verso, \"Madison Ja.,  Montpellier  [missing text on margin] recd M [missing text on margin]\"","This is one eight-page manuscript is entitled \"Proposed list of instruments for the classes of [N]at[ural] philosophy \u0026 Mathematics,\" written by Thomas Jefferson around April 26, 1824. The instruments recommended by Jefferson were to outfit the departments of science in the Academical Village classrooms and laboratories at the University of Virginia, which held its first term in 1826. The listed is organized through headings by equipment requirements for each scientific department at the University: \"Genl purposes,\" \"Mechanics,\" \"Hydrostatics,\" \"Optics,\" \"Electricity Etc.,\" \"Astronomy,\" and \"Miscellaneous.\" Jefferson's list includes a \"very accurate set of weights\" outlined with a table, a \"model of Braham's fire engine,\" \"a good Kaleidoscope,\" a \"simple Planetarium, 3f diam. with Sun, moon \u0026 earth only,\" a \"Lithographic press,\" an \"Electric battery,\" a \"Turning lathe with Tools for working in wood \u0026 brass,\" a \"Magic lanthern,\" \"12 f of brass chain for electrical machine,\" a camera lucida, a variety of pumps, a charcoal furnace, and many other scientific dependencies. For his request of \"a very large supply\" of glass tubes, Jefferson included three simple drawings of his preferred tube types. This list of proposed instruments was penned by Jefferson shortly before Francis Walker Gilmer, an emissary of Jefferson, was dispatched to Europe to gather mechanical and scientific instruments, as well as recruit professors from London, Cambridge, and Edinburgh colleges for the forming University of Virginia. Gilmer returned to Virginia at the end of 1824 with five professorships filled. Three small paper fragments from the manuscript are also present.","This series primarily consists of architectural studies on structures found at the University of Virginia, at Thomas Jefferson's private properties like Monticello and Poplar Forest, and studies on structures in Richmond, VA. The studies in the collection contain elevations, plans, and sections, most of which include Jefferson's specifications. These architectural drawings were created mainly by Thomas Jefferson. Some were created or augmented by John Organ, Dr. William Thorton, James Dinsmore, John Neilson, John Hartwell Cocke (possibly), Robert Mills, and Cornelia J. Randolph.","Deposited by Wilson Cary Nicholas Randolph with the Proctor of the University of Virginia","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink on paper.","T.J. early free-hand sketch of elevation and plan for Monticello showing porches. 1 item. laid paper.","Study for final elevation of the first version. 1 item. ink on paper.","Drawing of archiatrave in the Monticello Dining Room. 1 item. ink and pencil on paper.","Undated plat by T. J. of Poplar Forest tract shows boundaries, roads, existing and proposed buildings; floor plan of house on verso, rooms designated in Anglo-Saxon. 2 pp. (note: see N 269 for missing section). 1 item. ink on paper.","Same as N 350","Same as N 351","Thomas Jefferson's first floor plans showing rotunda house with wings. Nichols mis-identified the second plan (N 282) as the second floor plan of the governor's house. It is the first floor. 2 items. ink on paper.","Letter from Thomas Jefferson to Dr. William Thornton describing ideas for the academical village. Contains rough sketch of Jefferson's early idea for the ground plans, showing seven pavilions around an open space with grass and trees. This sketch appears in Jefferson's first letter to Dr. William Thornton regarding the design of the Pavilions in his proposed academical village. 1 item. iron gall ink on plain wove stationary.","Same as N 352","Second study of Ground plan of West range with dormitories and hotels A and B. The suggestion for making this revised study of the West Range with the Hotels and Dormitories facing away from the Lawn instead of towards the backs of the Pavilions came from Joseph C. Cabell at the Board of Visitors meeting of 29 March 1819. One of three variants. 1 item. iron gall ink and pencil on graph paper.","This original study for the West Range shows Jefferson's initial intention to place the West Range directly behind the Pavilions and Dormitories of the Lawn. One of three variants. 1 item. iron gall ink and pencil on graph paper.","These two sheets were once joined. Together they are the studies for Pavilion VII's lower portico. South and west elevations. 2 items. pricking, scoring, and iron gall ink on graph paper.","Earlier study for plan of lawn with rotunda (N 366). 1 item. ink on paper.","This is an early study for Pavilion VII, the first building erected. It shows an elevation of the pavilion with adjacent dormitories and Chinese railings, and plans of the first and second floors. On back is an early study of the Lawn showing nine identical paviliions; the specifications begin: \"The walls of the Pavilion are 116 feet running measure.\" Includes construction notes on verso. 1 item. ink on paper.","Elevation (front facade) of pavillions with two-story dormitories. Watermarked J. Whatman. Drawn by Dr. William Thornton. In May 1817 Jefferson wrote to Dr. William Thornton describing his plan for the Central College with separate pavilions and a range of dormitories. Thornton responded on June 11 with a two story composition of student rooms and pavilions. 1 item. ink and watercolor on thin wove paper.","Elevation and three plans of Pavilion VII's front facade and floor plans and specifications for the building. The plan of the Pavilion measures 34 feet wide by 26 feet deep, precisely the dimensions that Jefferson used on his study for a typical Pavilion for Central Colllege. Cornerstone laid October 6, 1817. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.","Plan and comparative study for garden walls. While decorative, the walls are not particularly strong. 1 item. pricking and iron gall ink on graph paper.","Elevation of Pavilion III's front facade and floor plans and specifications for the building, one with alternate flap. Specifications on verso. On this revised study for Pavilion III, Jefferson has included a basement floor plan and has shifted the elevation to the side of the first floor plan instead of above it. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.","Pocket memorandum book containing initial specifications, ink drawings, and other data used and compiled by T. J. while directing the construction of the University of Virginia (Central College until 1819). Description of proposed buildings, style of architecture, measurements, materials to be used, and the amount of brick or stone required. Includes notes for the rotunda planetarium. 23 item. iron gall ink on wove paper.","Drawing of an elevation and three floor plans for Pavillion II with specifications on verso. On the first floor is the large schoolroom, and on the second floor are the professor's three rooms. On June 5, 1819, Jefferson wrote that he was about to begin the drawings for the pavilion on the east. 1 item. pricking, scoring, iron gall ink, and india ink on paper.","Drawing of an elevation and three plans for Pavillion IV with specifications on verso. 1 item. pricking, scoring, iron gall ink, and india ink on paper.","Elevation and three plans. Specifications on back. Porticos on the first and second floor plans are erased. 1 item. pricking, scoring, iron gall ink and india ink on paper.","Elevation and three plans. Specifications on back. Jefferson's notes continue to call this a \"lodge.\" 1 item. iron gall ink on graph paper.","Elevations and three plans. Shows location of Franklin stoves. Specifications on back. 1 item. ink on paper.","Same as N 326, but without the Franklin stoves or specifications. Formerly incorrectly attributed to Cornelia Jefferson Randolph. Thomas S. Ridgeway statement on verso identifies as T. J.'s work. This is the only carpenter's copy of a University of Virginia building known to have survived the building process. 1 item. pricking and iron gall ink on graph paper.","Southern elevation of Rotunda. The exterior is based upon the Pantheon in Rome at one-half scale. Construction began in 1823. 1 item. ink on paper.","Lateral section of Rotunda. On same sheet with N 328. 1 item. ink on paper.","Flat exterior buttress walls on the north and south ends of the building, and a hexastyle portico on the south end. Specifications on back. Construction began in 1823. 1 item. ink on paper.","Plan of dome room with specifications on back, beginning: \"Rotunda, reduced to the proportions of the Pantheon and accomodated to the purposes of a Library for the University with rooms for drawing, music, examinations and other accessory purposes.\" Construction began in 1823. 1 item. ink on paper.","Jefferson's notes and drawing for framing the dome. On verso: small framing diagram for library dome. 1 item. pricking, iron gall ink on plain wove paper.","Incomplete drawing showing window openings and a fireplace in a circular format. 1 item. ink on paper.","Bird's-eye view of lawn and ranges w/out Rotunda, in parallel perspective. This drawing has been attributed to Thomas Jefferson and his granddaughter, Cornelia Jefferson Randolph, but there is no conclusive proof that either one of them is its author. 1 item. pencil and watercolor on heavy cold-pressed paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and east elevation of Hotel B (labeled as Hotel A). 1 item. pricking, india ink, and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and north elevation of Hotel A (labeled as Hotel B). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of dining Hotel D (labeled as Hotel C). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel C (labeled as Hotel D). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel F (labeled as Hotel E). 1 item. india ink, watercolor, pencil on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel E (labeled as Hotel F). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and pencil on graph paper.","West elevation and first floor plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","Pavilion IV East facade and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","Second floor plans. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","East facade elevation and plan. Inked, shaded and tinted by John Neilson. Neilson has represented the parapet as a series of dies and panels which Jefferson did not indicate on N-356. 1 item. india ink and watercolor on graph paper.","West front facade elevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","First floor plan of Jefferson's octagonal retreat in Bedford County. Inked, shaded and tinted by John Neilson. The design was probably drawn by Cornelia J. Randolph or John Neilson, and based on William Kent's edition of Inigo Jones, Vol. II, Plate 17. This is one of Jefferson's most successful designs. 1 item. india ink on graph paper.","South façade garden elevation of Poplar Forest probably drawn by Cornelia J. Randolph or John Neilson. 1 item. india ink and watercolor on graph paper.","Plan of Bremo, Fluvanna county, Virginia by John Neilson. This is the principal story of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.","Elevation of Bremo, Fluvanna county, Virginia by John Neilson. This is the North front of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.","Doric and Corinthian Pavilion Facade Studies by William Thornton. 1 item. pencil and wash on paper.","Elevation. West facade of Pavilion X. Possibly by John Neilson. The drawing style is consistent with the confirmed Neilson drawings. 1 item. india ink, watercollor, and white ink on paper.","South elevation of Rotunda with South elevations of pavilions IX \u0026 X. Probably drawn by John Neilson. Previously attributed to Cornelia Jefferson Randolph. 1 item. ink with tinted washes on paper.","East elevation and three floor plans of \"No. 1 Pav. West\". Specifications on back. 1 item. pricking, scoring, iron gall ink on graph paper.","East elevation and three plans of \"Pavilion No. V. W. Palladio's Ionic Order, with Modilions.\" Specifications on back. Construction finished in 1821. 1 item. pricking, scoring, iron gall ink on graph paper.","East elevation and three plans of \"Pavilion No. IX We. Ionic of the temple of Fortuna Virilis\". This elevation contains the only example of a Jefferson drawing of a slate roof. It is also the only example of Jefferosn's use of a semicircular niche and pedimented windows on a Pavilion. \"Latrobe\" in Jefferson's writing, upper right. Specifications on back. The entrance motif is a favorite of Ledoux', whose work Jefferson had admired in Paris. Building completed 1821, as Jefferson wrote on September 30 of that year. 1 item. pricking, scoring, iron gall ink on graph paper.","Elevation and three plans of \"C. Hotel. Ionic Dentil.\" Construction completed in 1822. 1 item.","Unfinished studies for plan and elevation of \"Hotel B. West.\" Construction completed in 1822. 1 item.","Elevation and two plans, with detail of arched window set in cornice. Specifications on back headed: \"Hotel A. East. One story with a flat roof and Chinese parapet.\" Construction completed in 1822. 1 item.","Elevation and two plans of Jefferson's \"Hotel C. West. Proctor's\". The first floor plan on this sheet is copied from N-301. One story. Specifications on back. Construction completed in 1822. 1 item. iron gall ink and pencil on graph paper.","Jefferson's elevation and plan of \"Hotel D. East\". One story. Specifications on back. Construction completed in 1822. 1 item. pricking, iron gall ink, and pencil on graph paper.","Elevation and three plans of front facade and a dining hall. Two stories. Specifications on back. Construction completed in 1822. 1 item. ink on paper.","Study of first floor plans. 1 item. pricking, iron gall ink, and pencil on graph paper.","Study of first and second floor plans, east elevation and section. Jefferson designed this building at the request of Dr. Robley Dunglison, the Univesity's first medical professor, and Jefferson's personal physician. Completed in 1826. 1 item. pricking, scoring, iron-gall ink, and pencil on paper.","Study for Lawn with pavilions and rotunda. N-306 was cut from this piece to permit substitutions. 1 item. pricking, scoring, iron-gall ink on paper.","Elevation and section of dormitories. Section through lawn colonnade and a dormitory room. 1 item. pricking, scoring, iron-gall ink on graph paper.","South elevation by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.","Third study or variant for West range. Gardens, hotels, dormitories, and serpentine walls. 1 item. iron gall ink on graph paper.","Section of rails. 1 item. ink on paper.","Plan of a clock for the rotunda. 1 item. ink on paper.","Study and elevation of a Tuscan column that includes the capital, shaft, and base of the order. 1 item. iron gall ink on graph paper.","Dormitory study with elevation and plans of three floors with eight rooms to each floor. Probably studies for University of Virginia, but not by Jefferson. Possibly by General John Hartwell Cocke; see his letter of May 3, 1819, to Jefferson. 1 item. pencil, india Ink and gray wash on paper.","Elevation of two-story dormitory with wings. Elevation of one-story dormitory. Two first-floor plans and one second-floor plan. Possibly another study for N 374. 1 item. ink and wash on paper.","Elevation and two floor plans for two-story dormitory. This sheet contains a study for a two story Dormitory block. The ground floor contains twelve rooms for the students, and the upper floor contains two large spaces separated by a central passage containing stairs. Possibly another study for N 374. 1 item. pencil, india ink, and wash on paper.","Study for dormitory. Ground plan and elevation. Elevation shows arches on first floor and wood columns above. This study depicts alternate plans for a two story single pile vs. a one story double pile range of Dormitories. There is also a large dining hall at the left end of the range, as evidenced by what appear to be two long tables in the upper plan. Above the plans is a larger scale elevation of one of the two story blocks of Dormitories showing an arcade on the ground floor and a series of posts above. Possibly another study for N 374. 1 item. pencil, india ink, and iron gaul ink on paper.","Two unrelated pages. One is a page from a book of map symbols and the other is an old drawing in poor shape, which may not be a drawing by Jefferson. Possibly Architrave. 2 items.","Floor plan. The Observatory plan study has alcove beds. The geometric plan consists of four octagonal rooms surround a cross-shaped central passage, with two recessed loggias, a trapezoidal vestibule, and a projecting loggia. 1 item. pencil on graph paper.","Floor plan with specifications on back. 1 item. ink on paper.","Two photostats of a manuscript ground plan of the University, possibly that from which Maverick made his 1822 engraving, olus three enlarged copies. The drawing shows the first floor of the Rotunda with three oval rooms, and wings containing eight rooms each. The overlay shows the plan of the Dome Room. 5 items. Facsimiles.","Four copies of 1923 facsimile of Peter Maverick's 1822 plan of the University of Virginia. Design sources for pavilions written in ink by Ellen Randolph Coolidge. 4 items.","Drawn by John Neilson. Peter Maverick's 1825 plan showing plan of rotunda dome room. This version of the Maverick engraving shows the first floor of the Rotunda with the plan of the Dome Room as an overlay. Each of the two Gymnasia wings contains eight rooms, each of which is shown to have its own fireplace and door. 5 items.","Plan of south wing of capitol. Not executed by Jefferson. 1 item. ink and watercolor on paper.","Rough draft and specifications for rotunda-style floor plan. Probably for the president's house in Washington, D.C. Notes on verso. 1 item. pencil and ink on paper.","Rough draft for rotunda-style floor plans. Probably for the president's house in Washington, D.C. 1 item. pencil on paper.","Plan of a rotunda style house by Robert Mills. Probably the President's house in Washington, D.C. 1 item. ink on paper.","Section of a rotunda house. Probably the President's house in Washington, D.C. 1 item.","Front and side elevation with floor plan and balcony plan of a church by John Neilson. Created for Thomas Jefferson to submit to Rev. Hatch for the design of Christ Episcopal Church, Charlottesville. 1 item. ink and watercolor on paper.","Plan (sketch) of a house with portico and dependencies. Addressed on verso to T. J., Albemarle. 1 item.","Plan of building with four porticos in the form of a Greek cross, with a framing plan (Probably a development of N-490). possibly a retreat. 1 item. photostatic copy of original.","Plan and section of a garden seat. Writing not by Jefferson, perhaps John Neilson. A study of rendering. 1 item. ink on paper.","Possibly a study by Robert Mills to teach Cornelia J. Randolph rendering. 1 item. rendered in wash.","Rough plan of porticoed building with four octagonal rooms arranged about a square. On verso of letter, 1777 August 15 from Charles S. Lewis, Jr. May be related to N-496. 1 item.","Authenticated in unidentified hand. 1 item.","By Cornelia J. Randolph. 2 items.","Notes on the land lines of Poplar Forest. Survey of roads from Campbell Court House to Poplar Forest. 3 items. ink on paper.","Deeds, surveys, plats, field notes, memoranda, some relating to a land dispute that involved one of the abutting property owners searching all early patents and surveys in the neighborhood, some dating from 1762. In 1811 also, Jefferson was engaged in road building and other extensive improvement on his Poplar Forest tract. Some of the documents are mathematical calculations and field notes, others are elaborately certified surveys. 66 items.","Two plats of same date for 11,777 and 1,790 acres of land on branches of Black Water, a tributary of the Fluvanna (James) River in Albemarle (later Bedford) County, VA, and on Tomahawk and Rock Castle creeks, respectively. The first plat, by Thomas Jefferson, was attested by Daniel Smith, Albemarle County Surveyor, and the second was amended by Jefferson with notes on sequence of titles. 3 items. The missing section from N 255 is located in this folder.","Survey of University of Virginia lawn by James Dinsmore. James Dinsmore made this drawing of the Lawn in order to show the position of Pavilion VII relative to the \"first rise\" on the north. 1 item.","Survey of University site showing Rotunda, East street, and West street. In folder with other fragments: financial figures; dimensions for \"Perry's Houses\"; cost per acres; forms; the Rotunda in relation to the road; and a plat of land with area. 7 items. ink on paper.","Plat showing acquisition of parcels. Purchases from John Perry, Daniel and Mary A. F. Piper, and Jesse W. Garth. Lands held by Alexander Garrett, Arthur Spicer Brockenbrough, and Nathan Barksdale as University Proctors. 1 item. ink on paper.","James Dinsmore's Measurements of Dormitories and Pavilions. Includes Jefferson's further notes. 1 item. ink on paper.","\"Description of a joint or splice\", with cutout model. 3 items.","Thomas Jefferson's recipe for plaster. 1 item.","Thomas Jefferson's design and sketch for a desk. 1 item.","Map of a canal and saw mill by Thomas Jefferson. 1 item.","Description of the hewing of stone. Calculations of verso. 1 item.","Homemade. 1 item.","1 item.","Plat of Monticello by Thomas Jefferson. 1 item.","For phaeton. Five \"figs\" and notes on three sheets. Notes on verso of p.1. 2 items. Ink on paper.","George Carrington map of the county of Cumberland in the hand of Thomas Jefferson. 1 item.","Road to the Thoroughfare. 1 item.","Cf. Betts, Garden Book, Plate XV. Shows boundary with river. 1 item.","Albemarle county: plat of lands of Charles Lewis Bankhead","Instructions regarding work on the University's Rotunda, clock and bell, macadamizing roads, water supply, botanical garden, purchasing of chemicals and gas lights for Dr. Emmet's use, and copy of enactments for each student. Penciled annotations by Brockenbrough of cost of various items. Includes a sketch for measuring \"the tympanum of the portico of the Rotunda\" for a clock and bell. 1 item.","Mr. Harrison's mill and Woodson's Ferry. 1 item.","Two plats of land containing 153 acres and 92 1/1 acres of land bounded by Three Chopped Road and Wheeler' Road were surveyed by William Woods as the site of Central College (University of Virginia).","In Thomas Jefferson's hand"],"userestrict_html_tesm":["\u003cp\u003eCopyright not Evaluated: \nhttps://rightsstatements.org/page/CNE/1.0/?language=en\u003c/p\u003e\n","\u003cp\u003eMore about Rights and Permissions at UVA:\nhttps://www.library.virginia.edu/policies/use-of-materials\u003c/p\u003e\n","\u003cp\u003eDigital reproductions are available:\u003c/p\u003e\n","\u003cp\u003elinks to individual pages found under each scanned item in the calendar here: \nhttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml;query=;\u003c/p\u003e\n","\u003cp\u003eArchitectural Drawings here: \nhttps://static.lib.virginia.edu/rmds/nichols/index.html \u003c/p\u003e","\u003cp\u003eReproduction of N-362 restricted withouth the written permission of the Library of Virginia.\u003c/p\u003e","\u003cp\u003eReproduction restricted withouth the written permission of the Library of Virginia.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["Copyright not Evaluated: \nhttps://rightsstatements.org/page/CNE/1.0/?language=en","More about Rights and Permissions at UVA:\nhttps://www.library.virginia.edu/policies/use-of-materials","Digital reproductions are available:","links to individual pages found under each scanned item in the calendar here: \nhttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml;query=;","Architectural Drawings here: \nhttps://static.lib.virginia.edu/rmds/nichols/index.html ","Reproduction of N-362 restricted withouth the written permission of the Library of Virginia.","Reproduction restricted withouth the written permission of the Library of Virginia."],"names_ssim":["Albert and Shirley Small Special Collections Library","University of Virginia","Randolph family","Jefferson, Thomas, 1743-1826","Madison, James, 1751-1836","James Madison","Thomas Jefferson","Cooper, Thomas, 1759-1839"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","University of Virginia"],"famname_ssim":["Randolph family"],"persname_ssim":["Jefferson, Thomas, 1743-1826","Madison, James, 1751-1836","James Madison","Thomas Jefferson","Cooper, Thomas, 1759-1839"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":175,"online_item_count_is":98,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:33:01.301Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1438"}},{"id":"viu_repositories_3_resources_1438_c02","type":"Series","attributes":{"title":"Thomas Jefferson Architectural Drawings","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1438_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis series primarily consists of architectural studies on structures found at the University of Virginia, at Thomas Jefferson's private properties like Monticello and Poplar Forest, and studies on structures in Richmond, VA. The studies in the collection contain elevations, plans, and sections, most of which include Jefferson's specifications. These architectural drawings were created mainly by Thomas Jefferson. Some were created or augmented by John Organ, Dr. William Thorton, James Dinsmore, John Neilson, John Hartwell Cocke (possibly), Robert Mills, and Cornelia J. Randolph.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1438_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1438_c02","ref_ssm":["viu_repositories_3_resources_1438_c02"],"id":"viu_repositories_3_resources_1438_c02","ead_ssi":"viu_repositories_3_resources_1438","_root_":"viu_repositories_3_resources_1438","_nest_parent_":"viu_repositories_3_resources_1438","parent_ssi":"viu_repositories_3_resources_1438","parent_ssim":["viu_repositories_3_resources_1438"],"parent_ids_ssim":["viu_repositories_3_resources_1438"],"parent_unittitles_ssm":["The University of Virginia Jefferson Papers"],"parent_unittitles_tesim":["The University of Virginia Jefferson Papers"],"text":["The University of Virginia Jefferson Papers","Thomas Jefferson Architectural Drawings","English","Arranged according to Nichols (N) number system. Each of Jefferson's architectural drawings is listed individually with the corresponding \"Nichols number\" taken from Thomas Jefferson's architectural drawings / compiled and with commentary and a check list by Frederick Doveton Nichols. -- 4th ed. - (Charlottesville : Thomas Jefferson Memorial Foundation, 1988, c1995.).","To locate specific Architectural drawings in the Calendar of the Jefferson Papers of the University of Virginia, search the page for the item or folder date, Nichols (N) number, or MSS/Acc. number.","Like the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the University of Virginia. However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.","This series primarily consists of architectural studies on structures found at the University of Virginia, at Thomas Jefferson's private properties like Monticello and Poplar Forest, and studies on structures in Richmond, VA. The studies in the collection contain elevations, plans, and sections, most of which include Jefferson's specifications. These architectural drawings were created mainly by Thomas Jefferson. Some were created or augmented by John Organ, Dr. William Thorton, James Dinsmore, John Neilson, John Hartwell Cocke (possibly), Robert Mills, and Cornelia J. Randolph.","Reproduction of N-362 restricted withouth the written permission of the Library of Virginia."],"title_filing_ssi":"Thomas Jefferson Architectural Drawings","title_ssm":["Thomas Jefferson Architectural Drawings"],"title_tesim":["Thomas Jefferson Architectural Drawings"],"unitdate_inclusive_ssm":["1769-1898"],"normalized_date_ssm":["1769/1898"],"normalized_title_ssm":["Thomas Jefferson Architectural Drawings"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["The University of Virginia Jefferson Papers"],"extent_ssm":["2.2 Cubic Feet"],"extent_tesim":["2.2 Cubic Feet"],"has_online_content_ssim":["true"],"child_component_count_isi":98,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":6,"parent_access_restrict_tesm":["Collection is open for research. Users must use a copy or microfilm of materials unless prior permission to use originals has been obtained from senior Special Collections staff."],"parent_access_terms_tesm":["Reproduction of N-362 restricted withouth the written permission of the Library of Virginia."],"date_range_isim":[1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898],"language_ssim":["English"],"arrangement_html_tesm":["\u003cp\u003eArranged according to Nichols (N) number system. Each of Jefferson's architectural drawings is listed individually with the corresponding \"Nichols number\" taken from Thomas Jefferson's architectural drawings / compiled and with commentary and a check list by Frederick Doveton Nichols. -- 4th ed. - (Charlottesville : Thomas Jefferson Memorial Foundation, 1988, c1995.).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged according to Nichols (N) number system. Each of Jefferson's architectural drawings is listed individually with the corresponding \"Nichols number\" taken from Thomas Jefferson's architectural drawings / compiled and with commentary and a check list by Frederick Doveton Nichols. -- 4th ed. - (Charlottesville : Thomas Jefferson Memorial Foundation, 1988, c1995.)."],"odd_html_tesm":["\u003cp\u003eTo locate specific Architectural drawings in the Calendar of the Jefferson Papers of the University of Virginia, search the page for the item or folder date, Nichols (N) number, or MSS/Acc. number.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["To locate specific Architectural drawings in the Calendar of the Jefferson Papers of the University of Virginia, search the page for the item or folder date, Nichols (N) number, or MSS/Acc. number."],"otherfindaid_html_tesm":["\u003cp\u003eSeparate record for most of the architectural drawings in this collection: https://search.lib.virginia.edu/sources/uva_library/items/u4401249\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["Separate record for most of the architectural drawings in this collection: https://search.lib.virginia.edu/sources/uva_library/items/u4401249"],"processinfo_html_tesm":["\u003cp\u003eLike the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the University of Virginia. However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Like the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the University of Virginia. However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items."],"scopecontent_html_tesm":["\u003cp\u003eThis series primarily consists of architectural studies on structures found at the University of Virginia, at Thomas Jefferson's private properties like Monticello and Poplar Forest, and studies on structures in Richmond, VA. The studies in the collection contain elevations, plans, and sections, most of which include Jefferson's specifications. These architectural drawings were created mainly by Thomas Jefferson. Some were created or augmented by John Organ, Dr. William Thorton, James Dinsmore, John Neilson, John Hartwell Cocke (possibly), Robert Mills, and Cornelia J. Randolph.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This series primarily consists of architectural studies on structures found at the University of Virginia, at Thomas Jefferson's private properties like Monticello and Poplar Forest, and studies on structures in Richmond, VA. The studies in the collection contain elevations, plans, and sections, most of which include Jefferson's specifications. These architectural drawings were created mainly by Thomas Jefferson. Some were created or augmented by John Organ, Dr. William Thorton, James Dinsmore, John Neilson, John Hartwell Cocke (possibly), Robert Mills, and Cornelia J. Randolph."],"userestrict_html_tesm":["\u003cp\u003eReproduction of N-362 restricted withouth the written permission of the Library of Virginia.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Reproduction of N-362 restricted withouth the written permission of the Library of Virginia."],"_nest_path_":"/components#1","timestamp":"2026-05-20T23:33:01.301Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1438","ead_ssi":"viu_repositories_3_resources_1438","_root_":"viu_repositories_3_resources_1438","_nest_parent_":"viu_repositories_3_resources_1438","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1438.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/146623","title_filing_ssi":"Jefferson, Thomas Papers, University of Virginia","title_ssm":["The University of Virginia Jefferson Papers"],"title_tesim":["The University of Virginia Jefferson Papers"],"unitdate_ssm":["1751-1898"],"unitdate_inclusive_ssm":["1751-1898"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Jefferson Papers","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1438"],"text":["Jefferson Papers","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1438","The University of Virginia Jefferson Papers","University of Virginia","Real property -- Virginia","Architecture--Virginia","Collection is open for research. Users must use a copy or microfilm of materials unless prior permission to use originals has been obtained from senior Special Collections staff.","N 545, MSS 9090-a is restricted. No access without written permission of the owner.","Photocopy of this letter is boxed with 6240-a.\nOriginal file draft of this letter filed as MSS 2573.","Letters are arranged chronologically. Archtectural drawings, other oversized, and miscellaneous materials are arranged by Nichols (N) number where applicable, and by MSS number otherwise.","Arranged according to Nichols (N) number system. Each of Jefferson's architectural drawings is listed individually with the corresponding \"Nichols number\" taken from Thomas Jefferson's architectural drawings / compiled and with commentary and a check list by Frederick Doveton Nichols. -- 4th ed. - (Charlottesville : Thomas Jefferson Memorial Foundation, 1988, c1995.).","Thomas Jefferson (1743-1826) was the third president of the United States, born in Goochland (now Albemarle County), Virginia. He was a member of the Virginia House of Burgesses from 1769 to 1775, and with R. H. Lee and Patrick Henry initiated the inter-colonial committee of correspondence in 1773. He wrote the widely circulated Summary View of the Rights of British America in 1774. Jefferson was a member of the Continental Congress in 1775 and 1776, and was chairman of committee that prepared Declaration of Independence. Jefferson himself wrote and presented the first draft of Declaration to Congress on July 2, 1776. He then signed Declaration with other founding fathers. Jefferson was Governor of Virginia from 1779 to 1781, and again a member of the Continental Congress from 1783 to 1785. He proposed decimal coinage, a series of provisions later embodied in Ordinance of 1787. He served as U.S. minister to France from 1785 to 1789, and as U.S. Secretary of State from 1790 to 1793. He served as Vice president of the U.S. from 1797 to 1801, and drafted the Kentucky Resolves in 1798, against the Alien and Sedition Acts. ","Jefferson was President of the United States from 1801 to 1809, elected by the House of Representatives after a tie in electoral vote (with Aaron Burr, q.v.). His presidential administration is remembered for the purchase of Louisiana from France in 1803 and dispatch of Lewis and Clark to explore it; the war against Algerian pirates from 1801 to 1805; diplomatic trouble with Great Britain over \"impressments\" of American seamen (Embargo Act of 1807); and prohibition of the importation of slaves. ","After retirement from presidency, Jefferson lived on his plantation at Monticello near Charlottesville, Virginia. He was instrumental in founding the University of Virginia in 1819. He was a noted naturalist, scholar, and architect, and author of Notes on the State of Virginia in 1785. Jefferson died 4 July 1826 and is buried at Monticello.","Epithet: actor, son of Joseph Jefferson","SNAC Cooperative. British Library Archives and Manuscripts Catalogue : Person : Description : ark:/81055/vdc_100000000544.0x00007c. https://snaccooperative.org/view/83449756","Provenance unknown","Provenance unknown","This is an artificial collection with multiple accession/manuscript numbers, as well as a variety of implemented arrangement systems.","To locate specific Architectural drawings in the Calendar of the Jefferson Papers of the University of Virginia, search the page for the item or folder date, Nichols (N) number, or MSS/Acc. number.","Like the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the  University of Virginia . However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.","Like the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the University of Virginia. However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.","Other institutions with significant collections of Thomas Jefferson and Jefferson family manuscripts:","LIBRARY OF CONGRESS (DLC):","Thomas Jefferson Papers, 1606 to 1827","MASSACHUSETTS HISTORICAL SOCIETY (MHI):","Coolidge Collection of Thomas Jefferson Manuscripts, Massachusetts Historical Society.","MISSOURI HISTORY MUSEUM (MOSHI):","Thomas Jefferson Collection, 1773-1826","HUNTINGTON LIBRARY (CSMH):","Thomas Jefferson collection, The Huntington Library, San Marino, California.","HISTORICAL SOCIETY OF PENNSYLVANIA (PHI):","Thomas Jefferson Papers, 1766-1825","AMERICAN PHILOSOPHICAL SOCIETY (PPAMP):","Thomas Jefferson papers, 1775-1825, Mss.B.J35","COLLEGE OF WILLIAM AND MARY (VIW):","Thomas Jefferson Papers, 1761-1931","NEW YORK PUBLIC LIBRARY (NN):","Thomas Jefferson papers, 1766-1826, MssCol 1557","VIRGINIA HISTORICAL SOCIETY (VIHI):","Thomas Jefferson Papers, 1780-1826, Mss2 J3595","Original owned by Thomas Jefferson Memorial Foundation.","This collection consists of letters written by and addressed to Thomas Jefferson, as well as architectural plans and studies that were created or endorsed by Jefferson, created by other individuals associated with him, deeds, plats, and maps, some of which pertain to the subjects of the architectural studies, and other miscellaneous materials.","All of the Architectural Drawings and Other Oversized \u0026 Miscellaneous Materials listed in the Jefferson Papers Calendar are fully represented in this finding aid, spanning the dates 1751-1898. However, the materials described here only represent a portion of the complete Jefferson Papers. Please see the Jefferson Papers Calendar, this collection's main finding aid, for a full chronological listing of all of the materials (1732-1898): https://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml","Lists enslaved persons at Poplar Forest by name, including ages of those under 8 years old. Also lists livestock.","Letter from  James Madison  to  Thomas Jefferson  submitting his first donation for founding the \"Central College,\" which would become the  University of Virginia . Docketed in Jefferson's hand on verso, \"Madison Ja.,  Montpellier  [missing text on margin] recd M [missing text on margin]\"","This is one eight-page manuscript is entitled \"Proposed list of instruments for the classes of [N]at[ural] philosophy \u0026 Mathematics,\" written by Thomas Jefferson around April 26, 1824. The instruments recommended by Jefferson were to outfit the departments of science in the Academical Village classrooms and laboratories at the University of Virginia, which held its first term in 1826. The listed is organized through headings by equipment requirements for each scientific department at the University: \"Genl purposes,\" \"Mechanics,\" \"Hydrostatics,\" \"Optics,\" \"Electricity Etc.,\" \"Astronomy,\" and \"Miscellaneous.\" Jefferson's list includes a \"very accurate set of weights\" outlined with a table, a \"model of Braham's fire engine,\" \"a good Kaleidoscope,\" a \"simple Planetarium, 3f diam. with Sun, moon \u0026 earth only,\" a \"Lithographic press,\" an \"Electric battery,\" a \"Turning lathe with Tools for working in wood \u0026 brass,\" a \"Magic lanthern,\" \"12 f of brass chain for electrical machine,\" a camera lucida, a variety of pumps, a charcoal furnace, and many other scientific dependencies. For his request of \"a very large supply\" of glass tubes, Jefferson included three simple drawings of his preferred tube types. This list of proposed instruments was penned by Jefferson shortly before Francis Walker Gilmer, an emissary of Jefferson, was dispatched to Europe to gather mechanical and scientific instruments, as well as recruit professors from London, Cambridge, and Edinburgh colleges for the forming University of Virginia. Gilmer returned to Virginia at the end of 1824 with five professorships filled. Three small paper fragments from the manuscript are also present.","This series primarily consists of architectural studies on structures found at the University of Virginia, at Thomas Jefferson's private properties like Monticello and Poplar Forest, and studies on structures in Richmond, VA. The studies in the collection contain elevations, plans, and sections, most of which include Jefferson's specifications. These architectural drawings were created mainly by Thomas Jefferson. Some were created or augmented by John Organ, Dr. William Thorton, James Dinsmore, John Neilson, John Hartwell Cocke (possibly), Robert Mills, and Cornelia J. Randolph.","Deposited by Wilson Cary Nicholas Randolph with the Proctor of the University of Virginia","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink on paper.","T.J. early free-hand sketch of elevation and plan for Monticello showing porches. 1 item. laid paper.","Study for final elevation of the first version. 1 item. ink on paper.","Drawing of archiatrave in the Monticello Dining Room. 1 item. ink and pencil on paper.","Undated plat by T. J. of Poplar Forest tract shows boundaries, roads, existing and proposed buildings; floor plan of house on verso, rooms designated in Anglo-Saxon. 2 pp. (note: see N 269 for missing section). 1 item. ink on paper.","Same as N 350","Same as N 351","Thomas Jefferson's first floor plans showing rotunda house with wings. Nichols mis-identified the second plan (N 282) as the second floor plan of the governor's house. It is the first floor. 2 items. ink on paper.","Letter from Thomas Jefferson to Dr. William Thornton describing ideas for the academical village. Contains rough sketch of Jefferson's early idea for the ground plans, showing seven pavilions around an open space with grass and trees. This sketch appears in Jefferson's first letter to Dr. William Thornton regarding the design of the Pavilions in his proposed academical village. 1 item. iron gall ink on plain wove stationary.","Same as N 352","Second study of Ground plan of West range with dormitories and hotels A and B. The suggestion for making this revised study of the West Range with the Hotels and Dormitories facing away from the Lawn instead of towards the backs of the Pavilions came from Joseph C. Cabell at the Board of Visitors meeting of 29 March 1819. One of three variants. 1 item. iron gall ink and pencil on graph paper.","This original study for the West Range shows Jefferson's initial intention to place the West Range directly behind the Pavilions and Dormitories of the Lawn. One of three variants. 1 item. iron gall ink and pencil on graph paper.","These two sheets were once joined. Together they are the studies for Pavilion VII's lower portico. South and west elevations. 2 items. pricking, scoring, and iron gall ink on graph paper.","Earlier study for plan of lawn with rotunda (N 366). 1 item. ink on paper.","This is an early study for Pavilion VII, the first building erected. It shows an elevation of the pavilion with adjacent dormitories and Chinese railings, and plans of the first and second floors. On back is an early study of the Lawn showing nine identical paviliions; the specifications begin: \"The walls of the Pavilion are 116 feet running measure.\" Includes construction notes on verso. 1 item. ink on paper.","Elevation (front facade) of pavillions with two-story dormitories. Watermarked J. Whatman. Drawn by Dr. William Thornton. In May 1817 Jefferson wrote to Dr. William Thornton describing his plan for the Central College with separate pavilions and a range of dormitories. Thornton responded on June 11 with a two story composition of student rooms and pavilions. 1 item. ink and watercolor on thin wove paper.","Elevation and three plans of Pavilion VII's front facade and floor plans and specifications for the building. The plan of the Pavilion measures 34 feet wide by 26 feet deep, precisely the dimensions that Jefferson used on his study for a typical Pavilion for Central Colllege. Cornerstone laid October 6, 1817. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.","Plan and comparative study for garden walls. While decorative, the walls are not particularly strong. 1 item. pricking and iron gall ink on graph paper.","Elevation of Pavilion III's front facade and floor plans and specifications for the building, one with alternate flap. Specifications on verso. On this revised study for Pavilion III, Jefferson has included a basement floor plan and has shifted the elevation to the side of the first floor plan instead of above it. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.","Pocket memorandum book containing initial specifications, ink drawings, and other data used and compiled by T. J. while directing the construction of the University of Virginia (Central College until 1819). Description of proposed buildings, style of architecture, measurements, materials to be used, and the amount of brick or stone required. Includes notes for the rotunda planetarium. 23 item. iron gall ink on wove paper.","Drawing of an elevation and three floor plans for Pavillion II with specifications on verso. On the first floor is the large schoolroom, and on the second floor are the professor's three rooms. On June 5, 1819, Jefferson wrote that he was about to begin the drawings for the pavilion on the east. 1 item. pricking, scoring, iron gall ink, and india ink on paper.","Drawing of an elevation and three plans for Pavillion IV with specifications on verso. 1 item. pricking, scoring, iron gall ink, and india ink on paper.","Elevation and three plans. Specifications on back. Porticos on the first and second floor plans are erased. 1 item. pricking, scoring, iron gall ink and india ink on paper.","Elevation and three plans. Specifications on back. Jefferson's notes continue to call this a \"lodge.\" 1 item. iron gall ink on graph paper.","Elevations and three plans. Shows location of Franklin stoves. Specifications on back. 1 item. ink on paper.","Same as N 326, but without the Franklin stoves or specifications. Formerly incorrectly attributed to Cornelia Jefferson Randolph. Thomas S. Ridgeway statement on verso identifies as T. J.'s work. This is the only carpenter's copy of a University of Virginia building known to have survived the building process. 1 item. pricking and iron gall ink on graph paper.","Southern elevation of Rotunda. The exterior is based upon the Pantheon in Rome at one-half scale. Construction began in 1823. 1 item. ink on paper.","Lateral section of Rotunda. On same sheet with N 328. 1 item. ink on paper.","Flat exterior buttress walls on the north and south ends of the building, and a hexastyle portico on the south end. Specifications on back. Construction began in 1823. 1 item. ink on paper.","Plan of dome room with specifications on back, beginning: \"Rotunda, reduced to the proportions of the Pantheon and accomodated to the purposes of a Library for the University with rooms for drawing, music, examinations and other accessory purposes.\" Construction began in 1823. 1 item. ink on paper.","Jefferson's notes and drawing for framing the dome. On verso: small framing diagram for library dome. 1 item. pricking, iron gall ink on plain wove paper.","Incomplete drawing showing window openings and a fireplace in a circular format. 1 item. ink on paper.","Bird's-eye view of lawn and ranges w/out Rotunda, in parallel perspective. This drawing has been attributed to Thomas Jefferson and his granddaughter, Cornelia Jefferson Randolph, but there is no conclusive proof that either one of them is its author. 1 item. pencil and watercolor on heavy cold-pressed paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and east elevation of Hotel B (labeled as Hotel A). 1 item. pricking, india ink, and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and north elevation of Hotel A (labeled as Hotel B). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of dining Hotel D (labeled as Hotel C). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel C (labeled as Hotel D). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel F (labeled as Hotel E). 1 item. india ink, watercolor, pencil on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel E (labeled as Hotel F). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and pencil on graph paper.","West elevation and first floor plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","Pavilion IV East facade and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","Second floor plans. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","East facade elevation and plan. Inked, shaded and tinted by John Neilson. Neilson has represented the parapet as a series of dies and panels which Jefferson did not indicate on N-356. 1 item. india ink and watercolor on graph paper.","West front facade elevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","First floor plan of Jefferson's octagonal retreat in Bedford County. Inked, shaded and tinted by John Neilson. The design was probably drawn by Cornelia J. Randolph or John Neilson, and based on William Kent's edition of Inigo Jones, Vol. II, Plate 17. This is one of Jefferson's most successful designs. 1 item. india ink on graph paper.","South façade garden elevation of Poplar Forest probably drawn by Cornelia J. Randolph or John Neilson. 1 item. india ink and watercolor on graph paper.","Plan of Bremo, Fluvanna county, Virginia by John Neilson. This is the principal story of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.","Elevation of Bremo, Fluvanna county, Virginia by John Neilson. This is the North front of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.","Doric and Corinthian Pavilion Facade Studies by William Thornton. 1 item. pencil and wash on paper.","Elevation. West facade of Pavilion X. Possibly by John Neilson. The drawing style is consistent with the confirmed Neilson drawings. 1 item. india ink, watercollor, and white ink on paper.","South elevation of Rotunda with South elevations of pavilions IX \u0026 X. Probably drawn by John Neilson. Previously attributed to Cornelia Jefferson Randolph. 1 item. ink with tinted washes on paper.","East elevation and three floor plans of \"No. 1 Pav. West\". Specifications on back. 1 item. pricking, scoring, iron gall ink on graph paper.","East elevation and three plans of \"Pavilion No. V. W. Palladio's Ionic Order, with Modilions.\" Specifications on back. Construction finished in 1821. 1 item. pricking, scoring, iron gall ink on graph paper.","East elevation and three plans of \"Pavilion No. IX We. Ionic of the temple of Fortuna Virilis\". This elevation contains the only example of a Jefferson drawing of a slate roof. It is also the only example of Jefferosn's use of a semicircular niche and pedimented windows on a Pavilion. \"Latrobe\" in Jefferson's writing, upper right. Specifications on back. The entrance motif is a favorite of Ledoux', whose work Jefferson had admired in Paris. Building completed 1821, as Jefferson wrote on September 30 of that year. 1 item. pricking, scoring, iron gall ink on graph paper.","Elevation and three plans of \"C. Hotel. Ionic Dentil.\" Construction completed in 1822. 1 item.","Unfinished studies for plan and elevation of \"Hotel B. West.\" Construction completed in 1822. 1 item.","Elevation and two plans, with detail of arched window set in cornice. Specifications on back headed: \"Hotel A. East. One story with a flat roof and Chinese parapet.\" Construction completed in 1822. 1 item.","Elevation and two plans of Jefferson's \"Hotel C. West. Proctor's\". The first floor plan on this sheet is copied from N-301. One story. Specifications on back. Construction completed in 1822. 1 item. iron gall ink and pencil on graph paper.","Jefferson's elevation and plan of \"Hotel D. East\". One story. Specifications on back. Construction completed in 1822. 1 item. pricking, iron gall ink, and pencil on graph paper.","Elevation and three plans of front facade and a dining hall. Two stories. Specifications on back. Construction completed in 1822. 1 item. ink on paper.","Study of first floor plans. 1 item. pricking, iron gall ink, and pencil on graph paper.","Study of first and second floor plans, east elevation and section. Jefferson designed this building at the request of Dr. Robley Dunglison, the Univesity's first medical professor, and Jefferson's personal physician. Completed in 1826. 1 item. pricking, scoring, iron-gall ink, and pencil on paper.","Study for Lawn with pavilions and rotunda. N-306 was cut from this piece to permit substitutions. 1 item. pricking, scoring, iron-gall ink on paper.","Elevation and section of dormitories. Section through lawn colonnade and a dormitory room. 1 item. pricking, scoring, iron-gall ink on graph paper.","South elevation by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.","Third study or variant for West range. Gardens, hotels, dormitories, and serpentine walls. 1 item. iron gall ink on graph paper.","Section of rails. 1 item. ink on paper.","Plan of a clock for the rotunda. 1 item. ink on paper.","Study and elevation of a Tuscan column that includes the capital, shaft, and base of the order. 1 item. iron gall ink on graph paper.","Dormitory study with elevation and plans of three floors with eight rooms to each floor. Probably studies for University of Virginia, but not by Jefferson. Possibly by General John Hartwell Cocke; see his letter of May 3, 1819, to Jefferson. 1 item. pencil, india Ink and gray wash on paper.","Elevation of two-story dormitory with wings. Elevation of one-story dormitory. Two first-floor plans and one second-floor plan. Possibly another study for N 374. 1 item. ink and wash on paper.","Elevation and two floor plans for two-story dormitory. This sheet contains a study for a two story Dormitory block. The ground floor contains twelve rooms for the students, and the upper floor contains two large spaces separated by a central passage containing stairs. Possibly another study for N 374. 1 item. pencil, india ink, and wash on paper.","Study for dormitory. Ground plan and elevation. Elevation shows arches on first floor and wood columns above. This study depicts alternate plans for a two story single pile vs. a one story double pile range of Dormitories. There is also a large dining hall at the left end of the range, as evidenced by what appear to be two long tables in the upper plan. Above the plans is a larger scale elevation of one of the two story blocks of Dormitories showing an arcade on the ground floor and a series of posts above. Possibly another study for N 374. 1 item. pencil, india ink, and iron gaul ink on paper.","Two unrelated pages. One is a page from a book of map symbols and the other is an old drawing in poor shape, which may not be a drawing by Jefferson. Possibly Architrave. 2 items.","Floor plan. The Observatory plan study has alcove beds. The geometric plan consists of four octagonal rooms surround a cross-shaped central passage, with two recessed loggias, a trapezoidal vestibule, and a projecting loggia. 1 item. pencil on graph paper.","Floor plan with specifications on back. 1 item. ink on paper.","Two photostats of a manuscript ground plan of the University, possibly that from which Maverick made his 1822 engraving, olus three enlarged copies. The drawing shows the first floor of the Rotunda with three oval rooms, and wings containing eight rooms each. The overlay shows the plan of the Dome Room. 5 items. Facsimiles.","Four copies of 1923 facsimile of Peter Maverick's 1822 plan of the University of Virginia. Design sources for pavilions written in ink by Ellen Randolph Coolidge. 4 items.","Drawn by John Neilson. Peter Maverick's 1825 plan showing plan of rotunda dome room. This version of the Maverick engraving shows the first floor of the Rotunda with the plan of the Dome Room as an overlay. Each of the two Gymnasia wings contains eight rooms, each of which is shown to have its own fireplace and door. 5 items.","Plan of south wing of capitol. Not executed by Jefferson. 1 item. ink and watercolor on paper.","Rough draft and specifications for rotunda-style floor plan. Probably for the president's house in Washington, D.C. Notes on verso. 1 item. pencil and ink on paper.","Rough draft for rotunda-style floor plans. Probably for the president's house in Washington, D.C. 1 item. pencil on paper.","Plan of a rotunda style house by Robert Mills. Probably the President's house in Washington, D.C. 1 item. ink on paper.","Section of a rotunda house. Probably the President's house in Washington, D.C. 1 item.","Front and side elevation with floor plan and balcony plan of a church by John Neilson. Created for Thomas Jefferson to submit to Rev. Hatch for the design of Christ Episcopal Church, Charlottesville. 1 item. ink and watercolor on paper.","Plan (sketch) of a house with portico and dependencies. Addressed on verso to T. J., Albemarle. 1 item.","Plan of building with four porticos in the form of a Greek cross, with a framing plan (Probably a development of N-490). possibly a retreat. 1 item. photostatic copy of original.","Plan and section of a garden seat. Writing not by Jefferson, perhaps John Neilson. A study of rendering. 1 item. ink on paper.","Possibly a study by Robert Mills to teach Cornelia J. Randolph rendering. 1 item. rendered in wash.","Rough plan of porticoed building with four octagonal rooms arranged about a square. On verso of letter, 1777 August 15 from Charles S. Lewis, Jr. May be related to N-496. 1 item.","Authenticated in unidentified hand. 1 item.","By Cornelia J. Randolph. 2 items.","Notes on the land lines of Poplar Forest. Survey of roads from Campbell Court House to Poplar Forest. 3 items. ink on paper.","Deeds, surveys, plats, field notes, memoranda, some relating to a land dispute that involved one of the abutting property owners searching all early patents and surveys in the neighborhood, some dating from 1762. In 1811 also, Jefferson was engaged in road building and other extensive improvement on his Poplar Forest tract. Some of the documents are mathematical calculations and field notes, others are elaborately certified surveys. 66 items.","Two plats of same date for 11,777 and 1,790 acres of land on branches of Black Water, a tributary of the Fluvanna (James) River in Albemarle (later Bedford) County, VA, and on Tomahawk and Rock Castle creeks, respectively. The first plat, by Thomas Jefferson, was attested by Daniel Smith, Albemarle County Surveyor, and the second was amended by Jefferson with notes on sequence of titles. 3 items. The missing section from N 255 is located in this folder.","Survey of University of Virginia lawn by James Dinsmore. James Dinsmore made this drawing of the Lawn in order to show the position of Pavilion VII relative to the \"first rise\" on the north. 1 item.","Survey of University site showing Rotunda, East street, and West street. In folder with other fragments: financial figures; dimensions for \"Perry's Houses\"; cost per acres; forms; the Rotunda in relation to the road; and a plat of land with area. 7 items. ink on paper.","Plat showing acquisition of parcels. Purchases from John Perry, Daniel and Mary A. F. Piper, and Jesse W. Garth. Lands held by Alexander Garrett, Arthur Spicer Brockenbrough, and Nathan Barksdale as University Proctors. 1 item. ink on paper.","James Dinsmore's Measurements of Dormitories and Pavilions. Includes Jefferson's further notes. 1 item. ink on paper.","\"Description of a joint or splice\", with cutout model. 3 items.","Thomas Jefferson's recipe for plaster. 1 item.","Thomas Jefferson's design and sketch for a desk. 1 item.","Map of a canal and saw mill by Thomas Jefferson. 1 item.","Description of the hewing of stone. Calculations of verso. 1 item.","Homemade. 1 item.","1 item.","Plat of Monticello by Thomas Jefferson. 1 item.","For phaeton. Five \"figs\" and notes on three sheets. Notes on verso of p.1. 2 items. Ink on paper.","George Carrington map of the county of Cumberland in the hand of Thomas Jefferson. 1 item.","Road to the Thoroughfare. 1 item.","Cf. Betts, Garden Book, Plate XV. Shows boundary with river. 1 item.","Albemarle county: plat of lands of Charles Lewis Bankhead","Instructions regarding work on the University's Rotunda, clock and bell, macadamizing roads, water supply, botanical garden, purchasing of chemicals and gas lights for Dr. Emmet's use, and copy of enactments for each student. Penciled annotations by Brockenbrough of cost of various items. Includes a sketch for measuring \"the tympanum of the portico of the Rotunda\" for a clock and bell. 1 item.","Mr. Harrison's mill and Woodson's Ferry. 1 item.","Two plats of land containing 153 acres and 92 1/1 acres of land bounded by Three Chopped Road and Wheeler' Road were surveyed by William Woods as the site of Central College (University of Virginia).","In Thomas Jefferson's hand","Copyright not Evaluated: \nhttps://rightsstatements.org/page/CNE/1.0/?language=en","More about Rights and Permissions at UVA:\nhttps://www.library.virginia.edu/policies/use-of-materials","Digital reproductions are available:","links to individual pages found under each scanned item in the calendar here: \nhttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml;query=;","Architectural Drawings here: \nhttps://static.lib.virginia.edu/rmds/nichols/index.html ","Reproduction of N-362 restricted withouth the written permission of the Library of Virginia.","Reproduction restricted withouth the written permission of the Library of Virginia.","Albert and Shirley Small Special Collections Library","University of Virginia","Randolph family","Jefferson, Thomas, 1743-1826","Madison, James, 1751-1836","James Madison","Thomas Jefferson","Cooper, Thomas, 1759-1839","English"],"unitid_tesim":["Jefferson Papers","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1438"],"normalized_title_ssm":["The University of Virginia Jefferson Papers"],"collection_title_tesim":["The University of Virginia Jefferson Papers"],"collection_ssim":["The University of Virginia Jefferson Papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Jefferson, Thomas, 1743-1826","Randolph family"],"creator_ssim":["Jefferson, Thomas, 1743-1826","Randolph family"],"creator_persname_ssim":["Jefferson, Thomas, 1743-1826"],"creator_famname_ssim":["Randolph family"],"creators_ssim":["Jefferson, Thomas, 1743-1826","Randolph family"],"access_terms_ssm":["Copyright not Evaluated: \nhttps://rightsstatements.org/page/CNE/1.0/?language=en","More about Rights and Permissions at UVA:\nhttps://www.library.virginia.edu/policies/use-of-materials","Digital reproductions are available:","links to individual pages found under each scanned item in the calendar here: \nhttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml;query=;","Architectural Drawings here: \nhttps://static.lib.virginia.edu/rmds/nichols/index.html "],"acqinfo_ssim":["Acquired by gift and purchase, 1825-present."],"access_subjects_ssim":["University of Virginia","Real property -- Virginia","Architecture--Virginia"],"access_subjects_ssm":["University of Virginia","Real property -- Virginia","Architecture--Virginia"],"has_online_content_ssim":["true"],"extent_ssm":["14.2 Cubic Feet 1 legal document box, 1 half-width legal document box, 6 oversize flat boxes, 2 filing cabinets (4 drawers each)."],"extent_tesim":["14.2 Cubic Feet 1 legal document box, 1 half-width legal document box, 6 oversize flat boxes, 2 filing cabinets (4 drawers each)."],"date_range_isim":[1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Users must use a copy or microfilm of materials unless prior permission to use originals has been obtained from senior Special Collections staff.\u003c/p\u003e","\u003cp\u003eN 545, MSS 9090-a is restricted. No access without written permission of the owner.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research. Users must use a copy or microfilm of materials unless prior permission to use originals has been obtained from senior Special Collections staff.","N 545, MSS 9090-a is restricted. No access without written permission of the owner."],"altformavail_html_tesm":["\u003cp\u003ePhotocopy of this letter is boxed with 6240-a.\nOriginal file draft of this letter filed as MSS 2573.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Photocopy of this letter is boxed with 6240-a.\nOriginal file draft of this letter filed as MSS 2573."],"arrangement_html_tesm":["\u003cp\u003eLetters are arranged chronologically. Archtectural drawings, other oversized, and miscellaneous materials are arranged by Nichols (N) number where applicable, and by MSS number otherwise.\u003c/p\u003e","\u003cp\u003eArranged according to Nichols (N) number system. Each of Jefferson's architectural drawings is listed individually with the corresponding \"Nichols number\" taken from Thomas Jefferson's architectural drawings / compiled and with commentary and a check list by Frederick Doveton Nichols. -- 4th ed. - (Charlottesville : Thomas Jefferson Memorial Foundation, 1988, c1995.).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["Letters are arranged chronologically. Archtectural drawings, other oversized, and miscellaneous materials are arranged by Nichols (N) number where applicable, and by MSS number otherwise.","Arranged according to Nichols (N) number system. Each of Jefferson's architectural drawings is listed individually with the corresponding \"Nichols number\" taken from Thomas Jefferson's architectural drawings / compiled and with commentary and a check list by Frederick Doveton Nichols. -- 4th ed. - (Charlottesville : Thomas Jefferson Memorial Foundation, 1988, c1995.)."],"bioghist_html_tesm":["\u003cp\u003eThomas Jefferson (1743-1826) was the third president of the United States, born in Goochland (now Albemarle County), Virginia. He was a member of the Virginia House of Burgesses from 1769 to 1775, and with R. H. Lee and Patrick Henry initiated the inter-colonial committee of correspondence in 1773. He wrote the widely circulated Summary View of the Rights of British America in 1774. Jefferson was a member of the Continental Congress in 1775 and 1776, and was chairman of committee that prepared Declaration of Independence. Jefferson himself wrote and presented the first draft of Declaration to Congress on July 2, 1776. He then signed Declaration with other founding fathers. Jefferson was Governor of Virginia from 1779 to 1781, and again a member of the Continental Congress from 1783 to 1785. He proposed decimal coinage, a series of provisions later embodied in Ordinance of 1787. He served as U.S. minister to France from 1785 to 1789, and as U.S. Secretary of State from 1790 to 1793. He served as Vice president of the U.S. from 1797 to 1801, and drafted the Kentucky Resolves in 1798, against the Alien and Sedition Acts. \u003c/p\u003e\n","\u003cp\u003eJefferson was President of the United States from 1801 to 1809, elected by the House of Representatives after a tie in electoral vote (with Aaron Burr, q.v.). His presidential administration is remembered for the purchase of Louisiana from France in 1803 and dispatch of Lewis and Clark to explore it; the war against Algerian pirates from 1801 to 1805; diplomatic trouble with Great Britain over \"impressments\" of American seamen (Embargo Act of 1807); and prohibition of the importation of slaves. \u003c/p\u003e\n","\u003cp\u003eAfter retirement from presidency, Jefferson lived on his plantation at Monticello near Charlottesville, Virginia. He was instrumental in founding the University of Virginia in 1819. He was a noted naturalist, scholar, and architect, and author of Notes on the State of Virginia in 1785. Jefferson died 4 July 1826 and is buried at Monticello.\u003c/p\u003e\n","\u003cp\u003eEpithet: actor, son of Joseph Jefferson\u003c/p\u003e\n","\u003cp\u003eSNAC Cooperative. British Library Archives and Manuscripts Catalogue : Person : Description : ark:/81055/vdc_100000000544.0x00007c. https://snaccooperative.org/view/83449756\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Thomas Jefferson (1743-1826) was the third president of the United States, born in Goochland (now Albemarle County), Virginia. He was a member of the Virginia House of Burgesses from 1769 to 1775, and with R. H. Lee and Patrick Henry initiated the inter-colonial committee of correspondence in 1773. He wrote the widely circulated Summary View of the Rights of British America in 1774. Jefferson was a member of the Continental Congress in 1775 and 1776, and was chairman of committee that prepared Declaration of Independence. Jefferson himself wrote and presented the first draft of Declaration to Congress on July 2, 1776. He then signed Declaration with other founding fathers. Jefferson was Governor of Virginia from 1779 to 1781, and again a member of the Continental Congress from 1783 to 1785. He proposed decimal coinage, a series of provisions later embodied in Ordinance of 1787. He served as U.S. minister to France from 1785 to 1789, and as U.S. Secretary of State from 1790 to 1793. He served as Vice president of the U.S. from 1797 to 1801, and drafted the Kentucky Resolves in 1798, against the Alien and Sedition Acts. ","Jefferson was President of the United States from 1801 to 1809, elected by the House of Representatives after a tie in electoral vote (with Aaron Burr, q.v.). His presidential administration is remembered for the purchase of Louisiana from France in 1803 and dispatch of Lewis and Clark to explore it; the war against Algerian pirates from 1801 to 1805; diplomatic trouble with Great Britain over \"impressments\" of American seamen (Embargo Act of 1807); and prohibition of the importation of slaves. ","After retirement from presidency, Jefferson lived on his plantation at Monticello near Charlottesville, Virginia. He was instrumental in founding the University of Virginia in 1819. He was a noted naturalist, scholar, and architect, and author of Notes on the State of Virginia in 1785. Jefferson died 4 July 1826 and is buried at Monticello.","Epithet: actor, son of Joseph Jefferson","SNAC Cooperative. British Library Archives and Manuscripts Catalogue : Person : Description : ark:/81055/vdc_100000000544.0x00007c. https://snaccooperative.org/view/83449756"],"custodhist_html_tesm":["\u003cp\u003eProvenance unknown\u003c/p\u003e","\u003cp\u003eProvenance unknown\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History","Custodial History"],"custodhist_tesim":["Provenance unknown","Provenance unknown"],"odd_html_tesm":["\u003cp\u003eThis is an artificial collection with multiple accession/manuscript numbers, as well as a variety of implemented arrangement systems.\u003c/p\u003e","\u003cp\u003eTo locate specific Architectural drawings in the Calendar of the Jefferson Papers of the University of Virginia, search the page for the item or folder date, Nichols (N) number, or MSS/Acc. number.\u003c/p\u003e"],"odd_heading_ssm":["General","General"],"odd_tesim":["This is an artificial collection with multiple accession/manuscript numbers, as well as a variety of implemented arrangement systems.","To locate specific Architectural drawings in the Calendar of the Jefferson Papers of the University of Virginia, search the page for the item or folder date, Nichols (N) number, or MSS/Acc. number."],"otherfindaid_html_tesm":["\u003cp\u003eMain finding aid for this collection, A Calendar of The Jefferson Papers of the University of Virginia:\u003c/p\u003e\n","\u003cp\u003ehttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml\u003c/p\u003e\n","\u003cp\u003e\nDigital images of the architectural drawings, Nichols Tiffs:\u003c/p\u003e\n","\u003cp\u003ehttps://static.lib.virginia.edu/rmds/nichols/index.html\u003c/p\u003e\n","\u003cp\u003e\nOther online catalog, UVA Catalog of Jefferson's Drawings: \u003c/p\u003e\n","\u003cp\u003ehttp://www2.iath.virginia.edu/wilson/drawings/uvacat.html\u003c/p\u003e","\u003cp\u003eSeparate record for most of the architectural drawings in this collection: https://search.lib.virginia.edu/sources/uva_library/items/u4401249\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids","Other Finding Aids"],"otherfindaid_tesim":["Main finding aid for this collection, A Calendar of The Jefferson Papers of the University of Virginia:","https://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml","\nDigital images of the architectural drawings, Nichols Tiffs:","https://static.lib.virginia.edu/rmds/nichols/index.html","\nOther online catalog, UVA Catalog of Jefferson's Drawings: ","http://www2.iath.virginia.edu/wilson/drawings/uvacat.html","Separate record for most of the architectural drawings in this collection: https://search.lib.virginia.edu/sources/uva_library/items/u4401249"],"prefercite_html_tesm":["\u003cp\u003eJefferson Papers, The University of Virginia Jefferson Papers, folder title and number [if applicable], manuscript or record group number of original collection [if known], Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["Jefferson Papers, The University of Virginia Jefferson Papers, folder title and number [if applicable], manuscript or record group number of original collection [if known], Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eLike the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the \u003ccorpname\u003eUniversity of Virginia\u003c/corpname\u003e. However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.\u003c/p\u003e","\u003cp\u003eLike the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the University of Virginia. However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["Like the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the  University of Virginia . However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.","Like the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the University of Virginia. However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items."],"relatedmaterial_html_tesm":["\u003cp\u003eOther institutions with significant collections of Thomas Jefferson and Jefferson family manuscripts:\u003c/p\u003e\n","\u003cp\u003eLIBRARY OF CONGRESS (DLC):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson Papers, 1606 to 1827\u003c/p\u003e\n","\u003cp\u003eMASSACHUSETTS HISTORICAL SOCIETY (MHI):\u003c/p\u003e\n","\u003cp\u003eCoolidge Collection of Thomas Jefferson Manuscripts, Massachusetts Historical Society.\u003c/p\u003e\n","\u003cp\u003eMISSOURI HISTORY MUSEUM (MOSHI):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson Collection, 1773-1826\u003c/p\u003e\n","\u003cp\u003eHUNTINGTON LIBRARY (CSMH):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson collection, The Huntington Library, San Marino, California.\u003c/p\u003e\n","\u003cp\u003eHISTORICAL SOCIETY OF PENNSYLVANIA (PHI):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson Papers, 1766-1825\u003c/p\u003e\n","\u003cp\u003eAMERICAN PHILOSOPHICAL SOCIETY (PPAMP):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson papers, 1775-1825, Mss.B.J35\u003c/p\u003e\n","\u003cp\u003eCOLLEGE OF WILLIAM AND MARY (VIW):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson Papers, 1761-1931\u003c/p\u003e\n","\u003cp\u003eNEW YORK PUBLIC LIBRARY (NN):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson papers, 1766-1826, MssCol 1557\u003c/p\u003e\n","\u003cp\u003eVIRGINIA HISTORICAL SOCIETY (VIHI):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson Papers, 1780-1826, Mss2 J3595\u003c/p\u003e","\u003cp\u003eOriginal owned by Thomas Jefferson Memorial Foundation.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials"],"relatedmaterial_tesim":["Other institutions with significant collections of Thomas Jefferson and Jefferson family manuscripts:","LIBRARY OF CONGRESS (DLC):","Thomas Jefferson Papers, 1606 to 1827","MASSACHUSETTS HISTORICAL SOCIETY (MHI):","Coolidge Collection of Thomas Jefferson Manuscripts, Massachusetts Historical Society.","MISSOURI HISTORY MUSEUM (MOSHI):","Thomas Jefferson Collection, 1773-1826","HUNTINGTON LIBRARY (CSMH):","Thomas Jefferson collection, The Huntington Library, San Marino, California.","HISTORICAL SOCIETY OF PENNSYLVANIA (PHI):","Thomas Jefferson Papers, 1766-1825","AMERICAN PHILOSOPHICAL SOCIETY (PPAMP):","Thomas Jefferson papers, 1775-1825, Mss.B.J35","COLLEGE OF WILLIAM AND MARY (VIW):","Thomas Jefferson Papers, 1761-1931","NEW YORK PUBLIC LIBRARY (NN):","Thomas Jefferson papers, 1766-1826, MssCol 1557","VIRGINIA HISTORICAL SOCIETY (VIHI):","Thomas Jefferson Papers, 1780-1826, Mss2 J3595","Original owned by Thomas Jefferson Memorial Foundation."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of letters written by and addressed to Thomas Jefferson, as well as architectural plans and studies that were created or endorsed by Jefferson, created by other individuals associated with him, deeds, plats, and maps, some of which pertain to the subjects of the architectural studies, and other miscellaneous materials.\u003c/p\u003e\n","\u003cp\u003eAll of the Architectural Drawings and Other Oversized \u0026amp; Miscellaneous Materials listed in the Jefferson Papers Calendar are fully represented in this finding aid, spanning the dates 1751-1898. However, the materials described here only represent a portion of the complete Jefferson Papers. Please see the Jefferson Papers Calendar, this collection's main finding aid, for a full chronological listing of all of the materials (1732-1898): https://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml\u003c/p\u003e","\u003cp\u003eLists enslaved persons at Poplar Forest by name, including ages of those under 8 years old. Also lists livestock.\u003c/p\u003e","\u003cp\u003eLetter from \u003cpersname\u003eJames Madison\u003c/persname\u003e to \u003cpersname\u003eThomas Jefferson\u003c/persname\u003e submitting his first donation for founding the \"Central College,\" which would become the \u003ccorpname\u003eUniversity of Virginia\u003c/corpname\u003e. Docketed in Jefferson's hand on verso, \"Madison Ja., \u003cgeogname\u003eMontpellier\u003c/geogname\u003e [missing text on margin] recd M [missing text on margin]\"\u003c/p\u003e","\u003cp\u003eThis is one eight-page manuscript is entitled \"Proposed list of instruments for the classes of [N]at[ural] philosophy \u0026amp; Mathematics,\" written by Thomas Jefferson around April 26, 1824. The instruments recommended by Jefferson were to outfit the departments of science in the Academical Village classrooms and laboratories at the University of Virginia, which held its first term in 1826. The listed is organized through headings by equipment requirements for each scientific department at the University: \"Genl purposes,\" \"Mechanics,\" \"Hydrostatics,\" \"Optics,\" \"Electricity Etc.,\" \"Astronomy,\" and \"Miscellaneous.\" Jefferson's list includes a \"very accurate set of weights\" outlined with a table, a \"model of Braham's fire engine,\" \"a good Kaleidoscope,\" a \"simple Planetarium, 3f diam. with Sun, moon \u0026amp; earth only,\" a \"Lithographic press,\" an \"Electric battery,\" a \"Turning lathe with Tools for working in wood \u0026amp; brass,\" a \"Magic lanthern,\" \"12 f of brass chain for electrical machine,\" a camera lucida, a variety of pumps, a charcoal furnace, and many other scientific dependencies. For his request of \"a very large supply\" of glass tubes, Jefferson included three simple drawings of his preferred tube types. This list of proposed instruments was penned by Jefferson shortly before Francis Walker Gilmer, an emissary of Jefferson, was dispatched to Europe to gather mechanical and scientific instruments, as well as recruit professors from London, Cambridge, and Edinburgh colleges for the forming University of Virginia. Gilmer returned to Virginia at the end of 1824 with five professorships filled. Three small paper fragments from the manuscript are also present.\u003c/p\u003e","\u003cp\u003eThis series primarily consists of architectural studies on structures found at the University of Virginia, at Thomas Jefferson's private properties like Monticello and Poplar Forest, and studies on structures in Richmond, VA. The studies in the collection contain elevations, plans, and sections, most of which include Jefferson's specifications. These architectural drawings were created mainly by Thomas Jefferson. Some were created or augmented by John Organ, Dr. William Thorton, James Dinsmore, John Neilson, John Hartwell Cocke (possibly), Robert Mills, and Cornelia J. Randolph.\u003c/p\u003e","\u003cp\u003eDeposited by Wilson Cary Nicholas Randolph with the Proctor of the University of Virginia\u003c/p\u003e","\u003cp\u003eThe remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on paper.\u003c/p\u003e","\u003cp\u003eThe remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.\u003c/p\u003e","\u003cp\u003eThe remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.\u003c/p\u003e","\u003cp\u003eThe remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eT.J. early free-hand sketch of elevation and plan for Monticello showing porches. 1 item. laid paper.\u003c/p\u003e","\u003cp\u003eStudy for final elevation of the first version. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eDrawing of archiatrave in the Monticello Dining Room. 1 item. ink and pencil on paper.\u003c/p\u003e","\u003cp\u003eUndated plat by T. J. of Poplar Forest tract shows boundaries, roads, existing and proposed buildings; floor plan of house on verso, rooms designated in Anglo-Saxon. 2 pp. (note: see N 269 for missing section). 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eSame as N 350\u003c/p\u003e","\u003cp\u003eSame as N 351\u003c/p\u003e","\u003cp\u003eThomas Jefferson's first floor plans showing rotunda house with wings. Nichols mis-identified the second plan (N 282) as the second floor plan of the governor's house. It is the first floor. 2 items. ink on paper.\u003c/p\u003e","\u003cp\u003eLetter from Thomas Jefferson to Dr. William Thornton describing ideas for the academical village. Contains rough sketch of Jefferson's early idea for the ground plans, showing seven pavilions around an open space with grass and trees. This sketch appears in Jefferson's first letter to Dr. William Thornton regarding the design of the Pavilions in his proposed academical village. 1 item. iron gall ink on plain wove stationary.\u003c/p\u003e","\u003cp\u003eSame as N 352\u003c/p\u003e","\u003cp\u003eSecond study of Ground plan of West range with dormitories and hotels A and B. The suggestion for making this revised study of the West Range with the Hotels and Dormitories facing away from the Lawn instead of towards the backs of the Pavilions came from Joseph C. Cabell at the Board of Visitors meeting of 29 March 1819. One of three variants. 1 item. iron gall ink and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eThis original study for the West Range shows Jefferson's initial intention to place the West Range directly behind the Pavilions and Dormitories of the Lawn. One of three variants. 1 item. iron gall ink and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eThese two sheets were once joined. Together they are the studies for Pavilion VII's lower portico. South and west elevations. 2 items. pricking, scoring, and iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eEarlier study for plan of lawn with rotunda (N 366). 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eThis is an early study for Pavilion VII, the first building erected. It shows an elevation of the pavilion with adjacent dormitories and Chinese railings, and plans of the first and second floors. On back is an early study of the Lawn showing nine identical paviliions; the specifications begin: \"The walls of the Pavilion are 116 feet running measure.\" Includes construction notes on verso. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eElevation (front facade) of pavillions with two-story dormitories. Watermarked J. Whatman. Drawn by Dr. William Thornton. In May 1817 Jefferson wrote to Dr. William Thornton describing his plan for the Central College with separate pavilions and a range of dormitories. Thornton responded on June 11 with a two story composition of student rooms and pavilions. 1 item. ink and watercolor on thin wove paper.\u003c/p\u003e","\u003cp\u003eElevation and three plans of Pavilion VII's front facade and floor plans and specifications for the building. The plan of the Pavilion measures 34 feet wide by 26 feet deep, precisely the dimensions that Jefferson used on his study for a typical Pavilion for Central Colllege. Cornerstone laid October 6, 1817. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.\u003c/p\u003e","\u003cp\u003ePlan and comparative study for garden walls. While decorative, the walls are not particularly strong. 1 item. pricking and iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eElevation of Pavilion III's front facade and floor plans and specifications for the building, one with alternate flap. Specifications on verso. On this revised study for Pavilion III, Jefferson has included a basement floor plan and has shifted the elevation to the side of the first floor plan instead of above it. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.\u003c/p\u003e","\u003cp\u003ePocket memorandum book containing initial specifications, ink drawings, and other data used and compiled by T. J. while directing the construction of the University of Virginia (Central College until 1819). Description of proposed buildings, style of architecture, measurements, materials to be used, and the amount of brick or stone required. Includes notes for the rotunda planetarium. 23 item. iron gall ink on wove paper.\u003c/p\u003e","\u003cp\u003eDrawing of an elevation and three floor plans for Pavillion II with specifications on verso. On the first floor is the large schoolroom, and on the second floor are the professor's three rooms. On June 5, 1819, Jefferson wrote that he was about to begin the drawings for the pavilion on the east. 1 item. pricking, scoring, iron gall ink, and india ink on paper.\u003c/p\u003e","\u003cp\u003eDrawing of an elevation and three plans for Pavillion IV with specifications on verso. 1 item. pricking, scoring, iron gall ink, and india ink on paper.\u003c/p\u003e","\u003cp\u003eElevation and three plans. Specifications on back. Porticos on the first and second floor plans are erased. 1 item. pricking, scoring, iron gall ink and india ink on paper.\u003c/p\u003e","\u003cp\u003eElevation and three plans. Specifications on back. Jefferson's notes continue to call this a \"lodge.\" 1 item. iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eElevations and three plans. Shows location of Franklin stoves. Specifications on back. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eSame as N 326, but without the Franklin stoves or specifications. Formerly incorrectly attributed to Cornelia Jefferson Randolph. Thomas S. Ridgeway statement on verso identifies as T. J.'s work. This is the only carpenter's copy of a University of Virginia building known to have survived the building process. 1 item. pricking and iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eSouthern elevation of Rotunda. The exterior is based upon the Pantheon in Rome at one-half scale. Construction began in 1823. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eLateral section of Rotunda. On same sheet with N 328. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eFlat exterior buttress walls on the north and south ends of the building, and a hexastyle portico on the south end. Specifications on back. Construction began in 1823. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003ePlan of dome room with specifications on back, beginning: \"Rotunda, reduced to the proportions of the Pantheon and accomodated to the purposes of a Library for the University with rooms for drawing, music, examinations and other accessory purposes.\" Construction began in 1823. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eJefferson's notes and drawing for framing the dome. On verso: small framing diagram for library dome. 1 item. pricking, iron gall ink on plain wove paper.\u003c/p\u003e","\u003cp\u003eIncomplete drawing showing window openings and a fireplace in a circular format. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eBird's-eye view of lawn and ranges w/out Rotunda, in parallel perspective. This drawing has been attributed to Thomas Jefferson and his granddaughter, Cornelia Jefferson Randolph, but there is no conclusive proof that either one of them is its author. 1 item. pencil and watercolor on heavy cold-pressed paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and east elevation of Hotel B (labeled as Hotel A). 1 item. pricking, india ink, and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and north elevation of Hotel A (labeled as Hotel B). 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of dining Hotel D (labeled as Hotel C). 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel C (labeled as Hotel D). 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel F (labeled as Hotel E). 1 item. india ink, watercolor, pencil on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel E (labeled as Hotel F). 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eWest elevation and first floor plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003ePavilion IV East facade and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eSecond floor plans. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eEast facade elevation and plan. Inked, shaded and tinted by John Neilson. Neilson has represented the parapet as a series of dies and panels which Jefferson did not indicate on N-356. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eWest front facade elevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eFirst floor plan of Jefferson's octagonal retreat in Bedford County. Inked, shaded and tinted by John Neilson. The design was probably drawn by Cornelia J. Randolph or John Neilson, and based on William Kent's edition of Inigo Jones, Vol. II, Plate 17. This is one of Jefferson's most successful designs. 1 item. india ink on graph paper.\u003c/p\u003e","\u003cp\u003eSouth façade garden elevation of Poplar Forest probably drawn by Cornelia J. Randolph or John Neilson. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003ePlan of Bremo, Fluvanna county, Virginia by John Neilson. This is the principal story of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.\u003c/p\u003e","\u003cp\u003eElevation of Bremo, Fluvanna county, Virginia by John Neilson. This is the North front of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.\u003c/p\u003e","\u003cp\u003eDoric and Corinthian Pavilion Facade Studies by William Thornton. 1 item. pencil and wash on paper.\u003c/p\u003e","\u003cp\u003eElevation. West facade of Pavilion X. Possibly by John Neilson. The drawing style is consistent with the confirmed Neilson drawings. 1 item. india ink, watercollor, and white ink on paper.\u003c/p\u003e","\u003cp\u003eSouth elevation of Rotunda with South elevations of pavilions IX \u0026amp; X. Probably drawn by John Neilson. Previously attributed to Cornelia Jefferson Randolph. 1 item. ink with tinted washes on paper.\u003c/p\u003e","\u003cp\u003eEast elevation and three floor plans of \"No. 1 Pav. West\". Specifications on back. 1 item. pricking, scoring, iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eEast elevation and three plans of \"Pavilion No. V. W. Palladio's Ionic Order, with Modilions.\" Specifications on back. Construction finished in 1821. 1 item. pricking, scoring, iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eEast elevation and three plans of \"Pavilion No. IX We. Ionic of the temple of Fortuna Virilis\". This elevation contains the only example of a Jefferson drawing of a slate roof. It is also the only example of Jefferosn's use of a semicircular niche and pedimented windows on a Pavilion. \"Latrobe\" in Jefferson's writing, upper right. Specifications on back. The entrance motif is a favorite of Ledoux', whose work Jefferson had admired in Paris. Building completed 1821, as Jefferson wrote on September 30 of that year. 1 item. pricking, scoring, iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and three plans of \"C. Hotel. Ionic Dentil.\" Construction completed in 1822. 1 item.\u003c/p\u003e","\u003cp\u003eUnfinished studies for plan and elevation of \"Hotel B. West.\" Construction completed in 1822. 1 item.\u003c/p\u003e","\u003cp\u003eElevation and two plans, with detail of arched window set in cornice. Specifications on back headed: \"Hotel A. East. One story with a flat roof and Chinese parapet.\" Construction completed in 1822. 1 item.\u003c/p\u003e","\u003cp\u003eElevation and two plans of Jefferson's \"Hotel C. West. Proctor's\". The first floor plan on this sheet is copied from N-301. One story. Specifications on back. Construction completed in 1822. 1 item. iron gall ink and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eJefferson's elevation and plan of \"Hotel D. East\". One story. Specifications on back. Construction completed in 1822. 1 item. pricking, iron gall ink, and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and three plans of front facade and a dining hall. Two stories. Specifications on back. Construction completed in 1822. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eStudy of first floor plans. 1 item. pricking, iron gall ink, and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eStudy of first and second floor plans, east elevation and section. Jefferson designed this building at the request of Dr. Robley Dunglison, the Univesity's first medical professor, and Jefferson's personal physician. Completed in 1826. 1 item. pricking, scoring, iron-gall ink, and pencil on paper.\u003c/p\u003e","\u003cp\u003eStudy for Lawn with pavilions and rotunda. N-306 was cut from this piece to permit substitutions. 1 item. pricking, scoring, iron-gall ink on paper.\u003c/p\u003e","\u003cp\u003eElevation and section of dormitories. Section through lawn colonnade and a dormitory room. 1 item. pricking, scoring, iron-gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eSouth elevation by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.\u003c/p\u003e","\u003cp\u003eThird study or variant for West range. Gardens, hotels, dormitories, and serpentine walls. 1 item. iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eSection of rails. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003ePlan of a clock for the rotunda. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eStudy and elevation of a Tuscan column that includes the capital, shaft, and base of the order. 1 item. iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eDormitory study with elevation and plans of three floors with eight rooms to each floor. Probably studies for University of Virginia, but not by Jefferson. Possibly by General John Hartwell Cocke; see his letter of May 3, 1819, to Jefferson. 1 item. pencil, india Ink and gray wash on paper.\u003c/p\u003e","\u003cp\u003eElevation of two-story dormitory with wings. Elevation of one-story dormitory. Two first-floor plans and one second-floor plan. Possibly another study for N 374. 1 item. ink and wash on paper.\u003c/p\u003e","\u003cp\u003eElevation and two floor plans for two-story dormitory. This sheet contains a study for a two story Dormitory block. The ground floor contains twelve rooms for the students, and the upper floor contains two large spaces separated by a central passage containing stairs. Possibly another study for N 374. 1 item. pencil, india ink, and wash on paper.\u003c/p\u003e","\u003cp\u003eStudy for dormitory. Ground plan and elevation. Elevation shows arches on first floor and wood columns above. This study depicts alternate plans for a two story single pile vs. a one story double pile range of Dormitories. There is also a large dining hall at the left end of the range, as evidenced by what appear to be two long tables in the upper plan. Above the plans is a larger scale elevation of one of the two story blocks of Dormitories showing an arcade on the ground floor and a series of posts above. Possibly another study for N 374. 1 item. pencil, india ink, and iron gaul ink on paper.\u003c/p\u003e","\u003cp\u003eTwo unrelated pages. One is a page from a book of map symbols and the other is an old drawing in poor shape, which may not be a drawing by Jefferson. Possibly Architrave. 2 items.\u003c/p\u003e","\u003cp\u003eFloor plan. The Observatory plan study has alcove beds. The geometric plan consists of four octagonal rooms surround a cross-shaped central passage, with two recessed loggias, a trapezoidal vestibule, and a projecting loggia. 1 item. pencil on graph paper.\u003c/p\u003e","\u003cp\u003eFloor plan with specifications on back. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eTwo photostats of a manuscript ground plan of the University, possibly that from which Maverick made his 1822 engraving, olus three enlarged copies. The drawing shows the first floor of the Rotunda with three oval rooms, and wings containing eight rooms each. The overlay shows the plan of the Dome Room. 5 items. Facsimiles.\u003c/p\u003e","\u003cp\u003eFour copies of 1923 facsimile of Peter Maverick's 1822 plan of the University of Virginia. Design sources for pavilions written in ink by Ellen Randolph Coolidge. 4 items.\u003c/p\u003e","\u003cp\u003eDrawn by John Neilson. Peter Maverick's 1825 plan showing plan of rotunda dome room. This version of the Maverick engraving shows the first floor of the Rotunda with the plan of the Dome Room as an overlay. Each of the two Gymnasia wings contains eight rooms, each of which is shown to have its own fireplace and door. 5 items.\u003c/p\u003e","\u003cp\u003ePlan of south wing of capitol. Not executed by Jefferson. 1 item. ink and watercolor on paper.\u003c/p\u003e","\u003cp\u003eRough draft and specifications for rotunda-style floor plan. Probably for the president's house in Washington, D.C. Notes on verso. 1 item. pencil and ink on paper.\u003c/p\u003e","\u003cp\u003eRough draft for rotunda-style floor plans. Probably for the president's house in Washington, D.C. 1 item. pencil on paper.\u003c/p\u003e","\u003cp\u003ePlan of a rotunda style house by Robert Mills. Probably the President's house in Washington, D.C. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eSection of a rotunda house. Probably the President's house in Washington, D.C. 1 item.\u003c/p\u003e","\u003cp\u003eFront and side elevation with floor plan and balcony plan of a church by John Neilson. Created for Thomas Jefferson to submit to Rev. Hatch for the design of Christ Episcopal Church, Charlottesville. 1 item. ink and watercolor on paper.\u003c/p\u003e","\u003cp\u003ePlan (sketch) of a house with portico and dependencies. Addressed on verso to T. J., Albemarle. 1 item.\u003c/p\u003e","\u003cp\u003ePlan of building with four porticos in the form of a Greek cross, with a framing plan (Probably a development of N-490). possibly a retreat. 1 item. photostatic copy of original.\u003c/p\u003e","\u003cp\u003ePlan and section of a garden seat. Writing not by Jefferson, perhaps John Neilson. A study of rendering. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003ePossibly a study by Robert Mills to teach Cornelia J. Randolph rendering. 1 item. rendered in wash.\u003c/p\u003e","\u003cp\u003eRough plan of porticoed building with four octagonal rooms arranged about a square. On verso of letter, 1777 August 15 from Charles S. Lewis, Jr. May be related to N-496. 1 item.\u003c/p\u003e","\u003cp\u003eAuthenticated in unidentified hand. 1 item.\u003c/p\u003e","\u003cp\u003eBy Cornelia J. Randolph. 2 items.\u003c/p\u003e","\u003cp\u003eNotes on the land lines of Poplar Forest. Survey of roads from Campbell Court House to Poplar Forest. 3 items. ink on paper.\u003c/p\u003e","\u003cp\u003eDeeds, surveys, plats, field notes, memoranda, some relating to a land dispute that involved one of the abutting property owners searching all early patents and surveys in the neighborhood, some dating from 1762. In 1811 also, Jefferson was engaged in road building and other extensive improvement on his Poplar Forest tract. Some of the documents are mathematical calculations and field notes, others are elaborately certified surveys. 66 items.\u003c/p\u003e","\u003cp\u003eTwo plats of same date for 11,777 and 1,790 acres of land on branches of Black Water, a tributary of the Fluvanna (James) River in Albemarle (later Bedford) County, VA, and on Tomahawk and Rock Castle creeks, respectively. The first plat, by Thomas Jefferson, was attested by Daniel Smith, Albemarle County Surveyor, and the second was amended by Jefferson with notes on sequence of titles. 3 items. The missing section from N 255 is located in this folder.\u003c/p\u003e","\u003cp\u003eSurvey of University of Virginia lawn by James Dinsmore. James Dinsmore made this drawing of the Lawn in order to show the position of Pavilion VII relative to the \"first rise\" on the north. 1 item.\u003c/p\u003e","\u003cp\u003eSurvey of University site showing Rotunda, East street, and West street. In folder with other fragments: financial figures; dimensions for \"Perry's Houses\"; cost per acres; forms; the Rotunda in relation to the road; and a plat of land with area. 7 items. ink on paper.\u003c/p\u003e","\u003cp\u003ePlat showing acquisition of parcels. Purchases from John Perry, Daniel and Mary A. F. Piper, and Jesse W. Garth. Lands held by Alexander Garrett, Arthur Spicer Brockenbrough, and Nathan Barksdale as University Proctors. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eJames Dinsmore's Measurements of Dormitories and Pavilions. Includes Jefferson's further notes. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003e\"Description of a joint or splice\", with cutout model. 3 items.\u003c/p\u003e","\u003cp\u003eThomas Jefferson's recipe for plaster. 1 item.\u003c/p\u003e","\u003cp\u003eThomas Jefferson's design and sketch for a desk. 1 item.\u003c/p\u003e","\u003cp\u003eMap of a canal and saw mill by Thomas Jefferson. 1 item.\u003c/p\u003e","\u003cp\u003eDescription of the hewing of stone. Calculations of verso. 1 item.\u003c/p\u003e","\u003cp\u003eHomemade. 1 item.\u003c/p\u003e","\u003cp\u003e1 item.\u003c/p\u003e","\u003cp\u003ePlat of Monticello by Thomas Jefferson. 1 item.\u003c/p\u003e","\u003cp\u003eFor phaeton. Five \"figs\" and notes on three sheets. Notes on verso of p.1. 2 items. Ink on paper.\u003c/p\u003e","\u003cp\u003eGeorge Carrington map of the county of Cumberland in the hand of Thomas Jefferson. 1 item.\u003c/p\u003e","\u003cp\u003eRoad to the Thoroughfare. 1 item.\u003c/p\u003e","\u003cp\u003eCf. Betts, Garden Book, Plate XV. Shows boundary with river. 1 item.\u003c/p\u003e","\u003cp\u003eAlbemarle county: plat of lands of Charles Lewis Bankhead\u003c/p\u003e","\u003cp\u003eInstructions regarding work on the University's Rotunda, clock and bell, macadamizing roads, water supply, botanical garden, purchasing of chemicals and gas lights for Dr. Emmet's use, and copy of enactments for each student. Penciled annotations by Brockenbrough of cost of various items. Includes a sketch for measuring \"the tympanum of the portico of the Rotunda\" for a clock and bell. 1 item.\u003c/p\u003e","\u003cp\u003eMr. Harrison's mill and Woodson's Ferry. 1 item.\u003c/p\u003e","\u003cp\u003eTwo plats of land containing 153 acres and 92 1/1 acres of land bounded by Three Chopped Road and Wheeler' Road were surveyed by William Woods as the site of Central College (University of Virginia).\u003c/p\u003e","\u003cp\u003eIn Thomas Jefferson's hand\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of letters written by and addressed to Thomas Jefferson, as well as architectural plans and studies that were created or endorsed by Jefferson, created by other individuals associated with him, deeds, plats, and maps, some of which pertain to the subjects of the architectural studies, and other miscellaneous materials.","All of the Architectural Drawings and Other Oversized \u0026 Miscellaneous Materials listed in the Jefferson Papers Calendar are fully represented in this finding aid, spanning the dates 1751-1898. However, the materials described here only represent a portion of the complete Jefferson Papers. Please see the Jefferson Papers Calendar, this collection's main finding aid, for a full chronological listing of all of the materials (1732-1898): https://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml","Lists enslaved persons at Poplar Forest by name, including ages of those under 8 years old. Also lists livestock.","Letter from  James Madison  to  Thomas Jefferson  submitting his first donation for founding the \"Central College,\" which would become the  University of Virginia . Docketed in Jefferson's hand on verso, \"Madison Ja.,  Montpellier  [missing text on margin] recd M [missing text on margin]\"","This is one eight-page manuscript is entitled \"Proposed list of instruments for the classes of [N]at[ural] philosophy \u0026 Mathematics,\" written by Thomas Jefferson around April 26, 1824. The instruments recommended by Jefferson were to outfit the departments of science in the Academical Village classrooms and laboratories at the University of Virginia, which held its first term in 1826. The listed is organized through headings by equipment requirements for each scientific department at the University: \"Genl purposes,\" \"Mechanics,\" \"Hydrostatics,\" \"Optics,\" \"Electricity Etc.,\" \"Astronomy,\" and \"Miscellaneous.\" Jefferson's list includes a \"very accurate set of weights\" outlined with a table, a \"model of Braham's fire engine,\" \"a good Kaleidoscope,\" a \"simple Planetarium, 3f diam. with Sun, moon \u0026 earth only,\" a \"Lithographic press,\" an \"Electric battery,\" a \"Turning lathe with Tools for working in wood \u0026 brass,\" a \"Magic lanthern,\" \"12 f of brass chain for electrical machine,\" a camera lucida, a variety of pumps, a charcoal furnace, and many other scientific dependencies. For his request of \"a very large supply\" of glass tubes, Jefferson included three simple drawings of his preferred tube types. This list of proposed instruments was penned by Jefferson shortly before Francis Walker Gilmer, an emissary of Jefferson, was dispatched to Europe to gather mechanical and scientific instruments, as well as recruit professors from London, Cambridge, and Edinburgh colleges for the forming University of Virginia. Gilmer returned to Virginia at the end of 1824 with five professorships filled. Three small paper fragments from the manuscript are also present.","This series primarily consists of architectural studies on structures found at the University of Virginia, at Thomas Jefferson's private properties like Monticello and Poplar Forest, and studies on structures in Richmond, VA. The studies in the collection contain elevations, plans, and sections, most of which include Jefferson's specifications. These architectural drawings were created mainly by Thomas Jefferson. Some were created or augmented by John Organ, Dr. William Thorton, James Dinsmore, John Neilson, John Hartwell Cocke (possibly), Robert Mills, and Cornelia J. Randolph.","Deposited by Wilson Cary Nicholas Randolph with the Proctor of the University of Virginia","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink on paper.","T.J. early free-hand sketch of elevation and plan for Monticello showing porches. 1 item. laid paper.","Study for final elevation of the first version. 1 item. ink on paper.","Drawing of archiatrave in the Monticello Dining Room. 1 item. ink and pencil on paper.","Undated plat by T. J. of Poplar Forest tract shows boundaries, roads, existing and proposed buildings; floor plan of house on verso, rooms designated in Anglo-Saxon. 2 pp. (note: see N 269 for missing section). 1 item. ink on paper.","Same as N 350","Same as N 351","Thomas Jefferson's first floor plans showing rotunda house with wings. Nichols mis-identified the second plan (N 282) as the second floor plan of the governor's house. It is the first floor. 2 items. ink on paper.","Letter from Thomas Jefferson to Dr. William Thornton describing ideas for the academical village. Contains rough sketch of Jefferson's early idea for the ground plans, showing seven pavilions around an open space with grass and trees. This sketch appears in Jefferson's first letter to Dr. William Thornton regarding the design of the Pavilions in his proposed academical village. 1 item. iron gall ink on plain wove stationary.","Same as N 352","Second study of Ground plan of West range with dormitories and hotels A and B. The suggestion for making this revised study of the West Range with the Hotels and Dormitories facing away from the Lawn instead of towards the backs of the Pavilions came from Joseph C. Cabell at the Board of Visitors meeting of 29 March 1819. One of three variants. 1 item. iron gall ink and pencil on graph paper.","This original study for the West Range shows Jefferson's initial intention to place the West Range directly behind the Pavilions and Dormitories of the Lawn. One of three variants. 1 item. iron gall ink and pencil on graph paper.","These two sheets were once joined. Together they are the studies for Pavilion VII's lower portico. South and west elevations. 2 items. pricking, scoring, and iron gall ink on graph paper.","Earlier study for plan of lawn with rotunda (N 366). 1 item. ink on paper.","This is an early study for Pavilion VII, the first building erected. It shows an elevation of the pavilion with adjacent dormitories and Chinese railings, and plans of the first and second floors. On back is an early study of the Lawn showing nine identical paviliions; the specifications begin: \"The walls of the Pavilion are 116 feet running measure.\" Includes construction notes on verso. 1 item. ink on paper.","Elevation (front facade) of pavillions with two-story dormitories. Watermarked J. Whatman. Drawn by Dr. William Thornton. In May 1817 Jefferson wrote to Dr. William Thornton describing his plan for the Central College with separate pavilions and a range of dormitories. Thornton responded on June 11 with a two story composition of student rooms and pavilions. 1 item. ink and watercolor on thin wove paper.","Elevation and three plans of Pavilion VII's front facade and floor plans and specifications for the building. The plan of the Pavilion measures 34 feet wide by 26 feet deep, precisely the dimensions that Jefferson used on his study for a typical Pavilion for Central Colllege. Cornerstone laid October 6, 1817. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.","Plan and comparative study for garden walls. While decorative, the walls are not particularly strong. 1 item. pricking and iron gall ink on graph paper.","Elevation of Pavilion III's front facade and floor plans and specifications for the building, one with alternate flap. Specifications on verso. On this revised study for Pavilion III, Jefferson has included a basement floor plan and has shifted the elevation to the side of the first floor plan instead of above it. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.","Pocket memorandum book containing initial specifications, ink drawings, and other data used and compiled by T. J. while directing the construction of the University of Virginia (Central College until 1819). Description of proposed buildings, style of architecture, measurements, materials to be used, and the amount of brick or stone required. Includes notes for the rotunda planetarium. 23 item. iron gall ink on wove paper.","Drawing of an elevation and three floor plans for Pavillion II with specifications on verso. On the first floor is the large schoolroom, and on the second floor are the professor's three rooms. On June 5, 1819, Jefferson wrote that he was about to begin the drawings for the pavilion on the east. 1 item. pricking, scoring, iron gall ink, and india ink on paper.","Drawing of an elevation and three plans for Pavillion IV with specifications on verso. 1 item. pricking, scoring, iron gall ink, and india ink on paper.","Elevation and three plans. Specifications on back. Porticos on the first and second floor plans are erased. 1 item. pricking, scoring, iron gall ink and india ink on paper.","Elevation and three plans. Specifications on back. Jefferson's notes continue to call this a \"lodge.\" 1 item. iron gall ink on graph paper.","Elevations and three plans. Shows location of Franklin stoves. Specifications on back. 1 item. ink on paper.","Same as N 326, but without the Franklin stoves or specifications. Formerly incorrectly attributed to Cornelia Jefferson Randolph. Thomas S. Ridgeway statement on verso identifies as T. J.'s work. This is the only carpenter's copy of a University of Virginia building known to have survived the building process. 1 item. pricking and iron gall ink on graph paper.","Southern elevation of Rotunda. The exterior is based upon the Pantheon in Rome at one-half scale. Construction began in 1823. 1 item. ink on paper.","Lateral section of Rotunda. On same sheet with N 328. 1 item. ink on paper.","Flat exterior buttress walls on the north and south ends of the building, and a hexastyle portico on the south end. Specifications on back. Construction began in 1823. 1 item. ink on paper.","Plan of dome room with specifications on back, beginning: \"Rotunda, reduced to the proportions of the Pantheon and accomodated to the purposes of a Library for the University with rooms for drawing, music, examinations and other accessory purposes.\" Construction began in 1823. 1 item. ink on paper.","Jefferson's notes and drawing for framing the dome. On verso: small framing diagram for library dome. 1 item. pricking, iron gall ink on plain wove paper.","Incomplete drawing showing window openings and a fireplace in a circular format. 1 item. ink on paper.","Bird's-eye view of lawn and ranges w/out Rotunda, in parallel perspective. This drawing has been attributed to Thomas Jefferson and his granddaughter, Cornelia Jefferson Randolph, but there is no conclusive proof that either one of them is its author. 1 item. pencil and watercolor on heavy cold-pressed paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and east elevation of Hotel B (labeled as Hotel A). 1 item. pricking, india ink, and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and north elevation of Hotel A (labeled as Hotel B). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of dining Hotel D (labeled as Hotel C). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel C (labeled as Hotel D). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel F (labeled as Hotel E). 1 item. india ink, watercolor, pencil on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel E (labeled as Hotel F). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and pencil on graph paper.","West elevation and first floor plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","Pavilion IV East facade and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","Second floor plans. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","East facade elevation and plan. Inked, shaded and tinted by John Neilson. Neilson has represented the parapet as a series of dies and panels which Jefferson did not indicate on N-356. 1 item. india ink and watercolor on graph paper.","West front facade elevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","First floor plan of Jefferson's octagonal retreat in Bedford County. Inked, shaded and tinted by John Neilson. The design was probably drawn by Cornelia J. Randolph or John Neilson, and based on William Kent's edition of Inigo Jones, Vol. II, Plate 17. This is one of Jefferson's most successful designs. 1 item. india ink on graph paper.","South façade garden elevation of Poplar Forest probably drawn by Cornelia J. Randolph or John Neilson. 1 item. india ink and watercolor on graph paper.","Plan of Bremo, Fluvanna county, Virginia by John Neilson. This is the principal story of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.","Elevation of Bremo, Fluvanna county, Virginia by John Neilson. This is the North front of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.","Doric and Corinthian Pavilion Facade Studies by William Thornton. 1 item. pencil and wash on paper.","Elevation. West facade of Pavilion X. Possibly by John Neilson. The drawing style is consistent with the confirmed Neilson drawings. 1 item. india ink, watercollor, and white ink on paper.","South elevation of Rotunda with South elevations of pavilions IX \u0026 X. Probably drawn by John Neilson. Previously attributed to Cornelia Jefferson Randolph. 1 item. ink with tinted washes on paper.","East elevation and three floor plans of \"No. 1 Pav. West\". Specifications on back. 1 item. pricking, scoring, iron gall ink on graph paper.","East elevation and three plans of \"Pavilion No. V. W. Palladio's Ionic Order, with Modilions.\" Specifications on back. Construction finished in 1821. 1 item. pricking, scoring, iron gall ink on graph paper.","East elevation and three plans of \"Pavilion No. IX We. Ionic of the temple of Fortuna Virilis\". This elevation contains the only example of a Jefferson drawing of a slate roof. It is also the only example of Jefferosn's use of a semicircular niche and pedimented windows on a Pavilion. \"Latrobe\" in Jefferson's writing, upper right. Specifications on back. The entrance motif is a favorite of Ledoux', whose work Jefferson had admired in Paris. Building completed 1821, as Jefferson wrote on September 30 of that year. 1 item. pricking, scoring, iron gall ink on graph paper.","Elevation and three plans of \"C. Hotel. Ionic Dentil.\" Construction completed in 1822. 1 item.","Unfinished studies for plan and elevation of \"Hotel B. West.\" Construction completed in 1822. 1 item.","Elevation and two plans, with detail of arched window set in cornice. Specifications on back headed: \"Hotel A. East. One story with a flat roof and Chinese parapet.\" Construction completed in 1822. 1 item.","Elevation and two plans of Jefferson's \"Hotel C. West. Proctor's\". The first floor plan on this sheet is copied from N-301. One story. Specifications on back. Construction completed in 1822. 1 item. iron gall ink and pencil on graph paper.","Jefferson's elevation and plan of \"Hotel D. East\". One story. Specifications on back. Construction completed in 1822. 1 item. pricking, iron gall ink, and pencil on graph paper.","Elevation and three plans of front facade and a dining hall. Two stories. Specifications on back. Construction completed in 1822. 1 item. ink on paper.","Study of first floor plans. 1 item. pricking, iron gall ink, and pencil on graph paper.","Study of first and second floor plans, east elevation and section. Jefferson designed this building at the request of Dr. Robley Dunglison, the Univesity's first medical professor, and Jefferson's personal physician. Completed in 1826. 1 item. pricking, scoring, iron-gall ink, and pencil on paper.","Study for Lawn with pavilions and rotunda. N-306 was cut from this piece to permit substitutions. 1 item. pricking, scoring, iron-gall ink on paper.","Elevation and section of dormitories. Section through lawn colonnade and a dormitory room. 1 item. pricking, scoring, iron-gall ink on graph paper.","South elevation by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.","Third study or variant for West range. Gardens, hotels, dormitories, and serpentine walls. 1 item. iron gall ink on graph paper.","Section of rails. 1 item. ink on paper.","Plan of a clock for the rotunda. 1 item. ink on paper.","Study and elevation of a Tuscan column that includes the capital, shaft, and base of the order. 1 item. iron gall ink on graph paper.","Dormitory study with elevation and plans of three floors with eight rooms to each floor. Probably studies for University of Virginia, but not by Jefferson. Possibly by General John Hartwell Cocke; see his letter of May 3, 1819, to Jefferson. 1 item. pencil, india Ink and gray wash on paper.","Elevation of two-story dormitory with wings. Elevation of one-story dormitory. Two first-floor plans and one second-floor plan. Possibly another study for N 374. 1 item. ink and wash on paper.","Elevation and two floor plans for two-story dormitory. This sheet contains a study for a two story Dormitory block. The ground floor contains twelve rooms for the students, and the upper floor contains two large spaces separated by a central passage containing stairs. Possibly another study for N 374. 1 item. pencil, india ink, and wash on paper.","Study for dormitory. Ground plan and elevation. Elevation shows arches on first floor and wood columns above. This study depicts alternate plans for a two story single pile vs. a one story double pile range of Dormitories. There is also a large dining hall at the left end of the range, as evidenced by what appear to be two long tables in the upper plan. Above the plans is a larger scale elevation of one of the two story blocks of Dormitories showing an arcade on the ground floor and a series of posts above. Possibly another study for N 374. 1 item. pencil, india ink, and iron gaul ink on paper.","Two unrelated pages. One is a page from a book of map symbols and the other is an old drawing in poor shape, which may not be a drawing by Jefferson. Possibly Architrave. 2 items.","Floor plan. The Observatory plan study has alcove beds. The geometric plan consists of four octagonal rooms surround a cross-shaped central passage, with two recessed loggias, a trapezoidal vestibule, and a projecting loggia. 1 item. pencil on graph paper.","Floor plan with specifications on back. 1 item. ink on paper.","Two photostats of a manuscript ground plan of the University, possibly that from which Maverick made his 1822 engraving, olus three enlarged copies. The drawing shows the first floor of the Rotunda with three oval rooms, and wings containing eight rooms each. The overlay shows the plan of the Dome Room. 5 items. Facsimiles.","Four copies of 1923 facsimile of Peter Maverick's 1822 plan of the University of Virginia. Design sources for pavilions written in ink by Ellen Randolph Coolidge. 4 items.","Drawn by John Neilson. Peter Maverick's 1825 plan showing plan of rotunda dome room. This version of the Maverick engraving shows the first floor of the Rotunda with the plan of the Dome Room as an overlay. Each of the two Gymnasia wings contains eight rooms, each of which is shown to have its own fireplace and door. 5 items.","Plan of south wing of capitol. Not executed by Jefferson. 1 item. ink and watercolor on paper.","Rough draft and specifications for rotunda-style floor plan. Probably for the president's house in Washington, D.C. Notes on verso. 1 item. pencil and ink on paper.","Rough draft for rotunda-style floor plans. Probably for the president's house in Washington, D.C. 1 item. pencil on paper.","Plan of a rotunda style house by Robert Mills. Probably the President's house in Washington, D.C. 1 item. ink on paper.","Section of a rotunda house. Probably the President's house in Washington, D.C. 1 item.","Front and side elevation with floor plan and balcony plan of a church by John Neilson. Created for Thomas Jefferson to submit to Rev. Hatch for the design of Christ Episcopal Church, Charlottesville. 1 item. ink and watercolor on paper.","Plan (sketch) of a house with portico and dependencies. Addressed on verso to T. J., Albemarle. 1 item.","Plan of building with four porticos in the form of a Greek cross, with a framing plan (Probably a development of N-490). possibly a retreat. 1 item. photostatic copy of original.","Plan and section of a garden seat. Writing not by Jefferson, perhaps John Neilson. A study of rendering. 1 item. ink on paper.","Possibly a study by Robert Mills to teach Cornelia J. Randolph rendering. 1 item. rendered in wash.","Rough plan of porticoed building with four octagonal rooms arranged about a square. On verso of letter, 1777 August 15 from Charles S. Lewis, Jr. May be related to N-496. 1 item.","Authenticated in unidentified hand. 1 item.","By Cornelia J. Randolph. 2 items.","Notes on the land lines of Poplar Forest. Survey of roads from Campbell Court House to Poplar Forest. 3 items. ink on paper.","Deeds, surveys, plats, field notes, memoranda, some relating to a land dispute that involved one of the abutting property owners searching all early patents and surveys in the neighborhood, some dating from 1762. In 1811 also, Jefferson was engaged in road building and other extensive improvement on his Poplar Forest tract. Some of the documents are mathematical calculations and field notes, others are elaborately certified surveys. 66 items.","Two plats of same date for 11,777 and 1,790 acres of land on branches of Black Water, a tributary of the Fluvanna (James) River in Albemarle (later Bedford) County, VA, and on Tomahawk and Rock Castle creeks, respectively. The first plat, by Thomas Jefferson, was attested by Daniel Smith, Albemarle County Surveyor, and the second was amended by Jefferson with notes on sequence of titles. 3 items. The missing section from N 255 is located in this folder.","Survey of University of Virginia lawn by James Dinsmore. James Dinsmore made this drawing of the Lawn in order to show the position of Pavilion VII relative to the \"first rise\" on the north. 1 item.","Survey of University site showing Rotunda, East street, and West street. In folder with other fragments: financial figures; dimensions for \"Perry's Houses\"; cost per acres; forms; the Rotunda in relation to the road; and a plat of land with area. 7 items. ink on paper.","Plat showing acquisition of parcels. Purchases from John Perry, Daniel and Mary A. F. Piper, and Jesse W. Garth. Lands held by Alexander Garrett, Arthur Spicer Brockenbrough, and Nathan Barksdale as University Proctors. 1 item. ink on paper.","James Dinsmore's Measurements of Dormitories and Pavilions. Includes Jefferson's further notes. 1 item. ink on paper.","\"Description of a joint or splice\", with cutout model. 3 items.","Thomas Jefferson's recipe for plaster. 1 item.","Thomas Jefferson's design and sketch for a desk. 1 item.","Map of a canal and saw mill by Thomas Jefferson. 1 item.","Description of the hewing of stone. Calculations of verso. 1 item.","Homemade. 1 item.","1 item.","Plat of Monticello by Thomas Jefferson. 1 item.","For phaeton. Five \"figs\" and notes on three sheets. Notes on verso of p.1. 2 items. Ink on paper.","George Carrington map of the county of Cumberland in the hand of Thomas Jefferson. 1 item.","Road to the Thoroughfare. 1 item.","Cf. Betts, Garden Book, Plate XV. Shows boundary with river. 1 item.","Albemarle county: plat of lands of Charles Lewis Bankhead","Instructions regarding work on the University's Rotunda, clock and bell, macadamizing roads, water supply, botanical garden, purchasing of chemicals and gas lights for Dr. Emmet's use, and copy of enactments for each student. Penciled annotations by Brockenbrough of cost of various items. Includes a sketch for measuring \"the tympanum of the portico of the Rotunda\" for a clock and bell. 1 item.","Mr. Harrison's mill and Woodson's Ferry. 1 item.","Two plats of land containing 153 acres and 92 1/1 acres of land bounded by Three Chopped Road and Wheeler' Road were surveyed by William Woods as the site of Central College (University of Virginia).","In Thomas Jefferson's hand"],"userestrict_html_tesm":["\u003cp\u003eCopyright not Evaluated: \nhttps://rightsstatements.org/page/CNE/1.0/?language=en\u003c/p\u003e\n","\u003cp\u003eMore about Rights and Permissions at UVA:\nhttps://www.library.virginia.edu/policies/use-of-materials\u003c/p\u003e\n","\u003cp\u003eDigital reproductions are available:\u003c/p\u003e\n","\u003cp\u003elinks to individual pages found under each scanned item in the calendar here: \nhttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml;query=;\u003c/p\u003e\n","\u003cp\u003eArchitectural Drawings here: \nhttps://static.lib.virginia.edu/rmds/nichols/index.html \u003c/p\u003e","\u003cp\u003eReproduction of N-362 restricted withouth the written permission of the Library of Virginia.\u003c/p\u003e","\u003cp\u003eReproduction restricted withouth the written permission of the Library of Virginia.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["Copyright not Evaluated: \nhttps://rightsstatements.org/page/CNE/1.0/?language=en","More about Rights and Permissions at UVA:\nhttps://www.library.virginia.edu/policies/use-of-materials","Digital reproductions are available:","links to individual pages found under each scanned item in the calendar here: \nhttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml;query=;","Architectural Drawings here: \nhttps://static.lib.virginia.edu/rmds/nichols/index.html ","Reproduction of N-362 restricted withouth the written permission of the Library of Virginia.","Reproduction restricted withouth the written permission of the Library of Virginia."],"names_ssim":["Albert and Shirley Small Special Collections Library","University of Virginia","Randolph family","Jefferson, Thomas, 1743-1826","Madison, James, 1751-1836","James Madison","Thomas Jefferson","Cooper, Thomas, 1759-1839"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","University of Virginia"],"famname_ssim":["Randolph family"],"persname_ssim":["Jefferson, Thomas, 1743-1826","Madison, James, 1751-1836","James Madison","Thomas Jefferson","Cooper, Thomas, 1759-1839"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":175,"online_item_count_is":98,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:33:01.301Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1438_c02"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"George Mason University","value":"George Mason University","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1898\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"The George Washington Presidential Library at Mount Vernon","value":"The George Washington Presidential Library at Mount Vernon","hits":17},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1898\u0026f%5Brepository%5D%5B%5D=The+George+Washington+Presidential+Library+at+Mount+Vernon"}},{"attributes":{"label":"University of Virginia, Special Collections Dept.","value":"University of Virginia, Special Collections Dept.","hits":27},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1898\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept."}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1898"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"C. 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