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The collection documents the life of a young, widowed woman, Anna Maria Mead Chalmers, who was the granddaughter of General William Hull (1753-1825). She was a mother of four children and became a businesswoman in Richmond, Virginia. She was a writer, an editor of the Southern Churchmen, an educator and founder of Mrs. Mead's School for Young Ladies, and a director of The Southern Churchmen Cot (\"Retreat for the Sick\"), a hospital for children. Anna Maria's family enslaved people who are represented in the papers including Othello \"Tillo\" Freeman (1790's-1860's?). It includes a letter from William written in [1875], who was their carriage driver, and letters about Sam the fiddler, who settled on the farm after escaping harsher enslavement in Louisianna, and Jordan who was described as being hired out in a letter dated September 8, 1841 from Thomas R. Blair.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1222#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1222","ead_ssi":"viu_repositories_3_resources_1222","_root_":"viu_repositories_3_resources_1222","_nest_parent_":"viu_repositories_3_resources_1222","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1222.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/136685","title_filing_ssi":"Chalmers, Anna Maria Hickman Otis Mead papers","title_ssm":["Anna Maria Hickman Otis Mead Chalmers family papers"],"title_tesim":["Anna Maria Hickman Otis Mead Chalmers family papers"],"unitdate_ssm":["1821-1897"],"unitdate_inclusive_ssm":["1821-1897"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 4966","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource 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Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1222","Anna Maria Hickman Otis Mead Chalmers family papers","United States History Revolution, 1775-1783 Personal narratives","United States -- History -- Civil War, 1861-1865 -- Personal narratives","women--education -- Virginia","Enslavers","United States -- History -- War of 1812","University of Virginia -- History","Enslaved laborers","enslaved persons","University of Virginia -- Faculty","letters (correspondence)","human hair","University of Virginia--Students--Correspondence","Fair to good.","The collection is open for research use.","The collection is arranged into fifteen series: 1.William and Sarah Hull papers, 2.Otis Mead Chalmers family correspondence, 3.Anna Maria Mead Chalmers correspondence, 4.Clarke family correspondence, 5. Anna Maria Mead Chalmers business papers, 6. Enslavery, 7. United States Civil War, 8. Financial papers, 9.Diaries and daybooks, 10. Genealogy, 11. Hair collection, 12. Miscellaneous first telegraph of morse code, 13.Photographs 14. Printed items  15.Poetry \u0026 writings","Under Series 1. William and Sarah Hull papers includes letters about  filing a claim in support of General Hull. Information about the claim can also be found throughout the family correspondence in the collection.","There are letters from the family and others about General Hull's claim throughout the correspondence in the collection.","Othello Tillo Freeman (1) was enslaved by General William Hull before or at the turn of the nineteenth century. He moved with Nancy \"Ann\" Binney Hickman (1787-1847), daughter of General William Hull, from Newton, Massachusetts to Richmond, Virginia in 1838 and continued to be enslaved by the Mead Chalmers family until his death, which may have been in the 1860's. Sam had escaped from an enslaver in Louisiana and worked on the Hull farm for the last thirty years of his life [1800's to 1830's]. Jordan is described as hired out in a letter from Thomas R. Blair dated September 8, 1841. ","Anna Maria Chalmers was the granddaughter of General William Hull (1753-1825) who recollects the memories of Tillo and Sam on her grandparents farm. She was a mother of four children and became a businesswoman in Richmond, Virginia. She was a writer, an editor of the  Southern Churchmen , an educator and founder of Mrs. Mead's School for Young Ladies, and a director of The Southern Churchmen Cot (\"Retreat for the Sick\") a hospital for children. She wrote articles for the  Boston Home Journal , the  New York Tribune , and the  Southern Literary Messenger","Her mother was Nancy \"Ann\" Binney Hull Hickman and her father was Harris H. Hickman who served as a captain in the War of 1812 and the United States Navy, and died in 1824 in St. Thomas, South America. Her grandparents General William and Sarah Fuller Hull helped raise her in Newton, Massachusetts. She attended William B. Fowle's school in Boston (2) and after her father and grandparents died, she lived with her Uncle Edward and Aunt Maria Campbell, who ran a school in Marietta, Georgia. Her sister Louisa \"Louly\" Hickman Smith was a published poet who died as a young mother aged 21, in 1832 leaving a husband, Samuel Jenks Smith and their two children. ","Anna Maria Mead Chalmers survived three husbands, George Alexander Otis (1803-1831), Zachariah Mead (1800-1840), and David Chalmers (1779?-1875?), and had three sons, living during the American Civil War, George Alexander Otis, Jr. (1830-1881) who was a field surgeon in the Massachusetts 27th volunteers and assistant surgeon general of the army,  William Zachariah Mead, (1838-1864) who fought at Murfreesboro and died fighting for the Tennessee Army in the Confederacy in the Battle of Resaca, Georgia, and Edward C. Mead (1837-1908) who traveled to Australia in search of financial independence with a stint in gold digging, and settled on a farm in Keswick, Virginia.","Anna Maria's first husband, George Otis was a young lawyer who died from consumption one year after their marriage in 1831. Their first and only son was Dr. George Alexander Otis. Zachariah Mead, her second husband was a reverend at the Grace Episcopal Church in Cismont, Virginia, an assistant clergyman at Monumental, Saint James's, and Saint John's Episcopal Churches in Richmond and the editor of the  Southern Churchmen  also in Richmond, Virginia. They had two sons Edward, and William, and a daughter Louisa who died as a child. She married a third time in 1856 to David Chalmers who was a plantation owner in News Ferry, (Halifax) Virginia. He enslaved people, and educated African Americans at his school. The collection does not mention the school by name and no further details were found in the papers.","In 1881, after her son Dr. George Otis died, Mrs. Chalmers moved in with her son Edward Mead on his farm in Keswick. They were close friends with many prominent Charlottesville families including Peter and Frances (\"Fannie\") Meriwether, Frances Poindexter, Rector, and Mrs. Ebenezer Boyd, William Cabell Rives, Franklin Minor, Thomas Walker Gilmer and Elizabeth Anderson Gilmer, and Dr. Mann Page. William Mead attended the University of Virginia and met with many of the University of Virginia's earliest professors including Basil L. Gildersleeve, Gessner Harrison, Socrates Maupin, John Minor, Schele De Vere, James L. Cabell, Frederick George Holmes, and Alfred T. Bledsoe.","Her grandfather, General William Hull was born in Derby, Connecticut in 1753 and moved to Detroit Michigan when his government work which involved the taking of land from indigenous persons led him to become the Governor of the Territory of Michigan and the commander of the Army of the Northwest Territory during the War of 1812. He was appointed by Thomas Jefferson and was a friend of General Lafayette. After being unsuccessful in fighting off the Canadians, (however claiming that the government did not give him the resources to defend Michigan) he was court-martialed by James Madison who later commuted his sentence. (3) He died in 1825 in Newton, Massachusetts. He was married to Sarah Fuller Hull. Their children were Nancy Ann Binney Hickman, Sarah McKesson (1783-1810), Maria Campbell (1788-1845) Abraham Fuller Hull (1786-1814), Rebecca Parker Clarke (1790-1865), Caroline Hull (1793-1824), Julia Knox Wheeler (1799-1842), Eliza McClellan (1784-1864), and Cornelia Page.","Sources:","1. Hurd, D. Hamilton. \"History of Middlesex County Massachusetts with Biographical Sketches of Many of Its Pioneers and Prominent Men\" Volume III. Philadelphia:J. W. Lewis and Company. 1890.\nhttps://books.google.com/books?id=mZU6AQAAIAAJ\u0026pg=PA33\u0026lpg=PA33\u0026dq=othello+%22tillo%22+freeman\u0026source=bl\u0026ots=4_Drct_uRZ\u0026sig=ACfU3U21FUtYLt8aQ7PklsGdRfOnEJ09RQ\u0026hl=en\u0026sa=X\u0026ved=2ahUKEwjRqtK1sYr5AhV0EFkFHRYkAg0Q6AF6BAgdEAM#v=onepage\u0026q=othello%20%22tillo%22%20freeman\u0026f=false","\n2.\tDuval, Maria Pendleton. \"The Lengthened Shadow of a Woman\" Richmond Times Dispatch. August 10, 1913 (Description of Anna Maria Mead Chalmers education in William B. Fowle's school as being the best in Boston and Mrs Chalmer's school as being up to the standards of Harvard) From the collection.","\n3.\t\"William Hull\" Detroit Historical Society. Detroit Encyclopedia. Accessed June 7, 2022. \nhttps://detroithistorical.org/learn/encyclopedia-of-detroit/hull-william","\nOther articles of interest \nMartin, Susan. \"The Unstoppable Anna Maria Mead Chalmers\" The Beehive. Massachusetts Historical Society. June 7, 2022. https://www.masshist.org/beehiveblog/2015/03/the-unstoppable-anna-maria-mead-chalmers/","Lock of hair belonging to Sarah Louisa P. (Hickman) Smith who was the sister of Anna Maria Hickman Otis Mead Chalmers. Louisa was born in 1811 and died at age 20 from illness. Her husband, Samuel Jenks Smith published a book of her poems in 1829. They had two children.","Annie McLellan may have been a cousin of Anna Maria Otis Mead Chalmers","The papers of Anna Maria (Campbell Hickman) Otis Mead Chalmers (1809-1891) and her family offer a deep look into a 19th century American family with a sharp focus on enslaved and formerly enslaved persons. The collection documents the life of a young, widowed woman, Anna Maria Mead Chalmers, who was the granddaughter of General William Hull (1753-1825). She was a mother of four children and became a businesswoman in Richmond, Virginia. She was a writer, an editor of the Southern Churchmen, an educator and founder of Mrs. Mead's School for Young Ladies, and a director of The Southern Churchmen Cot (\"Retreat for the Sick\"), a hospital for children. Anna Maria's family enslaved people who are represented in the papers including Othello \"Tillo\" Freeman (1790's-1860's?). It includes a letter from William written in [1875], who was their carriage driver, and letters about Sam the fiddler, who settled on the farm after escaping harsher enslavement in Louisianna, and Jordan who was described as being hired out in a letter dated September 8, 1841 from Thomas R. Blair.","In the correspondence of the Mead-Chalmers family, are letters describing Othello Tillo Freeman. There is also a will of Nancy \"Ann\" Binney Hull Hickman (1787-1847), mother of Anna Maria Chalmers, that left a stipulation providing room and board for Tillo. ","Letters also show that the family inquired about slave laws for travelling so that they could bring Tillo with them when they moved from Newton, Massachusetts to Richmond, Virginia in 1838. The family is characterized as being kind to enslaved persons by providing for them and educating them however this description does not take into consideration that they never had the opportunities that existed for free white men. ","There is also a leather-bound account book with the first names of enslaved persons.  It is not clear who owns the book or the location of the enslaved persons, but it has an extensive list of first names and dates from 1767 to 1845. Also included in the account book are records for horses and business transactions. "," The letters from William C. Mead (son of Anna Maria Chalmers) and his friends and family describe skirmishes and battles in the Civil War including Murfreesboro, Tennessee and Resaca, Georgia. Included in the collection are letters about succession and anxiety about the conflict between the states. Also included is a carte de visite of Lieutenant William Mead, n.d.; a testimony to the gallantry of William L. Mead signed by J.E.B. Stuart; an oath of allegiance to the Confederacy; a map of Chattanooga \u0026 Environs November 15, 1863; a notice that William Z. Mead has been appointed 1st Lieutenant, 1st Battalion Sharp Shooters; a pass allowing Mrs. Anna Maria Chambers to cross the lines with a hat box and carpet bag; and a memorandum sent to General Joseph Wheeler, concerning  personal items taken from the body of Lieutenant William Mead following his death at Resaca, Georgia in 1864.","William Mead graduated from the University of Virginia in 1857 before the Civil War began. The collection has many references to Charlottesville and the University of Virginia, including comments about university professors Basil L. Gildersleeve, Gessner Harrison, Socrates Maupin, John Minor, Schele De Vere, James L. Cabell, Frederick George Holmes, and Alfred T. Bledsoe. Charlottesville families include Peter and Frances (\"Fannie\") Meriwether, Frances Poindexter, Rector, and Mrs. Ebenezer Boyd, William Cabell Rives, Franklin Minor, Thomas Walker Gilmer and Elizabeth Anderson Gilmer, and Dr. Mann Page.","Anna Maria Otis Mead Chalmers was extraordinary in having been as well educated as any man in Boston (1) and was able to share her knowledge with other privileged young white girls through her school, including Amélie Rives Troubetzkoy, the famous writer.The collection includes examination questions,correspondence about the school and a newspaper article in the   The Richmond Times Dispatch  dated August 10, 1913 describing Mrs. Mead Chalmers. There are also handwritten poems, short stories, and miscellaneous writings in the collection, including an essay on \"Virginia Before and After the Civil War.\" ","The collection also includes correspondence from Anna Maria Mead Chalmer's cousins, Samuel Clarke,James Freeman Clarke (1810-1888) and his sister, Sarah Ann Freeman Clarke (1808-1896). Sarah Clarke was a landscape artist, a world traveler, and a member of the transcendentalist movement.(2) James Clarke was an American theologian, author, and abolitionist.(3) Mrs. Mead Chalmers and her cousins were friends with literary authors including Edgar Allan Poe, Nathaniel P. Willis, Ralph Waldo Emerson, and Oliver Wendell Holmes.The letters refer to these individuals but there is no correspondence with them.","Unrelated to anything else in the collection, is a miscellaneous item which is a specimen of the first telegraphic writing made on the first telegraph in this country by Professor Morse in 1847.","\nAlso of interest in the collection are letters about General William Hull (1753-1825) who fought in the American Revolutionary War and the War of 1812. His work with the government involved taking land from indigenous persons. In the end, he was charged by the government of not properly defending Detroit in the War of 1812, but President James Madison commuted his sentence.(4) For years, the family and descendants refuted the charges and filed a claim to receive his backpay. In contrast to General Hull's work with the government, is a newspaper clipping of a sermon by Bishop Henry Benjamin Whipple (1822-1901) printed in 1876 which displays Whipple's outrage at the United States government for taking lands from indigenous persons.","From the taking away of the  lands of indigenous persons, to enslavement of African Americans, to a widowed woman trying to earn a living in the nineteenth century, with history about the War of 1812 and the American Civil War, as well as politics, religion, transcendentalism, local Charlottesville history and professors at the University of Virginia, this is a collection of letters rich in history that shows the inner workings of government, society, and people and its effects on everyday life. Collections like these help us to envision our collective past and broaden our perspective on our history and our future. This one is worth a deep dive into the history of the nineteenth century locally and nationally.","Sources:","1. Duval, Maria Pendleton. \"The Lengthened Shadow of a Woman\" Richmond Times Dispatch. August 10, 1913 (Description of Anna Maria Mead Chalmers education in William B. Fowle's school as being the best in Boston and Mrs Chalmer's school as being up to the standards of Harvard) ","2. Maas, Judith. \"Sarah Freeman Clarke: Artist, Traveler, Diarist\" The Beehive. Massachusetts Historical Society. November 21, 2019  \nhttps://www.masshist.org/beehiveblog/2019/11/sarah-freeman-clarke-artist-traveler-diarist/ ","3.\"James Freeman Clarke.\" Wikipedia. Accessed June 7, 2022. https://en.wikipedia.org/wiki/James_Freeman_Clarke","\n4. \"William Hull\" Detroit Historical Society. Detroit Encyclopedia. Accessed June 7, 2022. https://detroithistorical.org/learn/encyclopedia-of-detroit/hull-william","\nOther articles of interest \nMartin, Susan. \"The Unstoppable Anna Maria Mead Chalmers\" The Beehive. Massachusetts Historical Society. June 7, 2022. https://www.masshist.org/beehiveblog/2015/03/the-unstoppable-anna-maria-mead-chalmers/","Included are comments about University of Virginia Professors Gessner Harrison, John B. Minor, Socrates Maupin, Basil L. Gildersleeve, Maximilan Schele De Vere, James Lawrence Cabell, and William Holmes McGuffey. Included is a letter from Professor Gildersleeve to Dr. George Otis, Jr. dated 1876. Dr. Otis was the first born son of Anna Maria Otis Mead Chalmers.","Condolences on the death of daughter Louisa and her mother Nancy Binney Hull Hickman.","Includes correspondence of Richard Gambill 1851-1856. There is also a letter from Thomas Walker Gilmer to Richard Gambill from 1833.","Other cousins may be included in this correspondence including McLellans and Clouds.","Samuel C. Clarke writes to his cousin Anna Maria Otis Mead Chalmers about his attitudes towards Freedmen after enslavement, and their working and living conditions.","Includes small broadside of Sarah Clark art exhibit","Letters about starting the school, procurement of teachers,letters from parents, and examinations.","Letters and notes about purchase of the newspaper and maintaining its operation.","Papers related to raising money and operating a charity hospital for children in Richmond, Virginia","\"The Lengthened Shadow\" of a Woman\" by Maria Pendleton Duval in the Ricmond Times Dispatch is a newspaper aticle about how Anna Maria Otis Mead Chalmers started Mrs. Mead's School for Young Ladies and how it influenced the opening of the Virginia Female Institute in Staunton, Virginia. Mrs Chalmers taught female students using the same curriculum as Harvard College.","Enslavement, letters from former enslaved people, and information about African American schools, and teaching African Americans to read the bible","Zachariah Mead (husband of Anna Maria Otis Mead Chalmers) writes a letter to his mother-in-law Nancy Binney \"Anne\" Hickman dated August 24, 1838 in which he describes to her the legislation required for bringing enslaved persons to another state. The family wants to move  from Newton, Massachusetts to Richmond, Virginia and take Othello \"Tillo\" Freeman with them.","Blair writes that the bond agreement was for him to keep Jordan until October when servants would be returning from the Springs, but he will return him if she needs his services.","In her last will and testament, \"I direct that my old servant Othello Freeman, be supported from my estate, in such manner as my said executrive, may think proper.\"","Letter from the Hickman's accountant, Joseph Bacon, that Othello \"Tillo\" Freeman,  who was enslaved by the Hull and Mead family, was removed from the Mclellan household (sister of \"Ann\" Nancy Binney Hickman) and was being boarded at Mr. White's. He writes that Tillo cannot do any work,is not well, and needs medical attention.  Mr. White wants more money to board and take care of him.","Includes unidentified letter to Anna Maria Mead Chalmers about her being honored as a teacher, and her treatment of \"Tillo\".","Mr. Potter says that he has heard good accounts of the school. No details are included.","A note signed \"Massing Bird\" to [Frances] E. Meriwether asking to buy a horse. His son has taken his horse so he needs to buy one.","Letter written by \"Old William\" who was the carriage driver for Mr. and Mrs. Chalmers. He writes to Mrs. Chalmers after the death of Mr. Chalmers about his fondness for them.","Letter from Anna Maria Otis Mead Chalmers describing her memories of her grandfather General William Hull to her cousin James Freeman Clarke. Mrs. Chalmers recollects that her grandfather required Othello \"Tillo\" Freeman who they enslaved to be present in Church.","One page argument for the Southern Planter's claim that they need the  Freedmen to labor their crops. Author unidentified, undated.","Correspondence of the Mead family, Meriwether family, George H. Geyer and others describing camp life, skirmishes and battles, and officers, including General Stonewall Jackson, General Longstreet, General Braggs, General McLellan, and General Grant","Includes a testimony to the gallantry of William L. Mead signed by J.E.B. Stuart; an oath of allegiance to the Confederacy; a map of Chattanooga \u0026 Environs November 15, 1863; a notice that William Z. Mead has been appointed 1st Lieut., 1st Battalion Sharp Shooters; a pass allowing Mrs. Anna M. Chambers to cross the lines with a hat box and carpet bag; and a memorandum sent to Gen. Joseph Wheeler, concerning  personal items taken from the body of Mead following his death at Resaca, Ga., 1864.","Some letters and notes about the genealogy of the Mead family","Photographs identified as Lieutenant William Zachariah Mead, Fannie Chalmers, and Marion Kollock.","Includes article about Bishop Whipple sermon supporting Indigenous persons; article about James Freeman Clarke, other obituaries, and various miscellaneous items including a football game at Pantops Academy.","John Greenleaf Whittier \"The Singer\" from the Atlantic Monthly, devotional prayers, and miscellaneous","Article Isaac McLellan, Sunday School brochures, advertisement for the Rockbridge Baths, Liturgy of the Holy Eucharist by N. W. Camp, and religious printed materials.","Certificate of Distinction from La Fourches School, Keswick, Virginia for Henry B. Mead; Anna Maria Chalmers marriage certificate; and Kappa Alpha In Universitate Virginiae broadside.","Albert and Shirley Small Special Collections Library","English"],"unitid_tesim":["MSS 4966","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1222"],"normalized_title_ssm":["Anna Maria Hickman Otis Mead Chalmers family papers"],"collection_title_tesim":["Anna Maria Hickman Otis Mead Chalmers family papers"],"collection_ssim":["Anna Maria Hickman Otis Mead Chalmers family papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States History Revolution, 1775-1783 Personal narratives","United States -- History -- Civil War, 1861-1865 -- Personal narratives","women--education -- Virginia","Enslavers","United States -- History -- War of 1812","University of Virginia -- History"],"geogname_ssim":["United States History Revolution, 1775-1783 Personal narratives","United States -- History -- Civil War, 1861-1865 -- Personal narratives","women--education -- Virginia","Enslavers","United States -- History -- War of 1812","University of Virginia -- History"],"places_ssim":["United States History Revolution, 1775-1783 Personal narratives","United States -- History -- Civil War, 1861-1865 -- Personal narratives","women--education -- Virginia","Enslavers","United States -- History -- War of 1812","University of Virginia -- History"],"acqinfo_ssim":["Part of this collection was a deposit from Ernest C. Mead on January 5, 1955 which became a gift in 1998, another gift from Ernest C. Mead on January 30, 2007, and in 2020. There was an additional gift from James Blizzard Mead on September 27, 2012 to the Small Special Collections library at the University of Virginia."],"access_subjects_ssim":["Enslaved laborers","enslaved persons","University of Virginia -- Faculty","letters (correspondence)","human hair","University of Virginia--Students--Correspondence"],"access_subjects_ssm":["Enslaved laborers","enslaved persons","University of Virginia -- Faculty","letters (correspondence)","human hair","University of Virginia--Students--Correspondence"],"has_online_content_ssim":["true"],"physdesc_tesim":["Fair to good."],"extent_ssm":["4.5 Cubic Feet 9 document boxes"],"extent_tesim":["4.5 Cubic Feet 9 document boxes"],"physfacet_tesim":["9 legal size document boxes, 2 oversize documents and one oversize account book. (and 3 flat boxes in original collection)."],"genreform_ssim":["letters (correspondence)","human hair","University of Virginia--Students--Correspondence"],"date_range_isim":[1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into fifteen series: 1.William and Sarah Hull papers, 2.Otis Mead Chalmers family correspondence, 3.Anna Maria Mead Chalmers correspondence, 4.Clarke family correspondence, 5. Anna Maria Mead Chalmers business papers, 6. Enslavery, 7. United States Civil War, 8. Financial papers, 9.Diaries and daybooks, 10. Genealogy, 11. Hair collection, 12. Miscellaneous first telegraph of morse code, 13.Photographs 14. Printed items  15.Poetry \u0026amp; writings\u003c/p\u003e\n","\u003cp\u003eUnder Series 1. William and Sarah Hull papers includes letters about  filing a claim in support of General Hull. Information about the claim can also be found throughout the family correspondence in the collection.\u003c/p\u003e","\u003cp\u003eThere are letters from the family and others about General Hull's claim throughout the correspondence in the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["The collection is arranged into fifteen series: 1.William and Sarah Hull papers, 2.Otis Mead Chalmers family correspondence, 3.Anna Maria Mead Chalmers correspondence, 4.Clarke family correspondence, 5. Anna Maria Mead Chalmers business papers, 6. Enslavery, 7. United States Civil War, 8. Financial papers, 9.Diaries and daybooks, 10. Genealogy, 11. Hair collection, 12. Miscellaneous first telegraph of morse code, 13.Photographs 14. Printed items  15.Poetry \u0026 writings","Under Series 1. William and Sarah Hull papers includes letters about  filing a claim in support of General Hull. Information about the claim can also be found throughout the family correspondence in the collection.","There are letters from the family and others about General Hull's claim throughout the correspondence in the collection."],"bioghist_html_tesm":["\u003cp\u003eOthello Tillo Freeman (1) was enslaved by General William Hull before or at the turn of the nineteenth century. He moved with Nancy \"Ann\" Binney Hickman (1787-1847), daughter of General William Hull, from Newton, Massachusetts to Richmond, Virginia in 1838 and continued to be enslaved by the Mead Chalmers family until his death, which may have been in the 1860's. Sam had escaped from an enslaver in Louisiana and worked on the Hull farm for the last thirty years of his life [1800's to 1830's]. Jordan is described as hired out in a letter from Thomas R. Blair dated September 8, 1841. \u003c/p\u003e\n","\u003cp\u003eAnna Maria Chalmers was the granddaughter of General William Hull (1753-1825) who recollects the memories of Tillo and Sam on her grandparents farm. She was a mother of four children and became a businesswoman in Richmond, Virginia. She was a writer, an editor of the \u003cemph render=\"italic\"\u003eSouthern Churchmen\u003c/emph\u003e, an educator and founder of Mrs. Mead's School for Young Ladies, and a director of The Southern Churchmen Cot (\"Retreat for the Sick\") a hospital for children. She wrote articles for the \u003cemph render=\"italic\"\u003eBoston Home Journal\u003c/emph\u003e, the \u003cemph render=\"italic\"\u003eNew York Tribune\u003c/emph\u003e, and the \u003cemph render=\"italic\"\u003eSouthern Literary Messenger\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eHer mother was Nancy \"Ann\" Binney Hull Hickman and her father was Harris H. Hickman who served as a captain in the War of 1812 and the United States Navy, and died in 1824 in St. Thomas, South America. Her grandparents General William and Sarah Fuller Hull helped raise her in Newton, Massachusetts. She attended William B. Fowle's school in Boston (2) and after her father and grandparents died, she lived with her Uncle Edward and Aunt Maria Campbell, who ran a school in Marietta, Georgia. Her sister Louisa \"Louly\" Hickman Smith was a published poet who died as a young mother aged 21, in 1832 leaving a husband, Samuel Jenks Smith and their two children. \u003c/p\u003e\n","\u003cp\u003eAnna Maria Mead Chalmers survived three husbands, George Alexander Otis (1803-1831), Zachariah Mead (1800-1840), and David Chalmers (1779?-1875?), and had three sons, living during the American Civil War, George Alexander Otis, Jr. (1830-1881) who was a field surgeon in the Massachusetts 27th volunteers and assistant surgeon general of the army,  William Zachariah Mead, (1838-1864) who fought at Murfreesboro and died fighting for the Tennessee Army in the Confederacy in the Battle of Resaca, Georgia, and Edward C. Mead (1837-1908) who traveled to Australia in search of financial independence with a stint in gold digging, and settled on a farm in Keswick, Virginia.\u003c/p\u003e\n","\u003cp\u003eAnna Maria's first husband, George Otis was a young lawyer who died from consumption one year after their marriage in 1831. Their first and only son was Dr. George Alexander Otis. Zachariah Mead, her second husband was a reverend at the Grace Episcopal Church in Cismont, Virginia, an assistant clergyman at Monumental, Saint James's, and Saint John's Episcopal Churches in Richmond and the editor of the \u003cemph render=\"italic\"\u003eSouthern Churchmen\u003c/emph\u003e also in Richmond, Virginia. They had two sons Edward, and William, and a daughter Louisa who died as a child. She married a third time in 1856 to David Chalmers who was a plantation owner in News Ferry, (Halifax) Virginia. He enslaved people, and educated African Americans at his school. The collection does not mention the school by name and no further details were found in the papers.\u003c/p\u003e\n","\u003cp\u003eIn 1881, after her son Dr. George Otis died, Mrs. Chalmers moved in with her son Edward Mead on his farm in Keswick. They were close friends with many prominent Charlottesville families including Peter and Frances (\"Fannie\") Meriwether, Frances Poindexter, Rector, and Mrs. Ebenezer Boyd, William Cabell Rives, Franklin Minor, Thomas Walker Gilmer and Elizabeth Anderson Gilmer, and Dr. Mann Page. William Mead attended the University of Virginia and met with many of the University of Virginia's earliest professors including Basil L. Gildersleeve, Gessner Harrison, Socrates Maupin, John Minor, Schele De Vere, James L. Cabell, Frederick George Holmes, and Alfred T. Bledsoe.\u003c/p\u003e\n","\u003cp\u003eHer grandfather, General William Hull was born in Derby, Connecticut in 1753 and moved to Detroit Michigan when his government work which involved the taking of land from indigenous persons led him to become the Governor of the Territory of Michigan and the commander of the Army of the Northwest Territory during the War of 1812. He was appointed by Thomas Jefferson and was a friend of General Lafayette. After being unsuccessful in fighting off the Canadians, (however claiming that the government did not give him the resources to defend Michigan) he was court-martialed by James Madison who later commuted his sentence. (3) He died in 1825 in Newton, Massachusetts. He was married to Sarah Fuller Hull. Their children were Nancy Ann Binney Hickman, Sarah McKesson (1783-1810), Maria Campbell (1788-1845) Abraham Fuller Hull (1786-1814), Rebecca Parker Clarke (1790-1865), Caroline Hull (1793-1824), Julia Knox Wheeler (1799-1842), Eliza McClellan (1784-1864), and Cornelia Page.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003e1. Hurd, D. Hamilton. \"History of Middlesex County Massachusetts with Biographical Sketches of Many of Its Pioneers and Prominent Men\" Volume III. Philadelphia:J. W. Lewis and Company. 1890.\nhttps://books.google.com/books?id=mZU6AQAAIAAJ\u0026amp;pg=PA33\u0026amp;lpg=PA33\u0026amp;dq=othello+%22tillo%22+freeman\u0026amp;source=bl\u0026amp;ots=4_Drct_uRZ\u0026amp;sig=ACfU3U21FUtYLt8aQ7PklsGdRfOnEJ09RQ\u0026amp;hl=en\u0026amp;sa=X\u0026amp;ved=2ahUKEwjRqtK1sYr5AhV0EFkFHRYkAg0Q6AF6BAgdEAM#v=onepage\u0026amp;q=othello%20%22tillo%22%20freeman\u0026amp;f=false\u003c/p\u003e\n","\u003cp\u003e\n2.\tDuval, Maria Pendleton. \"The Lengthened Shadow of a Woman\" Richmond Times Dispatch. August 10, 1913 (Description of Anna Maria Mead Chalmers education in William B. Fowle's school as being the best in Boston and Mrs Chalmer's school as being up to the standards of Harvard) From the collection.\u003c/p\u003e\n","\u003cp\u003e\n3.\t\"William Hull\" Detroit Historical Society. Detroit Encyclopedia. Accessed June 7, 2022. \nhttps://detroithistorical.org/learn/encyclopedia-of-detroit/hull-william\u003c/p\u003e\n","\u003cp\u003e\nOther articles of interest \nMartin, Susan. \"The Unstoppable Anna Maria Mead Chalmers\" The Beehive. Massachusetts Historical Society. June 7, 2022. https://www.masshist.org/beehiveblog/2015/03/the-unstoppable-anna-maria-mead-chalmers/\u003c/p\u003e","\u003cp\u003eLock of hair belonging to Sarah Louisa P. (Hickman) Smith who was the sister of Anna Maria Hickman Otis Mead Chalmers. Louisa was born in 1811 and died at age 20 from illness. Her husband, Samuel Jenks Smith published a book of her poems in 1829. They had two children.\u003c/p\u003e","\u003cp\u003eAnnie McLellan may have been a cousin of Anna Maria Otis Mead Chalmers\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Othello Tillo Freeman (1) was enslaved by General William Hull before or at the turn of the nineteenth century. He moved with Nancy \"Ann\" Binney Hickman (1787-1847), daughter of General William Hull, from Newton, Massachusetts to Richmond, Virginia in 1838 and continued to be enslaved by the Mead Chalmers family until his death, which may have been in the 1860's. Sam had escaped from an enslaver in Louisiana and worked on the Hull farm for the last thirty years of his life [1800's to 1830's]. Jordan is described as hired out in a letter from Thomas R. Blair dated September 8, 1841. ","Anna Maria Chalmers was the granddaughter of General William Hull (1753-1825) who recollects the memories of Tillo and Sam on her grandparents farm. She was a mother of four children and became a businesswoman in Richmond, Virginia. She was a writer, an editor of the  Southern Churchmen , an educator and founder of Mrs. Mead's School for Young Ladies, and a director of The Southern Churchmen Cot (\"Retreat for the Sick\") a hospital for children. She wrote articles for the  Boston Home Journal , the  New York Tribune , and the  Southern Literary Messenger","Her mother was Nancy \"Ann\" Binney Hull Hickman and her father was Harris H. Hickman who served as a captain in the War of 1812 and the United States Navy, and died in 1824 in St. Thomas, South America. Her grandparents General William and Sarah Fuller Hull helped raise her in Newton, Massachusetts. She attended William B. Fowle's school in Boston (2) and after her father and grandparents died, she lived with her Uncle Edward and Aunt Maria Campbell, who ran a school in Marietta, Georgia. Her sister Louisa \"Louly\" Hickman Smith was a published poet who died as a young mother aged 21, in 1832 leaving a husband, Samuel Jenks Smith and their two children. ","Anna Maria Mead Chalmers survived three husbands, George Alexander Otis (1803-1831), Zachariah Mead (1800-1840), and David Chalmers (1779?-1875?), and had three sons, living during the American Civil War, George Alexander Otis, Jr. (1830-1881) who was a field surgeon in the Massachusetts 27th volunteers and assistant surgeon general of the army,  William Zachariah Mead, (1838-1864) who fought at Murfreesboro and died fighting for the Tennessee Army in the Confederacy in the Battle of Resaca, Georgia, and Edward C. Mead (1837-1908) who traveled to Australia in search of financial independence with a stint in gold digging, and settled on a farm in Keswick, Virginia.","Anna Maria's first husband, George Otis was a young lawyer who died from consumption one year after their marriage in 1831. Their first and only son was Dr. George Alexander Otis. Zachariah Mead, her second husband was a reverend at the Grace Episcopal Church in Cismont, Virginia, an assistant clergyman at Monumental, Saint James's, and Saint John's Episcopal Churches in Richmond and the editor of the  Southern Churchmen  also in Richmond, Virginia. They had two sons Edward, and William, and a daughter Louisa who died as a child. She married a third time in 1856 to David Chalmers who was a plantation owner in News Ferry, (Halifax) Virginia. He enslaved people, and educated African Americans at his school. The collection does not mention the school by name and no further details were found in the papers.","In 1881, after her son Dr. George Otis died, Mrs. Chalmers moved in with her son Edward Mead on his farm in Keswick. They were close friends with many prominent Charlottesville families including Peter and Frances (\"Fannie\") Meriwether, Frances Poindexter, Rector, and Mrs. Ebenezer Boyd, William Cabell Rives, Franklin Minor, Thomas Walker Gilmer and Elizabeth Anderson Gilmer, and Dr. Mann Page. William Mead attended the University of Virginia and met with many of the University of Virginia's earliest professors including Basil L. Gildersleeve, Gessner Harrison, Socrates Maupin, John Minor, Schele De Vere, James L. Cabell, Frederick George Holmes, and Alfred T. Bledsoe.","Her grandfather, General William Hull was born in Derby, Connecticut in 1753 and moved to Detroit Michigan when his government work which involved the taking of land from indigenous persons led him to become the Governor of the Territory of Michigan and the commander of the Army of the Northwest Territory during the War of 1812. He was appointed by Thomas Jefferson and was a friend of General Lafayette. After being unsuccessful in fighting off the Canadians, (however claiming that the government did not give him the resources to defend Michigan) he was court-martialed by James Madison who later commuted his sentence. (3) He died in 1825 in Newton, Massachusetts. He was married to Sarah Fuller Hull. Their children were Nancy Ann Binney Hickman, Sarah McKesson (1783-1810), Maria Campbell (1788-1845) Abraham Fuller Hull (1786-1814), Rebecca Parker Clarke (1790-1865), Caroline Hull (1793-1824), Julia Knox Wheeler (1799-1842), Eliza McClellan (1784-1864), and Cornelia Page.","Sources:","1. Hurd, D. Hamilton. \"History of Middlesex County Massachusetts with Biographical Sketches of Many of Its Pioneers and Prominent Men\" Volume III. Philadelphia:J. W. Lewis and Company. 1890.\nhttps://books.google.com/books?id=mZU6AQAAIAAJ\u0026pg=PA33\u0026lpg=PA33\u0026dq=othello+%22tillo%22+freeman\u0026source=bl\u0026ots=4_Drct_uRZ\u0026sig=ACfU3U21FUtYLt8aQ7PklsGdRfOnEJ09RQ\u0026hl=en\u0026sa=X\u0026ved=2ahUKEwjRqtK1sYr5AhV0EFkFHRYkAg0Q6AF6BAgdEAM#v=onepage\u0026q=othello%20%22tillo%22%20freeman\u0026f=false","\n2.\tDuval, Maria Pendleton. \"The Lengthened Shadow of a Woman\" Richmond Times Dispatch. August 10, 1913 (Description of Anna Maria Mead Chalmers education in William B. Fowle's school as being the best in Boston and Mrs Chalmer's school as being up to the standards of Harvard) From the collection.","\n3.\t\"William Hull\" Detroit Historical Society. Detroit Encyclopedia. Accessed June 7, 2022. \nhttps://detroithistorical.org/learn/encyclopedia-of-detroit/hull-william","\nOther articles of interest \nMartin, Susan. \"The Unstoppable Anna Maria Mead Chalmers\" The Beehive. Massachusetts Historical Society. June 7, 2022. https://www.masshist.org/beehiveblog/2015/03/the-unstoppable-anna-maria-mead-chalmers/","Lock of hair belonging to Sarah Louisa P. (Hickman) Smith who was the sister of Anna Maria Hickman Otis Mead Chalmers. Louisa was born in 1811 and died at age 20 from illness. Her husband, Samuel Jenks Smith published a book of her poems in 1829. They had two children.","Annie McLellan may have been a cousin of Anna Maria Otis Mead Chalmers"],"prefercite_html_tesm":["\u003cp\u003eMSS 4966, Anna Maria Hickman Otis Mead Chalmers papers, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 4966, Anna Maria Hickman Otis Mead Chalmers papers, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of Anna Maria (Campbell Hickman) Otis Mead Chalmers (1809-1891) and her family offer a deep look into a 19th century American family with a sharp focus on enslaved and formerly enslaved persons. The collection documents the life of a young, widowed woman, Anna Maria Mead Chalmers, who was the granddaughter of General William Hull (1753-1825). She was a mother of four children and became a businesswoman in Richmond, Virginia. She was a writer, an editor of the Southern Churchmen, an educator and founder of Mrs. Mead's School for Young Ladies, and a director of The Southern Churchmen Cot (\"Retreat for the Sick\"), a hospital for children. Anna Maria's family enslaved people who are represented in the papers including Othello \"Tillo\" Freeman (1790's-1860's?). It includes a letter from William written in [1875], who was their carriage driver, and letters about Sam the fiddler, who settled on the farm after escaping harsher enslavement in Louisianna, and Jordan who was described as being hired out in a letter dated September 8, 1841 from Thomas R. Blair.\u003c/p\u003e\n","\u003cp\u003eIn the correspondence of the Mead-Chalmers family, are letters describing Othello Tillo Freeman. There is also a will of Nancy \"Ann\" Binney Hull Hickman (1787-1847), mother of Anna Maria Chalmers, that left a stipulation providing room and board for Tillo. \u003c/p\u003e\n","\u003cp\u003eLetters also show that the family inquired about slave laws for travelling so that they could bring Tillo with them when they moved from Newton, Massachusetts to Richmond, Virginia in 1838. The family is characterized as being kind to enslaved persons by providing for them and educating them however this description does not take into consideration that they never had the opportunities that existed for free white men. \u003c/p\u003e\n","\u003cp\u003eThere is also a leather-bound account book with the first names of enslaved persons.  It is not clear who owns the book or the location of the enslaved persons, but it has an extensive list of first names and dates from 1767 to 1845. Also included in the account book are records for horses and business transactions. \u003c/p\u003e\n","\u003cp\u003e The letters from William C. Mead (son of Anna Maria Chalmers) and his friends and family describe skirmishes and battles in the Civil War including Murfreesboro, Tennessee and Resaca, Georgia. Included in the collection are letters about succession and anxiety about the conflict between the states. Also included is a carte de visite of Lieutenant William Mead, n.d.; a testimony to the gallantry of William L. Mead signed by J.E.B. Stuart; an oath of allegiance to the Confederacy; a map of Chattanooga \u0026amp; Environs November 15, 1863; a notice that William Z. Mead has been appointed 1st Lieutenant, 1st Battalion Sharp Shooters; a pass allowing Mrs. Anna Maria Chambers to cross the lines with a hat box and carpet bag; and a memorandum sent to General Joseph Wheeler, concerning  personal items taken from the body of Lieutenant William Mead following his death at Resaca, Georgia in 1864.\u003c/p\u003e\n","\u003cp\u003eWilliam Mead graduated from the University of Virginia in 1857 before the Civil War began. The collection has many references to Charlottesville and the University of Virginia, including comments about university professors Basil L. Gildersleeve, Gessner Harrison, Socrates Maupin, John Minor, Schele De Vere, James L. Cabell, Frederick George Holmes, and Alfred T. Bledsoe. Charlottesville families include Peter and Frances (\"Fannie\") Meriwether, Frances Poindexter, Rector, and Mrs. Ebenezer Boyd, William Cabell Rives, Franklin Minor, Thomas Walker Gilmer and Elizabeth Anderson Gilmer, and Dr. Mann Page.\u003c/p\u003e\n","\u003cp\u003eAnna Maria Otis Mead Chalmers was extraordinary in having been as well educated as any man in Boston (1) and was able to share her knowledge with other privileged young white girls through her school, including Amélie Rives Troubetzkoy, the famous writer.The collection includes examination questions,correspondence about the school and a newspaper article in the \u003cemph render=\"italic\"\u003e The Richmond Times Dispatch\u003c/emph\u003e dated August 10, 1913 describing Mrs. Mead Chalmers. There are also handwritten poems, short stories, and miscellaneous writings in the collection, including an essay on \"Virginia Before and After the Civil War.\" \u003c/p\u003e\n","\u003cp\u003eThe collection also includes correspondence from Anna Maria Mead Chalmer's cousins, Samuel Clarke,James Freeman Clarke (1810-1888) and his sister, Sarah Ann Freeman Clarke (1808-1896). Sarah Clarke was a landscape artist, a world traveler, and a member of the transcendentalist movement.(2) James Clarke was an American theologian, author, and abolitionist.(3) Mrs. Mead Chalmers and her cousins were friends with literary authors including Edgar Allan Poe, Nathaniel P. Willis, Ralph Waldo Emerson, and Oliver Wendell Holmes.The letters refer to these individuals but there is no correspondence with them.\u003c/p\u003e\n","\u003cp\u003eUnrelated to anything else in the collection, is a miscellaneous item which is a specimen of the first telegraphic writing made on the first telegraph in this country by Professor Morse in 1847.\u003c/p\u003e\n","\u003cp\u003e\nAlso of interest in the collection are letters about General William Hull (1753-1825) who fought in the American Revolutionary War and the War of 1812. His work with the government involved taking land from indigenous persons. In the end, he was charged by the government of not properly defending Detroit in the War of 1812, but President James Madison commuted his sentence.(4) For years, the family and descendants refuted the charges and filed a claim to receive his backpay. In contrast to General Hull's work with the government, is a newspaper clipping of a sermon by Bishop Henry Benjamin Whipple (1822-1901) printed in 1876 which displays Whipple's outrage at the United States government for taking lands from indigenous persons.\u003c/p\u003e\n","\u003cp\u003eFrom the taking away of the  lands of indigenous persons, to enslavement of African Americans, to a widowed woman trying to earn a living in the nineteenth century, with history about the War of 1812 and the American Civil War, as well as politics, religion, transcendentalism, local Charlottesville history and professors at the University of Virginia, this is a collection of letters rich in history that shows the inner workings of government, society, and people and its effects on everyday life. Collections like these help us to envision our collective past and broaden our perspective on our history and our future. This one is worth a deep dive into the history of the nineteenth century locally and nationally.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003e1. Duval, Maria Pendleton. \"The Lengthened Shadow of a Woman\" Richmond Times Dispatch. August 10, 1913 (Description of Anna Maria Mead Chalmers education in William B. Fowle's school as being the best in Boston and Mrs Chalmer's school as being up to the standards of Harvard) \u003c/p\u003e\n","\u003cp\u003e2. Maas, Judith. \"Sarah Freeman Clarke: Artist, Traveler, Diarist\" The Beehive. Massachusetts Historical Society. November 21, 2019  \nhttps://www.masshist.org/beehiveblog/2019/11/sarah-freeman-clarke-artist-traveler-diarist/ \u003c/p\u003e\n","\u003cp\u003e3.\"James Freeman Clarke.\" Wikipedia. Accessed June 7, 2022. https://en.wikipedia.org/wiki/James_Freeman_Clarke\u003c/p\u003e\n","\u003cp\u003e\n4. \"William Hull\" Detroit Historical Society. Detroit Encyclopedia. Accessed June 7, 2022. https://detroithistorical.org/learn/encyclopedia-of-detroit/hull-william\u003c/p\u003e\n","\u003cp\u003e\nOther articles of interest \nMartin, Susan. \"The Unstoppable Anna Maria Mead Chalmers\" The Beehive. Massachusetts Historical Society. June 7, 2022. https://www.masshist.org/beehiveblog/2015/03/the-unstoppable-anna-maria-mead-chalmers/\u003c/p\u003e","\u003cp\u003eIncluded are comments about University of Virginia Professors Gessner Harrison, John B. Minor, Socrates Maupin, Basil L. Gildersleeve, Maximilan Schele De Vere, James Lawrence Cabell, and William Holmes McGuffey. Included is a letter from Professor Gildersleeve to Dr. George Otis, Jr. dated 1876. Dr. Otis was the first born son of Anna Maria Otis Mead Chalmers.\u003c/p\u003e","\u003cp\u003eCondolences on the death of daughter Louisa and her mother Nancy Binney Hull Hickman.\u003c/p\u003e","\u003cp\u003eIncludes correspondence of Richard Gambill 1851-1856. There is also a letter from Thomas Walker Gilmer to Richard Gambill from 1833.\u003c/p\u003e","\u003cp\u003eOther cousins may be included in this correspondence including McLellans and Clouds.\u003c/p\u003e","\u003cp\u003eSamuel C. Clarke writes to his cousin Anna Maria Otis Mead Chalmers about his attitudes towards Freedmen after enslavement, and their working and living conditions.\u003c/p\u003e","\u003cp\u003eIncludes small broadside of Sarah Clark art exhibit\u003c/p\u003e","\u003cp\u003eLetters about starting the school, procurement of teachers,letters from parents, and examinations.\u003c/p\u003e","\u003cp\u003eLetters and notes about purchase of the newspaper and maintaining its operation.\u003c/p\u003e","\u003cp\u003ePapers related to raising money and operating a charity hospital for children in Richmond, Virginia\u003c/p\u003e","\u003cp\u003e\"The Lengthened Shadow\" of a Woman\" by Maria Pendleton Duval in the Ricmond Times Dispatch is a newspaper aticle about how Anna Maria Otis Mead Chalmers started Mrs. Mead's School for Young Ladies and how it influenced the opening of the Virginia Female Institute in Staunton, Virginia. Mrs Chalmers taught female students using the same curriculum as Harvard College.\u003c/p\u003e","\u003cp\u003eEnslavement, letters from former enslaved people, and information about African American schools, and teaching African Americans to read the bible\u003c/p\u003e","\u003cp\u003eZachariah Mead (husband of Anna Maria Otis Mead Chalmers) writes a letter to his mother-in-law Nancy Binney \"Anne\" Hickman dated August 24, 1838 in which he describes to her the legislation required for bringing enslaved persons to another state. The family wants to move  from Newton, Massachusetts to Richmond, Virginia and take Othello \"Tillo\" Freeman with them.\u003c/p\u003e","\u003cp\u003eBlair writes that the bond agreement was for him to keep Jordan until October when servants would be returning from the Springs, but he will return him if she needs his services.\u003c/p\u003e","\u003cp\u003eIn her last will and testament, \"I direct that my old servant Othello Freeman, be supported from my estate, in such manner as my said executrive, may think proper.\"\u003c/p\u003e","\u003cp\u003eLetter from the Hickman's accountant, Joseph Bacon, that Othello \"Tillo\" Freeman,  who was enslaved by the Hull and Mead family, was removed from the Mclellan household (sister of \"Ann\" Nancy Binney Hickman) and was being boarded at Mr. White's. He writes that Tillo cannot do any work,is not well, and needs medical attention.  Mr. White wants more money to board and take care of him.\u003c/p\u003e","\u003cp\u003eIncludes unidentified letter to Anna Maria Mead Chalmers about her being honored as a teacher, and her treatment of \"Tillo\".\u003c/p\u003e","\u003cp\u003eMr. Potter says that he has heard good accounts of the school. No details are included.\u003c/p\u003e","\u003cp\u003eA note signed \"Massing Bird\" to [Frances] E. Meriwether asking to buy a horse. His son has taken his horse so he needs to buy one.\u003c/p\u003e","\u003cp\u003eLetter written by \"Old William\" who was the carriage driver for Mr. and Mrs. Chalmers. He writes to Mrs. Chalmers after the death of Mr. Chalmers about his fondness for them.\u003c/p\u003e","\u003cp\u003eLetter from Anna Maria Otis Mead Chalmers describing her memories of her grandfather General William Hull to her cousin James Freeman Clarke. Mrs. Chalmers recollects that her grandfather required Othello \"Tillo\" Freeman who they enslaved to be present in Church.\u003c/p\u003e","\u003cp\u003eOne page argument for the Southern Planter's claim that they need the  Freedmen to labor their crops. Author unidentified, undated.\u003c/p\u003e","\u003cp\u003eCorrespondence of the Mead family, Meriwether family, George H. Geyer and others describing camp life, skirmishes and battles, and officers, including General Stonewall Jackson, General Longstreet, General Braggs, General McLellan, and General Grant\u003c/p\u003e","\u003cp\u003eIncludes a testimony to the gallantry of William L. Mead signed by J.E.B. Stuart; an oath of allegiance to the Confederacy; a map of Chattanooga \u0026amp; Environs November 15, 1863; a notice that William Z. Mead has been appointed 1st Lieut., 1st Battalion Sharp Shooters; a pass allowing Mrs. Anna M. Chambers to cross the lines with a hat box and carpet bag; and a memorandum sent to Gen. Joseph Wheeler, concerning  personal items taken from the body of Mead following his death at Resaca, Ga., 1864.\u003c/p\u003e","\u003cp\u003eSome letters and notes about the genealogy of the Mead family\u003c/p\u003e","\u003cp\u003ePhotographs identified as Lieutenant William Zachariah Mead, Fannie Chalmers, and Marion Kollock.\u003c/p\u003e","\u003cp\u003eIncludes article about Bishop Whipple sermon supporting Indigenous persons; article about James Freeman Clarke, other obituaries, and various miscellaneous items including a football game at Pantops Academy.\u003c/p\u003e","\u003cp\u003eJohn Greenleaf Whittier \"The Singer\" from the Atlantic Monthly, devotional prayers, and miscellaneous\u003c/p\u003e","\u003cp\u003eArticle Isaac McLellan, Sunday School brochures, advertisement for the Rockbridge Baths, Liturgy of the Holy Eucharist by N. W. Camp, and religious printed materials.\u003c/p\u003e","\u003cp\u003eCertificate of Distinction from La Fourches School, Keswick, Virginia for Henry B. Mead; Anna Maria Chalmers marriage certificate; and Kappa Alpha In Universitate Virginiae broadside.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The papers of Anna Maria (Campbell Hickman) Otis Mead Chalmers (1809-1891) and her family offer a deep look into a 19th century American family with a sharp focus on enslaved and formerly enslaved persons. The collection documents the life of a young, widowed woman, Anna Maria Mead Chalmers, who was the granddaughter of General William Hull (1753-1825). She was a mother of four children and became a businesswoman in Richmond, Virginia. She was a writer, an editor of the Southern Churchmen, an educator and founder of Mrs. Mead's School for Young Ladies, and a director of The Southern Churchmen Cot (\"Retreat for the Sick\"), a hospital for children. Anna Maria's family enslaved people who are represented in the papers including Othello \"Tillo\" Freeman (1790's-1860's?). It includes a letter from William written in [1875], who was their carriage driver, and letters about Sam the fiddler, who settled on the farm after escaping harsher enslavement in Louisianna, and Jordan who was described as being hired out in a letter dated September 8, 1841 from Thomas R. Blair.","In the correspondence of the Mead-Chalmers family, are letters describing Othello Tillo Freeman. There is also a will of Nancy \"Ann\" Binney Hull Hickman (1787-1847), mother of Anna Maria Chalmers, that left a stipulation providing room and board for Tillo. ","Letters also show that the family inquired about slave laws for travelling so that they could bring Tillo with them when they moved from Newton, Massachusetts to Richmond, Virginia in 1838. The family is characterized as being kind to enslaved persons by providing for them and educating them however this description does not take into consideration that they never had the opportunities that existed for free white men. ","There is also a leather-bound account book with the first names of enslaved persons.  It is not clear who owns the book or the location of the enslaved persons, but it has an extensive list of first names and dates from 1767 to 1845. Also included in the account book are records for horses and business transactions. "," The letters from William C. Mead (son of Anna Maria Chalmers) and his friends and family describe skirmishes and battles in the Civil War including Murfreesboro, Tennessee and Resaca, Georgia. Included in the collection are letters about succession and anxiety about the conflict between the states. Also included is a carte de visite of Lieutenant William Mead, n.d.; a testimony to the gallantry of William L. Mead signed by J.E.B. Stuart; an oath of allegiance to the Confederacy; a map of Chattanooga \u0026 Environs November 15, 1863; a notice that William Z. Mead has been appointed 1st Lieutenant, 1st Battalion Sharp Shooters; a pass allowing Mrs. Anna Maria Chambers to cross the lines with a hat box and carpet bag; and a memorandum sent to General Joseph Wheeler, concerning  personal items taken from the body of Lieutenant William Mead following his death at Resaca, Georgia in 1864.","William Mead graduated from the University of Virginia in 1857 before the Civil War began. The collection has many references to Charlottesville and the University of Virginia, including comments about university professors Basil L. Gildersleeve, Gessner Harrison, Socrates Maupin, John Minor, Schele De Vere, James L. Cabell, Frederick George Holmes, and Alfred T. Bledsoe. Charlottesville families include Peter and Frances (\"Fannie\") Meriwether, Frances Poindexter, Rector, and Mrs. Ebenezer Boyd, William Cabell Rives, Franklin Minor, Thomas Walker Gilmer and Elizabeth Anderson Gilmer, and Dr. Mann Page.","Anna Maria Otis Mead Chalmers was extraordinary in having been as well educated as any man in Boston (1) and was able to share her knowledge with other privileged young white girls through her school, including Amélie Rives Troubetzkoy, the famous writer.The collection includes examination questions,correspondence about the school and a newspaper article in the   The Richmond Times Dispatch  dated August 10, 1913 describing Mrs. Mead Chalmers. There are also handwritten poems, short stories, and miscellaneous writings in the collection, including an essay on \"Virginia Before and After the Civil War.\" ","The collection also includes correspondence from Anna Maria Mead Chalmer's cousins, Samuel Clarke,James Freeman Clarke (1810-1888) and his sister, Sarah Ann Freeman Clarke (1808-1896). Sarah Clarke was a landscape artist, a world traveler, and a member of the transcendentalist movement.(2) James Clarke was an American theologian, author, and abolitionist.(3) Mrs. Mead Chalmers and her cousins were friends with literary authors including Edgar Allan Poe, Nathaniel P. Willis, Ralph Waldo Emerson, and Oliver Wendell Holmes.The letters refer to these individuals but there is no correspondence with them.","Unrelated to anything else in the collection, is a miscellaneous item which is a specimen of the first telegraphic writing made on the first telegraph in this country by Professor Morse in 1847.","\nAlso of interest in the collection are letters about General William Hull (1753-1825) who fought in the American Revolutionary War and the War of 1812. His work with the government involved taking land from indigenous persons. In the end, he was charged by the government of not properly defending Detroit in the War of 1812, but President James Madison commuted his sentence.(4) For years, the family and descendants refuted the charges and filed a claim to receive his backpay. In contrast to General Hull's work with the government, is a newspaper clipping of a sermon by Bishop Henry Benjamin Whipple (1822-1901) printed in 1876 which displays Whipple's outrage at the United States government for taking lands from indigenous persons.","From the taking away of the  lands of indigenous persons, to enslavement of African Americans, to a widowed woman trying to earn a living in the nineteenth century, with history about the War of 1812 and the American Civil War, as well as politics, religion, transcendentalism, local Charlottesville history and professors at the University of Virginia, this is a collection of letters rich in history that shows the inner workings of government, society, and people and its effects on everyday life. Collections like these help us to envision our collective past and broaden our perspective on our history and our future. This one is worth a deep dive into the history of the nineteenth century locally and nationally.","Sources:","1. Duval, Maria Pendleton. \"The Lengthened Shadow of a Woman\" Richmond Times Dispatch. August 10, 1913 (Description of Anna Maria Mead Chalmers education in William B. Fowle's school as being the best in Boston and Mrs Chalmer's school as being up to the standards of Harvard) ","2. Maas, Judith. \"Sarah Freeman Clarke: Artist, Traveler, Diarist\" The Beehive. Massachusetts Historical Society. November 21, 2019  \nhttps://www.masshist.org/beehiveblog/2019/11/sarah-freeman-clarke-artist-traveler-diarist/ ","3.\"James Freeman Clarke.\" Wikipedia. Accessed June 7, 2022. https://en.wikipedia.org/wiki/James_Freeman_Clarke","\n4. \"William Hull\" Detroit Historical Society. Detroit Encyclopedia. Accessed June 7, 2022. https://detroithistorical.org/learn/encyclopedia-of-detroit/hull-william","\nOther articles of interest \nMartin, Susan. \"The Unstoppable Anna Maria Mead Chalmers\" The Beehive. Massachusetts Historical Society. June 7, 2022. https://www.masshist.org/beehiveblog/2015/03/the-unstoppable-anna-maria-mead-chalmers/","Included are comments about University of Virginia Professors Gessner Harrison, John B. Minor, Socrates Maupin, Basil L. Gildersleeve, Maximilan Schele De Vere, James Lawrence Cabell, and William Holmes McGuffey. Included is a letter from Professor Gildersleeve to Dr. George Otis, Jr. dated 1876. Dr. Otis was the first born son of Anna Maria Otis Mead Chalmers.","Condolences on the death of daughter Louisa and her mother Nancy Binney Hull Hickman.","Includes correspondence of Richard Gambill 1851-1856. There is also a letter from Thomas Walker Gilmer to Richard Gambill from 1833.","Other cousins may be included in this correspondence including McLellans and Clouds.","Samuel C. Clarke writes to his cousin Anna Maria Otis Mead Chalmers about his attitudes towards Freedmen after enslavement, and their working and living conditions.","Includes small broadside of Sarah Clark art exhibit","Letters about starting the school, procurement of teachers,letters from parents, and examinations.","Letters and notes about purchase of the newspaper and maintaining its operation.","Papers related to raising money and operating a charity hospital for children in Richmond, Virginia","\"The Lengthened Shadow\" of a Woman\" by Maria Pendleton Duval in the Ricmond Times Dispatch is a newspaper aticle about how Anna Maria Otis Mead Chalmers started Mrs. Mead's School for Young Ladies and how it influenced the opening of the Virginia Female Institute in Staunton, Virginia. Mrs Chalmers taught female students using the same curriculum as Harvard College.","Enslavement, letters from former enslaved people, and information about African American schools, and teaching African Americans to read the bible","Zachariah Mead (husband of Anna Maria Otis Mead Chalmers) writes a letter to his mother-in-law Nancy Binney \"Anne\" Hickman dated August 24, 1838 in which he describes to her the legislation required for bringing enslaved persons to another state. The family wants to move  from Newton, Massachusetts to Richmond, Virginia and take Othello \"Tillo\" Freeman with them.","Blair writes that the bond agreement was for him to keep Jordan until October when servants would be returning from the Springs, but he will return him if she needs his services.","In her last will and testament, \"I direct that my old servant Othello Freeman, be supported from my estate, in such manner as my said executrive, may think proper.\"","Letter from the Hickman's accountant, Joseph Bacon, that Othello \"Tillo\" Freeman,  who was enslaved by the Hull and Mead family, was removed from the Mclellan household (sister of \"Ann\" Nancy Binney Hickman) and was being boarded at Mr. White's. He writes that Tillo cannot do any work,is not well, and needs medical attention.  Mr. White wants more money to board and take care of him.","Includes unidentified letter to Anna Maria Mead Chalmers about her being honored as a teacher, and her treatment of \"Tillo\".","Mr. Potter says that he has heard good accounts of the school. No details are included.","A note signed \"Massing Bird\" to [Frances] E. Meriwether asking to buy a horse. His son has taken his horse so he needs to buy one.","Letter written by \"Old William\" who was the carriage driver for Mr. and Mrs. Chalmers. He writes to Mrs. Chalmers after the death of Mr. Chalmers about his fondness for them.","Letter from Anna Maria Otis Mead Chalmers describing her memories of her grandfather General William Hull to her cousin James Freeman Clarke. Mrs. Chalmers recollects that her grandfather required Othello \"Tillo\" Freeman who they enslaved to be present in Church.","One page argument for the Southern Planter's claim that they need the  Freedmen to labor their crops. Author unidentified, undated.","Correspondence of the Mead family, Meriwether family, George H. Geyer and others describing camp life, skirmishes and battles, and officers, including General Stonewall Jackson, General Longstreet, General Braggs, General McLellan, and General Grant","Includes a testimony to the gallantry of William L. Mead signed by J.E.B. Stuart; an oath of allegiance to the Confederacy; a map of Chattanooga \u0026 Environs November 15, 1863; a notice that William Z. Mead has been appointed 1st Lieut., 1st Battalion Sharp Shooters; a pass allowing Mrs. Anna M. Chambers to cross the lines with a hat box and carpet bag; and a memorandum sent to Gen. Joseph Wheeler, concerning  personal items taken from the body of Mead following his death at Resaca, Ga., 1864.","Some letters and notes about the genealogy of the Mead family","Photographs identified as Lieutenant William Zachariah Mead, Fannie Chalmers, and Marion Kollock.","Includes article about Bishop Whipple sermon supporting Indigenous persons; article about James Freeman Clarke, other obituaries, and various miscellaneous items including a football game at Pantops Academy.","John Greenleaf Whittier \"The Singer\" from the Atlantic Monthly, devotional prayers, and miscellaneous","Article Isaac McLellan, Sunday School brochures, advertisement for the Rockbridge Baths, Liturgy of the Holy Eucharist by N. W. Camp, and religious printed materials.","Certificate of Distinction from La Fourches School, Keswick, Virginia for Henry B. Mead; Anna Maria Chalmers marriage certificate; and Kappa Alpha In Universitate Virginiae broadside."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":140,"online_item_count_is":1,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:45:23.850Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1222","ead_ssi":"viu_repositories_3_resources_1222","_root_":"viu_repositories_3_resources_1222","_nest_parent_":"viu_repositories_3_resources_1222","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1222.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/136685","title_filing_ssi":"Chalmers, Anna Maria Hickman Otis Mead papers","title_ssm":["Anna Maria Hickman Otis Mead Chalmers family papers"],"title_tesim":["Anna Maria Hickman Otis Mead Chalmers family papers"],"unitdate_ssm":["1821-1897"],"unitdate_inclusive_ssm":["1821-1897"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 4966","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival 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Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource 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Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1222","Anna Maria Hickman Otis Mead Chalmers family papers","United States History Revolution, 1775-1783 Personal narratives","United States -- History -- Civil War, 1861-1865 -- Personal narratives","women--education -- Virginia","Enslavers","United States -- History -- War of 1812","University of Virginia -- History","Enslaved laborers","enslaved persons","University of Virginia -- Faculty","letters (correspondence)","human hair","University of Virginia--Students--Correspondence","Fair to good.","The collection is open for research use.","The collection is arranged into fifteen series: 1.William and Sarah Hull papers, 2.Otis Mead Chalmers family correspondence, 3.Anna Maria Mead Chalmers correspondence, 4.Clarke family correspondence, 5. Anna Maria Mead Chalmers business papers, 6. Enslavery, 7. United States Civil War, 8. Financial papers, 9.Diaries and daybooks, 10. Genealogy, 11. Hair collection, 12. Miscellaneous first telegraph of morse code, 13.Photographs 14. Printed items  15.Poetry \u0026 writings","Under Series 1. William and Sarah Hull papers includes letters about  filing a claim in support of General Hull. Information about the claim can also be found throughout the family correspondence in the collection.","There are letters from the family and others about General Hull's claim throughout the correspondence in the collection.","Othello Tillo Freeman (1) was enslaved by General William Hull before or at the turn of the nineteenth century. He moved with Nancy \"Ann\" Binney Hickman (1787-1847), daughter of General William Hull, from Newton, Massachusetts to Richmond, Virginia in 1838 and continued to be enslaved by the Mead Chalmers family until his death, which may have been in the 1860's. Sam had escaped from an enslaver in Louisiana and worked on the Hull farm for the last thirty years of his life [1800's to 1830's]. Jordan is described as hired out in a letter from Thomas R. Blair dated September 8, 1841. ","Anna Maria Chalmers was the granddaughter of General William Hull (1753-1825) who recollects the memories of Tillo and Sam on her grandparents farm. She was a mother of four children and became a businesswoman in Richmond, Virginia. She was a writer, an editor of the  Southern Churchmen , an educator and founder of Mrs. Mead's School for Young Ladies, and a director of The Southern Churchmen Cot (\"Retreat for the Sick\") a hospital for children. She wrote articles for the  Boston Home Journal , the  New York Tribune , and the  Southern Literary Messenger","Her mother was Nancy \"Ann\" Binney Hull Hickman and her father was Harris H. Hickman who served as a captain in the War of 1812 and the United States Navy, and died in 1824 in St. Thomas, South America. Her grandparents General William and Sarah Fuller Hull helped raise her in Newton, Massachusetts. She attended William B. Fowle's school in Boston (2) and after her father and grandparents died, she lived with her Uncle Edward and Aunt Maria Campbell, who ran a school in Marietta, Georgia. Her sister Louisa \"Louly\" Hickman Smith was a published poet who died as a young mother aged 21, in 1832 leaving a husband, Samuel Jenks Smith and their two children. ","Anna Maria Mead Chalmers survived three husbands, George Alexander Otis (1803-1831), Zachariah Mead (1800-1840), and David Chalmers (1779?-1875?), and had three sons, living during the American Civil War, George Alexander Otis, Jr. (1830-1881) who was a field surgeon in the Massachusetts 27th volunteers and assistant surgeon general of the army,  William Zachariah Mead, (1838-1864) who fought at Murfreesboro and died fighting for the Tennessee Army in the Confederacy in the Battle of Resaca, Georgia, and Edward C. Mead (1837-1908) who traveled to Australia in search of financial independence with a stint in gold digging, and settled on a farm in Keswick, Virginia.","Anna Maria's first husband, George Otis was a young lawyer who died from consumption one year after their marriage in 1831. Their first and only son was Dr. George Alexander Otis. Zachariah Mead, her second husband was a reverend at the Grace Episcopal Church in Cismont, Virginia, an assistant clergyman at Monumental, Saint James's, and Saint John's Episcopal Churches in Richmond and the editor of the  Southern Churchmen  also in Richmond, Virginia. They had two sons Edward, and William, and a daughter Louisa who died as a child. She married a third time in 1856 to David Chalmers who was a plantation owner in News Ferry, (Halifax) Virginia. He enslaved people, and educated African Americans at his school. The collection does not mention the school by name and no further details were found in the papers.","In 1881, after her son Dr. George Otis died, Mrs. Chalmers moved in with her son Edward Mead on his farm in Keswick. They were close friends with many prominent Charlottesville families including Peter and Frances (\"Fannie\") Meriwether, Frances Poindexter, Rector, and Mrs. Ebenezer Boyd, William Cabell Rives, Franklin Minor, Thomas Walker Gilmer and Elizabeth Anderson Gilmer, and Dr. Mann Page. William Mead attended the University of Virginia and met with many of the University of Virginia's earliest professors including Basil L. Gildersleeve, Gessner Harrison, Socrates Maupin, John Minor, Schele De Vere, James L. Cabell, Frederick George Holmes, and Alfred T. Bledsoe.","Her grandfather, General William Hull was born in Derby, Connecticut in 1753 and moved to Detroit Michigan when his government work which involved the taking of land from indigenous persons led him to become the Governor of the Territory of Michigan and the commander of the Army of the Northwest Territory during the War of 1812. He was appointed by Thomas Jefferson and was a friend of General Lafayette. After being unsuccessful in fighting off the Canadians, (however claiming that the government did not give him the resources to defend Michigan) he was court-martialed by James Madison who later commuted his sentence. (3) He died in 1825 in Newton, Massachusetts. He was married to Sarah Fuller Hull. Their children were Nancy Ann Binney Hickman, Sarah McKesson (1783-1810), Maria Campbell (1788-1845) Abraham Fuller Hull (1786-1814), Rebecca Parker Clarke (1790-1865), Caroline Hull (1793-1824), Julia Knox Wheeler (1799-1842), Eliza McClellan (1784-1864), and Cornelia Page.","Sources:","1. Hurd, D. Hamilton. \"History of Middlesex County Massachusetts with Biographical Sketches of Many of Its Pioneers and Prominent Men\" Volume III. Philadelphia:J. W. Lewis and Company. 1890.\nhttps://books.google.com/books?id=mZU6AQAAIAAJ\u0026pg=PA33\u0026lpg=PA33\u0026dq=othello+%22tillo%22+freeman\u0026source=bl\u0026ots=4_Drct_uRZ\u0026sig=ACfU3U21FUtYLt8aQ7PklsGdRfOnEJ09RQ\u0026hl=en\u0026sa=X\u0026ved=2ahUKEwjRqtK1sYr5AhV0EFkFHRYkAg0Q6AF6BAgdEAM#v=onepage\u0026q=othello%20%22tillo%22%20freeman\u0026f=false","\n2.\tDuval, Maria Pendleton. \"The Lengthened Shadow of a Woman\" Richmond Times Dispatch. August 10, 1913 (Description of Anna Maria Mead Chalmers education in William B. Fowle's school as being the best in Boston and Mrs Chalmer's school as being up to the standards of Harvard) From the collection.","\n3.\t\"William Hull\" Detroit Historical Society. Detroit Encyclopedia. Accessed June 7, 2022. \nhttps://detroithistorical.org/learn/encyclopedia-of-detroit/hull-william","\nOther articles of interest \nMartin, Susan. \"The Unstoppable Anna Maria Mead Chalmers\" The Beehive. Massachusetts Historical Society. June 7, 2022. https://www.masshist.org/beehiveblog/2015/03/the-unstoppable-anna-maria-mead-chalmers/","Lock of hair belonging to Sarah Louisa P. (Hickman) Smith who was the sister of Anna Maria Hickman Otis Mead Chalmers. Louisa was born in 1811 and died at age 20 from illness. Her husband, Samuel Jenks Smith published a book of her poems in 1829. They had two children.","Annie McLellan may have been a cousin of Anna Maria Otis Mead Chalmers","The papers of Anna Maria (Campbell Hickman) Otis Mead Chalmers (1809-1891) and her family offer a deep look into a 19th century American family with a sharp focus on enslaved and formerly enslaved persons. The collection documents the life of a young, widowed woman, Anna Maria Mead Chalmers, who was the granddaughter of General William Hull (1753-1825). She was a mother of four children and became a businesswoman in Richmond, Virginia. She was a writer, an editor of the Southern Churchmen, an educator and founder of Mrs. Mead's School for Young Ladies, and a director of The Southern Churchmen Cot (\"Retreat for the Sick\"), a hospital for children. Anna Maria's family enslaved people who are represented in the papers including Othello \"Tillo\" Freeman (1790's-1860's?). It includes a letter from William written in [1875], who was their carriage driver, and letters about Sam the fiddler, who settled on the farm after escaping harsher enslavement in Louisianna, and Jordan who was described as being hired out in a letter dated September 8, 1841 from Thomas R. Blair.","In the correspondence of the Mead-Chalmers family, are letters describing Othello Tillo Freeman. There is also a will of Nancy \"Ann\" Binney Hull Hickman (1787-1847), mother of Anna Maria Chalmers, that left a stipulation providing room and board for Tillo. ","Letters also show that the family inquired about slave laws for travelling so that they could bring Tillo with them when they moved from Newton, Massachusetts to Richmond, Virginia in 1838. The family is characterized as being kind to enslaved persons by providing for them and educating them however this description does not take into consideration that they never had the opportunities that existed for free white men. ","There is also a leather-bound account book with the first names of enslaved persons.  It is not clear who owns the book or the location of the enslaved persons, but it has an extensive list of first names and dates from 1767 to 1845. Also included in the account book are records for horses and business transactions. "," The letters from William C. Mead (son of Anna Maria Chalmers) and his friends and family describe skirmishes and battles in the Civil War including Murfreesboro, Tennessee and Resaca, Georgia. Included in the collection are letters about succession and anxiety about the conflict between the states. Also included is a carte de visite of Lieutenant William Mead, n.d.; a testimony to the gallantry of William L. Mead signed by J.E.B. Stuart; an oath of allegiance to the Confederacy; a map of Chattanooga \u0026 Environs November 15, 1863; a notice that William Z. Mead has been appointed 1st Lieutenant, 1st Battalion Sharp Shooters; a pass allowing Mrs. Anna Maria Chambers to cross the lines with a hat box and carpet bag; and a memorandum sent to General Joseph Wheeler, concerning  personal items taken from the body of Lieutenant William Mead following his death at Resaca, Georgia in 1864.","William Mead graduated from the University of Virginia in 1857 before the Civil War began. The collection has many references to Charlottesville and the University of Virginia, including comments about university professors Basil L. Gildersleeve, Gessner Harrison, Socrates Maupin, John Minor, Schele De Vere, James L. Cabell, Frederick George Holmes, and Alfred T. Bledsoe. Charlottesville families include Peter and Frances (\"Fannie\") Meriwether, Frances Poindexter, Rector, and Mrs. Ebenezer Boyd, William Cabell Rives, Franklin Minor, Thomas Walker Gilmer and Elizabeth Anderson Gilmer, and Dr. Mann Page.","Anna Maria Otis Mead Chalmers was extraordinary in having been as well educated as any man in Boston (1) and was able to share her knowledge with other privileged young white girls through her school, including Amélie Rives Troubetzkoy, the famous writer.The collection includes examination questions,correspondence about the school and a newspaper article in the   The Richmond Times Dispatch  dated August 10, 1913 describing Mrs. Mead Chalmers. There are also handwritten poems, short stories, and miscellaneous writings in the collection, including an essay on \"Virginia Before and After the Civil War.\" ","The collection also includes correspondence from Anna Maria Mead Chalmer's cousins, Samuel Clarke,James Freeman Clarke (1810-1888) and his sister, Sarah Ann Freeman Clarke (1808-1896). Sarah Clarke was a landscape artist, a world traveler, and a member of the transcendentalist movement.(2) James Clarke was an American theologian, author, and abolitionist.(3) Mrs. Mead Chalmers and her cousins were friends with literary authors including Edgar Allan Poe, Nathaniel P. Willis, Ralph Waldo Emerson, and Oliver Wendell Holmes.The letters refer to these individuals but there is no correspondence with them.","Unrelated to anything else in the collection, is a miscellaneous item which is a specimen of the first telegraphic writing made on the first telegraph in this country by Professor Morse in 1847.","\nAlso of interest in the collection are letters about General William Hull (1753-1825) who fought in the American Revolutionary War and the War of 1812. His work with the government involved taking land from indigenous persons. In the end, he was charged by the government of not properly defending Detroit in the War of 1812, but President James Madison commuted his sentence.(4) For years, the family and descendants refuted the charges and filed a claim to receive his backpay. In contrast to General Hull's work with the government, is a newspaper clipping of a sermon by Bishop Henry Benjamin Whipple (1822-1901) printed in 1876 which displays Whipple's outrage at the United States government for taking lands from indigenous persons.","From the taking away of the  lands of indigenous persons, to enslavement of African Americans, to a widowed woman trying to earn a living in the nineteenth century, with history about the War of 1812 and the American Civil War, as well as politics, religion, transcendentalism, local Charlottesville history and professors at the University of Virginia, this is a collection of letters rich in history that shows the inner workings of government, society, and people and its effects on everyday life. Collections like these help us to envision our collective past and broaden our perspective on our history and our future. This one is worth a deep dive into the history of the nineteenth century locally and nationally.","Sources:","1. Duval, Maria Pendleton. \"The Lengthened Shadow of a Woman\" Richmond Times Dispatch. August 10, 1913 (Description of Anna Maria Mead Chalmers education in William B. Fowle's school as being the best in Boston and Mrs Chalmer's school as being up to the standards of Harvard) ","2. Maas, Judith. \"Sarah Freeman Clarke: Artist, Traveler, Diarist\" The Beehive. Massachusetts Historical Society. November 21, 2019  \nhttps://www.masshist.org/beehiveblog/2019/11/sarah-freeman-clarke-artist-traveler-diarist/ ","3.\"James Freeman Clarke.\" Wikipedia. Accessed June 7, 2022. https://en.wikipedia.org/wiki/James_Freeman_Clarke","\n4. \"William Hull\" Detroit Historical Society. Detroit Encyclopedia. Accessed June 7, 2022. https://detroithistorical.org/learn/encyclopedia-of-detroit/hull-william","\nOther articles of interest \nMartin, Susan. \"The Unstoppable Anna Maria Mead Chalmers\" The Beehive. Massachusetts Historical Society. June 7, 2022. https://www.masshist.org/beehiveblog/2015/03/the-unstoppable-anna-maria-mead-chalmers/","Included are comments about University of Virginia Professors Gessner Harrison, John B. Minor, Socrates Maupin, Basil L. Gildersleeve, Maximilan Schele De Vere, James Lawrence Cabell, and William Holmes McGuffey. Included is a letter from Professor Gildersleeve to Dr. George Otis, Jr. dated 1876. Dr. Otis was the first born son of Anna Maria Otis Mead Chalmers.","Condolences on the death of daughter Louisa and her mother Nancy Binney Hull Hickman.","Includes correspondence of Richard Gambill 1851-1856. There is also a letter from Thomas Walker Gilmer to Richard Gambill from 1833.","Other cousins may be included in this correspondence including McLellans and Clouds.","Samuel C. Clarke writes to his cousin Anna Maria Otis Mead Chalmers about his attitudes towards Freedmen after enslavement, and their working and living conditions.","Includes small broadside of Sarah Clark art exhibit","Letters about starting the school, procurement of teachers,letters from parents, and examinations.","Letters and notes about purchase of the newspaper and maintaining its operation.","Papers related to raising money and operating a charity hospital for children in Richmond, Virginia","\"The Lengthened Shadow\" of a Woman\" by Maria Pendleton Duval in the Ricmond Times Dispatch is a newspaper aticle about how Anna Maria Otis Mead Chalmers started Mrs. Mead's School for Young Ladies and how it influenced the opening of the Virginia Female Institute in Staunton, Virginia. Mrs Chalmers taught female students using the same curriculum as Harvard College.","Enslavement, letters from former enslaved people, and information about African American schools, and teaching African Americans to read the bible","Zachariah Mead (husband of Anna Maria Otis Mead Chalmers) writes a letter to his mother-in-law Nancy Binney \"Anne\" Hickman dated August 24, 1838 in which he describes to her the legislation required for bringing enslaved persons to another state. The family wants to move  from Newton, Massachusetts to Richmond, Virginia and take Othello \"Tillo\" Freeman with them.","Blair writes that the bond agreement was for him to keep Jordan until October when servants would be returning from the Springs, but he will return him if she needs his services.","In her last will and testament, \"I direct that my old servant Othello Freeman, be supported from my estate, in such manner as my said executrive, may think proper.\"","Letter from the Hickman's accountant, Joseph Bacon, that Othello \"Tillo\" Freeman,  who was enslaved by the Hull and Mead family, was removed from the Mclellan household (sister of \"Ann\" Nancy Binney Hickman) and was being boarded at Mr. White's. He writes that Tillo cannot do any work,is not well, and needs medical attention.  Mr. White wants more money to board and take care of him.","Includes unidentified letter to Anna Maria Mead Chalmers about her being honored as a teacher, and her treatment of \"Tillo\".","Mr. Potter says that he has heard good accounts of the school. No details are included.","A note signed \"Massing Bird\" to [Frances] E. Meriwether asking to buy a horse. His son has taken his horse so he needs to buy one.","Letter written by \"Old William\" who was the carriage driver for Mr. and Mrs. Chalmers. He writes to Mrs. Chalmers after the death of Mr. Chalmers about his fondness for them.","Letter from Anna Maria Otis Mead Chalmers describing her memories of her grandfather General William Hull to her cousin James Freeman Clarke. Mrs. Chalmers recollects that her grandfather required Othello \"Tillo\" Freeman who they enslaved to be present in Church.","One page argument for the Southern Planter's claim that they need the  Freedmen to labor their crops. Author unidentified, undated.","Correspondence of the Mead family, Meriwether family, George H. Geyer and others describing camp life, skirmishes and battles, and officers, including General Stonewall Jackson, General Longstreet, General Braggs, General McLellan, and General Grant","Includes a testimony to the gallantry of William L. Mead signed by J.E.B. Stuart; an oath of allegiance to the Confederacy; a map of Chattanooga \u0026 Environs November 15, 1863; a notice that William Z. Mead has been appointed 1st Lieut., 1st Battalion Sharp Shooters; a pass allowing Mrs. Anna M. Chambers to cross the lines with a hat box and carpet bag; and a memorandum sent to Gen. Joseph Wheeler, concerning  personal items taken from the body of Mead following his death at Resaca, Ga., 1864.","Some letters and notes about the genealogy of the Mead family","Photographs identified as Lieutenant William Zachariah Mead, Fannie Chalmers, and Marion Kollock.","Includes article about Bishop Whipple sermon supporting Indigenous persons; article about James Freeman Clarke, other obituaries, and various miscellaneous items including a football game at Pantops Academy.","John Greenleaf Whittier \"The Singer\" from the Atlantic Monthly, devotional prayers, and miscellaneous","Article Isaac McLellan, Sunday School brochures, advertisement for the Rockbridge Baths, Liturgy of the Holy Eucharist by N. W. Camp, and religious printed materials.","Certificate of Distinction from La Fourches School, Keswick, Virginia for Henry B. Mead; Anna Maria Chalmers marriage certificate; and Kappa Alpha In Universitate Virginiae broadside.","Albert and Shirley Small Special Collections Library","English"],"unitid_tesim":["MSS 4966","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1222"],"normalized_title_ssm":["Anna Maria Hickman Otis Mead Chalmers family papers"],"collection_title_tesim":["Anna Maria Hickman Otis Mead Chalmers family papers"],"collection_ssim":["Anna Maria Hickman Otis Mead Chalmers family papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States History Revolution, 1775-1783 Personal narratives","United States -- History -- Civil War, 1861-1865 -- Personal narratives","women--education -- Virginia","Enslavers","United States -- History -- War of 1812","University of Virginia -- History"],"geogname_ssim":["United States History Revolution, 1775-1783 Personal narratives","United States -- History -- Civil War, 1861-1865 -- Personal narratives","women--education -- Virginia","Enslavers","United States -- History -- War of 1812","University of Virginia -- History"],"places_ssim":["United States History Revolution, 1775-1783 Personal narratives","United States -- History -- Civil War, 1861-1865 -- Personal narratives","women--education -- Virginia","Enslavers","United States -- History -- War of 1812","University of Virginia -- History"],"acqinfo_ssim":["Part of this collection was a deposit from Ernest C. Mead on January 5, 1955 which became a gift in 1998, another gift from Ernest C. Mead on January 30, 2007, and in 2020. There was an additional gift from James Blizzard Mead on September 27, 2012 to the Small Special Collections library at the University of Virginia."],"access_subjects_ssim":["Enslaved laborers","enslaved persons","University of Virginia -- Faculty","letters (correspondence)","human hair","University of Virginia--Students--Correspondence"],"access_subjects_ssm":["Enslaved laborers","enslaved persons","University of Virginia -- Faculty","letters (correspondence)","human hair","University of Virginia--Students--Correspondence"],"has_online_content_ssim":["true"],"physdesc_tesim":["Fair to good."],"extent_ssm":["4.5 Cubic Feet 9 document boxes"],"extent_tesim":["4.5 Cubic Feet 9 document boxes"],"physfacet_tesim":["9 legal size document boxes, 2 oversize documents and one oversize account book. (and 3 flat boxes in original collection)."],"genreform_ssim":["letters (correspondence)","human hair","University of Virginia--Students--Correspondence"],"date_range_isim":[1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into fifteen series: 1.William and Sarah Hull papers, 2.Otis Mead Chalmers family correspondence, 3.Anna Maria Mead Chalmers correspondence, 4.Clarke family correspondence, 5. Anna Maria Mead Chalmers business papers, 6. Enslavery, 7. United States Civil War, 8. Financial papers, 9.Diaries and daybooks, 10. Genealogy, 11. Hair collection, 12. Miscellaneous first telegraph of morse code, 13.Photographs 14. Printed items  15.Poetry \u0026amp; writings\u003c/p\u003e\n","\u003cp\u003eUnder Series 1. William and Sarah Hull papers includes letters about  filing a claim in support of General Hull. Information about the claim can also be found throughout the family correspondence in the collection.\u003c/p\u003e","\u003cp\u003eThere are letters from the family and others about General Hull's claim throughout the correspondence in the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["The collection is arranged into fifteen series: 1.William and Sarah Hull papers, 2.Otis Mead Chalmers family correspondence, 3.Anna Maria Mead Chalmers correspondence, 4.Clarke family correspondence, 5. Anna Maria Mead Chalmers business papers, 6. Enslavery, 7. United States Civil War, 8. Financial papers, 9.Diaries and daybooks, 10. Genealogy, 11. Hair collection, 12. Miscellaneous first telegraph of morse code, 13.Photographs 14. Printed items  15.Poetry \u0026 writings","Under Series 1. William and Sarah Hull papers includes letters about  filing a claim in support of General Hull. Information about the claim can also be found throughout the family correspondence in the collection.","There are letters from the family and others about General Hull's claim throughout the correspondence in the collection."],"bioghist_html_tesm":["\u003cp\u003eOthello Tillo Freeman (1) was enslaved by General William Hull before or at the turn of the nineteenth century. He moved with Nancy \"Ann\" Binney Hickman (1787-1847), daughter of General William Hull, from Newton, Massachusetts to Richmond, Virginia in 1838 and continued to be enslaved by the Mead Chalmers family until his death, which may have been in the 1860's. Sam had escaped from an enslaver in Louisiana and worked on the Hull farm for the last thirty years of his life [1800's to 1830's]. Jordan is described as hired out in a letter from Thomas R. Blair dated September 8, 1841. \u003c/p\u003e\n","\u003cp\u003eAnna Maria Chalmers was the granddaughter of General William Hull (1753-1825) who recollects the memories of Tillo and Sam on her grandparents farm. She was a mother of four children and became a businesswoman in Richmond, Virginia. She was a writer, an editor of the \u003cemph render=\"italic\"\u003eSouthern Churchmen\u003c/emph\u003e, an educator and founder of Mrs. Mead's School for Young Ladies, and a director of The Southern Churchmen Cot (\"Retreat for the Sick\") a hospital for children. She wrote articles for the \u003cemph render=\"italic\"\u003eBoston Home Journal\u003c/emph\u003e, the \u003cemph render=\"italic\"\u003eNew York Tribune\u003c/emph\u003e, and the \u003cemph render=\"italic\"\u003eSouthern Literary Messenger\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eHer mother was Nancy \"Ann\" Binney Hull Hickman and her father was Harris H. Hickman who served as a captain in the War of 1812 and the United States Navy, and died in 1824 in St. Thomas, South America. Her grandparents General William and Sarah Fuller Hull helped raise her in Newton, Massachusetts. She attended William B. Fowle's school in Boston (2) and after her father and grandparents died, she lived with her Uncle Edward and Aunt Maria Campbell, who ran a school in Marietta, Georgia. Her sister Louisa \"Louly\" Hickman Smith was a published poet who died as a young mother aged 21, in 1832 leaving a husband, Samuel Jenks Smith and their two children. \u003c/p\u003e\n","\u003cp\u003eAnna Maria Mead Chalmers survived three husbands, George Alexander Otis (1803-1831), Zachariah Mead (1800-1840), and David Chalmers (1779?-1875?), and had three sons, living during the American Civil War, George Alexander Otis, Jr. (1830-1881) who was a field surgeon in the Massachusetts 27th volunteers and assistant surgeon general of the army,  William Zachariah Mead, (1838-1864) who fought at Murfreesboro and died fighting for the Tennessee Army in the Confederacy in the Battle of Resaca, Georgia, and Edward C. Mead (1837-1908) who traveled to Australia in search of financial independence with a stint in gold digging, and settled on a farm in Keswick, Virginia.\u003c/p\u003e\n","\u003cp\u003eAnna Maria's first husband, George Otis was a young lawyer who died from consumption one year after their marriage in 1831. Their first and only son was Dr. George Alexander Otis. Zachariah Mead, her second husband was a reverend at the Grace Episcopal Church in Cismont, Virginia, an assistant clergyman at Monumental, Saint James's, and Saint John's Episcopal Churches in Richmond and the editor of the \u003cemph render=\"italic\"\u003eSouthern Churchmen\u003c/emph\u003e also in Richmond, Virginia. They had two sons Edward, and William, and a daughter Louisa who died as a child. She married a third time in 1856 to David Chalmers who was a plantation owner in News Ferry, (Halifax) Virginia. He enslaved people, and educated African Americans at his school. The collection does not mention the school by name and no further details were found in the papers.\u003c/p\u003e\n","\u003cp\u003eIn 1881, after her son Dr. George Otis died, Mrs. Chalmers moved in with her son Edward Mead on his farm in Keswick. They were close friends with many prominent Charlottesville families including Peter and Frances (\"Fannie\") Meriwether, Frances Poindexter, Rector, and Mrs. Ebenezer Boyd, William Cabell Rives, Franklin Minor, Thomas Walker Gilmer and Elizabeth Anderson Gilmer, and Dr. Mann Page. William Mead attended the University of Virginia and met with many of the University of Virginia's earliest professors including Basil L. Gildersleeve, Gessner Harrison, Socrates Maupin, John Minor, Schele De Vere, James L. Cabell, Frederick George Holmes, and Alfred T. Bledsoe.\u003c/p\u003e\n","\u003cp\u003eHer grandfather, General William Hull was born in Derby, Connecticut in 1753 and moved to Detroit Michigan when his government work which involved the taking of land from indigenous persons led him to become the Governor of the Territory of Michigan and the commander of the Army of the Northwest Territory during the War of 1812. He was appointed by Thomas Jefferson and was a friend of General Lafayette. After being unsuccessful in fighting off the Canadians, (however claiming that the government did not give him the resources to defend Michigan) he was court-martialed by James Madison who later commuted his sentence. (3) He died in 1825 in Newton, Massachusetts. He was married to Sarah Fuller Hull. Their children were Nancy Ann Binney Hickman, Sarah McKesson (1783-1810), Maria Campbell (1788-1845) Abraham Fuller Hull (1786-1814), Rebecca Parker Clarke (1790-1865), Caroline Hull (1793-1824), Julia Knox Wheeler (1799-1842), Eliza McClellan (1784-1864), and Cornelia Page.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003e1. Hurd, D. Hamilton. \"History of Middlesex County Massachusetts with Biographical Sketches of Many of Its Pioneers and Prominent Men\" Volume III. Philadelphia:J. W. Lewis and Company. 1890.\nhttps://books.google.com/books?id=mZU6AQAAIAAJ\u0026amp;pg=PA33\u0026amp;lpg=PA33\u0026amp;dq=othello+%22tillo%22+freeman\u0026amp;source=bl\u0026amp;ots=4_Drct_uRZ\u0026amp;sig=ACfU3U21FUtYLt8aQ7PklsGdRfOnEJ09RQ\u0026amp;hl=en\u0026amp;sa=X\u0026amp;ved=2ahUKEwjRqtK1sYr5AhV0EFkFHRYkAg0Q6AF6BAgdEAM#v=onepage\u0026amp;q=othello%20%22tillo%22%20freeman\u0026amp;f=false\u003c/p\u003e\n","\u003cp\u003e\n2.\tDuval, Maria Pendleton. \"The Lengthened Shadow of a Woman\" Richmond Times Dispatch. August 10, 1913 (Description of Anna Maria Mead Chalmers education in William B. Fowle's school as being the best in Boston and Mrs Chalmer's school as being up to the standards of Harvard) From the collection.\u003c/p\u003e\n","\u003cp\u003e\n3.\t\"William Hull\" Detroit Historical Society. Detroit Encyclopedia. Accessed June 7, 2022. \nhttps://detroithistorical.org/learn/encyclopedia-of-detroit/hull-william\u003c/p\u003e\n","\u003cp\u003e\nOther articles of interest \nMartin, Susan. \"The Unstoppable Anna Maria Mead Chalmers\" The Beehive. Massachusetts Historical Society. June 7, 2022. https://www.masshist.org/beehiveblog/2015/03/the-unstoppable-anna-maria-mead-chalmers/\u003c/p\u003e","\u003cp\u003eLock of hair belonging to Sarah Louisa P. (Hickman) Smith who was the sister of Anna Maria Hickman Otis Mead Chalmers. Louisa was born in 1811 and died at age 20 from illness. Her husband, Samuel Jenks Smith published a book of her poems in 1829. They had two children.\u003c/p\u003e","\u003cp\u003eAnnie McLellan may have been a cousin of Anna Maria Otis Mead Chalmers\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Othello Tillo Freeman (1) was enslaved by General William Hull before or at the turn of the nineteenth century. He moved with Nancy \"Ann\" Binney Hickman (1787-1847), daughter of General William Hull, from Newton, Massachusetts to Richmond, Virginia in 1838 and continued to be enslaved by the Mead Chalmers family until his death, which may have been in the 1860's. Sam had escaped from an enslaver in Louisiana and worked on the Hull farm for the last thirty years of his life [1800's to 1830's]. Jordan is described as hired out in a letter from Thomas R. Blair dated September 8, 1841. ","Anna Maria Chalmers was the granddaughter of General William Hull (1753-1825) who recollects the memories of Tillo and Sam on her grandparents farm. She was a mother of four children and became a businesswoman in Richmond, Virginia. She was a writer, an editor of the  Southern Churchmen , an educator and founder of Mrs. Mead's School for Young Ladies, and a director of The Southern Churchmen Cot (\"Retreat for the Sick\") a hospital for children. She wrote articles for the  Boston Home Journal , the  New York Tribune , and the  Southern Literary Messenger","Her mother was Nancy \"Ann\" Binney Hull Hickman and her father was Harris H. Hickman who served as a captain in the War of 1812 and the United States Navy, and died in 1824 in St. Thomas, South America. Her grandparents General William and Sarah Fuller Hull helped raise her in Newton, Massachusetts. She attended William B. Fowle's school in Boston (2) and after her father and grandparents died, she lived with her Uncle Edward and Aunt Maria Campbell, who ran a school in Marietta, Georgia. Her sister Louisa \"Louly\" Hickman Smith was a published poet who died as a young mother aged 21, in 1832 leaving a husband, Samuel Jenks Smith and their two children. ","Anna Maria Mead Chalmers survived three husbands, George Alexander Otis (1803-1831), Zachariah Mead (1800-1840), and David Chalmers (1779?-1875?), and had three sons, living during the American Civil War, George Alexander Otis, Jr. (1830-1881) who was a field surgeon in the Massachusetts 27th volunteers and assistant surgeon general of the army,  William Zachariah Mead, (1838-1864) who fought at Murfreesboro and died fighting for the Tennessee Army in the Confederacy in the Battle of Resaca, Georgia, and Edward C. Mead (1837-1908) who traveled to Australia in search of financial independence with a stint in gold digging, and settled on a farm in Keswick, Virginia.","Anna Maria's first husband, George Otis was a young lawyer who died from consumption one year after their marriage in 1831. Their first and only son was Dr. George Alexander Otis. Zachariah Mead, her second husband was a reverend at the Grace Episcopal Church in Cismont, Virginia, an assistant clergyman at Monumental, Saint James's, and Saint John's Episcopal Churches in Richmond and the editor of the  Southern Churchmen  also in Richmond, Virginia. They had two sons Edward, and William, and a daughter Louisa who died as a child. She married a third time in 1856 to David Chalmers who was a plantation owner in News Ferry, (Halifax) Virginia. He enslaved people, and educated African Americans at his school. The collection does not mention the school by name and no further details were found in the papers.","In 1881, after her son Dr. George Otis died, Mrs. Chalmers moved in with her son Edward Mead on his farm in Keswick. They were close friends with many prominent Charlottesville families including Peter and Frances (\"Fannie\") Meriwether, Frances Poindexter, Rector, and Mrs. Ebenezer Boyd, William Cabell Rives, Franklin Minor, Thomas Walker Gilmer and Elizabeth Anderson Gilmer, and Dr. Mann Page. William Mead attended the University of Virginia and met with many of the University of Virginia's earliest professors including Basil L. Gildersleeve, Gessner Harrison, Socrates Maupin, John Minor, Schele De Vere, James L. Cabell, Frederick George Holmes, and Alfred T. Bledsoe.","Her grandfather, General William Hull was born in Derby, Connecticut in 1753 and moved to Detroit Michigan when his government work which involved the taking of land from indigenous persons led him to become the Governor of the Territory of Michigan and the commander of the Army of the Northwest Territory during the War of 1812. He was appointed by Thomas Jefferson and was a friend of General Lafayette. After being unsuccessful in fighting off the Canadians, (however claiming that the government did not give him the resources to defend Michigan) he was court-martialed by James Madison who later commuted his sentence. (3) He died in 1825 in Newton, Massachusetts. He was married to Sarah Fuller Hull. Their children were Nancy Ann Binney Hickman, Sarah McKesson (1783-1810), Maria Campbell (1788-1845) Abraham Fuller Hull (1786-1814), Rebecca Parker Clarke (1790-1865), Caroline Hull (1793-1824), Julia Knox Wheeler (1799-1842), Eliza McClellan (1784-1864), and Cornelia Page.","Sources:","1. Hurd, D. Hamilton. \"History of Middlesex County Massachusetts with Biographical Sketches of Many of Its Pioneers and Prominent Men\" Volume III. Philadelphia:J. W. Lewis and Company. 1890.\nhttps://books.google.com/books?id=mZU6AQAAIAAJ\u0026pg=PA33\u0026lpg=PA33\u0026dq=othello+%22tillo%22+freeman\u0026source=bl\u0026ots=4_Drct_uRZ\u0026sig=ACfU3U21FUtYLt8aQ7PklsGdRfOnEJ09RQ\u0026hl=en\u0026sa=X\u0026ved=2ahUKEwjRqtK1sYr5AhV0EFkFHRYkAg0Q6AF6BAgdEAM#v=onepage\u0026q=othello%20%22tillo%22%20freeman\u0026f=false","\n2.\tDuval, Maria Pendleton. \"The Lengthened Shadow of a Woman\" Richmond Times Dispatch. August 10, 1913 (Description of Anna Maria Mead Chalmers education in William B. Fowle's school as being the best in Boston and Mrs Chalmer's school as being up to the standards of Harvard) From the collection.","\n3.\t\"William Hull\" Detroit Historical Society. Detroit Encyclopedia. Accessed June 7, 2022. \nhttps://detroithistorical.org/learn/encyclopedia-of-detroit/hull-william","\nOther articles of interest \nMartin, Susan. \"The Unstoppable Anna Maria Mead Chalmers\" The Beehive. Massachusetts Historical Society. June 7, 2022. https://www.masshist.org/beehiveblog/2015/03/the-unstoppable-anna-maria-mead-chalmers/","Lock of hair belonging to Sarah Louisa P. (Hickman) Smith who was the sister of Anna Maria Hickman Otis Mead Chalmers. Louisa was born in 1811 and died at age 20 from illness. Her husband, Samuel Jenks Smith published a book of her poems in 1829. They had two children.","Annie McLellan may have been a cousin of Anna Maria Otis Mead Chalmers"],"prefercite_html_tesm":["\u003cp\u003eMSS 4966, Anna Maria Hickman Otis Mead Chalmers papers, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 4966, Anna Maria Hickman Otis Mead Chalmers papers, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of Anna Maria (Campbell Hickman) Otis Mead Chalmers (1809-1891) and her family offer a deep look into a 19th century American family with a sharp focus on enslaved and formerly enslaved persons. The collection documents the life of a young, widowed woman, Anna Maria Mead Chalmers, who was the granddaughter of General William Hull (1753-1825). She was a mother of four children and became a businesswoman in Richmond, Virginia. She was a writer, an editor of the Southern Churchmen, an educator and founder of Mrs. Mead's School for Young Ladies, and a director of The Southern Churchmen Cot (\"Retreat for the Sick\"), a hospital for children. Anna Maria's family enslaved people who are represented in the papers including Othello \"Tillo\" Freeman (1790's-1860's?). It includes a letter from William written in [1875], who was their carriage driver, and letters about Sam the fiddler, who settled on the farm after escaping harsher enslavement in Louisianna, and Jordan who was described as being hired out in a letter dated September 8, 1841 from Thomas R. Blair.\u003c/p\u003e\n","\u003cp\u003eIn the correspondence of the Mead-Chalmers family, are letters describing Othello Tillo Freeman. There is also a will of Nancy \"Ann\" Binney Hull Hickman (1787-1847), mother of Anna Maria Chalmers, that left a stipulation providing room and board for Tillo. \u003c/p\u003e\n","\u003cp\u003eLetters also show that the family inquired about slave laws for travelling so that they could bring Tillo with them when they moved from Newton, Massachusetts to Richmond, Virginia in 1838. The family is characterized as being kind to enslaved persons by providing for them and educating them however this description does not take into consideration that they never had the opportunities that existed for free white men. \u003c/p\u003e\n","\u003cp\u003eThere is also a leather-bound account book with the first names of enslaved persons.  It is not clear who owns the book or the location of the enslaved persons, but it has an extensive list of first names and dates from 1767 to 1845. Also included in the account book are records for horses and business transactions. \u003c/p\u003e\n","\u003cp\u003e The letters from William C. Mead (son of Anna Maria Chalmers) and his friends and family describe skirmishes and battles in the Civil War including Murfreesboro, Tennessee and Resaca, Georgia. Included in the collection are letters about succession and anxiety about the conflict between the states. Also included is a carte de visite of Lieutenant William Mead, n.d.; a testimony to the gallantry of William L. Mead signed by J.E.B. Stuart; an oath of allegiance to the Confederacy; a map of Chattanooga \u0026amp; Environs November 15, 1863; a notice that William Z. Mead has been appointed 1st Lieutenant, 1st Battalion Sharp Shooters; a pass allowing Mrs. Anna Maria Chambers to cross the lines with a hat box and carpet bag; and a memorandum sent to General Joseph Wheeler, concerning  personal items taken from the body of Lieutenant William Mead following his death at Resaca, Georgia in 1864.\u003c/p\u003e\n","\u003cp\u003eWilliam Mead graduated from the University of Virginia in 1857 before the Civil War began. The collection has many references to Charlottesville and the University of Virginia, including comments about university professors Basil L. Gildersleeve, Gessner Harrison, Socrates Maupin, John Minor, Schele De Vere, James L. Cabell, Frederick George Holmes, and Alfred T. Bledsoe. Charlottesville families include Peter and Frances (\"Fannie\") Meriwether, Frances Poindexter, Rector, and Mrs. Ebenezer Boyd, William Cabell Rives, Franklin Minor, Thomas Walker Gilmer and Elizabeth Anderson Gilmer, and Dr. Mann Page.\u003c/p\u003e\n","\u003cp\u003eAnna Maria Otis Mead Chalmers was extraordinary in having been as well educated as any man in Boston (1) and was able to share her knowledge with other privileged young white girls through her school, including Amélie Rives Troubetzkoy, the famous writer.The collection includes examination questions,correspondence about the school and a newspaper article in the \u003cemph render=\"italic\"\u003e The Richmond Times Dispatch\u003c/emph\u003e dated August 10, 1913 describing Mrs. Mead Chalmers. There are also handwritten poems, short stories, and miscellaneous writings in the collection, including an essay on \"Virginia Before and After the Civil War.\" \u003c/p\u003e\n","\u003cp\u003eThe collection also includes correspondence from Anna Maria Mead Chalmer's cousins, Samuel Clarke,James Freeman Clarke (1810-1888) and his sister, Sarah Ann Freeman Clarke (1808-1896). Sarah Clarke was a landscape artist, a world traveler, and a member of the transcendentalist movement.(2) James Clarke was an American theologian, author, and abolitionist.(3) Mrs. Mead Chalmers and her cousins were friends with literary authors including Edgar Allan Poe, Nathaniel P. Willis, Ralph Waldo Emerson, and Oliver Wendell Holmes.The letters refer to these individuals but there is no correspondence with them.\u003c/p\u003e\n","\u003cp\u003eUnrelated to anything else in the collection, is a miscellaneous item which is a specimen of the first telegraphic writing made on the first telegraph in this country by Professor Morse in 1847.\u003c/p\u003e\n","\u003cp\u003e\nAlso of interest in the collection are letters about General William Hull (1753-1825) who fought in the American Revolutionary War and the War of 1812. His work with the government involved taking land from indigenous persons. In the end, he was charged by the government of not properly defending Detroit in the War of 1812, but President James Madison commuted his sentence.(4) For years, the family and descendants refuted the charges and filed a claim to receive his backpay. In contrast to General Hull's work with the government, is a newspaper clipping of a sermon by Bishop Henry Benjamin Whipple (1822-1901) printed in 1876 which displays Whipple's outrage at the United States government for taking lands from indigenous persons.\u003c/p\u003e\n","\u003cp\u003eFrom the taking away of the  lands of indigenous persons, to enslavement of African Americans, to a widowed woman trying to earn a living in the nineteenth century, with history about the War of 1812 and the American Civil War, as well as politics, religion, transcendentalism, local Charlottesville history and professors at the University of Virginia, this is a collection of letters rich in history that shows the inner workings of government, society, and people and its effects on everyday life. Collections like these help us to envision our collective past and broaden our perspective on our history and our future. This one is worth a deep dive into the history of the nineteenth century locally and nationally.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003e1. Duval, Maria Pendleton. \"The Lengthened Shadow of a Woman\" Richmond Times Dispatch. August 10, 1913 (Description of Anna Maria Mead Chalmers education in William B. Fowle's school as being the best in Boston and Mrs Chalmer's school as being up to the standards of Harvard) \u003c/p\u003e\n","\u003cp\u003e2. Maas, Judith. \"Sarah Freeman Clarke: Artist, Traveler, Diarist\" The Beehive. Massachusetts Historical Society. November 21, 2019  \nhttps://www.masshist.org/beehiveblog/2019/11/sarah-freeman-clarke-artist-traveler-diarist/ \u003c/p\u003e\n","\u003cp\u003e3.\"James Freeman Clarke.\" Wikipedia. Accessed June 7, 2022. https://en.wikipedia.org/wiki/James_Freeman_Clarke\u003c/p\u003e\n","\u003cp\u003e\n4. \"William Hull\" Detroit Historical Society. Detroit Encyclopedia. Accessed June 7, 2022. https://detroithistorical.org/learn/encyclopedia-of-detroit/hull-william\u003c/p\u003e\n","\u003cp\u003e\nOther articles of interest \nMartin, Susan. \"The Unstoppable Anna Maria Mead Chalmers\" The Beehive. Massachusetts Historical Society. June 7, 2022. https://www.masshist.org/beehiveblog/2015/03/the-unstoppable-anna-maria-mead-chalmers/\u003c/p\u003e","\u003cp\u003eIncluded are comments about University of Virginia Professors Gessner Harrison, John B. Minor, Socrates Maupin, Basil L. Gildersleeve, Maximilan Schele De Vere, James Lawrence Cabell, and William Holmes McGuffey. Included is a letter from Professor Gildersleeve to Dr. George Otis, Jr. dated 1876. Dr. Otis was the first born son of Anna Maria Otis Mead Chalmers.\u003c/p\u003e","\u003cp\u003eCondolences on the death of daughter Louisa and her mother Nancy Binney Hull Hickman.\u003c/p\u003e","\u003cp\u003eIncludes correspondence of Richard Gambill 1851-1856. There is also a letter from Thomas Walker Gilmer to Richard Gambill from 1833.\u003c/p\u003e","\u003cp\u003eOther cousins may be included in this correspondence including McLellans and Clouds.\u003c/p\u003e","\u003cp\u003eSamuel C. Clarke writes to his cousin Anna Maria Otis Mead Chalmers about his attitudes towards Freedmen after enslavement, and their working and living conditions.\u003c/p\u003e","\u003cp\u003eIncludes small broadside of Sarah Clark art exhibit\u003c/p\u003e","\u003cp\u003eLetters about starting the school, procurement of teachers,letters from parents, and examinations.\u003c/p\u003e","\u003cp\u003eLetters and notes about purchase of the newspaper and maintaining its operation.\u003c/p\u003e","\u003cp\u003ePapers related to raising money and operating a charity hospital for children in Richmond, Virginia\u003c/p\u003e","\u003cp\u003e\"The Lengthened Shadow\" of a Woman\" by Maria Pendleton Duval in the Ricmond Times Dispatch is a newspaper aticle about how Anna Maria Otis Mead Chalmers started Mrs. Mead's School for Young Ladies and how it influenced the opening of the Virginia Female Institute in Staunton, Virginia. Mrs Chalmers taught female students using the same curriculum as Harvard College.\u003c/p\u003e","\u003cp\u003eEnslavement, letters from former enslaved people, and information about African American schools, and teaching African Americans to read the bible\u003c/p\u003e","\u003cp\u003eZachariah Mead (husband of Anna Maria Otis Mead Chalmers) writes a letter to his mother-in-law Nancy Binney \"Anne\" Hickman dated August 24, 1838 in which he describes to her the legislation required for bringing enslaved persons to another state. The family wants to move  from Newton, Massachusetts to Richmond, Virginia and take Othello \"Tillo\" Freeman with them.\u003c/p\u003e","\u003cp\u003eBlair writes that the bond agreement was for him to keep Jordan until October when servants would be returning from the Springs, but he will return him if she needs his services.\u003c/p\u003e","\u003cp\u003eIn her last will and testament, \"I direct that my old servant Othello Freeman, be supported from my estate, in such manner as my said executrive, may think proper.\"\u003c/p\u003e","\u003cp\u003eLetter from the Hickman's accountant, Joseph Bacon, that Othello \"Tillo\" Freeman,  who was enslaved by the Hull and Mead family, was removed from the Mclellan household (sister of \"Ann\" Nancy Binney Hickman) and was being boarded at Mr. White's. He writes that Tillo cannot do any work,is not well, and needs medical attention.  Mr. White wants more money to board and take care of him.\u003c/p\u003e","\u003cp\u003eIncludes unidentified letter to Anna Maria Mead Chalmers about her being honored as a teacher, and her treatment of \"Tillo\".\u003c/p\u003e","\u003cp\u003eMr. Potter says that he has heard good accounts of the school. No details are included.\u003c/p\u003e","\u003cp\u003eA note signed \"Massing Bird\" to [Frances] E. Meriwether asking to buy a horse. His son has taken his horse so he needs to buy one.\u003c/p\u003e","\u003cp\u003eLetter written by \"Old William\" who was the carriage driver for Mr. and Mrs. Chalmers. He writes to Mrs. Chalmers after the death of Mr. Chalmers about his fondness for them.\u003c/p\u003e","\u003cp\u003eLetter from Anna Maria Otis Mead Chalmers describing her memories of her grandfather General William Hull to her cousin James Freeman Clarke. Mrs. Chalmers recollects that her grandfather required Othello \"Tillo\" Freeman who they enslaved to be present in Church.\u003c/p\u003e","\u003cp\u003eOne page argument for the Southern Planter's claim that they need the  Freedmen to labor their crops. Author unidentified, undated.\u003c/p\u003e","\u003cp\u003eCorrespondence of the Mead family, Meriwether family, George H. Geyer and others describing camp life, skirmishes and battles, and officers, including General Stonewall Jackson, General Longstreet, General Braggs, General McLellan, and General Grant\u003c/p\u003e","\u003cp\u003eIncludes a testimony to the gallantry of William L. Mead signed by J.E.B. Stuart; an oath of allegiance to the Confederacy; a map of Chattanooga \u0026amp; Environs November 15, 1863; a notice that William Z. Mead has been appointed 1st Lieut., 1st Battalion Sharp Shooters; a pass allowing Mrs. Anna M. Chambers to cross the lines with a hat box and carpet bag; and a memorandum sent to Gen. Joseph Wheeler, concerning  personal items taken from the body of Mead following his death at Resaca, Ga., 1864.\u003c/p\u003e","\u003cp\u003eSome letters and notes about the genealogy of the Mead family\u003c/p\u003e","\u003cp\u003ePhotographs identified as Lieutenant William Zachariah Mead, Fannie Chalmers, and Marion Kollock.\u003c/p\u003e","\u003cp\u003eIncludes article about Bishop Whipple sermon supporting Indigenous persons; article about James Freeman Clarke, other obituaries, and various miscellaneous items including a football game at Pantops Academy.\u003c/p\u003e","\u003cp\u003eJohn Greenleaf Whittier \"The Singer\" from the Atlantic Monthly, devotional prayers, and miscellaneous\u003c/p\u003e","\u003cp\u003eArticle Isaac McLellan, Sunday School brochures, advertisement for the Rockbridge Baths, Liturgy of the Holy Eucharist by N. W. Camp, and religious printed materials.\u003c/p\u003e","\u003cp\u003eCertificate of Distinction from La Fourches School, Keswick, Virginia for Henry B. Mead; Anna Maria Chalmers marriage certificate; and Kappa Alpha In Universitate Virginiae broadside.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The papers of Anna Maria (Campbell Hickman) Otis Mead Chalmers (1809-1891) and her family offer a deep look into a 19th century American family with a sharp focus on enslaved and formerly enslaved persons. The collection documents the life of a young, widowed woman, Anna Maria Mead Chalmers, who was the granddaughter of General William Hull (1753-1825). She was a mother of four children and became a businesswoman in Richmond, Virginia. She was a writer, an editor of the Southern Churchmen, an educator and founder of Mrs. Mead's School for Young Ladies, and a director of The Southern Churchmen Cot (\"Retreat for the Sick\"), a hospital for children. Anna Maria's family enslaved people who are represented in the papers including Othello \"Tillo\" Freeman (1790's-1860's?). It includes a letter from William written in [1875], who was their carriage driver, and letters about Sam the fiddler, who settled on the farm after escaping harsher enslavement in Louisianna, and Jordan who was described as being hired out in a letter dated September 8, 1841 from Thomas R. Blair.","In the correspondence of the Mead-Chalmers family, are letters describing Othello Tillo Freeman. There is also a will of Nancy \"Ann\" Binney Hull Hickman (1787-1847), mother of Anna Maria Chalmers, that left a stipulation providing room and board for Tillo. ","Letters also show that the family inquired about slave laws for travelling so that they could bring Tillo with them when they moved from Newton, Massachusetts to Richmond, Virginia in 1838. The family is characterized as being kind to enslaved persons by providing for them and educating them however this description does not take into consideration that they never had the opportunities that existed for free white men. ","There is also a leather-bound account book with the first names of enslaved persons.  It is not clear who owns the book or the location of the enslaved persons, but it has an extensive list of first names and dates from 1767 to 1845. Also included in the account book are records for horses and business transactions. "," The letters from William C. Mead (son of Anna Maria Chalmers) and his friends and family describe skirmishes and battles in the Civil War including Murfreesboro, Tennessee and Resaca, Georgia. Included in the collection are letters about succession and anxiety about the conflict between the states. Also included is a carte de visite of Lieutenant William Mead, n.d.; a testimony to the gallantry of William L. Mead signed by J.E.B. Stuart; an oath of allegiance to the Confederacy; a map of Chattanooga \u0026 Environs November 15, 1863; a notice that William Z. Mead has been appointed 1st Lieutenant, 1st Battalion Sharp Shooters; a pass allowing Mrs. Anna Maria Chambers to cross the lines with a hat box and carpet bag; and a memorandum sent to General Joseph Wheeler, concerning  personal items taken from the body of Lieutenant William Mead following his death at Resaca, Georgia in 1864.","William Mead graduated from the University of Virginia in 1857 before the Civil War began. The collection has many references to Charlottesville and the University of Virginia, including comments about university professors Basil L. Gildersleeve, Gessner Harrison, Socrates Maupin, John Minor, Schele De Vere, James L. Cabell, Frederick George Holmes, and Alfred T. Bledsoe. Charlottesville families include Peter and Frances (\"Fannie\") Meriwether, Frances Poindexter, Rector, and Mrs. Ebenezer Boyd, William Cabell Rives, Franklin Minor, Thomas Walker Gilmer and Elizabeth Anderson Gilmer, and Dr. Mann Page.","Anna Maria Otis Mead Chalmers was extraordinary in having been as well educated as any man in Boston (1) and was able to share her knowledge with other privileged young white girls through her school, including Amélie Rives Troubetzkoy, the famous writer.The collection includes examination questions,correspondence about the school and a newspaper article in the   The Richmond Times Dispatch  dated August 10, 1913 describing Mrs. Mead Chalmers. There are also handwritten poems, short stories, and miscellaneous writings in the collection, including an essay on \"Virginia Before and After the Civil War.\" ","The collection also includes correspondence from Anna Maria Mead Chalmer's cousins, Samuel Clarke,James Freeman Clarke (1810-1888) and his sister, Sarah Ann Freeman Clarke (1808-1896). Sarah Clarke was a landscape artist, a world traveler, and a member of the transcendentalist movement.(2) James Clarke was an American theologian, author, and abolitionist.(3) Mrs. Mead Chalmers and her cousins were friends with literary authors including Edgar Allan Poe, Nathaniel P. Willis, Ralph Waldo Emerson, and Oliver Wendell Holmes.The letters refer to these individuals but there is no correspondence with them.","Unrelated to anything else in the collection, is a miscellaneous item which is a specimen of the first telegraphic writing made on the first telegraph in this country by Professor Morse in 1847.","\nAlso of interest in the collection are letters about General William Hull (1753-1825) who fought in the American Revolutionary War and the War of 1812. His work with the government involved taking land from indigenous persons. In the end, he was charged by the government of not properly defending Detroit in the War of 1812, but President James Madison commuted his sentence.(4) For years, the family and descendants refuted the charges and filed a claim to receive his backpay. In contrast to General Hull's work with the government, is a newspaper clipping of a sermon by Bishop Henry Benjamin Whipple (1822-1901) printed in 1876 which displays Whipple's outrage at the United States government for taking lands from indigenous persons.","From the taking away of the  lands of indigenous persons, to enslavement of African Americans, to a widowed woman trying to earn a living in the nineteenth century, with history about the War of 1812 and the American Civil War, as well as politics, religion, transcendentalism, local Charlottesville history and professors at the University of Virginia, this is a collection of letters rich in history that shows the inner workings of government, society, and people and its effects on everyday life. Collections like these help us to envision our collective past and broaden our perspective on our history and our future. This one is worth a deep dive into the history of the nineteenth century locally and nationally.","Sources:","1. Duval, Maria Pendleton. \"The Lengthened Shadow of a Woman\" Richmond Times Dispatch. August 10, 1913 (Description of Anna Maria Mead Chalmers education in William B. Fowle's school as being the best in Boston and Mrs Chalmer's school as being up to the standards of Harvard) ","2. Maas, Judith. \"Sarah Freeman Clarke: Artist, Traveler, Diarist\" The Beehive. Massachusetts Historical Society. November 21, 2019  \nhttps://www.masshist.org/beehiveblog/2019/11/sarah-freeman-clarke-artist-traveler-diarist/ ","3.\"James Freeman Clarke.\" Wikipedia. Accessed June 7, 2022. https://en.wikipedia.org/wiki/James_Freeman_Clarke","\n4. \"William Hull\" Detroit Historical Society. Detroit Encyclopedia. Accessed June 7, 2022. https://detroithistorical.org/learn/encyclopedia-of-detroit/hull-william","\nOther articles of interest \nMartin, Susan. \"The Unstoppable Anna Maria Mead Chalmers\" The Beehive. Massachusetts Historical Society. June 7, 2022. https://www.masshist.org/beehiveblog/2015/03/the-unstoppable-anna-maria-mead-chalmers/","Included are comments about University of Virginia Professors Gessner Harrison, John B. Minor, Socrates Maupin, Basil L. Gildersleeve, Maximilan Schele De Vere, James Lawrence Cabell, and William Holmes McGuffey. Included is a letter from Professor Gildersleeve to Dr. George Otis, Jr. dated 1876. Dr. Otis was the first born son of Anna Maria Otis Mead Chalmers.","Condolences on the death of daughter Louisa and her mother Nancy Binney Hull Hickman.","Includes correspondence of Richard Gambill 1851-1856. There is also a letter from Thomas Walker Gilmer to Richard Gambill from 1833.","Other cousins may be included in this correspondence including McLellans and Clouds.","Samuel C. Clarke writes to his cousin Anna Maria Otis Mead Chalmers about his attitudes towards Freedmen after enslavement, and their working and living conditions.","Includes small broadside of Sarah Clark art exhibit","Letters about starting the school, procurement of teachers,letters from parents, and examinations.","Letters and notes about purchase of the newspaper and maintaining its operation.","Papers related to raising money and operating a charity hospital for children in Richmond, Virginia","\"The Lengthened Shadow\" of a Woman\" by Maria Pendleton Duval in the Ricmond Times Dispatch is a newspaper aticle about how Anna Maria Otis Mead Chalmers started Mrs. Mead's School for Young Ladies and how it influenced the opening of the Virginia Female Institute in Staunton, Virginia. Mrs Chalmers taught female students using the same curriculum as Harvard College.","Enslavement, letters from former enslaved people, and information about African American schools, and teaching African Americans to read the bible","Zachariah Mead (husband of Anna Maria Otis Mead Chalmers) writes a letter to his mother-in-law Nancy Binney \"Anne\" Hickman dated August 24, 1838 in which he describes to her the legislation required for bringing enslaved persons to another state. The family wants to move  from Newton, Massachusetts to Richmond, Virginia and take Othello \"Tillo\" Freeman with them.","Blair writes that the bond agreement was for him to keep Jordan until October when servants would be returning from the Springs, but he will return him if she needs his services.","In her last will and testament, \"I direct that my old servant Othello Freeman, be supported from my estate, in such manner as my said executrive, may think proper.\"","Letter from the Hickman's accountant, Joseph Bacon, that Othello \"Tillo\" Freeman,  who was enslaved by the Hull and Mead family, was removed from the Mclellan household (sister of \"Ann\" Nancy Binney Hickman) and was being boarded at Mr. White's. He writes that Tillo cannot do any work,is not well, and needs medical attention.  Mr. White wants more money to board and take care of him.","Includes unidentified letter to Anna Maria Mead Chalmers about her being honored as a teacher, and her treatment of \"Tillo\".","Mr. Potter says that he has heard good accounts of the school. No details are included.","A note signed \"Massing Bird\" to [Frances] E. Meriwether asking to buy a horse. His son has taken his horse so he needs to buy one.","Letter written by \"Old William\" who was the carriage driver for Mr. and Mrs. Chalmers. He writes to Mrs. Chalmers after the death of Mr. Chalmers about his fondness for them.","Letter from Anna Maria Otis Mead Chalmers describing her memories of her grandfather General William Hull to her cousin James Freeman Clarke. Mrs. Chalmers recollects that her grandfather required Othello \"Tillo\" Freeman who they enslaved to be present in Church.","One page argument for the Southern Planter's claim that they need the  Freedmen to labor their crops. Author unidentified, undated.","Correspondence of the Mead family, Meriwether family, George H. Geyer and others describing camp life, skirmishes and battles, and officers, including General Stonewall Jackson, General Longstreet, General Braggs, General McLellan, and General Grant","Includes a testimony to the gallantry of William L. Mead signed by J.E.B. Stuart; an oath of allegiance to the Confederacy; a map of Chattanooga \u0026 Environs November 15, 1863; a notice that William Z. Mead has been appointed 1st Lieut., 1st Battalion Sharp Shooters; a pass allowing Mrs. Anna M. Chambers to cross the lines with a hat box and carpet bag; and a memorandum sent to Gen. Joseph Wheeler, concerning  personal items taken from the body of Mead following his death at Resaca, Ga., 1864.","Some letters and notes about the genealogy of the Mead family","Photographs identified as Lieutenant William Zachariah Mead, Fannie Chalmers, and Marion Kollock.","Includes article about Bishop Whipple sermon supporting Indigenous persons; article about James Freeman Clarke, other obituaries, and various miscellaneous items including a football game at Pantops Academy.","John Greenleaf Whittier \"The Singer\" from the Atlantic Monthly, devotional prayers, and miscellaneous","Article Isaac McLellan, Sunday School brochures, advertisement for the Rockbridge Baths, Liturgy of the Holy Eucharist by N. W. Camp, and religious printed materials.","Certificate of Distinction from La Fourches School, Keswick, Virginia for Henry B. Mead; Anna Maria Chalmers marriage certificate; and Kappa Alpha In Universitate Virginiae broadside."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":140,"online_item_count_is":1,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:45:23.850Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1222"}},{"id":"vifgm_mannmaps","type":"collection","attributes":{"title":"C. Harrison Mann, Jr. Map Collection","creator":{"id":"https://arvasarchive.org/catalog/vifgm_mannmaps#creator","type":"document_value","attributes":{"value":"Mann, Charles Harrison, Jr., 1908-1977 \n\t\t","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_mannmaps#abstract_or_scope","type":"document_value","attributes":{"value":"Donated to George Mason University Libraries in September 1978 by the Mann family, the C. Harrison Mann Jr, Map Collection comprises ninety-six maps ranging from the sixteenth to nineteenth centuries and is housed in the Special Collections \u0026amp; Archives department. Though the majority of the maps Mann collected are of Virginia, there are many pertaining to other parts of the United States and the world in the collection.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_mannmaps#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_mannmaps","ead_ssi":"vifgm_mannmaps","_root_":"vifgm_mannmaps","_nest_parent_":"vifgm_mannmaps","ead_source_url_ssi":"data/gmu/mannmaps.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/mannmaps.html","title_ssm":["C. Harrison Mann, Jr. Map Collection"],"title_tesim":["C. Harrison Mann, Jr. Map Collection"],"unitdate_ssm":["1579-1961"],"unitdate_inclusive_ssm":["1579-1961"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0213"],"text":["C0213","C. Harrison Mann, Jr. Map Collection","Maps.","There are no access restrictions.","Selections from the C. Harrison Mann, Jr. Map Collection are also available in the \n                 .","This collection is arranged by size of map.","Charles Harrison Mann, Jr. was born in Alabama in 1908 and received his law degree from the University of Virginia in 1931. He subsequently became an attorney both in Washington, D.C. and in Arlington, Virginia where he and his wife Betty Hart Mann, maintained their home. In 1949, while serving as President of the Northern Virginia Chapter of the University of Virginia Alumni Association, Mann organized an exploratory committee of local citizens to develop support for higher education in Northern Virginia. Through these efforts, the Northern Virginia Center of the University opened in October 1, 1949.","In 1953 Mann organized the Advisory Council to the Northern Virginia Center, which agreed that a two-year branch college should be established. Elected as a Democrat to the Virginia House of Delegates from 1954-1970, Mann sponsored a resolution calling for a study of educational needs for Virginia, and was instrumental in recommending the development of a college system in Virginia, particularly the establishment of a branch in Northern Virginia.","Mann was responsible for creating an educational financial assistance program for Virginia college students, and was instrumental in sponsoring legislation allowing local governments to form regional boards to acquire and transfer land and buildings for educational use.","He also served as the Chairman of George Mason College's first Board of Control. He sponsored bills constituting George Mason College as a branch of the University of Virginia and later elevating it to a four year division of the University with the right to grant degrees and offer graduate programs. He served on the GMU Board of Visitors from 1975 to 1977. He died in 1977.","Processed by Special Collections and Archives staff. EAD markup completed in July 2012 by Greta Kuriger.","Special Collections and Archives also holds   and handwritten draft of his history of George Mason University. Papers pertain to his political career and include subject files, memoranda, campaign materials, speeches, newsclippings and other related materials. In addition, there is the C. Harrison Mann, Jr. collection of rare books and atlases that can be found searching the GMU Libraries catalog.","New Virginia Map published ca. 1660 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20.125 in. x 24.25 in. (51.12 cm x 62.23 cm). Map depicting seventeenth-century Virginia. Titlepiece in upper center. Vignettes of Chief Powhatan in upper left and Native American figure in upper right below explanatory note. This image is based upon the 1608 map by Captain John Smith.","Map of Virginia and Florida published ca. 1640 by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copper plate engraving, color. 21.4 in. x 16.9 in. (54.35 cm x 42.93 cm). Map depicts seventeenth-century Virginia and parts of the southeast Atlantic coast. Large cartouche featuring Native American figures in upper center surrounding titlepiece. Smaller heraldic items in upper right and center of map. Cartouche featuring cherubs surrounds mileage chart in bottom center right.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale.","New Virginia Map by Arnoldis Montanus. Published in Amsterdam in 1671. Copper plate engraving, black and white. 19.3 in. x 16.28 in. (49 cm x 41.35 cm). Map depicts seventeenth-century Virginia. Titlepiece in upper right adorned with images of cherubs. Heraldic image in upper center and Explanatory Note in upper right adorned with figures of Native Americans and animals. Scale in bottom center is also surrounded by cherub figures.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland, and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale. This Map has slightly different coloration than Map 3.","New Belgium and New England published ca. 1662 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 24.3 in. x 20.45 in. (61.72 cm x 51.94 cm). Map depicts seventeenth-century New Belgium, New England, and New Netherland. Titlepiece is middle right and decorated with images of Native Americans, heraldic symbol, and crown. Scale is in bottom left and decorated with images of children. Other artwork in the map include vignettes of stockade-fenced settlements, animals, and ships.","Map of Virginia, Maryland, Pennsylvania, and New Jersey by John Senex (1678-1740) published 1719 in London. Copper plate engraving, color. 24 in. x 20 in. (60.96 cm x 50.8 cm). Map depicts Virginia, Maryland, Pennsylvania, and New Jersey. Titlepiece in upper left. Scale in lower right.","Peter Goos. 17x21.","Homann. 20x23.","Map of Virginia and Maryland by Herman Moll (1654-1732). Published in London ca. 1700. Copper plate Engraving, color. 9.5 in. x 13.85 in. (24.14 cm x 35.18 cm). Map depicts Virginia, Maryland and parts of southern New Jersey. Unadorned titlepiece in upper left.","Map of Virginia and Maryland by Gilles Robert de Vaugondy (1688-1766) published in 1755. Copper plate engraving, color. 31.75 in x 21.5 in (80.64 cm x 54.61 cm). Map depicting Virginia, Maryland, and parts of Pennsylvania and Delaware. Titlepiece and scale in bottom right has cartouche of flora.","State of Virginia Map by Samuel Lewis, Philadelphia. Copper plate engraving, black and white. 21.3 in. x 16.9 in. (54.1 cm x 42.9 cm). Map depicting Virginia, the Northwest Territory, and parts of Maryland. Titlepiece with scale in upper left.","Unidentified. 10x15.","Map of Virginia and Maryland by Emmanuel Bowen. Copper plate engraving, color. 9.75 in. x 16 in. (24.76 cm x 40.64 cm). Map depicts eighteenth-century Virginia, Maryland, and part of New Jersey. Titlepiece and scale are in bottom right.","New Map of Maryland by John Ogilby (1600-1676). Copper plate engraving, color. 20.15 in. x 16.21 in. (51.18 cm x 41.17 cm). Map depicts seventeenth-century Maryland and parts of both Virginia, and New Jersey. Ornate Titlepiece is in top center of map. Dedication, adorned with the coat of arms of Lord Baltimore, is in the upper right, and scale in lower left.","Map of North America by Pierre Schenk (1660-1718) of Amsterdam. Copper plate engraving, color. 25 in. x 20.5 in. (63.5 cm x 52.07 cm). Map depicts eighteenth-century North America. European territorial possessions are colored in. Ornately decorated titlepiece featuring mythological sea creatures is in upper right. Advertisement and scale are in upper left.","Ortelius. 19x23.","Copper plate engraving, color. 8 in. x 11 in (20.32 cm x 27.94 cm). Map depicting the world's continents as seen from the vantage point of the North Pole. No identification, though \"1680\" penciled-in on verso.","America or New World Newly Described by Abraham Ortelius (1528-1598). Copper plate engraving, black and white. 20.25 in x 15.6 in (51.43 cm x 39.62 cm). Map of North and South America. Ornately decorated titlepiece in lower left and sailing ships in center.","Map of Caribbean islands and Gulf of Mexico by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copperplate engraving, color. 23 in. x 19.25 in. (58.42 cm x 48.89 cm). Map depicting Gulf of Mexico and Caribbean Islands and parts of North, South, and Central America. Titlepiece in upper left flanked by cherubs. Ornate dedication in lower left and scale in lower right.","Map of North and South America by Herman Moll (1654-1732), London. Copper plate engraving, color. 9 in. x 14 in. (22.86 cm x 35.56 cm). Map depicts eighteenth-century North and South America. Titlepiece in top left of map.","Map of North and Central America by Guillame Delisle (1675-1726) of Paris. Copper plate engraving, color. 21 in x 25 in (53.34 cm x 63.5 cm). Map depicting the eastern part of North America and Central America. Ornately decorated titlepiece in upper left featuring mythical sea figures and scale in upper right.","Map of the United States by William Faden (1750-1836). Published 1796 in London. Copper plate engraving, color. 23 in. x 31 in. (58.42 cm x 78.74 cm). Map depicts the eighteenth-century United States of America and parts of Canada. Titlepiece in bottom right is decorated with images having to do with shipping and trade. Scale is in bottom left.","Map of Chesapeake Bay Area of Virginia, Mark Tiddeman, London. Copper plate engraving, color. 19 in. x 23.5 in. (48.26 cm x 59.69 cm). Map depicts eighteenth-century Tidewater and Chesapeake Bay area of Virginia. Titlepiece in bottom left. Scale is in bottom center.","Map of North America, J. Spillsbury, London. Copper plate engraving, color. 11 in. x 15 in. (27.94 cm x 38.1 cm). Eighteenth-century map depicting North America. Titlepiece is in bottom right. European territorial claims are delineated by colored outlining.","Map of American Colonies by Thomas Bowen (1700-1763), London. Copper plate engraving, color. 9 in. x 12 in. (22.86 cm x 30.48 cm). Map depicting the eighteenth-century American colonies. Titlepiece in lower right flanked by images of Native Americans. Scale in middle right.","Map of North America by Simon Bolton and engraved by R.W. Seale. Copper plate engraving, color. 21 in. x 26 in. (53.34 cm x 66.04 cm). Map depicts eighteenth-century British and French North America. Large decorated titlepiece in lower right adorned with images of cherubs, a Native American figure, animals, and plants.","New Map of the World, by A. F. De wit. Copper plate engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Seventeenth-century map of the world depicting the eastern and western hemispheres surrounded by images of the seasons, elements, and mythological figures.","World map showing eastern and western hemispheres, G.M. Lowitz. Copper plate engraving, color. 20 in. x 24 in. (49 cm x 41.35 cm). Eighteenth-century map depicting the eastern and western hemispheres of the world. Titlepieces in both upper left (Latin) and upper right (French) adorned with images of flora and fauna. Map has four insets, which depict the Arctic, Antarctic, Horizon of Nuremburg, and the Antipodes of Nuremburg.","Blaeu. 17x21.","Map of England and part of Scotland by Guliel Hole (d. 1624). Copper plate engraving, color. 12 in. x 13 in. (30.48 cm x 33.02 cm). Seventeenth-century map of England and Scotland. Titlepiece in upper right adorned with ornate cartouche featuring a crown and colorful embellishments. Large compass rose in lower left.","Map of the Isle of Wight, Joan Bleau (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 24 in. (50.8 cm x 60.96 cm). Seventeenth-century map of the Isle of Wight off the southern English coast. Title piece in lower left has cartouche featuring a coat of arms, and animals. Scale, adorned with globe, in lower right.","Bleau. 20x24.","Blaeu. 20x24.","John Rocque. 40x50. London. Two sheets.","Map of Warwickshire, England published ca. 1646 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 25 in. (50.8 cm x 63.5 cm). Map depicting seventeenth-century Warwickshire, England. Titlepiece in bottom left decorated with cartouche of fruits and flowers. Coats of arms in top left and bottom right, and scale in top right.","Bellin. 23x36. Paris.","I. Harrison. 21x32. Two sheet map.","Map of the Western Hemisphere published by J. Covens and C. Mortimer in Amsterdam. Copper plate engraving, color. 20 in. x 20 in. (50.8 cm x 50.8 cm). Map depicting eighteenth-century Western Hemisphere (North and South America and Pacific islands). Title in upper part of map. European territorial holdings are outlined in color.","Unidentified. 19x24.","Unidentified. 21x24. Paris.","LaRouge. 21x29. Paris.","From Pinkerton's Atlas. 24x40. London.","Map of roads between Chelmsford and Dover, England published by John Ogilby (1600-1676). Copper plate engraving, color. 15 in. x 18 in. (38.1 cm x 45.72 cm). Map depicts seventeenth-century road from Chelmsford to Dover, England. Titlepiece is in top center of map with a cartouche of mythological sea creatures and figures.","Map of road from London to Bury, England by J. Gibson and published circa 1720. Copper plate engraving, color. 7 in. x 12 in. (17.78 cm x 30.48 cm). Map depicts eighteenth-century road from London to Bury, England. Title runs entire length of map at top. Road is divided into ten numbered columns and towns and mileages are labeled.","2-sheet map of southern London by Christophe Homan (1703-30) and published 1736. Copper plate engraving, color. 25 in. x 31 in. (63.5 cm x 78.74 cm). 2-sheet map depicting eighteenth-century south London, England. Titlepiece in lower right with Lion and Unicorn Cartouche. Title of map is in Latin, while place and street names are in English. Other information is in German.","Map of Virginia, Maryland and Delaware by Henry Schenck Tanner (1786 - 1858), Philadelphia. Engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Nineteenth-century map depicting Virginia, Maryland, and Delaware. Titlepiece is in top center. Scale and Explanation are in bottom center. Counties within each state are colored, while bordering states are left white.","Unidentified. 12x15. Includes: a) Virginia and Maryland, b) Texas, c) Arizona and New Mexica, d) Kentucky and Tennessee, e) Floriday, f) Georgia and Alabama, g) North and South Caroline, h) Baltimore, MD.","Wilkinson. 11x13. London.","Cadell and Davies. 23x30. London.","Unidentified. 9x11.","A. J. Johnson. 18x26. New York.","A. J. Johnson. 18x26. Same as item 52, but a different edition.","Cowperthwait. 14x17. Philadelphia.","Cotton. 16x18. New York.","Johnson. 14x18. New York. Same as item 55.","Colton. 16x18. New York.","Seers \u0026 Co. 11x16.","Unidentified. 17x21.","Cary. 21x24. London.","Unidentified. 18x22.","Unidentified. 18x22.","Unidentified. 18x27. New York.","Begin. 15x17.","Seutter. 221x25. Pictorial map with scene of burning of Lisbon.","Unidentified. 16x32.","Herman Boye. 31x50. Example of the first official map of Virginia backed with cloth in slip case.","Major J.E. Wayes. 22x25. New York. Maps include 1) Petersburg and Five Forks, 2) Antietam, 3) Spotsylvania Courthouse, and 4) Richmond; folded maps each with a hard cover. In 2 folders.","Blackford. 20x24. Baltimore. Folded map with hard cover.","Young. 13x16. Philadelphia.","Mitchell (publisher). 22x18. Philadelphia. Folding traveler's map in red morocco folder (3x5); map torn in folds, folder chipped and rubbed. In the same folder as item 70.","By Richard Long. 21x25. Manuscript map on parchment showing the future site of the Scottish Colony near Panama which existed from 1698 to 1699, when it was captured by the Spanish Army. Darien was to be the Scottish Jamestown and was part of the British effort to expand southward into the Caribbean. The few survivors found refuge in Jamaica.","Wytfliet. 9x12. Louvon.","Ortelius. 17x21. Map from early atlas.","Hondius. 19x23. Hondius edition of John Smith map of 1608.","12x19. Amsterdam.","Leide. 15x19.","27x29. Washington D.C.","There are no restrictions on personal use. Permission to publish material from the C. Harrison Mann, Jr. Map Collection must be obtained from Special Collections Research Center, George Mason University Libraries.","Donated to George Mason University Libraries in September 1978 by the Mann family, the C. Harrison Mann Jr, Map Collection comprises ninety-six maps ranging from the sixteenth to nineteenth centuries and is housed in the Special Collections \u0026 Archives department. Though the majority of the maps Mann collected are of Virginia, there are many pertaining to other parts of the United States and the world in the collection.","George Mason University. Libraries. Special Collections \u0026 Archives","Mann, Charles Harrison, Jr., 1908-1977 \n\t\t","English\n\t\t"],"unitid_tesim":["C0213"],"normalized_title_ssm":["C. Harrison Mann, Jr. Map Collection"],"collection_title_tesim":["C. Harrison Mann, Jr. Map Collection"],"collection_ssim":["C. Harrison Mann, Jr. Map Collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"creator_ssim":["Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"creator_persname_ssim":["Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"creators_ssim":["Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the C. Harrison Mann, Jr. Map Collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Collection donated by Betty Hart Mann in 1979."],"access_subjects_ssim":["Maps."],"access_subjects_ssm":["Maps."],"has_online_content_ssim":["true"],"extent_ssm":["5 linear feet (90 folders)"],"extent_tesim":["5 linear feet (90 folders)"],"date_range_isim":[1579,1580,1581,1582,1583,1584,1585,1586,1587,1588,1589,1590,1591,1592,1593,1594,1595,1596,1597,1598,1599,1600,1601,1602,1603,1604,1605,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eSelections from the C. Harrison Mann, Jr. Map Collection are also available in the \n                \u003cextptr type=\"simple\" show=\"new\" title=\"C. Harrison Mann, Jr. Digitized Map Collection\" href=\"http://digilib.gmu.edu:8080/dspace/handle/1920/1935\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Selections from the C. Harrison Mann, Jr. Map Collection are also available in the \n                 ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by size of map.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by size of map."],"bioghist_html_tesm":["\u003cp\u003eCharles Harrison Mann, Jr. was born in Alabama in 1908 and received his law degree from the University of Virginia in 1931. He subsequently became an attorney both in Washington, D.C. and in Arlington, Virginia where he and his wife Betty Hart Mann, maintained their home. In 1949, while serving as President of the Northern Virginia Chapter of the University of Virginia Alumni Association, Mann organized an exploratory committee of local citizens to develop support for higher education in Northern Virginia. Through these efforts, the Northern Virginia Center of the University opened in October 1, 1949.\u003c/p\u003e","\u003cp\u003eIn 1953 Mann organized the Advisory Council to the Northern Virginia Center, which agreed that a two-year branch college should be established. Elected as a Democrat to the Virginia House of Delegates from 1954-1970, Mann sponsored a resolution calling for a study of educational needs for Virginia, and was instrumental in recommending the development of a college system in Virginia, particularly the establishment of a branch in Northern Virginia.\u003c/p\u003e","\u003cp\u003eMann was responsible for creating an educational financial assistance program for Virginia college students, and was instrumental in sponsoring legislation allowing local governments to form regional boards to acquire and transfer land and buildings for educational use.\u003c/p\u003e","\u003cp\u003eHe also served as the Chairman of George Mason College's first Board of Control. He sponsored bills constituting George Mason College as a branch of the University of Virginia and later elevating it to a four year division of the University with the right to grant degrees and offer graduate programs. He served on the GMU Board of Visitors from 1975 to 1977. He died in 1977.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Charles Harrison Mann, Jr. was born in Alabama in 1908 and received his law degree from the University of Virginia in 1931. He subsequently became an attorney both in Washington, D.C. and in Arlington, Virginia where he and his wife Betty Hart Mann, maintained their home. In 1949, while serving as President of the Northern Virginia Chapter of the University of Virginia Alumni Association, Mann organized an exploratory committee of local citizens to develop support for higher education in Northern Virginia. Through these efforts, the Northern Virginia Center of the University opened in October 1, 1949.","In 1953 Mann organized the Advisory Council to the Northern Virginia Center, which agreed that a two-year branch college should be established. Elected as a Democrat to the Virginia House of Delegates from 1954-1970, Mann sponsored a resolution calling for a study of educational needs for Virginia, and was instrumental in recommending the development of a college system in Virginia, particularly the establishment of a branch in Northern Virginia.","Mann was responsible for creating an educational financial assistance program for Virginia college students, and was instrumental in sponsoring legislation allowing local governments to form regional boards to acquire and transfer land and buildings for educational use.","He also served as the Chairman of George Mason College's first Board of Control. He sponsored bills constituting George Mason College as a branch of the University of Virginia and later elevating it to a four year division of the University with the right to grant degrees and offer graduate programs. He served on the GMU Board of Visitors from 1975 to 1977. He died in 1977."],"prefercite_html_tesm":["\u003cp\u003eC. Harrison Mann, Jr. Map Collection, C0213, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["C. Harrison Mann, Jr. Map Collection, C0213, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff. EAD markup completed in July 2012 by Greta Kuriger.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections and Archives staff. EAD markup completed in July 2012 by Greta Kuriger."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds \u003cextptr type=\"simple\" show=\"new\" title=\"C. Harrison Mann, Jr.'s personal papers\" href=\"http://sca.gmu.edu/finding_aids/mann.html\"\u003e\u003c/extptr\u003e and handwritten draft of his history of George Mason University. Papers pertain to his political career and include subject files, memoranda, campaign materials, speeches, newsclippings and other related materials. In addition, there is the C. Harrison Mann, Jr. collection of rare books and atlases that can be found searching the GMU Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds   and handwritten draft of his history of George Mason University. Papers pertain to his political career and include subject files, memoranda, campaign materials, speeches, newsclippings and other related materials. In addition, there is the C. Harrison Mann, Jr. collection of rare books and atlases that can be found searching the GMU Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eNew Virginia Map published ca. 1660 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20.125 in. x 24.25 in. (51.12 cm x 62.23 cm). Map depicting seventeenth-century Virginia. Titlepiece in upper center. Vignettes of Chief Powhatan in upper left and Native American figure in upper right below explanatory note. This image is based upon the 1608 map by Captain John Smith.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Florida published ca. 1640 by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copper plate engraving, color. 21.4 in. x 16.9 in. (54.35 cm x 42.93 cm). Map depicts seventeenth-century Virginia and parts of the southeast Atlantic coast. Large cartouche featuring Native American figures in upper center surrounding titlepiece. Smaller heraldic items in upper right and center of map. Cartouche featuring cherubs surrounds mileage chart in bottom center right.\u003c/p\u003e","\u003cp\u003eBy Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale.\u003c/p\u003e","\u003cp\u003eNew Virginia Map by Arnoldis Montanus. Published in Amsterdam in 1671. Copper plate engraving, black and white. 19.3 in. x 16.28 in. (49 cm x 41.35 cm). Map depicts seventeenth-century Virginia. Titlepiece in upper right adorned with images of cherubs. Heraldic image in upper center and Explanatory Note in upper right adorned with figures of Native Americans and animals. Scale in bottom center is also surrounded by cherub figures.\u003c/p\u003e","\u003cp\u003eBy Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland, and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale. This Map has slightly different coloration than Map 3.\u003c/p\u003e","\u003cp\u003eNew Belgium and New England published ca. 1662 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 24.3 in. x 20.45 in. (61.72 cm x 51.94 cm). Map depicts seventeenth-century New Belgium, New England, and New Netherland. Titlepiece is middle right and decorated with images of Native Americans, heraldic symbol, and crown. Scale is in bottom left and decorated with images of children. Other artwork in the map include vignettes of stockade-fenced settlements, animals, and ships.\u003c/p\u003e","\u003cp\u003eMap of Virginia, Maryland, Pennsylvania, and New Jersey by John Senex (1678-1740) published 1719 in London. Copper plate engraving, color. 24 in. x 20 in. (60.96 cm x 50.8 cm). Map depicts Virginia, Maryland, Pennsylvania, and New Jersey. Titlepiece in upper left. Scale in lower right.\u003c/p\u003e","\u003cp\u003ePeter Goos. 17x21.\u003c/p\u003e","\u003cp\u003eHomann. 20x23.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Maryland by Herman Moll (1654-1732). Published in London ca. 1700. Copper plate Engraving, color. 9.5 in. x 13.85 in. (24.14 cm x 35.18 cm). Map depicts Virginia, Maryland and parts of southern New Jersey. Unadorned titlepiece in upper left.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Maryland by Gilles Robert de Vaugondy (1688-1766) published in 1755. Copper plate engraving, color. 31.75 in x 21.5 in (80.64 cm x 54.61 cm). Map depicting Virginia, Maryland, and parts of Pennsylvania and Delaware. Titlepiece and scale in bottom right has cartouche of flora.\u003c/p\u003e","\u003cp\u003eState of Virginia Map by Samuel Lewis, Philadelphia. Copper plate engraving, black and white. 21.3 in. x 16.9 in. (54.1 cm x 42.9 cm). Map depicting Virginia, the Northwest Territory, and parts of Maryland. Titlepiece with scale in upper left.\u003c/p\u003e","\u003cp\u003eUnidentified. 10x15.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Maryland by Emmanuel Bowen. Copper plate engraving, color. 9.75 in. x 16 in. (24.76 cm x 40.64 cm). Map depicts eighteenth-century Virginia, Maryland, and part of New Jersey. Titlepiece and scale are in bottom right.\u003c/p\u003e","\u003cp\u003eNew Map of Maryland by John Ogilby (1600-1676). Copper plate engraving, color. 20.15 in. x 16.21 in. (51.18 cm x 41.17 cm). Map depicts seventeenth-century Maryland and parts of both Virginia, and New Jersey. Ornate Titlepiece is in top center of map. Dedication, adorned with the coat of arms of Lord Baltimore, is in the upper right, and scale in lower left.\u003c/p\u003e","\u003cp\u003eMap of North America by Pierre Schenk (1660-1718) of Amsterdam. Copper plate engraving, color. 25 in. x 20.5 in. (63.5 cm x 52.07 cm). Map depicts eighteenth-century North America. European territorial possessions are colored in. Ornately decorated titlepiece featuring mythological sea creatures is in upper right. Advertisement and scale are in upper left.\u003c/p\u003e","\u003cp\u003eOrtelius. 19x23.\u003c/p\u003e","\u003cp\u003eCopper plate engraving, color. 8 in. x 11 in (20.32 cm x 27.94 cm). Map depicting the world's continents as seen from the vantage point of the North Pole. No identification, though \"1680\" penciled-in on verso.\u003c/p\u003e","\u003cp\u003eAmerica or New World Newly Described by Abraham Ortelius (1528-1598). Copper plate engraving, black and white. 20.25 in x 15.6 in (51.43 cm x 39.62 cm). Map of North and South America. Ornately decorated titlepiece in lower left and sailing ships in center.\u003c/p\u003e","\u003cp\u003eMap of Caribbean islands and Gulf of Mexico by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copperplate engraving, color. 23 in. x 19.25 in. (58.42 cm x 48.89 cm). Map depicting Gulf of Mexico and Caribbean Islands and parts of North, South, and Central America. Titlepiece in upper left flanked by cherubs. Ornate dedication in lower left and scale in lower right.\u003c/p\u003e","\u003cp\u003eMap of North and South America by Herman Moll (1654-1732), London. Copper plate engraving, color. 9 in. x 14 in. (22.86 cm x 35.56 cm). Map depicts eighteenth-century North and South America. Titlepiece in top left of map.\u003c/p\u003e","\u003cp\u003eMap of North and Central America by Guillame Delisle (1675-1726) of Paris. Copper plate engraving, color. 21 in x 25 in (53.34 cm x 63.5 cm). Map depicting the eastern part of North America and Central America. Ornately decorated titlepiece in upper left featuring mythical sea figures and scale in upper right.\u003c/p\u003e","\u003cp\u003eMap of the United States by William Faden (1750-1836). Published 1796 in London. Copper plate engraving, color. 23 in. x 31 in. (58.42 cm x 78.74 cm). Map depicts the eighteenth-century United States of America and parts of Canada. Titlepiece in bottom right is decorated with images having to do with shipping and trade. Scale is in bottom left.\u003c/p\u003e","\u003cp\u003eMap of Chesapeake Bay Area of Virginia, Mark Tiddeman, London. Copper plate engraving, color. 19 in. x 23.5 in. (48.26 cm x 59.69 cm). Map depicts eighteenth-century Tidewater and Chesapeake Bay area of Virginia. Titlepiece in bottom left. Scale is in bottom center.\u003c/p\u003e","\u003cp\u003eMap of North America, J. Spillsbury, London. Copper plate engraving, color. 11 in. x 15 in. (27.94 cm x 38.1 cm). Eighteenth-century map depicting North America. Titlepiece is in bottom right. European territorial claims are delineated by colored outlining.\u003c/p\u003e","\u003cp\u003eMap of American Colonies by Thomas Bowen (1700-1763), London. Copper plate engraving, color. 9 in. x 12 in. (22.86 cm x 30.48 cm). Map depicting the eighteenth-century American colonies. Titlepiece in lower right flanked by images of Native Americans. Scale in middle right.\u003c/p\u003e","\u003cp\u003eMap of North America by Simon Bolton and engraved by R.W. Seale. Copper plate engraving, color. 21 in. x 26 in. (53.34 cm x 66.04 cm). Map depicts eighteenth-century British and French North America. Large decorated titlepiece in lower right adorned with images of cherubs, a Native American figure, animals, and plants.\u003c/p\u003e","\u003cp\u003eNew Map of the World, by A. F. De wit. Copper plate engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Seventeenth-century map of the world depicting the eastern and western hemispheres surrounded by images of the seasons, elements, and mythological figures.\u003c/p\u003e","\u003cp\u003eWorld map showing eastern and western hemispheres, G.M. Lowitz. Copper plate engraving, color. 20 in. x 24 in. (49 cm x 41.35 cm). Eighteenth-century map depicting the eastern and western hemispheres of the world. Titlepieces in both upper left (Latin) and upper right (French) adorned with images of flora and fauna. Map has four insets, which depict the Arctic, Antarctic, Horizon of Nuremburg, and the Antipodes of Nuremburg.\u003c/p\u003e","\u003cp\u003eBlaeu. 17x21.\u003c/p\u003e","\u003cp\u003eMap of England and part of Scotland by Guliel Hole (d. 1624). Copper plate engraving, color. 12 in. x 13 in. (30.48 cm x 33.02 cm). Seventeenth-century map of England and Scotland. Titlepiece in upper right adorned with ornate cartouche featuring a crown and colorful embellishments. Large compass rose in lower left.\u003c/p\u003e","\u003cp\u003eMap of the Isle of Wight, Joan Bleau (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 24 in. (50.8 cm x 60.96 cm). Seventeenth-century map of the Isle of Wight off the southern English coast. Title piece in lower left has cartouche featuring a coat of arms, and animals. Scale, adorned with globe, in lower right.\u003c/p\u003e","\u003cp\u003eBleau. 20x24.\u003c/p\u003e","\u003cp\u003eBlaeu. 20x24.\u003c/p\u003e","\u003cp\u003eJohn Rocque. 40x50. London. Two sheets.\u003c/p\u003e","\u003cp\u003eMap of Warwickshire, England published ca. 1646 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 25 in. (50.8 cm x 63.5 cm). Map depicting seventeenth-century Warwickshire, England. Titlepiece in bottom left decorated with cartouche of fruits and flowers. Coats of arms in top left and bottom right, and scale in top right.\u003c/p\u003e","\u003cp\u003eBellin. 23x36. Paris.\u003c/p\u003e","\u003cp\u003eI. Harrison. 21x32. Two sheet map.\u003c/p\u003e","\u003cp\u003eMap of the Western Hemisphere published by J. Covens and C. Mortimer in Amsterdam. Copper plate engraving, color. 20 in. x 20 in. (50.8 cm x 50.8 cm). Map depicting eighteenth-century Western Hemisphere (North and South America and Pacific islands). Title in upper part of map. European territorial holdings are outlined in color.\u003c/p\u003e","\u003cp\u003eUnidentified. 19x24.\u003c/p\u003e","\u003cp\u003eUnidentified. 21x24. Paris.\u003c/p\u003e","\u003cp\u003eLaRouge. 21x29. Paris.\u003c/p\u003e","\u003cp\u003eFrom Pinkerton's Atlas. 24x40. London.\u003c/p\u003e","\u003cp\u003eMap of roads between Chelmsford and Dover, England published by John Ogilby (1600-1676). Copper plate engraving, color. 15 in. x 18 in. (38.1 cm x 45.72 cm). Map depicts seventeenth-century road from Chelmsford to Dover, England. Titlepiece is in top center of map with a cartouche of mythological sea creatures and figures.\u003c/p\u003e","\u003cp\u003eMap of road from London to Bury, England by J. Gibson and published circa 1720. Copper plate engraving, color. 7 in. x 12 in. (17.78 cm x 30.48 cm). Map depicts eighteenth-century road from London to Bury, England. Title runs entire length of map at top. Road is divided into ten numbered columns and towns and mileages are labeled.\u003c/p\u003e","\u003cp\u003e2-sheet map of southern London by Christophe Homan (1703-30) and published 1736. Copper plate engraving, color. 25 in. x 31 in. (63.5 cm x 78.74 cm). 2-sheet map depicting eighteenth-century south London, England. Titlepiece in lower right with Lion and Unicorn Cartouche. Title of map is in Latin, while place and street names are in English. Other information is in German.\u003c/p\u003e","\u003cp\u003eMap of Virginia, Maryland and Delaware by Henry Schenck Tanner (1786 - 1858), Philadelphia. Engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Nineteenth-century map depicting Virginia, Maryland, and Delaware. Titlepiece is in top center. Scale and Explanation are in bottom center. Counties within each state are colored, while bordering states are left white.\u003c/p\u003e","\u003cp\u003eUnidentified. 12x15. Includes: a) Virginia and Maryland, b) Texas, c) Arizona and New Mexica, d) Kentucky and Tennessee, e) Floriday, f) Georgia and Alabama, g) North and South Caroline, h) Baltimore, MD.\u003c/p\u003e","\u003cp\u003eWilkinson. 11x13. London.\u003c/p\u003e","\u003cp\u003eCadell and Davies. 23x30. London.\u003c/p\u003e","\u003cp\u003eUnidentified. 9x11.\u003c/p\u003e","\u003cp\u003eA. J. Johnson. 18x26. New York.\u003c/p\u003e","\u003cp\u003eA. J. Johnson. 18x26. Same as item 52, but a different edition.\u003c/p\u003e","\u003cp\u003eCowperthwait. 14x17. Philadelphia.\u003c/p\u003e","\u003cp\u003eCotton. 16x18. New York.\u003c/p\u003e","\u003cp\u003eJohnson. 14x18. New York. Same as item 55.\u003c/p\u003e","\u003cp\u003eColton. 16x18. New York.\u003c/p\u003e","\u003cp\u003eSeers \u0026amp; Co. 11x16.\u003c/p\u003e","\u003cp\u003eUnidentified. 17x21.\u003c/p\u003e","\u003cp\u003eCary. 21x24. London.\u003c/p\u003e","\u003cp\u003eUnidentified. 18x22.\u003c/p\u003e","\u003cp\u003eUnidentified. 18x22.\u003c/p\u003e","\u003cp\u003eUnidentified. 18x27. New York.\u003c/p\u003e","\u003cp\u003eBegin. 15x17.\u003c/p\u003e","\u003cp\u003eSeutter. 221x25. Pictorial map with scene of burning of Lisbon.\u003c/p\u003e","\u003cp\u003eUnidentified. 16x32.\u003c/p\u003e","\u003cp\u003eHerman Boye. 31x50. Example of the first official map of Virginia backed with cloth in slip case.\u003c/p\u003e","\u003cp\u003eMajor J.E. Wayes. 22x25. New York. Maps include 1) Petersburg and Five Forks, 2) Antietam, 3) Spotsylvania Courthouse, and 4) Richmond; folded maps each with a hard cover. In 2 folders.\u003c/p\u003e","\u003cp\u003eBlackford. 20x24. Baltimore. Folded map with hard cover.\u003c/p\u003e","\u003cp\u003eYoung. 13x16. Philadelphia.\u003c/p\u003e","\u003cp\u003eMitchell (publisher). 22x18. Philadelphia. Folding traveler's map in red morocco folder (3x5); map torn in folds, folder chipped and rubbed. In the same folder as item 70.\u003c/p\u003e","\u003cp\u003eBy Richard Long. 21x25. Manuscript map on parchment showing the future site of the Scottish Colony near Panama which existed from 1698 to 1699, when it was captured by the Spanish Army. Darien was to be the Scottish Jamestown and was part of the British effort to expand southward into the Caribbean. The few survivors found refuge in Jamaica.\u003c/p\u003e","\u003cp\u003eWytfliet. 9x12. Louvon.\u003c/p\u003e","\u003cp\u003eOrtelius. 17x21. Map from early atlas.\u003c/p\u003e","\u003cp\u003eHondius. 19x23. Hondius edition of John Smith map of 1608.\u003c/p\u003e","\u003cp\u003e12x19. Amsterdam.\u003c/p\u003e","\u003cp\u003eLeide. 15x19.\u003c/p\u003e","\u003cp\u003e27x29. Washington D.C.\u003c/p\u003e"],"scopecontent_tesim":["New Virginia Map published ca. 1660 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20.125 in. x 24.25 in. (51.12 cm x 62.23 cm). Map depicting seventeenth-century Virginia. Titlepiece in upper center. Vignettes of Chief Powhatan in upper left and Native American figure in upper right below explanatory note. This image is based upon the 1608 map by Captain John Smith.","Map of Virginia and Florida published ca. 1640 by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copper plate engraving, color. 21.4 in. x 16.9 in. (54.35 cm x 42.93 cm). Map depicts seventeenth-century Virginia and parts of the southeast Atlantic coast. Large cartouche featuring Native American figures in upper center surrounding titlepiece. Smaller heraldic items in upper right and center of map. Cartouche featuring cherubs surrounds mileage chart in bottom center right.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale.","New Virginia Map by Arnoldis Montanus. Published in Amsterdam in 1671. Copper plate engraving, black and white. 19.3 in. x 16.28 in. (49 cm x 41.35 cm). Map depicts seventeenth-century Virginia. Titlepiece in upper right adorned with images of cherubs. Heraldic image in upper center and Explanatory Note in upper right adorned with figures of Native Americans and animals. Scale in bottom center is also surrounded by cherub figures.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland, and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale. This Map has slightly different coloration than Map 3.","New Belgium and New England published ca. 1662 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 24.3 in. x 20.45 in. (61.72 cm x 51.94 cm). Map depicts seventeenth-century New Belgium, New England, and New Netherland. Titlepiece is middle right and decorated with images of Native Americans, heraldic symbol, and crown. Scale is in bottom left and decorated with images of children. Other artwork in the map include vignettes of stockade-fenced settlements, animals, and ships.","Map of Virginia, Maryland, Pennsylvania, and New Jersey by John Senex (1678-1740) published 1719 in London. Copper plate engraving, color. 24 in. x 20 in. (60.96 cm x 50.8 cm). Map depicts Virginia, Maryland, Pennsylvania, and New Jersey. Titlepiece in upper left. Scale in lower right.","Peter Goos. 17x21.","Homann. 20x23.","Map of Virginia and Maryland by Herman Moll (1654-1732). Published in London ca. 1700. Copper plate Engraving, color. 9.5 in. x 13.85 in. (24.14 cm x 35.18 cm). Map depicts Virginia, Maryland and parts of southern New Jersey. Unadorned titlepiece in upper left.","Map of Virginia and Maryland by Gilles Robert de Vaugondy (1688-1766) published in 1755. Copper plate engraving, color. 31.75 in x 21.5 in (80.64 cm x 54.61 cm). Map depicting Virginia, Maryland, and parts of Pennsylvania and Delaware. Titlepiece and scale in bottom right has cartouche of flora.","State of Virginia Map by Samuel Lewis, Philadelphia. Copper plate engraving, black and white. 21.3 in. x 16.9 in. (54.1 cm x 42.9 cm). Map depicting Virginia, the Northwest Territory, and parts of Maryland. Titlepiece with scale in upper left.","Unidentified. 10x15.","Map of Virginia and Maryland by Emmanuel Bowen. Copper plate engraving, color. 9.75 in. x 16 in. (24.76 cm x 40.64 cm). Map depicts eighteenth-century Virginia, Maryland, and part of New Jersey. Titlepiece and scale are in bottom right.","New Map of Maryland by John Ogilby (1600-1676). Copper plate engraving, color. 20.15 in. x 16.21 in. (51.18 cm x 41.17 cm). Map depicts seventeenth-century Maryland and parts of both Virginia, and New Jersey. Ornate Titlepiece is in top center of map. Dedication, adorned with the coat of arms of Lord Baltimore, is in the upper right, and scale in lower left.","Map of North America by Pierre Schenk (1660-1718) of Amsterdam. Copper plate engraving, color. 25 in. x 20.5 in. (63.5 cm x 52.07 cm). Map depicts eighteenth-century North America. European territorial possessions are colored in. Ornately decorated titlepiece featuring mythological sea creatures is in upper right. Advertisement and scale are in upper left.","Ortelius. 19x23.","Copper plate engraving, color. 8 in. x 11 in (20.32 cm x 27.94 cm). Map depicting the world's continents as seen from the vantage point of the North Pole. No identification, though \"1680\" penciled-in on verso.","America or New World Newly Described by Abraham Ortelius (1528-1598). Copper plate engraving, black and white. 20.25 in x 15.6 in (51.43 cm x 39.62 cm). Map of North and South America. Ornately decorated titlepiece in lower left and sailing ships in center.","Map of Caribbean islands and Gulf of Mexico by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copperplate engraving, color. 23 in. x 19.25 in. (58.42 cm x 48.89 cm). Map depicting Gulf of Mexico and Caribbean Islands and parts of North, South, and Central America. Titlepiece in upper left flanked by cherubs. Ornate dedication in lower left and scale in lower right.","Map of North and South America by Herman Moll (1654-1732), London. Copper plate engraving, color. 9 in. x 14 in. (22.86 cm x 35.56 cm). Map depicts eighteenth-century North and South America. Titlepiece in top left of map.","Map of North and Central America by Guillame Delisle (1675-1726) of Paris. Copper plate engraving, color. 21 in x 25 in (53.34 cm x 63.5 cm). Map depicting the eastern part of North America and Central America. Ornately decorated titlepiece in upper left featuring mythical sea figures and scale in upper right.","Map of the United States by William Faden (1750-1836). Published 1796 in London. Copper plate engraving, color. 23 in. x 31 in. (58.42 cm x 78.74 cm). Map depicts the eighteenth-century United States of America and parts of Canada. Titlepiece in bottom right is decorated with images having to do with shipping and trade. Scale is in bottom left.","Map of Chesapeake Bay Area of Virginia, Mark Tiddeman, London. Copper plate engraving, color. 19 in. x 23.5 in. (48.26 cm x 59.69 cm). Map depicts eighteenth-century Tidewater and Chesapeake Bay area of Virginia. Titlepiece in bottom left. Scale is in bottom center.","Map of North America, J. Spillsbury, London. Copper plate engraving, color. 11 in. x 15 in. (27.94 cm x 38.1 cm). Eighteenth-century map depicting North America. Titlepiece is in bottom right. European territorial claims are delineated by colored outlining.","Map of American Colonies by Thomas Bowen (1700-1763), London. Copper plate engraving, color. 9 in. x 12 in. (22.86 cm x 30.48 cm). Map depicting the eighteenth-century American colonies. Titlepiece in lower right flanked by images of Native Americans. Scale in middle right.","Map of North America by Simon Bolton and engraved by R.W. Seale. Copper plate engraving, color. 21 in. x 26 in. (53.34 cm x 66.04 cm). Map depicts eighteenth-century British and French North America. Large decorated titlepiece in lower right adorned with images of cherubs, a Native American figure, animals, and plants.","New Map of the World, by A. F. De wit. Copper plate engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Seventeenth-century map of the world depicting the eastern and western hemispheres surrounded by images of the seasons, elements, and mythological figures.","World map showing eastern and western hemispheres, G.M. Lowitz. Copper plate engraving, color. 20 in. x 24 in. (49 cm x 41.35 cm). Eighteenth-century map depicting the eastern and western hemispheres of the world. Titlepieces in both upper left (Latin) and upper right (French) adorned with images of flora and fauna. Map has four insets, which depict the Arctic, Antarctic, Horizon of Nuremburg, and the Antipodes of Nuremburg.","Blaeu. 17x21.","Map of England and part of Scotland by Guliel Hole (d. 1624). Copper plate engraving, color. 12 in. x 13 in. (30.48 cm x 33.02 cm). Seventeenth-century map of England and Scotland. Titlepiece in upper right adorned with ornate cartouche featuring a crown and colorful embellishments. Large compass rose in lower left.","Map of the Isle of Wight, Joan Bleau (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 24 in. (50.8 cm x 60.96 cm). Seventeenth-century map of the Isle of Wight off the southern English coast. Title piece in lower left has cartouche featuring a coat of arms, and animals. Scale, adorned with globe, in lower right.","Bleau. 20x24.","Blaeu. 20x24.","John Rocque. 40x50. London. Two sheets.","Map of Warwickshire, England published ca. 1646 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 25 in. (50.8 cm x 63.5 cm). Map depicting seventeenth-century Warwickshire, England. Titlepiece in bottom left decorated with cartouche of fruits and flowers. Coats of arms in top left and bottom right, and scale in top right.","Bellin. 23x36. Paris.","I. Harrison. 21x32. Two sheet map.","Map of the Western Hemisphere published by J. Covens and C. Mortimer in Amsterdam. Copper plate engraving, color. 20 in. x 20 in. (50.8 cm x 50.8 cm). Map depicting eighteenth-century Western Hemisphere (North and South America and Pacific islands). Title in upper part of map. European territorial holdings are outlined in color.","Unidentified. 19x24.","Unidentified. 21x24. Paris.","LaRouge. 21x29. Paris.","From Pinkerton's Atlas. 24x40. London.","Map of roads between Chelmsford and Dover, England published by John Ogilby (1600-1676). Copper plate engraving, color. 15 in. x 18 in. (38.1 cm x 45.72 cm). Map depicts seventeenth-century road from Chelmsford to Dover, England. Titlepiece is in top center of map with a cartouche of mythological sea creatures and figures.","Map of road from London to Bury, England by J. Gibson and published circa 1720. Copper plate engraving, color. 7 in. x 12 in. (17.78 cm x 30.48 cm). Map depicts eighteenth-century road from London to Bury, England. Title runs entire length of map at top. Road is divided into ten numbered columns and towns and mileages are labeled.","2-sheet map of southern London by Christophe Homan (1703-30) and published 1736. Copper plate engraving, color. 25 in. x 31 in. (63.5 cm x 78.74 cm). 2-sheet map depicting eighteenth-century south London, England. Titlepiece in lower right with Lion and Unicorn Cartouche. Title of map is in Latin, while place and street names are in English. Other information is in German.","Map of Virginia, Maryland and Delaware by Henry Schenck Tanner (1786 - 1858), Philadelphia. Engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Nineteenth-century map depicting Virginia, Maryland, and Delaware. Titlepiece is in top center. Scale and Explanation are in bottom center. Counties within each state are colored, while bordering states are left white.","Unidentified. 12x15. Includes: a) Virginia and Maryland, b) Texas, c) Arizona and New Mexica, d) Kentucky and Tennessee, e) Floriday, f) Georgia and Alabama, g) North and South Caroline, h) Baltimore, MD.","Wilkinson. 11x13. London.","Cadell and Davies. 23x30. London.","Unidentified. 9x11.","A. J. Johnson. 18x26. New York.","A. J. Johnson. 18x26. Same as item 52, but a different edition.","Cowperthwait. 14x17. Philadelphia.","Cotton. 16x18. New York.","Johnson. 14x18. New York. Same as item 55.","Colton. 16x18. New York.","Seers \u0026 Co. 11x16.","Unidentified. 17x21.","Cary. 21x24. London.","Unidentified. 18x22.","Unidentified. 18x22.","Unidentified. 18x27. New York.","Begin. 15x17.","Seutter. 221x25. Pictorial map with scene of burning of Lisbon.","Unidentified. 16x32.","Herman Boye. 31x50. Example of the first official map of Virginia backed with cloth in slip case.","Major J.E. Wayes. 22x25. New York. Maps include 1) Petersburg and Five Forks, 2) Antietam, 3) Spotsylvania Courthouse, and 4) Richmond; folded maps each with a hard cover. In 2 folders.","Blackford. 20x24. Baltimore. Folded map with hard cover.","Young. 13x16. Philadelphia.","Mitchell (publisher). 22x18. Philadelphia. Folding traveler's map in red morocco folder (3x5); map torn in folds, folder chipped and rubbed. In the same folder as item 70.","By Richard Long. 21x25. Manuscript map on parchment showing the future site of the Scottish Colony near Panama which existed from 1698 to 1699, when it was captured by the Spanish Army. Darien was to be the Scottish Jamestown and was part of the British effort to expand southward into the Caribbean. The few survivors found refuge in Jamaica.","Wytfliet. 9x12. Louvon.","Ortelius. 17x21. Map from early atlas.","Hondius. 19x23. Hondius edition of John Smith map of 1608.","12x19. Amsterdam.","Leide. 15x19.","27x29. Washington D.C."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the C. Harrison Mann, Jr. Map Collection must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the C. Harrison Mann, Jr. Map Collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref175\" label=\"Abstract\"\u003eDonated to George Mason University Libraries in September 1978 by the Mann family, the C. Harrison Mann Jr, Map Collection comprises ninety-six maps ranging from the sixteenth to nineteenth centuries and is housed in the Special Collections \u0026amp; Archives department. Though the majority of the maps Mann collected are of Virginia, there are many pertaining to other parts of the United States and the world in the collection.\u003c/abstract\u003e"],"abstract_tesim":["Donated to George Mason University Libraries in September 1978 by the Mann family, the C. Harrison Mann Jr, Map Collection comprises ninety-six maps ranging from the sixteenth to nineteenth centuries and is housed in the Special Collections \u0026 Archives department. Though the majority of the maps Mann collected are of Virginia, there are many pertaining to other parts of the United States and the world in the collection."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives"],"persname_ssim":["Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"language_ssim":["English\n\t\t"],"total_component_count_is":92,"online_item_count_is":33,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:20:58.362Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_mannmaps","ead_ssi":"vifgm_mannmaps","_root_":"vifgm_mannmaps","_nest_parent_":"vifgm_mannmaps","ead_source_url_ssi":"data/gmu/mannmaps.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/mannmaps.html","title_ssm":["C. Harrison Mann, Jr. Map Collection"],"title_tesim":["C. Harrison Mann, Jr. Map Collection"],"unitdate_ssm":["1579-1961"],"unitdate_inclusive_ssm":["1579-1961"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0213"],"text":["C0213","C. Harrison Mann, Jr. Map Collection","Maps.","There are no access restrictions.","Selections from the C. Harrison Mann, Jr. Map Collection are also available in the \n                 .","This collection is arranged by size of map.","Charles Harrison Mann, Jr. was born in Alabama in 1908 and received his law degree from the University of Virginia in 1931. He subsequently became an attorney both in Washington, D.C. and in Arlington, Virginia where he and his wife Betty Hart Mann, maintained their home. In 1949, while serving as President of the Northern Virginia Chapter of the University of Virginia Alumni Association, Mann organized an exploratory committee of local citizens to develop support for higher education in Northern Virginia. Through these efforts, the Northern Virginia Center of the University opened in October 1, 1949.","In 1953 Mann organized the Advisory Council to the Northern Virginia Center, which agreed that a two-year branch college should be established. Elected as a Democrat to the Virginia House of Delegates from 1954-1970, Mann sponsored a resolution calling for a study of educational needs for Virginia, and was instrumental in recommending the development of a college system in Virginia, particularly the establishment of a branch in Northern Virginia.","Mann was responsible for creating an educational financial assistance program for Virginia college students, and was instrumental in sponsoring legislation allowing local governments to form regional boards to acquire and transfer land and buildings for educational use.","He also served as the Chairman of George Mason College's first Board of Control. He sponsored bills constituting George Mason College as a branch of the University of Virginia and later elevating it to a four year division of the University with the right to grant degrees and offer graduate programs. He served on the GMU Board of Visitors from 1975 to 1977. He died in 1977.","Processed by Special Collections and Archives staff. EAD markup completed in July 2012 by Greta Kuriger.","Special Collections and Archives also holds   and handwritten draft of his history of George Mason University. Papers pertain to his political career and include subject files, memoranda, campaign materials, speeches, newsclippings and other related materials. In addition, there is the C. Harrison Mann, Jr. collection of rare books and atlases that can be found searching the GMU Libraries catalog.","New Virginia Map published ca. 1660 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20.125 in. x 24.25 in. (51.12 cm x 62.23 cm). Map depicting seventeenth-century Virginia. Titlepiece in upper center. Vignettes of Chief Powhatan in upper left and Native American figure in upper right below explanatory note. This image is based upon the 1608 map by Captain John Smith.","Map of Virginia and Florida published ca. 1640 by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copper plate engraving, color. 21.4 in. x 16.9 in. (54.35 cm x 42.93 cm). Map depicts seventeenth-century Virginia and parts of the southeast Atlantic coast. Large cartouche featuring Native American figures in upper center surrounding titlepiece. Smaller heraldic items in upper right and center of map. Cartouche featuring cherubs surrounds mileage chart in bottom center right.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale.","New Virginia Map by Arnoldis Montanus. Published in Amsterdam in 1671. Copper plate engraving, black and white. 19.3 in. x 16.28 in. (49 cm x 41.35 cm). Map depicts seventeenth-century Virginia. Titlepiece in upper right adorned with images of cherubs. Heraldic image in upper center and Explanatory Note in upper right adorned with figures of Native Americans and animals. Scale in bottom center is also surrounded by cherub figures.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland, and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale. This Map has slightly different coloration than Map 3.","New Belgium and New England published ca. 1662 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 24.3 in. x 20.45 in. (61.72 cm x 51.94 cm). Map depicts seventeenth-century New Belgium, New England, and New Netherland. Titlepiece is middle right and decorated with images of Native Americans, heraldic symbol, and crown. Scale is in bottom left and decorated with images of children. Other artwork in the map include vignettes of stockade-fenced settlements, animals, and ships.","Map of Virginia, Maryland, Pennsylvania, and New Jersey by John Senex (1678-1740) published 1719 in London. Copper plate engraving, color. 24 in. x 20 in. (60.96 cm x 50.8 cm). Map depicts Virginia, Maryland, Pennsylvania, and New Jersey. Titlepiece in upper left. Scale in lower right.","Peter Goos. 17x21.","Homann. 20x23.","Map of Virginia and Maryland by Herman Moll (1654-1732). Published in London ca. 1700. Copper plate Engraving, color. 9.5 in. x 13.85 in. (24.14 cm x 35.18 cm). Map depicts Virginia, Maryland and parts of southern New Jersey. Unadorned titlepiece in upper left.","Map of Virginia and Maryland by Gilles Robert de Vaugondy (1688-1766) published in 1755. Copper plate engraving, color. 31.75 in x 21.5 in (80.64 cm x 54.61 cm). Map depicting Virginia, Maryland, and parts of Pennsylvania and Delaware. Titlepiece and scale in bottom right has cartouche of flora.","State of Virginia Map by Samuel Lewis, Philadelphia. Copper plate engraving, black and white. 21.3 in. x 16.9 in. (54.1 cm x 42.9 cm). Map depicting Virginia, the Northwest Territory, and parts of Maryland. Titlepiece with scale in upper left.","Unidentified. 10x15.","Map of Virginia and Maryland by Emmanuel Bowen. Copper plate engraving, color. 9.75 in. x 16 in. (24.76 cm x 40.64 cm). Map depicts eighteenth-century Virginia, Maryland, and part of New Jersey. Titlepiece and scale are in bottom right.","New Map of Maryland by John Ogilby (1600-1676). Copper plate engraving, color. 20.15 in. x 16.21 in. (51.18 cm x 41.17 cm). Map depicts seventeenth-century Maryland and parts of both Virginia, and New Jersey. Ornate Titlepiece is in top center of map. Dedication, adorned with the coat of arms of Lord Baltimore, is in the upper right, and scale in lower left.","Map of North America by Pierre Schenk (1660-1718) of Amsterdam. Copper plate engraving, color. 25 in. x 20.5 in. (63.5 cm x 52.07 cm). Map depicts eighteenth-century North America. European territorial possessions are colored in. Ornately decorated titlepiece featuring mythological sea creatures is in upper right. Advertisement and scale are in upper left.","Ortelius. 19x23.","Copper plate engraving, color. 8 in. x 11 in (20.32 cm x 27.94 cm). Map depicting the world's continents as seen from the vantage point of the North Pole. No identification, though \"1680\" penciled-in on verso.","America or New World Newly Described by Abraham Ortelius (1528-1598). Copper plate engraving, black and white. 20.25 in x 15.6 in (51.43 cm x 39.62 cm). Map of North and South America. Ornately decorated titlepiece in lower left and sailing ships in center.","Map of Caribbean islands and Gulf of Mexico by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copperplate engraving, color. 23 in. x 19.25 in. (58.42 cm x 48.89 cm). Map depicting Gulf of Mexico and Caribbean Islands and parts of North, South, and Central America. Titlepiece in upper left flanked by cherubs. Ornate dedication in lower left and scale in lower right.","Map of North and South America by Herman Moll (1654-1732), London. Copper plate engraving, color. 9 in. x 14 in. (22.86 cm x 35.56 cm). Map depicts eighteenth-century North and South America. Titlepiece in top left of map.","Map of North and Central America by Guillame Delisle (1675-1726) of Paris. Copper plate engraving, color. 21 in x 25 in (53.34 cm x 63.5 cm). Map depicting the eastern part of North America and Central America. Ornately decorated titlepiece in upper left featuring mythical sea figures and scale in upper right.","Map of the United States by William Faden (1750-1836). Published 1796 in London. Copper plate engraving, color. 23 in. x 31 in. (58.42 cm x 78.74 cm). Map depicts the eighteenth-century United States of America and parts of Canada. Titlepiece in bottom right is decorated with images having to do with shipping and trade. Scale is in bottom left.","Map of Chesapeake Bay Area of Virginia, Mark Tiddeman, London. Copper plate engraving, color. 19 in. x 23.5 in. (48.26 cm x 59.69 cm). Map depicts eighteenth-century Tidewater and Chesapeake Bay area of Virginia. Titlepiece in bottom left. Scale is in bottom center.","Map of North America, J. Spillsbury, London. Copper plate engraving, color. 11 in. x 15 in. (27.94 cm x 38.1 cm). Eighteenth-century map depicting North America. Titlepiece is in bottom right. European territorial claims are delineated by colored outlining.","Map of American Colonies by Thomas Bowen (1700-1763), London. Copper plate engraving, color. 9 in. x 12 in. (22.86 cm x 30.48 cm). Map depicting the eighteenth-century American colonies. Titlepiece in lower right flanked by images of Native Americans. Scale in middle right.","Map of North America by Simon Bolton and engraved by R.W. Seale. Copper plate engraving, color. 21 in. x 26 in. (53.34 cm x 66.04 cm). Map depicts eighteenth-century British and French North America. Large decorated titlepiece in lower right adorned with images of cherubs, a Native American figure, animals, and plants.","New Map of the World, by A. F. De wit. Copper plate engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Seventeenth-century map of the world depicting the eastern and western hemispheres surrounded by images of the seasons, elements, and mythological figures.","World map showing eastern and western hemispheres, G.M. Lowitz. Copper plate engraving, color. 20 in. x 24 in. (49 cm x 41.35 cm). Eighteenth-century map depicting the eastern and western hemispheres of the world. Titlepieces in both upper left (Latin) and upper right (French) adorned with images of flora and fauna. Map has four insets, which depict the Arctic, Antarctic, Horizon of Nuremburg, and the Antipodes of Nuremburg.","Blaeu. 17x21.","Map of England and part of Scotland by Guliel Hole (d. 1624). Copper plate engraving, color. 12 in. x 13 in. (30.48 cm x 33.02 cm). Seventeenth-century map of England and Scotland. Titlepiece in upper right adorned with ornate cartouche featuring a crown and colorful embellishments. Large compass rose in lower left.","Map of the Isle of Wight, Joan Bleau (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 24 in. (50.8 cm x 60.96 cm). Seventeenth-century map of the Isle of Wight off the southern English coast. Title piece in lower left has cartouche featuring a coat of arms, and animals. Scale, adorned with globe, in lower right.","Bleau. 20x24.","Blaeu. 20x24.","John Rocque. 40x50. London. Two sheets.","Map of Warwickshire, England published ca. 1646 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 25 in. (50.8 cm x 63.5 cm). Map depicting seventeenth-century Warwickshire, England. Titlepiece in bottom left decorated with cartouche of fruits and flowers. Coats of arms in top left and bottom right, and scale in top right.","Bellin. 23x36. Paris.","I. Harrison. 21x32. Two sheet map.","Map of the Western Hemisphere published by J. Covens and C. Mortimer in Amsterdam. Copper plate engraving, color. 20 in. x 20 in. (50.8 cm x 50.8 cm). Map depicting eighteenth-century Western Hemisphere (North and South America and Pacific islands). Title in upper part of map. European territorial holdings are outlined in color.","Unidentified. 19x24.","Unidentified. 21x24. Paris.","LaRouge. 21x29. Paris.","From Pinkerton's Atlas. 24x40. London.","Map of roads between Chelmsford and Dover, England published by John Ogilby (1600-1676). Copper plate engraving, color. 15 in. x 18 in. (38.1 cm x 45.72 cm). Map depicts seventeenth-century road from Chelmsford to Dover, England. Titlepiece is in top center of map with a cartouche of mythological sea creatures and figures.","Map of road from London to Bury, England by J. Gibson and published circa 1720. Copper plate engraving, color. 7 in. x 12 in. (17.78 cm x 30.48 cm). Map depicts eighteenth-century road from London to Bury, England. Title runs entire length of map at top. Road is divided into ten numbered columns and towns and mileages are labeled.","2-sheet map of southern London by Christophe Homan (1703-30) and published 1736. Copper plate engraving, color. 25 in. x 31 in. (63.5 cm x 78.74 cm). 2-sheet map depicting eighteenth-century south London, England. Titlepiece in lower right with Lion and Unicorn Cartouche. Title of map is in Latin, while place and street names are in English. Other information is in German.","Map of Virginia, Maryland and Delaware by Henry Schenck Tanner (1786 - 1858), Philadelphia. Engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Nineteenth-century map depicting Virginia, Maryland, and Delaware. Titlepiece is in top center. Scale and Explanation are in bottom center. Counties within each state are colored, while bordering states are left white.","Unidentified. 12x15. Includes: a) Virginia and Maryland, b) Texas, c) Arizona and New Mexica, d) Kentucky and Tennessee, e) Floriday, f) Georgia and Alabama, g) North and South Caroline, h) Baltimore, MD.","Wilkinson. 11x13. London.","Cadell and Davies. 23x30. London.","Unidentified. 9x11.","A. J. Johnson. 18x26. New York.","A. J. Johnson. 18x26. Same as item 52, but a different edition.","Cowperthwait. 14x17. Philadelphia.","Cotton. 16x18. New York.","Johnson. 14x18. New York. Same as item 55.","Colton. 16x18. New York.","Seers \u0026 Co. 11x16.","Unidentified. 17x21.","Cary. 21x24. London.","Unidentified. 18x22.","Unidentified. 18x22.","Unidentified. 18x27. New York.","Begin. 15x17.","Seutter. 221x25. Pictorial map with scene of burning of Lisbon.","Unidentified. 16x32.","Herman Boye. 31x50. Example of the first official map of Virginia backed with cloth in slip case.","Major J.E. Wayes. 22x25. New York. Maps include 1) Petersburg and Five Forks, 2) Antietam, 3) Spotsylvania Courthouse, and 4) Richmond; folded maps each with a hard cover. In 2 folders.","Blackford. 20x24. Baltimore. Folded map with hard cover.","Young. 13x16. Philadelphia.","Mitchell (publisher). 22x18. Philadelphia. Folding traveler's map in red morocco folder (3x5); map torn in folds, folder chipped and rubbed. In the same folder as item 70.","By Richard Long. 21x25. Manuscript map on parchment showing the future site of the Scottish Colony near Panama which existed from 1698 to 1699, when it was captured by the Spanish Army. Darien was to be the Scottish Jamestown and was part of the British effort to expand southward into the Caribbean. The few survivors found refuge in Jamaica.","Wytfliet. 9x12. Louvon.","Ortelius. 17x21. Map from early atlas.","Hondius. 19x23. Hondius edition of John Smith map of 1608.","12x19. Amsterdam.","Leide. 15x19.","27x29. Washington D.C.","There are no restrictions on personal use. Permission to publish material from the C. Harrison Mann, Jr. Map Collection must be obtained from Special Collections Research Center, George Mason University Libraries.","Donated to George Mason University Libraries in September 1978 by the Mann family, the C. Harrison Mann Jr, Map Collection comprises ninety-six maps ranging from the sixteenth to nineteenth centuries and is housed in the Special Collections \u0026 Archives department. Though the majority of the maps Mann collected are of Virginia, there are many pertaining to other parts of the United States and the world in the collection.","George Mason University. Libraries. Special Collections \u0026 Archives","Mann, Charles Harrison, Jr., 1908-1977 \n\t\t","English\n\t\t"],"unitid_tesim":["C0213"],"normalized_title_ssm":["C. Harrison Mann, Jr. Map Collection"],"collection_title_tesim":["C. Harrison Mann, Jr. Map Collection"],"collection_ssim":["C. Harrison Mann, Jr. Map Collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"creator_ssim":["Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"creator_persname_ssim":["Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"creators_ssim":["Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the C. Harrison Mann, Jr. Map Collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Collection donated by Betty Hart Mann in 1979."],"access_subjects_ssim":["Maps."],"access_subjects_ssm":["Maps."],"has_online_content_ssim":["true"],"extent_ssm":["5 linear feet (90 folders)"],"extent_tesim":["5 linear feet (90 folders)"],"date_range_isim":[1579,1580,1581,1582,1583,1584,1585,1586,1587,1588,1589,1590,1591,1592,1593,1594,1595,1596,1597,1598,1599,1600,1601,1602,1603,1604,1605,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eSelections from the C. Harrison Mann, Jr. Map Collection are also available in the \n                \u003cextptr type=\"simple\" show=\"new\" title=\"C. Harrison Mann, Jr. Digitized Map Collection\" href=\"http://digilib.gmu.edu:8080/dspace/handle/1920/1935\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Selections from the C. Harrison Mann, Jr. Map Collection are also available in the \n                 ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by size of map.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by size of map."],"bioghist_html_tesm":["\u003cp\u003eCharles Harrison Mann, Jr. was born in Alabama in 1908 and received his law degree from the University of Virginia in 1931. He subsequently became an attorney both in Washington, D.C. and in Arlington, Virginia where he and his wife Betty Hart Mann, maintained their home. In 1949, while serving as President of the Northern Virginia Chapter of the University of Virginia Alumni Association, Mann organized an exploratory committee of local citizens to develop support for higher education in Northern Virginia. Through these efforts, the Northern Virginia Center of the University opened in October 1, 1949.\u003c/p\u003e","\u003cp\u003eIn 1953 Mann organized the Advisory Council to the Northern Virginia Center, which agreed that a two-year branch college should be established. Elected as a Democrat to the Virginia House of Delegates from 1954-1970, Mann sponsored a resolution calling for a study of educational needs for Virginia, and was instrumental in recommending the development of a college system in Virginia, particularly the establishment of a branch in Northern Virginia.\u003c/p\u003e","\u003cp\u003eMann was responsible for creating an educational financial assistance program for Virginia college students, and was instrumental in sponsoring legislation allowing local governments to form regional boards to acquire and transfer land and buildings for educational use.\u003c/p\u003e","\u003cp\u003eHe also served as the Chairman of George Mason College's first Board of Control. He sponsored bills constituting George Mason College as a branch of the University of Virginia and later elevating it to a four year division of the University with the right to grant degrees and offer graduate programs. He served on the GMU Board of Visitors from 1975 to 1977. He died in 1977.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Charles Harrison Mann, Jr. was born in Alabama in 1908 and received his law degree from the University of Virginia in 1931. He subsequently became an attorney both in Washington, D.C. and in Arlington, Virginia where he and his wife Betty Hart Mann, maintained their home. In 1949, while serving as President of the Northern Virginia Chapter of the University of Virginia Alumni Association, Mann organized an exploratory committee of local citizens to develop support for higher education in Northern Virginia. Through these efforts, the Northern Virginia Center of the University opened in October 1, 1949.","In 1953 Mann organized the Advisory Council to the Northern Virginia Center, which agreed that a two-year branch college should be established. Elected as a Democrat to the Virginia House of Delegates from 1954-1970, Mann sponsored a resolution calling for a study of educational needs for Virginia, and was instrumental in recommending the development of a college system in Virginia, particularly the establishment of a branch in Northern Virginia.","Mann was responsible for creating an educational financial assistance program for Virginia college students, and was instrumental in sponsoring legislation allowing local governments to form regional boards to acquire and transfer land and buildings for educational use.","He also served as the Chairman of George Mason College's first Board of Control. He sponsored bills constituting George Mason College as a branch of the University of Virginia and later elevating it to a four year division of the University with the right to grant degrees and offer graduate programs. He served on the GMU Board of Visitors from 1975 to 1977. He died in 1977."],"prefercite_html_tesm":["\u003cp\u003eC. Harrison Mann, Jr. Map Collection, C0213, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["C. Harrison Mann, Jr. Map Collection, C0213, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff. EAD markup completed in July 2012 by Greta Kuriger.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections and Archives staff. EAD markup completed in July 2012 by Greta Kuriger."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds \u003cextptr type=\"simple\" show=\"new\" title=\"C. Harrison Mann, Jr.'s personal papers\" href=\"http://sca.gmu.edu/finding_aids/mann.html\"\u003e\u003c/extptr\u003e and handwritten draft of his history of George Mason University. Papers pertain to his political career and include subject files, memoranda, campaign materials, speeches, newsclippings and other related materials. In addition, there is the C. Harrison Mann, Jr. collection of rare books and atlases that can be found searching the GMU Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds   and handwritten draft of his history of George Mason University. Papers pertain to his political career and include subject files, memoranda, campaign materials, speeches, newsclippings and other related materials. In addition, there is the C. Harrison Mann, Jr. collection of rare books and atlases that can be found searching the GMU Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eNew Virginia Map published ca. 1660 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20.125 in. x 24.25 in. (51.12 cm x 62.23 cm). Map depicting seventeenth-century Virginia. Titlepiece in upper center. Vignettes of Chief Powhatan in upper left and Native American figure in upper right below explanatory note. This image is based upon the 1608 map by Captain John Smith.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Florida published ca. 1640 by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copper plate engraving, color. 21.4 in. x 16.9 in. (54.35 cm x 42.93 cm). Map depicts seventeenth-century Virginia and parts of the southeast Atlantic coast. Large cartouche featuring Native American figures in upper center surrounding titlepiece. Smaller heraldic items in upper right and center of map. Cartouche featuring cherubs surrounds mileage chart in bottom center right.\u003c/p\u003e","\u003cp\u003eBy Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale.\u003c/p\u003e","\u003cp\u003eNew Virginia Map by Arnoldis Montanus. Published in Amsterdam in 1671. Copper plate engraving, black and white. 19.3 in. x 16.28 in. (49 cm x 41.35 cm). Map depicts seventeenth-century Virginia. Titlepiece in upper right adorned with images of cherubs. Heraldic image in upper center and Explanatory Note in upper right adorned with figures of Native Americans and animals. Scale in bottom center is also surrounded by cherub figures.\u003c/p\u003e","\u003cp\u003eBy Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland, and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale. This Map has slightly different coloration than Map 3.\u003c/p\u003e","\u003cp\u003eNew Belgium and New England published ca. 1662 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 24.3 in. x 20.45 in. (61.72 cm x 51.94 cm). Map depicts seventeenth-century New Belgium, New England, and New Netherland. Titlepiece is middle right and decorated with images of Native Americans, heraldic symbol, and crown. Scale is in bottom left and decorated with images of children. Other artwork in the map include vignettes of stockade-fenced settlements, animals, and ships.\u003c/p\u003e","\u003cp\u003eMap of Virginia, Maryland, Pennsylvania, and New Jersey by John Senex (1678-1740) published 1719 in London. Copper plate engraving, color. 24 in. x 20 in. (60.96 cm x 50.8 cm). Map depicts Virginia, Maryland, Pennsylvania, and New Jersey. Titlepiece in upper left. Scale in lower right.\u003c/p\u003e","\u003cp\u003ePeter Goos. 17x21.\u003c/p\u003e","\u003cp\u003eHomann. 20x23.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Maryland by Herman Moll (1654-1732). Published in London ca. 1700. Copper plate Engraving, color. 9.5 in. x 13.85 in. (24.14 cm x 35.18 cm). Map depicts Virginia, Maryland and parts of southern New Jersey. Unadorned titlepiece in upper left.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Maryland by Gilles Robert de Vaugondy (1688-1766) published in 1755. Copper plate engraving, color. 31.75 in x 21.5 in (80.64 cm x 54.61 cm). Map depicting Virginia, Maryland, and parts of Pennsylvania and Delaware. Titlepiece and scale in bottom right has cartouche of flora.\u003c/p\u003e","\u003cp\u003eState of Virginia Map by Samuel Lewis, Philadelphia. Copper plate engraving, black and white. 21.3 in. x 16.9 in. (54.1 cm x 42.9 cm). Map depicting Virginia, the Northwest Territory, and parts of Maryland. Titlepiece with scale in upper left.\u003c/p\u003e","\u003cp\u003eUnidentified. 10x15.\u003c/p\u003e","\u003cp\u003eMap of Virginia and Maryland by Emmanuel Bowen. Copper plate engraving, color. 9.75 in. x 16 in. (24.76 cm x 40.64 cm). Map depicts eighteenth-century Virginia, Maryland, and part of New Jersey. Titlepiece and scale are in bottom right.\u003c/p\u003e","\u003cp\u003eNew Map of Maryland by John Ogilby (1600-1676). Copper plate engraving, color. 20.15 in. x 16.21 in. (51.18 cm x 41.17 cm). Map depicts seventeenth-century Maryland and parts of both Virginia, and New Jersey. Ornate Titlepiece is in top center of map. Dedication, adorned with the coat of arms of Lord Baltimore, is in the upper right, and scale in lower left.\u003c/p\u003e","\u003cp\u003eMap of North America by Pierre Schenk (1660-1718) of Amsterdam. Copper plate engraving, color. 25 in. x 20.5 in. (63.5 cm x 52.07 cm). Map depicts eighteenth-century North America. European territorial possessions are colored in. Ornately decorated titlepiece featuring mythological sea creatures is in upper right. Advertisement and scale are in upper left.\u003c/p\u003e","\u003cp\u003eOrtelius. 19x23.\u003c/p\u003e","\u003cp\u003eCopper plate engraving, color. 8 in. x 11 in (20.32 cm x 27.94 cm). Map depicting the world's continents as seen from the vantage point of the North Pole. No identification, though \"1680\" penciled-in on verso.\u003c/p\u003e","\u003cp\u003eAmerica or New World Newly Described by Abraham Ortelius (1528-1598). Copper plate engraving, black and white. 20.25 in x 15.6 in (51.43 cm x 39.62 cm). Map of North and South America. Ornately decorated titlepiece in lower left and sailing ships in center.\u003c/p\u003e","\u003cp\u003eMap of Caribbean islands and Gulf of Mexico by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copperplate engraving, color. 23 in. x 19.25 in. (58.42 cm x 48.89 cm). Map depicting Gulf of Mexico and Caribbean Islands and parts of North, South, and Central America. Titlepiece in upper left flanked by cherubs. Ornate dedication in lower left and scale in lower right.\u003c/p\u003e","\u003cp\u003eMap of North and South America by Herman Moll (1654-1732), London. Copper plate engraving, color. 9 in. x 14 in. (22.86 cm x 35.56 cm). Map depicts eighteenth-century North and South America. Titlepiece in top left of map.\u003c/p\u003e","\u003cp\u003eMap of North and Central America by Guillame Delisle (1675-1726) of Paris. Copper plate engraving, color. 21 in x 25 in (53.34 cm x 63.5 cm). Map depicting the eastern part of North America and Central America. Ornately decorated titlepiece in upper left featuring mythical sea figures and scale in upper right.\u003c/p\u003e","\u003cp\u003eMap of the United States by William Faden (1750-1836). Published 1796 in London. Copper plate engraving, color. 23 in. x 31 in. (58.42 cm x 78.74 cm). Map depicts the eighteenth-century United States of America and parts of Canada. Titlepiece in bottom right is decorated with images having to do with shipping and trade. Scale is in bottom left.\u003c/p\u003e","\u003cp\u003eMap of Chesapeake Bay Area of Virginia, Mark Tiddeman, London. Copper plate engraving, color. 19 in. x 23.5 in. (48.26 cm x 59.69 cm). Map depicts eighteenth-century Tidewater and Chesapeake Bay area of Virginia. Titlepiece in bottom left. Scale is in bottom center.\u003c/p\u003e","\u003cp\u003eMap of North America, J. Spillsbury, London. Copper plate engraving, color. 11 in. x 15 in. (27.94 cm x 38.1 cm). Eighteenth-century map depicting North America. Titlepiece is in bottom right. European territorial claims are delineated by colored outlining.\u003c/p\u003e","\u003cp\u003eMap of American Colonies by Thomas Bowen (1700-1763), London. Copper plate engraving, color. 9 in. x 12 in. (22.86 cm x 30.48 cm). Map depicting the eighteenth-century American colonies. Titlepiece in lower right flanked by images of Native Americans. Scale in middle right.\u003c/p\u003e","\u003cp\u003eMap of North America by Simon Bolton and engraved by R.W. Seale. Copper plate engraving, color. 21 in. x 26 in. (53.34 cm x 66.04 cm). Map depicts eighteenth-century British and French North America. Large decorated titlepiece in lower right adorned with images of cherubs, a Native American figure, animals, and plants.\u003c/p\u003e","\u003cp\u003eNew Map of the World, by A. F. De wit. Copper plate engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Seventeenth-century map of the world depicting the eastern and western hemispheres surrounded by images of the seasons, elements, and mythological figures.\u003c/p\u003e","\u003cp\u003eWorld map showing eastern and western hemispheres, G.M. Lowitz. Copper plate engraving, color. 20 in. x 24 in. (49 cm x 41.35 cm). Eighteenth-century map depicting the eastern and western hemispheres of the world. Titlepieces in both upper left (Latin) and upper right (French) adorned with images of flora and fauna. Map has four insets, which depict the Arctic, Antarctic, Horizon of Nuremburg, and the Antipodes of Nuremburg.\u003c/p\u003e","\u003cp\u003eBlaeu. 17x21.\u003c/p\u003e","\u003cp\u003eMap of England and part of Scotland by Guliel Hole (d. 1624). Copper plate engraving, color. 12 in. x 13 in. (30.48 cm x 33.02 cm). Seventeenth-century map of England and Scotland. Titlepiece in upper right adorned with ornate cartouche featuring a crown and colorful embellishments. Large compass rose in lower left.\u003c/p\u003e","\u003cp\u003eMap of the Isle of Wight, Joan Bleau (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 24 in. (50.8 cm x 60.96 cm). Seventeenth-century map of the Isle of Wight off the southern English coast. Title piece in lower left has cartouche featuring a coat of arms, and animals. Scale, adorned with globe, in lower right.\u003c/p\u003e","\u003cp\u003eBleau. 20x24.\u003c/p\u003e","\u003cp\u003eBlaeu. 20x24.\u003c/p\u003e","\u003cp\u003eJohn Rocque. 40x50. London. Two sheets.\u003c/p\u003e","\u003cp\u003eMap of Warwickshire, England published ca. 1646 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 25 in. (50.8 cm x 63.5 cm). Map depicting seventeenth-century Warwickshire, England. Titlepiece in bottom left decorated with cartouche of fruits and flowers. Coats of arms in top left and bottom right, and scale in top right.\u003c/p\u003e","\u003cp\u003eBellin. 23x36. Paris.\u003c/p\u003e","\u003cp\u003eI. Harrison. 21x32. Two sheet map.\u003c/p\u003e","\u003cp\u003eMap of the Western Hemisphere published by J. Covens and C. Mortimer in Amsterdam. Copper plate engraving, color. 20 in. x 20 in. (50.8 cm x 50.8 cm). Map depicting eighteenth-century Western Hemisphere (North and South America and Pacific islands). Title in upper part of map. European territorial holdings are outlined in color.\u003c/p\u003e","\u003cp\u003eUnidentified. 19x24.\u003c/p\u003e","\u003cp\u003eUnidentified. 21x24. Paris.\u003c/p\u003e","\u003cp\u003eLaRouge. 21x29. Paris.\u003c/p\u003e","\u003cp\u003eFrom Pinkerton's Atlas. 24x40. London.\u003c/p\u003e","\u003cp\u003eMap of roads between Chelmsford and Dover, England published by John Ogilby (1600-1676). Copper plate engraving, color. 15 in. x 18 in. (38.1 cm x 45.72 cm). Map depicts seventeenth-century road from Chelmsford to Dover, England. Titlepiece is in top center of map with a cartouche of mythological sea creatures and figures.\u003c/p\u003e","\u003cp\u003eMap of road from London to Bury, England by J. Gibson and published circa 1720. Copper plate engraving, color. 7 in. x 12 in. (17.78 cm x 30.48 cm). Map depicts eighteenth-century road from London to Bury, England. Title runs entire length of map at top. Road is divided into ten numbered columns and towns and mileages are labeled.\u003c/p\u003e","\u003cp\u003e2-sheet map of southern London by Christophe Homan (1703-30) and published 1736. Copper plate engraving, color. 25 in. x 31 in. (63.5 cm x 78.74 cm). 2-sheet map depicting eighteenth-century south London, England. Titlepiece in lower right with Lion and Unicorn Cartouche. Title of map is in Latin, while place and street names are in English. Other information is in German.\u003c/p\u003e","\u003cp\u003eMap of Virginia, Maryland and Delaware by Henry Schenck Tanner (1786 - 1858), Philadelphia. Engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Nineteenth-century map depicting Virginia, Maryland, and Delaware. Titlepiece is in top center. Scale and Explanation are in bottom center. Counties within each state are colored, while bordering states are left white.\u003c/p\u003e","\u003cp\u003eUnidentified. 12x15. Includes: a) Virginia and Maryland, b) Texas, c) Arizona and New Mexica, d) Kentucky and Tennessee, e) Floriday, f) Georgia and Alabama, g) North and South Caroline, h) Baltimore, MD.\u003c/p\u003e","\u003cp\u003eWilkinson. 11x13. London.\u003c/p\u003e","\u003cp\u003eCadell and Davies. 23x30. London.\u003c/p\u003e","\u003cp\u003eUnidentified. 9x11.\u003c/p\u003e","\u003cp\u003eA. J. Johnson. 18x26. New York.\u003c/p\u003e","\u003cp\u003eA. J. Johnson. 18x26. Same as item 52, but a different edition.\u003c/p\u003e","\u003cp\u003eCowperthwait. 14x17. Philadelphia.\u003c/p\u003e","\u003cp\u003eCotton. 16x18. New York.\u003c/p\u003e","\u003cp\u003eJohnson. 14x18. New York. Same as item 55.\u003c/p\u003e","\u003cp\u003eColton. 16x18. New York.\u003c/p\u003e","\u003cp\u003eSeers \u0026amp; Co. 11x16.\u003c/p\u003e","\u003cp\u003eUnidentified. 17x21.\u003c/p\u003e","\u003cp\u003eCary. 21x24. London.\u003c/p\u003e","\u003cp\u003eUnidentified. 18x22.\u003c/p\u003e","\u003cp\u003eUnidentified. 18x22.\u003c/p\u003e","\u003cp\u003eUnidentified. 18x27. New York.\u003c/p\u003e","\u003cp\u003eBegin. 15x17.\u003c/p\u003e","\u003cp\u003eSeutter. 221x25. Pictorial map with scene of burning of Lisbon.\u003c/p\u003e","\u003cp\u003eUnidentified. 16x32.\u003c/p\u003e","\u003cp\u003eHerman Boye. 31x50. Example of the first official map of Virginia backed with cloth in slip case.\u003c/p\u003e","\u003cp\u003eMajor J.E. Wayes. 22x25. New York. Maps include 1) Petersburg and Five Forks, 2) Antietam, 3) Spotsylvania Courthouse, and 4) Richmond; folded maps each with a hard cover. In 2 folders.\u003c/p\u003e","\u003cp\u003eBlackford. 20x24. Baltimore. Folded map with hard cover.\u003c/p\u003e","\u003cp\u003eYoung. 13x16. Philadelphia.\u003c/p\u003e","\u003cp\u003eMitchell (publisher). 22x18. Philadelphia. Folding traveler's map in red morocco folder (3x5); map torn in folds, folder chipped and rubbed. In the same folder as item 70.\u003c/p\u003e","\u003cp\u003eBy Richard Long. 21x25. Manuscript map on parchment showing the future site of the Scottish Colony near Panama which existed from 1698 to 1699, when it was captured by the Spanish Army. Darien was to be the Scottish Jamestown and was part of the British effort to expand southward into the Caribbean. The few survivors found refuge in Jamaica.\u003c/p\u003e","\u003cp\u003eWytfliet. 9x12. Louvon.\u003c/p\u003e","\u003cp\u003eOrtelius. 17x21. Map from early atlas.\u003c/p\u003e","\u003cp\u003eHondius. 19x23. Hondius edition of John Smith map of 1608.\u003c/p\u003e","\u003cp\u003e12x19. Amsterdam.\u003c/p\u003e","\u003cp\u003eLeide. 15x19.\u003c/p\u003e","\u003cp\u003e27x29. Washington D.C.\u003c/p\u003e"],"scopecontent_tesim":["New Virginia Map published ca. 1660 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20.125 in. x 24.25 in. (51.12 cm x 62.23 cm). Map depicting seventeenth-century Virginia. Titlepiece in upper center. Vignettes of Chief Powhatan in upper left and Native American figure in upper right below explanatory note. This image is based upon the 1608 map by Captain John Smith.","Map of Virginia and Florida published ca. 1640 by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copper plate engraving, color. 21.4 in. x 16.9 in. (54.35 cm x 42.93 cm). Map depicts seventeenth-century Virginia and parts of the southeast Atlantic coast. Large cartouche featuring Native American figures in upper center surrounding titlepiece. Smaller heraldic items in upper right and center of map. Cartouche featuring cherubs surrounds mileage chart in bottom center right.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale.","New Virginia Map by Arnoldis Montanus. Published in Amsterdam in 1671. Copper plate engraving, black and white. 19.3 in. x 16.28 in. (49 cm x 41.35 cm). Map depicts seventeenth-century Virginia. Titlepiece in upper right adorned with images of cherubs. Heraldic image in upper center and Explanatory Note in upper right adorned with figures of Native Americans and animals. Scale in bottom center is also surrounded by cherub figures.","By Francis Lamb. Copper plate engraving, color. 20.7 in. x 17 in. (52.57 cm x 43.18 cm). Map depicting seventeenth-century Virginia, Maryland, and part of New Jersey. Titlepiece in upper right with cartouche featuring angelic figures. Heraldic symbol with crown in upper left just above scale. This Map has slightly different coloration than Map 3.","New Belgium and New England published ca. 1662 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 24.3 in. x 20.45 in. (61.72 cm x 51.94 cm). Map depicts seventeenth-century New Belgium, New England, and New Netherland. Titlepiece is middle right and decorated with images of Native Americans, heraldic symbol, and crown. Scale is in bottom left and decorated with images of children. Other artwork in the map include vignettes of stockade-fenced settlements, animals, and ships.","Map of Virginia, Maryland, Pennsylvania, and New Jersey by John Senex (1678-1740) published 1719 in London. Copper plate engraving, color. 24 in. x 20 in. (60.96 cm x 50.8 cm). Map depicts Virginia, Maryland, Pennsylvania, and New Jersey. Titlepiece in upper left. Scale in lower right.","Peter Goos. 17x21.","Homann. 20x23.","Map of Virginia and Maryland by Herman Moll (1654-1732). Published in London ca. 1700. Copper plate Engraving, color. 9.5 in. x 13.85 in. (24.14 cm x 35.18 cm). Map depicts Virginia, Maryland and parts of southern New Jersey. Unadorned titlepiece in upper left.","Map of Virginia and Maryland by Gilles Robert de Vaugondy (1688-1766) published in 1755. Copper plate engraving, color. 31.75 in x 21.5 in (80.64 cm x 54.61 cm). Map depicting Virginia, Maryland, and parts of Pennsylvania and Delaware. Titlepiece and scale in bottom right has cartouche of flora.","State of Virginia Map by Samuel Lewis, Philadelphia. Copper plate engraving, black and white. 21.3 in. x 16.9 in. (54.1 cm x 42.9 cm). Map depicting Virginia, the Northwest Territory, and parts of Maryland. Titlepiece with scale in upper left.","Unidentified. 10x15.","Map of Virginia and Maryland by Emmanuel Bowen. Copper plate engraving, color. 9.75 in. x 16 in. (24.76 cm x 40.64 cm). Map depicts eighteenth-century Virginia, Maryland, and part of New Jersey. Titlepiece and scale are in bottom right.","New Map of Maryland by John Ogilby (1600-1676). Copper plate engraving, color. 20.15 in. x 16.21 in. (51.18 cm x 41.17 cm). Map depicts seventeenth-century Maryland and parts of both Virginia, and New Jersey. Ornate Titlepiece is in top center of map. Dedication, adorned with the coat of arms of Lord Baltimore, is in the upper right, and scale in lower left.","Map of North America by Pierre Schenk (1660-1718) of Amsterdam. Copper plate engraving, color. 25 in. x 20.5 in. (63.5 cm x 52.07 cm). Map depicts eighteenth-century North America. European territorial possessions are colored in. Ornately decorated titlepiece featuring mythological sea creatures is in upper right. Advertisement and scale are in upper left.","Ortelius. 19x23.","Copper plate engraving, color. 8 in. x 11 in (20.32 cm x 27.94 cm). Map depicting the world's continents as seen from the vantage point of the North Pole. No identification, though \"1680\" penciled-in on verso.","America or New World Newly Described by Abraham Ortelius (1528-1598). Copper plate engraving, black and white. 20.25 in x 15.6 in (51.43 cm x 39.62 cm). Map of North and South America. Ornately decorated titlepiece in lower left and sailing ships in center.","Map of Caribbean islands and Gulf of Mexico by Willem Janszoon Blaeu (1571-1638) of Amsterdam. Copperplate engraving, color. 23 in. x 19.25 in. (58.42 cm x 48.89 cm). Map depicting Gulf of Mexico and Caribbean Islands and parts of North, South, and Central America. Titlepiece in upper left flanked by cherubs. Ornate dedication in lower left and scale in lower right.","Map of North and South America by Herman Moll (1654-1732), London. Copper plate engraving, color. 9 in. x 14 in. (22.86 cm x 35.56 cm). Map depicts eighteenth-century North and South America. Titlepiece in top left of map.","Map of North and Central America by Guillame Delisle (1675-1726) of Paris. Copper plate engraving, color. 21 in x 25 in (53.34 cm x 63.5 cm). Map depicting the eastern part of North America and Central America. Ornately decorated titlepiece in upper left featuring mythical sea figures and scale in upper right.","Map of the United States by William Faden (1750-1836). Published 1796 in London. Copper plate engraving, color. 23 in. x 31 in. (58.42 cm x 78.74 cm). Map depicts the eighteenth-century United States of America and parts of Canada. Titlepiece in bottom right is decorated with images having to do with shipping and trade. Scale is in bottom left.","Map of Chesapeake Bay Area of Virginia, Mark Tiddeman, London. Copper plate engraving, color. 19 in. x 23.5 in. (48.26 cm x 59.69 cm). Map depicts eighteenth-century Tidewater and Chesapeake Bay area of Virginia. Titlepiece in bottom left. Scale is in bottom center.","Map of North America, J. Spillsbury, London. Copper plate engraving, color. 11 in. x 15 in. (27.94 cm x 38.1 cm). Eighteenth-century map depicting North America. Titlepiece is in bottom right. European territorial claims are delineated by colored outlining.","Map of American Colonies by Thomas Bowen (1700-1763), London. Copper plate engraving, color. 9 in. x 12 in. (22.86 cm x 30.48 cm). Map depicting the eighteenth-century American colonies. Titlepiece in lower right flanked by images of Native Americans. Scale in middle right.","Map of North America by Simon Bolton and engraved by R.W. Seale. Copper plate engraving, color. 21 in. x 26 in. (53.34 cm x 66.04 cm). Map depicts eighteenth-century British and French North America. Large decorated titlepiece in lower right adorned with images of cherubs, a Native American figure, animals, and plants.","New Map of the World, by A. F. De wit. Copper plate engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Seventeenth-century map of the world depicting the eastern and western hemispheres surrounded by images of the seasons, elements, and mythological figures.","World map showing eastern and western hemispheres, G.M. Lowitz. Copper plate engraving, color. 20 in. x 24 in. (49 cm x 41.35 cm). Eighteenth-century map depicting the eastern and western hemispheres of the world. Titlepieces in both upper left (Latin) and upper right (French) adorned with images of flora and fauna. Map has four insets, which depict the Arctic, Antarctic, Horizon of Nuremburg, and the Antipodes of Nuremburg.","Blaeu. 17x21.","Map of England and part of Scotland by Guliel Hole (d. 1624). Copper plate engraving, color. 12 in. x 13 in. (30.48 cm x 33.02 cm). Seventeenth-century map of England and Scotland. Titlepiece in upper right adorned with ornate cartouche featuring a crown and colorful embellishments. Large compass rose in lower left.","Map of the Isle of Wight, Joan Bleau (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 24 in. (50.8 cm x 60.96 cm). Seventeenth-century map of the Isle of Wight off the southern English coast. Title piece in lower left has cartouche featuring a coat of arms, and animals. Scale, adorned with globe, in lower right.","Bleau. 20x24.","Blaeu. 20x24.","John Rocque. 40x50. London. Two sheets.","Map of Warwickshire, England published ca. 1646 by Joan Blaeu (1597-1663) of Amsterdam. Copper plate engraving, color. 20 in. x 25 in. (50.8 cm x 63.5 cm). Map depicting seventeenth-century Warwickshire, England. Titlepiece in bottom left decorated with cartouche of fruits and flowers. Coats of arms in top left and bottom right, and scale in top right.","Bellin. 23x36. Paris.","I. Harrison. 21x32. Two sheet map.","Map of the Western Hemisphere published by J. Covens and C. Mortimer in Amsterdam. Copper plate engraving, color. 20 in. x 20 in. (50.8 cm x 50.8 cm). Map depicting eighteenth-century Western Hemisphere (North and South America and Pacific islands). Title in upper part of map. European territorial holdings are outlined in color.","Unidentified. 19x24.","Unidentified. 21x24. Paris.","LaRouge. 21x29. Paris.","From Pinkerton's Atlas. 24x40. London.","Map of roads between Chelmsford and Dover, England published by John Ogilby (1600-1676). Copper plate engraving, color. 15 in. x 18 in. (38.1 cm x 45.72 cm). Map depicts seventeenth-century road from Chelmsford to Dover, England. Titlepiece is in top center of map with a cartouche of mythological sea creatures and figures.","Map of road from London to Bury, England by J. Gibson and published circa 1720. Copper plate engraving, color. 7 in. x 12 in. (17.78 cm x 30.48 cm). Map depicts eighteenth-century road from London to Bury, England. Title runs entire length of map at top. Road is divided into ten numbered columns and towns and mileages are labeled.","2-sheet map of southern London by Christophe Homan (1703-30) and published 1736. Copper plate engraving, color. 25 in. x 31 in. (63.5 cm x 78.74 cm). 2-sheet map depicting eighteenth-century south London, England. Titlepiece in lower right with Lion and Unicorn Cartouche. Title of map is in Latin, while place and street names are in English. Other information is in German.","Map of Virginia, Maryland and Delaware by Henry Schenck Tanner (1786 - 1858), Philadelphia. Engraving, color. 19 in. x 23 in. (48.26 cm x 58.42 cm). Nineteenth-century map depicting Virginia, Maryland, and Delaware. Titlepiece is in top center. Scale and Explanation are in bottom center. Counties within each state are colored, while bordering states are left white.","Unidentified. 12x15. Includes: a) Virginia and Maryland, b) Texas, c) Arizona and New Mexica, d) Kentucky and Tennessee, e) Floriday, f) Georgia and Alabama, g) North and South Caroline, h) Baltimore, MD.","Wilkinson. 11x13. London.","Cadell and Davies. 23x30. London.","Unidentified. 9x11.","A. J. Johnson. 18x26. New York.","A. J. Johnson. 18x26. Same as item 52, but a different edition.","Cowperthwait. 14x17. Philadelphia.","Cotton. 16x18. New York.","Johnson. 14x18. New York. Same as item 55.","Colton. 16x18. New York.","Seers \u0026 Co. 11x16.","Unidentified. 17x21.","Cary. 21x24. London.","Unidentified. 18x22.","Unidentified. 18x22.","Unidentified. 18x27. New York.","Begin. 15x17.","Seutter. 221x25. Pictorial map with scene of burning of Lisbon.","Unidentified. 16x32.","Herman Boye. 31x50. Example of the first official map of Virginia backed with cloth in slip case.","Major J.E. Wayes. 22x25. New York. Maps include 1) Petersburg and Five Forks, 2) Antietam, 3) Spotsylvania Courthouse, and 4) Richmond; folded maps each with a hard cover. In 2 folders.","Blackford. 20x24. Baltimore. Folded map with hard cover.","Young. 13x16. Philadelphia.","Mitchell (publisher). 22x18. Philadelphia. Folding traveler's map in red morocco folder (3x5); map torn in folds, folder chipped and rubbed. In the same folder as item 70.","By Richard Long. 21x25. Manuscript map on parchment showing the future site of the Scottish Colony near Panama which existed from 1698 to 1699, when it was captured by the Spanish Army. Darien was to be the Scottish Jamestown and was part of the British effort to expand southward into the Caribbean. The few survivors found refuge in Jamaica.","Wytfliet. 9x12. Louvon.","Ortelius. 17x21. Map from early atlas.","Hondius. 19x23. Hondius edition of John Smith map of 1608.","12x19. Amsterdam.","Leide. 15x19.","27x29. Washington D.C."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the C. Harrison Mann, Jr. Map Collection must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the C. Harrison Mann, Jr. Map Collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref175\" label=\"Abstract\"\u003eDonated to George Mason University Libraries in September 1978 by the Mann family, the C. Harrison Mann Jr, Map Collection comprises ninety-six maps ranging from the sixteenth to nineteenth centuries and is housed in the Special Collections \u0026amp; Archives department. Though the majority of the maps Mann collected are of Virginia, there are many pertaining to other parts of the United States and the world in the collection.\u003c/abstract\u003e"],"abstract_tesim":["Donated to George Mason University Libraries in September 1978 by the Mann family, the C. Harrison Mann Jr, Map Collection comprises ninety-six maps ranging from the sixteenth to nineteenth centuries and is housed in the Special Collections \u0026 Archives department. Though the majority of the maps Mann collected are of Virginia, there are many pertaining to other parts of the United States and the world in the collection."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives"],"persname_ssim":["Mann, Charles Harrison, Jr., 1908-1977 \n\t\t"],"language_ssim":["English\n\t\t"],"total_component_count_is":92,"online_item_count_is":33,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:20:58.362Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_mannmaps"}},{"id":"viu_repositories_7_resources_215","type":"collection","attributes":{"title":"Claude Moore Health Sciences Library records","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_215#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of permanent and historically significant institutional records created by the University of Virginia Health Sciences Library and the antecedent Medical Library. These records include, but are not limited to: annual reports, planning documents, newsletters, online exhibits, blogs, social media content, conference programs, department histories, committee records, and library-sponsored lecture materials.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_215#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_7_resources_215","ead_ssi":"viu_repositories_7_resources_215","_root_":"viu_repositories_7_resources_215","_nest_parent_":"viu_repositories_7_resources_215","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_215.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/133046","title_ssm":["Claude Moore Health Sciences Library records"],"title_tesim":["Claude Moore Health Sciences Library records"],"unitdate_ssm":["1942-2025","1848-2019"],"unitdate_bulk_ssim":["1942-2025"],"unitdate_inclusive_ssm":["1848-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG.17.4","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/215"],"text":["RG.17.4","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/215","Claude Moore Health Sciences Library records","University of Virginia","The records of the Claude Moore Health Sciences Library are open to researchers, except where it is noted. Decisions to close records to research are made in accordance with the Health Insurance Portability and Accountability Act of 1996 (HIPAA), the Family Educational Rights and Privacy Act of 1974 (FERPA), the Virginia Freedom of Information Act (VAFOIA), the policies of the University of Virginia, and other relevent laws, regulations, or policies.","The annual reports are open to research.","These records are open to research.","The planning documents and reports are open to research.","The photographs and negatives are open to research.","The public relations files are open to research.","The publications are open to research.","There are no restrictions on access to the newsletters in this subseries.","There are no restrictions on access to the publications of the Health Sciences Library.","The social media files are open to researchers.","The blog files are open to researchers.","The administrative organization and structure files are open to research.","The policies, procedures, and handbooks are open to research.","In accordance with the The Family Educational Rights and Privacy Act of 1974 (FERPA), the library may restrict access to student-authored materials and other protected student records in this series. Course syllabi, course announcements, and other materials produced by University faculty and staff are open to research.","Conference programs and reports are open to research.","The historical and biographical files are open to research.","The reports in this series are open to research.","The committee records and meeting minutes are open to research.","The awards, honors, and commemorations records are open to research.","The lecture and presentation materials are open to research.","The exhibit records are open to research.","The annual reports of the Health Sciences Library are scheduled for permanent retention. There will be accruals to this series if the Health Sciences Library resumes the creation of annual reports.","The correspondence and subject files of the Health Sciences Library director are not scheduled for permanent retention and, in the past, have been transferred to the archives on an irregular basis. No further accruals of this material is expected.","Historically significant planning documents and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a document or report is historically significant. Accruals to this series are expected.","Historically significant photographs and negatives are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a photograph or negative is historically significant. Accruals to this series are expected.","Public relations files are scheduled for permanent retention in the archives. These records are generally created by the University's marketing and communications departments and they are filed in the records groups associated with those units. However, the library does occasionally create its own public relations files that we expect to add to this series.","The publications of the Health Sciences Library are scheduled for permanent retention in the archives. Much of the content that the Library made available through publications is now made available on various online platforms. It is likely that accruals to this series will be infrequent.","Annually, data is downloaded from the Library's active social media sites and added to this collection.","Copies of each existing blog are captured every year and added to the collection.","The organizational charts of the Health Sciences Library are scheduled for permanent retention in the archives. Besides the charts, only historically significant records document administrative structure are retained in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether one of these records is historically significant. Accruals to this series are expected to occur occassionally.","Historically significant policies, procedures, and handbooks produced by the Health Sciences Library are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a record is historically significant. Accruals to this series are expected.","Historically significant syllabi and course materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a course record is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant conference programs and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a program or report is historically significant. Accruals to this series are expected.","Significant historical and biographical materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is significant. Accruals to this series are expected to occur infrequently.","Historically significant reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a report is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant exhibit records are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is historically significant. Accruals to this series are expected to occur infrequently.","Records are generally organized according to the records retention and disposition schedules series maintained by the Library of Virginia (LVA). When necessary, additional subdivisions have been created for materials that do not have clear equivalents in the LVA resources.","Annual reports are arranged into 3 subseries: Medical Library, Health Sciences Libary, and Information Sciences Council. The subseries are arranged chornologically. Inside the subseries annual reports are placed into files that are arranged chronologically.","The correspondence and subject files are arranged into subseries according to the library director who created them. The subseries are then arranged chronologically by the date that each director began his or her term in this position. Beginning and end dates of the directors' terms are given after his or her name in the subseries title.","In this series, a file is created for each planning report and its associated documents. The files are arranged chronologically by the date of creation for the materials they contain.","The photographs and negatives are arranged into subseries by subject. The subseries are then arranged alphabetically by title. The arrangements of the files in the subseries vary.","The photographs and negatives of library artifacts are arranged alphabetically according to the name of the artifact shown.","The images of Health Sciences Library staff and interiors are arranged chronologically according to their date of creation.","The miscellaneous photographs are arranged chronologically according to the date of their creation.","The public relations files are arranged into subseries according to types of materials (e.g. clippings collections and press releases). The subseries are then arranged alphabetically. The files in the subseries are arranged chonologically.","The publications are arranged into subseries according to types of materials (e.g. journals and magazines, newsletters, patient education resources). The subseries are then arranged alphabetically. The arrangements of the files in the subseries vary.","The newsletters are arranged alphabetically by title.","The promotional brochures, flyers, and other publications are arranged chronologically according to their date of creation.","The social media content is arranged into files alphabetically by title.","Blogs are arranged into files alphabetically by title.","Files in this series are arranged chronologically according to the date of their creation.","The policies, procedures, and handbooks are arranged into the following subseries in this order: Staff procedures and handbooks, and Library users procedures and handbooks. The files in each subseries are arranged chronologically.","Syllabi and course materials are arranged chronologically.","Conference records and programs are arranged into files by conference title. The files are arranged chronologically by the date each conference was held. All of the instances of a reoccurring conference are gathered together into the same file. If the conference is reoccurring, it is arranged in relation to the rest of the files according to the first instance of that conference.","Materials in this series are arranged chronologically according to the date that they were created.","The reports are arranged into files. The files are then arranged chronologically by their date of creation. When a report is reoccurring, all of the reports in that series are placed together in a single file.","The directories are arranged by title into files. The files are arranged chronologically.","The records in this series are arranged into files according to committee or department (when the department is holding reccurring general meetings). The files are then arranged alphabetically.","The awards, honors, and commemorations are arranged into files. The files are then arranged chronologically by date. When an award, honor, or commemoration is reoccurring (e.g. annually), all of the records in that series are placed together in a single file.","The records for stand-alone lectures and presentations are arranged into a subseries called \"Single lectures and presentations\". The records of lectures and presentations that belong to a program or lecture series are arranged into subseries named after the program or lecture series. Following the subseries titled \"Single lectures and presentations\", the remaining lecture series are arranged alphabetically by title. ","Records in all of the subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","The materials are arranged into files, each file representing an exhibit. Files are arranged alphabetically by exhibit title.","These files are arranged alphabetically.","These items are arranged alphabetically.","\nBetween 1826 and 1929, the University of Virginia's collection of medical books and journals were kept with the general library collections in the Rotunda. In 1929, the University moved the collections to the new Medical Library inside the recently-constructed Medical School Building. \n","\nBetween 1929 and 1962, a medical librarian with a small staff of student and clerical workers stewarded the library's collections. The Medical Library at this time, although physically separate from the rest of the University's libraries, was administered as part of the central University library system with oversight from School of Medicine faculty serving on the Medical Library Committee. In addition to the management of collections, the medical librarians in this era began to curate exhibits and provide instruction. Only a few of the medical librarians who served in this period had professional library training.\n","\nIn 1962, Wilhelm Moll was appointed the first Director of the Medical Library. During his tenure, Moll oversaw the radical trasnformation of a small branch library into an independent research library. The full-time library staff expanded from 4 to 30, the University built a new library building over Jefferson Park Avenue, the nursing and medical libraries merged to form the Health Sciences Library, a history of medicine program was founded, and the library began to adopt digital technologies.\n","\nAfter Moll's death in 1979, the University apppointed Terry Thorkildsen as the Director of the Claude Moore Health Sciences Library.  Thorkildsen and his successors Linda Watson (1990-2005) and Gretchen Arnold (2005-present) led the library during an era when revolutionary advances in digital technologies (e.g. the Internet, personal computers, databases) presented new challenges and opportunities for the Library.\n","","September 1826: The University of Virginia Library opens in the Rotunda and it includes a collection of medical books. 1911: The University Library's entire collection of medical books and journals are gathered together and moved to the basement of the Rotunda. September 13, 1915: Richard Henry Whitehead, Dean of the School of Medicine, creates the Medical Library Committee. 1919-June 1929: Ella Watson Johnson serves as the Medical Librarian. June 1929: The Medical Library moves from the basement of the Rotunda to its own space in the new Medical School Building, the Medical Library remains a department of the central University Library System. June 1929-September 1929: Margaret Otto serves as the Medical Librarian. 1929-1931: Anne Ashhurst Gwathmey serves as the Medical Librarian. 1931-1934: Caroline Hill Davis serves as the Medical Librarian. March 1934-June 1934: Dora Mitchell Brown serves as the Medical Librarian. 1934-1936: Miriam Thomas Buchanan serves as the Medical Librarian. 1935: The Medical Library institutes its first orientation for first year medical students. 1936-1943: Anne Lewis Morris serves as the Medical Librarian. 1943-1944: Mary Elizabeth Mayo serves as the Medical Librarian. 1944-1947: Mabel Cook Wyllie serves as the Medical Librarian. 1945-1949: The Nursing Library is placed under the Supervision of the Medical Librarian until the appointment of a clerk to manage the Nursing collection. 1947-1962: Elizabeth Frances Adkins serves as the Medical Librarian. September 1962: Wilhelm Moll is appointed the Director of the Medical Library. 1962-1963: As the result of administrative reorganizations during this period, the Medical Library is separated from the central University Library system and placed under the control of the School of Medicine. November 1970: Librarians conduct the first online searches of a database at the University of Virginia Medical Library using the experimental AIM-TWX service developed by the National Library of Medicine's Lister Hill National Center for Biomedical Communications. November 1971: Librarians begin using the National Library of Medicine's MEDLINE system to conduct online searches for patrons. August 1975: The Medical Library and Nursing Library are merged into the Health Sciences Library and Information Center and moved into a new building that spans over Jefferson Park Avenue. Wilhelm Moll is made the Director of the Health Sciences Library. April 1976: The Health Sciences Library is formally dedicated and named after Claude Moore, an alumnus of and donor to the University of Virginia. 1979: Terry Thorkildsen is appointed the Director of the Claude Moore Health Sciences Library. 1989: The library card catalog is digitized and made available through computer terminals. 1990: Linda Watson is appointed the Director of the Claude Moore Health Sciences Library. 2005: Gretchen Arnold is appointed the interim Director of the Claude Moore Health Sciences Library and is then made Director in 2007. 2022: Bart Ragon is appointed the Director of the Claude Moore Health Sciences Library.","(formerly Reference Department from 1987-1991)","Historical Collections and Services was originally concieved in the 1980s by the first director of the Claude Moore Health Sciences Library, Wilhelm Moll. His vision was to create a rare book room that would house the rare books that belonged to the Medical Library. During the Jeffersonian era and up until 1929, the books belonging to the school of medicine and anatomy were housed in the Rotunda Library on Grounds. In 1929, a new Medical School Building opened. This unified all the medical departments, which had been scattered throughout the Grounds. The Medical Collection became the Medical Library, and moved into new quarters in the Medical School Building. When Alderman, now Shannon, Library was built in 1937, the books moved there until the creation of the Claude Moore Health Sciences Library in 1976. Following Dr. Moll's untimely death in 1979, Special Collections librarian Joan Echtenkamp Klein helped to make Moll's reality of a special collections department a reality. She became the curator and manager of Historical Collections and Services, serving in that role until 2015. Dan Cavanaugh took over the role of curator and manager until 2022. Meggan Cashwell became the curator and manager in 2023 and is currently serving in that position.","Some exhibit pages do not have creation dates listed anywhere, but they do have copyright dates at the bottom of the page. This can be confusing in understanding what is the true date of creation.","Many of these online exhibits were once physical exhibits on display in the Claude Moore Health Sciences Library. Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"","When the Claude Moore Health Sciences Library downloads content from a social media platform, the Library preserves all of the original files (e.g. jpeg files, html files, json files) from the capture.","Patrons may contact Historical Collections staff at the Library to request copies of files containing social media content. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. ","When the Claude Moore Health Sciences Library captures a copy of a blog, the Library preserves all of the its original files (e.g. jpeg files, html files) as well as an aggregated web archive file (warc). Both a directory containing the original files and the warc file are bundled together into a single digital object. ","Patrons may contact Historical Collections staff at the Library to request copies of blog files. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. ","Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"","This collection consists of permanent and historically significant institutional records created by the University of Virginia Health Sciences Library and the antecedent Medical Library. These records include, but are not limited to: annual reports, planning documents, newsletters, online exhibits, blogs, social media content, conference programs, department histories, committee records, and library-sponsored lecture materials.","This series consists of annual reports produced by the Medical Library (1929-1975), the Health Sciences Library (1975-Present), and the Information Sciences Council (1990-1996). Annual reports for the Health Sciences Library are missing from this collection for the period from 2006 to the present. Also, the annual reports for the Medical Library are missing from this collections for the period from 1929 to 1942. It is unclear whether the Medical and Health Sciences libraries wrote reports for the years.","The annual reports of the Medical Library contain comprehensive descriptions of the annual activities of the Medical Library. The Medical Library's annual reports from 1929 to 1942 are missing from this collection. It is not known if the reports were ever written by the library.","The annual reports of the Health Sciences Library contain comprehensive descriptions of the annual activities of the Health Sciences Library. The Health Sciences Library's annual reports from 2006 to the present are missing from this collection. It is not known if the reports were ever written by the library.","Informal annual report-like documents and related material, including reports shared on the Claude Moore Health Sciences Library blog and an internal UVA Health System news website (HS Connect). Reports from: March 2007, September 2009 (written by Gretchen Arnold), January 2013 (written by Gretchen Arnold), and March 2018 (written by Gretchen Arnold).","This series consists of correspondence and subject files that were created and assembeled by the directors of the Health Sciences Library while carrying out the responsibilities of their position.","Correspondents include Curators of the HSL--Daniel Spikes, Cassandra Ruane, Frank C. Mevers, Todd L. Savitt, and Doris Leckie of the Smithsonian Institution","Includes articles about Jesse Lazear, Carlos Finlay, Philip Hench and cortisone, Henry R. Carter, Nicolas Chervin, Joseph Y. Porter and Isaac Hulse","Correspondents with Bean include Mary (Mrs. Philip) Hench, Atcheson L. Hench, Byrd S. Leavell, and Todd Savitt","Includes news releases, news clippings, journal articles, and correspondence related to the gift by Mary Hench of the Philip S. Hench Walter Reed Yellow Fever collection.","Includes correspondence with William Bennett Bean","Includes correspondence on Health System reorganization","The records in this series document the planning of historically significant administrative initiatives, purchases, construction, and events at the Health Sciences Library.","This series consists of digital and analog images that show the history and collections of the Health Sciences Library. Image formats in this series include, but are not limited to, photographic prints, film negatives, jpeg files, tiff files, 35mm film slides, CDs or other media containing digital images. The series does not include official identification photographs for faculty, students, and staff.","This subseries contains images of artifacts in the collections of the Health Sciences Library.","The images in this subseries show the staff, faculty, and interior spaces of the Health Sciences Library.","Moll, Bowers, Bowers, and Rudnick are photographed with ceramic vessels used in the early production of penicillin.","LIS officially started in 1989. Dr. Don Detmer is upper right of FF sheet","People identified are: Inhye Son, Sarah Handley, Anne Humphries, Mike Wilson, Jonathan Lord, Elaine Banner, Julia Kochi, Marylin James, Mary Nightengale, Ophelia Payne, Nadine Ellero, Trisha Luby, Sue Daddezio, Diane Ricketson, Deborah Camden, Michael Sullivan, Betty Mickens, Dan Wilson, Shelby Miller John Sesody, Greatchen Arnold, Michelle Martin, Jeri Davis, Barbara Crawford, Cindy Saylor, Susan Yowell, Karen Collier, Pat Shannon, Rick Peterson, Brenda Bikos, Sandy Zoumbaris, Jana Maas, Joan Klein, Mark Mones, Jane Wagner, Eli Casarez, Aulia Gies, Cynthia Siedman-Willen, Catherine Anninos, Judy Shotwell, Linda Watson and Ann Carter.","Individuals not identified.","Front: Kathleen Tracey, karen Collier, Deborah Camden, Ophelia Payne, Rick Peterson\nSecond: Marylin James, Jane Wagner, Barbara Crawford, Polly Sandridge, Linda Watson\nThird: Pat Shannon, Brenda Bikos, Gretchen Naisawald, Anne Humphries, Jeri Davis, Shelby Miller, Jonquil Feldman, Mike Wilson\nFourth: Judith Robinson, Susan Daddezio, Julia Hochi\nFifth: Thomas Speare, Catherine Anninos, Libby Colley, Judy Shotwell\nSixth: Hall Sharp, Rick Weaver, Ann Carter\nSeventh: Nadine Ellero, Megan McCaskey, Sarah Handley\nEighth: Jonathan Lord, Jake Appleford, Mary Nightengale, Inhye Son\nAbsent: Joan Klein, christopher Marks, Betty Mickens, Mark Mones, Diane Spears","Left to right: Dieter Groeschel, Joan Klein, Linda Watson, unidentified person\nIn back: unidentified, Janet Pearson","One photo individuals front left to right Dieter Groeschel, Joan Klein, Linda Watson, unidentified person, in the back an unidentified person and Janet Pearson","Collection Services and Bibliographic Control","Intellectual Access and Collection Development","Library Administration","Ellen Ramsey, David Moody, Bart Ragon, Mike Wilson, Joan Klein, Dave Denton, Inhye Son, Wilma Lynch, Pat Shannon, Gretchen Arnold, Jeri Davis, Joy Nuckolls, Karen Knight, Elaine Attridge, Ann Carter, Jonathan Lord, Andrea Horne Denton, Stephanie Fielding, Adrienne Granitz, Sonya Coleman, Jason Bennett, Tony Hiserman, Tenzin Thosam, Roderick Martin, Nadine Ellero, Patricia Vaughn","This subseries consists of images that do not belong in any other subseries.","Gordon was the coordinator of an exhibit on the history of gastroscopy and visited the medical school to open the exhibit. Photo taken by Ursula Ziolkowki.","Photo was sent to Terry Thorkildson from the Area Health Education Centers Program Eastern Virginia Medical Authority","This series contains historically significant press releases, visual aids, clippings, and other items that record information about the Library that were produced for or by the news media.","This subseries contains print copies of news articles about the Health Sciences Library.","This series consists of publications produced by the Health Sciences Library for public distribution or general internal distribution. Publications include, but are not limited to, magazines, journals, monographs, newsletters, weblogs, weekly announcements, online publications, marketing materials, and patient education resources. This series may contain both print and digital publications.","The materials in this subseries were produced to guide the use of collections housed at the Health Sciences Library.","This subseries consists of digital and print newsletters that provide information about the activities of the Health Sciences Library.","A \"scrapbook\" of Library milestones and appropriate photographs for each medical and nursing graduating class celebrating its reunion in a particular year. The print series was discontinued after 2000, but additional Journey Through Time content is available online through the Historical Collections web exhibits.","This subseries contains brochures, flyers, and other printed ephemera that provide information about the Health Sciences Library.","Envelope has Dr. Wilhelm Moll handwritten on it. Brochure includes library statistics, what is needed in terms of money and space, various endorsements, and tax information.","This series contains social media content that has been produced by the Health Sciences Library for platforms like Facebook, Instagram, and Twitter.","The staff of the Health Sciences Library's Historical Collections and Services department maintains and contributes content to this Facebook page. Many posts and photographs on the page relate to the Department's services, collections, and events. Other posts share information related to the history of the health sciences and the work of libraries, museums, and archives.","This series consists of blogs that were created by the Health Sciences Library. The files in this series were downloaded from the Internet by Library staff. Content in the blogs that are accessed through a link outside of the blog's parent directory (e.g. external YouTube videos, external web pages) are not downloaded and archived in this series.","The Moore Library News (MLN) blog is produced by the Claude Moore Health Sciences Library. MLN blog posts provide information about Library collections, policies, services, and events.","The records in this series document the organizational structure of the Health Sciences Library. It also contains records that document administrative reorganizations of the Library. These materials include, but are not limited to, organizational charts and reports.","This series contains policies, procedures, and handbooks produced by the Health Sciences Library to direct and guide the conduct of its faculty, staff, and patrons. These records may also formally describe and define the relationship between the Health Sciences Library and its faculty, staff, and patrons.","This subseries contains procedures and handbooks for the faculty and staff of the Health Sciences Library.","Includes items from the Printing Office with the new library name: The Claude Moore Health Sciences Library","This subseries consists of procedures and handbooks for the patrons of the Health Sciences Library.","This series contains course announcements, syllabi, notes, and other materials that document classes and workshops taught by the faculty and staff of the Health Sciences Library.","This series consists of programs and reports that document the history of conferences and symposia hosted by the Health Sciences Library. Programs and reports often contain the following information: lists of speakers, presentation titles, schedules of events, and lecture abstracts. The following conference records are not included in this series: registration records, financial records, organization records, attendance lists.","This series consists of significant material that conveys the history of the Health Sciences Library, its administration, its accomplishments, its officials or employees. Includes, but is not limited to, scrapbooks, photographs, articles, program notes and documentation of events sponsored or funded by the agency. Also included are narratives; printed, audio, or audiovisual histories; or matters of significant historical importance.","Includes many photos of the library interior and library staff. Some individuals identified. Probably an exhibit celebrating the library's 15th anniversary in 1991, but photos from 1993 are also in the folder.","Includes photos of library interiors, staff (some identified) and UVA buildings; library organization chart for 2/1995; and Library Building Funds chart, 1975.","This series consists of reports, of a historically significant nature, that do not belong to any other series of the Health Sciences Library records.","This series contains memos, correspondence, subject files, online resources, and meeting minutes of committees working within the Health Sciences Library.","This file includes the meeting minutes, meeting agendas, and other documentation of the Library Management Group. The members of this committee were the leaders of the Health Sciences Library. They met once a month to discuss major library initiatives, provide updates and reports about library department activities, and share other information related to the management of the Library.","This file consists of the meeting minutes, bylaws, constitution, and correspondence of the Medical History Society of the University of Virginia. The Society was formed to promote the knowledge and study of the history of medicine and the health sciences at the University of Virginia. For much of its history, Wilhelm Moll led the Society. It supported the development of historical collections and services at the Health Sciences Library and founded a lecture series that becsme the History of the Health Sciences Lecture Series in 1984.","This series consists of records that document awards, honors, and commemorations presented by the Health Sciences Library. These records may include, but are not limited to, event programs, lists of recipients, and recipient biographies.","The dedication ceremony included remarks by Donald S. Fredrickson, MD, Director, National Institutes of Health.","Includes a tribute to Wilhelm Moll by William B. Bean and another speech by an unidentified individual.","Includes remarks that were given by Dr. Don Detmer.","Includes remarks given by Donald Lindberg. The title of Lindberg's presentation was\"The Computer and the Academical Village\".","This series consists of records that document lectures and presentations sponsored by the Health Sciences Library. These records include, but are not limited to, audiovisual recordings, transcripts, announcements, handouts, and correspondence between presenters and event organizers.","This subseries consists of records associated with standalone lectures and presentations sponsored by the Health Sciences Library.","This subseries contains records that are associated with the Health Sciences Library's History of the Health Sciences Lecture Series.","This subseries contains records that are associated with the Medical History Society of the University of Virginia Lecture Series.","Promotional posters for a medical history lecture series held at the UVA Health Sciences Library and organized by the UVA Medical History Society.","This series consists of records that document exhibits created by the Claude Moore Health Sciences Library of an educational or promotional nature. Some records are physical, and others are archived websites crawled by the Internet Archives' Archive-It service and made accessible by their Wayback Machine.","These materials are physical materials containing exhibit plans and designs, text, labels, and images created for physical exhibits.","Identified individuals in photos are John Guerrant, Ken Crispell, and Barry Marshall","Includes print-out (109 pages) of \"Who's Who on the Philip S. Hench Walter Reed Yellow Fever Collection Website\" (2002) and supplemental list of compiled names.","\"Robley Dunglison: 1798-1869\" Pamphlet produced for a library exhibit honoring the 200th anniversary of Dunglison's birth. 3 copies; 14 pp. Prepared by Historical Collections \u0026 Services, Claude Moore Health Sciences Library. Folder note indicates biography was written by Joby Topper. Includes reference list.","Introduction by Joan Klein","This series contains web archived online exhibits created by Historical Collections and Services between 2007 and circa 2023, although some of the creation dates of the websites are questionable. These 21 exhibits were hosted on the Claude Moore Health Sciences Library website but are now available via the Internet Archives' Wayback Machine.","This online exhibit is centered on the book \"A History of Cancer Care at the University of Virginia, 1901-1911.\" This book provides vast insight into the teamwork, dedication, collegiality, and skill–as well as luck–which was necessary for the Cancer Center to exist today. Twenty-five oral history interviews were conducted in the course of researching the book and are included with the book or may be viewed in the videos section of this website. Written by Henry K. Sharp, Ph.D. and Morton C. Wilhelm, M.D. the Joseph Helms Farrow Professor Emeritus in Surgical Oncology, University of Virginia School of Medicine.","This online exhibit serves as an online \"scrapbook\" with some of the milestones of the Claude Moore Health Sciences Library, Medical Center, and the School of Medicine and the School of Nursing. There are added appropriate photographs for each class year.","This exhibit recounts the origin and early history of the American Lung Association. The American Lung Association of Virginia (ALAV) Collection contains personal and official correspondence, financial and legal papers, minute books, organizational and scientific reports, educational publicity, photographs, and artifacts. ALAV donated its organization's papers to the Claude Moore Health Sciences Library in 1990 and 1991 made this exhibit possible. The ALAV made an additional donation in 2009.","This online exhibit presents images and summaries of the known uses of each instrument. The extant comments of medical writers from antiquity–including Oribasius, Galen, Soranus, Aetius, and the Hippocratic corpus–have provided scholars with some clues about the use of some instruments. Some instruments, such as mixing instruments and tweezers, probably had other household uses, such as the application of cosmetics and paints.","This online exhibit was created under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library. Hal Sharp, a Historical Collections staff member, wrote the essay giving a brief history of anatomical drawing. The exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant. Emily Bowden, Historical Collections, photographed the Denoyer-Geppert Anatomy Series charts. William Crutchfield generously donated W. and A. K. Johnston's Charts of Anatomy and Physiology which were owned for 33 years by his father, Dr. William Gayle Crutchfield.","This exhibit was designed to highlight the UVA Hospital's involvement with supporting United States Army troops during World War I and World War II. It was created by Janet Pearson with the assistance of Joby Topper. Special thanks to Dr. John L. Guerrant, Dorothy Sandridge Gloor, and Elizabeth Harlin Drash for sharing their stories and helping us identify photographs.","This online exhibit shows materials related to eugenics as it relates to UVA and Charlottesville, VA. Alison White and Ina Hofland, staff members of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia, created this Web exhibit. They also created the physical exhibit of the same title on which it is based. The physical exhibit was displayed in the foyer of the Health Sciences Library April-September 2002. Steve Stedman designed the Web exhibit. Special thanks to Sara Huyser, Joan Echtenkamp Klein, Ophelia Payne, Bart Ragon, Hal Sharp, and Mike Wilson for their assistance. Web Exhibit Publish Date: February 13, 2004","This exhibit was created under the direction of Joan Ectenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at the Claude Moore Health Sciences Library. Dr. Morton C. Wilhelm, the Joseph Helms Farrow Professor in Surgical Oncology, wrote the essay with the editorial assistance of Janet Pearson. The web exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant.","This online exhibit offers a look into The Papers of James Carmichael and Son, a collection held at the UVA Albert and Shirley Small Special Collections Library, and tells a story of the early nineteenth-century inhabitants of Fredericksburg, Virginia and its surrounding rural areas. ","The exhibit is organized into two content areas: the Story and the Collection. Each of these areas, as well as the Home and About sections, are represented in the tabs near the top of every page. See the site map for more detail.","The Story section sets the atmosphere for the exhibit. One can get a sense of what the practice of medicine was like for James and Edward Carmichael in the early nineteenth century by reading the essays describing the Pharmacy, the Tools of the Trade, and the Health Care of Slaves.","The Collection section houses the images of the original Carmichael letters, which are meticulously transcribed and categorized to provide access not only to the words, but to the medical conditions, treatments, and philosophies of almost two centuries past. Particularly compelling is the use of Medical Subject Headings (MeSH) to categorize the letters along with a very detailed methodology and definition of MeSH terms. Other items of interest include the daybook kept by Doctor Carmichael from 1816-1817, newspaper clippings, court records \u0026 summaries, period maps, and Virginia WPA Historical Inventory Project records. Additionally, there is an exhaustive Who's Who list of names that appeared in the letters as well as a thorough list of Places Mentioned.","This online exhibit tells the story of how the U.S. Army Commission, comprised of Major Walter Reed, Dr. James Carroll, Dr. Aristides Agramonte, and Dr. Jesse Lazear, confirmed Carlos Finlay's theory about the transmission of yellow fever. By showing without a doubt that mosquitoes were the vector for yellow fever, the researchers empowered public health officials in the Americas to eradicate this devastating disease from much of the Western Hemisphere.","The exhibit is divided into three main sections. The first section, Archives, provides information about and links to the Philip S. Hench Walter Reed Yellow Fever Collection. The collection, most collected by Philip S. Hench and housed at the University of Virginia's Claude Moore Health Sciences Library, is a rich archive of materials that documents the history of the U.S. Army Yellow Fever Commission. The second section, History, tells the story of the U.S. Army Yellow Fever Commission and the impact of its findings. Finally, the third section, Resources, provides access to biographies, bibliographies, and other resources visitors may want to consult to learn more about the Commission and the history of yellow fever.","This exhibit tells the story about 12 physicians practicing in Charlottesville, VA in 1848 mutually agreed to create an agreed rate of medical charges for services.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at The Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the fee bill project and directed it. Todd L. Savitt, Ph.D., wrote the background information essay on fee bills in general and the Charlottesville fee bill in particular. He is a faculty member at East Carolina University in the Department of Bioethics \u0026 Interdisciplinary Studies. Janet Pearson wrote the introduction and the biographical sketches of the twelve signers. She gathered images and took photographs in the University of Virginia Cemetery and Columbarium and in downtown Charlottesville. She is a member of the staff of Historical Collections and Services. Sonya Coleman, also a member of the staff of Historical Collections, contributed to the design elements. David Moody, Claude Moore Health Sciences Library Webmaster, and Jason Bennett, Technology in Education Consultant, provided the programming architecture for the Web exhibit.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at the Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the \"Fever Fighters\" project after the generous donation of Dr. Hanson's diary by his granddaughter, Jane H. Monroe.","Staff members at Historical Collections, Leigh Mantle, Susan Yowell, and Janet Pearson, contributed content and created the GIS Map. Caitlin Summers, a dedicated intern at Historical Collections, also provided editorial assistance in the spring of 2012.","David Moody, Library Webmaster; Mike Wilson, Information Services Specialist; and Jason Bennett, Technology Specialist, provided the programming architecture for the Web exhibit.","This exhibit was inspired by The Mineral Springs of Western Virginia by William Burke, the first volume purchased by the Weaver Family Endowed Rare Book and Medical Materials Fund. Published in 1846, the book describes the setting and development of eleven springs in what are now Virginia and West Virginia. Dr. Burke, a one-time owner and resident physician at Red Sulphur Springs, remarks on the usefulness of the various mineral waters in certain diseases as well as contraindications to their use. The springs range from those that are well known today such as the White Sulphur Springs, currently the Greenbrier resort in West Virginia, to the Blue Sulphur Springs, once able to accommodate several hundred people and now represented by a lone Greek Revival pavilion in the middle of a field near Smoot, West Virginia.","This exhibit was written and organized by Janet Pearson, a member of the staff of Historical Collections and Services, under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library, University of Virginia. Claudia Sueyras, Normajean Hultman, and Sonya Coleman did preliminary research. Rod Martin and Victoria Meyer scanned items from Historical Collections and the Charles L. Brown Science \u0026 Engineering Library. David Moody, with the assistance of Bart Ragon, provided the programming architecture for the Web exhibit. Sonya Coleman contributed to the design elements. Special thanks has been given to the staff at the Albert and Shirley Small Special Collections Library, University of Virginia, as they retrieved dozens of documents and also to the Digital Curation Services staff for their scanning of the documents.","The Anatomical Theatre at the University of Virginia online exhibit tells the story of the Theatre's presence at the University for more than a century. While not included in the earliest plans of the University, the need for the Theatre became clear before the first classes were ever held. Thomas Jefferson himself drew the design which includes two floor plans, a front elevation view, and a cross section. The exhibit traces the construction and later changes to the building, its demise, and archeological investigations at the site. It also gives a glimpse of what happened inside the building and the deeds that were done to procure cadavers so that medical students could learn anatomy.","This exhibit was sparked by the interest of the late Dr. M.C. Wilhelm in the model of the Anatomical Theatre housed in Historical Collections at the University of Virginia Claude Moore Health Sciences Library. A retired surgeon and volunteer in Historical Collections, Dr. Wilhelm gathered resources and did preliminary writing. It was decided to further develop the project, and the result is this exhibit, written and organized by Janet Pearson, a Historical Collections staff member. Originally done under the direction of Joan Echtenkamp Klein, who was the Alvin V. and Nancy Baird Curator for Historical Collections until her untimely death, project support was continued under Dan Cavanaugh, who stepped into Joan's role and position.","Others associated with the University of Virginia community freely shared their ideas and research. These individuals include Garth Anderson, the Facilities Management Historian; Kirt von Daacke, Assistant Dean and Professor, College of Arts \u0026 Sciences; Louis Nelson, Professor in the Department of Architectural History and Associate Provost for Outreach; Robert Bloodgood, Professor in the School of Medicine; Benjamin Ford, Principal Investigator with Rivanna Archaeological Services, LLC; and Sonya Coleman, formerly a staff member in Historical Collections and now at the Library of Virginia. Emily Bowden, the Historical Collections Specialist, answered many technical queries as well as gave editorial assistance. Anson Parker and Jason Bennett provided the programming architecture for the Web exhibit.","This exhibit explores the development of the iron lung during the late nineteenth and early twentieth century and considers the reasons for its success during the height of the poliomyelitis epidemics. Andrew Sallans, Historical Collections Specialist, researched and compiled the content for the online and physical exhibits. The design of the online exhibit was conceived and executed by Steve Stedman, Webmaster for the Claude Moore Health Sciences Library.","This online exhibit displays a digitized copy of Historical Collections and Services' rare book \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England: An Introduction to Orders thought meete by her Maiestie ..., 1578.\"","Anne McKeithen, Janet Pearson, and Andrew Sallans, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, compiled the material for the Plague Book exhibit under the direction of Joan Echtenkamp Klein. Joaquin Bueno designed the Web exhibit and graphics, with the programming architecture of David Moody and the assistance of Bart Ragon.","Unless otherwise noted, the images are courtesy of the Missouri Botanical Garden, © 1995-2006 Missouri Botanical Garden http://www.illustratedgarden.org). They deserve special thanks for their generous permission to reproduce their exquisite illustrations. Special thanks are also given to Duane J. Osheim, Ph.D., Professor and Chair, of the Corcoran Department of History at the University of Virginia for his paper, \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England.\"","In 2001 Historical Collections in the Claude Moore Health Sciences Library created an exhibit that traces the history of the first century of the Hospital in words and images. One copy of the exhibit traveled from location to location in the Health System and beyond; the other set of panels were hung in a busy hospital corridor near the main entrance where they remain today. These panels form the basis for this online exhibit which now includes the addition of a section on the first 14 years of the Hospital's second century. We hope you enjoy following the history of the growth of the University of Virginia Health System as it seeks to fulfill its longstanding vision to benefit human health and improve quality of life through patient care, research, and education.","This exhibition was prepared by Hal Sharp and Janet Pearson of the Department of Historical Collections and Services, The Claude Moore Health Sciences Library.","This online exhibit aims to give viewers a view into more than 50 of Historical Collections and Services' most notable books and see how their authors over the years have documented their discoveries and concepts for contemporaries and for us.  There are digitized versions of many of the books in the Fulltext Books section, which offers links to the scanned images of over half of these rare books.","Sara Huyser, Anne McKeithen, and Janet Pearson, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, wrote and compiled the material for Vaulted Treasures under the direction of Joan Echtenkamp Klein.","Joaquin Bueno designed the Web exhibit and graphics, with the server expertise of David Moody and the assistance of Bart Ragon. Special thanks to Claudia Sueyras who scanned many of the books and Andrew Sallans who provided technical assistance.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","Mary Wagner donated the caricatures in this exhibit to Historical Collections and Services, The Claude Moore Health Sciences Library. Her husband, the late Robert R. Wagner, M.D., collected these when he was a post-doctoral fellow at the National Institute for Medical Research in London from 1950 to 1951. Wagner was Chair of the Department of Microbiology at the University of Virginia from 1967 to 1994, and Director of the UVa Cancer Center from 1983 to 1993. Thanks to Mary Wagner's generosity, the caricatures recently have been professionally treated, preserved, and reframed. The originals are on display in Historical Collections and Services and in the Department of Microbiology in the Robert R. Wagner Conference Room. These nineteenth-century satirical prints will thus continue to delight future generations.","This exhibit was written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.","Walter Reed's professional experiences with typhoid fever stand in marked contrast to his professional encounters with yellow fever. In the case of typhoid, he was more a messenger than a conqueror. Typhoid fever remained defiant during a career that oversaw the rout of yellow fever. Through a humanizing story that shows how fate brought Reed continuing frustration as well as talent and success, this exhibit seeks to render him a more accessible role model for students of medicine and history.","This exhibit was written by Noel G. Harrison, a graduate student in The Corcoran Department of History at the University of Virginia and an intern in Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia during the fall of 2002. The Web exhibit was prepared and designed by Mike Wilson and Sara Huyser. Special thanks to Bart Ragon, Joan Echtenkamp Klein, and Hal Sharp for their assistance.","This series includes records related to Historical Collections and Services, the special collections and archives department of the Claude Moore Health Sciences Library. Records the public can access are related to exhibitions that were curated by staff and displayed in the library.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies.","The Rector and Visitors of the University of Virginia own the copyright to the annual reports in this series.","The Rector and Visitors of the University of Virginia owns the copyright to records in this series that were created by the library directors while they were acting within the scope of their position, except scholarly and academic works. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the planning documents and reports created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to images created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to publications created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The University of Virginia owns the copyrights to publications produced by the Health Sciences Library. Other copyright restrictions may apply to some materials.","Copyright restrictions may apply.","The Rector and Visitors of the University of Virginia own the copyright for social media content (e.g. posts, photographs) created by University employees while acting within the scope of their employment, except scholarly and academic works. The organizations that own the social media platforms might also hold licenses to all of the content posted by University of Virginia employees. Copyright ownership varies for other content that has been posted on the Library's social media platforms and archived here.","The Rector and Visitors of the University of Virginia own the copyright to blogs and blog posts created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to conference records and programs created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to reports created by University employees while acting within the scope of their employment. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the records in this series that were created by University employees while acting within the scope of their employment.","The Rector and Visitors of the University of Virginia own the copyright to materials in this series created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to exhibit content created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","Claude Moore Health Sciences Library","English"],"unitid_tesim":["RG.17.4","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/215"],"normalized_title_ssm":["Claude Moore Health Sciences Library records"],"collection_title_tesim":["Claude Moore Health Sciences Library records"],"collection_ssim":["Claude Moore Health Sciences Library records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies."],"access_subjects_ssim":["University of Virginia"],"access_subjects_ssm":["University of Virginia"],"has_online_content_ssim":["true"],"extent_ssm":["97 Volumes 97 bound volumes and enclosures on book shelves","8 Linear Feet 29 archival boxes"],"extent_tesim":["97 Volumes 97 bound volumes and enclosures on book shelves","8 Linear Feet 29 archival boxes"],"date_range_isim":[1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eThe records of the Claude Moore Health Sciences Library are open to researchers, except where it is noted. Decisions to close records to research are made in accordance with the Health Insurance Portability and Accountability Act of 1996 (HIPAA), the Family Educational Rights and Privacy Act of 1974 (FERPA), the Virginia Freedom of Information Act (VAFOIA), the policies of the University of Virginia, and other relevent laws, regulations, or policies.\u003c/p\u003e","\u003cp\u003eThe annual reports are open to research.\u003c/p\u003e","\u003cp\u003eThese records are open to research.\u003c/p\u003e","\u003cp\u003eThe planning documents and reports are open to research.\u003c/p\u003e","\u003cp\u003eThe photographs and negatives are open to research.\u003c/p\u003e","\u003cp\u003eThe public relations files are open to research.\u003c/p\u003e","\u003cp\u003eThe publications are open to research.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the newsletters in this subseries.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the publications of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThe social media files are open to researchers.\u003c/p\u003e","\u003cp\u003eThe blog files are open to researchers.\u003c/p\u003e","\u003cp\u003eThe administrative organization and structure files are open to research.\u003c/p\u003e","\u003cp\u003eThe policies, procedures, and handbooks are open to research.\u003c/p\u003e","\u003cp\u003eIn accordance with the The Family Educational Rights and Privacy Act of 1974 (FERPA), the library may restrict access to student-authored materials and other protected student records in this series. Course syllabi, course announcements, and other materials produced by University faculty and staff are open to research.\u003c/p\u003e","\u003cp\u003eConference programs and reports are open to research.\u003c/p\u003e","\u003cp\u003eThe historical and biographical files are open to research.\u003c/p\u003e","\u003cp\u003eThe reports in this series are open to research.\u003c/p\u003e","\u003cp\u003eThe committee records and meeting minutes are open to research.\u003c/p\u003e","\u003cp\u003eThe awards, honors, and commemorations records are open to research.\u003c/p\u003e","\u003cp\u003eThe lecture and presentation materials are open to research.\u003c/p\u003e","\u003cp\u003eThe exhibit records are open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The records of the Claude Moore Health Sciences Library are open to researchers, except where it is noted. Decisions to close records to research are made in accordance with the Health Insurance Portability and Accountability Act of 1996 (HIPAA), the Family Educational Rights and Privacy Act of 1974 (FERPA), the Virginia Freedom of Information Act (VAFOIA), the policies of the University of Virginia, and other relevent laws, regulations, or policies.","The annual reports are open to research.","These records are open to research.","The planning documents and reports are open to research.","The photographs and negatives are open to research.","The public relations files are open to research.","The publications are open to research.","There are no restrictions on access to the newsletters in this subseries.","There are no restrictions on access to the publications of the Health Sciences Library.","The social media files are open to researchers.","The blog files are open to researchers.","The administrative organization and structure files are open to research.","The policies, procedures, and handbooks are open to research.","In accordance with the The Family Educational Rights and Privacy Act of 1974 (FERPA), the library may restrict access to student-authored materials and other protected student records in this series. Course syllabi, course announcements, and other materials produced by University faculty and staff are open to research.","Conference programs and reports are open to research.","The historical and biographical files are open to research.","The reports in this series are open to research.","The committee records and meeting minutes are open to research.","The awards, honors, and commemorations records are open to research.","The lecture and presentation materials are open to research.","The exhibit records are open to research."],"accruals_html_tesm":["\u003cp\u003eThe annual reports of the Health Sciences Library are scheduled for permanent retention. There will be accruals to this series if the Health Sciences Library resumes the creation of annual reports.\u003c/p\u003e","\u003cp\u003eThe correspondence and subject files of the Health Sciences Library director are not scheduled for permanent retention and, in the past, have been transferred to the archives on an irregular basis. No further accruals of this material is expected.\u003c/p\u003e","\u003cp\u003eHistorically significant planning documents and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a document or report is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003eHistorically significant photographs and negatives are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a photograph or negative is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003ePublic relations files are scheduled for permanent retention in the archives. These records are generally created by the University's marketing and communications departments and they are filed in the records groups associated with those units. However, the library does occasionally create its own public relations files that we expect to add to this series.\u003c/p\u003e","\u003cp\u003eThe publications of the Health Sciences Library are scheduled for permanent retention in the archives. Much of the content that the Library made available through publications is now made available on various online platforms. It is likely that accruals to this series will be infrequent.\u003c/p\u003e","\u003cp\u003eAnnually, data is downloaded from the Library's active social media sites and added to this collection.\u003c/p\u003e","\u003cp\u003eCopies of each existing blog are captured every year and added to the collection.\u003c/p\u003e","\u003cp\u003eThe organizational charts of the Health Sciences Library are scheduled for permanent retention in the archives. Besides the charts, only historically significant records document administrative structure are retained in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether one of these records is historically significant. Accruals to this series are expected to occur occassionally.\u003c/p\u003e","\u003cp\u003eHistorically significant policies, procedures, and handbooks produced by the Health Sciences Library are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a record is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003eHistorically significant syllabi and course materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a course record is historically significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e","\u003cp\u003eHistorically significant conference programs and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a program or report is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003eSignificant historical and biographical materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e","\u003cp\u003eHistorically significant reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a report is historically significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e","\u003cp\u003eHistorically significant exhibit records are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is historically significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals"],"accruals_tesim":["The annual reports of the Health Sciences Library are scheduled for permanent retention. There will be accruals to this series if the Health Sciences Library resumes the creation of annual reports.","The correspondence and subject files of the Health Sciences Library director are not scheduled for permanent retention and, in the past, have been transferred to the archives on an irregular basis. No further accruals of this material is expected.","Historically significant planning documents and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a document or report is historically significant. Accruals to this series are expected.","Historically significant photographs and negatives are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a photograph or negative is historically significant. Accruals to this series are expected.","Public relations files are scheduled for permanent retention in the archives. These records are generally created by the University's marketing and communications departments and they are filed in the records groups associated with those units. However, the library does occasionally create its own public relations files that we expect to add to this series.","The publications of the Health Sciences Library are scheduled for permanent retention in the archives. Much of the content that the Library made available through publications is now made available on various online platforms. It is likely that accruals to this series will be infrequent.","Annually, data is downloaded from the Library's active social media sites and added to this collection.","Copies of each existing blog are captured every year and added to the collection.","The organizational charts of the Health Sciences Library are scheduled for permanent retention in the archives. Besides the charts, only historically significant records document administrative structure are retained in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether one of these records is historically significant. Accruals to this series are expected to occur occassionally.","Historically significant policies, procedures, and handbooks produced by the Health Sciences Library are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a record is historically significant. Accruals to this series are expected.","Historically significant syllabi and course materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a course record is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant conference programs and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a program or report is historically significant. Accruals to this series are expected.","Significant historical and biographical materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is significant. Accruals to this series are expected to occur infrequently.","Historically significant reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a report is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant exhibit records are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is historically significant. Accruals to this series are expected to occur infrequently."],"arrangement_html_tesm":["\u003cp\u003eRecords are generally organized according to the records retention and disposition schedules series maintained by the Library of Virginia (LVA). When necessary, additional subdivisions have been created for materials that do not have clear equivalents in the LVA resources.\u003c/p\u003e","\u003cp\u003eAnnual reports are arranged into 3 subseries: Medical Library, Health Sciences Libary, and Information Sciences Council. The subseries are arranged chornologically. Inside the subseries annual reports are placed into files that are arranged chronologically.\u003c/p\u003e","\u003cp\u003eThe correspondence and subject files are arranged into subseries according to the library director who created them. The subseries are then arranged chronologically by the date that each director began his or her term in this position. Beginning and end dates of the directors' terms are given after his or her name in the subseries title.\u003c/p\u003e","\u003cp\u003eIn this series, a file is created for each planning report and its associated documents. The files are arranged chronologically by the date of creation for the materials they contain.\u003c/p\u003e","\u003cp\u003eThe photographs and negatives are arranged into subseries by subject. The subseries are then arranged alphabetically by title. The arrangements of the files in the subseries vary.\u003c/p\u003e","\u003cp\u003eThe photographs and negatives of library artifacts are arranged alphabetically according to the name of the artifact shown.\u003c/p\u003e","\u003cp\u003eThe images of Health Sciences Library staff and interiors are arranged chronologically according to their date of creation.\u003c/p\u003e","\u003cp\u003eThe miscellaneous photographs are arranged chronologically according to the date of their creation.\u003c/p\u003e","\u003cp\u003eThe public relations files are arranged into subseries according to types of materials (e.g. clippings collections and press releases). The subseries are then arranged alphabetically. The files in the subseries are arranged chonologically.\u003c/p\u003e","\u003cp\u003eThe publications are arranged into subseries according to types of materials (e.g. journals and magazines, newsletters, patient education resources). The subseries are then arranged alphabetically. The arrangements of the files in the subseries vary.\u003c/p\u003e","\u003cp\u003eThe newsletters are arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eThe promotional brochures, flyers, and other publications are arranged chronologically according to their date of creation.\u003c/p\u003e","\u003cp\u003eThe social media content is arranged into files alphabetically by title.\u003c/p\u003e","\u003cp\u003eBlogs are arranged into files alphabetically by title.\u003c/p\u003e","\u003cp\u003eFiles in this series are arranged chronologically according to the date of their creation.\u003c/p\u003e","\u003cp\u003eThe policies, procedures, and handbooks are arranged into the following subseries in this order: Staff procedures and handbooks, and Library users procedures and handbooks. The files in each subseries are arranged chronologically.\u003c/p\u003e","\u003cp\u003eSyllabi and course materials are arranged chronologically.\u003c/p\u003e","\u003cp\u003eConference records and programs are arranged into files by conference title. The files are arranged chronologically by the date each conference was held. All of the instances of a reoccurring conference are gathered together into the same file. If the conference is reoccurring, it is arranged in relation to the rest of the files according to the first instance of that conference.\u003c/p\u003e","\u003cp\u003eMaterials in this series are arranged chronologically according to the date that they were created.\u003c/p\u003e","\u003cp\u003eThe reports are arranged into files. The files are then arranged chronologically by their date of creation. When a report is reoccurring, all of the reports in that series are placed together in a single file.\u003c/p\u003e","\u003cp\u003eThe directories are arranged by title into files. The files are arranged chronologically.\u003c/p\u003e","\u003cp\u003eThe records in this series are arranged into files according to committee or department (when the department is holding reccurring general meetings). The files are then arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThe awards, honors, and commemorations are arranged into files. The files are then arranged chronologically by date. When an award, honor, or commemoration is reoccurring (e.g. annually), all of the records in that series are placed together in a single file.\u003c/p\u003e","\u003cp\u003eThe records for stand-alone lectures and presentations are arranged into a subseries called \"Single lectures and presentations\". The records of lectures and presentations that belong to a program or lecture series are arranged into subseries named after the program or lecture series. Following the subseries titled \"Single lectures and presentations\", the remaining lecture series are arranged alphabetically by title. \u003c/p\u003e\n","\u003cp\u003eRecords in all of the subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.\u003c/p\u003e","\u003cp\u003eRecords in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.\u003c/p\u003e","\u003cp\u003eRecords in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.\u003c/p\u003e","\u003cp\u003eThe materials are arranged into files, each file representing an exhibit. Files are arranged alphabetically by exhibit title.\u003c/p\u003e","\u003cp\u003eThese files are arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThese items are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["Records are generally organized according to the records retention and disposition schedules series maintained by the Library of Virginia (LVA). When necessary, additional subdivisions have been created for materials that do not have clear equivalents in the LVA resources.","Annual reports are arranged into 3 subseries: Medical Library, Health Sciences Libary, and Information Sciences Council. The subseries are arranged chornologically. Inside the subseries annual reports are placed into files that are arranged chronologically.","The correspondence and subject files are arranged into subseries according to the library director who created them. The subseries are then arranged chronologically by the date that each director began his or her term in this position. Beginning and end dates of the directors' terms are given after his or her name in the subseries title.","In this series, a file is created for each planning report and its associated documents. The files are arranged chronologically by the date of creation for the materials they contain.","The photographs and negatives are arranged into subseries by subject. The subseries are then arranged alphabetically by title. The arrangements of the files in the subseries vary.","The photographs and negatives of library artifacts are arranged alphabetically according to the name of the artifact shown.","The images of Health Sciences Library staff and interiors are arranged chronologically according to their date of creation.","The miscellaneous photographs are arranged chronologically according to the date of their creation.","The public relations files are arranged into subseries according to types of materials (e.g. clippings collections and press releases). The subseries are then arranged alphabetically. The files in the subseries are arranged chonologically.","The publications are arranged into subseries according to types of materials (e.g. journals and magazines, newsletters, patient education resources). The subseries are then arranged alphabetically. The arrangements of the files in the subseries vary.","The newsletters are arranged alphabetically by title.","The promotional brochures, flyers, and other publications are arranged chronologically according to their date of creation.","The social media content is arranged into files alphabetically by title.","Blogs are arranged into files alphabetically by title.","Files in this series are arranged chronologically according to the date of their creation.","The policies, procedures, and handbooks are arranged into the following subseries in this order: Staff procedures and handbooks, and Library users procedures and handbooks. The files in each subseries are arranged chronologically.","Syllabi and course materials are arranged chronologically.","Conference records and programs are arranged into files by conference title. The files are arranged chronologically by the date each conference was held. All of the instances of a reoccurring conference are gathered together into the same file. If the conference is reoccurring, it is arranged in relation to the rest of the files according to the first instance of that conference.","Materials in this series are arranged chronologically according to the date that they were created.","The reports are arranged into files. The files are then arranged chronologically by their date of creation. When a report is reoccurring, all of the reports in that series are placed together in a single file.","The directories are arranged by title into files. The files are arranged chronologically.","The records in this series are arranged into files according to committee or department (when the department is holding reccurring general meetings). The files are then arranged alphabetically.","The awards, honors, and commemorations are arranged into files. The files are then arranged chronologically by date. When an award, honor, or commemoration is reoccurring (e.g. annually), all of the records in that series are placed together in a single file.","The records for stand-alone lectures and presentations are arranged into a subseries called \"Single lectures and presentations\". The records of lectures and presentations that belong to a program or lecture series are arranged into subseries named after the program or lecture series. Following the subseries titled \"Single lectures and presentations\", the remaining lecture series are arranged alphabetically by title. ","Records in all of the subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","The materials are arranged into files, each file representing an exhibit. Files are arranged alphabetically by exhibit title.","These files are arranged alphabetically.","These items are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003e\nBetween 1826 and 1929, the University of Virginia's collection of medical books and journals were kept with the general library collections in the Rotunda. In 1929, the University moved the collections to the new Medical Library inside the recently-constructed Medical School Building. \n\u003c/p\u003e","\u003cp\u003e\nBetween 1929 and 1962, a medical librarian with a small staff of student and clerical workers stewarded the library's collections. The Medical Library at this time, although physically separate from the rest of the University's libraries, was administered as part of the central University library system with oversight from School of Medicine faculty serving on the Medical Library Committee. In addition to the management of collections, the medical librarians in this era began to curate exhibits and provide instruction. Only a few of the medical librarians who served in this period had professional library training.\n\u003c/p\u003e","\u003cp\u003e\nIn 1962, Wilhelm Moll was appointed the first Director of the Medical Library. During his tenure, Moll oversaw the radical trasnformation of a small branch library into an independent research library. The full-time library staff expanded from 4 to 30, the University built a new library building over Jefferson Park Avenue, the nursing and medical libraries merged to form the Health Sciences Library, a history of medicine program was founded, and the library began to adopt digital technologies.\n\u003c/p\u003e","\u003cp\u003e\nAfter Moll's death in 1979, the University apppointed Terry Thorkildsen as the Director of the Claude Moore Health Sciences Library.  Thorkildsen and his successors Linda Watson (1990-2005) and Gretchen Arnold (2005-present) led the library during an era when revolutionary advances in digital technologies (e.g. the Internet, personal computers, databases) presented new challenges and opportunities for the Library.\n\u003c/p\u003e","\u003cbr\u003e","\u003cul\u003e\n\u003cli\u003eSeptember 1826: The University of Virginia Library opens in the Rotunda and it includes a collection of medical books.\u003c/li\u003e\n\u003cli\u003e1911: The University Library's entire collection of medical books and journals are gathered together and moved to the basement of the Rotunda.\u003c/li\u003e\n\u003cli\u003eSeptember 13, 1915: Richard Henry Whitehead, Dean of the School of Medicine, creates the Medical Library Committee.\u003c/li\u003e\n\u003cli\u003e1919-June 1929: Ella Watson Johnson serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003eJune 1929: The Medical Library moves from the basement of the Rotunda to its own space in the new Medical School Building, the Medical Library remains a department of the central University Library System.\u003c/li\u003e\n\u003cli\u003eJune 1929-September 1929: Margaret Otto serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1929-1931: Anne Ashhurst Gwathmey serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1931-1934: Caroline Hill Davis serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003eMarch 1934-June 1934: Dora Mitchell Brown serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1934-1936: Miriam Thomas Buchanan serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1935: The Medical Library institutes its first orientation for first year medical students.\u003c/li\u003e\n\u003cli\u003e1936-1943: Anne Lewis Morris serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1943-1944: Mary Elizabeth Mayo serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1944-1947: Mabel Cook Wyllie serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1945-1949: The Nursing Library is placed under the Supervision of the Medical Librarian until the appointment of a clerk to manage the Nursing collection.\u003c/li\u003e\n\u003cli\u003e1947-1962: Elizabeth Frances Adkins serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003eSeptember 1962: Wilhelm Moll is appointed the Director of the Medical Library.\u003c/li\u003e\n\u003cli\u003e1962-1963: As the result of administrative reorganizations during this period, the Medical Library is separated from the central University Library system and placed under the control of the School of Medicine.\u003c/li\u003e\n\u003cli\u003eNovember 1970: Librarians conduct the first online searches of a database at the University of Virginia Medical Library using the experimental AIM-TWX service developed by the National Library of Medicine's Lister Hill National Center for Biomedical Communications.\u003c/li\u003e\n\u003cli\u003eNovember 1971: Librarians begin using the National Library of Medicine's MEDLINE system to conduct online searches for patrons.\u003c/li\u003e\n\u003cli\u003eAugust 1975: The Medical Library and Nursing Library are merged into the Health Sciences Library and Information Center and moved into a new building that spans over Jefferson Park Avenue. Wilhelm Moll is made the Director of the Health Sciences Library.\u003c/li\u003e\n\u003cli\u003eApril 1976: The Health Sciences Library is formally dedicated and named after Claude Moore, an alumnus of and donor to the University of Virginia.\u003c/li\u003e\n\u003cli\u003e1979: Terry Thorkildsen is appointed the Director of the Claude Moore Health Sciences Library.\u003c/li\u003e\n\u003cli\u003e1989: The library card catalog is digitized and made available through computer terminals.\u003c/li\u003e\n\u003cli\u003e1990: Linda Watson is appointed the Director of the Claude Moore Health Sciences Library.\u003c/li\u003e\n\u003cli\u003e2005: Gretchen Arnold is appointed the interim Director of the Claude Moore Health Sciences Library and is then made Director in 2007.\u003c/li\u003e\n\u003cli\u003e2022: Bart Ragon is appointed the Director of the Claude Moore Health Sciences Library.\u003c/li\u003e\n\u003c/ul\u003e","\u003cp\u003e(formerly Reference Department from 1987-1991)\u003c/p\u003e","\u003cp\u003eHistorical Collections and Services was originally concieved in the 1980s by the first director of the Claude Moore Health Sciences Library, Wilhelm Moll. His vision was to create a rare book room that would house the rare books that belonged to the Medical Library. During the Jeffersonian era and up until 1929, the books belonging to the school of medicine and anatomy were housed in the Rotunda Library on Grounds. In 1929, a new Medical School Building opened. This unified all the medical departments, which had been scattered throughout the Grounds. The Medical Collection became the Medical Library, and moved into new quarters in the Medical School Building. When Alderman, now Shannon, Library was built in 1937, the books moved there until the creation of the Claude Moore Health Sciences Library in 1976. Following Dr. Moll's untimely death in 1979, Special Collections librarian Joan Echtenkamp Klein helped to make Moll's reality of a special collections department a reality. She became the curator and manager of Historical Collections and Services, serving in that role until 2015. Dan Cavanaugh took over the role of curator and manager until 2022. Meggan Cashwell became the curator and manager in 2023 and is currently serving in that position.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["\nBetween 1826 and 1929, the University of Virginia's collection of medical books and journals were kept with the general library collections in the Rotunda. In 1929, the University moved the collections to the new Medical Library inside the recently-constructed Medical School Building. \n","\nBetween 1929 and 1962, a medical librarian with a small staff of student and clerical workers stewarded the library's collections. The Medical Library at this time, although physically separate from the rest of the University's libraries, was administered as part of the central University library system with oversight from School of Medicine faculty serving on the Medical Library Committee. In addition to the management of collections, the medical librarians in this era began to curate exhibits and provide instruction. Only a few of the medical librarians who served in this period had professional library training.\n","\nIn 1962, Wilhelm Moll was appointed the first Director of the Medical Library. During his tenure, Moll oversaw the radical trasnformation of a small branch library into an independent research library. The full-time library staff expanded from 4 to 30, the University built a new library building over Jefferson Park Avenue, the nursing and medical libraries merged to form the Health Sciences Library, a history of medicine program was founded, and the library began to adopt digital technologies.\n","\nAfter Moll's death in 1979, the University apppointed Terry Thorkildsen as the Director of the Claude Moore Health Sciences Library.  Thorkildsen and his successors Linda Watson (1990-2005) and Gretchen Arnold (2005-present) led the library during an era when revolutionary advances in digital technologies (e.g. the Internet, personal computers, databases) presented new challenges and opportunities for the Library.\n","","September 1826: The University of Virginia Library opens in the Rotunda and it includes a collection of medical books. 1911: The University Library's entire collection of medical books and journals are gathered together and moved to the basement of the Rotunda. September 13, 1915: Richard Henry Whitehead, Dean of the School of Medicine, creates the Medical Library Committee. 1919-June 1929: Ella Watson Johnson serves as the Medical Librarian. June 1929: The Medical Library moves from the basement of the Rotunda to its own space in the new Medical School Building, the Medical Library remains a department of the central University Library System. June 1929-September 1929: Margaret Otto serves as the Medical Librarian. 1929-1931: Anne Ashhurst Gwathmey serves as the Medical Librarian. 1931-1934: Caroline Hill Davis serves as the Medical Librarian. March 1934-June 1934: Dora Mitchell Brown serves as the Medical Librarian. 1934-1936: Miriam Thomas Buchanan serves as the Medical Librarian. 1935: The Medical Library institutes its first orientation for first year medical students. 1936-1943: Anne Lewis Morris serves as the Medical Librarian. 1943-1944: Mary Elizabeth Mayo serves as the Medical Librarian. 1944-1947: Mabel Cook Wyllie serves as the Medical Librarian. 1945-1949: The Nursing Library is placed under the Supervision of the Medical Librarian until the appointment of a clerk to manage the Nursing collection. 1947-1962: Elizabeth Frances Adkins serves as the Medical Librarian. September 1962: Wilhelm Moll is appointed the Director of the Medical Library. 1962-1963: As the result of administrative reorganizations during this period, the Medical Library is separated from the central University Library system and placed under the control of the School of Medicine. November 1970: Librarians conduct the first online searches of a database at the University of Virginia Medical Library using the experimental AIM-TWX service developed by the National Library of Medicine's Lister Hill National Center for Biomedical Communications. November 1971: Librarians begin using the National Library of Medicine's MEDLINE system to conduct online searches for patrons. August 1975: The Medical Library and Nursing Library are merged into the Health Sciences Library and Information Center and moved into a new building that spans over Jefferson Park Avenue. Wilhelm Moll is made the Director of the Health Sciences Library. April 1976: The Health Sciences Library is formally dedicated and named after Claude Moore, an alumnus of and donor to the University of Virginia. 1979: Terry Thorkildsen is appointed the Director of the Claude Moore Health Sciences Library. 1989: The library card catalog is digitized and made available through computer terminals. 1990: Linda Watson is appointed the Director of the Claude Moore Health Sciences Library. 2005: Gretchen Arnold is appointed the interim Director of the Claude Moore Health Sciences Library and is then made Director in 2007. 2022: Bart Ragon is appointed the Director of the Claude Moore Health Sciences Library.","(formerly Reference Department from 1987-1991)","Historical Collections and Services was originally concieved in the 1980s by the first director of the Claude Moore Health Sciences Library, Wilhelm Moll. His vision was to create a rare book room that would house the rare books that belonged to the Medical Library. During the Jeffersonian era and up until 1929, the books belonging to the school of medicine and anatomy were housed in the Rotunda Library on Grounds. In 1929, a new Medical School Building opened. This unified all the medical departments, which had been scattered throughout the Grounds. The Medical Collection became the Medical Library, and moved into new quarters in the Medical School Building. When Alderman, now Shannon, Library was built in 1937, the books moved there until the creation of the Claude Moore Health Sciences Library in 1976. Following Dr. Moll's untimely death in 1979, Special Collections librarian Joan Echtenkamp Klein helped to make Moll's reality of a special collections department a reality. She became the curator and manager of Historical Collections and Services, serving in that role until 2015. Dan Cavanaugh took over the role of curator and manager until 2022. Meggan Cashwell became the curator and manager in 2023 and is currently serving in that position."],"odd_html_tesm":["\u003cp\u003eSome exhibit pages do not have creation dates listed anywhere, but they do have copyright dates at the bottom of the page. This can be confusing in understanding what is the true date of creation.\u003c/p\u003e"],"odd_heading_ssm":["Date Discrepancies"],"odd_tesim":["Some exhibit pages do not have creation dates listed anywhere, but they do have copyright dates at the bottom of the page. This can be confusing in understanding what is the true date of creation."],"originalsloc_html_tesm":["\u003cp\u003eMany of these online exhibits were once physical exhibits on display in the Claude Moore Health Sciences Library. Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Many of these online exhibits were once physical exhibits on display in the Claude Moore Health Sciences Library. Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\""],"phystech_html_tesm":["\u003cp\u003eWhen the Claude Moore Health Sciences Library downloads content from a social media platform, the Library preserves all of the original files (e.g. jpeg files, html files, json files) from the capture.\u003c/p\u003e","\u003cp\u003ePatrons may contact Historical Collections staff at the Library to request copies of files containing social media content. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. \u003c/p\u003e","\u003cp\u003eWhen the Claude Moore Health Sciences Library captures a copy of a blog, the Library preserves all of the its original files (e.g. jpeg files, html files) as well as an aggregated web archive file (warc). Both a directory containing the original files and the warc file are bundled together into a single digital object. \u003c/p\u003e","\u003cp\u003ePatrons may contact Historical Collections staff at the Library to request copies of blog files. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. \u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements"],"phystech_tesim":["When the Claude Moore Health Sciences Library downloads content from a social media platform, the Library preserves all of the original files (e.g. jpeg files, html files, json files) from the capture.","Patrons may contact Historical Collections staff at the Library to request copies of files containing social media content. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. ","When the Claude Moore Health Sciences Library captures a copy of a blog, the Library preserves all of the its original files (e.g. jpeg files, html files) as well as an aggregated web archive file (warc). Both a directory containing the original files and the warc file are bundled together into a single digital object. ","Patrons may contact Historical Collections staff at the Library to request copies of blog files. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. "],"relatedmaterial_html_tesm":["\u003cp\u003eExhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\""],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of permanent and historically significant institutional records created by the University of Virginia Health Sciences Library and the antecedent Medical Library. These records include, but are not limited to: annual reports, planning documents, newsletters, online exhibits, blogs, social media content, conference programs, department histories, committee records, and library-sponsored lecture materials.\u003c/p\u003e","\u003cp\u003eThis series consists of annual reports produced by the Medical Library (1929-1975), the Health Sciences Library (1975-Present), and the Information Sciences Council (1990-1996). Annual reports for the Health Sciences Library are missing from this collection for the period from 2006 to the present. Also, the annual reports for the Medical Library are missing from this collections for the period from 1929 to 1942. It is unclear whether the Medical and Health Sciences libraries wrote reports for the years.\u003c/p\u003e","\u003cp\u003eThe annual reports of the Medical Library contain comprehensive descriptions of the annual activities of the Medical Library. The Medical Library's annual reports from 1929 to 1942 are missing from this collection. It is not known if the reports were ever written by the library.\u003c/p\u003e","\u003cp\u003eThe annual reports of the Health Sciences Library contain comprehensive descriptions of the annual activities of the Health Sciences Library. The Health Sciences Library's annual reports from 2006 to the present are missing from this collection. It is not known if the reports were ever written by the library.\u003c/p\u003e","\u003cp\u003eInformal annual report-like documents and related material, including reports shared on the Claude Moore Health Sciences Library blog and an internal UVA Health System news website (HS Connect). Reports from: March 2007, September 2009 (written by Gretchen Arnold), January 2013 (written by Gretchen Arnold), and March 2018 (written by Gretchen Arnold).\u003c/p\u003e","\u003cp\u003eThis series consists of correspondence and subject files that were created and assembeled by the directors of the Health Sciences Library while carrying out the responsibilities of their position.\u003c/p\u003e","\u003cp\u003eCorrespondents include Curators of the HSL--Daniel Spikes, Cassandra Ruane, Frank C. Mevers, Todd L. Savitt, and Doris Leckie of the Smithsonian Institution\u003c/p\u003e","\u003cp\u003eIncludes articles about Jesse Lazear, Carlos Finlay, Philip Hench and cortisone, Henry R. Carter, Nicolas Chervin, Joseph Y. Porter and Isaac Hulse\u003c/p\u003e","\u003cp\u003eCorrespondents with Bean include Mary (Mrs. Philip) Hench, Atcheson L. Hench, Byrd S. Leavell, and Todd Savitt\u003c/p\u003e","\u003cp\u003eIncludes news releases, news clippings, journal articles, and correspondence related to the gift by Mary Hench of the Philip S. Hench Walter Reed Yellow Fever collection.\u003c/p\u003e","\u003cp\u003eIncludes correspondence with William Bennett Bean\u003c/p\u003e","\u003cp\u003eIncludes correspondence on Health System reorganization\u003c/p\u003e","\u003cp\u003eThe records in this series document the planning of historically significant administrative initiatives, purchases, construction, and events at the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series consists of digital and analog images that show the history and collections of the Health Sciences Library. Image formats in this series include, but are not limited to, photographic prints, film negatives, jpeg files, tiff files, 35mm film slides, CDs or other media containing digital images. The series does not include official identification photographs for faculty, students, and staff.\u003c/p\u003e","\u003cp\u003eThis subseries contains images of artifacts in the collections of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThe images in this subseries show the staff, faculty, and interior spaces of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eMoll, Bowers, Bowers, and Rudnick are photographed with ceramic vessels used in the early production of penicillin.\u003c/p\u003e","\u003cp\u003eLIS officially started in 1989. Dr. Don Detmer is upper right of FF sheet\u003c/p\u003e","\u003cp\u003ePeople identified are: Inhye Son, Sarah Handley, Anne Humphries, Mike Wilson, Jonathan Lord, Elaine Banner, Julia Kochi, Marylin James, Mary Nightengale, Ophelia Payne, Nadine Ellero, Trisha Luby, Sue Daddezio, Diane Ricketson, Deborah Camden, Michael Sullivan, Betty Mickens, Dan Wilson, Shelby Miller John Sesody, Greatchen Arnold, Michelle Martin, Jeri Davis, Barbara Crawford, Cindy Saylor, Susan Yowell, Karen Collier, Pat Shannon, Rick Peterson, Brenda Bikos, Sandy Zoumbaris, Jana Maas, Joan Klein, Mark Mones, Jane Wagner, Eli Casarez, Aulia Gies, Cynthia Siedman-Willen, Catherine Anninos, Judy Shotwell, Linda Watson and Ann Carter.\u003c/p\u003e","\u003cp\u003eIndividuals not identified.\u003c/p\u003e","\u003cp\u003eFront: Kathleen Tracey, karen Collier, Deborah Camden, Ophelia Payne, Rick Peterson\nSecond: Marylin James, Jane Wagner, Barbara Crawford, Polly Sandridge, Linda Watson\nThird: Pat Shannon, Brenda Bikos, Gretchen Naisawald, Anne Humphries, Jeri Davis, Shelby Miller, Jonquil Feldman, Mike Wilson\nFourth: Judith Robinson, Susan Daddezio, Julia Hochi\nFifth: Thomas Speare, Catherine Anninos, Libby Colley, Judy Shotwell\nSixth: Hall Sharp, Rick Weaver, Ann Carter\nSeventh: Nadine Ellero, Megan McCaskey, Sarah Handley\nEighth: Jonathan Lord, Jake Appleford, Mary Nightengale, Inhye Son\nAbsent: Joan Klein, christopher Marks, Betty Mickens, Mark Mones, Diane Spears\u003c/p\u003e","\u003cp\u003eLeft to right: Dieter Groeschel, Joan Klein, Linda Watson, unidentified person\nIn back: unidentified, Janet Pearson\u003c/p\u003e","\u003cp\u003eOne photo individuals front left to right Dieter Groeschel, Joan Klein, Linda Watson, unidentified person, in the back an unidentified person and Janet Pearson\u003c/p\u003e","\u003cp\u003eCollection Services and Bibliographic Control\u003c/p\u003e","\u003cp\u003eIntellectual Access and Collection Development\u003c/p\u003e","\u003cp\u003eLibrary Administration\u003c/p\u003e","\u003cp\u003eEllen Ramsey, David Moody, Bart Ragon, Mike Wilson, Joan Klein, Dave Denton, Inhye Son, Wilma Lynch, Pat Shannon, Gretchen Arnold, Jeri Davis, Joy Nuckolls, Karen Knight, Elaine Attridge, Ann Carter, Jonathan Lord, Andrea Horne Denton, Stephanie Fielding, Adrienne Granitz, Sonya Coleman, Jason Bennett, Tony Hiserman, Tenzin Thosam, Roderick Martin, Nadine Ellero, Patricia Vaughn\u003c/p\u003e","\u003cp\u003eThis subseries consists of images that do not belong in any other subseries.\u003c/p\u003e","\u003cp\u003eGordon was the coordinator of an exhibit on the history of gastroscopy and visited the medical school to open the exhibit. Photo taken by Ursula Ziolkowki.\u003c/p\u003e","\u003cp\u003ePhoto was sent to Terry Thorkildson from the Area Health Education Centers Program Eastern Virginia Medical Authority\u003c/p\u003e","\u003cp\u003eThis series contains historically significant press releases, visual aids, clippings, and other items that record information about the Library that were produced for or by the news media.\u003c/p\u003e","\u003cp\u003eThis subseries contains print copies of news articles about the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series consists of publications produced by the Health Sciences Library for public distribution or general internal distribution. Publications include, but are not limited to, magazines, journals, monographs, newsletters, weblogs, weekly announcements, online publications, marketing materials, and patient education resources. This series may contain both print and digital publications.\u003c/p\u003e","\u003cp\u003eThe materials in this subseries were produced to guide the use of collections housed at the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis subseries consists of digital and print newsletters that provide information about the activities of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eA \"scrapbook\" of Library milestones and appropriate photographs for each medical and nursing graduating class celebrating its reunion in a particular year. The print series was discontinued after 2000, but additional Journey Through Time content is available online through the Historical Collections web exhibits.\u003c/p\u003e","\u003cp\u003eThis subseries contains brochures, flyers, and other printed ephemera that provide information about the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eEnvelope has Dr. Wilhelm Moll handwritten on it. Brochure includes library statistics, what is needed in terms of money and space, various endorsements, and tax information.\u003c/p\u003e","\u003cp\u003eThis series contains social media content that has been produced by the Health Sciences Library for platforms like Facebook, Instagram, and Twitter.\u003c/p\u003e","\u003cp\u003eThe staff of the Health Sciences Library's Historical Collections and Services department maintains and contributes content to this Facebook page. Many posts and photographs on the page relate to the Department's services, collections, and events. Other posts share information related to the history of the health sciences and the work of libraries, museums, and archives.\u003c/p\u003e","\u003cp\u003eThis series consists of blogs that were created by the Health Sciences Library. The files in this series were downloaded from the Internet by Library staff. Content in the blogs that are accessed through a link outside of the blog's parent directory (e.g. external YouTube videos, external web pages) are not downloaded and archived in this series.\u003c/p\u003e","\u003cp\u003eThe Moore Library News (MLN) blog is produced by the Claude Moore Health Sciences Library. MLN blog posts provide information about Library collections, policies, services, and events.\u003c/p\u003e","\u003cp\u003eThe records in this series document the organizational structure of the Health Sciences Library. It also contains records that document administrative reorganizations of the Library. These materials include, but are not limited to, organizational charts and reports.\u003c/p\u003e","\u003cp\u003eThis series contains policies, procedures, and handbooks produced by the Health Sciences Library to direct and guide the conduct of its faculty, staff, and patrons. These records may also formally describe and define the relationship between the Health Sciences Library and its faculty, staff, and patrons.\u003c/p\u003e","\u003cp\u003eThis subseries contains procedures and handbooks for the faculty and staff of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eIncludes items from the Printing Office with the new library name: The Claude Moore Health Sciences Library\u003c/p\u003e","\u003cp\u003eThis subseries consists of procedures and handbooks for the patrons of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series contains course announcements, syllabi, notes, and other materials that document classes and workshops taught by the faculty and staff of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series consists of programs and reports that document the history of conferences and symposia hosted by the Health Sciences Library. Programs and reports often contain the following information: lists of speakers, presentation titles, schedules of events, and lecture abstracts. The following conference records are not included in this series: registration records, financial records, organization records, attendance lists.\u003c/p\u003e","\u003cp\u003eThis series consists of significant material that conveys the history of the Health Sciences Library, its administration, its accomplishments, its officials or employees. Includes, but is not limited to, scrapbooks, photographs, articles, program notes and documentation of events sponsored or funded by the agency. Also included are narratives; printed, audio, or audiovisual histories; or matters of significant historical importance.\u003c/p\u003e","\u003cp\u003eIncludes many photos of the library interior and library staff. Some individuals identified. Probably an exhibit celebrating the library's 15th anniversary in 1991, but photos from 1993 are also in the folder.\u003c/p\u003e","\u003cp\u003eIncludes photos of library interiors, staff (some identified) and UVA buildings; library organization chart for 2/1995; and Library Building Funds chart, 1975.\u003c/p\u003e","\u003cp\u003eThis series consists of reports, of a historically significant nature, that do not belong to any other series of the Health Sciences Library records.\u003c/p\u003e","\u003cp\u003eThis series contains memos, correspondence, subject files, online resources, and meeting minutes of committees working within the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis file includes the meeting minutes, meeting agendas, and other documentation of the Library Management Group. The members of this committee were the leaders of the Health Sciences Library. They met once a month to discuss major library initiatives, provide updates and reports about library department activities, and share other information related to the management of the Library.\u003c/p\u003e","\u003cp\u003eThis file consists of the meeting minutes, bylaws, constitution, and correspondence of the Medical History Society of the University of Virginia. The Society was formed to promote the knowledge and study of the history of medicine and the health sciences at the University of Virginia. For much of its history, Wilhelm Moll led the Society. It supported the development of historical collections and services at the Health Sciences Library and founded a lecture series that becsme the History of the Health Sciences Lecture Series in 1984.\u003c/p\u003e","\u003cp\u003eThis series consists of records that document awards, honors, and commemorations presented by the Health Sciences Library. These records may include, but are not limited to, event programs, lists of recipients, and recipient biographies.\u003c/p\u003e","\u003cp\u003eThe dedication ceremony included remarks by Donald S. Fredrickson, MD, Director, National Institutes of Health.\u003c/p\u003e","\u003cp\u003eIncludes a tribute to Wilhelm Moll by William B. Bean and another speech by an unidentified individual.\u003c/p\u003e","\u003cp\u003eIncludes remarks that were given by Dr. Don Detmer.\u003c/p\u003e","\u003cp\u003eIncludes remarks given by Donald Lindberg. The title of Lindberg's presentation was\"The Computer and the Academical Village\".\u003c/p\u003e","\u003cp\u003eThis series consists of records that document lectures and presentations sponsored by the Health Sciences Library. These records include, but are not limited to, audiovisual recordings, transcripts, announcements, handouts, and correspondence between presenters and event organizers.\u003c/p\u003e","\u003cp\u003eThis subseries consists of records associated with standalone lectures and presentations sponsored by the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis subseries contains records that are associated with the Health Sciences Library's History of the Health Sciences Lecture Series.\u003c/p\u003e","\u003cp\u003eThis subseries contains records that are associated with the Medical History Society of the University of Virginia Lecture Series.\u003c/p\u003e","\u003cp\u003ePromotional posters for a medical history lecture series held at the UVA Health Sciences Library and organized by the UVA Medical History Society.\u003c/p\u003e","\u003cp\u003eThis series consists of records that document exhibits created by the Claude Moore Health Sciences Library of an educational or promotional nature. Some records are physical, and others are archived websites crawled by the Internet Archives' Archive-It service and made accessible by their Wayback Machine.\u003c/p\u003e","\u003cp\u003eThese materials are physical materials containing exhibit plans and designs, text, labels, and images created for physical exhibits.\u003c/p\u003e","\u003cp\u003eIdentified individuals in photos are John Guerrant, Ken Crispell, and Barry Marshall\u003c/p\u003e","\u003cp\u003eIncludes print-out (109 pages) of \"Who's Who on the Philip S. Hench Walter Reed Yellow Fever Collection Website\" (2002) and supplemental list of compiled names.\u003c/p\u003e","\u003cp\u003e\"Robley Dunglison: 1798-1869\" Pamphlet produced for a library exhibit honoring the 200th anniversary of Dunglison's birth. 3 copies; 14 pp. Prepared by Historical Collections \u0026amp; Services, Claude Moore Health Sciences Library. Folder note indicates biography was written by Joby Topper. Includes reference list.\u003c/p\u003e","\u003cp\u003eIntroduction by Joan Klein\u003c/p\u003e","\u003cp\u003eThis series contains web archived online exhibits created by Historical Collections and Services between 2007 and circa 2023, although some of the creation dates of the websites are questionable. These 21 exhibits were hosted on the Claude Moore Health Sciences Library website but are now available via the Internet Archives' Wayback Machine.\u003c/p\u003e","\u003cp\u003eThis online exhibit is centered on the book \"A History of Cancer Care at the University of Virginia, 1901-1911.\" This book provides vast insight into the teamwork, dedication, collegiality, and skill–as well as luck–which was necessary for the Cancer Center to exist today. Twenty-five oral history interviews were conducted in the course of researching the book and are included with the book or may be viewed in the videos section of this website. Written by Henry K. Sharp, Ph.D. and Morton C. Wilhelm, M.D. the Joseph Helms Farrow Professor Emeritus in Surgical Oncology, University of Virginia School of Medicine.\u003c/p\u003e","\u003cp\u003eThis online exhibit serves as an online \"scrapbook\" with some of the milestones of the Claude Moore Health Sciences Library, Medical Center, and the School of Medicine and the School of Nursing. There are added appropriate photographs for each class year.\u003c/p\u003e","\u003cp\u003eThis exhibit recounts the origin and early history of the American Lung Association. The American Lung Association of Virginia (ALAV) Collection contains personal and official correspondence, financial and legal papers, minute books, organizational and scientific reports, educational publicity, photographs, and artifacts. ALAV donated its organization's papers to the Claude Moore Health Sciences Library in 1990 and 1991 made this exhibit possible. The ALAV made an additional donation in 2009.\u003c/p\u003e","\u003cp\u003eThis online exhibit presents images and summaries of the known uses of each instrument. The extant comments of medical writers from antiquity–including Oribasius, Galen, Soranus, Aetius, and the Hippocratic corpus–have provided scholars with some clues about the use of some instruments. Some instruments, such as mixing instruments and tweezers, probably had other household uses, such as the application of cosmetics and paints.\u003c/p\u003e","\u003cp\u003eThis online exhibit was created under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library. Hal Sharp, a Historical Collections staff member, wrote the essay giving a brief history of anatomical drawing. The exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant. Emily Bowden, Historical Collections, photographed the Denoyer-Geppert Anatomy Series charts. William Crutchfield generously donated W. and A. K. Johnston's Charts of Anatomy and Physiology which were owned for 33 years by his father, Dr. William Gayle Crutchfield.\u003c/p\u003e","\u003cp\u003eThis exhibit was designed to highlight the UVA Hospital's involvement with supporting United States Army troops during World War I and World War II. It was created by Janet Pearson with the assistance of Joby Topper. Special thanks to Dr. John L. Guerrant, Dorothy Sandridge Gloor, and Elizabeth Harlin Drash for sharing their stories and helping us identify photographs.\u003c/p\u003e","\u003cp\u003eThis online exhibit shows materials related to eugenics as it relates to UVA and Charlottesville, VA. Alison White and Ina Hofland, staff members of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia, created this Web exhibit. They also created the physical exhibit of the same title on which it is based. The physical exhibit was displayed in the foyer of the Health Sciences Library April-September 2002. Steve Stedman designed the Web exhibit. Special thanks to Sara Huyser, Joan Echtenkamp Klein, Ophelia Payne, Bart Ragon, Hal Sharp, and Mike Wilson for their assistance. Web Exhibit Publish Date: February 13, 2004\u003c/p\u003e","\u003cp\u003eThis exhibit was created under the direction of Joan Ectenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at the Claude Moore Health Sciences Library. Dr. Morton C. Wilhelm, the Joseph Helms Farrow Professor in Surgical Oncology, wrote the essay with the editorial assistance of Janet Pearson. The web exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant.\u003c/p\u003e","\u003cp\u003eThis online exhibit offers a look into The Papers of James Carmichael and Son, a collection held at the UVA Albert and Shirley Small Special Collections Library, and tells a story of the early nineteenth-century inhabitants of Fredericksburg, Virginia and its surrounding rural areas. \u003c/p\u003e\n","\u003cp\u003eThe exhibit is organized into two content areas: the Story and the Collection. Each of these areas, as well as the Home and About sections, are represented in the tabs near the top of every page. See the site map for more detail.\u003c/p\u003e\n","\u003cp\u003eThe Story section sets the atmosphere for the exhibit. One can get a sense of what the practice of medicine was like for James and Edward Carmichael in the early nineteenth century by reading the essays describing the Pharmacy, the Tools of the Trade, and the Health Care of Slaves.\u003c/p\u003e\n","\u003cp\u003eThe Collection section houses the images of the original Carmichael letters, which are meticulously transcribed and categorized to provide access not only to the words, but to the medical conditions, treatments, and philosophies of almost two centuries past. Particularly compelling is the use of Medical Subject Headings (MeSH) to categorize the letters along with a very detailed methodology and definition of MeSH terms. Other items of interest include the daybook kept by Doctor Carmichael from 1816-1817, newspaper clippings, court records \u0026amp; summaries, period maps, and Virginia WPA Historical Inventory Project records. Additionally, there is an exhaustive Who's Who list of names that appeared in the letters as well as a thorough list of Places Mentioned.\u003c/p\u003e","\u003cp\u003eThis online exhibit tells the story of how the U.S. Army Commission, comprised of Major Walter Reed, Dr. James Carroll, Dr. Aristides Agramonte, and Dr. Jesse Lazear, confirmed Carlos Finlay's theory about the transmission of yellow fever. By showing without a doubt that mosquitoes were the vector for yellow fever, the researchers empowered public health officials in the Americas to eradicate this devastating disease from much of the Western Hemisphere.\u003c/p\u003e\n","\u003cp\u003eThe exhibit is divided into three main sections. The first section, Archives, provides information about and links to the Philip S. Hench Walter Reed Yellow Fever Collection. The collection, most collected by Philip S. Hench and housed at the University of Virginia's Claude Moore Health Sciences Library, is a rich archive of materials that documents the history of the U.S. Army Yellow Fever Commission. The second section, History, tells the story of the U.S. Army Yellow Fever Commission and the impact of its findings. Finally, the third section, Resources, provides access to biographies, bibliographies, and other resources visitors may want to consult to learn more about the Commission and the history of yellow fever.\u003c/p\u003e","\u003cp\u003eThis exhibit tells the story about 12 physicians practicing in Charlottesville, VA in 1848 mutually agreed to create an agreed rate of medical charges for services.\u003c/p\u003e\n","\u003cp\u003eJoan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026amp; Services at The Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the fee bill project and directed it. Todd L. Savitt, Ph.D., wrote the background information essay on fee bills in general and the Charlottesville fee bill in particular. He is a faculty member at East Carolina University in the Department of Bioethics \u0026amp; Interdisciplinary Studies. Janet Pearson wrote the introduction and the biographical sketches of the twelve signers. She gathered images and took photographs in the University of Virginia Cemetery and Columbarium and in downtown Charlottesville. She is a member of the staff of Historical Collections and Services. Sonya Coleman, also a member of the staff of Historical Collections, contributed to the design elements. David Moody, Claude Moore Health Sciences Library Webmaster, and Jason Bennett, Technology in Education Consultant, provided the programming architecture for the Web exhibit.\u003c/p\u003e","\u003cp\u003eJoan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026amp; Services at the Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the \"Fever Fighters\" project after the generous donation of Dr. Hanson's diary by his granddaughter, Jane H. Monroe.\u003c/p\u003e\n","\u003cp\u003eStaff members at Historical Collections, Leigh Mantle, Susan Yowell, and Janet Pearson, contributed content and created the GIS Map. Caitlin Summers, a dedicated intern at Historical Collections, also provided editorial assistance in the spring of 2012.\u003c/p\u003e\n","\u003cp\u003eDavid Moody, Library Webmaster; Mike Wilson, Information Services Specialist; and Jason Bennett, Technology Specialist, provided the programming architecture for the Web exhibit.\u003c/p\u003e","\u003cp\u003eThis exhibit was inspired by The Mineral Springs of Western Virginia by William Burke, the first volume purchased by the Weaver Family Endowed Rare Book and Medical Materials Fund. Published in 1846, the book describes the setting and development of eleven springs in what are now Virginia and West Virginia. Dr. Burke, a one-time owner and resident physician at Red Sulphur Springs, remarks on the usefulness of the various mineral waters in certain diseases as well as contraindications to their use. The springs range from those that are well known today such as the White Sulphur Springs, currently the Greenbrier resort in West Virginia, to the Blue Sulphur Springs, once able to accommodate several hundred people and now represented by a lone Greek Revival pavilion in the middle of a field near Smoot, West Virginia.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was written and organized by Janet Pearson, a member of the staff of Historical Collections and Services, under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library, University of Virginia. Claudia Sueyras, Normajean Hultman, and Sonya Coleman did preliminary research. Rod Martin and Victoria Meyer scanned items from Historical Collections and the Charles L. Brown Science \u0026amp; Engineering Library. David Moody, with the assistance of Bart Ragon, provided the programming architecture for the Web exhibit. Sonya Coleman contributed to the design elements. Special thanks has been given to the staff at the Albert and Shirley Small Special Collections Library, University of Virginia, as they retrieved dozens of documents and also to the Digital Curation Services staff for their scanning of the documents.\u003c/p\u003e","\u003cp\u003eThe Anatomical Theatre at the University of Virginia online exhibit tells the story of the Theatre's presence at the University for more than a century. While not included in the earliest plans of the University, the need for the Theatre became clear before the first classes were ever held. Thomas Jefferson himself drew the design which includes two floor plans, a front elevation view, and a cross section. The exhibit traces the construction and later changes to the building, its demise, and archeological investigations at the site. It also gives a glimpse of what happened inside the building and the deeds that were done to procure cadavers so that medical students could learn anatomy.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was sparked by the interest of the late Dr. M.C. Wilhelm in the model of the Anatomical Theatre housed in Historical Collections at the University of Virginia Claude Moore Health Sciences Library. A retired surgeon and volunteer in Historical Collections, Dr. Wilhelm gathered resources and did preliminary writing. It was decided to further develop the project, and the result is this exhibit, written and organized by Janet Pearson, a Historical Collections staff member. Originally done under the direction of Joan Echtenkamp Klein, who was the Alvin V. and Nancy Baird Curator for Historical Collections until her untimely death, project support was continued under Dan Cavanaugh, who stepped into Joan's role and position.\u003c/p\u003e\n","\u003cp\u003eOthers associated with the University of Virginia community freely shared their ideas and research. These individuals include Garth Anderson, the Facilities Management Historian; Kirt von Daacke, Assistant Dean and Professor, College of Arts \u0026amp; Sciences; Louis Nelson, Professor in the Department of Architectural History and Associate Provost for Outreach; Robert Bloodgood, Professor in the School of Medicine; Benjamin Ford, Principal Investigator with Rivanna Archaeological Services, LLC; and Sonya Coleman, formerly a staff member in Historical Collections and now at the Library of Virginia. Emily Bowden, the Historical Collections Specialist, answered many technical queries as well as gave editorial assistance. Anson Parker and Jason Bennett provided the programming architecture for the Web exhibit.\u003c/p\u003e","\u003cp\u003eThis exhibit explores the development of the iron lung during the late nineteenth and early twentieth century and considers the reasons for its success during the height of the poliomyelitis epidemics. Andrew Sallans, Historical Collections Specialist, researched and compiled the content for the online and physical exhibits. The design of the online exhibit was conceived and executed by Steve Stedman, Webmaster for the Claude Moore Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis online exhibit displays a digitized copy of Historical Collections and Services' rare book \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England: An Introduction to Orders thought meete by her Maiestie ..., 1578.\"\u003c/p\u003e\n","\u003cp\u003eAnne McKeithen, Janet Pearson, and Andrew Sallans, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, compiled the material for the Plague Book exhibit under the direction of Joan Echtenkamp Klein. Joaquin Bueno designed the Web exhibit and graphics, with the programming architecture of David Moody and the assistance of Bart Ragon.\u003c/p\u003e\n","\u003cp\u003eUnless otherwise noted, the images are courtesy of the Missouri Botanical Garden, © 1995-2006 Missouri Botanical Garden http://www.illustratedgarden.org). They deserve special thanks for their generous permission to reproduce their exquisite illustrations. Special thanks are also given to Duane J. Osheim, Ph.D., Professor and Chair, of the Corcoran Department of History at the University of Virginia for his paper, \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England.\"\u003c/p\u003e","\u003cp\u003eIn 2001 Historical Collections in the Claude Moore Health Sciences Library created an exhibit that traces the history of the first century of the Hospital in words and images. One copy of the exhibit traveled from location to location in the Health System and beyond; the other set of panels were hung in a busy hospital corridor near the main entrance where they remain today. These panels form the basis for this online exhibit which now includes the addition of a section on the first 14 years of the Hospital's second century. We hope you enjoy following the history of the growth of the University of Virginia Health System as it seeks to fulfill its longstanding vision to benefit human health and improve quality of life through patient care, research, and education.\u003c/p\u003e\n","\u003cp\u003eThis exhibition was prepared by Hal Sharp and Janet Pearson of the Department of Historical Collections and Services, The Claude Moore Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis online exhibit aims to give viewers a view into more than 50 of Historical Collections and Services' most notable books and see how their authors over the years have documented their discoveries and concepts for contemporaries and for us.  There are digitized versions of many of the books in the Fulltext Books section, which offers links to the scanned images of over half of these rare books.\u003c/p\u003e\n","\u003cp\u003eSara Huyser, Anne McKeithen, and Janet Pearson, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, wrote and compiled the material for Vaulted Treasures under the direction of Joan Echtenkamp Klein.\u003c/p\u003e\n","\u003cp\u003eJoaquin Bueno designed the Web exhibit and graphics, with the server expertise of David Moody and the assistance of Bart Ragon. Special thanks to Claudia Sueyras who scanned many of the books and Andrew Sallans who provided technical assistance.\u003c/p\u003e","\u003cp\u003eThe 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.\u003c/p\u003e\n","\u003cp\u003eMary Wagner donated the caricatures in this exhibit to Historical Collections and Services, The Claude Moore Health Sciences Library. Her husband, the late Robert R. Wagner, M.D., collected these when he was a post-doctoral fellow at the National Institute for Medical Research in London from 1950 to 1951. Wagner was Chair of the Department of Microbiology at the University of Virginia from 1967 to 1994, and Director of the UVa Cancer Center from 1983 to 1993. Thanks to Mary Wagner's generosity, the caricatures recently have been professionally treated, preserved, and reframed. The originals are on display in Historical Collections and Services and in the Department of Microbiology in the Robert R. Wagner Conference Room. These nineteenth-century satirical prints will thus continue to delight future generations.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.\u003c/p\u003e","\u003cp\u003eWalter Reed's professional experiences with typhoid fever stand in marked contrast to his professional encounters with yellow fever. In the case of typhoid, he was more a messenger than a conqueror. Typhoid fever remained defiant during a career that oversaw the rout of yellow fever. Through a humanizing story that shows how fate brought Reed continuing frustration as well as talent and success, this exhibit seeks to render him a more accessible role model for students of medicine and history.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was written by Noel G. Harrison, a graduate student in The Corcoran Department of History at the University of Virginia and an intern in Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia during the fall of 2002. The Web exhibit was prepared and designed by Mike Wilson and Sara Huyser. Special thanks to Bart Ragon, Joan Echtenkamp Klein, and Hal Sharp for their assistance.\u003c/p\u003e","\u003cp\u003eThis series includes records related to Historical Collections and Services, the special collections and archives department of the Claude Moore Health Sciences Library. Records the public can access are related to exhibitions that were curated by staff and displayed in the library.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of permanent and historically significant institutional records created by the University of Virginia Health Sciences Library and the antecedent Medical Library. These records include, but are not limited to: annual reports, planning documents, newsletters, online exhibits, blogs, social media content, conference programs, department histories, committee records, and library-sponsored lecture materials.","This series consists of annual reports produced by the Medical Library (1929-1975), the Health Sciences Library (1975-Present), and the Information Sciences Council (1990-1996). Annual reports for the Health Sciences Library are missing from this collection for the period from 2006 to the present. Also, the annual reports for the Medical Library are missing from this collections for the period from 1929 to 1942. It is unclear whether the Medical and Health Sciences libraries wrote reports for the years.","The annual reports of the Medical Library contain comprehensive descriptions of the annual activities of the Medical Library. The Medical Library's annual reports from 1929 to 1942 are missing from this collection. It is not known if the reports were ever written by the library.","The annual reports of the Health Sciences Library contain comprehensive descriptions of the annual activities of the Health Sciences Library. The Health Sciences Library's annual reports from 2006 to the present are missing from this collection. It is not known if the reports were ever written by the library.","Informal annual report-like documents and related material, including reports shared on the Claude Moore Health Sciences Library blog and an internal UVA Health System news website (HS Connect). Reports from: March 2007, September 2009 (written by Gretchen Arnold), January 2013 (written by Gretchen Arnold), and March 2018 (written by Gretchen Arnold).","This series consists of correspondence and subject files that were created and assembeled by the directors of the Health Sciences Library while carrying out the responsibilities of their position.","Correspondents include Curators of the HSL--Daniel Spikes, Cassandra Ruane, Frank C. Mevers, Todd L. Savitt, and Doris Leckie of the Smithsonian Institution","Includes articles about Jesse Lazear, Carlos Finlay, Philip Hench and cortisone, Henry R. Carter, Nicolas Chervin, Joseph Y. Porter and Isaac Hulse","Correspondents with Bean include Mary (Mrs. Philip) Hench, Atcheson L. Hench, Byrd S. Leavell, and Todd Savitt","Includes news releases, news clippings, journal articles, and correspondence related to the gift by Mary Hench of the Philip S. Hench Walter Reed Yellow Fever collection.","Includes correspondence with William Bennett Bean","Includes correspondence on Health System reorganization","The records in this series document the planning of historically significant administrative initiatives, purchases, construction, and events at the Health Sciences Library.","This series consists of digital and analog images that show the history and collections of the Health Sciences Library. Image formats in this series include, but are not limited to, photographic prints, film negatives, jpeg files, tiff files, 35mm film slides, CDs or other media containing digital images. The series does not include official identification photographs for faculty, students, and staff.","This subseries contains images of artifacts in the collections of the Health Sciences Library.","The images in this subseries show the staff, faculty, and interior spaces of the Health Sciences Library.","Moll, Bowers, Bowers, and Rudnick are photographed with ceramic vessels used in the early production of penicillin.","LIS officially started in 1989. Dr. Don Detmer is upper right of FF sheet","People identified are: Inhye Son, Sarah Handley, Anne Humphries, Mike Wilson, Jonathan Lord, Elaine Banner, Julia Kochi, Marylin James, Mary Nightengale, Ophelia Payne, Nadine Ellero, Trisha Luby, Sue Daddezio, Diane Ricketson, Deborah Camden, Michael Sullivan, Betty Mickens, Dan Wilson, Shelby Miller John Sesody, Greatchen Arnold, Michelle Martin, Jeri Davis, Barbara Crawford, Cindy Saylor, Susan Yowell, Karen Collier, Pat Shannon, Rick Peterson, Brenda Bikos, Sandy Zoumbaris, Jana Maas, Joan Klein, Mark Mones, Jane Wagner, Eli Casarez, Aulia Gies, Cynthia Siedman-Willen, Catherine Anninos, Judy Shotwell, Linda Watson and Ann Carter.","Individuals not identified.","Front: Kathleen Tracey, karen Collier, Deborah Camden, Ophelia Payne, Rick Peterson\nSecond: Marylin James, Jane Wagner, Barbara Crawford, Polly Sandridge, Linda Watson\nThird: Pat Shannon, Brenda Bikos, Gretchen Naisawald, Anne Humphries, Jeri Davis, Shelby Miller, Jonquil Feldman, Mike Wilson\nFourth: Judith Robinson, Susan Daddezio, Julia Hochi\nFifth: Thomas Speare, Catherine Anninos, Libby Colley, Judy Shotwell\nSixth: Hall Sharp, Rick Weaver, Ann Carter\nSeventh: Nadine Ellero, Megan McCaskey, Sarah Handley\nEighth: Jonathan Lord, Jake Appleford, Mary Nightengale, Inhye Son\nAbsent: Joan Klein, christopher Marks, Betty Mickens, Mark Mones, Diane Spears","Left to right: Dieter Groeschel, Joan Klein, Linda Watson, unidentified person\nIn back: unidentified, Janet Pearson","One photo individuals front left to right Dieter Groeschel, Joan Klein, Linda Watson, unidentified person, in the back an unidentified person and Janet Pearson","Collection Services and Bibliographic Control","Intellectual Access and Collection Development","Library Administration","Ellen Ramsey, David Moody, Bart Ragon, Mike Wilson, Joan Klein, Dave Denton, Inhye Son, Wilma Lynch, Pat Shannon, Gretchen Arnold, Jeri Davis, Joy Nuckolls, Karen Knight, Elaine Attridge, Ann Carter, Jonathan Lord, Andrea Horne Denton, Stephanie Fielding, Adrienne Granitz, Sonya Coleman, Jason Bennett, Tony Hiserman, Tenzin Thosam, Roderick Martin, Nadine Ellero, Patricia Vaughn","This subseries consists of images that do not belong in any other subseries.","Gordon was the coordinator of an exhibit on the history of gastroscopy and visited the medical school to open the exhibit. Photo taken by Ursula Ziolkowki.","Photo was sent to Terry Thorkildson from the Area Health Education Centers Program Eastern Virginia Medical Authority","This series contains historically significant press releases, visual aids, clippings, and other items that record information about the Library that were produced for or by the news media.","This subseries contains print copies of news articles about the Health Sciences Library.","This series consists of publications produced by the Health Sciences Library for public distribution or general internal distribution. Publications include, but are not limited to, magazines, journals, monographs, newsletters, weblogs, weekly announcements, online publications, marketing materials, and patient education resources. This series may contain both print and digital publications.","The materials in this subseries were produced to guide the use of collections housed at the Health Sciences Library.","This subseries consists of digital and print newsletters that provide information about the activities of the Health Sciences Library.","A \"scrapbook\" of Library milestones and appropriate photographs for each medical and nursing graduating class celebrating its reunion in a particular year. The print series was discontinued after 2000, but additional Journey Through Time content is available online through the Historical Collections web exhibits.","This subseries contains brochures, flyers, and other printed ephemera that provide information about the Health Sciences Library.","Envelope has Dr. Wilhelm Moll handwritten on it. Brochure includes library statistics, what is needed in terms of money and space, various endorsements, and tax information.","This series contains social media content that has been produced by the Health Sciences Library for platforms like Facebook, Instagram, and Twitter.","The staff of the Health Sciences Library's Historical Collections and Services department maintains and contributes content to this Facebook page. Many posts and photographs on the page relate to the Department's services, collections, and events. Other posts share information related to the history of the health sciences and the work of libraries, museums, and archives.","This series consists of blogs that were created by the Health Sciences Library. The files in this series were downloaded from the Internet by Library staff. Content in the blogs that are accessed through a link outside of the blog's parent directory (e.g. external YouTube videos, external web pages) are not downloaded and archived in this series.","The Moore Library News (MLN) blog is produced by the Claude Moore Health Sciences Library. MLN blog posts provide information about Library collections, policies, services, and events.","The records in this series document the organizational structure of the Health Sciences Library. It also contains records that document administrative reorganizations of the Library. These materials include, but are not limited to, organizational charts and reports.","This series contains policies, procedures, and handbooks produced by the Health Sciences Library to direct and guide the conduct of its faculty, staff, and patrons. These records may also formally describe and define the relationship between the Health Sciences Library and its faculty, staff, and patrons.","This subseries contains procedures and handbooks for the faculty and staff of the Health Sciences Library.","Includes items from the Printing Office with the new library name: The Claude Moore Health Sciences Library","This subseries consists of procedures and handbooks for the patrons of the Health Sciences Library.","This series contains course announcements, syllabi, notes, and other materials that document classes and workshops taught by the faculty and staff of the Health Sciences Library.","This series consists of programs and reports that document the history of conferences and symposia hosted by the Health Sciences Library. Programs and reports often contain the following information: lists of speakers, presentation titles, schedules of events, and lecture abstracts. The following conference records are not included in this series: registration records, financial records, organization records, attendance lists.","This series consists of significant material that conveys the history of the Health Sciences Library, its administration, its accomplishments, its officials or employees. Includes, but is not limited to, scrapbooks, photographs, articles, program notes and documentation of events sponsored or funded by the agency. Also included are narratives; printed, audio, or audiovisual histories; or matters of significant historical importance.","Includes many photos of the library interior and library staff. Some individuals identified. Probably an exhibit celebrating the library's 15th anniversary in 1991, but photos from 1993 are also in the folder.","Includes photos of library interiors, staff (some identified) and UVA buildings; library organization chart for 2/1995; and Library Building Funds chart, 1975.","This series consists of reports, of a historically significant nature, that do not belong to any other series of the Health Sciences Library records.","This series contains memos, correspondence, subject files, online resources, and meeting minutes of committees working within the Health Sciences Library.","This file includes the meeting minutes, meeting agendas, and other documentation of the Library Management Group. The members of this committee were the leaders of the Health Sciences Library. They met once a month to discuss major library initiatives, provide updates and reports about library department activities, and share other information related to the management of the Library.","This file consists of the meeting minutes, bylaws, constitution, and correspondence of the Medical History Society of the University of Virginia. The Society was formed to promote the knowledge and study of the history of medicine and the health sciences at the University of Virginia. For much of its history, Wilhelm Moll led the Society. It supported the development of historical collections and services at the Health Sciences Library and founded a lecture series that becsme the History of the Health Sciences Lecture Series in 1984.","This series consists of records that document awards, honors, and commemorations presented by the Health Sciences Library. These records may include, but are not limited to, event programs, lists of recipients, and recipient biographies.","The dedication ceremony included remarks by Donald S. Fredrickson, MD, Director, National Institutes of Health.","Includes a tribute to Wilhelm Moll by William B. Bean and another speech by an unidentified individual.","Includes remarks that were given by Dr. Don Detmer.","Includes remarks given by Donald Lindberg. The title of Lindberg's presentation was\"The Computer and the Academical Village\".","This series consists of records that document lectures and presentations sponsored by the Health Sciences Library. These records include, but are not limited to, audiovisual recordings, transcripts, announcements, handouts, and correspondence between presenters and event organizers.","This subseries consists of records associated with standalone lectures and presentations sponsored by the Health Sciences Library.","This subseries contains records that are associated with the Health Sciences Library's History of the Health Sciences Lecture Series.","This subseries contains records that are associated with the Medical History Society of the University of Virginia Lecture Series.","Promotional posters for a medical history lecture series held at the UVA Health Sciences Library and organized by the UVA Medical History Society.","This series consists of records that document exhibits created by the Claude Moore Health Sciences Library of an educational or promotional nature. Some records are physical, and others are archived websites crawled by the Internet Archives' Archive-It service and made accessible by their Wayback Machine.","These materials are physical materials containing exhibit plans and designs, text, labels, and images created for physical exhibits.","Identified individuals in photos are John Guerrant, Ken Crispell, and Barry Marshall","Includes print-out (109 pages) of \"Who's Who on the Philip S. Hench Walter Reed Yellow Fever Collection Website\" (2002) and supplemental list of compiled names.","\"Robley Dunglison: 1798-1869\" Pamphlet produced for a library exhibit honoring the 200th anniversary of Dunglison's birth. 3 copies; 14 pp. Prepared by Historical Collections \u0026 Services, Claude Moore Health Sciences Library. Folder note indicates biography was written by Joby Topper. Includes reference list.","Introduction by Joan Klein","This series contains web archived online exhibits created by Historical Collections and Services between 2007 and circa 2023, although some of the creation dates of the websites are questionable. These 21 exhibits were hosted on the Claude Moore Health Sciences Library website but are now available via the Internet Archives' Wayback Machine.","This online exhibit is centered on the book \"A History of Cancer Care at the University of Virginia, 1901-1911.\" This book provides vast insight into the teamwork, dedication, collegiality, and skill–as well as luck–which was necessary for the Cancer Center to exist today. Twenty-five oral history interviews were conducted in the course of researching the book and are included with the book or may be viewed in the videos section of this website. Written by Henry K. Sharp, Ph.D. and Morton C. Wilhelm, M.D. the Joseph Helms Farrow Professor Emeritus in Surgical Oncology, University of Virginia School of Medicine.","This online exhibit serves as an online \"scrapbook\" with some of the milestones of the Claude Moore Health Sciences Library, Medical Center, and the School of Medicine and the School of Nursing. There are added appropriate photographs for each class year.","This exhibit recounts the origin and early history of the American Lung Association. The American Lung Association of Virginia (ALAV) Collection contains personal and official correspondence, financial and legal papers, minute books, organizational and scientific reports, educational publicity, photographs, and artifacts. ALAV donated its organization's papers to the Claude Moore Health Sciences Library in 1990 and 1991 made this exhibit possible. The ALAV made an additional donation in 2009.","This online exhibit presents images and summaries of the known uses of each instrument. The extant comments of medical writers from antiquity–including Oribasius, Galen, Soranus, Aetius, and the Hippocratic corpus–have provided scholars with some clues about the use of some instruments. Some instruments, such as mixing instruments and tweezers, probably had other household uses, such as the application of cosmetics and paints.","This online exhibit was created under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library. Hal Sharp, a Historical Collections staff member, wrote the essay giving a brief history of anatomical drawing. The exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant. Emily Bowden, Historical Collections, photographed the Denoyer-Geppert Anatomy Series charts. William Crutchfield generously donated W. and A. K. Johnston's Charts of Anatomy and Physiology which were owned for 33 years by his father, Dr. William Gayle Crutchfield.","This exhibit was designed to highlight the UVA Hospital's involvement with supporting United States Army troops during World War I and World War II. It was created by Janet Pearson with the assistance of Joby Topper. Special thanks to Dr. John L. Guerrant, Dorothy Sandridge Gloor, and Elizabeth Harlin Drash for sharing their stories and helping us identify photographs.","This online exhibit shows materials related to eugenics as it relates to UVA and Charlottesville, VA. Alison White and Ina Hofland, staff members of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia, created this Web exhibit. They also created the physical exhibit of the same title on which it is based. The physical exhibit was displayed in the foyer of the Health Sciences Library April-September 2002. Steve Stedman designed the Web exhibit. Special thanks to Sara Huyser, Joan Echtenkamp Klein, Ophelia Payne, Bart Ragon, Hal Sharp, and Mike Wilson for their assistance. Web Exhibit Publish Date: February 13, 2004","This exhibit was created under the direction of Joan Ectenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at the Claude Moore Health Sciences Library. Dr. Morton C. Wilhelm, the Joseph Helms Farrow Professor in Surgical Oncology, wrote the essay with the editorial assistance of Janet Pearson. The web exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant.","This online exhibit offers a look into The Papers of James Carmichael and Son, a collection held at the UVA Albert and Shirley Small Special Collections Library, and tells a story of the early nineteenth-century inhabitants of Fredericksburg, Virginia and its surrounding rural areas. ","The exhibit is organized into two content areas: the Story and the Collection. Each of these areas, as well as the Home and About sections, are represented in the tabs near the top of every page. See the site map for more detail.","The Story section sets the atmosphere for the exhibit. One can get a sense of what the practice of medicine was like for James and Edward Carmichael in the early nineteenth century by reading the essays describing the Pharmacy, the Tools of the Trade, and the Health Care of Slaves.","The Collection section houses the images of the original Carmichael letters, which are meticulously transcribed and categorized to provide access not only to the words, but to the medical conditions, treatments, and philosophies of almost two centuries past. Particularly compelling is the use of Medical Subject Headings (MeSH) to categorize the letters along with a very detailed methodology and definition of MeSH terms. Other items of interest include the daybook kept by Doctor Carmichael from 1816-1817, newspaper clippings, court records \u0026 summaries, period maps, and Virginia WPA Historical Inventory Project records. Additionally, there is an exhaustive Who's Who list of names that appeared in the letters as well as a thorough list of Places Mentioned.","This online exhibit tells the story of how the U.S. Army Commission, comprised of Major Walter Reed, Dr. James Carroll, Dr. Aristides Agramonte, and Dr. Jesse Lazear, confirmed Carlos Finlay's theory about the transmission of yellow fever. By showing without a doubt that mosquitoes were the vector for yellow fever, the researchers empowered public health officials in the Americas to eradicate this devastating disease from much of the Western Hemisphere.","The exhibit is divided into three main sections. The first section, Archives, provides information about and links to the Philip S. Hench Walter Reed Yellow Fever Collection. The collection, most collected by Philip S. Hench and housed at the University of Virginia's Claude Moore Health Sciences Library, is a rich archive of materials that documents the history of the U.S. Army Yellow Fever Commission. The second section, History, tells the story of the U.S. Army Yellow Fever Commission and the impact of its findings. Finally, the third section, Resources, provides access to biographies, bibliographies, and other resources visitors may want to consult to learn more about the Commission and the history of yellow fever.","This exhibit tells the story about 12 physicians practicing in Charlottesville, VA in 1848 mutually agreed to create an agreed rate of medical charges for services.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at The Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the fee bill project and directed it. Todd L. Savitt, Ph.D., wrote the background information essay on fee bills in general and the Charlottesville fee bill in particular. He is a faculty member at East Carolina University in the Department of Bioethics \u0026 Interdisciplinary Studies. Janet Pearson wrote the introduction and the biographical sketches of the twelve signers. She gathered images and took photographs in the University of Virginia Cemetery and Columbarium and in downtown Charlottesville. She is a member of the staff of Historical Collections and Services. Sonya Coleman, also a member of the staff of Historical Collections, contributed to the design elements. David Moody, Claude Moore Health Sciences Library Webmaster, and Jason Bennett, Technology in Education Consultant, provided the programming architecture for the Web exhibit.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at the Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the \"Fever Fighters\" project after the generous donation of Dr. Hanson's diary by his granddaughter, Jane H. Monroe.","Staff members at Historical Collections, Leigh Mantle, Susan Yowell, and Janet Pearson, contributed content and created the GIS Map. Caitlin Summers, a dedicated intern at Historical Collections, also provided editorial assistance in the spring of 2012.","David Moody, Library Webmaster; Mike Wilson, Information Services Specialist; and Jason Bennett, Technology Specialist, provided the programming architecture for the Web exhibit.","This exhibit was inspired by The Mineral Springs of Western Virginia by William Burke, the first volume purchased by the Weaver Family Endowed Rare Book and Medical Materials Fund. Published in 1846, the book describes the setting and development of eleven springs in what are now Virginia and West Virginia. Dr. Burke, a one-time owner and resident physician at Red Sulphur Springs, remarks on the usefulness of the various mineral waters in certain diseases as well as contraindications to their use. The springs range from those that are well known today such as the White Sulphur Springs, currently the Greenbrier resort in West Virginia, to the Blue Sulphur Springs, once able to accommodate several hundred people and now represented by a lone Greek Revival pavilion in the middle of a field near Smoot, West Virginia.","This exhibit was written and organized by Janet Pearson, a member of the staff of Historical Collections and Services, under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library, University of Virginia. Claudia Sueyras, Normajean Hultman, and Sonya Coleman did preliminary research. Rod Martin and Victoria Meyer scanned items from Historical Collections and the Charles L. Brown Science \u0026 Engineering Library. David Moody, with the assistance of Bart Ragon, provided the programming architecture for the Web exhibit. Sonya Coleman contributed to the design elements. Special thanks has been given to the staff at the Albert and Shirley Small Special Collections Library, University of Virginia, as they retrieved dozens of documents and also to the Digital Curation Services staff for their scanning of the documents.","The Anatomical Theatre at the University of Virginia online exhibit tells the story of the Theatre's presence at the University for more than a century. While not included in the earliest plans of the University, the need for the Theatre became clear before the first classes were ever held. Thomas Jefferson himself drew the design which includes two floor plans, a front elevation view, and a cross section. The exhibit traces the construction and later changes to the building, its demise, and archeological investigations at the site. It also gives a glimpse of what happened inside the building and the deeds that were done to procure cadavers so that medical students could learn anatomy.","This exhibit was sparked by the interest of the late Dr. M.C. Wilhelm in the model of the Anatomical Theatre housed in Historical Collections at the University of Virginia Claude Moore Health Sciences Library. A retired surgeon and volunteer in Historical Collections, Dr. Wilhelm gathered resources and did preliminary writing. It was decided to further develop the project, and the result is this exhibit, written and organized by Janet Pearson, a Historical Collections staff member. Originally done under the direction of Joan Echtenkamp Klein, who was the Alvin V. and Nancy Baird Curator for Historical Collections until her untimely death, project support was continued under Dan Cavanaugh, who stepped into Joan's role and position.","Others associated with the University of Virginia community freely shared their ideas and research. These individuals include Garth Anderson, the Facilities Management Historian; Kirt von Daacke, Assistant Dean and Professor, College of Arts \u0026 Sciences; Louis Nelson, Professor in the Department of Architectural History and Associate Provost for Outreach; Robert Bloodgood, Professor in the School of Medicine; Benjamin Ford, Principal Investigator with Rivanna Archaeological Services, LLC; and Sonya Coleman, formerly a staff member in Historical Collections and now at the Library of Virginia. Emily Bowden, the Historical Collections Specialist, answered many technical queries as well as gave editorial assistance. Anson Parker and Jason Bennett provided the programming architecture for the Web exhibit.","This exhibit explores the development of the iron lung during the late nineteenth and early twentieth century and considers the reasons for its success during the height of the poliomyelitis epidemics. Andrew Sallans, Historical Collections Specialist, researched and compiled the content for the online and physical exhibits. The design of the online exhibit was conceived and executed by Steve Stedman, Webmaster for the Claude Moore Health Sciences Library.","This online exhibit displays a digitized copy of Historical Collections and Services' rare book \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England: An Introduction to Orders thought meete by her Maiestie ..., 1578.\"","Anne McKeithen, Janet Pearson, and Andrew Sallans, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, compiled the material for the Plague Book exhibit under the direction of Joan Echtenkamp Klein. Joaquin Bueno designed the Web exhibit and graphics, with the programming architecture of David Moody and the assistance of Bart Ragon.","Unless otherwise noted, the images are courtesy of the Missouri Botanical Garden, © 1995-2006 Missouri Botanical Garden http://www.illustratedgarden.org). They deserve special thanks for their generous permission to reproduce their exquisite illustrations. Special thanks are also given to Duane J. Osheim, Ph.D., Professor and Chair, of the Corcoran Department of History at the University of Virginia for his paper, \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England.\"","In 2001 Historical Collections in the Claude Moore Health Sciences Library created an exhibit that traces the history of the first century of the Hospital in words and images. One copy of the exhibit traveled from location to location in the Health System and beyond; the other set of panels were hung in a busy hospital corridor near the main entrance where they remain today. These panels form the basis for this online exhibit which now includes the addition of a section on the first 14 years of the Hospital's second century. We hope you enjoy following the history of the growth of the University of Virginia Health System as it seeks to fulfill its longstanding vision to benefit human health and improve quality of life through patient care, research, and education.","This exhibition was prepared by Hal Sharp and Janet Pearson of the Department of Historical Collections and Services, The Claude Moore Health Sciences Library.","This online exhibit aims to give viewers a view into more than 50 of Historical Collections and Services' most notable books and see how their authors over the years have documented their discoveries and concepts for contemporaries and for us.  There are digitized versions of many of the books in the Fulltext Books section, which offers links to the scanned images of over half of these rare books.","Sara Huyser, Anne McKeithen, and Janet Pearson, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, wrote and compiled the material for Vaulted Treasures under the direction of Joan Echtenkamp Klein.","Joaquin Bueno designed the Web exhibit and graphics, with the server expertise of David Moody and the assistance of Bart Ragon. Special thanks to Claudia Sueyras who scanned many of the books and Andrew Sallans who provided technical assistance.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","Mary Wagner donated the caricatures in this exhibit to Historical Collections and Services, The Claude Moore Health Sciences Library. Her husband, the late Robert R. Wagner, M.D., collected these when he was a post-doctoral fellow at the National Institute for Medical Research in London from 1950 to 1951. Wagner was Chair of the Department of Microbiology at the University of Virginia from 1967 to 1994, and Director of the UVa Cancer Center from 1983 to 1993. Thanks to Mary Wagner's generosity, the caricatures recently have been professionally treated, preserved, and reframed. The originals are on display in Historical Collections and Services and in the Department of Microbiology in the Robert R. Wagner Conference Room. These nineteenth-century satirical prints will thus continue to delight future generations.","This exhibit was written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.","Walter Reed's professional experiences with typhoid fever stand in marked contrast to his professional encounters with yellow fever. In the case of typhoid, he was more a messenger than a conqueror. Typhoid fever remained defiant during a career that oversaw the rout of yellow fever. Through a humanizing story that shows how fate brought Reed continuing frustration as well as talent and success, this exhibit seeks to render him a more accessible role model for students of medicine and history.","This exhibit was written by Noel G. Harrison, a graduate student in The Corcoran Department of History at the University of Virginia and an intern in Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia during the fall of 2002. The Web exhibit was prepared and designed by Mike Wilson and Sara Huyser. Special thanks to Bart Ragon, Joan Echtenkamp Klein, and Hal Sharp for their assistance.","This series includes records related to Historical Collections and Services, the special collections and archives department of the Claude Moore Health Sciences Library. Records the public can access are related to exhibitions that were curated by staff and displayed in the library."],"userestrict_html_tesm":["\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to the annual reports in this series.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia owns the copyright to records in this series that were created by the library directors while they were acting within the scope of their position, except scholarly and academic works. Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to the planning documents and reports created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to images created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to publications created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe University of Virginia owns the copyrights to publications produced by the Health Sciences Library. Other copyright restrictions may apply to some materials.\u003c/p\u003e","\u003cp\u003eCopyright restrictions may apply.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright for social media content (e.g. posts, photographs) created by University employees while acting within the scope of their employment, except scholarly and academic works. The organizations that own the social media platforms might also hold licenses to all of the content posted by University of Virginia employees. Copyright ownership varies for other content that has been posted on the Library's social media platforms and archived here.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to blogs and blog posts created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to conference records and programs created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eCopyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to reports created by University employees while acting within the scope of their employment. Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to the records in this series that were created by University employees while acting within the scope of their employment.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to materials in this series created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to exhibit content created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies.","The Rector and Visitors of the University of Virginia own the copyright to the annual reports in this series.","The Rector and Visitors of the University of Virginia owns the copyright to records in this series that were created by the library directors while they were acting within the scope of their position, except scholarly and academic works. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the planning documents and reports created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to images created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to publications created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The University of Virginia owns the copyrights to publications produced by the Health Sciences Library. Other copyright restrictions may apply to some materials.","Copyright restrictions may apply.","The Rector and Visitors of the University of Virginia own the copyright for social media content (e.g. posts, photographs) created by University employees while acting within the scope of their employment, except scholarly and academic works. The organizations that own the social media platforms might also hold licenses to all of the content posted by University of Virginia employees. Copyright ownership varies for other content that has been posted on the Library's social media platforms and archived here.","The Rector and Visitors of the University of Virginia own the copyright to blogs and blog posts created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to conference records and programs created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to reports created by University employees while acting within the scope of their employment. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the records in this series that were created by University employees while acting within the scope of their employment.","The Rector and Visitors of the University of Virginia own the copyright to materials in this series created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to exhibit content created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies."],"names_ssim":["Claude Moore Health Sciences Library"],"corpname_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":471,"online_item_count_is":26,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:41:23.997Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_7_resources_215","ead_ssi":"viu_repositories_7_resources_215","_root_":"viu_repositories_7_resources_215","_nest_parent_":"viu_repositories_7_resources_215","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_215.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/133046","title_ssm":["Claude Moore Health Sciences Library records"],"title_tesim":["Claude Moore Health Sciences Library records"],"unitdate_ssm":["1942-2025","1848-2019"],"unitdate_bulk_ssim":["1942-2025"],"unitdate_inclusive_ssm":["1848-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG.17.4","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/215"],"text":["RG.17.4","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/215","Claude Moore Health Sciences Library records","University of Virginia","The records of the Claude Moore Health Sciences Library are open to researchers, except where it is noted. Decisions to close records to research are made in accordance with the Health Insurance Portability and Accountability Act of 1996 (HIPAA), the Family Educational Rights and Privacy Act of 1974 (FERPA), the Virginia Freedom of Information Act (VAFOIA), the policies of the University of Virginia, and other relevent laws, regulations, or policies.","The annual reports are open to research.","These records are open to research.","The planning documents and reports are open to research.","The photographs and negatives are open to research.","The public relations files are open to research.","The publications are open to research.","There are no restrictions on access to the newsletters in this subseries.","There are no restrictions on access to the publications of the Health Sciences Library.","The social media files are open to researchers.","The blog files are open to researchers.","The administrative organization and structure files are open to research.","The policies, procedures, and handbooks are open to research.","In accordance with the The Family Educational Rights and Privacy Act of 1974 (FERPA), the library may restrict access to student-authored materials and other protected student records in this series. Course syllabi, course announcements, and other materials produced by University faculty and staff are open to research.","Conference programs and reports are open to research.","The historical and biographical files are open to research.","The reports in this series are open to research.","The committee records and meeting minutes are open to research.","The awards, honors, and commemorations records are open to research.","The lecture and presentation materials are open to research.","The exhibit records are open to research.","The annual reports of the Health Sciences Library are scheduled for permanent retention. There will be accruals to this series if the Health Sciences Library resumes the creation of annual reports.","The correspondence and subject files of the Health Sciences Library director are not scheduled for permanent retention and, in the past, have been transferred to the archives on an irregular basis. No further accruals of this material is expected.","Historically significant planning documents and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a document or report is historically significant. Accruals to this series are expected.","Historically significant photographs and negatives are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a photograph or negative is historically significant. Accruals to this series are expected.","Public relations files are scheduled for permanent retention in the archives. These records are generally created by the University's marketing and communications departments and they are filed in the records groups associated with those units. However, the library does occasionally create its own public relations files that we expect to add to this series.","The publications of the Health Sciences Library are scheduled for permanent retention in the archives. Much of the content that the Library made available through publications is now made available on various online platforms. It is likely that accruals to this series will be infrequent.","Annually, data is downloaded from the Library's active social media sites and added to this collection.","Copies of each existing blog are captured every year and added to the collection.","The organizational charts of the Health Sciences Library are scheduled for permanent retention in the archives. Besides the charts, only historically significant records document administrative structure are retained in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether one of these records is historically significant. Accruals to this series are expected to occur occassionally.","Historically significant policies, procedures, and handbooks produced by the Health Sciences Library are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a record is historically significant. Accruals to this series are expected.","Historically significant syllabi and course materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a course record is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant conference programs and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a program or report is historically significant. Accruals to this series are expected.","Significant historical and biographical materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is significant. Accruals to this series are expected to occur infrequently.","Historically significant reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a report is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant exhibit records are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is historically significant. Accruals to this series are expected to occur infrequently.","Records are generally organized according to the records retention and disposition schedules series maintained by the Library of Virginia (LVA). When necessary, additional subdivisions have been created for materials that do not have clear equivalents in the LVA resources.","Annual reports are arranged into 3 subseries: Medical Library, Health Sciences Libary, and Information Sciences Council. The subseries are arranged chornologically. Inside the subseries annual reports are placed into files that are arranged chronologically.","The correspondence and subject files are arranged into subseries according to the library director who created them. The subseries are then arranged chronologically by the date that each director began his or her term in this position. Beginning and end dates of the directors' terms are given after his or her name in the subseries title.","In this series, a file is created for each planning report and its associated documents. The files are arranged chronologically by the date of creation for the materials they contain.","The photographs and negatives are arranged into subseries by subject. The subseries are then arranged alphabetically by title. The arrangements of the files in the subseries vary.","The photographs and negatives of library artifacts are arranged alphabetically according to the name of the artifact shown.","The images of Health Sciences Library staff and interiors are arranged chronologically according to their date of creation.","The miscellaneous photographs are arranged chronologically according to the date of their creation.","The public relations files are arranged into subseries according to types of materials (e.g. clippings collections and press releases). The subseries are then arranged alphabetically. The files in the subseries are arranged chonologically.","The publications are arranged into subseries according to types of materials (e.g. journals and magazines, newsletters, patient education resources). The subseries are then arranged alphabetically. The arrangements of the files in the subseries vary.","The newsletters are arranged alphabetically by title.","The promotional brochures, flyers, and other publications are arranged chronologically according to their date of creation.","The social media content is arranged into files alphabetically by title.","Blogs are arranged into files alphabetically by title.","Files in this series are arranged chronologically according to the date of their creation.","The policies, procedures, and handbooks are arranged into the following subseries in this order: Staff procedures and handbooks, and Library users procedures and handbooks. The files in each subseries are arranged chronologically.","Syllabi and course materials are arranged chronologically.","Conference records and programs are arranged into files by conference title. The files are arranged chronologically by the date each conference was held. All of the instances of a reoccurring conference are gathered together into the same file. If the conference is reoccurring, it is arranged in relation to the rest of the files according to the first instance of that conference.","Materials in this series are arranged chronologically according to the date that they were created.","The reports are arranged into files. The files are then arranged chronologically by their date of creation. When a report is reoccurring, all of the reports in that series are placed together in a single file.","The directories are arranged by title into files. The files are arranged chronologically.","The records in this series are arranged into files according to committee or department (when the department is holding reccurring general meetings). The files are then arranged alphabetically.","The awards, honors, and commemorations are arranged into files. The files are then arranged chronologically by date. When an award, honor, or commemoration is reoccurring (e.g. annually), all of the records in that series are placed together in a single file.","The records for stand-alone lectures and presentations are arranged into a subseries called \"Single lectures and presentations\". The records of lectures and presentations that belong to a program or lecture series are arranged into subseries named after the program or lecture series. Following the subseries titled \"Single lectures and presentations\", the remaining lecture series are arranged alphabetically by title. ","Records in all of the subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","The materials are arranged into files, each file representing an exhibit. Files are arranged alphabetically by exhibit title.","These files are arranged alphabetically.","These items are arranged alphabetically.","\nBetween 1826 and 1929, the University of Virginia's collection of medical books and journals were kept with the general library collections in the Rotunda. In 1929, the University moved the collections to the new Medical Library inside the recently-constructed Medical School Building. \n","\nBetween 1929 and 1962, a medical librarian with a small staff of student and clerical workers stewarded the library's collections. The Medical Library at this time, although physically separate from the rest of the University's libraries, was administered as part of the central University library system with oversight from School of Medicine faculty serving on the Medical Library Committee. In addition to the management of collections, the medical librarians in this era began to curate exhibits and provide instruction. Only a few of the medical librarians who served in this period had professional library training.\n","\nIn 1962, Wilhelm Moll was appointed the first Director of the Medical Library. During his tenure, Moll oversaw the radical trasnformation of a small branch library into an independent research library. The full-time library staff expanded from 4 to 30, the University built a new library building over Jefferson Park Avenue, the nursing and medical libraries merged to form the Health Sciences Library, a history of medicine program was founded, and the library began to adopt digital technologies.\n","\nAfter Moll's death in 1979, the University apppointed Terry Thorkildsen as the Director of the Claude Moore Health Sciences Library.  Thorkildsen and his successors Linda Watson (1990-2005) and Gretchen Arnold (2005-present) led the library during an era when revolutionary advances in digital technologies (e.g. the Internet, personal computers, databases) presented new challenges and opportunities for the Library.\n","","September 1826: The University of Virginia Library opens in the Rotunda and it includes a collection of medical books. 1911: The University Library's entire collection of medical books and journals are gathered together and moved to the basement of the Rotunda. September 13, 1915: Richard Henry Whitehead, Dean of the School of Medicine, creates the Medical Library Committee. 1919-June 1929: Ella Watson Johnson serves as the Medical Librarian. June 1929: The Medical Library moves from the basement of the Rotunda to its own space in the new Medical School Building, the Medical Library remains a department of the central University Library System. June 1929-September 1929: Margaret Otto serves as the Medical Librarian. 1929-1931: Anne Ashhurst Gwathmey serves as the Medical Librarian. 1931-1934: Caroline Hill Davis serves as the Medical Librarian. March 1934-June 1934: Dora Mitchell Brown serves as the Medical Librarian. 1934-1936: Miriam Thomas Buchanan serves as the Medical Librarian. 1935: The Medical Library institutes its first orientation for first year medical students. 1936-1943: Anne Lewis Morris serves as the Medical Librarian. 1943-1944: Mary Elizabeth Mayo serves as the Medical Librarian. 1944-1947: Mabel Cook Wyllie serves as the Medical Librarian. 1945-1949: The Nursing Library is placed under the Supervision of the Medical Librarian until the appointment of a clerk to manage the Nursing collection. 1947-1962: Elizabeth Frances Adkins serves as the Medical Librarian. September 1962: Wilhelm Moll is appointed the Director of the Medical Library. 1962-1963: As the result of administrative reorganizations during this period, the Medical Library is separated from the central University Library system and placed under the control of the School of Medicine. November 1970: Librarians conduct the first online searches of a database at the University of Virginia Medical Library using the experimental AIM-TWX service developed by the National Library of Medicine's Lister Hill National Center for Biomedical Communications. November 1971: Librarians begin using the National Library of Medicine's MEDLINE system to conduct online searches for patrons. August 1975: The Medical Library and Nursing Library are merged into the Health Sciences Library and Information Center and moved into a new building that spans over Jefferson Park Avenue. Wilhelm Moll is made the Director of the Health Sciences Library. April 1976: The Health Sciences Library is formally dedicated and named after Claude Moore, an alumnus of and donor to the University of Virginia. 1979: Terry Thorkildsen is appointed the Director of the Claude Moore Health Sciences Library. 1989: The library card catalog is digitized and made available through computer terminals. 1990: Linda Watson is appointed the Director of the Claude Moore Health Sciences Library. 2005: Gretchen Arnold is appointed the interim Director of the Claude Moore Health Sciences Library and is then made Director in 2007. 2022: Bart Ragon is appointed the Director of the Claude Moore Health Sciences Library.","(formerly Reference Department from 1987-1991)","Historical Collections and Services was originally concieved in the 1980s by the first director of the Claude Moore Health Sciences Library, Wilhelm Moll. His vision was to create a rare book room that would house the rare books that belonged to the Medical Library. During the Jeffersonian era and up until 1929, the books belonging to the school of medicine and anatomy were housed in the Rotunda Library on Grounds. In 1929, a new Medical School Building opened. This unified all the medical departments, which had been scattered throughout the Grounds. The Medical Collection became the Medical Library, and moved into new quarters in the Medical School Building. When Alderman, now Shannon, Library was built in 1937, the books moved there until the creation of the Claude Moore Health Sciences Library in 1976. Following Dr. Moll's untimely death in 1979, Special Collections librarian Joan Echtenkamp Klein helped to make Moll's reality of a special collections department a reality. She became the curator and manager of Historical Collections and Services, serving in that role until 2015. Dan Cavanaugh took over the role of curator and manager until 2022. Meggan Cashwell became the curator and manager in 2023 and is currently serving in that position.","Some exhibit pages do not have creation dates listed anywhere, but they do have copyright dates at the bottom of the page. This can be confusing in understanding what is the true date of creation.","Many of these online exhibits were once physical exhibits on display in the Claude Moore Health Sciences Library. Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"","When the Claude Moore Health Sciences Library downloads content from a social media platform, the Library preserves all of the original files (e.g. jpeg files, html files, json files) from the capture.","Patrons may contact Historical Collections staff at the Library to request copies of files containing social media content. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. ","When the Claude Moore Health Sciences Library captures a copy of a blog, the Library preserves all of the its original files (e.g. jpeg files, html files) as well as an aggregated web archive file (warc). Both a directory containing the original files and the warc file are bundled together into a single digital object. ","Patrons may contact Historical Collections staff at the Library to request copies of blog files. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. ","Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"","This collection consists of permanent and historically significant institutional records created by the University of Virginia Health Sciences Library and the antecedent Medical Library. These records include, but are not limited to: annual reports, planning documents, newsletters, online exhibits, blogs, social media content, conference programs, department histories, committee records, and library-sponsored lecture materials.","This series consists of annual reports produced by the Medical Library (1929-1975), the Health Sciences Library (1975-Present), and the Information Sciences Council (1990-1996). Annual reports for the Health Sciences Library are missing from this collection for the period from 2006 to the present. Also, the annual reports for the Medical Library are missing from this collections for the period from 1929 to 1942. It is unclear whether the Medical and Health Sciences libraries wrote reports for the years.","The annual reports of the Medical Library contain comprehensive descriptions of the annual activities of the Medical Library. The Medical Library's annual reports from 1929 to 1942 are missing from this collection. It is not known if the reports were ever written by the library.","The annual reports of the Health Sciences Library contain comprehensive descriptions of the annual activities of the Health Sciences Library. The Health Sciences Library's annual reports from 2006 to the present are missing from this collection. It is not known if the reports were ever written by the library.","Informal annual report-like documents and related material, including reports shared on the Claude Moore Health Sciences Library blog and an internal UVA Health System news website (HS Connect). Reports from: March 2007, September 2009 (written by Gretchen Arnold), January 2013 (written by Gretchen Arnold), and March 2018 (written by Gretchen Arnold).","This series consists of correspondence and subject files that were created and assembeled by the directors of the Health Sciences Library while carrying out the responsibilities of their position.","Correspondents include Curators of the HSL--Daniel Spikes, Cassandra Ruane, Frank C. Mevers, Todd L. Savitt, and Doris Leckie of the Smithsonian Institution","Includes articles about Jesse Lazear, Carlos Finlay, Philip Hench and cortisone, Henry R. Carter, Nicolas Chervin, Joseph Y. Porter and Isaac Hulse","Correspondents with Bean include Mary (Mrs. Philip) Hench, Atcheson L. Hench, Byrd S. Leavell, and Todd Savitt","Includes news releases, news clippings, journal articles, and correspondence related to the gift by Mary Hench of the Philip S. Hench Walter Reed Yellow Fever collection.","Includes correspondence with William Bennett Bean","Includes correspondence on Health System reorganization","The records in this series document the planning of historically significant administrative initiatives, purchases, construction, and events at the Health Sciences Library.","This series consists of digital and analog images that show the history and collections of the Health Sciences Library. Image formats in this series include, but are not limited to, photographic prints, film negatives, jpeg files, tiff files, 35mm film slides, CDs or other media containing digital images. The series does not include official identification photographs for faculty, students, and staff.","This subseries contains images of artifacts in the collections of the Health Sciences Library.","The images in this subseries show the staff, faculty, and interior spaces of the Health Sciences Library.","Moll, Bowers, Bowers, and Rudnick are photographed with ceramic vessels used in the early production of penicillin.","LIS officially started in 1989. Dr. Don Detmer is upper right of FF sheet","People identified are: Inhye Son, Sarah Handley, Anne Humphries, Mike Wilson, Jonathan Lord, Elaine Banner, Julia Kochi, Marylin James, Mary Nightengale, Ophelia Payne, Nadine Ellero, Trisha Luby, Sue Daddezio, Diane Ricketson, Deborah Camden, Michael Sullivan, Betty Mickens, Dan Wilson, Shelby Miller John Sesody, Greatchen Arnold, Michelle Martin, Jeri Davis, Barbara Crawford, Cindy Saylor, Susan Yowell, Karen Collier, Pat Shannon, Rick Peterson, Brenda Bikos, Sandy Zoumbaris, Jana Maas, Joan Klein, Mark Mones, Jane Wagner, Eli Casarez, Aulia Gies, Cynthia Siedman-Willen, Catherine Anninos, Judy Shotwell, Linda Watson and Ann Carter.","Individuals not identified.","Front: Kathleen Tracey, karen Collier, Deborah Camden, Ophelia Payne, Rick Peterson\nSecond: Marylin James, Jane Wagner, Barbara Crawford, Polly Sandridge, Linda Watson\nThird: Pat Shannon, Brenda Bikos, Gretchen Naisawald, Anne Humphries, Jeri Davis, Shelby Miller, Jonquil Feldman, Mike Wilson\nFourth: Judith Robinson, Susan Daddezio, Julia Hochi\nFifth: Thomas Speare, Catherine Anninos, Libby Colley, Judy Shotwell\nSixth: Hall Sharp, Rick Weaver, Ann Carter\nSeventh: Nadine Ellero, Megan McCaskey, Sarah Handley\nEighth: Jonathan Lord, Jake Appleford, Mary Nightengale, Inhye Son\nAbsent: Joan Klein, christopher Marks, Betty Mickens, Mark Mones, Diane Spears","Left to right: Dieter Groeschel, Joan Klein, Linda Watson, unidentified person\nIn back: unidentified, Janet Pearson","One photo individuals front left to right Dieter Groeschel, Joan Klein, Linda Watson, unidentified person, in the back an unidentified person and Janet Pearson","Collection Services and Bibliographic Control","Intellectual Access and Collection Development","Library Administration","Ellen Ramsey, David Moody, Bart Ragon, Mike Wilson, Joan Klein, Dave Denton, Inhye Son, Wilma Lynch, Pat Shannon, Gretchen Arnold, Jeri Davis, Joy Nuckolls, Karen Knight, Elaine Attridge, Ann Carter, Jonathan Lord, Andrea Horne Denton, Stephanie Fielding, Adrienne Granitz, Sonya Coleman, Jason Bennett, Tony Hiserman, Tenzin Thosam, Roderick Martin, Nadine Ellero, Patricia Vaughn","This subseries consists of images that do not belong in any other subseries.","Gordon was the coordinator of an exhibit on the history of gastroscopy and visited the medical school to open the exhibit. Photo taken by Ursula Ziolkowki.","Photo was sent to Terry Thorkildson from the Area Health Education Centers Program Eastern Virginia Medical Authority","This series contains historically significant press releases, visual aids, clippings, and other items that record information about the Library that were produced for or by the news media.","This subseries contains print copies of news articles about the Health Sciences Library.","This series consists of publications produced by the Health Sciences Library for public distribution or general internal distribution. Publications include, but are not limited to, magazines, journals, monographs, newsletters, weblogs, weekly announcements, online publications, marketing materials, and patient education resources. This series may contain both print and digital publications.","The materials in this subseries were produced to guide the use of collections housed at the Health Sciences Library.","This subseries consists of digital and print newsletters that provide information about the activities of the Health Sciences Library.","A \"scrapbook\" of Library milestones and appropriate photographs for each medical and nursing graduating class celebrating its reunion in a particular year. The print series was discontinued after 2000, but additional Journey Through Time content is available online through the Historical Collections web exhibits.","This subseries contains brochures, flyers, and other printed ephemera that provide information about the Health Sciences Library.","Envelope has Dr. Wilhelm Moll handwritten on it. Brochure includes library statistics, what is needed in terms of money and space, various endorsements, and tax information.","This series contains social media content that has been produced by the Health Sciences Library for platforms like Facebook, Instagram, and Twitter.","The staff of the Health Sciences Library's Historical Collections and Services department maintains and contributes content to this Facebook page. Many posts and photographs on the page relate to the Department's services, collections, and events. Other posts share information related to the history of the health sciences and the work of libraries, museums, and archives.","This series consists of blogs that were created by the Health Sciences Library. The files in this series were downloaded from the Internet by Library staff. Content in the blogs that are accessed through a link outside of the blog's parent directory (e.g. external YouTube videos, external web pages) are not downloaded and archived in this series.","The Moore Library News (MLN) blog is produced by the Claude Moore Health Sciences Library. MLN blog posts provide information about Library collections, policies, services, and events.","The records in this series document the organizational structure of the Health Sciences Library. It also contains records that document administrative reorganizations of the Library. These materials include, but are not limited to, organizational charts and reports.","This series contains policies, procedures, and handbooks produced by the Health Sciences Library to direct and guide the conduct of its faculty, staff, and patrons. These records may also formally describe and define the relationship between the Health Sciences Library and its faculty, staff, and patrons.","This subseries contains procedures and handbooks for the faculty and staff of the Health Sciences Library.","Includes items from the Printing Office with the new library name: The Claude Moore Health Sciences Library","This subseries consists of procedures and handbooks for the patrons of the Health Sciences Library.","This series contains course announcements, syllabi, notes, and other materials that document classes and workshops taught by the faculty and staff of the Health Sciences Library.","This series consists of programs and reports that document the history of conferences and symposia hosted by the Health Sciences Library. Programs and reports often contain the following information: lists of speakers, presentation titles, schedules of events, and lecture abstracts. The following conference records are not included in this series: registration records, financial records, organization records, attendance lists.","This series consists of significant material that conveys the history of the Health Sciences Library, its administration, its accomplishments, its officials or employees. Includes, but is not limited to, scrapbooks, photographs, articles, program notes and documentation of events sponsored or funded by the agency. Also included are narratives; printed, audio, or audiovisual histories; or matters of significant historical importance.","Includes many photos of the library interior and library staff. Some individuals identified. Probably an exhibit celebrating the library's 15th anniversary in 1991, but photos from 1993 are also in the folder.","Includes photos of library interiors, staff (some identified) and UVA buildings; library organization chart for 2/1995; and Library Building Funds chart, 1975.","This series consists of reports, of a historically significant nature, that do not belong to any other series of the Health Sciences Library records.","This series contains memos, correspondence, subject files, online resources, and meeting minutes of committees working within the Health Sciences Library.","This file includes the meeting minutes, meeting agendas, and other documentation of the Library Management Group. The members of this committee were the leaders of the Health Sciences Library. They met once a month to discuss major library initiatives, provide updates and reports about library department activities, and share other information related to the management of the Library.","This file consists of the meeting minutes, bylaws, constitution, and correspondence of the Medical History Society of the University of Virginia. The Society was formed to promote the knowledge and study of the history of medicine and the health sciences at the University of Virginia. For much of its history, Wilhelm Moll led the Society. It supported the development of historical collections and services at the Health Sciences Library and founded a lecture series that becsme the History of the Health Sciences Lecture Series in 1984.","This series consists of records that document awards, honors, and commemorations presented by the Health Sciences Library. These records may include, but are not limited to, event programs, lists of recipients, and recipient biographies.","The dedication ceremony included remarks by Donald S. Fredrickson, MD, Director, National Institutes of Health.","Includes a tribute to Wilhelm Moll by William B. Bean and another speech by an unidentified individual.","Includes remarks that were given by Dr. Don Detmer.","Includes remarks given by Donald Lindberg. The title of Lindberg's presentation was\"The Computer and the Academical Village\".","This series consists of records that document lectures and presentations sponsored by the Health Sciences Library. These records include, but are not limited to, audiovisual recordings, transcripts, announcements, handouts, and correspondence between presenters and event organizers.","This subseries consists of records associated with standalone lectures and presentations sponsored by the Health Sciences Library.","This subseries contains records that are associated with the Health Sciences Library's History of the Health Sciences Lecture Series.","This subseries contains records that are associated with the Medical History Society of the University of Virginia Lecture Series.","Promotional posters for a medical history lecture series held at the UVA Health Sciences Library and organized by the UVA Medical History Society.","This series consists of records that document exhibits created by the Claude Moore Health Sciences Library of an educational or promotional nature. Some records are physical, and others are archived websites crawled by the Internet Archives' Archive-It service and made accessible by their Wayback Machine.","These materials are physical materials containing exhibit plans and designs, text, labels, and images created for physical exhibits.","Identified individuals in photos are John Guerrant, Ken Crispell, and Barry Marshall","Includes print-out (109 pages) of \"Who's Who on the Philip S. Hench Walter Reed Yellow Fever Collection Website\" (2002) and supplemental list of compiled names.","\"Robley Dunglison: 1798-1869\" Pamphlet produced for a library exhibit honoring the 200th anniversary of Dunglison's birth. 3 copies; 14 pp. Prepared by Historical Collections \u0026 Services, Claude Moore Health Sciences Library. Folder note indicates biography was written by Joby Topper. Includes reference list.","Introduction by Joan Klein","This series contains web archived online exhibits created by Historical Collections and Services between 2007 and circa 2023, although some of the creation dates of the websites are questionable. These 21 exhibits were hosted on the Claude Moore Health Sciences Library website but are now available via the Internet Archives' Wayback Machine.","This online exhibit is centered on the book \"A History of Cancer Care at the University of Virginia, 1901-1911.\" This book provides vast insight into the teamwork, dedication, collegiality, and skill–as well as luck–which was necessary for the Cancer Center to exist today. Twenty-five oral history interviews were conducted in the course of researching the book and are included with the book or may be viewed in the videos section of this website. Written by Henry K. Sharp, Ph.D. and Morton C. Wilhelm, M.D. the Joseph Helms Farrow Professor Emeritus in Surgical Oncology, University of Virginia School of Medicine.","This online exhibit serves as an online \"scrapbook\" with some of the milestones of the Claude Moore Health Sciences Library, Medical Center, and the School of Medicine and the School of Nursing. There are added appropriate photographs for each class year.","This exhibit recounts the origin and early history of the American Lung Association. The American Lung Association of Virginia (ALAV) Collection contains personal and official correspondence, financial and legal papers, minute books, organizational and scientific reports, educational publicity, photographs, and artifacts. ALAV donated its organization's papers to the Claude Moore Health Sciences Library in 1990 and 1991 made this exhibit possible. The ALAV made an additional donation in 2009.","This online exhibit presents images and summaries of the known uses of each instrument. The extant comments of medical writers from antiquity–including Oribasius, Galen, Soranus, Aetius, and the Hippocratic corpus–have provided scholars with some clues about the use of some instruments. Some instruments, such as mixing instruments and tweezers, probably had other household uses, such as the application of cosmetics and paints.","This online exhibit was created under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library. Hal Sharp, a Historical Collections staff member, wrote the essay giving a brief history of anatomical drawing. The exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant. Emily Bowden, Historical Collections, photographed the Denoyer-Geppert Anatomy Series charts. William Crutchfield generously donated W. and A. K. Johnston's Charts of Anatomy and Physiology which were owned for 33 years by his father, Dr. William Gayle Crutchfield.","This exhibit was designed to highlight the UVA Hospital's involvement with supporting United States Army troops during World War I and World War II. It was created by Janet Pearson with the assistance of Joby Topper. Special thanks to Dr. John L. Guerrant, Dorothy Sandridge Gloor, and Elizabeth Harlin Drash for sharing their stories and helping us identify photographs.","This online exhibit shows materials related to eugenics as it relates to UVA and Charlottesville, VA. Alison White and Ina Hofland, staff members of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia, created this Web exhibit. They also created the physical exhibit of the same title on which it is based. The physical exhibit was displayed in the foyer of the Health Sciences Library April-September 2002. Steve Stedman designed the Web exhibit. Special thanks to Sara Huyser, Joan Echtenkamp Klein, Ophelia Payne, Bart Ragon, Hal Sharp, and Mike Wilson for their assistance. Web Exhibit Publish Date: February 13, 2004","This exhibit was created under the direction of Joan Ectenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at the Claude Moore Health Sciences Library. Dr. Morton C. Wilhelm, the Joseph Helms Farrow Professor in Surgical Oncology, wrote the essay with the editorial assistance of Janet Pearson. The web exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant.","This online exhibit offers a look into The Papers of James Carmichael and Son, a collection held at the UVA Albert and Shirley Small Special Collections Library, and tells a story of the early nineteenth-century inhabitants of Fredericksburg, Virginia and its surrounding rural areas. ","The exhibit is organized into two content areas: the Story and the Collection. Each of these areas, as well as the Home and About sections, are represented in the tabs near the top of every page. See the site map for more detail.","The Story section sets the atmosphere for the exhibit. One can get a sense of what the practice of medicine was like for James and Edward Carmichael in the early nineteenth century by reading the essays describing the Pharmacy, the Tools of the Trade, and the Health Care of Slaves.","The Collection section houses the images of the original Carmichael letters, which are meticulously transcribed and categorized to provide access not only to the words, but to the medical conditions, treatments, and philosophies of almost two centuries past. Particularly compelling is the use of Medical Subject Headings (MeSH) to categorize the letters along with a very detailed methodology and definition of MeSH terms. Other items of interest include the daybook kept by Doctor Carmichael from 1816-1817, newspaper clippings, court records \u0026 summaries, period maps, and Virginia WPA Historical Inventory Project records. Additionally, there is an exhaustive Who's Who list of names that appeared in the letters as well as a thorough list of Places Mentioned.","This online exhibit tells the story of how the U.S. Army Commission, comprised of Major Walter Reed, Dr. James Carroll, Dr. Aristides Agramonte, and Dr. Jesse Lazear, confirmed Carlos Finlay's theory about the transmission of yellow fever. By showing without a doubt that mosquitoes were the vector for yellow fever, the researchers empowered public health officials in the Americas to eradicate this devastating disease from much of the Western Hemisphere.","The exhibit is divided into three main sections. The first section, Archives, provides information about and links to the Philip S. Hench Walter Reed Yellow Fever Collection. The collection, most collected by Philip S. Hench and housed at the University of Virginia's Claude Moore Health Sciences Library, is a rich archive of materials that documents the history of the U.S. Army Yellow Fever Commission. The second section, History, tells the story of the U.S. Army Yellow Fever Commission and the impact of its findings. Finally, the third section, Resources, provides access to biographies, bibliographies, and other resources visitors may want to consult to learn more about the Commission and the history of yellow fever.","This exhibit tells the story about 12 physicians practicing in Charlottesville, VA in 1848 mutually agreed to create an agreed rate of medical charges for services.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at The Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the fee bill project and directed it. Todd L. Savitt, Ph.D., wrote the background information essay on fee bills in general and the Charlottesville fee bill in particular. He is a faculty member at East Carolina University in the Department of Bioethics \u0026 Interdisciplinary Studies. Janet Pearson wrote the introduction and the biographical sketches of the twelve signers. She gathered images and took photographs in the University of Virginia Cemetery and Columbarium and in downtown Charlottesville. She is a member of the staff of Historical Collections and Services. Sonya Coleman, also a member of the staff of Historical Collections, contributed to the design elements. David Moody, Claude Moore Health Sciences Library Webmaster, and Jason Bennett, Technology in Education Consultant, provided the programming architecture for the Web exhibit.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at the Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the \"Fever Fighters\" project after the generous donation of Dr. Hanson's diary by his granddaughter, Jane H. Monroe.","Staff members at Historical Collections, Leigh Mantle, Susan Yowell, and Janet Pearson, contributed content and created the GIS Map. Caitlin Summers, a dedicated intern at Historical Collections, also provided editorial assistance in the spring of 2012.","David Moody, Library Webmaster; Mike Wilson, Information Services Specialist; and Jason Bennett, Technology Specialist, provided the programming architecture for the Web exhibit.","This exhibit was inspired by The Mineral Springs of Western Virginia by William Burke, the first volume purchased by the Weaver Family Endowed Rare Book and Medical Materials Fund. Published in 1846, the book describes the setting and development of eleven springs in what are now Virginia and West Virginia. Dr. Burke, a one-time owner and resident physician at Red Sulphur Springs, remarks on the usefulness of the various mineral waters in certain diseases as well as contraindications to their use. The springs range from those that are well known today such as the White Sulphur Springs, currently the Greenbrier resort in West Virginia, to the Blue Sulphur Springs, once able to accommodate several hundred people and now represented by a lone Greek Revival pavilion in the middle of a field near Smoot, West Virginia.","This exhibit was written and organized by Janet Pearson, a member of the staff of Historical Collections and Services, under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library, University of Virginia. Claudia Sueyras, Normajean Hultman, and Sonya Coleman did preliminary research. Rod Martin and Victoria Meyer scanned items from Historical Collections and the Charles L. Brown Science \u0026 Engineering Library. David Moody, with the assistance of Bart Ragon, provided the programming architecture for the Web exhibit. Sonya Coleman contributed to the design elements. Special thanks has been given to the staff at the Albert and Shirley Small Special Collections Library, University of Virginia, as they retrieved dozens of documents and also to the Digital Curation Services staff for their scanning of the documents.","The Anatomical Theatre at the University of Virginia online exhibit tells the story of the Theatre's presence at the University for more than a century. While not included in the earliest plans of the University, the need for the Theatre became clear before the first classes were ever held. Thomas Jefferson himself drew the design which includes two floor plans, a front elevation view, and a cross section. The exhibit traces the construction and later changes to the building, its demise, and archeological investigations at the site. It also gives a glimpse of what happened inside the building and the deeds that were done to procure cadavers so that medical students could learn anatomy.","This exhibit was sparked by the interest of the late Dr. M.C. Wilhelm in the model of the Anatomical Theatre housed in Historical Collections at the University of Virginia Claude Moore Health Sciences Library. A retired surgeon and volunteer in Historical Collections, Dr. Wilhelm gathered resources and did preliminary writing. It was decided to further develop the project, and the result is this exhibit, written and organized by Janet Pearson, a Historical Collections staff member. Originally done under the direction of Joan Echtenkamp Klein, who was the Alvin V. and Nancy Baird Curator for Historical Collections until her untimely death, project support was continued under Dan Cavanaugh, who stepped into Joan's role and position.","Others associated with the University of Virginia community freely shared their ideas and research. These individuals include Garth Anderson, the Facilities Management Historian; Kirt von Daacke, Assistant Dean and Professor, College of Arts \u0026 Sciences; Louis Nelson, Professor in the Department of Architectural History and Associate Provost for Outreach; Robert Bloodgood, Professor in the School of Medicine; Benjamin Ford, Principal Investigator with Rivanna Archaeological Services, LLC; and Sonya Coleman, formerly a staff member in Historical Collections and now at the Library of Virginia. Emily Bowden, the Historical Collections Specialist, answered many technical queries as well as gave editorial assistance. Anson Parker and Jason Bennett provided the programming architecture for the Web exhibit.","This exhibit explores the development of the iron lung during the late nineteenth and early twentieth century and considers the reasons for its success during the height of the poliomyelitis epidemics. Andrew Sallans, Historical Collections Specialist, researched and compiled the content for the online and physical exhibits. The design of the online exhibit was conceived and executed by Steve Stedman, Webmaster for the Claude Moore Health Sciences Library.","This online exhibit displays a digitized copy of Historical Collections and Services' rare book \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England: An Introduction to Orders thought meete by her Maiestie ..., 1578.\"","Anne McKeithen, Janet Pearson, and Andrew Sallans, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, compiled the material for the Plague Book exhibit under the direction of Joan Echtenkamp Klein. Joaquin Bueno designed the Web exhibit and graphics, with the programming architecture of David Moody and the assistance of Bart Ragon.","Unless otherwise noted, the images are courtesy of the Missouri Botanical Garden, © 1995-2006 Missouri Botanical Garden http://www.illustratedgarden.org). They deserve special thanks for their generous permission to reproduce their exquisite illustrations. Special thanks are also given to Duane J. Osheim, Ph.D., Professor and Chair, of the Corcoran Department of History at the University of Virginia for his paper, \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England.\"","In 2001 Historical Collections in the Claude Moore Health Sciences Library created an exhibit that traces the history of the first century of the Hospital in words and images. One copy of the exhibit traveled from location to location in the Health System and beyond; the other set of panels were hung in a busy hospital corridor near the main entrance where they remain today. These panels form the basis for this online exhibit which now includes the addition of a section on the first 14 years of the Hospital's second century. We hope you enjoy following the history of the growth of the University of Virginia Health System as it seeks to fulfill its longstanding vision to benefit human health and improve quality of life through patient care, research, and education.","This exhibition was prepared by Hal Sharp and Janet Pearson of the Department of Historical Collections and Services, The Claude Moore Health Sciences Library.","This online exhibit aims to give viewers a view into more than 50 of Historical Collections and Services' most notable books and see how their authors over the years have documented their discoveries and concepts for contemporaries and for us.  There are digitized versions of many of the books in the Fulltext Books section, which offers links to the scanned images of over half of these rare books.","Sara Huyser, Anne McKeithen, and Janet Pearson, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, wrote and compiled the material for Vaulted Treasures under the direction of Joan Echtenkamp Klein.","Joaquin Bueno designed the Web exhibit and graphics, with the server expertise of David Moody and the assistance of Bart Ragon. Special thanks to Claudia Sueyras who scanned many of the books and Andrew Sallans who provided technical assistance.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","Mary Wagner donated the caricatures in this exhibit to Historical Collections and Services, The Claude Moore Health Sciences Library. Her husband, the late Robert R. Wagner, M.D., collected these when he was a post-doctoral fellow at the National Institute for Medical Research in London from 1950 to 1951. Wagner was Chair of the Department of Microbiology at the University of Virginia from 1967 to 1994, and Director of the UVa Cancer Center from 1983 to 1993. Thanks to Mary Wagner's generosity, the caricatures recently have been professionally treated, preserved, and reframed. The originals are on display in Historical Collections and Services and in the Department of Microbiology in the Robert R. Wagner Conference Room. These nineteenth-century satirical prints will thus continue to delight future generations.","This exhibit was written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.","Walter Reed's professional experiences with typhoid fever stand in marked contrast to his professional encounters with yellow fever. In the case of typhoid, he was more a messenger than a conqueror. Typhoid fever remained defiant during a career that oversaw the rout of yellow fever. Through a humanizing story that shows how fate brought Reed continuing frustration as well as talent and success, this exhibit seeks to render him a more accessible role model for students of medicine and history.","This exhibit was written by Noel G. Harrison, a graduate student in The Corcoran Department of History at the University of Virginia and an intern in Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia during the fall of 2002. The Web exhibit was prepared and designed by Mike Wilson and Sara Huyser. Special thanks to Bart Ragon, Joan Echtenkamp Klein, and Hal Sharp for their assistance.","This series includes records related to Historical Collections and Services, the special collections and archives department of the Claude Moore Health Sciences Library. Records the public can access are related to exhibitions that were curated by staff and displayed in the library.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies.","The Rector and Visitors of the University of Virginia own the copyright to the annual reports in this series.","The Rector and Visitors of the University of Virginia owns the copyright to records in this series that were created by the library directors while they were acting within the scope of their position, except scholarly and academic works. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the planning documents and reports created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to images created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to publications created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The University of Virginia owns the copyrights to publications produced by the Health Sciences Library. Other copyright restrictions may apply to some materials.","Copyright restrictions may apply.","The Rector and Visitors of the University of Virginia own the copyright for social media content (e.g. posts, photographs) created by University employees while acting within the scope of their employment, except scholarly and academic works. The organizations that own the social media platforms might also hold licenses to all of the content posted by University of Virginia employees. Copyright ownership varies for other content that has been posted on the Library's social media platforms and archived here.","The Rector and Visitors of the University of Virginia own the copyright to blogs and blog posts created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to conference records and programs created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to reports created by University employees while acting within the scope of their employment. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the records in this series that were created by University employees while acting within the scope of their employment.","The Rector and Visitors of the University of Virginia own the copyright to materials in this series created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to exhibit content created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","Claude Moore Health Sciences Library","English"],"unitid_tesim":["RG.17.4","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/215"],"normalized_title_ssm":["Claude Moore Health Sciences Library records"],"collection_title_tesim":["Claude Moore Health Sciences Library records"],"collection_ssim":["Claude Moore Health Sciences Library records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies."],"access_subjects_ssim":["University of Virginia"],"access_subjects_ssm":["University of Virginia"],"has_online_content_ssim":["true"],"extent_ssm":["97 Volumes 97 bound volumes and enclosures on book shelves","8 Linear Feet 29 archival boxes"],"extent_tesim":["97 Volumes 97 bound volumes and enclosures on book shelves","8 Linear Feet 29 archival boxes"],"date_range_isim":[1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eThe records of the Claude Moore Health Sciences Library are open to researchers, except where it is noted. Decisions to close records to research are made in accordance with the Health Insurance Portability and Accountability Act of 1996 (HIPAA), the Family Educational Rights and Privacy Act of 1974 (FERPA), the Virginia Freedom of Information Act (VAFOIA), the policies of the University of Virginia, and other relevent laws, regulations, or policies.\u003c/p\u003e","\u003cp\u003eThe annual reports are open to research.\u003c/p\u003e","\u003cp\u003eThese records are open to research.\u003c/p\u003e","\u003cp\u003eThe planning documents and reports are open to research.\u003c/p\u003e","\u003cp\u003eThe photographs and negatives are open to research.\u003c/p\u003e","\u003cp\u003eThe public relations files are open to research.\u003c/p\u003e","\u003cp\u003eThe publications are open to research.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the newsletters in this subseries.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the publications of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThe social media files are open to researchers.\u003c/p\u003e","\u003cp\u003eThe blog files are open to researchers.\u003c/p\u003e","\u003cp\u003eThe administrative organization and structure files are open to research.\u003c/p\u003e","\u003cp\u003eThe policies, procedures, and handbooks are open to research.\u003c/p\u003e","\u003cp\u003eIn accordance with the The Family Educational Rights and Privacy Act of 1974 (FERPA), the library may restrict access to student-authored materials and other protected student records in this series. Course syllabi, course announcements, and other materials produced by University faculty and staff are open to research.\u003c/p\u003e","\u003cp\u003eConference programs and reports are open to research.\u003c/p\u003e","\u003cp\u003eThe historical and biographical files are open to research.\u003c/p\u003e","\u003cp\u003eThe reports in this series are open to research.\u003c/p\u003e","\u003cp\u003eThe committee records and meeting minutes are open to research.\u003c/p\u003e","\u003cp\u003eThe awards, honors, and commemorations records are open to research.\u003c/p\u003e","\u003cp\u003eThe lecture and presentation materials are open to research.\u003c/p\u003e","\u003cp\u003eThe exhibit records are open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The records of the Claude Moore Health Sciences Library are open to researchers, except where it is noted. Decisions to close records to research are made in accordance with the Health Insurance Portability and Accountability Act of 1996 (HIPAA), the Family Educational Rights and Privacy Act of 1974 (FERPA), the Virginia Freedom of Information Act (VAFOIA), the policies of the University of Virginia, and other relevent laws, regulations, or policies.","The annual reports are open to research.","These records are open to research.","The planning documents and reports are open to research.","The photographs and negatives are open to research.","The public relations files are open to research.","The publications are open to research.","There are no restrictions on access to the newsletters in this subseries.","There are no restrictions on access to the publications of the Health Sciences Library.","The social media files are open to researchers.","The blog files are open to researchers.","The administrative organization and structure files are open to research.","The policies, procedures, and handbooks are open to research.","In accordance with the The Family Educational Rights and Privacy Act of 1974 (FERPA), the library may restrict access to student-authored materials and other protected student records in this series. Course syllabi, course announcements, and other materials produced by University faculty and staff are open to research.","Conference programs and reports are open to research.","The historical and biographical files are open to research.","The reports in this series are open to research.","The committee records and meeting minutes are open to research.","The awards, honors, and commemorations records are open to research.","The lecture and presentation materials are open to research.","The exhibit records are open to research."],"accruals_html_tesm":["\u003cp\u003eThe annual reports of the Health Sciences Library are scheduled for permanent retention. There will be accruals to this series if the Health Sciences Library resumes the creation of annual reports.\u003c/p\u003e","\u003cp\u003eThe correspondence and subject files of the Health Sciences Library director are not scheduled for permanent retention and, in the past, have been transferred to the archives on an irregular basis. No further accruals of this material is expected.\u003c/p\u003e","\u003cp\u003eHistorically significant planning documents and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a document or report is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003eHistorically significant photographs and negatives are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a photograph or negative is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003ePublic relations files are scheduled for permanent retention in the archives. These records are generally created by the University's marketing and communications departments and they are filed in the records groups associated with those units. However, the library does occasionally create its own public relations files that we expect to add to this series.\u003c/p\u003e","\u003cp\u003eThe publications of the Health Sciences Library are scheduled for permanent retention in the archives. Much of the content that the Library made available through publications is now made available on various online platforms. It is likely that accruals to this series will be infrequent.\u003c/p\u003e","\u003cp\u003eAnnually, data is downloaded from the Library's active social media sites and added to this collection.\u003c/p\u003e","\u003cp\u003eCopies of each existing blog are captured every year and added to the collection.\u003c/p\u003e","\u003cp\u003eThe organizational charts of the Health Sciences Library are scheduled for permanent retention in the archives. Besides the charts, only historically significant records document administrative structure are retained in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether one of these records is historically significant. Accruals to this series are expected to occur occassionally.\u003c/p\u003e","\u003cp\u003eHistorically significant policies, procedures, and handbooks produced by the Health Sciences Library are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a record is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003eHistorically significant syllabi and course materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a course record is historically significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e","\u003cp\u003eHistorically significant conference programs and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a program or report is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003eSignificant historical and biographical materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e","\u003cp\u003eHistorically significant reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a report is historically significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e","\u003cp\u003eHistorically significant exhibit records are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is historically significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals"],"accruals_tesim":["The annual reports of the Health Sciences Library are scheduled for permanent retention. There will be accruals to this series if the Health Sciences Library resumes the creation of annual reports.","The correspondence and subject files of the Health Sciences Library director are not scheduled for permanent retention and, in the past, have been transferred to the archives on an irregular basis. No further accruals of this material is expected.","Historically significant planning documents and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a document or report is historically significant. Accruals to this series are expected.","Historically significant photographs and negatives are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a photograph or negative is historically significant. Accruals to this series are expected.","Public relations files are scheduled for permanent retention in the archives. These records are generally created by the University's marketing and communications departments and they are filed in the records groups associated with those units. However, the library does occasionally create its own public relations files that we expect to add to this series.","The publications of the Health Sciences Library are scheduled for permanent retention in the archives. Much of the content that the Library made available through publications is now made available on various online platforms. It is likely that accruals to this series will be infrequent.","Annually, data is downloaded from the Library's active social media sites and added to this collection.","Copies of each existing blog are captured every year and added to the collection.","The organizational charts of the Health Sciences Library are scheduled for permanent retention in the archives. Besides the charts, only historically significant records document administrative structure are retained in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether one of these records is historically significant. Accruals to this series are expected to occur occassionally.","Historically significant policies, procedures, and handbooks produced by the Health Sciences Library are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a record is historically significant. Accruals to this series are expected.","Historically significant syllabi and course materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a course record is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant conference programs and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a program or report is historically significant. Accruals to this series are expected.","Significant historical and biographical materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is significant. Accruals to this series are expected to occur infrequently.","Historically significant reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a report is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant exhibit records are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is historically significant. Accruals to this series are expected to occur infrequently."],"arrangement_html_tesm":["\u003cp\u003eRecords are generally organized according to the records retention and disposition schedules series maintained by the Library of Virginia (LVA). When necessary, additional subdivisions have been created for materials that do not have clear equivalents in the LVA resources.\u003c/p\u003e","\u003cp\u003eAnnual reports are arranged into 3 subseries: Medical Library, Health Sciences Libary, and Information Sciences Council. The subseries are arranged chornologically. Inside the subseries annual reports are placed into files that are arranged chronologically.\u003c/p\u003e","\u003cp\u003eThe correspondence and subject files are arranged into subseries according to the library director who created them. The subseries are then arranged chronologically by the date that each director began his or her term in this position. Beginning and end dates of the directors' terms are given after his or her name in the subseries title.\u003c/p\u003e","\u003cp\u003eIn this series, a file is created for each planning report and its associated documents. The files are arranged chronologically by the date of creation for the materials they contain.\u003c/p\u003e","\u003cp\u003eThe photographs and negatives are arranged into subseries by subject. The subseries are then arranged alphabetically by title. The arrangements of the files in the subseries vary.\u003c/p\u003e","\u003cp\u003eThe photographs and negatives of library artifacts are arranged alphabetically according to the name of the artifact shown.\u003c/p\u003e","\u003cp\u003eThe images of Health Sciences Library staff and interiors are arranged chronologically according to their date of creation.\u003c/p\u003e","\u003cp\u003eThe miscellaneous photographs are arranged chronologically according to the date of their creation.\u003c/p\u003e","\u003cp\u003eThe public relations files are arranged into subseries according to types of materials (e.g. clippings collections and press releases). The subseries are then arranged alphabetically. The files in the subseries are arranged chonologically.\u003c/p\u003e","\u003cp\u003eThe publications are arranged into subseries according to types of materials (e.g. journals and magazines, newsletters, patient education resources). The subseries are then arranged alphabetically. The arrangements of the files in the subseries vary.\u003c/p\u003e","\u003cp\u003eThe newsletters are arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eThe promotional brochures, flyers, and other publications are arranged chronologically according to their date of creation.\u003c/p\u003e","\u003cp\u003eThe social media content is arranged into files alphabetically by title.\u003c/p\u003e","\u003cp\u003eBlogs are arranged into files alphabetically by title.\u003c/p\u003e","\u003cp\u003eFiles in this series are arranged chronologically according to the date of their creation.\u003c/p\u003e","\u003cp\u003eThe policies, procedures, and handbooks are arranged into the following subseries in this order: Staff procedures and handbooks, and Library users procedures and handbooks. The files in each subseries are arranged chronologically.\u003c/p\u003e","\u003cp\u003eSyllabi and course materials are arranged chronologically.\u003c/p\u003e","\u003cp\u003eConference records and programs are arranged into files by conference title. The files are arranged chronologically by the date each conference was held. All of the instances of a reoccurring conference are gathered together into the same file. If the conference is reoccurring, it is arranged in relation to the rest of the files according to the first instance of that conference.\u003c/p\u003e","\u003cp\u003eMaterials in this series are arranged chronologically according to the date that they were created.\u003c/p\u003e","\u003cp\u003eThe reports are arranged into files. The files are then arranged chronologically by their date of creation. When a report is reoccurring, all of the reports in that series are placed together in a single file.\u003c/p\u003e","\u003cp\u003eThe directories are arranged by title into files. The files are arranged chronologically.\u003c/p\u003e","\u003cp\u003eThe records in this series are arranged into files according to committee or department (when the department is holding reccurring general meetings). The files are then arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThe awards, honors, and commemorations are arranged into files. The files are then arranged chronologically by date. When an award, honor, or commemoration is reoccurring (e.g. annually), all of the records in that series are placed together in a single file.\u003c/p\u003e","\u003cp\u003eThe records for stand-alone lectures and presentations are arranged into a subseries called \"Single lectures and presentations\". The records of lectures and presentations that belong to a program or lecture series are arranged into subseries named after the program or lecture series. Following the subseries titled \"Single lectures and presentations\", the remaining lecture series are arranged alphabetically by title. \u003c/p\u003e\n","\u003cp\u003eRecords in all of the subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.\u003c/p\u003e","\u003cp\u003eRecords in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.\u003c/p\u003e","\u003cp\u003eRecords in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.\u003c/p\u003e","\u003cp\u003eThe materials are arranged into files, each file representing an exhibit. Files are arranged alphabetically by exhibit title.\u003c/p\u003e","\u003cp\u003eThese files are arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThese items are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["Records are generally organized according to the records retention and disposition schedules series maintained by the Library of Virginia (LVA). When necessary, additional subdivisions have been created for materials that do not have clear equivalents in the LVA resources.","Annual reports are arranged into 3 subseries: Medical Library, Health Sciences Libary, and Information Sciences Council. The subseries are arranged chornologically. Inside the subseries annual reports are placed into files that are arranged chronologically.","The correspondence and subject files are arranged into subseries according to the library director who created them. The subseries are then arranged chronologically by the date that each director began his or her term in this position. Beginning and end dates of the directors' terms are given after his or her name in the subseries title.","In this series, a file is created for each planning report and its associated documents. The files are arranged chronologically by the date of creation for the materials they contain.","The photographs and negatives are arranged into subseries by subject. The subseries are then arranged alphabetically by title. The arrangements of the files in the subseries vary.","The photographs and negatives of library artifacts are arranged alphabetically according to the name of the artifact shown.","The images of Health Sciences Library staff and interiors are arranged chronologically according to their date of creation.","The miscellaneous photographs are arranged chronologically according to the date of their creation.","The public relations files are arranged into subseries according to types of materials (e.g. clippings collections and press releases). The subseries are then arranged alphabetically. The files in the subseries are arranged chonologically.","The publications are arranged into subseries according to types of materials (e.g. journals and magazines, newsletters, patient education resources). The subseries are then arranged alphabetically. The arrangements of the files in the subseries vary.","The newsletters are arranged alphabetically by title.","The promotional brochures, flyers, and other publications are arranged chronologically according to their date of creation.","The social media content is arranged into files alphabetically by title.","Blogs are arranged into files alphabetically by title.","Files in this series are arranged chronologically according to the date of their creation.","The policies, procedures, and handbooks are arranged into the following subseries in this order: Staff procedures and handbooks, and Library users procedures and handbooks. The files in each subseries are arranged chronologically.","Syllabi and course materials are arranged chronologically.","Conference records and programs are arranged into files by conference title. The files are arranged chronologically by the date each conference was held. All of the instances of a reoccurring conference are gathered together into the same file. If the conference is reoccurring, it is arranged in relation to the rest of the files according to the first instance of that conference.","Materials in this series are arranged chronologically according to the date that they were created.","The reports are arranged into files. The files are then arranged chronologically by their date of creation. When a report is reoccurring, all of the reports in that series are placed together in a single file.","The directories are arranged by title into files. The files are arranged chronologically.","The records in this series are arranged into files according to committee or department (when the department is holding reccurring general meetings). The files are then arranged alphabetically.","The awards, honors, and commemorations are arranged into files. The files are then arranged chronologically by date. When an award, honor, or commemoration is reoccurring (e.g. annually), all of the records in that series are placed together in a single file.","The records for stand-alone lectures and presentations are arranged into a subseries called \"Single lectures and presentations\". The records of lectures and presentations that belong to a program or lecture series are arranged into subseries named after the program or lecture series. Following the subseries titled \"Single lectures and presentations\", the remaining lecture series are arranged alphabetically by title. ","Records in all of the subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","The materials are arranged into files, each file representing an exhibit. Files are arranged alphabetically by exhibit title.","These files are arranged alphabetically.","These items are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003e\nBetween 1826 and 1929, the University of Virginia's collection of medical books and journals were kept with the general library collections in the Rotunda. In 1929, the University moved the collections to the new Medical Library inside the recently-constructed Medical School Building. \n\u003c/p\u003e","\u003cp\u003e\nBetween 1929 and 1962, a medical librarian with a small staff of student and clerical workers stewarded the library's collections. The Medical Library at this time, although physically separate from the rest of the University's libraries, was administered as part of the central University library system with oversight from School of Medicine faculty serving on the Medical Library Committee. In addition to the management of collections, the medical librarians in this era began to curate exhibits and provide instruction. Only a few of the medical librarians who served in this period had professional library training.\n\u003c/p\u003e","\u003cp\u003e\nIn 1962, Wilhelm Moll was appointed the first Director of the Medical Library. During his tenure, Moll oversaw the radical trasnformation of a small branch library into an independent research library. The full-time library staff expanded from 4 to 30, the University built a new library building over Jefferson Park Avenue, the nursing and medical libraries merged to form the Health Sciences Library, a history of medicine program was founded, and the library began to adopt digital technologies.\n\u003c/p\u003e","\u003cp\u003e\nAfter Moll's death in 1979, the University apppointed Terry Thorkildsen as the Director of the Claude Moore Health Sciences Library.  Thorkildsen and his successors Linda Watson (1990-2005) and Gretchen Arnold (2005-present) led the library during an era when revolutionary advances in digital technologies (e.g. the Internet, personal computers, databases) presented new challenges and opportunities for the Library.\n\u003c/p\u003e","\u003cbr\u003e","\u003cul\u003e\n\u003cli\u003eSeptember 1826: The University of Virginia Library opens in the Rotunda and it includes a collection of medical books.\u003c/li\u003e\n\u003cli\u003e1911: The University Library's entire collection of medical books and journals are gathered together and moved to the basement of the Rotunda.\u003c/li\u003e\n\u003cli\u003eSeptember 13, 1915: Richard Henry Whitehead, Dean of the School of Medicine, creates the Medical Library Committee.\u003c/li\u003e\n\u003cli\u003e1919-June 1929: Ella Watson Johnson serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003eJune 1929: The Medical Library moves from the basement of the Rotunda to its own space in the new Medical School Building, the Medical Library remains a department of the central University Library System.\u003c/li\u003e\n\u003cli\u003eJune 1929-September 1929: Margaret Otto serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1929-1931: Anne Ashhurst Gwathmey serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1931-1934: Caroline Hill Davis serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003eMarch 1934-June 1934: Dora Mitchell Brown serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1934-1936: Miriam Thomas Buchanan serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1935: The Medical Library institutes its first orientation for first year medical students.\u003c/li\u003e\n\u003cli\u003e1936-1943: Anne Lewis Morris serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1943-1944: Mary Elizabeth Mayo serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1944-1947: Mabel Cook Wyllie serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1945-1949: The Nursing Library is placed under the Supervision of the Medical Librarian until the appointment of a clerk to manage the Nursing collection.\u003c/li\u003e\n\u003cli\u003e1947-1962: Elizabeth Frances Adkins serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003eSeptember 1962: Wilhelm Moll is appointed the Director of the Medical Library.\u003c/li\u003e\n\u003cli\u003e1962-1963: As the result of administrative reorganizations during this period, the Medical Library is separated from the central University Library system and placed under the control of the School of Medicine.\u003c/li\u003e\n\u003cli\u003eNovember 1970: Librarians conduct the first online searches of a database at the University of Virginia Medical Library using the experimental AIM-TWX service developed by the National Library of Medicine's Lister Hill National Center for Biomedical Communications.\u003c/li\u003e\n\u003cli\u003eNovember 1971: Librarians begin using the National Library of Medicine's MEDLINE system to conduct online searches for patrons.\u003c/li\u003e\n\u003cli\u003eAugust 1975: The Medical Library and Nursing Library are merged into the Health Sciences Library and Information Center and moved into a new building that spans over Jefferson Park Avenue. Wilhelm Moll is made the Director of the Health Sciences Library.\u003c/li\u003e\n\u003cli\u003eApril 1976: The Health Sciences Library is formally dedicated and named after Claude Moore, an alumnus of and donor to the University of Virginia.\u003c/li\u003e\n\u003cli\u003e1979: Terry Thorkildsen is appointed the Director of the Claude Moore Health Sciences Library.\u003c/li\u003e\n\u003cli\u003e1989: The library card catalog is digitized and made available through computer terminals.\u003c/li\u003e\n\u003cli\u003e1990: Linda Watson is appointed the Director of the Claude Moore Health Sciences Library.\u003c/li\u003e\n\u003cli\u003e2005: Gretchen Arnold is appointed the interim Director of the Claude Moore Health Sciences Library and is then made Director in 2007.\u003c/li\u003e\n\u003cli\u003e2022: Bart Ragon is appointed the Director of the Claude Moore Health Sciences Library.\u003c/li\u003e\n\u003c/ul\u003e","\u003cp\u003e(formerly Reference Department from 1987-1991)\u003c/p\u003e","\u003cp\u003eHistorical Collections and Services was originally concieved in the 1980s by the first director of the Claude Moore Health Sciences Library, Wilhelm Moll. His vision was to create a rare book room that would house the rare books that belonged to the Medical Library. During the Jeffersonian era and up until 1929, the books belonging to the school of medicine and anatomy were housed in the Rotunda Library on Grounds. In 1929, a new Medical School Building opened. This unified all the medical departments, which had been scattered throughout the Grounds. The Medical Collection became the Medical Library, and moved into new quarters in the Medical School Building. When Alderman, now Shannon, Library was built in 1937, the books moved there until the creation of the Claude Moore Health Sciences Library in 1976. Following Dr. Moll's untimely death in 1979, Special Collections librarian Joan Echtenkamp Klein helped to make Moll's reality of a special collections department a reality. She became the curator and manager of Historical Collections and Services, serving in that role until 2015. Dan Cavanaugh took over the role of curator and manager until 2022. Meggan Cashwell became the curator and manager in 2023 and is currently serving in that position.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["\nBetween 1826 and 1929, the University of Virginia's collection of medical books and journals were kept with the general library collections in the Rotunda. In 1929, the University moved the collections to the new Medical Library inside the recently-constructed Medical School Building. \n","\nBetween 1929 and 1962, a medical librarian with a small staff of student and clerical workers stewarded the library's collections. The Medical Library at this time, although physically separate from the rest of the University's libraries, was administered as part of the central University library system with oversight from School of Medicine faculty serving on the Medical Library Committee. In addition to the management of collections, the medical librarians in this era began to curate exhibits and provide instruction. Only a few of the medical librarians who served in this period had professional library training.\n","\nIn 1962, Wilhelm Moll was appointed the first Director of the Medical Library. During his tenure, Moll oversaw the radical trasnformation of a small branch library into an independent research library. The full-time library staff expanded from 4 to 30, the University built a new library building over Jefferson Park Avenue, the nursing and medical libraries merged to form the Health Sciences Library, a history of medicine program was founded, and the library began to adopt digital technologies.\n","\nAfter Moll's death in 1979, the University apppointed Terry Thorkildsen as the Director of the Claude Moore Health Sciences Library.  Thorkildsen and his successors Linda Watson (1990-2005) and Gretchen Arnold (2005-present) led the library during an era when revolutionary advances in digital technologies (e.g. the Internet, personal computers, databases) presented new challenges and opportunities for the Library.\n","","September 1826: The University of Virginia Library opens in the Rotunda and it includes a collection of medical books. 1911: The University Library's entire collection of medical books and journals are gathered together and moved to the basement of the Rotunda. September 13, 1915: Richard Henry Whitehead, Dean of the School of Medicine, creates the Medical Library Committee. 1919-June 1929: Ella Watson Johnson serves as the Medical Librarian. June 1929: The Medical Library moves from the basement of the Rotunda to its own space in the new Medical School Building, the Medical Library remains a department of the central University Library System. June 1929-September 1929: Margaret Otto serves as the Medical Librarian. 1929-1931: Anne Ashhurst Gwathmey serves as the Medical Librarian. 1931-1934: Caroline Hill Davis serves as the Medical Librarian. March 1934-June 1934: Dora Mitchell Brown serves as the Medical Librarian. 1934-1936: Miriam Thomas Buchanan serves as the Medical Librarian. 1935: The Medical Library institutes its first orientation for first year medical students. 1936-1943: Anne Lewis Morris serves as the Medical Librarian. 1943-1944: Mary Elizabeth Mayo serves as the Medical Librarian. 1944-1947: Mabel Cook Wyllie serves as the Medical Librarian. 1945-1949: The Nursing Library is placed under the Supervision of the Medical Librarian until the appointment of a clerk to manage the Nursing collection. 1947-1962: Elizabeth Frances Adkins serves as the Medical Librarian. September 1962: Wilhelm Moll is appointed the Director of the Medical Library. 1962-1963: As the result of administrative reorganizations during this period, the Medical Library is separated from the central University Library system and placed under the control of the School of Medicine. November 1970: Librarians conduct the first online searches of a database at the University of Virginia Medical Library using the experimental AIM-TWX service developed by the National Library of Medicine's Lister Hill National Center for Biomedical Communications. November 1971: Librarians begin using the National Library of Medicine's MEDLINE system to conduct online searches for patrons. August 1975: The Medical Library and Nursing Library are merged into the Health Sciences Library and Information Center and moved into a new building that spans over Jefferson Park Avenue. Wilhelm Moll is made the Director of the Health Sciences Library. April 1976: The Health Sciences Library is formally dedicated and named after Claude Moore, an alumnus of and donor to the University of Virginia. 1979: Terry Thorkildsen is appointed the Director of the Claude Moore Health Sciences Library. 1989: The library card catalog is digitized and made available through computer terminals. 1990: Linda Watson is appointed the Director of the Claude Moore Health Sciences Library. 2005: Gretchen Arnold is appointed the interim Director of the Claude Moore Health Sciences Library and is then made Director in 2007. 2022: Bart Ragon is appointed the Director of the Claude Moore Health Sciences Library.","(formerly Reference Department from 1987-1991)","Historical Collections and Services was originally concieved in the 1980s by the first director of the Claude Moore Health Sciences Library, Wilhelm Moll. His vision was to create a rare book room that would house the rare books that belonged to the Medical Library. During the Jeffersonian era and up until 1929, the books belonging to the school of medicine and anatomy were housed in the Rotunda Library on Grounds. In 1929, a new Medical School Building opened. This unified all the medical departments, which had been scattered throughout the Grounds. The Medical Collection became the Medical Library, and moved into new quarters in the Medical School Building. When Alderman, now Shannon, Library was built in 1937, the books moved there until the creation of the Claude Moore Health Sciences Library in 1976. Following Dr. Moll's untimely death in 1979, Special Collections librarian Joan Echtenkamp Klein helped to make Moll's reality of a special collections department a reality. She became the curator and manager of Historical Collections and Services, serving in that role until 2015. Dan Cavanaugh took over the role of curator and manager until 2022. Meggan Cashwell became the curator and manager in 2023 and is currently serving in that position."],"odd_html_tesm":["\u003cp\u003eSome exhibit pages do not have creation dates listed anywhere, but they do have copyright dates at the bottom of the page. This can be confusing in understanding what is the true date of creation.\u003c/p\u003e"],"odd_heading_ssm":["Date Discrepancies"],"odd_tesim":["Some exhibit pages do not have creation dates listed anywhere, but they do have copyright dates at the bottom of the page. This can be confusing in understanding what is the true date of creation."],"originalsloc_html_tesm":["\u003cp\u003eMany of these online exhibits were once physical exhibits on display in the Claude Moore Health Sciences Library. Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Many of these online exhibits were once physical exhibits on display in the Claude Moore Health Sciences Library. Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\""],"phystech_html_tesm":["\u003cp\u003eWhen the Claude Moore Health Sciences Library downloads content from a social media platform, the Library preserves all of the original files (e.g. jpeg files, html files, json files) from the capture.\u003c/p\u003e","\u003cp\u003ePatrons may contact Historical Collections staff at the Library to request copies of files containing social media content. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. \u003c/p\u003e","\u003cp\u003eWhen the Claude Moore Health Sciences Library captures a copy of a blog, the Library preserves all of the its original files (e.g. jpeg files, html files) as well as an aggregated web archive file (warc). Both a directory containing the original files and the warc file are bundled together into a single digital object. \u003c/p\u003e","\u003cp\u003ePatrons may contact Historical Collections staff at the Library to request copies of blog files. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. \u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements"],"phystech_tesim":["When the Claude Moore Health Sciences Library downloads content from a social media platform, the Library preserves all of the original files (e.g. jpeg files, html files, json files) from the capture.","Patrons may contact Historical Collections staff at the Library to request copies of files containing social media content. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. ","When the Claude Moore Health Sciences Library captures a copy of a blog, the Library preserves all of the its original files (e.g. jpeg files, html files) as well as an aggregated web archive file (warc). Both a directory containing the original files and the warc file are bundled together into a single digital object. ","Patrons may contact Historical Collections staff at the Library to request copies of blog files. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. "],"relatedmaterial_html_tesm":["\u003cp\u003eExhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\""],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of permanent and historically significant institutional records created by the University of Virginia Health Sciences Library and the antecedent Medical Library. These records include, but are not limited to: annual reports, planning documents, newsletters, online exhibits, blogs, social media content, conference programs, department histories, committee records, and library-sponsored lecture materials.\u003c/p\u003e","\u003cp\u003eThis series consists of annual reports produced by the Medical Library (1929-1975), the Health Sciences Library (1975-Present), and the Information Sciences Council (1990-1996). Annual reports for the Health Sciences Library are missing from this collection for the period from 2006 to the present. Also, the annual reports for the Medical Library are missing from this collections for the period from 1929 to 1942. It is unclear whether the Medical and Health Sciences libraries wrote reports for the years.\u003c/p\u003e","\u003cp\u003eThe annual reports of the Medical Library contain comprehensive descriptions of the annual activities of the Medical Library. The Medical Library's annual reports from 1929 to 1942 are missing from this collection. It is not known if the reports were ever written by the library.\u003c/p\u003e","\u003cp\u003eThe annual reports of the Health Sciences Library contain comprehensive descriptions of the annual activities of the Health Sciences Library. The Health Sciences Library's annual reports from 2006 to the present are missing from this collection. It is not known if the reports were ever written by the library.\u003c/p\u003e","\u003cp\u003eInformal annual report-like documents and related material, including reports shared on the Claude Moore Health Sciences Library blog and an internal UVA Health System news website (HS Connect). Reports from: March 2007, September 2009 (written by Gretchen Arnold), January 2013 (written by Gretchen Arnold), and March 2018 (written by Gretchen Arnold).\u003c/p\u003e","\u003cp\u003eThis series consists of correspondence and subject files that were created and assembeled by the directors of the Health Sciences Library while carrying out the responsibilities of their position.\u003c/p\u003e","\u003cp\u003eCorrespondents include Curators of the HSL--Daniel Spikes, Cassandra Ruane, Frank C. Mevers, Todd L. Savitt, and Doris Leckie of the Smithsonian Institution\u003c/p\u003e","\u003cp\u003eIncludes articles about Jesse Lazear, Carlos Finlay, Philip Hench and cortisone, Henry R. Carter, Nicolas Chervin, Joseph Y. Porter and Isaac Hulse\u003c/p\u003e","\u003cp\u003eCorrespondents with Bean include Mary (Mrs. Philip) Hench, Atcheson L. Hench, Byrd S. Leavell, and Todd Savitt\u003c/p\u003e","\u003cp\u003eIncludes news releases, news clippings, journal articles, and correspondence related to the gift by Mary Hench of the Philip S. Hench Walter Reed Yellow Fever collection.\u003c/p\u003e","\u003cp\u003eIncludes correspondence with William Bennett Bean\u003c/p\u003e","\u003cp\u003eIncludes correspondence on Health System reorganization\u003c/p\u003e","\u003cp\u003eThe records in this series document the planning of historically significant administrative initiatives, purchases, construction, and events at the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series consists of digital and analog images that show the history and collections of the Health Sciences Library. Image formats in this series include, but are not limited to, photographic prints, film negatives, jpeg files, tiff files, 35mm film slides, CDs or other media containing digital images. The series does not include official identification photographs for faculty, students, and staff.\u003c/p\u003e","\u003cp\u003eThis subseries contains images of artifacts in the collections of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThe images in this subseries show the staff, faculty, and interior spaces of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eMoll, Bowers, Bowers, and Rudnick are photographed with ceramic vessels used in the early production of penicillin.\u003c/p\u003e","\u003cp\u003eLIS officially started in 1989. Dr. Don Detmer is upper right of FF sheet\u003c/p\u003e","\u003cp\u003ePeople identified are: Inhye Son, Sarah Handley, Anne Humphries, Mike Wilson, Jonathan Lord, Elaine Banner, Julia Kochi, Marylin James, Mary Nightengale, Ophelia Payne, Nadine Ellero, Trisha Luby, Sue Daddezio, Diane Ricketson, Deborah Camden, Michael Sullivan, Betty Mickens, Dan Wilson, Shelby Miller John Sesody, Greatchen Arnold, Michelle Martin, Jeri Davis, Barbara Crawford, Cindy Saylor, Susan Yowell, Karen Collier, Pat Shannon, Rick Peterson, Brenda Bikos, Sandy Zoumbaris, Jana Maas, Joan Klein, Mark Mones, Jane Wagner, Eli Casarez, Aulia Gies, Cynthia Siedman-Willen, Catherine Anninos, Judy Shotwell, Linda Watson and Ann Carter.\u003c/p\u003e","\u003cp\u003eIndividuals not identified.\u003c/p\u003e","\u003cp\u003eFront: Kathleen Tracey, karen Collier, Deborah Camden, Ophelia Payne, Rick Peterson\nSecond: Marylin James, Jane Wagner, Barbara Crawford, Polly Sandridge, Linda Watson\nThird: Pat Shannon, Brenda Bikos, Gretchen Naisawald, Anne Humphries, Jeri Davis, Shelby Miller, Jonquil Feldman, Mike Wilson\nFourth: Judith Robinson, Susan Daddezio, Julia Hochi\nFifth: Thomas Speare, Catherine Anninos, Libby Colley, Judy Shotwell\nSixth: Hall Sharp, Rick Weaver, Ann Carter\nSeventh: Nadine Ellero, Megan McCaskey, Sarah Handley\nEighth: Jonathan Lord, Jake Appleford, Mary Nightengale, Inhye Son\nAbsent: Joan Klein, christopher Marks, Betty Mickens, Mark Mones, Diane Spears\u003c/p\u003e","\u003cp\u003eLeft to right: Dieter Groeschel, Joan Klein, Linda Watson, unidentified person\nIn back: unidentified, Janet Pearson\u003c/p\u003e","\u003cp\u003eOne photo individuals front left to right Dieter Groeschel, Joan Klein, Linda Watson, unidentified person, in the back an unidentified person and Janet Pearson\u003c/p\u003e","\u003cp\u003eCollection Services and Bibliographic Control\u003c/p\u003e","\u003cp\u003eIntellectual Access and Collection Development\u003c/p\u003e","\u003cp\u003eLibrary Administration\u003c/p\u003e","\u003cp\u003eEllen Ramsey, David Moody, Bart Ragon, Mike Wilson, Joan Klein, Dave Denton, Inhye Son, Wilma Lynch, Pat Shannon, Gretchen Arnold, Jeri Davis, Joy Nuckolls, Karen Knight, Elaine Attridge, Ann Carter, Jonathan Lord, Andrea Horne Denton, Stephanie Fielding, Adrienne Granitz, Sonya Coleman, Jason Bennett, Tony Hiserman, Tenzin Thosam, Roderick Martin, Nadine Ellero, Patricia Vaughn\u003c/p\u003e","\u003cp\u003eThis subseries consists of images that do not belong in any other subseries.\u003c/p\u003e","\u003cp\u003eGordon was the coordinator of an exhibit on the history of gastroscopy and visited the medical school to open the exhibit. Photo taken by Ursula Ziolkowki.\u003c/p\u003e","\u003cp\u003ePhoto was sent to Terry Thorkildson from the Area Health Education Centers Program Eastern Virginia Medical Authority\u003c/p\u003e","\u003cp\u003eThis series contains historically significant press releases, visual aids, clippings, and other items that record information about the Library that were produced for or by the news media.\u003c/p\u003e","\u003cp\u003eThis subseries contains print copies of news articles about the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series consists of publications produced by the Health Sciences Library for public distribution or general internal distribution. Publications include, but are not limited to, magazines, journals, monographs, newsletters, weblogs, weekly announcements, online publications, marketing materials, and patient education resources. This series may contain both print and digital publications.\u003c/p\u003e","\u003cp\u003eThe materials in this subseries were produced to guide the use of collections housed at the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis subseries consists of digital and print newsletters that provide information about the activities of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eA \"scrapbook\" of Library milestones and appropriate photographs for each medical and nursing graduating class celebrating its reunion in a particular year. The print series was discontinued after 2000, but additional Journey Through Time content is available online through the Historical Collections web exhibits.\u003c/p\u003e","\u003cp\u003eThis subseries contains brochures, flyers, and other printed ephemera that provide information about the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eEnvelope has Dr. Wilhelm Moll handwritten on it. Brochure includes library statistics, what is needed in terms of money and space, various endorsements, and tax information.\u003c/p\u003e","\u003cp\u003eThis series contains social media content that has been produced by the Health Sciences Library for platforms like Facebook, Instagram, and Twitter.\u003c/p\u003e","\u003cp\u003eThe staff of the Health Sciences Library's Historical Collections and Services department maintains and contributes content to this Facebook page. Many posts and photographs on the page relate to the Department's services, collections, and events. Other posts share information related to the history of the health sciences and the work of libraries, museums, and archives.\u003c/p\u003e","\u003cp\u003eThis series consists of blogs that were created by the Health Sciences Library. The files in this series were downloaded from the Internet by Library staff. Content in the blogs that are accessed through a link outside of the blog's parent directory (e.g. external YouTube videos, external web pages) are not downloaded and archived in this series.\u003c/p\u003e","\u003cp\u003eThe Moore Library News (MLN) blog is produced by the Claude Moore Health Sciences Library. MLN blog posts provide information about Library collections, policies, services, and events.\u003c/p\u003e","\u003cp\u003eThe records in this series document the organizational structure of the Health Sciences Library. It also contains records that document administrative reorganizations of the Library. These materials include, but are not limited to, organizational charts and reports.\u003c/p\u003e","\u003cp\u003eThis series contains policies, procedures, and handbooks produced by the Health Sciences Library to direct and guide the conduct of its faculty, staff, and patrons. These records may also formally describe and define the relationship between the Health Sciences Library and its faculty, staff, and patrons.\u003c/p\u003e","\u003cp\u003eThis subseries contains procedures and handbooks for the faculty and staff of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eIncludes items from the Printing Office with the new library name: The Claude Moore Health Sciences Library\u003c/p\u003e","\u003cp\u003eThis subseries consists of procedures and handbooks for the patrons of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series contains course announcements, syllabi, notes, and other materials that document classes and workshops taught by the faculty and staff of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series consists of programs and reports that document the history of conferences and symposia hosted by the Health Sciences Library. Programs and reports often contain the following information: lists of speakers, presentation titles, schedules of events, and lecture abstracts. The following conference records are not included in this series: registration records, financial records, organization records, attendance lists.\u003c/p\u003e","\u003cp\u003eThis series consists of significant material that conveys the history of the Health Sciences Library, its administration, its accomplishments, its officials or employees. Includes, but is not limited to, scrapbooks, photographs, articles, program notes and documentation of events sponsored or funded by the agency. Also included are narratives; printed, audio, or audiovisual histories; or matters of significant historical importance.\u003c/p\u003e","\u003cp\u003eIncludes many photos of the library interior and library staff. Some individuals identified. Probably an exhibit celebrating the library's 15th anniversary in 1991, but photos from 1993 are also in the folder.\u003c/p\u003e","\u003cp\u003eIncludes photos of library interiors, staff (some identified) and UVA buildings; library organization chart for 2/1995; and Library Building Funds chart, 1975.\u003c/p\u003e","\u003cp\u003eThis series consists of reports, of a historically significant nature, that do not belong to any other series of the Health Sciences Library records.\u003c/p\u003e","\u003cp\u003eThis series contains memos, correspondence, subject files, online resources, and meeting minutes of committees working within the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis file includes the meeting minutes, meeting agendas, and other documentation of the Library Management Group. The members of this committee were the leaders of the Health Sciences Library. They met once a month to discuss major library initiatives, provide updates and reports about library department activities, and share other information related to the management of the Library.\u003c/p\u003e","\u003cp\u003eThis file consists of the meeting minutes, bylaws, constitution, and correspondence of the Medical History Society of the University of Virginia. The Society was formed to promote the knowledge and study of the history of medicine and the health sciences at the University of Virginia. For much of its history, Wilhelm Moll led the Society. It supported the development of historical collections and services at the Health Sciences Library and founded a lecture series that becsme the History of the Health Sciences Lecture Series in 1984.\u003c/p\u003e","\u003cp\u003eThis series consists of records that document awards, honors, and commemorations presented by the Health Sciences Library. These records may include, but are not limited to, event programs, lists of recipients, and recipient biographies.\u003c/p\u003e","\u003cp\u003eThe dedication ceremony included remarks by Donald S. Fredrickson, MD, Director, National Institutes of Health.\u003c/p\u003e","\u003cp\u003eIncludes a tribute to Wilhelm Moll by William B. Bean and another speech by an unidentified individual.\u003c/p\u003e","\u003cp\u003eIncludes remarks that were given by Dr. Don Detmer.\u003c/p\u003e","\u003cp\u003eIncludes remarks given by Donald Lindberg. The title of Lindberg's presentation was\"The Computer and the Academical Village\".\u003c/p\u003e","\u003cp\u003eThis series consists of records that document lectures and presentations sponsored by the Health Sciences Library. These records include, but are not limited to, audiovisual recordings, transcripts, announcements, handouts, and correspondence between presenters and event organizers.\u003c/p\u003e","\u003cp\u003eThis subseries consists of records associated with standalone lectures and presentations sponsored by the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis subseries contains records that are associated with the Health Sciences Library's History of the Health Sciences Lecture Series.\u003c/p\u003e","\u003cp\u003eThis subseries contains records that are associated with the Medical History Society of the University of Virginia Lecture Series.\u003c/p\u003e","\u003cp\u003ePromotional posters for a medical history lecture series held at the UVA Health Sciences Library and organized by the UVA Medical History Society.\u003c/p\u003e","\u003cp\u003eThis series consists of records that document exhibits created by the Claude Moore Health Sciences Library of an educational or promotional nature. Some records are physical, and others are archived websites crawled by the Internet Archives' Archive-It service and made accessible by their Wayback Machine.\u003c/p\u003e","\u003cp\u003eThese materials are physical materials containing exhibit plans and designs, text, labels, and images created for physical exhibits.\u003c/p\u003e","\u003cp\u003eIdentified individuals in photos are John Guerrant, Ken Crispell, and Barry Marshall\u003c/p\u003e","\u003cp\u003eIncludes print-out (109 pages) of \"Who's Who on the Philip S. Hench Walter Reed Yellow Fever Collection Website\" (2002) and supplemental list of compiled names.\u003c/p\u003e","\u003cp\u003e\"Robley Dunglison: 1798-1869\" Pamphlet produced for a library exhibit honoring the 200th anniversary of Dunglison's birth. 3 copies; 14 pp. Prepared by Historical Collections \u0026amp; Services, Claude Moore Health Sciences Library. Folder note indicates biography was written by Joby Topper. Includes reference list.\u003c/p\u003e","\u003cp\u003eIntroduction by Joan Klein\u003c/p\u003e","\u003cp\u003eThis series contains web archived online exhibits created by Historical Collections and Services between 2007 and circa 2023, although some of the creation dates of the websites are questionable. These 21 exhibits were hosted on the Claude Moore Health Sciences Library website but are now available via the Internet Archives' Wayback Machine.\u003c/p\u003e","\u003cp\u003eThis online exhibit is centered on the book \"A History of Cancer Care at the University of Virginia, 1901-1911.\" This book provides vast insight into the teamwork, dedication, collegiality, and skill–as well as luck–which was necessary for the Cancer Center to exist today. Twenty-five oral history interviews were conducted in the course of researching the book and are included with the book or may be viewed in the videos section of this website. Written by Henry K. Sharp, Ph.D. and Morton C. Wilhelm, M.D. the Joseph Helms Farrow Professor Emeritus in Surgical Oncology, University of Virginia School of Medicine.\u003c/p\u003e","\u003cp\u003eThis online exhibit serves as an online \"scrapbook\" with some of the milestones of the Claude Moore Health Sciences Library, Medical Center, and the School of Medicine and the School of Nursing. There are added appropriate photographs for each class year.\u003c/p\u003e","\u003cp\u003eThis exhibit recounts the origin and early history of the American Lung Association. The American Lung Association of Virginia (ALAV) Collection contains personal and official correspondence, financial and legal papers, minute books, organizational and scientific reports, educational publicity, photographs, and artifacts. ALAV donated its organization's papers to the Claude Moore Health Sciences Library in 1990 and 1991 made this exhibit possible. The ALAV made an additional donation in 2009.\u003c/p\u003e","\u003cp\u003eThis online exhibit presents images and summaries of the known uses of each instrument. The extant comments of medical writers from antiquity–including Oribasius, Galen, Soranus, Aetius, and the Hippocratic corpus–have provided scholars with some clues about the use of some instruments. Some instruments, such as mixing instruments and tweezers, probably had other household uses, such as the application of cosmetics and paints.\u003c/p\u003e","\u003cp\u003eThis online exhibit was created under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library. Hal Sharp, a Historical Collections staff member, wrote the essay giving a brief history of anatomical drawing. The exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant. Emily Bowden, Historical Collections, photographed the Denoyer-Geppert Anatomy Series charts. William Crutchfield generously donated W. and A. K. Johnston's Charts of Anatomy and Physiology which were owned for 33 years by his father, Dr. William Gayle Crutchfield.\u003c/p\u003e","\u003cp\u003eThis exhibit was designed to highlight the UVA Hospital's involvement with supporting United States Army troops during World War I and World War II. It was created by Janet Pearson with the assistance of Joby Topper. Special thanks to Dr. John L. Guerrant, Dorothy Sandridge Gloor, and Elizabeth Harlin Drash for sharing their stories and helping us identify photographs.\u003c/p\u003e","\u003cp\u003eThis online exhibit shows materials related to eugenics as it relates to UVA and Charlottesville, VA. Alison White and Ina Hofland, staff members of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia, created this Web exhibit. They also created the physical exhibit of the same title on which it is based. The physical exhibit was displayed in the foyer of the Health Sciences Library April-September 2002. Steve Stedman designed the Web exhibit. Special thanks to Sara Huyser, Joan Echtenkamp Klein, Ophelia Payne, Bart Ragon, Hal Sharp, and Mike Wilson for their assistance. Web Exhibit Publish Date: February 13, 2004\u003c/p\u003e","\u003cp\u003eThis exhibit was created under the direction of Joan Ectenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at the Claude Moore Health Sciences Library. Dr. Morton C. Wilhelm, the Joseph Helms Farrow Professor in Surgical Oncology, wrote the essay with the editorial assistance of Janet Pearson. The web exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant.\u003c/p\u003e","\u003cp\u003eThis online exhibit offers a look into The Papers of James Carmichael and Son, a collection held at the UVA Albert and Shirley Small Special Collections Library, and tells a story of the early nineteenth-century inhabitants of Fredericksburg, Virginia and its surrounding rural areas. \u003c/p\u003e\n","\u003cp\u003eThe exhibit is organized into two content areas: the Story and the Collection. Each of these areas, as well as the Home and About sections, are represented in the tabs near the top of every page. See the site map for more detail.\u003c/p\u003e\n","\u003cp\u003eThe Story section sets the atmosphere for the exhibit. One can get a sense of what the practice of medicine was like for James and Edward Carmichael in the early nineteenth century by reading the essays describing the Pharmacy, the Tools of the Trade, and the Health Care of Slaves.\u003c/p\u003e\n","\u003cp\u003eThe Collection section houses the images of the original Carmichael letters, which are meticulously transcribed and categorized to provide access not only to the words, but to the medical conditions, treatments, and philosophies of almost two centuries past. Particularly compelling is the use of Medical Subject Headings (MeSH) to categorize the letters along with a very detailed methodology and definition of MeSH terms. Other items of interest include the daybook kept by Doctor Carmichael from 1816-1817, newspaper clippings, court records \u0026amp; summaries, period maps, and Virginia WPA Historical Inventory Project records. Additionally, there is an exhaustive Who's Who list of names that appeared in the letters as well as a thorough list of Places Mentioned.\u003c/p\u003e","\u003cp\u003eThis online exhibit tells the story of how the U.S. Army Commission, comprised of Major Walter Reed, Dr. James Carroll, Dr. Aristides Agramonte, and Dr. Jesse Lazear, confirmed Carlos Finlay's theory about the transmission of yellow fever. By showing without a doubt that mosquitoes were the vector for yellow fever, the researchers empowered public health officials in the Americas to eradicate this devastating disease from much of the Western Hemisphere.\u003c/p\u003e\n","\u003cp\u003eThe exhibit is divided into three main sections. The first section, Archives, provides information about and links to the Philip S. Hench Walter Reed Yellow Fever Collection. The collection, most collected by Philip S. Hench and housed at the University of Virginia's Claude Moore Health Sciences Library, is a rich archive of materials that documents the history of the U.S. Army Yellow Fever Commission. The second section, History, tells the story of the U.S. Army Yellow Fever Commission and the impact of its findings. Finally, the third section, Resources, provides access to biographies, bibliographies, and other resources visitors may want to consult to learn more about the Commission and the history of yellow fever.\u003c/p\u003e","\u003cp\u003eThis exhibit tells the story about 12 physicians practicing in Charlottesville, VA in 1848 mutually agreed to create an agreed rate of medical charges for services.\u003c/p\u003e\n","\u003cp\u003eJoan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026amp; Services at The Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the fee bill project and directed it. Todd L. Savitt, Ph.D., wrote the background information essay on fee bills in general and the Charlottesville fee bill in particular. He is a faculty member at East Carolina University in the Department of Bioethics \u0026amp; Interdisciplinary Studies. Janet Pearson wrote the introduction and the biographical sketches of the twelve signers. She gathered images and took photographs in the University of Virginia Cemetery and Columbarium and in downtown Charlottesville. She is a member of the staff of Historical Collections and Services. Sonya Coleman, also a member of the staff of Historical Collections, contributed to the design elements. David Moody, Claude Moore Health Sciences Library Webmaster, and Jason Bennett, Technology in Education Consultant, provided the programming architecture for the Web exhibit.\u003c/p\u003e","\u003cp\u003eJoan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026amp; Services at the Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the \"Fever Fighters\" project after the generous donation of Dr. Hanson's diary by his granddaughter, Jane H. Monroe.\u003c/p\u003e\n","\u003cp\u003eStaff members at Historical Collections, Leigh Mantle, Susan Yowell, and Janet Pearson, contributed content and created the GIS Map. Caitlin Summers, a dedicated intern at Historical Collections, also provided editorial assistance in the spring of 2012.\u003c/p\u003e\n","\u003cp\u003eDavid Moody, Library Webmaster; Mike Wilson, Information Services Specialist; and Jason Bennett, Technology Specialist, provided the programming architecture for the Web exhibit.\u003c/p\u003e","\u003cp\u003eThis exhibit was inspired by The Mineral Springs of Western Virginia by William Burke, the first volume purchased by the Weaver Family Endowed Rare Book and Medical Materials Fund. Published in 1846, the book describes the setting and development of eleven springs in what are now Virginia and West Virginia. Dr. Burke, a one-time owner and resident physician at Red Sulphur Springs, remarks on the usefulness of the various mineral waters in certain diseases as well as contraindications to their use. The springs range from those that are well known today such as the White Sulphur Springs, currently the Greenbrier resort in West Virginia, to the Blue Sulphur Springs, once able to accommodate several hundred people and now represented by a lone Greek Revival pavilion in the middle of a field near Smoot, West Virginia.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was written and organized by Janet Pearson, a member of the staff of Historical Collections and Services, under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library, University of Virginia. Claudia Sueyras, Normajean Hultman, and Sonya Coleman did preliminary research. Rod Martin and Victoria Meyer scanned items from Historical Collections and the Charles L. Brown Science \u0026amp; Engineering Library. David Moody, with the assistance of Bart Ragon, provided the programming architecture for the Web exhibit. Sonya Coleman contributed to the design elements. Special thanks has been given to the staff at the Albert and Shirley Small Special Collections Library, University of Virginia, as they retrieved dozens of documents and also to the Digital Curation Services staff for their scanning of the documents.\u003c/p\u003e","\u003cp\u003eThe Anatomical Theatre at the University of Virginia online exhibit tells the story of the Theatre's presence at the University for more than a century. While not included in the earliest plans of the University, the need for the Theatre became clear before the first classes were ever held. Thomas Jefferson himself drew the design which includes two floor plans, a front elevation view, and a cross section. The exhibit traces the construction and later changes to the building, its demise, and archeological investigations at the site. It also gives a glimpse of what happened inside the building and the deeds that were done to procure cadavers so that medical students could learn anatomy.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was sparked by the interest of the late Dr. M.C. Wilhelm in the model of the Anatomical Theatre housed in Historical Collections at the University of Virginia Claude Moore Health Sciences Library. A retired surgeon and volunteer in Historical Collections, Dr. Wilhelm gathered resources and did preliminary writing. It was decided to further develop the project, and the result is this exhibit, written and organized by Janet Pearson, a Historical Collections staff member. Originally done under the direction of Joan Echtenkamp Klein, who was the Alvin V. and Nancy Baird Curator for Historical Collections until her untimely death, project support was continued under Dan Cavanaugh, who stepped into Joan's role and position.\u003c/p\u003e\n","\u003cp\u003eOthers associated with the University of Virginia community freely shared their ideas and research. These individuals include Garth Anderson, the Facilities Management Historian; Kirt von Daacke, Assistant Dean and Professor, College of Arts \u0026amp; Sciences; Louis Nelson, Professor in the Department of Architectural History and Associate Provost for Outreach; Robert Bloodgood, Professor in the School of Medicine; Benjamin Ford, Principal Investigator with Rivanna Archaeological Services, LLC; and Sonya Coleman, formerly a staff member in Historical Collections and now at the Library of Virginia. Emily Bowden, the Historical Collections Specialist, answered many technical queries as well as gave editorial assistance. Anson Parker and Jason Bennett provided the programming architecture for the Web exhibit.\u003c/p\u003e","\u003cp\u003eThis exhibit explores the development of the iron lung during the late nineteenth and early twentieth century and considers the reasons for its success during the height of the poliomyelitis epidemics. Andrew Sallans, Historical Collections Specialist, researched and compiled the content for the online and physical exhibits. The design of the online exhibit was conceived and executed by Steve Stedman, Webmaster for the Claude Moore Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis online exhibit displays a digitized copy of Historical Collections and Services' rare book \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England: An Introduction to Orders thought meete by her Maiestie ..., 1578.\"\u003c/p\u003e\n","\u003cp\u003eAnne McKeithen, Janet Pearson, and Andrew Sallans, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, compiled the material for the Plague Book exhibit under the direction of Joan Echtenkamp Klein. Joaquin Bueno designed the Web exhibit and graphics, with the programming architecture of David Moody and the assistance of Bart Ragon.\u003c/p\u003e\n","\u003cp\u003eUnless otherwise noted, the images are courtesy of the Missouri Botanical Garden, © 1995-2006 Missouri Botanical Garden http://www.illustratedgarden.org). They deserve special thanks for their generous permission to reproduce their exquisite illustrations. Special thanks are also given to Duane J. Osheim, Ph.D., Professor and Chair, of the Corcoran Department of History at the University of Virginia for his paper, \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England.\"\u003c/p\u003e","\u003cp\u003eIn 2001 Historical Collections in the Claude Moore Health Sciences Library created an exhibit that traces the history of the first century of the Hospital in words and images. One copy of the exhibit traveled from location to location in the Health System and beyond; the other set of panels were hung in a busy hospital corridor near the main entrance where they remain today. These panels form the basis for this online exhibit which now includes the addition of a section on the first 14 years of the Hospital's second century. We hope you enjoy following the history of the growth of the University of Virginia Health System as it seeks to fulfill its longstanding vision to benefit human health and improve quality of life through patient care, research, and education.\u003c/p\u003e\n","\u003cp\u003eThis exhibition was prepared by Hal Sharp and Janet Pearson of the Department of Historical Collections and Services, The Claude Moore Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis online exhibit aims to give viewers a view into more than 50 of Historical Collections and Services' most notable books and see how their authors over the years have documented their discoveries and concepts for contemporaries and for us.  There are digitized versions of many of the books in the Fulltext Books section, which offers links to the scanned images of over half of these rare books.\u003c/p\u003e\n","\u003cp\u003eSara Huyser, Anne McKeithen, and Janet Pearson, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, wrote and compiled the material for Vaulted Treasures under the direction of Joan Echtenkamp Klein.\u003c/p\u003e\n","\u003cp\u003eJoaquin Bueno designed the Web exhibit and graphics, with the server expertise of David Moody and the assistance of Bart Ragon. Special thanks to Claudia Sueyras who scanned many of the books and Andrew Sallans who provided technical assistance.\u003c/p\u003e","\u003cp\u003eThe 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.\u003c/p\u003e\n","\u003cp\u003eMary Wagner donated the caricatures in this exhibit to Historical Collections and Services, The Claude Moore Health Sciences Library. Her husband, the late Robert R. Wagner, M.D., collected these when he was a post-doctoral fellow at the National Institute for Medical Research in London from 1950 to 1951. Wagner was Chair of the Department of Microbiology at the University of Virginia from 1967 to 1994, and Director of the UVa Cancer Center from 1983 to 1993. Thanks to Mary Wagner's generosity, the caricatures recently have been professionally treated, preserved, and reframed. The originals are on display in Historical Collections and Services and in the Department of Microbiology in the Robert R. Wagner Conference Room. These nineteenth-century satirical prints will thus continue to delight future generations.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.\u003c/p\u003e","\u003cp\u003eWalter Reed's professional experiences with typhoid fever stand in marked contrast to his professional encounters with yellow fever. In the case of typhoid, he was more a messenger than a conqueror. Typhoid fever remained defiant during a career that oversaw the rout of yellow fever. Through a humanizing story that shows how fate brought Reed continuing frustration as well as talent and success, this exhibit seeks to render him a more accessible role model for students of medicine and history.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was written by Noel G. Harrison, a graduate student in The Corcoran Department of History at the University of Virginia and an intern in Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia during the fall of 2002. The Web exhibit was prepared and designed by Mike Wilson and Sara Huyser. Special thanks to Bart Ragon, Joan Echtenkamp Klein, and Hal Sharp for their assistance.\u003c/p\u003e","\u003cp\u003eThis series includes records related to Historical Collections and Services, the special collections and archives department of the Claude Moore Health Sciences Library. Records the public can access are related to exhibitions that were curated by staff and displayed in the library.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of permanent and historically significant institutional records created by the University of Virginia Health Sciences Library and the antecedent Medical Library. These records include, but are not limited to: annual reports, planning documents, newsletters, online exhibits, blogs, social media content, conference programs, department histories, committee records, and library-sponsored lecture materials.","This series consists of annual reports produced by the Medical Library (1929-1975), the Health Sciences Library (1975-Present), and the Information Sciences Council (1990-1996). Annual reports for the Health Sciences Library are missing from this collection for the period from 2006 to the present. Also, the annual reports for the Medical Library are missing from this collections for the period from 1929 to 1942. It is unclear whether the Medical and Health Sciences libraries wrote reports for the years.","The annual reports of the Medical Library contain comprehensive descriptions of the annual activities of the Medical Library. The Medical Library's annual reports from 1929 to 1942 are missing from this collection. It is not known if the reports were ever written by the library.","The annual reports of the Health Sciences Library contain comprehensive descriptions of the annual activities of the Health Sciences Library. The Health Sciences Library's annual reports from 2006 to the present are missing from this collection. It is not known if the reports were ever written by the library.","Informal annual report-like documents and related material, including reports shared on the Claude Moore Health Sciences Library blog and an internal UVA Health System news website (HS Connect). Reports from: March 2007, September 2009 (written by Gretchen Arnold), January 2013 (written by Gretchen Arnold), and March 2018 (written by Gretchen Arnold).","This series consists of correspondence and subject files that were created and assembeled by the directors of the Health Sciences Library while carrying out the responsibilities of their position.","Correspondents include Curators of the HSL--Daniel Spikes, Cassandra Ruane, Frank C. Mevers, Todd L. Savitt, and Doris Leckie of the Smithsonian Institution","Includes articles about Jesse Lazear, Carlos Finlay, Philip Hench and cortisone, Henry R. Carter, Nicolas Chervin, Joseph Y. Porter and Isaac Hulse","Correspondents with Bean include Mary (Mrs. Philip) Hench, Atcheson L. Hench, Byrd S. Leavell, and Todd Savitt","Includes news releases, news clippings, journal articles, and correspondence related to the gift by Mary Hench of the Philip S. Hench Walter Reed Yellow Fever collection.","Includes correspondence with William Bennett Bean","Includes correspondence on Health System reorganization","The records in this series document the planning of historically significant administrative initiatives, purchases, construction, and events at the Health Sciences Library.","This series consists of digital and analog images that show the history and collections of the Health Sciences Library. Image formats in this series include, but are not limited to, photographic prints, film negatives, jpeg files, tiff files, 35mm film slides, CDs or other media containing digital images. The series does not include official identification photographs for faculty, students, and staff.","This subseries contains images of artifacts in the collections of the Health Sciences Library.","The images in this subseries show the staff, faculty, and interior spaces of the Health Sciences Library.","Moll, Bowers, Bowers, and Rudnick are photographed with ceramic vessels used in the early production of penicillin.","LIS officially started in 1989. Dr. Don Detmer is upper right of FF sheet","People identified are: Inhye Son, Sarah Handley, Anne Humphries, Mike Wilson, Jonathan Lord, Elaine Banner, Julia Kochi, Marylin James, Mary Nightengale, Ophelia Payne, Nadine Ellero, Trisha Luby, Sue Daddezio, Diane Ricketson, Deborah Camden, Michael Sullivan, Betty Mickens, Dan Wilson, Shelby Miller John Sesody, Greatchen Arnold, Michelle Martin, Jeri Davis, Barbara Crawford, Cindy Saylor, Susan Yowell, Karen Collier, Pat Shannon, Rick Peterson, Brenda Bikos, Sandy Zoumbaris, Jana Maas, Joan Klein, Mark Mones, Jane Wagner, Eli Casarez, Aulia Gies, Cynthia Siedman-Willen, Catherine Anninos, Judy Shotwell, Linda Watson and Ann Carter.","Individuals not identified.","Front: Kathleen Tracey, karen Collier, Deborah Camden, Ophelia Payne, Rick Peterson\nSecond: Marylin James, Jane Wagner, Barbara Crawford, Polly Sandridge, Linda Watson\nThird: Pat Shannon, Brenda Bikos, Gretchen Naisawald, Anne Humphries, Jeri Davis, Shelby Miller, Jonquil Feldman, Mike Wilson\nFourth: Judith Robinson, Susan Daddezio, Julia Hochi\nFifth: Thomas Speare, Catherine Anninos, Libby Colley, Judy Shotwell\nSixth: Hall Sharp, Rick Weaver, Ann Carter\nSeventh: Nadine Ellero, Megan McCaskey, Sarah Handley\nEighth: Jonathan Lord, Jake Appleford, Mary Nightengale, Inhye Son\nAbsent: Joan Klein, christopher Marks, Betty Mickens, Mark Mones, Diane Spears","Left to right: Dieter Groeschel, Joan Klein, Linda Watson, unidentified person\nIn back: unidentified, Janet Pearson","One photo individuals front left to right Dieter Groeschel, Joan Klein, Linda Watson, unidentified person, in the back an unidentified person and Janet Pearson","Collection Services and Bibliographic Control","Intellectual Access and Collection Development","Library Administration","Ellen Ramsey, David Moody, Bart Ragon, Mike Wilson, Joan Klein, Dave Denton, Inhye Son, Wilma Lynch, Pat Shannon, Gretchen Arnold, Jeri Davis, Joy Nuckolls, Karen Knight, Elaine Attridge, Ann Carter, Jonathan Lord, Andrea Horne Denton, Stephanie Fielding, Adrienne Granitz, Sonya Coleman, Jason Bennett, Tony Hiserman, Tenzin Thosam, Roderick Martin, Nadine Ellero, Patricia Vaughn","This subseries consists of images that do not belong in any other subseries.","Gordon was the coordinator of an exhibit on the history of gastroscopy and visited the medical school to open the exhibit. Photo taken by Ursula Ziolkowki.","Photo was sent to Terry Thorkildson from the Area Health Education Centers Program Eastern Virginia Medical Authority","This series contains historically significant press releases, visual aids, clippings, and other items that record information about the Library that were produced for or by the news media.","This subseries contains print copies of news articles about the Health Sciences Library.","This series consists of publications produced by the Health Sciences Library for public distribution or general internal distribution. Publications include, but are not limited to, magazines, journals, monographs, newsletters, weblogs, weekly announcements, online publications, marketing materials, and patient education resources. This series may contain both print and digital publications.","The materials in this subseries were produced to guide the use of collections housed at the Health Sciences Library.","This subseries consists of digital and print newsletters that provide information about the activities of the Health Sciences Library.","A \"scrapbook\" of Library milestones and appropriate photographs for each medical and nursing graduating class celebrating its reunion in a particular year. The print series was discontinued after 2000, but additional Journey Through Time content is available online through the Historical Collections web exhibits.","This subseries contains brochures, flyers, and other printed ephemera that provide information about the Health Sciences Library.","Envelope has Dr. Wilhelm Moll handwritten on it. Brochure includes library statistics, what is needed in terms of money and space, various endorsements, and tax information.","This series contains social media content that has been produced by the Health Sciences Library for platforms like Facebook, Instagram, and Twitter.","The staff of the Health Sciences Library's Historical Collections and Services department maintains and contributes content to this Facebook page. Many posts and photographs on the page relate to the Department's services, collections, and events. Other posts share information related to the history of the health sciences and the work of libraries, museums, and archives.","This series consists of blogs that were created by the Health Sciences Library. The files in this series were downloaded from the Internet by Library staff. Content in the blogs that are accessed through a link outside of the blog's parent directory (e.g. external YouTube videos, external web pages) are not downloaded and archived in this series.","The Moore Library News (MLN) blog is produced by the Claude Moore Health Sciences Library. MLN blog posts provide information about Library collections, policies, services, and events.","The records in this series document the organizational structure of the Health Sciences Library. It also contains records that document administrative reorganizations of the Library. These materials include, but are not limited to, organizational charts and reports.","This series contains policies, procedures, and handbooks produced by the Health Sciences Library to direct and guide the conduct of its faculty, staff, and patrons. These records may also formally describe and define the relationship between the Health Sciences Library and its faculty, staff, and patrons.","This subseries contains procedures and handbooks for the faculty and staff of the Health Sciences Library.","Includes items from the Printing Office with the new library name: The Claude Moore Health Sciences Library","This subseries consists of procedures and handbooks for the patrons of the Health Sciences Library.","This series contains course announcements, syllabi, notes, and other materials that document classes and workshops taught by the faculty and staff of the Health Sciences Library.","This series consists of programs and reports that document the history of conferences and symposia hosted by the Health Sciences Library. Programs and reports often contain the following information: lists of speakers, presentation titles, schedules of events, and lecture abstracts. The following conference records are not included in this series: registration records, financial records, organization records, attendance lists.","This series consists of significant material that conveys the history of the Health Sciences Library, its administration, its accomplishments, its officials or employees. Includes, but is not limited to, scrapbooks, photographs, articles, program notes and documentation of events sponsored or funded by the agency. Also included are narratives; printed, audio, or audiovisual histories; or matters of significant historical importance.","Includes many photos of the library interior and library staff. Some individuals identified. Probably an exhibit celebrating the library's 15th anniversary in 1991, but photos from 1993 are also in the folder.","Includes photos of library interiors, staff (some identified) and UVA buildings; library organization chart for 2/1995; and Library Building Funds chart, 1975.","This series consists of reports, of a historically significant nature, that do not belong to any other series of the Health Sciences Library records.","This series contains memos, correspondence, subject files, online resources, and meeting minutes of committees working within the Health Sciences Library.","This file includes the meeting minutes, meeting agendas, and other documentation of the Library Management Group. The members of this committee were the leaders of the Health Sciences Library. They met once a month to discuss major library initiatives, provide updates and reports about library department activities, and share other information related to the management of the Library.","This file consists of the meeting minutes, bylaws, constitution, and correspondence of the Medical History Society of the University of Virginia. The Society was formed to promote the knowledge and study of the history of medicine and the health sciences at the University of Virginia. For much of its history, Wilhelm Moll led the Society. It supported the development of historical collections and services at the Health Sciences Library and founded a lecture series that becsme the History of the Health Sciences Lecture Series in 1984.","This series consists of records that document awards, honors, and commemorations presented by the Health Sciences Library. These records may include, but are not limited to, event programs, lists of recipients, and recipient biographies.","The dedication ceremony included remarks by Donald S. Fredrickson, MD, Director, National Institutes of Health.","Includes a tribute to Wilhelm Moll by William B. Bean and another speech by an unidentified individual.","Includes remarks that were given by Dr. Don Detmer.","Includes remarks given by Donald Lindberg. The title of Lindberg's presentation was\"The Computer and the Academical Village\".","This series consists of records that document lectures and presentations sponsored by the Health Sciences Library. These records include, but are not limited to, audiovisual recordings, transcripts, announcements, handouts, and correspondence between presenters and event organizers.","This subseries consists of records associated with standalone lectures and presentations sponsored by the Health Sciences Library.","This subseries contains records that are associated with the Health Sciences Library's History of the Health Sciences Lecture Series.","This subseries contains records that are associated with the Medical History Society of the University of Virginia Lecture Series.","Promotional posters for a medical history lecture series held at the UVA Health Sciences Library and organized by the UVA Medical History Society.","This series consists of records that document exhibits created by the Claude Moore Health Sciences Library of an educational or promotional nature. Some records are physical, and others are archived websites crawled by the Internet Archives' Archive-It service and made accessible by their Wayback Machine.","These materials are physical materials containing exhibit plans and designs, text, labels, and images created for physical exhibits.","Identified individuals in photos are John Guerrant, Ken Crispell, and Barry Marshall","Includes print-out (109 pages) of \"Who's Who on the Philip S. Hench Walter Reed Yellow Fever Collection Website\" (2002) and supplemental list of compiled names.","\"Robley Dunglison: 1798-1869\" Pamphlet produced for a library exhibit honoring the 200th anniversary of Dunglison's birth. 3 copies; 14 pp. Prepared by Historical Collections \u0026 Services, Claude Moore Health Sciences Library. Folder note indicates biography was written by Joby Topper. Includes reference list.","Introduction by Joan Klein","This series contains web archived online exhibits created by Historical Collections and Services between 2007 and circa 2023, although some of the creation dates of the websites are questionable. These 21 exhibits were hosted on the Claude Moore Health Sciences Library website but are now available via the Internet Archives' Wayback Machine.","This online exhibit is centered on the book \"A History of Cancer Care at the University of Virginia, 1901-1911.\" This book provides vast insight into the teamwork, dedication, collegiality, and skill–as well as luck–which was necessary for the Cancer Center to exist today. Twenty-five oral history interviews were conducted in the course of researching the book and are included with the book or may be viewed in the videos section of this website. Written by Henry K. Sharp, Ph.D. and Morton C. Wilhelm, M.D. the Joseph Helms Farrow Professor Emeritus in Surgical Oncology, University of Virginia School of Medicine.","This online exhibit serves as an online \"scrapbook\" with some of the milestones of the Claude Moore Health Sciences Library, Medical Center, and the School of Medicine and the School of Nursing. There are added appropriate photographs for each class year.","This exhibit recounts the origin and early history of the American Lung Association. The American Lung Association of Virginia (ALAV) Collection contains personal and official correspondence, financial and legal papers, minute books, organizational and scientific reports, educational publicity, photographs, and artifacts. ALAV donated its organization's papers to the Claude Moore Health Sciences Library in 1990 and 1991 made this exhibit possible. The ALAV made an additional donation in 2009.","This online exhibit presents images and summaries of the known uses of each instrument. The extant comments of medical writers from antiquity–including Oribasius, Galen, Soranus, Aetius, and the Hippocratic corpus–have provided scholars with some clues about the use of some instruments. Some instruments, such as mixing instruments and tweezers, probably had other household uses, such as the application of cosmetics and paints.","This online exhibit was created under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library. Hal Sharp, a Historical Collections staff member, wrote the essay giving a brief history of anatomical drawing. The exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant. Emily Bowden, Historical Collections, photographed the Denoyer-Geppert Anatomy Series charts. William Crutchfield generously donated W. and A. K. Johnston's Charts of Anatomy and Physiology which were owned for 33 years by his father, Dr. William Gayle Crutchfield.","This exhibit was designed to highlight the UVA Hospital's involvement with supporting United States Army troops during World War I and World War II. It was created by Janet Pearson with the assistance of Joby Topper. Special thanks to Dr. John L. Guerrant, Dorothy Sandridge Gloor, and Elizabeth Harlin Drash for sharing their stories and helping us identify photographs.","This online exhibit shows materials related to eugenics as it relates to UVA and Charlottesville, VA. Alison White and Ina Hofland, staff members of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia, created this Web exhibit. They also created the physical exhibit of the same title on which it is based. The physical exhibit was displayed in the foyer of the Health Sciences Library April-September 2002. Steve Stedman designed the Web exhibit. Special thanks to Sara Huyser, Joan Echtenkamp Klein, Ophelia Payne, Bart Ragon, Hal Sharp, and Mike Wilson for their assistance. Web Exhibit Publish Date: February 13, 2004","This exhibit was created under the direction of Joan Ectenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at the Claude Moore Health Sciences Library. Dr. Morton C. Wilhelm, the Joseph Helms Farrow Professor in Surgical Oncology, wrote the essay with the editorial assistance of Janet Pearson. The web exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant.","This online exhibit offers a look into The Papers of James Carmichael and Son, a collection held at the UVA Albert and Shirley Small Special Collections Library, and tells a story of the early nineteenth-century inhabitants of Fredericksburg, Virginia and its surrounding rural areas. ","The exhibit is organized into two content areas: the Story and the Collection. Each of these areas, as well as the Home and About sections, are represented in the tabs near the top of every page. See the site map for more detail.","The Story section sets the atmosphere for the exhibit. One can get a sense of what the practice of medicine was like for James and Edward Carmichael in the early nineteenth century by reading the essays describing the Pharmacy, the Tools of the Trade, and the Health Care of Slaves.","The Collection section houses the images of the original Carmichael letters, which are meticulously transcribed and categorized to provide access not only to the words, but to the medical conditions, treatments, and philosophies of almost two centuries past. Particularly compelling is the use of Medical Subject Headings (MeSH) to categorize the letters along with a very detailed methodology and definition of MeSH terms. Other items of interest include the daybook kept by Doctor Carmichael from 1816-1817, newspaper clippings, court records \u0026 summaries, period maps, and Virginia WPA Historical Inventory Project records. Additionally, there is an exhaustive Who's Who list of names that appeared in the letters as well as a thorough list of Places Mentioned.","This online exhibit tells the story of how the U.S. Army Commission, comprised of Major Walter Reed, Dr. James Carroll, Dr. Aristides Agramonte, and Dr. Jesse Lazear, confirmed Carlos Finlay's theory about the transmission of yellow fever. By showing without a doubt that mosquitoes were the vector for yellow fever, the researchers empowered public health officials in the Americas to eradicate this devastating disease from much of the Western Hemisphere.","The exhibit is divided into three main sections. The first section, Archives, provides information about and links to the Philip S. Hench Walter Reed Yellow Fever Collection. The collection, most collected by Philip S. Hench and housed at the University of Virginia's Claude Moore Health Sciences Library, is a rich archive of materials that documents the history of the U.S. Army Yellow Fever Commission. The second section, History, tells the story of the U.S. Army Yellow Fever Commission and the impact of its findings. Finally, the third section, Resources, provides access to biographies, bibliographies, and other resources visitors may want to consult to learn more about the Commission and the history of yellow fever.","This exhibit tells the story about 12 physicians practicing in Charlottesville, VA in 1848 mutually agreed to create an agreed rate of medical charges for services.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at The Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the fee bill project and directed it. Todd L. Savitt, Ph.D., wrote the background information essay on fee bills in general and the Charlottesville fee bill in particular. He is a faculty member at East Carolina University in the Department of Bioethics \u0026 Interdisciplinary Studies. Janet Pearson wrote the introduction and the biographical sketches of the twelve signers. She gathered images and took photographs in the University of Virginia Cemetery and Columbarium and in downtown Charlottesville. She is a member of the staff of Historical Collections and Services. Sonya Coleman, also a member of the staff of Historical Collections, contributed to the design elements. David Moody, Claude Moore Health Sciences Library Webmaster, and Jason Bennett, Technology in Education Consultant, provided the programming architecture for the Web exhibit.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at the Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the \"Fever Fighters\" project after the generous donation of Dr. Hanson's diary by his granddaughter, Jane H. Monroe.","Staff members at Historical Collections, Leigh Mantle, Susan Yowell, and Janet Pearson, contributed content and created the GIS Map. Caitlin Summers, a dedicated intern at Historical Collections, also provided editorial assistance in the spring of 2012.","David Moody, Library Webmaster; Mike Wilson, Information Services Specialist; and Jason Bennett, Technology Specialist, provided the programming architecture for the Web exhibit.","This exhibit was inspired by The Mineral Springs of Western Virginia by William Burke, the first volume purchased by the Weaver Family Endowed Rare Book and Medical Materials Fund. Published in 1846, the book describes the setting and development of eleven springs in what are now Virginia and West Virginia. Dr. Burke, a one-time owner and resident physician at Red Sulphur Springs, remarks on the usefulness of the various mineral waters in certain diseases as well as contraindications to their use. The springs range from those that are well known today such as the White Sulphur Springs, currently the Greenbrier resort in West Virginia, to the Blue Sulphur Springs, once able to accommodate several hundred people and now represented by a lone Greek Revival pavilion in the middle of a field near Smoot, West Virginia.","This exhibit was written and organized by Janet Pearson, a member of the staff of Historical Collections and Services, under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library, University of Virginia. Claudia Sueyras, Normajean Hultman, and Sonya Coleman did preliminary research. Rod Martin and Victoria Meyer scanned items from Historical Collections and the Charles L. Brown Science \u0026 Engineering Library. David Moody, with the assistance of Bart Ragon, provided the programming architecture for the Web exhibit. Sonya Coleman contributed to the design elements. Special thanks has been given to the staff at the Albert and Shirley Small Special Collections Library, University of Virginia, as they retrieved dozens of documents and also to the Digital Curation Services staff for their scanning of the documents.","The Anatomical Theatre at the University of Virginia online exhibit tells the story of the Theatre's presence at the University for more than a century. While not included in the earliest plans of the University, the need for the Theatre became clear before the first classes were ever held. Thomas Jefferson himself drew the design which includes two floor plans, a front elevation view, and a cross section. The exhibit traces the construction and later changes to the building, its demise, and archeological investigations at the site. It also gives a glimpse of what happened inside the building and the deeds that were done to procure cadavers so that medical students could learn anatomy.","This exhibit was sparked by the interest of the late Dr. M.C. Wilhelm in the model of the Anatomical Theatre housed in Historical Collections at the University of Virginia Claude Moore Health Sciences Library. A retired surgeon and volunteer in Historical Collections, Dr. Wilhelm gathered resources and did preliminary writing. It was decided to further develop the project, and the result is this exhibit, written and organized by Janet Pearson, a Historical Collections staff member. Originally done under the direction of Joan Echtenkamp Klein, who was the Alvin V. and Nancy Baird Curator for Historical Collections until her untimely death, project support was continued under Dan Cavanaugh, who stepped into Joan's role and position.","Others associated with the University of Virginia community freely shared their ideas and research. These individuals include Garth Anderson, the Facilities Management Historian; Kirt von Daacke, Assistant Dean and Professor, College of Arts \u0026 Sciences; Louis Nelson, Professor in the Department of Architectural History and Associate Provost for Outreach; Robert Bloodgood, Professor in the School of Medicine; Benjamin Ford, Principal Investigator with Rivanna Archaeological Services, LLC; and Sonya Coleman, formerly a staff member in Historical Collections and now at the Library of Virginia. Emily Bowden, the Historical Collections Specialist, answered many technical queries as well as gave editorial assistance. Anson Parker and Jason Bennett provided the programming architecture for the Web exhibit.","This exhibit explores the development of the iron lung during the late nineteenth and early twentieth century and considers the reasons for its success during the height of the poliomyelitis epidemics. Andrew Sallans, Historical Collections Specialist, researched and compiled the content for the online and physical exhibits. The design of the online exhibit was conceived and executed by Steve Stedman, Webmaster for the Claude Moore Health Sciences Library.","This online exhibit displays a digitized copy of Historical Collections and Services' rare book \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England: An Introduction to Orders thought meete by her Maiestie ..., 1578.\"","Anne McKeithen, Janet Pearson, and Andrew Sallans, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, compiled the material for the Plague Book exhibit under the direction of Joan Echtenkamp Klein. Joaquin Bueno designed the Web exhibit and graphics, with the programming architecture of David Moody and the assistance of Bart Ragon.","Unless otherwise noted, the images are courtesy of the Missouri Botanical Garden, © 1995-2006 Missouri Botanical Garden http://www.illustratedgarden.org). They deserve special thanks for their generous permission to reproduce their exquisite illustrations. Special thanks are also given to Duane J. Osheim, Ph.D., Professor and Chair, of the Corcoran Department of History at the University of Virginia for his paper, \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England.\"","In 2001 Historical Collections in the Claude Moore Health Sciences Library created an exhibit that traces the history of the first century of the Hospital in words and images. One copy of the exhibit traveled from location to location in the Health System and beyond; the other set of panels were hung in a busy hospital corridor near the main entrance where they remain today. These panels form the basis for this online exhibit which now includes the addition of a section on the first 14 years of the Hospital's second century. We hope you enjoy following the history of the growth of the University of Virginia Health System as it seeks to fulfill its longstanding vision to benefit human health and improve quality of life through patient care, research, and education.","This exhibition was prepared by Hal Sharp and Janet Pearson of the Department of Historical Collections and Services, The Claude Moore Health Sciences Library.","This online exhibit aims to give viewers a view into more than 50 of Historical Collections and Services' most notable books and see how their authors over the years have documented their discoveries and concepts for contemporaries and for us.  There are digitized versions of many of the books in the Fulltext Books section, which offers links to the scanned images of over half of these rare books.","Sara Huyser, Anne McKeithen, and Janet Pearson, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, wrote and compiled the material for Vaulted Treasures under the direction of Joan Echtenkamp Klein.","Joaquin Bueno designed the Web exhibit and graphics, with the server expertise of David Moody and the assistance of Bart Ragon. Special thanks to Claudia Sueyras who scanned many of the books and Andrew Sallans who provided technical assistance.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","Mary Wagner donated the caricatures in this exhibit to Historical Collections and Services, The Claude Moore Health Sciences Library. Her husband, the late Robert R. Wagner, M.D., collected these when he was a post-doctoral fellow at the National Institute for Medical Research in London from 1950 to 1951. Wagner was Chair of the Department of Microbiology at the University of Virginia from 1967 to 1994, and Director of the UVa Cancer Center from 1983 to 1993. Thanks to Mary Wagner's generosity, the caricatures recently have been professionally treated, preserved, and reframed. The originals are on display in Historical Collections and Services and in the Department of Microbiology in the Robert R. Wagner Conference Room. These nineteenth-century satirical prints will thus continue to delight future generations.","This exhibit was written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.","Walter Reed's professional experiences with typhoid fever stand in marked contrast to his professional encounters with yellow fever. In the case of typhoid, he was more a messenger than a conqueror. Typhoid fever remained defiant during a career that oversaw the rout of yellow fever. Through a humanizing story that shows how fate brought Reed continuing frustration as well as talent and success, this exhibit seeks to render him a more accessible role model for students of medicine and history.","This exhibit was written by Noel G. Harrison, a graduate student in The Corcoran Department of History at the University of Virginia and an intern in Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia during the fall of 2002. The Web exhibit was prepared and designed by Mike Wilson and Sara Huyser. Special thanks to Bart Ragon, Joan Echtenkamp Klein, and Hal Sharp for their assistance.","This series includes records related to Historical Collections and Services, the special collections and archives department of the Claude Moore Health Sciences Library. Records the public can access are related to exhibitions that were curated by staff and displayed in the library."],"userestrict_html_tesm":["\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to the annual reports in this series.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia owns the copyright to records in this series that were created by the library directors while they were acting within the scope of their position, except scholarly and academic works. Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to the planning documents and reports created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to images created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to publications created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe University of Virginia owns the copyrights to publications produced by the Health Sciences Library. Other copyright restrictions may apply to some materials.\u003c/p\u003e","\u003cp\u003eCopyright restrictions may apply.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright for social media content (e.g. posts, photographs) created by University employees while acting within the scope of their employment, except scholarly and academic works. The organizations that own the social media platforms might also hold licenses to all of the content posted by University of Virginia employees. Copyright ownership varies for other content that has been posted on the Library's social media platforms and archived here.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to blogs and blog posts created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to conference records and programs created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eCopyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to reports created by University employees while acting within the scope of their employment. Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to the records in this series that were created by University employees while acting within the scope of their employment.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to materials in this series created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to exhibit content created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies.","The Rector and Visitors of the University of Virginia own the copyright to the annual reports in this series.","The Rector and Visitors of the University of Virginia owns the copyright to records in this series that were created by the library directors while they were acting within the scope of their position, except scholarly and academic works. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the planning documents and reports created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to images created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to publications created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The University of Virginia owns the copyrights to publications produced by the Health Sciences Library. Other copyright restrictions may apply to some materials.","Copyright restrictions may apply.","The Rector and Visitors of the University of Virginia own the copyright for social media content (e.g. posts, photographs) created by University employees while acting within the scope of their employment, except scholarly and academic works. The organizations that own the social media platforms might also hold licenses to all of the content posted by University of Virginia employees. Copyright ownership varies for other content that has been posted on the Library's social media platforms and archived here.","The Rector and Visitors of the University of Virginia own the copyright to blogs and blog posts created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to conference records and programs created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to reports created by University employees while acting within the scope of their employment. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the records in this series that were created by University employees while acting within the scope of their employment.","The Rector and Visitors of the University of Virginia own the copyright to materials in this series created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to exhibit content created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies."],"names_ssim":["Claude Moore Health Sciences Library"],"corpname_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":471,"online_item_count_is":26,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:41:23.997Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_7_resources_215"}},{"id":"viu_repositories_3_resources_1446","type":"collection","attributes":{"title":"Hugh Carr family papers and River View Farm","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1446#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of the history of Hugh Carr, an African American born in enslavement in 1843 and his family who lived on a tract of land (River View Farm) that Carr and his wife Texie Mae Hawkins bought in 1870 after emancipation. He became one of the largest African American landowners in Albemarle County, where he raised several generations of his family in the Union Ridge Hydraulic Mills community, until his death in 1914.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1446#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1446","ead_ssi":"viu_repositories_3_resources_1446","_root_":"viu_repositories_3_resources_1446","_nest_parent_":"viu_repositories_3_resources_1446","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1446.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/147972","title_filing_ssi":"Hugh Carr family and River View Farm ","title_ssm":["Hugh Carr family papers and River View Farm"],"title_tesim":["Hugh Carr family papers and River View Farm"],"unitdate_ssm":["1843-1978"],"unitdate_inclusive_ssm":["1843-1978"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 10176","Archival Resource Key","/repositories/3/resources/1446"],"text":["MSS 10176","Archival Resource Key","/repositories/3/resources/1446","Hugh Carr family papers and River View Farm","Charlottesville (Va.) -- History -- 19th Century","Reconstruction (U.S. history, 1865-1877)","African American families","Dwellings -- Virginia -- Albemarle County.","The collection is open for research use.","During the Reconstruction period of Virginia history, Hugh Carr (1843-1914), who was formerly enslaved by Richard Wingfield, began the long process of purchasing various tracts of land that eventually made up the model farm along Ivy Creek known as \"River View\" in the Union Ridge Hydraulic Mills community.","He and his wife, Texie Mae Hawkins,(1865-1899) raised seven children at River View Farm: Mary Louise Carr Greer, (1884-1973), Fannie Carr Washington (1887-?), Peachie Carr Jackson (1889-1977), Emma Clorinda Carr (1892-1974), Virginia Carr Brown (1893-1935), Ann Hazel Carr (1895-?), and one son Marshall Hubert Carr (1886-1916).The farm continued to grow and by 1890 it was over 125 acres making Carr among the largest African American landowner in Albemarle County. ","\nAs Hugh Carr was deprived of any formal education, he placed an emphasis on education for his daughters and son, all of whom went to school. Many of his children earned college degrees, becoming teachers and community leaders. ","His oldest, Mary Louise Carr became principal of Albemarle Training School and was an influential educator in the local community. Later, she was honored for her commitment to education with the naming of Greer Elementary School after her. In 1916, Mary Carr married Conly Greer, the first African American extension agent for Albemarle County and the last family member to farm at Riverview Farm. After his death in 1957, Mary Carr Greer continued to live there but the land was rented to local farmers to farm. When she died in 1973, she left the estate to her only child, Evangeline Greer Jones, who in turn sold it.","Following its sale, the farm was slated to become one of Charlottesville's newest subdivisions with a projected 200 homes. Elizabeth Conant, a biology teacher at the University of Virginia, realized that the land was ideal for a nature preserve. She contacted the Nature Conservancy who bought the farm and held it until the City of Charlottesville and Albemarle County were able to buy the land. The Ivy Creek Foundation was incorporated on May 23, 1979, and the future management of the land lies with them. Paul Saunier, former University of Virginia administrator, was the first president of the Foundation.","The Ivy Creek Natural Area, which currently borders the South Rivanna Reservoir of the City of Charlottesville and consists of 215 acres of forest, field, and stream, was formed from several tracts of land. These include the original tract from the Mary Carr Greer Estate of eighty acres in 1975, a thirty-eight-acre tract from the City of Charlottesville in 1979, the James Fleming tract of eighty-acres in 1981, the Flamenco tract of sixteen acres in 1981, and four tenths of an acre from Bedford Moore in 1981. The Greer property was named the Rann Preserve when purchased by the Nature Conservancy and was renamed the Ivy Creek Natural Area. The organizers of the Ivy Creek Natural Area recognized the history of the Carr family and worked to save and preserve the land as well as the family documents that were found in the farmhouse. ","Sources: Ivy Creek Foundation, Accessed 1/27/2023 https://ivycreekfoundation.org/cultural-history ","Some items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling.","This collection MSS 10176 is related to the Ivy Creek Natural Area MSS 10770, about the history of River View farm and Hugh Carr family which is now the Ivy Creek Natural Area. MSS 10770 is a deposit. It also contains the history of Ivy Creek Natural Area and how it was purchased by the local government to preserve the land and history.","This collection consists of the history of Hugh Carr, an African American born in enslavement in 1843 and his family who lived on a tract of land (River View Farm) that Carr and his wife Texie Mae Hawkins bought in 1870 after emancipation. He became one of the largest African American landowners in Albemarle County, where he raised several generations of his family in the Union Ridge Hydraulic Mills community, until his death in 1914.","The papers show that Carr highly valued education for his daughters as well as his son. His eldest daughter, Mary Louise Carr Greer became a well-known educator and principal of Albemarle Training School. Her family continued to live on the farm until 1978 when it became the Ivy Creek Natural Area with the support of the Nature Conservancy. ","There are documents, newspaper clippings, photographs pertaining to the history of this prominent African American family. ","Included is the original receipt for the purchase of land for the farm by Hugh Carr in 1870 in the amount of $100 and contracts for when Carr worked as a farm manager for Richard Wingfield and A. A. Southerland. ","There are legal and financial papers of Conly Greer (1883-1956) and correspondence of Mary Carr Greer and her husband, Conly Greer.  Included is a letter written for Hugh Carr giving Conly approval to marry his daughter. (Hugh Carr could not read and write but he would sign his name with an X). There is also correspondence of their daughter, Evangeline Greer Jones while courting her husband, Hinton C. Jones.","Albert and Shirley Small Special Collections Library","English"],"unitid_tesim":["MSS 10176","Archival Resource Key","/repositories/3/resources/1446"],"normalized_title_ssm":["Hugh Carr family papers and River View Farm"],"collection_title_tesim":["Hugh Carr family papers and River View Farm"],"collection_ssim":["Hugh Carr family papers and River View Farm"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Charlottesville (Va.) -- History -- 19th Century"],"geogname_ssim":["Charlottesville (Va.) -- History -- 19th Century"],"places_ssim":["Charlottesville (Va.) -- History -- 19th Century"],"acqinfo_ssim":["MSS 10176,The Hugh Carr family papers and River View Farm  was a gift from Evangeline Greer Jones to the Small Special Collections Library at the University of Virginia Library 25 October, 1976."],"access_subjects_ssim":["Reconstruction (U.S. history, 1865-1877)","African American families","Dwellings -- Virginia -- Albemarle County."],"access_subjects_ssm":["Reconstruction (U.S. history, 1865-1877)","African American families","Dwellings -- Virginia -- Albemarle County."],"has_online_content_ssim":["true"],"extent_ssm":["1 Cubic Feet"],"extent_tesim":["1 Cubic Feet"],"date_range_isim":[1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eDuring the Reconstruction period of Virginia history, Hugh Carr (1843-1914), who was formerly enslaved by Richard Wingfield, began the long process of purchasing various tracts of land that eventually made up the model farm along Ivy Creek known as \"River View\" in the Union Ridge Hydraulic Mills community.\u003c/p\u003e\n","\u003cp\u003eHe and his wife, Texie Mae Hawkins,(1865-1899) raised seven children at River View Farm: Mary Louise Carr Greer, (1884-1973), Fannie Carr Washington (1887-?), Peachie Carr Jackson (1889-1977), Emma Clorinda Carr (1892-1974), Virginia Carr Brown (1893-1935), Ann Hazel Carr (1895-?), and one son Marshall Hubert Carr (1886-1916).The farm continued to grow and by 1890 it was over 125 acres making Carr among the largest African American landowner in Albemarle County. \u003c/p\u003e\n","\u003cp\u003e\nAs Hugh Carr was deprived of any formal education, he placed an emphasis on education for his daughters and son, all of whom went to school. Many of his children earned college degrees, becoming teachers and community leaders. \u003c/p\u003e\n","\u003cp\u003eHis oldest, Mary Louise Carr became principal of Albemarle Training School and was an influential educator in the local community. Later, she was honored for her commitment to education with the naming of Greer Elementary School after her. In 1916, Mary Carr married Conly Greer, the first African American extension agent for Albemarle County and the last family member to farm at Riverview Farm. After his death in 1957, Mary Carr Greer continued to live there but the land was rented to local farmers to farm. When she died in 1973, she left the estate to her only child, Evangeline Greer Jones, who in turn sold it.\u003c/p\u003e\n","\u003cp\u003eFollowing its sale, the farm was slated to become one of Charlottesville's newest subdivisions with a projected 200 homes. Elizabeth Conant, a biology teacher at the University of Virginia, realized that the land was ideal for a nature preserve. She contacted the Nature Conservancy who bought the farm and held it until the City of Charlottesville and Albemarle County were able to buy the land. The Ivy Creek Foundation was incorporated on May 23, 1979, and the future management of the land lies with them. Paul Saunier, former University of Virginia administrator, was the first president of the Foundation.\u003c/p\u003e\n","\u003cp\u003eThe Ivy Creek Natural Area, which currently borders the South Rivanna Reservoir of the City of Charlottesville and consists of 215 acres of forest, field, and stream, was formed from several tracts of land. These include the original tract from the Mary Carr Greer Estate of eighty acres in 1975, a thirty-eight-acre tract from the City of Charlottesville in 1979, the James Fleming tract of eighty-acres in 1981, the Flamenco tract of sixteen acres in 1981, and four tenths of an acre from Bedford Moore in 1981. The Greer property was named the Rann Preserve when purchased by the Nature Conservancy and was renamed the Ivy Creek Natural Area. The organizers of the Ivy Creek Natural Area recognized the history of the Carr family and worked to save and preserve the land as well as the family documents that were found in the farmhouse. \u003c/p\u003e\n","\u003cp\u003eSources: Ivy Creek Foundation, Accessed 1/27/2023 https://ivycreekfoundation.org/cultural-history \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["During the Reconstruction period of Virginia history, Hugh Carr (1843-1914), who was formerly enslaved by Richard Wingfield, began the long process of purchasing various tracts of land that eventually made up the model farm along Ivy Creek known as \"River View\" in the Union Ridge Hydraulic Mills community.","He and his wife, Texie Mae Hawkins,(1865-1899) raised seven children at River View Farm: Mary Louise Carr Greer, (1884-1973), Fannie Carr Washington (1887-?), Peachie Carr Jackson (1889-1977), Emma Clorinda Carr (1892-1974), Virginia Carr Brown (1893-1935), Ann Hazel Carr (1895-?), and one son Marshall Hubert Carr (1886-1916).The farm continued to grow and by 1890 it was over 125 acres making Carr among the largest African American landowner in Albemarle County. ","\nAs Hugh Carr was deprived of any formal education, he placed an emphasis on education for his daughters and son, all of whom went to school. Many of his children earned college degrees, becoming teachers and community leaders. ","His oldest, Mary Louise Carr became principal of Albemarle Training School and was an influential educator in the local community. Later, she was honored for her commitment to education with the naming of Greer Elementary School after her. In 1916, Mary Carr married Conly Greer, the first African American extension agent for Albemarle County and the last family member to farm at Riverview Farm. After his death in 1957, Mary Carr Greer continued to live there but the land was rented to local farmers to farm. When she died in 1973, she left the estate to her only child, Evangeline Greer Jones, who in turn sold it.","Following its sale, the farm was slated to become one of Charlottesville's newest subdivisions with a projected 200 homes. Elizabeth Conant, a biology teacher at the University of Virginia, realized that the land was ideal for a nature preserve. She contacted the Nature Conservancy who bought the farm and held it until the City of Charlottesville and Albemarle County were able to buy the land. The Ivy Creek Foundation was incorporated on May 23, 1979, and the future management of the land lies with them. Paul Saunier, former University of Virginia administrator, was the first president of the Foundation.","The Ivy Creek Natural Area, which currently borders the South Rivanna Reservoir of the City of Charlottesville and consists of 215 acres of forest, field, and stream, was formed from several tracts of land. These include the original tract from the Mary Carr Greer Estate of eighty acres in 1975, a thirty-eight-acre tract from the City of Charlottesville in 1979, the James Fleming tract of eighty-acres in 1981, the Flamenco tract of sixteen acres in 1981, and four tenths of an acre from Bedford Moore in 1981. The Greer property was named the Rann Preserve when purchased by the Nature Conservancy and was renamed the Ivy Creek Natural Area. The organizers of the Ivy Creek Natural Area recognized the history of the Carr family and worked to save and preserve the land as well as the family documents that were found in the farmhouse. ","Sources: Ivy Creek Foundation, Accessed 1/27/2023 https://ivycreekfoundation.org/cultural-history "],"odd_html_tesm":["\u003cp\u003eSome items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling.\u003c/p\u003e"],"odd_heading_ssm":["Conservation"],"odd_tesim":["Some items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling."],"prefercite_html_tesm":["\u003cp\u003eMSS 10176, Hugh Carr family papers and River View Farm, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 10176, Hugh Carr family papers and River View Farm, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection MSS 10176 is related to the Ivy Creek Natural Area MSS 10770, about the history of River View farm and Hugh Carr family which is now the Ivy Creek Natural Area. MSS 10770 is a deposit. It also contains the history of Ivy Creek Natural Area and how it was purchased by the local government to preserve the land and history.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This collection MSS 10176 is related to the Ivy Creek Natural Area MSS 10770, about the history of River View farm and Hugh Carr family which is now the Ivy Creek Natural Area. MSS 10770 is a deposit. It also contains the history of Ivy Creek Natural Area and how it was purchased by the local government to preserve the land and history."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of the history of Hugh Carr, an African American born in enslavement in 1843 and his family who lived on a tract of land (River View Farm) that Carr and his wife Texie Mae Hawkins bought in 1870 after emancipation. He became one of the largest African American landowners in Albemarle County, where he raised several generations of his family in the Union Ridge Hydraulic Mills community, until his death in 1914.\u003c/p\u003e\n","\u003cp\u003eThe papers show that Carr highly valued education for his daughters as well as his son. His eldest daughter, Mary Louise Carr Greer became a well-known educator and principal of Albemarle Training School. Her family continued to live on the farm until 1978 when it became the Ivy Creek Natural Area with the support of the Nature Conservancy. \u003c/p\u003e\n","\u003cp\u003eThere are documents, newspaper clippings, photographs pertaining to the history of this prominent African American family. \u003c/p\u003e\n","\u003cp\u003eIncluded is the original receipt for the purchase of land for the farm by Hugh Carr in 1870 in the amount of $100 and contracts for when Carr worked as a farm manager for Richard Wingfield and A. A. Southerland. \u003c/p\u003e\n","\u003cp\u003eThere are legal and financial papers of Conly Greer (1883-1956) and correspondence of Mary Carr Greer and her husband, Conly Greer.  Included is a letter written for Hugh Carr giving Conly approval to marry his daughter. (Hugh Carr could not read and write but he would sign his name with an X). There is also correspondence of their daughter, Evangeline Greer Jones while courting her husband, Hinton C. Jones.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of the history of Hugh Carr, an African American born in enslavement in 1843 and his family who lived on a tract of land (River View Farm) that Carr and his wife Texie Mae Hawkins bought in 1870 after emancipation. He became one of the largest African American landowners in Albemarle County, where he raised several generations of his family in the Union Ridge Hydraulic Mills community, until his death in 1914.","The papers show that Carr highly valued education for his daughters as well as his son. His eldest daughter, Mary Louise Carr Greer became a well-known educator and principal of Albemarle Training School. Her family continued to live on the farm until 1978 when it became the Ivy Creek Natural Area with the support of the Nature Conservancy. ","There are documents, newspaper clippings, photographs pertaining to the history of this prominent African American family. ","Included is the original receipt for the purchase of land for the farm by Hugh Carr in 1870 in the amount of $100 and contracts for when Carr worked as a farm manager for Richard Wingfield and A. A. Southerland. ","There are legal and financial papers of Conly Greer (1883-1956) and correspondence of Mary Carr Greer and her husband, Conly Greer.  Included is a letter written for Hugh Carr giving Conly approval to marry his daughter. (Hugh Carr could not read and write but he would sign his name with an X). There is also correspondence of their daughter, Evangeline Greer Jones while courting her husband, Hinton C. Jones."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":29,"online_item_count_is":21,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:45:23.850Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1446","ead_ssi":"viu_repositories_3_resources_1446","_root_":"viu_repositories_3_resources_1446","_nest_parent_":"viu_repositories_3_resources_1446","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1446.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/147972","title_filing_ssi":"Hugh Carr family and River View Farm ","title_ssm":["Hugh Carr family papers and River View Farm"],"title_tesim":["Hugh Carr family papers and River View Farm"],"unitdate_ssm":["1843-1978"],"unitdate_inclusive_ssm":["1843-1978"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 10176","Archival Resource Key","/repositories/3/resources/1446"],"text":["MSS 10176","Archival Resource Key","/repositories/3/resources/1446","Hugh Carr family papers and River View Farm","Charlottesville (Va.) -- History -- 19th Century","Reconstruction (U.S. history, 1865-1877)","African American families","Dwellings -- Virginia -- Albemarle County.","The collection is open for research use.","During the Reconstruction period of Virginia history, Hugh Carr (1843-1914), who was formerly enslaved by Richard Wingfield, began the long process of purchasing various tracts of land that eventually made up the model farm along Ivy Creek known as \"River View\" in the Union Ridge Hydraulic Mills community.","He and his wife, Texie Mae Hawkins,(1865-1899) raised seven children at River View Farm: Mary Louise Carr Greer, (1884-1973), Fannie Carr Washington (1887-?), Peachie Carr Jackson (1889-1977), Emma Clorinda Carr (1892-1974), Virginia Carr Brown (1893-1935), Ann Hazel Carr (1895-?), and one son Marshall Hubert Carr (1886-1916).The farm continued to grow and by 1890 it was over 125 acres making Carr among the largest African American landowner in Albemarle County. ","\nAs Hugh Carr was deprived of any formal education, he placed an emphasis on education for his daughters and son, all of whom went to school. Many of his children earned college degrees, becoming teachers and community leaders. ","His oldest, Mary Louise Carr became principal of Albemarle Training School and was an influential educator in the local community. Later, she was honored for her commitment to education with the naming of Greer Elementary School after her. In 1916, Mary Carr married Conly Greer, the first African American extension agent for Albemarle County and the last family member to farm at Riverview Farm. After his death in 1957, Mary Carr Greer continued to live there but the land was rented to local farmers to farm. When she died in 1973, she left the estate to her only child, Evangeline Greer Jones, who in turn sold it.","Following its sale, the farm was slated to become one of Charlottesville's newest subdivisions with a projected 200 homes. Elizabeth Conant, a biology teacher at the University of Virginia, realized that the land was ideal for a nature preserve. She contacted the Nature Conservancy who bought the farm and held it until the City of Charlottesville and Albemarle County were able to buy the land. The Ivy Creek Foundation was incorporated on May 23, 1979, and the future management of the land lies with them. Paul Saunier, former University of Virginia administrator, was the first president of the Foundation.","The Ivy Creek Natural Area, which currently borders the South Rivanna Reservoir of the City of Charlottesville and consists of 215 acres of forest, field, and stream, was formed from several tracts of land. These include the original tract from the Mary Carr Greer Estate of eighty acres in 1975, a thirty-eight-acre tract from the City of Charlottesville in 1979, the James Fleming tract of eighty-acres in 1981, the Flamenco tract of sixteen acres in 1981, and four tenths of an acre from Bedford Moore in 1981. The Greer property was named the Rann Preserve when purchased by the Nature Conservancy and was renamed the Ivy Creek Natural Area. The organizers of the Ivy Creek Natural Area recognized the history of the Carr family and worked to save and preserve the land as well as the family documents that were found in the farmhouse. ","Sources: Ivy Creek Foundation, Accessed 1/27/2023 https://ivycreekfoundation.org/cultural-history ","Some items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling.","This collection MSS 10176 is related to the Ivy Creek Natural Area MSS 10770, about the history of River View farm and Hugh Carr family which is now the Ivy Creek Natural Area. MSS 10770 is a deposit. It also contains the history of Ivy Creek Natural Area and how it was purchased by the local government to preserve the land and history.","This collection consists of the history of Hugh Carr, an African American born in enslavement in 1843 and his family who lived on a tract of land (River View Farm) that Carr and his wife Texie Mae Hawkins bought in 1870 after emancipation. He became one of the largest African American landowners in Albemarle County, where he raised several generations of his family in the Union Ridge Hydraulic Mills community, until his death in 1914.","The papers show that Carr highly valued education for his daughters as well as his son. His eldest daughter, Mary Louise Carr Greer became a well-known educator and principal of Albemarle Training School. Her family continued to live on the farm until 1978 when it became the Ivy Creek Natural Area with the support of the Nature Conservancy. ","There are documents, newspaper clippings, photographs pertaining to the history of this prominent African American family. ","Included is the original receipt for the purchase of land for the farm by Hugh Carr in 1870 in the amount of $100 and contracts for when Carr worked as a farm manager for Richard Wingfield and A. A. Southerland. ","There are legal and financial papers of Conly Greer (1883-1956) and correspondence of Mary Carr Greer and her husband, Conly Greer.  Included is a letter written for Hugh Carr giving Conly approval to marry his daughter. (Hugh Carr could not read and write but he would sign his name with an X). There is also correspondence of their daughter, Evangeline Greer Jones while courting her husband, Hinton C. Jones.","Albert and Shirley Small Special Collections Library","English"],"unitid_tesim":["MSS 10176","Archival Resource Key","/repositories/3/resources/1446"],"normalized_title_ssm":["Hugh Carr family papers and River View Farm"],"collection_title_tesim":["Hugh Carr family papers and River View Farm"],"collection_ssim":["Hugh Carr family papers and River View Farm"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Charlottesville (Va.) -- History -- 19th Century"],"geogname_ssim":["Charlottesville (Va.) -- History -- 19th Century"],"places_ssim":["Charlottesville (Va.) -- History -- 19th Century"],"acqinfo_ssim":["MSS 10176,The Hugh Carr family papers and River View Farm  was a gift from Evangeline Greer Jones to the Small Special Collections Library at the University of Virginia Library 25 October, 1976."],"access_subjects_ssim":["Reconstruction (U.S. history, 1865-1877)","African American families","Dwellings -- Virginia -- Albemarle County."],"access_subjects_ssm":["Reconstruction (U.S. history, 1865-1877)","African American families","Dwellings -- Virginia -- Albemarle County."],"has_online_content_ssim":["true"],"extent_ssm":["1 Cubic Feet"],"extent_tesim":["1 Cubic Feet"],"date_range_isim":[1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eDuring the Reconstruction period of Virginia history, Hugh Carr (1843-1914), who was formerly enslaved by Richard Wingfield, began the long process of purchasing various tracts of land that eventually made up the model farm along Ivy Creek known as \"River View\" in the Union Ridge Hydraulic Mills community.\u003c/p\u003e\n","\u003cp\u003eHe and his wife, Texie Mae Hawkins,(1865-1899) raised seven children at River View Farm: Mary Louise Carr Greer, (1884-1973), Fannie Carr Washington (1887-?), Peachie Carr Jackson (1889-1977), Emma Clorinda Carr (1892-1974), Virginia Carr Brown (1893-1935), Ann Hazel Carr (1895-?), and one son Marshall Hubert Carr (1886-1916).The farm continued to grow and by 1890 it was over 125 acres making Carr among the largest African American landowner in Albemarle County. \u003c/p\u003e\n","\u003cp\u003e\nAs Hugh Carr was deprived of any formal education, he placed an emphasis on education for his daughters and son, all of whom went to school. Many of his children earned college degrees, becoming teachers and community leaders. \u003c/p\u003e\n","\u003cp\u003eHis oldest, Mary Louise Carr became principal of Albemarle Training School and was an influential educator in the local community. Later, she was honored for her commitment to education with the naming of Greer Elementary School after her. In 1916, Mary Carr married Conly Greer, the first African American extension agent for Albemarle County and the last family member to farm at Riverview Farm. After his death in 1957, Mary Carr Greer continued to live there but the land was rented to local farmers to farm. When she died in 1973, she left the estate to her only child, Evangeline Greer Jones, who in turn sold it.\u003c/p\u003e\n","\u003cp\u003eFollowing its sale, the farm was slated to become one of Charlottesville's newest subdivisions with a projected 200 homes. Elizabeth Conant, a biology teacher at the University of Virginia, realized that the land was ideal for a nature preserve. She contacted the Nature Conservancy who bought the farm and held it until the City of Charlottesville and Albemarle County were able to buy the land. The Ivy Creek Foundation was incorporated on May 23, 1979, and the future management of the land lies with them. Paul Saunier, former University of Virginia administrator, was the first president of the Foundation.\u003c/p\u003e\n","\u003cp\u003eThe Ivy Creek Natural Area, which currently borders the South Rivanna Reservoir of the City of Charlottesville and consists of 215 acres of forest, field, and stream, was formed from several tracts of land. These include the original tract from the Mary Carr Greer Estate of eighty acres in 1975, a thirty-eight-acre tract from the City of Charlottesville in 1979, the James Fleming tract of eighty-acres in 1981, the Flamenco tract of sixteen acres in 1981, and four tenths of an acre from Bedford Moore in 1981. The Greer property was named the Rann Preserve when purchased by the Nature Conservancy and was renamed the Ivy Creek Natural Area. The organizers of the Ivy Creek Natural Area recognized the history of the Carr family and worked to save and preserve the land as well as the family documents that were found in the farmhouse. \u003c/p\u003e\n","\u003cp\u003eSources: Ivy Creek Foundation, Accessed 1/27/2023 https://ivycreekfoundation.org/cultural-history \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["During the Reconstruction period of Virginia history, Hugh Carr (1843-1914), who was formerly enslaved by Richard Wingfield, began the long process of purchasing various tracts of land that eventually made up the model farm along Ivy Creek known as \"River View\" in the Union Ridge Hydraulic Mills community.","He and his wife, Texie Mae Hawkins,(1865-1899) raised seven children at River View Farm: Mary Louise Carr Greer, (1884-1973), Fannie Carr Washington (1887-?), Peachie Carr Jackson (1889-1977), Emma Clorinda Carr (1892-1974), Virginia Carr Brown (1893-1935), Ann Hazel Carr (1895-?), and one son Marshall Hubert Carr (1886-1916).The farm continued to grow and by 1890 it was over 125 acres making Carr among the largest African American landowner in Albemarle County. ","\nAs Hugh Carr was deprived of any formal education, he placed an emphasis on education for his daughters and son, all of whom went to school. Many of his children earned college degrees, becoming teachers and community leaders. ","His oldest, Mary Louise Carr became principal of Albemarle Training School and was an influential educator in the local community. Later, she was honored for her commitment to education with the naming of Greer Elementary School after her. In 1916, Mary Carr married Conly Greer, the first African American extension agent for Albemarle County and the last family member to farm at Riverview Farm. After his death in 1957, Mary Carr Greer continued to live there but the land was rented to local farmers to farm. When she died in 1973, she left the estate to her only child, Evangeline Greer Jones, who in turn sold it.","Following its sale, the farm was slated to become one of Charlottesville's newest subdivisions with a projected 200 homes. Elizabeth Conant, a biology teacher at the University of Virginia, realized that the land was ideal for a nature preserve. She contacted the Nature Conservancy who bought the farm and held it until the City of Charlottesville and Albemarle County were able to buy the land. The Ivy Creek Foundation was incorporated on May 23, 1979, and the future management of the land lies with them. Paul Saunier, former University of Virginia administrator, was the first president of the Foundation.","The Ivy Creek Natural Area, which currently borders the South Rivanna Reservoir of the City of Charlottesville and consists of 215 acres of forest, field, and stream, was formed from several tracts of land. These include the original tract from the Mary Carr Greer Estate of eighty acres in 1975, a thirty-eight-acre tract from the City of Charlottesville in 1979, the James Fleming tract of eighty-acres in 1981, the Flamenco tract of sixteen acres in 1981, and four tenths of an acre from Bedford Moore in 1981. The Greer property was named the Rann Preserve when purchased by the Nature Conservancy and was renamed the Ivy Creek Natural Area. The organizers of the Ivy Creek Natural Area recognized the history of the Carr family and worked to save and preserve the land as well as the family documents that were found in the farmhouse. ","Sources: Ivy Creek Foundation, Accessed 1/27/2023 https://ivycreekfoundation.org/cultural-history "],"odd_html_tesm":["\u003cp\u003eSome items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling.\u003c/p\u003e"],"odd_heading_ssm":["Conservation"],"odd_tesim":["Some items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling."],"prefercite_html_tesm":["\u003cp\u003eMSS 10176, Hugh Carr family papers and River View Farm, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 10176, Hugh Carr family papers and River View Farm, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection MSS 10176 is related to the Ivy Creek Natural Area MSS 10770, about the history of River View farm and Hugh Carr family which is now the Ivy Creek Natural Area. MSS 10770 is a deposit. It also contains the history of Ivy Creek Natural Area and how it was purchased by the local government to preserve the land and history.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This collection MSS 10176 is related to the Ivy Creek Natural Area MSS 10770, about the history of River View farm and Hugh Carr family which is now the Ivy Creek Natural Area. MSS 10770 is a deposit. It also contains the history of Ivy Creek Natural Area and how it was purchased by the local government to preserve the land and history."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of the history of Hugh Carr, an African American born in enslavement in 1843 and his family who lived on a tract of land (River View Farm) that Carr and his wife Texie Mae Hawkins bought in 1870 after emancipation. He became one of the largest African American landowners in Albemarle County, where he raised several generations of his family in the Union Ridge Hydraulic Mills community, until his death in 1914.\u003c/p\u003e\n","\u003cp\u003eThe papers show that Carr highly valued education for his daughters as well as his son. His eldest daughter, Mary Louise Carr Greer became a well-known educator and principal of Albemarle Training School. Her family continued to live on the farm until 1978 when it became the Ivy Creek Natural Area with the support of the Nature Conservancy. \u003c/p\u003e\n","\u003cp\u003eThere are documents, newspaper clippings, photographs pertaining to the history of this prominent African American family. \u003c/p\u003e\n","\u003cp\u003eIncluded is the original receipt for the purchase of land for the farm by Hugh Carr in 1870 in the amount of $100 and contracts for when Carr worked as a farm manager for Richard Wingfield and A. A. Southerland. \u003c/p\u003e\n","\u003cp\u003eThere are legal and financial papers of Conly Greer (1883-1956) and correspondence of Mary Carr Greer and her husband, Conly Greer.  Included is a letter written for Hugh Carr giving Conly approval to marry his daughter. (Hugh Carr could not read and write but he would sign his name with an X). There is also correspondence of their daughter, Evangeline Greer Jones while courting her husband, Hinton C. Jones.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of the history of Hugh Carr, an African American born in enslavement in 1843 and his family who lived on a tract of land (River View Farm) that Carr and his wife Texie Mae Hawkins bought in 1870 after emancipation. He became one of the largest African American landowners in Albemarle County, where he raised several generations of his family in the Union Ridge Hydraulic Mills community, until his death in 1914.","The papers show that Carr highly valued education for his daughters as well as his son. His eldest daughter, Mary Louise Carr Greer became a well-known educator and principal of Albemarle Training School. Her family continued to live on the farm until 1978 when it became the Ivy Creek Natural Area with the support of the Nature Conservancy. ","There are documents, newspaper clippings, photographs pertaining to the history of this prominent African American family. ","Included is the original receipt for the purchase of land for the farm by Hugh Carr in 1870 in the amount of $100 and contracts for when Carr worked as a farm manager for Richard Wingfield and A. A. Southerland. ","There are legal and financial papers of Conly Greer (1883-1956) and correspondence of Mary Carr Greer and her husband, Conly Greer.  Included is a letter written for Hugh Carr giving Conly approval to marry his daughter. (Hugh Carr could not read and write but he would sign his name with an X). There is also correspondence of their daughter, Evangeline Greer Jones while courting her husband, Hinton C. Jones."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":29,"online_item_count_is":21,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:45:23.850Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1446"}},{"id":"vimtvl_repositories_3_resources_65","type":"collection","attributes":{"title":"John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) collection","creator":{"id":"https://arvasarchive.org/catalog/vimtvl_repositories_3_resources_65#creator","type":"document_value","attributes":{"value":"Washington, John Augustine, III, 1821-1861","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vimtvl_repositories_3_resources_65#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection concerns the inheritance, maintenance, and sale of the Mount Vernon estate by its last private owner, John Augustine Washington III. A large majority of the collection is correspondence to or from John Augustine Washington III with a significant portion relating to the purchase of the estate by the Mount Vernon Ladies' Association. Three diaries kept by John Augustine are also included and contain important information about his slaves, agricultural practices, and finances. Other types of material in the collection include legal documents, receipts, photographs, and ephemera. Photocopies were made for most of the manuscripts and can be viewed as surrogates to the originals. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vimtvl_repositories_3_resources_65#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vimtvl_repositories_3_resources_65","ead_ssi":"vimtvl_repositories_3_resources_65","_root_":"vimtvl_repositories_3_resources_65","_nest_parent_":"vimtvl_repositories_3_resources_65","ead_source_url_ssi":"data/oai/MV/repositories_3_resources_65.xml","title_ssm":["John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) collection"],"title_tesim":["John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) collection"],"unitdate_ssm":["1834-1957"],"unitdate_inclusive_ssm":["1834-1957"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RM.848","/repositories/3/resources/65"],"text":["RM.848","/repositories/3/resources/65","John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) collection","This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes.","The collection is arranged chronologically with undated material listed at the beginning in alphabetical order by folder title. Addenda, photocopies, and bound volumes are described at the end of the collection.","(Taken from the Digital Encyclopedia entry by Matthew Costello, George Washington's Mount Vernon website)","John Augustine Washington III was the great-grand nephew of George Washington and the last private owner of Mount Vernon. The fourth of five children, he was born on May 3, 1821 to John Augustine Washington II and Jane Charlotte Blackburn Washington. John Augustine spent his young childhood at his parents' Blakeley plantation near present day Charles Town, West Virginia, but after the deaths of Bushrod Washington and his wife Julia in 1829, the Mount Vernon estate became the possession of Bushrod's nephew, John Augustine Washington II. As the son of a wealthy Virginia planter, John Augustine enjoyed a comfortable lifestyle at Mount Vernon, developing interests in politics, hunting, and agriculture. After John Augustine Washington II passed away in June 1832, the estate was left to his widow Jane Charlotte, who vowed to maintain the estate to the best of her ability without involving her children's inheritances. While John Augustine Washington III preferred his more aristocratic pastimes, Jane insisted that he attend college after his father's death. He graduated from the University of Virginia in 1840, returning to Mount Vernon in September 1841 with a proposition to manage the estate for his mother. She agreed, loaning him twenty-two slaves and contracting his employment for five hundred dollars per year for seven years.","As the oldest living male heir, John Augustine Washington III positioned himself to take possession of Mount Vernon from his mother. While she did not pass away until 1855, she gave John Augustine the proverbial keys to the kingdom, granting him full autonomy to run the plantation as he saw fit. However, John Augustine quickly realized that the deteriorating Mount Vernon estate was a far cry from the profitable plantation that his great-great uncle George Washington once presided over. His primary means of income came from wheat and potato production, woodcutting, selling slaves and outsourcing slave labor, collecting land rents, and his herring operation on the Potomac River. However, soil degradation, poor harvests, temperamental weather, and the devastation of crops by insects and pests limited his agricultural returns. While he managed to slow Mount Vernon's financial decline, these endeavors were not enough to stop the downward spiral. In addition to facing these hardships, John Augustine also experienced constant interruptions by sightseers, many of whom wanted the meet the living descendent of General George Washington, see the Mansion, and ask questions about Washington's life. ","These visitors were considered a nuisance to John Augustine's family, and their presence slowed plantation work for slaves, overseers, and hired farm laborers. Initially John Augustine followed the precedential policies of his mother, father, and uncle Bushrod, publishing trespassing notices around the property, requesting letters of introduction to enter the Mansion, and denying the landing of steamboats on the Potomac River. But with his lands yielding such little profit, John Augustine decided to embrace this historical tourism, implementing business strategies to extract money from the thousands of visitors who journeyed to the home of George Washington. In order to bring more people to the estate, he entered into a contract with the proprietors of the Thomas Collyer to permit their steamboat to dock directly at Mount Vernon. He also promoted and invested in the construction of the Alexandria, Mount Vernon, and Accotink Turnpike Road, which was designed to make travel easier to Mount Vernon over land. As more visitors descended upon the grounds, he instructed slaves and laborers to sell bouquets of flowers, fruit, milk, and hand-carved canes to tourists. Beyond the property boundaries, he went into business with James Crutchett, who purchased timber from the estate and manufactured wooden Washington trinkets near the Baltimore and Ohio Railroad depot in the nation's capital. While John Augustine Washington capitalized on the American fascination with George Washington, these sales were not substantial enough to convince him to retain Mount Vernon. He attempted to sell the property to both the federal government and the state of Virginia, but both bodies were deeply mired in sectional and political partisanship. Convinced that neither would meet his terms, he agreed to sell 200 acres of the Mount Vernon estate, which included the Mansion, outlying buildings, and the family tomb to the Mount Vernon Ladies' Association (MVLA) in 1858 for $200,000. ","John Augustine and his family vacated Mount Vernon for their new home Waveland plantation in February 1860. About a year later the state of Virginia called for a convention to debate the issue of secession, and in April 1861, Virginia delegates responded to the firing on Fort Sumter by voting in favor of leaving the Union. John Augustine joined the Confederate Army as a lieutenant colonel, and he served as aide-de-camp to his relative by marriage, General Robert E. Lee. In September 1861, John Augustine was killed during a reconnaissance mission at the Battle of Cheat Mountain by a Union bushwhacker. In a letter to John's teenage daughter Louisa, Lee painfully informed her that her father \"fell in the cause to which he had devoted all his energies, and which his noble heart was earnestly enlisted.\" The two men had shared many conversations and moments together as tent mates, and Lee admired his unflinching \"devotion to Almighty God,\" assuring Louisa that \"He is now safely in Heaven.\" John Augustine was buried in the Zion Episcopal Churchyard in Charles Town, West Virginia, one of several Washington family members who fought and died for Southern independence. ","This diary may not actually be part of accession RM-848 as it is not mentioned in the initial inventory/correspondence. However, it was in the same box as the other diaries and the almanac when found on the shelf, therefore it was described with the collection.","Early Records of the Mount Vernon Ladies' Association ;\nPapers of the Mount Vernon Ladies' Association ;\nJohn Augustine Washington III and Eleanor Love Selden Correspondence ;\nJohn Augustine Washington III and Descendants Papers ;\nHistoric Manuscripts Collection","This collection concerns the inheritance, maintenance, and sale of the Mount Vernon estate by its last private owner, John Augustine Washington III. A large majority of the collection is correspondence to or from John Augustine Washington III with a significant portion relating to the purchase of the estate by the Mount Vernon Ladies' Association. Three diaries kept by John Augustine are also included and contain important information about his slaves, agricultural practices, and finances. Other types of material in the collection include legal documents, receipts, photographs, and ephemera. Photocopies were made for most of the manuscripts and can be viewed as surrogates to the originals. ","Descendants of John Augustine Washington III maintained ownership of these records until 1990 when they were sold to Gary Hendershott, a manuscripts dealer from Little Rock, Arkansas. The Mount Vernon Ladies' Association purchased the collection in October 1990.","Lists signatures and states that all members of Congress would sign if requested.","States they are now the \"best of friends.\" She is angry at people who denigrate his motives. Wants to make known his true nature.","Mrs. Ritchie requests he arrive at the theatre a little after 12:00 so all guests may be seated prior to the rise of the curtain.","She had sent her present of flowers to Mrs. Madison, and they were \"greatfully\" received.","His mother wants help valuing her sheep. Describes one offer for Mount Vernon with great disdain. They want to have entertainments there. He has great respect for \"your manly pride.\"","Apologizes for having intruded too much on his privacy during a recent visit when Mrs. Ritchie and others of the ladies \"took forcible possession of me\" and requested cuttings of flowers. Hopes he will establish a Botanic Garden and suggests a location for a Mausoleum.","Describes her return from Mount Vernon in much rain. Discusses crops. Gives instructions for sending things to her. Asks report of conversation that was \"highly derogatory to me.\" Feels items should be sold to visitors so they will not pilfer mementos.","Urges sale of Mount Vernon to Virginia rather than to a private sale.","Resolution wants to change the site of the Military Asylum to Mount Vernon if a part of the estate can be purchased at a reasonable price.","Introduces some friends who wish to visit Mount Vernon.","Gives family news and an account of a visit by a gentleman who spent the night at Mount Vernon and gave $5 to West Ford. Discusses sale of a slave to his cousin. Has heard of a bill by the federal government to purchase Mount Vernon and wishes it would be accepted. Mentions prices and terms.","Is sending oats and other items to Mount Vernon. Urges him to pursue his studies. Wishes him to send some oysters and sugar.","Sends funds for completing the vault at Mount Vernon and authorizes him to take more money from his bank if necessary.","Thanks him for the many civilities experienced by them during their visit to Mount Vernon. Sends a piece of a branch of a fig tree cut from the birth spot of \"your immortal ancestor.\"","Is against his plans for Mount Vernon and opening it to \"every low idler.\" Discusses payments and what form they would take.","Brief note of regards, translated by J. Perkins.","Heard about people being charged to enter the garden. Wishes he would stop this.","Wants to know price and terms of sale of Mount Vernon. If not for sale, could it be leased. (Contains typed transcript.)","Was glad to hear that Mount Vernon was not for sale as it should remain in the hands of the Washington family. Wishes to \"establish a house of entertainment in the vicinity of Mount Vernon.\" Asks questions as to materials and location of such. (Contains typed transcript.)","Is in the market to purchase negroes as one of his men, Alfred, has run off. Wants to know whether she still wishes to dispose of her negroes and what her price would be. He could pay $500 cash and then pay off the principal in a year or two.","Lists names of executors and legatees and their shares and values.","Tells him of an upcoming visit to Washington and Mount Vernon by a \"highly respectable volunteer corps.\" They wish to arrive by boat and see the tomb of Washington. He understands permission to do so is necessary.","Is worried his health is suffering by his labors at Mount Vernon. Hopes he will accept any reasonable offer by the U.S. Government for it. Went into town to have magistrates witness her acknowledgment of the deed of release. Discusses a suit brought by Judge Douglass and the health of various family members.","Doubts whether an offer will be made by the U.S. Government. Hopes it would as she feels his health is suffering from attending to business at Mount Vernon. Recommends someone to help him acquire an overseer. Was paid money for him. Discusses the failing health of Dr. Alexander's mother and others.","Is horrified to learn of auction of Wood Lawn. Proposes to run a steamboat between Washington to Wood Lawn, Fort Washington, Mount Vernon, and the White House. Gives references. Pledges to bring members of Congress there and feels it would enhance the chances of the purchase of Mount Vernon by the government. Suggests it could be used as a summer home for the President. Discusses various items left by Washington and the soon to be completed Chesapeake \u0026 Ohio Canal. (contains typed transcript)","Tells him of a letter he received from an unknown man who wants to obtain a tree from Mount Vernon to transplant in France to shade the bench of Christopher Columbus which he possesses.","Recommends leaving it to Congress to propose a price for the purchase of Mount Vernon. She feels he wants too much for it, and that it really should not be sold. Gives family news. Gives advice on his search for an overseer.","First letter discusses the Supreme Court taking on the suit of Mr. Hammond against General Washington. Bassett says he discharged all debts owed by Captain Lewis. There is another copy of the names of executors and legatees and their shares and values. Discussions of various debts owed to different people.","Discusses various suits, mostly Hammonds, against the estate and their current status. Many people have died since 1827 when they were last listed. Will take a long time to find people.","Discussion of the Hammond suit and payments still owed to various creditors, to be paid by all the legatees of General Washington's estate. Most dollar figures are left blank to be filled in later. Prompt payment by all legatees is required.","Discusses his father's will and his lack of knowledge of the whereabouts of various other people mentioned in JAW's letter.","Answering his inquiries as to various relatives. Suggests he write to the clerk of Kanawha County for the information he requires. Suggests he contact Andrew Parks who probably has all the facts.","Discusses sale of swamp land. He paid the taxes on it for the Washington heirs. The land is not worth much since the timber had been taken from it by many people over the years. Would like to be reimbursed for the money he paid.","He wishes to meet with him in the middle of November, at which time they can conclude their business.","Discusses the bill in Congress to purchase Mount Vernon. Wants assets divided up between her children so all are taken care of. Tells of Charles' upcoming marriage before he leaves for California.","Discusses the codicil of his father's will. Mrs. Washington is not compelled to sell. Upon her death, the heirs may sell despite the codicil. Suggests Mrs. Washington partition the land before her death in order that JAW may do \"what you please with the land.\"","Invites him to the wedding of his oldest daughter the next week.","Has been in Charlestown attending services for the week. Is amazed at the prospect of $200,000 being paid for Mount Vernon by the government. Wants him to send fish and to pickle some \"Rock.\"","(Typed transcription included) George Page and a surveyor from Maryland wanted to survey land in the Potomac River adjacent to Mount Vernon with the object of bringing steamboats there. Was notified he would be charged with some offense by Maryland. Makes him aware that the compact between the states means they have no claim on him.","First letter – wants to know if Mount Vernon Estate will be sold. Second letter – understands the government might become the owner of the estate and wants to meet.","Wants him to petition the Court to finally settle the estate of General Washington.","First letter – wants to examine Mount Vernon with a view to the establishment of a military asylum for the relief of soldiers. Second letter – tells him the price for Mount Vernon is too high, and purchase of a location nearer Washington will be undertaken.","An account by a boat company of receipts over the past year.","Discusses the landing of boats at Mount Vernon without JAW's previous knowledge. Wants them to be allowed to dock if they pay the usual fare to him.","Acknowledges payment for the pianoforte. Wants four walking sticks cut from near General Washington's tomb to be sent to monks in Italy.","Agreement to sell 200 acres of Mount Vernon for $200,000. Includes all buildings and the tomb, as well as furnishings currently there. Also will allow heirs to be buried there. He may not sell the estate without first offering it to the U.S. Government and the State of Virginia for no more than $350,000.","Has been unable to contact other parties to the contract. Hopes to be able to do so soon.","A committee of the House of Delegates has been appointed to consider the purchase of Mount Vernon. Wants to meet him in Alexandria to discuss this.","Encloses a newspaper clipping about the acquisition of Mount Vernon by the State of Virginia. Tells him the committee of five will look into the will of the people as to this acquisition.","Addressed only to \"Mrs. Washington.\" Unclear whether it is addressed to Mrs. Jane C.B. Washington or Mrs. Eleanor L.S. Washington. (Typed transcription included) Has heard that Mount Vernon is for sale, possibly to northern people. Feels the Ladies of the South might instead procure it and wants to know the price.","Does not wish to part with Mount Vernon but wishes to keep it from the changeable fortunes of a family and to ally it to the State. Would sell 200 acres with stipulations for $200,000. If the State wants to establish a model farm there, he would sell an additional 1,000 acres for $300,000. Invites them to visit.","Discusses his offer to sell Mount Vernon to the state. Says $200,000 is less than the property could sell for on the market. Talks about having a model farm as nothing meant more to Washington than farming. Would welcome them to visit. Reminds them that his terms cannot be materially modified.","(Typed transcription included) Says he is asking less money of the state than he had been offered by others. Tells them of his desire for a model farm as the pursuit of an improved system of agriculture was of great importance to General Washington. Would welcome a visit from them.","Wants to clear up suggestions that he is falsely referring to higher offers for Mount Vernon.","The Committee feels the price for Mount Vernon \"is enormous.\" Would prefer the money to be used for a rail road.","Draft in writing of John Augustine Washington III. Addressed to \"Miss Cunningham\" but could also be a response to Louisa Cunningham's letter instead of Ann Pamela Cunningham. Praises the women of the south for their affection for Washington. Does not wish to dispose of the property except to the government of the United States or Virginia and so declines the proposition from the \"Ladies of the South.\"","Draft thought to be in the writing of Jane C.B. Washington. Identical text to previous letter (draft in the hand of John Augustine Washington III).","Encloses a power of attorney and some other letters. Has agreed to reduction of $50,000 on 1000 acres. Will accept nothing less than $200,000 for the 200 acres. Agrees to pay him 5% of what he gets from either government agency, provided it occurs in the current session.","The state might be willing to pay $50,000 per year for four years for Mount Vernon but not the total of $200,000 at once. Wonders what is happening with the federal government. \"Things are coming to a head rapidly.\"","As long as negotiations with Virginia remain open, it would not be proper for him to entertain any proposals from other parties for the purchase of Mount Vernon. Might be interested in the future in making an offer.","Feels priority should be given to Congress to purchase Mount Vernon, and therefore Virginia is holding off on more committee meetings. Wants him to be there for future committee meetings.","Urges him to meet with Arthur Taylor as his representative in the proposed sale of Mount Vernon. Requests that he not send papers to Col. Bissell before meeting with him.","Has the papers from Mr. Washington and wants to meet with him to discuss the sale of Mount Vernon to the U.S. Government.","Assures him that he has not given the letters from him to Mr. Bissell and has requested Mr. Taylor to come see him.","Encloses the previous letter and hopes they will be able to meet soon. Feels it best to not commit to any course with the U.S. until a definite answer comes from the Virginia Legislature.","Invites him to come to his lodgings at any time at 9 a.m.","Is unable to return to his \"hospitable roof\" at this time. Values the time she was there and having been \"entrusted with the training of such bright intelligences.\"","Reports on his share of earnings from \"Washington's Writings.\" Many copies of the book were destroyed in a fire, but the stereotype and engraved plates were in a fire proof vault.","Feels it is very important for him to communicate with the federal government and is willing to help in any way.","Mr. Taylor shared his letter proposing to bring the subject of the purchase of Mount Vernon again before Congress. His terms are already known to him – the same as those agreed to for the State of Virginia.","Wants to bring up the purchase of Mount Vernon in Congress but wants to know just what terms he agreed to with Virginia. Wants the Northern States to purchase it.","Gives terms of sale, including that family members still living may also be buried there. Additional property to total 1000 acres may be purchased for $300,000, for a model farm as suggested by Gen. Washington. Tells him the state of Virginia had proposed the sale for less than he wanted which he refused.","Encloses a copy of the bill reported to the House of Delegates Committee for the purchase of Mount Vernon. He told them it would not meet with JAW's approval. Urges him to move quickly on the Turnpike matter for this session.","Is very desirous of having the State of Virginia take possession of Mount Vernon and \"have the sole control and ownership forever.\" Wants to know what terms he proposes.","Gives him the terms of sale. The Washington family shall be permitted to be buried on the site, and no remains shall ever be disturbed. The price shall be $200,000, with an additional 800 acres available for $100,000 more","Will not accede to propositions of the steamboat company. Will be busy for a few weeks but wants to see a copy of the agreement currently in effect.","Tells him of Mrs. Mason presenting \"a remonstrance against your turnpike.\" Wants access to $250 at Farmers Bank in Alexandria.","Discusses payments based on sales of \"Washington's Writings.\" Tells percentages paid to various legatees.","Discusses quarrelling and squabbling among the ladies purchasing Mount Vernon. Is concerned about security around the remains of George Washington.","Wants him to send a letter to him so he may correct disparaging remarks made about his impending sale of Mount Vernon.","Is writing to her as requested by JAW. Describes a woman mourning her deceased eight-year-old son. Includes a poem about grief and moving on after death of a child.","(Typed transcription enclosed) Mr. Mason very much wants to meet him and getting a letter from JAW that would announce the news of their \"progress.\"","(Typed transcription enclosed) Thanks him for the kindness of him and Mrs. Washington on her recent visit to Mount Vernon. Urges him to send a letter to be published about the sale of Mount Vernon before the news is released by someone else.","(Typed transcription enclosed) Assures her he does not care what others say about him and remains hopeful of selling Mount Vernon to the State of Virginia.","(Typed transcription enclosed) Explains the absence of Mr. Toombs when JAW came to see him. Tells him why she is now dealing with Mr. Toombs rather than Mr. Mason.","(Typed transcription enclosed) Hopes to meet him in Washington City as she will be there for a few days during her travel south. Wants a thorough understanding of his wishes and intentions before meeting with the governor of Virginia.","Wants him to reconsider his determination as expressed in his letter in the National Intelligencer and put the estate under the care of the State of Virginia. (This is a copy of a letter written by Anna's husband.) Second letter, dated March 5, 1857 on same paper: Refers to letter copied out by her. Is certain a sufficient sum will have been raised by February 22 to enable Virginia to purchase Mount Vernon.","Urges him to reconsider his determination as expressed in his letter to the National Intelligencer and consent to place the estate once more at the disposal of Virginia which has an arrangement with the \"Ladies' Mount Vernon Association of the Union.\"","His musical association played a concert on behalf of the \"Ladies Mt. Vernon Association\" at which $100 was raised. The musical group would benefit greatly from receiving this money back if Mr. Washington has no plans to sell to the Ladies Association.","Would love to spend time at Mount Vernon, but his schedule will not allow at this time. His book will be published during the winter and spring, but he doesn't feel a visit would add anything.","He remains willing to place Mount Vernon in the hands of the State of Virginia, under his terms which the state has not seemed to want to meet. The proposal to have Mount Vernon by under the Mount Vernon Ladies Association of the Union is unacceptable to him. Doubts they could maintain the estate in perpetuity. It would then be taken over by the state.","(Typed transcription enclosed) Identical to previous letter.","(Typed transcription enclosed) Responding to his letter to Mr. Ritchie. Urges him to put out that the Ladies are to raise $200,000 on behalf of the State of Virginia for the purchase of Mount Vernon.","(Typed transcription enclosed) Does not wish to publish parts of letters. Feels \"nothing but silent contempt can put them at rest.\"","(W.L. Underwood – most likely Warner Lewis Underwood, Kentucky Senator) Tells JAW that if his current negotiations for Mount Vernon should fall through that his organization would be pleased to enter into further discussions.","Again says he wishes Mount Vernon to go to the State of Virginia, to be decided upon by the current session of the General Assembly.","(Typed transcription enclosed) Wants to know who told her that he was \"willing… for a pecuniary consideration to break engagements and promises.\"","The Masonic Brotherhood is interested in purchasing Mount Vernon. Thanks him for the tour the previous day. Apologizes for the bad behavior of one member and hopes that will not prejudice him against the Fraternity.","(Typed transcription enclosed) She met with the governor who told her the \"Extra Session\" of the Legislature was for the \"presidential contest,\" so the Legislature will not be meeting again until the next winter. Realizes this delay is not pleasing to him.","Inquires whether any action has been taken by the Legislature or is likely to be.","Tells him no action has yet been taken by the Legislature but feels sure it will be taken up after the Christmas recess, after which the ladies will be enabled to purchase Mount Vernon and have its title transferred to Virginia.","Discusses various prices for Mount Vernon and quotes JAW as vehemently denying that he wanted the remains of General Washington moved. He wishes the estate to be the property of the United States and all the people.","(Typed transcription enclosed) Tells him she has been very ill but is sure that the Legislature will act.","(Typed transcription enclosed) Labeled as Private. Tells him Gov. Wise is \"inimical to our 'cause'\" which is the reason the Legislature has not taken up the subject of the purchase of Mount Vernon.\" Talks of the financial crisis which is being felt by \"we victimized cotton planters.\" Tells him of the impending sale of copies of a portrait of Washington.","(Typed transcription enclosed) She writes of her illness and lack of strength. The Constitution of the Association was signed by the governor. Tells him various Masonic orders have decided to become allies of the Association. Hopes to have the contract signed between Virginia and him on the 22nd of February.","Invites recipient to the elevation of the Statue of Washington on February 22 in Richmond.","(Typed transcription enclosed) Labeled as Private. Is looking forward to the inauguration of the Washington statue. Wants him to vow that the Ladies of the Association are the \"very best friends you have in the world.\" Tells him that Gov. Wise is no friend to him or to her and this cause.","(Typed transcription enclosed) Has a document that states Virginia will purchase Mount Vernon from him and encloses a copy of the bill. Is sure the governor will act strongly to defeat this. Wants him to attend the address by Mr. Everett a few days before the 22nd of February. Tells him how lucky he is to get $200,000 in \"these awful times.\"","Gives price of sale of $200,000 for 200 acres of the Mount Vernon estate and pledges the MVLA to guarantee to not disturb any remains currently there and to allow descendants of JAW to also be interred there.","(Typed transcription enclosed) Praises him for agreeing that Mount Vernon is to be a public shrine and to limit interments there. Gen. Chapman included that in the third reading of the bill. Discusses the building of a new mausoleum for Washington which would not go against his will. Talks of her illness.","(Typed transcription enclosed) Tells her the disposition of family remains, as well as those of General Washington, are his biggest concerns in the sale.","(Typed transcription enclosed) Hopes he is happy about the bill as read in the Legislature. Tells him it is she and not the Committee who wants to arrange for a magnificent mausoleum. Closes by saying she is too exhausted to \"even give a hint of the nature of woman's revenge should you not be in a state of delight over our bill!!!\"","(Typed transcription enclosed) Remains adamant as to a future mausoleum as Washington stated where he wished his remains to be. Cannot travel to Richmond at present due to the illness of Mrs. Washington.","(Agreement ends with reference to the 10th of February) Deals with payment of $6,000 to heirs of W.F. Alexander and Anna Alexander as a share of Mount Vernon. Expressly says none of these heirs have any claim to the proceeds arising from a sale of Mount Vernon, other than the $6,000.","(Typed transcription enclosed) Tells him that though Gov. Wise is no friend to the Mount Vernon cause, he did not intend to put his remarks under the head of Lunatic Asylum. It was a complete accident.","(Typed transcription enclosed) Encloses another article by Mr. Pryor who is \"using his art to arouse the fear, \u0026 cupidity of the timid \u0026 narrow minded of this Legislature.\" Asks him about his previous offer from a company to purchase the estate, and that he wanted to wait for Congress to act.","(Typed transcription enclosed) States that his price for Mount Vernon has always been $200,000, since he gained control of it in 1849. Asks whether he ever made an offer for Mount Vernon for $100,000. If so, under whose authority was it made?","(Typed transcription enclosed) Wants to confirm with him that his offer to sell Mount Vernon as a site for the Military Asylum in 1851 was for $200,000 and not $100,000.","(Typed transcription enclosed) Tells her of a contract with a gentleman to sell him 200 acres of Mount Vernon for $200,000 with the condition that the property should be offered to the U.S. and to Virginia. If neither purchased it, he should take the property. He then offered $50,000 to release him from that obligation, but JAW refused. Says he never has offered it for sale in public or private.","Says he was authorized by JAW to offer Mount Vernon for a Military Asylum for $100,000. Will search for papers to confirm this.","(Typed transcription enclosed) Advises that on March 25, 1851, he made an offer to sell about 150 acres of the Mount Vernon estate for $200,000 for an Army Asylum or some other government purpose.","(Typed transcription enclosed) Labeled as Private. Thanks him for sending a copy of the correspondence of Gen. Scott. Miss C. is intensely engaged in getting past Mr. Pryor's malicious misrepresentation of the Bill. If he can defeat us, he will.","Reiterates that Alexander and his heirs have no claim to any proceeds arising from a sale of Mount Vernon beyond the agreed upon $6,000 and requests him to add a paragraph to that effect to the agreement they will both sign.","(Typed transcription enclosed) Wants him to come see her in Richmond, despite his recent fall. Refers to the animosity of Mr. Pryor toward the bill. Wishes there could be an Extra Session for it to pass.","Again states his disagreement with Mr. McKenzie's assertion of his having offered $100,000 for Mount Vernon. No one else knew of such an offer. Gen. Scott agrees with JAW in his recollections. Tells her of a recent fall from a horse which will prevent his visit to Richmond on the 22nd.","Urges him and his family to attend the inauguration of the equestrian statue of Washington on the Capital Square in Richmond. Says he would be pleased to host them at their home near the city.","(Typed transcription enclosed) Is uncertain whether he will be able to travel to Richmond and wants her to update him on matters related to the Bill as \"I have not in any manner approached\" any of his friends or acquaintances on the subject. It is important for her to convince members that the association only needs the name of the State which will not be called upon to pay any of the money for the purchase.","(Typed transcription enclosed) Miss Cunningham begs him to attend Mr. Everett's oration and hopes to speak to him on the Square tomorrow.","(Typed transcription enclosed) Continues to be unwell. Introduces him to Mr. A.H.H. Dawson of Georgia, \"an eccentric genius.\" He is devoted to the purposes of the Association and has delivered an address about it in 30 towns in Georgia. Urges him to come to Richmond to meet with members of the Legislature.","(Typed transcription enclosed) Is sorry he was unable to call on her before leaving Richmond. Wants clarification about alterations Mr. Yancy thought necessary in the paper he left with her. He wants a decision by the Legislature, yes or no, soon.","(Typed transcription enclosed) Tells him that the Legislature is \"in a row\" and will not pass any bills before an Extra Session. Wants him to bring a contract to her so they are prepared for any contingencies. Tells him of her illness of the lungs and her treatment.","(Typed transcription enclosed) Reiterates the importance of the sanctity of the family burying ground. Wants to have some alterations and additions of a substantial permanent character made to the present vault, with a durable enclosure around it. He is open to payment in stocks or cash for the estate. Says they should have an act of incorporation before signing a contract.","(Typed transcription enclosed) Gen. Chapman was drawing up an act of incorporation before the bill comes up. He said Virginia must not hold the tomb; the Association must hold it. She remains very ill. \"yrs in much suffering\"","Is preparing a pamphlet to defend JAW against detractors and wants copies of correspondence he had with Gen. Scott and others about possible purchase of Mount Vernon.","(Typed transcription enclosed) The bill in Virginia for the purchase of Mount Vernon, to be refunded by the MVLA, was defeated in the House of Delegates. In addition Congress cannot purchase land in a sovereign state without its consent. Tells him it should be the property of the Nation and should be sold to the MVLA. \"With grateful women pledged to guard the sacred ashes of Washington and to adorn his home for a national shrine.\"","(Typed transcription enclosed) Says it has become obvious that neither Virginia nor the U.S. wish to purchase Mount Vernon. Therefore \"the women of the land will probably be the safest as they will certainly be the purest guardians of a national shrine.\" He waits for her to make a proposal to him.","(Typed transcription enclosed) Miss Cunningham requests that he answer the letter she gave him relating to the purchase of Mount Vernon and to return it to her. She will give him a copy.","(Typed transcription enclosed) Is returning her letter to him as it seemed to be improperly dated and lacked her signature. When she remedies those defects, he will send an answer.","(Typed transcription enclosed) Wants to meet with him on Saturday morning in Alexandria to sign the contract.","(Typed transcription enclosed) Is very unhappy about delays put forth by Messrs. Macfarland \u0026 Myers. They felt there had to be an acceptance of the contract by all or a majority of the Vice Regents before it could be signed. They can do this by telegraph, permitting Mrs. Ritchie to act for them.","(Typed transcription enclosed) Urges him to come without delay. It was thought things would be delayed as Mrs. Walton's husband had died, but now Mr. McFarland advised them to send for him at once. Miss Cunningham is not good and needs to bring matters to a close \"ere it be too late.\"","(Typed transcription enclosed) Wants him to come see her that afternoon or evening as Dr. Beale \"considers it necessary to apply a severe blister without delay.\"","(Typed transcription enclosed – labeled Private) Upon reflection she feels the letter she sent him for publication is not to be published. She does not wish to \"make enemies even in a State which has given me so little cause to respect it.\" Mrs. Ritchie will work on a better worded one which she will send to him.","He deposited money to his credit for the contract and wants to know if this was correct. Tells him the pony he was inquiring about is not for sale. Also felt much concern about the accounts of the fisheries. Looks forward to a visit with him.","(Typed transcription enclosed) Encloses the plat of the 200 acres of land he agreed to sell to the MVLA. Wants him to sign it and return it.","(Typed transcription enclosed) About the plat, he is having the land resurveyed and \"have the necessary corners stones set.\" He will send it back with a signature after that. Also encloses her letter of March 12 and wants a copy of her letter as published with her signature.","Wants to know if George Thorburn may visit Mount Vernon in the 28th of May to inspect the grounds in regards to the improvements to be made. He is \"no doubt the first horticulturist in America\" and a plain, unpolished person. It would be good for JAW's surveyor to meet with Mr. Thorburn to go over the grounds.","He is \"exceedingly provoked\" at the newspaper coverage in connection with the sale of Mount Vernon. As a college friend he felt he had to contact an editor and correct the information. He hopes he did not make the situation worse.","Again requests he host the \"celebrated florist\" at Mount Vernon to look over the grounds before they come to Mount Vernon on the 29th for a few hours.","Agrees to have Mr. Thorburn come and meet with surveyors. Asks if Mr. Thorburn could be appointed the Agent of the Association in drawing up with the surveyors the lines of the 200 acres. He will \"grant any reasonable request of the Association.\" Hopes to see Mr. Ritchie and her while he yet resides at Mount Vernon.","The first attests to receipt of interest on the $6,000 owed to Mrs. Jane Washington. \tThe second is for $2,000 as part of the $6,000 owed.","Urges him to reduce the price of Mount Vernon to $150,000 so as to better fund all the expenses associated with its ownership by the MVLA. Tells him to buy land in \"some of the new states\" with that money.","Wants to know what stocks or bonds would be acceptable as part of the purchase price. Gives the current rate of Virginia stock.","Acknowledges his decline to the proposition.","Replying to a previous letter. Cannot answer the questions of Miss Lewis as he does not remember where Col. Fielding Lewis died. Her wishes are an illusion. Wonders if some land in Kentucky is what she is dreaming of. Hopes the Ladies will be able to preserve Mount Vernon after they complete the purchase.","As a new Mason, wants to know if he will amend the contract to state that the property will revert to the United States or the Masonic Fraternity in the event of a dissolution of the MVLA and not to the state of Virginia.","Writes to her cousin about an article in the paper that morning that was a \"vile abolition libel on you.\" Wants to assure her lady friends that it is untrue.","Is involved in illustrating an article about Mount Vernon as it is of interest to the American people. Wants to visit to sketch objects that have not been drawn. The MVLA is in favor of such an article to assist with their fund raising.","Is amazed at the scurrilous attacks made on him by Northern Papers which are calculated to embarrass the Mount Vernon Association.","(Typed transcription enclosed) Thanks him for his letter about the calumnies in some Northern newspapers but has no desire to enter into a controversy with the papers.","(Typed transcription enclosed – labeled Private) Wants him to tell her of his agreement with Mr. Crutchett of Mount Vernon Cane Factory who was given permission to come and cut trees on the estate. Asks what value he puts on the remainder of the estate contiguous to the 200 acres.","(Typed transcription enclosed) Gives details of his contract with Mr. Crutchett which expired in February 1856. He was permitted to take more trees before January 1857. He has no right to \"come upon the property I have sold the Association to cut timber.\" Has not put a price on the remainder of Mount Vernon.","Thanks him for the hospitality given to him and his sister on their visit to Mount Vernon.","(Typed transcription enclosed) Miss Cunningham was happy to hear his account of the transactions with Mr. Crutchett. Wants him to come to Philadelphia to confer upon private matters of great importance to the Association and himself. She is equally interested in the final settlement of the boundary lines.","First letter (incomplete) congratulates him on the sale of Mount Vernon. Requests return of portrait of his mother. Second letter thanks him for agreeing to return the portrait. He and his family would very much like to visit Mount Vernon again before it becomes public.","Hopes he can come to Washington to meet with him. Wants Mr. Washington to stay with him to \"pay off the debt of visiting you at Mt. Vernon.\" Miss Cunningham is making arrangements to pay the first bond with interest in December.","(Typed transcription enclosed – labeled Private) Looks forward to making payment of the first installment. Mr. Riggs will pay sums of $5,000 as soon as it is raised. Hopes to be able to pay the remainder of 2d installment on 1st of January 1859. Begs him to keep these matters as a \"profound secret.\"","Miss Cunningham wants to make the first payment on December 14, the anniversary of Washington's death.","Tells him of payment to Burke \u0026 Herbert of $10,000 on that day.","Tells him the box containing the chairs has not yet arrived. He wants to be allowed to pay for the repairs necessary to the chairs. Invites him and his family to visit him in Richmond before they go farther away from it.","(Typed transcription enclosed – labeled Private) Wants to make the first payment on the 1st, but this is a holiday. Urges him not to risk sending the plat executed by Washington himself but to have it be lithographed. Wants to clear up the boundaries. Tells him to keep the discussion of the sale of additional land private.","Wants to gather branches from the estate in order to make canes to sell to aid in the purchase of Mount Vernon.","Their project would require the consent of the Regent of the MVLA.","(Typed transcription enclosed – labeled Confidential) Miss Cunningham is too ill to reply to his last letter. Lets him know his presence might be required on the 22nd but all arrangements must be kept private. The upcoming payment will be about $14,000.","(Typed transcription enclosed) Urges him to accept the money already paid to him (for the \"selling your relations bones.\") He already received more money than the estate was worth. Note on the letter states he ensured his control over the remains in \"such a way that they can never be sold by any one.\"","(Typed transcription enclosed) Does not want to go to Philadelphia unless it is absolutely necessary. He recently heard that Mrs. Esther M. Lewis (widow of Lorenzo Lewis) wants to present the harpsichord that was given to Nelly to the MVLA.","Thanks him for copy of the inscription on a bust. He realized he had not copied the pencil sketch of the Destruction of the Bastille. Would JAW please have a photograph of it sent to him for an upcoming book on the history of Mount Vernon. Will send a copy of the book to him in September when it is published.","Acknowledges receipt of $1,000 which completes the payment of $6,000 owed to Mrs. Jane Washington.","The Regent wants JAW to not allow any more sketches to be made of Mount Vernon or the grounds without her consent. Attached is a copy of an advertisement for sale of a portrait of Washington. The Mount Vernon Record gives an account of fund raising to date. Mr. Everett thanks Devereux for sending him a copy of the Farewell Address.","(Typed transcription enclosed) Requests her to send him definite instructions to enable him to prohibit people from making sketches of Mount Vernon.","Tells them he has written to the Regent requesting her instructions about the matter they raised with him.","(Typed transcription enclosed) The Regent now feels that it would \"not be practicable for you to refuse privileges hitherto granted\" in the matter of sketches. There is also a newspaper clipping with letters from JAW and the Regent about the sale of Mount Vernon.","They wrote to him on the 14th as the Regent was prostrated. Requests any material he might have about the area in England where Washington's ancestor came from.","(Typed transcription enclosed) Tells her of terms under which they ran their steamboat to Mount Vernon. They paid him money with the understanding that he would make repairs to the wharf and footway, under the agreement, but he did not. He ordered his captain to have it done and will retain that money.","(Typed transcription enclosed) Encloses a copy of the previous letter and asks him to advise her as to her response to Mr. Bryan.","(Typed transcription enclosed) Miss Cunningham much enjoyed his previous letter and its humor. Hopes he will waive the requisition of 10 days notice before receiving payments. Can give him at least 30 days notice before requiring possession, and hopefully 60 days. She has \"been very much of an invalid for many weeks.\"","(Typed transcription enclosed) Wants him to come to Philadelphia around the 10th or 12th so they may consult in regard to the future. They can have the boundary line settled and put many business affairs in order. Miss Cunningham intends to make a payment on the last installment as soon \"as you will receive it.\"","(Typed transcription enclosed) He will travel to Philadelphia and meet with her on Wednesday. Will give directions to Messrs. Burke \u0026 Herbert for the last installment.","(Typed transcription enclosed) Miss Cunningham wants him to arrive on Thursday and then accompany her to hear Mr. Everett in the evening. She and Mr. Everett would then meet with him on Friday.","(Typed transcription enclosed) He agrees to come to Philadelphia on Thursday and meet as she suggests.","(Typed transcription enclosed) The Regent wants him to \"have the kindness not to speak of the particulars of your interview with her.\" She also requests him to confer with Mr. Herbert, after which Mr. Herbert should meet with Mr. Riggs and let her know the arrangements he would be willing to make. \"This matter she particularly desires should be confidential.\"","Wants him to send him the photographs of the Picture of the Bastille and let him know what he owes for this service. Thanks him for his kindness in all this matter.","Again asks for the photograph of the Bastille picture as his book is finished, and he is only waiting for that.","(Typed transcription enclosed) Miss Cunningham regrets that he and Mr. Riggs were unable to meet at Mount Vernon to discuss all it is possible to do without annoyance to the family. Would like to commence work on the outbuildings near the garden and to rebuild the roof and pillars of the piazza. Also wants to do work around the Tomb.","(Typed transcription enclosed) Apologizes for delay in responding to his recent letter, but the news of Captain Cunningham's decease has made it impossible for Miss Cunningham to \"think of even the most pressing business.\"","Thanks him for sending the photograph and encloses $5. Apologizes for keeping three documents for so long. Wants to return the documents and send him a copy of the book in September. Asks whether he may keep the Pohick elevation as it is in Washington's hand.","Details work done on various dresses.","Is sorry to hear that JAW will be leaving Mount Vernon before Hubard can get there to visit. Wants to know whether Mr. Mills does possess the moulds made by Houdon. Wants to see a cast made from the mould as he is convinced it is a fraud.","Cannot say whether the Richmond statue is accurate but to him the head looks identical to the Mount Vernon bust. Has never heard of the moulds being left at Mount Vernon and does not believe Mr. Mills would have removed anything without his permission.","Wants to clarify his original assertion that he feels Houdon did not use the moulds made from Washington's face as he asserts they are very different from the head of Houdon. Also wants to know whether the table on which Washington lay when the moulds were made is still at Mount Vernon.","Thanks him for sending money from the steamboat company for the MVLA.","Will be writing an article for Encyclopedia Britannica and is \"desirous of stating the facts relative to the emancipation of the Genl's slaves.\" Also wants to know whether Mrs. Washington left a will and whether she freed her slaves in it.","Wishes to obtain a copy of the inventory of General Washington's estate.","Makes assertion that General Washington was sued and judgment rendered against him. Also some northern papers are speculating that he lost his money and had mortgaged the Mount Vernon estate for $400,000. Encloses a copy of the certificate of the appraiser as entered in 1810.","Is returning the papers lent to him and sending a copy of his book on Mount Vernon. Thanks him for the use of the papers.","(Typed transcription enclosed) Reminds her that his request for her lawyer to sift through an abstract of his title to Mount Vernon has not been complied with. This would answer questions raised by anonymous persons which have \"caused you some uneasiness.\"","Miss Cunningham wants to conclusively prove the falsehood of assertions of the invalidity of his title to the estate. The Clerk of Fairfax County will attest to the truth but wants to see his father's will and evidence of the payment of $6,000 charged to the estate. Looks forward to putting to rest this falsehood.","Is still waiting for the certificate from the Clerk of Fairfax County. That will give the \"lie to any slander of title.\" Is unable to visit due to his duties in the Legislature.","(Typed transcription enclosed) Miss Cunningham thanks him for sending the package of papers and hopes to be able to write herself in a few days about other matters.","Thanks him for sending the papers. Does not appear from them that \"Mrs. Washington emancipated the dower negroes.\" Requests more information on that point.","Sees that Miss Cunningham has published an abstract of title furnished her by the Clerk of Fairfax Court, so imagines she will not require further information. Will soon return the other papers.","(Typed transcription enclosed) Has forwarded to her a package of papers which he recovered, apparently detailing the kinds and locations of trees planted at Mount Vernon.","Tells her his lack of response to her letter is due to being away most of the month and having visits from friends, possibly for the last time at Mount Vernon. Pointed out the lines of the old vistas marked by ancient trees. The insurance policies he had were on the house only, not the outbuildings. Recommends she make a new road. Also recommends repairing the wharf.","Sends a newspaper copy of an advertisement she placed wishing to obtain a copy of the photograph taken the previous August at the tomb of Washington which included her daughter, now deceased. She would like to know if she could obtain a list of the attendees of that day so she might write and request this as it is the only photograph of her daughter.","(Typed transcription enclosed) Tells her the Association still must raise $140,000 to support the Estate which will require extraordinary effort on the part of the Association. Asks her to address visitors at Mount Vernon on the imperative nature of this.","(Typed transcription enclosed – labeled Private) Wants to arrange a \"Grand Ceremonial in connection with the taking of the title\" in order to let people know fund raising is not complete after the purchase. Refers to political turmoil and the impending dissolution of the Union and all the difficulties this will cause. Plans to be at Mount Vernon for 10 days and wants to meet with him to finalize things.","He is fine with executing a deed for the sale of Mount Vernon to the Association and feels there would be no difficulty in the event of his death. He worries about Virginia's seceding from the Union that she might object to selling part of her soil to a corporation composed \"in part of unfriendly foreigners.\"","(Typed transcription enclosed) Miss Cunningham is gratified that he concurs in her proposition and feels her decease would be the most serious difficulty to be apprehended. Wants to meet him at Mount Vernon to place the deed in escrow. Does not feel the possibilities for Virginia he suggested would form a significant barrier.","(Typed transcription enclosed) Encloses an order to Mr. Riggs for steamboat receipts through December 31st. Would be happy to meet her at Mount Vernon.","(Typed transcription enclosed) Encloses the order on Mr. Bryan for the steamboat receipts. Has been paying insurance which continues until June next and has deducted that from the receipts.","Acknowledges his letter but does not need receipts for premiums of insurance.","Reports that Mr. Herbert only wants to clear the lot of land offered him. Also Mr. Norris has rented out his farm. Turner is not sure where he moved to in Kentucky. Discusses acquisition of material to make shirts for servants.","(Typed transcription enclosed) Had not replied to his earlier letter due to excessive fatigue from her journey from Columbia. Hopes to use patriotic influence to get the \"Agent\" to remit or reduce his fee.","Tells him of a minister who will be in Alexandria and is looking for a vacant church where he could officiate.","Funeral was conducted at Waveland. There is a description of the body and the family. Invoked the Gospel. JAW began family prayers following the death of his wife. Description of his activities over the following days.","Asks Mrs. Howard for a biographical sketch of her father (John Augustine Washington III) for the National Cyclopedia of American Biography.","Two leaflets advertising the writings of Dr. Lyon G. Tyler.","Full title \"A Confederate catechism: The war of 1861-1865.\" Third edition, November 21, 1929. Series of 20 questions and answers about the war.","Wants to know whether the Ladies will discuss the purchase of the pictures and maps he has been offering. He will offer them elsewhere.","Photographic print, cabinet card of a drawing of the east view of the Mansion by unknown artist. Reverse side of card reads \"D.H. Naramore, Photographer, No. 321 King Street, Alexandria, VA.\"","Small engraving probably clipped from a publication. Unknown location or residence shown in image.","Hair clippings in envelope with note \"Hair of the late Lawrence Washington - 1856 - Found among articles bequested to MVLA by Miss Cunningham. Miss Comegys, Regent (1923) directs Supt. to send this to the widow of Mr. Lawrence W.\"","Small black and white photographic print showing the gravestone for Lt. Col. John Augustine Washington.","Black and white photographic print mounted on gray board. Shows Waveland residence with man, two women, and several children visible (unidentified).","Boston: Published by Charles Bowen. Front page signed \"Jane C. Washington, Mount Vernon, 1834.\"","Diary inscribed \"Account of all my recpts. \u0026 expenditures beginning with Sept. 16th, 1841, that being the date at which I came to Mount Vernon to reside.\" There are intermittent entries through November 1859. This is not as full a diary but includes lists of food, clothing, and china, table, and cookware.","Includes \"List of Negroes\" and Mount Vernon farming and maintenance details. Loose note at the front reads \"Extracts from the diary of my father\" with notes on this diary and previous ones.","Includes \"List of Negroes\" and Mount Vernon farming and maintenance details.","Photocopies of undated manuscripts from the collection.","Photocopies of manuscripts dated 1834-1838 from the collection.","Photocopies of manuscripts dated 1841-1845 from the collection.","Photocopies of manuscripts dated 1846-1849 from the collection.","Photocopies of manuscripts dated 1851-1853 from the collection.","Photocopies of manuscripts dated 1854-1855 from the collection.","Photocopies of manuscripts dated 1856-1857 from the collection.","Photocopies of manuscripts dated 1858 from the collection. (1 of 2)","Photocopies of manuscripts dated 1858 from the collection. (2 of 2)","Photocopies of manuscripts dated 1859 from the collection.","Photocopies of manuscripts dated 1860-1861 from the collection.","Handwritten notes probably by a librarian or other Mount Vernon staff member including summaries of the letters within the collection.","Special Collections at The George Washington Presidential Library at Mount Vernon","Washington, John Augustine, III, 1821-1861","Cunningham, Ann Pamela, 1816-1875","Ritchie, Anna Cora Mowatt, 1819-1870","Washington, Jane Charlotte Blackburn, 1786-1855","Lossing, Benson John, 1813-1891","Everett, Edward, 1794-1865","Washington, George Corbin, 1789-1854","Lewis, Lawrence, 1767-1839","Lewis, Eleanor Parke Custis, 1779-1852","Davis, Henry Winter, 1817-1865","Bassett, George Washington, 1800-1878","Johnson, Joseph, 1785-1877","Corcoran, W.W. (William Wilson), 1798-1888","Custis, George Washington Parke, 1781-1857","McKenzie, Lewis, 1810-1895","Cunningham, Louisa Bird, 1794-1873","Washington, Eleanor Love Selden, 1824-1860","Taylor, John L. (John Lampkin), 1805-1870","Sparks, Jared, 1789-1866","Washington, Bushrod C. (Bushrod Corbin), 1839-1919","Tyler, Nathaniel, 1828-1917","English \n.    "],"unitid_tesim":["RM.848","/repositories/3/resources/65"],"normalized_title_ssm":["John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) collection"],"collection_title_tesim":["John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) collection"],"collection_ssim":["John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) collection"],"repository_ssm":["The George Washington Presidential Library at Mount Vernon"],"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"creator_ssm":["Washington, John Augustine, III, 1821-1861","Cunningham, Ann Pamela, 1816-1875","Ritchie, Anna Cora Mowatt, 1819-1870","Washington, Jane Charlotte Blackburn, 1786-1855","Lossing, Benson John, 1813-1891","Everett, Edward, 1794-1865"],"creator_ssim":["Washington, John Augustine, III, 1821-1861","Cunningham, Ann Pamela, 1816-1875","Ritchie, Anna Cora Mowatt, 1819-1870","Washington, Jane Charlotte Blackburn, 1786-1855","Lossing, Benson John, 1813-1891","Everett, Edward, 1794-1865"],"creator_persname_ssim":["Washington, John Augustine, III, 1821-1861","Cunningham, Ann Pamela, 1816-1875","Ritchie, Anna Cora Mowatt, 1819-1870","Washington, Jane Charlotte Blackburn, 1786-1855","Lossing, Benson John, 1813-1891","Everett, Edward, 1794-1865"],"creators_ssim":["Washington, John Augustine, III, 1821-1861","Cunningham, Ann Pamela, 1816-1875","Ritchie, Anna Cora Mowatt, 1819-1870","Washington, Jane Charlotte Blackburn, 1786-1855","Lossing, Benson John, 1813-1891","Everett, Edward, 1794-1865"],"has_online_content_ssim":["true"],"extent_ssm":["3 Linear Feet 7 boxes"],"extent_tesim":["3 Linear Feet 7 boxes"],"date_range_isim":[1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically with undated material listed at the beginning in alphabetical order by folder title. Addenda, photocopies, and bound volumes are described at the end of the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically with undated material listed at the beginning in alphabetical order by folder title. Addenda, photocopies, and bound volumes are described at the end of the collection."],"bioghist_html_tesm":["\u003cp\u003e(Taken from the Digital Encyclopedia entry by Matthew Costello, George Washington's Mount Vernon website)\u003c/p\u003e\n","\u003cp\u003eJohn Augustine Washington III was the great-grand nephew of George Washington and the last private owner of Mount Vernon. The fourth of five children, he was born on May 3, 1821 to John Augustine Washington II and Jane Charlotte Blackburn Washington. John Augustine spent his young childhood at his parents' Blakeley plantation near present day Charles Town, West Virginia, but after the deaths of Bushrod Washington and his wife Julia in 1829, the Mount Vernon estate became the possession of Bushrod's nephew, John Augustine Washington II. As the son of a wealthy Virginia planter, John Augustine enjoyed a comfortable lifestyle at Mount Vernon, developing interests in politics, hunting, and agriculture. After John Augustine Washington II passed away in June 1832, the estate was left to his widow Jane Charlotte, who vowed to maintain the estate to the best of her ability without involving her children's inheritances. While John Augustine Washington III preferred his more aristocratic pastimes, Jane insisted that he attend college after his father's death. He graduated from the University of Virginia in 1840, returning to Mount Vernon in September 1841 with a proposition to manage the estate for his mother. She agreed, loaning him twenty-two slaves and contracting his employment for five hundred dollars per year for seven years.\u003c/p\u003e\n","\u003cp\u003eAs the oldest living male heir, John Augustine Washington III positioned himself to take possession of Mount Vernon from his mother. While she did not pass away until 1855, she gave John Augustine the proverbial keys to the kingdom, granting him full autonomy to run the plantation as he saw fit. However, John Augustine quickly realized that the deteriorating Mount Vernon estate was a far cry from the profitable plantation that his great-great uncle George Washington once presided over. His primary means of income came from wheat and potato production, woodcutting, selling slaves and outsourcing slave labor, collecting land rents, and his herring operation on the Potomac River. However, soil degradation, poor harvests, temperamental weather, and the devastation of crops by insects and pests limited his agricultural returns. While he managed to slow Mount Vernon's financial decline, these endeavors were not enough to stop the downward spiral. In addition to facing these hardships, John Augustine also experienced constant interruptions by sightseers, many of whom wanted the meet the living descendent of General George Washington, see the Mansion, and ask questions about Washington's life. \u003c/p\u003e\n","\u003cp\u003eThese visitors were considered a nuisance to John Augustine's family, and their presence slowed plantation work for slaves, overseers, and hired farm laborers. Initially John Augustine followed the precedential policies of his mother, father, and uncle Bushrod, publishing trespassing notices around the property, requesting letters of introduction to enter the Mansion, and denying the landing of steamboats on the Potomac River. But with his lands yielding such little profit, John Augustine decided to embrace this historical tourism, implementing business strategies to extract money from the thousands of visitors who journeyed to the home of George Washington. In order to bring more people to the estate, he entered into a contract with the proprietors of the Thomas Collyer to permit their steamboat to dock directly at Mount Vernon. He also promoted and invested in the construction of the Alexandria, Mount Vernon, and Accotink Turnpike Road, which was designed to make travel easier to Mount Vernon over land. As more visitors descended upon the grounds, he instructed slaves and laborers to sell bouquets of flowers, fruit, milk, and hand-carved canes to tourists. Beyond the property boundaries, he went into business with James Crutchett, who purchased timber from the estate and manufactured wooden Washington trinkets near the Baltimore and Ohio Railroad depot in the nation's capital. While John Augustine Washington capitalized on the American fascination with George Washington, these sales were not substantial enough to convince him to retain Mount Vernon. He attempted to sell the property to both the federal government and the state of Virginia, but both bodies were deeply mired in sectional and political partisanship. Convinced that neither would meet his terms, he agreed to sell 200 acres of the Mount Vernon estate, which included the Mansion, outlying buildings, and the family tomb to the Mount Vernon Ladies' Association (MVLA) in 1858 for $200,000. \u003c/p\u003e\n","\u003cp\u003eJohn Augustine and his family vacated Mount Vernon for their new home Waveland plantation in February 1860. About a year later the state of Virginia called for a convention to debate the issue of secession, and in April 1861, Virginia delegates responded to the firing on Fort Sumter by voting in favor of leaving the Union. John Augustine joined the Confederate Army as a lieutenant colonel, and he served as aide-de-camp to his relative by marriage, General Robert E. Lee. In September 1861, John Augustine was killed during a reconnaissance mission at the Battle of Cheat Mountain by a Union bushwhacker. In a letter to John's teenage daughter Louisa, Lee painfully informed her that her father \"fell in the cause to which he had devoted all his energies, and which his noble heart was earnestly enlisted.\" The two men had shared many conversations and moments together as tent mates, and Lee admired his unflinching \"devotion to Almighty God,\" assuring Louisa that \"He is now safely in Heaven.\" John Augustine was buried in the Zion Episcopal Churchyard in Charles Town, West Virginia, one of several Washington family members who fought and died for Southern independence. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["(Taken from the Digital Encyclopedia entry by Matthew Costello, George Washington's Mount Vernon website)","John Augustine Washington III was the great-grand nephew of George Washington and the last private owner of Mount Vernon. The fourth of five children, he was born on May 3, 1821 to John Augustine Washington II and Jane Charlotte Blackburn Washington. John Augustine spent his young childhood at his parents' Blakeley plantation near present day Charles Town, West Virginia, but after the deaths of Bushrod Washington and his wife Julia in 1829, the Mount Vernon estate became the possession of Bushrod's nephew, John Augustine Washington II. As the son of a wealthy Virginia planter, John Augustine enjoyed a comfortable lifestyle at Mount Vernon, developing interests in politics, hunting, and agriculture. After John Augustine Washington II passed away in June 1832, the estate was left to his widow Jane Charlotte, who vowed to maintain the estate to the best of her ability without involving her children's inheritances. While John Augustine Washington III preferred his more aristocratic pastimes, Jane insisted that he attend college after his father's death. He graduated from the University of Virginia in 1840, returning to Mount Vernon in September 1841 with a proposition to manage the estate for his mother. She agreed, loaning him twenty-two slaves and contracting his employment for five hundred dollars per year for seven years.","As the oldest living male heir, John Augustine Washington III positioned himself to take possession of Mount Vernon from his mother. While she did not pass away until 1855, she gave John Augustine the proverbial keys to the kingdom, granting him full autonomy to run the plantation as he saw fit. However, John Augustine quickly realized that the deteriorating Mount Vernon estate was a far cry from the profitable plantation that his great-great uncle George Washington once presided over. His primary means of income came from wheat and potato production, woodcutting, selling slaves and outsourcing slave labor, collecting land rents, and his herring operation on the Potomac River. However, soil degradation, poor harvests, temperamental weather, and the devastation of crops by insects and pests limited his agricultural returns. While he managed to slow Mount Vernon's financial decline, these endeavors were not enough to stop the downward spiral. In addition to facing these hardships, John Augustine also experienced constant interruptions by sightseers, many of whom wanted the meet the living descendent of General George Washington, see the Mansion, and ask questions about Washington's life. ","These visitors were considered a nuisance to John Augustine's family, and their presence slowed plantation work for slaves, overseers, and hired farm laborers. Initially John Augustine followed the precedential policies of his mother, father, and uncle Bushrod, publishing trespassing notices around the property, requesting letters of introduction to enter the Mansion, and denying the landing of steamboats on the Potomac River. But with his lands yielding such little profit, John Augustine decided to embrace this historical tourism, implementing business strategies to extract money from the thousands of visitors who journeyed to the home of George Washington. In order to bring more people to the estate, he entered into a contract with the proprietors of the Thomas Collyer to permit their steamboat to dock directly at Mount Vernon. He also promoted and invested in the construction of the Alexandria, Mount Vernon, and Accotink Turnpike Road, which was designed to make travel easier to Mount Vernon over land. As more visitors descended upon the grounds, he instructed slaves and laborers to sell bouquets of flowers, fruit, milk, and hand-carved canes to tourists. Beyond the property boundaries, he went into business with James Crutchett, who purchased timber from the estate and manufactured wooden Washington trinkets near the Baltimore and Ohio Railroad depot in the nation's capital. While John Augustine Washington capitalized on the American fascination with George Washington, these sales were not substantial enough to convince him to retain Mount Vernon. He attempted to sell the property to both the federal government and the state of Virginia, but both bodies were deeply mired in sectional and political partisanship. Convinced that neither would meet his terms, he agreed to sell 200 acres of the Mount Vernon estate, which included the Mansion, outlying buildings, and the family tomb to the Mount Vernon Ladies' Association (MVLA) in 1858 for $200,000. ","John Augustine and his family vacated Mount Vernon for their new home Waveland plantation in February 1860. About a year later the state of Virginia called for a convention to debate the issue of secession, and in April 1861, Virginia delegates responded to the firing on Fort Sumter by voting in favor of leaving the Union. John Augustine joined the Confederate Army as a lieutenant colonel, and he served as aide-de-camp to his relative by marriage, General Robert E. Lee. In September 1861, John Augustine was killed during a reconnaissance mission at the Battle of Cheat Mountain by a Union bushwhacker. In a letter to John's teenage daughter Louisa, Lee painfully informed her that her father \"fell in the cause to which he had devoted all his energies, and which his noble heart was earnestly enlisted.\" The two men had shared many conversations and moments together as tent mates, and Lee admired his unflinching \"devotion to Almighty God,\" assuring Louisa that \"He is now safely in Heaven.\" John Augustine was buried in the Zion Episcopal Churchyard in Charles Town, West Virginia, one of several Washington family members who fought and died for Southern independence. "],"prefercite_html_tesm":["\u003cp\u003e[Name and date of item], John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) Collection, [Folder], Special Collections, The George Washington Presidential Library at Mount Vernon [hereafter Washington Library], Mount Vernon, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Name and date of item], John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) Collection, [Folder], Special Collections, The George Washington Presidential Library at Mount Vernon [hereafter Washington Library], Mount Vernon, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThis diary may not actually be part of accession RM-848 as it is not mentioned in the initial inventory/correspondence. However, it was in the same box as the other diaries and the almanac when found on the shelf, therefore it was described with the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This diary may not actually be part of accession RM-848 as it is not mentioned in the initial inventory/correspondence. However, it was in the same box as the other diaries and the almanac when found on the shelf, therefore it was described with the collection."],"relatedmaterial_html_tesm":["\u003cp\u003eEarly Records of the Mount Vernon Ladies' Association ;\nPapers of the Mount Vernon Ladies' Association ;\nJohn Augustine Washington III and Eleanor Love Selden Correspondence ;\nJohn Augustine Washington III and Descendants Papers ;\nHistoric Manuscripts Collection\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Early Records of the Mount Vernon Ladies' Association ;\nPapers of the Mount Vernon Ladies' Association ;\nJohn Augustine Washington III and Eleanor Love Selden Correspondence ;\nJohn Augustine Washington III and Descendants Papers ;\nHistoric Manuscripts Collection"],"scopecontent_html_tesm":["\u003cp\u003eThis collection concerns the inheritance, maintenance, and sale of the Mount Vernon estate by its last private owner, John Augustine Washington III. A large majority of the collection is correspondence to or from John Augustine Washington III with a significant portion relating to the purchase of the estate by the Mount Vernon Ladies' Association. Three diaries kept by John Augustine are also included and contain important information about his slaves, agricultural practices, and finances. Other types of material in the collection include legal documents, receipts, photographs, and ephemera. Photocopies were made for most of the manuscripts and can be viewed as surrogates to the originals. \u003c/p\u003e\n","\u003cp\u003eDescendants of John Augustine Washington III maintained ownership of these records until 1990 when they were sold to Gary Hendershott, a manuscripts dealer from Little Rock, Arkansas. The Mount Vernon Ladies' Association purchased the collection in October 1990.\u003c/p\u003e","\u003cp\u003eLists signatures and states that all members of Congress would sign if requested.\u003c/p\u003e","\u003cp\u003eStates they are now the \"best of friends.\" She is angry at people who denigrate his motives. Wants to make known his true nature.\u003c/p\u003e","\u003cp\u003eMrs. Ritchie requests he arrive at the theatre a little after 12:00 so all guests may be seated prior to the rise of the curtain.\u003c/p\u003e","\u003cp\u003eShe had sent her present of flowers to Mrs. Madison, and they were \"greatfully\" received.\u003c/p\u003e","\u003cp\u003eHis mother wants help valuing her sheep. Describes one offer for Mount Vernon with great disdain. They want to have entertainments there. He has great respect for \"your manly pride.\"\u003c/p\u003e","\u003cp\u003eApologizes for having intruded too much on his privacy during a recent visit when Mrs. Ritchie and others of the ladies \"took forcible possession of me\" and requested cuttings of flowers. Hopes he will establish a Botanic Garden and suggests a location for a Mausoleum.\u003c/p\u003e","\u003cp\u003eDescribes her return from Mount Vernon in much rain. Discusses crops. Gives instructions for sending things to her. Asks report of conversation that was \"highly derogatory to me.\" Feels items should be sold to visitors so they will not pilfer mementos.\u003c/p\u003e","\u003cp\u003eUrges sale of Mount Vernon to Virginia rather than to a private sale.\u003c/p\u003e","\u003cp\u003eResolution wants to change the site of the Military Asylum to Mount Vernon if a part of the estate can be purchased at a reasonable price.\u003c/p\u003e","\u003cp\u003eIntroduces some friends who wish to visit Mount Vernon.\u003c/p\u003e","\u003cp\u003eGives family news and an account of a visit by a gentleman who spent the night at Mount Vernon and gave $5 to West Ford. Discusses sale of a slave to his cousin. Has heard of a bill by the federal government to purchase Mount Vernon and wishes it would be accepted. Mentions prices and terms.\u003c/p\u003e","\u003cp\u003eIs sending oats and other items to Mount Vernon. Urges him to pursue his studies. Wishes him to send some oysters and sugar.\u003c/p\u003e","\u003cp\u003eSends funds for completing the vault at Mount Vernon and authorizes him to take more money from his bank if necessary.\u003c/p\u003e","\u003cp\u003eThanks him for the many civilities experienced by them during their visit to Mount Vernon. Sends a piece of a branch of a fig tree cut from the birth spot of \"your immortal ancestor.\"\u003c/p\u003e","\u003cp\u003eIs against his plans for Mount Vernon and opening it to \"every low idler.\" Discusses payments and what form they would take.\u003c/p\u003e","\u003cp\u003eBrief note of regards, translated by J. Perkins.\u003c/p\u003e","\u003cp\u003eHeard about people being charged to enter the garden. Wishes he would stop this.\u003c/p\u003e","\u003cp\u003eWants to know price and terms of sale of Mount Vernon. If not for sale, could it be leased. (Contains typed transcript.)\u003c/p\u003e","\u003cp\u003eWas glad to hear that Mount Vernon was not for sale as it should remain in the hands of the Washington family. Wishes to \"establish a house of entertainment in the vicinity of Mount Vernon.\" Asks questions as to materials and location of such. (Contains typed transcript.)\u003c/p\u003e","\u003cp\u003eIs in the market to purchase negroes as one of his men, Alfred, has run off. Wants to know whether she still wishes to dispose of her negroes and what her price would be. He could pay $500 cash and then pay off the principal in a year or two.\u003c/p\u003e","\u003cp\u003eLists names of executors and legatees and their shares and values.\u003c/p\u003e","\u003cp\u003eTells him of an upcoming visit to Washington and Mount Vernon by a \"highly respectable volunteer corps.\" They wish to arrive by boat and see the tomb of Washington. He understands permission to do so is necessary.\u003c/p\u003e","\u003cp\u003eIs worried his health is suffering by his labors at Mount Vernon. Hopes he will accept any reasonable offer by the U.S. Government for it. Went into town to have magistrates witness her acknowledgment of the deed of release. Discusses a suit brought by Judge Douglass and the health of various family members.\u003c/p\u003e","\u003cp\u003eDoubts whether an offer will be made by the U.S. Government. Hopes it would as she feels his health is suffering from attending to business at Mount Vernon. Recommends someone to help him acquire an overseer. Was paid money for him. Discusses the failing health of Dr. Alexander's mother and others.\u003c/p\u003e","\u003cp\u003eIs horrified to learn of auction of Wood Lawn. Proposes to run a steamboat between Washington to Wood Lawn, Fort Washington, Mount Vernon, and the White House. Gives references. Pledges to bring members of Congress there and feels it would enhance the chances of the purchase of Mount Vernon by the government. Suggests it could be used as a summer home for the President. Discusses various items left by Washington and the soon to be completed Chesapeake \u0026amp; Ohio Canal. (contains typed transcript)\u003c/p\u003e","\u003cp\u003eTells him of a letter he received from an unknown man who wants to obtain a tree from Mount Vernon to transplant in France to shade the bench of Christopher Columbus which he possesses.\u003c/p\u003e","\u003cp\u003eRecommends leaving it to Congress to propose a price for the purchase of Mount Vernon. She feels he wants too much for it, and that it really should not be sold. Gives family news. Gives advice on his search for an overseer.\u003c/p\u003e","\u003cp\u003eFirst letter discusses the Supreme Court taking on the suit of Mr. Hammond against General Washington. Bassett says he discharged all debts owed by Captain Lewis. There is another copy of the names of executors and legatees and their shares and values. Discussions of various debts owed to different people.\u003c/p\u003e","\u003cp\u003eDiscusses various suits, mostly Hammonds, against the estate and their current status. Many people have died since 1827 when they were last listed. Will take a long time to find people.\u003c/p\u003e","\u003cp\u003eDiscussion of the Hammond suit and payments still owed to various creditors, to be paid by all the legatees of General Washington's estate. Most dollar figures are left blank to be filled in later. Prompt payment by all legatees is required.\u003c/p\u003e","\u003cp\u003eDiscusses his father's will and his lack of knowledge of the whereabouts of various other people mentioned in JAW's letter.\u003c/p\u003e","\u003cp\u003eAnswering his inquiries as to various relatives. Suggests he write to the clerk of Kanawha County for the information he requires. Suggests he contact Andrew Parks who probably has all the facts.\u003c/p\u003e","\u003cp\u003eDiscusses sale of swamp land. He paid the taxes on it for the Washington heirs. The land is not worth much since the timber had been taken from it by many people over the years. Would like to be reimbursed for the money he paid.\u003c/p\u003e","\u003cp\u003eHe wishes to meet with him in the middle of November, at which time they can conclude their business.\u003c/p\u003e","\u003cp\u003eDiscusses the bill in Congress to purchase Mount Vernon. Wants assets divided up between her children so all are taken care of. Tells of Charles' upcoming marriage before he leaves for California.\u003c/p\u003e","\u003cp\u003eDiscusses the codicil of his father's will. Mrs. Washington is not compelled to sell. Upon her death, the heirs may sell despite the codicil. Suggests Mrs. Washington partition the land before her death in order that JAW may do \"what you please with the land.\"\u003c/p\u003e","\u003cp\u003eInvites him to the wedding of his oldest daughter the next week.\u003c/p\u003e","\u003cp\u003eHas been in Charlestown attending services for the week. Is amazed at the prospect of $200,000 being paid for Mount Vernon by the government. Wants him to send fish and to pickle some \"Rock.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription included) George Page and a surveyor from Maryland wanted to survey land in the Potomac River adjacent to Mount Vernon with the object of bringing steamboats there. Was notified he would be charged with some offense by Maryland. Makes him aware that the compact between the states means they have no claim on him.\u003c/p\u003e","\u003cp\u003eFirst letter – wants to know if Mount Vernon Estate will be sold. Second letter – understands the government might become the owner of the estate and wants to meet.\u003c/p\u003e","\u003cp\u003eWants him to petition the Court to finally settle the estate of General Washington.\u003c/p\u003e","\u003cp\u003eFirst letter – wants to examine Mount Vernon with a view to the establishment of a military asylum for the relief of soldiers. Second letter – tells him the price for Mount Vernon is too high, and purchase of a location nearer Washington will be undertaken.\u003c/p\u003e","\u003cp\u003eAn account by a boat company of receipts over the past year.\u003c/p\u003e","\u003cp\u003eDiscusses the landing of boats at Mount Vernon without JAW's previous knowledge. Wants them to be allowed to dock if they pay the usual fare to him.\u003c/p\u003e","\u003cp\u003eAcknowledges payment for the pianoforte. Wants four walking sticks cut from near General Washington's tomb to be sent to monks in Italy.\u003c/p\u003e","\u003cp\u003eAgreement to sell 200 acres of Mount Vernon for $200,000. Includes all buildings and the tomb, as well as furnishings currently there. Also will allow heirs to be buried there. He may not sell the estate without first offering it to the U.S. Government and the State of Virginia for no more than $350,000.\u003c/p\u003e","\u003cp\u003eHas been unable to contact other parties to the contract. Hopes to be able to do so soon.\u003c/p\u003e","\u003cp\u003eA committee of the House of Delegates has been appointed to consider the purchase of Mount Vernon. Wants to meet him in Alexandria to discuss this.\u003c/p\u003e","\u003cp\u003eEncloses a newspaper clipping about the acquisition of Mount Vernon by the State of Virginia. Tells him the committee of five will look into the will of the people as to this acquisition.\u003c/p\u003e","\u003cp\u003eAddressed only to \"Mrs. Washington.\" Unclear whether it is addressed to Mrs. Jane C.B. Washington or Mrs. Eleanor L.S. Washington. (Typed transcription included) Has heard that Mount Vernon is for sale, possibly to northern people. Feels the Ladies of the South might instead procure it and wants to know the price.\u003c/p\u003e","\u003cp\u003eDoes not wish to part with Mount Vernon but wishes to keep it from the changeable fortunes of a family and to ally it to the State. Would sell 200 acres with stipulations for $200,000. If the State wants to establish a model farm there, he would sell an additional 1,000 acres for $300,000. Invites them to visit.\u003c/p\u003e","\u003cp\u003eDiscusses his offer to sell Mount Vernon to the state. Says $200,000 is less than the property could sell for on the market. Talks about having a model farm as nothing meant more to Washington than farming. Would welcome them to visit. Reminds them that his terms cannot be materially modified.\u003c/p\u003e","\u003cp\u003e(Typed transcription included) Says he is asking less money of the state than he had been offered by others. Tells them of his desire for a model farm as the pursuit of an improved system of agriculture was of great importance to General Washington. Would welcome a visit from them.\u003c/p\u003e","\u003cp\u003eWants to clear up suggestions that he is falsely referring to higher offers for Mount Vernon.\u003c/p\u003e","\u003cp\u003eThe Committee feels the price for Mount Vernon \"is enormous.\" Would prefer the money to be used for a rail road.\u003c/p\u003e","\u003cp\u003eDraft in writing of John Augustine Washington III. Addressed to \"Miss Cunningham\" but could also be a response to Louisa Cunningham's letter instead of Ann Pamela Cunningham. Praises the women of the south for their affection for Washington. Does not wish to dispose of the property except to the government of the United States or Virginia and so declines the proposition from the \"Ladies of the South.\"\u003c/p\u003e","\u003cp\u003eDraft thought to be in the writing of Jane C.B. Washington. Identical text to previous letter (draft in the hand of John Augustine Washington III).\u003c/p\u003e","\u003cp\u003eEncloses a power of attorney and some other letters. Has agreed to reduction of $50,000 on 1000 acres. Will accept nothing less than $200,000 for the 200 acres. Agrees to pay him 5% of what he gets from either government agency, provided it occurs in the current session.\u003c/p\u003e","\u003cp\u003eThe state might be willing to pay $50,000 per year for four years for Mount Vernon but not the total of $200,000 at once. Wonders what is happening with the federal government. \"Things are coming to a head rapidly.\"\u003c/p\u003e","\u003cp\u003eAs long as negotiations with Virginia remain open, it would not be proper for him to entertain any proposals from other parties for the purchase of Mount Vernon. Might be interested in the future in making an offer.\u003c/p\u003e","\u003cp\u003eFeels priority should be given to Congress to purchase Mount Vernon, and therefore Virginia is holding off on more committee meetings. Wants him to be there for future committee meetings.\u003c/p\u003e","\u003cp\u003eUrges him to meet with Arthur Taylor as his representative in the proposed sale of Mount Vernon. Requests that he not send papers to Col. Bissell before meeting with him.\u003c/p\u003e","\u003cp\u003eHas the papers from Mr. Washington and wants to meet with him to discuss the sale of Mount Vernon to the U.S. Government.\u003c/p\u003e","\u003cp\u003eAssures him that he has not given the letters from him to Mr. Bissell and has requested Mr. Taylor to come see him.\u003c/p\u003e","\u003cp\u003eEncloses the previous letter and hopes they will be able to meet soon. Feels it best to not commit to any course with the U.S. until a definite answer comes from the Virginia Legislature.\u003c/p\u003e","\u003cp\u003eInvites him to come to his lodgings at any time at 9 a.m.\u003c/p\u003e","\u003cp\u003eIs unable to return to his \"hospitable roof\" at this time. Values the time she was there and having been \"entrusted with the training of such bright intelligences.\"\u003c/p\u003e","\u003cp\u003eReports on his share of earnings from \"Washington's Writings.\" Many copies of the book were destroyed in a fire, but the stereotype and engraved plates were in a fire proof vault.\u003c/p\u003e","\u003cp\u003eFeels it is very important for him to communicate with the federal government and is willing to help in any way.\u003c/p\u003e","\u003cp\u003eMr. Taylor shared his letter proposing to bring the subject of the purchase of Mount Vernon again before Congress. His terms are already known to him – the same as those agreed to for the State of Virginia.\u003c/p\u003e","\u003cp\u003eWants to bring up the purchase of Mount Vernon in Congress but wants to know just what terms he agreed to with Virginia. Wants the Northern States to purchase it.\u003c/p\u003e","\u003cp\u003eGives terms of sale, including that family members still living may also be buried there. Additional property to total 1000 acres may be purchased for $300,000, for a model farm as suggested by Gen. Washington. Tells him the state of Virginia had proposed the sale for less than he wanted which he refused.\u003c/p\u003e","\u003cp\u003eEncloses a copy of the bill reported to the House of Delegates Committee for the purchase of Mount Vernon. He told them it would not meet with JAW's approval. Urges him to move quickly on the Turnpike matter for this session.\u003c/p\u003e","\u003cp\u003eIs very desirous of having the State of Virginia take possession of Mount Vernon and \"have the sole control and ownership forever.\" Wants to know what terms he proposes.\u003c/p\u003e","\u003cp\u003eGives him the terms of sale. The Washington family shall be permitted to be buried on the site, and no remains shall ever be disturbed. The price shall be $200,000, with an additional 800 acres available for $100,000 more\u003c/p\u003e","\u003cp\u003eWill not accede to propositions of the steamboat company. Will be busy for a few weeks but wants to see a copy of the agreement currently in effect.\u003c/p\u003e","\u003cp\u003eTells him of Mrs. Mason presenting \"a remonstrance against your turnpike.\" Wants access to $250 at Farmers Bank in Alexandria.\u003c/p\u003e","\u003cp\u003eDiscusses payments based on sales of \"Washington's Writings.\" Tells percentages paid to various legatees.\u003c/p\u003e","\u003cp\u003eDiscusses quarrelling and squabbling among the ladies purchasing Mount Vernon. Is concerned about security around the remains of George Washington.\u003c/p\u003e","\u003cp\u003eWants him to send a letter to him so he may correct disparaging remarks made about his impending sale of Mount Vernon.\u003c/p\u003e","\u003cp\u003eIs writing to her as requested by JAW. Describes a woman mourning her deceased eight-year-old son. Includes a poem about grief and moving on after death of a child.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Mr. Mason very much wants to meet him and getting a letter from JAW that would announce the news of their \"progress.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Thanks him for the kindness of him and Mrs. Washington on her recent visit to Mount Vernon. Urges him to send a letter to be published about the sale of Mount Vernon before the news is released by someone else.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Assures her he does not care what others say about him and remains hopeful of selling Mount Vernon to the State of Virginia.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Explains the absence of Mr. Toombs when JAW came to see him. Tells him why she is now dealing with Mr. Toombs rather than Mr. Mason.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Hopes to meet him in Washington City as she will be there for a few days during her travel south. Wants a thorough understanding of his wishes and intentions before meeting with the governor of Virginia.\u003c/p\u003e","\u003cp\u003eWants him to reconsider his determination as expressed in his letter in the National Intelligencer and put the estate under the care of the State of Virginia. (This is a copy of a letter written by Anna's husband.) Second letter, dated March 5, 1857 on same paper: Refers to letter copied out by her. Is certain a sufficient sum will have been raised by February 22 to enable Virginia to purchase Mount Vernon.\u003c/p\u003e","\u003cp\u003eUrges him to reconsider his determination as expressed in his letter to the National Intelligencer and consent to place the estate once more at the disposal of Virginia which has an arrangement with the \"Ladies' Mount Vernon Association of the Union.\"\u003c/p\u003e","\u003cp\u003eHis musical association played a concert on behalf of the \"Ladies Mt. Vernon Association\" at which $100 was raised. The musical group would benefit greatly from receiving this money back if Mr. Washington has no plans to sell to the Ladies Association.\u003c/p\u003e","\u003cp\u003eWould love to spend time at Mount Vernon, but his schedule will not allow at this time. His book will be published during the winter and spring, but he doesn't feel a visit would add anything.\u003c/p\u003e","\u003cp\u003eHe remains willing to place Mount Vernon in the hands of the State of Virginia, under his terms which the state has not seemed to want to meet. The proposal to have Mount Vernon by under the Mount Vernon Ladies Association of the Union is unacceptable to him. Doubts they could maintain the estate in perpetuity. It would then be taken over by the state.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Identical to previous letter.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Responding to his letter to Mr. Ritchie. Urges him to put out that the Ladies are to raise $200,000 on behalf of the State of Virginia for the purchase of Mount Vernon.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Does not wish to publish parts of letters. Feels \"nothing but silent contempt can put them at rest.\"\u003c/p\u003e","\u003cp\u003e(W.L. Underwood – most likely Warner Lewis Underwood, Kentucky Senator) Tells JAW that if his current negotiations for Mount Vernon should fall through that his organization would be pleased to enter into further discussions.\u003c/p\u003e","\u003cp\u003eAgain says he wishes Mount Vernon to go to the State of Virginia, to be decided upon by the current session of the General Assembly.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Wants to know who told her that he was \"willing… for a pecuniary consideration to break engagements and promises.\"\u003c/p\u003e","\u003cp\u003eThe Masonic Brotherhood is interested in purchasing Mount Vernon. Thanks him for the tour the previous day. Apologizes for the bad behavior of one member and hopes that will not prejudice him against the Fraternity.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) She met with the governor who told her the \"Extra Session\" of the Legislature was for the \"presidential contest,\" so the Legislature will not be meeting again until the next winter. Realizes this delay is not pleasing to him.\u003c/p\u003e","\u003cp\u003eInquires whether any action has been taken by the Legislature or is likely to be.\u003c/p\u003e","\u003cp\u003eTells him no action has yet been taken by the Legislature but feels sure it will be taken up after the Christmas recess, after which the ladies will be enabled to purchase Mount Vernon and have its title transferred to Virginia.\u003c/p\u003e","\u003cp\u003eDiscusses various prices for Mount Vernon and quotes JAW as vehemently denying that he wanted the remains of General Washington moved. He wishes the estate to be the property of the United States and all the people.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Tells him she has been very ill but is sure that the Legislature will act.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Labeled as Private. Tells him Gov. Wise is \"inimical to our 'cause'\" which is the reason the Legislature has not taken up the subject of the purchase of Mount Vernon.\" Talks of the financial crisis which is being felt by \"we victimized cotton planters.\" Tells him of the impending sale of copies of a portrait of Washington.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) She writes of her illness and lack of strength. The Constitution of the Association was signed by the governor. Tells him various Masonic orders have decided to become allies of the Association. Hopes to have the contract signed between Virginia and him on the 22nd of February.\u003c/p\u003e","\u003cp\u003eInvites recipient to the elevation of the Statue of Washington on February 22 in Richmond.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Labeled as Private. Is looking forward to the inauguration of the Washington statue. Wants him to vow that the Ladies of the Association are the \"very best friends you have in the world.\" Tells him that Gov. Wise is no friend to him or to her and this cause.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Has a document that states Virginia will purchase Mount Vernon from him and encloses a copy of the bill. Is sure the governor will act strongly to defeat this. Wants him to attend the address by Mr. Everett a few days before the 22nd of February. Tells him how lucky he is to get $200,000 in \"these awful times.\"\u003c/p\u003e","\u003cp\u003eGives price of sale of $200,000 for 200 acres of the Mount Vernon estate and pledges the MVLA to guarantee to not disturb any remains currently there and to allow descendants of JAW to also be interred there.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Praises him for agreeing that Mount Vernon is to be a public shrine and to limit interments there. Gen. Chapman included that in the third reading of the bill. Discusses the building of a new mausoleum for Washington which would not go against his will. Talks of her illness.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Tells her the disposition of family remains, as well as those of General Washington, are his biggest concerns in the sale.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Hopes he is happy about the bill as read in the Legislature. Tells him it is she and not the Committee who wants to arrange for a magnificent mausoleum. Closes by saying she is too exhausted to \"even give a hint of the nature of woman's revenge should you not be in a state of delight over our bill!!!\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Remains adamant as to a future mausoleum as Washington stated where he wished his remains to be. Cannot travel to Richmond at present due to the illness of Mrs. Washington.\u003c/p\u003e","\u003cp\u003e(Agreement ends with reference to the 10th of February) Deals with payment of $6,000 to heirs of W.F. Alexander and Anna Alexander as a share of Mount Vernon. Expressly says none of these heirs have any claim to the proceeds arising from a sale of Mount Vernon, other than the $6,000.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Tells him that though Gov. Wise is no friend to the Mount Vernon cause, he did not intend to put his remarks under the head of Lunatic Asylum. It was a complete accident.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Encloses another article by Mr. Pryor who is \"using his art to arouse the fear, \u0026amp; cupidity of the timid \u0026amp; narrow minded of this Legislature.\" Asks him about his previous offer from a company to purchase the estate, and that he wanted to wait for Congress to act.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) States that his price for Mount Vernon has always been $200,000, since he gained control of it in 1849. Asks whether he ever made an offer for Mount Vernon for $100,000. If so, under whose authority was it made?\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Wants to confirm with him that his offer to sell Mount Vernon as a site for the Military Asylum in 1851 was for $200,000 and not $100,000.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Tells her of a contract with a gentleman to sell him 200 acres of Mount Vernon for $200,000 with the condition that the property should be offered to the U.S. and to Virginia. If neither purchased it, he should take the property. He then offered $50,000 to release him from that obligation, but JAW refused. Says he never has offered it for sale in public or private.\u003c/p\u003e","\u003cp\u003eSays he was authorized by JAW to offer Mount Vernon for a Military Asylum for $100,000. Will search for papers to confirm this.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Advises that on March 25, 1851, he made an offer to sell about 150 acres of the Mount Vernon estate for $200,000 for an Army Asylum or some other government purpose.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Labeled as Private. Thanks him for sending a copy of the correspondence of Gen. Scott. Miss C. is intensely engaged in getting past Mr. Pryor's malicious misrepresentation of the Bill. If he can defeat us, he will.\u003c/p\u003e","\u003cp\u003eReiterates that Alexander and his heirs have no claim to any proceeds arising from a sale of Mount Vernon beyond the agreed upon $6,000 and requests him to add a paragraph to that effect to the agreement they will both sign.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Wants him to come see her in Richmond, despite his recent fall. Refers to the animosity of Mr. Pryor toward the bill. Wishes there could be an Extra Session for it to pass.\u003c/p\u003e","\u003cp\u003eAgain states his disagreement with Mr. McKenzie's assertion of his having offered $100,000 for Mount Vernon. No one else knew of such an offer. Gen. Scott agrees with JAW in his recollections. Tells her of a recent fall from a horse which will prevent his visit to Richmond on the 22nd.\u003c/p\u003e","\u003cp\u003eUrges him and his family to attend the inauguration of the equestrian statue of Washington on the Capital Square in Richmond. Says he would be pleased to host them at their home near the city.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Is uncertain whether he will be able to travel to Richmond and wants her to update him on matters related to the Bill as \"I have not in any manner approached\" any of his friends or acquaintances on the subject. It is important for her to convince members that the association only needs the name of the State which will not be called upon to pay any of the money for the purchase.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham begs him to attend Mr. Everett's oration and hopes to speak to him on the Square tomorrow.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Continues to be unwell. Introduces him to Mr. A.H.H. Dawson of Georgia, \"an eccentric genius.\" He is devoted to the purposes of the Association and has delivered an address about it in 30 towns in Georgia. Urges him to come to Richmond to meet with members of the Legislature.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Is sorry he was unable to call on her before leaving Richmond. Wants clarification about alterations Mr. Yancy thought necessary in the paper he left with her. He wants a decision by the Legislature, yes or no, soon.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Tells him that the Legislature is \"in a row\" and will not pass any bills before an Extra Session. Wants him to bring a contract to her so they are prepared for any contingencies. Tells him of her illness of the lungs and her treatment.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Reiterates the importance of the sanctity of the family burying ground. Wants to have some alterations and additions of a substantial permanent character made to the present vault, with a durable enclosure around it. He is open to payment in stocks or cash for the estate. Says they should have an act of incorporation before signing a contract.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Gen. Chapman was drawing up an act of incorporation before the bill comes up. He said Virginia must not hold the tomb; the Association must hold it. She remains very ill. \"yrs in much suffering\"\u003c/p\u003e","\u003cp\u003eIs preparing a pamphlet to defend JAW against detractors and wants copies of correspondence he had with Gen. Scott and others about possible purchase of Mount Vernon.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) The bill in Virginia for the purchase of Mount Vernon, to be refunded by the MVLA, was defeated in the House of Delegates. In addition Congress cannot purchase land in a sovereign state without its consent. Tells him it should be the property of the Nation and should be sold to the MVLA. \"With grateful women pledged to guard the sacred ashes of Washington and to adorn his home for a national shrine.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Says it has become obvious that neither Virginia nor the U.S. wish to purchase Mount Vernon. Therefore \"the women of the land will probably be the safest as they will certainly be the purest guardians of a national shrine.\" He waits for her to make a proposal to him.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham requests that he answer the letter she gave him relating to the purchase of Mount Vernon and to return it to her. She will give him a copy.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Is returning her letter to him as it seemed to be improperly dated and lacked her signature. When she remedies those defects, he will send an answer.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Wants to meet with him on Saturday morning in Alexandria to sign the contract.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Is very unhappy about delays put forth by Messrs. Macfarland \u0026amp; Myers. They felt there had to be an acceptance of the contract by all or a majority of the Vice Regents before it could be signed. They can do this by telegraph, permitting Mrs. Ritchie to act for them.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Urges him to come without delay. It was thought things would be delayed as Mrs. Walton's husband had died, but now Mr. McFarland advised them to send for him at once. Miss Cunningham is not good and needs to bring matters to a close \"ere it be too late.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Wants him to come see her that afternoon or evening as Dr. Beale \"considers it necessary to apply a severe blister without delay.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed – labeled Private) Upon reflection she feels the letter she sent him for publication is not to be published. She does not wish to \"make enemies even in a State which has given me so little cause to respect it.\" Mrs. Ritchie will work on a better worded one which she will send to him.\u003c/p\u003e","\u003cp\u003eHe deposited money to his credit for the contract and wants to know if this was correct. Tells him the pony he was inquiring about is not for sale. Also felt much concern about the accounts of the fisheries. Looks forward to a visit with him.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Encloses the plat of the 200 acres of land he agreed to sell to the MVLA. Wants him to sign it and return it.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) About the plat, he is having the land resurveyed and \"have the necessary corners stones set.\" He will send it back with a signature after that. Also encloses her letter of March 12 and wants a copy of her letter as published with her signature.\u003c/p\u003e","\u003cp\u003eWants to know if George Thorburn may visit Mount Vernon in the 28th of May to inspect the grounds in regards to the improvements to be made. He is \"no doubt the first horticulturist in America\" and a plain, unpolished person. It would be good for JAW's surveyor to meet with Mr. Thorburn to go over the grounds.\u003c/p\u003e","\u003cp\u003eHe is \"exceedingly provoked\" at the newspaper coverage in connection with the sale of Mount Vernon. As a college friend he felt he had to contact an editor and correct the information. He hopes he did not make the situation worse.\u003c/p\u003e","\u003cp\u003eAgain requests he host the \"celebrated florist\" at Mount Vernon to look over the grounds before they come to Mount Vernon on the 29th for a few hours.\u003c/p\u003e","\u003cp\u003eAgrees to have Mr. Thorburn come and meet with surveyors. Asks if Mr. Thorburn could be appointed the Agent of the Association in drawing up with the surveyors the lines of the 200 acres. He will \"grant any reasonable request of the Association.\" Hopes to see Mr. Ritchie and her while he yet resides at Mount Vernon.\u003c/p\u003e","\u003cp\u003eThe first attests to receipt of interest on the $6,000 owed to Mrs. Jane Washington. \tThe second is for $2,000 as part of the $6,000 owed.\u003c/p\u003e","\u003cp\u003eUrges him to reduce the price of Mount Vernon to $150,000 so as to better fund all the expenses associated with its ownership by the MVLA. Tells him to buy land in \"some of the new states\" with that money.\u003c/p\u003e","\u003cp\u003eWants to know what stocks or bonds would be acceptable as part of the purchase price. Gives the current rate of Virginia stock.\u003c/p\u003e","\u003cp\u003eAcknowledges his decline to the proposition.\u003c/p\u003e","\u003cp\u003eReplying to a previous letter. Cannot answer the questions of Miss Lewis as he does not remember where Col. Fielding Lewis died. Her wishes are an illusion. Wonders if some land in Kentucky is what she is dreaming of. Hopes the Ladies will be able to preserve Mount Vernon after they complete the purchase.\u003c/p\u003e","\u003cp\u003eAs a new Mason, wants to know if he will amend the contract to state that the property will revert to the United States or the Masonic Fraternity in the event of a dissolution of the MVLA and not to the state of Virginia.\u003c/p\u003e","\u003cp\u003eWrites to her cousin about an article in the paper that morning that was a \"vile abolition libel on you.\" Wants to assure her lady friends that it is untrue.\u003c/p\u003e","\u003cp\u003eIs involved in illustrating an article about Mount Vernon as it is of interest to the American people. Wants to visit to sketch objects that have not been drawn. The MVLA is in favor of such an article to assist with their fund raising.\u003c/p\u003e","\u003cp\u003eIs amazed at the scurrilous attacks made on him by Northern Papers which are calculated to embarrass the Mount Vernon Association.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Thanks him for his letter about the calumnies in some Northern newspapers but has no desire to enter into a controversy with the papers.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed – labeled Private) Wants him to tell her of his agreement with Mr. Crutchett of Mount Vernon Cane Factory who was given permission to come and cut trees on the estate. Asks what value he puts on the remainder of the estate contiguous to the 200 acres.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Gives details of his contract with Mr. Crutchett which expired in February 1856. He was permitted to take more trees before January 1857. He has no right to \"come upon the property I have sold the Association to cut timber.\" Has not put a price on the remainder of Mount Vernon.\u003c/p\u003e","\u003cp\u003eThanks him for the hospitality given to him and his sister on their visit to Mount Vernon.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham was happy to hear his account of the transactions with Mr. Crutchett. Wants him to come to Philadelphia to confer upon private matters of great importance to the Association and himself. She is equally interested in the final settlement of the boundary lines.\u003c/p\u003e","\u003cp\u003eFirst letter (incomplete) congratulates him on the sale of Mount Vernon. Requests return of portrait of his mother. Second letter thanks him for agreeing to return the portrait. He and his family would very much like to visit Mount Vernon again before it becomes public.\u003c/p\u003e","\u003cp\u003eHopes he can come to Washington to meet with him. Wants Mr. Washington to stay with him to \"pay off the debt of visiting you at Mt. Vernon.\" Miss Cunningham is making arrangements to pay the first bond with interest in December.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed – labeled Private) Looks forward to making payment of the first installment. Mr. Riggs will pay sums of $5,000 as soon as it is raised. Hopes to be able to pay the remainder of 2d installment on 1st of January 1859. Begs him to keep these matters as a \"profound secret.\"\u003c/p\u003e","\u003cp\u003eMiss Cunningham wants to make the first payment on December 14, the anniversary of Washington's death.\u003c/p\u003e","\u003cp\u003eTells him of payment to Burke \u0026amp; Herbert of $10,000 on that day.\u003c/p\u003e","\u003cp\u003eTells him the box containing the chairs has not yet arrived. He wants to be allowed to pay for the repairs necessary to the chairs. Invites him and his family to visit him in Richmond before they go farther away from it.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed – labeled Private) Wants to make the first payment on the 1st, but this is a holiday. Urges him not to risk sending the plat executed by Washington himself but to have it be lithographed. Wants to clear up the boundaries. Tells him to keep the discussion of the sale of additional land private.\u003c/p\u003e","\u003cp\u003eWants to gather branches from the estate in order to make canes to sell to aid in the purchase of Mount Vernon.\u003c/p\u003e","\u003cp\u003eTheir project would require the consent of the Regent of the MVLA.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed – labeled Confidential) Miss Cunningham is too ill to reply to his last letter. Lets him know his presence might be required on the 22nd but all arrangements must be kept private. The upcoming payment will be about $14,000.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Urges him to accept the money already paid to him (for the \"selling your relations bones.\") He already received more money than the estate was worth. Note on the letter states he ensured his control over the remains in \"such a way that they can never be sold by any one.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Does not want to go to Philadelphia unless it is absolutely necessary. He recently heard that Mrs. Esther M. Lewis (widow of Lorenzo Lewis) wants to present the harpsichord that was given to Nelly to the MVLA.\u003c/p\u003e","\u003cp\u003eThanks him for copy of the inscription on a bust. He realized he had not copied the pencil sketch of the Destruction of the Bastille. Would JAW please have a photograph of it sent to him for an upcoming book on the history of Mount Vernon. Will send a copy of the book to him in September when it is published.\u003c/p\u003e","\u003cp\u003eAcknowledges receipt of $1,000 which completes the payment of $6,000 owed to Mrs. Jane Washington.\u003c/p\u003e","\u003cp\u003eThe Regent wants JAW to not allow any more sketches to be made of Mount Vernon or the grounds without her consent. Attached is a copy of an advertisement for sale of a portrait of Washington. The Mount Vernon Record gives an account of fund raising to date. Mr. Everett thanks Devereux for sending him a copy of the Farewell Address.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Requests her to send him definite instructions to enable him to prohibit people from making sketches of Mount Vernon.\u003c/p\u003e","\u003cp\u003eTells them he has written to the Regent requesting her instructions about the matter they raised with him.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) The Regent now feels that it would \"not be practicable for you to refuse privileges hitherto granted\" in the matter of sketches. There is also a newspaper clipping with letters from JAW and the Regent about the sale of Mount Vernon.\u003c/p\u003e","\u003cp\u003eThey wrote to him on the 14th as the Regent was prostrated. Requests any material he might have about the area in England where Washington's ancestor came from.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Tells her of terms under which they ran their steamboat to Mount Vernon. They paid him money with the understanding that he would make repairs to the wharf and footway, under the agreement, but he did not. He ordered his captain to have it done and will retain that money.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Encloses a copy of the previous letter and asks him to advise her as to her response to Mr. Bryan.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham much enjoyed his previous letter and its humor. Hopes he will waive the requisition of 10 days notice before receiving payments. Can give him at least 30 days notice before requiring possession, and hopefully 60 days. She has \"been very much of an invalid for many weeks.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Wants him to come to Philadelphia around the 10th or 12th so they may consult in regard to the future. They can have the boundary line settled and put many business affairs in order. Miss Cunningham intends to make a payment on the last installment as soon \"as you will receive it.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) He will travel to Philadelphia and meet with her on Wednesday. Will give directions to Messrs. Burke \u0026amp; Herbert for the last installment.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham wants him to arrive on Thursday and then accompany her to hear Mr. Everett in the evening. She and Mr. Everett would then meet with him on Friday.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) He agrees to come to Philadelphia on Thursday and meet as she suggests.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) The Regent wants him to \"have the kindness not to speak of the particulars of your interview with her.\" She also requests him to confer with Mr. Herbert, after which Mr. Herbert should meet with Mr. Riggs and let her know the arrangements he would be willing to make. \"This matter she particularly desires should be confidential.\"\u003c/p\u003e","\u003cp\u003eWants him to send him the photographs of the Picture of the Bastille and let him know what he owes for this service. Thanks him for his kindness in all this matter.\u003c/p\u003e","\u003cp\u003eAgain asks for the photograph of the Bastille picture as his book is finished, and he is only waiting for that.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham regrets that he and Mr. Riggs were unable to meet at Mount Vernon to discuss all it is possible to do without annoyance to the family. Would like to commence work on the outbuildings near the garden and to rebuild the roof and pillars of the piazza. Also wants to do work around the Tomb.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Apologizes for delay in responding to his recent letter, but the news of Captain Cunningham's decease has made it impossible for Miss Cunningham to \"think of even the most pressing business.\"\u003c/p\u003e","\u003cp\u003eThanks him for sending the photograph and encloses $5. Apologizes for keeping three documents for so long. Wants to return the documents and send him a copy of the book in September. Asks whether he may keep the Pohick elevation as it is in Washington's hand.\u003c/p\u003e","\u003cp\u003eDetails work done on various dresses.\u003c/p\u003e","\u003cp\u003eIs sorry to hear that JAW will be leaving Mount Vernon before Hubard can get there to visit. Wants to know whether Mr. Mills does possess the moulds made by Houdon. Wants to see a cast made from the mould as he is convinced it is a fraud.\u003c/p\u003e","\u003cp\u003eCannot say whether the Richmond statue is accurate but to him the head looks identical to the Mount Vernon bust. Has never heard of the moulds being left at Mount Vernon and does not believe Mr. Mills would have removed anything without his permission.\u003c/p\u003e","\u003cp\u003eWants to clarify his original assertion that he feels Houdon did not use the moulds made from Washington's face as he asserts they are very different from the head of Houdon. Also wants to know whether the table on which Washington lay when the moulds were made is still at Mount Vernon.\u003c/p\u003e","\u003cp\u003eThanks him for sending money from the steamboat company for the MVLA.\u003c/p\u003e","\u003cp\u003eWill be writing an article for Encyclopedia Britannica and is \"desirous of stating the facts relative to the emancipation of the Genl's slaves.\" Also wants to know whether Mrs. Washington left a will and whether she freed her slaves in it.\u003c/p\u003e","\u003cp\u003eWishes to obtain a copy of the inventory of General Washington's estate.\u003c/p\u003e","\u003cp\u003eMakes assertion that General Washington was sued and judgment rendered against him. Also some northern papers are speculating that he lost his money and had mortgaged the Mount Vernon estate for $400,000. Encloses a copy of the certificate of the appraiser as entered in 1810.\u003c/p\u003e","\u003cp\u003eIs returning the papers lent to him and sending a copy of his book on Mount Vernon. Thanks him for the use of the papers.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Reminds her that his request for her lawyer to sift through an abstract of his title to Mount Vernon has not been complied with. This would answer questions raised by anonymous persons which have \"caused you some uneasiness.\"\u003c/p\u003e","\u003cp\u003eMiss Cunningham wants to conclusively prove the falsehood of assertions of the invalidity of his title to the estate. The Clerk of Fairfax County will attest to the truth but wants to see his father's will and evidence of the payment of $6,000 charged to the estate. Looks forward to putting to rest this falsehood.\u003c/p\u003e","\u003cp\u003eIs still waiting for the certificate from the Clerk of Fairfax County. That will give the \"lie to any slander of title.\" Is unable to visit due to his duties in the Legislature.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham thanks him for sending the package of papers and hopes to be able to write herself in a few days about other matters.\u003c/p\u003e","\u003cp\u003eThanks him for sending the papers. Does not appear from them that \"Mrs. Washington emancipated the dower negroes.\" Requests more information on that point.\u003c/p\u003e","\u003cp\u003eSees that Miss Cunningham has published an abstract of title furnished her by the Clerk of Fairfax Court, so imagines she will not require further information. Will soon return the other papers.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Has forwarded to her a package of papers which he recovered, apparently detailing the kinds and locations of trees planted at Mount Vernon.\u003c/p\u003e","\u003cp\u003eTells her his lack of response to her letter is due to being away most of the month and having visits from friends, possibly for the last time at Mount Vernon. Pointed out the lines of the old vistas marked by ancient trees. The insurance policies he had were on the house only, not the outbuildings. Recommends she make a new road. Also recommends repairing the wharf.\u003c/p\u003e","\u003cp\u003eSends a newspaper copy of an advertisement she placed wishing to obtain a copy of the photograph taken the previous August at the tomb of Washington which included her daughter, now deceased. She would like to know if she could obtain a list of the attendees of that day so she might write and request this as it is the only photograph of her daughter.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Tells her the Association still must raise $140,000 to support the Estate which will require extraordinary effort on the part of the Association. Asks her to address visitors at Mount Vernon on the imperative nature of this.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed – labeled Private) Wants to arrange a \"Grand Ceremonial in connection with the taking of the title\" in order to let people know fund raising is not complete after the purchase. Refers to political turmoil and the impending dissolution of the Union and all the difficulties this will cause. Plans to be at Mount Vernon for 10 days and wants to meet with him to finalize things.\u003c/p\u003e","\u003cp\u003eHe is fine with executing a deed for the sale of Mount Vernon to the Association and feels there would be no difficulty in the event of his death. He worries about Virginia's seceding from the Union that she might object to selling part of her soil to a corporation composed \"in part of unfriendly foreigners.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham is gratified that he concurs in her proposition and feels her decease would be the most serious difficulty to be apprehended. Wants to meet him at Mount Vernon to place the deed in escrow. Does not feel the possibilities for Virginia he suggested would form a significant barrier.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Encloses an order to Mr. Riggs for steamboat receipts through December 31st. Would be happy to meet her at Mount Vernon.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Encloses the order on Mr. Bryan for the steamboat receipts. Has been paying insurance which continues until June next and has deducted that from the receipts.\u003c/p\u003e","\u003cp\u003eAcknowledges his letter but does not need receipts for premiums of insurance.\u003c/p\u003e","\u003cp\u003eReports that Mr. Herbert only wants to clear the lot of land offered him. Also Mr. Norris has rented out his farm. Turner is not sure where he moved to in Kentucky. Discusses acquisition of material to make shirts for servants.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Had not replied to his earlier letter due to excessive fatigue from her journey from Columbia. Hopes to use patriotic influence to get the \"Agent\" to remit or reduce his fee.\u003c/p\u003e","\u003cp\u003eTells him of a minister who will be in Alexandria and is looking for a vacant church where he could officiate.\u003c/p\u003e","\u003cp\u003eFuneral was conducted at Waveland. There is a description of the body and the family. Invoked the Gospel. JAW began family prayers following the death of his wife. Description of his activities over the following days.\u003c/p\u003e","\u003cp\u003eAsks Mrs. Howard for a biographical sketch of her father (John Augustine Washington III) for the National Cyclopedia of American Biography.\u003c/p\u003e","\u003cp\u003eTwo leaflets advertising the writings of Dr. Lyon G. Tyler.\u003c/p\u003e","\u003cp\u003eFull title \"A Confederate catechism: The war of 1861-1865.\" Third edition, November 21, 1929. Series of 20 questions and answers about the war.\u003c/p\u003e","\u003cp\u003eWants to know whether the Ladies will discuss the purchase of the pictures and maps he has been offering. He will offer them elsewhere.\u003c/p\u003e","\u003cp\u003ePhotographic print, cabinet card of a drawing of the east view of the Mansion by unknown artist. Reverse side of card reads \"D.H. Naramore, Photographer, No. 321 King Street, Alexandria, VA.\"\u003c/p\u003e","\u003cp\u003eSmall engraving probably clipped from a publication. Unknown location or residence shown in image.\u003c/p\u003e","\u003cp\u003eHair clippings in envelope with note \"Hair of the late Lawrence Washington - 1856 - Found among articles bequested to MVLA by Miss Cunningham. Miss Comegys, Regent (1923) directs Supt. to send this to the widow of Mr. Lawrence W.\"\u003c/p\u003e","\u003cp\u003eSmall black and white photographic print showing the gravestone for Lt. Col. John Augustine Washington.\u003c/p\u003e","\u003cp\u003eBlack and white photographic print mounted on gray board. Shows Waveland residence with man, two women, and several children visible (unidentified).\u003c/p\u003e","\u003cp\u003eBoston: Published by Charles Bowen. Front page signed \"Jane C. Washington, Mount Vernon, 1834.\"\u003c/p\u003e","\u003cp\u003eDiary inscribed \"Account of all my recpts. \u0026amp; expenditures beginning with Sept. 16th, 1841, that being the date at which I came to Mount Vernon to reside.\" There are intermittent entries through November 1859. This is not as full a diary but includes lists of food, clothing, and china, table, and cookware.\u003c/p\u003e","\u003cp\u003eIncludes \"List of Negroes\" and Mount Vernon farming and maintenance details. Loose note at the front reads \"Extracts from the diary of my father\" with notes on this diary and previous ones.\u003c/p\u003e","\u003cp\u003eIncludes \"List of Negroes\" and Mount Vernon farming and maintenance details.\u003c/p\u003e","\u003cp\u003ePhotocopies of undated manuscripts from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1834-1838 from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1841-1845 from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1846-1849 from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1851-1853 from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1854-1855 from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1856-1857 from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1858 from the collection. (1 of 2)\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1858 from the collection. (2 of 2)\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1859 from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1860-1861 from the collection.\u003c/p\u003e","\u003cp\u003eHandwritten notes probably by a librarian or other Mount Vernon staff member including summaries of the letters within the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection concerns the inheritance, maintenance, and sale of the Mount Vernon estate by its last private owner, John Augustine Washington III. A large majority of the collection is correspondence to or from John Augustine Washington III with a significant portion relating to the purchase of the estate by the Mount Vernon Ladies' Association. Three diaries kept by John Augustine are also included and contain important information about his slaves, agricultural practices, and finances. Other types of material in the collection include legal documents, receipts, photographs, and ephemera. Photocopies were made for most of the manuscripts and can be viewed as surrogates to the originals. ","Descendants of John Augustine Washington III maintained ownership of these records until 1990 when they were sold to Gary Hendershott, a manuscripts dealer from Little Rock, Arkansas. The Mount Vernon Ladies' Association purchased the collection in October 1990.","Lists signatures and states that all members of Congress would sign if requested.","States they are now the \"best of friends.\" She is angry at people who denigrate his motives. Wants to make known his true nature.","Mrs. Ritchie requests he arrive at the theatre a little after 12:00 so all guests may be seated prior to the rise of the curtain.","She had sent her present of flowers to Mrs. Madison, and they were \"greatfully\" received.","His mother wants help valuing her sheep. Describes one offer for Mount Vernon with great disdain. They want to have entertainments there. He has great respect for \"your manly pride.\"","Apologizes for having intruded too much on his privacy during a recent visit when Mrs. Ritchie and others of the ladies \"took forcible possession of me\" and requested cuttings of flowers. Hopes he will establish a Botanic Garden and suggests a location for a Mausoleum.","Describes her return from Mount Vernon in much rain. Discusses crops. Gives instructions for sending things to her. Asks report of conversation that was \"highly derogatory to me.\" Feels items should be sold to visitors so they will not pilfer mementos.","Urges sale of Mount Vernon to Virginia rather than to a private sale.","Resolution wants to change the site of the Military Asylum to Mount Vernon if a part of the estate can be purchased at a reasonable price.","Introduces some friends who wish to visit Mount Vernon.","Gives family news and an account of a visit by a gentleman who spent the night at Mount Vernon and gave $5 to West Ford. Discusses sale of a slave to his cousin. Has heard of a bill by the federal government to purchase Mount Vernon and wishes it would be accepted. Mentions prices and terms.","Is sending oats and other items to Mount Vernon. Urges him to pursue his studies. Wishes him to send some oysters and sugar.","Sends funds for completing the vault at Mount Vernon and authorizes him to take more money from his bank if necessary.","Thanks him for the many civilities experienced by them during their visit to Mount Vernon. Sends a piece of a branch of a fig tree cut from the birth spot of \"your immortal ancestor.\"","Is against his plans for Mount Vernon and opening it to \"every low idler.\" Discusses payments and what form they would take.","Brief note of regards, translated by J. Perkins.","Heard about people being charged to enter the garden. Wishes he would stop this.","Wants to know price and terms of sale of Mount Vernon. If not for sale, could it be leased. (Contains typed transcript.)","Was glad to hear that Mount Vernon was not for sale as it should remain in the hands of the Washington family. Wishes to \"establish a house of entertainment in the vicinity of Mount Vernon.\" Asks questions as to materials and location of such. (Contains typed transcript.)","Is in the market to purchase negroes as one of his men, Alfred, has run off. Wants to know whether she still wishes to dispose of her negroes and what her price would be. He could pay $500 cash and then pay off the principal in a year or two.","Lists names of executors and legatees and their shares and values.","Tells him of an upcoming visit to Washington and Mount Vernon by a \"highly respectable volunteer corps.\" They wish to arrive by boat and see the tomb of Washington. He understands permission to do so is necessary.","Is worried his health is suffering by his labors at Mount Vernon. Hopes he will accept any reasonable offer by the U.S. Government for it. Went into town to have magistrates witness her acknowledgment of the deed of release. Discusses a suit brought by Judge Douglass and the health of various family members.","Doubts whether an offer will be made by the U.S. Government. Hopes it would as she feels his health is suffering from attending to business at Mount Vernon. Recommends someone to help him acquire an overseer. Was paid money for him. Discusses the failing health of Dr. Alexander's mother and others.","Is horrified to learn of auction of Wood Lawn. Proposes to run a steamboat between Washington to Wood Lawn, Fort Washington, Mount Vernon, and the White House. Gives references. Pledges to bring members of Congress there and feels it would enhance the chances of the purchase of Mount Vernon by the government. Suggests it could be used as a summer home for the President. Discusses various items left by Washington and the soon to be completed Chesapeake \u0026 Ohio Canal. (contains typed transcript)","Tells him of a letter he received from an unknown man who wants to obtain a tree from Mount Vernon to transplant in France to shade the bench of Christopher Columbus which he possesses.","Recommends leaving it to Congress to propose a price for the purchase of Mount Vernon. She feels he wants too much for it, and that it really should not be sold. Gives family news. Gives advice on his search for an overseer.","First letter discusses the Supreme Court taking on the suit of Mr. Hammond against General Washington. Bassett says he discharged all debts owed by Captain Lewis. There is another copy of the names of executors and legatees and their shares and values. Discussions of various debts owed to different people.","Discusses various suits, mostly Hammonds, against the estate and their current status. Many people have died since 1827 when they were last listed. Will take a long time to find people.","Discussion of the Hammond suit and payments still owed to various creditors, to be paid by all the legatees of General Washington's estate. Most dollar figures are left blank to be filled in later. Prompt payment by all legatees is required.","Discusses his father's will and his lack of knowledge of the whereabouts of various other people mentioned in JAW's letter.","Answering his inquiries as to various relatives. Suggests he write to the clerk of Kanawha County for the information he requires. Suggests he contact Andrew Parks who probably has all the facts.","Discusses sale of swamp land. He paid the taxes on it for the Washington heirs. The land is not worth much since the timber had been taken from it by many people over the years. Would like to be reimbursed for the money he paid.","He wishes to meet with him in the middle of November, at which time they can conclude their business.","Discusses the bill in Congress to purchase Mount Vernon. Wants assets divided up between her children so all are taken care of. Tells of Charles' upcoming marriage before he leaves for California.","Discusses the codicil of his father's will. Mrs. Washington is not compelled to sell. Upon her death, the heirs may sell despite the codicil. Suggests Mrs. Washington partition the land before her death in order that JAW may do \"what you please with the land.\"","Invites him to the wedding of his oldest daughter the next week.","Has been in Charlestown attending services for the week. Is amazed at the prospect of $200,000 being paid for Mount Vernon by the government. Wants him to send fish and to pickle some \"Rock.\"","(Typed transcription included) George Page and a surveyor from Maryland wanted to survey land in the Potomac River adjacent to Mount Vernon with the object of bringing steamboats there. Was notified he would be charged with some offense by Maryland. Makes him aware that the compact between the states means they have no claim on him.","First letter – wants to know if Mount Vernon Estate will be sold. Second letter – understands the government might become the owner of the estate and wants to meet.","Wants him to petition the Court to finally settle the estate of General Washington.","First letter – wants to examine Mount Vernon with a view to the establishment of a military asylum for the relief of soldiers. Second letter – tells him the price for Mount Vernon is too high, and purchase of a location nearer Washington will be undertaken.","An account by a boat company of receipts over the past year.","Discusses the landing of boats at Mount Vernon without JAW's previous knowledge. Wants them to be allowed to dock if they pay the usual fare to him.","Acknowledges payment for the pianoforte. Wants four walking sticks cut from near General Washington's tomb to be sent to monks in Italy.","Agreement to sell 200 acres of Mount Vernon for $200,000. Includes all buildings and the tomb, as well as furnishings currently there. Also will allow heirs to be buried there. He may not sell the estate without first offering it to the U.S. Government and the State of Virginia for no more than $350,000.","Has been unable to contact other parties to the contract. Hopes to be able to do so soon.","A committee of the House of Delegates has been appointed to consider the purchase of Mount Vernon. Wants to meet him in Alexandria to discuss this.","Encloses a newspaper clipping about the acquisition of Mount Vernon by the State of Virginia. Tells him the committee of five will look into the will of the people as to this acquisition.","Addressed only to \"Mrs. Washington.\" Unclear whether it is addressed to Mrs. Jane C.B. Washington or Mrs. Eleanor L.S. Washington. (Typed transcription included) Has heard that Mount Vernon is for sale, possibly to northern people. Feels the Ladies of the South might instead procure it and wants to know the price.","Does not wish to part with Mount Vernon but wishes to keep it from the changeable fortunes of a family and to ally it to the State. Would sell 200 acres with stipulations for $200,000. If the State wants to establish a model farm there, he would sell an additional 1,000 acres for $300,000. Invites them to visit.","Discusses his offer to sell Mount Vernon to the state. Says $200,000 is less than the property could sell for on the market. Talks about having a model farm as nothing meant more to Washington than farming. Would welcome them to visit. Reminds them that his terms cannot be materially modified.","(Typed transcription included) Says he is asking less money of the state than he had been offered by others. Tells them of his desire for a model farm as the pursuit of an improved system of agriculture was of great importance to General Washington. Would welcome a visit from them.","Wants to clear up suggestions that he is falsely referring to higher offers for Mount Vernon.","The Committee feels the price for Mount Vernon \"is enormous.\" Would prefer the money to be used for a rail road.","Draft in writing of John Augustine Washington III. Addressed to \"Miss Cunningham\" but could also be a response to Louisa Cunningham's letter instead of Ann Pamela Cunningham. Praises the women of the south for their affection for Washington. Does not wish to dispose of the property except to the government of the United States or Virginia and so declines the proposition from the \"Ladies of the South.\"","Draft thought to be in the writing of Jane C.B. Washington. Identical text to previous letter (draft in the hand of John Augustine Washington III).","Encloses a power of attorney and some other letters. Has agreed to reduction of $50,000 on 1000 acres. Will accept nothing less than $200,000 for the 200 acres. Agrees to pay him 5% of what he gets from either government agency, provided it occurs in the current session.","The state might be willing to pay $50,000 per year for four years for Mount Vernon but not the total of $200,000 at once. Wonders what is happening with the federal government. \"Things are coming to a head rapidly.\"","As long as negotiations with Virginia remain open, it would not be proper for him to entertain any proposals from other parties for the purchase of Mount Vernon. Might be interested in the future in making an offer.","Feels priority should be given to Congress to purchase Mount Vernon, and therefore Virginia is holding off on more committee meetings. Wants him to be there for future committee meetings.","Urges him to meet with Arthur Taylor as his representative in the proposed sale of Mount Vernon. Requests that he not send papers to Col. Bissell before meeting with him.","Has the papers from Mr. Washington and wants to meet with him to discuss the sale of Mount Vernon to the U.S. Government.","Assures him that he has not given the letters from him to Mr. Bissell and has requested Mr. Taylor to come see him.","Encloses the previous letter and hopes they will be able to meet soon. Feels it best to not commit to any course with the U.S. until a definite answer comes from the Virginia Legislature.","Invites him to come to his lodgings at any time at 9 a.m.","Is unable to return to his \"hospitable roof\" at this time. Values the time she was there and having been \"entrusted with the training of such bright intelligences.\"","Reports on his share of earnings from \"Washington's Writings.\" Many copies of the book were destroyed in a fire, but the stereotype and engraved plates were in a fire proof vault.","Feels it is very important for him to communicate with the federal government and is willing to help in any way.","Mr. Taylor shared his letter proposing to bring the subject of the purchase of Mount Vernon again before Congress. His terms are already known to him – the same as those agreed to for the State of Virginia.","Wants to bring up the purchase of Mount Vernon in Congress but wants to know just what terms he agreed to with Virginia. Wants the Northern States to purchase it.","Gives terms of sale, including that family members still living may also be buried there. Additional property to total 1000 acres may be purchased for $300,000, for a model farm as suggested by Gen. Washington. Tells him the state of Virginia had proposed the sale for less than he wanted which he refused.","Encloses a copy of the bill reported to the House of Delegates Committee for the purchase of Mount Vernon. He told them it would not meet with JAW's approval. Urges him to move quickly on the Turnpike matter for this session.","Is very desirous of having the State of Virginia take possession of Mount Vernon and \"have the sole control and ownership forever.\" Wants to know what terms he proposes.","Gives him the terms of sale. The Washington family shall be permitted to be buried on the site, and no remains shall ever be disturbed. The price shall be $200,000, with an additional 800 acres available for $100,000 more","Will not accede to propositions of the steamboat company. Will be busy for a few weeks but wants to see a copy of the agreement currently in effect.","Tells him of Mrs. Mason presenting \"a remonstrance against your turnpike.\" Wants access to $250 at Farmers Bank in Alexandria.","Discusses payments based on sales of \"Washington's Writings.\" Tells percentages paid to various legatees.","Discusses quarrelling and squabbling among the ladies purchasing Mount Vernon. Is concerned about security around the remains of George Washington.","Wants him to send a letter to him so he may correct disparaging remarks made about his impending sale of Mount Vernon.","Is writing to her as requested by JAW. Describes a woman mourning her deceased eight-year-old son. Includes a poem about grief and moving on after death of a child.","(Typed transcription enclosed) Mr. Mason very much wants to meet him and getting a letter from JAW that would announce the news of their \"progress.\"","(Typed transcription enclosed) Thanks him for the kindness of him and Mrs. Washington on her recent visit to Mount Vernon. Urges him to send a letter to be published about the sale of Mount Vernon before the news is released by someone else.","(Typed transcription enclosed) Assures her he does not care what others say about him and remains hopeful of selling Mount Vernon to the State of Virginia.","(Typed transcription enclosed) Explains the absence of Mr. Toombs when JAW came to see him. Tells him why she is now dealing with Mr. Toombs rather than Mr. Mason.","(Typed transcription enclosed) Hopes to meet him in Washington City as she will be there for a few days during her travel south. Wants a thorough understanding of his wishes and intentions before meeting with the governor of Virginia.","Wants him to reconsider his determination as expressed in his letter in the National Intelligencer and put the estate under the care of the State of Virginia. (This is a copy of a letter written by Anna's husband.) Second letter, dated March 5, 1857 on same paper: Refers to letter copied out by her. Is certain a sufficient sum will have been raised by February 22 to enable Virginia to purchase Mount Vernon.","Urges him to reconsider his determination as expressed in his letter to the National Intelligencer and consent to place the estate once more at the disposal of Virginia which has an arrangement with the \"Ladies' Mount Vernon Association of the Union.\"","His musical association played a concert on behalf of the \"Ladies Mt. Vernon Association\" at which $100 was raised. The musical group would benefit greatly from receiving this money back if Mr. Washington has no plans to sell to the Ladies Association.","Would love to spend time at Mount Vernon, but his schedule will not allow at this time. His book will be published during the winter and spring, but he doesn't feel a visit would add anything.","He remains willing to place Mount Vernon in the hands of the State of Virginia, under his terms which the state has not seemed to want to meet. The proposal to have Mount Vernon by under the Mount Vernon Ladies Association of the Union is unacceptable to him. Doubts they could maintain the estate in perpetuity. It would then be taken over by the state.","(Typed transcription enclosed) Identical to previous letter.","(Typed transcription enclosed) Responding to his letter to Mr. Ritchie. Urges him to put out that the Ladies are to raise $200,000 on behalf of the State of Virginia for the purchase of Mount Vernon.","(Typed transcription enclosed) Does not wish to publish parts of letters. Feels \"nothing but silent contempt can put them at rest.\"","(W.L. Underwood – most likely Warner Lewis Underwood, Kentucky Senator) Tells JAW that if his current negotiations for Mount Vernon should fall through that his organization would be pleased to enter into further discussions.","Again says he wishes Mount Vernon to go to the State of Virginia, to be decided upon by the current session of the General Assembly.","(Typed transcription enclosed) Wants to know who told her that he was \"willing… for a pecuniary consideration to break engagements and promises.\"","The Masonic Brotherhood is interested in purchasing Mount Vernon. Thanks him for the tour the previous day. Apologizes for the bad behavior of one member and hopes that will not prejudice him against the Fraternity.","(Typed transcription enclosed) She met with the governor who told her the \"Extra Session\" of the Legislature was for the \"presidential contest,\" so the Legislature will not be meeting again until the next winter. Realizes this delay is not pleasing to him.","Inquires whether any action has been taken by the Legislature or is likely to be.","Tells him no action has yet been taken by the Legislature but feels sure it will be taken up after the Christmas recess, after which the ladies will be enabled to purchase Mount Vernon and have its title transferred to Virginia.","Discusses various prices for Mount Vernon and quotes JAW as vehemently denying that he wanted the remains of General Washington moved. He wishes the estate to be the property of the United States and all the people.","(Typed transcription enclosed) Tells him she has been very ill but is sure that the Legislature will act.","(Typed transcription enclosed) Labeled as Private. Tells him Gov. Wise is \"inimical to our 'cause'\" which is the reason the Legislature has not taken up the subject of the purchase of Mount Vernon.\" Talks of the financial crisis which is being felt by \"we victimized cotton planters.\" Tells him of the impending sale of copies of a portrait of Washington.","(Typed transcription enclosed) She writes of her illness and lack of strength. The Constitution of the Association was signed by the governor. Tells him various Masonic orders have decided to become allies of the Association. Hopes to have the contract signed between Virginia and him on the 22nd of February.","Invites recipient to the elevation of the Statue of Washington on February 22 in Richmond.","(Typed transcription enclosed) Labeled as Private. Is looking forward to the inauguration of the Washington statue. Wants him to vow that the Ladies of the Association are the \"very best friends you have in the world.\" Tells him that Gov. Wise is no friend to him or to her and this cause.","(Typed transcription enclosed) Has a document that states Virginia will purchase Mount Vernon from him and encloses a copy of the bill. Is sure the governor will act strongly to defeat this. Wants him to attend the address by Mr. Everett a few days before the 22nd of February. Tells him how lucky he is to get $200,000 in \"these awful times.\"","Gives price of sale of $200,000 for 200 acres of the Mount Vernon estate and pledges the MVLA to guarantee to not disturb any remains currently there and to allow descendants of JAW to also be interred there.","(Typed transcription enclosed) Praises him for agreeing that Mount Vernon is to be a public shrine and to limit interments there. Gen. Chapman included that in the third reading of the bill. Discusses the building of a new mausoleum for Washington which would not go against his will. Talks of her illness.","(Typed transcription enclosed) Tells her the disposition of family remains, as well as those of General Washington, are his biggest concerns in the sale.","(Typed transcription enclosed) Hopes he is happy about the bill as read in the Legislature. Tells him it is she and not the Committee who wants to arrange for a magnificent mausoleum. Closes by saying she is too exhausted to \"even give a hint of the nature of woman's revenge should you not be in a state of delight over our bill!!!\"","(Typed transcription enclosed) Remains adamant as to a future mausoleum as Washington stated where he wished his remains to be. Cannot travel to Richmond at present due to the illness of Mrs. Washington.","(Agreement ends with reference to the 10th of February) Deals with payment of $6,000 to heirs of W.F. Alexander and Anna Alexander as a share of Mount Vernon. Expressly says none of these heirs have any claim to the proceeds arising from a sale of Mount Vernon, other than the $6,000.","(Typed transcription enclosed) Tells him that though Gov. Wise is no friend to the Mount Vernon cause, he did not intend to put his remarks under the head of Lunatic Asylum. It was a complete accident.","(Typed transcription enclosed) Encloses another article by Mr. Pryor who is \"using his art to arouse the fear, \u0026 cupidity of the timid \u0026 narrow minded of this Legislature.\" Asks him about his previous offer from a company to purchase the estate, and that he wanted to wait for Congress to act.","(Typed transcription enclosed) States that his price for Mount Vernon has always been $200,000, since he gained control of it in 1849. Asks whether he ever made an offer for Mount Vernon for $100,000. If so, under whose authority was it made?","(Typed transcription enclosed) Wants to confirm with him that his offer to sell Mount Vernon as a site for the Military Asylum in 1851 was for $200,000 and not $100,000.","(Typed transcription enclosed) Tells her of a contract with a gentleman to sell him 200 acres of Mount Vernon for $200,000 with the condition that the property should be offered to the U.S. and to Virginia. If neither purchased it, he should take the property. He then offered $50,000 to release him from that obligation, but JAW refused. Says he never has offered it for sale in public or private.","Says he was authorized by JAW to offer Mount Vernon for a Military Asylum for $100,000. Will search for papers to confirm this.","(Typed transcription enclosed) Advises that on March 25, 1851, he made an offer to sell about 150 acres of the Mount Vernon estate for $200,000 for an Army Asylum or some other government purpose.","(Typed transcription enclosed) Labeled as Private. Thanks him for sending a copy of the correspondence of Gen. Scott. Miss C. is intensely engaged in getting past Mr. Pryor's malicious misrepresentation of the Bill. If he can defeat us, he will.","Reiterates that Alexander and his heirs have no claim to any proceeds arising from a sale of Mount Vernon beyond the agreed upon $6,000 and requests him to add a paragraph to that effect to the agreement they will both sign.","(Typed transcription enclosed) Wants him to come see her in Richmond, despite his recent fall. Refers to the animosity of Mr. Pryor toward the bill. Wishes there could be an Extra Session for it to pass.","Again states his disagreement with Mr. McKenzie's assertion of his having offered $100,000 for Mount Vernon. No one else knew of such an offer. Gen. Scott agrees with JAW in his recollections. Tells her of a recent fall from a horse which will prevent his visit to Richmond on the 22nd.","Urges him and his family to attend the inauguration of the equestrian statue of Washington on the Capital Square in Richmond. Says he would be pleased to host them at their home near the city.","(Typed transcription enclosed) Is uncertain whether he will be able to travel to Richmond and wants her to update him on matters related to the Bill as \"I have not in any manner approached\" any of his friends or acquaintances on the subject. It is important for her to convince members that the association only needs the name of the State which will not be called upon to pay any of the money for the purchase.","(Typed transcription enclosed) Miss Cunningham begs him to attend Mr. Everett's oration and hopes to speak to him on the Square tomorrow.","(Typed transcription enclosed) Continues to be unwell. Introduces him to Mr. A.H.H. Dawson of Georgia, \"an eccentric genius.\" He is devoted to the purposes of the Association and has delivered an address about it in 30 towns in Georgia. Urges him to come to Richmond to meet with members of the Legislature.","(Typed transcription enclosed) Is sorry he was unable to call on her before leaving Richmond. Wants clarification about alterations Mr. Yancy thought necessary in the paper he left with her. He wants a decision by the Legislature, yes or no, soon.","(Typed transcription enclosed) Tells him that the Legislature is \"in a row\" and will not pass any bills before an Extra Session. Wants him to bring a contract to her so they are prepared for any contingencies. Tells him of her illness of the lungs and her treatment.","(Typed transcription enclosed) Reiterates the importance of the sanctity of the family burying ground. Wants to have some alterations and additions of a substantial permanent character made to the present vault, with a durable enclosure around it. He is open to payment in stocks or cash for the estate. Says they should have an act of incorporation before signing a contract.","(Typed transcription enclosed) Gen. Chapman was drawing up an act of incorporation before the bill comes up. He said Virginia must not hold the tomb; the Association must hold it. She remains very ill. \"yrs in much suffering\"","Is preparing a pamphlet to defend JAW against detractors and wants copies of correspondence he had with Gen. Scott and others about possible purchase of Mount Vernon.","(Typed transcription enclosed) The bill in Virginia for the purchase of Mount Vernon, to be refunded by the MVLA, was defeated in the House of Delegates. In addition Congress cannot purchase land in a sovereign state without its consent. Tells him it should be the property of the Nation and should be sold to the MVLA. \"With grateful women pledged to guard the sacred ashes of Washington and to adorn his home for a national shrine.\"","(Typed transcription enclosed) Says it has become obvious that neither Virginia nor the U.S. wish to purchase Mount Vernon. Therefore \"the women of the land will probably be the safest as they will certainly be the purest guardians of a national shrine.\" He waits for her to make a proposal to him.","(Typed transcription enclosed) Miss Cunningham requests that he answer the letter she gave him relating to the purchase of Mount Vernon and to return it to her. She will give him a copy.","(Typed transcription enclosed) Is returning her letter to him as it seemed to be improperly dated and lacked her signature. When she remedies those defects, he will send an answer.","(Typed transcription enclosed) Wants to meet with him on Saturday morning in Alexandria to sign the contract.","(Typed transcription enclosed) Is very unhappy about delays put forth by Messrs. Macfarland \u0026 Myers. They felt there had to be an acceptance of the contract by all or a majority of the Vice Regents before it could be signed. They can do this by telegraph, permitting Mrs. Ritchie to act for them.","(Typed transcription enclosed) Urges him to come without delay. It was thought things would be delayed as Mrs. Walton's husband had died, but now Mr. McFarland advised them to send for him at once. Miss Cunningham is not good and needs to bring matters to a close \"ere it be too late.\"","(Typed transcription enclosed) Wants him to come see her that afternoon or evening as Dr. Beale \"considers it necessary to apply a severe blister without delay.\"","(Typed transcription enclosed – labeled Private) Upon reflection she feels the letter she sent him for publication is not to be published. She does not wish to \"make enemies even in a State which has given me so little cause to respect it.\" Mrs. Ritchie will work on a better worded one which she will send to him.","He deposited money to his credit for the contract and wants to know if this was correct. Tells him the pony he was inquiring about is not for sale. Also felt much concern about the accounts of the fisheries. Looks forward to a visit with him.","(Typed transcription enclosed) Encloses the plat of the 200 acres of land he agreed to sell to the MVLA. Wants him to sign it and return it.","(Typed transcription enclosed) About the plat, he is having the land resurveyed and \"have the necessary corners stones set.\" He will send it back with a signature after that. Also encloses her letter of March 12 and wants a copy of her letter as published with her signature.","Wants to know if George Thorburn may visit Mount Vernon in the 28th of May to inspect the grounds in regards to the improvements to be made. He is \"no doubt the first horticulturist in America\" and a plain, unpolished person. It would be good for JAW's surveyor to meet with Mr. Thorburn to go over the grounds.","He is \"exceedingly provoked\" at the newspaper coverage in connection with the sale of Mount Vernon. As a college friend he felt he had to contact an editor and correct the information. He hopes he did not make the situation worse.","Again requests he host the \"celebrated florist\" at Mount Vernon to look over the grounds before they come to Mount Vernon on the 29th for a few hours.","Agrees to have Mr. Thorburn come and meet with surveyors. Asks if Mr. Thorburn could be appointed the Agent of the Association in drawing up with the surveyors the lines of the 200 acres. He will \"grant any reasonable request of the Association.\" Hopes to see Mr. Ritchie and her while he yet resides at Mount Vernon.","The first attests to receipt of interest on the $6,000 owed to Mrs. Jane Washington. \tThe second is for $2,000 as part of the $6,000 owed.","Urges him to reduce the price of Mount Vernon to $150,000 so as to better fund all the expenses associated with its ownership by the MVLA. Tells him to buy land in \"some of the new states\" with that money.","Wants to know what stocks or bonds would be acceptable as part of the purchase price. Gives the current rate of Virginia stock.","Acknowledges his decline to the proposition.","Replying to a previous letter. Cannot answer the questions of Miss Lewis as he does not remember where Col. Fielding Lewis died. Her wishes are an illusion. Wonders if some land in Kentucky is what she is dreaming of. Hopes the Ladies will be able to preserve Mount Vernon after they complete the purchase.","As a new Mason, wants to know if he will amend the contract to state that the property will revert to the United States or the Masonic Fraternity in the event of a dissolution of the MVLA and not to the state of Virginia.","Writes to her cousin about an article in the paper that morning that was a \"vile abolition libel on you.\" Wants to assure her lady friends that it is untrue.","Is involved in illustrating an article about Mount Vernon as it is of interest to the American people. Wants to visit to sketch objects that have not been drawn. The MVLA is in favor of such an article to assist with their fund raising.","Is amazed at the scurrilous attacks made on him by Northern Papers which are calculated to embarrass the Mount Vernon Association.","(Typed transcription enclosed) Thanks him for his letter about the calumnies in some Northern newspapers but has no desire to enter into a controversy with the papers.","(Typed transcription enclosed – labeled Private) Wants him to tell her of his agreement with Mr. Crutchett of Mount Vernon Cane Factory who was given permission to come and cut trees on the estate. Asks what value he puts on the remainder of the estate contiguous to the 200 acres.","(Typed transcription enclosed) Gives details of his contract with Mr. Crutchett which expired in February 1856. He was permitted to take more trees before January 1857. He has no right to \"come upon the property I have sold the Association to cut timber.\" Has not put a price on the remainder of Mount Vernon.","Thanks him for the hospitality given to him and his sister on their visit to Mount Vernon.","(Typed transcription enclosed) Miss Cunningham was happy to hear his account of the transactions with Mr. Crutchett. Wants him to come to Philadelphia to confer upon private matters of great importance to the Association and himself. She is equally interested in the final settlement of the boundary lines.","First letter (incomplete) congratulates him on the sale of Mount Vernon. Requests return of portrait of his mother. Second letter thanks him for agreeing to return the portrait. He and his family would very much like to visit Mount Vernon again before it becomes public.","Hopes he can come to Washington to meet with him. Wants Mr. Washington to stay with him to \"pay off the debt of visiting you at Mt. Vernon.\" Miss Cunningham is making arrangements to pay the first bond with interest in December.","(Typed transcription enclosed – labeled Private) Looks forward to making payment of the first installment. Mr. Riggs will pay sums of $5,000 as soon as it is raised. Hopes to be able to pay the remainder of 2d installment on 1st of January 1859. Begs him to keep these matters as a \"profound secret.\"","Miss Cunningham wants to make the first payment on December 14, the anniversary of Washington's death.","Tells him of payment to Burke \u0026 Herbert of $10,000 on that day.","Tells him the box containing the chairs has not yet arrived. He wants to be allowed to pay for the repairs necessary to the chairs. Invites him and his family to visit him in Richmond before they go farther away from it.","(Typed transcription enclosed – labeled Private) Wants to make the first payment on the 1st, but this is a holiday. Urges him not to risk sending the plat executed by Washington himself but to have it be lithographed. Wants to clear up the boundaries. Tells him to keep the discussion of the sale of additional land private.","Wants to gather branches from the estate in order to make canes to sell to aid in the purchase of Mount Vernon.","Their project would require the consent of the Regent of the MVLA.","(Typed transcription enclosed – labeled Confidential) Miss Cunningham is too ill to reply to his last letter. Lets him know his presence might be required on the 22nd but all arrangements must be kept private. The upcoming payment will be about $14,000.","(Typed transcription enclosed) Urges him to accept the money already paid to him (for the \"selling your relations bones.\") He already received more money than the estate was worth. Note on the letter states he ensured his control over the remains in \"such a way that they can never be sold by any one.\"","(Typed transcription enclosed) Does not want to go to Philadelphia unless it is absolutely necessary. He recently heard that Mrs. Esther M. Lewis (widow of Lorenzo Lewis) wants to present the harpsichord that was given to Nelly to the MVLA.","Thanks him for copy of the inscription on a bust. He realized he had not copied the pencil sketch of the Destruction of the Bastille. Would JAW please have a photograph of it sent to him for an upcoming book on the history of Mount Vernon. Will send a copy of the book to him in September when it is published.","Acknowledges receipt of $1,000 which completes the payment of $6,000 owed to Mrs. Jane Washington.","The Regent wants JAW to not allow any more sketches to be made of Mount Vernon or the grounds without her consent. Attached is a copy of an advertisement for sale of a portrait of Washington. The Mount Vernon Record gives an account of fund raising to date. Mr. Everett thanks Devereux for sending him a copy of the Farewell Address.","(Typed transcription enclosed) Requests her to send him definite instructions to enable him to prohibit people from making sketches of Mount Vernon.","Tells them he has written to the Regent requesting her instructions about the matter they raised with him.","(Typed transcription enclosed) The Regent now feels that it would \"not be practicable for you to refuse privileges hitherto granted\" in the matter of sketches. There is also a newspaper clipping with letters from JAW and the Regent about the sale of Mount Vernon.","They wrote to him on the 14th as the Regent was prostrated. Requests any material he might have about the area in England where Washington's ancestor came from.","(Typed transcription enclosed) Tells her of terms under which they ran their steamboat to Mount Vernon. They paid him money with the understanding that he would make repairs to the wharf and footway, under the agreement, but he did not. He ordered his captain to have it done and will retain that money.","(Typed transcription enclosed) Encloses a copy of the previous letter and asks him to advise her as to her response to Mr. Bryan.","(Typed transcription enclosed) Miss Cunningham much enjoyed his previous letter and its humor. Hopes he will waive the requisition of 10 days notice before receiving payments. Can give him at least 30 days notice before requiring possession, and hopefully 60 days. She has \"been very much of an invalid for many weeks.\"","(Typed transcription enclosed) Wants him to come to Philadelphia around the 10th or 12th so they may consult in regard to the future. They can have the boundary line settled and put many business affairs in order. Miss Cunningham intends to make a payment on the last installment as soon \"as you will receive it.\"","(Typed transcription enclosed) He will travel to Philadelphia and meet with her on Wednesday. Will give directions to Messrs. Burke \u0026 Herbert for the last installment.","(Typed transcription enclosed) Miss Cunningham wants him to arrive on Thursday and then accompany her to hear Mr. Everett in the evening. She and Mr. Everett would then meet with him on Friday.","(Typed transcription enclosed) He agrees to come to Philadelphia on Thursday and meet as she suggests.","(Typed transcription enclosed) The Regent wants him to \"have the kindness not to speak of the particulars of your interview with her.\" She also requests him to confer with Mr. Herbert, after which Mr. Herbert should meet with Mr. Riggs and let her know the arrangements he would be willing to make. \"This matter she particularly desires should be confidential.\"","Wants him to send him the photographs of the Picture of the Bastille and let him know what he owes for this service. Thanks him for his kindness in all this matter.","Again asks for the photograph of the Bastille picture as his book is finished, and he is only waiting for that.","(Typed transcription enclosed) Miss Cunningham regrets that he and Mr. Riggs were unable to meet at Mount Vernon to discuss all it is possible to do without annoyance to the family. Would like to commence work on the outbuildings near the garden and to rebuild the roof and pillars of the piazza. Also wants to do work around the Tomb.","(Typed transcription enclosed) Apologizes for delay in responding to his recent letter, but the news of Captain Cunningham's decease has made it impossible for Miss Cunningham to \"think of even the most pressing business.\"","Thanks him for sending the photograph and encloses $5. Apologizes for keeping three documents for so long. Wants to return the documents and send him a copy of the book in September. Asks whether he may keep the Pohick elevation as it is in Washington's hand.","Details work done on various dresses.","Is sorry to hear that JAW will be leaving Mount Vernon before Hubard can get there to visit. Wants to know whether Mr. Mills does possess the moulds made by Houdon. Wants to see a cast made from the mould as he is convinced it is a fraud.","Cannot say whether the Richmond statue is accurate but to him the head looks identical to the Mount Vernon bust. Has never heard of the moulds being left at Mount Vernon and does not believe Mr. Mills would have removed anything without his permission.","Wants to clarify his original assertion that he feels Houdon did not use the moulds made from Washington's face as he asserts they are very different from the head of Houdon. Also wants to know whether the table on which Washington lay when the moulds were made is still at Mount Vernon.","Thanks him for sending money from the steamboat company for the MVLA.","Will be writing an article for Encyclopedia Britannica and is \"desirous of stating the facts relative to the emancipation of the Genl's slaves.\" Also wants to know whether Mrs. Washington left a will and whether she freed her slaves in it.","Wishes to obtain a copy of the inventory of General Washington's estate.","Makes assertion that General Washington was sued and judgment rendered against him. Also some northern papers are speculating that he lost his money and had mortgaged the Mount Vernon estate for $400,000. Encloses a copy of the certificate of the appraiser as entered in 1810.","Is returning the papers lent to him and sending a copy of his book on Mount Vernon. Thanks him for the use of the papers.","(Typed transcription enclosed) Reminds her that his request for her lawyer to sift through an abstract of his title to Mount Vernon has not been complied with. This would answer questions raised by anonymous persons which have \"caused you some uneasiness.\"","Miss Cunningham wants to conclusively prove the falsehood of assertions of the invalidity of his title to the estate. The Clerk of Fairfax County will attest to the truth but wants to see his father's will and evidence of the payment of $6,000 charged to the estate. Looks forward to putting to rest this falsehood.","Is still waiting for the certificate from the Clerk of Fairfax County. That will give the \"lie to any slander of title.\" Is unable to visit due to his duties in the Legislature.","(Typed transcription enclosed) Miss Cunningham thanks him for sending the package of papers and hopes to be able to write herself in a few days about other matters.","Thanks him for sending the papers. Does not appear from them that \"Mrs. Washington emancipated the dower negroes.\" Requests more information on that point.","Sees that Miss Cunningham has published an abstract of title furnished her by the Clerk of Fairfax Court, so imagines she will not require further information. Will soon return the other papers.","(Typed transcription enclosed) Has forwarded to her a package of papers which he recovered, apparently detailing the kinds and locations of trees planted at Mount Vernon.","Tells her his lack of response to her letter is due to being away most of the month and having visits from friends, possibly for the last time at Mount Vernon. Pointed out the lines of the old vistas marked by ancient trees. The insurance policies he had were on the house only, not the outbuildings. Recommends she make a new road. Also recommends repairing the wharf.","Sends a newspaper copy of an advertisement she placed wishing to obtain a copy of the photograph taken the previous August at the tomb of Washington which included her daughter, now deceased. She would like to know if she could obtain a list of the attendees of that day so she might write and request this as it is the only photograph of her daughter.","(Typed transcription enclosed) Tells her the Association still must raise $140,000 to support the Estate which will require extraordinary effort on the part of the Association. Asks her to address visitors at Mount Vernon on the imperative nature of this.","(Typed transcription enclosed – labeled Private) Wants to arrange a \"Grand Ceremonial in connection with the taking of the title\" in order to let people know fund raising is not complete after the purchase. Refers to political turmoil and the impending dissolution of the Union and all the difficulties this will cause. Plans to be at Mount Vernon for 10 days and wants to meet with him to finalize things.","He is fine with executing a deed for the sale of Mount Vernon to the Association and feels there would be no difficulty in the event of his death. He worries about Virginia's seceding from the Union that she might object to selling part of her soil to a corporation composed \"in part of unfriendly foreigners.\"","(Typed transcription enclosed) Miss Cunningham is gratified that he concurs in her proposition and feels her decease would be the most serious difficulty to be apprehended. Wants to meet him at Mount Vernon to place the deed in escrow. Does not feel the possibilities for Virginia he suggested would form a significant barrier.","(Typed transcription enclosed) Encloses an order to Mr. Riggs for steamboat receipts through December 31st. Would be happy to meet her at Mount Vernon.","(Typed transcription enclosed) Encloses the order on Mr. Bryan for the steamboat receipts. Has been paying insurance which continues until June next and has deducted that from the receipts.","Acknowledges his letter but does not need receipts for premiums of insurance.","Reports that Mr. Herbert only wants to clear the lot of land offered him. Also Mr. Norris has rented out his farm. Turner is not sure where he moved to in Kentucky. Discusses acquisition of material to make shirts for servants.","(Typed transcription enclosed) Had not replied to his earlier letter due to excessive fatigue from her journey from Columbia. Hopes to use patriotic influence to get the \"Agent\" to remit or reduce his fee.","Tells him of a minister who will be in Alexandria and is looking for a vacant church where he could officiate.","Funeral was conducted at Waveland. There is a description of the body and the family. Invoked the Gospel. JAW began family prayers following the death of his wife. Description of his activities over the following days.","Asks Mrs. Howard for a biographical sketch of her father (John Augustine Washington III) for the National Cyclopedia of American Biography.","Two leaflets advertising the writings of Dr. Lyon G. Tyler.","Full title \"A Confederate catechism: The war of 1861-1865.\" Third edition, November 21, 1929. Series of 20 questions and answers about the war.","Wants to know whether the Ladies will discuss the purchase of the pictures and maps he has been offering. He will offer them elsewhere.","Photographic print, cabinet card of a drawing of the east view of the Mansion by unknown artist. Reverse side of card reads \"D.H. Naramore, Photographer, No. 321 King Street, Alexandria, VA.\"","Small engraving probably clipped from a publication. Unknown location or residence shown in image.","Hair clippings in envelope with note \"Hair of the late Lawrence Washington - 1856 - Found among articles bequested to MVLA by Miss Cunningham. Miss Comegys, Regent (1923) directs Supt. to send this to the widow of Mr. Lawrence W.\"","Small black and white photographic print showing the gravestone for Lt. Col. John Augustine Washington.","Black and white photographic print mounted on gray board. Shows Waveland residence with man, two women, and several children visible (unidentified).","Boston: Published by Charles Bowen. Front page signed \"Jane C. Washington, Mount Vernon, 1834.\"","Diary inscribed \"Account of all my recpts. \u0026 expenditures beginning with Sept. 16th, 1841, that being the date at which I came to Mount Vernon to reside.\" There are intermittent entries through November 1859. This is not as full a diary but includes lists of food, clothing, and china, table, and cookware.","Includes \"List of Negroes\" and Mount Vernon farming and maintenance details. Loose note at the front reads \"Extracts from the diary of my father\" with notes on this diary and previous ones.","Includes \"List of Negroes\" and Mount Vernon farming and maintenance details.","Photocopies of undated manuscripts from the collection.","Photocopies of manuscripts dated 1834-1838 from the collection.","Photocopies of manuscripts dated 1841-1845 from the collection.","Photocopies of manuscripts dated 1846-1849 from the collection.","Photocopies of manuscripts dated 1851-1853 from the collection.","Photocopies of manuscripts dated 1854-1855 from the collection.","Photocopies of manuscripts dated 1856-1857 from the collection.","Photocopies of manuscripts dated 1858 from the collection. (1 of 2)","Photocopies of manuscripts dated 1858 from the collection. (2 of 2)","Photocopies of manuscripts dated 1859 from the collection.","Photocopies of manuscripts dated 1860-1861 from the collection.","Handwritten notes probably by a librarian or other Mount Vernon staff member including summaries of the letters within the collection."],"names_ssim":["Special Collections at The George Washington Presidential Library at Mount Vernon","Washington, John Augustine, III, 1821-1861","Cunningham, Ann Pamela, 1816-1875","Ritchie, Anna Cora Mowatt, 1819-1870","Washington, Jane Charlotte Blackburn, 1786-1855","Lossing, Benson John, 1813-1891","Everett, Edward, 1794-1865","Washington, George Corbin, 1789-1854","Lewis, Lawrence, 1767-1839","Lewis, Eleanor Parke Custis, 1779-1852","Davis, Henry Winter, 1817-1865","Bassett, George Washington, 1800-1878","Johnson, Joseph, 1785-1877","Corcoran, W.W. (William Wilson), 1798-1888","Custis, George Washington Parke, 1781-1857","McKenzie, Lewis, 1810-1895","Cunningham, Louisa Bird, 1794-1873","Washington, Eleanor Love Selden, 1824-1860","Taylor, John L. (John Lampkin), 1805-1870","Sparks, Jared, 1789-1866","Washington, Bushrod C. (Bushrod Corbin), 1839-1919","Tyler, Nathaniel, 1828-1917"],"corpname_ssim":["Special Collections at The George Washington Presidential Library at Mount Vernon"],"persname_ssim":["Washington, John Augustine, III, 1821-1861","Cunningham, Ann Pamela, 1816-1875","Ritchie, Anna Cora Mowatt, 1819-1870","Washington, Jane Charlotte Blackburn, 1786-1855","Lossing, Benson John, 1813-1891","Everett, Edward, 1794-1865","Washington, George Corbin, 1789-1854","Lewis, Lawrence, 1767-1839","Lewis, Eleanor Parke Custis, 1779-1852","Davis, Henry Winter, 1817-1865","Bassett, George Washington, 1800-1878","Johnson, Joseph, 1785-1877","Corcoran, W.W. (William Wilson), 1798-1888","Custis, George Washington Parke, 1781-1857","McKenzie, Lewis, 1810-1895","Cunningham, Louisa Bird, 1794-1873","Washington, Eleanor Love Selden, 1824-1860","Taylor, John L. (John Lampkin), 1805-1870","Sparks, Jared, 1789-1866","Washington, Bushrod C. (Bushrod Corbin), 1839-1919","Tyler, Nathaniel, 1828-1917"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":251,"online_item_count_is":12,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:55:09.076Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vimtvl_repositories_3_resources_65","ead_ssi":"vimtvl_repositories_3_resources_65","_root_":"vimtvl_repositories_3_resources_65","_nest_parent_":"vimtvl_repositories_3_resources_65","ead_source_url_ssi":"data/oai/MV/repositories_3_resources_65.xml","title_ssm":["John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) collection"],"title_tesim":["John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) collection"],"unitdate_ssm":["1834-1957"],"unitdate_inclusive_ssm":["1834-1957"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RM.848","/repositories/3/resources/65"],"text":["RM.848","/repositories/3/resources/65","John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) collection","This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes.","The collection is arranged chronologically with undated material listed at the beginning in alphabetical order by folder title. Addenda, photocopies, and bound volumes are described at the end of the collection.","(Taken from the Digital Encyclopedia entry by Matthew Costello, George Washington's Mount Vernon website)","John Augustine Washington III was the great-grand nephew of George Washington and the last private owner of Mount Vernon. The fourth of five children, he was born on May 3, 1821 to John Augustine Washington II and Jane Charlotte Blackburn Washington. John Augustine spent his young childhood at his parents' Blakeley plantation near present day Charles Town, West Virginia, but after the deaths of Bushrod Washington and his wife Julia in 1829, the Mount Vernon estate became the possession of Bushrod's nephew, John Augustine Washington II. As the son of a wealthy Virginia planter, John Augustine enjoyed a comfortable lifestyle at Mount Vernon, developing interests in politics, hunting, and agriculture. After John Augustine Washington II passed away in June 1832, the estate was left to his widow Jane Charlotte, who vowed to maintain the estate to the best of her ability without involving her children's inheritances. While John Augustine Washington III preferred his more aristocratic pastimes, Jane insisted that he attend college after his father's death. He graduated from the University of Virginia in 1840, returning to Mount Vernon in September 1841 with a proposition to manage the estate for his mother. She agreed, loaning him twenty-two slaves and contracting his employment for five hundred dollars per year for seven years.","As the oldest living male heir, John Augustine Washington III positioned himself to take possession of Mount Vernon from his mother. While she did not pass away until 1855, she gave John Augustine the proverbial keys to the kingdom, granting him full autonomy to run the plantation as he saw fit. However, John Augustine quickly realized that the deteriorating Mount Vernon estate was a far cry from the profitable plantation that his great-great uncle George Washington once presided over. His primary means of income came from wheat and potato production, woodcutting, selling slaves and outsourcing slave labor, collecting land rents, and his herring operation on the Potomac River. However, soil degradation, poor harvests, temperamental weather, and the devastation of crops by insects and pests limited his agricultural returns. While he managed to slow Mount Vernon's financial decline, these endeavors were not enough to stop the downward spiral. In addition to facing these hardships, John Augustine also experienced constant interruptions by sightseers, many of whom wanted the meet the living descendent of General George Washington, see the Mansion, and ask questions about Washington's life. ","These visitors were considered a nuisance to John Augustine's family, and their presence slowed plantation work for slaves, overseers, and hired farm laborers. Initially John Augustine followed the precedential policies of his mother, father, and uncle Bushrod, publishing trespassing notices around the property, requesting letters of introduction to enter the Mansion, and denying the landing of steamboats on the Potomac River. But with his lands yielding such little profit, John Augustine decided to embrace this historical tourism, implementing business strategies to extract money from the thousands of visitors who journeyed to the home of George Washington. In order to bring more people to the estate, he entered into a contract with the proprietors of the Thomas Collyer to permit their steamboat to dock directly at Mount Vernon. He also promoted and invested in the construction of the Alexandria, Mount Vernon, and Accotink Turnpike Road, which was designed to make travel easier to Mount Vernon over land. As more visitors descended upon the grounds, he instructed slaves and laborers to sell bouquets of flowers, fruit, milk, and hand-carved canes to tourists. Beyond the property boundaries, he went into business with James Crutchett, who purchased timber from the estate and manufactured wooden Washington trinkets near the Baltimore and Ohio Railroad depot in the nation's capital. While John Augustine Washington capitalized on the American fascination with George Washington, these sales were not substantial enough to convince him to retain Mount Vernon. He attempted to sell the property to both the federal government and the state of Virginia, but both bodies were deeply mired in sectional and political partisanship. Convinced that neither would meet his terms, he agreed to sell 200 acres of the Mount Vernon estate, which included the Mansion, outlying buildings, and the family tomb to the Mount Vernon Ladies' Association (MVLA) in 1858 for $200,000. ","John Augustine and his family vacated Mount Vernon for their new home Waveland plantation in February 1860. About a year later the state of Virginia called for a convention to debate the issue of secession, and in April 1861, Virginia delegates responded to the firing on Fort Sumter by voting in favor of leaving the Union. John Augustine joined the Confederate Army as a lieutenant colonel, and he served as aide-de-camp to his relative by marriage, General Robert E. Lee. In September 1861, John Augustine was killed during a reconnaissance mission at the Battle of Cheat Mountain by a Union bushwhacker. In a letter to John's teenage daughter Louisa, Lee painfully informed her that her father \"fell in the cause to which he had devoted all his energies, and which his noble heart was earnestly enlisted.\" The two men had shared many conversations and moments together as tent mates, and Lee admired his unflinching \"devotion to Almighty God,\" assuring Louisa that \"He is now safely in Heaven.\" John Augustine was buried in the Zion Episcopal Churchyard in Charles Town, West Virginia, one of several Washington family members who fought and died for Southern independence. ","This diary may not actually be part of accession RM-848 as it is not mentioned in the initial inventory/correspondence. However, it was in the same box as the other diaries and the almanac when found on the shelf, therefore it was described with the collection.","Early Records of the Mount Vernon Ladies' Association ;\nPapers of the Mount Vernon Ladies' Association ;\nJohn Augustine Washington III and Eleanor Love Selden Correspondence ;\nJohn Augustine Washington III and Descendants Papers ;\nHistoric Manuscripts Collection","This collection concerns the inheritance, maintenance, and sale of the Mount Vernon estate by its last private owner, John Augustine Washington III. A large majority of the collection is correspondence to or from John Augustine Washington III with a significant portion relating to the purchase of the estate by the Mount Vernon Ladies' Association. Three diaries kept by John Augustine are also included and contain important information about his slaves, agricultural practices, and finances. Other types of material in the collection include legal documents, receipts, photographs, and ephemera. Photocopies were made for most of the manuscripts and can be viewed as surrogates to the originals. ","Descendants of John Augustine Washington III maintained ownership of these records until 1990 when they were sold to Gary Hendershott, a manuscripts dealer from Little Rock, Arkansas. The Mount Vernon Ladies' Association purchased the collection in October 1990.","Lists signatures and states that all members of Congress would sign if requested.","States they are now the \"best of friends.\" She is angry at people who denigrate his motives. Wants to make known his true nature.","Mrs. Ritchie requests he arrive at the theatre a little after 12:00 so all guests may be seated prior to the rise of the curtain.","She had sent her present of flowers to Mrs. Madison, and they were \"greatfully\" received.","His mother wants help valuing her sheep. Describes one offer for Mount Vernon with great disdain. They want to have entertainments there. He has great respect for \"your manly pride.\"","Apologizes for having intruded too much on his privacy during a recent visit when Mrs. Ritchie and others of the ladies \"took forcible possession of me\" and requested cuttings of flowers. Hopes he will establish a Botanic Garden and suggests a location for a Mausoleum.","Describes her return from Mount Vernon in much rain. Discusses crops. Gives instructions for sending things to her. Asks report of conversation that was \"highly derogatory to me.\" Feels items should be sold to visitors so they will not pilfer mementos.","Urges sale of Mount Vernon to Virginia rather than to a private sale.","Resolution wants to change the site of the Military Asylum to Mount Vernon if a part of the estate can be purchased at a reasonable price.","Introduces some friends who wish to visit Mount Vernon.","Gives family news and an account of a visit by a gentleman who spent the night at Mount Vernon and gave $5 to West Ford. Discusses sale of a slave to his cousin. Has heard of a bill by the federal government to purchase Mount Vernon and wishes it would be accepted. Mentions prices and terms.","Is sending oats and other items to Mount Vernon. Urges him to pursue his studies. Wishes him to send some oysters and sugar.","Sends funds for completing the vault at Mount Vernon and authorizes him to take more money from his bank if necessary.","Thanks him for the many civilities experienced by them during their visit to Mount Vernon. Sends a piece of a branch of a fig tree cut from the birth spot of \"your immortal ancestor.\"","Is against his plans for Mount Vernon and opening it to \"every low idler.\" Discusses payments and what form they would take.","Brief note of regards, translated by J. Perkins.","Heard about people being charged to enter the garden. Wishes he would stop this.","Wants to know price and terms of sale of Mount Vernon. If not for sale, could it be leased. (Contains typed transcript.)","Was glad to hear that Mount Vernon was not for sale as it should remain in the hands of the Washington family. Wishes to \"establish a house of entertainment in the vicinity of Mount Vernon.\" Asks questions as to materials and location of such. (Contains typed transcript.)","Is in the market to purchase negroes as one of his men, Alfred, has run off. Wants to know whether she still wishes to dispose of her negroes and what her price would be. He could pay $500 cash and then pay off the principal in a year or two.","Lists names of executors and legatees and their shares and values.","Tells him of an upcoming visit to Washington and Mount Vernon by a \"highly respectable volunteer corps.\" They wish to arrive by boat and see the tomb of Washington. He understands permission to do so is necessary.","Is worried his health is suffering by his labors at Mount Vernon. Hopes he will accept any reasonable offer by the U.S. Government for it. Went into town to have magistrates witness her acknowledgment of the deed of release. Discusses a suit brought by Judge Douglass and the health of various family members.","Doubts whether an offer will be made by the U.S. Government. Hopes it would as she feels his health is suffering from attending to business at Mount Vernon. Recommends someone to help him acquire an overseer. Was paid money for him. Discusses the failing health of Dr. Alexander's mother and others.","Is horrified to learn of auction of Wood Lawn. Proposes to run a steamboat between Washington to Wood Lawn, Fort Washington, Mount Vernon, and the White House. Gives references. Pledges to bring members of Congress there and feels it would enhance the chances of the purchase of Mount Vernon by the government. Suggests it could be used as a summer home for the President. Discusses various items left by Washington and the soon to be completed Chesapeake \u0026 Ohio Canal. (contains typed transcript)","Tells him of a letter he received from an unknown man who wants to obtain a tree from Mount Vernon to transplant in France to shade the bench of Christopher Columbus which he possesses.","Recommends leaving it to Congress to propose a price for the purchase of Mount Vernon. She feels he wants too much for it, and that it really should not be sold. Gives family news. Gives advice on his search for an overseer.","First letter discusses the Supreme Court taking on the suit of Mr. Hammond against General Washington. Bassett says he discharged all debts owed by Captain Lewis. There is another copy of the names of executors and legatees and their shares and values. Discussions of various debts owed to different people.","Discusses various suits, mostly Hammonds, against the estate and their current status. Many people have died since 1827 when they were last listed. Will take a long time to find people.","Discussion of the Hammond suit and payments still owed to various creditors, to be paid by all the legatees of General Washington's estate. Most dollar figures are left blank to be filled in later. Prompt payment by all legatees is required.","Discusses his father's will and his lack of knowledge of the whereabouts of various other people mentioned in JAW's letter.","Answering his inquiries as to various relatives. Suggests he write to the clerk of Kanawha County for the information he requires. Suggests he contact Andrew Parks who probably has all the facts.","Discusses sale of swamp land. He paid the taxes on it for the Washington heirs. The land is not worth much since the timber had been taken from it by many people over the years. Would like to be reimbursed for the money he paid.","He wishes to meet with him in the middle of November, at which time they can conclude their business.","Discusses the bill in Congress to purchase Mount Vernon. Wants assets divided up between her children so all are taken care of. Tells of Charles' upcoming marriage before he leaves for California.","Discusses the codicil of his father's will. Mrs. Washington is not compelled to sell. Upon her death, the heirs may sell despite the codicil. Suggests Mrs. Washington partition the land before her death in order that JAW may do \"what you please with the land.\"","Invites him to the wedding of his oldest daughter the next week.","Has been in Charlestown attending services for the week. Is amazed at the prospect of $200,000 being paid for Mount Vernon by the government. Wants him to send fish and to pickle some \"Rock.\"","(Typed transcription included) George Page and a surveyor from Maryland wanted to survey land in the Potomac River adjacent to Mount Vernon with the object of bringing steamboats there. Was notified he would be charged with some offense by Maryland. Makes him aware that the compact between the states means they have no claim on him.","First letter – wants to know if Mount Vernon Estate will be sold. Second letter – understands the government might become the owner of the estate and wants to meet.","Wants him to petition the Court to finally settle the estate of General Washington.","First letter – wants to examine Mount Vernon with a view to the establishment of a military asylum for the relief of soldiers. Second letter – tells him the price for Mount Vernon is too high, and purchase of a location nearer Washington will be undertaken.","An account by a boat company of receipts over the past year.","Discusses the landing of boats at Mount Vernon without JAW's previous knowledge. Wants them to be allowed to dock if they pay the usual fare to him.","Acknowledges payment for the pianoforte. Wants four walking sticks cut from near General Washington's tomb to be sent to monks in Italy.","Agreement to sell 200 acres of Mount Vernon for $200,000. Includes all buildings and the tomb, as well as furnishings currently there. Also will allow heirs to be buried there. He may not sell the estate without first offering it to the U.S. Government and the State of Virginia for no more than $350,000.","Has been unable to contact other parties to the contract. Hopes to be able to do so soon.","A committee of the House of Delegates has been appointed to consider the purchase of Mount Vernon. Wants to meet him in Alexandria to discuss this.","Encloses a newspaper clipping about the acquisition of Mount Vernon by the State of Virginia. Tells him the committee of five will look into the will of the people as to this acquisition.","Addressed only to \"Mrs. Washington.\" Unclear whether it is addressed to Mrs. Jane C.B. Washington or Mrs. Eleanor L.S. Washington. (Typed transcription included) Has heard that Mount Vernon is for sale, possibly to northern people. Feels the Ladies of the South might instead procure it and wants to know the price.","Does not wish to part with Mount Vernon but wishes to keep it from the changeable fortunes of a family and to ally it to the State. Would sell 200 acres with stipulations for $200,000. If the State wants to establish a model farm there, he would sell an additional 1,000 acres for $300,000. Invites them to visit.","Discusses his offer to sell Mount Vernon to the state. Says $200,000 is less than the property could sell for on the market. Talks about having a model farm as nothing meant more to Washington than farming. Would welcome them to visit. Reminds them that his terms cannot be materially modified.","(Typed transcription included) Says he is asking less money of the state than he had been offered by others. Tells them of his desire for a model farm as the pursuit of an improved system of agriculture was of great importance to General Washington. Would welcome a visit from them.","Wants to clear up suggestions that he is falsely referring to higher offers for Mount Vernon.","The Committee feels the price for Mount Vernon \"is enormous.\" Would prefer the money to be used for a rail road.","Draft in writing of John Augustine Washington III. Addressed to \"Miss Cunningham\" but could also be a response to Louisa Cunningham's letter instead of Ann Pamela Cunningham. Praises the women of the south for their affection for Washington. Does not wish to dispose of the property except to the government of the United States or Virginia and so declines the proposition from the \"Ladies of the South.\"","Draft thought to be in the writing of Jane C.B. Washington. Identical text to previous letter (draft in the hand of John Augustine Washington III).","Encloses a power of attorney and some other letters. Has agreed to reduction of $50,000 on 1000 acres. Will accept nothing less than $200,000 for the 200 acres. Agrees to pay him 5% of what he gets from either government agency, provided it occurs in the current session.","The state might be willing to pay $50,000 per year for four years for Mount Vernon but not the total of $200,000 at once. Wonders what is happening with the federal government. \"Things are coming to a head rapidly.\"","As long as negotiations with Virginia remain open, it would not be proper for him to entertain any proposals from other parties for the purchase of Mount Vernon. Might be interested in the future in making an offer.","Feels priority should be given to Congress to purchase Mount Vernon, and therefore Virginia is holding off on more committee meetings. Wants him to be there for future committee meetings.","Urges him to meet with Arthur Taylor as his representative in the proposed sale of Mount Vernon. Requests that he not send papers to Col. Bissell before meeting with him.","Has the papers from Mr. Washington and wants to meet with him to discuss the sale of Mount Vernon to the U.S. Government.","Assures him that he has not given the letters from him to Mr. Bissell and has requested Mr. Taylor to come see him.","Encloses the previous letter and hopes they will be able to meet soon. Feels it best to not commit to any course with the U.S. until a definite answer comes from the Virginia Legislature.","Invites him to come to his lodgings at any time at 9 a.m.","Is unable to return to his \"hospitable roof\" at this time. Values the time she was there and having been \"entrusted with the training of such bright intelligences.\"","Reports on his share of earnings from \"Washington's Writings.\" Many copies of the book were destroyed in a fire, but the stereotype and engraved plates were in a fire proof vault.","Feels it is very important for him to communicate with the federal government and is willing to help in any way.","Mr. Taylor shared his letter proposing to bring the subject of the purchase of Mount Vernon again before Congress. His terms are already known to him – the same as those agreed to for the State of Virginia.","Wants to bring up the purchase of Mount Vernon in Congress but wants to know just what terms he agreed to with Virginia. Wants the Northern States to purchase it.","Gives terms of sale, including that family members still living may also be buried there. Additional property to total 1000 acres may be purchased for $300,000, for a model farm as suggested by Gen. Washington. Tells him the state of Virginia had proposed the sale for less than he wanted which he refused.","Encloses a copy of the bill reported to the House of Delegates Committee for the purchase of Mount Vernon. He told them it would not meet with JAW's approval. Urges him to move quickly on the Turnpike matter for this session.","Is very desirous of having the State of Virginia take possession of Mount Vernon and \"have the sole control and ownership forever.\" Wants to know what terms he proposes.","Gives him the terms of sale. The Washington family shall be permitted to be buried on the site, and no remains shall ever be disturbed. The price shall be $200,000, with an additional 800 acres available for $100,000 more","Will not accede to propositions of the steamboat company. Will be busy for a few weeks but wants to see a copy of the agreement currently in effect.","Tells him of Mrs. Mason presenting \"a remonstrance against your turnpike.\" Wants access to $250 at Farmers Bank in Alexandria.","Discusses payments based on sales of \"Washington's Writings.\" Tells percentages paid to various legatees.","Discusses quarrelling and squabbling among the ladies purchasing Mount Vernon. Is concerned about security around the remains of George Washington.","Wants him to send a letter to him so he may correct disparaging remarks made about his impending sale of Mount Vernon.","Is writing to her as requested by JAW. Describes a woman mourning her deceased eight-year-old son. Includes a poem about grief and moving on after death of a child.","(Typed transcription enclosed) Mr. Mason very much wants to meet him and getting a letter from JAW that would announce the news of their \"progress.\"","(Typed transcription enclosed) Thanks him for the kindness of him and Mrs. Washington on her recent visit to Mount Vernon. Urges him to send a letter to be published about the sale of Mount Vernon before the news is released by someone else.","(Typed transcription enclosed) Assures her he does not care what others say about him and remains hopeful of selling Mount Vernon to the State of Virginia.","(Typed transcription enclosed) Explains the absence of Mr. Toombs when JAW came to see him. Tells him why she is now dealing with Mr. Toombs rather than Mr. Mason.","(Typed transcription enclosed) Hopes to meet him in Washington City as she will be there for a few days during her travel south. Wants a thorough understanding of his wishes and intentions before meeting with the governor of Virginia.","Wants him to reconsider his determination as expressed in his letter in the National Intelligencer and put the estate under the care of the State of Virginia. (This is a copy of a letter written by Anna's husband.) Second letter, dated March 5, 1857 on same paper: Refers to letter copied out by her. Is certain a sufficient sum will have been raised by February 22 to enable Virginia to purchase Mount Vernon.","Urges him to reconsider his determination as expressed in his letter to the National Intelligencer and consent to place the estate once more at the disposal of Virginia which has an arrangement with the \"Ladies' Mount Vernon Association of the Union.\"","His musical association played a concert on behalf of the \"Ladies Mt. Vernon Association\" at which $100 was raised. The musical group would benefit greatly from receiving this money back if Mr. Washington has no plans to sell to the Ladies Association.","Would love to spend time at Mount Vernon, but his schedule will not allow at this time. His book will be published during the winter and spring, but he doesn't feel a visit would add anything.","He remains willing to place Mount Vernon in the hands of the State of Virginia, under his terms which the state has not seemed to want to meet. The proposal to have Mount Vernon by under the Mount Vernon Ladies Association of the Union is unacceptable to him. Doubts they could maintain the estate in perpetuity. It would then be taken over by the state.","(Typed transcription enclosed) Identical to previous letter.","(Typed transcription enclosed) Responding to his letter to Mr. Ritchie. Urges him to put out that the Ladies are to raise $200,000 on behalf of the State of Virginia for the purchase of Mount Vernon.","(Typed transcription enclosed) Does not wish to publish parts of letters. Feels \"nothing but silent contempt can put them at rest.\"","(W.L. Underwood – most likely Warner Lewis Underwood, Kentucky Senator) Tells JAW that if his current negotiations for Mount Vernon should fall through that his organization would be pleased to enter into further discussions.","Again says he wishes Mount Vernon to go to the State of Virginia, to be decided upon by the current session of the General Assembly.","(Typed transcription enclosed) Wants to know who told her that he was \"willing… for a pecuniary consideration to break engagements and promises.\"","The Masonic Brotherhood is interested in purchasing Mount Vernon. Thanks him for the tour the previous day. Apologizes for the bad behavior of one member and hopes that will not prejudice him against the Fraternity.","(Typed transcription enclosed) She met with the governor who told her the \"Extra Session\" of the Legislature was for the \"presidential contest,\" so the Legislature will not be meeting again until the next winter. Realizes this delay is not pleasing to him.","Inquires whether any action has been taken by the Legislature or is likely to be.","Tells him no action has yet been taken by the Legislature but feels sure it will be taken up after the Christmas recess, after which the ladies will be enabled to purchase Mount Vernon and have its title transferred to Virginia.","Discusses various prices for Mount Vernon and quotes JAW as vehemently denying that he wanted the remains of General Washington moved. He wishes the estate to be the property of the United States and all the people.","(Typed transcription enclosed) Tells him she has been very ill but is sure that the Legislature will act.","(Typed transcription enclosed) Labeled as Private. Tells him Gov. Wise is \"inimical to our 'cause'\" which is the reason the Legislature has not taken up the subject of the purchase of Mount Vernon.\" Talks of the financial crisis which is being felt by \"we victimized cotton planters.\" Tells him of the impending sale of copies of a portrait of Washington.","(Typed transcription enclosed) She writes of her illness and lack of strength. The Constitution of the Association was signed by the governor. Tells him various Masonic orders have decided to become allies of the Association. Hopes to have the contract signed between Virginia and him on the 22nd of February.","Invites recipient to the elevation of the Statue of Washington on February 22 in Richmond.","(Typed transcription enclosed) Labeled as Private. Is looking forward to the inauguration of the Washington statue. Wants him to vow that the Ladies of the Association are the \"very best friends you have in the world.\" Tells him that Gov. Wise is no friend to him or to her and this cause.","(Typed transcription enclosed) Has a document that states Virginia will purchase Mount Vernon from him and encloses a copy of the bill. Is sure the governor will act strongly to defeat this. Wants him to attend the address by Mr. Everett a few days before the 22nd of February. Tells him how lucky he is to get $200,000 in \"these awful times.\"","Gives price of sale of $200,000 for 200 acres of the Mount Vernon estate and pledges the MVLA to guarantee to not disturb any remains currently there and to allow descendants of JAW to also be interred there.","(Typed transcription enclosed) Praises him for agreeing that Mount Vernon is to be a public shrine and to limit interments there. Gen. Chapman included that in the third reading of the bill. Discusses the building of a new mausoleum for Washington which would not go against his will. Talks of her illness.","(Typed transcription enclosed) Tells her the disposition of family remains, as well as those of General Washington, are his biggest concerns in the sale.","(Typed transcription enclosed) Hopes he is happy about the bill as read in the Legislature. Tells him it is she and not the Committee who wants to arrange for a magnificent mausoleum. Closes by saying she is too exhausted to \"even give a hint of the nature of woman's revenge should you not be in a state of delight over our bill!!!\"","(Typed transcription enclosed) Remains adamant as to a future mausoleum as Washington stated where he wished his remains to be. Cannot travel to Richmond at present due to the illness of Mrs. Washington.","(Agreement ends with reference to the 10th of February) Deals with payment of $6,000 to heirs of W.F. Alexander and Anna Alexander as a share of Mount Vernon. Expressly says none of these heirs have any claim to the proceeds arising from a sale of Mount Vernon, other than the $6,000.","(Typed transcription enclosed) Tells him that though Gov. Wise is no friend to the Mount Vernon cause, he did not intend to put his remarks under the head of Lunatic Asylum. It was a complete accident.","(Typed transcription enclosed) Encloses another article by Mr. Pryor who is \"using his art to arouse the fear, \u0026 cupidity of the timid \u0026 narrow minded of this Legislature.\" Asks him about his previous offer from a company to purchase the estate, and that he wanted to wait for Congress to act.","(Typed transcription enclosed) States that his price for Mount Vernon has always been $200,000, since he gained control of it in 1849. Asks whether he ever made an offer for Mount Vernon for $100,000. If so, under whose authority was it made?","(Typed transcription enclosed) Wants to confirm with him that his offer to sell Mount Vernon as a site for the Military Asylum in 1851 was for $200,000 and not $100,000.","(Typed transcription enclosed) Tells her of a contract with a gentleman to sell him 200 acres of Mount Vernon for $200,000 with the condition that the property should be offered to the U.S. and to Virginia. If neither purchased it, he should take the property. He then offered $50,000 to release him from that obligation, but JAW refused. Says he never has offered it for sale in public or private.","Says he was authorized by JAW to offer Mount Vernon for a Military Asylum for $100,000. Will search for papers to confirm this.","(Typed transcription enclosed) Advises that on March 25, 1851, he made an offer to sell about 150 acres of the Mount Vernon estate for $200,000 for an Army Asylum or some other government purpose.","(Typed transcription enclosed) Labeled as Private. Thanks him for sending a copy of the correspondence of Gen. Scott. Miss C. is intensely engaged in getting past Mr. Pryor's malicious misrepresentation of the Bill. If he can defeat us, he will.","Reiterates that Alexander and his heirs have no claim to any proceeds arising from a sale of Mount Vernon beyond the agreed upon $6,000 and requests him to add a paragraph to that effect to the agreement they will both sign.","(Typed transcription enclosed) Wants him to come see her in Richmond, despite his recent fall. Refers to the animosity of Mr. Pryor toward the bill. Wishes there could be an Extra Session for it to pass.","Again states his disagreement with Mr. McKenzie's assertion of his having offered $100,000 for Mount Vernon. No one else knew of such an offer. Gen. Scott agrees with JAW in his recollections. Tells her of a recent fall from a horse which will prevent his visit to Richmond on the 22nd.","Urges him and his family to attend the inauguration of the equestrian statue of Washington on the Capital Square in Richmond. Says he would be pleased to host them at their home near the city.","(Typed transcription enclosed) Is uncertain whether he will be able to travel to Richmond and wants her to update him on matters related to the Bill as \"I have not in any manner approached\" any of his friends or acquaintances on the subject. It is important for her to convince members that the association only needs the name of the State which will not be called upon to pay any of the money for the purchase.","(Typed transcription enclosed) Miss Cunningham begs him to attend Mr. Everett's oration and hopes to speak to him on the Square tomorrow.","(Typed transcription enclosed) Continues to be unwell. Introduces him to Mr. A.H.H. Dawson of Georgia, \"an eccentric genius.\" He is devoted to the purposes of the Association and has delivered an address about it in 30 towns in Georgia. Urges him to come to Richmond to meet with members of the Legislature.","(Typed transcription enclosed) Is sorry he was unable to call on her before leaving Richmond. Wants clarification about alterations Mr. Yancy thought necessary in the paper he left with her. He wants a decision by the Legislature, yes or no, soon.","(Typed transcription enclosed) Tells him that the Legislature is \"in a row\" and will not pass any bills before an Extra Session. Wants him to bring a contract to her so they are prepared for any contingencies. Tells him of her illness of the lungs and her treatment.","(Typed transcription enclosed) Reiterates the importance of the sanctity of the family burying ground. Wants to have some alterations and additions of a substantial permanent character made to the present vault, with a durable enclosure around it. He is open to payment in stocks or cash for the estate. Says they should have an act of incorporation before signing a contract.","(Typed transcription enclosed) Gen. Chapman was drawing up an act of incorporation before the bill comes up. He said Virginia must not hold the tomb; the Association must hold it. She remains very ill. \"yrs in much suffering\"","Is preparing a pamphlet to defend JAW against detractors and wants copies of correspondence he had with Gen. Scott and others about possible purchase of Mount Vernon.","(Typed transcription enclosed) The bill in Virginia for the purchase of Mount Vernon, to be refunded by the MVLA, was defeated in the House of Delegates. In addition Congress cannot purchase land in a sovereign state without its consent. Tells him it should be the property of the Nation and should be sold to the MVLA. \"With grateful women pledged to guard the sacred ashes of Washington and to adorn his home for a national shrine.\"","(Typed transcription enclosed) Says it has become obvious that neither Virginia nor the U.S. wish to purchase Mount Vernon. Therefore \"the women of the land will probably be the safest as they will certainly be the purest guardians of a national shrine.\" He waits for her to make a proposal to him.","(Typed transcription enclosed) Miss Cunningham requests that he answer the letter she gave him relating to the purchase of Mount Vernon and to return it to her. She will give him a copy.","(Typed transcription enclosed) Is returning her letter to him as it seemed to be improperly dated and lacked her signature. When she remedies those defects, he will send an answer.","(Typed transcription enclosed) Wants to meet with him on Saturday morning in Alexandria to sign the contract.","(Typed transcription enclosed) Is very unhappy about delays put forth by Messrs. Macfarland \u0026 Myers. They felt there had to be an acceptance of the contract by all or a majority of the Vice Regents before it could be signed. They can do this by telegraph, permitting Mrs. Ritchie to act for them.","(Typed transcription enclosed) Urges him to come without delay. It was thought things would be delayed as Mrs. Walton's husband had died, but now Mr. McFarland advised them to send for him at once. Miss Cunningham is not good and needs to bring matters to a close \"ere it be too late.\"","(Typed transcription enclosed) Wants him to come see her that afternoon or evening as Dr. Beale \"considers it necessary to apply a severe blister without delay.\"","(Typed transcription enclosed – labeled Private) Upon reflection she feels the letter she sent him for publication is not to be published. She does not wish to \"make enemies even in a State which has given me so little cause to respect it.\" Mrs. Ritchie will work on a better worded one which she will send to him.","He deposited money to his credit for the contract and wants to know if this was correct. Tells him the pony he was inquiring about is not for sale. Also felt much concern about the accounts of the fisheries. Looks forward to a visit with him.","(Typed transcription enclosed) Encloses the plat of the 200 acres of land he agreed to sell to the MVLA. Wants him to sign it and return it.","(Typed transcription enclosed) About the plat, he is having the land resurveyed and \"have the necessary corners stones set.\" He will send it back with a signature after that. Also encloses her letter of March 12 and wants a copy of her letter as published with her signature.","Wants to know if George Thorburn may visit Mount Vernon in the 28th of May to inspect the grounds in regards to the improvements to be made. He is \"no doubt the first horticulturist in America\" and a plain, unpolished person. It would be good for JAW's surveyor to meet with Mr. Thorburn to go over the grounds.","He is \"exceedingly provoked\" at the newspaper coverage in connection with the sale of Mount Vernon. As a college friend he felt he had to contact an editor and correct the information. He hopes he did not make the situation worse.","Again requests he host the \"celebrated florist\" at Mount Vernon to look over the grounds before they come to Mount Vernon on the 29th for a few hours.","Agrees to have Mr. Thorburn come and meet with surveyors. Asks if Mr. Thorburn could be appointed the Agent of the Association in drawing up with the surveyors the lines of the 200 acres. He will \"grant any reasonable request of the Association.\" Hopes to see Mr. Ritchie and her while he yet resides at Mount Vernon.","The first attests to receipt of interest on the $6,000 owed to Mrs. Jane Washington. \tThe second is for $2,000 as part of the $6,000 owed.","Urges him to reduce the price of Mount Vernon to $150,000 so as to better fund all the expenses associated with its ownership by the MVLA. Tells him to buy land in \"some of the new states\" with that money.","Wants to know what stocks or bonds would be acceptable as part of the purchase price. Gives the current rate of Virginia stock.","Acknowledges his decline to the proposition.","Replying to a previous letter. Cannot answer the questions of Miss Lewis as he does not remember where Col. Fielding Lewis died. Her wishes are an illusion. Wonders if some land in Kentucky is what she is dreaming of. Hopes the Ladies will be able to preserve Mount Vernon after they complete the purchase.","As a new Mason, wants to know if he will amend the contract to state that the property will revert to the United States or the Masonic Fraternity in the event of a dissolution of the MVLA and not to the state of Virginia.","Writes to her cousin about an article in the paper that morning that was a \"vile abolition libel on you.\" Wants to assure her lady friends that it is untrue.","Is involved in illustrating an article about Mount Vernon as it is of interest to the American people. Wants to visit to sketch objects that have not been drawn. The MVLA is in favor of such an article to assist with their fund raising.","Is amazed at the scurrilous attacks made on him by Northern Papers which are calculated to embarrass the Mount Vernon Association.","(Typed transcription enclosed) Thanks him for his letter about the calumnies in some Northern newspapers but has no desire to enter into a controversy with the papers.","(Typed transcription enclosed – labeled Private) Wants him to tell her of his agreement with Mr. Crutchett of Mount Vernon Cane Factory who was given permission to come and cut trees on the estate. Asks what value he puts on the remainder of the estate contiguous to the 200 acres.","(Typed transcription enclosed) Gives details of his contract with Mr. Crutchett which expired in February 1856. He was permitted to take more trees before January 1857. He has no right to \"come upon the property I have sold the Association to cut timber.\" Has not put a price on the remainder of Mount Vernon.","Thanks him for the hospitality given to him and his sister on their visit to Mount Vernon.","(Typed transcription enclosed) Miss Cunningham was happy to hear his account of the transactions with Mr. Crutchett. Wants him to come to Philadelphia to confer upon private matters of great importance to the Association and himself. She is equally interested in the final settlement of the boundary lines.","First letter (incomplete) congratulates him on the sale of Mount Vernon. Requests return of portrait of his mother. Second letter thanks him for agreeing to return the portrait. He and his family would very much like to visit Mount Vernon again before it becomes public.","Hopes he can come to Washington to meet with him. Wants Mr. Washington to stay with him to \"pay off the debt of visiting you at Mt. Vernon.\" Miss Cunningham is making arrangements to pay the first bond with interest in December.","(Typed transcription enclosed – labeled Private) Looks forward to making payment of the first installment. Mr. Riggs will pay sums of $5,000 as soon as it is raised. Hopes to be able to pay the remainder of 2d installment on 1st of January 1859. Begs him to keep these matters as a \"profound secret.\"","Miss Cunningham wants to make the first payment on December 14, the anniversary of Washington's death.","Tells him of payment to Burke \u0026 Herbert of $10,000 on that day.","Tells him the box containing the chairs has not yet arrived. He wants to be allowed to pay for the repairs necessary to the chairs. Invites him and his family to visit him in Richmond before they go farther away from it.","(Typed transcription enclosed – labeled Private) Wants to make the first payment on the 1st, but this is a holiday. Urges him not to risk sending the plat executed by Washington himself but to have it be lithographed. Wants to clear up the boundaries. Tells him to keep the discussion of the sale of additional land private.","Wants to gather branches from the estate in order to make canes to sell to aid in the purchase of Mount Vernon.","Their project would require the consent of the Regent of the MVLA.","(Typed transcription enclosed – labeled Confidential) Miss Cunningham is too ill to reply to his last letter. Lets him know his presence might be required on the 22nd but all arrangements must be kept private. The upcoming payment will be about $14,000.","(Typed transcription enclosed) Urges him to accept the money already paid to him (for the \"selling your relations bones.\") He already received more money than the estate was worth. Note on the letter states he ensured his control over the remains in \"such a way that they can never be sold by any one.\"","(Typed transcription enclosed) Does not want to go to Philadelphia unless it is absolutely necessary. He recently heard that Mrs. Esther M. Lewis (widow of Lorenzo Lewis) wants to present the harpsichord that was given to Nelly to the MVLA.","Thanks him for copy of the inscription on a bust. He realized he had not copied the pencil sketch of the Destruction of the Bastille. Would JAW please have a photograph of it sent to him for an upcoming book on the history of Mount Vernon. Will send a copy of the book to him in September when it is published.","Acknowledges receipt of $1,000 which completes the payment of $6,000 owed to Mrs. Jane Washington.","The Regent wants JAW to not allow any more sketches to be made of Mount Vernon or the grounds without her consent. Attached is a copy of an advertisement for sale of a portrait of Washington. The Mount Vernon Record gives an account of fund raising to date. Mr. Everett thanks Devereux for sending him a copy of the Farewell Address.","(Typed transcription enclosed) Requests her to send him definite instructions to enable him to prohibit people from making sketches of Mount Vernon.","Tells them he has written to the Regent requesting her instructions about the matter they raised with him.","(Typed transcription enclosed) The Regent now feels that it would \"not be practicable for you to refuse privileges hitherto granted\" in the matter of sketches. There is also a newspaper clipping with letters from JAW and the Regent about the sale of Mount Vernon.","They wrote to him on the 14th as the Regent was prostrated. Requests any material he might have about the area in England where Washington's ancestor came from.","(Typed transcription enclosed) Tells her of terms under which they ran their steamboat to Mount Vernon. They paid him money with the understanding that he would make repairs to the wharf and footway, under the agreement, but he did not. He ordered his captain to have it done and will retain that money.","(Typed transcription enclosed) Encloses a copy of the previous letter and asks him to advise her as to her response to Mr. Bryan.","(Typed transcription enclosed) Miss Cunningham much enjoyed his previous letter and its humor. Hopes he will waive the requisition of 10 days notice before receiving payments. Can give him at least 30 days notice before requiring possession, and hopefully 60 days. She has \"been very much of an invalid for many weeks.\"","(Typed transcription enclosed) Wants him to come to Philadelphia around the 10th or 12th so they may consult in regard to the future. They can have the boundary line settled and put many business affairs in order. Miss Cunningham intends to make a payment on the last installment as soon \"as you will receive it.\"","(Typed transcription enclosed) He will travel to Philadelphia and meet with her on Wednesday. Will give directions to Messrs. Burke \u0026 Herbert for the last installment.","(Typed transcription enclosed) Miss Cunningham wants him to arrive on Thursday and then accompany her to hear Mr. Everett in the evening. She and Mr. Everett would then meet with him on Friday.","(Typed transcription enclosed) He agrees to come to Philadelphia on Thursday and meet as she suggests.","(Typed transcription enclosed) The Regent wants him to \"have the kindness not to speak of the particulars of your interview with her.\" She also requests him to confer with Mr. Herbert, after which Mr. Herbert should meet with Mr. Riggs and let her know the arrangements he would be willing to make. \"This matter she particularly desires should be confidential.\"","Wants him to send him the photographs of the Picture of the Bastille and let him know what he owes for this service. Thanks him for his kindness in all this matter.","Again asks for the photograph of the Bastille picture as his book is finished, and he is only waiting for that.","(Typed transcription enclosed) Miss Cunningham regrets that he and Mr. Riggs were unable to meet at Mount Vernon to discuss all it is possible to do without annoyance to the family. Would like to commence work on the outbuildings near the garden and to rebuild the roof and pillars of the piazza. Also wants to do work around the Tomb.","(Typed transcription enclosed) Apologizes for delay in responding to his recent letter, but the news of Captain Cunningham's decease has made it impossible for Miss Cunningham to \"think of even the most pressing business.\"","Thanks him for sending the photograph and encloses $5. Apologizes for keeping three documents for so long. Wants to return the documents and send him a copy of the book in September. Asks whether he may keep the Pohick elevation as it is in Washington's hand.","Details work done on various dresses.","Is sorry to hear that JAW will be leaving Mount Vernon before Hubard can get there to visit. Wants to know whether Mr. Mills does possess the moulds made by Houdon. Wants to see a cast made from the mould as he is convinced it is a fraud.","Cannot say whether the Richmond statue is accurate but to him the head looks identical to the Mount Vernon bust. Has never heard of the moulds being left at Mount Vernon and does not believe Mr. Mills would have removed anything without his permission.","Wants to clarify his original assertion that he feels Houdon did not use the moulds made from Washington's face as he asserts they are very different from the head of Houdon. Also wants to know whether the table on which Washington lay when the moulds were made is still at Mount Vernon.","Thanks him for sending money from the steamboat company for the MVLA.","Will be writing an article for Encyclopedia Britannica and is \"desirous of stating the facts relative to the emancipation of the Genl's slaves.\" Also wants to know whether Mrs. Washington left a will and whether she freed her slaves in it.","Wishes to obtain a copy of the inventory of General Washington's estate.","Makes assertion that General Washington was sued and judgment rendered against him. Also some northern papers are speculating that he lost his money and had mortgaged the Mount Vernon estate for $400,000. Encloses a copy of the certificate of the appraiser as entered in 1810.","Is returning the papers lent to him and sending a copy of his book on Mount Vernon. Thanks him for the use of the papers.","(Typed transcription enclosed) Reminds her that his request for her lawyer to sift through an abstract of his title to Mount Vernon has not been complied with. This would answer questions raised by anonymous persons which have \"caused you some uneasiness.\"","Miss Cunningham wants to conclusively prove the falsehood of assertions of the invalidity of his title to the estate. The Clerk of Fairfax County will attest to the truth but wants to see his father's will and evidence of the payment of $6,000 charged to the estate. Looks forward to putting to rest this falsehood.","Is still waiting for the certificate from the Clerk of Fairfax County. That will give the \"lie to any slander of title.\" Is unable to visit due to his duties in the Legislature.","(Typed transcription enclosed) Miss Cunningham thanks him for sending the package of papers and hopes to be able to write herself in a few days about other matters.","Thanks him for sending the papers. Does not appear from them that \"Mrs. Washington emancipated the dower negroes.\" Requests more information on that point.","Sees that Miss Cunningham has published an abstract of title furnished her by the Clerk of Fairfax Court, so imagines she will not require further information. Will soon return the other papers.","(Typed transcription enclosed) Has forwarded to her a package of papers which he recovered, apparently detailing the kinds and locations of trees planted at Mount Vernon.","Tells her his lack of response to her letter is due to being away most of the month and having visits from friends, possibly for the last time at Mount Vernon. Pointed out the lines of the old vistas marked by ancient trees. The insurance policies he had were on the house only, not the outbuildings. Recommends she make a new road. Also recommends repairing the wharf.","Sends a newspaper copy of an advertisement she placed wishing to obtain a copy of the photograph taken the previous August at the tomb of Washington which included her daughter, now deceased. She would like to know if she could obtain a list of the attendees of that day so she might write and request this as it is the only photograph of her daughter.","(Typed transcription enclosed) Tells her the Association still must raise $140,000 to support the Estate which will require extraordinary effort on the part of the Association. Asks her to address visitors at Mount Vernon on the imperative nature of this.","(Typed transcription enclosed – labeled Private) Wants to arrange a \"Grand Ceremonial in connection with the taking of the title\" in order to let people know fund raising is not complete after the purchase. Refers to political turmoil and the impending dissolution of the Union and all the difficulties this will cause. Plans to be at Mount Vernon for 10 days and wants to meet with him to finalize things.","He is fine with executing a deed for the sale of Mount Vernon to the Association and feels there would be no difficulty in the event of his death. He worries about Virginia's seceding from the Union that she might object to selling part of her soil to a corporation composed \"in part of unfriendly foreigners.\"","(Typed transcription enclosed) Miss Cunningham is gratified that he concurs in her proposition and feels her decease would be the most serious difficulty to be apprehended. Wants to meet him at Mount Vernon to place the deed in escrow. Does not feel the possibilities for Virginia he suggested would form a significant barrier.","(Typed transcription enclosed) Encloses an order to Mr. Riggs for steamboat receipts through December 31st. Would be happy to meet her at Mount Vernon.","(Typed transcription enclosed) Encloses the order on Mr. Bryan for the steamboat receipts. Has been paying insurance which continues until June next and has deducted that from the receipts.","Acknowledges his letter but does not need receipts for premiums of insurance.","Reports that Mr. Herbert only wants to clear the lot of land offered him. Also Mr. Norris has rented out his farm. Turner is not sure where he moved to in Kentucky. Discusses acquisition of material to make shirts for servants.","(Typed transcription enclosed) Had not replied to his earlier letter due to excessive fatigue from her journey from Columbia. Hopes to use patriotic influence to get the \"Agent\" to remit or reduce his fee.","Tells him of a minister who will be in Alexandria and is looking for a vacant church where he could officiate.","Funeral was conducted at Waveland. There is a description of the body and the family. Invoked the Gospel. JAW began family prayers following the death of his wife. Description of his activities over the following days.","Asks Mrs. Howard for a biographical sketch of her father (John Augustine Washington III) for the National Cyclopedia of American Biography.","Two leaflets advertising the writings of Dr. Lyon G. Tyler.","Full title \"A Confederate catechism: The war of 1861-1865.\" Third edition, November 21, 1929. Series of 20 questions and answers about the war.","Wants to know whether the Ladies will discuss the purchase of the pictures and maps he has been offering. He will offer them elsewhere.","Photographic print, cabinet card of a drawing of the east view of the Mansion by unknown artist. Reverse side of card reads \"D.H. Naramore, Photographer, No. 321 King Street, Alexandria, VA.\"","Small engraving probably clipped from a publication. Unknown location or residence shown in image.","Hair clippings in envelope with note \"Hair of the late Lawrence Washington - 1856 - Found among articles bequested to MVLA by Miss Cunningham. Miss Comegys, Regent (1923) directs Supt. to send this to the widow of Mr. Lawrence W.\"","Small black and white photographic print showing the gravestone for Lt. Col. John Augustine Washington.","Black and white photographic print mounted on gray board. Shows Waveland residence with man, two women, and several children visible (unidentified).","Boston: Published by Charles Bowen. Front page signed \"Jane C. Washington, Mount Vernon, 1834.\"","Diary inscribed \"Account of all my recpts. \u0026 expenditures beginning with Sept. 16th, 1841, that being the date at which I came to Mount Vernon to reside.\" There are intermittent entries through November 1859. This is not as full a diary but includes lists of food, clothing, and china, table, and cookware.","Includes \"List of Negroes\" and Mount Vernon farming and maintenance details. Loose note at the front reads \"Extracts from the diary of my father\" with notes on this diary and previous ones.","Includes \"List of Negroes\" and Mount Vernon farming and maintenance details.","Photocopies of undated manuscripts from the collection.","Photocopies of manuscripts dated 1834-1838 from the collection.","Photocopies of manuscripts dated 1841-1845 from the collection.","Photocopies of manuscripts dated 1846-1849 from the collection.","Photocopies of manuscripts dated 1851-1853 from the collection.","Photocopies of manuscripts dated 1854-1855 from the collection.","Photocopies of manuscripts dated 1856-1857 from the collection.","Photocopies of manuscripts dated 1858 from the collection. (1 of 2)","Photocopies of manuscripts dated 1858 from the collection. (2 of 2)","Photocopies of manuscripts dated 1859 from the collection.","Photocopies of manuscripts dated 1860-1861 from the collection.","Handwritten notes probably by a librarian or other Mount Vernon staff member including summaries of the letters within the collection.","Special Collections at The George Washington Presidential Library at Mount Vernon","Washington, John Augustine, III, 1821-1861","Cunningham, Ann Pamela, 1816-1875","Ritchie, Anna Cora Mowatt, 1819-1870","Washington, Jane Charlotte Blackburn, 1786-1855","Lossing, Benson John, 1813-1891","Everett, Edward, 1794-1865","Washington, George Corbin, 1789-1854","Lewis, Lawrence, 1767-1839","Lewis, Eleanor Parke Custis, 1779-1852","Davis, Henry Winter, 1817-1865","Bassett, George Washington, 1800-1878","Johnson, Joseph, 1785-1877","Corcoran, W.W. (William Wilson), 1798-1888","Custis, George Washington Parke, 1781-1857","McKenzie, Lewis, 1810-1895","Cunningham, Louisa Bird, 1794-1873","Washington, Eleanor Love Selden, 1824-1860","Taylor, John L. (John Lampkin), 1805-1870","Sparks, Jared, 1789-1866","Washington, Bushrod C. (Bushrod Corbin), 1839-1919","Tyler, Nathaniel, 1828-1917","English \n.    "],"unitid_tesim":["RM.848","/repositories/3/resources/65"],"normalized_title_ssm":["John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) collection"],"collection_title_tesim":["John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) collection"],"collection_ssim":["John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) collection"],"repository_ssm":["The George Washington Presidential Library at Mount Vernon"],"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"creator_ssm":["Washington, John Augustine, III, 1821-1861","Cunningham, Ann Pamela, 1816-1875","Ritchie, Anna Cora Mowatt, 1819-1870","Washington, Jane Charlotte Blackburn, 1786-1855","Lossing, Benson John, 1813-1891","Everett, Edward, 1794-1865"],"creator_ssim":["Washington, John Augustine, III, 1821-1861","Cunningham, Ann Pamela, 1816-1875","Ritchie, Anna Cora Mowatt, 1819-1870","Washington, Jane Charlotte Blackburn, 1786-1855","Lossing, Benson John, 1813-1891","Everett, Edward, 1794-1865"],"creator_persname_ssim":["Washington, John Augustine, III, 1821-1861","Cunningham, Ann Pamela, 1816-1875","Ritchie, Anna Cora Mowatt, 1819-1870","Washington, Jane Charlotte Blackburn, 1786-1855","Lossing, Benson John, 1813-1891","Everett, Edward, 1794-1865"],"creators_ssim":["Washington, John Augustine, III, 1821-1861","Cunningham, Ann Pamela, 1816-1875","Ritchie, Anna Cora Mowatt, 1819-1870","Washington, Jane Charlotte Blackburn, 1786-1855","Lossing, Benson John, 1813-1891","Everett, Edward, 1794-1865"],"has_online_content_ssim":["true"],"extent_ssm":["3 Linear Feet 7 boxes"],"extent_tesim":["3 Linear Feet 7 boxes"],"date_range_isim":[1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically with undated material listed at the beginning in alphabetical order by folder title. Addenda, photocopies, and bound volumes are described at the end of the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically with undated material listed at the beginning in alphabetical order by folder title. Addenda, photocopies, and bound volumes are described at the end of the collection."],"bioghist_html_tesm":["\u003cp\u003e(Taken from the Digital Encyclopedia entry by Matthew Costello, George Washington's Mount Vernon website)\u003c/p\u003e\n","\u003cp\u003eJohn Augustine Washington III was the great-grand nephew of George Washington and the last private owner of Mount Vernon. The fourth of five children, he was born on May 3, 1821 to John Augustine Washington II and Jane Charlotte Blackburn Washington. John Augustine spent his young childhood at his parents' Blakeley plantation near present day Charles Town, West Virginia, but after the deaths of Bushrod Washington and his wife Julia in 1829, the Mount Vernon estate became the possession of Bushrod's nephew, John Augustine Washington II. As the son of a wealthy Virginia planter, John Augustine enjoyed a comfortable lifestyle at Mount Vernon, developing interests in politics, hunting, and agriculture. After John Augustine Washington II passed away in June 1832, the estate was left to his widow Jane Charlotte, who vowed to maintain the estate to the best of her ability without involving her children's inheritances. While John Augustine Washington III preferred his more aristocratic pastimes, Jane insisted that he attend college after his father's death. He graduated from the University of Virginia in 1840, returning to Mount Vernon in September 1841 with a proposition to manage the estate for his mother. She agreed, loaning him twenty-two slaves and contracting his employment for five hundred dollars per year for seven years.\u003c/p\u003e\n","\u003cp\u003eAs the oldest living male heir, John Augustine Washington III positioned himself to take possession of Mount Vernon from his mother. While she did not pass away until 1855, she gave John Augustine the proverbial keys to the kingdom, granting him full autonomy to run the plantation as he saw fit. However, John Augustine quickly realized that the deteriorating Mount Vernon estate was a far cry from the profitable plantation that his great-great uncle George Washington once presided over. His primary means of income came from wheat and potato production, woodcutting, selling slaves and outsourcing slave labor, collecting land rents, and his herring operation on the Potomac River. However, soil degradation, poor harvests, temperamental weather, and the devastation of crops by insects and pests limited his agricultural returns. While he managed to slow Mount Vernon's financial decline, these endeavors were not enough to stop the downward spiral. In addition to facing these hardships, John Augustine also experienced constant interruptions by sightseers, many of whom wanted the meet the living descendent of General George Washington, see the Mansion, and ask questions about Washington's life. \u003c/p\u003e\n","\u003cp\u003eThese visitors were considered a nuisance to John Augustine's family, and their presence slowed plantation work for slaves, overseers, and hired farm laborers. Initially John Augustine followed the precedential policies of his mother, father, and uncle Bushrod, publishing trespassing notices around the property, requesting letters of introduction to enter the Mansion, and denying the landing of steamboats on the Potomac River. But with his lands yielding such little profit, John Augustine decided to embrace this historical tourism, implementing business strategies to extract money from the thousands of visitors who journeyed to the home of George Washington. In order to bring more people to the estate, he entered into a contract with the proprietors of the Thomas Collyer to permit their steamboat to dock directly at Mount Vernon. He also promoted and invested in the construction of the Alexandria, Mount Vernon, and Accotink Turnpike Road, which was designed to make travel easier to Mount Vernon over land. As more visitors descended upon the grounds, he instructed slaves and laborers to sell bouquets of flowers, fruit, milk, and hand-carved canes to tourists. Beyond the property boundaries, he went into business with James Crutchett, who purchased timber from the estate and manufactured wooden Washington trinkets near the Baltimore and Ohio Railroad depot in the nation's capital. While John Augustine Washington capitalized on the American fascination with George Washington, these sales were not substantial enough to convince him to retain Mount Vernon. He attempted to sell the property to both the federal government and the state of Virginia, but both bodies were deeply mired in sectional and political partisanship. Convinced that neither would meet his terms, he agreed to sell 200 acres of the Mount Vernon estate, which included the Mansion, outlying buildings, and the family tomb to the Mount Vernon Ladies' Association (MVLA) in 1858 for $200,000. \u003c/p\u003e\n","\u003cp\u003eJohn Augustine and his family vacated Mount Vernon for their new home Waveland plantation in February 1860. About a year later the state of Virginia called for a convention to debate the issue of secession, and in April 1861, Virginia delegates responded to the firing on Fort Sumter by voting in favor of leaving the Union. John Augustine joined the Confederate Army as a lieutenant colonel, and he served as aide-de-camp to his relative by marriage, General Robert E. Lee. In September 1861, John Augustine was killed during a reconnaissance mission at the Battle of Cheat Mountain by a Union bushwhacker. In a letter to John's teenage daughter Louisa, Lee painfully informed her that her father \"fell in the cause to which he had devoted all his energies, and which his noble heart was earnestly enlisted.\" The two men had shared many conversations and moments together as tent mates, and Lee admired his unflinching \"devotion to Almighty God,\" assuring Louisa that \"He is now safely in Heaven.\" John Augustine was buried in the Zion Episcopal Churchyard in Charles Town, West Virginia, one of several Washington family members who fought and died for Southern independence. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["(Taken from the Digital Encyclopedia entry by Matthew Costello, George Washington's Mount Vernon website)","John Augustine Washington III was the great-grand nephew of George Washington and the last private owner of Mount Vernon. The fourth of five children, he was born on May 3, 1821 to John Augustine Washington II and Jane Charlotte Blackburn Washington. John Augustine spent his young childhood at his parents' Blakeley plantation near present day Charles Town, West Virginia, but after the deaths of Bushrod Washington and his wife Julia in 1829, the Mount Vernon estate became the possession of Bushrod's nephew, John Augustine Washington II. As the son of a wealthy Virginia planter, John Augustine enjoyed a comfortable lifestyle at Mount Vernon, developing interests in politics, hunting, and agriculture. After John Augustine Washington II passed away in June 1832, the estate was left to his widow Jane Charlotte, who vowed to maintain the estate to the best of her ability without involving her children's inheritances. While John Augustine Washington III preferred his more aristocratic pastimes, Jane insisted that he attend college after his father's death. He graduated from the University of Virginia in 1840, returning to Mount Vernon in September 1841 with a proposition to manage the estate for his mother. She agreed, loaning him twenty-two slaves and contracting his employment for five hundred dollars per year for seven years.","As the oldest living male heir, John Augustine Washington III positioned himself to take possession of Mount Vernon from his mother. While she did not pass away until 1855, she gave John Augustine the proverbial keys to the kingdom, granting him full autonomy to run the plantation as he saw fit. However, John Augustine quickly realized that the deteriorating Mount Vernon estate was a far cry from the profitable plantation that his great-great uncle George Washington once presided over. His primary means of income came from wheat and potato production, woodcutting, selling slaves and outsourcing slave labor, collecting land rents, and his herring operation on the Potomac River. However, soil degradation, poor harvests, temperamental weather, and the devastation of crops by insects and pests limited his agricultural returns. While he managed to slow Mount Vernon's financial decline, these endeavors were not enough to stop the downward spiral. In addition to facing these hardships, John Augustine also experienced constant interruptions by sightseers, many of whom wanted the meet the living descendent of General George Washington, see the Mansion, and ask questions about Washington's life. ","These visitors were considered a nuisance to John Augustine's family, and their presence slowed plantation work for slaves, overseers, and hired farm laborers. Initially John Augustine followed the precedential policies of his mother, father, and uncle Bushrod, publishing trespassing notices around the property, requesting letters of introduction to enter the Mansion, and denying the landing of steamboats on the Potomac River. But with his lands yielding such little profit, John Augustine decided to embrace this historical tourism, implementing business strategies to extract money from the thousands of visitors who journeyed to the home of George Washington. In order to bring more people to the estate, he entered into a contract with the proprietors of the Thomas Collyer to permit their steamboat to dock directly at Mount Vernon. He also promoted and invested in the construction of the Alexandria, Mount Vernon, and Accotink Turnpike Road, which was designed to make travel easier to Mount Vernon over land. As more visitors descended upon the grounds, he instructed slaves and laborers to sell bouquets of flowers, fruit, milk, and hand-carved canes to tourists. Beyond the property boundaries, he went into business with James Crutchett, who purchased timber from the estate and manufactured wooden Washington trinkets near the Baltimore and Ohio Railroad depot in the nation's capital. While John Augustine Washington capitalized on the American fascination with George Washington, these sales were not substantial enough to convince him to retain Mount Vernon. He attempted to sell the property to both the federal government and the state of Virginia, but both bodies were deeply mired in sectional and political partisanship. Convinced that neither would meet his terms, he agreed to sell 200 acres of the Mount Vernon estate, which included the Mansion, outlying buildings, and the family tomb to the Mount Vernon Ladies' Association (MVLA) in 1858 for $200,000. ","John Augustine and his family vacated Mount Vernon for their new home Waveland plantation in February 1860. About a year later the state of Virginia called for a convention to debate the issue of secession, and in April 1861, Virginia delegates responded to the firing on Fort Sumter by voting in favor of leaving the Union. John Augustine joined the Confederate Army as a lieutenant colonel, and he served as aide-de-camp to his relative by marriage, General Robert E. Lee. In September 1861, John Augustine was killed during a reconnaissance mission at the Battle of Cheat Mountain by a Union bushwhacker. In a letter to John's teenage daughter Louisa, Lee painfully informed her that her father \"fell in the cause to which he had devoted all his energies, and which his noble heart was earnestly enlisted.\" The two men had shared many conversations and moments together as tent mates, and Lee admired his unflinching \"devotion to Almighty God,\" assuring Louisa that \"He is now safely in Heaven.\" John Augustine was buried in the Zion Episcopal Churchyard in Charles Town, West Virginia, one of several Washington family members who fought and died for Southern independence. "],"prefercite_html_tesm":["\u003cp\u003e[Name and date of item], John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) Collection, [Folder], Special Collections, The George Washington Presidential Library at Mount Vernon [hereafter Washington Library], Mount Vernon, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Name and date of item], John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) Collection, [Folder], Special Collections, The George Washington Presidential Library at Mount Vernon [hereafter Washington Library], Mount Vernon, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThis diary may not actually be part of accession RM-848 as it is not mentioned in the initial inventory/correspondence. However, it was in the same box as the other diaries and the almanac when found on the shelf, therefore it was described with the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This diary may not actually be part of accession RM-848 as it is not mentioned in the initial inventory/correspondence. However, it was in the same box as the other diaries and the almanac when found on the shelf, therefore it was described with the collection."],"relatedmaterial_html_tesm":["\u003cp\u003eEarly Records of the Mount Vernon Ladies' Association ;\nPapers of the Mount Vernon Ladies' Association ;\nJohn Augustine Washington III and Eleanor Love Selden Correspondence ;\nJohn Augustine Washington III and Descendants Papers ;\nHistoric Manuscripts Collection\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Early Records of the Mount Vernon Ladies' Association ;\nPapers of the Mount Vernon Ladies' Association ;\nJohn Augustine Washington III and Eleanor Love Selden Correspondence ;\nJohn Augustine Washington III and Descendants Papers ;\nHistoric Manuscripts Collection"],"scopecontent_html_tesm":["\u003cp\u003eThis collection concerns the inheritance, maintenance, and sale of the Mount Vernon estate by its last private owner, John Augustine Washington III. A large majority of the collection is correspondence to or from John Augustine Washington III with a significant portion relating to the purchase of the estate by the Mount Vernon Ladies' Association. Three diaries kept by John Augustine are also included and contain important information about his slaves, agricultural practices, and finances. Other types of material in the collection include legal documents, receipts, photographs, and ephemera. Photocopies were made for most of the manuscripts and can be viewed as surrogates to the originals. \u003c/p\u003e\n","\u003cp\u003eDescendants of John Augustine Washington III maintained ownership of these records until 1990 when they were sold to Gary Hendershott, a manuscripts dealer from Little Rock, Arkansas. The Mount Vernon Ladies' Association purchased the collection in October 1990.\u003c/p\u003e","\u003cp\u003eLists signatures and states that all members of Congress would sign if requested.\u003c/p\u003e","\u003cp\u003eStates they are now the \"best of friends.\" She is angry at people who denigrate his motives. Wants to make known his true nature.\u003c/p\u003e","\u003cp\u003eMrs. Ritchie requests he arrive at the theatre a little after 12:00 so all guests may be seated prior to the rise of the curtain.\u003c/p\u003e","\u003cp\u003eShe had sent her present of flowers to Mrs. Madison, and they were \"greatfully\" received.\u003c/p\u003e","\u003cp\u003eHis mother wants help valuing her sheep. Describes one offer for Mount Vernon with great disdain. They want to have entertainments there. He has great respect for \"your manly pride.\"\u003c/p\u003e","\u003cp\u003eApologizes for having intruded too much on his privacy during a recent visit when Mrs. Ritchie and others of the ladies \"took forcible possession of me\" and requested cuttings of flowers. Hopes he will establish a Botanic Garden and suggests a location for a Mausoleum.\u003c/p\u003e","\u003cp\u003eDescribes her return from Mount Vernon in much rain. Discusses crops. Gives instructions for sending things to her. Asks report of conversation that was \"highly derogatory to me.\" Feels items should be sold to visitors so they will not pilfer mementos.\u003c/p\u003e","\u003cp\u003eUrges sale of Mount Vernon to Virginia rather than to a private sale.\u003c/p\u003e","\u003cp\u003eResolution wants to change the site of the Military Asylum to Mount Vernon if a part of the estate can be purchased at a reasonable price.\u003c/p\u003e","\u003cp\u003eIntroduces some friends who wish to visit Mount Vernon.\u003c/p\u003e","\u003cp\u003eGives family news and an account of a visit by a gentleman who spent the night at Mount Vernon and gave $5 to West Ford. Discusses sale of a slave to his cousin. Has heard of a bill by the federal government to purchase Mount Vernon and wishes it would be accepted. Mentions prices and terms.\u003c/p\u003e","\u003cp\u003eIs sending oats and other items to Mount Vernon. Urges him to pursue his studies. Wishes him to send some oysters and sugar.\u003c/p\u003e","\u003cp\u003eSends funds for completing the vault at Mount Vernon and authorizes him to take more money from his bank if necessary.\u003c/p\u003e","\u003cp\u003eThanks him for the many civilities experienced by them during their visit to Mount Vernon. Sends a piece of a branch of a fig tree cut from the birth spot of \"your immortal ancestor.\"\u003c/p\u003e","\u003cp\u003eIs against his plans for Mount Vernon and opening it to \"every low idler.\" Discusses payments and what form they would take.\u003c/p\u003e","\u003cp\u003eBrief note of regards, translated by J. Perkins.\u003c/p\u003e","\u003cp\u003eHeard about people being charged to enter the garden. Wishes he would stop this.\u003c/p\u003e","\u003cp\u003eWants to know price and terms of sale of Mount Vernon. If not for sale, could it be leased. (Contains typed transcript.)\u003c/p\u003e","\u003cp\u003eWas glad to hear that Mount Vernon was not for sale as it should remain in the hands of the Washington family. Wishes to \"establish a house of entertainment in the vicinity of Mount Vernon.\" Asks questions as to materials and location of such. (Contains typed transcript.)\u003c/p\u003e","\u003cp\u003eIs in the market to purchase negroes as one of his men, Alfred, has run off. Wants to know whether she still wishes to dispose of her negroes and what her price would be. He could pay $500 cash and then pay off the principal in a year or two.\u003c/p\u003e","\u003cp\u003eLists names of executors and legatees and their shares and values.\u003c/p\u003e","\u003cp\u003eTells him of an upcoming visit to Washington and Mount Vernon by a \"highly respectable volunteer corps.\" They wish to arrive by boat and see the tomb of Washington. He understands permission to do so is necessary.\u003c/p\u003e","\u003cp\u003eIs worried his health is suffering by his labors at Mount Vernon. Hopes he will accept any reasonable offer by the U.S. Government for it. Went into town to have magistrates witness her acknowledgment of the deed of release. Discusses a suit brought by Judge Douglass and the health of various family members.\u003c/p\u003e","\u003cp\u003eDoubts whether an offer will be made by the U.S. Government. Hopes it would as she feels his health is suffering from attending to business at Mount Vernon. Recommends someone to help him acquire an overseer. Was paid money for him. Discusses the failing health of Dr. Alexander's mother and others.\u003c/p\u003e","\u003cp\u003eIs horrified to learn of auction of Wood Lawn. Proposes to run a steamboat between Washington to Wood Lawn, Fort Washington, Mount Vernon, and the White House. Gives references. Pledges to bring members of Congress there and feels it would enhance the chances of the purchase of Mount Vernon by the government. Suggests it could be used as a summer home for the President. Discusses various items left by Washington and the soon to be completed Chesapeake \u0026amp; Ohio Canal. (contains typed transcript)\u003c/p\u003e","\u003cp\u003eTells him of a letter he received from an unknown man who wants to obtain a tree from Mount Vernon to transplant in France to shade the bench of Christopher Columbus which he possesses.\u003c/p\u003e","\u003cp\u003eRecommends leaving it to Congress to propose a price for the purchase of Mount Vernon. She feels he wants too much for it, and that it really should not be sold. Gives family news. Gives advice on his search for an overseer.\u003c/p\u003e","\u003cp\u003eFirst letter discusses the Supreme Court taking on the suit of Mr. Hammond against General Washington. Bassett says he discharged all debts owed by Captain Lewis. There is another copy of the names of executors and legatees and their shares and values. Discussions of various debts owed to different people.\u003c/p\u003e","\u003cp\u003eDiscusses various suits, mostly Hammonds, against the estate and their current status. Many people have died since 1827 when they were last listed. Will take a long time to find people.\u003c/p\u003e","\u003cp\u003eDiscussion of the Hammond suit and payments still owed to various creditors, to be paid by all the legatees of General Washington's estate. Most dollar figures are left blank to be filled in later. Prompt payment by all legatees is required.\u003c/p\u003e","\u003cp\u003eDiscusses his father's will and his lack of knowledge of the whereabouts of various other people mentioned in JAW's letter.\u003c/p\u003e","\u003cp\u003eAnswering his inquiries as to various relatives. Suggests he write to the clerk of Kanawha County for the information he requires. Suggests he contact Andrew Parks who probably has all the facts.\u003c/p\u003e","\u003cp\u003eDiscusses sale of swamp land. He paid the taxes on it for the Washington heirs. The land is not worth much since the timber had been taken from it by many people over the years. Would like to be reimbursed for the money he paid.\u003c/p\u003e","\u003cp\u003eHe wishes to meet with him in the middle of November, at which time they can conclude their business.\u003c/p\u003e","\u003cp\u003eDiscusses the bill in Congress to purchase Mount Vernon. Wants assets divided up between her children so all are taken care of. Tells of Charles' upcoming marriage before he leaves for California.\u003c/p\u003e","\u003cp\u003eDiscusses the codicil of his father's will. Mrs. Washington is not compelled to sell. Upon her death, the heirs may sell despite the codicil. Suggests Mrs. Washington partition the land before her death in order that JAW may do \"what you please with the land.\"\u003c/p\u003e","\u003cp\u003eInvites him to the wedding of his oldest daughter the next week.\u003c/p\u003e","\u003cp\u003eHas been in Charlestown attending services for the week. Is amazed at the prospect of $200,000 being paid for Mount Vernon by the government. Wants him to send fish and to pickle some \"Rock.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription included) George Page and a surveyor from Maryland wanted to survey land in the Potomac River adjacent to Mount Vernon with the object of bringing steamboats there. Was notified he would be charged with some offense by Maryland. Makes him aware that the compact between the states means they have no claim on him.\u003c/p\u003e","\u003cp\u003eFirst letter – wants to know if Mount Vernon Estate will be sold. Second letter – understands the government might become the owner of the estate and wants to meet.\u003c/p\u003e","\u003cp\u003eWants him to petition the Court to finally settle the estate of General Washington.\u003c/p\u003e","\u003cp\u003eFirst letter – wants to examine Mount Vernon with a view to the establishment of a military asylum for the relief of soldiers. Second letter – tells him the price for Mount Vernon is too high, and purchase of a location nearer Washington will be undertaken.\u003c/p\u003e","\u003cp\u003eAn account by a boat company of receipts over the past year.\u003c/p\u003e","\u003cp\u003eDiscusses the landing of boats at Mount Vernon without JAW's previous knowledge. Wants them to be allowed to dock if they pay the usual fare to him.\u003c/p\u003e","\u003cp\u003eAcknowledges payment for the pianoforte. Wants four walking sticks cut from near General Washington's tomb to be sent to monks in Italy.\u003c/p\u003e","\u003cp\u003eAgreement to sell 200 acres of Mount Vernon for $200,000. Includes all buildings and the tomb, as well as furnishings currently there. Also will allow heirs to be buried there. He may not sell the estate without first offering it to the U.S. Government and the State of Virginia for no more than $350,000.\u003c/p\u003e","\u003cp\u003eHas been unable to contact other parties to the contract. Hopes to be able to do so soon.\u003c/p\u003e","\u003cp\u003eA committee of the House of Delegates has been appointed to consider the purchase of Mount Vernon. Wants to meet him in Alexandria to discuss this.\u003c/p\u003e","\u003cp\u003eEncloses a newspaper clipping about the acquisition of Mount Vernon by the State of Virginia. Tells him the committee of five will look into the will of the people as to this acquisition.\u003c/p\u003e","\u003cp\u003eAddressed only to \"Mrs. Washington.\" Unclear whether it is addressed to Mrs. Jane C.B. Washington or Mrs. Eleanor L.S. Washington. (Typed transcription included) Has heard that Mount Vernon is for sale, possibly to northern people. Feels the Ladies of the South might instead procure it and wants to know the price.\u003c/p\u003e","\u003cp\u003eDoes not wish to part with Mount Vernon but wishes to keep it from the changeable fortunes of a family and to ally it to the State. Would sell 200 acres with stipulations for $200,000. If the State wants to establish a model farm there, he would sell an additional 1,000 acres for $300,000. Invites them to visit.\u003c/p\u003e","\u003cp\u003eDiscusses his offer to sell Mount Vernon to the state. Says $200,000 is less than the property could sell for on the market. Talks about having a model farm as nothing meant more to Washington than farming. Would welcome them to visit. Reminds them that his terms cannot be materially modified.\u003c/p\u003e","\u003cp\u003e(Typed transcription included) Says he is asking less money of the state than he had been offered by others. Tells them of his desire for a model farm as the pursuit of an improved system of agriculture was of great importance to General Washington. Would welcome a visit from them.\u003c/p\u003e","\u003cp\u003eWants to clear up suggestions that he is falsely referring to higher offers for Mount Vernon.\u003c/p\u003e","\u003cp\u003eThe Committee feels the price for Mount Vernon \"is enormous.\" Would prefer the money to be used for a rail road.\u003c/p\u003e","\u003cp\u003eDraft in writing of John Augustine Washington III. Addressed to \"Miss Cunningham\" but could also be a response to Louisa Cunningham's letter instead of Ann Pamela Cunningham. Praises the women of the south for their affection for Washington. Does not wish to dispose of the property except to the government of the United States or Virginia and so declines the proposition from the \"Ladies of the South.\"\u003c/p\u003e","\u003cp\u003eDraft thought to be in the writing of Jane C.B. Washington. Identical text to previous letter (draft in the hand of John Augustine Washington III).\u003c/p\u003e","\u003cp\u003eEncloses a power of attorney and some other letters. Has agreed to reduction of $50,000 on 1000 acres. Will accept nothing less than $200,000 for the 200 acres. Agrees to pay him 5% of what he gets from either government agency, provided it occurs in the current session.\u003c/p\u003e","\u003cp\u003eThe state might be willing to pay $50,000 per year for four years for Mount Vernon but not the total of $200,000 at once. Wonders what is happening with the federal government. \"Things are coming to a head rapidly.\"\u003c/p\u003e","\u003cp\u003eAs long as negotiations with Virginia remain open, it would not be proper for him to entertain any proposals from other parties for the purchase of Mount Vernon. Might be interested in the future in making an offer.\u003c/p\u003e","\u003cp\u003eFeels priority should be given to Congress to purchase Mount Vernon, and therefore Virginia is holding off on more committee meetings. Wants him to be there for future committee meetings.\u003c/p\u003e","\u003cp\u003eUrges him to meet with Arthur Taylor as his representative in the proposed sale of Mount Vernon. Requests that he not send papers to Col. Bissell before meeting with him.\u003c/p\u003e","\u003cp\u003eHas the papers from Mr. Washington and wants to meet with him to discuss the sale of Mount Vernon to the U.S. Government.\u003c/p\u003e","\u003cp\u003eAssures him that he has not given the letters from him to Mr. Bissell and has requested Mr. Taylor to come see him.\u003c/p\u003e","\u003cp\u003eEncloses the previous letter and hopes they will be able to meet soon. Feels it best to not commit to any course with the U.S. until a definite answer comes from the Virginia Legislature.\u003c/p\u003e","\u003cp\u003eInvites him to come to his lodgings at any time at 9 a.m.\u003c/p\u003e","\u003cp\u003eIs unable to return to his \"hospitable roof\" at this time. Values the time she was there and having been \"entrusted with the training of such bright intelligences.\"\u003c/p\u003e","\u003cp\u003eReports on his share of earnings from \"Washington's Writings.\" Many copies of the book were destroyed in a fire, but the stereotype and engraved plates were in a fire proof vault.\u003c/p\u003e","\u003cp\u003eFeels it is very important for him to communicate with the federal government and is willing to help in any way.\u003c/p\u003e","\u003cp\u003eMr. Taylor shared his letter proposing to bring the subject of the purchase of Mount Vernon again before Congress. His terms are already known to him – the same as those agreed to for the State of Virginia.\u003c/p\u003e","\u003cp\u003eWants to bring up the purchase of Mount Vernon in Congress but wants to know just what terms he agreed to with Virginia. Wants the Northern States to purchase it.\u003c/p\u003e","\u003cp\u003eGives terms of sale, including that family members still living may also be buried there. Additional property to total 1000 acres may be purchased for $300,000, for a model farm as suggested by Gen. Washington. Tells him the state of Virginia had proposed the sale for less than he wanted which he refused.\u003c/p\u003e","\u003cp\u003eEncloses a copy of the bill reported to the House of Delegates Committee for the purchase of Mount Vernon. He told them it would not meet with JAW's approval. Urges him to move quickly on the Turnpike matter for this session.\u003c/p\u003e","\u003cp\u003eIs very desirous of having the State of Virginia take possession of Mount Vernon and \"have the sole control and ownership forever.\" Wants to know what terms he proposes.\u003c/p\u003e","\u003cp\u003eGives him the terms of sale. The Washington family shall be permitted to be buried on the site, and no remains shall ever be disturbed. The price shall be $200,000, with an additional 800 acres available for $100,000 more\u003c/p\u003e","\u003cp\u003eWill not accede to propositions of the steamboat company. Will be busy for a few weeks but wants to see a copy of the agreement currently in effect.\u003c/p\u003e","\u003cp\u003eTells him of Mrs. Mason presenting \"a remonstrance against your turnpike.\" Wants access to $250 at Farmers Bank in Alexandria.\u003c/p\u003e","\u003cp\u003eDiscusses payments based on sales of \"Washington's Writings.\" Tells percentages paid to various legatees.\u003c/p\u003e","\u003cp\u003eDiscusses quarrelling and squabbling among the ladies purchasing Mount Vernon. Is concerned about security around the remains of George Washington.\u003c/p\u003e","\u003cp\u003eWants him to send a letter to him so he may correct disparaging remarks made about his impending sale of Mount Vernon.\u003c/p\u003e","\u003cp\u003eIs writing to her as requested by JAW. Describes a woman mourning her deceased eight-year-old son. Includes a poem about grief and moving on after death of a child.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Mr. Mason very much wants to meet him and getting a letter from JAW that would announce the news of their \"progress.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Thanks him for the kindness of him and Mrs. Washington on her recent visit to Mount Vernon. Urges him to send a letter to be published about the sale of Mount Vernon before the news is released by someone else.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Assures her he does not care what others say about him and remains hopeful of selling Mount Vernon to the State of Virginia.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Explains the absence of Mr. Toombs when JAW came to see him. Tells him why she is now dealing with Mr. Toombs rather than Mr. Mason.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Hopes to meet him in Washington City as she will be there for a few days during her travel south. Wants a thorough understanding of his wishes and intentions before meeting with the governor of Virginia.\u003c/p\u003e","\u003cp\u003eWants him to reconsider his determination as expressed in his letter in the National Intelligencer and put the estate under the care of the State of Virginia. (This is a copy of a letter written by Anna's husband.) Second letter, dated March 5, 1857 on same paper: Refers to letter copied out by her. Is certain a sufficient sum will have been raised by February 22 to enable Virginia to purchase Mount Vernon.\u003c/p\u003e","\u003cp\u003eUrges him to reconsider his determination as expressed in his letter to the National Intelligencer and consent to place the estate once more at the disposal of Virginia which has an arrangement with the \"Ladies' Mount Vernon Association of the Union.\"\u003c/p\u003e","\u003cp\u003eHis musical association played a concert on behalf of the \"Ladies Mt. Vernon Association\" at which $100 was raised. The musical group would benefit greatly from receiving this money back if Mr. Washington has no plans to sell to the Ladies Association.\u003c/p\u003e","\u003cp\u003eWould love to spend time at Mount Vernon, but his schedule will not allow at this time. His book will be published during the winter and spring, but he doesn't feel a visit would add anything.\u003c/p\u003e","\u003cp\u003eHe remains willing to place Mount Vernon in the hands of the State of Virginia, under his terms which the state has not seemed to want to meet. The proposal to have Mount Vernon by under the Mount Vernon Ladies Association of the Union is unacceptable to him. Doubts they could maintain the estate in perpetuity. It would then be taken over by the state.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Identical to previous letter.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Responding to his letter to Mr. Ritchie. Urges him to put out that the Ladies are to raise $200,000 on behalf of the State of Virginia for the purchase of Mount Vernon.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Does not wish to publish parts of letters. Feels \"nothing but silent contempt can put them at rest.\"\u003c/p\u003e","\u003cp\u003e(W.L. Underwood – most likely Warner Lewis Underwood, Kentucky Senator) Tells JAW that if his current negotiations for Mount Vernon should fall through that his organization would be pleased to enter into further discussions.\u003c/p\u003e","\u003cp\u003eAgain says he wishes Mount Vernon to go to the State of Virginia, to be decided upon by the current session of the General Assembly.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Wants to know who told her that he was \"willing… for a pecuniary consideration to break engagements and promises.\"\u003c/p\u003e","\u003cp\u003eThe Masonic Brotherhood is interested in purchasing Mount Vernon. Thanks him for the tour the previous day. Apologizes for the bad behavior of one member and hopes that will not prejudice him against the Fraternity.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) She met with the governor who told her the \"Extra Session\" of the Legislature was for the \"presidential contest,\" so the Legislature will not be meeting again until the next winter. Realizes this delay is not pleasing to him.\u003c/p\u003e","\u003cp\u003eInquires whether any action has been taken by the Legislature or is likely to be.\u003c/p\u003e","\u003cp\u003eTells him no action has yet been taken by the Legislature but feels sure it will be taken up after the Christmas recess, after which the ladies will be enabled to purchase Mount Vernon and have its title transferred to Virginia.\u003c/p\u003e","\u003cp\u003eDiscusses various prices for Mount Vernon and quotes JAW as vehemently denying that he wanted the remains of General Washington moved. He wishes the estate to be the property of the United States and all the people.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Tells him she has been very ill but is sure that the Legislature will act.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Labeled as Private. Tells him Gov. Wise is \"inimical to our 'cause'\" which is the reason the Legislature has not taken up the subject of the purchase of Mount Vernon.\" Talks of the financial crisis which is being felt by \"we victimized cotton planters.\" Tells him of the impending sale of copies of a portrait of Washington.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) She writes of her illness and lack of strength. The Constitution of the Association was signed by the governor. Tells him various Masonic orders have decided to become allies of the Association. Hopes to have the contract signed between Virginia and him on the 22nd of February.\u003c/p\u003e","\u003cp\u003eInvites recipient to the elevation of the Statue of Washington on February 22 in Richmond.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Labeled as Private. Is looking forward to the inauguration of the Washington statue. Wants him to vow that the Ladies of the Association are the \"very best friends you have in the world.\" Tells him that Gov. Wise is no friend to him or to her and this cause.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Has a document that states Virginia will purchase Mount Vernon from him and encloses a copy of the bill. Is sure the governor will act strongly to defeat this. Wants him to attend the address by Mr. Everett a few days before the 22nd of February. Tells him how lucky he is to get $200,000 in \"these awful times.\"\u003c/p\u003e","\u003cp\u003eGives price of sale of $200,000 for 200 acres of the Mount Vernon estate and pledges the MVLA to guarantee to not disturb any remains currently there and to allow descendants of JAW to also be interred there.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Praises him for agreeing that Mount Vernon is to be a public shrine and to limit interments there. Gen. Chapman included that in the third reading of the bill. Discusses the building of a new mausoleum for Washington which would not go against his will. Talks of her illness.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Tells her the disposition of family remains, as well as those of General Washington, are his biggest concerns in the sale.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Hopes he is happy about the bill as read in the Legislature. Tells him it is she and not the Committee who wants to arrange for a magnificent mausoleum. Closes by saying she is too exhausted to \"even give a hint of the nature of woman's revenge should you not be in a state of delight over our bill!!!\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Remains adamant as to a future mausoleum as Washington stated where he wished his remains to be. Cannot travel to Richmond at present due to the illness of Mrs. Washington.\u003c/p\u003e","\u003cp\u003e(Agreement ends with reference to the 10th of February) Deals with payment of $6,000 to heirs of W.F. Alexander and Anna Alexander as a share of Mount Vernon. Expressly says none of these heirs have any claim to the proceeds arising from a sale of Mount Vernon, other than the $6,000.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Tells him that though Gov. Wise is no friend to the Mount Vernon cause, he did not intend to put his remarks under the head of Lunatic Asylum. It was a complete accident.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Encloses another article by Mr. Pryor who is \"using his art to arouse the fear, \u0026amp; cupidity of the timid \u0026amp; narrow minded of this Legislature.\" Asks him about his previous offer from a company to purchase the estate, and that he wanted to wait for Congress to act.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) States that his price for Mount Vernon has always been $200,000, since he gained control of it in 1849. Asks whether he ever made an offer for Mount Vernon for $100,000. If so, under whose authority was it made?\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Wants to confirm with him that his offer to sell Mount Vernon as a site for the Military Asylum in 1851 was for $200,000 and not $100,000.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Tells her of a contract with a gentleman to sell him 200 acres of Mount Vernon for $200,000 with the condition that the property should be offered to the U.S. and to Virginia. If neither purchased it, he should take the property. He then offered $50,000 to release him from that obligation, but JAW refused. Says he never has offered it for sale in public or private.\u003c/p\u003e","\u003cp\u003eSays he was authorized by JAW to offer Mount Vernon for a Military Asylum for $100,000. Will search for papers to confirm this.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Advises that on March 25, 1851, he made an offer to sell about 150 acres of the Mount Vernon estate for $200,000 for an Army Asylum or some other government purpose.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Labeled as Private. Thanks him for sending a copy of the correspondence of Gen. Scott. Miss C. is intensely engaged in getting past Mr. Pryor's malicious misrepresentation of the Bill. If he can defeat us, he will.\u003c/p\u003e","\u003cp\u003eReiterates that Alexander and his heirs have no claim to any proceeds arising from a sale of Mount Vernon beyond the agreed upon $6,000 and requests him to add a paragraph to that effect to the agreement they will both sign.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Wants him to come see her in Richmond, despite his recent fall. Refers to the animosity of Mr. Pryor toward the bill. Wishes there could be an Extra Session for it to pass.\u003c/p\u003e","\u003cp\u003eAgain states his disagreement with Mr. McKenzie's assertion of his having offered $100,000 for Mount Vernon. No one else knew of such an offer. Gen. Scott agrees with JAW in his recollections. Tells her of a recent fall from a horse which will prevent his visit to Richmond on the 22nd.\u003c/p\u003e","\u003cp\u003eUrges him and his family to attend the inauguration of the equestrian statue of Washington on the Capital Square in Richmond. Says he would be pleased to host them at their home near the city.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Is uncertain whether he will be able to travel to Richmond and wants her to update him on matters related to the Bill as \"I have not in any manner approached\" any of his friends or acquaintances on the subject. It is important for her to convince members that the association only needs the name of the State which will not be called upon to pay any of the money for the purchase.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham begs him to attend Mr. Everett's oration and hopes to speak to him on the Square tomorrow.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Continues to be unwell. Introduces him to Mr. A.H.H. Dawson of Georgia, \"an eccentric genius.\" He is devoted to the purposes of the Association and has delivered an address about it in 30 towns in Georgia. Urges him to come to Richmond to meet with members of the Legislature.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Is sorry he was unable to call on her before leaving Richmond. Wants clarification about alterations Mr. Yancy thought necessary in the paper he left with her. He wants a decision by the Legislature, yes or no, soon.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Tells him that the Legislature is \"in a row\" and will not pass any bills before an Extra Session. Wants him to bring a contract to her so they are prepared for any contingencies. Tells him of her illness of the lungs and her treatment.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Reiterates the importance of the sanctity of the family burying ground. Wants to have some alterations and additions of a substantial permanent character made to the present vault, with a durable enclosure around it. He is open to payment in stocks or cash for the estate. Says they should have an act of incorporation before signing a contract.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Gen. Chapman was drawing up an act of incorporation before the bill comes up. He said Virginia must not hold the tomb; the Association must hold it. She remains very ill. \"yrs in much suffering\"\u003c/p\u003e","\u003cp\u003eIs preparing a pamphlet to defend JAW against detractors and wants copies of correspondence he had with Gen. Scott and others about possible purchase of Mount Vernon.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) The bill in Virginia for the purchase of Mount Vernon, to be refunded by the MVLA, was defeated in the House of Delegates. In addition Congress cannot purchase land in a sovereign state without its consent. Tells him it should be the property of the Nation and should be sold to the MVLA. \"With grateful women pledged to guard the sacred ashes of Washington and to adorn his home for a national shrine.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Says it has become obvious that neither Virginia nor the U.S. wish to purchase Mount Vernon. Therefore \"the women of the land will probably be the safest as they will certainly be the purest guardians of a national shrine.\" He waits for her to make a proposal to him.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham requests that he answer the letter she gave him relating to the purchase of Mount Vernon and to return it to her. She will give him a copy.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Is returning her letter to him as it seemed to be improperly dated and lacked her signature. When she remedies those defects, he will send an answer.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Wants to meet with him on Saturday morning in Alexandria to sign the contract.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Is very unhappy about delays put forth by Messrs. Macfarland \u0026amp; Myers. They felt there had to be an acceptance of the contract by all or a majority of the Vice Regents before it could be signed. They can do this by telegraph, permitting Mrs. Ritchie to act for them.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Urges him to come without delay. It was thought things would be delayed as Mrs. Walton's husband had died, but now Mr. McFarland advised them to send for him at once. Miss Cunningham is not good and needs to bring matters to a close \"ere it be too late.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Wants him to come see her that afternoon or evening as Dr. Beale \"considers it necessary to apply a severe blister without delay.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed – labeled Private) Upon reflection she feels the letter she sent him for publication is not to be published. She does not wish to \"make enemies even in a State which has given me so little cause to respect it.\" Mrs. Ritchie will work on a better worded one which she will send to him.\u003c/p\u003e","\u003cp\u003eHe deposited money to his credit for the contract and wants to know if this was correct. Tells him the pony he was inquiring about is not for sale. Also felt much concern about the accounts of the fisheries. Looks forward to a visit with him.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Encloses the plat of the 200 acres of land he agreed to sell to the MVLA. Wants him to sign it and return it.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) About the plat, he is having the land resurveyed and \"have the necessary corners stones set.\" He will send it back with a signature after that. Also encloses her letter of March 12 and wants a copy of her letter as published with her signature.\u003c/p\u003e","\u003cp\u003eWants to know if George Thorburn may visit Mount Vernon in the 28th of May to inspect the grounds in regards to the improvements to be made. He is \"no doubt the first horticulturist in America\" and a plain, unpolished person. It would be good for JAW's surveyor to meet with Mr. Thorburn to go over the grounds.\u003c/p\u003e","\u003cp\u003eHe is \"exceedingly provoked\" at the newspaper coverage in connection with the sale of Mount Vernon. As a college friend he felt he had to contact an editor and correct the information. He hopes he did not make the situation worse.\u003c/p\u003e","\u003cp\u003eAgain requests he host the \"celebrated florist\" at Mount Vernon to look over the grounds before they come to Mount Vernon on the 29th for a few hours.\u003c/p\u003e","\u003cp\u003eAgrees to have Mr. Thorburn come and meet with surveyors. Asks if Mr. Thorburn could be appointed the Agent of the Association in drawing up with the surveyors the lines of the 200 acres. He will \"grant any reasonable request of the Association.\" Hopes to see Mr. Ritchie and her while he yet resides at Mount Vernon.\u003c/p\u003e","\u003cp\u003eThe first attests to receipt of interest on the $6,000 owed to Mrs. Jane Washington. \tThe second is for $2,000 as part of the $6,000 owed.\u003c/p\u003e","\u003cp\u003eUrges him to reduce the price of Mount Vernon to $150,000 so as to better fund all the expenses associated with its ownership by the MVLA. Tells him to buy land in \"some of the new states\" with that money.\u003c/p\u003e","\u003cp\u003eWants to know what stocks or bonds would be acceptable as part of the purchase price. Gives the current rate of Virginia stock.\u003c/p\u003e","\u003cp\u003eAcknowledges his decline to the proposition.\u003c/p\u003e","\u003cp\u003eReplying to a previous letter. Cannot answer the questions of Miss Lewis as he does not remember where Col. Fielding Lewis died. Her wishes are an illusion. Wonders if some land in Kentucky is what she is dreaming of. Hopes the Ladies will be able to preserve Mount Vernon after they complete the purchase.\u003c/p\u003e","\u003cp\u003eAs a new Mason, wants to know if he will amend the contract to state that the property will revert to the United States or the Masonic Fraternity in the event of a dissolution of the MVLA and not to the state of Virginia.\u003c/p\u003e","\u003cp\u003eWrites to her cousin about an article in the paper that morning that was a \"vile abolition libel on you.\" Wants to assure her lady friends that it is untrue.\u003c/p\u003e","\u003cp\u003eIs involved in illustrating an article about Mount Vernon as it is of interest to the American people. Wants to visit to sketch objects that have not been drawn. The MVLA is in favor of such an article to assist with their fund raising.\u003c/p\u003e","\u003cp\u003eIs amazed at the scurrilous attacks made on him by Northern Papers which are calculated to embarrass the Mount Vernon Association.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Thanks him for his letter about the calumnies in some Northern newspapers but has no desire to enter into a controversy with the papers.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed – labeled Private) Wants him to tell her of his agreement with Mr. Crutchett of Mount Vernon Cane Factory who was given permission to come and cut trees on the estate. Asks what value he puts on the remainder of the estate contiguous to the 200 acres.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Gives details of his contract with Mr. Crutchett which expired in February 1856. He was permitted to take more trees before January 1857. He has no right to \"come upon the property I have sold the Association to cut timber.\" Has not put a price on the remainder of Mount Vernon.\u003c/p\u003e","\u003cp\u003eThanks him for the hospitality given to him and his sister on their visit to Mount Vernon.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham was happy to hear his account of the transactions with Mr. Crutchett. Wants him to come to Philadelphia to confer upon private matters of great importance to the Association and himself. She is equally interested in the final settlement of the boundary lines.\u003c/p\u003e","\u003cp\u003eFirst letter (incomplete) congratulates him on the sale of Mount Vernon. Requests return of portrait of his mother. Second letter thanks him for agreeing to return the portrait. He and his family would very much like to visit Mount Vernon again before it becomes public.\u003c/p\u003e","\u003cp\u003eHopes he can come to Washington to meet with him. Wants Mr. Washington to stay with him to \"pay off the debt of visiting you at Mt. Vernon.\" Miss Cunningham is making arrangements to pay the first bond with interest in December.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed – labeled Private) Looks forward to making payment of the first installment. Mr. Riggs will pay sums of $5,000 as soon as it is raised. Hopes to be able to pay the remainder of 2d installment on 1st of January 1859. Begs him to keep these matters as a \"profound secret.\"\u003c/p\u003e","\u003cp\u003eMiss Cunningham wants to make the first payment on December 14, the anniversary of Washington's death.\u003c/p\u003e","\u003cp\u003eTells him of payment to Burke \u0026amp; Herbert of $10,000 on that day.\u003c/p\u003e","\u003cp\u003eTells him the box containing the chairs has not yet arrived. He wants to be allowed to pay for the repairs necessary to the chairs. Invites him and his family to visit him in Richmond before they go farther away from it.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed – labeled Private) Wants to make the first payment on the 1st, but this is a holiday. Urges him not to risk sending the plat executed by Washington himself but to have it be lithographed. Wants to clear up the boundaries. Tells him to keep the discussion of the sale of additional land private.\u003c/p\u003e","\u003cp\u003eWants to gather branches from the estate in order to make canes to sell to aid in the purchase of Mount Vernon.\u003c/p\u003e","\u003cp\u003eTheir project would require the consent of the Regent of the MVLA.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed – labeled Confidential) Miss Cunningham is too ill to reply to his last letter. Lets him know his presence might be required on the 22nd but all arrangements must be kept private. The upcoming payment will be about $14,000.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Urges him to accept the money already paid to him (for the \"selling your relations bones.\") He already received more money than the estate was worth. Note on the letter states he ensured his control over the remains in \"such a way that they can never be sold by any one.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Does not want to go to Philadelphia unless it is absolutely necessary. He recently heard that Mrs. Esther M. Lewis (widow of Lorenzo Lewis) wants to present the harpsichord that was given to Nelly to the MVLA.\u003c/p\u003e","\u003cp\u003eThanks him for copy of the inscription on a bust. He realized he had not copied the pencil sketch of the Destruction of the Bastille. Would JAW please have a photograph of it sent to him for an upcoming book on the history of Mount Vernon. Will send a copy of the book to him in September when it is published.\u003c/p\u003e","\u003cp\u003eAcknowledges receipt of $1,000 which completes the payment of $6,000 owed to Mrs. Jane Washington.\u003c/p\u003e","\u003cp\u003eThe Regent wants JAW to not allow any more sketches to be made of Mount Vernon or the grounds without her consent. Attached is a copy of an advertisement for sale of a portrait of Washington. The Mount Vernon Record gives an account of fund raising to date. Mr. Everett thanks Devereux for sending him a copy of the Farewell Address.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Requests her to send him definite instructions to enable him to prohibit people from making sketches of Mount Vernon.\u003c/p\u003e","\u003cp\u003eTells them he has written to the Regent requesting her instructions about the matter they raised with him.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) The Regent now feels that it would \"not be practicable for you to refuse privileges hitherto granted\" in the matter of sketches. There is also a newspaper clipping with letters from JAW and the Regent about the sale of Mount Vernon.\u003c/p\u003e","\u003cp\u003eThey wrote to him on the 14th as the Regent was prostrated. Requests any material he might have about the area in England where Washington's ancestor came from.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Tells her of terms under which they ran their steamboat to Mount Vernon. They paid him money with the understanding that he would make repairs to the wharf and footway, under the agreement, but he did not. He ordered his captain to have it done and will retain that money.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Encloses a copy of the previous letter and asks him to advise her as to her response to Mr. Bryan.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham much enjoyed his previous letter and its humor. Hopes he will waive the requisition of 10 days notice before receiving payments. Can give him at least 30 days notice before requiring possession, and hopefully 60 days. She has \"been very much of an invalid for many weeks.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Wants him to come to Philadelphia around the 10th or 12th so they may consult in regard to the future. They can have the boundary line settled and put many business affairs in order. Miss Cunningham intends to make a payment on the last installment as soon \"as you will receive it.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) He will travel to Philadelphia and meet with her on Wednesday. Will give directions to Messrs. Burke \u0026amp; Herbert for the last installment.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham wants him to arrive on Thursday and then accompany her to hear Mr. Everett in the evening. She and Mr. Everett would then meet with him on Friday.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) He agrees to come to Philadelphia on Thursday and meet as she suggests.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) The Regent wants him to \"have the kindness not to speak of the particulars of your interview with her.\" She also requests him to confer with Mr. Herbert, after which Mr. Herbert should meet with Mr. Riggs and let her know the arrangements he would be willing to make. \"This matter she particularly desires should be confidential.\"\u003c/p\u003e","\u003cp\u003eWants him to send him the photographs of the Picture of the Bastille and let him know what he owes for this service. Thanks him for his kindness in all this matter.\u003c/p\u003e","\u003cp\u003eAgain asks for the photograph of the Bastille picture as his book is finished, and he is only waiting for that.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham regrets that he and Mr. Riggs were unable to meet at Mount Vernon to discuss all it is possible to do without annoyance to the family. Would like to commence work on the outbuildings near the garden and to rebuild the roof and pillars of the piazza. Also wants to do work around the Tomb.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Apologizes for delay in responding to his recent letter, but the news of Captain Cunningham's decease has made it impossible for Miss Cunningham to \"think of even the most pressing business.\"\u003c/p\u003e","\u003cp\u003eThanks him for sending the photograph and encloses $5. Apologizes for keeping three documents for so long. Wants to return the documents and send him a copy of the book in September. Asks whether he may keep the Pohick elevation as it is in Washington's hand.\u003c/p\u003e","\u003cp\u003eDetails work done on various dresses.\u003c/p\u003e","\u003cp\u003eIs sorry to hear that JAW will be leaving Mount Vernon before Hubard can get there to visit. Wants to know whether Mr. Mills does possess the moulds made by Houdon. Wants to see a cast made from the mould as he is convinced it is a fraud.\u003c/p\u003e","\u003cp\u003eCannot say whether the Richmond statue is accurate but to him the head looks identical to the Mount Vernon bust. Has never heard of the moulds being left at Mount Vernon and does not believe Mr. Mills would have removed anything without his permission.\u003c/p\u003e","\u003cp\u003eWants to clarify his original assertion that he feels Houdon did not use the moulds made from Washington's face as he asserts they are very different from the head of Houdon. Also wants to know whether the table on which Washington lay when the moulds were made is still at Mount Vernon.\u003c/p\u003e","\u003cp\u003eThanks him for sending money from the steamboat company for the MVLA.\u003c/p\u003e","\u003cp\u003eWill be writing an article for Encyclopedia Britannica and is \"desirous of stating the facts relative to the emancipation of the Genl's slaves.\" Also wants to know whether Mrs. Washington left a will and whether she freed her slaves in it.\u003c/p\u003e","\u003cp\u003eWishes to obtain a copy of the inventory of General Washington's estate.\u003c/p\u003e","\u003cp\u003eMakes assertion that General Washington was sued and judgment rendered against him. Also some northern papers are speculating that he lost his money and had mortgaged the Mount Vernon estate for $400,000. Encloses a copy of the certificate of the appraiser as entered in 1810.\u003c/p\u003e","\u003cp\u003eIs returning the papers lent to him and sending a copy of his book on Mount Vernon. Thanks him for the use of the papers.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Reminds her that his request for her lawyer to sift through an abstract of his title to Mount Vernon has not been complied with. This would answer questions raised by anonymous persons which have \"caused you some uneasiness.\"\u003c/p\u003e","\u003cp\u003eMiss Cunningham wants to conclusively prove the falsehood of assertions of the invalidity of his title to the estate. The Clerk of Fairfax County will attest to the truth but wants to see his father's will and evidence of the payment of $6,000 charged to the estate. Looks forward to putting to rest this falsehood.\u003c/p\u003e","\u003cp\u003eIs still waiting for the certificate from the Clerk of Fairfax County. That will give the \"lie to any slander of title.\" Is unable to visit due to his duties in the Legislature.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham thanks him for sending the package of papers and hopes to be able to write herself in a few days about other matters.\u003c/p\u003e","\u003cp\u003eThanks him for sending the papers. Does not appear from them that \"Mrs. Washington emancipated the dower negroes.\" Requests more information on that point.\u003c/p\u003e","\u003cp\u003eSees that Miss Cunningham has published an abstract of title furnished her by the Clerk of Fairfax Court, so imagines she will not require further information. Will soon return the other papers.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Has forwarded to her a package of papers which he recovered, apparently detailing the kinds and locations of trees planted at Mount Vernon.\u003c/p\u003e","\u003cp\u003eTells her his lack of response to her letter is due to being away most of the month and having visits from friends, possibly for the last time at Mount Vernon. Pointed out the lines of the old vistas marked by ancient trees. The insurance policies he had were on the house only, not the outbuildings. Recommends she make a new road. Also recommends repairing the wharf.\u003c/p\u003e","\u003cp\u003eSends a newspaper copy of an advertisement she placed wishing to obtain a copy of the photograph taken the previous August at the tomb of Washington which included her daughter, now deceased. She would like to know if she could obtain a list of the attendees of that day so she might write and request this as it is the only photograph of her daughter.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Tells her the Association still must raise $140,000 to support the Estate which will require extraordinary effort on the part of the Association. Asks her to address visitors at Mount Vernon on the imperative nature of this.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed – labeled Private) Wants to arrange a \"Grand Ceremonial in connection with the taking of the title\" in order to let people know fund raising is not complete after the purchase. Refers to political turmoil and the impending dissolution of the Union and all the difficulties this will cause. Plans to be at Mount Vernon for 10 days and wants to meet with him to finalize things.\u003c/p\u003e","\u003cp\u003eHe is fine with executing a deed for the sale of Mount Vernon to the Association and feels there would be no difficulty in the event of his death. He worries about Virginia's seceding from the Union that she might object to selling part of her soil to a corporation composed \"in part of unfriendly foreigners.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham is gratified that he concurs in her proposition and feels her decease would be the most serious difficulty to be apprehended. Wants to meet him at Mount Vernon to place the deed in escrow. Does not feel the possibilities for Virginia he suggested would form a significant barrier.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Encloses an order to Mr. Riggs for steamboat receipts through December 31st. Would be happy to meet her at Mount Vernon.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Encloses the order on Mr. Bryan for the steamboat receipts. Has been paying insurance which continues until June next and has deducted that from the receipts.\u003c/p\u003e","\u003cp\u003eAcknowledges his letter but does not need receipts for premiums of insurance.\u003c/p\u003e","\u003cp\u003eReports that Mr. Herbert only wants to clear the lot of land offered him. Also Mr. Norris has rented out his farm. Turner is not sure where he moved to in Kentucky. Discusses acquisition of material to make shirts for servants.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Had not replied to his earlier letter due to excessive fatigue from her journey from Columbia. Hopes to use patriotic influence to get the \"Agent\" to remit or reduce his fee.\u003c/p\u003e","\u003cp\u003eTells him of a minister who will be in Alexandria and is looking for a vacant church where he could officiate.\u003c/p\u003e","\u003cp\u003eFuneral was conducted at Waveland. There is a description of the body and the family. Invoked the Gospel. JAW began family prayers following the death of his wife. Description of his activities over the following days.\u003c/p\u003e","\u003cp\u003eAsks Mrs. Howard for a biographical sketch of her father (John Augustine Washington III) for the National Cyclopedia of American Biography.\u003c/p\u003e","\u003cp\u003eTwo leaflets advertising the writings of Dr. Lyon G. Tyler.\u003c/p\u003e","\u003cp\u003eFull title \"A Confederate catechism: The war of 1861-1865.\" Third edition, November 21, 1929. Series of 20 questions and answers about the war.\u003c/p\u003e","\u003cp\u003eWants to know whether the Ladies will discuss the purchase of the pictures and maps he has been offering. He will offer them elsewhere.\u003c/p\u003e","\u003cp\u003ePhotographic print, cabinet card of a drawing of the east view of the Mansion by unknown artist. Reverse side of card reads \"D.H. Naramore, Photographer, No. 321 King Street, Alexandria, VA.\"\u003c/p\u003e","\u003cp\u003eSmall engraving probably clipped from a publication. Unknown location or residence shown in image.\u003c/p\u003e","\u003cp\u003eHair clippings in envelope with note \"Hair of the late Lawrence Washington - 1856 - Found among articles bequested to MVLA by Miss Cunningham. Miss Comegys, Regent (1923) directs Supt. to send this to the widow of Mr. Lawrence W.\"\u003c/p\u003e","\u003cp\u003eSmall black and white photographic print showing the gravestone for Lt. Col. John Augustine Washington.\u003c/p\u003e","\u003cp\u003eBlack and white photographic print mounted on gray board. Shows Waveland residence with man, two women, and several children visible (unidentified).\u003c/p\u003e","\u003cp\u003eBoston: Published by Charles Bowen. Front page signed \"Jane C. Washington, Mount Vernon, 1834.\"\u003c/p\u003e","\u003cp\u003eDiary inscribed \"Account of all my recpts. \u0026amp; expenditures beginning with Sept. 16th, 1841, that being the date at which I came to Mount Vernon to reside.\" There are intermittent entries through November 1859. This is not as full a diary but includes lists of food, clothing, and china, table, and cookware.\u003c/p\u003e","\u003cp\u003eIncludes \"List of Negroes\" and Mount Vernon farming and maintenance details. Loose note at the front reads \"Extracts from the diary of my father\" with notes on this diary and previous ones.\u003c/p\u003e","\u003cp\u003eIncludes \"List of Negroes\" and Mount Vernon farming and maintenance details.\u003c/p\u003e","\u003cp\u003ePhotocopies of undated manuscripts from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1834-1838 from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1841-1845 from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1846-1849 from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1851-1853 from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1854-1855 from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1856-1857 from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1858 from the collection. (1 of 2)\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1858 from the collection. (2 of 2)\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1859 from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1860-1861 from the collection.\u003c/p\u003e","\u003cp\u003eHandwritten notes probably by a librarian or other Mount Vernon staff member including summaries of the letters within the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection concerns the inheritance, maintenance, and sale of the Mount Vernon estate by its last private owner, John Augustine Washington III. A large majority of the collection is correspondence to or from John Augustine Washington III with a significant portion relating to the purchase of the estate by the Mount Vernon Ladies' Association. Three diaries kept by John Augustine are also included and contain important information about his slaves, agricultural practices, and finances. Other types of material in the collection include legal documents, receipts, photographs, and ephemera. Photocopies were made for most of the manuscripts and can be viewed as surrogates to the originals. ","Descendants of John Augustine Washington III maintained ownership of these records until 1990 when they were sold to Gary Hendershott, a manuscripts dealer from Little Rock, Arkansas. The Mount Vernon Ladies' Association purchased the collection in October 1990.","Lists signatures and states that all members of Congress would sign if requested.","States they are now the \"best of friends.\" She is angry at people who denigrate his motives. Wants to make known his true nature.","Mrs. Ritchie requests he arrive at the theatre a little after 12:00 so all guests may be seated prior to the rise of the curtain.","She had sent her present of flowers to Mrs. Madison, and they were \"greatfully\" received.","His mother wants help valuing her sheep. Describes one offer for Mount Vernon with great disdain. They want to have entertainments there. He has great respect for \"your manly pride.\"","Apologizes for having intruded too much on his privacy during a recent visit when Mrs. Ritchie and others of the ladies \"took forcible possession of me\" and requested cuttings of flowers. Hopes he will establish a Botanic Garden and suggests a location for a Mausoleum.","Describes her return from Mount Vernon in much rain. Discusses crops. Gives instructions for sending things to her. Asks report of conversation that was \"highly derogatory to me.\" Feels items should be sold to visitors so they will not pilfer mementos.","Urges sale of Mount Vernon to Virginia rather than to a private sale.","Resolution wants to change the site of the Military Asylum to Mount Vernon if a part of the estate can be purchased at a reasonable price.","Introduces some friends who wish to visit Mount Vernon.","Gives family news and an account of a visit by a gentleman who spent the night at Mount Vernon and gave $5 to West Ford. Discusses sale of a slave to his cousin. Has heard of a bill by the federal government to purchase Mount Vernon and wishes it would be accepted. Mentions prices and terms.","Is sending oats and other items to Mount Vernon. Urges him to pursue his studies. Wishes him to send some oysters and sugar.","Sends funds for completing the vault at Mount Vernon and authorizes him to take more money from his bank if necessary.","Thanks him for the many civilities experienced by them during their visit to Mount Vernon. Sends a piece of a branch of a fig tree cut from the birth spot of \"your immortal ancestor.\"","Is against his plans for Mount Vernon and opening it to \"every low idler.\" Discusses payments and what form they would take.","Brief note of regards, translated by J. Perkins.","Heard about people being charged to enter the garden. Wishes he would stop this.","Wants to know price and terms of sale of Mount Vernon. If not for sale, could it be leased. (Contains typed transcript.)","Was glad to hear that Mount Vernon was not for sale as it should remain in the hands of the Washington family. Wishes to \"establish a house of entertainment in the vicinity of Mount Vernon.\" Asks questions as to materials and location of such. (Contains typed transcript.)","Is in the market to purchase negroes as one of his men, Alfred, has run off. Wants to know whether she still wishes to dispose of her negroes and what her price would be. He could pay $500 cash and then pay off the principal in a year or two.","Lists names of executors and legatees and their shares and values.","Tells him of an upcoming visit to Washington and Mount Vernon by a \"highly respectable volunteer corps.\" They wish to arrive by boat and see the tomb of Washington. He understands permission to do so is necessary.","Is worried his health is suffering by his labors at Mount Vernon. Hopes he will accept any reasonable offer by the U.S. Government for it. Went into town to have magistrates witness her acknowledgment of the deed of release. Discusses a suit brought by Judge Douglass and the health of various family members.","Doubts whether an offer will be made by the U.S. Government. Hopes it would as she feels his health is suffering from attending to business at Mount Vernon. Recommends someone to help him acquire an overseer. Was paid money for him. Discusses the failing health of Dr. Alexander's mother and others.","Is horrified to learn of auction of Wood Lawn. Proposes to run a steamboat between Washington to Wood Lawn, Fort Washington, Mount Vernon, and the White House. Gives references. Pledges to bring members of Congress there and feels it would enhance the chances of the purchase of Mount Vernon by the government. Suggests it could be used as a summer home for the President. Discusses various items left by Washington and the soon to be completed Chesapeake \u0026 Ohio Canal. (contains typed transcript)","Tells him of a letter he received from an unknown man who wants to obtain a tree from Mount Vernon to transplant in France to shade the bench of Christopher Columbus which he possesses.","Recommends leaving it to Congress to propose a price for the purchase of Mount Vernon. She feels he wants too much for it, and that it really should not be sold. Gives family news. Gives advice on his search for an overseer.","First letter discusses the Supreme Court taking on the suit of Mr. Hammond against General Washington. Bassett says he discharged all debts owed by Captain Lewis. There is another copy of the names of executors and legatees and their shares and values. Discussions of various debts owed to different people.","Discusses various suits, mostly Hammonds, against the estate and their current status. Many people have died since 1827 when they were last listed. Will take a long time to find people.","Discussion of the Hammond suit and payments still owed to various creditors, to be paid by all the legatees of General Washington's estate. Most dollar figures are left blank to be filled in later. Prompt payment by all legatees is required.","Discusses his father's will and his lack of knowledge of the whereabouts of various other people mentioned in JAW's letter.","Answering his inquiries as to various relatives. Suggests he write to the clerk of Kanawha County for the information he requires. Suggests he contact Andrew Parks who probably has all the facts.","Discusses sale of swamp land. He paid the taxes on it for the Washington heirs. The land is not worth much since the timber had been taken from it by many people over the years. Would like to be reimbursed for the money he paid.","He wishes to meet with him in the middle of November, at which time they can conclude their business.","Discusses the bill in Congress to purchase Mount Vernon. Wants assets divided up between her children so all are taken care of. Tells of Charles' upcoming marriage before he leaves for California.","Discusses the codicil of his father's will. Mrs. Washington is not compelled to sell. Upon her death, the heirs may sell despite the codicil. Suggests Mrs. Washington partition the land before her death in order that JAW may do \"what you please with the land.\"","Invites him to the wedding of his oldest daughter the next week.","Has been in Charlestown attending services for the week. Is amazed at the prospect of $200,000 being paid for Mount Vernon by the government. Wants him to send fish and to pickle some \"Rock.\"","(Typed transcription included) George Page and a surveyor from Maryland wanted to survey land in the Potomac River adjacent to Mount Vernon with the object of bringing steamboats there. Was notified he would be charged with some offense by Maryland. Makes him aware that the compact between the states means they have no claim on him.","First letter – wants to know if Mount Vernon Estate will be sold. Second letter – understands the government might become the owner of the estate and wants to meet.","Wants him to petition the Court to finally settle the estate of General Washington.","First letter – wants to examine Mount Vernon with a view to the establishment of a military asylum for the relief of soldiers. Second letter – tells him the price for Mount Vernon is too high, and purchase of a location nearer Washington will be undertaken.","An account by a boat company of receipts over the past year.","Discusses the landing of boats at Mount Vernon without JAW's previous knowledge. Wants them to be allowed to dock if they pay the usual fare to him.","Acknowledges payment for the pianoforte. Wants four walking sticks cut from near General Washington's tomb to be sent to monks in Italy.","Agreement to sell 200 acres of Mount Vernon for $200,000. Includes all buildings and the tomb, as well as furnishings currently there. Also will allow heirs to be buried there. He may not sell the estate without first offering it to the U.S. Government and the State of Virginia for no more than $350,000.","Has been unable to contact other parties to the contract. Hopes to be able to do so soon.","A committee of the House of Delegates has been appointed to consider the purchase of Mount Vernon. Wants to meet him in Alexandria to discuss this.","Encloses a newspaper clipping about the acquisition of Mount Vernon by the State of Virginia. Tells him the committee of five will look into the will of the people as to this acquisition.","Addressed only to \"Mrs. Washington.\" Unclear whether it is addressed to Mrs. Jane C.B. Washington or Mrs. Eleanor L.S. Washington. (Typed transcription included) Has heard that Mount Vernon is for sale, possibly to northern people. Feels the Ladies of the South might instead procure it and wants to know the price.","Does not wish to part with Mount Vernon but wishes to keep it from the changeable fortunes of a family and to ally it to the State. Would sell 200 acres with stipulations for $200,000. If the State wants to establish a model farm there, he would sell an additional 1,000 acres for $300,000. Invites them to visit.","Discusses his offer to sell Mount Vernon to the state. Says $200,000 is less than the property could sell for on the market. Talks about having a model farm as nothing meant more to Washington than farming. Would welcome them to visit. Reminds them that his terms cannot be materially modified.","(Typed transcription included) Says he is asking less money of the state than he had been offered by others. Tells them of his desire for a model farm as the pursuit of an improved system of agriculture was of great importance to General Washington. Would welcome a visit from them.","Wants to clear up suggestions that he is falsely referring to higher offers for Mount Vernon.","The Committee feels the price for Mount Vernon \"is enormous.\" Would prefer the money to be used for a rail road.","Draft in writing of John Augustine Washington III. Addressed to \"Miss Cunningham\" but could also be a response to Louisa Cunningham's letter instead of Ann Pamela Cunningham. Praises the women of the south for their affection for Washington. Does not wish to dispose of the property except to the government of the United States or Virginia and so declines the proposition from the \"Ladies of the South.\"","Draft thought to be in the writing of Jane C.B. Washington. Identical text to previous letter (draft in the hand of John Augustine Washington III).","Encloses a power of attorney and some other letters. Has agreed to reduction of $50,000 on 1000 acres. Will accept nothing less than $200,000 for the 200 acres. Agrees to pay him 5% of what he gets from either government agency, provided it occurs in the current session.","The state might be willing to pay $50,000 per year for four years for Mount Vernon but not the total of $200,000 at once. Wonders what is happening with the federal government. \"Things are coming to a head rapidly.\"","As long as negotiations with Virginia remain open, it would not be proper for him to entertain any proposals from other parties for the purchase of Mount Vernon. Might be interested in the future in making an offer.","Feels priority should be given to Congress to purchase Mount Vernon, and therefore Virginia is holding off on more committee meetings. Wants him to be there for future committee meetings.","Urges him to meet with Arthur Taylor as his representative in the proposed sale of Mount Vernon. Requests that he not send papers to Col. Bissell before meeting with him.","Has the papers from Mr. Washington and wants to meet with him to discuss the sale of Mount Vernon to the U.S. Government.","Assures him that he has not given the letters from him to Mr. Bissell and has requested Mr. Taylor to come see him.","Encloses the previous letter and hopes they will be able to meet soon. Feels it best to not commit to any course with the U.S. until a definite answer comes from the Virginia Legislature.","Invites him to come to his lodgings at any time at 9 a.m.","Is unable to return to his \"hospitable roof\" at this time. Values the time she was there and having been \"entrusted with the training of such bright intelligences.\"","Reports on his share of earnings from \"Washington's Writings.\" Many copies of the book were destroyed in a fire, but the stereotype and engraved plates were in a fire proof vault.","Feels it is very important for him to communicate with the federal government and is willing to help in any way.","Mr. Taylor shared his letter proposing to bring the subject of the purchase of Mount Vernon again before Congress. His terms are already known to him – the same as those agreed to for the State of Virginia.","Wants to bring up the purchase of Mount Vernon in Congress but wants to know just what terms he agreed to with Virginia. Wants the Northern States to purchase it.","Gives terms of sale, including that family members still living may also be buried there. Additional property to total 1000 acres may be purchased for $300,000, for a model farm as suggested by Gen. Washington. Tells him the state of Virginia had proposed the sale for less than he wanted which he refused.","Encloses a copy of the bill reported to the House of Delegates Committee for the purchase of Mount Vernon. He told them it would not meet with JAW's approval. Urges him to move quickly on the Turnpike matter for this session.","Is very desirous of having the State of Virginia take possession of Mount Vernon and \"have the sole control and ownership forever.\" Wants to know what terms he proposes.","Gives him the terms of sale. The Washington family shall be permitted to be buried on the site, and no remains shall ever be disturbed. The price shall be $200,000, with an additional 800 acres available for $100,000 more","Will not accede to propositions of the steamboat company. Will be busy for a few weeks but wants to see a copy of the agreement currently in effect.","Tells him of Mrs. Mason presenting \"a remonstrance against your turnpike.\" Wants access to $250 at Farmers Bank in Alexandria.","Discusses payments based on sales of \"Washington's Writings.\" Tells percentages paid to various legatees.","Discusses quarrelling and squabbling among the ladies purchasing Mount Vernon. Is concerned about security around the remains of George Washington.","Wants him to send a letter to him so he may correct disparaging remarks made about his impending sale of Mount Vernon.","Is writing to her as requested by JAW. Describes a woman mourning her deceased eight-year-old son. Includes a poem about grief and moving on after death of a child.","(Typed transcription enclosed) Mr. Mason very much wants to meet him and getting a letter from JAW that would announce the news of their \"progress.\"","(Typed transcription enclosed) Thanks him for the kindness of him and Mrs. Washington on her recent visit to Mount Vernon. Urges him to send a letter to be published about the sale of Mount Vernon before the news is released by someone else.","(Typed transcription enclosed) Assures her he does not care what others say about him and remains hopeful of selling Mount Vernon to the State of Virginia.","(Typed transcription enclosed) Explains the absence of Mr. Toombs when JAW came to see him. Tells him why she is now dealing with Mr. Toombs rather than Mr. Mason.","(Typed transcription enclosed) Hopes to meet him in Washington City as she will be there for a few days during her travel south. Wants a thorough understanding of his wishes and intentions before meeting with the governor of Virginia.","Wants him to reconsider his determination as expressed in his letter in the National Intelligencer and put the estate under the care of the State of Virginia. (This is a copy of a letter written by Anna's husband.) Second letter, dated March 5, 1857 on same paper: Refers to letter copied out by her. Is certain a sufficient sum will have been raised by February 22 to enable Virginia to purchase Mount Vernon.","Urges him to reconsider his determination as expressed in his letter to the National Intelligencer and consent to place the estate once more at the disposal of Virginia which has an arrangement with the \"Ladies' Mount Vernon Association of the Union.\"","His musical association played a concert on behalf of the \"Ladies Mt. Vernon Association\" at which $100 was raised. The musical group would benefit greatly from receiving this money back if Mr. Washington has no plans to sell to the Ladies Association.","Would love to spend time at Mount Vernon, but his schedule will not allow at this time. His book will be published during the winter and spring, but he doesn't feel a visit would add anything.","He remains willing to place Mount Vernon in the hands of the State of Virginia, under his terms which the state has not seemed to want to meet. The proposal to have Mount Vernon by under the Mount Vernon Ladies Association of the Union is unacceptable to him. Doubts they could maintain the estate in perpetuity. It would then be taken over by the state.","(Typed transcription enclosed) Identical to previous letter.","(Typed transcription enclosed) Responding to his letter to Mr. Ritchie. Urges him to put out that the Ladies are to raise $200,000 on behalf of the State of Virginia for the purchase of Mount Vernon.","(Typed transcription enclosed) Does not wish to publish parts of letters. Feels \"nothing but silent contempt can put them at rest.\"","(W.L. Underwood – most likely Warner Lewis Underwood, Kentucky Senator) Tells JAW that if his current negotiations for Mount Vernon should fall through that his organization would be pleased to enter into further discussions.","Again says he wishes Mount Vernon to go to the State of Virginia, to be decided upon by the current session of the General Assembly.","(Typed transcription enclosed) Wants to know who told her that he was \"willing… for a pecuniary consideration to break engagements and promises.\"","The Masonic Brotherhood is interested in purchasing Mount Vernon. Thanks him for the tour the previous day. Apologizes for the bad behavior of one member and hopes that will not prejudice him against the Fraternity.","(Typed transcription enclosed) She met with the governor who told her the \"Extra Session\" of the Legislature was for the \"presidential contest,\" so the Legislature will not be meeting again until the next winter. Realizes this delay is not pleasing to him.","Inquires whether any action has been taken by the Legislature or is likely to be.","Tells him no action has yet been taken by the Legislature but feels sure it will be taken up after the Christmas recess, after which the ladies will be enabled to purchase Mount Vernon and have its title transferred to Virginia.","Discusses various prices for Mount Vernon and quotes JAW as vehemently denying that he wanted the remains of General Washington moved. He wishes the estate to be the property of the United States and all the people.","(Typed transcription enclosed) Tells him she has been very ill but is sure that the Legislature will act.","(Typed transcription enclosed) Labeled as Private. Tells him Gov. Wise is \"inimical to our 'cause'\" which is the reason the Legislature has not taken up the subject of the purchase of Mount Vernon.\" Talks of the financial crisis which is being felt by \"we victimized cotton planters.\" Tells him of the impending sale of copies of a portrait of Washington.","(Typed transcription enclosed) She writes of her illness and lack of strength. The Constitution of the Association was signed by the governor. Tells him various Masonic orders have decided to become allies of the Association. Hopes to have the contract signed between Virginia and him on the 22nd of February.","Invites recipient to the elevation of the Statue of Washington on February 22 in Richmond.","(Typed transcription enclosed) Labeled as Private. Is looking forward to the inauguration of the Washington statue. Wants him to vow that the Ladies of the Association are the \"very best friends you have in the world.\" Tells him that Gov. Wise is no friend to him or to her and this cause.","(Typed transcription enclosed) Has a document that states Virginia will purchase Mount Vernon from him and encloses a copy of the bill. Is sure the governor will act strongly to defeat this. Wants him to attend the address by Mr. Everett a few days before the 22nd of February. Tells him how lucky he is to get $200,000 in \"these awful times.\"","Gives price of sale of $200,000 for 200 acres of the Mount Vernon estate and pledges the MVLA to guarantee to not disturb any remains currently there and to allow descendants of JAW to also be interred there.","(Typed transcription enclosed) Praises him for agreeing that Mount Vernon is to be a public shrine and to limit interments there. Gen. Chapman included that in the third reading of the bill. Discusses the building of a new mausoleum for Washington which would not go against his will. Talks of her illness.","(Typed transcription enclosed) Tells her the disposition of family remains, as well as those of General Washington, are his biggest concerns in the sale.","(Typed transcription enclosed) Hopes he is happy about the bill as read in the Legislature. Tells him it is she and not the Committee who wants to arrange for a magnificent mausoleum. Closes by saying she is too exhausted to \"even give a hint of the nature of woman's revenge should you not be in a state of delight over our bill!!!\"","(Typed transcription enclosed) Remains adamant as to a future mausoleum as Washington stated where he wished his remains to be. Cannot travel to Richmond at present due to the illness of Mrs. Washington.","(Agreement ends with reference to the 10th of February) Deals with payment of $6,000 to heirs of W.F. Alexander and Anna Alexander as a share of Mount Vernon. Expressly says none of these heirs have any claim to the proceeds arising from a sale of Mount Vernon, other than the $6,000.","(Typed transcription enclosed) Tells him that though Gov. Wise is no friend to the Mount Vernon cause, he did not intend to put his remarks under the head of Lunatic Asylum. It was a complete accident.","(Typed transcription enclosed) Encloses another article by Mr. Pryor who is \"using his art to arouse the fear, \u0026 cupidity of the timid \u0026 narrow minded of this Legislature.\" Asks him about his previous offer from a company to purchase the estate, and that he wanted to wait for Congress to act.","(Typed transcription enclosed) States that his price for Mount Vernon has always been $200,000, since he gained control of it in 1849. Asks whether he ever made an offer for Mount Vernon for $100,000. If so, under whose authority was it made?","(Typed transcription enclosed) Wants to confirm with him that his offer to sell Mount Vernon as a site for the Military Asylum in 1851 was for $200,000 and not $100,000.","(Typed transcription enclosed) Tells her of a contract with a gentleman to sell him 200 acres of Mount Vernon for $200,000 with the condition that the property should be offered to the U.S. and to Virginia. If neither purchased it, he should take the property. He then offered $50,000 to release him from that obligation, but JAW refused. Says he never has offered it for sale in public or private.","Says he was authorized by JAW to offer Mount Vernon for a Military Asylum for $100,000. Will search for papers to confirm this.","(Typed transcription enclosed) Advises that on March 25, 1851, he made an offer to sell about 150 acres of the Mount Vernon estate for $200,000 for an Army Asylum or some other government purpose.","(Typed transcription enclosed) Labeled as Private. Thanks him for sending a copy of the correspondence of Gen. Scott. Miss C. is intensely engaged in getting past Mr. Pryor's malicious misrepresentation of the Bill. If he can defeat us, he will.","Reiterates that Alexander and his heirs have no claim to any proceeds arising from a sale of Mount Vernon beyond the agreed upon $6,000 and requests him to add a paragraph to that effect to the agreement they will both sign.","(Typed transcription enclosed) Wants him to come see her in Richmond, despite his recent fall. Refers to the animosity of Mr. Pryor toward the bill. Wishes there could be an Extra Session for it to pass.","Again states his disagreement with Mr. McKenzie's assertion of his having offered $100,000 for Mount Vernon. No one else knew of such an offer. Gen. Scott agrees with JAW in his recollections. Tells her of a recent fall from a horse which will prevent his visit to Richmond on the 22nd.","Urges him and his family to attend the inauguration of the equestrian statue of Washington on the Capital Square in Richmond. Says he would be pleased to host them at their home near the city.","(Typed transcription enclosed) Is uncertain whether he will be able to travel to Richmond and wants her to update him on matters related to the Bill as \"I have not in any manner approached\" any of his friends or acquaintances on the subject. It is important for her to convince members that the association only needs the name of the State which will not be called upon to pay any of the money for the purchase.","(Typed transcription enclosed) Miss Cunningham begs him to attend Mr. Everett's oration and hopes to speak to him on the Square tomorrow.","(Typed transcription enclosed) Continues to be unwell. Introduces him to Mr. A.H.H. Dawson of Georgia, \"an eccentric genius.\" He is devoted to the purposes of the Association and has delivered an address about it in 30 towns in Georgia. Urges him to come to Richmond to meet with members of the Legislature.","(Typed transcription enclosed) Is sorry he was unable to call on her before leaving Richmond. Wants clarification about alterations Mr. Yancy thought necessary in the paper he left with her. He wants a decision by the Legislature, yes or no, soon.","(Typed transcription enclosed) Tells him that the Legislature is \"in a row\" and will not pass any bills before an Extra Session. Wants him to bring a contract to her so they are prepared for any contingencies. Tells him of her illness of the lungs and her treatment.","(Typed transcription enclosed) Reiterates the importance of the sanctity of the family burying ground. Wants to have some alterations and additions of a substantial permanent character made to the present vault, with a durable enclosure around it. He is open to payment in stocks or cash for the estate. Says they should have an act of incorporation before signing a contract.","(Typed transcription enclosed) Gen. Chapman was drawing up an act of incorporation before the bill comes up. He said Virginia must not hold the tomb; the Association must hold it. She remains very ill. \"yrs in much suffering\"","Is preparing a pamphlet to defend JAW against detractors and wants copies of correspondence he had with Gen. Scott and others about possible purchase of Mount Vernon.","(Typed transcription enclosed) The bill in Virginia for the purchase of Mount Vernon, to be refunded by the MVLA, was defeated in the House of Delegates. In addition Congress cannot purchase land in a sovereign state without its consent. Tells him it should be the property of the Nation and should be sold to the MVLA. \"With grateful women pledged to guard the sacred ashes of Washington and to adorn his home for a national shrine.\"","(Typed transcription enclosed) Says it has become obvious that neither Virginia nor the U.S. wish to purchase Mount Vernon. Therefore \"the women of the land will probably be the safest as they will certainly be the purest guardians of a national shrine.\" He waits for her to make a proposal to him.","(Typed transcription enclosed) Miss Cunningham requests that he answer the letter she gave him relating to the purchase of Mount Vernon and to return it to her. She will give him a copy.","(Typed transcription enclosed) Is returning her letter to him as it seemed to be improperly dated and lacked her signature. When she remedies those defects, he will send an answer.","(Typed transcription enclosed) Wants to meet with him on Saturday morning in Alexandria to sign the contract.","(Typed transcription enclosed) Is very unhappy about delays put forth by Messrs. Macfarland \u0026 Myers. They felt there had to be an acceptance of the contract by all or a majority of the Vice Regents before it could be signed. They can do this by telegraph, permitting Mrs. Ritchie to act for them.","(Typed transcription enclosed) Urges him to come without delay. It was thought things would be delayed as Mrs. Walton's husband had died, but now Mr. McFarland advised them to send for him at once. Miss Cunningham is not good and needs to bring matters to a close \"ere it be too late.\"","(Typed transcription enclosed) Wants him to come see her that afternoon or evening as Dr. Beale \"considers it necessary to apply a severe blister without delay.\"","(Typed transcription enclosed – labeled Private) Upon reflection she feels the letter she sent him for publication is not to be published. She does not wish to \"make enemies even in a State which has given me so little cause to respect it.\" Mrs. Ritchie will work on a better worded one which she will send to him.","He deposited money to his credit for the contract and wants to know if this was correct. Tells him the pony he was inquiring about is not for sale. Also felt much concern about the accounts of the fisheries. Looks forward to a visit with him.","(Typed transcription enclosed) Encloses the plat of the 200 acres of land he agreed to sell to the MVLA. Wants him to sign it and return it.","(Typed transcription enclosed) About the plat, he is having the land resurveyed and \"have the necessary corners stones set.\" He will send it back with a signature after that. Also encloses her letter of March 12 and wants a copy of her letter as published with her signature.","Wants to know if George Thorburn may visit Mount Vernon in the 28th of May to inspect the grounds in regards to the improvements to be made. He is \"no doubt the first horticulturist in America\" and a plain, unpolished person. It would be good for JAW's surveyor to meet with Mr. Thorburn to go over the grounds.","He is \"exceedingly provoked\" at the newspaper coverage in connection with the sale of Mount Vernon. As a college friend he felt he had to contact an editor and correct the information. He hopes he did not make the situation worse.","Again requests he host the \"celebrated florist\" at Mount Vernon to look over the grounds before they come to Mount Vernon on the 29th for a few hours.","Agrees to have Mr. Thorburn come and meet with surveyors. Asks if Mr. Thorburn could be appointed the Agent of the Association in drawing up with the surveyors the lines of the 200 acres. He will \"grant any reasonable request of the Association.\" Hopes to see Mr. Ritchie and her while he yet resides at Mount Vernon.","The first attests to receipt of interest on the $6,000 owed to Mrs. Jane Washington. \tThe second is for $2,000 as part of the $6,000 owed.","Urges him to reduce the price of Mount Vernon to $150,000 so as to better fund all the expenses associated with its ownership by the MVLA. Tells him to buy land in \"some of the new states\" with that money.","Wants to know what stocks or bonds would be acceptable as part of the purchase price. Gives the current rate of Virginia stock.","Acknowledges his decline to the proposition.","Replying to a previous letter. Cannot answer the questions of Miss Lewis as he does not remember where Col. Fielding Lewis died. Her wishes are an illusion. Wonders if some land in Kentucky is what she is dreaming of. Hopes the Ladies will be able to preserve Mount Vernon after they complete the purchase.","As a new Mason, wants to know if he will amend the contract to state that the property will revert to the United States or the Masonic Fraternity in the event of a dissolution of the MVLA and not to the state of Virginia.","Writes to her cousin about an article in the paper that morning that was a \"vile abolition libel on you.\" Wants to assure her lady friends that it is untrue.","Is involved in illustrating an article about Mount Vernon as it is of interest to the American people. Wants to visit to sketch objects that have not been drawn. The MVLA is in favor of such an article to assist with their fund raising.","Is amazed at the scurrilous attacks made on him by Northern Papers which are calculated to embarrass the Mount Vernon Association.","(Typed transcription enclosed) Thanks him for his letter about the calumnies in some Northern newspapers but has no desire to enter into a controversy with the papers.","(Typed transcription enclosed – labeled Private) Wants him to tell her of his agreement with Mr. Crutchett of Mount Vernon Cane Factory who was given permission to come and cut trees on the estate. Asks what value he puts on the remainder of the estate contiguous to the 200 acres.","(Typed transcription enclosed) Gives details of his contract with Mr. Crutchett which expired in February 1856. He was permitted to take more trees before January 1857. He has no right to \"come upon the property I have sold the Association to cut timber.\" Has not put a price on the remainder of Mount Vernon.","Thanks him for the hospitality given to him and his sister on their visit to Mount Vernon.","(Typed transcription enclosed) Miss Cunningham was happy to hear his account of the transactions with Mr. Crutchett. Wants him to come to Philadelphia to confer upon private matters of great importance to the Association and himself. She is equally interested in the final settlement of the boundary lines.","First letter (incomplete) congratulates him on the sale of Mount Vernon. Requests return of portrait of his mother. Second letter thanks him for agreeing to return the portrait. He and his family would very much like to visit Mount Vernon again before it becomes public.","Hopes he can come to Washington to meet with him. Wants Mr. Washington to stay with him to \"pay off the debt of visiting you at Mt. Vernon.\" Miss Cunningham is making arrangements to pay the first bond with interest in December.","(Typed transcription enclosed – labeled Private) Looks forward to making payment of the first installment. Mr. Riggs will pay sums of $5,000 as soon as it is raised. Hopes to be able to pay the remainder of 2d installment on 1st of January 1859. Begs him to keep these matters as a \"profound secret.\"","Miss Cunningham wants to make the first payment on December 14, the anniversary of Washington's death.","Tells him of payment to Burke \u0026 Herbert of $10,000 on that day.","Tells him the box containing the chairs has not yet arrived. He wants to be allowed to pay for the repairs necessary to the chairs. Invites him and his family to visit him in Richmond before they go farther away from it.","(Typed transcription enclosed – labeled Private) Wants to make the first payment on the 1st, but this is a holiday. Urges him not to risk sending the plat executed by Washington himself but to have it be lithographed. Wants to clear up the boundaries. Tells him to keep the discussion of the sale of additional land private.","Wants to gather branches from the estate in order to make canes to sell to aid in the purchase of Mount Vernon.","Their project would require the consent of the Regent of the MVLA.","(Typed transcription enclosed – labeled Confidential) Miss Cunningham is too ill to reply to his last letter. Lets him know his presence might be required on the 22nd but all arrangements must be kept private. The upcoming payment will be about $14,000.","(Typed transcription enclosed) Urges him to accept the money already paid to him (for the \"selling your relations bones.\") He already received more money than the estate was worth. Note on the letter states he ensured his control over the remains in \"such a way that they can never be sold by any one.\"","(Typed transcription enclosed) Does not want to go to Philadelphia unless it is absolutely necessary. He recently heard that Mrs. Esther M. Lewis (widow of Lorenzo Lewis) wants to present the harpsichord that was given to Nelly to the MVLA.","Thanks him for copy of the inscription on a bust. He realized he had not copied the pencil sketch of the Destruction of the Bastille. Would JAW please have a photograph of it sent to him for an upcoming book on the history of Mount Vernon. Will send a copy of the book to him in September when it is published.","Acknowledges receipt of $1,000 which completes the payment of $6,000 owed to Mrs. Jane Washington.","The Regent wants JAW to not allow any more sketches to be made of Mount Vernon or the grounds without her consent. Attached is a copy of an advertisement for sale of a portrait of Washington. The Mount Vernon Record gives an account of fund raising to date. Mr. Everett thanks Devereux for sending him a copy of the Farewell Address.","(Typed transcription enclosed) Requests her to send him definite instructions to enable him to prohibit people from making sketches of Mount Vernon.","Tells them he has written to the Regent requesting her instructions about the matter they raised with him.","(Typed transcription enclosed) The Regent now feels that it would \"not be practicable for you to refuse privileges hitherto granted\" in the matter of sketches. There is also a newspaper clipping with letters from JAW and the Regent about the sale of Mount Vernon.","They wrote to him on the 14th as the Regent was prostrated. Requests any material he might have about the area in England where Washington's ancestor came from.","(Typed transcription enclosed) Tells her of terms under which they ran their steamboat to Mount Vernon. They paid him money with the understanding that he would make repairs to the wharf and footway, under the agreement, but he did not. He ordered his captain to have it done and will retain that money.","(Typed transcription enclosed) Encloses a copy of the previous letter and asks him to advise her as to her response to Mr. Bryan.","(Typed transcription enclosed) Miss Cunningham much enjoyed his previous letter and its humor. Hopes he will waive the requisition of 10 days notice before receiving payments. Can give him at least 30 days notice before requiring possession, and hopefully 60 days. She has \"been very much of an invalid for many weeks.\"","(Typed transcription enclosed) Wants him to come to Philadelphia around the 10th or 12th so they may consult in regard to the future. They can have the boundary line settled and put many business affairs in order. Miss Cunningham intends to make a payment on the last installment as soon \"as you will receive it.\"","(Typed transcription enclosed) He will travel to Philadelphia and meet with her on Wednesday. Will give directions to Messrs. Burke \u0026 Herbert for the last installment.","(Typed transcription enclosed) Miss Cunningham wants him to arrive on Thursday and then accompany her to hear Mr. Everett in the evening. She and Mr. Everett would then meet with him on Friday.","(Typed transcription enclosed) He agrees to come to Philadelphia on Thursday and meet as she suggests.","(Typed transcription enclosed) The Regent wants him to \"have the kindness not to speak of the particulars of your interview with her.\" She also requests him to confer with Mr. Herbert, after which Mr. Herbert should meet with Mr. Riggs and let her know the arrangements he would be willing to make. \"This matter she particularly desires should be confidential.\"","Wants him to send him the photographs of the Picture of the Bastille and let him know what he owes for this service. Thanks him for his kindness in all this matter.","Again asks for the photograph of the Bastille picture as his book is finished, and he is only waiting for that.","(Typed transcription enclosed) Miss Cunningham regrets that he and Mr. Riggs were unable to meet at Mount Vernon to discuss all it is possible to do without annoyance to the family. Would like to commence work on the outbuildings near the garden and to rebuild the roof and pillars of the piazza. Also wants to do work around the Tomb.","(Typed transcription enclosed) Apologizes for delay in responding to his recent letter, but the news of Captain Cunningham's decease has made it impossible for Miss Cunningham to \"think of even the most pressing business.\"","Thanks him for sending the photograph and encloses $5. Apologizes for keeping three documents for so long. Wants to return the documents and send him a copy of the book in September. Asks whether he may keep the Pohick elevation as it is in Washington's hand.","Details work done on various dresses.","Is sorry to hear that JAW will be leaving Mount Vernon before Hubard can get there to visit. Wants to know whether Mr. Mills does possess the moulds made by Houdon. Wants to see a cast made from the mould as he is convinced it is a fraud.","Cannot say whether the Richmond statue is accurate but to him the head looks identical to the Mount Vernon bust. Has never heard of the moulds being left at Mount Vernon and does not believe Mr. Mills would have removed anything without his permission.","Wants to clarify his original assertion that he feels Houdon did not use the moulds made from Washington's face as he asserts they are very different from the head of Houdon. Also wants to know whether the table on which Washington lay when the moulds were made is still at Mount Vernon.","Thanks him for sending money from the steamboat company for the MVLA.","Will be writing an article for Encyclopedia Britannica and is \"desirous of stating the facts relative to the emancipation of the Genl's slaves.\" Also wants to know whether Mrs. Washington left a will and whether she freed her slaves in it.","Wishes to obtain a copy of the inventory of General Washington's estate.","Makes assertion that General Washington was sued and judgment rendered against him. Also some northern papers are speculating that he lost his money and had mortgaged the Mount Vernon estate for $400,000. Encloses a copy of the certificate of the appraiser as entered in 1810.","Is returning the papers lent to him and sending a copy of his book on Mount Vernon. Thanks him for the use of the papers.","(Typed transcription enclosed) Reminds her that his request for her lawyer to sift through an abstract of his title to Mount Vernon has not been complied with. This would answer questions raised by anonymous persons which have \"caused you some uneasiness.\"","Miss Cunningham wants to conclusively prove the falsehood of assertions of the invalidity of his title to the estate. The Clerk of Fairfax County will attest to the truth but wants to see his father's will and evidence of the payment of $6,000 charged to the estate. Looks forward to putting to rest this falsehood.","Is still waiting for the certificate from the Clerk of Fairfax County. That will give the \"lie to any slander of title.\" Is unable to visit due to his duties in the Legislature.","(Typed transcription enclosed) Miss Cunningham thanks him for sending the package of papers and hopes to be able to write herself in a few days about other matters.","Thanks him for sending the papers. Does not appear from them that \"Mrs. Washington emancipated the dower negroes.\" Requests more information on that point.","Sees that Miss Cunningham has published an abstract of title furnished her by the Clerk of Fairfax Court, so imagines she will not require further information. Will soon return the other papers.","(Typed transcription enclosed) Has forwarded to her a package of papers which he recovered, apparently detailing the kinds and locations of trees planted at Mount Vernon.","Tells her his lack of response to her letter is due to being away most of the month and having visits from friends, possibly for the last time at Mount Vernon. Pointed out the lines of the old vistas marked by ancient trees. The insurance policies he had were on the house only, not the outbuildings. Recommends she make a new road. Also recommends repairing the wharf.","Sends a newspaper copy of an advertisement she placed wishing to obtain a copy of the photograph taken the previous August at the tomb of Washington which included her daughter, now deceased. She would like to know if she could obtain a list of the attendees of that day so she might write and request this as it is the only photograph of her daughter.","(Typed transcription enclosed) Tells her the Association still must raise $140,000 to support the Estate which will require extraordinary effort on the part of the Association. Asks her to address visitors at Mount Vernon on the imperative nature of this.","(Typed transcription enclosed – labeled Private) Wants to arrange a \"Grand Ceremonial in connection with the taking of the title\" in order to let people know fund raising is not complete after the purchase. Refers to political turmoil and the impending dissolution of the Union and all the difficulties this will cause. Plans to be at Mount Vernon for 10 days and wants to meet with him to finalize things.","He is fine with executing a deed for the sale of Mount Vernon to the Association and feels there would be no difficulty in the event of his death. He worries about Virginia's seceding from the Union that she might object to selling part of her soil to a corporation composed \"in part of unfriendly foreigners.\"","(Typed transcription enclosed) Miss Cunningham is gratified that he concurs in her proposition and feels her decease would be the most serious difficulty to be apprehended. Wants to meet him at Mount Vernon to place the deed in escrow. Does not feel the possibilities for Virginia he suggested would form a significant barrier.","(Typed transcription enclosed) Encloses an order to Mr. Riggs for steamboat receipts through December 31st. Would be happy to meet her at Mount Vernon.","(Typed transcription enclosed) Encloses the order on Mr. Bryan for the steamboat receipts. Has been paying insurance which continues until June next and has deducted that from the receipts.","Acknowledges his letter but does not need receipts for premiums of insurance.","Reports that Mr. Herbert only wants to clear the lot of land offered him. Also Mr. Norris has rented out his farm. Turner is not sure where he moved to in Kentucky. Discusses acquisition of material to make shirts for servants.","(Typed transcription enclosed) Had not replied to his earlier letter due to excessive fatigue from her journey from Columbia. Hopes to use patriotic influence to get the \"Agent\" to remit or reduce his fee.","Tells him of a minister who will be in Alexandria and is looking for a vacant church where he could officiate.","Funeral was conducted at Waveland. There is a description of the body and the family. Invoked the Gospel. JAW began family prayers following the death of his wife. Description of his activities over the following days.","Asks Mrs. Howard for a biographical sketch of her father (John Augustine Washington III) for the National Cyclopedia of American Biography.","Two leaflets advertising the writings of Dr. Lyon G. Tyler.","Full title \"A Confederate catechism: The war of 1861-1865.\" Third edition, November 21, 1929. Series of 20 questions and answers about the war.","Wants to know whether the Ladies will discuss the purchase of the pictures and maps he has been offering. He will offer them elsewhere.","Photographic print, cabinet card of a drawing of the east view of the Mansion by unknown artist. Reverse side of card reads \"D.H. Naramore, Photographer, No. 321 King Street, Alexandria, VA.\"","Small engraving probably clipped from a publication. Unknown location or residence shown in image.","Hair clippings in envelope with note \"Hair of the late Lawrence Washington - 1856 - Found among articles bequested to MVLA by Miss Cunningham. Miss Comegys, Regent (1923) directs Supt. to send this to the widow of Mr. Lawrence W.\"","Small black and white photographic print showing the gravestone for Lt. Col. John Augustine Washington.","Black and white photographic print mounted on gray board. Shows Waveland residence with man, two women, and several children visible (unidentified).","Boston: Published by Charles Bowen. Front page signed \"Jane C. Washington, Mount Vernon, 1834.\"","Diary inscribed \"Account of all my recpts. \u0026 expenditures beginning with Sept. 16th, 1841, that being the date at which I came to Mount Vernon to reside.\" There are intermittent entries through November 1859. This is not as full a diary but includes lists of food, clothing, and china, table, and cookware.","Includes \"List of Negroes\" and Mount Vernon farming and maintenance details. Loose note at the front reads \"Extracts from the diary of my father\" with notes on this diary and previous ones.","Includes \"List of Negroes\" and Mount Vernon farming and maintenance details.","Photocopies of undated manuscripts from the collection.","Photocopies of manuscripts dated 1834-1838 from the collection.","Photocopies of manuscripts dated 1841-1845 from the collection.","Photocopies of manuscripts dated 1846-1849 from the collection.","Photocopies of manuscripts dated 1851-1853 from the collection.","Photocopies of manuscripts dated 1854-1855 from the collection.","Photocopies of manuscripts dated 1856-1857 from the collection.","Photocopies of manuscripts dated 1858 from the collection. (1 of 2)","Photocopies of manuscripts dated 1858 from the collection. (2 of 2)","Photocopies of manuscripts dated 1859 from the collection.","Photocopies of manuscripts dated 1860-1861 from the collection.","Handwritten notes probably by a librarian or other Mount Vernon staff member including summaries of the letters within the collection."],"names_ssim":["Special Collections at The George Washington Presidential Library at Mount Vernon","Washington, John Augustine, III, 1821-1861","Cunningham, Ann Pamela, 1816-1875","Ritchie, Anna Cora Mowatt, 1819-1870","Washington, Jane Charlotte Blackburn, 1786-1855","Lossing, Benson John, 1813-1891","Everett, Edward, 1794-1865","Washington, George Corbin, 1789-1854","Lewis, Lawrence, 1767-1839","Lewis, Eleanor Parke Custis, 1779-1852","Davis, Henry Winter, 1817-1865","Bassett, George Washington, 1800-1878","Johnson, Joseph, 1785-1877","Corcoran, W.W. (William Wilson), 1798-1888","Custis, George Washington Parke, 1781-1857","McKenzie, Lewis, 1810-1895","Cunningham, Louisa Bird, 1794-1873","Washington, Eleanor Love Selden, 1824-1860","Taylor, John L. (John Lampkin), 1805-1870","Sparks, Jared, 1789-1866","Washington, Bushrod C. (Bushrod Corbin), 1839-1919","Tyler, Nathaniel, 1828-1917"],"corpname_ssim":["Special Collections at The George Washington Presidential Library at Mount Vernon"],"persname_ssim":["Washington, John Augustine, III, 1821-1861","Cunningham, Ann Pamela, 1816-1875","Ritchie, Anna Cora Mowatt, 1819-1870","Washington, Jane Charlotte Blackburn, 1786-1855","Lossing, Benson John, 1813-1891","Everett, Edward, 1794-1865","Washington, George Corbin, 1789-1854","Lewis, Lawrence, 1767-1839","Lewis, Eleanor Parke Custis, 1779-1852","Davis, Henry Winter, 1817-1865","Bassett, George Washington, 1800-1878","Johnson, Joseph, 1785-1877","Corcoran, W.W. (William Wilson), 1798-1888","Custis, George Washington Parke, 1781-1857","McKenzie, Lewis, 1810-1895","Cunningham, Louisa Bird, 1794-1873","Washington, Eleanor Love Selden, 1824-1860","Taylor, John L. (John Lampkin), 1805-1870","Sparks, Jared, 1789-1866","Washington, Bushrod C. (Bushrod Corbin), 1839-1919","Tyler, Nathaniel, 1828-1917"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":251,"online_item_count_is":12,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:55:09.076Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vimtvl_repositories_3_resources_65"}},{"id":"viu_repositories_3_resources_941","type":"collection","attributes":{"title":"John L. Nau III Civil War History Collection","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_941","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_941.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/189095","title_filing_ssi":"Nau, John L. III, Civil War History Collection","title_ssm":["John L. Nau III Civil War History Collection"],"title_tesim":["John L. Nau III Civil War History Collection"],"unitdate_ssm":["1806-1988","1861-1865"],"unitdate_bulk_ssim":["1861-1865"],"unitdate_inclusive_ssm":["1806-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous 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Key","Previous Archival Resource Key","/repositories/3/resources/941"],"text":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource 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Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941","John L. Nau III Civil War History Collection","United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives","letters (correspondence)","Photograph albums","photographs","newspapers","Good.","The collection is open for research.","The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch","The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.","The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. ","The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.","Albert and Shirley Small Special Collections Library","The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"unitid_tesim":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941"],"normalized_title_ssm":["John L. Nau III Civil War History Collection"],"collection_title_tesim":["John L. Nau III Civil War History Collection"],"collection_ssim":["John L. Nau III Civil War History Collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"geogname_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"places_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"acqinfo_ssim":["The John L. Nau III Civil War History Collection was acquired and donated by John L. Nau III. It was accessioned by the Albert and Shirley Small Special Collections Library on September 3, 2019 (2019-0149) and in an additional accession in October 2019 (2019-0231)."],"access_subjects_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"access_subjects_ssm":["letters (correspondence)","Photograph albums","photographs","newspapers"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good."],"extent_ssm":["133 Cubic Feet 255 boxes; 9 framed items"],"extent_tesim":["133 Cubic Feet 255 boxes; 9 framed items"],"genreform_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).\u003c/p\u003e","\u003cp\u003eSeries 1 is arranged in three subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Personal Papers, Service Records, and Artifacts, 1806-1988\u003c/p\u003e\n","\u003cp\u003eThe arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. \u003c/p\u003e\n","\u003cp\u003eThe above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003eSubseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.\u003c/p\u003e\n","\u003cp\u003eSubseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. \u003c/p\u003e","\u003cp\u003eSeries 2 is arranged in the following subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.\u003c/p\u003e\n","\u003cp\u003eSubseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities\u003c/p\u003e","\u003cp\u003eSeries 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Petty, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Whitehurst \u0026amp; Co., Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knowles \u0026amp; Hillman, New Bedford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearus, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gooding, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by Handy, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bocardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. W. Barker, Canton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wing's Gallery, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Varriell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. K. Brown, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry M. Wells, Cambridge, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lewis and Kane, Victoria, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003eFrench \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts, and Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Walzl, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co. of New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Bros., Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Pratt, Aurora, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Worms \u0026amp; Co. 383 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Cramer, Carondelet, Missouri\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Williams Gallery; Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Beach, Hastings, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks and Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conaut, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hesler Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallett, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eB. F. Smith and Son, Portland, Maine\u003c/p\u003e","\u003cp\u003eJ. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Beaumont, Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wells and Collins, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. Moses, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Morgan, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. L. Bergstresser, Army of the Potomac\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Jenks, Paterson, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bett's and Prusia, Dansville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stone Bros., Trumansburch, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck's, Elsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. J. Pierce, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003eLe Rue Lemer, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gibbon, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson of New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026amp; New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washburn's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenney, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Benjamin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Watson, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burnite \u0026amp; Weldon, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William C. North, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Th. Gubelman, Puliski, TN\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hermos, Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by W.V. Lane, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Tombarger, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. P. Howe, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cooley \u0026amp; Becket, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. G. Montgomery of Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cushing \u0026amp; King Photographers, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. C. Brown, Norwich, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Marse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Silli, Nice, France\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. E. Mosely, Newburyport\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Burnite \u0026amp; Co., Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. B. Brown's, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Tait, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conant and Johnson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Durgan, Farmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C.H. Freeman, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kilgore's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePublished by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003eBarr \u0026amp; Young, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Marks, Austin, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Rhodes, St. Law Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Munger \u0026amp; Stone, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Cross, Belvidere, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Emery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. McHenry, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. P. Smith, Kankakee City, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.T. Bradshaw \u0026amp; Co., successors to G. Moses, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Braisted, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce, Galena, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. \u0026amp; F. W. Hardy, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slagle, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slee Brothers, Poughkeepsie, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Lewis Wires, Milford\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. Evans, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. B. Jones, Davenport, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. H. Black, Natchez, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of The Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George B. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joseph Ward, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pein \u0026amp; Co., Washington City\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Good \u0026amp; Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacob's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. \u0026amp; J. L. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Layton's, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bachrach \u0026amp; Bro, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cross and Franke, Arlington, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Watson, Raleigh, North Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Julius Brill, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Weiss, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Cadwallader, Toledo, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Jennings, artist, The New \u0026amp; Reliable Gallery, Lancaster, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow and Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thomas and Pearson, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew B. Brady\u003c/p\u003e","\u003cp\u003eWilliam Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. P. H. Capron \u0026amp; Bros. , Springfield, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Giers \u0026amp; Co., Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney and Paradise, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: August Morand, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Davis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler and King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, El Mira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Guay and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George D. Puffer, Nashua, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Murphy Bros., Alton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Godshaw \u0026amp; Flexner, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moffat and Simpson, Key West, Florida\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. P. Ayer, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William F. Blunt, North Anson, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anson's\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassetts Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gardner, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Meade Brothers, Astor, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alex. Gardner, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Watson's, Raleigh, NC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. Thompson, Norwich, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenny, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mason \u0026amp; Gardner, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Outley's, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bragy Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank E. Stanley, Auburn, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Browne, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs \u0026amp; Company, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask \u0026amp; Lewis\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles K. Bill's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wilder Brothers, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Alex Gardner; Published by Philp \u0026amp; Solomons, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Smith, Utica, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Dunshee's, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Adams, Nashville, Tenn.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. I. Prince, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Nims, Photographer, Fort Edward, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Summerhays\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Filley \u0026amp; Gilbert, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. N. Medernach, Danville, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thompson Gallery, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. G. Fetters, Peru, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: New Orleans Photographic Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees of Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.L. Winner, Annapolis, MD\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Photographers, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Conant, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Paige, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Powelson's, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePublished by Vannerson \u0026amp; Jones, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Jewett, Lebanon, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: James S. Earle \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Havens, Jacksonville, FL\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.C. Benjamin, Newark, N. J.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brendann Bros., Baltimore\u003c/p\u003e","\u003cp\u003ePhotographed by Wenderoth \u0026amp; Taylor; Published by McAllister \u0026amp; Bro., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; Smith, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. R. Davis, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003eBrady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. Brown, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredericks and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowers, Lynn, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kin, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Piper \u0026amp; Sanborn, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Ames, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. D. Phillips, 14th Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. K. Marshall, Circleville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. German, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hawkins \u0026amp; Philpot, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. De Camp, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003eUnknown Photographer; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pratt's Gallery, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schreiber \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Erekson \u0026amp; Bodurtha, Bridgeport, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abraham Fisher, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Wilson, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Birney Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Louis Walzl\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. A. Turner, D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. White, Jacksonport, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Col, Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Evans and Prince, York, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Clark, Ionia, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. C. Giers, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. R. Bideout \u0026amp; Co., Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eJ. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. B. King, Taunton, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  L. D. Cox, Ludlow, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Davis, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Brainstead, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Tyler \u0026amp; Co., Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George C. White, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McLure, Allen P.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow \u0026amp; Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nollen \u0026amp; Van Grieken, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. L. Jackson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. G. Carleton, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gilbert's, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Curtis, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Campbell \u0026amp; Ecker, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce \u0026amp; Cogswell, Rochelle, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, Lawrence, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kennedy \u0026amp; Schenck, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morell, George Webb\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, South Royalton, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New Yor\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer's, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. L. Eaton, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hagaman, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Reimer, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hanford, New London, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Carr, Old Town, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Fassett, Dexter, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kertson \u0026amp; Barker, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball \u0026amp; Sons, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by A. A. Turner; Published by D. Appleton \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Taylor and Seavey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Milton Lapham, Decatur, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, \u0026amp; Co, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. I. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haseltine, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Evans, Norfolk, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M' Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole of Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. F. Ryder, Cleveland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenny, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Tapley, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. E. Gibbs, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lutges, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney and Son, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George E. Collins; Bucksport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quicks, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Porter's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. J. Thompson \u0026amp; Co., Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Stevens, Richmond, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rivers', St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Rockwood, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burwell \u0026amp; Homan, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Magnolia, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith \u0026amp; Wybrant, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Weitfle \u0026amp; Wright, 1st Division, 6th Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles S. Hart, Watertown, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C.H. Smedley \u0026amp; Co., Middletown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. A. Lewis, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Moses \u0026amp; Co., Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. F. Child, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimberly Brothers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel Masury, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, Habana, Paris\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hopkins, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Churchill \u0026amp; Dennison, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster and Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. L. Heath, Norwalk, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck, Ellsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crocket, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Field, Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Greenwald, Newark, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorham and Co, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinton \u0026amp; Cleary's, Montgomery, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. Yung\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Brown, Photographer of the Army of Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Davis, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Butler, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cahill, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George H. Wood, Towanda, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: by H. Glosser, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Turner, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Case, Halifax, Nova Scotia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Balkan Studio, Wartham, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jordan \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. A. Colley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Burgan, Yarmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's Art Palace, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Thurlow, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith, Southbridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Photographers Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knight, Batavia, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bradley \u0026amp; Rulofson, San Francisco, California\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. Loud, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Klauber \u0026amp; Campbell, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler \u0026amp; Smetters, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassett's Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney \u0026amp; Paradise, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony,  New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Brown's, Waldoboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bailey \u0026amp; Silver's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Piper, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Troxell, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wykes \u0026amp; Brown, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lamson, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Wing's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Case and Getchell, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell \u0026amp; Brother, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Paul, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Estabrook's Ferrotypes, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, 363 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Otto Wagner, 385 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Johnson's, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton, and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026amp; Brother, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Williamson's Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. G. Trask, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallet, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sumner \u0026amp; Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lomas, Eastport Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. M. Fassett, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Sellers, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Aiken, Ware, Massachusetts\u003c/p\u003e","\u003cp\u003eLithograph by Murray \u0026amp; Goodwin, Albany, New York; Published by G. H. Treadwell, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Theodore Harris, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Wearn, Columbia, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keenan, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. R. Phipps, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Frank Browne\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Royan M. Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Quimby of Charleston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Maynard \u0026amp; Willis, Milford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pa.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Daily, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor \u0026amp; Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lupton \u0026amp; Brown, Winchester, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Richardson of Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Holt, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Orcutt's, Cambridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victor Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Borthers, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Frederick, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. L. Averill, Oldtown, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. 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F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch"],"odd_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eThe donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. \u003c/p\u003e\n","\u003cp\u003eDonor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).\u003c/p\u003e\n","\u003cp\u003eThese donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eAbout External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eUpon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.\u003c/p\u003e\n","\u003cp\u003ePlease note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). \u003c/p\u003e\n","\u003cp\u003ePlease also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSuggestions for Using the Donation Listing Spreadsheet\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eMaterials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003ePlease note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.\u003c/p\u003e\n","\u003cp\u003eResearchers can use the spreadsheet to explore the collection in many ways, including the following: \u003c/p\u003e\n","\u003cp\u003e- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).\u003c/p\u003e\n","\u003cp\u003e- To identify photographs of women, Black soldiers, and Native American soldiers.\u003c/p\u003e\n","\u003cp\u003e- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAbout External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eTranscript files are titled by donor accession number. (See above note titled Alphanumeric Designations).\u003c/p\u003e\n","\u003cp\u003ePlease be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eAdditional materials relating to Fitzhugh Lee are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eAdditional materials related to William S. Rosecrans are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to States Rights Gist are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003eThis photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional Materials relating to Fitzhugh Lee are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0342.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0371.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThis case contains portraits of the same unknown soldier in both ambrotype and tintype formats.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003ePT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.\u003c/p\u003e","\u003cp\u003eImage was accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eAccessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThis photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003e34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eCarte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Alphanumeric Designations","Important Information about External Documents","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs."],"prefercite_html_tesm":["\u003cp\u003eJohn L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["John L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online \u003cemph render=\"italic\"\u003eCivil War Soldiers and Sailors Database\u003c/emph\u003e (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's \u003cemph render=\"italic\"\u003eConfederate and Southern State Currency\u003c/emph\u003e, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's \u003cemph render=\"italic\"\u003eCivil War High Commands\u003c/emph\u003e (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).\u003c/p\u003e","\u003cp\u003eEfforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. \u003c/p\u003e","\u003cp\u003eFile titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. "],"scopecontent_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. \u003c/p\u003e\n","\u003cp\u003eThe collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). \u003c/p\u003e","\u003cp\u003eSeries 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).\u003c/p\u003e","\u003cp\u003eSeries 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.\u003c/p\u003e","\u003cp\u003eSeries 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.\u003c/p\u003e","\u003cp\u003eSeries 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.\u003c/p\u003e","\u003cp\u003eSeries 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10302,"online_item_count_is":5,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:31:55.729Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_941","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_941.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/189095","title_filing_ssi":"Nau, John L. III, Civil War History Collection","title_ssm":["John L. Nau III Civil War History Collection"],"title_tesim":["John L. Nau III Civil War History Collection"],"unitdate_ssm":["1806-1988","1861-1865"],"unitdate_bulk_ssim":["1861-1865"],"unitdate_inclusive_ssm":["1806-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival 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Key","Previous Archival Resource Key","/repositories/3/resources/941"],"text":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource 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Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941","John L. Nau III Civil War History Collection","United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives","letters (correspondence)","Photograph albums","photographs","newspapers","Good.","The collection is open for research.","The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch","The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.","The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. ","The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.","Albert and Shirley Small Special Collections Library","The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"unitid_tesim":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941"],"normalized_title_ssm":["John L. Nau III Civil War History Collection"],"collection_title_tesim":["John L. Nau III Civil War History Collection"],"collection_ssim":["John L. Nau III Civil War History Collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"geogname_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"places_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"acqinfo_ssim":["The John L. Nau III Civil War History Collection was acquired and donated by John L. Nau III. It was accessioned by the Albert and Shirley Small Special Collections Library on September 3, 2019 (2019-0149) and in an additional accession in October 2019 (2019-0231)."],"access_subjects_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"access_subjects_ssm":["letters (correspondence)","Photograph albums","photographs","newspapers"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good."],"extent_ssm":["133 Cubic Feet 255 boxes; 9 framed items"],"extent_tesim":["133 Cubic Feet 255 boxes; 9 framed items"],"genreform_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).\u003c/p\u003e","\u003cp\u003eSeries 1 is arranged in three subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Personal Papers, Service Records, and Artifacts, 1806-1988\u003c/p\u003e\n","\u003cp\u003eThe arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. \u003c/p\u003e\n","\u003cp\u003eThe above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003eSubseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.\u003c/p\u003e\n","\u003cp\u003eSubseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. \u003c/p\u003e","\u003cp\u003eSeries 2 is arranged in the following subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.\u003c/p\u003e\n","\u003cp\u003eSubseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities\u003c/p\u003e","\u003cp\u003eSeries 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Petty, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Whitehurst \u0026amp; Co., Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knowles \u0026amp; Hillman, New Bedford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearus, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gooding, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by Handy, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bocardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. W. Barker, Canton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wing's Gallery, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Varriell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. K. Brown, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry M. Wells, Cambridge, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lewis and Kane, Victoria, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003eFrench \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts, and Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Walzl, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co. of New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Bros., Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Pratt, Aurora, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Worms \u0026amp; Co. 383 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Cramer, Carondelet, Missouri\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Williams Gallery; Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Beach, Hastings, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks and Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conaut, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hesler Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallett, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eB. F. Smith and Son, Portland, Maine\u003c/p\u003e","\u003cp\u003eJ. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Beaumont, Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wells and Collins, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. Moses, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Morgan, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. L. Bergstresser, Army of the Potomac\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Jenks, Paterson, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bett's and Prusia, Dansville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stone Bros., Trumansburch, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck's, Elsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. J. Pierce, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003eLe Rue Lemer, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gibbon, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson of New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026amp; New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washburn's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenney, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Benjamin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Watson, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burnite \u0026amp; Weldon, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William C. North, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Th. Gubelman, Puliski, TN\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hermos, Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by W.V. Lane, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Tombarger, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. P. Howe, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cooley \u0026amp; Becket, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. G. Montgomery of Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cushing \u0026amp; King Photographers, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. C. Brown, Norwich, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Marse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Silli, Nice, France\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. E. Mosely, Newburyport\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Burnite \u0026amp; Co., Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. B. Brown's, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Tait, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conant and Johnson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Durgan, Farmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C.H. Freeman, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kilgore's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePublished by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003eBarr \u0026amp; Young, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Marks, Austin, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Rhodes, St. Law Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Munger \u0026amp; Stone, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Cross, Belvidere, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Emery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. McHenry, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. P. Smith, Kankakee City, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.T. Bradshaw \u0026amp; Co., successors to G. Moses, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Braisted, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce, Galena, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. \u0026amp; F. W. Hardy, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slagle, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slee Brothers, Poughkeepsie, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Lewis Wires, Milford\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. Evans, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. B. Jones, Davenport, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. H. Black, Natchez, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of The Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George B. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joseph Ward, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pein \u0026amp; Co., Washington City\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Good \u0026amp; Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacob's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. \u0026amp; J. L. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Layton's, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bachrach \u0026amp; Bro, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cross and Franke, Arlington, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Watson, Raleigh, North Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Julius Brill, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Weiss, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Cadwallader, Toledo, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Jennings, artist, The New \u0026amp; Reliable Gallery, Lancaster, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow and Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thomas and Pearson, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew B. Brady\u003c/p\u003e","\u003cp\u003eWilliam Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. P. H. Capron \u0026amp; Bros. , Springfield, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Giers \u0026amp; Co., Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney and Paradise, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: August Morand, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Davis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler and King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, El Mira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Guay and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George D. Puffer, Nashua, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Murphy Bros., Alton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Godshaw \u0026amp; Flexner, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moffat and Simpson, Key West, Florida\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. P. Ayer, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William F. Blunt, North Anson, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anson's\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassetts Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gardner, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Meade Brothers, Astor, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alex. Gardner, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Watson's, Raleigh, NC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. Thompson, Norwich, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenny, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mason \u0026amp; Gardner, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Outley's, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bragy Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank E. Stanley, Auburn, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Browne, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs \u0026amp; Company, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask \u0026amp; Lewis\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles K. Bill's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wilder Brothers, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Alex Gardner; Published by Philp \u0026amp; Solomons, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Smith, Utica, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Dunshee's, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Adams, Nashville, Tenn.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. I. Prince, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Nims, Photographer, Fort Edward, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Summerhays\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Filley \u0026amp; Gilbert, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. N. Medernach, Danville, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thompson Gallery, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. G. Fetters, Peru, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: New Orleans Photographic Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees of Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.L. Winner, Annapolis, MD\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Photographers, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Conant, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Paige, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Powelson's, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePublished by Vannerson \u0026amp; Jones, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Jewett, Lebanon, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: James S. Earle \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Havens, Jacksonville, FL\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.C. Benjamin, Newark, N. J.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brendann Bros., Baltimore\u003c/p\u003e","\u003cp\u003ePhotographed by Wenderoth \u0026amp; Taylor; Published by McAllister \u0026amp; Bro., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; Smith, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. R. Davis, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003eBrady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. Brown, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredericks and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowers, Lynn, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kin, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Piper \u0026amp; Sanborn, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Ames, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. D. Phillips, 14th Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. K. Marshall, Circleville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. German, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hawkins \u0026amp; Philpot, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. De Camp, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003eUnknown Photographer; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pratt's Gallery, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schreiber \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Erekson \u0026amp; Bodurtha, Bridgeport, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abraham Fisher, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Wilson, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Birney Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Louis Walzl\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. A. Turner, D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. White, Jacksonport, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Col, Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Evans and Prince, York, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Clark, Ionia, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. C. Giers, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. R. Bideout \u0026amp; Co., Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eJ. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. B. King, Taunton, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  L. D. Cox, Ludlow, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Davis, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Brainstead, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Tyler \u0026amp; Co., Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George C. White, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McLure, Allen P.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow \u0026amp; Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nollen \u0026amp; Van Grieken, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. L. Jackson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. G. Carleton, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gilbert's, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Curtis, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Campbell \u0026amp; Ecker, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce \u0026amp; Cogswell, Rochelle, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, Lawrence, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kennedy \u0026amp; Schenck, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morell, George Webb\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, South Royalton, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New Yor\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer's, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. L. Eaton, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hagaman, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Reimer, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hanford, New London, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Carr, Old Town, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Fassett, Dexter, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kertson \u0026amp; Barker, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball \u0026amp; Sons, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by A. A. Turner; Published by D. Appleton \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Taylor and Seavey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Milton Lapham, Decatur, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, \u0026amp; Co, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. I. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haseltine, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Evans, Norfolk, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M' Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole of Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. F. Ryder, Cleveland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenny, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Tapley, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. E. Gibbs, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lutges, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney and Son, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George E. Collins; Bucksport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quicks, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Porter's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. J. Thompson \u0026amp; Co., Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Stevens, Richmond, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rivers', St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Rockwood, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burwell \u0026amp; Homan, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Magnolia, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith \u0026amp; Wybrant, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Weitfle \u0026amp; Wright, 1st Division, 6th Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles S. Hart, Watertown, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C.H. Smedley \u0026amp; Co., Middletown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. A. Lewis, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Moses \u0026amp; Co., Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. F. Child, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimberly Brothers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel Masury, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, Habana, Paris\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hopkins, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Churchill \u0026amp; Dennison, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster and Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. L. Heath, Norwalk, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck, Ellsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crocket, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Field, Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Greenwald, Newark, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorham and Co, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinton \u0026amp; Cleary's, Montgomery, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. Yung\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Brown, Photographer of the Army of Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Davis, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Butler, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cahill, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George H. Wood, Towanda, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: by H. Glosser, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Turner, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Case, Halifax, Nova Scotia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Balkan Studio, Wartham, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jordan \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. A. Colley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Burgan, Yarmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's Art Palace, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Thurlow, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith, Southbridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Photographers Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knight, Batavia, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bradley \u0026amp; Rulofson, San Francisco, California\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. Loud, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Klauber \u0026amp; Campbell, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler \u0026amp; Smetters, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassett's Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney \u0026amp; Paradise, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony,  New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Brown's, Waldoboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bailey \u0026amp; Silver's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Piper, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Troxell, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wykes \u0026amp; Brown, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lamson, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Wing's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Case and Getchell, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell \u0026amp; Brother, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Paul, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Estabrook's Ferrotypes, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, 363 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Otto Wagner, 385 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Johnson's, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton, and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026amp; Brother, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Williamson's Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. G. Trask, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallet, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sumner \u0026amp; Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lomas, Eastport Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. M. Fassett, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Sellers, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Aiken, Ware, Massachusetts\u003c/p\u003e","\u003cp\u003eLithograph by Murray \u0026amp; Goodwin, Albany, New York; Published by G. H. Treadwell, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Theodore Harris, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Wearn, Columbia, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keenan, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. R. Phipps, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Frank Browne\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Royan M. Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Quimby of Charleston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Maynard \u0026amp; Willis, Milford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pa.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Daily, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor \u0026amp; Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lupton \u0026amp; Brown, Winchester, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Richardson of Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Holt, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Orcutt's, Cambridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victor Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Borthers, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Frederick, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. L. Averill, Oldtown, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ball \u0026amp; Thomas, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Price, New Philadelphia, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. N. Blanchard, Barre, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. M. Vanaken, Lowville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Goben, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank Winter, Fort Shaw, Montana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. J. Tate, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. 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Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch"],"odd_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eThe donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. \u003c/p\u003e\n","\u003cp\u003eDonor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).\u003c/p\u003e\n","\u003cp\u003eThese donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eAbout External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eUpon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.\u003c/p\u003e\n","\u003cp\u003ePlease note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). \u003c/p\u003e\n","\u003cp\u003ePlease also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSuggestions for Using the Donation Listing Spreadsheet\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eMaterials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003ePlease note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.\u003c/p\u003e\n","\u003cp\u003eResearchers can use the spreadsheet to explore the collection in many ways, including the following: \u003c/p\u003e\n","\u003cp\u003e- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).\u003c/p\u003e\n","\u003cp\u003e- To identify photographs of women, Black soldiers, and Native American soldiers.\u003c/p\u003e\n","\u003cp\u003e- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAbout External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eTranscript files are titled by donor accession number. (See above note titled Alphanumeric Designations).\u003c/p\u003e\n","\u003cp\u003ePlease be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eAdditional materials relating to Fitzhugh Lee are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eAdditional materials related to William S. Rosecrans are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to States Rights Gist are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003eThis photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional Materials relating to Fitzhugh Lee are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0342.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0371.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThis case contains portraits of the same unknown soldier in both ambrotype and tintype formats.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003ePT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.\u003c/p\u003e","\u003cp\u003eImage was accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eAccessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThis photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003e34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eCarte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Alphanumeric Designations","Important Information about External Documents","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs."],"prefercite_html_tesm":["\u003cp\u003eJohn L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["John L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online \u003cemph render=\"italic\"\u003eCivil War Soldiers and Sailors Database\u003c/emph\u003e (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's \u003cemph render=\"italic\"\u003eConfederate and Southern State Currency\u003c/emph\u003e, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's \u003cemph render=\"italic\"\u003eCivil War High Commands\u003c/emph\u003e (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).\u003c/p\u003e","\u003cp\u003eEfforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. \u003c/p\u003e","\u003cp\u003eFile titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. "],"scopecontent_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. \u003c/p\u003e\n","\u003cp\u003eThe collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). \u003c/p\u003e","\u003cp\u003eSeries 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).\u003c/p\u003e","\u003cp\u003eSeries 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.\u003c/p\u003e","\u003cp\u003eSeries 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.\u003c/p\u003e","\u003cp\u003eSeries 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.\u003c/p\u003e","\u003cp\u003eSeries 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10302,"online_item_count_is":5,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:31:55.729Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941"}},{"id":"viu_repositories_3_resources_1395","type":"collection","attributes":{"title":"Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1395#creator","type":"document_value","attributes":{"value":"Randolph family","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1395#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of the papers of the Randolph Family of Edgehill, (commonly called the Edgehill-Randolph Papers) and the Wilson Cary Nicholas papers, ca. 787 items (6 Hollinger boxes, 2.5 linear shelf feet), ca. 1765-1869, and undated.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1395#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1395","ead_ssi":"viu_repositories_3_resources_1395","_root_":"viu_repositories_3_resources_1395","_nest_parent_":"viu_repositories_3_resources_1395","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1395.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/147346","title_filing_ssi":"Randolph Family of Edgehill and Wilson Cary Nicholas papers","title_ssm":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"title_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"unitdate_ssm":["1765-1869"],"unitdate_inclusive_ssm":["1765-1869"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 5533","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1395"],"text":["MSS 5533","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1395","Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas","Slavery--United States -- Virginia","African Americans -- Virginia","The collection is open for research use.","The papers are arranged in three series:","Series: I) Wilson Cary Nicholas Papers\nSubseries A: Correspondence (Boxes 1-3)\nSubseries B: Financial, Legal, and Miscellaneous Papers (Boxes 3-4)\nSubseries C: Militia Papers (Box 4)","Series: II) Randolph Family Papers (Boxes 5-6)","Series: III) Drawings, Surveys, etc. (OS Edgehill-Randolph Box).","Wilson Cary Nicholas (January 31, 1761-October 10, 1820) was an American politician who served in the U.S. Senate from 1799 to 1804 and was the Governor of Virginia 1814 to 1816. Nicholas was born in Williamsburg, Virginia where he attended the College of William and Mary. According to Nicholas's entry in the Biographical Directory of the United States Congress , he served in the American Revolutionary War as commander of George Washington's Life Guard until the unit disbanded in 1783. This appears to be an error: his entry in American National Biography states that \"he commanded Virginia volunteer units from the fall of 1780 until the following fall, but there is no evidence that he was actually involved in battlefield action.\" He married Margaret Smith of Baltimore, Maryland, and settled at \"Warren\" in Albemarle County where he became a member of the Virginia House of Delegates 1784-1789 and a delegate to the ratifying convention of 1788 which approved the Federal Constitution.","Robert Carter Nicholas (1728-1780) was the nephew of Wilson Cary Nicholas and the son of Dr. George Nicholas and Elizabeth Carter Burwell Nicholas (widow of Nathaniel Burwell) of Williamsburg, Virginia. His father migrated to Virginia; his mother was the daughter of wealthy Virginia landowner, Robert \"King\" Carter of Corotoman . Born January 28, 1728/9, both parents were dead by 1734. He studied law at the College of William and Mary and practiced in the general court under the royal government. He served in the House of Burgesses, 1755-61 as the representative from York County, and from 1766-1775 as the representative of James City County, and was Treasurer for the colony of Virginia, 1766-1775. He was a member of the Virginia General Assembly from 1776 to 1778 and in 1779 was appointed to the high court of chancery. Nicholas married Anne Cary, daughter of Wilson Cary of Warwick County in 1751 and the couple had four daughters and six sons.","George Nicholas, born in Williamsburg about 1754, was the son of Robert Carter Nicholas, treasurer of Virginia from 1766 to 1776, and a great grandson of Robert \"King\" Carter. He attended the College of William and Mary and became a noted attorney. Nicholas was a lieutenant colonel in the Continental army but spent much of his time in Baltimore and did not participate in any significant engagements. During service in the House of Delegates in 1778-1779, 1781-1782, 1783, and from 1786 to 1788, the last three terms representing Albemarle County, Nicholas became friendly with James Madison. Elected to the Virginia Ratification Convention of 1788, Nicholas followed Madison's lead and spoke in favor of ratification of the proposed new Constitution. Soon after the convention, he moved west to Kentucky, where he had a distinguished career as an attorney, as a leading member of the Kentucky Constitutional Convention of 1792, and as the first attorney general of the state and professor of law at Transylvania University. Nicholas wrote important letters on western affairs to Madison and to Thomas Jefferson, which George Washington also read, and tried to convince the federal government to increase its military presence in the West to protect settlers from Indian incursions and to secure westerners' access to the Mississippi River. George Nicholas died in Lexington, Kentucky, on July 25, 1799.","Sources:\nRobert Carter Nicholas, Sr. (2009, September 8) In Wikipedia, The Free Encyclopedia . Retrieved 13:10, October 15, 2009, from http://en.wikipedia.org/w/index.php? title=Robert_Carter_Nicholas,_Sr.\u0026oldid=312497296","Library of Virginia website: http://www.virginiamemory.com/online_classroom/shaping_the_constitution/people/george_nicholas","This collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Funding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.","This record is made available under a Universal 1.0 Public Domain Dedication Creative Commons license. The Albert and Shirley Small Special Collections Library of the University of Virginia makes its bibliographic records and the metadata contained therein available for public use under the CC0 1.0 Public Domain Designation.","The word \"slaves\" has been retained in this case because it is in the title of the document.","The word \"slave\" has been retained in this case because it is in the title of the document.","This collection consists of the papers of the Randolph Family of Edgehill, (commonly called the Edgehill-Randolph Papers) and the Wilson Cary Nicholas papers, ca. 787 items (6 Hollinger boxes, 2.5 linear shelf feet), ca. 1765-1869, and undated.","All items pertaining to Thomas Jefferson have been transferred to the Thomas Jefferson Papers and are described in the online Calendar of the Jefferson Papers of the University of Virginia: Multiple numbers. A search for \"5533\" should find all the Jefferson items formerly in this collection, almost 400 items.","Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required.","Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)","Randolph family","Jefferson, Thomas, 1743-1826","English"],"unitid_tesim":["MSS 5533","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1395"],"normalized_title_ssm":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"collection_title_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"collection_ssim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Randolph family"],"creator_ssim":["Randolph family"],"creator_famname_ssim":["Randolph family"],"creators_ssim":["Randolph family"],"access_terms_ssm":["Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required."],"acqinfo_ssim":["This collection was originally loaned to the University of Virginia Library Special Collections Department by Mrs. Page Kirk, Miss Olivia Taylor, and Miss Margaret Taylor, \"Lochlyn,\" Charlottesville, Virginia, on January 29, 1957. Shares held by the Misses Margaret and Olivia Taylor were bequeathed to Special Collections on March 25, 1986. The share held by Mrs. Kirk's daughter, Mrs. Mary Mann Moyer, was given to Special Collections on January 5, 1987."],"access_subjects_ssim":["Slavery--United States -- Virginia","African Americans -- Virginia"],"access_subjects_ssm":["Slavery--United States -- Virginia","African Americans -- Virginia"],"has_online_content_ssim":["true"],"extent_ssm":["2.5 Cubic Feet 6 Hollinger document boxes and one oversize box"],"extent_tesim":["2.5 Cubic Feet 6 Hollinger document boxes and one oversize box"],"physfacet_tesim":["about 787 items"],"date_range_isim":[1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged in three series:\u003c/p\u003e\n","\u003cp\u003eSeries: I) Wilson Cary Nicholas Papers\nSubseries A: Correspondence (Boxes 1-3)\nSubseries B: Financial, Legal, and Miscellaneous Papers (Boxes 3-4)\nSubseries C: Militia Papers (Box 4)\u003c/p\u003e\n","\u003cp\u003eSeries: II) Randolph Family Papers (Boxes 5-6)\u003c/p\u003e\n","\u003cp\u003eSeries: III) Drawings, Surveys, etc. (OS Edgehill-Randolph Box).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The papers are arranged in three series:","Series: I) Wilson Cary Nicholas Papers\nSubseries A: Correspondence (Boxes 1-3)\nSubseries B: Financial, Legal, and Miscellaneous Papers (Boxes 3-4)\nSubseries C: Militia Papers (Box 4)","Series: II) Randolph Family Papers (Boxes 5-6)","Series: III) Drawings, Surveys, etc. (OS Edgehill-Randolph Box)."],"bioghist_html_tesm":["\u003cp\u003eWilson Cary Nicholas (January 31, 1761-October 10, 1820) was an American politician who served in the U.S. Senate from 1799 to 1804 and was the Governor of Virginia 1814 to 1816. Nicholas was born in Williamsburg, Virginia where he attended the College of William and Mary. According to Nicholas's entry in the Biographical Directory of the United States Congress , he served in the American Revolutionary War as commander of George Washington's Life Guard until the unit disbanded in 1783. This appears to be an error: his entry in American National Biography states that \"he commanded Virginia volunteer units from the fall of 1780 until the following fall, but there is no evidence that he was actually involved in battlefield action.\" He married Margaret Smith of Baltimore, Maryland, and settled at \"Warren\" in Albemarle County where he became a member of the Virginia House of Delegates 1784-1789 and a delegate to the ratifying convention of 1788 which approved the Federal Constitution.\u003c/p\u003e\n","\u003cp\u003eRobert Carter Nicholas (1728-1780) was the nephew of Wilson Cary Nicholas and the son of Dr. George Nicholas and Elizabeth Carter Burwell Nicholas (widow of Nathaniel Burwell) of Williamsburg, Virginia. His father migrated to Virginia; his mother was the daughter of wealthy Virginia landowner, Robert \"King\" Carter of Corotoman . Born January 28, 1728/9, both parents were dead by 1734. He studied law at the College of William and Mary and practiced in the general court under the royal government. He served in the House of Burgesses, 1755-61 as the representative from York County, and from 1766-1775 as the representative of James City County, and was Treasurer for the colony of Virginia, 1766-1775. He was a member of the Virginia General Assembly from 1776 to 1778 and in 1779 was appointed to the high court of chancery. Nicholas married Anne Cary, daughter of Wilson Cary of Warwick County in 1751 and the couple had four daughters and six sons.\u003c/p\u003e\n","\u003cp\u003eGeorge Nicholas, born in Williamsburg about 1754, was the son of Robert Carter Nicholas, treasurer of Virginia from 1766 to 1776, and a great grandson of Robert \"King\" Carter. He attended the College of William and Mary and became a noted attorney. Nicholas was a lieutenant colonel in the Continental army but spent much of his time in Baltimore and did not participate in any significant engagements. During service in the House of Delegates in 1778-1779, 1781-1782, 1783, and from 1786 to 1788, the last three terms representing Albemarle County, Nicholas became friendly with James Madison. Elected to the Virginia Ratification Convention of 1788, Nicholas followed Madison's lead and spoke in favor of ratification of the proposed new Constitution. Soon after the convention, he moved west to Kentucky, where he had a distinguished career as an attorney, as a leading member of the Kentucky Constitutional Convention of 1792, and as the first attorney general of the state and professor of law at Transylvania University. Nicholas wrote important letters on western affairs to Madison and to Thomas Jefferson, which George Washington also read, and tried to convince the federal government to increase its military presence in the West to protect settlers from Indian incursions and to secure westerners' access to the Mississippi River. George Nicholas died in Lexington, Kentucky, on July 25, 1799.\u003c/p\u003e\n","\u003cp\u003eSources:\nRobert Carter Nicholas, Sr. (2009, September 8) In Wikipedia, The Free Encyclopedia . Retrieved 13:10, October 15, 2009, from http://en.wikipedia.org/w/index.php? title=Robert_Carter_Nicholas,_Sr.\u0026amp;oldid=312497296\u003c/p\u003e\n","\u003cp\u003eLibrary of Virginia website: http://www.virginiamemory.com/online_classroom/shaping_the_constitution/people/george_nicholas\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Wilson Cary Nicholas (January 31, 1761-October 10, 1820) was an American politician who served in the U.S. Senate from 1799 to 1804 and was the Governor of Virginia 1814 to 1816. Nicholas was born in Williamsburg, Virginia where he attended the College of William and Mary. According to Nicholas's entry in the Biographical Directory of the United States Congress , he served in the American Revolutionary War as commander of George Washington's Life Guard until the unit disbanded in 1783. This appears to be an error: his entry in American National Biography states that \"he commanded Virginia volunteer units from the fall of 1780 until the following fall, but there is no evidence that he was actually involved in battlefield action.\" He married Margaret Smith of Baltimore, Maryland, and settled at \"Warren\" in Albemarle County where he became a member of the Virginia House of Delegates 1784-1789 and a delegate to the ratifying convention of 1788 which approved the Federal Constitution.","Robert Carter Nicholas (1728-1780) was the nephew of Wilson Cary Nicholas and the son of Dr. George Nicholas and Elizabeth Carter Burwell Nicholas (widow of Nathaniel Burwell) of Williamsburg, Virginia. His father migrated to Virginia; his mother was the daughter of wealthy Virginia landowner, Robert \"King\" Carter of Corotoman . Born January 28, 1728/9, both parents were dead by 1734. He studied law at the College of William and Mary and practiced in the general court under the royal government. He served in the House of Burgesses, 1755-61 as the representative from York County, and from 1766-1775 as the representative of James City County, and was Treasurer for the colony of Virginia, 1766-1775. He was a member of the Virginia General Assembly from 1776 to 1778 and in 1779 was appointed to the high court of chancery. Nicholas married Anne Cary, daughter of Wilson Cary of Warwick County in 1751 and the couple had four daughters and six sons.","George Nicholas, born in Williamsburg about 1754, was the son of Robert Carter Nicholas, treasurer of Virginia from 1766 to 1776, and a great grandson of Robert \"King\" Carter. He attended the College of William and Mary and became a noted attorney. Nicholas was a lieutenant colonel in the Continental army but spent much of his time in Baltimore and did not participate in any significant engagements. During service in the House of Delegates in 1778-1779, 1781-1782, 1783, and from 1786 to 1788, the last three terms representing Albemarle County, Nicholas became friendly with James Madison. Elected to the Virginia Ratification Convention of 1788, Nicholas followed Madison's lead and spoke in favor of ratification of the proposed new Constitution. Soon after the convention, he moved west to Kentucky, where he had a distinguished career as an attorney, as a leading member of the Kentucky Constitutional Convention of 1792, and as the first attorney general of the state and professor of law at Transylvania University. Nicholas wrote important letters on western affairs to Madison and to Thomas Jefferson, which George Washington also read, and tried to convince the federal government to increase its military presence in the West to protect settlers from Indian incursions and to secure westerners' access to the Mississippi River. George Nicholas died in Lexington, Kentucky, on July 25, 1799.","Sources:\nRobert Carter Nicholas, Sr. (2009, September 8) In Wikipedia, The Free Encyclopedia . Retrieved 13:10, October 15, 2009, from http://en.wikipedia.org/w/index.php? title=Robert_Carter_Nicholas,_Sr.\u0026oldid=312497296","Library of Virginia website: http://www.virginiamemory.com/online_classroom/shaping_the_constitution/people/george_nicholas"],"odd_html_tesm":["\u003cp\u003eThis collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eFunding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.\u003c/p\u003e","\u003cp\u003eThis record is made available under a Universal 1.0 Public Domain Dedication Creative Commons license. The Albert and Shirley Small Special Collections Library of the University of Virginia makes its bibliographic records and the metadata contained therein available for public use under the CC0 1.0 Public Domain Designation.\u003c/p\u003e","\u003cp\u003eThe word \"slaves\" has been retained in this case because it is in the title of the document.\u003c/p\u003e","\u003cp\u003eThe word \"slave\" has been retained in this case because it is in the title of the document.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Funding","Metadata Rights Declaration","Note:","Note:"],"odd_tesim":["This collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Funding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.","This record is made available under a Universal 1.0 Public Domain Dedication Creative Commons license. The Albert and Shirley Small Special Collections Library of the University of Virginia makes its bibliographic records and the metadata contained therein available for public use under the CC0 1.0 Public Domain Designation.","The word \"slaves\" has been retained in this case because it is in the title of the document.","The word \"slave\" has been retained in this case because it is in the title of the document."],"prefercite_html_tesm":["\u003cp\u003ePapers of the Randolph Family of Edgehill and Wilson Cary Nicholas, MSS 5533, Special Collections, University of Virginia Library, Charlottesville, VA.\u003c/p\u003e"],"prefercite_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas, MSS 5533, Special Collections, University of Virginia Library, Charlottesville, VA."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of the papers of the Randolph Family of Edgehill, (commonly called the Edgehill-Randolph Papers) and the Wilson Cary Nicholas papers, ca. 787 items (6 Hollinger boxes, 2.5 linear shelf feet), ca. 1765-1869, and undated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of the papers of the Randolph Family of Edgehill, (commonly called the Edgehill-Randolph Papers) and the Wilson Cary Nicholas papers, ca. 787 items (6 Hollinger boxes, 2.5 linear shelf feet), ca. 1765-1869, and undated."],"separatedmaterial_html_tesm":["\u003cp\u003eAll items pertaining to Thomas Jefferson have been transferred to the Thomas Jefferson Papers and are described in the online Calendar of the Jefferson Papers of the University of Virginia: Multiple numbers. A search for \"5533\" should find all the Jefferson items formerly in this collection, almost 400 items.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["All items pertaining to Thomas Jefferson have been transferred to the Thomas Jefferson Papers and are described in the online Calendar of the Jefferson Papers of the University of Virginia: Multiple numbers. A search for \"5533\" should find all the Jefferson items formerly in this collection, almost 400 items."],"userestrict_html_tesm":["\u003cp\u003eMaterials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required."],"names_coll_ssim":["Edgehill (Albemarle County, Va. : Estate)","Jefferson, Thomas, 1743-1826"],"names_ssim":["Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)","Randolph family","Jefferson, Thomas, 1743-1826"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)"],"famname_ssim":["Randolph family"],"persname_ssim":["Jefferson, Thomas, 1743-1826"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":653,"online_item_count_is":646,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:27:13.031Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1395","ead_ssi":"viu_repositories_3_resources_1395","_root_":"viu_repositories_3_resources_1395","_nest_parent_":"viu_repositories_3_resources_1395","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1395.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/147346","title_filing_ssi":"Randolph Family of Edgehill and Wilson Cary Nicholas papers","title_ssm":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"title_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"unitdate_ssm":["1765-1869"],"unitdate_inclusive_ssm":["1765-1869"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 5533","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1395"],"text":["MSS 5533","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1395","Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas","Slavery--United States -- Virginia","African Americans -- Virginia","The collection is open for research use.","The papers are arranged in three series:","Series: I) Wilson Cary Nicholas Papers\nSubseries A: Correspondence (Boxes 1-3)\nSubseries B: Financial, Legal, and Miscellaneous Papers (Boxes 3-4)\nSubseries C: Militia Papers (Box 4)","Series: II) Randolph Family Papers (Boxes 5-6)","Series: III) Drawings, Surveys, etc. (OS Edgehill-Randolph Box).","Wilson Cary Nicholas (January 31, 1761-October 10, 1820) was an American politician who served in the U.S. Senate from 1799 to 1804 and was the Governor of Virginia 1814 to 1816. Nicholas was born in Williamsburg, Virginia where he attended the College of William and Mary. According to Nicholas's entry in the Biographical Directory of the United States Congress , he served in the American Revolutionary War as commander of George Washington's Life Guard until the unit disbanded in 1783. This appears to be an error: his entry in American National Biography states that \"he commanded Virginia volunteer units from the fall of 1780 until the following fall, but there is no evidence that he was actually involved in battlefield action.\" He married Margaret Smith of Baltimore, Maryland, and settled at \"Warren\" in Albemarle County where he became a member of the Virginia House of Delegates 1784-1789 and a delegate to the ratifying convention of 1788 which approved the Federal Constitution.","Robert Carter Nicholas (1728-1780) was the nephew of Wilson Cary Nicholas and the son of Dr. George Nicholas and Elizabeth Carter Burwell Nicholas (widow of Nathaniel Burwell) of Williamsburg, Virginia. His father migrated to Virginia; his mother was the daughter of wealthy Virginia landowner, Robert \"King\" Carter of Corotoman . Born January 28, 1728/9, both parents were dead by 1734. He studied law at the College of William and Mary and practiced in the general court under the royal government. He served in the House of Burgesses, 1755-61 as the representative from York County, and from 1766-1775 as the representative of James City County, and was Treasurer for the colony of Virginia, 1766-1775. He was a member of the Virginia General Assembly from 1776 to 1778 and in 1779 was appointed to the high court of chancery. Nicholas married Anne Cary, daughter of Wilson Cary of Warwick County in 1751 and the couple had four daughters and six sons.","George Nicholas, born in Williamsburg about 1754, was the son of Robert Carter Nicholas, treasurer of Virginia from 1766 to 1776, and a great grandson of Robert \"King\" Carter. He attended the College of William and Mary and became a noted attorney. Nicholas was a lieutenant colonel in the Continental army but spent much of his time in Baltimore and did not participate in any significant engagements. During service in the House of Delegates in 1778-1779, 1781-1782, 1783, and from 1786 to 1788, the last three terms representing Albemarle County, Nicholas became friendly with James Madison. Elected to the Virginia Ratification Convention of 1788, Nicholas followed Madison's lead and spoke in favor of ratification of the proposed new Constitution. Soon after the convention, he moved west to Kentucky, where he had a distinguished career as an attorney, as a leading member of the Kentucky Constitutional Convention of 1792, and as the first attorney general of the state and professor of law at Transylvania University. Nicholas wrote important letters on western affairs to Madison and to Thomas Jefferson, which George Washington also read, and tried to convince the federal government to increase its military presence in the West to protect settlers from Indian incursions and to secure westerners' access to the Mississippi River. George Nicholas died in Lexington, Kentucky, on July 25, 1799.","Sources:\nRobert Carter Nicholas, Sr. (2009, September 8) In Wikipedia, The Free Encyclopedia . Retrieved 13:10, October 15, 2009, from http://en.wikipedia.org/w/index.php? title=Robert_Carter_Nicholas,_Sr.\u0026oldid=312497296","Library of Virginia website: http://www.virginiamemory.com/online_classroom/shaping_the_constitution/people/george_nicholas","This collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Funding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.","This record is made available under a Universal 1.0 Public Domain Dedication Creative Commons license. The Albert and Shirley Small Special Collections Library of the University of Virginia makes its bibliographic records and the metadata contained therein available for public use under the CC0 1.0 Public Domain Designation.","The word \"slaves\" has been retained in this case because it is in the title of the document.","The word \"slave\" has been retained in this case because it is in the title of the document.","This collection consists of the papers of the Randolph Family of Edgehill, (commonly called the Edgehill-Randolph Papers) and the Wilson Cary Nicholas papers, ca. 787 items (6 Hollinger boxes, 2.5 linear shelf feet), ca. 1765-1869, and undated.","All items pertaining to Thomas Jefferson have been transferred to the Thomas Jefferson Papers and are described in the online Calendar of the Jefferson Papers of the University of Virginia: Multiple numbers. A search for \"5533\" should find all the Jefferson items formerly in this collection, almost 400 items.","Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required.","Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)","Randolph family","Jefferson, Thomas, 1743-1826","English"],"unitid_tesim":["MSS 5533","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1395"],"normalized_title_ssm":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"collection_title_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"collection_ssim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Randolph family"],"creator_ssim":["Randolph family"],"creator_famname_ssim":["Randolph family"],"creators_ssim":["Randolph family"],"access_terms_ssm":["Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required."],"acqinfo_ssim":["This collection was originally loaned to the University of Virginia Library Special Collections Department by Mrs. Page Kirk, Miss Olivia Taylor, and Miss Margaret Taylor, \"Lochlyn,\" Charlottesville, Virginia, on January 29, 1957. Shares held by the Misses Margaret and Olivia Taylor were bequeathed to Special Collections on March 25, 1986. The share held by Mrs. Kirk's daughter, Mrs. Mary Mann Moyer, was given to Special Collections on January 5, 1987."],"access_subjects_ssim":["Slavery--United States -- Virginia","African Americans -- Virginia"],"access_subjects_ssm":["Slavery--United States -- Virginia","African Americans -- Virginia"],"has_online_content_ssim":["true"],"extent_ssm":["2.5 Cubic Feet 6 Hollinger document boxes and one oversize box"],"extent_tesim":["2.5 Cubic Feet 6 Hollinger document boxes and one oversize box"],"physfacet_tesim":["about 787 items"],"date_range_isim":[1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged in three series:\u003c/p\u003e\n","\u003cp\u003eSeries: I) Wilson Cary Nicholas Papers\nSubseries A: Correspondence (Boxes 1-3)\nSubseries B: Financial, Legal, and Miscellaneous Papers (Boxes 3-4)\nSubseries C: Militia Papers (Box 4)\u003c/p\u003e\n","\u003cp\u003eSeries: II) Randolph Family Papers (Boxes 5-6)\u003c/p\u003e\n","\u003cp\u003eSeries: III) Drawings, Surveys, etc. (OS Edgehill-Randolph Box).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The papers are arranged in three series:","Series: I) Wilson Cary Nicholas Papers\nSubseries A: Correspondence (Boxes 1-3)\nSubseries B: Financial, Legal, and Miscellaneous Papers (Boxes 3-4)\nSubseries C: Militia Papers (Box 4)","Series: II) Randolph Family Papers (Boxes 5-6)","Series: III) Drawings, Surveys, etc. (OS Edgehill-Randolph Box)."],"bioghist_html_tesm":["\u003cp\u003eWilson Cary Nicholas (January 31, 1761-October 10, 1820) was an American politician who served in the U.S. Senate from 1799 to 1804 and was the Governor of Virginia 1814 to 1816. Nicholas was born in Williamsburg, Virginia where he attended the College of William and Mary. According to Nicholas's entry in the Biographical Directory of the United States Congress , he served in the American Revolutionary War as commander of George Washington's Life Guard until the unit disbanded in 1783. This appears to be an error: his entry in American National Biography states that \"he commanded Virginia volunteer units from the fall of 1780 until the following fall, but there is no evidence that he was actually involved in battlefield action.\" He married Margaret Smith of Baltimore, Maryland, and settled at \"Warren\" in Albemarle County where he became a member of the Virginia House of Delegates 1784-1789 and a delegate to the ratifying convention of 1788 which approved the Federal Constitution.\u003c/p\u003e\n","\u003cp\u003eRobert Carter Nicholas (1728-1780) was the nephew of Wilson Cary Nicholas and the son of Dr. George Nicholas and Elizabeth Carter Burwell Nicholas (widow of Nathaniel Burwell) of Williamsburg, Virginia. His father migrated to Virginia; his mother was the daughter of wealthy Virginia landowner, Robert \"King\" Carter of Corotoman . Born January 28, 1728/9, both parents were dead by 1734. He studied law at the College of William and Mary and practiced in the general court under the royal government. He served in the House of Burgesses, 1755-61 as the representative from York County, and from 1766-1775 as the representative of James City County, and was Treasurer for the colony of Virginia, 1766-1775. He was a member of the Virginia General Assembly from 1776 to 1778 and in 1779 was appointed to the high court of chancery. Nicholas married Anne Cary, daughter of Wilson Cary of Warwick County in 1751 and the couple had four daughters and six sons.\u003c/p\u003e\n","\u003cp\u003eGeorge Nicholas, born in Williamsburg about 1754, was the son of Robert Carter Nicholas, treasurer of Virginia from 1766 to 1776, and a great grandson of Robert \"King\" Carter. He attended the College of William and Mary and became a noted attorney. Nicholas was a lieutenant colonel in the Continental army but spent much of his time in Baltimore and did not participate in any significant engagements. During service in the House of Delegates in 1778-1779, 1781-1782, 1783, and from 1786 to 1788, the last three terms representing Albemarle County, Nicholas became friendly with James Madison. Elected to the Virginia Ratification Convention of 1788, Nicholas followed Madison's lead and spoke in favor of ratification of the proposed new Constitution. Soon after the convention, he moved west to Kentucky, where he had a distinguished career as an attorney, as a leading member of the Kentucky Constitutional Convention of 1792, and as the first attorney general of the state and professor of law at Transylvania University. Nicholas wrote important letters on western affairs to Madison and to Thomas Jefferson, which George Washington also read, and tried to convince the federal government to increase its military presence in the West to protect settlers from Indian incursions and to secure westerners' access to the Mississippi River. George Nicholas died in Lexington, Kentucky, on July 25, 1799.\u003c/p\u003e\n","\u003cp\u003eSources:\nRobert Carter Nicholas, Sr. (2009, September 8) In Wikipedia, The Free Encyclopedia . Retrieved 13:10, October 15, 2009, from http://en.wikipedia.org/w/index.php? title=Robert_Carter_Nicholas,_Sr.\u0026amp;oldid=312497296\u003c/p\u003e\n","\u003cp\u003eLibrary of Virginia website: http://www.virginiamemory.com/online_classroom/shaping_the_constitution/people/george_nicholas\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Wilson Cary Nicholas (January 31, 1761-October 10, 1820) was an American politician who served in the U.S. Senate from 1799 to 1804 and was the Governor of Virginia 1814 to 1816. Nicholas was born in Williamsburg, Virginia where he attended the College of William and Mary. According to Nicholas's entry in the Biographical Directory of the United States Congress , he served in the American Revolutionary War as commander of George Washington's Life Guard until the unit disbanded in 1783. This appears to be an error: his entry in American National Biography states that \"he commanded Virginia volunteer units from the fall of 1780 until the following fall, but there is no evidence that he was actually involved in battlefield action.\" He married Margaret Smith of Baltimore, Maryland, and settled at \"Warren\" in Albemarle County where he became a member of the Virginia House of Delegates 1784-1789 and a delegate to the ratifying convention of 1788 which approved the Federal Constitution.","Robert Carter Nicholas (1728-1780) was the nephew of Wilson Cary Nicholas and the son of Dr. George Nicholas and Elizabeth Carter Burwell Nicholas (widow of Nathaniel Burwell) of Williamsburg, Virginia. His father migrated to Virginia; his mother was the daughter of wealthy Virginia landowner, Robert \"King\" Carter of Corotoman . Born January 28, 1728/9, both parents were dead by 1734. He studied law at the College of William and Mary and practiced in the general court under the royal government. He served in the House of Burgesses, 1755-61 as the representative from York County, and from 1766-1775 as the representative of James City County, and was Treasurer for the colony of Virginia, 1766-1775. He was a member of the Virginia General Assembly from 1776 to 1778 and in 1779 was appointed to the high court of chancery. Nicholas married Anne Cary, daughter of Wilson Cary of Warwick County in 1751 and the couple had four daughters and six sons.","George Nicholas, born in Williamsburg about 1754, was the son of Robert Carter Nicholas, treasurer of Virginia from 1766 to 1776, and a great grandson of Robert \"King\" Carter. He attended the College of William and Mary and became a noted attorney. Nicholas was a lieutenant colonel in the Continental army but spent much of his time in Baltimore and did not participate in any significant engagements. During service in the House of Delegates in 1778-1779, 1781-1782, 1783, and from 1786 to 1788, the last three terms representing Albemarle County, Nicholas became friendly with James Madison. Elected to the Virginia Ratification Convention of 1788, Nicholas followed Madison's lead and spoke in favor of ratification of the proposed new Constitution. Soon after the convention, he moved west to Kentucky, where he had a distinguished career as an attorney, as a leading member of the Kentucky Constitutional Convention of 1792, and as the first attorney general of the state and professor of law at Transylvania University. Nicholas wrote important letters on western affairs to Madison and to Thomas Jefferson, which George Washington also read, and tried to convince the federal government to increase its military presence in the West to protect settlers from Indian incursions and to secure westerners' access to the Mississippi River. George Nicholas died in Lexington, Kentucky, on July 25, 1799.","Sources:\nRobert Carter Nicholas, Sr. (2009, September 8) In Wikipedia, The Free Encyclopedia . Retrieved 13:10, October 15, 2009, from http://en.wikipedia.org/w/index.php? title=Robert_Carter_Nicholas,_Sr.\u0026oldid=312497296","Library of Virginia website: http://www.virginiamemory.com/online_classroom/shaping_the_constitution/people/george_nicholas"],"odd_html_tesm":["\u003cp\u003eThis collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eFunding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.\u003c/p\u003e","\u003cp\u003eThis record is made available under a Universal 1.0 Public Domain Dedication Creative Commons license. The Albert and Shirley Small Special Collections Library of the University of Virginia makes its bibliographic records and the metadata contained therein available for public use under the CC0 1.0 Public Domain Designation.\u003c/p\u003e","\u003cp\u003eThe word \"slaves\" has been retained in this case because it is in the title of the document.\u003c/p\u003e","\u003cp\u003eThe word \"slave\" has been retained in this case because it is in the title of the document.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Funding","Metadata Rights Declaration","Note:","Note:"],"odd_tesim":["This collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Funding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.","This record is made available under a Universal 1.0 Public Domain Dedication Creative Commons license. The Albert and Shirley Small Special Collections Library of the University of Virginia makes its bibliographic records and the metadata contained therein available for public use under the CC0 1.0 Public Domain Designation.","The word \"slaves\" has been retained in this case because it is in the title of the document.","The word \"slave\" has been retained in this case because it is in the title of the document."],"prefercite_html_tesm":["\u003cp\u003ePapers of the Randolph Family of Edgehill and Wilson Cary Nicholas, MSS 5533, Special Collections, University of Virginia Library, Charlottesville, VA.\u003c/p\u003e"],"prefercite_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas, MSS 5533, Special Collections, University of Virginia Library, Charlottesville, VA."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of the papers of the Randolph Family of Edgehill, (commonly called the Edgehill-Randolph Papers) and the Wilson Cary Nicholas papers, ca. 787 items (6 Hollinger boxes, 2.5 linear shelf feet), ca. 1765-1869, and undated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of the papers of the Randolph Family of Edgehill, (commonly called the Edgehill-Randolph Papers) and the Wilson Cary Nicholas papers, ca. 787 items (6 Hollinger boxes, 2.5 linear shelf feet), ca. 1765-1869, and undated."],"separatedmaterial_html_tesm":["\u003cp\u003eAll items pertaining to Thomas Jefferson have been transferred to the Thomas Jefferson Papers and are described in the online Calendar of the Jefferson Papers of the University of Virginia: Multiple numbers. A search for \"5533\" should find all the Jefferson items formerly in this collection, almost 400 items.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["All items pertaining to Thomas Jefferson have been transferred to the Thomas Jefferson Papers and are described in the online Calendar of the Jefferson Papers of the University of Virginia: Multiple numbers. A search for \"5533\" should find all the Jefferson items formerly in this collection, almost 400 items."],"userestrict_html_tesm":["\u003cp\u003eMaterials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required."],"names_coll_ssim":["Edgehill (Albemarle County, Va. : Estate)","Jefferson, Thomas, 1743-1826"],"names_ssim":["Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)","Randolph family","Jefferson, Thomas, 1743-1826"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)"],"famname_ssim":["Randolph family"],"persname_ssim":["Jefferson, Thomas, 1743-1826"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":653,"online_item_count_is":646,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:27:13.031Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1395"}},{"id":"viu_repositories_3_resources_1655","type":"collection","attributes":{"title":"Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1655#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe larger collection consists of the original materials and 7 additions including the most recent one represented in this finding aid. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1655#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1655","ead_ssi":"viu_repositories_3_resources_1655","_root_":"viu_repositories_3_resources_1655","_nest_parent_":"viu_repositories_3_resources_1655","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1655.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/196559","title_filing_ssi":"Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia papers","title_ssm":["Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers"],"title_tesim":["Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers"],"unitdate_ssm":["1713-1977"],"unitdate_inclusive_ssm":["1713-1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2338","Archival Resource Key","/repositories/3/resources/1655"],"text":["MSS 2338","Archival Resource Key","/repositories/3/resources/1655","Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers","United States -- History -- War of 1812","University of Virginia","Legal correspondence","letters (correspondence)","family papers","photographs","Good","This collection is open for research.","This collection is open for research.","The overall collection is arranged sequentially in order by its different accretions, except the MSS 2871 material, which is interfiled among the first three. Accretions: MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f.","The most recent addition (ViU-2017-0179) that is represented in this finding aid is arranged chronologically.","The collection centers around the family of John Teackle of Kegotank (1753-1817) and his wife Elizabeth Dennis Teackle (1760-1811) and their children  from the Eastern Shore (Somerset County and Accomack County of Maryland). Their granddaughter, Elizabeth Ann Teackle (daughter of their son Littleton Dennis Teackle (1777-1848) and his wife Elizabeth \"Eliza\" Upshur (1783-1835), married Aaron Balderston Quinby in 1839.","Both families came to Virginia and Maryland from Great Britain around the same time, were owners of enslaved people and were probably related through cousins.  Genealogy: Arthur Upshur (1624-1709) was born in Essex County, England. He immigrated to the Eastern Shore of Virginia about 1637. His descendants for the next five generations remained on the Eastern Shore.  The Teackle family goes back to Thomas Teackle (1624-1695) who came to the Eastern Shore from Gloucester, England. They are related to the Admiral Lord Nelson (1758-1805) who fought in the Battle of Trafalgar. ","The collection is reparative in that Elizabeth Upshur Teackle was an exemplary independent woman and poet. It is also reparative because the Teackle family enslaved many people, who are mentioned in the letters. ","The Voices of the Eastern Shore project headed by Dreanna Belden sums it up well, \"Topics such as: slavery, women's history, home life, the economy, the War of 1812, social life, religion, health, and death – the letters encompass virtually every aspect of society that informs our understanding of the era.\" ","Children of John Teackle of Kegotank,Maryland and Elizabeth Dennis: \nLittleton Dennis Teackle (1777-1848) m. Eliza Upshur (1783-1835)\nSarah Upshur Teackle Bancker (1783-183)\nHenrietta (Hetty) Teackle Chauncey (1780-1832)\nElizabeth Dennis Teackle Montgomery (1786-1823)\nHenry Dennis Teackle (1786-1807)\nJohn Justice Teackle (1790-1824)\nEsther (Hetty)  Maria Fisher Teackle (1795-1840)\nJames Henry Dennis Teackle (1796-1840)","Ann Upsher Eyre,sister of Elizabeth Upshur Teackle (1780-1829) lived at Eyre Hall with her husband John Eyre.","Sources:\nUpshur, John, A. \"Upshur Family in Virginia\" Omohundro Institute of Early American History and Culture is collaborating with JSTOR to digitize,preserve and extend access to The William and Mary College Quarterly Historical Magazine\nhttps://www.jstor.org/stable/1923340?seq=2","Digitized letters by the Voices of the Eastern Shore and was provided by the Albert and Shirley Small Special Collections Library to The Portal to Texas History, a digital repository hosted by the UNT Libraries. \nhttps://voicesoftheeasternshore.org/","Item level description for this addition ViU-2017-0179 was created so that digitized copies of the documents can be accessed.","MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f MSS 2871","These letters have been digitized and are online at Voices for the Eastern Shore. https://texashistory.unt.edu/explore/collections/VOESH/","This letter has been digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries","https://texashistory.unt.edu/ark:/67531/metapth1618897/?q=elizabeth%20upshur%20teackle%20to%20sarah%20teackle%20bancker","This letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/ark:/67531/metapth1618900/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/ark:/67531/metapth1618898/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\nhttps://texashistory.unt.edu/ark:/67531/metapth1618901/?q=john%20teackle%20to%20sarah%20teackle%20bancker","This letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/explore/collections/VOESH/browse/?q=william+white+bancker+to+aunt+hetty\u0026t=fulltext\u0026sort=","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries","https://texashistory.unt.edu/ark:/67531/metapth1711690/?q=littleton%20dennis","The larger collection consists of the original materials and 7 additions including the most recent one represented in this finding aid. ","In this addition, ViU-2017-0179, are six  Elizabeth Upshur Teackle  letters with transcriptions. Five letters are written by Mrs. Teackle, and one is addressed to Mrs. Teackle from  William Wirt , esquire. In the letters Mrs. Teackle mainly discusses the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return home of her husband from prison and some of their experiences after his return, as well as her desire to see her family.","Addition ViU-2024-0134 has its own scope and content note and bio note. It contains a handwritten document listing enslaved people and 8 letters among family members particular the Teackle and Bancker family members.","The records for the rest of the collection can be found here:","MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871 -  Quinby ,  Teackle , and  Upshur  families of  Somerset County ,  Maryland , and  Accomack  and  Northampton  Counties,  Virginia  papers: \n https://search.lib.virginia.edu/sources/uva_library/items/u3928667","MSS 2338-c - Papers of the  Quinby Family : \n https://search.lib.virginia.edu/sources/uva_library/items/u3928668","MSS 2338-d -  Accomack County , Land Patent: \n https://search.lib.virginia.edu/sources/uva_library/items/u4367998","MSS 2338-e - Genealogy of the  Evans Family : \n https://search.lib.virginia.edu/sources/uva_library/items/u3927001","MSS 2338-f - Letter to  Mary Emma Justis Sturgis : \n https://search.lib.virginia.edu/sources/uva_library/items/u2674611 http://ead.lib.virginia.edu/vivaead/published/uva-sc/vivadoc.pl?file=viu00995.xml","1825  and  1842  letters from  Henry Clay  to  Littleton Teackle  and  Aaron Quinby  (2 folders) interfiled in the Henry Clay Papers","An  1826 Mar 29  letter from  James Madison  to  Littleton Teakle  (1 folder) interfiled in the James Madison Papers.","Six  Elizabeth Upshur Teackle  letters with transcriptions, one of which is addressed to Mrs. Teackle from William Wirt, esquire. Mrs. Teackle in the letters mainly discuss the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return of her husband from prison and some of their experiences after, as well as her desire to see her family.","These letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/","In this letter Mrs. Teackle includes a copy of a June 1822 letter in her own hand.","This addition (ViU-2024-0134) to MSS 2338, Quinby, Teackle, and Upshur Families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers includes one legal document and eight handwritten letters from the Teackle and Bancker family. Correspondents are Elizabeth Dennis Teackle Montgomery, Littleton Dennis Teackle, John Teackle, and William White Bancker. Letter recipients are Elizabeth's sister, Sarah Upshur Teackle Bancker, Henrietta Bancker, Aunt Hetty (Esther Maria Fisher Teackle), and Messrs. Blair from the Maryland House of Delegates. ","The legal document, dated 1801, is from Littleton Dennis Teackle, recording his moving two enslaved women, Sarah alias Sally and Nanny alias Nancy, from Virginia to Maryland. The rest are letters dated between 1807 and 1835, primarily to family members. One included letter is from John Teackle to his granddaughter Henrietta Bancker, dated 1815 and postmarked to Chestnut Street, Philidelphia, is a photocopy of an original not present in this collection. The eight remaining letters are originals, postmarked on their exterior. ","These letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/","This collection contains some in-copyright material. Visit our Permissions and Publishing page https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","Quinby","Teackle","Upshur","Quinby Family","Evans Family","Elizabeth Upshur Teackle","William Wirt","Mary Emma Justis Sturgis","Henry Clay","Littleton Teackle","Aaron Quinby","James Madison","Littleton Teakle","Teackle, John, 1756-1817","English"],"unitid_tesim":["MSS 2338","Archival Resource Key","/repositories/3/resources/1655"],"normalized_title_ssm":["Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers"],"collection_title_tesim":["Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers"],"collection_ssim":["Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States -- History -- War of 1812"],"geogname_ssim":["United States -- History -- War of 1812"],"places_ssim":["United States -- History -- War of 1812"],"access_terms_ssm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"acqinfo_ssim":["Gift, 2017 August 19"],"access_subjects_ssim":["University of Virginia","Legal correspondence","letters (correspondence)","family papers","photographs"],"access_subjects_ssm":["University of Virginia","Legal correspondence","letters (correspondence)","family papers","photographs"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good"],"extent_ssm":["4.44 Cubic Feet 7 legal-size document boxes, 17 legal-size folders, 1  legal size folder for addition ViU-2024-0134, 2 large oversize folders. Includes 2 legal-sized folders in the Henry Clay Papers (1825 \u0026 1842 letters from Clay to Littleton Teackle and Aaron Quinby); and 1 legal-sized folder in the James Madison Papers (1826 Mar 29 letter from Madison to Littleton Teackle)."],"extent_tesim":["4.44 Cubic Feet 7 legal-size document boxes, 17 legal-size folders, 1  legal size folder for addition ViU-2024-0134, 2 large oversize folders. Includes 2 legal-sized folders in the Henry Clay Papers (1825 \u0026 1842 letters from Clay to Littleton Teackle and Aaron Quinby); and 1 legal-sized folder in the James Madison Papers (1826 Mar 29 letter from Madison to Littleton Teackle)."],"genreform_ssim":["Legal correspondence","letters (correspondence)","family papers","photographs"],"date_range_isim":[1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research.","This collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe overall collection is arranged sequentially in order by its different accretions, except the MSS 2871 material, which is interfiled among the first three. Accretions: MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f.\u003c/p\u003e\n","\u003cp\u003eThe most recent addition (ViU-2017-0179) that is represented in this finding aid is arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The overall collection is arranged sequentially in order by its different accretions, except the MSS 2871 material, which is interfiled among the first three. Accretions: MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f.","The most recent addition (ViU-2017-0179) that is represented in this finding aid is arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eThe collection centers around the family of John Teackle of Kegotank (1753-1817) and his wife Elizabeth Dennis Teackle (1760-1811) and their children  from the Eastern Shore (Somerset County and Accomack County of Maryland). Their granddaughter, Elizabeth Ann Teackle (daughter of their son Littleton Dennis Teackle (1777-1848) and his wife Elizabeth \"Eliza\" Upshur (1783-1835), married Aaron Balderston Quinby in 1839.\u003c/p\u003e\n","\u003cp\u003eBoth families came to Virginia and Maryland from Great Britain around the same time, were owners of enslaved people and were probably related through cousins.  Genealogy: Arthur Upshur (1624-1709) was born in Essex County, England. He immigrated to the Eastern Shore of Virginia about 1637. His descendants for the next five generations remained on the Eastern Shore.  The Teackle family goes back to Thomas Teackle (1624-1695) who came to the Eastern Shore from Gloucester, England. They are related to the Admiral Lord Nelson (1758-1805) who fought in the Battle of Trafalgar. \u003c/p\u003e\n","\u003cp\u003eThe collection is reparative in that Elizabeth Upshur Teackle was an exemplary independent woman and poet. It is also reparative because the Teackle family enslaved many people, who are mentioned in the letters. \u003c/p\u003e\n","\u003cp\u003eThe Voices of the Eastern Shore project headed by Dreanna Belden sums it up well, \"Topics such as: slavery, women's history, home life, the economy, the War of 1812, social life, religion, health, and death – the letters encompass virtually every aspect of society that informs our understanding of the era.\" \u003c/p\u003e\n","\u003cp\u003eChildren of John Teackle of Kegotank,Maryland and Elizabeth Dennis: \nLittleton Dennis Teackle (1777-1848) m. Eliza Upshur (1783-1835)\nSarah Upshur Teackle Bancker (1783-183)\nHenrietta (Hetty) Teackle Chauncey (1780-1832)\nElizabeth Dennis Teackle Montgomery (1786-1823)\nHenry Dennis Teackle (1786-1807)\nJohn Justice Teackle (1790-1824)\nEsther (Hetty)  Maria Fisher Teackle (1795-1840)\nJames Henry Dennis Teackle (1796-1840)\u003c/p\u003e\n","\u003cp\u003eAnn Upsher Eyre,sister of Elizabeth Upshur Teackle (1780-1829) lived at Eyre Hall with her husband John Eyre.\u003c/p\u003e\n","\u003cp\u003eSources:\nUpshur, John, A. \"Upshur Family in Virginia\" Omohundro Institute of Early American History and Culture is collaborating with JSTOR to digitize,preserve and extend access to The William and Mary College Quarterly Historical Magazine\nhttps://www.jstor.org/stable/1923340?seq=2\u003c/p\u003e\n","\u003cp\u003eDigitized letters by the Voices of the Eastern Shore and was provided by the Albert and Shirley Small Special Collections Library to The Portal to Texas History, a digital repository hosted by the UNT Libraries. \nhttps://voicesoftheeasternshore.org/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The collection centers around the family of John Teackle of Kegotank (1753-1817) and his wife Elizabeth Dennis Teackle (1760-1811) and their children  from the Eastern Shore (Somerset County and Accomack County of Maryland). Their granddaughter, Elizabeth Ann Teackle (daughter of their son Littleton Dennis Teackle (1777-1848) and his wife Elizabeth \"Eliza\" Upshur (1783-1835), married Aaron Balderston Quinby in 1839.","Both families came to Virginia and Maryland from Great Britain around the same time, were owners of enslaved people and were probably related through cousins.  Genealogy: Arthur Upshur (1624-1709) was born in Essex County, England. He immigrated to the Eastern Shore of Virginia about 1637. His descendants for the next five generations remained on the Eastern Shore.  The Teackle family goes back to Thomas Teackle (1624-1695) who came to the Eastern Shore from Gloucester, England. They are related to the Admiral Lord Nelson (1758-1805) who fought in the Battle of Trafalgar. ","The collection is reparative in that Elizabeth Upshur Teackle was an exemplary independent woman and poet. It is also reparative because the Teackle family enslaved many people, who are mentioned in the letters. ","The Voices of the Eastern Shore project headed by Dreanna Belden sums it up well, \"Topics such as: slavery, women's history, home life, the economy, the War of 1812, social life, religion, health, and death – the letters encompass virtually every aspect of society that informs our understanding of the era.\" ","Children of John Teackle of Kegotank,Maryland and Elizabeth Dennis: \nLittleton Dennis Teackle (1777-1848) m. Eliza Upshur (1783-1835)\nSarah Upshur Teackle Bancker (1783-183)\nHenrietta (Hetty) Teackle Chauncey (1780-1832)\nElizabeth Dennis Teackle Montgomery (1786-1823)\nHenry Dennis Teackle (1786-1807)\nJohn Justice Teackle (1790-1824)\nEsther (Hetty)  Maria Fisher Teackle (1795-1840)\nJames Henry Dennis Teackle (1796-1840)","Ann Upsher Eyre,sister of Elizabeth Upshur Teackle (1780-1829) lived at Eyre Hall with her husband John Eyre.","Sources:\nUpshur, John, A. \"Upshur Family in Virginia\" Omohundro Institute of Early American History and Culture is collaborating with JSTOR to digitize,preserve and extend access to The William and Mary College Quarterly Historical Magazine\nhttps://www.jstor.org/stable/1923340?seq=2","Digitized letters by the Voices of the Eastern Shore and was provided by the Albert and Shirley Small Special Collections Library to The Portal to Texas History, a digital repository hosted by the UNT Libraries. \nhttps://voicesoftheeasternshore.org/"],"otherfindaid_html_tesm":["\u003cp\u003e\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3928667\u003c/extref\u003e; \u003c/p\u003e\n","\u003cp\u003e\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3928668\u003c/extref\u003e; \u003c/p\u003e\n","\u003cp\u003e\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u4367998\u003c/extref\u003e; \u003c/p\u003e\n","\u003cp\u003e\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3927001\u003c/extref\u003e; \u003c/p\u003e\n","\u003cp\u003e\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u2674611\u003c/extref\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["https://search.lib.virginia.edu/sources/uva_library/items/u3928667 ; ","https://search.lib.virginia.edu/sources/uva_library/items/u3928668 ; ","https://search.lib.virginia.edu/sources/uva_library/items/u4367998 ; ","https://search.lib.virginia.edu/sources/uva_library/items/u3927001 ; ","https://search.lib.virginia.edu/sources/uva_library/items/u2674611"],"prefercite_html_tesm":["\u003cp\u003eMSS 2338, Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia papers, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e","\u003cp\u003eMSS 2338, Teackle and Bancker family papers, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 2338, Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia papers, Albert and Shirley Small Special Collections Library, University of Virginia.","MSS 2338, Teackle and Bancker family papers, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"processinfo_html_tesm":["\u003cp\u003eItem level description for this addition ViU-2017-0179 was created so that digitized copies of the documents can be accessed.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Item level description for this addition ViU-2017-0179 was created so that digitized copies of the documents can be accessed."],"relatedmaterial_html_tesm":["\u003cp\u003eMSS 2338, MSS 2338-a, MSS 2338-b, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f MSS 2871\u003c/p\u003e\n","\u003cp\u003eThese letters have been digitized and are online at Voices for the Eastern Shore. https://texashistory.unt.edu/explore/collections/VOESH/\u003c/p\u003e","\u003cp\u003eThis letter has been digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries\u003c/p\u003e\n","\u003cp\u003ehttps://texashistory.unt.edu/ark:/67531/metapth1618897/?q=elizabeth%20upshur%20teackle%20to%20sarah%20teackle%20bancker\u003c/p\u003e","\u003cp\u003eThis letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\u003c/p\u003e\n","\u003cp\u003ehttps://texashistory.unt.edu/ark:/67531/metapth1618900/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker\u003c/p\u003e","\u003cp\u003eThis letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\u003c/p\u003e\n","\u003cp\u003ehttps://texashistory.unt.edu/ark:/67531/metapth1618898/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker\u003c/p\u003e","\u003cp\u003eThis letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\nhttps://texashistory.unt.edu/ark:/67531/metapth1618901/?q=john%20teackle%20to%20sarah%20teackle%20bancker\u003c/p\u003e","\u003cp\u003eThis letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\u003c/p\u003e\n","\u003cp\u003ehttps://texashistory.unt.edu/explore/collections/VOESH/browse/?q=william+white+bancker+to+aunt+hetty\u0026amp;t=fulltext\u0026amp;sort=\u003c/p\u003e","\u003cp\u003eThis letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries\u003c/p\u003e\n","\u003cp\u003ehttps://texashistory.unt.edu/ark:/67531/metapth1711690/?q=littleton%20dennis\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f MSS 2871","These letters have been digitized and are online at Voices for the Eastern Shore. https://texashistory.unt.edu/explore/collections/VOESH/","This letter has been digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries","https://texashistory.unt.edu/ark:/67531/metapth1618897/?q=elizabeth%20upshur%20teackle%20to%20sarah%20teackle%20bancker","This letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/ark:/67531/metapth1618900/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/ark:/67531/metapth1618898/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\nhttps://texashistory.unt.edu/ark:/67531/metapth1618901/?q=john%20teackle%20to%20sarah%20teackle%20bancker","This letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/explore/collections/VOESH/browse/?q=william+white+bancker+to+aunt+hetty\u0026t=fulltext\u0026sort=","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries","https://texashistory.unt.edu/ark:/67531/metapth1711690/?q=littleton%20dennis"],"scopecontent_html_tesm":["\u003cp\u003eThe larger collection consists of the original materials and 7 additions including the most recent one represented in this finding aid. \u003c/p\u003e\n","\u003cp\u003eIn this addition, ViU-2017-0179, are six \u003cpersname\u003eElizabeth Upshur Teackle\u003c/persname\u003e letters with transcriptions. Five letters are written by Mrs. Teackle, and one is addressed to Mrs. Teackle from \u003cpersname\u003eWilliam Wirt\u003c/persname\u003e, esquire. In the letters Mrs. Teackle mainly discusses the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return home of her husband from prison and some of their experiences after his return, as well as her desire to see her family.\u003c/p\u003e\n","\u003cp\u003eAddition ViU-2024-0134 has its own scope and content note and bio note. It contains a handwritten document listing enslaved people and 8 letters among family members particular the Teackle and Bancker family members.\u003c/p\u003e\n","\u003cp\u003eThe records for the rest of the collection can be found here:\u003c/p\u003e\n","\u003cp\u003eMSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871 - \u003cfamname\u003eQuinby\u003c/famname\u003e, \u003cfamname\u003eTeackle\u003c/famname\u003e, and \u003cfamname\u003eUpshur\u003c/famname\u003e families of \u003cgeogname\u003eSomerset County\u003c/geogname\u003e, \u003cgeogname\u003eMaryland\u003c/geogname\u003e, and \u003cgeogname\u003eAccomack\u003c/geogname\u003e and \u003cgeogname\u003eNorthampton\u003c/geogname\u003e Counties, \u003cgeogname\u003eVirginia\u003c/geogname\u003e papers: \n\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3928667\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eMSS 2338-c - Papers of the \u003cfamname\u003eQuinby Family\u003c/famname\u003e: \n\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3928668\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eMSS 2338-d - \u003cgeogname\u003eAccomack County\u003c/geogname\u003e, Land Patent: \n\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u4367998\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eMSS 2338-e - Genealogy of the \u003cfamname\u003eEvans Family\u003c/famname\u003e: \n\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3927001\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eMSS 2338-f - Letter to \u003cpersname\u003eMary Emma Justis Sturgis\u003c/persname\u003e: \n\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u2674611\u003c/extref\u003e\n\u003cextref\u003ehttp://ead.lib.virginia.edu/vivaead/published/uva-sc/vivadoc.pl?file=viu00995.xml\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cdate\u003e1825\u003c/date\u003e and \u003cdate\u003e1842\u003c/date\u003e letters from \u003cpersname\u003eHenry Clay\u003c/persname\u003e to \u003cpersname\u003eLittleton Teackle\u003c/persname\u003e and \u003cpersname\u003eAaron Quinby\u003c/persname\u003e (2 folders) interfiled in the Henry Clay Papers\u003c/p\u003e\n","\u003cp\u003eAn \u003cdate\u003e1826 Mar 29\u003c/date\u003e letter from \u003cpersname\u003eJames Madison\u003c/persname\u003e to \u003cpersname\u003eLittleton Teakle\u003c/persname\u003e (1 folder) interfiled in the James Madison Papers.\u003c/p\u003e","\u003cp\u003eSix \u003cpersname\u003eElizabeth Upshur Teackle\u003c/persname\u003e letters with transcriptions, one of which is addressed to Mrs. Teackle from William Wirt, esquire. Mrs. Teackle in the letters mainly discuss the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return of her husband from prison and some of their experiences after, as well as her desire to see her family.\u003c/p\u003e\n","\u003cp\u003eThese letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/\u003c/p\u003e","\u003cp\u003eIn this letter Mrs. Teackle includes a copy of a June 1822 letter in her own hand.\u003c/p\u003e","\u003cp\u003eThis addition (ViU-2024-0134) to MSS 2338, Quinby, Teackle, and Upshur Families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers includes one legal document and eight handwritten letters from the Teackle and Bancker family. Correspondents are Elizabeth Dennis Teackle Montgomery, Littleton Dennis Teackle, John Teackle, and William White Bancker. Letter recipients are Elizabeth's sister, Sarah Upshur Teackle Bancker, Henrietta Bancker, Aunt Hetty (Esther Maria Fisher Teackle), and Messrs. Blair from the Maryland House of Delegates. \u003c/p\u003e\n","\u003cp\u003eThe legal document, dated 1801, is from Littleton Dennis Teackle, recording his moving two enslaved women, Sarah alias Sally and Nanny alias Nancy, from Virginia to Maryland. The rest are letters dated between 1807 and 1835, primarily to family members. One included letter is from John Teackle to his granddaughter Henrietta Bancker, dated 1815 and postmarked to Chestnut Street, Philidelphia, is a photocopy of an original not present in this collection. The eight remaining letters are originals, postmarked on their exterior. \u003c/p\u003e\n","\u003cp\u003eThese letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The larger collection consists of the original materials and 7 additions including the most recent one represented in this finding aid. ","In this addition, ViU-2017-0179, are six  Elizabeth Upshur Teackle  letters with transcriptions. Five letters are written by Mrs. Teackle, and one is addressed to Mrs. Teackle from  William Wirt , esquire. In the letters Mrs. Teackle mainly discusses the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return home of her husband from prison and some of their experiences after his return, as well as her desire to see her family.","Addition ViU-2024-0134 has its own scope and content note and bio note. It contains a handwritten document listing enslaved people and 8 letters among family members particular the Teackle and Bancker family members.","The records for the rest of the collection can be found here:","MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871 -  Quinby ,  Teackle , and  Upshur  families of  Somerset County ,  Maryland , and  Accomack  and  Northampton  Counties,  Virginia  papers: \n https://search.lib.virginia.edu/sources/uva_library/items/u3928667","MSS 2338-c - Papers of the  Quinby Family : \n https://search.lib.virginia.edu/sources/uva_library/items/u3928668","MSS 2338-d -  Accomack County , Land Patent: \n https://search.lib.virginia.edu/sources/uva_library/items/u4367998","MSS 2338-e - Genealogy of the  Evans Family : \n https://search.lib.virginia.edu/sources/uva_library/items/u3927001","MSS 2338-f - Letter to  Mary Emma Justis Sturgis : \n https://search.lib.virginia.edu/sources/uva_library/items/u2674611 http://ead.lib.virginia.edu/vivaead/published/uva-sc/vivadoc.pl?file=viu00995.xml","1825  and  1842  letters from  Henry Clay  to  Littleton Teackle  and  Aaron Quinby  (2 folders) interfiled in the Henry Clay Papers","An  1826 Mar 29  letter from  James Madison  to  Littleton Teakle  (1 folder) interfiled in the James Madison Papers.","Six  Elizabeth Upshur Teackle  letters with transcriptions, one of which is addressed to Mrs. Teackle from William Wirt, esquire. Mrs. Teackle in the letters mainly discuss the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return of her husband from prison and some of their experiences after, as well as her desire to see her family.","These letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/","In this letter Mrs. Teackle includes a copy of a June 1822 letter in her own hand.","This addition (ViU-2024-0134) to MSS 2338, Quinby, Teackle, and Upshur Families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers includes one legal document and eight handwritten letters from the Teackle and Bancker family. Correspondents are Elizabeth Dennis Teackle Montgomery, Littleton Dennis Teackle, John Teackle, and William White Bancker. Letter recipients are Elizabeth's sister, Sarah Upshur Teackle Bancker, Henrietta Bancker, Aunt Hetty (Esther Maria Fisher Teackle), and Messrs. Blair from the Maryland House of Delegates. ","The legal document, dated 1801, is from Littleton Dennis Teackle, recording his moving two enslaved women, Sarah alias Sally and Nanny alias Nancy, from Virginia to Maryland. The rest are letters dated between 1807 and 1835, primarily to family members. One included letter is from John Teackle to his granddaughter Henrietta Bancker, dated 1815 and postmarked to Chestnut Street, Philidelphia, is a photocopy of an original not present in this collection. The eight remaining letters are originals, postmarked on their exterior. ","These letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/"],"userestrict_html_tesm":["\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e","\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["This collection contains some in-copyright material. Visit our Permissions and Publishing page https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"names_ssim":["Albert and Shirley Small Special Collections Library","Quinby","Teackle","Upshur","Quinby Family","Evans Family","Elizabeth Upshur Teackle","William Wirt","Mary Emma Justis Sturgis","Henry Clay","Littleton Teackle","Aaron Quinby","James Madison","Littleton Teakle","Teackle, John, 1756-1817"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"famname_ssim":["Quinby","Teackle","Upshur","Quinby Family","Evans Family"],"persname_ssim":["Elizabeth Upshur Teackle","William Wirt","Mary Emma Justis Sturgis","Henry Clay","Littleton Teackle","Aaron Quinby","James Madison","Littleton Teakle","Teackle, John, 1756-1817"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":17,"online_item_count_is":6,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:50:00.935Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1655","ead_ssi":"viu_repositories_3_resources_1655","_root_":"viu_repositories_3_resources_1655","_nest_parent_":"viu_repositories_3_resources_1655","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1655.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/196559","title_filing_ssi":"Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia papers","title_ssm":["Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers"],"title_tesim":["Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers"],"unitdate_ssm":["1713-1977"],"unitdate_inclusive_ssm":["1713-1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2338","Archival Resource Key","/repositories/3/resources/1655"],"text":["MSS 2338","Archival Resource Key","/repositories/3/resources/1655","Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers","United States -- History -- War of 1812","University of Virginia","Legal correspondence","letters (correspondence)","family papers","photographs","Good","This collection is open for research.","This collection is open for research.","The overall collection is arranged sequentially in order by its different accretions, except the MSS 2871 material, which is interfiled among the first three. Accretions: MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f.","The most recent addition (ViU-2017-0179) that is represented in this finding aid is arranged chronologically.","The collection centers around the family of John Teackle of Kegotank (1753-1817) and his wife Elizabeth Dennis Teackle (1760-1811) and their children  from the Eastern Shore (Somerset County and Accomack County of Maryland). Their granddaughter, Elizabeth Ann Teackle (daughter of their son Littleton Dennis Teackle (1777-1848) and his wife Elizabeth \"Eliza\" Upshur (1783-1835), married Aaron Balderston Quinby in 1839.","Both families came to Virginia and Maryland from Great Britain around the same time, were owners of enslaved people and were probably related through cousins.  Genealogy: Arthur Upshur (1624-1709) was born in Essex County, England. He immigrated to the Eastern Shore of Virginia about 1637. His descendants for the next five generations remained on the Eastern Shore.  The Teackle family goes back to Thomas Teackle (1624-1695) who came to the Eastern Shore from Gloucester, England. They are related to the Admiral Lord Nelson (1758-1805) who fought in the Battle of Trafalgar. ","The collection is reparative in that Elizabeth Upshur Teackle was an exemplary independent woman and poet. It is also reparative because the Teackle family enslaved many people, who are mentioned in the letters. ","The Voices of the Eastern Shore project headed by Dreanna Belden sums it up well, \"Topics such as: slavery, women's history, home life, the economy, the War of 1812, social life, religion, health, and death – the letters encompass virtually every aspect of society that informs our understanding of the era.\" ","Children of John Teackle of Kegotank,Maryland and Elizabeth Dennis: \nLittleton Dennis Teackle (1777-1848) m. Eliza Upshur (1783-1835)\nSarah Upshur Teackle Bancker (1783-183)\nHenrietta (Hetty) Teackle Chauncey (1780-1832)\nElizabeth Dennis Teackle Montgomery (1786-1823)\nHenry Dennis Teackle (1786-1807)\nJohn Justice Teackle (1790-1824)\nEsther (Hetty)  Maria Fisher Teackle (1795-1840)\nJames Henry Dennis Teackle (1796-1840)","Ann Upsher Eyre,sister of Elizabeth Upshur Teackle (1780-1829) lived at Eyre Hall with her husband John Eyre.","Sources:\nUpshur, John, A. \"Upshur Family in Virginia\" Omohundro Institute of Early American History and Culture is collaborating with JSTOR to digitize,preserve and extend access to The William and Mary College Quarterly Historical Magazine\nhttps://www.jstor.org/stable/1923340?seq=2","Digitized letters by the Voices of the Eastern Shore and was provided by the Albert and Shirley Small Special Collections Library to The Portal to Texas History, a digital repository hosted by the UNT Libraries. \nhttps://voicesoftheeasternshore.org/","Item level description for this addition ViU-2017-0179 was created so that digitized copies of the documents can be accessed.","MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f MSS 2871","These letters have been digitized and are online at Voices for the Eastern Shore. https://texashistory.unt.edu/explore/collections/VOESH/","This letter has been digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries","https://texashistory.unt.edu/ark:/67531/metapth1618897/?q=elizabeth%20upshur%20teackle%20to%20sarah%20teackle%20bancker","This letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/ark:/67531/metapth1618900/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/ark:/67531/metapth1618898/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\nhttps://texashistory.unt.edu/ark:/67531/metapth1618901/?q=john%20teackle%20to%20sarah%20teackle%20bancker","This letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/explore/collections/VOESH/browse/?q=william+white+bancker+to+aunt+hetty\u0026t=fulltext\u0026sort=","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries","https://texashistory.unt.edu/ark:/67531/metapth1711690/?q=littleton%20dennis","The larger collection consists of the original materials and 7 additions including the most recent one represented in this finding aid. ","In this addition, ViU-2017-0179, are six  Elizabeth Upshur Teackle  letters with transcriptions. Five letters are written by Mrs. Teackle, and one is addressed to Mrs. Teackle from  William Wirt , esquire. In the letters Mrs. Teackle mainly discusses the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return home of her husband from prison and some of their experiences after his return, as well as her desire to see her family.","Addition ViU-2024-0134 has its own scope and content note and bio note. It contains a handwritten document listing enslaved people and 8 letters among family members particular the Teackle and Bancker family members.","The records for the rest of the collection can be found here:","MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871 -  Quinby ,  Teackle , and  Upshur  families of  Somerset County ,  Maryland , and  Accomack  and  Northampton  Counties,  Virginia  papers: \n https://search.lib.virginia.edu/sources/uva_library/items/u3928667","MSS 2338-c - Papers of the  Quinby Family : \n https://search.lib.virginia.edu/sources/uva_library/items/u3928668","MSS 2338-d -  Accomack County , Land Patent: \n https://search.lib.virginia.edu/sources/uva_library/items/u4367998","MSS 2338-e - Genealogy of the  Evans Family : \n https://search.lib.virginia.edu/sources/uva_library/items/u3927001","MSS 2338-f - Letter to  Mary Emma Justis Sturgis : \n https://search.lib.virginia.edu/sources/uva_library/items/u2674611 http://ead.lib.virginia.edu/vivaead/published/uva-sc/vivadoc.pl?file=viu00995.xml","1825  and  1842  letters from  Henry Clay  to  Littleton Teackle  and  Aaron Quinby  (2 folders) interfiled in the Henry Clay Papers","An  1826 Mar 29  letter from  James Madison  to  Littleton Teakle  (1 folder) interfiled in the James Madison Papers.","Six  Elizabeth Upshur Teackle  letters with transcriptions, one of which is addressed to Mrs. Teackle from William Wirt, esquire. Mrs. Teackle in the letters mainly discuss the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return of her husband from prison and some of their experiences after, as well as her desire to see her family.","These letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/","In this letter Mrs. Teackle includes a copy of a June 1822 letter in her own hand.","This addition (ViU-2024-0134) to MSS 2338, Quinby, Teackle, and Upshur Families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers includes one legal document and eight handwritten letters from the Teackle and Bancker family. Correspondents are Elizabeth Dennis Teackle Montgomery, Littleton Dennis Teackle, John Teackle, and William White Bancker. Letter recipients are Elizabeth's sister, Sarah Upshur Teackle Bancker, Henrietta Bancker, Aunt Hetty (Esther Maria Fisher Teackle), and Messrs. Blair from the Maryland House of Delegates. ","The legal document, dated 1801, is from Littleton Dennis Teackle, recording his moving two enslaved women, Sarah alias Sally and Nanny alias Nancy, from Virginia to Maryland. The rest are letters dated between 1807 and 1835, primarily to family members. One included letter is from John Teackle to his granddaughter Henrietta Bancker, dated 1815 and postmarked to Chestnut Street, Philidelphia, is a photocopy of an original not present in this collection. The eight remaining letters are originals, postmarked on their exterior. ","These letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/","This collection contains some in-copyright material. Visit our Permissions and Publishing page https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","Quinby","Teackle","Upshur","Quinby Family","Evans Family","Elizabeth Upshur Teackle","William Wirt","Mary Emma Justis Sturgis","Henry Clay","Littleton Teackle","Aaron Quinby","James Madison","Littleton Teakle","Teackle, John, 1756-1817","English"],"unitid_tesim":["MSS 2338","Archival Resource Key","/repositories/3/resources/1655"],"normalized_title_ssm":["Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers"],"collection_title_tesim":["Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers"],"collection_ssim":["Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States -- History -- War of 1812"],"geogname_ssim":["United States -- History -- War of 1812"],"places_ssim":["United States -- History -- War of 1812"],"access_terms_ssm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"acqinfo_ssim":["Gift, 2017 August 19"],"access_subjects_ssim":["University of Virginia","Legal correspondence","letters (correspondence)","family papers","photographs"],"access_subjects_ssm":["University of Virginia","Legal correspondence","letters (correspondence)","family papers","photographs"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good"],"extent_ssm":["4.44 Cubic Feet 7 legal-size document boxes, 17 legal-size folders, 1  legal size folder for addition ViU-2024-0134, 2 large oversize folders. Includes 2 legal-sized folders in the Henry Clay Papers (1825 \u0026 1842 letters from Clay to Littleton Teackle and Aaron Quinby); and 1 legal-sized folder in the James Madison Papers (1826 Mar 29 letter from Madison to Littleton Teackle)."],"extent_tesim":["4.44 Cubic Feet 7 legal-size document boxes, 17 legal-size folders, 1  legal size folder for addition ViU-2024-0134, 2 large oversize folders. Includes 2 legal-sized folders in the Henry Clay Papers (1825 \u0026 1842 letters from Clay to Littleton Teackle and Aaron Quinby); and 1 legal-sized folder in the James Madison Papers (1826 Mar 29 letter from Madison to Littleton Teackle)."],"genreform_ssim":["Legal correspondence","letters (correspondence)","family papers","photographs"],"date_range_isim":[1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research.","This collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe overall collection is arranged sequentially in order by its different accretions, except the MSS 2871 material, which is interfiled among the first three. Accretions: MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f.\u003c/p\u003e\n","\u003cp\u003eThe most recent addition (ViU-2017-0179) that is represented in this finding aid is arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The overall collection is arranged sequentially in order by its different accretions, except the MSS 2871 material, which is interfiled among the first three. Accretions: MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f.","The most recent addition (ViU-2017-0179) that is represented in this finding aid is arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eThe collection centers around the family of John Teackle of Kegotank (1753-1817) and his wife Elizabeth Dennis Teackle (1760-1811) and their children  from the Eastern Shore (Somerset County and Accomack County of Maryland). Their granddaughter, Elizabeth Ann Teackle (daughter of their son Littleton Dennis Teackle (1777-1848) and his wife Elizabeth \"Eliza\" Upshur (1783-1835), married Aaron Balderston Quinby in 1839.\u003c/p\u003e\n","\u003cp\u003eBoth families came to Virginia and Maryland from Great Britain around the same time, were owners of enslaved people and were probably related through cousins.  Genealogy: Arthur Upshur (1624-1709) was born in Essex County, England. He immigrated to the Eastern Shore of Virginia about 1637. His descendants for the next five generations remained on the Eastern Shore.  The Teackle family goes back to Thomas Teackle (1624-1695) who came to the Eastern Shore from Gloucester, England. They are related to the Admiral Lord Nelson (1758-1805) who fought in the Battle of Trafalgar. \u003c/p\u003e\n","\u003cp\u003eThe collection is reparative in that Elizabeth Upshur Teackle was an exemplary independent woman and poet. It is also reparative because the Teackle family enslaved many people, who are mentioned in the letters. \u003c/p\u003e\n","\u003cp\u003eThe Voices of the Eastern Shore project headed by Dreanna Belden sums it up well, \"Topics such as: slavery, women's history, home life, the economy, the War of 1812, social life, religion, health, and death – the letters encompass virtually every aspect of society that informs our understanding of the era.\" \u003c/p\u003e\n","\u003cp\u003eChildren of John Teackle of Kegotank,Maryland and Elizabeth Dennis: \nLittleton Dennis Teackle (1777-1848) m. Eliza Upshur (1783-1835)\nSarah Upshur Teackle Bancker (1783-183)\nHenrietta (Hetty) Teackle Chauncey (1780-1832)\nElizabeth Dennis Teackle Montgomery (1786-1823)\nHenry Dennis Teackle (1786-1807)\nJohn Justice Teackle (1790-1824)\nEsther (Hetty)  Maria Fisher Teackle (1795-1840)\nJames Henry Dennis Teackle (1796-1840)\u003c/p\u003e\n","\u003cp\u003eAnn Upsher Eyre,sister of Elizabeth Upshur Teackle (1780-1829) lived at Eyre Hall with her husband John Eyre.\u003c/p\u003e\n","\u003cp\u003eSources:\nUpshur, John, A. \"Upshur Family in Virginia\" Omohundro Institute of Early American History and Culture is collaborating with JSTOR to digitize,preserve and extend access to The William and Mary College Quarterly Historical Magazine\nhttps://www.jstor.org/stable/1923340?seq=2\u003c/p\u003e\n","\u003cp\u003eDigitized letters by the Voices of the Eastern Shore and was provided by the Albert and Shirley Small Special Collections Library to The Portal to Texas History, a digital repository hosted by the UNT Libraries. \nhttps://voicesoftheeasternshore.org/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The collection centers around the family of John Teackle of Kegotank (1753-1817) and his wife Elizabeth Dennis Teackle (1760-1811) and their children  from the Eastern Shore (Somerset County and Accomack County of Maryland). Their granddaughter, Elizabeth Ann Teackle (daughter of their son Littleton Dennis Teackle (1777-1848) and his wife Elizabeth \"Eliza\" Upshur (1783-1835), married Aaron Balderston Quinby in 1839.","Both families came to Virginia and Maryland from Great Britain around the same time, were owners of enslaved people and were probably related through cousins.  Genealogy: Arthur Upshur (1624-1709) was born in Essex County, England. He immigrated to the Eastern Shore of Virginia about 1637. His descendants for the next five generations remained on the Eastern Shore.  The Teackle family goes back to Thomas Teackle (1624-1695) who came to the Eastern Shore from Gloucester, England. They are related to the Admiral Lord Nelson (1758-1805) who fought in the Battle of Trafalgar. ","The collection is reparative in that Elizabeth Upshur Teackle was an exemplary independent woman and poet. It is also reparative because the Teackle family enslaved many people, who are mentioned in the letters. ","The Voices of the Eastern Shore project headed by Dreanna Belden sums it up well, \"Topics such as: slavery, women's history, home life, the economy, the War of 1812, social life, religion, health, and death – the letters encompass virtually every aspect of society that informs our understanding of the era.\" ","Children of John Teackle of Kegotank,Maryland and Elizabeth Dennis: \nLittleton Dennis Teackle (1777-1848) m. Eliza Upshur (1783-1835)\nSarah Upshur Teackle Bancker (1783-183)\nHenrietta (Hetty) Teackle Chauncey (1780-1832)\nElizabeth Dennis Teackle Montgomery (1786-1823)\nHenry Dennis Teackle (1786-1807)\nJohn Justice Teackle (1790-1824)\nEsther (Hetty)  Maria Fisher Teackle (1795-1840)\nJames Henry Dennis Teackle (1796-1840)","Ann Upsher Eyre,sister of Elizabeth Upshur Teackle (1780-1829) lived at Eyre Hall with her husband John Eyre.","Sources:\nUpshur, John, A. \"Upshur Family in Virginia\" Omohundro Institute of Early American History and Culture is collaborating with JSTOR to digitize,preserve and extend access to The William and Mary College Quarterly Historical Magazine\nhttps://www.jstor.org/stable/1923340?seq=2","Digitized letters by the Voices of the Eastern Shore and was provided by the Albert and Shirley Small Special Collections Library to The Portal to Texas History, a digital repository hosted by the UNT Libraries. \nhttps://voicesoftheeasternshore.org/"],"otherfindaid_html_tesm":["\u003cp\u003e\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3928667\u003c/extref\u003e; \u003c/p\u003e\n","\u003cp\u003e\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3928668\u003c/extref\u003e; \u003c/p\u003e\n","\u003cp\u003e\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u4367998\u003c/extref\u003e; \u003c/p\u003e\n","\u003cp\u003e\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3927001\u003c/extref\u003e; \u003c/p\u003e\n","\u003cp\u003e\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u2674611\u003c/extref\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["https://search.lib.virginia.edu/sources/uva_library/items/u3928667 ; ","https://search.lib.virginia.edu/sources/uva_library/items/u3928668 ; ","https://search.lib.virginia.edu/sources/uva_library/items/u4367998 ; ","https://search.lib.virginia.edu/sources/uva_library/items/u3927001 ; ","https://search.lib.virginia.edu/sources/uva_library/items/u2674611"],"prefercite_html_tesm":["\u003cp\u003eMSS 2338, Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia papers, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e","\u003cp\u003eMSS 2338, Teackle and Bancker family papers, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 2338, Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia papers, Albert and Shirley Small Special Collections Library, University of Virginia.","MSS 2338, Teackle and Bancker family papers, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"processinfo_html_tesm":["\u003cp\u003eItem level description for this addition ViU-2017-0179 was created so that digitized copies of the documents can be accessed.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Item level description for this addition ViU-2017-0179 was created so that digitized copies of the documents can be accessed."],"relatedmaterial_html_tesm":["\u003cp\u003eMSS 2338, MSS 2338-a, MSS 2338-b, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f MSS 2871\u003c/p\u003e\n","\u003cp\u003eThese letters have been digitized and are online at Voices for the Eastern Shore. https://texashistory.unt.edu/explore/collections/VOESH/\u003c/p\u003e","\u003cp\u003eThis letter has been digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries\u003c/p\u003e\n","\u003cp\u003ehttps://texashistory.unt.edu/ark:/67531/metapth1618897/?q=elizabeth%20upshur%20teackle%20to%20sarah%20teackle%20bancker\u003c/p\u003e","\u003cp\u003eThis letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\u003c/p\u003e\n","\u003cp\u003ehttps://texashistory.unt.edu/ark:/67531/metapth1618900/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker\u003c/p\u003e","\u003cp\u003eThis letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\u003c/p\u003e\n","\u003cp\u003ehttps://texashistory.unt.edu/ark:/67531/metapth1618898/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker\u003c/p\u003e","\u003cp\u003eThis letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\nhttps://texashistory.unt.edu/ark:/67531/metapth1618901/?q=john%20teackle%20to%20sarah%20teackle%20bancker\u003c/p\u003e","\u003cp\u003eThis letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\u003c/p\u003e\n","\u003cp\u003ehttps://texashistory.unt.edu/explore/collections/VOESH/browse/?q=william+white+bancker+to+aunt+hetty\u0026amp;t=fulltext\u0026amp;sort=\u003c/p\u003e","\u003cp\u003eThis letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries\u003c/p\u003e\n","\u003cp\u003ehttps://texashistory.unt.edu/ark:/67531/metapth1711690/?q=littleton%20dennis\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f MSS 2871","These letters have been digitized and are online at Voices for the Eastern Shore. https://texashistory.unt.edu/explore/collections/VOESH/","This letter has been digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries","https://texashistory.unt.edu/ark:/67531/metapth1618897/?q=elizabeth%20upshur%20teackle%20to%20sarah%20teackle%20bancker","This letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/ark:/67531/metapth1618900/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/ark:/67531/metapth1618898/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\nhttps://texashistory.unt.edu/ark:/67531/metapth1618901/?q=john%20teackle%20to%20sarah%20teackle%20bancker","This letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/explore/collections/VOESH/browse/?q=william+white+bancker+to+aunt+hetty\u0026t=fulltext\u0026sort=","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries","https://texashistory.unt.edu/ark:/67531/metapth1711690/?q=littleton%20dennis"],"scopecontent_html_tesm":["\u003cp\u003eThe larger collection consists of the original materials and 7 additions including the most recent one represented in this finding aid. \u003c/p\u003e\n","\u003cp\u003eIn this addition, ViU-2017-0179, are six \u003cpersname\u003eElizabeth Upshur Teackle\u003c/persname\u003e letters with transcriptions. Five letters are written by Mrs. Teackle, and one is addressed to Mrs. Teackle from \u003cpersname\u003eWilliam Wirt\u003c/persname\u003e, esquire. In the letters Mrs. Teackle mainly discusses the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return home of her husband from prison and some of their experiences after his return, as well as her desire to see her family.\u003c/p\u003e\n","\u003cp\u003eAddition ViU-2024-0134 has its own scope and content note and bio note. It contains a handwritten document listing enslaved people and 8 letters among family members particular the Teackle and Bancker family members.\u003c/p\u003e\n","\u003cp\u003eThe records for the rest of the collection can be found here:\u003c/p\u003e\n","\u003cp\u003eMSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871 - \u003cfamname\u003eQuinby\u003c/famname\u003e, \u003cfamname\u003eTeackle\u003c/famname\u003e, and \u003cfamname\u003eUpshur\u003c/famname\u003e families of \u003cgeogname\u003eSomerset County\u003c/geogname\u003e, \u003cgeogname\u003eMaryland\u003c/geogname\u003e, and \u003cgeogname\u003eAccomack\u003c/geogname\u003e and \u003cgeogname\u003eNorthampton\u003c/geogname\u003e Counties, \u003cgeogname\u003eVirginia\u003c/geogname\u003e papers: \n\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3928667\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eMSS 2338-c - Papers of the \u003cfamname\u003eQuinby Family\u003c/famname\u003e: \n\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3928668\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eMSS 2338-d - \u003cgeogname\u003eAccomack County\u003c/geogname\u003e, Land Patent: \n\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u4367998\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eMSS 2338-e - Genealogy of the \u003cfamname\u003eEvans Family\u003c/famname\u003e: \n\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3927001\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eMSS 2338-f - Letter to \u003cpersname\u003eMary Emma Justis Sturgis\u003c/persname\u003e: \n\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u2674611\u003c/extref\u003e\n\u003cextref\u003ehttp://ead.lib.virginia.edu/vivaead/published/uva-sc/vivadoc.pl?file=viu00995.xml\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cdate\u003e1825\u003c/date\u003e and \u003cdate\u003e1842\u003c/date\u003e letters from \u003cpersname\u003eHenry Clay\u003c/persname\u003e to \u003cpersname\u003eLittleton Teackle\u003c/persname\u003e and \u003cpersname\u003eAaron Quinby\u003c/persname\u003e (2 folders) interfiled in the Henry Clay Papers\u003c/p\u003e\n","\u003cp\u003eAn \u003cdate\u003e1826 Mar 29\u003c/date\u003e letter from \u003cpersname\u003eJames Madison\u003c/persname\u003e to \u003cpersname\u003eLittleton Teakle\u003c/persname\u003e (1 folder) interfiled in the James Madison Papers.\u003c/p\u003e","\u003cp\u003eSix \u003cpersname\u003eElizabeth Upshur Teackle\u003c/persname\u003e letters with transcriptions, one of which is addressed to Mrs. Teackle from William Wirt, esquire. Mrs. Teackle in the letters mainly discuss the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return of her husband from prison and some of their experiences after, as well as her desire to see her family.\u003c/p\u003e\n","\u003cp\u003eThese letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/\u003c/p\u003e","\u003cp\u003eIn this letter Mrs. Teackle includes a copy of a June 1822 letter in her own hand.\u003c/p\u003e","\u003cp\u003eThis addition (ViU-2024-0134) to MSS 2338, Quinby, Teackle, and Upshur Families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers includes one legal document and eight handwritten letters from the Teackle and Bancker family. Correspondents are Elizabeth Dennis Teackle Montgomery, Littleton Dennis Teackle, John Teackle, and William White Bancker. Letter recipients are Elizabeth's sister, Sarah Upshur Teackle Bancker, Henrietta Bancker, Aunt Hetty (Esther Maria Fisher Teackle), and Messrs. Blair from the Maryland House of Delegates. \u003c/p\u003e\n","\u003cp\u003eThe legal document, dated 1801, is from Littleton Dennis Teackle, recording his moving two enslaved women, Sarah alias Sally and Nanny alias Nancy, from Virginia to Maryland. The rest are letters dated between 1807 and 1835, primarily to family members. One included letter is from John Teackle to his granddaughter Henrietta Bancker, dated 1815 and postmarked to Chestnut Street, Philidelphia, is a photocopy of an original not present in this collection. The eight remaining letters are originals, postmarked on their exterior. \u003c/p\u003e\n","\u003cp\u003eThese letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The larger collection consists of the original materials and 7 additions including the most recent one represented in this finding aid. ","In this addition, ViU-2017-0179, are six  Elizabeth Upshur Teackle  letters with transcriptions. Five letters are written by Mrs. Teackle, and one is addressed to Mrs. Teackle from  William Wirt , esquire. In the letters Mrs. Teackle mainly discusses the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return home of her husband from prison and some of their experiences after his return, as well as her desire to see her family.","Addition ViU-2024-0134 has its own scope and content note and bio note. It contains a handwritten document listing enslaved people and 8 letters among family members particular the Teackle and Bancker family members.","The records for the rest of the collection can be found here:","MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871 -  Quinby ,  Teackle , and  Upshur  families of  Somerset County ,  Maryland , and  Accomack  and  Northampton  Counties,  Virginia  papers: \n https://search.lib.virginia.edu/sources/uva_library/items/u3928667","MSS 2338-c - Papers of the  Quinby Family : \n https://search.lib.virginia.edu/sources/uva_library/items/u3928668","MSS 2338-d -  Accomack County , Land Patent: \n https://search.lib.virginia.edu/sources/uva_library/items/u4367998","MSS 2338-e - Genealogy of the  Evans Family : \n https://search.lib.virginia.edu/sources/uva_library/items/u3927001","MSS 2338-f - Letter to  Mary Emma Justis Sturgis : \n https://search.lib.virginia.edu/sources/uva_library/items/u2674611 http://ead.lib.virginia.edu/vivaead/published/uva-sc/vivadoc.pl?file=viu00995.xml","1825  and  1842  letters from  Henry Clay  to  Littleton Teackle  and  Aaron Quinby  (2 folders) interfiled in the Henry Clay Papers","An  1826 Mar 29  letter from  James Madison  to  Littleton Teakle  (1 folder) interfiled in the James Madison Papers.","Six  Elizabeth Upshur Teackle  letters with transcriptions, one of which is addressed to Mrs. Teackle from William Wirt, esquire. Mrs. Teackle in the letters mainly discuss the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return of her husband from prison and some of their experiences after, as well as her desire to see her family.","These letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/","In this letter Mrs. Teackle includes a copy of a June 1822 letter in her own hand.","This addition (ViU-2024-0134) to MSS 2338, Quinby, Teackle, and Upshur Families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers includes one legal document and eight handwritten letters from the Teackle and Bancker family. Correspondents are Elizabeth Dennis Teackle Montgomery, Littleton Dennis Teackle, John Teackle, and William White Bancker. Letter recipients are Elizabeth's sister, Sarah Upshur Teackle Bancker, Henrietta Bancker, Aunt Hetty (Esther Maria Fisher Teackle), and Messrs. Blair from the Maryland House of Delegates. ","The legal document, dated 1801, is from Littleton Dennis Teackle, recording his moving two enslaved women, Sarah alias Sally and Nanny alias Nancy, from Virginia to Maryland. The rest are letters dated between 1807 and 1835, primarily to family members. One included letter is from John Teackle to his granddaughter Henrietta Bancker, dated 1815 and postmarked to Chestnut Street, Philidelphia, is a photocopy of an original not present in this collection. The eight remaining letters are originals, postmarked on their exterior. ","These letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/"],"userestrict_html_tesm":["\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e","\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["This collection contains some in-copyright material. Visit our Permissions and Publishing page https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"names_ssim":["Albert and Shirley Small Special Collections Library","Quinby","Teackle","Upshur","Quinby Family","Evans Family","Elizabeth Upshur Teackle","William Wirt","Mary Emma Justis Sturgis","Henry Clay","Littleton Teackle","Aaron Quinby","James Madison","Littleton Teakle","Teackle, John, 1756-1817"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"famname_ssim":["Quinby","Teackle","Upshur","Quinby Family","Evans Family"],"persname_ssim":["Elizabeth Upshur Teackle","William Wirt","Mary Emma Justis Sturgis","Henry Clay","Littleton Teackle","Aaron Quinby","James Madison","Littleton Teakle","Teackle, John, 1756-1817"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":17,"online_item_count_is":6,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:50:00.935Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1655"}},{"id":"vimtvl_repositories_4_resources_62","type":"collection","attributes":{"title":"Sarah Tracy Collection","creator":{"id":"https://arvasarchive.org/catalog/vimtvl_repositories_4_resources_62#creator","type":"document_value","attributes":{"value":"Tracy, Sarah, 1820-1896","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vimtvl_repositories_4_resources_62#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eCollection of 80 photographs which belonged to Miss Sarah C. Tracy (later Mrs. Upton H. Herbert), resident secretary at Mount Vernon during the Civil War years. The pictures most of which are cartes de visite were collected by Miss Tracy; some were obviously presented to her, after the fashion of the day, and are inscribed. Besides the one of herself there are three of Mount Vernon which must date from the years of her residence. Others include Leeds Castle, the English seat of Thomas, Lord Fairfax; the President's House at the Soldiers' Home, Washington, D.C.; the Milwaukee residence of Mrs. Mitchell, Vice-Regent for Wisconsin; General Winfield Scott; General George B. McClellan; W. W. Corcoran of Washington, D.C.; George W. Riggs, Treasurer of the Association; Lord Fairfax; Prince Napoleon; Louis de Geofroy (of the French Legation, who accompanied Price Napoleon to Mount Vernon in August, 1861), inscribed; and Miss Nettie Chase, daughter of Hon. Salmon P. Chase of the Lincoln Cabinet. Also included are pictures of others, chiefly celebrated figures of the nineteenth century; these were probably acquired through gift or purchases, and not presented by the subjects themselves. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vimtvl_repositories_4_resources_62#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vimtvl_repositories_4_resources_62","ead_ssi":"vimtvl_repositories_4_resources_62","_root_":"vimtvl_repositories_4_resources_62","_nest_parent_":"vimtvl_repositories_4_resources_62","ead_source_url_ssi":"data/oai/MV/repositories_4_resources_62.xml","title_ssm":["Sarah Tracy Collection"],"title_tesim":["Sarah Tracy Collection"],"unitdate_ssm":["1859-1868"],"unitdate_inclusive_ssm":["1859-1868"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["STC"],"text":["STC","Sarah Tracy Collection","Cartes de visite","The arrangement of the collection is divided between people (identified and unidentified) and places; and then arranged in alphabetical order.","Sarah Tracy was the secretary to the regent of the Mount Vernon Ladies' Association, Ann Pamela Cunningham of South Carolina. As the Civil War was descending on the nation, Sarah Tracy (and her sister as chaperone) moved into Mount Vernon to protect the estate and ensure absolute neutrality. This was a troubling time on the estate and at one point, she braved barricades, destroyed roads, and a night in a commandeered house, for promises of neutrality and supplies from General McClellan. For eight years, she served as doctor and manager at Mount Vernon while selling flowers, produce, and jewelry which she made out of coffee beans in order to raise money. The Ladies Association also appointed a Superintendent to care for the estate, Upton Herbert, who was trapped at Mount Vernon through the war. After Miss Tracy resigned in 1868, she married Mr. Herbert and they passed on the care of George Washington's home to make their own home together in Burke, Virginia.","Biography extracted from: Mount Vernon Education Department,\n\"Love \u0026 War at Mount Vernon\" in George Washington Wired, June 30, 2009","2 copies","Collection of 80 photographs which belonged to Miss Sarah C. Tracy (later Mrs. Upton H. Herbert), resident secretary at Mount Vernon during the Civil War years. The pictures most of which are cartes de visite were collected by Miss Tracy; some were obviously presented to her, after the fashion of the day, and are inscribed. Besides the one of herself there are three of Mount Vernon which must date from the years of her residence. Others include Leeds Castle, the English seat of Thomas, Lord Fairfax; the President's House at the Soldiers' Home, Washington, D.C.; the Milwaukee residence of Mrs. Mitchell, Vice-Regent for Wisconsin; General Winfield Scott; General George B. McClellan; W. W. Corcoran of Washington, D.C.; George W. Riggs, Treasurer of the Association; Lord Fairfax; Prince Napoleon; Louis de Geofroy (of the French Legation, who accompanied Price Napoleon to Mount Vernon in August, 1861), inscribed; and Miss Nettie Chase, daughter of Hon. Salmon P. Chase of the Lincoln Cabinet. Also included are pictures of others, chiefly celebrated figures of the nineteenth century; these were probably acquired through gift or purchases, and not presented by the subjects themselves. ","Gift of Miss Tracy's great-niece, Miss Caro Arnold of Montclair, N. J., 1953","Traveled with Prince Napoleon during his visit to Mount Vernon on August 6, 1861.","Sister of Sarah Tracy, \"Aunty Caro\"","This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration From before access is provided. The library reserves the right to restrict access to certain material for preservation purposes.","Material can be reproduced for study or personal use upon written approval from library staff.","Photo Archives of the Mount Vernon Ladies' Association","C. R. Rees and Bro. (Richmond, Va.)","Charles Taber \u0026 Co.","Mount Vernon Ladies' Association of the Union","E. \u0026 H.T. Anthony (Firm)","W. \u0026 D. Downey","Philip \u0026 Solomons","Charles D. Fredricks \u0026 Co.","Whitehurst Gallery (Washington, D.C.)","Silsbee, Case \u0026 Co. (Boston)","Franklin \u0026 Co. (Washington, D. C.)","Beniczky \u0026 Co. (New York)","The New York Photograph Co.","Anderson's Photographic Gallery","Bendann Bros.","Tracy, Sarah, 1820-1896","Baldwin, Charles H., 1822-1888","Ulke, Henry, 1821-1910","Barnes, Joseph K., 1817-1883","Brady, Mathew B., approximately 1823-1896","Butler, Benjamin F. (Benjamin Franklin), 1818-1893","Cavour, Camillo Benso, conte di, 1810-1861","Chase, Abby Wheaton Pearce, 1816-1892","Loeffler, J. (John Jacob), 1834-1901","Hoyt, Janet Ralston Chase, 1847-1925","Chase, Salmon P.  (Salmon Portland), 1808-1873","Chase, H. L., 1831-1901","Coan, Titus, 1801-1882","Levitsky, 1819-1898","Corcoran, W.W. (William Wilson), 1798-1888","Davis, Jefferson, 1808-1889","Davis, Varina, 1826-1906","Smith-Stanley, Edward, 1752-1834","Glosser, Henry","Hunter, R. M. T. (Robert Mercer Taliaferro), 1809-1887","Lee, Robert E.  (Robert Edward), 1807-1870","Lee, George Washington Custis, 1832-1913","Taylor, Walter Herron, 1838-1916","Gardner, Alexander, 1821-1882","Lincoln, Abraham, 1809-1865","Lincoln, Mary Todd, 1818-1882","Lincoln, Robert Todd, 1843-1926","Lincoln, Thomas, 1853-1871","Bowron, G. J.","de Geofroy, Louis","Johnson, Andrew, 1808-1875","Keith, Clarence","McClellan, George B.  (George Brinton), 1826-1885","Napier, Francis, Baron Napier and Ettrick, 1819-1898","Napier, Anne Jane Charlotte Lockwood, 1823-1911","Napier, William John George, 1846-1913","Napier, John Scott, 1848-1938","Polk, Leonidas, 1806-1864","Whitehurst, Jesse Harrison, 1819-1875","Riggs, George Washington, 1813-1881","Addis, R. W. (Robert W.), -1874","Riggs, Remus G.","Roszelle, Dulaney DeButts","Seward, William H.  (William Henry), 1801-1872","Scott, Winfield, 1786-1866","Stansbury, Edward Augustus, 1811-1873","Stanton, Edwin M.  (Edwin McMasters), 1814-1869","Stephens, Alexander H.  (Alexander Hamilton), 1812-1883","Stevens, Thaddeus, 1792-1868","Stoeckl, Eduard de, Baron","Tracy, Mary Caroline","Victoria, Queen of Great Britain, 1819-1901","Bonaparte, Napoléon-Joseph-Charles-Paul, Prince, 1822-1891","Napoleon III, Emperor of the French, 1808-1873","Eugénie, Empress, consort of Napoleon III, Emperor of the French, 1826-1920","Louis Napoléon, Prince Impérial of the French, 1856-1879","Washington, George, 1732-1799","Washington, Martha, 1731-1802","Welles, Gideon, 1802-1878","Winthrop, Theodore, 1828-1861","Hall, Augustus M.","Washburn, W. W.","Brown, Henry S.","Maucel, Henry","English \n.    "],"unitid_tesim":["STC"],"normalized_title_ssm":["Sarah Tracy Collection"],"collection_title_tesim":["Sarah Tracy Collection"],"collection_ssim":["Sarah Tracy Collection"],"repository_ssm":["The George Washington Presidential Library at Mount Vernon"],"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"creator_ssm":["Tracy, Sarah, 1820-1896"],"creator_ssim":["Tracy, Sarah, 1820-1896"],"creator_persname_ssim":["Tracy, Sarah, 1820-1896"],"creators_ssim":["Tracy, Sarah, 1820-1896"],"access_terms_ssm":["This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration From before access is provided. The library reserves the right to restrict access to certain material for preservation purposes.","Material can be reproduced for study or personal use upon written approval from library staff."],"access_subjects_ssim":["Cartes de visite"],"access_subjects_ssm":["Cartes de visite"],"has_online_content_ssim":["true"],"extent_ssm":["80 Photographic Prints"],"extent_tesim":["80 Photographic Prints"],"genreform_ssim":["Cartes de visite"],"date_range_isim":[1859,1860,1861,1862,1863,1864,1865,1866,1867,1868],"arrangement_html_tesm":["\u003cp\u003eThe arrangement of the collection is divided between people (identified and unidentified) and places; and then arranged in alphabetical order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The arrangement of the collection is divided between people (identified and unidentified) and places; and then arranged in alphabetical order."],"bioghist_html_tesm":["\u003cp\u003eSarah Tracy was the secretary to the regent of the Mount Vernon Ladies' Association, Ann Pamela Cunningham of South Carolina. As the Civil War was descending on the nation, Sarah Tracy (and her sister as chaperone) moved into Mount Vernon to protect the estate and ensure absolute neutrality. This was a troubling time on the estate and at one point, she braved barricades, destroyed roads, and a night in a commandeered house, for promises of neutrality and supplies from General McClellan. For eight years, she served as doctor and manager at Mount Vernon while selling flowers, produce, and jewelry which she made out of coffee beans in order to raise money. The Ladies Association also appointed a Superintendent to care for the estate, Upton Herbert, who was trapped at Mount Vernon through the war. After Miss Tracy resigned in 1868, she married Mr. Herbert and they passed on the care of George Washington's home to make their own home together in Burke, Virginia.\u003c/p\u003e\n","\u003cp\u003eBiography extracted from: Mount Vernon Education Department,\n\"Love \u0026amp; War at Mount Vernon\" in George Washington Wired, June 30, 2009\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sarah Tracy was the secretary to the regent of the Mount Vernon Ladies' Association, Ann Pamela Cunningham of South Carolina. As the Civil War was descending on the nation, Sarah Tracy (and her sister as chaperone) moved into Mount Vernon to protect the estate and ensure absolute neutrality. This was a troubling time on the estate and at one point, she braved barricades, destroyed roads, and a night in a commandeered house, for promises of neutrality and supplies from General McClellan. For eight years, she served as doctor and manager at Mount Vernon while selling flowers, produce, and jewelry which she made out of coffee beans in order to raise money. The Ladies Association also appointed a Superintendent to care for the estate, Upton Herbert, who was trapped at Mount Vernon through the war. After Miss Tracy resigned in 1868, she married Mr. Herbert and they passed on the care of George Washington's home to make their own home together in Burke, Virginia.","Biography extracted from: Mount Vernon Education Department,\n\"Love \u0026 War at Mount Vernon\" in George Washington Wired, June 30, 2009"],"prefercite_html_tesm":["\u003cp\u003e[Name and date of item], Sarah Tracy Collection, Photo Archives of the Mount Vernon Ladies' Association, The George Washington Presidential Library [hereafter Washington Library], Mount Vernon, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Name and date of item], Sarah Tracy Collection, Photo Archives of the Mount Vernon Ladies' Association, The George Washington Presidential Library [hereafter Washington Library], Mount Vernon, Virginia."],"processinfo_html_tesm":["\u003cp\u003e2 copies\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["2 copies"],"scopecontent_html_tesm":["\u003cp\u003eCollection of 80 photographs which belonged to Miss Sarah C. Tracy (later Mrs. Upton H. Herbert), resident secretary at Mount Vernon during the Civil War years. The pictures most of which are cartes de visite were collected by Miss Tracy; some were obviously presented to her, after the fashion of the day, and are inscribed. Besides the one of herself there are three of Mount Vernon which must date from the years of her residence. Others include Leeds Castle, the English seat of Thomas, Lord Fairfax; the President's House at the Soldiers' Home, Washington, D.C.; the Milwaukee residence of Mrs. Mitchell, Vice-Regent for Wisconsin; General Winfield Scott; General George B. McClellan; W. W. Corcoran of Washington, D.C.; George W. Riggs, Treasurer of the Association; Lord Fairfax; Prince Napoleon; Louis de Geofroy (of the French Legation, who accompanied Price Napoleon to Mount Vernon in August, 1861), inscribed; and Miss Nettie Chase, daughter of Hon. Salmon P. Chase of the Lincoln Cabinet. Also included are pictures of others, chiefly celebrated figures of the nineteenth century; these were probably acquired through gift or purchases, and not presented by the subjects themselves. \u003c/p\u003e\n","\u003cp\u003eGift of Miss Tracy's great-niece, Miss Caro Arnold of Montclair, N. J., 1953\u003c/p\u003e","\u003cp\u003eTraveled with Prince Napoleon during his visit to Mount Vernon on August 6, 1861.\u003c/p\u003e","\u003cp\u003eSister of Sarah Tracy, \"Aunty Caro\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Collection of 80 photographs which belonged to Miss Sarah C. Tracy (later Mrs. Upton H. Herbert), resident secretary at Mount Vernon during the Civil War years. The pictures most of which are cartes de visite were collected by Miss Tracy; some were obviously presented to her, after the fashion of the day, and are inscribed. Besides the one of herself there are three of Mount Vernon which must date from the years of her residence. Others include Leeds Castle, the English seat of Thomas, Lord Fairfax; the President's House at the Soldiers' Home, Washington, D.C.; the Milwaukee residence of Mrs. Mitchell, Vice-Regent for Wisconsin; General Winfield Scott; General George B. McClellan; W. W. Corcoran of Washington, D.C.; George W. Riggs, Treasurer of the Association; Lord Fairfax; Prince Napoleon; Louis de Geofroy (of the French Legation, who accompanied Price Napoleon to Mount Vernon in August, 1861), inscribed; and Miss Nettie Chase, daughter of Hon. Salmon P. Chase of the Lincoln Cabinet. Also included are pictures of others, chiefly celebrated figures of the nineteenth century; these were probably acquired through gift or purchases, and not presented by the subjects themselves. ","Gift of Miss Tracy's great-niece, Miss Caro Arnold of Montclair, N. J., 1953","Traveled with Prince Napoleon during his visit to Mount Vernon on August 6, 1861.","Sister of Sarah Tracy, \"Aunty Caro\""],"userestrict_html_tesm":["\u003cp\u003eThis collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration From before access is provided. The library reserves the right to restrict access to certain material for preservation purposes.\u003c/p\u003e","\u003cp\u003eMaterial can be reproduced for study or personal use upon written approval from library staff.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration From before access is provided. The library reserves the right to restrict access to certain material for preservation purposes.","Material can be reproduced for study or personal use upon written approval from library staff."],"names_ssim":["Photo Archives of the Mount Vernon Ladies' Association","C. R. Rees and Bro. (Richmond, Va.)","Charles Taber \u0026 Co.","Mount Vernon Ladies' Association of the Union","E. \u0026 H.T. Anthony (Firm)","W. \u0026 D. Downey","Philip \u0026 Solomons","Charles D. Fredricks \u0026 Co.","Whitehurst Gallery (Washington, D.C.)","Silsbee, Case \u0026 Co. (Boston)","Franklin \u0026 Co. (Washington, D. C.)","Beniczky \u0026 Co. (New York)","The New York Photograph Co.","Anderson's Photographic Gallery","Bendann Bros.","Tracy, Sarah, 1820-1896","Baldwin, Charles H., 1822-1888","Ulke, Henry, 1821-1910","Barnes, Joseph K., 1817-1883","Brady, Mathew B., approximately 1823-1896","Butler, Benjamin F. (Benjamin Franklin), 1818-1893","Cavour, Camillo Benso, conte di, 1810-1861","Chase, Abby Wheaton Pearce, 1816-1892","Loeffler, J. (John Jacob), 1834-1901","Hoyt, Janet Ralston Chase, 1847-1925","Chase, Salmon P.  (Salmon Portland), 1808-1873","Chase, H. L., 1831-1901","Coan, Titus, 1801-1882","Levitsky, 1819-1898","Corcoran, W.W. (William Wilson), 1798-1888","Davis, Jefferson, 1808-1889","Davis, Varina, 1826-1906","Smith-Stanley, Edward, 1752-1834","Glosser, Henry","Hunter, R. M. T. (Robert Mercer Taliaferro), 1809-1887","Lee, Robert E.  (Robert Edward), 1807-1870","Lee, George Washington Custis, 1832-1913","Taylor, Walter Herron, 1838-1916","Gardner, Alexander, 1821-1882","Lincoln, Abraham, 1809-1865","Lincoln, Mary Todd, 1818-1882","Lincoln, Robert Todd, 1843-1926","Lincoln, Thomas, 1853-1871","Bowron, G. J.","de Geofroy, Louis","Johnson, Andrew, 1808-1875","Keith, Clarence","McClellan, George B.  (George Brinton), 1826-1885","Napier, Francis, Baron Napier and Ettrick, 1819-1898","Napier, Anne Jane Charlotte Lockwood, 1823-1911","Napier, William John George, 1846-1913","Napier, John Scott, 1848-1938","Polk, Leonidas, 1806-1864","Whitehurst, Jesse Harrison, 1819-1875","Riggs, George Washington, 1813-1881","Addis, R. W. (Robert W.), -1874","Riggs, Remus G.","Roszelle, Dulaney DeButts","Seward, William H.  (William Henry), 1801-1872","Scott, Winfield, 1786-1866","Stansbury, Edward Augustus, 1811-1873","Stanton, Edwin M.  (Edwin McMasters), 1814-1869","Stephens, Alexander H.  (Alexander Hamilton), 1812-1883","Stevens, Thaddeus, 1792-1868","Stoeckl, Eduard de, Baron","Tracy, Mary Caroline","Victoria, Queen of Great Britain, 1819-1901","Bonaparte, Napoléon-Joseph-Charles-Paul, Prince, 1822-1891","Napoleon III, Emperor of the French, 1808-1873","Eugénie, Empress, consort of Napoleon III, Emperor of the French, 1826-1920","Louis Napoléon, Prince Impérial of the French, 1856-1879","Washington, George, 1732-1799","Washington, Martha, 1731-1802","Welles, Gideon, 1802-1878","Winthrop, Theodore, 1828-1861","Hall, Augustus M.","Washburn, W. W.","Brown, Henry S.","Maucel, Henry"],"corpname_ssim":["Photo Archives of the Mount Vernon Ladies' Association","C. R. Rees and Bro. (Richmond, Va.)","Charles Taber \u0026 Co.","Mount Vernon Ladies' Association of the Union","E. \u0026 H.T. Anthony (Firm)","W. \u0026 D. Downey","Philip \u0026 Solomons","Charles D. Fredricks \u0026 Co.","Whitehurst Gallery (Washington, D.C.)","Silsbee, Case \u0026 Co. (Boston)","Franklin \u0026 Co. (Washington, D. C.)","Beniczky \u0026 Co. (New York)","The New York Photograph Co.","Anderson's Photographic Gallery","Bendann Bros."],"persname_ssim":["Tracy, Sarah, 1820-1896","Baldwin, Charles H., 1822-1888","Ulke, Henry, 1821-1910","Barnes, Joseph K., 1817-1883","Brady, Mathew B., approximately 1823-1896","Butler, Benjamin F. (Benjamin Franklin), 1818-1893","Cavour, Camillo Benso, conte di, 1810-1861","Chase, Abby Wheaton Pearce, 1816-1892","Loeffler, J. (John Jacob), 1834-1901","Hoyt, Janet Ralston Chase, 1847-1925","Chase, Salmon P.  (Salmon Portland), 1808-1873","Chase, H. L., 1831-1901","Coan, Titus, 1801-1882","Levitsky, 1819-1898","Corcoran, W.W. (William Wilson), 1798-1888","Davis, Jefferson, 1808-1889","Davis, Varina, 1826-1906","Smith-Stanley, Edward, 1752-1834","Glosser, Henry","Hunter, R. M. T. (Robert Mercer Taliaferro), 1809-1887","Lee, Robert E.  (Robert Edward), 1807-1870","Lee, George Washington Custis, 1832-1913","Taylor, Walter Herron, 1838-1916","Gardner, Alexander, 1821-1882","Lincoln, Abraham, 1809-1865","Lincoln, Mary Todd, 1818-1882","Lincoln, Robert Todd, 1843-1926","Lincoln, Thomas, 1853-1871","Bowron, G. J.","de Geofroy, Louis","Johnson, Andrew, 1808-1875","Keith, Clarence","McClellan, George B.  (George Brinton), 1826-1885","Napier, Francis, Baron Napier and Ettrick, 1819-1898","Napier, Anne Jane Charlotte Lockwood, 1823-1911","Napier, William John George, 1846-1913","Napier, John Scott, 1848-1938","Polk, Leonidas, 1806-1864","Whitehurst, Jesse Harrison, 1819-1875","Riggs, George Washington, 1813-1881","Addis, R. W. (Robert W.), -1874","Riggs, Remus G.","Roszelle, Dulaney DeButts","Seward, William H.  (William Henry), 1801-1872","Scott, Winfield, 1786-1866","Stansbury, Edward Augustus, 1811-1873","Stanton, Edwin M.  (Edwin McMasters), 1814-1869","Stephens, Alexander H.  (Alexander Hamilton), 1812-1883","Stevens, Thaddeus, 1792-1868","Stoeckl, Eduard de, Baron","Tracy, Mary Caroline","Victoria, Queen of Great Britain, 1819-1901","Bonaparte, Napoléon-Joseph-Charles-Paul, Prince, 1822-1891","Napoleon III, Emperor of the French, 1808-1873","Eugénie, Empress, consort of Napoleon III, Emperor of the French, 1826-1920","Louis Napoléon, Prince Impérial of the French, 1856-1879","Washington, George, 1732-1799","Washington, Martha, 1731-1802","Welles, Gideon, 1802-1878","Winthrop, Theodore, 1828-1861","Hall, Augustus M.","Washburn, W. W.","Brown, Henry S.","Maucel, Henry"],"language_ssim":["English \n.    "],"total_component_count_is":82,"online_item_count_is":62,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:53:35.669Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vimtvl_repositories_4_resources_62","ead_ssi":"vimtvl_repositories_4_resources_62","_root_":"vimtvl_repositories_4_resources_62","_nest_parent_":"vimtvl_repositories_4_resources_62","ead_source_url_ssi":"data/oai/MV/repositories_4_resources_62.xml","title_ssm":["Sarah Tracy Collection"],"title_tesim":["Sarah Tracy Collection"],"unitdate_ssm":["1859-1868"],"unitdate_inclusive_ssm":["1859-1868"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["STC"],"text":["STC","Sarah Tracy Collection","Cartes de visite","The arrangement of the collection is divided between people (identified and unidentified) and places; and then arranged in alphabetical order.","Sarah Tracy was the secretary to the regent of the Mount Vernon Ladies' Association, Ann Pamela Cunningham of South Carolina. As the Civil War was descending on the nation, Sarah Tracy (and her sister as chaperone) moved into Mount Vernon to protect the estate and ensure absolute neutrality. This was a troubling time on the estate and at one point, she braved barricades, destroyed roads, and a night in a commandeered house, for promises of neutrality and supplies from General McClellan. For eight years, she served as doctor and manager at Mount Vernon while selling flowers, produce, and jewelry which she made out of coffee beans in order to raise money. The Ladies Association also appointed a Superintendent to care for the estate, Upton Herbert, who was trapped at Mount Vernon through the war. After Miss Tracy resigned in 1868, she married Mr. Herbert and they passed on the care of George Washington's home to make their own home together in Burke, Virginia.","Biography extracted from: Mount Vernon Education Department,\n\"Love \u0026 War at Mount Vernon\" in George Washington Wired, June 30, 2009","2 copies","Collection of 80 photographs which belonged to Miss Sarah C. Tracy (later Mrs. Upton H. Herbert), resident secretary at Mount Vernon during the Civil War years. The pictures most of which are cartes de visite were collected by Miss Tracy; some were obviously presented to her, after the fashion of the day, and are inscribed. Besides the one of herself there are three of Mount Vernon which must date from the years of her residence. Others include Leeds Castle, the English seat of Thomas, Lord Fairfax; the President's House at the Soldiers' Home, Washington, D.C.; the Milwaukee residence of Mrs. Mitchell, Vice-Regent for Wisconsin; General Winfield Scott; General George B. McClellan; W. W. Corcoran of Washington, D.C.; George W. Riggs, Treasurer of the Association; Lord Fairfax; Prince Napoleon; Louis de Geofroy (of the French Legation, who accompanied Price Napoleon to Mount Vernon in August, 1861), inscribed; and Miss Nettie Chase, daughter of Hon. Salmon P. Chase of the Lincoln Cabinet. Also included are pictures of others, chiefly celebrated figures of the nineteenth century; these were probably acquired through gift or purchases, and not presented by the subjects themselves. ","Gift of Miss Tracy's great-niece, Miss Caro Arnold of Montclair, N. J., 1953","Traveled with Prince Napoleon during his visit to Mount Vernon on August 6, 1861.","Sister of Sarah Tracy, \"Aunty Caro\"","This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration From before access is provided. The library reserves the right to restrict access to certain material for preservation purposes.","Material can be reproduced for study or personal use upon written approval from library staff.","Photo Archives of the Mount Vernon Ladies' Association","C. R. Rees and Bro. (Richmond, Va.)","Charles Taber \u0026 Co.","Mount Vernon Ladies' Association of the Union","E. \u0026 H.T. Anthony (Firm)","W. \u0026 D. Downey","Philip \u0026 Solomons","Charles D. Fredricks \u0026 Co.","Whitehurst Gallery (Washington, D.C.)","Silsbee, Case \u0026 Co. (Boston)","Franklin \u0026 Co. (Washington, D. C.)","Beniczky \u0026 Co. (New York)","The New York Photograph Co.","Anderson's Photographic Gallery","Bendann Bros.","Tracy, Sarah, 1820-1896","Baldwin, Charles H., 1822-1888","Ulke, Henry, 1821-1910","Barnes, Joseph K., 1817-1883","Brady, Mathew B., approximately 1823-1896","Butler, Benjamin F. (Benjamin Franklin), 1818-1893","Cavour, Camillo Benso, conte di, 1810-1861","Chase, Abby Wheaton Pearce, 1816-1892","Loeffler, J. (John Jacob), 1834-1901","Hoyt, Janet Ralston Chase, 1847-1925","Chase, Salmon P.  (Salmon Portland), 1808-1873","Chase, H. L., 1831-1901","Coan, Titus, 1801-1882","Levitsky, 1819-1898","Corcoran, W.W. (William Wilson), 1798-1888","Davis, Jefferson, 1808-1889","Davis, Varina, 1826-1906","Smith-Stanley, Edward, 1752-1834","Glosser, Henry","Hunter, R. M. T. (Robert Mercer Taliaferro), 1809-1887","Lee, Robert E.  (Robert Edward), 1807-1870","Lee, George Washington Custis, 1832-1913","Taylor, Walter Herron, 1838-1916","Gardner, Alexander, 1821-1882","Lincoln, Abraham, 1809-1865","Lincoln, Mary Todd, 1818-1882","Lincoln, Robert Todd, 1843-1926","Lincoln, Thomas, 1853-1871","Bowron, G. J.","de Geofroy, Louis","Johnson, Andrew, 1808-1875","Keith, Clarence","McClellan, George B.  (George Brinton), 1826-1885","Napier, Francis, Baron Napier and Ettrick, 1819-1898","Napier, Anne Jane Charlotte Lockwood, 1823-1911","Napier, William John George, 1846-1913","Napier, John Scott, 1848-1938","Polk, Leonidas, 1806-1864","Whitehurst, Jesse Harrison, 1819-1875","Riggs, George Washington, 1813-1881","Addis, R. W. (Robert W.), -1874","Riggs, Remus G.","Roszelle, Dulaney DeButts","Seward, William H.  (William Henry), 1801-1872","Scott, Winfield, 1786-1866","Stansbury, Edward Augustus, 1811-1873","Stanton, Edwin M.  (Edwin McMasters), 1814-1869","Stephens, Alexander H.  (Alexander Hamilton), 1812-1883","Stevens, Thaddeus, 1792-1868","Stoeckl, Eduard de, Baron","Tracy, Mary Caroline","Victoria, Queen of Great Britain, 1819-1901","Bonaparte, Napoléon-Joseph-Charles-Paul, Prince, 1822-1891","Napoleon III, Emperor of the French, 1808-1873","Eugénie, Empress, consort of Napoleon III, Emperor of the French, 1826-1920","Louis Napoléon, Prince Impérial of the French, 1856-1879","Washington, George, 1732-1799","Washington, Martha, 1731-1802","Welles, Gideon, 1802-1878","Winthrop, Theodore, 1828-1861","Hall, Augustus M.","Washburn, W. W.","Brown, Henry S.","Maucel, Henry","English \n.    "],"unitid_tesim":["STC"],"normalized_title_ssm":["Sarah Tracy Collection"],"collection_title_tesim":["Sarah Tracy Collection"],"collection_ssim":["Sarah Tracy Collection"],"repository_ssm":["The George Washington Presidential Library at Mount Vernon"],"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"creator_ssm":["Tracy, Sarah, 1820-1896"],"creator_ssim":["Tracy, Sarah, 1820-1896"],"creator_persname_ssim":["Tracy, Sarah, 1820-1896"],"creators_ssim":["Tracy, Sarah, 1820-1896"],"access_terms_ssm":["This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration From before access is provided. The library reserves the right to restrict access to certain material for preservation purposes.","Material can be reproduced for study or personal use upon written approval from library staff."],"access_subjects_ssim":["Cartes de visite"],"access_subjects_ssm":["Cartes de visite"],"has_online_content_ssim":["true"],"extent_ssm":["80 Photographic Prints"],"extent_tesim":["80 Photographic Prints"],"genreform_ssim":["Cartes de visite"],"date_range_isim":[1859,1860,1861,1862,1863,1864,1865,1866,1867,1868],"arrangement_html_tesm":["\u003cp\u003eThe arrangement of the collection is divided between people (identified and unidentified) and places; and then arranged in alphabetical order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The arrangement of the collection is divided between people (identified and unidentified) and places; and then arranged in alphabetical order."],"bioghist_html_tesm":["\u003cp\u003eSarah Tracy was the secretary to the regent of the Mount Vernon Ladies' Association, Ann Pamela Cunningham of South Carolina. As the Civil War was descending on the nation, Sarah Tracy (and her sister as chaperone) moved into Mount Vernon to protect the estate and ensure absolute neutrality. This was a troubling time on the estate and at one point, she braved barricades, destroyed roads, and a night in a commandeered house, for promises of neutrality and supplies from General McClellan. For eight years, she served as doctor and manager at Mount Vernon while selling flowers, produce, and jewelry which she made out of coffee beans in order to raise money. The Ladies Association also appointed a Superintendent to care for the estate, Upton Herbert, who was trapped at Mount Vernon through the war. After Miss Tracy resigned in 1868, she married Mr. Herbert and they passed on the care of George Washington's home to make their own home together in Burke, Virginia.\u003c/p\u003e\n","\u003cp\u003eBiography extracted from: Mount Vernon Education Department,\n\"Love \u0026amp; War at Mount Vernon\" in George Washington Wired, June 30, 2009\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sarah Tracy was the secretary to the regent of the Mount Vernon Ladies' Association, Ann Pamela Cunningham of South Carolina. As the Civil War was descending on the nation, Sarah Tracy (and her sister as chaperone) moved into Mount Vernon to protect the estate and ensure absolute neutrality. This was a troubling time on the estate and at one point, she braved barricades, destroyed roads, and a night in a commandeered house, for promises of neutrality and supplies from General McClellan. For eight years, she served as doctor and manager at Mount Vernon while selling flowers, produce, and jewelry which she made out of coffee beans in order to raise money. The Ladies Association also appointed a Superintendent to care for the estate, Upton Herbert, who was trapped at Mount Vernon through the war. After Miss Tracy resigned in 1868, she married Mr. Herbert and they passed on the care of George Washington's home to make their own home together in Burke, Virginia.","Biography extracted from: Mount Vernon Education Department,\n\"Love \u0026 War at Mount Vernon\" in George Washington Wired, June 30, 2009"],"prefercite_html_tesm":["\u003cp\u003e[Name and date of item], Sarah Tracy Collection, Photo Archives of the Mount Vernon Ladies' Association, The George Washington Presidential Library [hereafter Washington Library], Mount Vernon, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Name and date of item], Sarah Tracy Collection, Photo Archives of the Mount Vernon Ladies' Association, The George Washington Presidential Library [hereafter Washington Library], Mount Vernon, Virginia."],"processinfo_html_tesm":["\u003cp\u003e2 copies\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["2 copies"],"scopecontent_html_tesm":["\u003cp\u003eCollection of 80 photographs which belonged to Miss Sarah C. Tracy (later Mrs. Upton H. Herbert), resident secretary at Mount Vernon during the Civil War years. The pictures most of which are cartes de visite were collected by Miss Tracy; some were obviously presented to her, after the fashion of the day, and are inscribed. Besides the one of herself there are three of Mount Vernon which must date from the years of her residence. Others include Leeds Castle, the English seat of Thomas, Lord Fairfax; the President's House at the Soldiers' Home, Washington, D.C.; the Milwaukee residence of Mrs. Mitchell, Vice-Regent for Wisconsin; General Winfield Scott; General George B. McClellan; W. W. Corcoran of Washington, D.C.; George W. Riggs, Treasurer of the Association; Lord Fairfax; Prince Napoleon; Louis de Geofroy (of the French Legation, who accompanied Price Napoleon to Mount Vernon in August, 1861), inscribed; and Miss Nettie Chase, daughter of Hon. Salmon P. Chase of the Lincoln Cabinet. Also included are pictures of others, chiefly celebrated figures of the nineteenth century; these were probably acquired through gift or purchases, and not presented by the subjects themselves. \u003c/p\u003e\n","\u003cp\u003eGift of Miss Tracy's great-niece, Miss Caro Arnold of Montclair, N. J., 1953\u003c/p\u003e","\u003cp\u003eTraveled with Prince Napoleon during his visit to Mount Vernon on August 6, 1861.\u003c/p\u003e","\u003cp\u003eSister of Sarah Tracy, \"Aunty Caro\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Collection of 80 photographs which belonged to Miss Sarah C. Tracy (later Mrs. Upton H. Herbert), resident secretary at Mount Vernon during the Civil War years. The pictures most of which are cartes de visite were collected by Miss Tracy; some were obviously presented to her, after the fashion of the day, and are inscribed. Besides the one of herself there are three of Mount Vernon which must date from the years of her residence. Others include Leeds Castle, the English seat of Thomas, Lord Fairfax; the President's House at the Soldiers' Home, Washington, D.C.; the Milwaukee residence of Mrs. Mitchell, Vice-Regent for Wisconsin; General Winfield Scott; General George B. McClellan; W. W. Corcoran of Washington, D.C.; George W. Riggs, Treasurer of the Association; Lord Fairfax; Prince Napoleon; Louis de Geofroy (of the French Legation, who accompanied Price Napoleon to Mount Vernon in August, 1861), inscribed; and Miss Nettie Chase, daughter of Hon. Salmon P. Chase of the Lincoln Cabinet. Also included are pictures of others, chiefly celebrated figures of the nineteenth century; these were probably acquired through gift or purchases, and not presented by the subjects themselves. ","Gift of Miss Tracy's great-niece, Miss Caro Arnold of Montclair, N. J., 1953","Traveled with Prince Napoleon during his visit to Mount Vernon on August 6, 1861.","Sister of Sarah Tracy, \"Aunty Caro\""],"userestrict_html_tesm":["\u003cp\u003eThis collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration From before access is provided. The library reserves the right to restrict access to certain material for preservation purposes.\u003c/p\u003e","\u003cp\u003eMaterial can be reproduced for study or personal use upon written approval from library staff.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration From before access is provided. The library reserves the right to restrict access to certain material for preservation purposes.","Material can be reproduced for study or personal use upon written approval from library staff."],"names_ssim":["Photo Archives of the Mount Vernon Ladies' Association","C. R. Rees and Bro. (Richmond, Va.)","Charles Taber \u0026 Co.","Mount Vernon Ladies' Association of the Union","E. \u0026 H.T. Anthony (Firm)","W. \u0026 D. Downey","Philip \u0026 Solomons","Charles D. Fredricks \u0026 Co.","Whitehurst Gallery (Washington, D.C.)","Silsbee, Case \u0026 Co. (Boston)","Franklin \u0026 Co. (Washington, D. C.)","Beniczky \u0026 Co. (New York)","The New York Photograph Co.","Anderson's Photographic Gallery","Bendann Bros.","Tracy, Sarah, 1820-1896","Baldwin, Charles H., 1822-1888","Ulke, Henry, 1821-1910","Barnes, Joseph K., 1817-1883","Brady, Mathew B., approximately 1823-1896","Butler, Benjamin F. (Benjamin Franklin), 1818-1893","Cavour, Camillo Benso, conte di, 1810-1861","Chase, Abby Wheaton Pearce, 1816-1892","Loeffler, J. (John Jacob), 1834-1901","Hoyt, Janet Ralston Chase, 1847-1925","Chase, Salmon P.  (Salmon Portland), 1808-1873","Chase, H. L., 1831-1901","Coan, Titus, 1801-1882","Levitsky, 1819-1898","Corcoran, W.W. (William Wilson), 1798-1888","Davis, Jefferson, 1808-1889","Davis, Varina, 1826-1906","Smith-Stanley, Edward, 1752-1834","Glosser, Henry","Hunter, R. M. T. (Robert Mercer Taliaferro), 1809-1887","Lee, Robert E.  (Robert Edward), 1807-1870","Lee, George Washington Custis, 1832-1913","Taylor, Walter Herron, 1838-1916","Gardner, Alexander, 1821-1882","Lincoln, Abraham, 1809-1865","Lincoln, Mary Todd, 1818-1882","Lincoln, Robert Todd, 1843-1926","Lincoln, Thomas, 1853-1871","Bowron, G. J.","de Geofroy, Louis","Johnson, Andrew, 1808-1875","Keith, Clarence","McClellan, George B.  (George Brinton), 1826-1885","Napier, Francis, Baron Napier and Ettrick, 1819-1898","Napier, Anne Jane Charlotte Lockwood, 1823-1911","Napier, William John George, 1846-1913","Napier, John Scott, 1848-1938","Polk, Leonidas, 1806-1864","Whitehurst, Jesse Harrison, 1819-1875","Riggs, George Washington, 1813-1881","Addis, R. W. (Robert W.), -1874","Riggs, Remus G.","Roszelle, Dulaney DeButts","Seward, William H.  (William Henry), 1801-1872","Scott, Winfield, 1786-1866","Stansbury, Edward Augustus, 1811-1873","Stanton, Edwin M.  (Edwin McMasters), 1814-1869","Stephens, Alexander H.  (Alexander Hamilton), 1812-1883","Stevens, Thaddeus, 1792-1868","Stoeckl, Eduard de, Baron","Tracy, Mary Caroline","Victoria, Queen of Great Britain, 1819-1901","Bonaparte, Napoléon-Joseph-Charles-Paul, Prince, 1822-1891","Napoleon III, Emperor of the French, 1808-1873","Eugénie, Empress, consort of Napoleon III, Emperor of the French, 1826-1920","Louis Napoléon, Prince Impérial of the French, 1856-1879","Washington, George, 1732-1799","Washington, Martha, 1731-1802","Welles, Gideon, 1802-1878","Winthrop, Theodore, 1828-1861","Hall, Augustus M.","Washburn, W. W.","Brown, Henry S.","Maucel, Henry"],"corpname_ssim":["Photo Archives of the Mount Vernon Ladies' Association","C. R. Rees and Bro. (Richmond, Va.)","Charles Taber \u0026 Co.","Mount Vernon Ladies' Association of the Union","E. \u0026 H.T. Anthony (Firm)","W. \u0026 D. Downey","Philip \u0026 Solomons","Charles D. Fredricks \u0026 Co.","Whitehurst Gallery (Washington, D.C.)","Silsbee, Case \u0026 Co. (Boston)","Franklin \u0026 Co. (Washington, D. C.)","Beniczky \u0026 Co. (New York)","The New York Photograph Co.","Anderson's Photographic Gallery","Bendann Bros."],"persname_ssim":["Tracy, Sarah, 1820-1896","Baldwin, Charles H., 1822-1888","Ulke, Henry, 1821-1910","Barnes, Joseph K., 1817-1883","Brady, Mathew B., approximately 1823-1896","Butler, Benjamin F. (Benjamin Franklin), 1818-1893","Cavour, Camillo Benso, conte di, 1810-1861","Chase, Abby Wheaton Pearce, 1816-1892","Loeffler, J. (John Jacob), 1834-1901","Hoyt, Janet Ralston Chase, 1847-1925","Chase, Salmon P.  (Salmon Portland), 1808-1873","Chase, H. L., 1831-1901","Coan, Titus, 1801-1882","Levitsky, 1819-1898","Corcoran, W.W. (William Wilson), 1798-1888","Davis, Jefferson, 1808-1889","Davis, Varina, 1826-1906","Smith-Stanley, Edward, 1752-1834","Glosser, Henry","Hunter, R. M. T. (Robert Mercer Taliaferro), 1809-1887","Lee, Robert E.  (Robert Edward), 1807-1870","Lee, George Washington Custis, 1832-1913","Taylor, Walter Herron, 1838-1916","Gardner, Alexander, 1821-1882","Lincoln, Abraham, 1809-1865","Lincoln, Mary Todd, 1818-1882","Lincoln, Robert Todd, 1843-1926","Lincoln, Thomas, 1853-1871","Bowron, G. J.","de Geofroy, Louis","Johnson, Andrew, 1808-1875","Keith, Clarence","McClellan, George B.  (George Brinton), 1826-1885","Napier, Francis, Baron Napier and Ettrick, 1819-1898","Napier, Anne Jane Charlotte Lockwood, 1823-1911","Napier, William John George, 1846-1913","Napier, John Scott, 1848-1938","Polk, Leonidas, 1806-1864","Whitehurst, Jesse Harrison, 1819-1875","Riggs, George Washington, 1813-1881","Addis, R. W. (Robert W.), -1874","Riggs, Remus G.","Roszelle, Dulaney DeButts","Seward, William H.  (William Henry), 1801-1872","Scott, Winfield, 1786-1866","Stansbury, Edward Augustus, 1811-1873","Stanton, Edwin M.  (Edwin McMasters), 1814-1869","Stephens, Alexander H.  (Alexander Hamilton), 1812-1883","Stevens, Thaddeus, 1792-1868","Stoeckl, Eduard de, Baron","Tracy, Mary Caroline","Victoria, Queen of Great Britain, 1819-1901","Bonaparte, Napoléon-Joseph-Charles-Paul, Prince, 1822-1891","Napoleon III, Emperor of the French, 1808-1873","Eugénie, Empress, consort of Napoleon III, Emperor of the French, 1826-1920","Louis Napoléon, Prince Impérial of the French, 1856-1879","Washington, George, 1732-1799","Washington, Martha, 1731-1802","Welles, Gideon, 1802-1878","Winthrop, Theodore, 1828-1861","Hall, Augustus M.","Washburn, W. W.","Brown, Henry S.","Maucel, Henry"],"language_ssim":["English \n.    "],"total_component_count_is":82,"online_item_count_is":62,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:53:35.669Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vimtvl_repositories_4_resources_62"}},{"id":"viu_repositories_3_resources_1482","type":"collection","attributes":{"title":"The University of Virginia Collection on the History of Childhood, Parenting, and Family Building.","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1482#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe University of Virginia Collection on the History of Childhood, Parenting, and Family Building is an artificial collection and periodic additions are expected.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1482#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1482","ead_ssi":"viu_repositories_3_resources_1482","_root_":"viu_repositories_3_resources_1482","_nest_parent_":"viu_repositories_3_resources_1482","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1482.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/169294","title_filing_ssi":"The University of Virginia Collection on the History of Childhood, Parenting, and Family Building.","title_ssm":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"title_tesim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"unitdate_ssm":["1700-2014"],"unitdate_inclusive_ssm":["1700-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16758","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1482"],"text":["MSS 16758","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1482","The University of Virginia Collection on the History of Childhood, Parenting, and Family Building.","Children","Children's art","postcards","Good","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","Some restrictions may apply due to fragile condition of paper dolls.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request. The sketchbook is availble for research.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","This collection is open for research.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","There are 23 pamphlets associated with this collection but 9 were removed for print cataloging. Rose Oliveira-Abbey: No.1, 3, 4, 5, 10a, 10b, 11a, 11b, and 11c on the invoice cataloged as print. See invoice in Control folder for Invoice/PurchaseOrder for titles.\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\n\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families","Jane Elizabeth \"Jennie\" Hoyt-Stevens was born in Concord, Massachusetts to Sewell Hoit (1807-1875) and Hannah Elizabeth Hoyt, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907.She encouraged a younger generation of women in their medical careers, including Mary Runnells Bird, and donated her family home, (\"impressive mansion\"), to the use of the New Hampshire Congregational Conference, reserving \"a small upstairs apartment\" for her own use.","In 1906, she represented the New Hampshire Medical Society as a delegate to the International Medical Congress in Lisbon, and traveled in Spain and North Africa during that trip. She met Gandhi during an extended visit to India, and published writings about her impressions of him in 1931. She adopted a son in Spain, named Abelardo Linares. She died in 1933, in Concord, New Hampshire, at the age of 72","The mathematical fraktur may have belonged to Elizabeth Urban as a gift from her tutor, A. G. Lees in Conestoga Township, Lancaster County, Pennsylvania. Elizabeth Urban was born on July 22, 1795 in Conestoga to George Urban (1740-1843) and Barbara Keagy (1743-1828). Educational frakturs are very rare.","Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","Bilalians is a name used by early African-American Muslims. It refers to Bilal, a former Black enslaved person of Muhammad. Bilal's importance as the first Muslim muezzin, his ardent support for early Islam, and his favored status under Muhammad made him an important symbol of Black honor and dignity, major themes of early African-American Islam.","The Da'wah Institute (DIN) is the research and public enlightenment department of the Islamic Education Trust (IET) which has its headquarters in Minna, and Zonal Coordinators across Nigeria and West Africa. Its mission is to \"strive in the capacity building and empowerment of other Islamic organizations and individuals involved in facilitating the correct understanding of the message of Islam.\"","Source: \nOxford University Press. Oxford Reference. Accessed 7/18/2024\nhttps://www.oxfordreference.com/display/10.1093/oi/authority.20110803095505567","Da'wah Institute of Nigeria Accessed 7/18/2024\nhttps://dawahinstitute.org/dawah-institute-nigeria-din/","This material contains references or imagery involving racism. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","See also Series 4 \"A Report of a Conference on Day Care and the Working Mother\" material from the Morris Child Development Center Addition 23","See also Series 4 Addition 58 Photograph album of the Morris Child Development Center","The University of Virginia Collection on the History of Childhood, Parenting, and Family Building is an artificial collection and periodic additions are expected.","Addition 53 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one calligraphy manuscript of Hans Rudolf Gujer from Wermatswil, Switzerland. The book contains thirty-seven leaves in landscape format, in various colored inks and watercolor, with some use of gouache. ","It also includes seven large original drawings; one is in pen-and-ink, and six are ink and watercolor; three pages of alphabets; most other pages have three compartments including ornately decorated capital initials, floral, figurative, and abstract ornamental borders and infills throughout; one page with music, and one with micrograph. The last leaf contains a full-page colophon of calligrapher:  \"Von Mir geschriben, Hans Rudolf guier, Zu Wermmet-schweil, 1750,\" with marginal calligraphic addition noting his age at the time of writing, \"mein alter war 20 jahr.\" ","The German texts of the album are religious: biblical quotations, prayers, and other devotional texts. Gujer was a relative of Jacob Gujer, a celebrated \"philosopher farmer.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one handmade picturebook of hand-colored engraved cutouts. A later inscription on the front pastedown reads, \"Fait par la baronne de Chalancey née Delcey pour as fille Clémence devenue Ctsse d' Esclaibes d'Hurst.\" The book was was created by the Baroness de Chalancey for her little girl Clemence, born in 1797.  ","Francoise Marie Gabrielle Delecey de Changey, who went under the nickname Fanny, was born in 1769 in Langres, Haute-Marne; she married Baron Jean-Francois Bichet de Chalancey in 1791, whose chateau in Chalancey was 30 kilometers from Langres.  Their first child, a boy, died in 1796 at four; a daughter, Clemence, was born the following year.  Fanny lived to age 77, and Clemence survived her mother by 20 years. ","The book starts with la maison, the home, and it shows people, trades, activities, places, architectural details, animals, concepts, fictional characters, and various household people in various activities.","Indenture between Richard Cumming Weeks, the son of a plumber and brazier, to serve as an apprentice shipwright to James King, a shipwright at His Majesty's Dock in Plymouth, England in 1802.","The contract sets out conditions of Weeks' seven-year apprenticeship and his wages of five shillings per quarter to start with and a note signed by James King, increasing his wages to to \"twelve shillings for single time\" and to \"one Pound a quarter for double time\" in 1804  Signed by Richard, his father, and by two Dock officials, with embossed revenue stamps. The indenture measures 40X 33 cm/ 15.75\" X 13\".","This addition 1 of the collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. ","While the collection spans from the 1830s to the 1960s, the bulk date between 1880 and 1925. ","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and instruction manuals given to parents or teachers on child welfare.","This collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. ","While the collection spans from the 1830s to the 1960s, the bulk dates are between 1880 and 1925. ","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps, Ocean parties; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and a government child welfare manual that gives instruction to parents or teachers on child welfare, child needs and development.","1st part of MSS 16758. Twenty-three pamphlets about puberty for women. Some are directed toward mothers, while others are created specifically for daughters. Dates range from 1933 to 1981. ","Earlier pamphlets discuss the process through storytelling, while later examples utilize more medical terminology. ","Titles include \"Marjorie May's Twelfth Birthday\" \"Very Personally Yours,\"  and \"Growing Up and Liking It.\" All pamphlets are illustrated; some have calendars others have quizzes. ","Each pamphlet was published by a manufacturer of women's sanitary products:  Holland-Rantos Co., International Cellucotton Products Co., Kotex (Kimberly Clark), Modess, Personal Product Corporation, and TeenForm. ","Included in folder 3 are two Kotex print blocks, used to illustrate their product packaging in marketing materials. This is part of an artificial collection, ie a  collection of materials with different provenance assembled and organized to facilitate its management or use.","The resolution was passed at a public meeting on August 15, 1838. The resolution discusses the establishment of an infant school. It further describes how education benefits children in the whole community by establishing a desire to learn in children. The pamphlet also notes that parents will be free during the day to work when children are in school, showing a shift in the economic role of mothers.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., contains the artworks of two sisters from Maine, Mary A. Hackett (1830-1908) and Nancy F. (1825-1883) Hackett. The works include watercolors, prose, a reward of Merritt, and two cartes de visite of their great-grandfather Hacket and Aunt Mary Hacket. ","The sister's parents were William Hackett (1780-1869) and Lydia Dutch (1793-1898).  Nancy married Nathaniel Thompson. Census records indicate Mary never married and, as an adult, lived with Nancy in Kennebunk, Maine.  Mary attended Union Academy and Nancy attended Limerick Academy.","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains one handmade juvenile manuscript titled The History of Little Fanny. Dated to March 24, 1849, the book features eleven pages of text with a watercolored cover. A set of seven watercolored paper dolls is in the accompanying slipcase, with each corresponding to a section of the written story. The reader can enact the tale throughout the story by changing Fanny's head between the paper costumes to illustrate her progress.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one volume of an anonymous bereavement commonplace book, dated 1856 and 1874. The manuscript consists of ninety-eight pages of writing, with the rest left blank. The manuscript contains writings by three different women. The first (and most extensive) is by an unnamed governess who writes of the loss of a child in her care, Harry. Her spidery handwriting is even and accomplished, and her use of \"thee\" and \"thou\" throughout suggests she may have been a Quaker. For thirty pages, she expresses her heartfelt love for the child and her grief during Harry's decline. She describes her memories of the boy and his siblings and details the boy's last illness, of about six days' duration, and death.  ","The following forty-eight pages include bereavement verses including poetry, both original and copied from published works, segments of stories, and verses from the bible.  within these pages, the Governess left three pages blank; on the first of these blank pages, \"M.E.G.\" [later identified as Mary E. Grote] wrote about the death of her firstborn son, \"Ernie,\" whose father was Ernest William Davis. In the first line of her text, Grote refers to the manuscript itself as \"this choice collection.\" ","The verse then continues in the governess' hand. Until another passage by Mary Grote appears. It is a five-page memorial titled \"To Ernie,\" dated August 30th, 1874. It is possible that Grote's earlier one-page passage may have been written in 1874. Fourteen blank leaves separate Grote's writing to an entirely different hand and content. ","There are five pages of \"Hints For Housewives.\" These undated, unrelated notes seem to be brief views on issues that arise in a household including damp cupboards, flies, roasting meat, buying eggs, mending china, and other domestic matters.","This addition 11 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains publications, metamorphic trading cards, volvelle (color wheels), and posters. Topics include motherhood, instructional materials on children's behaviour, toilet training, adolescent health, soil conservation for children, and a book about the the education for blind children. ","Folder 1 contains folded out (metamorphic) advertisements for children's clothing by Davidson Brothers, Solar Tip Shoes, E. G. Burrows, J. H. Baldwin \u0026 Company patent table tray, and children's knee elastic protectors (to protect clothes)","Folder 2 contains pamphlets \"Training the Baby\" published in 1931, 1952, and 1957.","Folder 3 contains five illustrated posters with instructions for children on cleaning and bathing themselves.","Folder 4 contains pamphlets for expectant mothers on how to care for their infants: \"The Modern Baby\",  \"Quiet, Baby Is Sleeping\", \"the 14 Days that can seem like a lifetime!\", \"Preparing Baby's Formula\", \"Keeping Baby Clean\", \"Modern Evenflo Nursers\"","Folder 5 contains pamphlets from the Lysol Family Library, \"The Scientific Side of Health and Youth\", \"When Baby Comes\", and \"Preventing the Spread of Common Diseases\"","Folder 6 contains three color wheels ","Folder 7 contains a pledge card for teenagers to abstain from alcoholic drinks and a card that outlines safety guidelines \"Code for survival\"","Folder 8 Publications: \"Let's Save Soil with Sam and Sue\", \"For Bigger Boys and Girls\", \"Facts about the Education of Blind Children\", \"Understanding Your Teenager\"","Compiled in 1858, the decorative title page Cahier d'Écriture par Mercier dédié à mes bien-aimés parents, the book features twenty-four calligraphy entries from a teenage student at the Grand-Classe St. Etienne in Saint-Étienne, France. The entries include the author's reflections on friendship, anger, anxieties, family life, hopes, and religious devotion. ","Several font samplers are present throughout the book, as are full-color pencil-sketched illustrations. Illustrations include buildings, animals, people, and urban scenes. The majority of the calligraphy entries are bordered by an elaborate design, either pressed into the paper or drawn by the author herself. ","This addition to MSS 16758,  The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a small pocket diary with ownership signature of \"Louisa J. Pratt, New Paltz Landing, New York to front endpaper with an early 20th-century hand adding to pastedown and endpaper, \"born 1846\" and \"13 years old.\"  ","The diary contains 366 pages in legible hand. It focuses on the many losses she experiences across 1859 and her youthful awakening to the numerous hardships the women around her confront.  From parental loss to poverty to disease to mental health emergencies, the events of Louisa's 13th year were formative, and she turned to her diary as a place for working out private emotions that burdened her.  ","Louisa balances school, friends, and church with an increasing oversight of her home.  More detail is given as the family continues struggling to keep domestic workers, and it is hinted that Mr. Pratt and the members of the church are drawing labor from girls pulled from the sex trade.  Unprepared for the situations they find themselves in, the girls act out, have mental health crises, and ultimately flee which are documented by Louisa.","While grief, loss, and unexpected adulthood shape much of Louisa's year, she also reports the kinds of joys that remind us she is entering her teens.  Her numerous friends, her love for sleigh rides and horseback riding, her appreciation for school and her recitations are cornerstones.","Addition 7 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two circulars promoting the American School Institute and Schermerhorn's School Agency. There is also a tri-fold trade card ad for a White Mountain refrigerator; an advertisement booklet for a carpet called \"Something Under Foot\"  used as a diary by \"Sara\"; and a plaited hair sentiment with a verse from Charlotte A. Lewis which was sent to a girl named Maryann Gilman.","This addition 12 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a friendship album of Jennie Lizzie Hoit (Dr. Jane Elizabeth Hoyt) made between 1866 and 1871 and a Pennsylvania German Mathematical Fraktur made in 1808 for Elizabeth Urban. ","The friendship book belonging to Jennie is small (3 X 5 inches), about 60 pages, and contains compliments and well wishes from her family members and friends. ","\nThe collection also contains a Pennsylvania German Mathematical Fraktur presented to a schoolgirl, most likely Elizabeth Urban. Fraktur is a Germanic tradition of decorated manuscripts and printed documents noted for its use of bold colors and whimsical motifs. The page contains a Multiplication Table and Pence Table, dated September 15, 1808, inscribed \"Miss Urban, I have the honour to be your humble servant,\" signed A.G. Lees, Conestoga Township, Lancaster County. Initials EU appear in the intersecting hearts. The page is decorated with birds and flowers. The student was likely Elizabeth Urban, born on July 22, 1795. The table was probably presented by her tutor or teacher, possibly Alexander Lees, residing in nearby York County from 1779 to 1781, or Abraham Lees, in York County in 1785. ","Jennie was born in Concord, Massachusetts, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907. ","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains 23 pamphlets on early learning, education, adolescence, growth and development, health, prenatal and Infant care, and parenting.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to women's health, infancy, and childhood. ","This includes \n1. Woman's tried and true friend, Portland, ME: Caulocorea Mfg. Co.,c.1893; ","2. Friar Medicine Company ephemera (5 sheets), 1901; ","3. Taylor, Marion Sayle, \"The seat of love and youth: plain truths for women, c.1927; ","4. Taylor, Marion Sayle, \"Body hygiene for women,\"1928;","5. Williamson, George H.,\"Personal hygiene for women: explaining the new hygiene which is bringing comfort, peace-of-mind and greater health and efficiency to the world of women,\" 1928; ","6. Wells, H.J. (edited and published by),\" Tennessee journal of medical and surgical diseases of women and children, and abstracts of the medical sciences,\"1884; ","7. \" Wasting diseases: their causes, treatment, and cure,\" New York: Scott \u0026 Bowne, c, 1877; ","8.Sheffield, Herman B., \"The baby's record and health,\" 1913; ","9. Olmstead, Allen S., \"This will interest mothers: Mother Gray, the children's friend,\" c.1910.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one notebook kept by S.B. Coulson with notes regarding Friedrich Fröbel teaching approach and use of Fröbel gifts, which include play materials such as balls, cylinders, cubes, and tablets. ","The instructors were \"Miss Doyle,\" \"Miss Symond,\" and \"Mrs. Meleney,\" the latter being Carrie Coit Meleney, a student and later prolific correspondent of Maria Kraus-Boelté (1836-1918), a pioneer of Fröbel education in the United States and author of the textbook, \"The kindergarten guide\" (1877). The notebook also contains diagrams and illustrations depicting configurations of tiles and boxes. Several pages have been torn out of the notebook.","This addition to MSS-16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia),  contains six pieces of advertising ephemera. Included are: 1. Mrs. Prettyman's celebrated breast salve, c. 1866-1895, (3 advertising broadsides); 2. Celluloid starch requires no cooking, a die-cut point-of-sale display card with an attached cardboard stand depicting a baby seated on a pillow holding a paper advertising celluloid starch; 3. Display card for Johnson and Johnson baby powder; and  4. a pamphlet titled Your baby's diet: Heinz strained foods: their uses and nutritional values. (circa 1950s).","Addition 19 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet: \"Tennessee Industrial School for the Benefit of Orphan, Helpless and Wayward Children, Nashville, Tenn.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a travel diary of Frederica King Davis as she traveled through England and France during her 19th year.  The bulk of the diary contains vivid and dense descriptions of her travel route, means of travel, companions, sites visited, and observations on art and culture; toward the end, she meticulously documents her allowance received, her expenditures, and the list of books she aims to read as a result of her trip.  ","The diary offers insight not only into the type of grand tour provided to well-off 19th-century American women but also into the history of tourism, transport, and a history of artistic exhibits and art criticism, women's education in domestic accounts and budgeting, traditions in women's gift-giving and charitable contributions, the history of women's fashion, and the history of friendship and courtship etiquette.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a set of Courtesy posters to color, a Children's Aid Society Donation Circular, and educational game ideas handwritten and compiled on index cards by elementary school teacher Jane Ehrhard. The educational games are housed in two small commercial portfolios produced by Burgess Publishing Company for their line of printed educational games.  ","Contemporary ink signature of Jane Ehrhard on the back of both portfolios.  One red portfolio is printed with the title \"File O' Fun for social recreation,\" with Jane A. Harris listed as the author.  The second portfolio is orange and printed with \"Games for the elementary school grades: playground, gymnasium, classroom,\" by Hazel A. Richardson.  It appears Jane Ehrhard has repurposed the portfolios. Both measure 18 x 12 cm and are bound with an elastic cord.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets and booklets on pre and post-natal advice for expectant mothers in America. They include: 1. Information for expectant mothers, by Frank LeCocq Jr., and Albert Bostrom, Jr. (c.1959); 2. Instructions for expectant mothers (c.1959); 3. While I am waiting, (1960); 4. Mrs Winslows soothing syrup: for children teething, (c.1888); 5. Baby is king,(1890); Baby feeding made easier, (1956) accompanied by two pieces of ephemera \"It's the nipple that makes the nurser, the Davol No.155 Nipple...\" and \"Terminal sterilization of baby's formula; 6. Pre-natal care: what expectant mothers should know, compiled by Obstetrical Department of The Western Montana Clinic (c.1955); 7. Your baby's formula (1953, 1955); 8.How food helps mother and baby, for parents-to-be (1954); 9. Modern methods of preparing baby's formula: practical suggestions by doctors, nurses, hospitals and mothers, (1954); 10. More nearly perfect: when baby needs milk from a bottle (1934); and 11. Prenatal care (1949).","Addition 63 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets about women at work both in and outside the home. These include: 1.\"My busy week,\" Herrmann Hdkf. Co 1949; 2. \"When women work,\"[Washington, D.C.] : Women's Bureau, U.S. Department of Labor, 1921; 3. Trade card \"Armour's mince meat and canned meats, c.1890; and 4. Trade cards:  Two round cards depicting 19th century women and girls doing laundry washing by hand.","This addition (69) to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains fourteen pamphlets on the subjects of family planning, women's reproductive health, contraception, hildhood disease prevention, gender, religion, education, history published between 1892 and 1973. Many of these pamphlets were distributed as promotional materials by insurance or healthcare companies. ","The pamphlets are: \"Speaking of Birth Control\", \"Industrial Gems\", \"Keeping a Healthy Home\",   \"Protecting the Home Against Disease\", \"Giving Babies Nestle's Food\", \"Nestle's Better Babies\", \"Where Shall We Put the Baby?, \"Vanta Baby Garments\"[advertisement],\"Your Baby's Protection\", \"So You Don't Want to be a Sex Object\",\"Johnny Takes A Wife\", \"Baby Speaks Out on This Matter of Toilet Training\", \"The Power of a Woman\", and \"A Woman's Guide to the Methods of Postponing or Preventing Pregnancy\"","Addition 61 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on childhood growth and development and women's health.","These include: 1. Child culture before and after birth: truths of profound significance to parents and prospective parents, with illustrative examples from real life, Chicago: National Purity Association,|c.1895; 2. Caldwell, J.B., Pre-natal influences, Chicago: National Purity Association,c.1900; 3. Getting ready for baby, Bloomfield, New Jersey: Lehn \u0026 Fink, Inc.,1930; 4. Weeks, Mary Hezlep Harmon, How to tell the story of reproduction to very young children, 1910; 5. Mothers' clubs' and teachers' organizations' course of study, Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910 (2 copies); 6.) Wood-Allen, Mary, Great books for child instruction, Cooperstown, N.Y.: Arthur H. Crist Co.,c.1910; 7. Wood-Allen, Mary, Valuable books for parent and child (2 copies), Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910; 8. Stephens, Elizabeth L., Sacredness \u0026 responsibility of motherhood, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall,c.1910; 9. Stephens, Elizabeth L., Teaching Obedience, Cooperstown, N.Y., Crist, Scott \u0026 Parshall,:,c.1910; 10. King, E.A. The Cigarette and Youth, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall, c.1910;  10. What shall be taught and who shall teach it? 1907; 11. Mrs. J.H. Kellogg, Work as an element in character building, c.1907; 12. Rev. W.W. Cook, The father as his sons' counselor, 1907; 13.  Mary Wood-Allen, Confidential relations between mothers \u0026 daughters, c.1907,14. Mary Wood-Allen, When does bodily education begin?,1907, 15. P.M. Bruner, The integrity of the sex nature, 1907; 16. Mary Wood-Allen, A friendly letter to boys, 1907; 17. Preg-No-Matic: the scientific calculator that takes the guesswork out of rhythm, Bridgport, CT: Brooklawn-Park Laboratory, 1956-1957; 18. Mel Johnson. Going steady, 1964; 19. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1935; 20. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1939; 21.What every woman wants to know about personal hygiene; Cincinnati, Ohio: Hydrosal Laboratories,1926; 22. Marvel syringe: Whirling Spray for women, c.1900; 23. Healthy happy womanhood: a pamphlet for girls and young women, Springfield, IL: Illinois Dept. of Public Health, Division of Communicable Diseases, c.1938; 24.Sol Gordon, Ten heavy facts about sex that your friends don't know, illustrated by Roger Conant, 1971; 25. Charles A. Clinton, M.D, Sex behavior in marriage, undated, and 26.  M. Sayle Taylor, Ph. D., What's wrong with marriage?,1932.","This addition 13 (ViU-2023-0134)of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the teaching archive of Mrs. Florence Tuttle Baldwin of North Haven, Connecticut (Boxes 3-7). Florence was born in 1854, married in 1881, and died in 1926. She spent her career at the Sixth District School in New Haven, Connecticut. ","It is a large addition containing her teaching materials including her ruler (signed by her), book catalogs, lesson plans and educational books from map making to mathematics, grade book, periodicals, manuscripts poems and letters, art work, needlepoint, phonetical drill cards, flash cards, educational games, and family planning from 1899 to 1905.  ","\nIn addition to Baldwin's teaching materials, other materials include a drawing book entitled \"Our Chat\" with stories by Ella Smith and Audrey, Yvonne \u0026 Clifford Evans; publications on vertical writing (handwriting), \"Talks and Tales\"; and five England-published pamphlets from the 1950s discussing family planning practices and contraception. Titles include \"Modern Family Planning,\" \"A Planned Family,\" \"Planning a Family,\" \"The Planning of a Family\", and a Lloyd's Family Planning Centre pamphlet.","There is a 1934 New York-published pamphlet that discusses Zonite as a family medicine and feminine hygiene products. Titles include \"Another Zonite Product for Intimate Feminine Hygiene;\" \"Facts for Women;\" and \"The real meaning of Antiseptic in everyday family life.\" ","There is a flyer entitled \"Please Give A Quarter\" which promotes the Salvation Army's Fresh Air Camps published circa 1900. ","Also included is a dating book belonging to a young girl titled \"My Him Book\" which has categories of \"High School Hims,\" \"College Hims,\" \"Home Hims,\" and \"Movie Hims\" about her romantic interests, and denotes William Purdy as the \"best of all my beaus\" under the \"Wedding Hims\" section. ","Florence Eleanor Paget (1887-1965) was a professional nature illustrator and artist from England who studied under George Vernon Stokes, a British wildlife and landscape artist. She made these books when she was a young woman, roughly between 1900 and 1910. ","One oblong linen book is labeled \"Sketches\" in pencil on the rear cover, and the owner's signature is on the pastedown in the front of the book. Paget likely drew in the \"Sketches\" book when she was twelve or thirteen. The book has forty drawings in pencil and watercolors. The subjects include landscapes like Redcar Pier, Saltburn Cliffs, Kew Gardens, Etal Church, and Etal Castle, as well as many sketches of her dogs, observations of people, fruit, and fauna. Some drawings have captions that identify the place or provide a funny caption. ","The other is an oblong publisher's cloth binding in green with \"Flora\" stamped in gilt. The book  was likely created five to ten years after the \"Sketches\" book. Dried flowers and plants are artfully pasted down and numbered. She wrote the binomial names in cursive, opposite of the pasted-down plants. There are a total of six total entries. ","The books are mainly written in English, except for one sketch with a caption in French and the Flora books with scientific names in Latin.","Addition 20 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a Salvation Army \"Help the Children\" flyer from June of 1903 sent to raise funds for an outing for poor children in Columbus, Ohio. ","The outing was meant to \"bring some brightness, cheer and comfort into the lives of the poor children of the slums and crowded tenement districts.\" The plea was written by John M. Richards, Adjutant, and the flyer has a cartoon illustration of a children's parade as a decorative border. On the verso of the flyer is a letter written in German written by a woman from Columbus,  dated September 13, 1904.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building,  features one string-bound scrapbook with pasted photographs of dolls collected by Helen E. Perkins. Compiled between 1909 and 1939 by Perkins and Miss Frances Grier, the scrapbook features sixty-nine pasted photographs of dolls of varying origins. Each entry includes the doll's name, a number, their height, manufacturer, material, and place of origin. Nations that have dolls represented in Perkins's album include China, Denmark, Finland, France, Germany, Greece, Guatemala, Holland, Ireland, Mexico, Morocco, Portugal, Russia, and Sweden. ","The material culture of childhood aspect to this scrapbook gives  insight into the importance playing with these dolls to the two girls.  In several of the photos, they've created scenes with the dolls, even  placing them all on the stairs for a \"family portrait.\" ","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains three pamphlets: 1.) Natural Science Camp (Keuka Lake), 1905; 2.) Boy Conservation Bureau (New York, N.Y.) [1930]; and 3.) Teenage gangs, New York City Youth Board, 1957.","4 items were cataloged separately in the print collection: 1.) Playskool Toys, 1956; 2.) J.L. Hammett Company, School Supplies 1928-1929; 3.) The First Public Policy Seminar from a Black Perspective, 1972; and 4.)Stylish Apparel for Expectant Mothers Spring and Summer, 1920.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains six pamphlets and one poster related generally to child care. Titles included are 1. \"Trimble Helps For Mothers,\" 1940; 2. \"Narcotics and the Family,\"c.1970; 3.\"What your neighbors say: dream book compliments of World's Dispensary Medical Association, c.1910s; 4.\"How to take care of the baby: treatise on the care and feeding of infants,\" 1905; 5. \"Your Baby,\" 1942; 6. \"Baby Feeding Without Tears,\"c.1940s and 7.\"Correct posture guide,\" c.1955.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a commonplace book belonging to Ethel Shearer (1893-1952). ","Shearer was a prominent artist in the mid-twentieth century San Francisco scene, being one of the featured artists at the opening of the San Francisco Museum of Art and Oakland Art Gallery. She was a member of the Society of Francisco Women Artists. ","Her commonplace book was compiled when Shearer was between thirteen and seventeen years old between 1906 and 1910. The book includes invitations and greeting cards from Ethel's friends, newspaper clippings, clippings from various other media, Ethel's own handwritten entries, and pasted photographs. Drawings from Shearer are present throughout, calling to her future career as an artist. ","Additon 21 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets relating to childhood education and parenting. \"The Nursery Chair\" was distributed by Shepard, Norwell, and Co., Winter Street, Boston, and advertises various department store goods following a short story. \"Bradley's Kindergarten Material and School Aids\", published in 1906, advertises tools for learning shapes and colors, instruments for art, mathematical instruments, and standard inks, leads, etc. \"Food-The Teeth and Health\" discusses the ideal diet of a young person, published in 1930 by the City of New York Department of Health and Board of Education.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains leaflets issued by American motherhood magazine from 1907. They are: \"The Ideal Mother\" and \" Confidential Relationships between Mothers and Daughters.\"","Addition 15 of MSS 16758,  the University of Virginia Collection on Childhood, Parenting, and Family Building, contains twenty-five nursery rhyme handkerchiefs. ","Commonly tucked into story books, these were popular children's mementos between the 1910s and the 1960s. Most handkerchiefs are illustrated in full color and have sewn and colored borders. ","However, six of the earliest editions are printed in black and white or sepia with raw edges.Most examples have sewn and colored borders, besides the earliest examples featuring raw, uncolored trim. ","Seven color designs are by British children's illustrator Mabel Lucie Attwell; others are unattributed.  Stories depicted by Atwell include \"Little Miss Muffet,\" \"Ding-Dong Bell,\" \"Jack and Jill,\" \"Little Bo-Peep,\" \"Hush-A-Bye-Baby,\" \"Little Boy Blue,\" and \"Dickory Dickory Dock.\"","\"Going steady\" / by Daniel A. Lord;\nTonsils and adenoids: is your child handicapped?;\nGood habits for children /|cMetropolitan Life Insurance Company ; [prepared with the cooperation and advice of the National Committee for Mental Hygiene];\nHearing, Metropolitan Life Insurance Company;\nCommon childhood diseases, New York: Metropolitan Life Insurance Company,c[1946];\nMrs. Winslow's diet instruction book for the baby. New York: Anglo-American Drug Company|c[1922];\nCollection of Bank Street Publications pamphlets on early childhood education (35 pamphlets);\nKeeping the well baby well.Washington:U.S. G.P.O.,c. 1927;\nOut of babyhood into childhood: 1 to 6 years. Washington:U.S. G.P.O.,c. 1943;\nWhen your child's in the teens /by Edwina A. Cowan;\nYour child grows up,|cby Edgar A. Doll.[Boston],|b[John Hancock mutual life insurance Company],|1939;\nBetween two years and six / by Richard M. Smith; Boston : John Hancock Mutual Life Insurance Co., 1941.\nThe healthy school child.Boston, Massachusetts : Life Conservation Service of the John Hancock Mutual Life Insurance Company, [1940];\nCount down to discovery!--3- 2- 1-year olds : child development, unit 2 / Alice T. Teddlie. Baton Rouge : LSU Cooperative Extension Service, 1972;\nDiscover the wonderful world of 4 and 5 year-olds. Baton Rouge, La.: Louisiana State University Agricultural and Mechanical College, Cooperative Extension Service,| c[1976];\nThe Student advocate, New York: American Student Union,c1936-1938;\nA doctor talks to 5-to-8 year-olds /|cby Dona Z. Meilach in consultation with Elias Mandel; Chicag :Budlong Press Co.,c1967;\nThe care of the baby: prepared by a committee of the American Association for the Study and Prevention of Infant Mortality and presented to the Association at its annual meeting held in Washington D.C., November 14-17, 1913;\nYour child from one to six / U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, Washington, D.C : U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, 1945;\nYour child from 6 to 12, written by Mrs. Marion L. Faegre, Washington, D.C. :| Federal Security Agency, Social Security Administration, Children's Bureau,c1949.","This addition to MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a 9.5\" x 6.5\" wooden puzzle with a  wooden frame and a glass window titled the Silver Bullet: Or the Road to Berlin. ","Original metal ball and elements intact. Directions on the verso of the game.  British dexterity puzzle for a juvenile audience, made of wood and glass. The game's object is maneuvering a metal ball through a winding course, avoiding holes, to the Berlin area. Although the topography of the play suggests the trenches of the Western Front, at the time of the game's creation, the troops had not \"dug in.\" The title, Silver Bullet, suggests a quick victory and supports the view that the British public believed the war would be over by Christmas 1914.","Addition 25 of MSS 16758 The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains twenty-five printed ephemera, including pamphlets and advertising on topics include parenting, child development, sex education, public health, and care of pregnant inmates.","40 posters from the Hope of a Nation Poster Series","Feeding the majority of bottle babies.Mead Johnson \u0026 Co. of Canada, Ltd.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two items relating to scouting. The first is a broadside printing of the ten Girl Scout laws set among art nouveau illustrations from the 1930s. The second is a photo album compiled by a boy at Kerrville, Texas, with images of playing in the streets, swimming in the Guadalupe River, playing baseball, hiking, marching, and being at a local Boy Scout camp. The black cloth photo album contains fifty-two black and white photos, measuring 10 x 7 cm, with a caption on the album leaves. ","There is a  photograph of an African American man. (Caption reads, \"Uncle Allen\").","African Americans were often referred to as Uncle or Aunt even though they were not a family relative.They were denied use of courtesy titles.\"Aunt,\" as in \"Aunt Jemima,\" was the term used for older enslaved women in the South who were not allowed by their white owners to use the term Mrs or Miss. The same was true for Uncle, as in Uncle Ben's Converted Rice. Uncle was used for older enslaved men because they were not allowed by their white owners to use the term Mr. The African American in this photograph is referred to as \"Uncle Allen.\" It is important to recognize the use of these terms and confront the racism that is embedded in these white cultural terms.","Source:\nGreen, Mark. Do You Know Why Aunt Jemima is Called \"Aunt?\"\nWhy is Aunt Jemima racist? Here's exactly why. And I do mean exactly.\" Medium. Human Stories and Ideas. Acessed 7/17/2024.\nhttps://remakingmanhood.medium.com/do-you-know-why-aunt-jemima-is-called-aunt-5d111b0765a5","This collection consists of a handmade notebook titled Punctuation Party by Melba Tice. The book presents punctuations as characters with rhymes and cutouts from 19th-century editions of Alice in Wonderland and Through the Looking Glass, as well as contemporary advertisements, explaining punctuation rules. Some punctuation characters are not from Carroll, and their descriptions illustrate cultural viewpoints of the time period, including a racist depiction of a \"mammy' figure and a Clorinda Colon\" as an old maid figure.","Addition 2 of MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven hand-painted postcards presumably created by Elisabeth, the sender. The postcards, drawn in black ink, depict children playing outside: a child pushing another child's sled; two children talking under a tree in spring/summer; two children playing with a balloon; a girl having a picnic with a bunny; one older and one younger girl in the snow; an older girl on a swing; and a girl on a dock by a body of water. ","Two of the postcards have written messages and are addressed to Miss Henebry and Miss Camilla Cole. The cards are postmarked Mount Kisco, NY, July 14 and 15, 1922. Both are sent in the care of Graham Miles of Alexandria Bay, New York. ","Miles was a stockbroker and hydroplane racer. He married and divorced Louise Clover Boldt, the daughter of George and Louise Boldt, wealthy Philadelphians and owners of the Boldt Castle in the Thousand Islands. Miles and Boldt had a daughter, Clover Wotherspoon Miles, but Miles's connection to Elisabeth or the other children named is unclear.","Addition 18 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 7 pieces of pamphlets/ or ephemera. \"What every teenager ought to know\" by Abigail Van Buren; T\"urn this page and do as this little man does\" by Colgate \u0026 Co; \"Ways to keep well and happy: booklet for upper elementary grades \"by Ruth Strang; \"Keeping fit\" by the State Board of Health, Bureau of Venereal Disease, North Dakota; \"Family meals at low cost using donated foods\" by the US Dept. of Agriculture; \"The gas cook book for young people\"by Athens Store Works, Inc., Athens, Tennessee; and \"The picture and rhyme book.\"","Addition 16 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three advertising pamphlets that pertain to parents purchasing products for their children. \"The Tinies that Live in a Tube\" advertises toothpaste, \"Flibitty Jibblit\" advertises rennet powder, and \"The New Boss in the House\" promotes the Pittsburgh District Dairy Council. Each uses imagery of children and parents utilizing the respective product.","Addition 17 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets: \"The Science of Prenatal Astrology\" by Edwin S. McKeever; \"The Space Child's Mother Goose\" verses by Frederick Winsor and illustrations by Marian Parry. The third item is a pamphlet titled,\"Reducing the new common sense way\" about the Kryon method of reducing weight by Continental Pharmaceutical Corp. ","\"The Space Child's Mother Goose\" is a personal copy owned by Arthur Schulman, an Associate Professor of Psychology at the University of Virginia and one of the organizers of the American Civil Liberties Union in Charlottesville. ","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven signs used to warn the public about the spread of contagious diseases and institute quarantine for diseases like smallpox, measles, polio, and diphtheria.","Addition 4 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the American History Hektograph Posters. These are twelve individual monochrome printed poster sheets, measuring 12 X 9 inches,  featuring historical instances in American history. ","Published in 1926 by Beckley-Cardy Company, each scene is intended to be colored, likely by a child. Each scene features suggested coloring methods, a title for the event, and a brief synopsis of the instance below. Scenes are typical origin stories, colonizers, and dominant white narratives and are examples of the narratives taught in classrooms circa 1926. The scenes are numbered 1 through 12, with each respective number placed in the center under the title. Events depicted: 1 - \"Landing of Columbus,\" 2 - \"The Mayflower at Cape Cod,\" 3 - \"The Pilgrims Planting Corn,\" 4 - \"The First Thanksgiving,\" 5 - \"George Washington's Early Home,\" 6 - \"Signing of the Declaration of Independence,\" 7 - \"Washington as President,\" 8 - \"Lincoln Studying by Firelight,\" 9 - \"Lincoln Writing His Inaugural Address,\" 10 - \"The Gettysburg Address,\" 11 - \"Grant Made Commander In Chief,\"  and 12 - \"Digging the Panama Canal.\" ","\"Red Man\" and a Native American \"wearing his bright [British] red coat with great pride\" suggests the presence of reparative content. \"","This addition to  MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building collection, contains one brad-bound scrapbook with a \"HYGIENE\" stencil cut from the paper on its cover. The content discusses healthy living practices for young girls. Entries feature drawings, pasted images, newspaper articles and clippings, handwritten queries on health, and ideas on diet and grooming practices. There are 49 \"chapters,\" each no longer than two pages. The corresponding pages for each chapter are presented in a table of contents at the beginning of the book.","Addition 57 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to teenagers, parenting, and sex education. These include: 1.) The school lunch, Battle Creek, Michigan:|bEducational Department, Postum Company, Inc., (1928); 2.) Sex in life: young men, by Dr. Douglas White (1933); Sex in life: young women, by Violet D. Swaisland (1933); 3.) What parents should tell their children (1933);  4.) Starting to school in Kingsport, Kingsport, Tennessee, Kingsport City Schools (1953), 5.) How life goes on and on:  story for girls of high school age, y Thurman B. Rice (1937); 6.) When children ask about sex, by the staff of the Child Study Association of America. Foreword by Marianne Kris (1953);  7.) Woman against myth, by Betty Millard (1948); 8.) The teacher and mental health [prepared by the National Institute of Mental Health] (1955); 9.)The safety zone:|ba frank talk with women concerning their personal problems (1940), 10.)Teen-agers and parties, Ernest F. Miller (1960), 11.) Tips for teeners  by Antoinette Donnelly (c.1950); 12.) Think straight before you date, D.F. Miller. (1959); and 13) Teen-agers and dope, Howard Morin, C.SS.R. (1957)","Addition 5 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single press photograph from the children's clinic at the ridge avenue dispensary in Philadelphia in the 1930s.  The photograph is a group photograph of Black nurses and children in a clinical setting. A typed caption is affixed to the top right edge of the picture. No photographer or studio is noted.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a pamphlet titled Strong bodies sound minds: some health hints for the school-day years (c.1930).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on public health topics including syphilis and sex education. These include: 1. Management of syphilis in general practice, Joseph Earle Moore, in collaboration with: Harold N. Cole [and others], 1938; 2. Genitoinfectious disease control in Massachusetts, prepared by The Massachusetts Department of Public Health co-operating with the United States Public Health Service, 1940; 3. The diagnosis of syphilis by the general practitioner by Joseph Earle Moore, M.D., 1938; 4. Syphilis in mother and child,by Harold N. Cole and Philip C. Jeans, in collaboration with Joseph Earle Moore ... [et al.], 1940; 5.Your baby and the blood test law, Ernest B. Howard, M.D., c.1939; 6.Clinical excerpts, 1942; 7. Sex education for the preschool child by Harold E. Jones and Katherine Read, 1941; 8. Sex education for the ten year old /|cby M. Marjorie Bolles, 1941; 9. Sex education for the adolescent. by George W. Corner and Carney Landis, 1941; and 10. Sex education for the woman at menopause by Carl G. Hartman, 1941.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the publication of an educational booklet titled \"The Story of Sex Hormones,\" produced by the Schering Corporation, an American pharmaceutical company. The pamphlet was distributed at the Hall of Science at the Golden Gate International Exposition at an informative display called \"Hormone Woman.\" It briefly outlines recent advances in endocrinology and offers illustrated explanations of menstrual cycles and sex hormones, as well as a short description of menopause.19 cm","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a sample book titled \"Kiddie flowers\" consisting of eight mounted samples of floral fabric potentially for children's clothing.","Addition 24 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet for the Davis Home for Colored Children 34th Anniversary located in in Pittsburgh. This promotional booklet is for the  \"34th Anniversary\" of the Davis Home, a temporary home and day nursery for African-American children. Also of note in the booklet are advertisements for what are likely Black businesses that supported the home. \n \n   Note says, \"This book is dedicated to my mother, Mrs. Fannie Louis Davis, who was the founder of the Davis Temporary Home and Day Nursery in 1907, and organizer of the Colored Women's Relief Association of Western Pennsylvania in 1909. To my wife, Mrs Louise Scott Davis, President of the Davis Home for Colored Children, who has been loyal and faithful in giving her life toward the advancement of this home. To my friends, who have contributed to this Home in any way they could. Finley T. Davis, Business Manager.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains Paul Kenton Conrad's childhood cartooning album and scrapbook. The sketchbook, a string-tied leatherette album, documents a young boy's self-guided attempts to develop cartooning skills. Cut-out tutorials from Frank Webb's \"How to Make Faces\" are mounted on the album's early pages, with attempts in pencil to follow their instructions. Midway through, Conrad branches out from these copies into creating his original subject matter, including army airplanes, sheriffs, pistols, cowboy hats, and a series of one-panel strips titled \"Stuff that's funny.\" The artist, a Pittsburgh native who settled in Honolulu, would later become a successful lounge pianist and musician of some note in the 'Exotica' genre, releasing one well-received album (\"Exotic Paradise\").","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet titled \"Growing Up in the World Today: for Boys and Girls in the Teens\" by Emily V. Clapp.(1946)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets for parents and teachers about puberty and sex education. ","Titles include 1. \"Sex Behavior and sex interest in Children,\" by Louise Bates Ames (1952); 2. \"When children ask about sex,\" by the staff of the Child Study Association of America, Sidonie M. Gruenberg [and others] Anna W.M. Wolf, editor, (1946); 3. \"Preparation for puberty: a sex education manual for parents and teachers,\" written by Mrs. Linda K. Teller, illustrated by Mrs. Dorothy Teeters (1965); and 4. \"Sex education in the home,\" Georgia Department of Public Health, (c.1950).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a chart of hormone interrelation upon which the film \"The physiology of normal menstruation\" is based. Printed in green and black, full color chart. 1 sheet folded to 8 unumbered pages. 23x62 cm folder to 23x16 text.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains  a set of twelve offprints titled \"Your baby at [1-12] months.\" There are twelve pamphlets, one for each month of a baby's first year of life. Reprinted from Baby Talk, published by the Parenting Group, New York, N.Y.Author: Beulah Sanford France (1891)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a spiral-bound sketchbook belonging to an unnamed art student, most likely living in New York City. Page one of the sketchbook details the student's assignment: \"DUE - 300 by June 2nd, Marked Chronologically.\" Traces of what may be an owner's name and grades of \"B\" and \"B+\" are written on the cover. Each sketch is numbered in pencil and is stamped between March and June 1952. The sketchbook's seventy leaves have drawings only on the recto. Drawings are completed in pencil, ink, and crayon.  This student's sketches are primarily figure studies of those in transit on the subway. Other scenes include a roller derby skater, pin-up figure, river traffic with a bridge, a parked car, a cat, and exotic animals.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a handmade fundraising appeal concertina album to the artist Oskar Kokoschka. The book was created by design students at the Modeschule der Stadt Wien (Fashion School of Vienna). In 1946, the school relocated to Schloss Hetzendorf, an eighteenth-century palace that sustained significant damage during the Second World War.Students were pressed to raise money for their art supplies amid the renovations. This fundraising appeal was addressed to exiled Austrian artist Oskar Kokoschka, known for his contributions to expressionism. The album contains hand-cut stencil letters, hand-colored illustrations, and collages of paper, felt, yarn, tin foil, leather, and chipboard. The book reads: \"Dear O.K. [Oscar Kokoschka] / if we would have brushes and colours to paint / coloured paper for handykraft / wools to weave / leather for gloves and bags / felt for millinery/magazines to get suggestions / spezial [sic] books for library/material for dressmaking / then all would be OK. Photographs of the students at rest and at work sewing, trimming, painting, weaving, and drawing are pasted on the verso of each collage. Kokoschka fled Vienna, Austria under the Nazi regime and never returned. It is unknown whether he responded to this appeal from the Modeschule students.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet titled Your Child's Development - Infant to 16 years.","\"This booklet is based on recent studies at the Gesell Institute. Dr. Arnold Gesell, the Institute's research consultant and a household word to parents, founded the Yale Clinic of Child Development, which he directed for 37 years. Today, Dr. Gesell and his collaborators, Dr. Frances L. Ilg, a pediatrician, and Dr. Louise Bates Ames, a psychologist, carry on the pioneer work of the institute.\"","Published by Good Reading Rack Service, Inc., a division of Geffe, Morton \u0026 Griffiths, 76 Ninth Avenue","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains an  original calligraphic manuscript of thirty variously colored linocuts, each by a different girl from a class at St. Helen's Norwood, London. Each linocut has the student's name below in ink. The contents are handwritten verses of Benedicte Omnia Opera. The title page notes, \"Lettered, illustrated and bound by all the members of IVA.\" The endpapers are also original handpainted images of angels. Bound in original black cloth at the school by L. Hardy, D. Lines, and J. Scarth.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single pamphlet titled \"Doors to Open\" by Ellis Gladwin and Rama Braggiotti (illustrator) published by the Connecticut Mutual Life Insurance Company. It is written as a guide for young people but specifically addresses men embarking on college life and advises on new life changes in the context of conservative social constructs of the mid-twentieth century. Sixth in a series of booklets that dealtwith the tensions of everyday life.","Each segment has a hypothetical person encountering specific issues like overcoming shyness and finding social niches. Towards the end of the booklet, a piece titled \"Girl of My Dreams\" is a thinly veiled reference to a young man questioning and discovering an LGBTQIA+ identity. The advice is negative and clarifies that the hypothetical person should stifle these questions and stick to a hetronormative lifestyle, stating \" \"George is very unhappy, [and] needs help to cope with these festering needs. Otherwise, he may settle for a dim life, arrested by a succession of psychosomatic illness.\" ","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building,  contains a game titled \"Judy's Neighbors: Negro Family.\" It includes two dimensional pressed wood figures of an African-American family including mother, father, daughter, and two sons. There are also stands for the figures. Judy's Neighbors was released sometime between 1963 and 1964.This was part of a series and was sold individually and in sets. Teachers used the game to encourage racial diversity.","Addition 14 of MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building contains two promotional posters (22\"X6\") for the 1965 and 1967 New York Children's Book Week. The art of Caldecott Medal-winning illustrator Barbara Cooney made the artwork for the 1965 poster. The illustration depicts a fox carrying a stack of books with a crow overhead, looking down at the fox perched from a branch with the words \"Sing out for Books\" in French. The other poster from 1967 contains a linocut illustration of hot air balloons with a floating banner reading \"Take Off With Books.\" Marcia Brown, the only triple Caldecott Medal winner, made the art for this poster.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a photo album for the Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","The photographs document the center's daily operations, including staff and children, and special events, including several photographs of its graduation ceremony and a special \"Father of the Year\" award presentation for the fathers of the \"graduating class.\" The center closed permanently in 2005.","This addition (23) contains a three-fold pamphlet titled, \"A Report of a Conference on Day Care and the Working Mother\" for the Morris Child Development Center: State of Michigan Pilot program.","Addition 6 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains materials collected and produced by the Bilalian Child Development Center and the Developing a World for All Humanity (DAWAH) in Highland Park, Michigan. The Bilalian Child Development Center was incorporated as a non-profit agency in 1977 and appears to provide community services and educational services for the community.  The DAWAH is an institute developed by a group of African-American Muslims in Michigan to develop an effective DAWAH program in America.  ","Contents include an advertising and enrollment form, two brochures for the Bilalian Center, and another for the DAWAH Institute in Highland Park. Also included are the contents of a binder for the DAWAH Institute. Separated by subject tabs, materials include handwritten notes and a typed agenda for the First National Meeting of the DAWAH Institute, an application of employment to the Institute, papers on Community Services, the A.B.C.D. Savings Program, a photocopy of a Western Union Mailgram to President Ronald Reagan, papers on the Food Co-Op \u0026 Gardening club, Home Garden booklet from the 4-H Youth Programs, Fundraising and Grantsmanship, invitations, brochures, news releases, educational programs, news clippings, and a curriculum statement.","Addition 22 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 21 handbills and handouts on HIV and AIDS and LGBTQ health concerns for teens.","Some guidelines to follow in talking to teens about sex and AIDS/STD's -- Where do mermaids stand (From: All I really need to know i learned in kindergarten by Robert Fulghum) -- Bi-Friendly #40, October 1991, San Francisco, East Bay, and U.C. -- 1991 Fact Sheet / State of California Department of Health Services AIDS Prevention and Follow up Centers Early Intervention Program -- Continuing Education Questionnaire -- Continuing Education Agenda / UCSF AIDS Health Project, San Francisco, CA -- Antiviral AIDS drugs in the pipeline, 1991 -- Fact Sheet 1991 / [San Francisco] -- Syphilis Rate Soaring Among S.F. Teenagers / by Nanette Asimov, Chronicle Staff Writer -- Indications for Encouraging Counseling and Testing for Adolescents -- Special Programs for youth consent form for HIV testing -- Special programs for youth pre-test counselor sign-off sheet for informed consent -- A.T.S. Recommendations for youth and young adults / Adolescent HIV Coalition -- Referral list for HIV+ youth and young adults / prepared by Michael Baxter, Adolescent HIV Coalition Chair, San Francisco -- Youth and the HIV antibody test -- Project ahead / [San Francisco Health Clinics] -- Crisis alert: African American youth and HIV/AIDS / by W.J. Brandy Moore -- Some of the barriers that Latino/adolescents can encounter if they do seek health care and related services for HIV/AIDS / presented by Marisa Davis, Aids Health Project -- Counseling high risk youth / Ken Dunnigan, M.D. April 28, 1988 -- Youth and HIV: no immunity / Jane Shalwitz, MD and Ken Dunnigan, MD, circa 1983 -- Normal adolescent development / Parent Survival Kit, Denise Phelan-Desmond, Luanna Rodgers, Mary Isham, et. al. -- The ten mos asked HIV-Insurance questions / reprinted by AIDS Project, Los Angeles ©1988","Addition 8 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a signed broadside print (11 X 8.5 inches) titled \"My Life Matters\" by the artist and muralist LMNOPI. ","The signed print based on muralist LMNOPI's wheat-pasted street art, is originally produced in response to the Ferguson protests. Artist LMNOPI writes: \"This painting was inspired by the Black Lives Matter movement which originated in Ferguson, Missouri last year in response to the police murder of Mike Brown. I have been doing a series of street paste ups around this movement.\" ","LMNOPI found this image of a young protestor online, eventually identifying the child as a boy named Myles. The image of Myles warily clutching his protest sign (#DontShoot #Ferguson #YourLifeMatters), pasted up on the door of an a condemned factory in Bedford-Stuyvesant, became part of the community: \"The wheatpaste of Myles was much loved by local residents. Often I would observe people taking photos of it on their way to work. I saw many people post it on Instagram. It even survived a local graffiti bomb squad who came through last winter during a snowstorm. They tagged up the entire wall, but did not touch Myles.\" ","Source from LMNOPI's website: lmnopi.com/my-life-matters.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one handmade child's artist book based on Samuel Roger's Poem \"Address to the Butterfly.\"","Unidentified youth creates a story beginning with a cardboard hand-cut apple; as the story progresses, a cardboard cut-out worm escapes the apple and begins to \"eat\" the pages before cocooning and then emerging as a pop-up butterfly.  ","Crudely bound with black leather over boards; a window cut out of the front cover allows the painted apple on page [1] to show through. ","A small pocket mounted inside the back board holds five cards printed with Samuel Rogers' poem \"To the butterfly.\"  The pocket is stamped with \"Address to the butterfly, Samuel Rogers.\"","This addition to MSS16758, University of Virginia History of Childhood, Parenting, and Family Building, contains thirty-four pamphlets on various topics, including puberty and sexual development, childhood diseases, motherhood, birth control, and nutrition.\nList of items:\n A Story About You, by Marion O. Lerrigo [and] Helen Southard [in consultation with] Milton J.E. Senn.\nFinding Yourself, by Marion O. Lerrigo, Helen Southard; medical consultant, Milton J.E. Senn.\nApproaching adulthood, by Marion O. Lerrigo, Helen Southard [in consultation with] Milton J.E. Senn.\nHow to use My Bookhouse, Miller, Olive Beaupré, editor.\nScarlet Fever, Metropolitan Life Insurance Co. (c.1925)\nScarlet fever. Metropolitan Life Insurance Company (1940)\nWhooping cough.Metropolitan Life Insurance Co.(c.1930s)\nWhooping cough.Metropolitan Life Insurance Co.(1921)\nVaccination protects you against smallpox. Metropolitan Life Insurance Co. (c.1926)\nFor your information about Rheumatic Fever.Rheumatic Fever Foundation, 20-30 International,(c.1956).\nMeasles and their prevention. Richmond, Virginia, State Health Department (c.1965).\nCommunicable diseases in Virginia: mumps.Virginia, Commonwealth of Virginia Department of Health (c.1967)\nTraining is fun with Little Toidey. Juvenile Wood Products, Inc.,(c.1938)\nSmallpox is still here. Metropolitan Life Insurance Company, (c.1939?)\nRickets \u0026 scurvy. Metropolitan Life Insurance Co. (c.192-?)\nGood teeth: how to get them and keep them. Metropolitan Life Insurance Co. (c.1900s)\nYour baby book.Wyeth Laboratories, Division American Home Products Corporation, (c.1962)\nWomen who go to school.Washington, D.C.National Congress of Parents and Teachers (c.1945)\nChildhood diseases. Prudential Insurance Company of America (c.1966)\nThe prize winner. M.L.I. Co. Press (c.1935?)\n52 bones in a terrible hurry.The May Co.(c.1950's)\nHeight and weight tables for Children-Borden Dairy. The Borden Company (c.1920's)\nVariety gives nutritional balance. Stokely Van Camp, Inc. (c.1950's)\nA better start in life with meat.Nutrition Division, Research Laboratories, Swift \u0026 Company,(c.1950's)\nTummy tingles by Josephine Beardsley; illustrations by Marjorie Peters. (c.1937)\nLydia E. Pinkham's private text-book:  ailments peculiar to women. Lydia E. Pinkham Medicine Co. (between 1878 and 1940)\nMy views on birth control by Dr. B. Goodman. (c.1944)\nWedlock and birth control: straightforward talk on a momentous and delicate subject by Dr. Grayling Stewart (c.1950?)\nA Book about birth control written by Donna Cherniak ; edited by Shirley Pettifer (c.1984)\nThe age of romance. American medical Association (1933)\nQuestions and answers about intrauterine devices.Planned Parenthood Federation, Inc.(c.1970)\nSecrets married women should know.America's Medicine (c.1930?)\nThe new germcide Hyomei: positive cure for coughs, bronchitis, asthma, and consumption.The R.T. Booth Company (c.1906)","The following books have been transferred to the library collection: List of titles\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\nThe new family / Virginia. Bureau of Child Welfare.\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families","This collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request.","Albert and Shirley Small Special Collections Library","Musinsky Rare Books","Plymouth (England)","HMNB Portsmouth (England)","Bluemango Books and Manuscripts","Sophie Schneideman Rare Books","Whitmore Rare Books","Salvation Army","Ellipsis Rare Books","Tomberg Rare Books","King, James","Weeks, Richard Cumming","Dugdale, Florence Eleanor Paget, 1887-1965","English German French"],"unitid_tesim":["MSS 16758","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1482"],"normalized_title_ssm":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"collection_title_tesim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"collection_ssim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["This collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials."],"access_subjects_ssim":["Children","Children's art","postcards"],"access_subjects_ssm":["Children","Children's art","postcards"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good"],"extent_ssm":["7.5 Cubic Feet 12 document boxes, 2 os boxes and 1 cubic box"],"extent_tesim":["7.5 Cubic Feet 12 document boxes, 2 os boxes and 1 cubic box"],"genreform_ssim":["postcards"],"date_range_isim":[1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eSome restrictions may apply due to fragile condition of paper dolls.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request. The sketchbook is availble for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","Some restrictions may apply due to fragile condition of paper dolls.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request. The sketchbook is availble for research.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","This collection is open for research.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThere are 23 pamphlets associated with this collection but 9 were removed for print cataloging. Rose Oliveira-Abbey: No.1, 3, 4, 5, 10a, 10b, 11a, 11b, and 11c on the invoice cataloged as print. See invoice in Control folder for Invoice/PurchaseOrder for titles.\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\n\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["There are 23 pamphlets associated with this collection but 9 were removed for print cataloging. Rose Oliveira-Abbey: No.1, 3, 4, 5, 10a, 10b, 11a, 11b, and 11c on the invoice cataloged as print. See invoice in Control folder for Invoice/PurchaseOrder for titles.\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\n\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families"],"bioghist_html_tesm":["\u003cp\u003eJane Elizabeth \"Jennie\" Hoyt-Stevens was born in Concord, Massachusetts to Sewell Hoit (1807-1875) and Hannah Elizabeth Hoyt, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907.She encouraged a younger generation of women in their medical careers, including Mary Runnells Bird, and donated her family home, (\"impressive mansion\"), to the use of the New Hampshire Congregational Conference, reserving \"a small upstairs apartment\" for her own use.\u003c/p\u003e\n","\u003cp\u003eIn 1906, she represented the New Hampshire Medical Society as a delegate to the International Medical Congress in Lisbon, and traveled in Spain and North Africa during that trip. She met Gandhi during an extended visit to India, and published writings about her impressions of him in 1931. She adopted a son in Spain, named Abelardo Linares. She died in 1933, in Concord, New Hampshire, at the age of 72\u003c/p\u003e\n","\u003cp\u003eThe mathematical fraktur may have belonged to Elizabeth Urban as a gift from her tutor, A. G. Lees in Conestoga Township, Lancaster County, Pennsylvania. Elizabeth Urban was born on July 22, 1795 in Conestoga to George Urban (1740-1843) and Barbara Keagy (1743-1828). Educational frakturs are very rare.\u003c/p\u003e","\u003cp\u003eMorris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.\u003c/p\u003e","\u003cp\u003eBilalians is a name used by early African-American Muslims. It refers to Bilal, a former Black enslaved person of Muhammad. Bilal's importance as the first Muslim muezzin, his ardent support for early Islam, and his favored status under Muhammad made him an important symbol of Black honor and dignity, major themes of early African-American Islam.\u003c/p\u003e\n","\u003cp\u003eThe Da'wah Institute (DIN) is the research and public enlightenment department of the Islamic Education Trust (IET) which has its headquarters in Minna, and Zonal Coordinators across Nigeria and West Africa. Its mission is to \"strive in the capacity building and empowerment of other Islamic organizations and individuals involved in facilitating the correct understanding of the message of Islam.\"\u003c/p\u003e\n","\u003cp\u003eSource: \nOxford University Press. Oxford Reference. Accessed 7/18/2024\nhttps://www.oxfordreference.com/display/10.1093/oi/authority.20110803095505567\u003c/p\u003e\n","\u003cp\u003eDa'wah Institute of Nigeria Accessed 7/18/2024\nhttps://dawahinstitute.org/dawah-institute-nigeria-din/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Jane Elizabeth \"Jennie\" Hoyt-Stevens was born in Concord, Massachusetts to Sewell Hoit (1807-1875) and Hannah Elizabeth Hoyt, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907.She encouraged a younger generation of women in their medical careers, including Mary Runnells Bird, and donated her family home, (\"impressive mansion\"), to the use of the New Hampshire Congregational Conference, reserving \"a small upstairs apartment\" for her own use.","In 1906, she represented the New Hampshire Medical Society as a delegate to the International Medical Congress in Lisbon, and traveled in Spain and North Africa during that trip. She met Gandhi during an extended visit to India, and published writings about her impressions of him in 1931. She adopted a son in Spain, named Abelardo Linares. She died in 1933, in Concord, New Hampshire, at the age of 72","The mathematical fraktur may have belonged to Elizabeth Urban as a gift from her tutor, A. G. Lees in Conestoga Township, Lancaster County, Pennsylvania. Elizabeth Urban was born on July 22, 1795 in Conestoga to George Urban (1740-1843) and Barbara Keagy (1743-1828). Educational frakturs are very rare.","Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","Bilalians is a name used by early African-American Muslims. It refers to Bilal, a former Black enslaved person of Muhammad. Bilal's importance as the first Muslim muezzin, his ardent support for early Islam, and his favored status under Muhammad made him an important symbol of Black honor and dignity, major themes of early African-American Islam.","The Da'wah Institute (DIN) is the research and public enlightenment department of the Islamic Education Trust (IET) which has its headquarters in Minna, and Zonal Coordinators across Nigeria and West Africa. Its mission is to \"strive in the capacity building and empowerment of other Islamic organizations and individuals involved in facilitating the correct understanding of the message of Islam.\"","Source: \nOxford University Press. Oxford Reference. Accessed 7/18/2024\nhttps://www.oxfordreference.com/display/10.1093/oi/authority.20110803095505567","Da'wah Institute of Nigeria Accessed 7/18/2024\nhttps://dawahinstitute.org/dawah-institute-nigeria-din/"],"odd_html_tesm":["\u003cp\u003eThis material contains references or imagery involving racism. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e"],"odd_heading_ssm":["Content Warning"],"odd_tesim":["This material contains references or imagery involving racism. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 1, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia Collection of the History of Childhood, Parenting, and Family Buiding, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, 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Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 19, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 36, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 9, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 43, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 63, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 69, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 61, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 13, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of 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66, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 41, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 21, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building \nAddition 46, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, the University of Virginia Collection on Childhood, Parenting, and Family Building Addition 15, Albert and Shirley Small Special Collections Library, 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Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 30, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 2, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 18, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 16, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 17, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 55, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia History of Childhood Collection, Parenting, and Family Building, Addition 4, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 29, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758,  University of Virginia Collection on the History of Childhood, 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Collection on the History of Childhood, Parenting, and Family Building Addition 6, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 22, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 8, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 50, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 32, University of Virginia Library, Albert and Shirley Small Special Collections Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 1, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection of the History of Childhood, Parenting, and Family Buiding, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 31, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 59, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 39, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16748, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, Addition 70, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 11, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 40, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 35, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 7, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 12, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 25a, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 60, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 51, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 42, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 19, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 36, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 9, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 43, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 63, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 69, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 61, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 13, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 67, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 20, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 33, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 56, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 66, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 41, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 21, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building \nAddition 46, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, the University of Virginia Collection on Childhood, Parenting, and Family Building Addition 15, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 34, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 27, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 25, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 10, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 30, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 2, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 18, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 16, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 17, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 55, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia History of Childhood Collection, Parenting, and Family Building, Addition 4, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 29, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758,  University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 57, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building-Addition 5 African American Nurses and Children photograph at the Ridge Avenue clinic in Philadelphia, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 45, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 62, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 65, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 38, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 24, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 28, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 48, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 49, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 64, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 47, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 68, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758 , The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 71, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 44, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 54, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 37, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 26, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building Addition 14, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 58, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection of the History of Childhood, Parenting, and Family Building Addition 23, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 6, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 22, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 8, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 50, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 32, University of Virginia Library, Albert and Shirley Small Special Collections Library."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also Series 4 \"A Report of a Conference on Day Care and the Working Mother\" material from the Morris Child Development Center Addition 23\u003c/p\u003e","\u003cp\u003eSee also Series 4 Addition 58 Photograph album of the Morris Child Development Center\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials"],"relatedmaterial_tesim":["See also Series 4 \"A Report of a Conference on Day Care and the Working Mother\" material from the Morris Child Development Center Addition 23","See also Series 4 Addition 58 Photograph album of the Morris Child Development Center"],"scopecontent_html_tesm":["\u003cp\u003eThe University of Virginia Collection on the History of Childhood, Parenting, and Family Building is an artificial collection and periodic additions are expected.\u003c/p\u003e","\u003cp\u003eAddition 53 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one calligraphy manuscript of Hans Rudolf Gujer from Wermatswil, Switzerland. The book contains thirty-seven leaves in landscape format, in various colored inks and watercolor, with some use of gouache. \u003c/p\u003e\n","\u003cp\u003eIt also includes seven large original drawings; one is in pen-and-ink, and six are ink and watercolor; three pages of alphabets; most other pages have three compartments including ornately decorated capital initials, floral, figurative, and abstract ornamental borders and infills throughout; one page with music, and one with micrograph. The last leaf contains a full-page colophon of calligrapher:  \"Von Mir geschriben, Hans Rudolf guier, Zu Wermmet-schweil, 1750,\" with marginal calligraphic addition noting his age at the time of writing, \"mein alter war 20 jahr.\" \u003c/p\u003e\n","\u003cp\u003eThe German texts of the album are religious: biblical quotations, prayers, and other devotional texts. Gujer was a relative of Jacob Gujer, a celebrated \"philosopher farmer.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one handmade picturebook of hand-colored engraved cutouts. A later inscription on the front pastedown reads, \"Fait par la baronne de Chalancey née Delcey pour as fille Clémence devenue Ctsse d' Esclaibes d'Hurst.\" The book was was created by the Baroness de Chalancey for her little girl Clemence, born in 1797.  \u003c/p\u003e\n","\u003cp\u003eFrancoise Marie Gabrielle Delecey de Changey, who went under the nickname Fanny, was born in 1769 in Langres, Haute-Marne; she married Baron Jean-Francois Bichet de Chalancey in 1791, whose chateau in Chalancey was 30 kilometers from Langres.  Their first child, a boy, died in 1796 at four; a daughter, Clemence, was born the following year.  Fanny lived to age 77, and Clemence survived her mother by 20 years. \u003c/p\u003e\n","\u003cp\u003eThe book starts with la maison, the home, and it shows people, trades, activities, places, architectural details, animals, concepts, fictional characters, and various household people in various activities.\u003c/p\u003e","\u003cp\u003eIndenture between Richard Cumming Weeks, the son of a plumber and brazier, to serve as an apprentice shipwright to James King, a shipwright at His Majesty's Dock in Plymouth, England in 1802.\u003c/p\u003e\n","\u003cp\u003eThe contract sets out conditions of Weeks' seven-year apprenticeship and his wages of five shillings per quarter to start with and a note signed by James King, increasing his wages to to \"twelve shillings for single time\" and to \"one Pound a quarter for double time\" in 1804  Signed by Richard, his father, and by two Dock officials, with embossed revenue stamps. The indenture measures 40X 33 cm/ 15.75\" X 13\".\u003c/p\u003e","\u003cp\u003eThis addition 1 of the collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. \u003c/p\u003e\n","\u003cp\u003eWhile the collection spans from the 1830s to the 1960s, the bulk date between 1880 and 1925. \u003c/p\u003e\n","\u003cp\u003eCategories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and instruction manuals given to parents or teachers on child welfare.\u003c/p\u003e","\u003cp\u003eThis collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. \u003c/p\u003e\n","\u003cp\u003eWhile the collection spans from the 1830s to the 1960s, the bulk dates are between 1880 and 1925. \u003c/p\u003e\n","\u003cp\u003eCategories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps, Ocean parties; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and a government child welfare manual that gives instruction to parents or teachers on child welfare, child needs and development.\u003c/p\u003e","\u003cp\u003e1st part of MSS 16758. Twenty-three pamphlets about puberty for women. Some are directed toward mothers, while others are created specifically for daughters. Dates range from 1933 to 1981. \u003c/p\u003e\n","\u003cp\u003eEarlier pamphlets discuss the process through storytelling, while later examples utilize more medical terminology. \u003c/p\u003e\n","\u003cp\u003eTitles include \"Marjorie May's Twelfth Birthday\" \"Very Personally Yours,\"  and \"Growing Up and Liking It.\" All pamphlets are illustrated; some have calendars others have quizzes. \u003c/p\u003e\n","\u003cp\u003eEach pamphlet was published by a manufacturer of women's sanitary products:  Holland-Rantos Co., International Cellucotton Products Co., Kotex (Kimberly Clark), Modess, Personal Product Corporation, and TeenForm. \u003c/p\u003e\n","\u003cp\u003eIncluded in folder 3 are two Kotex print blocks, used to illustrate their product packaging in marketing materials. This is part of an artificial collection, ie a  collection of materials with different provenance assembled and organized to facilitate its management or use.\u003c/p\u003e","\u003cp\u003eThe resolution was passed at a public meeting on August 15, 1838. The resolution discusses the establishment of an infant school. It further describes how education benefits children in the whole community by establishing a desire to learn in children. The pamphlet also notes that parents will be free during the day to work when children are in school, showing a shift in the economic role of mothers.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., contains the artworks of two sisters from Maine, Mary A. Hackett (1830-1908) and Nancy F. (1825-1883) Hackett. The works include watercolors, prose, a reward of Merritt, and two cartes de visite of their great-grandfather Hacket and Aunt Mary Hacket. \u003c/p\u003e\n","\u003cp\u003eThe sister's parents were William Hackett (1780-1869) and Lydia Dutch (1793-1898).  Nancy married Nathaniel Thompson. Census records indicate Mary never married and, as an adult, lived with Nancy in Kennebunk, Maine.  Mary attended Union Academy and Nancy attended Limerick Academy.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains one handmade juvenile manuscript titled The History of Little Fanny. Dated to March 24, 1849, the book features eleven pages of text with a watercolored cover. A set of seven watercolored paper dolls is in the accompanying slipcase, with each corresponding to a section of the written story. The reader can enact the tale throughout the story by changing Fanny's head between the paper costumes to illustrate her progress.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one volume of an anonymous bereavement commonplace book, dated 1856 and 1874. The manuscript consists of ninety-eight pages of writing, with the rest left blank. The manuscript contains writings by three different women. The first (and most extensive) is by an unnamed governess who writes of the loss of a child in her care, Harry. Her spidery handwriting is even and accomplished, and her use of \"thee\" and \"thou\" throughout suggests she may have been a Quaker. For thirty pages, she expresses her heartfelt love for the child and her grief during Harry's decline. She describes her memories of the boy and his siblings and details the boy's last illness, of about six days' duration, and death.  \u003c/p\u003e\n","\u003cp\u003eThe following forty-eight pages include bereavement verses including poetry, both original and copied from published works, segments of stories, and verses from the bible.  within these pages, the Governess left three pages blank; on the first of these blank pages, \"M.E.G.\" [later identified as Mary E. Grote] wrote about the death of her firstborn son, \"Ernie,\" whose father was Ernest William Davis. In the first line of her text, Grote refers to the manuscript itself as \"this choice collection.\" \u003c/p\u003e\n","\u003cp\u003eThe verse then continues in the governess' hand. Until another passage by Mary Grote appears. It is a five-page memorial titled \"To Ernie,\" dated August 30th, 1874. It is possible that Grote's earlier one-page passage may have been written in 1874. Fourteen blank leaves separate Grote's writing to an entirely different hand and content. \u003c/p\u003e\n","\u003cp\u003eThere are five pages of \"Hints For Housewives.\" These undated, unrelated notes seem to be brief views on issues that arise in a household including damp cupboards, flies, roasting meat, buying eggs, mending china, and other domestic matters.\u003c/p\u003e","\u003cp\u003eThis addition 11 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains publications, metamorphic trading cards, volvelle (color wheels), and posters. Topics include motherhood, instructional materials on children's behaviour, toilet training, adolescent health, soil conservation for children, and a book about the the education for blind children. \u003c/p\u003e\n","\u003cp\u003eFolder 1 contains folded out (metamorphic) advertisements for children's clothing by Davidson Brothers, Solar Tip Shoes, E. G. Burrows, J. H. Baldwin \u0026amp; Company patent table tray, and children's knee elastic protectors (to protect clothes)\u003c/p\u003e\n","\u003cp\u003eFolder 2 contains pamphlets \"Training the Baby\" published in 1931, 1952, and 1957.\u003c/p\u003e\n","\u003cp\u003eFolder 3 contains five illustrated posters with instructions for children on cleaning and bathing themselves.\u003c/p\u003e\n","\u003cp\u003eFolder 4 contains pamphlets for expectant mothers on how to care for their infants: \"The Modern Baby\",  \"Quiet, Baby Is Sleeping\", \"the 14 Days that can seem like a lifetime!\", \"Preparing Baby's Formula\", \"Keeping Baby Clean\", \"Modern Evenflo Nursers\"\u003c/p\u003e\n","\u003cp\u003eFolder 5 contains pamphlets from the Lysol Family Library, \"The Scientific Side of Health and Youth\", \"When Baby Comes\", and \"Preventing the Spread of Common Diseases\"\u003c/p\u003e\n","\u003cp\u003eFolder 6 contains three color wheels \u003c/p\u003e\n","\u003cp\u003eFolder 7 contains a pledge card for teenagers to abstain from alcoholic drinks and a card that outlines safety guidelines \"Code for survival\"\u003c/p\u003e\n","\u003cp\u003eFolder 8 Publications: \"Let's Save Soil with Sam and Sue\", \"For Bigger Boys and Girls\", \"Facts about the Education of Blind Children\", \"Understanding Your Teenager\"\u003c/p\u003e","\u003cp\u003eCompiled in 1858, the decorative title page Cahier d'Écriture par Mercier dédié à mes bien-aimés parents, the book features twenty-four calligraphy entries from a teenage student at the Grand-Classe St. Etienne in Saint-Étienne, France. The entries include the author's reflections on friendship, anger, anxieties, family life, hopes, and religious devotion. \u003c/p\u003e\n","\u003cp\u003eSeveral font samplers are present throughout the book, as are full-color pencil-sketched illustrations. Illustrations include buildings, animals, people, and urban scenes. The majority of the calligraphy entries are bordered by an elaborate design, either pressed into the paper or drawn by the author herself. \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758,  The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a small pocket diary with ownership signature of \"Louisa J. Pratt, New Paltz Landing, New York to front endpaper with an early 20th-century hand adding to pastedown and endpaper, \"born 1846\" and \"13 years old.\"  \u003c/p\u003e\n","\u003cp\u003eThe diary contains 366 pages in legible hand. It focuses on the many losses she experiences across 1859 and her youthful awakening to the numerous hardships the women around her confront.  From parental loss to poverty to disease to mental health emergencies, the events of Louisa's 13th year were formative, and she turned to her diary as a place for working out private emotions that burdened her.  \u003c/p\u003e\n","\u003cp\u003eLouisa balances school, friends, and church with an increasing oversight of her home.  More detail is given as the family continues struggling to keep domestic workers, and it is hinted that Mr. Pratt and the members of the church are drawing labor from girls pulled from the sex trade.  Unprepared for the situations they find themselves in, the girls act out, have mental health crises, and ultimately flee which are documented by Louisa.\u003c/p\u003e\n","\u003cp\u003eWhile grief, loss, and unexpected adulthood shape much of Louisa's year, she also reports the kinds of joys that remind us she is entering her teens.  Her numerous friends, her love for sleigh rides and horseback riding, her appreciation for school and her recitations are cornerstones.\u003c/p\u003e","\u003cp\u003eAddition 7 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two circulars promoting the American School Institute and Schermerhorn's School Agency. There is also a tri-fold trade card ad for a White Mountain refrigerator; an advertisement booklet for a carpet called \"Something Under Foot\"  used as a diary by \"Sara\"; and a plaited hair sentiment with a verse from Charlotte A. Lewis which was sent to a girl named Maryann Gilman.\u003c/p\u003e","\u003cp\u003eThis addition 12 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a friendship album of Jennie Lizzie Hoit (Dr. Jane Elizabeth Hoyt) made between 1866 and 1871 and a Pennsylvania German Mathematical Fraktur made in 1808 for Elizabeth Urban. \u003c/p\u003e\n","\u003cp\u003eThe friendship book belonging to Jennie is small (3 X 5 inches), about 60 pages, and contains compliments and well wishes from her family members and friends. \u003c/p\u003e\n","\u003cp\u003e\nThe collection also contains a Pennsylvania German Mathematical Fraktur presented to a schoolgirl, most likely Elizabeth Urban. Fraktur is a Germanic tradition of decorated manuscripts and printed documents noted for its use of bold colors and whimsical motifs. The page contains a Multiplication Table and Pence Table, dated September 15, 1808, inscribed \"Miss Urban, I have the honour to be your humble servant,\" signed A.G. Lees, Conestoga Township, Lancaster County. Initials EU appear in the intersecting hearts. The page is decorated with birds and flowers. The student was likely Elizabeth Urban, born on July 22, 1795. The table was probably presented by her tutor or teacher, possibly Alexander Lees, residing in nearby York County from 1779 to 1781, or Abraham Lees, in York County in 1785. \u003c/p\u003e\n","\u003cp\u003eJennie was born in Concord, Massachusetts, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907. \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains 23 pamphlets on early learning, education, adolescence, growth and development, health, prenatal and Infant care, and parenting.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to women's health, infancy, and childhood. \u003c/p\u003e\n","\u003cp\u003eThis includes \n1. Woman's tried and true friend, Portland, ME: Caulocorea Mfg. Co.,c.1893; \u003c/p\u003e\n","\u003cp\u003e2. Friar Medicine Company ephemera (5 sheets), 1901; \u003c/p\u003e\n","\u003cp\u003e3. Taylor, Marion Sayle, \"The seat of love and youth: plain truths for women, c.1927; \u003c/p\u003e\n","\u003cp\u003e4. Taylor, Marion Sayle, \"Body hygiene for women,\"1928;\u003c/p\u003e\n","\u003cp\u003e5. Williamson, George H.,\"Personal hygiene for women: explaining the new hygiene which is bringing comfort, peace-of-mind and greater health and efficiency to the world of women,\" 1928; \u003c/p\u003e\n","\u003cp\u003e6. Wells, H.J. (edited and published by),\" Tennessee journal of medical and surgical diseases of women and children, and abstracts of the medical sciences,\"1884; \u003c/p\u003e\n","\u003cp\u003e7. \" Wasting diseases: their causes, treatment, and cure,\" New York: Scott \u0026amp; Bowne, c, 1877; \u003c/p\u003e\n","\u003cp\u003e8.Sheffield, Herman B., \"The baby's record and health,\" 1913; \u003c/p\u003e\n","\u003cp\u003e9. Olmstead, Allen S., \"This will interest mothers: Mother Gray, the children's friend,\" c.1910.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one notebook kept by S.B. Coulson with notes regarding Friedrich Fröbel teaching approach and use of Fröbel gifts, which include play materials such as balls, cylinders, cubes, and tablets. \u003c/p\u003e\n","\u003cp\u003eThe instructors were \"Miss Doyle,\" \"Miss Symond,\" and \"Mrs. Meleney,\" the latter being Carrie Coit Meleney, a student and later prolific correspondent of Maria Kraus-Boelté (1836-1918), a pioneer of Fröbel education in the United States and author of the textbook, \"The kindergarten guide\" (1877). The notebook also contains diagrams and illustrations depicting configurations of tiles and boxes. Several pages have been torn out of the notebook.\u003c/p\u003e","\u003cp\u003eThis addition to MSS-16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia),  contains six pieces of advertising ephemera. Included are: 1. Mrs. Prettyman's celebrated breast salve, c. 1866-1895, (3 advertising broadsides); 2. Celluloid starch requires no cooking, a die-cut point-of-sale display card with an attached cardboard stand depicting a baby seated on a pillow holding a paper advertising celluloid starch; 3. Display card for Johnson and Johnson baby powder; and  4. a pamphlet titled Your baby's diet: Heinz strained foods: their uses and nutritional values. (circa 1950s).\u003c/p\u003e","\u003cp\u003eAddition 19 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet: \"Tennessee Industrial School for the Benefit of Orphan, Helpless and Wayward Children, Nashville, Tenn.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a travel diary of Frederica King Davis as she traveled through England and France during her 19th year.  The bulk of the diary contains vivid and dense descriptions of her travel route, means of travel, companions, sites visited, and observations on art and culture; toward the end, she meticulously documents her allowance received, her expenditures, and the list of books she aims to read as a result of her trip.  \u003c/p\u003e\n","\u003cp\u003eThe diary offers insight not only into the type of grand tour provided to well-off 19th-century American women but also into the history of tourism, transport, and a history of artistic exhibits and art criticism, women's education in domestic accounts and budgeting, traditions in women's gift-giving and charitable contributions, the history of women's fashion, and the history of friendship and courtship etiquette.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a set of Courtesy posters to color, a Children's Aid Society Donation Circular, and educational game ideas handwritten and compiled on index cards by elementary school teacher Jane Ehrhard. The educational games are housed in two small commercial portfolios produced by Burgess Publishing Company for their line of printed educational games.  \u003c/p\u003e\n","\u003cp\u003eContemporary ink signature of Jane Ehrhard on the back of both portfolios.  One red portfolio is printed with the title \"File O' Fun for social recreation,\" with Jane A. Harris listed as the author.  The second portfolio is orange and printed with \"Games for the elementary school grades: playground, gymnasium, classroom,\" by Hazel A. Richardson.  It appears Jane Ehrhard has repurposed the portfolios. Both measure 18 x 12 cm and are bound with an elastic cord.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets and booklets on pre and post-natal advice for expectant mothers in America. They include: 1. Information for expectant mothers, by Frank LeCocq Jr., and Albert Bostrom, Jr. (c.1959); 2. Instructions for expectant mothers (c.1959); 3. While I am waiting, (1960); 4. Mrs Winslows soothing syrup: for children teething, (c.1888); 5. Baby is king,(1890); Baby feeding made easier, (1956) accompanied by two pieces of ephemera \"It's the nipple that makes the nurser, the Davol No.155 Nipple...\" and \"Terminal sterilization of baby's formula; 6. Pre-natal care: what expectant mothers should know, compiled by Obstetrical Department of The Western Montana Clinic (c.1955); 7. Your baby's formula (1953, 1955); 8.How food helps mother and baby, for parents-to-be (1954); 9. Modern methods of preparing baby's formula: practical suggestions by doctors, nurses, hospitals and mothers, (1954); 10. More nearly perfect: when baby needs milk from a bottle (1934); and 11. Prenatal care (1949).\u003c/p\u003e","\u003cp\u003eAddition 63 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets about women at work both in and outside the home. These include: 1.\"My busy week,\" Herrmann Hdkf. Co 1949; 2. \"When women work,\"[Washington, D.C.] : Women's Bureau, U.S. Department of Labor, 1921; 3. Trade card \"Armour's mince meat and canned meats, c.1890; and 4. Trade cards:  Two round cards depicting 19th century women and girls doing laundry washing by hand.\u003c/p\u003e","\u003cp\u003eThis addition (69) to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains fourteen pamphlets on the subjects of family planning, women's reproductive health, contraception, hildhood disease prevention, gender, religion, education, history published between 1892 and 1973. Many of these pamphlets were distributed as promotional materials by insurance or healthcare companies. \u003c/p\u003e\n","\u003cp\u003eThe pamphlets are: \"Speaking of Birth Control\", \"Industrial Gems\", \"Keeping a Healthy Home\",   \"Protecting the Home Against Disease\", \"Giving Babies Nestle's Food\", \"Nestle's Better Babies\", \"Where Shall We Put the Baby?, \"Vanta Baby Garments\"[advertisement],\"Your Baby's Protection\", \"So You Don't Want to be a Sex Object\",\"Johnny Takes A Wife\", \"Baby Speaks Out on This Matter of Toilet Training\", \"The Power of a Woman\", and \"A Woman's Guide to the Methods of Postponing or Preventing Pregnancy\"\u003c/p\u003e","\u003cp\u003eAddition 61 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on childhood growth and development and women's health.\u003c/p\u003e\n","\u003cp\u003eThese include: 1. Child culture before and after birth: truths of profound significance to parents and prospective parents, with illustrative examples from real life, Chicago: National Purity Association,|c.1895; 2. Caldwell, J.B., Pre-natal influences, Chicago: National Purity Association,c.1900; 3. Getting ready for baby, Bloomfield, New Jersey: Lehn \u0026amp; Fink, Inc.,1930; 4. Weeks, Mary Hezlep Harmon, How to tell the story of reproduction to very young children, 1910; 5. Mothers' clubs' and teachers' organizations' course of study, Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910 (2 copies); 6.) Wood-Allen, Mary, Great books for child instruction, Cooperstown, N.Y.: Arthur H. Crist Co.,c.1910; 7. Wood-Allen, Mary, Valuable books for parent and child (2 copies), Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910; 8. Stephens, Elizabeth L., Sacredness \u0026amp; responsibility of motherhood, Cooperstown, N.Y.,: Crist, Scott \u0026amp; Parshall,c.1910; 9. Stephens, Elizabeth L., Teaching Obedience, Cooperstown, N.Y., Crist, Scott \u0026amp; Parshall,:,c.1910; 10. King, E.A. The Cigarette and Youth, Cooperstown, N.Y.,: Crist, Scott \u0026amp; Parshall, c.1910;  10. What shall be taught and who shall teach it? 1907; 11. Mrs. J.H. Kellogg, Work as an element in character building, c.1907; 12. Rev. W.W. Cook, The father as his sons' counselor, 1907; 13.  Mary Wood-Allen, Confidential relations between mothers \u0026amp; daughters, c.1907,14. Mary Wood-Allen, When does bodily education begin?,1907, 15. P.M. Bruner, The integrity of the sex nature, 1907; 16. Mary Wood-Allen, A friendly letter to boys, 1907; 17. Preg-No-Matic: the scientific calculator that takes the guesswork out of rhythm, Bridgport, CT: Brooklawn-Park Laboratory, 1956-1957; 18. Mel Johnson. Going steady, 1964; 19. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1935; 20. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1939; 21.What every woman wants to know about personal hygiene; Cincinnati, Ohio: Hydrosal Laboratories,1926; 22. Marvel syringe: Whirling Spray for women, c.1900; 23. Healthy happy womanhood: a pamphlet for girls and young women, Springfield, IL: Illinois Dept. of Public Health, Division of Communicable Diseases, c.1938; 24.Sol Gordon, Ten heavy facts about sex that your friends don't know, illustrated by Roger Conant, 1971; 25. Charles A. Clinton, M.D, Sex behavior in marriage, undated, and 26.  M. Sayle Taylor, Ph. D., What's wrong with marriage?,1932.\u003c/p\u003e","\u003cp\u003eThis addition 13 (ViU-2023-0134)of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the teaching archive of Mrs. Florence Tuttle Baldwin of North Haven, Connecticut (Boxes 3-7). Florence was born in 1854, married in 1881, and died in 1926. She spent her career at the Sixth District School in New Haven, Connecticut. \u003c/p\u003e\n","\u003cp\u003eIt is a large addition containing her teaching materials including her ruler (signed by her), book catalogs, lesson plans and educational books from map making to mathematics, grade book, periodicals, manuscripts poems and letters, art work, needlepoint, phonetical drill cards, flash cards, educational games, and family planning from 1899 to 1905.  \u003c/p\u003e\n","\u003cp\u003e\nIn addition to Baldwin's teaching materials, other materials include a drawing book entitled \"Our Chat\" with stories by Ella Smith and Audrey, Yvonne \u0026amp; Clifford Evans; publications on vertical writing (handwriting), \"Talks and Tales\"; and five England-published pamphlets from the 1950s discussing family planning practices and contraception. Titles include \"Modern Family Planning,\" \"A Planned Family,\" \"Planning a Family,\" \"The Planning of a Family\", and a Lloyd's Family Planning Centre pamphlet.\u003c/p\u003e\n","\u003cp\u003eThere is a 1934 New York-published pamphlet that discusses Zonite as a family medicine and feminine hygiene products. Titles include \"Another Zonite Product for Intimate Feminine Hygiene;\" \"Facts for Women;\" and \"The real meaning of Antiseptic in everyday family life.\" \u003c/p\u003e\n","\u003cp\u003eThere is a flyer entitled \"Please Give A Quarter\" which promotes the Salvation Army's Fresh Air Camps published circa 1900. \u003c/p\u003e\n","\u003cp\u003eAlso included is a dating book belonging to a young girl titled \"My Him Book\" which has categories of \"High School Hims,\" \"College Hims,\" \"Home Hims,\" and \"Movie Hims\" about her romantic interests, and denotes William Purdy as the \"best of all my beaus\" under the \"Wedding Hims\" section. \u003c/p\u003e","\u003cp\u003eFlorence Eleanor Paget (1887-1965) was a professional nature illustrator and artist from England who studied under George Vernon Stokes, a British wildlife and landscape artist. She made these books when she was a young woman, roughly between 1900 and 1910. \u003c/p\u003e\n","\u003cp\u003eOne oblong linen book is labeled \"Sketches\" in pencil on the rear cover, and the owner's signature is on the pastedown in the front of the book. Paget likely drew in the \"Sketches\" book when she was twelve or thirteen. The book has forty drawings in pencil and watercolors. The subjects include landscapes like Redcar Pier, Saltburn Cliffs, Kew Gardens, Etal Church, and Etal Castle, as well as many sketches of her dogs, observations of people, fruit, and fauna. Some drawings have captions that identify the place or provide a funny caption. \u003c/p\u003e\n","\u003cp\u003eThe other is an oblong publisher's cloth binding in green with \"Flora\" stamped in gilt. The book  was likely created five to ten years after the \"Sketches\" book. Dried flowers and plants are artfully pasted down and numbered. She wrote the binomial names in cursive, opposite of the pasted-down plants. There are a total of six total entries. \u003c/p\u003e\n","\u003cp\u003eThe books are mainly written in English, except for one sketch with a caption in French and the Flora books with scientific names in Latin.\u003c/p\u003e","\u003cp\u003eAddition 20 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a Salvation Army \"Help the Children\" flyer from June of 1903 sent to raise funds for an outing for poor children in Columbus, Ohio. \u003c/p\u003e\n","\u003cp\u003eThe outing was meant to \"bring some brightness, cheer and comfort into the lives of the poor children of the slums and crowded tenement districts.\" The plea was written by John M. Richards, Adjutant, and the flyer has a cartoon illustration of a children's parade as a decorative border. On the verso of the flyer is a letter written in German written by a woman from Columbus,  dated September 13, 1904.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building,  features one string-bound scrapbook with pasted photographs of dolls collected by Helen E. Perkins. Compiled between 1909 and 1939 by Perkins and Miss Frances Grier, the scrapbook features sixty-nine pasted photographs of dolls of varying origins. Each entry includes the doll's name, a number, their height, manufacturer, material, and place of origin. Nations that have dolls represented in Perkins's album include China, Denmark, Finland, France, Germany, Greece, Guatemala, Holland, Ireland, Mexico, Morocco, Portugal, Russia, and Sweden. \u003c/p\u003e\n","\u003cp\u003eThe material culture of childhood aspect to this scrapbook gives  insight into the importance playing with these dolls to the two girls.  In several of the photos, they've created scenes with the dolls, even  placing them all on the stairs for a \"family portrait.\" \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains three pamphlets: 1.) Natural Science Camp (Keuka Lake), 1905; 2.) Boy Conservation Bureau (New York, N.Y.) [1930]; and 3.) Teenage gangs, New York City Youth Board, 1957.\u003c/p\u003e\n","\u003cp\u003e4 items were cataloged separately in the print collection: 1.) Playskool Toys, 1956; 2.) J.L. Hammett Company, School Supplies 1928-1929; 3.) The First Public Policy Seminar from a Black Perspective, 1972; and 4.)Stylish Apparel for Expectant Mothers Spring and Summer, 1920.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains six pamphlets and one poster related generally to child care. Titles included are 1. \"Trimble Helps For Mothers,\" 1940; 2. \"Narcotics and the Family,\"c.1970; 3.\"What your neighbors say: dream book compliments of World's Dispensary Medical Association, c.1910s; 4.\"How to take care of the baby: treatise on the care and feeding of infants,\" 1905; 5. \"Your Baby,\" 1942; 6. \"Baby Feeding Without Tears,\"c.1940s and 7.\"Correct posture guide,\" c.1955.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a commonplace book belonging to Ethel Shearer (1893-1952). \u003c/p\u003e\n","\u003cp\u003eShearer was a prominent artist in the mid-twentieth century San Francisco scene, being one of the featured artists at the opening of the San Francisco Museum of Art and Oakland Art Gallery. She was a member of the Society of Francisco Women Artists. \u003c/p\u003e\n","\u003cp\u003eHer commonplace book was compiled when Shearer was between thirteen and seventeen years old between 1906 and 1910. The book includes invitations and greeting cards from Ethel's friends, newspaper clippings, clippings from various other media, Ethel's own handwritten entries, and pasted photographs. Drawings from Shearer are present throughout, calling to her future career as an artist. \u003c/p\u003e","\u003cp\u003eAdditon 21 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets relating to childhood education and parenting. \"The Nursery Chair\" was distributed by Shepard, Norwell, and Co., Winter Street, Boston, and advertises various department store goods following a short story. \"Bradley's Kindergarten Material and School Aids\", published in 1906, advertises tools for learning shapes and colors, instruments for art, mathematical instruments, and standard inks, leads, etc. \"Food-The Teeth and Health\" discusses the ideal diet of a young person, published in 1930 by the City of New York Department of Health and Board of Education.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains leaflets issued by American motherhood magazine from 1907. They are: \"The Ideal Mother\" and \" Confidential Relationships between Mothers and Daughters.\"\u003c/p\u003e","\u003cp\u003eAddition 15 of MSS 16758,  the University of Virginia Collection on Childhood, Parenting, and Family Building, contains twenty-five nursery rhyme handkerchiefs. \u003c/p\u003e\n","\u003cp\u003eCommonly tucked into story books, these were popular children's mementos between the 1910s and the 1960s. Most handkerchiefs are illustrated in full color and have sewn and colored borders. \u003c/p\u003e\n","\u003cp\u003eHowever, six of the earliest editions are printed in black and white or sepia with raw edges.Most examples have sewn and colored borders, besides the earliest examples featuring raw, uncolored trim. \u003c/p\u003e\n","\u003cp\u003eSeven color designs are by British children's illustrator Mabel Lucie Attwell; others are unattributed.  Stories depicted by Atwell include \"Little Miss Muffet,\" \"Ding-Dong Bell,\" \"Jack and Jill,\" \"Little Bo-Peep,\" \"Hush-A-Bye-Baby,\" \"Little Boy Blue,\" and \"Dickory Dickory Dock.\"\u003c/p\u003e","\u003cp\u003e\"Going steady\" / by Daniel A. Lord;\nTonsils and adenoids: is your child handicapped?;\nGood habits for children /|cMetropolitan Life Insurance Company ; [prepared with the cooperation and advice of the National Committee for Mental Hygiene];\nHearing, Metropolitan Life Insurance Company;\nCommon childhood diseases, New York: Metropolitan Life Insurance Company,c[1946];\nMrs. Winslow's diet instruction book for the baby. New York: Anglo-American Drug Company|c[1922];\nCollection of Bank Street Publications pamphlets on early childhood education (35 pamphlets);\nKeeping the well baby well.Washington:U.S. G.P.O.,c. 1927;\nOut of babyhood into childhood: 1 to 6 years. Washington:U.S. G.P.O.,c. 1943;\nWhen your child's in the teens /by Edwina A. Cowan;\nYour child grows up,|cby Edgar A. Doll.[Boston],|b[John Hancock mutual life insurance Company],|1939;\nBetween two years and six / by Richard M. Smith; Boston : John Hancock Mutual Life Insurance Co., 1941.\nThe healthy school child.Boston, Massachusetts : Life Conservation Service of the John Hancock Mutual Life Insurance Company, [1940];\nCount down to discovery!--3- 2- 1-year olds : child development, unit 2 / Alice T. Teddlie. Baton Rouge : LSU Cooperative Extension Service, 1972;\nDiscover the wonderful world of 4 and 5 year-olds. Baton Rouge, La.: Louisiana State University Agricultural and Mechanical College, Cooperative Extension Service,| c[1976];\nThe Student advocate, New York: American Student Union,c1936-1938;\nA doctor talks to 5-to-8 year-olds /|cby Dona Z. Meilach in consultation with Elias Mandel; Chicag :Budlong Press Co.,c1967;\nThe care of the baby: prepared by a committee of the American Association for the Study and Prevention of Infant Mortality and presented to the Association at its annual meeting held in Washington D.C., November 14-17, 1913;\nYour child from one to six / U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, Washington, D.C : U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, 1945;\nYour child from 6 to 12, written by Mrs. Marion L. Faegre, Washington, D.C. :| Federal Security Agency, Social Security Administration, Children's Bureau,c1949.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a 9.5\" x 6.5\" wooden puzzle with a  wooden frame and a glass window titled the Silver Bullet: Or the Road to Berlin. \u003c/p\u003e\n","\u003cp\u003eOriginal metal ball and elements intact. Directions on the verso of the game.  British dexterity puzzle for a juvenile audience, made of wood and glass. The game's object is maneuvering a metal ball through a winding course, avoiding holes, to the Berlin area. Although the topography of the play suggests the trenches of the Western Front, at the time of the game's creation, the troops had not \"dug in.\" The title, Silver Bullet, suggests a quick victory and supports the view that the British public believed the war would be over by Christmas 1914.\u003c/p\u003e","\u003cp\u003eAddition 25 of MSS 16758 The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains twenty-five printed ephemera, including pamphlets and advertising on topics include parenting, child development, sex education, public health, and care of pregnant inmates.\u003c/p\u003e\n","\u003cp\u003e40 posters from the Hope of a Nation Poster Series\u003c/p\u003e\n","\u003cp\u003eFeeding the majority of bottle babies.Mead Johnson \u0026amp; Co. of Canada, Ltd.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two items relating to scouting. The first is a broadside printing of the ten Girl Scout laws set among art nouveau illustrations from the 1930s. The second is a photo album compiled by a boy at Kerrville, Texas, with images of playing in the streets, swimming in the Guadalupe River, playing baseball, hiking, marching, and being at a local Boy Scout camp. The black cloth photo album contains fifty-two black and white photos, measuring 10 x 7 cm, with a caption on the album leaves. \u003c/p\u003e\n","\u003cp\u003eThere is a  photograph of an African American man. (Caption reads, \"Uncle Allen\").\u003c/p\u003e\n","\u003cp\u003eAfrican Americans were often referred to as Uncle or Aunt even though they were not a family relative.They were denied use of courtesy titles.\"Aunt,\" as in \"Aunt Jemima,\" was the term used for older enslaved women in the South who were not allowed by their white owners to use the term Mrs or Miss. The same was true for Uncle, as in Uncle Ben's Converted Rice. Uncle was used for older enslaved men because they were not allowed by their white owners to use the term Mr. The African American in this photograph is referred to as \"Uncle Allen.\" It is important to recognize the use of these terms and confront the racism that is embedded in these white cultural terms.\u003c/p\u003e\n","\u003cp\u003eSource:\nGreen, Mark. Do You Know Why Aunt Jemima is Called \"Aunt?\"\nWhy is Aunt Jemima racist? Here's exactly why. And I do mean exactly.\" Medium. Human Stories and Ideas. Acessed 7/17/2024.\nhttps://remakingmanhood.medium.com/do-you-know-why-aunt-jemima-is-called-aunt-5d111b0765a5\u003c/p\u003e","\u003cp\u003eThis collection consists of a handmade notebook titled Punctuation Party by Melba Tice. The book presents punctuations as characters with rhymes and cutouts from 19th-century editions of Alice in Wonderland and Through the Looking Glass, as well as contemporary advertisements, explaining punctuation rules. Some punctuation characters are not from Carroll, and their descriptions illustrate cultural viewpoints of the time period, including a racist depiction of a \"mammy' figure and a Clorinda Colon\" as an old maid figure.\u003c/p\u003e","\u003cp\u003eAddition 2 of MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven hand-painted postcards presumably created by Elisabeth, the sender. The postcards, drawn in black ink, depict children playing outside: a child pushing another child's sled; two children talking under a tree in spring/summer; two children playing with a balloon; a girl having a picnic with a bunny; one older and one younger girl in the snow; an older girl on a swing; and a girl on a dock by a body of water. \u003c/p\u003e\n","\u003cp\u003eTwo of the postcards have written messages and are addressed to Miss Henebry and Miss Camilla Cole. The cards are postmarked Mount Kisco, NY, July 14 and 15, 1922. Both are sent in the care of Graham Miles of Alexandria Bay, New York. \u003c/p\u003e\n","\u003cp\u003eMiles was a stockbroker and hydroplane racer. He married and divorced Louise Clover Boldt, the daughter of George and Louise Boldt, wealthy Philadelphians and owners of the Boldt Castle in the Thousand Islands. Miles and Boldt had a daughter, Clover Wotherspoon Miles, but Miles's connection to Elisabeth or the other children named is unclear.\u003c/p\u003e","\u003cp\u003eAddition 18 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 7 pieces of pamphlets/ or ephemera. \"What every teenager ought to know\" by Abigail Van Buren; T\"urn this page and do as this little man does\" by Colgate \u0026amp; Co; \"Ways to keep well and happy: booklet for upper elementary grades \"by Ruth Strang; \"Keeping fit\" by the State Board of Health, Bureau of Venereal Disease, North Dakota; \"Family meals at low cost using donated foods\" by the US Dept. of Agriculture; \"The gas cook book for young people\"by Athens Store Works, Inc., Athens, Tennessee; and \"The picture and rhyme book.\"\u003c/p\u003e","\u003cp\u003eAddition 16 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three advertising pamphlets that pertain to parents purchasing products for their children. \"The Tinies that Live in a Tube\" advertises toothpaste, \"Flibitty Jibblit\" advertises rennet powder, and \"The New Boss in the House\" promotes the Pittsburgh District Dairy Council. Each uses imagery of children and parents utilizing the respective product.\u003c/p\u003e","\u003cp\u003eAddition 17 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets: \"The Science of Prenatal Astrology\" by Edwin S. McKeever; \"The Space Child's Mother Goose\" verses by Frederick Winsor and illustrations by Marian Parry. The third item is a pamphlet titled,\"Reducing the new common sense way\" about the Kryon method of reducing weight by Continental Pharmaceutical Corp. \u003c/p\u003e\n","\u003cp\u003e\"The Space Child's Mother Goose\" is a personal copy owned by Arthur Schulman, an Associate Professor of Psychology at the University of Virginia and one of the organizers of the American Civil Liberties Union in Charlottesville. \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven signs used to warn the public about the spread of contagious diseases and institute quarantine for diseases like smallpox, measles, polio, and diphtheria.\u003c/p\u003e","\u003cp\u003eAddition 4 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the American History Hektograph Posters. These are twelve individual monochrome printed poster sheets, measuring 12 X 9 inches,  featuring historical instances in American history. \u003c/p\u003e\n","\u003cp\u003ePublished in 1926 by Beckley-Cardy Company, each scene is intended to be colored, likely by a child. Each scene features suggested coloring methods, a title for the event, and a brief synopsis of the instance below. Scenes are typical origin stories, colonizers, and dominant white narratives and are examples of the narratives taught in classrooms circa 1926. The scenes are numbered 1 through 12, with each respective number placed in the center under the title. Events depicted: 1 - \"Landing of Columbus,\" 2 - \"The Mayflower at Cape Cod,\" 3 - \"The Pilgrims Planting Corn,\" 4 - \"The First Thanksgiving,\" 5 - \"George Washington's Early Home,\" 6 - \"Signing of the Declaration of Independence,\" 7 - \"Washington as President,\" 8 - \"Lincoln Studying by Firelight,\" 9 - \"Lincoln Writing His Inaugural Address,\" 10 - \"The Gettysburg Address,\" 11 - \"Grant Made Commander In Chief,\"  and 12 - \"Digging the Panama Canal.\" \u003c/p\u003e\n","\u003cp\u003e\"Red Man\" and a Native American \"wearing his bright [British] red coat with great pride\" suggests the presence of reparative content. \"\u003c/p\u003e","\u003cp\u003eThis addition to  MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building collection, contains one brad-bound scrapbook with a \"HYGIENE\" stencil cut from the paper on its cover. The content discusses healthy living practices for young girls. Entries feature drawings, pasted images, newspaper articles and clippings, handwritten queries on health, and ideas on diet and grooming practices. There are 49 \"chapters,\" each no longer than two pages. The corresponding pages for each chapter are presented in a table of contents at the beginning of the book.\u003c/p\u003e","\u003cp\u003eAddition 57 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to teenagers, parenting, and sex education. These include: 1.) The school lunch, Battle Creek, Michigan:|bEducational Department, Postum Company, Inc., (1928); 2.) Sex in life: young men, by Dr. Douglas White (1933); Sex in life: young women, by Violet D. Swaisland (1933); 3.) What parents should tell their children (1933);  4.) Starting to school in Kingsport, Kingsport, Tennessee, Kingsport City Schools (1953), 5.) How life goes on and on:  story for girls of high school age, y Thurman B. Rice (1937); 6.) When children ask about sex, by the staff of the Child Study Association of America. Foreword by Marianne Kris (1953);  7.) Woman against myth, by Betty Millard (1948); 8.) The teacher and mental health [prepared by the National Institute of Mental Health] (1955); 9.)The safety zone:|ba frank talk with women concerning their personal problems (1940), 10.)Teen-agers and parties, Ernest F. Miller (1960), 11.) Tips for teeners  by Antoinette Donnelly (c.1950); 12.) Think straight before you date, D.F. Miller. (1959); and 13) Teen-agers and dope, Howard Morin, C.SS.R. (1957)\u003c/p\u003e","\u003cp\u003eAddition 5 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single press photograph from the children's clinic at the ridge avenue dispensary in Philadelphia in the 1930s.  The photograph is a group photograph of Black nurses and children in a clinical setting. A typed caption is affixed to the top right edge of the picture. No photographer or studio is noted.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a pamphlet titled Strong bodies sound minds: some health hints for the school-day years (c.1930).\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on public health topics including syphilis and sex education. These include: 1. Management of syphilis in general practice, Joseph Earle Moore, in collaboration with: Harold N. Cole [and others], 1938; 2. Genitoinfectious disease control in Massachusetts, prepared by The Massachusetts Department of Public Health co-operating with the United States Public Health Service, 1940; 3. The diagnosis of syphilis by the general practitioner by Joseph Earle Moore, M.D., 1938; 4. Syphilis in mother and child,by Harold N. Cole and Philip C. Jeans, in collaboration with Joseph Earle Moore ... [et al.], 1940; 5.Your baby and the blood test law, Ernest B. Howard, M.D., c.1939; 6.Clinical excerpts, 1942; 7. Sex education for the preschool child by Harold E. Jones and Katherine Read, 1941; 8. Sex education for the ten year old /|cby M. Marjorie Bolles, 1941; 9. Sex education for the adolescent. by George W. Corner and Carney Landis, 1941; and 10. Sex education for the woman at menopause by Carl G. Hartman, 1941.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the publication of an educational booklet titled \"The Story of Sex Hormones,\" produced by the Schering Corporation, an American pharmaceutical company. The pamphlet was distributed at the Hall of Science at the Golden Gate International Exposition at an informative display called \"Hormone Woman.\" It briefly outlines recent advances in endocrinology and offers illustrated explanations of menstrual cycles and sex hormones, as well as a short description of menopause.19 cm\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a sample book titled \"Kiddie flowers\" consisting of eight mounted samples of floral fabric potentially for children's clothing.\u003c/p\u003e","\u003cp\u003eAddition 24 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet for the Davis Home for Colored Children 34th Anniversary located in in Pittsburgh. This promotional booklet is for the  \"34th Anniversary\" of the Davis Home, a temporary home and day nursery for African-American children. Also of note in the booklet are advertisements for what are likely Black businesses that supported the home. \n \n   Note says, \"This book is dedicated to my mother, Mrs. Fannie Louis Davis, who was the founder of the Davis Temporary Home and Day Nursery in 1907, and organizer of the Colored Women's Relief Association of Western Pennsylvania in 1909. To my wife, Mrs Louise Scott Davis, President of the Davis Home for Colored Children, who has been loyal and faithful in giving her life toward the advancement of this home. To my friends, who have contributed to this Home in any way they could. Finley T. Davis, Business Manager.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains Paul Kenton Conrad's childhood cartooning album and scrapbook. The sketchbook, a string-tied leatherette album, documents a young boy's self-guided attempts to develop cartooning skills. Cut-out tutorials from Frank Webb's \"How to Make Faces\" are mounted on the album's early pages, with attempts in pencil to follow their instructions. Midway through, Conrad branches out from these copies into creating his original subject matter, including army airplanes, sheriffs, pistols, cowboy hats, and a series of one-panel strips titled \"Stuff that's funny.\" The artist, a Pittsburgh native who settled in Honolulu, would later become a successful lounge pianist and musician of some note in the 'Exotica' genre, releasing one well-received album (\"Exotic Paradise\").\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet titled \"Growing Up in the World Today: for Boys and Girls in the Teens\" by Emily V. Clapp.(1946)\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets for parents and teachers about puberty and sex education. \u003c/p\u003e\n","\u003cp\u003eTitles include 1. \"Sex Behavior and sex interest in Children,\" by Louise Bates Ames (1952); 2. \"When children ask about sex,\" by the staff of the Child Study Association of America, Sidonie M. Gruenberg [and others] Anna W.M. Wolf, editor, (1946); 3. \"Preparation for puberty: a sex education manual for parents and teachers,\" written by Mrs. Linda K. Teller, illustrated by Mrs. Dorothy Teeters (1965); and 4. \"Sex education in the home,\" Georgia Department of Public Health, (c.1950).\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a chart of hormone interrelation upon which the film \"The physiology of normal menstruation\" is based. Printed in green and black, full color chart. 1 sheet folded to 8 unumbered pages. 23x62 cm folder to 23x16 text.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains  a set of twelve offprints titled \"Your baby at [1-12] months.\" There are twelve pamphlets, one for each month of a baby's first year of life. Reprinted from Baby Talk, published by the Parenting Group, New York, N.Y.Author: Beulah Sanford France (1891)\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a spiral-bound sketchbook belonging to an unnamed art student, most likely living in New York City. Page one of the sketchbook details the student's assignment: \"DUE - 300 by June 2nd, Marked Chronologically.\" Traces of what may be an owner's name and grades of \"B\" and \"B+\" are written on the cover. Each sketch is numbered in pencil and is stamped between March and June 1952. The sketchbook's seventy leaves have drawings only on the recto. Drawings are completed in pencil, ink, and crayon.  This student's sketches are primarily figure studies of those in transit on the subway. Other scenes include a roller derby skater, pin-up figure, river traffic with a bridge, a parked car, a cat, and exotic animals.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a handmade fundraising appeal concertina album to the artist Oskar Kokoschka. The book was created by design students at the Modeschule der Stadt Wien (Fashion School of Vienna). In 1946, the school relocated to Schloss Hetzendorf, an eighteenth-century palace that sustained significant damage during the Second World War.Students were pressed to raise money for their art supplies amid the renovations. This fundraising appeal was addressed to exiled Austrian artist Oskar Kokoschka, known for his contributions to expressionism. The album contains hand-cut stencil letters, hand-colored illustrations, and collages of paper, felt, yarn, tin foil, leather, and chipboard. The book reads: \"Dear O.K. [Oscar Kokoschka] / if we would have brushes and colours to paint / coloured paper for handykraft / wools to weave / leather for gloves and bags / felt for millinery/magazines to get suggestions / spezial [sic] books for library/material for dressmaking / then all would be OK. Photographs of the students at rest and at work sewing, trimming, painting, weaving, and drawing are pasted on the verso of each collage. Kokoschka fled Vienna, Austria under the Nazi regime and never returned. It is unknown whether he responded to this appeal from the Modeschule students.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet titled Your Child's Development - Infant to 16 years.\u003c/p\u003e\n","\u003cp\u003e\"This booklet is based on recent studies at the Gesell Institute. Dr. Arnold Gesell, the Institute's research consultant and a household word to parents, founded the Yale Clinic of Child Development, which he directed for 37 years. Today, Dr. Gesell and his collaborators, Dr. Frances L. Ilg, a pediatrician, and Dr. Louise Bates Ames, a psychologist, carry on the pioneer work of the institute.\"\u003c/p\u003e\n","\u003cp\u003ePublished by Good Reading Rack Service, Inc., a division of Geffe, Morton \u0026amp; Griffiths, 76 Ninth Avenue\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains an  original calligraphic manuscript of thirty variously colored linocuts, each by a different girl from a class at St. Helen's Norwood, London. Each linocut has the student's name below in ink. The contents are handwritten verses of Benedicte Omnia Opera. The title page notes, \"Lettered, illustrated and bound by all the members of IVA.\" The endpapers are also original handpainted images of angels. Bound in original black cloth at the school by L. Hardy, D. Lines, and J. Scarth.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single pamphlet titled \"Doors to Open\" by Ellis Gladwin and Rama Braggiotti (illustrator) published by the Connecticut Mutual Life Insurance Company. It is written as a guide for young people but specifically addresses men embarking on college life and advises on new life changes in the context of conservative social constructs of the mid-twentieth century. Sixth in a series of booklets that dealtwith the tensions of everyday life.\u003c/p\u003e\n","\u003cp\u003eEach segment has a hypothetical person encountering specific issues like overcoming shyness and finding social niches. Towards the end of the booklet, a piece titled \"Girl of My Dreams\" is a thinly veiled reference to a young man questioning and discovering an LGBTQIA+ identity. The advice is negative and clarifies that the hypothetical person should stifle these questions and stick to a hetronormative lifestyle, stating \" \"George is very unhappy, [and] needs help to cope with these festering needs. Otherwise, he may settle for a dim life, arrested by a succession of psychosomatic illness.\" \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building,  contains a game titled \"Judy's Neighbors: Negro Family.\" It includes two dimensional pressed wood figures of an African-American family including mother, father, daughter, and two sons. There are also stands for the figures. Judy's Neighbors was released sometime between 1963 and 1964.This was part of a series and was sold individually and in sets. Teachers used the game to encourage racial diversity.\u003c/p\u003e","\u003cp\u003eAddition 14 of MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building contains two promotional posters (22\"X6\") for the 1965 and 1967 New York Children's Book Week. The art of Caldecott Medal-winning illustrator Barbara Cooney made the artwork for the 1965 poster. The illustration depicts a fox carrying a stack of books with a crow overhead, looking down at the fox perched from a branch with the words \"Sing out for Books\" in French. The other poster from 1967 contains a linocut illustration of hot air balloons with a floating banner reading \"Take Off With Books.\" Marcia Brown, the only triple Caldecott Medal winner, made the art for this poster.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a photo album for the Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.\u003c/p\u003e\n","\u003cp\u003eThe photographs document the center's daily operations, including staff and children, and special events, including several photographs of its graduation ceremony and a special \"Father of the Year\" award presentation for the fathers of the \"graduating class.\" The center closed permanently in 2005.\u003c/p\u003e","\u003cp\u003eThis addition (23) contains a three-fold pamphlet titled, \"A Report of a Conference on Day Care and the Working Mother\" for the Morris Child Development Center: State of Michigan Pilot program.\u003c/p\u003e","\u003cp\u003eAddition 6 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains materials collected and produced by the Bilalian Child Development Center and the Developing a World for All Humanity (DAWAH) in Highland Park, Michigan. The Bilalian Child Development Center was incorporated as a non-profit agency in 1977 and appears to provide community services and educational services for the community.  The DAWAH is an institute developed by a group of African-American Muslims in Michigan to develop an effective DAWAH program in America.  \u003c/p\u003e\n","\u003cp\u003eContents include an advertising and enrollment form, two brochures for the Bilalian Center, and another for the DAWAH Institute in Highland Park. Also included are the contents of a binder for the DAWAH Institute. Separated by subject tabs, materials include handwritten notes and a typed agenda for the First National Meeting of the DAWAH Institute, an application of employment to the Institute, papers on Community Services, the A.B.C.D. Savings Program, a photocopy of a Western Union Mailgram to President Ronald Reagan, papers on the Food Co-Op \u0026amp; Gardening club, Home Garden booklet from the 4-H Youth Programs, Fundraising and Grantsmanship, invitations, brochures, news releases, educational programs, news clippings, and a curriculum statement.\u003c/p\u003e","\u003cp\u003eAddition 22 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 21 handbills and handouts on HIV and AIDS and LGBTQ health concerns for teens.\u003c/p\u003e\n","\u003cp\u003eSome guidelines to follow in talking to teens about sex and AIDS/STD's -- Where do mermaids stand (From: All I really need to know i learned in kindergarten by Robert Fulghum) -- Bi-Friendly #40, October 1991, San Francisco, East Bay, and U.C. -- 1991 Fact Sheet / State of California Department of Health Services AIDS Prevention and Follow up Centers Early Intervention Program -- Continuing Education Questionnaire -- Continuing Education Agenda / UCSF AIDS Health Project, San Francisco, CA -- Antiviral AIDS drugs in the pipeline, 1991 -- Fact Sheet 1991 / [San Francisco] -- Syphilis Rate Soaring Among S.F. Teenagers / by Nanette Asimov, Chronicle Staff Writer -- Indications for Encouraging Counseling and Testing for Adolescents -- Special Programs for youth consent form for HIV testing -- Special programs for youth pre-test counselor sign-off sheet for informed consent -- A.T.S. Recommendations for youth and young adults / Adolescent HIV Coalition -- Referral list for HIV+ youth and young adults / prepared by Michael Baxter, Adolescent HIV Coalition Chair, San Francisco -- Youth and the HIV antibody test -- Project ahead / [San Francisco Health Clinics] -- Crisis alert: African American youth and HIV/AIDS / by W.J. Brandy Moore -- Some of the barriers that Latino/adolescents can encounter if they do seek health care and related services for HIV/AIDS / presented by Marisa Davis, Aids Health Project -- Counseling high risk youth / Ken Dunnigan, M.D. April 28, 1988 -- Youth and HIV: no immunity / Jane Shalwitz, MD and Ken Dunnigan, MD, circa 1983 -- Normal adolescent development / Parent Survival Kit, Denise Phelan-Desmond, Luanna Rodgers, Mary Isham, et. al. -- The ten mos asked HIV-Insurance questions / reprinted by AIDS Project, Los Angeles ©1988\u003c/p\u003e","\u003cp\u003eAddition 8 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a signed broadside print (11 X 8.5 inches) titled \"My Life Matters\" by the artist and muralist LMNOPI. \u003c/p\u003e\n","\u003cp\u003eThe signed print based on muralist LMNOPI's wheat-pasted street art, is originally produced in response to the Ferguson protests. Artist LMNOPI writes: \"This painting was inspired by the Black Lives Matter movement which originated in Ferguson, Missouri last year in response to the police murder of Mike Brown. I have been doing a series of street paste ups around this movement.\" \u003c/p\u003e\n","\u003cp\u003eLMNOPI found this image of a young protestor online, eventually identifying the child as a boy named Myles. The image of Myles warily clutching his protest sign (#DontShoot #Ferguson #YourLifeMatters), pasted up on the door of an a condemned factory in Bedford-Stuyvesant, became part of the community: \"The wheatpaste of Myles was much loved by local residents. Often I would observe people taking photos of it on their way to work. I saw many people post it on Instagram. It even survived a local graffiti bomb squad who came through last winter during a snowstorm. They tagged up the entire wall, but did not touch Myles.\" \u003c/p\u003e\n","\u003cp\u003eSource from LMNOPI's website: lmnopi.com/my-life-matters.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one handmade child's artist book based on Samuel Roger's Poem \"Address to the Butterfly.\"\u003c/p\u003e\n","\u003cp\u003eUnidentified youth creates a story beginning with a cardboard hand-cut apple; as the story progresses, a cardboard cut-out worm escapes the apple and begins to \"eat\" the pages before cocooning and then emerging as a pop-up butterfly.  \u003c/p\u003e\n","\u003cp\u003eCrudely bound with black leather over boards; a window cut out of the front cover allows the painted apple on page [1] to show through. \u003c/p\u003e\n","\u003cp\u003eA small pocket mounted inside the back board holds five cards printed with Samuel Rogers' poem \"To the butterfly.\"  The pocket is stamped with \"Address to the butterfly, Samuel Rogers.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS16758, University of Virginia History of Childhood, Parenting, and Family Building, contains thirty-four pamphlets on various topics, including puberty and sexual development, childhood diseases, motherhood, birth control, and nutrition.\nList of items:\n A Story About You, by Marion O. Lerrigo [and] Helen Southard [in consultation with] Milton J.E. Senn.\nFinding Yourself, by Marion O. Lerrigo, Helen Southard; medical consultant, Milton J.E. Senn.\nApproaching adulthood, by Marion O. Lerrigo, Helen Southard [in consultation with] Milton J.E. Senn.\nHow to use My Bookhouse, Miller, Olive Beaupré, editor.\nScarlet Fever, Metropolitan Life Insurance Co. (c.1925)\nScarlet fever. Metropolitan Life Insurance Company (1940)\nWhooping cough.Metropolitan Life Insurance Co.(c.1930s)\nWhooping cough.Metropolitan Life Insurance Co.(1921)\nVaccination protects you against smallpox. Metropolitan Life Insurance Co. (c.1926)\nFor your information about Rheumatic Fever.Rheumatic Fever Foundation, 20-30 International,(c.1956).\nMeasles and their prevention. Richmond, Virginia, State Health Department (c.1965).\nCommunicable diseases in Virginia: mumps.Virginia, Commonwealth of Virginia Department of Health (c.1967)\nTraining is fun with Little Toidey. Juvenile Wood Products, Inc.,(c.1938)\nSmallpox is still here. Metropolitan Life Insurance Company, (c.1939?)\nRickets \u0026amp; scurvy. Metropolitan Life Insurance Co. (c.192-?)\nGood teeth: how to get them and keep them. Metropolitan Life Insurance Co. (c.1900s)\nYour baby book.Wyeth Laboratories, Division American Home Products Corporation, (c.1962)\nWomen who go to school.Washington, D.C.National Congress of Parents and Teachers (c.1945)\nChildhood diseases. Prudential Insurance Company of America (c.1966)\nThe prize winner. M.L.I. Co. Press (c.1935?)\n52 bones in a terrible hurry.The May Co.(c.1950's)\nHeight and weight tables for Children-Borden Dairy. The Borden Company (c.1920's)\nVariety gives nutritional balance. Stokely Van Camp, Inc. (c.1950's)\nA better start in life with meat.Nutrition Division, Research Laboratories, Swift \u0026amp; Company,(c.1950's)\nTummy tingles by Josephine Beardsley; illustrations by Marjorie Peters. (c.1937)\nLydia E. Pinkham's private text-book:  ailments peculiar to women. Lydia E. Pinkham Medicine Co. (between 1878 and 1940)\nMy views on birth control by Dr. B. Goodman. (c.1944)\nWedlock and birth control: straightforward talk on a momentous and delicate subject by Dr. Grayling Stewart (c.1950?)\nA Book about birth control written by Donna Cherniak ; edited by Shirley Pettifer (c.1984)\nThe age of romance. American medical Association (1933)\nQuestions and answers about intrauterine devices.Planned Parenthood Federation, Inc.(c.1970)\nSecrets married women should know.America's Medicine (c.1930?)\nThe new germcide Hyomei: positive cure for coughs, bronchitis, asthma, and consumption.The R.T. Booth Company (c.1906)\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building is an artificial collection and periodic additions are expected.","Addition 53 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one calligraphy manuscript of Hans Rudolf Gujer from Wermatswil, Switzerland. The book contains thirty-seven leaves in landscape format, in various colored inks and watercolor, with some use of gouache. ","It also includes seven large original drawings; one is in pen-and-ink, and six are ink and watercolor; three pages of alphabets; most other pages have three compartments including ornately decorated capital initials, floral, figurative, and abstract ornamental borders and infills throughout; one page with music, and one with micrograph. The last leaf contains a full-page colophon of calligrapher:  \"Von Mir geschriben, Hans Rudolf guier, Zu Wermmet-schweil, 1750,\" with marginal calligraphic addition noting his age at the time of writing, \"mein alter war 20 jahr.\" ","The German texts of the album are religious: biblical quotations, prayers, and other devotional texts. Gujer was a relative of Jacob Gujer, a celebrated \"philosopher farmer.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one handmade picturebook of hand-colored engraved cutouts. A later inscription on the front pastedown reads, \"Fait par la baronne de Chalancey née Delcey pour as fille Clémence devenue Ctsse d' Esclaibes d'Hurst.\" The book was was created by the Baroness de Chalancey for her little girl Clemence, born in 1797.  ","Francoise Marie Gabrielle Delecey de Changey, who went under the nickname Fanny, was born in 1769 in Langres, Haute-Marne; she married Baron Jean-Francois Bichet de Chalancey in 1791, whose chateau in Chalancey was 30 kilometers from Langres.  Their first child, a boy, died in 1796 at four; a daughter, Clemence, was born the following year.  Fanny lived to age 77, and Clemence survived her mother by 20 years. ","The book starts with la maison, the home, and it shows people, trades, activities, places, architectural details, animals, concepts, fictional characters, and various household people in various activities.","Indenture between Richard Cumming Weeks, the son of a plumber and brazier, to serve as an apprentice shipwright to James King, a shipwright at His Majesty's Dock in Plymouth, England in 1802.","The contract sets out conditions of Weeks' seven-year apprenticeship and his wages of five shillings per quarter to start with and a note signed by James King, increasing his wages to to \"twelve shillings for single time\" and to \"one Pound a quarter for double time\" in 1804  Signed by Richard, his father, and by two Dock officials, with embossed revenue stamps. The indenture measures 40X 33 cm/ 15.75\" X 13\".","This addition 1 of the collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. ","While the collection spans from the 1830s to the 1960s, the bulk date between 1880 and 1925. ","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and instruction manuals given to parents or teachers on child welfare.","This collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. ","While the collection spans from the 1830s to the 1960s, the bulk dates are between 1880 and 1925. ","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps, Ocean parties; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and a government child welfare manual that gives instruction to parents or teachers on child welfare, child needs and development.","1st part of MSS 16758. Twenty-three pamphlets about puberty for women. Some are directed toward mothers, while others are created specifically for daughters. Dates range from 1933 to 1981. ","Earlier pamphlets discuss the process through storytelling, while later examples utilize more medical terminology. ","Titles include \"Marjorie May's Twelfth Birthday\" \"Very Personally Yours,\"  and \"Growing Up and Liking It.\" All pamphlets are illustrated; some have calendars others have quizzes. ","Each pamphlet was published by a manufacturer of women's sanitary products:  Holland-Rantos Co., International Cellucotton Products Co., Kotex (Kimberly Clark), Modess, Personal Product Corporation, and TeenForm. ","Included in folder 3 are two Kotex print blocks, used to illustrate their product packaging in marketing materials. This is part of an artificial collection, ie a  collection of materials with different provenance assembled and organized to facilitate its management or use.","The resolution was passed at a public meeting on August 15, 1838. The resolution discusses the establishment of an infant school. It further describes how education benefits children in the whole community by establishing a desire to learn in children. The pamphlet also notes that parents will be free during the day to work when children are in school, showing a shift in the economic role of mothers.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., contains the artworks of two sisters from Maine, Mary A. Hackett (1830-1908) and Nancy F. (1825-1883) Hackett. The works include watercolors, prose, a reward of Merritt, and two cartes de visite of their great-grandfather Hacket and Aunt Mary Hacket. ","The sister's parents were William Hackett (1780-1869) and Lydia Dutch (1793-1898).  Nancy married Nathaniel Thompson. Census records indicate Mary never married and, as an adult, lived with Nancy in Kennebunk, Maine.  Mary attended Union Academy and Nancy attended Limerick Academy.","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains one handmade juvenile manuscript titled The History of Little Fanny. Dated to March 24, 1849, the book features eleven pages of text with a watercolored cover. A set of seven watercolored paper dolls is in the accompanying slipcase, with each corresponding to a section of the written story. The reader can enact the tale throughout the story by changing Fanny's head between the paper costumes to illustrate her progress.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one volume of an anonymous bereavement commonplace book, dated 1856 and 1874. The manuscript consists of ninety-eight pages of writing, with the rest left blank. The manuscript contains writings by three different women. The first (and most extensive) is by an unnamed governess who writes of the loss of a child in her care, Harry. Her spidery handwriting is even and accomplished, and her use of \"thee\" and \"thou\" throughout suggests she may have been a Quaker. For thirty pages, she expresses her heartfelt love for the child and her grief during Harry's decline. She describes her memories of the boy and his siblings and details the boy's last illness, of about six days' duration, and death.  ","The following forty-eight pages include bereavement verses including poetry, both original and copied from published works, segments of stories, and verses from the bible.  within these pages, the Governess left three pages blank; on the first of these blank pages, \"M.E.G.\" [later identified as Mary E. Grote] wrote about the death of her firstborn son, \"Ernie,\" whose father was Ernest William Davis. In the first line of her text, Grote refers to the manuscript itself as \"this choice collection.\" ","The verse then continues in the governess' hand. Until another passage by Mary Grote appears. It is a five-page memorial titled \"To Ernie,\" dated August 30th, 1874. It is possible that Grote's earlier one-page passage may have been written in 1874. Fourteen blank leaves separate Grote's writing to an entirely different hand and content. ","There are five pages of \"Hints For Housewives.\" These undated, unrelated notes seem to be brief views on issues that arise in a household including damp cupboards, flies, roasting meat, buying eggs, mending china, and other domestic matters.","This addition 11 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains publications, metamorphic trading cards, volvelle (color wheels), and posters. Topics include motherhood, instructional materials on children's behaviour, toilet training, adolescent health, soil conservation for children, and a book about the the education for blind children. ","Folder 1 contains folded out (metamorphic) advertisements for children's clothing by Davidson Brothers, Solar Tip Shoes, E. G. Burrows, J. H. Baldwin \u0026 Company patent table tray, and children's knee elastic protectors (to protect clothes)","Folder 2 contains pamphlets \"Training the Baby\" published in 1931, 1952, and 1957.","Folder 3 contains five illustrated posters with instructions for children on cleaning and bathing themselves.","Folder 4 contains pamphlets for expectant mothers on how to care for their infants: \"The Modern Baby\",  \"Quiet, Baby Is Sleeping\", \"the 14 Days that can seem like a lifetime!\", \"Preparing Baby's Formula\", \"Keeping Baby Clean\", \"Modern Evenflo Nursers\"","Folder 5 contains pamphlets from the Lysol Family Library, \"The Scientific Side of Health and Youth\", \"When Baby Comes\", and \"Preventing the Spread of Common Diseases\"","Folder 6 contains three color wheels ","Folder 7 contains a pledge card for teenagers to abstain from alcoholic drinks and a card that outlines safety guidelines \"Code for survival\"","Folder 8 Publications: \"Let's Save Soil with Sam and Sue\", \"For Bigger Boys and Girls\", \"Facts about the Education of Blind Children\", \"Understanding Your Teenager\"","Compiled in 1858, the decorative title page Cahier d'Écriture par Mercier dédié à mes bien-aimés parents, the book features twenty-four calligraphy entries from a teenage student at the Grand-Classe St. Etienne in Saint-Étienne, France. The entries include the author's reflections on friendship, anger, anxieties, family life, hopes, and religious devotion. ","Several font samplers are present throughout the book, as are full-color pencil-sketched illustrations. Illustrations include buildings, animals, people, and urban scenes. The majority of the calligraphy entries are bordered by an elaborate design, either pressed into the paper or drawn by the author herself. ","This addition to MSS 16758,  The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a small pocket diary with ownership signature of \"Louisa J. Pratt, New Paltz Landing, New York to front endpaper with an early 20th-century hand adding to pastedown and endpaper, \"born 1846\" and \"13 years old.\"  ","The diary contains 366 pages in legible hand. It focuses on the many losses she experiences across 1859 and her youthful awakening to the numerous hardships the women around her confront.  From parental loss to poverty to disease to mental health emergencies, the events of Louisa's 13th year were formative, and she turned to her diary as a place for working out private emotions that burdened her.  ","Louisa balances school, friends, and church with an increasing oversight of her home.  More detail is given as the family continues struggling to keep domestic workers, and it is hinted that Mr. Pratt and the members of the church are drawing labor from girls pulled from the sex trade.  Unprepared for the situations they find themselves in, the girls act out, have mental health crises, and ultimately flee which are documented by Louisa.","While grief, loss, and unexpected adulthood shape much of Louisa's year, she also reports the kinds of joys that remind us she is entering her teens.  Her numerous friends, her love for sleigh rides and horseback riding, her appreciation for school and her recitations are cornerstones.","Addition 7 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two circulars promoting the American School Institute and Schermerhorn's School Agency. There is also a tri-fold trade card ad for a White Mountain refrigerator; an advertisement booklet for a carpet called \"Something Under Foot\"  used as a diary by \"Sara\"; and a plaited hair sentiment with a verse from Charlotte A. Lewis which was sent to a girl named Maryann Gilman.","This addition 12 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a friendship album of Jennie Lizzie Hoit (Dr. Jane Elizabeth Hoyt) made between 1866 and 1871 and a Pennsylvania German Mathematical Fraktur made in 1808 for Elizabeth Urban. ","The friendship book belonging to Jennie is small (3 X 5 inches), about 60 pages, and contains compliments and well wishes from her family members and friends. ","\nThe collection also contains a Pennsylvania German Mathematical Fraktur presented to a schoolgirl, most likely Elizabeth Urban. Fraktur is a Germanic tradition of decorated manuscripts and printed documents noted for its use of bold colors and whimsical motifs. The page contains a Multiplication Table and Pence Table, dated September 15, 1808, inscribed \"Miss Urban, I have the honour to be your humble servant,\" signed A.G. Lees, Conestoga Township, Lancaster County. Initials EU appear in the intersecting hearts. The page is decorated with birds and flowers. The student was likely Elizabeth Urban, born on July 22, 1795. The table was probably presented by her tutor or teacher, possibly Alexander Lees, residing in nearby York County from 1779 to 1781, or Abraham Lees, in York County in 1785. ","Jennie was born in Concord, Massachusetts, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907. ","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains 23 pamphlets on early learning, education, adolescence, growth and development, health, prenatal and Infant care, and parenting.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to women's health, infancy, and childhood. ","This includes \n1. Woman's tried and true friend, Portland, ME: Caulocorea Mfg. Co.,c.1893; ","2. Friar Medicine Company ephemera (5 sheets), 1901; ","3. Taylor, Marion Sayle, \"The seat of love and youth: plain truths for women, c.1927; ","4. Taylor, Marion Sayle, \"Body hygiene for women,\"1928;","5. Williamson, George H.,\"Personal hygiene for women: explaining the new hygiene which is bringing comfort, peace-of-mind and greater health and efficiency to the world of women,\" 1928; ","6. Wells, H.J. (edited and published by),\" Tennessee journal of medical and surgical diseases of women and children, and abstracts of the medical sciences,\"1884; ","7. \" Wasting diseases: their causes, treatment, and cure,\" New York: Scott \u0026 Bowne, c, 1877; ","8.Sheffield, Herman B., \"The baby's record and health,\" 1913; ","9. Olmstead, Allen S., \"This will interest mothers: Mother Gray, the children's friend,\" c.1910.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one notebook kept by S.B. Coulson with notes regarding Friedrich Fröbel teaching approach and use of Fröbel gifts, which include play materials such as balls, cylinders, cubes, and tablets. ","The instructors were \"Miss Doyle,\" \"Miss Symond,\" and \"Mrs. Meleney,\" the latter being Carrie Coit Meleney, a student and later prolific correspondent of Maria Kraus-Boelté (1836-1918), a pioneer of Fröbel education in the United States and author of the textbook, \"The kindergarten guide\" (1877). The notebook also contains diagrams and illustrations depicting configurations of tiles and boxes. Several pages have been torn out of the notebook.","This addition to MSS-16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia),  contains six pieces of advertising ephemera. Included are: 1. Mrs. Prettyman's celebrated breast salve, c. 1866-1895, (3 advertising broadsides); 2. Celluloid starch requires no cooking, a die-cut point-of-sale display card with an attached cardboard stand depicting a baby seated on a pillow holding a paper advertising celluloid starch; 3. Display card for Johnson and Johnson baby powder; and  4. a pamphlet titled Your baby's diet: Heinz strained foods: their uses and nutritional values. (circa 1950s).","Addition 19 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet: \"Tennessee Industrial School for the Benefit of Orphan, Helpless and Wayward Children, Nashville, Tenn.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a travel diary of Frederica King Davis as she traveled through England and France during her 19th year.  The bulk of the diary contains vivid and dense descriptions of her travel route, means of travel, companions, sites visited, and observations on art and culture; toward the end, she meticulously documents her allowance received, her expenditures, and the list of books she aims to read as a result of her trip.  ","The diary offers insight not only into the type of grand tour provided to well-off 19th-century American women but also into the history of tourism, transport, and a history of artistic exhibits and art criticism, women's education in domestic accounts and budgeting, traditions in women's gift-giving and charitable contributions, the history of women's fashion, and the history of friendship and courtship etiquette.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a set of Courtesy posters to color, a Children's Aid Society Donation Circular, and educational game ideas handwritten and compiled on index cards by elementary school teacher Jane Ehrhard. The educational games are housed in two small commercial portfolios produced by Burgess Publishing Company for their line of printed educational games.  ","Contemporary ink signature of Jane Ehrhard on the back of both portfolios.  One red portfolio is printed with the title \"File O' Fun for social recreation,\" with Jane A. Harris listed as the author.  The second portfolio is orange and printed with \"Games for the elementary school grades: playground, gymnasium, classroom,\" by Hazel A. Richardson.  It appears Jane Ehrhard has repurposed the portfolios. Both measure 18 x 12 cm and are bound with an elastic cord.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets and booklets on pre and post-natal advice for expectant mothers in America. They include: 1. Information for expectant mothers, by Frank LeCocq Jr., and Albert Bostrom, Jr. (c.1959); 2. Instructions for expectant mothers (c.1959); 3. While I am waiting, (1960); 4. Mrs Winslows soothing syrup: for children teething, (c.1888); 5. Baby is king,(1890); Baby feeding made easier, (1956) accompanied by two pieces of ephemera \"It's the nipple that makes the nurser, the Davol No.155 Nipple...\" and \"Terminal sterilization of baby's formula; 6. Pre-natal care: what expectant mothers should know, compiled by Obstetrical Department of The Western Montana Clinic (c.1955); 7. Your baby's formula (1953, 1955); 8.How food helps mother and baby, for parents-to-be (1954); 9. Modern methods of preparing baby's formula: practical suggestions by doctors, nurses, hospitals and mothers, (1954); 10. More nearly perfect: when baby needs milk from a bottle (1934); and 11. Prenatal care (1949).","Addition 63 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets about women at work both in and outside the home. These include: 1.\"My busy week,\" Herrmann Hdkf. Co 1949; 2. \"When women work,\"[Washington, D.C.] : Women's Bureau, U.S. Department of Labor, 1921; 3. Trade card \"Armour's mince meat and canned meats, c.1890; and 4. Trade cards:  Two round cards depicting 19th century women and girls doing laundry washing by hand.","This addition (69) to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains fourteen pamphlets on the subjects of family planning, women's reproductive health, contraception, hildhood disease prevention, gender, religion, education, history published between 1892 and 1973. Many of these pamphlets were distributed as promotional materials by insurance or healthcare companies. ","The pamphlets are: \"Speaking of Birth Control\", \"Industrial Gems\", \"Keeping a Healthy Home\",   \"Protecting the Home Against Disease\", \"Giving Babies Nestle's Food\", \"Nestle's Better Babies\", \"Where Shall We Put the Baby?, \"Vanta Baby Garments\"[advertisement],\"Your Baby's Protection\", \"So You Don't Want to be a Sex Object\",\"Johnny Takes A Wife\", \"Baby Speaks Out on This Matter of Toilet Training\", \"The Power of a Woman\", and \"A Woman's Guide to the Methods of Postponing or Preventing Pregnancy\"","Addition 61 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on childhood growth and development and women's health.","These include: 1. Child culture before and after birth: truths of profound significance to parents and prospective parents, with illustrative examples from real life, Chicago: National Purity Association,|c.1895; 2. Caldwell, J.B., Pre-natal influences, Chicago: National Purity Association,c.1900; 3. Getting ready for baby, Bloomfield, New Jersey: Lehn \u0026 Fink, Inc.,1930; 4. Weeks, Mary Hezlep Harmon, How to tell the story of reproduction to very young children, 1910; 5. Mothers' clubs' and teachers' organizations' course of study, Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910 (2 copies); 6.) Wood-Allen, Mary, Great books for child instruction, Cooperstown, N.Y.: Arthur H. Crist Co.,c.1910; 7. Wood-Allen, Mary, Valuable books for parent and child (2 copies), Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910; 8. Stephens, Elizabeth L., Sacredness \u0026 responsibility of motherhood, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall,c.1910; 9. Stephens, Elizabeth L., Teaching Obedience, Cooperstown, N.Y., Crist, Scott \u0026 Parshall,:,c.1910; 10. King, E.A. The Cigarette and Youth, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall, c.1910;  10. What shall be taught and who shall teach it? 1907; 11. Mrs. J.H. Kellogg, Work as an element in character building, c.1907; 12. Rev. W.W. Cook, The father as his sons' counselor, 1907; 13.  Mary Wood-Allen, Confidential relations between mothers \u0026 daughters, c.1907,14. Mary Wood-Allen, When does bodily education begin?,1907, 15. P.M. Bruner, The integrity of the sex nature, 1907; 16. Mary Wood-Allen, A friendly letter to boys, 1907; 17. Preg-No-Matic: the scientific calculator that takes the guesswork out of rhythm, Bridgport, CT: Brooklawn-Park Laboratory, 1956-1957; 18. Mel Johnson. Going steady, 1964; 19. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1935; 20. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1939; 21.What every woman wants to know about personal hygiene; Cincinnati, Ohio: Hydrosal Laboratories,1926; 22. Marvel syringe: Whirling Spray for women, c.1900; 23. Healthy happy womanhood: a pamphlet for girls and young women, Springfield, IL: Illinois Dept. of Public Health, Division of Communicable Diseases, c.1938; 24.Sol Gordon, Ten heavy facts about sex that your friends don't know, illustrated by Roger Conant, 1971; 25. Charles A. Clinton, M.D, Sex behavior in marriage, undated, and 26.  M. Sayle Taylor, Ph. D., What's wrong with marriage?,1932.","This addition 13 (ViU-2023-0134)of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the teaching archive of Mrs. Florence Tuttle Baldwin of North Haven, Connecticut (Boxes 3-7). Florence was born in 1854, married in 1881, and died in 1926. She spent her career at the Sixth District School in New Haven, Connecticut. ","It is a large addition containing her teaching materials including her ruler (signed by her), book catalogs, lesson plans and educational books from map making to mathematics, grade book, periodicals, manuscripts poems and letters, art work, needlepoint, phonetical drill cards, flash cards, educational games, and family planning from 1899 to 1905.  ","\nIn addition to Baldwin's teaching materials, other materials include a drawing book entitled \"Our Chat\" with stories by Ella Smith and Audrey, Yvonne \u0026 Clifford Evans; publications on vertical writing (handwriting), \"Talks and Tales\"; and five England-published pamphlets from the 1950s discussing family planning practices and contraception. Titles include \"Modern Family Planning,\" \"A Planned Family,\" \"Planning a Family,\" \"The Planning of a Family\", and a Lloyd's Family Planning Centre pamphlet.","There is a 1934 New York-published pamphlet that discusses Zonite as a family medicine and feminine hygiene products. Titles include \"Another Zonite Product for Intimate Feminine Hygiene;\" \"Facts for Women;\" and \"The real meaning of Antiseptic in everyday family life.\" ","There is a flyer entitled \"Please Give A Quarter\" which promotes the Salvation Army's Fresh Air Camps published circa 1900. ","Also included is a dating book belonging to a young girl titled \"My Him Book\" which has categories of \"High School Hims,\" \"College Hims,\" \"Home Hims,\" and \"Movie Hims\" about her romantic interests, and denotes William Purdy as the \"best of all my beaus\" under the \"Wedding Hims\" section. ","Florence Eleanor Paget (1887-1965) was a professional nature illustrator and artist from England who studied under George Vernon Stokes, a British wildlife and landscape artist. She made these books when she was a young woman, roughly between 1900 and 1910. ","One oblong linen book is labeled \"Sketches\" in pencil on the rear cover, and the owner's signature is on the pastedown in the front of the book. Paget likely drew in the \"Sketches\" book when she was twelve or thirteen. The book has forty drawings in pencil and watercolors. The subjects include landscapes like Redcar Pier, Saltburn Cliffs, Kew Gardens, Etal Church, and Etal Castle, as well as many sketches of her dogs, observations of people, fruit, and fauna. Some drawings have captions that identify the place or provide a funny caption. ","The other is an oblong publisher's cloth binding in green with \"Flora\" stamped in gilt. The book  was likely created five to ten years after the \"Sketches\" book. Dried flowers and plants are artfully pasted down and numbered. She wrote the binomial names in cursive, opposite of the pasted-down plants. There are a total of six total entries. ","The books are mainly written in English, except for one sketch with a caption in French and the Flora books with scientific names in Latin.","Addition 20 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a Salvation Army \"Help the Children\" flyer from June of 1903 sent to raise funds for an outing for poor children in Columbus, Ohio. ","The outing was meant to \"bring some brightness, cheer and comfort into the lives of the poor children of the slums and crowded tenement districts.\" The plea was written by John M. Richards, Adjutant, and the flyer has a cartoon illustration of a children's parade as a decorative border. On the verso of the flyer is a letter written in German written by a woman from Columbus,  dated September 13, 1904.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building,  features one string-bound scrapbook with pasted photographs of dolls collected by Helen E. Perkins. Compiled between 1909 and 1939 by Perkins and Miss Frances Grier, the scrapbook features sixty-nine pasted photographs of dolls of varying origins. Each entry includes the doll's name, a number, their height, manufacturer, material, and place of origin. Nations that have dolls represented in Perkins's album include China, Denmark, Finland, France, Germany, Greece, Guatemala, Holland, Ireland, Mexico, Morocco, Portugal, Russia, and Sweden. ","The material culture of childhood aspect to this scrapbook gives  insight into the importance playing with these dolls to the two girls.  In several of the photos, they've created scenes with the dolls, even  placing them all on the stairs for a \"family portrait.\" ","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains three pamphlets: 1.) Natural Science Camp (Keuka Lake), 1905; 2.) Boy Conservation Bureau (New York, N.Y.) [1930]; and 3.) Teenage gangs, New York City Youth Board, 1957.","4 items were cataloged separately in the print collection: 1.) Playskool Toys, 1956; 2.) J.L. Hammett Company, School Supplies 1928-1929; 3.) The First Public Policy Seminar from a Black Perspective, 1972; and 4.)Stylish Apparel for Expectant Mothers Spring and Summer, 1920.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains six pamphlets and one poster related generally to child care. Titles included are 1. \"Trimble Helps For Mothers,\" 1940; 2. \"Narcotics and the Family,\"c.1970; 3.\"What your neighbors say: dream book compliments of World's Dispensary Medical Association, c.1910s; 4.\"How to take care of the baby: treatise on the care and feeding of infants,\" 1905; 5. \"Your Baby,\" 1942; 6. \"Baby Feeding Without Tears,\"c.1940s and 7.\"Correct posture guide,\" c.1955.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a commonplace book belonging to Ethel Shearer (1893-1952). ","Shearer was a prominent artist in the mid-twentieth century San Francisco scene, being one of the featured artists at the opening of the San Francisco Museum of Art and Oakland Art Gallery. She was a member of the Society of Francisco Women Artists. ","Her commonplace book was compiled when Shearer was between thirteen and seventeen years old between 1906 and 1910. The book includes invitations and greeting cards from Ethel's friends, newspaper clippings, clippings from various other media, Ethel's own handwritten entries, and pasted photographs. Drawings from Shearer are present throughout, calling to her future career as an artist. ","Additon 21 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets relating to childhood education and parenting. \"The Nursery Chair\" was distributed by Shepard, Norwell, and Co., Winter Street, Boston, and advertises various department store goods following a short story. \"Bradley's Kindergarten Material and School Aids\", published in 1906, advertises tools for learning shapes and colors, instruments for art, mathematical instruments, and standard inks, leads, etc. \"Food-The Teeth and Health\" discusses the ideal diet of a young person, published in 1930 by the City of New York Department of Health and Board of Education.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains leaflets issued by American motherhood magazine from 1907. They are: \"The Ideal Mother\" and \" Confidential Relationships between Mothers and Daughters.\"","Addition 15 of MSS 16758,  the University of Virginia Collection on Childhood, Parenting, and Family Building, contains twenty-five nursery rhyme handkerchiefs. ","Commonly tucked into story books, these were popular children's mementos between the 1910s and the 1960s. Most handkerchiefs are illustrated in full color and have sewn and colored borders. ","However, six of the earliest editions are printed in black and white or sepia with raw edges.Most examples have sewn and colored borders, besides the earliest examples featuring raw, uncolored trim. ","Seven color designs are by British children's illustrator Mabel Lucie Attwell; others are unattributed.  Stories depicted by Atwell include \"Little Miss Muffet,\" \"Ding-Dong Bell,\" \"Jack and Jill,\" \"Little Bo-Peep,\" \"Hush-A-Bye-Baby,\" \"Little Boy Blue,\" and \"Dickory Dickory Dock.\"","\"Going steady\" / by Daniel A. Lord;\nTonsils and adenoids: is your child handicapped?;\nGood habits for children /|cMetropolitan Life Insurance Company ; [prepared with the cooperation and advice of the National Committee for Mental Hygiene];\nHearing, Metropolitan Life Insurance Company;\nCommon childhood diseases, New York: Metropolitan Life Insurance Company,c[1946];\nMrs. Winslow's diet instruction book for the baby. New York: Anglo-American Drug Company|c[1922];\nCollection of Bank Street Publications pamphlets on early childhood education (35 pamphlets);\nKeeping the well baby well.Washington:U.S. G.P.O.,c. 1927;\nOut of babyhood into childhood: 1 to 6 years. Washington:U.S. G.P.O.,c. 1943;\nWhen your child's in the teens /by Edwina A. Cowan;\nYour child grows up,|cby Edgar A. Doll.[Boston],|b[John Hancock mutual life insurance Company],|1939;\nBetween two years and six / by Richard M. Smith; Boston : John Hancock Mutual Life Insurance Co., 1941.\nThe healthy school child.Boston, Massachusetts : Life Conservation Service of the John Hancock Mutual Life Insurance Company, [1940];\nCount down to discovery!--3- 2- 1-year olds : child development, unit 2 / Alice T. Teddlie. Baton Rouge : LSU Cooperative Extension Service, 1972;\nDiscover the wonderful world of 4 and 5 year-olds. Baton Rouge, La.: Louisiana State University Agricultural and Mechanical College, Cooperative Extension Service,| c[1976];\nThe Student advocate, New York: American Student Union,c1936-1938;\nA doctor talks to 5-to-8 year-olds /|cby Dona Z. Meilach in consultation with Elias Mandel; Chicag :Budlong Press Co.,c1967;\nThe care of the baby: prepared by a committee of the American Association for the Study and Prevention of Infant Mortality and presented to the Association at its annual meeting held in Washington D.C., November 14-17, 1913;\nYour child from one to six / U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, Washington, D.C : U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, 1945;\nYour child from 6 to 12, written by Mrs. Marion L. Faegre, Washington, D.C. :| Federal Security Agency, Social Security Administration, Children's Bureau,c1949.","This addition to MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a 9.5\" x 6.5\" wooden puzzle with a  wooden frame and a glass window titled the Silver Bullet: Or the Road to Berlin. ","Original metal ball and elements intact. Directions on the verso of the game.  British dexterity puzzle for a juvenile audience, made of wood and glass. The game's object is maneuvering a metal ball through a winding course, avoiding holes, to the Berlin area. Although the topography of the play suggests the trenches of the Western Front, at the time of the game's creation, the troops had not \"dug in.\" The title, Silver Bullet, suggests a quick victory and supports the view that the British public believed the war would be over by Christmas 1914.","Addition 25 of MSS 16758 The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains twenty-five printed ephemera, including pamphlets and advertising on topics include parenting, child development, sex education, public health, and care of pregnant inmates.","40 posters from the Hope of a Nation Poster Series","Feeding the majority of bottle babies.Mead Johnson \u0026 Co. of Canada, Ltd.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two items relating to scouting. The first is a broadside printing of the ten Girl Scout laws set among art nouveau illustrations from the 1930s. The second is a photo album compiled by a boy at Kerrville, Texas, with images of playing in the streets, swimming in the Guadalupe River, playing baseball, hiking, marching, and being at a local Boy Scout camp. The black cloth photo album contains fifty-two black and white photos, measuring 10 x 7 cm, with a caption on the album leaves. ","There is a  photograph of an African American man. (Caption reads, \"Uncle Allen\").","African Americans were often referred to as Uncle or Aunt even though they were not a family relative.They were denied use of courtesy titles.\"Aunt,\" as in \"Aunt Jemima,\" was the term used for older enslaved women in the South who were not allowed by their white owners to use the term Mrs or Miss. The same was true for Uncle, as in Uncle Ben's Converted Rice. Uncle was used for older enslaved men because they were not allowed by their white owners to use the term Mr. The African American in this photograph is referred to as \"Uncle Allen.\" It is important to recognize the use of these terms and confront the racism that is embedded in these white cultural terms.","Source:\nGreen, Mark. Do You Know Why Aunt Jemima is Called \"Aunt?\"\nWhy is Aunt Jemima racist? Here's exactly why. And I do mean exactly.\" Medium. Human Stories and Ideas. Acessed 7/17/2024.\nhttps://remakingmanhood.medium.com/do-you-know-why-aunt-jemima-is-called-aunt-5d111b0765a5","This collection consists of a handmade notebook titled Punctuation Party by Melba Tice. The book presents punctuations as characters with rhymes and cutouts from 19th-century editions of Alice in Wonderland and Through the Looking Glass, as well as contemporary advertisements, explaining punctuation rules. Some punctuation characters are not from Carroll, and their descriptions illustrate cultural viewpoints of the time period, including a racist depiction of a \"mammy' figure and a Clorinda Colon\" as an old maid figure.","Addition 2 of MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven hand-painted postcards presumably created by Elisabeth, the sender. The postcards, drawn in black ink, depict children playing outside: a child pushing another child's sled; two children talking under a tree in spring/summer; two children playing with a balloon; a girl having a picnic with a bunny; one older and one younger girl in the snow; an older girl on a swing; and a girl on a dock by a body of water. ","Two of the postcards have written messages and are addressed to Miss Henebry and Miss Camilla Cole. The cards are postmarked Mount Kisco, NY, July 14 and 15, 1922. Both are sent in the care of Graham Miles of Alexandria Bay, New York. ","Miles was a stockbroker and hydroplane racer. He married and divorced Louise Clover Boldt, the daughter of George and Louise Boldt, wealthy Philadelphians and owners of the Boldt Castle in the Thousand Islands. Miles and Boldt had a daughter, Clover Wotherspoon Miles, but Miles's connection to Elisabeth or the other children named is unclear.","Addition 18 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 7 pieces of pamphlets/ or ephemera. \"What every teenager ought to know\" by Abigail Van Buren; T\"urn this page and do as this little man does\" by Colgate \u0026 Co; \"Ways to keep well and happy: booklet for upper elementary grades \"by Ruth Strang; \"Keeping fit\" by the State Board of Health, Bureau of Venereal Disease, North Dakota; \"Family meals at low cost using donated foods\" by the US Dept. of Agriculture; \"The gas cook book for young people\"by Athens Store Works, Inc., Athens, Tennessee; and \"The picture and rhyme book.\"","Addition 16 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three advertising pamphlets that pertain to parents purchasing products for their children. \"The Tinies that Live in a Tube\" advertises toothpaste, \"Flibitty Jibblit\" advertises rennet powder, and \"The New Boss in the House\" promotes the Pittsburgh District Dairy Council. Each uses imagery of children and parents utilizing the respective product.","Addition 17 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets: \"The Science of Prenatal Astrology\" by Edwin S. McKeever; \"The Space Child's Mother Goose\" verses by Frederick Winsor and illustrations by Marian Parry. The third item is a pamphlet titled,\"Reducing the new common sense way\" about the Kryon method of reducing weight by Continental Pharmaceutical Corp. ","\"The Space Child's Mother Goose\" is a personal copy owned by Arthur Schulman, an Associate Professor of Psychology at the University of Virginia and one of the organizers of the American Civil Liberties Union in Charlottesville. ","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven signs used to warn the public about the spread of contagious diseases and institute quarantine for diseases like smallpox, measles, polio, and diphtheria.","Addition 4 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the American History Hektograph Posters. These are twelve individual monochrome printed poster sheets, measuring 12 X 9 inches,  featuring historical instances in American history. ","Published in 1926 by Beckley-Cardy Company, each scene is intended to be colored, likely by a child. Each scene features suggested coloring methods, a title for the event, and a brief synopsis of the instance below. Scenes are typical origin stories, colonizers, and dominant white narratives and are examples of the narratives taught in classrooms circa 1926. The scenes are numbered 1 through 12, with each respective number placed in the center under the title. Events depicted: 1 - \"Landing of Columbus,\" 2 - \"The Mayflower at Cape Cod,\" 3 - \"The Pilgrims Planting Corn,\" 4 - \"The First Thanksgiving,\" 5 - \"George Washington's Early Home,\" 6 - \"Signing of the Declaration of Independence,\" 7 - \"Washington as President,\" 8 - \"Lincoln Studying by Firelight,\" 9 - \"Lincoln Writing His Inaugural Address,\" 10 - \"The Gettysburg Address,\" 11 - \"Grant Made Commander In Chief,\"  and 12 - \"Digging the Panama Canal.\" ","\"Red Man\" and a Native American \"wearing his bright [British] red coat with great pride\" suggests the presence of reparative content. \"","This addition to  MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building collection, contains one brad-bound scrapbook with a \"HYGIENE\" stencil cut from the paper on its cover. The content discusses healthy living practices for young girls. Entries feature drawings, pasted images, newspaper articles and clippings, handwritten queries on health, and ideas on diet and grooming practices. There are 49 \"chapters,\" each no longer than two pages. The corresponding pages for each chapter are presented in a table of contents at the beginning of the book.","Addition 57 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to teenagers, parenting, and sex education. These include: 1.) The school lunch, Battle Creek, Michigan:|bEducational Department, Postum Company, Inc., (1928); 2.) Sex in life: young men, by Dr. Douglas White (1933); Sex in life: young women, by Violet D. Swaisland (1933); 3.) What parents should tell their children (1933);  4.) Starting to school in Kingsport, Kingsport, Tennessee, Kingsport City Schools (1953), 5.) How life goes on and on:  story for girls of high school age, y Thurman B. Rice (1937); 6.) When children ask about sex, by the staff of the Child Study Association of America. Foreword by Marianne Kris (1953);  7.) Woman against myth, by Betty Millard (1948); 8.) The teacher and mental health [prepared by the National Institute of Mental Health] (1955); 9.)The safety zone:|ba frank talk with women concerning their personal problems (1940), 10.)Teen-agers and parties, Ernest F. Miller (1960), 11.) Tips for teeners  by Antoinette Donnelly (c.1950); 12.) Think straight before you date, D.F. Miller. (1959); and 13) Teen-agers and dope, Howard Morin, C.SS.R. (1957)","Addition 5 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single press photograph from the children's clinic at the ridge avenue dispensary in Philadelphia in the 1930s.  The photograph is a group photograph of Black nurses and children in a clinical setting. A typed caption is affixed to the top right edge of the picture. No photographer or studio is noted.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a pamphlet titled Strong bodies sound minds: some health hints for the school-day years (c.1930).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on public health topics including syphilis and sex education. These include: 1. Management of syphilis in general practice, Joseph Earle Moore, in collaboration with: Harold N. Cole [and others], 1938; 2. Genitoinfectious disease control in Massachusetts, prepared by The Massachusetts Department of Public Health co-operating with the United States Public Health Service, 1940; 3. The diagnosis of syphilis by the general practitioner by Joseph Earle Moore, M.D., 1938; 4. Syphilis in mother and child,by Harold N. Cole and Philip C. Jeans, in collaboration with Joseph Earle Moore ... [et al.], 1940; 5.Your baby and the blood test law, Ernest B. Howard, M.D., c.1939; 6.Clinical excerpts, 1942; 7. Sex education for the preschool child by Harold E. Jones and Katherine Read, 1941; 8. Sex education for the ten year old /|cby M. Marjorie Bolles, 1941; 9. Sex education for the adolescent. by George W. Corner and Carney Landis, 1941; and 10. Sex education for the woman at menopause by Carl G. Hartman, 1941.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the publication of an educational booklet titled \"The Story of Sex Hormones,\" produced by the Schering Corporation, an American pharmaceutical company. The pamphlet was distributed at the Hall of Science at the Golden Gate International Exposition at an informative display called \"Hormone Woman.\" It briefly outlines recent advances in endocrinology and offers illustrated explanations of menstrual cycles and sex hormones, as well as a short description of menopause.19 cm","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a sample book titled \"Kiddie flowers\" consisting of eight mounted samples of floral fabric potentially for children's clothing.","Addition 24 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet for the Davis Home for Colored Children 34th Anniversary located in in Pittsburgh. This promotional booklet is for the  \"34th Anniversary\" of the Davis Home, a temporary home and day nursery for African-American children. Also of note in the booklet are advertisements for what are likely Black businesses that supported the home. \n \n   Note says, \"This book is dedicated to my mother, Mrs. Fannie Louis Davis, who was the founder of the Davis Temporary Home and Day Nursery in 1907, and organizer of the Colored Women's Relief Association of Western Pennsylvania in 1909. To my wife, Mrs Louise Scott Davis, President of the Davis Home for Colored Children, who has been loyal and faithful in giving her life toward the advancement of this home. To my friends, who have contributed to this Home in any way they could. Finley T. Davis, Business Manager.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains Paul Kenton Conrad's childhood cartooning album and scrapbook. The sketchbook, a string-tied leatherette album, documents a young boy's self-guided attempts to develop cartooning skills. Cut-out tutorials from Frank Webb's \"How to Make Faces\" are mounted on the album's early pages, with attempts in pencil to follow their instructions. Midway through, Conrad branches out from these copies into creating his original subject matter, including army airplanes, sheriffs, pistols, cowboy hats, and a series of one-panel strips titled \"Stuff that's funny.\" The artist, a Pittsburgh native who settled in Honolulu, would later become a successful lounge pianist and musician of some note in the 'Exotica' genre, releasing one well-received album (\"Exotic Paradise\").","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet titled \"Growing Up in the World Today: for Boys and Girls in the Teens\" by Emily V. Clapp.(1946)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets for parents and teachers about puberty and sex education. ","Titles include 1. \"Sex Behavior and sex interest in Children,\" by Louise Bates Ames (1952); 2. \"When children ask about sex,\" by the staff of the Child Study Association of America, Sidonie M. Gruenberg [and others] Anna W.M. Wolf, editor, (1946); 3. \"Preparation for puberty: a sex education manual for parents and teachers,\" written by Mrs. Linda K. Teller, illustrated by Mrs. Dorothy Teeters (1965); and 4. \"Sex education in the home,\" Georgia Department of Public Health, (c.1950).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a chart of hormone interrelation upon which the film \"The physiology of normal menstruation\" is based. Printed in green and black, full color chart. 1 sheet folded to 8 unumbered pages. 23x62 cm folder to 23x16 text.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains  a set of twelve offprints titled \"Your baby at [1-12] months.\" There are twelve pamphlets, one for each month of a baby's first year of life. Reprinted from Baby Talk, published by the Parenting Group, New York, N.Y.Author: Beulah Sanford France (1891)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a spiral-bound sketchbook belonging to an unnamed art student, most likely living in New York City. Page one of the sketchbook details the student's assignment: \"DUE - 300 by June 2nd, Marked Chronologically.\" Traces of what may be an owner's name and grades of \"B\" and \"B+\" are written on the cover. Each sketch is numbered in pencil and is stamped between March and June 1952. The sketchbook's seventy leaves have drawings only on the recto. Drawings are completed in pencil, ink, and crayon.  This student's sketches are primarily figure studies of those in transit on the subway. Other scenes include a roller derby skater, pin-up figure, river traffic with a bridge, a parked car, a cat, and exotic animals.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a handmade fundraising appeal concertina album to the artist Oskar Kokoschka. The book was created by design students at the Modeschule der Stadt Wien (Fashion School of Vienna). In 1946, the school relocated to Schloss Hetzendorf, an eighteenth-century palace that sustained significant damage during the Second World War.Students were pressed to raise money for their art supplies amid the renovations. This fundraising appeal was addressed to exiled Austrian artist Oskar Kokoschka, known for his contributions to expressionism. The album contains hand-cut stencil letters, hand-colored illustrations, and collages of paper, felt, yarn, tin foil, leather, and chipboard. The book reads: \"Dear O.K. [Oscar Kokoschka] / if we would have brushes and colours to paint / coloured paper for handykraft / wools to weave / leather for gloves and bags / felt for millinery/magazines to get suggestions / spezial [sic] books for library/material for dressmaking / then all would be OK. Photographs of the students at rest and at work sewing, trimming, painting, weaving, and drawing are pasted on the verso of each collage. Kokoschka fled Vienna, Austria under the Nazi regime and never returned. It is unknown whether he responded to this appeal from the Modeschule students.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet titled Your Child's Development - Infant to 16 years.","\"This booklet is based on recent studies at the Gesell Institute. Dr. Arnold Gesell, the Institute's research consultant and a household word to parents, founded the Yale Clinic of Child Development, which he directed for 37 years. Today, Dr. Gesell and his collaborators, Dr. Frances L. Ilg, a pediatrician, and Dr. Louise Bates Ames, a psychologist, carry on the pioneer work of the institute.\"","Published by Good Reading Rack Service, Inc., a division of Geffe, Morton \u0026 Griffiths, 76 Ninth Avenue","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains an  original calligraphic manuscript of thirty variously colored linocuts, each by a different girl from a class at St. Helen's Norwood, London. Each linocut has the student's name below in ink. The contents are handwritten verses of Benedicte Omnia Opera. The title page notes, \"Lettered, illustrated and bound by all the members of IVA.\" The endpapers are also original handpainted images of angels. Bound in original black cloth at the school by L. Hardy, D. Lines, and J. Scarth.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single pamphlet titled \"Doors to Open\" by Ellis Gladwin and Rama Braggiotti (illustrator) published by the Connecticut Mutual Life Insurance Company. It is written as a guide for young people but specifically addresses men embarking on college life and advises on new life changes in the context of conservative social constructs of the mid-twentieth century. Sixth in a series of booklets that dealtwith the tensions of everyday life.","Each segment has a hypothetical person encountering specific issues like overcoming shyness and finding social niches. Towards the end of the booklet, a piece titled \"Girl of My Dreams\" is a thinly veiled reference to a young man questioning and discovering an LGBTQIA+ identity. The advice is negative and clarifies that the hypothetical person should stifle these questions and stick to a hetronormative lifestyle, stating \" \"George is very unhappy, [and] needs help to cope with these festering needs. Otherwise, he may settle for a dim life, arrested by a succession of psychosomatic illness.\" ","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building,  contains a game titled \"Judy's Neighbors: Negro Family.\" It includes two dimensional pressed wood figures of an African-American family including mother, father, daughter, and two sons. There are also stands for the figures. Judy's Neighbors was released sometime between 1963 and 1964.This was part of a series and was sold individually and in sets. Teachers used the game to encourage racial diversity.","Addition 14 of MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building contains two promotional posters (22\"X6\") for the 1965 and 1967 New York Children's Book Week. The art of Caldecott Medal-winning illustrator Barbara Cooney made the artwork for the 1965 poster. The illustration depicts a fox carrying a stack of books with a crow overhead, looking down at the fox perched from a branch with the words \"Sing out for Books\" in French. The other poster from 1967 contains a linocut illustration of hot air balloons with a floating banner reading \"Take Off With Books.\" Marcia Brown, the only triple Caldecott Medal winner, made the art for this poster.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a photo album for the Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","The photographs document the center's daily operations, including staff and children, and special events, including several photographs of its graduation ceremony and a special \"Father of the Year\" award presentation for the fathers of the \"graduating class.\" The center closed permanently in 2005.","This addition (23) contains a three-fold pamphlet titled, \"A Report of a Conference on Day Care and the Working Mother\" for the Morris Child Development Center: State of Michigan Pilot program.","Addition 6 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains materials collected and produced by the Bilalian Child Development Center and the Developing a World for All Humanity (DAWAH) in Highland Park, Michigan. The Bilalian Child Development Center was incorporated as a non-profit agency in 1977 and appears to provide community services and educational services for the community.  The DAWAH is an institute developed by a group of African-American Muslims in Michigan to develop an effective DAWAH program in America.  ","Contents include an advertising and enrollment form, two brochures for the Bilalian Center, and another for the DAWAH Institute in Highland Park. Also included are the contents of a binder for the DAWAH Institute. Separated by subject tabs, materials include handwritten notes and a typed agenda for the First National Meeting of the DAWAH Institute, an application of employment to the Institute, papers on Community Services, the A.B.C.D. Savings Program, a photocopy of a Western Union Mailgram to President Ronald Reagan, papers on the Food Co-Op \u0026 Gardening club, Home Garden booklet from the 4-H Youth Programs, Fundraising and Grantsmanship, invitations, brochures, news releases, educational programs, news clippings, and a curriculum statement.","Addition 22 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 21 handbills and handouts on HIV and AIDS and LGBTQ health concerns for teens.","Some guidelines to follow in talking to teens about sex and AIDS/STD's -- Where do mermaids stand (From: All I really need to know i learned in kindergarten by Robert Fulghum) -- Bi-Friendly #40, October 1991, San Francisco, East Bay, and U.C. -- 1991 Fact Sheet / State of California Department of Health Services AIDS Prevention and Follow up Centers Early Intervention Program -- Continuing Education Questionnaire -- Continuing Education Agenda / UCSF AIDS Health Project, San Francisco, CA -- Antiviral AIDS drugs in the pipeline, 1991 -- Fact Sheet 1991 / [San Francisco] -- Syphilis Rate Soaring Among S.F. Teenagers / by Nanette Asimov, Chronicle Staff Writer -- Indications for Encouraging Counseling and Testing for Adolescents -- Special Programs for youth consent form for HIV testing -- Special programs for youth pre-test counselor sign-off sheet for informed consent -- A.T.S. Recommendations for youth and young adults / Adolescent HIV Coalition -- Referral list for HIV+ youth and young adults / prepared by Michael Baxter, Adolescent HIV Coalition Chair, San Francisco -- Youth and the HIV antibody test -- Project ahead / [San Francisco Health Clinics] -- Crisis alert: African American youth and HIV/AIDS / by W.J. Brandy Moore -- Some of the barriers that Latino/adolescents can encounter if they do seek health care and related services for HIV/AIDS / presented by Marisa Davis, Aids Health Project -- Counseling high risk youth / Ken Dunnigan, M.D. April 28, 1988 -- Youth and HIV: no immunity / Jane Shalwitz, MD and Ken Dunnigan, MD, circa 1983 -- Normal adolescent development / Parent Survival Kit, Denise Phelan-Desmond, Luanna Rodgers, Mary Isham, et. al. -- The ten mos asked HIV-Insurance questions / reprinted by AIDS Project, Los Angeles ©1988","Addition 8 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a signed broadside print (11 X 8.5 inches) titled \"My Life Matters\" by the artist and muralist LMNOPI. ","The signed print based on muralist LMNOPI's wheat-pasted street art, is originally produced in response to the Ferguson protests. Artist LMNOPI writes: \"This painting was inspired by the Black Lives Matter movement which originated in Ferguson, Missouri last year in response to the police murder of Mike Brown. I have been doing a series of street paste ups around this movement.\" ","LMNOPI found this image of a young protestor online, eventually identifying the child as a boy named Myles. The image of Myles warily clutching his protest sign (#DontShoot #Ferguson #YourLifeMatters), pasted up on the door of an a condemned factory in Bedford-Stuyvesant, became part of the community: \"The wheatpaste of Myles was much loved by local residents. Often I would observe people taking photos of it on their way to work. I saw many people post it on Instagram. It even survived a local graffiti bomb squad who came through last winter during a snowstorm. They tagged up the entire wall, but did not touch Myles.\" ","Source from LMNOPI's website: lmnopi.com/my-life-matters.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one handmade child's artist book based on Samuel Roger's Poem \"Address to the Butterfly.\"","Unidentified youth creates a story beginning with a cardboard hand-cut apple; as the story progresses, a cardboard cut-out worm escapes the apple and begins to \"eat\" the pages before cocooning and then emerging as a pop-up butterfly.  ","Crudely bound with black leather over boards; a window cut out of the front cover allows the painted apple on page [1] to show through. ","A small pocket mounted inside the back board holds five cards printed with Samuel Rogers' poem \"To the butterfly.\"  The pocket is stamped with \"Address to the butterfly, Samuel Rogers.\"","This addition to MSS16758, University of Virginia History of Childhood, Parenting, and Family Building, contains thirty-four pamphlets on various topics, including puberty and sexual development, childhood diseases, motherhood, birth control, and nutrition.\nList of items:\n A Story About You, by Marion O. Lerrigo [and] Helen Southard [in consultation with] Milton J.E. Senn.\nFinding Yourself, by Marion O. Lerrigo, Helen Southard; medical consultant, Milton J.E. Senn.\nApproaching adulthood, by Marion O. Lerrigo, Helen Southard [in consultation with] Milton J.E. Senn.\nHow to use My Bookhouse, Miller, Olive Beaupré, editor.\nScarlet Fever, Metropolitan Life Insurance Co. (c.1925)\nScarlet fever. Metropolitan Life Insurance Company (1940)\nWhooping cough.Metropolitan Life Insurance Co.(c.1930s)\nWhooping cough.Metropolitan Life Insurance Co.(1921)\nVaccination protects you against smallpox. Metropolitan Life Insurance Co. (c.1926)\nFor your information about Rheumatic Fever.Rheumatic Fever Foundation, 20-30 International,(c.1956).\nMeasles and their prevention. Richmond, Virginia, State Health Department (c.1965).\nCommunicable diseases in Virginia: mumps.Virginia, Commonwealth of Virginia Department of Health (c.1967)\nTraining is fun with Little Toidey. Juvenile Wood Products, Inc.,(c.1938)\nSmallpox is still here. Metropolitan Life Insurance Company, (c.1939?)\nRickets \u0026 scurvy. Metropolitan Life Insurance Co. (c.192-?)\nGood teeth: how to get them and keep them. Metropolitan Life Insurance Co. (c.1900s)\nYour baby book.Wyeth Laboratories, Division American Home Products Corporation, (c.1962)\nWomen who go to school.Washington, D.C.National Congress of Parents and Teachers (c.1945)\nChildhood diseases. Prudential Insurance Company of America (c.1966)\nThe prize winner. M.L.I. Co. Press (c.1935?)\n52 bones in a terrible hurry.The May Co.(c.1950's)\nHeight and weight tables for Children-Borden Dairy. The Borden Company (c.1920's)\nVariety gives nutritional balance. Stokely Van Camp, Inc. (c.1950's)\nA better start in life with meat.Nutrition Division, Research Laboratories, Swift \u0026 Company,(c.1950's)\nTummy tingles by Josephine Beardsley; illustrations by Marjorie Peters. (c.1937)\nLydia E. Pinkham's private text-book:  ailments peculiar to women. Lydia E. Pinkham Medicine Co. (between 1878 and 1940)\nMy views on birth control by Dr. B. Goodman. (c.1944)\nWedlock and birth control: straightforward talk on a momentous and delicate subject by Dr. Grayling Stewart (c.1950?)\nA Book about birth control written by Donna Cherniak ; edited by Shirley Pettifer (c.1984)\nThe age of romance. American medical Association (1933)\nQuestions and answers about intrauterine devices.Planned Parenthood Federation, Inc.(c.1970)\nSecrets married women should know.America's Medicine (c.1930?)\nThe new germcide Hyomei: positive cure for coughs, bronchitis, asthma, and consumption.The R.T. Booth Company (c.1906)"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following books have been transferred to the library collection: List of titles\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\nThe new family / Virginia. Bureau of Child Welfare.\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following books have been transferred to the library collection: List of titles\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\nThe new family / Virginia. Bureau of Child Welfare.\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families"],"userestrict_html_tesm":["\u003cp\u003eThis collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials.\u003c/p\u003e","\u003cp\u003eThe Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["This collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request."],"names_ssim":["Albert and Shirley Small Special Collections Library","Musinsky Rare Books","Plymouth (England)","HMNB Portsmouth (England)","Bluemango Books and Manuscripts","Sophie Schneideman Rare Books","Whitmore Rare Books","Salvation Army","Ellipsis Rare Books","Tomberg Rare Books","King, James","Weeks, Richard Cumming","Dugdale, Florence Eleanor Paget, 1887-1965"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Musinsky Rare Books","Plymouth (England)","HMNB Portsmouth (England)","Bluemango Books and Manuscripts","Sophie Schneideman Rare Books","Whitmore Rare Books","Salvation Army","Ellipsis Rare Books","Tomberg Rare Books"],"persname_ssim":["King, James","Weeks, Richard Cumming","Dugdale, Florence Eleanor Paget, 1887-1965"],"language_ssim":["English German French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":81,"online_item_count_is":1,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:44:56.287Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1482","ead_ssi":"viu_repositories_3_resources_1482","_root_":"viu_repositories_3_resources_1482","_nest_parent_":"viu_repositories_3_resources_1482","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1482.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/169294","title_filing_ssi":"The University of Virginia Collection on the History of Childhood, Parenting, and Family Building.","title_ssm":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"title_tesim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"unitdate_ssm":["1700-2014"],"unitdate_inclusive_ssm":["1700-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16758","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1482"],"text":["MSS 16758","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1482","The University of Virginia Collection on the History of Childhood, Parenting, and Family Building.","Children","Children's art","postcards","Good","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","Some restrictions may apply due to fragile condition of paper dolls.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request. The sketchbook is availble for research.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","This collection is open for research.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","There are 23 pamphlets associated with this collection but 9 were removed for print cataloging. Rose Oliveira-Abbey: No.1, 3, 4, 5, 10a, 10b, 11a, 11b, and 11c on the invoice cataloged as print. See invoice in Control folder for Invoice/PurchaseOrder for titles.\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\n\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families","Jane Elizabeth \"Jennie\" Hoyt-Stevens was born in Concord, Massachusetts to Sewell Hoit (1807-1875) and Hannah Elizabeth Hoyt, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907.She encouraged a younger generation of women in their medical careers, including Mary Runnells Bird, and donated her family home, (\"impressive mansion\"), to the use of the New Hampshire Congregational Conference, reserving \"a small upstairs apartment\" for her own use.","In 1906, she represented the New Hampshire Medical Society as a delegate to the International Medical Congress in Lisbon, and traveled in Spain and North Africa during that trip. She met Gandhi during an extended visit to India, and published writings about her impressions of him in 1931. She adopted a son in Spain, named Abelardo Linares. She died in 1933, in Concord, New Hampshire, at the age of 72","The mathematical fraktur may have belonged to Elizabeth Urban as a gift from her tutor, A. G. Lees in Conestoga Township, Lancaster County, Pennsylvania. Elizabeth Urban was born on July 22, 1795 in Conestoga to George Urban (1740-1843) and Barbara Keagy (1743-1828). Educational frakturs are very rare.","Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","Bilalians is a name used by early African-American Muslims. It refers to Bilal, a former Black enslaved person of Muhammad. Bilal's importance as the first Muslim muezzin, his ardent support for early Islam, and his favored status under Muhammad made him an important symbol of Black honor and dignity, major themes of early African-American Islam.","The Da'wah Institute (DIN) is the research and public enlightenment department of the Islamic Education Trust (IET) which has its headquarters in Minna, and Zonal Coordinators across Nigeria and West Africa. Its mission is to \"strive in the capacity building and empowerment of other Islamic organizations and individuals involved in facilitating the correct understanding of the message of Islam.\"","Source: \nOxford University Press. Oxford Reference. Accessed 7/18/2024\nhttps://www.oxfordreference.com/display/10.1093/oi/authority.20110803095505567","Da'wah Institute of Nigeria Accessed 7/18/2024\nhttps://dawahinstitute.org/dawah-institute-nigeria-din/","This material contains references or imagery involving racism. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","See also Series 4 \"A Report of a Conference on Day Care and the Working Mother\" material from the Morris Child Development Center Addition 23","See also Series 4 Addition 58 Photograph album of the Morris Child Development Center","The University of Virginia Collection on the History of Childhood, Parenting, and Family Building is an artificial collection and periodic additions are expected.","Addition 53 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one calligraphy manuscript of Hans Rudolf Gujer from Wermatswil, Switzerland. The book contains thirty-seven leaves in landscape format, in various colored inks and watercolor, with some use of gouache. ","It also includes seven large original drawings; one is in pen-and-ink, and six are ink and watercolor; three pages of alphabets; most other pages have three compartments including ornately decorated capital initials, floral, figurative, and abstract ornamental borders and infills throughout; one page with music, and one with micrograph. The last leaf contains a full-page colophon of calligrapher:  \"Von Mir geschriben, Hans Rudolf guier, Zu Wermmet-schweil, 1750,\" with marginal calligraphic addition noting his age at the time of writing, \"mein alter war 20 jahr.\" ","The German texts of the album are religious: biblical quotations, prayers, and other devotional texts. Gujer was a relative of Jacob Gujer, a celebrated \"philosopher farmer.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one handmade picturebook of hand-colored engraved cutouts. A later inscription on the front pastedown reads, \"Fait par la baronne de Chalancey née Delcey pour as fille Clémence devenue Ctsse d' Esclaibes d'Hurst.\" The book was was created by the Baroness de Chalancey for her little girl Clemence, born in 1797.  ","Francoise Marie Gabrielle Delecey de Changey, who went under the nickname Fanny, was born in 1769 in Langres, Haute-Marne; she married Baron Jean-Francois Bichet de Chalancey in 1791, whose chateau in Chalancey was 30 kilometers from Langres.  Their first child, a boy, died in 1796 at four; a daughter, Clemence, was born the following year.  Fanny lived to age 77, and Clemence survived her mother by 20 years. ","The book starts with la maison, the home, and it shows people, trades, activities, places, architectural details, animals, concepts, fictional characters, and various household people in various activities.","Indenture between Richard Cumming Weeks, the son of a plumber and brazier, to serve as an apprentice shipwright to James King, a shipwright at His Majesty's Dock in Plymouth, England in 1802.","The contract sets out conditions of Weeks' seven-year apprenticeship and his wages of five shillings per quarter to start with and a note signed by James King, increasing his wages to to \"twelve shillings for single time\" and to \"one Pound a quarter for double time\" in 1804  Signed by Richard, his father, and by two Dock officials, with embossed revenue stamps. The indenture measures 40X 33 cm/ 15.75\" X 13\".","This addition 1 of the collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. ","While the collection spans from the 1830s to the 1960s, the bulk date between 1880 and 1925. ","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and instruction manuals given to parents or teachers on child welfare.","This collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. ","While the collection spans from the 1830s to the 1960s, the bulk dates are between 1880 and 1925. ","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps, Ocean parties; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and a government child welfare manual that gives instruction to parents or teachers on child welfare, child needs and development.","1st part of MSS 16758. Twenty-three pamphlets about puberty for women. Some are directed toward mothers, while others are created specifically for daughters. Dates range from 1933 to 1981. ","Earlier pamphlets discuss the process through storytelling, while later examples utilize more medical terminology. ","Titles include \"Marjorie May's Twelfth Birthday\" \"Very Personally Yours,\"  and \"Growing Up and Liking It.\" All pamphlets are illustrated; some have calendars others have quizzes. ","Each pamphlet was published by a manufacturer of women's sanitary products:  Holland-Rantos Co., International Cellucotton Products Co., Kotex (Kimberly Clark), Modess, Personal Product Corporation, and TeenForm. ","Included in folder 3 are two Kotex print blocks, used to illustrate their product packaging in marketing materials. This is part of an artificial collection, ie a  collection of materials with different provenance assembled and organized to facilitate its management or use.","The resolution was passed at a public meeting on August 15, 1838. The resolution discusses the establishment of an infant school. It further describes how education benefits children in the whole community by establishing a desire to learn in children. The pamphlet also notes that parents will be free during the day to work when children are in school, showing a shift in the economic role of mothers.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., contains the artworks of two sisters from Maine, Mary A. Hackett (1830-1908) and Nancy F. (1825-1883) Hackett. The works include watercolors, prose, a reward of Merritt, and two cartes de visite of their great-grandfather Hacket and Aunt Mary Hacket. ","The sister's parents were William Hackett (1780-1869) and Lydia Dutch (1793-1898).  Nancy married Nathaniel Thompson. Census records indicate Mary never married and, as an adult, lived with Nancy in Kennebunk, Maine.  Mary attended Union Academy and Nancy attended Limerick Academy.","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains one handmade juvenile manuscript titled The History of Little Fanny. Dated to March 24, 1849, the book features eleven pages of text with a watercolored cover. A set of seven watercolored paper dolls is in the accompanying slipcase, with each corresponding to a section of the written story. The reader can enact the tale throughout the story by changing Fanny's head between the paper costumes to illustrate her progress.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one volume of an anonymous bereavement commonplace book, dated 1856 and 1874. The manuscript consists of ninety-eight pages of writing, with the rest left blank. The manuscript contains writings by three different women. The first (and most extensive) is by an unnamed governess who writes of the loss of a child in her care, Harry. Her spidery handwriting is even and accomplished, and her use of \"thee\" and \"thou\" throughout suggests she may have been a Quaker. For thirty pages, she expresses her heartfelt love for the child and her grief during Harry's decline. She describes her memories of the boy and his siblings and details the boy's last illness, of about six days' duration, and death.  ","The following forty-eight pages include bereavement verses including poetry, both original and copied from published works, segments of stories, and verses from the bible.  within these pages, the Governess left three pages blank; on the first of these blank pages, \"M.E.G.\" [later identified as Mary E. Grote] wrote about the death of her firstborn son, \"Ernie,\" whose father was Ernest William Davis. In the first line of her text, Grote refers to the manuscript itself as \"this choice collection.\" ","The verse then continues in the governess' hand. Until another passage by Mary Grote appears. It is a five-page memorial titled \"To Ernie,\" dated August 30th, 1874. It is possible that Grote's earlier one-page passage may have been written in 1874. Fourteen blank leaves separate Grote's writing to an entirely different hand and content. ","There are five pages of \"Hints For Housewives.\" These undated, unrelated notes seem to be brief views on issues that arise in a household including damp cupboards, flies, roasting meat, buying eggs, mending china, and other domestic matters.","This addition 11 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains publications, metamorphic trading cards, volvelle (color wheels), and posters. Topics include motherhood, instructional materials on children's behaviour, toilet training, adolescent health, soil conservation for children, and a book about the the education for blind children. ","Folder 1 contains folded out (metamorphic) advertisements for children's clothing by Davidson Brothers, Solar Tip Shoes, E. G. Burrows, J. H. Baldwin \u0026 Company patent table tray, and children's knee elastic protectors (to protect clothes)","Folder 2 contains pamphlets \"Training the Baby\" published in 1931, 1952, and 1957.","Folder 3 contains five illustrated posters with instructions for children on cleaning and bathing themselves.","Folder 4 contains pamphlets for expectant mothers on how to care for their infants: \"The Modern Baby\",  \"Quiet, Baby Is Sleeping\", \"the 14 Days that can seem like a lifetime!\", \"Preparing Baby's Formula\", \"Keeping Baby Clean\", \"Modern Evenflo Nursers\"","Folder 5 contains pamphlets from the Lysol Family Library, \"The Scientific Side of Health and Youth\", \"When Baby Comes\", and \"Preventing the Spread of Common Diseases\"","Folder 6 contains three color wheels ","Folder 7 contains a pledge card for teenagers to abstain from alcoholic drinks and a card that outlines safety guidelines \"Code for survival\"","Folder 8 Publications: \"Let's Save Soil with Sam and Sue\", \"For Bigger Boys and Girls\", \"Facts about the Education of Blind Children\", \"Understanding Your Teenager\"","Compiled in 1858, the decorative title page Cahier d'Écriture par Mercier dédié à mes bien-aimés parents, the book features twenty-four calligraphy entries from a teenage student at the Grand-Classe St. Etienne in Saint-Étienne, France. The entries include the author's reflections on friendship, anger, anxieties, family life, hopes, and religious devotion. ","Several font samplers are present throughout the book, as are full-color pencil-sketched illustrations. Illustrations include buildings, animals, people, and urban scenes. The majority of the calligraphy entries are bordered by an elaborate design, either pressed into the paper or drawn by the author herself. ","This addition to MSS 16758,  The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a small pocket diary with ownership signature of \"Louisa J. Pratt, New Paltz Landing, New York to front endpaper with an early 20th-century hand adding to pastedown and endpaper, \"born 1846\" and \"13 years old.\"  ","The diary contains 366 pages in legible hand. It focuses on the many losses she experiences across 1859 and her youthful awakening to the numerous hardships the women around her confront.  From parental loss to poverty to disease to mental health emergencies, the events of Louisa's 13th year were formative, and she turned to her diary as a place for working out private emotions that burdened her.  ","Louisa balances school, friends, and church with an increasing oversight of her home.  More detail is given as the family continues struggling to keep domestic workers, and it is hinted that Mr. Pratt and the members of the church are drawing labor from girls pulled from the sex trade.  Unprepared for the situations they find themselves in, the girls act out, have mental health crises, and ultimately flee which are documented by Louisa.","While grief, loss, and unexpected adulthood shape much of Louisa's year, she also reports the kinds of joys that remind us she is entering her teens.  Her numerous friends, her love for sleigh rides and horseback riding, her appreciation for school and her recitations are cornerstones.","Addition 7 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two circulars promoting the American School Institute and Schermerhorn's School Agency. There is also a tri-fold trade card ad for a White Mountain refrigerator; an advertisement booklet for a carpet called \"Something Under Foot\"  used as a diary by \"Sara\"; and a plaited hair sentiment with a verse from Charlotte A. Lewis which was sent to a girl named Maryann Gilman.","This addition 12 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a friendship album of Jennie Lizzie Hoit (Dr. Jane Elizabeth Hoyt) made between 1866 and 1871 and a Pennsylvania German Mathematical Fraktur made in 1808 for Elizabeth Urban. ","The friendship book belonging to Jennie is small (3 X 5 inches), about 60 pages, and contains compliments and well wishes from her family members and friends. ","\nThe collection also contains a Pennsylvania German Mathematical Fraktur presented to a schoolgirl, most likely Elizabeth Urban. Fraktur is a Germanic tradition of decorated manuscripts and printed documents noted for its use of bold colors and whimsical motifs. The page contains a Multiplication Table and Pence Table, dated September 15, 1808, inscribed \"Miss Urban, I have the honour to be your humble servant,\" signed A.G. Lees, Conestoga Township, Lancaster County. Initials EU appear in the intersecting hearts. The page is decorated with birds and flowers. The student was likely Elizabeth Urban, born on July 22, 1795. The table was probably presented by her tutor or teacher, possibly Alexander Lees, residing in nearby York County from 1779 to 1781, or Abraham Lees, in York County in 1785. ","Jennie was born in Concord, Massachusetts, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907. ","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains 23 pamphlets on early learning, education, adolescence, growth and development, health, prenatal and Infant care, and parenting.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to women's health, infancy, and childhood. ","This includes \n1. Woman's tried and true friend, Portland, ME: Caulocorea Mfg. Co.,c.1893; ","2. Friar Medicine Company ephemera (5 sheets), 1901; ","3. Taylor, Marion Sayle, \"The seat of love and youth: plain truths for women, c.1927; ","4. Taylor, Marion Sayle, \"Body hygiene for women,\"1928;","5. Williamson, George H.,\"Personal hygiene for women: explaining the new hygiene which is bringing comfort, peace-of-mind and greater health and efficiency to the world of women,\" 1928; ","6. Wells, H.J. (edited and published by),\" Tennessee journal of medical and surgical diseases of women and children, and abstracts of the medical sciences,\"1884; ","7. \" Wasting diseases: their causes, treatment, and cure,\" New York: Scott \u0026 Bowne, c, 1877; ","8.Sheffield, Herman B., \"The baby's record and health,\" 1913; ","9. Olmstead, Allen S., \"This will interest mothers: Mother Gray, the children's friend,\" c.1910.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one notebook kept by S.B. Coulson with notes regarding Friedrich Fröbel teaching approach and use of Fröbel gifts, which include play materials such as balls, cylinders, cubes, and tablets. ","The instructors were \"Miss Doyle,\" \"Miss Symond,\" and \"Mrs. Meleney,\" the latter being Carrie Coit Meleney, a student and later prolific correspondent of Maria Kraus-Boelté (1836-1918), a pioneer of Fröbel education in the United States and author of the textbook, \"The kindergarten guide\" (1877). The notebook also contains diagrams and illustrations depicting configurations of tiles and boxes. Several pages have been torn out of the notebook.","This addition to MSS-16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia),  contains six pieces of advertising ephemera. Included are: 1. Mrs. Prettyman's celebrated breast salve, c. 1866-1895, (3 advertising broadsides); 2. Celluloid starch requires no cooking, a die-cut point-of-sale display card with an attached cardboard stand depicting a baby seated on a pillow holding a paper advertising celluloid starch; 3. Display card for Johnson and Johnson baby powder; and  4. a pamphlet titled Your baby's diet: Heinz strained foods: their uses and nutritional values. (circa 1950s).","Addition 19 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet: \"Tennessee Industrial School for the Benefit of Orphan, Helpless and Wayward Children, Nashville, Tenn.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a travel diary of Frederica King Davis as she traveled through England and France during her 19th year.  The bulk of the diary contains vivid and dense descriptions of her travel route, means of travel, companions, sites visited, and observations on art and culture; toward the end, she meticulously documents her allowance received, her expenditures, and the list of books she aims to read as a result of her trip.  ","The diary offers insight not only into the type of grand tour provided to well-off 19th-century American women but also into the history of tourism, transport, and a history of artistic exhibits and art criticism, women's education in domestic accounts and budgeting, traditions in women's gift-giving and charitable contributions, the history of women's fashion, and the history of friendship and courtship etiquette.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a set of Courtesy posters to color, a Children's Aid Society Donation Circular, and educational game ideas handwritten and compiled on index cards by elementary school teacher Jane Ehrhard. The educational games are housed in two small commercial portfolios produced by Burgess Publishing Company for their line of printed educational games.  ","Contemporary ink signature of Jane Ehrhard on the back of both portfolios.  One red portfolio is printed with the title \"File O' Fun for social recreation,\" with Jane A. Harris listed as the author.  The second portfolio is orange and printed with \"Games for the elementary school grades: playground, gymnasium, classroom,\" by Hazel A. Richardson.  It appears Jane Ehrhard has repurposed the portfolios. Both measure 18 x 12 cm and are bound with an elastic cord.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets and booklets on pre and post-natal advice for expectant mothers in America. They include: 1. Information for expectant mothers, by Frank LeCocq Jr., and Albert Bostrom, Jr. (c.1959); 2. Instructions for expectant mothers (c.1959); 3. While I am waiting, (1960); 4. Mrs Winslows soothing syrup: for children teething, (c.1888); 5. Baby is king,(1890); Baby feeding made easier, (1956) accompanied by two pieces of ephemera \"It's the nipple that makes the nurser, the Davol No.155 Nipple...\" and \"Terminal sterilization of baby's formula; 6. Pre-natal care: what expectant mothers should know, compiled by Obstetrical Department of The Western Montana Clinic (c.1955); 7. Your baby's formula (1953, 1955); 8.How food helps mother and baby, for parents-to-be (1954); 9. Modern methods of preparing baby's formula: practical suggestions by doctors, nurses, hospitals and mothers, (1954); 10. More nearly perfect: when baby needs milk from a bottle (1934); and 11. Prenatal care (1949).","Addition 63 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets about women at work both in and outside the home. These include: 1.\"My busy week,\" Herrmann Hdkf. Co 1949; 2. \"When women work,\"[Washington, D.C.] : Women's Bureau, U.S. Department of Labor, 1921; 3. Trade card \"Armour's mince meat and canned meats, c.1890; and 4. Trade cards:  Two round cards depicting 19th century women and girls doing laundry washing by hand.","This addition (69) to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains fourteen pamphlets on the subjects of family planning, women's reproductive health, contraception, hildhood disease prevention, gender, religion, education, history published between 1892 and 1973. Many of these pamphlets were distributed as promotional materials by insurance or healthcare companies. ","The pamphlets are: \"Speaking of Birth Control\", \"Industrial Gems\", \"Keeping a Healthy Home\",   \"Protecting the Home Against Disease\", \"Giving Babies Nestle's Food\", \"Nestle's Better Babies\", \"Where Shall We Put the Baby?, \"Vanta Baby Garments\"[advertisement],\"Your Baby's Protection\", \"So You Don't Want to be a Sex Object\",\"Johnny Takes A Wife\", \"Baby Speaks Out on This Matter of Toilet Training\", \"The Power of a Woman\", and \"A Woman's Guide to the Methods of Postponing or Preventing Pregnancy\"","Addition 61 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on childhood growth and development and women's health.","These include: 1. Child culture before and after birth: truths of profound significance to parents and prospective parents, with illustrative examples from real life, Chicago: National Purity Association,|c.1895; 2. Caldwell, J.B., Pre-natal influences, Chicago: National Purity Association,c.1900; 3. Getting ready for baby, Bloomfield, New Jersey: Lehn \u0026 Fink, Inc.,1930; 4. Weeks, Mary Hezlep Harmon, How to tell the story of reproduction to very young children, 1910; 5. Mothers' clubs' and teachers' organizations' course of study, Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910 (2 copies); 6.) Wood-Allen, Mary, Great books for child instruction, Cooperstown, N.Y.: Arthur H. Crist Co.,c.1910; 7. Wood-Allen, Mary, Valuable books for parent and child (2 copies), Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910; 8. Stephens, Elizabeth L., Sacredness \u0026 responsibility of motherhood, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall,c.1910; 9. Stephens, Elizabeth L., Teaching Obedience, Cooperstown, N.Y., Crist, Scott \u0026 Parshall,:,c.1910; 10. King, E.A. The Cigarette and Youth, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall, c.1910;  10. What shall be taught and who shall teach it? 1907; 11. Mrs. J.H. Kellogg, Work as an element in character building, c.1907; 12. Rev. W.W. Cook, The father as his sons' counselor, 1907; 13.  Mary Wood-Allen, Confidential relations between mothers \u0026 daughters, c.1907,14. Mary Wood-Allen, When does bodily education begin?,1907, 15. P.M. Bruner, The integrity of the sex nature, 1907; 16. Mary Wood-Allen, A friendly letter to boys, 1907; 17. Preg-No-Matic: the scientific calculator that takes the guesswork out of rhythm, Bridgport, CT: Brooklawn-Park Laboratory, 1956-1957; 18. Mel Johnson. Going steady, 1964; 19. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1935; 20. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1939; 21.What every woman wants to know about personal hygiene; Cincinnati, Ohio: Hydrosal Laboratories,1926; 22. Marvel syringe: Whirling Spray for women, c.1900; 23. Healthy happy womanhood: a pamphlet for girls and young women, Springfield, IL: Illinois Dept. of Public Health, Division of Communicable Diseases, c.1938; 24.Sol Gordon, Ten heavy facts about sex that your friends don't know, illustrated by Roger Conant, 1971; 25. Charles A. Clinton, M.D, Sex behavior in marriage, undated, and 26.  M. Sayle Taylor, Ph. D., What's wrong with marriage?,1932.","This addition 13 (ViU-2023-0134)of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the teaching archive of Mrs. Florence Tuttle Baldwin of North Haven, Connecticut (Boxes 3-7). Florence was born in 1854, married in 1881, and died in 1926. She spent her career at the Sixth District School in New Haven, Connecticut. ","It is a large addition containing her teaching materials including her ruler (signed by her), book catalogs, lesson plans and educational books from map making to mathematics, grade book, periodicals, manuscripts poems and letters, art work, needlepoint, phonetical drill cards, flash cards, educational games, and family planning from 1899 to 1905.  ","\nIn addition to Baldwin's teaching materials, other materials include a drawing book entitled \"Our Chat\" with stories by Ella Smith and Audrey, Yvonne \u0026 Clifford Evans; publications on vertical writing (handwriting), \"Talks and Tales\"; and five England-published pamphlets from the 1950s discussing family planning practices and contraception. Titles include \"Modern Family Planning,\" \"A Planned Family,\" \"Planning a Family,\" \"The Planning of a Family\", and a Lloyd's Family Planning Centre pamphlet.","There is a 1934 New York-published pamphlet that discusses Zonite as a family medicine and feminine hygiene products. Titles include \"Another Zonite Product for Intimate Feminine Hygiene;\" \"Facts for Women;\" and \"The real meaning of Antiseptic in everyday family life.\" ","There is a flyer entitled \"Please Give A Quarter\" which promotes the Salvation Army's Fresh Air Camps published circa 1900. ","Also included is a dating book belonging to a young girl titled \"My Him Book\" which has categories of \"High School Hims,\" \"College Hims,\" \"Home Hims,\" and \"Movie Hims\" about her romantic interests, and denotes William Purdy as the \"best of all my beaus\" under the \"Wedding Hims\" section. ","Florence Eleanor Paget (1887-1965) was a professional nature illustrator and artist from England who studied under George Vernon Stokes, a British wildlife and landscape artist. She made these books when she was a young woman, roughly between 1900 and 1910. ","One oblong linen book is labeled \"Sketches\" in pencil on the rear cover, and the owner's signature is on the pastedown in the front of the book. Paget likely drew in the \"Sketches\" book when she was twelve or thirteen. The book has forty drawings in pencil and watercolors. The subjects include landscapes like Redcar Pier, Saltburn Cliffs, Kew Gardens, Etal Church, and Etal Castle, as well as many sketches of her dogs, observations of people, fruit, and fauna. Some drawings have captions that identify the place or provide a funny caption. ","The other is an oblong publisher's cloth binding in green with \"Flora\" stamped in gilt. The book  was likely created five to ten years after the \"Sketches\" book. Dried flowers and plants are artfully pasted down and numbered. She wrote the binomial names in cursive, opposite of the pasted-down plants. There are a total of six total entries. ","The books are mainly written in English, except for one sketch with a caption in French and the Flora books with scientific names in Latin.","Addition 20 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a Salvation Army \"Help the Children\" flyer from June of 1903 sent to raise funds for an outing for poor children in Columbus, Ohio. ","The outing was meant to \"bring some brightness, cheer and comfort into the lives of the poor children of the slums and crowded tenement districts.\" The plea was written by John M. Richards, Adjutant, and the flyer has a cartoon illustration of a children's parade as a decorative border. On the verso of the flyer is a letter written in German written by a woman from Columbus,  dated September 13, 1904.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building,  features one string-bound scrapbook with pasted photographs of dolls collected by Helen E. Perkins. Compiled between 1909 and 1939 by Perkins and Miss Frances Grier, the scrapbook features sixty-nine pasted photographs of dolls of varying origins. Each entry includes the doll's name, a number, their height, manufacturer, material, and place of origin. Nations that have dolls represented in Perkins's album include China, Denmark, Finland, France, Germany, Greece, Guatemala, Holland, Ireland, Mexico, Morocco, Portugal, Russia, and Sweden. ","The material culture of childhood aspect to this scrapbook gives  insight into the importance playing with these dolls to the two girls.  In several of the photos, they've created scenes with the dolls, even  placing them all on the stairs for a \"family portrait.\" ","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains three pamphlets: 1.) Natural Science Camp (Keuka Lake), 1905; 2.) Boy Conservation Bureau (New York, N.Y.) [1930]; and 3.) Teenage gangs, New York City Youth Board, 1957.","4 items were cataloged separately in the print collection: 1.) Playskool Toys, 1956; 2.) J.L. Hammett Company, School Supplies 1928-1929; 3.) The First Public Policy Seminar from a Black Perspective, 1972; and 4.)Stylish Apparel for Expectant Mothers Spring and Summer, 1920.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains six pamphlets and one poster related generally to child care. Titles included are 1. \"Trimble Helps For Mothers,\" 1940; 2. \"Narcotics and the Family,\"c.1970; 3.\"What your neighbors say: dream book compliments of World's Dispensary Medical Association, c.1910s; 4.\"How to take care of the baby: treatise on the care and feeding of infants,\" 1905; 5. \"Your Baby,\" 1942; 6. \"Baby Feeding Without Tears,\"c.1940s and 7.\"Correct posture guide,\" c.1955.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a commonplace book belonging to Ethel Shearer (1893-1952). ","Shearer was a prominent artist in the mid-twentieth century San Francisco scene, being one of the featured artists at the opening of the San Francisco Museum of Art and Oakland Art Gallery. She was a member of the Society of Francisco Women Artists. ","Her commonplace book was compiled when Shearer was between thirteen and seventeen years old between 1906 and 1910. The book includes invitations and greeting cards from Ethel's friends, newspaper clippings, clippings from various other media, Ethel's own handwritten entries, and pasted photographs. Drawings from Shearer are present throughout, calling to her future career as an artist. ","Additon 21 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets relating to childhood education and parenting. \"The Nursery Chair\" was distributed by Shepard, Norwell, and Co., Winter Street, Boston, and advertises various department store goods following a short story. \"Bradley's Kindergarten Material and School Aids\", published in 1906, advertises tools for learning shapes and colors, instruments for art, mathematical instruments, and standard inks, leads, etc. \"Food-The Teeth and Health\" discusses the ideal diet of a young person, published in 1930 by the City of New York Department of Health and Board of Education.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains leaflets issued by American motherhood magazine from 1907. They are: \"The Ideal Mother\" and \" Confidential Relationships between Mothers and Daughters.\"","Addition 15 of MSS 16758,  the University of Virginia Collection on Childhood, Parenting, and Family Building, contains twenty-five nursery rhyme handkerchiefs. ","Commonly tucked into story books, these were popular children's mementos between the 1910s and the 1960s. Most handkerchiefs are illustrated in full color and have sewn and colored borders. ","However, six of the earliest editions are printed in black and white or sepia with raw edges.Most examples have sewn and colored borders, besides the earliest examples featuring raw, uncolored trim. ","Seven color designs are by British children's illustrator Mabel Lucie Attwell; others are unattributed.  Stories depicted by Atwell include \"Little Miss Muffet,\" \"Ding-Dong Bell,\" \"Jack and Jill,\" \"Little Bo-Peep,\" \"Hush-A-Bye-Baby,\" \"Little Boy Blue,\" and \"Dickory Dickory Dock.\"","\"Going steady\" / by Daniel A. Lord;\nTonsils and adenoids: is your child handicapped?;\nGood habits for children /|cMetropolitan Life Insurance Company ; [prepared with the cooperation and advice of the National Committee for Mental Hygiene];\nHearing, Metropolitan Life Insurance Company;\nCommon childhood diseases, New York: Metropolitan Life Insurance Company,c[1946];\nMrs. Winslow's diet instruction book for the baby. New York: Anglo-American Drug Company|c[1922];\nCollection of Bank Street Publications pamphlets on early childhood education (35 pamphlets);\nKeeping the well baby well.Washington:U.S. G.P.O.,c. 1927;\nOut of babyhood into childhood: 1 to 6 years. Washington:U.S. G.P.O.,c. 1943;\nWhen your child's in the teens /by Edwina A. Cowan;\nYour child grows up,|cby Edgar A. Doll.[Boston],|b[John Hancock mutual life insurance Company],|1939;\nBetween two years and six / by Richard M. Smith; Boston : John Hancock Mutual Life Insurance Co., 1941.\nThe healthy school child.Boston, Massachusetts : Life Conservation Service of the John Hancock Mutual Life Insurance Company, [1940];\nCount down to discovery!--3- 2- 1-year olds : child development, unit 2 / Alice T. Teddlie. Baton Rouge : LSU Cooperative Extension Service, 1972;\nDiscover the wonderful world of 4 and 5 year-olds. Baton Rouge, La.: Louisiana State University Agricultural and Mechanical College, Cooperative Extension Service,| c[1976];\nThe Student advocate, New York: American Student Union,c1936-1938;\nA doctor talks to 5-to-8 year-olds /|cby Dona Z. Meilach in consultation with Elias Mandel; Chicag :Budlong Press Co.,c1967;\nThe care of the baby: prepared by a committee of the American Association for the Study and Prevention of Infant Mortality and presented to the Association at its annual meeting held in Washington D.C., November 14-17, 1913;\nYour child from one to six / U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, Washington, D.C : U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, 1945;\nYour child from 6 to 12, written by Mrs. Marion L. Faegre, Washington, D.C. :| Federal Security Agency, Social Security Administration, Children's Bureau,c1949.","This addition to MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a 9.5\" x 6.5\" wooden puzzle with a  wooden frame and a glass window titled the Silver Bullet: Or the Road to Berlin. ","Original metal ball and elements intact. Directions on the verso of the game.  British dexterity puzzle for a juvenile audience, made of wood and glass. The game's object is maneuvering a metal ball through a winding course, avoiding holes, to the Berlin area. Although the topography of the play suggests the trenches of the Western Front, at the time of the game's creation, the troops had not \"dug in.\" The title, Silver Bullet, suggests a quick victory and supports the view that the British public believed the war would be over by Christmas 1914.","Addition 25 of MSS 16758 The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains twenty-five printed ephemera, including pamphlets and advertising on topics include parenting, child development, sex education, public health, and care of pregnant inmates.","40 posters from the Hope of a Nation Poster Series","Feeding the majority of bottle babies.Mead Johnson \u0026 Co. of Canada, Ltd.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two items relating to scouting. The first is a broadside printing of the ten Girl Scout laws set among art nouveau illustrations from the 1930s. The second is a photo album compiled by a boy at Kerrville, Texas, with images of playing in the streets, swimming in the Guadalupe River, playing baseball, hiking, marching, and being at a local Boy Scout camp. The black cloth photo album contains fifty-two black and white photos, measuring 10 x 7 cm, with a caption on the album leaves. ","There is a  photograph of an African American man. (Caption reads, \"Uncle Allen\").","African Americans were often referred to as Uncle or Aunt even though they were not a family relative.They were denied use of courtesy titles.\"Aunt,\" as in \"Aunt Jemima,\" was the term used for older enslaved women in the South who were not allowed by their white owners to use the term Mrs or Miss. The same was true for Uncle, as in Uncle Ben's Converted Rice. Uncle was used for older enslaved men because they were not allowed by their white owners to use the term Mr. The African American in this photograph is referred to as \"Uncle Allen.\" It is important to recognize the use of these terms and confront the racism that is embedded in these white cultural terms.","Source:\nGreen, Mark. Do You Know Why Aunt Jemima is Called \"Aunt?\"\nWhy is Aunt Jemima racist? Here's exactly why. And I do mean exactly.\" Medium. Human Stories and Ideas. Acessed 7/17/2024.\nhttps://remakingmanhood.medium.com/do-you-know-why-aunt-jemima-is-called-aunt-5d111b0765a5","This collection consists of a handmade notebook titled Punctuation Party by Melba Tice. The book presents punctuations as characters with rhymes and cutouts from 19th-century editions of Alice in Wonderland and Through the Looking Glass, as well as contemporary advertisements, explaining punctuation rules. Some punctuation characters are not from Carroll, and their descriptions illustrate cultural viewpoints of the time period, including a racist depiction of a \"mammy' figure and a Clorinda Colon\" as an old maid figure.","Addition 2 of MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven hand-painted postcards presumably created by Elisabeth, the sender. The postcards, drawn in black ink, depict children playing outside: a child pushing another child's sled; two children talking under a tree in spring/summer; two children playing with a balloon; a girl having a picnic with a bunny; one older and one younger girl in the snow; an older girl on a swing; and a girl on a dock by a body of water. ","Two of the postcards have written messages and are addressed to Miss Henebry and Miss Camilla Cole. The cards are postmarked Mount Kisco, NY, July 14 and 15, 1922. Both are sent in the care of Graham Miles of Alexandria Bay, New York. ","Miles was a stockbroker and hydroplane racer. He married and divorced Louise Clover Boldt, the daughter of George and Louise Boldt, wealthy Philadelphians and owners of the Boldt Castle in the Thousand Islands. Miles and Boldt had a daughter, Clover Wotherspoon Miles, but Miles's connection to Elisabeth or the other children named is unclear.","Addition 18 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 7 pieces of pamphlets/ or ephemera. \"What every teenager ought to know\" by Abigail Van Buren; T\"urn this page and do as this little man does\" by Colgate \u0026 Co; \"Ways to keep well and happy: booklet for upper elementary grades \"by Ruth Strang; \"Keeping fit\" by the State Board of Health, Bureau of Venereal Disease, North Dakota; \"Family meals at low cost using donated foods\" by the US Dept. of Agriculture; \"The gas cook book for young people\"by Athens Store Works, Inc., Athens, Tennessee; and \"The picture and rhyme book.\"","Addition 16 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three advertising pamphlets that pertain to parents purchasing products for their children. \"The Tinies that Live in a Tube\" advertises toothpaste, \"Flibitty Jibblit\" advertises rennet powder, and \"The New Boss in the House\" promotes the Pittsburgh District Dairy Council. Each uses imagery of children and parents utilizing the respective product.","Addition 17 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets: \"The Science of Prenatal Astrology\" by Edwin S. McKeever; \"The Space Child's Mother Goose\" verses by Frederick Winsor and illustrations by Marian Parry. The third item is a pamphlet titled,\"Reducing the new common sense way\" about the Kryon method of reducing weight by Continental Pharmaceutical Corp. ","\"The Space Child's Mother Goose\" is a personal copy owned by Arthur Schulman, an Associate Professor of Psychology at the University of Virginia and one of the organizers of the American Civil Liberties Union in Charlottesville. ","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven signs used to warn the public about the spread of contagious diseases and institute quarantine for diseases like smallpox, measles, polio, and diphtheria.","Addition 4 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the American History Hektograph Posters. These are twelve individual monochrome printed poster sheets, measuring 12 X 9 inches,  featuring historical instances in American history. ","Published in 1926 by Beckley-Cardy Company, each scene is intended to be colored, likely by a child. Each scene features suggested coloring methods, a title for the event, and a brief synopsis of the instance below. Scenes are typical origin stories, colonizers, and dominant white narratives and are examples of the narratives taught in classrooms circa 1926. The scenes are numbered 1 through 12, with each respective number placed in the center under the title. Events depicted: 1 - \"Landing of Columbus,\" 2 - \"The Mayflower at Cape Cod,\" 3 - \"The Pilgrims Planting Corn,\" 4 - \"The First Thanksgiving,\" 5 - \"George Washington's Early Home,\" 6 - \"Signing of the Declaration of Independence,\" 7 - \"Washington as President,\" 8 - \"Lincoln Studying by Firelight,\" 9 - \"Lincoln Writing His Inaugural Address,\" 10 - \"The Gettysburg Address,\" 11 - \"Grant Made Commander In Chief,\"  and 12 - \"Digging the Panama Canal.\" ","\"Red Man\" and a Native American \"wearing his bright [British] red coat with great pride\" suggests the presence of reparative content. \"","This addition to  MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building collection, contains one brad-bound scrapbook with a \"HYGIENE\" stencil cut from the paper on its cover. The content discusses healthy living practices for young girls. Entries feature drawings, pasted images, newspaper articles and clippings, handwritten queries on health, and ideas on diet and grooming practices. There are 49 \"chapters,\" each no longer than two pages. The corresponding pages for each chapter are presented in a table of contents at the beginning of the book.","Addition 57 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to teenagers, parenting, and sex education. These include: 1.) The school lunch, Battle Creek, Michigan:|bEducational Department, Postum Company, Inc., (1928); 2.) Sex in life: young men, by Dr. Douglas White (1933); Sex in life: young women, by Violet D. Swaisland (1933); 3.) What parents should tell their children (1933);  4.) Starting to school in Kingsport, Kingsport, Tennessee, Kingsport City Schools (1953), 5.) How life goes on and on:  story for girls of high school age, y Thurman B. Rice (1937); 6.) When children ask about sex, by the staff of the Child Study Association of America. Foreword by Marianne Kris (1953);  7.) Woman against myth, by Betty Millard (1948); 8.) The teacher and mental health [prepared by the National Institute of Mental Health] (1955); 9.)The safety zone:|ba frank talk with women concerning their personal problems (1940), 10.)Teen-agers and parties, Ernest F. Miller (1960), 11.) Tips for teeners  by Antoinette Donnelly (c.1950); 12.) Think straight before you date, D.F. Miller. (1959); and 13) Teen-agers and dope, Howard Morin, C.SS.R. (1957)","Addition 5 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single press photograph from the children's clinic at the ridge avenue dispensary in Philadelphia in the 1930s.  The photograph is a group photograph of Black nurses and children in a clinical setting. A typed caption is affixed to the top right edge of the picture. No photographer or studio is noted.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a pamphlet titled Strong bodies sound minds: some health hints for the school-day years (c.1930).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on public health topics including syphilis and sex education. These include: 1. Management of syphilis in general practice, Joseph Earle Moore, in collaboration with: Harold N. Cole [and others], 1938; 2. Genitoinfectious disease control in Massachusetts, prepared by The Massachusetts Department of Public Health co-operating with the United States Public Health Service, 1940; 3. The diagnosis of syphilis by the general practitioner by Joseph Earle Moore, M.D., 1938; 4. Syphilis in mother and child,by Harold N. Cole and Philip C. Jeans, in collaboration with Joseph Earle Moore ... [et al.], 1940; 5.Your baby and the blood test law, Ernest B. Howard, M.D., c.1939; 6.Clinical excerpts, 1942; 7. Sex education for the preschool child by Harold E. Jones and Katherine Read, 1941; 8. Sex education for the ten year old /|cby M. Marjorie Bolles, 1941; 9. Sex education for the adolescent. by George W. Corner and Carney Landis, 1941; and 10. Sex education for the woman at menopause by Carl G. Hartman, 1941.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the publication of an educational booklet titled \"The Story of Sex Hormones,\" produced by the Schering Corporation, an American pharmaceutical company. The pamphlet was distributed at the Hall of Science at the Golden Gate International Exposition at an informative display called \"Hormone Woman.\" It briefly outlines recent advances in endocrinology and offers illustrated explanations of menstrual cycles and sex hormones, as well as a short description of menopause.19 cm","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a sample book titled \"Kiddie flowers\" consisting of eight mounted samples of floral fabric potentially for children's clothing.","Addition 24 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet for the Davis Home for Colored Children 34th Anniversary located in in Pittsburgh. This promotional booklet is for the  \"34th Anniversary\" of the Davis Home, a temporary home and day nursery for African-American children. Also of note in the booklet are advertisements for what are likely Black businesses that supported the home. \n \n   Note says, \"This book is dedicated to my mother, Mrs. Fannie Louis Davis, who was the founder of the Davis Temporary Home and Day Nursery in 1907, and organizer of the Colored Women's Relief Association of Western Pennsylvania in 1909. To my wife, Mrs Louise Scott Davis, President of the Davis Home for Colored Children, who has been loyal and faithful in giving her life toward the advancement of this home. To my friends, who have contributed to this Home in any way they could. Finley T. Davis, Business Manager.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains Paul Kenton Conrad's childhood cartooning album and scrapbook. The sketchbook, a string-tied leatherette album, documents a young boy's self-guided attempts to develop cartooning skills. Cut-out tutorials from Frank Webb's \"How to Make Faces\" are mounted on the album's early pages, with attempts in pencil to follow their instructions. Midway through, Conrad branches out from these copies into creating his original subject matter, including army airplanes, sheriffs, pistols, cowboy hats, and a series of one-panel strips titled \"Stuff that's funny.\" The artist, a Pittsburgh native who settled in Honolulu, would later become a successful lounge pianist and musician of some note in the 'Exotica' genre, releasing one well-received album (\"Exotic Paradise\").","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet titled \"Growing Up in the World Today: for Boys and Girls in the Teens\" by Emily V. Clapp.(1946)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets for parents and teachers about puberty and sex education. ","Titles include 1. \"Sex Behavior and sex interest in Children,\" by Louise Bates Ames (1952); 2. \"When children ask about sex,\" by the staff of the Child Study Association of America, Sidonie M. Gruenberg [and others] Anna W.M. Wolf, editor, (1946); 3. \"Preparation for puberty: a sex education manual for parents and teachers,\" written by Mrs. Linda K. Teller, illustrated by Mrs. Dorothy Teeters (1965); and 4. \"Sex education in the home,\" Georgia Department of Public Health, (c.1950).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a chart of hormone interrelation upon which the film \"The physiology of normal menstruation\" is based. Printed in green and black, full color chart. 1 sheet folded to 8 unumbered pages. 23x62 cm folder to 23x16 text.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains  a set of twelve offprints titled \"Your baby at [1-12] months.\" There are twelve pamphlets, one for each month of a baby's first year of life. Reprinted from Baby Talk, published by the Parenting Group, New York, N.Y.Author: Beulah Sanford France (1891)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a spiral-bound sketchbook belonging to an unnamed art student, most likely living in New York City. Page one of the sketchbook details the student's assignment: \"DUE - 300 by June 2nd, Marked Chronologically.\" Traces of what may be an owner's name and grades of \"B\" and \"B+\" are written on the cover. Each sketch is numbered in pencil and is stamped between March and June 1952. The sketchbook's seventy leaves have drawings only on the recto. Drawings are completed in pencil, ink, and crayon.  This student's sketches are primarily figure studies of those in transit on the subway. Other scenes include a roller derby skater, pin-up figure, river traffic with a bridge, a parked car, a cat, and exotic animals.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a handmade fundraising appeal concertina album to the artist Oskar Kokoschka. The book was created by design students at the Modeschule der Stadt Wien (Fashion School of Vienna). In 1946, the school relocated to Schloss Hetzendorf, an eighteenth-century palace that sustained significant damage during the Second World War.Students were pressed to raise money for their art supplies amid the renovations. This fundraising appeal was addressed to exiled Austrian artist Oskar Kokoschka, known for his contributions to expressionism. The album contains hand-cut stencil letters, hand-colored illustrations, and collages of paper, felt, yarn, tin foil, leather, and chipboard. The book reads: \"Dear O.K. [Oscar Kokoschka] / if we would have brushes and colours to paint / coloured paper for handykraft / wools to weave / leather for gloves and bags / felt for millinery/magazines to get suggestions / spezial [sic] books for library/material for dressmaking / then all would be OK. Photographs of the students at rest and at work sewing, trimming, painting, weaving, and drawing are pasted on the verso of each collage. Kokoschka fled Vienna, Austria under the Nazi regime and never returned. It is unknown whether he responded to this appeal from the Modeschule students.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet titled Your Child's Development - Infant to 16 years.","\"This booklet is based on recent studies at the Gesell Institute. Dr. Arnold Gesell, the Institute's research consultant and a household word to parents, founded the Yale Clinic of Child Development, which he directed for 37 years. Today, Dr. Gesell and his collaborators, Dr. Frances L. Ilg, a pediatrician, and Dr. Louise Bates Ames, a psychologist, carry on the pioneer work of the institute.\"","Published by Good Reading Rack Service, Inc., a division of Geffe, Morton \u0026 Griffiths, 76 Ninth Avenue","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains an  original calligraphic manuscript of thirty variously colored linocuts, each by a different girl from a class at St. Helen's Norwood, London. Each linocut has the student's name below in ink. The contents are handwritten verses of Benedicte Omnia Opera. The title page notes, \"Lettered, illustrated and bound by all the members of IVA.\" The endpapers are also original handpainted images of angels. Bound in original black cloth at the school by L. Hardy, D. Lines, and J. Scarth.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single pamphlet titled \"Doors to Open\" by Ellis Gladwin and Rama Braggiotti (illustrator) published by the Connecticut Mutual Life Insurance Company. It is written as a guide for young people but specifically addresses men embarking on college life and advises on new life changes in the context of conservative social constructs of the mid-twentieth century. Sixth in a series of booklets that dealtwith the tensions of everyday life.","Each segment has a hypothetical person encountering specific issues like overcoming shyness and finding social niches. Towards the end of the booklet, a piece titled \"Girl of My Dreams\" is a thinly veiled reference to a young man questioning and discovering an LGBTQIA+ identity. The advice is negative and clarifies that the hypothetical person should stifle these questions and stick to a hetronormative lifestyle, stating \" \"George is very unhappy, [and] needs help to cope with these festering needs. Otherwise, he may settle for a dim life, arrested by a succession of psychosomatic illness.\" ","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building,  contains a game titled \"Judy's Neighbors: Negro Family.\" It includes two dimensional pressed wood figures of an African-American family including mother, father, daughter, and two sons. There are also stands for the figures. Judy's Neighbors was released sometime between 1963 and 1964.This was part of a series and was sold individually and in sets. Teachers used the game to encourage racial diversity.","Addition 14 of MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building contains two promotional posters (22\"X6\") for the 1965 and 1967 New York Children's Book Week. The art of Caldecott Medal-winning illustrator Barbara Cooney made the artwork for the 1965 poster. The illustration depicts a fox carrying a stack of books with a crow overhead, looking down at the fox perched from a branch with the words \"Sing out for Books\" in French. The other poster from 1967 contains a linocut illustration of hot air balloons with a floating banner reading \"Take Off With Books.\" Marcia Brown, the only triple Caldecott Medal winner, made the art for this poster.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a photo album for the Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","The photographs document the center's daily operations, including staff and children, and special events, including several photographs of its graduation ceremony and a special \"Father of the Year\" award presentation for the fathers of the \"graduating class.\" The center closed permanently in 2005.","This addition (23) contains a three-fold pamphlet titled, \"A Report of a Conference on Day Care and the Working Mother\" for the Morris Child Development Center: State of Michigan Pilot program.","Addition 6 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains materials collected and produced by the Bilalian Child Development Center and the Developing a World for All Humanity (DAWAH) in Highland Park, Michigan. The Bilalian Child Development Center was incorporated as a non-profit agency in 1977 and appears to provide community services and educational services for the community.  The DAWAH is an institute developed by a group of African-American Muslims in Michigan to develop an effective DAWAH program in America.  ","Contents include an advertising and enrollment form, two brochures for the Bilalian Center, and another for the DAWAH Institute in Highland Park. Also included are the contents of a binder for the DAWAH Institute. Separated by subject tabs, materials include handwritten notes and a typed agenda for the First National Meeting of the DAWAH Institute, an application of employment to the Institute, papers on Community Services, the A.B.C.D. Savings Program, a photocopy of a Western Union Mailgram to President Ronald Reagan, papers on the Food Co-Op \u0026 Gardening club, Home Garden booklet from the 4-H Youth Programs, Fundraising and Grantsmanship, invitations, brochures, news releases, educational programs, news clippings, and a curriculum statement.","Addition 22 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 21 handbills and handouts on HIV and AIDS and LGBTQ health concerns for teens.","Some guidelines to follow in talking to teens about sex and AIDS/STD's -- Where do mermaids stand (From: All I really need to know i learned in kindergarten by Robert Fulghum) -- Bi-Friendly #40, October 1991, San Francisco, East Bay, and U.C. -- 1991 Fact Sheet / State of California Department of Health Services AIDS Prevention and Follow up Centers Early Intervention Program -- Continuing Education Questionnaire -- Continuing Education Agenda / UCSF AIDS Health Project, San Francisco, CA -- Antiviral AIDS drugs in the pipeline, 1991 -- Fact Sheet 1991 / [San Francisco] -- Syphilis Rate Soaring Among S.F. Teenagers / by Nanette Asimov, Chronicle Staff Writer -- Indications for Encouraging Counseling and Testing for Adolescents -- Special Programs for youth consent form for HIV testing -- Special programs for youth pre-test counselor sign-off sheet for informed consent -- A.T.S. Recommendations for youth and young adults / Adolescent HIV Coalition -- Referral list for HIV+ youth and young adults / prepared by Michael Baxter, Adolescent HIV Coalition Chair, San Francisco -- Youth and the HIV antibody test -- Project ahead / [San Francisco Health Clinics] -- Crisis alert: African American youth and HIV/AIDS / by W.J. Brandy Moore -- Some of the barriers that Latino/adolescents can encounter if they do seek health care and related services for HIV/AIDS / presented by Marisa Davis, Aids Health Project -- Counseling high risk youth / Ken Dunnigan, M.D. April 28, 1988 -- Youth and HIV: no immunity / Jane Shalwitz, MD and Ken Dunnigan, MD, circa 1983 -- Normal adolescent development / Parent Survival Kit, Denise Phelan-Desmond, Luanna Rodgers, Mary Isham, et. al. -- The ten mos asked HIV-Insurance questions / reprinted by AIDS Project, Los Angeles ©1988","Addition 8 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a signed broadside print (11 X 8.5 inches) titled \"My Life Matters\" by the artist and muralist LMNOPI. ","The signed print based on muralist LMNOPI's wheat-pasted street art, is originally produced in response to the Ferguson protests. Artist LMNOPI writes: \"This painting was inspired by the Black Lives Matter movement which originated in Ferguson, Missouri last year in response to the police murder of Mike Brown. I have been doing a series of street paste ups around this movement.\" ","LMNOPI found this image of a young protestor online, eventually identifying the child as a boy named Myles. The image of Myles warily clutching his protest sign (#DontShoot #Ferguson #YourLifeMatters), pasted up on the door of an a condemned factory in Bedford-Stuyvesant, became part of the community: \"The wheatpaste of Myles was much loved by local residents. Often I would observe people taking photos of it on their way to work. I saw many people post it on Instagram. It even survived a local graffiti bomb squad who came through last winter during a snowstorm. They tagged up the entire wall, but did not touch Myles.\" ","Source from LMNOPI's website: lmnopi.com/my-life-matters.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one handmade child's artist book based on Samuel Roger's Poem \"Address to the Butterfly.\"","Unidentified youth creates a story beginning with a cardboard hand-cut apple; as the story progresses, a cardboard cut-out worm escapes the apple and begins to \"eat\" the pages before cocooning and then emerging as a pop-up butterfly.  ","Crudely bound with black leather over boards; a window cut out of the front cover allows the painted apple on page [1] to show through. ","A small pocket mounted inside the back board holds five cards printed with Samuel Rogers' poem \"To the butterfly.\"  The pocket is stamped with \"Address to the butterfly, Samuel Rogers.\"","This addition to MSS16758, University of Virginia History of Childhood, Parenting, and Family Building, contains thirty-four pamphlets on various topics, including puberty and sexual development, childhood diseases, motherhood, birth control, and nutrition.\nList of items:\n A Story About You, by Marion O. Lerrigo [and] Helen Southard [in consultation with] Milton J.E. Senn.\nFinding Yourself, by Marion O. Lerrigo, Helen Southard; medical consultant, Milton J.E. Senn.\nApproaching adulthood, by Marion O. Lerrigo, Helen Southard [in consultation with] Milton J.E. Senn.\nHow to use My Bookhouse, Miller, Olive Beaupré, editor.\nScarlet Fever, Metropolitan Life Insurance Co. (c.1925)\nScarlet fever. Metropolitan Life Insurance Company (1940)\nWhooping cough.Metropolitan Life Insurance Co.(c.1930s)\nWhooping cough.Metropolitan Life Insurance Co.(1921)\nVaccination protects you against smallpox. Metropolitan Life Insurance Co. (c.1926)\nFor your information about Rheumatic Fever.Rheumatic Fever Foundation, 20-30 International,(c.1956).\nMeasles and their prevention. Richmond, Virginia, State Health Department (c.1965).\nCommunicable diseases in Virginia: mumps.Virginia, Commonwealth of Virginia Department of Health (c.1967)\nTraining is fun with Little Toidey. Juvenile Wood Products, Inc.,(c.1938)\nSmallpox is still here. Metropolitan Life Insurance Company, (c.1939?)\nRickets \u0026 scurvy. Metropolitan Life Insurance Co. (c.192-?)\nGood teeth: how to get them and keep them. Metropolitan Life Insurance Co. (c.1900s)\nYour baby book.Wyeth Laboratories, Division American Home Products Corporation, (c.1962)\nWomen who go to school.Washington, D.C.National Congress of Parents and Teachers (c.1945)\nChildhood diseases. Prudential Insurance Company of America (c.1966)\nThe prize winner. M.L.I. Co. Press (c.1935?)\n52 bones in a terrible hurry.The May Co.(c.1950's)\nHeight and weight tables for Children-Borden Dairy. The Borden Company (c.1920's)\nVariety gives nutritional balance. Stokely Van Camp, Inc. (c.1950's)\nA better start in life with meat.Nutrition Division, Research Laboratories, Swift \u0026 Company,(c.1950's)\nTummy tingles by Josephine Beardsley; illustrations by Marjorie Peters. (c.1937)\nLydia E. Pinkham's private text-book:  ailments peculiar to women. Lydia E. Pinkham Medicine Co. (between 1878 and 1940)\nMy views on birth control by Dr. B. Goodman. (c.1944)\nWedlock and birth control: straightforward talk on a momentous and delicate subject by Dr. Grayling Stewart (c.1950?)\nA Book about birth control written by Donna Cherniak ; edited by Shirley Pettifer (c.1984)\nThe age of romance. American medical Association (1933)\nQuestions and answers about intrauterine devices.Planned Parenthood Federation, Inc.(c.1970)\nSecrets married women should know.America's Medicine (c.1930?)\nThe new germcide Hyomei: positive cure for coughs, bronchitis, asthma, and consumption.The R.T. Booth Company (c.1906)","The following books have been transferred to the library collection: List of titles\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\nThe new family / Virginia. Bureau of Child Welfare.\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families","This collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request.","Albert and Shirley Small Special Collections Library","Musinsky Rare Books","Plymouth (England)","HMNB Portsmouth (England)","Bluemango Books and Manuscripts","Sophie Schneideman Rare Books","Whitmore Rare Books","Salvation Army","Ellipsis Rare Books","Tomberg Rare Books","King, James","Weeks, Richard Cumming","Dugdale, Florence Eleanor Paget, 1887-1965","English German French"],"unitid_tesim":["MSS 16758","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1482"],"normalized_title_ssm":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"collection_title_tesim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"collection_ssim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["This collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials."],"access_subjects_ssim":["Children","Children's art","postcards"],"access_subjects_ssm":["Children","Children's art","postcards"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good"],"extent_ssm":["7.5 Cubic Feet 12 document boxes, 2 os boxes and 1 cubic box"],"extent_tesim":["7.5 Cubic Feet 12 document boxes, 2 os boxes and 1 cubic box"],"genreform_ssim":["postcards"],"date_range_isim":[1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eSome restrictions may apply due to fragile condition of paper dolls.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request. The sketchbook is availble for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","Some restrictions may apply due to fragile condition of paper dolls.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request. The sketchbook is availble for research.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","This collection is open for research.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThere are 23 pamphlets associated with this collection but 9 were removed for print cataloging. Rose Oliveira-Abbey: No.1, 3, 4, 5, 10a, 10b, 11a, 11b, and 11c on the invoice cataloged as print. See invoice in Control folder for Invoice/PurchaseOrder for titles.\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\n\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["There are 23 pamphlets associated with this collection but 9 were removed for print cataloging. Rose Oliveira-Abbey: No.1, 3, 4, 5, 10a, 10b, 11a, 11b, and 11c on the invoice cataloged as print. See invoice in Control folder for Invoice/PurchaseOrder for titles.\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\n\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families"],"bioghist_html_tesm":["\u003cp\u003eJane Elizabeth \"Jennie\" Hoyt-Stevens was born in Concord, Massachusetts to Sewell Hoit (1807-1875) and Hannah Elizabeth Hoyt, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907.She encouraged a younger generation of women in their medical careers, including Mary Runnells Bird, and donated her family home, (\"impressive mansion\"), to the use of the New Hampshire Congregational Conference, reserving \"a small upstairs apartment\" for her own use.\u003c/p\u003e\n","\u003cp\u003eIn 1906, she represented the New Hampshire Medical Society as a delegate to the International Medical Congress in Lisbon, and traveled in Spain and North Africa during that trip. She met Gandhi during an extended visit to India, and published writings about her impressions of him in 1931. She adopted a son in Spain, named Abelardo Linares. She died in 1933, in Concord, New Hampshire, at the age of 72\u003c/p\u003e\n","\u003cp\u003eThe mathematical fraktur may have belonged to Elizabeth Urban as a gift from her tutor, A. G. Lees in Conestoga Township, Lancaster County, Pennsylvania. Elizabeth Urban was born on July 22, 1795 in Conestoga to George Urban (1740-1843) and Barbara Keagy (1743-1828). Educational frakturs are very rare.\u003c/p\u003e","\u003cp\u003eMorris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.\u003c/p\u003e","\u003cp\u003eBilalians is a name used by early African-American Muslims. It refers to Bilal, a former Black enslaved person of Muhammad. Bilal's importance as the first Muslim muezzin, his ardent support for early Islam, and his favored status under Muhammad made him an important symbol of Black honor and dignity, major themes of early African-American Islam.\u003c/p\u003e\n","\u003cp\u003eThe Da'wah Institute (DIN) is the research and public enlightenment department of the Islamic Education Trust (IET) which has its headquarters in Minna, and Zonal Coordinators across Nigeria and West Africa. Its mission is to \"strive in the capacity building and empowerment of other Islamic organizations and individuals involved in facilitating the correct understanding of the message of Islam.\"\u003c/p\u003e\n","\u003cp\u003eSource: \nOxford University Press. Oxford Reference. Accessed 7/18/2024\nhttps://www.oxfordreference.com/display/10.1093/oi/authority.20110803095505567\u003c/p\u003e\n","\u003cp\u003eDa'wah Institute of Nigeria Accessed 7/18/2024\nhttps://dawahinstitute.org/dawah-institute-nigeria-din/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Jane Elizabeth \"Jennie\" Hoyt-Stevens was born in Concord, Massachusetts to Sewell Hoit (1807-1875) and Hannah Elizabeth Hoyt, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907.She encouraged a younger generation of women in their medical careers, including Mary Runnells Bird, and donated her family home, (\"impressive mansion\"), to the use of the New Hampshire Congregational Conference, reserving \"a small upstairs apartment\" for her own use.","In 1906, she represented the New Hampshire Medical Society as a delegate to the International Medical Congress in Lisbon, and traveled in Spain and North Africa during that trip. She met Gandhi during an extended visit to India, and published writings about her impressions of him in 1931. She adopted a son in Spain, named Abelardo Linares. She died in 1933, in Concord, New Hampshire, at the age of 72","The mathematical fraktur may have belonged to Elizabeth Urban as a gift from her tutor, A. G. Lees in Conestoga Township, Lancaster County, Pennsylvania. Elizabeth Urban was born on July 22, 1795 in Conestoga to George Urban (1740-1843) and Barbara Keagy (1743-1828). Educational frakturs are very rare.","Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","Bilalians is a name used by early African-American Muslims. It refers to Bilal, a former Black enslaved person of Muhammad. Bilal's importance as the first Muslim muezzin, his ardent support for early Islam, and his favored status under Muhammad made him an important symbol of Black honor and dignity, major themes of early African-American Islam.","The Da'wah Institute (DIN) is the research and public enlightenment department of the Islamic Education Trust (IET) which has its headquarters in Minna, and Zonal Coordinators across Nigeria and West Africa. Its mission is to \"strive in the capacity building and empowerment of other Islamic organizations and individuals involved in facilitating the correct understanding of the message of Islam.\"","Source: \nOxford University Press. Oxford Reference. Accessed 7/18/2024\nhttps://www.oxfordreference.com/display/10.1093/oi/authority.20110803095505567","Da'wah Institute of Nigeria Accessed 7/18/2024\nhttps://dawahinstitute.org/dawah-institute-nigeria-din/"],"odd_html_tesm":["\u003cp\u003eThis material contains references or imagery involving racism. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e"],"odd_heading_ssm":["Content Warning"],"odd_tesim":["This material contains references or imagery involving racism. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 1, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia Collection of the History of Childhood, Parenting, and Family Buiding, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 31, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 59, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 39, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16748, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, Addition 70, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 11, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 40, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 35, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 7, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 12, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 25a, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 60, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 51, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 42, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 19, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 36, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 9, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 43, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 63, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 69, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 61, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 13, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 67, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 20, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 33, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 56, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 66, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 41, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 21, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building \nAddition 46, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, the University of Virginia Collection on Childhood, Parenting, and Family Building Addition 15, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 34, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 27, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 25, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 10, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 30, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 2, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 18, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 16, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 17, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 55, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia History of Childhood Collection, Parenting, and Family Building, Addition 4, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 29, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758,  University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 57, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building-Addition 5 African American Nurses and Children photograph at the Ridge Avenue clinic in Philadelphia, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 45, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 62, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 65, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 38, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 24, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 28, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 48, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 49, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 64, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 47, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 68, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758 , The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 71, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 44, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 54, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 37, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 26, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The UVA Collection on Childhood, Parenting, and Family Building Addition 14, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 58, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection of the History of Childhood, Parenting, and Family Building Addition 23, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 6, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 22, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 8, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 50, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 32, University of Virginia Library, Albert and Shirley Small Special Collections Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 1, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection of the History of Childhood, Parenting, and Family Buiding, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 31, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 59, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 39, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16748, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, Addition 70, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 11, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 40, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 35, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 7, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 12, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 25a, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 60, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 51, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 42, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 19, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 36, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 9, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 43, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 63, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 69, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 61, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 13, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 67, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 20, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 33, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 56, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 66, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 41, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 21, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building \nAddition 46, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, the University of Virginia Collection on Childhood, Parenting, and Family Building Addition 15, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 34, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 27, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 25, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 10, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 30, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 2, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 18, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 16, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 17, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 55, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia History of Childhood Collection, Parenting, and Family Building, Addition 4, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 29, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758,  University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 57, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building-Addition 5 African American Nurses and Children photograph at the Ridge Avenue clinic in Philadelphia, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 45, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 62, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 65, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 38, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 24, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 28, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 48, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 49, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 64, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 47, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 68, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758 , The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 71, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 44, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 54, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 37, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 26, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building Addition 14, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 58, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection of the History of Childhood, Parenting, and Family Building Addition 23, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 6, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 22, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 8, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 50, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 32, University of Virginia Library, Albert and Shirley Small Special Collections Library."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also Series 4 \"A Report of a Conference on Day Care and the Working Mother\" material from the Morris Child Development Center Addition 23\u003c/p\u003e","\u003cp\u003eSee also Series 4 Addition 58 Photograph album of the Morris Child Development Center\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials"],"relatedmaterial_tesim":["See also Series 4 \"A Report of a Conference on Day Care and the Working Mother\" material from the Morris Child Development Center Addition 23","See also Series 4 Addition 58 Photograph album of the Morris Child Development Center"],"scopecontent_html_tesm":["\u003cp\u003eThe University of Virginia Collection on the History of Childhood, Parenting, and Family Building is an artificial collection and periodic additions are expected.\u003c/p\u003e","\u003cp\u003eAddition 53 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one calligraphy manuscript of Hans Rudolf Gujer from Wermatswil, Switzerland. The book contains thirty-seven leaves in landscape format, in various colored inks and watercolor, with some use of gouache. \u003c/p\u003e\n","\u003cp\u003eIt also includes seven large original drawings; one is in pen-and-ink, and six are ink and watercolor; three pages of alphabets; most other pages have three compartments including ornately decorated capital initials, floral, figurative, and abstract ornamental borders and infills throughout; one page with music, and one with micrograph. The last leaf contains a full-page colophon of calligrapher:  \"Von Mir geschriben, Hans Rudolf guier, Zu Wermmet-schweil, 1750,\" with marginal calligraphic addition noting his age at the time of writing, \"mein alter war 20 jahr.\" \u003c/p\u003e\n","\u003cp\u003eThe German texts of the album are religious: biblical quotations, prayers, and other devotional texts. Gujer was a relative of Jacob Gujer, a celebrated \"philosopher farmer.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one handmade picturebook of hand-colored engraved cutouts. A later inscription on the front pastedown reads, \"Fait par la baronne de Chalancey née Delcey pour as fille Clémence devenue Ctsse d' Esclaibes d'Hurst.\" The book was was created by the Baroness de Chalancey for her little girl Clemence, born in 1797.  \u003c/p\u003e\n","\u003cp\u003eFrancoise Marie Gabrielle Delecey de Changey, who went under the nickname Fanny, was born in 1769 in Langres, Haute-Marne; she married Baron Jean-Francois Bichet de Chalancey in 1791, whose chateau in Chalancey was 30 kilometers from Langres.  Their first child, a boy, died in 1796 at four; a daughter, Clemence, was born the following year.  Fanny lived to age 77, and Clemence survived her mother by 20 years. \u003c/p\u003e\n","\u003cp\u003eThe book starts with la maison, the home, and it shows people, trades, activities, places, architectural details, animals, concepts, fictional characters, and various household people in various activities.\u003c/p\u003e","\u003cp\u003eIndenture between Richard Cumming Weeks, the son of a plumber and brazier, to serve as an apprentice shipwright to James King, a shipwright at His Majesty's Dock in Plymouth, England in 1802.\u003c/p\u003e\n","\u003cp\u003eThe contract sets out conditions of Weeks' seven-year apprenticeship and his wages of five shillings per quarter to start with and a note signed by James King, increasing his wages to to \"twelve shillings for single time\" and to \"one Pound a quarter for double time\" in 1804  Signed by Richard, his father, and by two Dock officials, with embossed revenue stamps. The indenture measures 40X 33 cm/ 15.75\" X 13\".\u003c/p\u003e","\u003cp\u003eThis addition 1 of the collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. \u003c/p\u003e\n","\u003cp\u003eWhile the collection spans from the 1830s to the 1960s, the bulk date between 1880 and 1925. \u003c/p\u003e\n","\u003cp\u003eCategories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and instruction manuals given to parents or teachers on child welfare.\u003c/p\u003e","\u003cp\u003eThis collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. \u003c/p\u003e\n","\u003cp\u003eWhile the collection spans from the 1830s to the 1960s, the bulk dates are between 1880 and 1925. \u003c/p\u003e\n","\u003cp\u003eCategories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps, Ocean parties; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and a government child welfare manual that gives instruction to parents or teachers on child welfare, child needs and development.\u003c/p\u003e","\u003cp\u003e1st part of MSS 16758. Twenty-three pamphlets about puberty for women. Some are directed toward mothers, while others are created specifically for daughters. Dates range from 1933 to 1981. \u003c/p\u003e\n","\u003cp\u003eEarlier pamphlets discuss the process through storytelling, while later examples utilize more medical terminology. \u003c/p\u003e\n","\u003cp\u003eTitles include \"Marjorie May's Twelfth Birthday\" \"Very Personally Yours,\"  and \"Growing Up and Liking It.\" All pamphlets are illustrated; some have calendars others have quizzes. \u003c/p\u003e\n","\u003cp\u003eEach pamphlet was published by a manufacturer of women's sanitary products:  Holland-Rantos Co., International Cellucotton Products Co., Kotex (Kimberly Clark), Modess, Personal Product Corporation, and TeenForm. \u003c/p\u003e\n","\u003cp\u003eIncluded in folder 3 are two Kotex print blocks, used to illustrate their product packaging in marketing materials. This is part of an artificial collection, ie a  collection of materials with different provenance assembled and organized to facilitate its management or use.\u003c/p\u003e","\u003cp\u003eThe resolution was passed at a public meeting on August 15, 1838. The resolution discusses the establishment of an infant school. It further describes how education benefits children in the whole community by establishing a desire to learn in children. The pamphlet also notes that parents will be free during the day to work when children are in school, showing a shift in the economic role of mothers.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., contains the artworks of two sisters from Maine, Mary A. Hackett (1830-1908) and Nancy F. (1825-1883) Hackett. The works include watercolors, prose, a reward of Merritt, and two cartes de visite of their great-grandfather Hacket and Aunt Mary Hacket. \u003c/p\u003e\n","\u003cp\u003eThe sister's parents were William Hackett (1780-1869) and Lydia Dutch (1793-1898).  Nancy married Nathaniel Thompson. Census records indicate Mary never married and, as an adult, lived with Nancy in Kennebunk, Maine.  Mary attended Union Academy and Nancy attended Limerick Academy.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains one handmade juvenile manuscript titled The History of Little Fanny. Dated to March 24, 1849, the book features eleven pages of text with a watercolored cover. A set of seven watercolored paper dolls is in the accompanying slipcase, with each corresponding to a section of the written story. The reader can enact the tale throughout the story by changing Fanny's head between the paper costumes to illustrate her progress.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one volume of an anonymous bereavement commonplace book, dated 1856 and 1874. The manuscript consists of ninety-eight pages of writing, with the rest left blank. The manuscript contains writings by three different women. The first (and most extensive) is by an unnamed governess who writes of the loss of a child in her care, Harry. Her spidery handwriting is even and accomplished, and her use of \"thee\" and \"thou\" throughout suggests she may have been a Quaker. For thirty pages, she expresses her heartfelt love for the child and her grief during Harry's decline. She describes her memories of the boy and his siblings and details the boy's last illness, of about six days' duration, and death.  \u003c/p\u003e\n","\u003cp\u003eThe following forty-eight pages include bereavement verses including poetry, both original and copied from published works, segments of stories, and verses from the bible.  within these pages, the Governess left three pages blank; on the first of these blank pages, \"M.E.G.\" [later identified as Mary E. Grote] wrote about the death of her firstborn son, \"Ernie,\" whose father was Ernest William Davis. In the first line of her text, Grote refers to the manuscript itself as \"this choice collection.\" \u003c/p\u003e\n","\u003cp\u003eThe verse then continues in the governess' hand. Until another passage by Mary Grote appears. It is a five-page memorial titled \"To Ernie,\" dated August 30th, 1874. It is possible that Grote's earlier one-page passage may have been written in 1874. Fourteen blank leaves separate Grote's writing to an entirely different hand and content. \u003c/p\u003e\n","\u003cp\u003eThere are five pages of \"Hints For Housewives.\" These undated, unrelated notes seem to be brief views on issues that arise in a household including damp cupboards, flies, roasting meat, buying eggs, mending china, and other domestic matters.\u003c/p\u003e","\u003cp\u003eThis addition 11 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains publications, metamorphic trading cards, volvelle (color wheels), and posters. Topics include motherhood, instructional materials on children's behaviour, toilet training, adolescent health, soil conservation for children, and a book about the the education for blind children. \u003c/p\u003e\n","\u003cp\u003eFolder 1 contains folded out (metamorphic) advertisements for children's clothing by Davidson Brothers, Solar Tip Shoes, E. G. Burrows, J. H. Baldwin \u0026amp; Company patent table tray, and children's knee elastic protectors (to protect clothes)\u003c/p\u003e\n","\u003cp\u003eFolder 2 contains pamphlets \"Training the Baby\" published in 1931, 1952, and 1957.\u003c/p\u003e\n","\u003cp\u003eFolder 3 contains five illustrated posters with instructions for children on cleaning and bathing themselves.\u003c/p\u003e\n","\u003cp\u003eFolder 4 contains pamphlets for expectant mothers on how to care for their infants: \"The Modern Baby\",  \"Quiet, Baby Is Sleeping\", \"the 14 Days that can seem like a lifetime!\", \"Preparing Baby's Formula\", \"Keeping Baby Clean\", \"Modern Evenflo Nursers\"\u003c/p\u003e\n","\u003cp\u003eFolder 5 contains pamphlets from the Lysol Family Library, \"The Scientific Side of Health and Youth\", \"When Baby Comes\", and \"Preventing the Spread of Common Diseases\"\u003c/p\u003e\n","\u003cp\u003eFolder 6 contains three color wheels \u003c/p\u003e\n","\u003cp\u003eFolder 7 contains a pledge card for teenagers to abstain from alcoholic drinks and a card that outlines safety guidelines \"Code for survival\"\u003c/p\u003e\n","\u003cp\u003eFolder 8 Publications: \"Let's Save Soil with Sam and Sue\", \"For Bigger Boys and Girls\", \"Facts about the Education of Blind Children\", \"Understanding Your Teenager\"\u003c/p\u003e","\u003cp\u003eCompiled in 1858, the decorative title page Cahier d'Écriture par Mercier dédié à mes bien-aimés parents, the book features twenty-four calligraphy entries from a teenage student at the Grand-Classe St. Etienne in Saint-Étienne, France. The entries include the author's reflections on friendship, anger, anxieties, family life, hopes, and religious devotion. \u003c/p\u003e\n","\u003cp\u003eSeveral font samplers are present throughout the book, as are full-color pencil-sketched illustrations. Illustrations include buildings, animals, people, and urban scenes. The majority of the calligraphy entries are bordered by an elaborate design, either pressed into the paper or drawn by the author herself. \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758,  The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a small pocket diary with ownership signature of \"Louisa J. Pratt, New Paltz Landing, New York to front endpaper with an early 20th-century hand adding to pastedown and endpaper, \"born 1846\" and \"13 years old.\"  \u003c/p\u003e\n","\u003cp\u003eThe diary contains 366 pages in legible hand. It focuses on the many losses she experiences across 1859 and her youthful awakening to the numerous hardships the women around her confront.  From parental loss to poverty to disease to mental health emergencies, the events of Louisa's 13th year were formative, and she turned to her diary as a place for working out private emotions that burdened her.  \u003c/p\u003e\n","\u003cp\u003eLouisa balances school, friends, and church with an increasing oversight of her home.  More detail is given as the family continues struggling to keep domestic workers, and it is hinted that Mr. Pratt and the members of the church are drawing labor from girls pulled from the sex trade.  Unprepared for the situations they find themselves in, the girls act out, have mental health crises, and ultimately flee which are documented by Louisa.\u003c/p\u003e\n","\u003cp\u003eWhile grief, loss, and unexpected adulthood shape much of Louisa's year, she also reports the kinds of joys that remind us she is entering her teens.  Her numerous friends, her love for sleigh rides and horseback riding, her appreciation for school and her recitations are cornerstones.\u003c/p\u003e","\u003cp\u003eAddition 7 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two circulars promoting the American School Institute and Schermerhorn's School Agency. There is also a tri-fold trade card ad for a White Mountain refrigerator; an advertisement booklet for a carpet called \"Something Under Foot\"  used as a diary by \"Sara\"; and a plaited hair sentiment with a verse from Charlotte A. Lewis which was sent to a girl named Maryann Gilman.\u003c/p\u003e","\u003cp\u003eThis addition 12 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a friendship album of Jennie Lizzie Hoit (Dr. Jane Elizabeth Hoyt) made between 1866 and 1871 and a Pennsylvania German Mathematical Fraktur made in 1808 for Elizabeth Urban. \u003c/p\u003e\n","\u003cp\u003eThe friendship book belonging to Jennie is small (3 X 5 inches), about 60 pages, and contains compliments and well wishes from her family members and friends. \u003c/p\u003e\n","\u003cp\u003e\nThe collection also contains a Pennsylvania German Mathematical Fraktur presented to a schoolgirl, most likely Elizabeth Urban. Fraktur is a Germanic tradition of decorated manuscripts and printed documents noted for its use of bold colors and whimsical motifs. The page contains a Multiplication Table and Pence Table, dated September 15, 1808, inscribed \"Miss Urban, I have the honour to be your humble servant,\" signed A.G. Lees, Conestoga Township, Lancaster County. Initials EU appear in the intersecting hearts. The page is decorated with birds and flowers. The student was likely Elizabeth Urban, born on July 22, 1795. The table was probably presented by her tutor or teacher, possibly Alexander Lees, residing in nearby York County from 1779 to 1781, or Abraham Lees, in York County in 1785. \u003c/p\u003e\n","\u003cp\u003eJennie was born in Concord, Massachusetts, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907. \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains 23 pamphlets on early learning, education, adolescence, growth and development, health, prenatal and Infant care, and parenting.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to women's health, infancy, and childhood. \u003c/p\u003e\n","\u003cp\u003eThis includes \n1. Woman's tried and true friend, Portland, ME: Caulocorea Mfg. Co.,c.1893; \u003c/p\u003e\n","\u003cp\u003e2. Friar Medicine Company ephemera (5 sheets), 1901; \u003c/p\u003e\n","\u003cp\u003e3. Taylor, Marion Sayle, \"The seat of love and youth: plain truths for women, c.1927; \u003c/p\u003e\n","\u003cp\u003e4. Taylor, Marion Sayle, \"Body hygiene for women,\"1928;\u003c/p\u003e\n","\u003cp\u003e5. Williamson, George H.,\"Personal hygiene for women: explaining the new hygiene which is bringing comfort, peace-of-mind and greater health and efficiency to the world of women,\" 1928; \u003c/p\u003e\n","\u003cp\u003e6. Wells, H.J. (edited and published by),\" Tennessee journal of medical and surgical diseases of women and children, and abstracts of the medical sciences,\"1884; \u003c/p\u003e\n","\u003cp\u003e7. \" Wasting diseases: their causes, treatment, and cure,\" New York: Scott \u0026amp; Bowne, c, 1877; \u003c/p\u003e\n","\u003cp\u003e8.Sheffield, Herman B., \"The baby's record and health,\" 1913; \u003c/p\u003e\n","\u003cp\u003e9. Olmstead, Allen S., \"This will interest mothers: Mother Gray, the children's friend,\" c.1910.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one notebook kept by S.B. Coulson with notes regarding Friedrich Fröbel teaching approach and use of Fröbel gifts, which include play materials such as balls, cylinders, cubes, and tablets. \u003c/p\u003e\n","\u003cp\u003eThe instructors were \"Miss Doyle,\" \"Miss Symond,\" and \"Mrs. Meleney,\" the latter being Carrie Coit Meleney, a student and later prolific correspondent of Maria Kraus-Boelté (1836-1918), a pioneer of Fröbel education in the United States and author of the textbook, \"The kindergarten guide\" (1877). The notebook also contains diagrams and illustrations depicting configurations of tiles and boxes. Several pages have been torn out of the notebook.\u003c/p\u003e","\u003cp\u003eThis addition to MSS-16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia),  contains six pieces of advertising ephemera. Included are: 1. Mrs. Prettyman's celebrated breast salve, c. 1866-1895, (3 advertising broadsides); 2. Celluloid starch requires no cooking, a die-cut point-of-sale display card with an attached cardboard stand depicting a baby seated on a pillow holding a paper advertising celluloid starch; 3. Display card for Johnson and Johnson baby powder; and  4. a pamphlet titled Your baby's diet: Heinz strained foods: their uses and nutritional values. (circa 1950s).\u003c/p\u003e","\u003cp\u003eAddition 19 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet: \"Tennessee Industrial School for the Benefit of Orphan, Helpless and Wayward Children, Nashville, Tenn.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a travel diary of Frederica King Davis as she traveled through England and France during her 19th year.  The bulk of the diary contains vivid and dense descriptions of her travel route, means of travel, companions, sites visited, and observations on art and culture; toward the end, she meticulously documents her allowance received, her expenditures, and the list of books she aims to read as a result of her trip.  \u003c/p\u003e\n","\u003cp\u003eThe diary offers insight not only into the type of grand tour provided to well-off 19th-century American women but also into the history of tourism, transport, and a history of artistic exhibits and art criticism, women's education in domestic accounts and budgeting, traditions in women's gift-giving and charitable contributions, the history of women's fashion, and the history of friendship and courtship etiquette.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a set of Courtesy posters to color, a Children's Aid Society Donation Circular, and educational game ideas handwritten and compiled on index cards by elementary school teacher Jane Ehrhard. The educational games are housed in two small commercial portfolios produced by Burgess Publishing Company for their line of printed educational games.  \u003c/p\u003e\n","\u003cp\u003eContemporary ink signature of Jane Ehrhard on the back of both portfolios.  One red portfolio is printed with the title \"File O' Fun for social recreation,\" with Jane A. Harris listed as the author.  The second portfolio is orange and printed with \"Games for the elementary school grades: playground, gymnasium, classroom,\" by Hazel A. Richardson.  It appears Jane Ehrhard has repurposed the portfolios. Both measure 18 x 12 cm and are bound with an elastic cord.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets and booklets on pre and post-natal advice for expectant mothers in America. They include: 1. Information for expectant mothers, by Frank LeCocq Jr., and Albert Bostrom, Jr. (c.1959); 2. Instructions for expectant mothers (c.1959); 3. While I am waiting, (1960); 4. Mrs Winslows soothing syrup: for children teething, (c.1888); 5. Baby is king,(1890); Baby feeding made easier, (1956) accompanied by two pieces of ephemera \"It's the nipple that makes the nurser, the Davol No.155 Nipple...\" and \"Terminal sterilization of baby's formula; 6. Pre-natal care: what expectant mothers should know, compiled by Obstetrical Department of The Western Montana Clinic (c.1955); 7. Your baby's formula (1953, 1955); 8.How food helps mother and baby, for parents-to-be (1954); 9. Modern methods of preparing baby's formula: practical suggestions by doctors, nurses, hospitals and mothers, (1954); 10. More nearly perfect: when baby needs milk from a bottle (1934); and 11. Prenatal care (1949).\u003c/p\u003e","\u003cp\u003eAddition 63 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets about women at work both in and outside the home. These include: 1.\"My busy week,\" Herrmann Hdkf. Co 1949; 2. \"When women work,\"[Washington, D.C.] : Women's Bureau, U.S. Department of Labor, 1921; 3. Trade card \"Armour's mince meat and canned meats, c.1890; and 4. Trade cards:  Two round cards depicting 19th century women and girls doing laundry washing by hand.\u003c/p\u003e","\u003cp\u003eThis addition (69) to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains fourteen pamphlets on the subjects of family planning, women's reproductive health, contraception, hildhood disease prevention, gender, religion, education, history published between 1892 and 1973. Many of these pamphlets were distributed as promotional materials by insurance or healthcare companies. \u003c/p\u003e\n","\u003cp\u003eThe pamphlets are: \"Speaking of Birth Control\", \"Industrial Gems\", \"Keeping a Healthy Home\",   \"Protecting the Home Against Disease\", \"Giving Babies Nestle's Food\", \"Nestle's Better Babies\", \"Where Shall We Put the Baby?, \"Vanta Baby Garments\"[advertisement],\"Your Baby's Protection\", \"So You Don't Want to be a Sex Object\",\"Johnny Takes A Wife\", \"Baby Speaks Out on This Matter of Toilet Training\", \"The Power of a Woman\", and \"A Woman's Guide to the Methods of Postponing or Preventing Pregnancy\"\u003c/p\u003e","\u003cp\u003eAddition 61 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on childhood growth and development and women's health.\u003c/p\u003e\n","\u003cp\u003eThese include: 1. Child culture before and after birth: truths of profound significance to parents and prospective parents, with illustrative examples from real life, Chicago: National Purity Association,|c.1895; 2. Caldwell, J.B., Pre-natal influences, Chicago: National Purity Association,c.1900; 3. Getting ready for baby, Bloomfield, New Jersey: Lehn \u0026amp; Fink, Inc.,1930; 4. Weeks, Mary Hezlep Harmon, How to tell the story of reproduction to very young children, 1910; 5. Mothers' clubs' and teachers' organizations' course of study, Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910 (2 copies); 6.) Wood-Allen, Mary, Great books for child instruction, Cooperstown, N.Y.: Arthur H. Crist Co.,c.1910; 7. Wood-Allen, Mary, Valuable books for parent and child (2 copies), Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910; 8. Stephens, Elizabeth L., Sacredness \u0026amp; responsibility of motherhood, Cooperstown, N.Y.,: Crist, Scott \u0026amp; Parshall,c.1910; 9. Stephens, Elizabeth L., Teaching Obedience, Cooperstown, N.Y., Crist, Scott \u0026amp; Parshall,:,c.1910; 10. King, E.A. The Cigarette and Youth, Cooperstown, N.Y.,: Crist, Scott \u0026amp; Parshall, c.1910;  10. What shall be taught and who shall teach it? 1907; 11. Mrs. J.H. Kellogg, Work as an element in character building, c.1907; 12. Rev. W.W. Cook, The father as his sons' counselor, 1907; 13.  Mary Wood-Allen, Confidential relations between mothers \u0026amp; daughters, c.1907,14. Mary Wood-Allen, When does bodily education begin?,1907, 15. P.M. Bruner, The integrity of the sex nature, 1907; 16. Mary Wood-Allen, A friendly letter to boys, 1907; 17. Preg-No-Matic: the scientific calculator that takes the guesswork out of rhythm, Bridgport, CT: Brooklawn-Park Laboratory, 1956-1957; 18. Mel Johnson. Going steady, 1964; 19. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1935; 20. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1939; 21.What every woman wants to know about personal hygiene; Cincinnati, Ohio: Hydrosal Laboratories,1926; 22. Marvel syringe: Whirling Spray for women, c.1900; 23. Healthy happy womanhood: a pamphlet for girls and young women, Springfield, IL: Illinois Dept. of Public Health, Division of Communicable Diseases, c.1938; 24.Sol Gordon, Ten heavy facts about sex that your friends don't know, illustrated by Roger Conant, 1971; 25. Charles A. Clinton, M.D, Sex behavior in marriage, undated, and 26.  M. Sayle Taylor, Ph. D., What's wrong with marriage?,1932.\u003c/p\u003e","\u003cp\u003eThis addition 13 (ViU-2023-0134)of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the teaching archive of Mrs. Florence Tuttle Baldwin of North Haven, Connecticut (Boxes 3-7). Florence was born in 1854, married in 1881, and died in 1926. She spent her career at the Sixth District School in New Haven, Connecticut. \u003c/p\u003e\n","\u003cp\u003eIt is a large addition containing her teaching materials including her ruler (signed by her), book catalogs, lesson plans and educational books from map making to mathematics, grade book, periodicals, manuscripts poems and letters, art work, needlepoint, phonetical drill cards, flash cards, educational games, and family planning from 1899 to 1905.  \u003c/p\u003e\n","\u003cp\u003e\nIn addition to Baldwin's teaching materials, other materials include a drawing book entitled \"Our Chat\" with stories by Ella Smith and Audrey, Yvonne \u0026amp; Clifford Evans; publications on vertical writing (handwriting), \"Talks and Tales\"; and five England-published pamphlets from the 1950s discussing family planning practices and contraception. Titles include \"Modern Family Planning,\" \"A Planned Family,\" \"Planning a Family,\" \"The Planning of a Family\", and a Lloyd's Family Planning Centre pamphlet.\u003c/p\u003e\n","\u003cp\u003eThere is a 1934 New York-published pamphlet that discusses Zonite as a family medicine and feminine hygiene products. Titles include \"Another Zonite Product for Intimate Feminine Hygiene;\" \"Facts for Women;\" and \"The real meaning of Antiseptic in everyday family life.\" \u003c/p\u003e\n","\u003cp\u003eThere is a flyer entitled \"Please Give A Quarter\" which promotes the Salvation Army's Fresh Air Camps published circa 1900. \u003c/p\u003e\n","\u003cp\u003eAlso included is a dating book belonging to a young girl titled \"My Him Book\" which has categories of \"High School Hims,\" \"College Hims,\" \"Home Hims,\" and \"Movie Hims\" about her romantic interests, and denotes William Purdy as the \"best of all my beaus\" under the \"Wedding Hims\" section. \u003c/p\u003e","\u003cp\u003eFlorence Eleanor Paget (1887-1965) was a professional nature illustrator and artist from England who studied under George Vernon Stokes, a British wildlife and landscape artist. She made these books when she was a young woman, roughly between 1900 and 1910. \u003c/p\u003e\n","\u003cp\u003eOne oblong linen book is labeled \"Sketches\" in pencil on the rear cover, and the owner's signature is on the pastedown in the front of the book. Paget likely drew in the \"Sketches\" book when she was twelve or thirteen. The book has forty drawings in pencil and watercolors. The subjects include landscapes like Redcar Pier, Saltburn Cliffs, Kew Gardens, Etal Church, and Etal Castle, as well as many sketches of her dogs, observations of people, fruit, and fauna. Some drawings have captions that identify the place or provide a funny caption. \u003c/p\u003e\n","\u003cp\u003eThe other is an oblong publisher's cloth binding in green with \"Flora\" stamped in gilt. The book  was likely created five to ten years after the \"Sketches\" book. Dried flowers and plants are artfully pasted down and numbered. She wrote the binomial names in cursive, opposite of the pasted-down plants. There are a total of six total entries. \u003c/p\u003e\n","\u003cp\u003eThe books are mainly written in English, except for one sketch with a caption in French and the Flora books with scientific names in Latin.\u003c/p\u003e","\u003cp\u003eAddition 20 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a Salvation Army \"Help the Children\" flyer from June of 1903 sent to raise funds for an outing for poor children in Columbus, Ohio. \u003c/p\u003e\n","\u003cp\u003eThe outing was meant to \"bring some brightness, cheer and comfort into the lives of the poor children of the slums and crowded tenement districts.\" The plea was written by John M. Richards, Adjutant, and the flyer has a cartoon illustration of a children's parade as a decorative border. On the verso of the flyer is a letter written in German written by a woman from Columbus,  dated September 13, 1904.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building,  features one string-bound scrapbook with pasted photographs of dolls collected by Helen E. Perkins. Compiled between 1909 and 1939 by Perkins and Miss Frances Grier, the scrapbook features sixty-nine pasted photographs of dolls of varying origins. Each entry includes the doll's name, a number, their height, manufacturer, material, and place of origin. Nations that have dolls represented in Perkins's album include China, Denmark, Finland, France, Germany, Greece, Guatemala, Holland, Ireland, Mexico, Morocco, Portugal, Russia, and Sweden. \u003c/p\u003e\n","\u003cp\u003eThe material culture of childhood aspect to this scrapbook gives  insight into the importance playing with these dolls to the two girls.  In several of the photos, they've created scenes with the dolls, even  placing them all on the stairs for a \"family portrait.\" \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains three pamphlets: 1.) Natural Science Camp (Keuka Lake), 1905; 2.) Boy Conservation Bureau (New York, N.Y.) [1930]; and 3.) Teenage gangs, New York City Youth Board, 1957.\u003c/p\u003e\n","\u003cp\u003e4 items were cataloged separately in the print collection: 1.) Playskool Toys, 1956; 2.) J.L. Hammett Company, School Supplies 1928-1929; 3.) The First Public Policy Seminar from a Black Perspective, 1972; and 4.)Stylish Apparel for Expectant Mothers Spring and Summer, 1920.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains six pamphlets and one poster related generally to child care. Titles included are 1. \"Trimble Helps For Mothers,\" 1940; 2. \"Narcotics and the Family,\"c.1970; 3.\"What your neighbors say: dream book compliments of World's Dispensary Medical Association, c.1910s; 4.\"How to take care of the baby: treatise on the care and feeding of infants,\" 1905; 5. \"Your Baby,\" 1942; 6. \"Baby Feeding Without Tears,\"c.1940s and 7.\"Correct posture guide,\" c.1955.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a commonplace book belonging to Ethel Shearer (1893-1952). \u003c/p\u003e\n","\u003cp\u003eShearer was a prominent artist in the mid-twentieth century San Francisco scene, being one of the featured artists at the opening of the San Francisco Museum of Art and Oakland Art Gallery. She was a member of the Society of Francisco Women Artists. \u003c/p\u003e\n","\u003cp\u003eHer commonplace book was compiled when Shearer was between thirteen and seventeen years old between 1906 and 1910. The book includes invitations and greeting cards from Ethel's friends, newspaper clippings, clippings from various other media, Ethel's own handwritten entries, and pasted photographs. Drawings from Shearer are present throughout, calling to her future career as an artist. \u003c/p\u003e","\u003cp\u003eAdditon 21 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets relating to childhood education and parenting. \"The Nursery Chair\" was distributed by Shepard, Norwell, and Co., Winter Street, Boston, and advertises various department store goods following a short story. \"Bradley's Kindergarten Material and School Aids\", published in 1906, advertises tools for learning shapes and colors, instruments for art, mathematical instruments, and standard inks, leads, etc. \"Food-The Teeth and Health\" discusses the ideal diet of a young person, published in 1930 by the City of New York Department of Health and Board of Education.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains leaflets issued by American motherhood magazine from 1907. They are: \"The Ideal Mother\" and \" Confidential Relationships between Mothers and Daughters.\"\u003c/p\u003e","\u003cp\u003eAddition 15 of MSS 16758,  the University of Virginia Collection on Childhood, Parenting, and Family Building, contains twenty-five nursery rhyme handkerchiefs. \u003c/p\u003e\n","\u003cp\u003eCommonly tucked into story books, these were popular children's mementos between the 1910s and the 1960s. Most handkerchiefs are illustrated in full color and have sewn and colored borders. \u003c/p\u003e\n","\u003cp\u003eHowever, six of the earliest editions are printed in black and white or sepia with raw edges.Most examples have sewn and colored borders, besides the earliest examples featuring raw, uncolored trim. \u003c/p\u003e\n","\u003cp\u003eSeven color designs are by British children's illustrator Mabel Lucie Attwell; others are unattributed.  Stories depicted by Atwell include \"Little Miss Muffet,\" \"Ding-Dong Bell,\" \"Jack and Jill,\" \"Little Bo-Peep,\" \"Hush-A-Bye-Baby,\" \"Little Boy Blue,\" and \"Dickory Dickory Dock.\"\u003c/p\u003e","\u003cp\u003e\"Going steady\" / by Daniel A. Lord;\nTonsils and adenoids: is your child handicapped?;\nGood habits for children /|cMetropolitan Life Insurance Company ; [prepared with the cooperation and advice of the National Committee for Mental Hygiene];\nHearing, Metropolitan Life Insurance Company;\nCommon childhood diseases, New York: Metropolitan Life Insurance Company,c[1946];\nMrs. Winslow's diet instruction book for the baby. New York: Anglo-American Drug Company|c[1922];\nCollection of Bank Street Publications pamphlets on early childhood education (35 pamphlets);\nKeeping the well baby well.Washington:U.S. G.P.O.,c. 1927;\nOut of babyhood into childhood: 1 to 6 years. Washington:U.S. G.P.O.,c. 1943;\nWhen your child's in the teens /by Edwina A. Cowan;\nYour child grows up,|cby Edgar A. Doll.[Boston],|b[John Hancock mutual life insurance Company],|1939;\nBetween two years and six / by Richard M. Smith; Boston : John Hancock Mutual Life Insurance Co., 1941.\nThe healthy school child.Boston, Massachusetts : Life Conservation Service of the John Hancock Mutual Life Insurance Company, [1940];\nCount down to discovery!--3- 2- 1-year olds : child development, unit 2 / Alice T. Teddlie. Baton Rouge : LSU Cooperative Extension Service, 1972;\nDiscover the wonderful world of 4 and 5 year-olds. Baton Rouge, La.: Louisiana State University Agricultural and Mechanical College, Cooperative Extension Service,| c[1976];\nThe Student advocate, New York: American Student Union,c1936-1938;\nA doctor talks to 5-to-8 year-olds /|cby Dona Z. Meilach in consultation with Elias Mandel; Chicag :Budlong Press Co.,c1967;\nThe care of the baby: prepared by a committee of the American Association for the Study and Prevention of Infant Mortality and presented to the Association at its annual meeting held in Washington D.C., November 14-17, 1913;\nYour child from one to six / U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, Washington, D.C : U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, 1945;\nYour child from 6 to 12, written by Mrs. Marion L. Faegre, Washington, D.C. :| Federal Security Agency, Social Security Administration, Children's Bureau,c1949.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a 9.5\" x 6.5\" wooden puzzle with a  wooden frame and a glass window titled the Silver Bullet: Or the Road to Berlin. \u003c/p\u003e\n","\u003cp\u003eOriginal metal ball and elements intact. Directions on the verso of the game.  British dexterity puzzle for a juvenile audience, made of wood and glass. The game's object is maneuvering a metal ball through a winding course, avoiding holes, to the Berlin area. Although the topography of the play suggests the trenches of the Western Front, at the time of the game's creation, the troops had not \"dug in.\" The title, Silver Bullet, suggests a quick victory and supports the view that the British public believed the war would be over by Christmas 1914.\u003c/p\u003e","\u003cp\u003eAddition 25 of MSS 16758 The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains twenty-five printed ephemera, including pamphlets and advertising on topics include parenting, child development, sex education, public health, and care of pregnant inmates.\u003c/p\u003e\n","\u003cp\u003e40 posters from the Hope of a Nation Poster Series\u003c/p\u003e\n","\u003cp\u003eFeeding the majority of bottle babies.Mead Johnson \u0026amp; Co. of Canada, Ltd.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two items relating to scouting. The first is a broadside printing of the ten Girl Scout laws set among art nouveau illustrations from the 1930s. The second is a photo album compiled by a boy at Kerrville, Texas, with images of playing in the streets, swimming in the Guadalupe River, playing baseball, hiking, marching, and being at a local Boy Scout camp. The black cloth photo album contains fifty-two black and white photos, measuring 10 x 7 cm, with a caption on the album leaves. \u003c/p\u003e\n","\u003cp\u003eThere is a  photograph of an African American man. (Caption reads, \"Uncle Allen\").\u003c/p\u003e\n","\u003cp\u003eAfrican Americans were often referred to as Uncle or Aunt even though they were not a family relative.They were denied use of courtesy titles.\"Aunt,\" as in \"Aunt Jemima,\" was the term used for older enslaved women in the South who were not allowed by their white owners to use the term Mrs or Miss. The same was true for Uncle, as in Uncle Ben's Converted Rice. Uncle was used for older enslaved men because they were not allowed by their white owners to use the term Mr. The African American in this photograph is referred to as \"Uncle Allen.\" It is important to recognize the use of these terms and confront the racism that is embedded in these white cultural terms.\u003c/p\u003e\n","\u003cp\u003eSource:\nGreen, Mark. Do You Know Why Aunt Jemima is Called \"Aunt?\"\nWhy is Aunt Jemima racist? Here's exactly why. And I do mean exactly.\" Medium. Human Stories and Ideas. Acessed 7/17/2024.\nhttps://remakingmanhood.medium.com/do-you-know-why-aunt-jemima-is-called-aunt-5d111b0765a5\u003c/p\u003e","\u003cp\u003eThis collection consists of a handmade notebook titled Punctuation Party by Melba Tice. The book presents punctuations as characters with rhymes and cutouts from 19th-century editions of Alice in Wonderland and Through the Looking Glass, as well as contemporary advertisements, explaining punctuation rules. Some punctuation characters are not from Carroll, and their descriptions illustrate cultural viewpoints of the time period, including a racist depiction of a \"mammy' figure and a Clorinda Colon\" as an old maid figure.\u003c/p\u003e","\u003cp\u003eAddition 2 of MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven hand-painted postcards presumably created by Elisabeth, the sender. The postcards, drawn in black ink, depict children playing outside: a child pushing another child's sled; two children talking under a tree in spring/summer; two children playing with a balloon; a girl having a picnic with a bunny; one older and one younger girl in the snow; an older girl on a swing; and a girl on a dock by a body of water. \u003c/p\u003e\n","\u003cp\u003eTwo of the postcards have written messages and are addressed to Miss Henebry and Miss Camilla Cole. The cards are postmarked Mount Kisco, NY, July 14 and 15, 1922. Both are sent in the care of Graham Miles of Alexandria Bay, New York. \u003c/p\u003e\n","\u003cp\u003eMiles was a stockbroker and hydroplane racer. He married and divorced Louise Clover Boldt, the daughter of George and Louise Boldt, wealthy Philadelphians and owners of the Boldt Castle in the Thousand Islands. Miles and Boldt had a daughter, Clover Wotherspoon Miles, but Miles's connection to Elisabeth or the other children named is unclear.\u003c/p\u003e","\u003cp\u003eAddition 18 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 7 pieces of pamphlets/ or ephemera. \"What every teenager ought to know\" by Abigail Van Buren; T\"urn this page and do as this little man does\" by Colgate \u0026amp; Co; \"Ways to keep well and happy: booklet for upper elementary grades \"by Ruth Strang; \"Keeping fit\" by the State Board of Health, Bureau of Venereal Disease, North Dakota; \"Family meals at low cost using donated foods\" by the US Dept. of Agriculture; \"The gas cook book for young people\"by Athens Store Works, Inc., Athens, Tennessee; and \"The picture and rhyme book.\"\u003c/p\u003e","\u003cp\u003eAddition 16 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three advertising pamphlets that pertain to parents purchasing products for their children. \"The Tinies that Live in a Tube\" advertises toothpaste, \"Flibitty Jibblit\" advertises rennet powder, and \"The New Boss in the House\" promotes the Pittsburgh District Dairy Council. Each uses imagery of children and parents utilizing the respective product.\u003c/p\u003e","\u003cp\u003eAddition 17 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets: \"The Science of Prenatal Astrology\" by Edwin S. McKeever; \"The Space Child's Mother Goose\" verses by Frederick Winsor and illustrations by Marian Parry. The third item is a pamphlet titled,\"Reducing the new common sense way\" about the Kryon method of reducing weight by Continental Pharmaceutical Corp. \u003c/p\u003e\n","\u003cp\u003e\"The Space Child's Mother Goose\" is a personal copy owned by Arthur Schulman, an Associate Professor of Psychology at the University of Virginia and one of the organizers of the American Civil Liberties Union in Charlottesville. \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven signs used to warn the public about the spread of contagious diseases and institute quarantine for diseases like smallpox, measles, polio, and diphtheria.\u003c/p\u003e","\u003cp\u003eAddition 4 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the American History Hektograph Posters. These are twelve individual monochrome printed poster sheets, measuring 12 X 9 inches,  featuring historical instances in American history. \u003c/p\u003e\n","\u003cp\u003ePublished in 1926 by Beckley-Cardy Company, each scene is intended to be colored, likely by a child. Each scene features suggested coloring methods, a title for the event, and a brief synopsis of the instance below. Scenes are typical origin stories, colonizers, and dominant white narratives and are examples of the narratives taught in classrooms circa 1926. The scenes are numbered 1 through 12, with each respective number placed in the center under the title. Events depicted: 1 - \"Landing of Columbus,\" 2 - \"The Mayflower at Cape Cod,\" 3 - \"The Pilgrims Planting Corn,\" 4 - \"The First Thanksgiving,\" 5 - \"George Washington's Early Home,\" 6 - \"Signing of the Declaration of Independence,\" 7 - \"Washington as President,\" 8 - \"Lincoln Studying by Firelight,\" 9 - \"Lincoln Writing His Inaugural Address,\" 10 - \"The Gettysburg Address,\" 11 - \"Grant Made Commander In Chief,\"  and 12 - \"Digging the Panama Canal.\" \u003c/p\u003e\n","\u003cp\u003e\"Red Man\" and a Native American \"wearing his bright [British] red coat with great pride\" suggests the presence of reparative content. \"\u003c/p\u003e","\u003cp\u003eThis addition to  MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building collection, contains one brad-bound scrapbook with a \"HYGIENE\" stencil cut from the paper on its cover. The content discusses healthy living practices for young girls. Entries feature drawings, pasted images, newspaper articles and clippings, handwritten queries on health, and ideas on diet and grooming practices. There are 49 \"chapters,\" each no longer than two pages. The corresponding pages for each chapter are presented in a table of contents at the beginning of the book.\u003c/p\u003e","\u003cp\u003eAddition 57 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to teenagers, parenting, and sex education. These include: 1.) The school lunch, Battle Creek, Michigan:|bEducational Department, Postum Company, Inc., (1928); 2.) Sex in life: young men, by Dr. Douglas White (1933); Sex in life: young women, by Violet D. Swaisland (1933); 3.) What parents should tell their children (1933);  4.) Starting to school in Kingsport, Kingsport, Tennessee, Kingsport City Schools (1953), 5.) How life goes on and on:  story for girls of high school age, y Thurman B. Rice (1937); 6.) When children ask about sex, by the staff of the Child Study Association of America. Foreword by Marianne Kris (1953);  7.) Woman against myth, by Betty Millard (1948); 8.) The teacher and mental health [prepared by the National Institute of Mental Health] (1955); 9.)The safety zone:|ba frank talk with women concerning their personal problems (1940), 10.)Teen-agers and parties, Ernest F. Miller (1960), 11.) Tips for teeners  by Antoinette Donnelly (c.1950); 12.) Think straight before you date, D.F. Miller. (1959); and 13) Teen-agers and dope, Howard Morin, C.SS.R. (1957)\u003c/p\u003e","\u003cp\u003eAddition 5 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single press photograph from the children's clinic at the ridge avenue dispensary in Philadelphia in the 1930s.  The photograph is a group photograph of Black nurses and children in a clinical setting. A typed caption is affixed to the top right edge of the picture. No photographer or studio is noted.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a pamphlet titled Strong bodies sound minds: some health hints for the school-day years (c.1930).\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on public health topics including syphilis and sex education. These include: 1. Management of syphilis in general practice, Joseph Earle Moore, in collaboration with: Harold N. Cole [and others], 1938; 2. Genitoinfectious disease control in Massachusetts, prepared by The Massachusetts Department of Public Health co-operating with the United States Public Health Service, 1940; 3. The diagnosis of syphilis by the general practitioner by Joseph Earle Moore, M.D., 1938; 4. Syphilis in mother and child,by Harold N. Cole and Philip C. Jeans, in collaboration with Joseph Earle Moore ... [et al.], 1940; 5.Your baby and the blood test law, Ernest B. Howard, M.D., c.1939; 6.Clinical excerpts, 1942; 7. Sex education for the preschool child by Harold E. Jones and Katherine Read, 1941; 8. Sex education for the ten year old /|cby M. Marjorie Bolles, 1941; 9. Sex education for the adolescent. by George W. Corner and Carney Landis, 1941; and 10. Sex education for the woman at menopause by Carl G. Hartman, 1941.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the publication of an educational booklet titled \"The Story of Sex Hormones,\" produced by the Schering Corporation, an American pharmaceutical company. The pamphlet was distributed at the Hall of Science at the Golden Gate International Exposition at an informative display called \"Hormone Woman.\" It briefly outlines recent advances in endocrinology and offers illustrated explanations of menstrual cycles and sex hormones, as well as a short description of menopause.19 cm\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a sample book titled \"Kiddie flowers\" consisting of eight mounted samples of floral fabric potentially for children's clothing.\u003c/p\u003e","\u003cp\u003eAddition 24 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet for the Davis Home for Colored Children 34th Anniversary located in in Pittsburgh. This promotional booklet is for the  \"34th Anniversary\" of the Davis Home, a temporary home and day nursery for African-American children. Also of note in the booklet are advertisements for what are likely Black businesses that supported the home. \n \n   Note says, \"This book is dedicated to my mother, Mrs. Fannie Louis Davis, who was the founder of the Davis Temporary Home and Day Nursery in 1907, and organizer of the Colored Women's Relief Association of Western Pennsylvania in 1909. To my wife, Mrs Louise Scott Davis, President of the Davis Home for Colored Children, who has been loyal and faithful in giving her life toward the advancement of this home. To my friends, who have contributed to this Home in any way they could. Finley T. Davis, Business Manager.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains Paul Kenton Conrad's childhood cartooning album and scrapbook. The sketchbook, a string-tied leatherette album, documents a young boy's self-guided attempts to develop cartooning skills. Cut-out tutorials from Frank Webb's \"How to Make Faces\" are mounted on the album's early pages, with attempts in pencil to follow their instructions. Midway through, Conrad branches out from these copies into creating his original subject matter, including army airplanes, sheriffs, pistols, cowboy hats, and a series of one-panel strips titled \"Stuff that's funny.\" The artist, a Pittsburgh native who settled in Honolulu, would later become a successful lounge pianist and musician of some note in the 'Exotica' genre, releasing one well-received album (\"Exotic Paradise\").\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet titled \"Growing Up in the World Today: for Boys and Girls in the Teens\" by Emily V. Clapp.(1946)\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets for parents and teachers about puberty and sex education. \u003c/p\u003e\n","\u003cp\u003eTitles include 1. \"Sex Behavior and sex interest in Children,\" by Louise Bates Ames (1952); 2. \"When children ask about sex,\" by the staff of the Child Study Association of America, Sidonie M. Gruenberg [and others] Anna W.M. Wolf, editor, (1946); 3. \"Preparation for puberty: a sex education manual for parents and teachers,\" written by Mrs. Linda K. Teller, illustrated by Mrs. Dorothy Teeters (1965); and 4. \"Sex education in the home,\" Georgia Department of Public Health, (c.1950).\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a chart of hormone interrelation upon which the film \"The physiology of normal menstruation\" is based. Printed in green and black, full color chart. 1 sheet folded to 8 unumbered pages. 23x62 cm folder to 23x16 text.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains  a set of twelve offprints titled \"Your baby at [1-12] months.\" There are twelve pamphlets, one for each month of a baby's first year of life. Reprinted from Baby Talk, published by the Parenting Group, New York, N.Y.Author: Beulah Sanford France (1891)\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a spiral-bound sketchbook belonging to an unnamed art student, most likely living in New York City. Page one of the sketchbook details the student's assignment: \"DUE - 300 by June 2nd, Marked Chronologically.\" Traces of what may be an owner's name and grades of \"B\" and \"B+\" are written on the cover. Each sketch is numbered in pencil and is stamped between March and June 1952. The sketchbook's seventy leaves have drawings only on the recto. Drawings are completed in pencil, ink, and crayon.  This student's sketches are primarily figure studies of those in transit on the subway. Other scenes include a roller derby skater, pin-up figure, river traffic with a bridge, a parked car, a cat, and exotic animals.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a handmade fundraising appeal concertina album to the artist Oskar Kokoschka. The book was created by design students at the Modeschule der Stadt Wien (Fashion School of Vienna). In 1946, the school relocated to Schloss Hetzendorf, an eighteenth-century palace that sustained significant damage during the Second World War.Students were pressed to raise money for their art supplies amid the renovations. This fundraising appeal was addressed to exiled Austrian artist Oskar Kokoschka, known for his contributions to expressionism. The album contains hand-cut stencil letters, hand-colored illustrations, and collages of paper, felt, yarn, tin foil, leather, and chipboard. The book reads: \"Dear O.K. [Oscar Kokoschka] / if we would have brushes and colours to paint / coloured paper for handykraft / wools to weave / leather for gloves and bags / felt for millinery/magazines to get suggestions / spezial [sic] books for library/material for dressmaking / then all would be OK. Photographs of the students at rest and at work sewing, trimming, painting, weaving, and drawing are pasted on the verso of each collage. Kokoschka fled Vienna, Austria under the Nazi regime and never returned. It is unknown whether he responded to this appeal from the Modeschule students.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet titled Your Child's Development - Infant to 16 years.\u003c/p\u003e\n","\u003cp\u003e\"This booklet is based on recent studies at the Gesell Institute. Dr. Arnold Gesell, the Institute's research consultant and a household word to parents, founded the Yale Clinic of Child Development, which he directed for 37 years. Today, Dr. Gesell and his collaborators, Dr. Frances L. Ilg, a pediatrician, and Dr. Louise Bates Ames, a psychologist, carry on the pioneer work of the institute.\"\u003c/p\u003e\n","\u003cp\u003ePublished by Good Reading Rack Service, Inc., a division of Geffe, Morton \u0026amp; Griffiths, 76 Ninth Avenue\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains an  original calligraphic manuscript of thirty variously colored linocuts, each by a different girl from a class at St. Helen's Norwood, London. Each linocut has the student's name below in ink. The contents are handwritten verses of Benedicte Omnia Opera. The title page notes, \"Lettered, illustrated and bound by all the members of IVA.\" The endpapers are also original handpainted images of angels. Bound in original black cloth at the school by L. Hardy, D. Lines, and J. Scarth.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single pamphlet titled \"Doors to Open\" by Ellis Gladwin and Rama Braggiotti (illustrator) published by the Connecticut Mutual Life Insurance Company. It is written as a guide for young people but specifically addresses men embarking on college life and advises on new life changes in the context of conservative social constructs of the mid-twentieth century. Sixth in a series of booklets that dealtwith the tensions of everyday life.\u003c/p\u003e\n","\u003cp\u003eEach segment has a hypothetical person encountering specific issues like overcoming shyness and finding social niches. Towards the end of the booklet, a piece titled \"Girl of My Dreams\" is a thinly veiled reference to a young man questioning and discovering an LGBTQIA+ identity. The advice is negative and clarifies that the hypothetical person should stifle these questions and stick to a hetronormative lifestyle, stating \" \"George is very unhappy, [and] needs help to cope with these festering needs. Otherwise, he may settle for a dim life, arrested by a succession of psychosomatic illness.\" \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building,  contains a game titled \"Judy's Neighbors: Negro Family.\" It includes two dimensional pressed wood figures of an African-American family including mother, father, daughter, and two sons. There are also stands for the figures. Judy's Neighbors was released sometime between 1963 and 1964.This was part of a series and was sold individually and in sets. Teachers used the game to encourage racial diversity.\u003c/p\u003e","\u003cp\u003eAddition 14 of MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building contains two promotional posters (22\"X6\") for the 1965 and 1967 New York Children's Book Week. The art of Caldecott Medal-winning illustrator Barbara Cooney made the artwork for the 1965 poster. The illustration depicts a fox carrying a stack of books with a crow overhead, looking down at the fox perched from a branch with the words \"Sing out for Books\" in French. The other poster from 1967 contains a linocut illustration of hot air balloons with a floating banner reading \"Take Off With Books.\" Marcia Brown, the only triple Caldecott Medal winner, made the art for this poster.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a photo album for the Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.\u003c/p\u003e\n","\u003cp\u003eThe photographs document the center's daily operations, including staff and children, and special events, including several photographs of its graduation ceremony and a special \"Father of the Year\" award presentation for the fathers of the \"graduating class.\" The center closed permanently in 2005.\u003c/p\u003e","\u003cp\u003eThis addition (23) contains a three-fold pamphlet titled, \"A Report of a Conference on Day Care and the Working Mother\" for the Morris Child Development Center: State of Michigan Pilot program.\u003c/p\u003e","\u003cp\u003eAddition 6 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains materials collected and produced by the Bilalian Child Development Center and the Developing a World for All Humanity (DAWAH) in Highland Park, Michigan. The Bilalian Child Development Center was incorporated as a non-profit agency in 1977 and appears to provide community services and educational services for the community.  The DAWAH is an institute developed by a group of African-American Muslims in Michigan to develop an effective DAWAH program in America.  \u003c/p\u003e\n","\u003cp\u003eContents include an advertising and enrollment form, two brochures for the Bilalian Center, and another for the DAWAH Institute in Highland Park. Also included are the contents of a binder for the DAWAH Institute. Separated by subject tabs, materials include handwritten notes and a typed agenda for the First National Meeting of the DAWAH Institute, an application of employment to the Institute, papers on Community Services, the A.B.C.D. Savings Program, a photocopy of a Western Union Mailgram to President Ronald Reagan, papers on the Food Co-Op \u0026amp; Gardening club, Home Garden booklet from the 4-H Youth Programs, Fundraising and Grantsmanship, invitations, brochures, news releases, educational programs, news clippings, and a curriculum statement.\u003c/p\u003e","\u003cp\u003eAddition 22 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 21 handbills and handouts on HIV and AIDS and LGBTQ health concerns for teens.\u003c/p\u003e\n","\u003cp\u003eSome guidelines to follow in talking to teens about sex and AIDS/STD's -- Where do mermaids stand (From: All I really need to know i learned in kindergarten by Robert Fulghum) -- Bi-Friendly #40, October 1991, San Francisco, East Bay, and U.C. -- 1991 Fact Sheet / State of California Department of Health Services AIDS Prevention and Follow up Centers Early Intervention Program -- Continuing Education Questionnaire -- Continuing Education Agenda / UCSF AIDS Health Project, San Francisco, CA -- Antiviral AIDS drugs in the pipeline, 1991 -- Fact Sheet 1991 / [San Francisco] -- Syphilis Rate Soaring Among S.F. Teenagers / by Nanette Asimov, Chronicle Staff Writer -- Indications for Encouraging Counseling and Testing for Adolescents -- Special Programs for youth consent form for HIV testing -- Special programs for youth pre-test counselor sign-off sheet for informed consent -- A.T.S. Recommendations for youth and young adults / Adolescent HIV Coalition -- Referral list for HIV+ youth and young adults / prepared by Michael Baxter, Adolescent HIV Coalition Chair, San Francisco -- Youth and the HIV antibody test -- Project ahead / [San Francisco Health Clinics] -- Crisis alert: African American youth and HIV/AIDS / by W.J. Brandy Moore -- Some of the barriers that Latino/adolescents can encounter if they do seek health care and related services for HIV/AIDS / presented by Marisa Davis, Aids Health Project -- Counseling high risk youth / Ken Dunnigan, M.D. April 28, 1988 -- Youth and HIV: no immunity / Jane Shalwitz, MD and Ken Dunnigan, MD, circa 1983 -- Normal adolescent development / Parent Survival Kit, Denise Phelan-Desmond, Luanna Rodgers, Mary Isham, et. al. -- The ten mos asked HIV-Insurance questions / reprinted by AIDS Project, Los Angeles ©1988\u003c/p\u003e","\u003cp\u003eAddition 8 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a signed broadside print (11 X 8.5 inches) titled \"My Life Matters\" by the artist and muralist LMNOPI. \u003c/p\u003e\n","\u003cp\u003eThe signed print based on muralist LMNOPI's wheat-pasted street art, is originally produced in response to the Ferguson protests. Artist LMNOPI writes: \"This painting was inspired by the Black Lives Matter movement which originated in Ferguson, Missouri last year in response to the police murder of Mike Brown. I have been doing a series of street paste ups around this movement.\" \u003c/p\u003e\n","\u003cp\u003eLMNOPI found this image of a young protestor online, eventually identifying the child as a boy named Myles. The image of Myles warily clutching his protest sign (#DontShoot #Ferguson #YourLifeMatters), pasted up on the door of an a condemned factory in Bedford-Stuyvesant, became part of the community: \"The wheatpaste of Myles was much loved by local residents. Often I would observe people taking photos of it on their way to work. I saw many people post it on Instagram. It even survived a local graffiti bomb squad who came through last winter during a snowstorm. They tagged up the entire wall, but did not touch Myles.\" \u003c/p\u003e\n","\u003cp\u003eSource from LMNOPI's website: lmnopi.com/my-life-matters.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one handmade child's artist book based on Samuel Roger's Poem \"Address to the Butterfly.\"\u003c/p\u003e\n","\u003cp\u003eUnidentified youth creates a story beginning with a cardboard hand-cut apple; as the story progresses, a cardboard cut-out worm escapes the apple and begins to \"eat\" the pages before cocooning and then emerging as a pop-up butterfly.  \u003c/p\u003e\n","\u003cp\u003eCrudely bound with black leather over boards; a window cut out of the front cover allows the painted apple on page [1] to show through. \u003c/p\u003e\n","\u003cp\u003eA small pocket mounted inside the back board holds five cards printed with Samuel Rogers' poem \"To the butterfly.\"  The pocket is stamped with \"Address to the butterfly, Samuel Rogers.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS16758, University of Virginia History of Childhood, Parenting, and Family Building, contains thirty-four pamphlets on various topics, including puberty and sexual development, childhood diseases, motherhood, birth control, and nutrition.\nList of items:\n A Story About You, by Marion O. Lerrigo [and] Helen Southard [in consultation with] Milton J.E. Senn.\nFinding Yourself, by Marion O. Lerrigo, Helen Southard; medical consultant, Milton J.E. Senn.\nApproaching adulthood, by Marion O. Lerrigo, Helen Southard [in consultation with] Milton J.E. Senn.\nHow to use My Bookhouse, Miller, Olive Beaupré, editor.\nScarlet Fever, Metropolitan Life Insurance Co. (c.1925)\nScarlet fever. Metropolitan Life Insurance Company (1940)\nWhooping cough.Metropolitan Life Insurance Co.(c.1930s)\nWhooping cough.Metropolitan Life Insurance Co.(1921)\nVaccination protects you against smallpox. Metropolitan Life Insurance Co. (c.1926)\nFor your information about Rheumatic Fever.Rheumatic Fever Foundation, 20-30 International,(c.1956).\nMeasles and their prevention. Richmond, Virginia, State Health Department (c.1965).\nCommunicable diseases in Virginia: mumps.Virginia, Commonwealth of Virginia Department of Health (c.1967)\nTraining is fun with Little Toidey. Juvenile Wood Products, Inc.,(c.1938)\nSmallpox is still here. Metropolitan Life Insurance Company, (c.1939?)\nRickets \u0026amp; scurvy. Metropolitan Life Insurance Co. (c.192-?)\nGood teeth: how to get them and keep them. Metropolitan Life Insurance Co. (c.1900s)\nYour baby book.Wyeth Laboratories, Division American Home Products Corporation, (c.1962)\nWomen who go to school.Washington, D.C.National Congress of Parents and Teachers (c.1945)\nChildhood diseases. Prudential Insurance Company of America (c.1966)\nThe prize winner. M.L.I. Co. Press (c.1935?)\n52 bones in a terrible hurry.The May Co.(c.1950's)\nHeight and weight tables for Children-Borden Dairy. The Borden Company (c.1920's)\nVariety gives nutritional balance. Stokely Van Camp, Inc. (c.1950's)\nA better start in life with meat.Nutrition Division, Research Laboratories, Swift \u0026amp; Company,(c.1950's)\nTummy tingles by Josephine Beardsley; illustrations by Marjorie Peters. (c.1937)\nLydia E. Pinkham's private text-book:  ailments peculiar to women. Lydia E. Pinkham Medicine Co. (between 1878 and 1940)\nMy views on birth control by Dr. B. Goodman. (c.1944)\nWedlock and birth control: straightforward talk on a momentous and delicate subject by Dr. Grayling Stewart (c.1950?)\nA Book about birth control written by Donna Cherniak ; edited by Shirley Pettifer (c.1984)\nThe age of romance. American medical Association (1933)\nQuestions and answers about intrauterine devices.Planned Parenthood Federation, Inc.(c.1970)\nSecrets married women should know.America's Medicine (c.1930?)\nThe new germcide Hyomei: positive cure for coughs, bronchitis, asthma, and consumption.The R.T. Booth Company (c.1906)\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building is an artificial collection and periodic additions are expected.","Addition 53 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one calligraphy manuscript of Hans Rudolf Gujer from Wermatswil, Switzerland. The book contains thirty-seven leaves in landscape format, in various colored inks and watercolor, with some use of gouache. ","It also includes seven large original drawings; one is in pen-and-ink, and six are ink and watercolor; three pages of alphabets; most other pages have three compartments including ornately decorated capital initials, floral, figurative, and abstract ornamental borders and infills throughout; one page with music, and one with micrograph. The last leaf contains a full-page colophon of calligrapher:  \"Von Mir geschriben, Hans Rudolf guier, Zu Wermmet-schweil, 1750,\" with marginal calligraphic addition noting his age at the time of writing, \"mein alter war 20 jahr.\" ","The German texts of the album are religious: biblical quotations, prayers, and other devotional texts. Gujer was a relative of Jacob Gujer, a celebrated \"philosopher farmer.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one handmade picturebook of hand-colored engraved cutouts. A later inscription on the front pastedown reads, \"Fait par la baronne de Chalancey née Delcey pour as fille Clémence devenue Ctsse d' Esclaibes d'Hurst.\" The book was was created by the Baroness de Chalancey for her little girl Clemence, born in 1797.  ","Francoise Marie Gabrielle Delecey de Changey, who went under the nickname Fanny, was born in 1769 in Langres, Haute-Marne; she married Baron Jean-Francois Bichet de Chalancey in 1791, whose chateau in Chalancey was 30 kilometers from Langres.  Their first child, a boy, died in 1796 at four; a daughter, Clemence, was born the following year.  Fanny lived to age 77, and Clemence survived her mother by 20 years. ","The book starts with la maison, the home, and it shows people, trades, activities, places, architectural details, animals, concepts, fictional characters, and various household people in various activities.","Indenture between Richard Cumming Weeks, the son of a plumber and brazier, to serve as an apprentice shipwright to James King, a shipwright at His Majesty's Dock in Plymouth, England in 1802.","The contract sets out conditions of Weeks' seven-year apprenticeship and his wages of five shillings per quarter to start with and a note signed by James King, increasing his wages to to \"twelve shillings for single time\" and to \"one Pound a quarter for double time\" in 1804  Signed by Richard, his father, and by two Dock officials, with embossed revenue stamps. The indenture measures 40X 33 cm/ 15.75\" X 13\".","This addition 1 of the collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. ","While the collection spans from the 1830s to the 1960s, the bulk date between 1880 and 1925. ","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and instruction manuals given to parents or teachers on child welfare.","This collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. ","While the collection spans from the 1830s to the 1960s, the bulk dates are between 1880 and 1925. ","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps, Ocean parties; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and a government child welfare manual that gives instruction to parents or teachers on child welfare, child needs and development.","1st part of MSS 16758. Twenty-three pamphlets about puberty for women. Some are directed toward mothers, while others are created specifically for daughters. Dates range from 1933 to 1981. ","Earlier pamphlets discuss the process through storytelling, while later examples utilize more medical terminology. ","Titles include \"Marjorie May's Twelfth Birthday\" \"Very Personally Yours,\"  and \"Growing Up and Liking It.\" All pamphlets are illustrated; some have calendars others have quizzes. ","Each pamphlet was published by a manufacturer of women's sanitary products:  Holland-Rantos Co., International Cellucotton Products Co., Kotex (Kimberly Clark), Modess, Personal Product Corporation, and TeenForm. ","Included in folder 3 are two Kotex print blocks, used to illustrate their product packaging in marketing materials. This is part of an artificial collection, ie a  collection of materials with different provenance assembled and organized to facilitate its management or use.","The resolution was passed at a public meeting on August 15, 1838. The resolution discusses the establishment of an infant school. It further describes how education benefits children in the whole community by establishing a desire to learn in children. The pamphlet also notes that parents will be free during the day to work when children are in school, showing a shift in the economic role of mothers.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., contains the artworks of two sisters from Maine, Mary A. Hackett (1830-1908) and Nancy F. (1825-1883) Hackett. The works include watercolors, prose, a reward of Merritt, and two cartes de visite of their great-grandfather Hacket and Aunt Mary Hacket. ","The sister's parents were William Hackett (1780-1869) and Lydia Dutch (1793-1898).  Nancy married Nathaniel Thompson. Census records indicate Mary never married and, as an adult, lived with Nancy in Kennebunk, Maine.  Mary attended Union Academy and Nancy attended Limerick Academy.","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains one handmade juvenile manuscript titled The History of Little Fanny. Dated to March 24, 1849, the book features eleven pages of text with a watercolored cover. A set of seven watercolored paper dolls is in the accompanying slipcase, with each corresponding to a section of the written story. The reader can enact the tale throughout the story by changing Fanny's head between the paper costumes to illustrate her progress.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one volume of an anonymous bereavement commonplace book, dated 1856 and 1874. The manuscript consists of ninety-eight pages of writing, with the rest left blank. The manuscript contains writings by three different women. The first (and most extensive) is by an unnamed governess who writes of the loss of a child in her care, Harry. Her spidery handwriting is even and accomplished, and her use of \"thee\" and \"thou\" throughout suggests she may have been a Quaker. For thirty pages, she expresses her heartfelt love for the child and her grief during Harry's decline. She describes her memories of the boy and his siblings and details the boy's last illness, of about six days' duration, and death.  ","The following forty-eight pages include bereavement verses including poetry, both original and copied from published works, segments of stories, and verses from the bible.  within these pages, the Governess left three pages blank; on the first of these blank pages, \"M.E.G.\" [later identified as Mary E. Grote] wrote about the death of her firstborn son, \"Ernie,\" whose father was Ernest William Davis. In the first line of her text, Grote refers to the manuscript itself as \"this choice collection.\" ","The verse then continues in the governess' hand. Until another passage by Mary Grote appears. It is a five-page memorial titled \"To Ernie,\" dated August 30th, 1874. It is possible that Grote's earlier one-page passage may have been written in 1874. Fourteen blank leaves separate Grote's writing to an entirely different hand and content. ","There are five pages of \"Hints For Housewives.\" These undated, unrelated notes seem to be brief views on issues that arise in a household including damp cupboards, flies, roasting meat, buying eggs, mending china, and other domestic matters.","This addition 11 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains publications, metamorphic trading cards, volvelle (color wheels), and posters. Topics include motherhood, instructional materials on children's behaviour, toilet training, adolescent health, soil conservation for children, and a book about the the education for blind children. ","Folder 1 contains folded out (metamorphic) advertisements for children's clothing by Davidson Brothers, Solar Tip Shoes, E. G. Burrows, J. H. Baldwin \u0026 Company patent table tray, and children's knee elastic protectors (to protect clothes)","Folder 2 contains pamphlets \"Training the Baby\" published in 1931, 1952, and 1957.","Folder 3 contains five illustrated posters with instructions for children on cleaning and bathing themselves.","Folder 4 contains pamphlets for expectant mothers on how to care for their infants: \"The Modern Baby\",  \"Quiet, Baby Is Sleeping\", \"the 14 Days that can seem like a lifetime!\", \"Preparing Baby's Formula\", \"Keeping Baby Clean\", \"Modern Evenflo Nursers\"","Folder 5 contains pamphlets from the Lysol Family Library, \"The Scientific Side of Health and Youth\", \"When Baby Comes\", and \"Preventing the Spread of Common Diseases\"","Folder 6 contains three color wheels ","Folder 7 contains a pledge card for teenagers to abstain from alcoholic drinks and a card that outlines safety guidelines \"Code for survival\"","Folder 8 Publications: \"Let's Save Soil with Sam and Sue\", \"For Bigger Boys and Girls\", \"Facts about the Education of Blind Children\", \"Understanding Your Teenager\"","Compiled in 1858, the decorative title page Cahier d'Écriture par Mercier dédié à mes bien-aimés parents, the book features twenty-four calligraphy entries from a teenage student at the Grand-Classe St. Etienne in Saint-Étienne, France. The entries include the author's reflections on friendship, anger, anxieties, family life, hopes, and religious devotion. ","Several font samplers are present throughout the book, as are full-color pencil-sketched illustrations. Illustrations include buildings, animals, people, and urban scenes. The majority of the calligraphy entries are bordered by an elaborate design, either pressed into the paper or drawn by the author herself. ","This addition to MSS 16758,  The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a small pocket diary with ownership signature of \"Louisa J. Pratt, New Paltz Landing, New York to front endpaper with an early 20th-century hand adding to pastedown and endpaper, \"born 1846\" and \"13 years old.\"  ","The diary contains 366 pages in legible hand. It focuses on the many losses she experiences across 1859 and her youthful awakening to the numerous hardships the women around her confront.  From parental loss to poverty to disease to mental health emergencies, the events of Louisa's 13th year were formative, and she turned to her diary as a place for working out private emotions that burdened her.  ","Louisa balances school, friends, and church with an increasing oversight of her home.  More detail is given as the family continues struggling to keep domestic workers, and it is hinted that Mr. Pratt and the members of the church are drawing labor from girls pulled from the sex trade.  Unprepared for the situations they find themselves in, the girls act out, have mental health crises, and ultimately flee which are documented by Louisa.","While grief, loss, and unexpected adulthood shape much of Louisa's year, she also reports the kinds of joys that remind us she is entering her teens.  Her numerous friends, her love for sleigh rides and horseback riding, her appreciation for school and her recitations are cornerstones.","Addition 7 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two circulars promoting the American School Institute and Schermerhorn's School Agency. There is also a tri-fold trade card ad for a White Mountain refrigerator; an advertisement booklet for a carpet called \"Something Under Foot\"  used as a diary by \"Sara\"; and a plaited hair sentiment with a verse from Charlotte A. Lewis which was sent to a girl named Maryann Gilman.","This addition 12 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a friendship album of Jennie Lizzie Hoit (Dr. Jane Elizabeth Hoyt) made between 1866 and 1871 and a Pennsylvania German Mathematical Fraktur made in 1808 for Elizabeth Urban. ","The friendship book belonging to Jennie is small (3 X 5 inches), about 60 pages, and contains compliments and well wishes from her family members and friends. ","\nThe collection also contains a Pennsylvania German Mathematical Fraktur presented to a schoolgirl, most likely Elizabeth Urban. Fraktur is a Germanic tradition of decorated manuscripts and printed documents noted for its use of bold colors and whimsical motifs. The page contains a Multiplication Table and Pence Table, dated September 15, 1808, inscribed \"Miss Urban, I have the honour to be your humble servant,\" signed A.G. Lees, Conestoga Township, Lancaster County. Initials EU appear in the intersecting hearts. The page is decorated with birds and flowers. The student was likely Elizabeth Urban, born on July 22, 1795. The table was probably presented by her tutor or teacher, possibly Alexander Lees, residing in nearby York County from 1779 to 1781, or Abraham Lees, in York County in 1785. ","Jennie was born in Concord, Massachusetts, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907. ","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains 23 pamphlets on early learning, education, adolescence, growth and development, health, prenatal and Infant care, and parenting.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to women's health, infancy, and childhood. ","This includes \n1. Woman's tried and true friend, Portland, ME: Caulocorea Mfg. Co.,c.1893; ","2. Friar Medicine Company ephemera (5 sheets), 1901; ","3. Taylor, Marion Sayle, \"The seat of love and youth: plain truths for women, c.1927; ","4. Taylor, Marion Sayle, \"Body hygiene for women,\"1928;","5. Williamson, George H.,\"Personal hygiene for women: explaining the new hygiene which is bringing comfort, peace-of-mind and greater health and efficiency to the world of women,\" 1928; ","6. Wells, H.J. (edited and published by),\" Tennessee journal of medical and surgical diseases of women and children, and abstracts of the medical sciences,\"1884; ","7. \" Wasting diseases: their causes, treatment, and cure,\" New York: Scott \u0026 Bowne, c, 1877; ","8.Sheffield, Herman B., \"The baby's record and health,\" 1913; ","9. Olmstead, Allen S., \"This will interest mothers: Mother Gray, the children's friend,\" c.1910.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one notebook kept by S.B. Coulson with notes regarding Friedrich Fröbel teaching approach and use of Fröbel gifts, which include play materials such as balls, cylinders, cubes, and tablets. ","The instructors were \"Miss Doyle,\" \"Miss Symond,\" and \"Mrs. Meleney,\" the latter being Carrie Coit Meleney, a student and later prolific correspondent of Maria Kraus-Boelté (1836-1918), a pioneer of Fröbel education in the United States and author of the textbook, \"The kindergarten guide\" (1877). The notebook also contains diagrams and illustrations depicting configurations of tiles and boxes. Several pages have been torn out of the notebook.","This addition to MSS-16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia),  contains six pieces of advertising ephemera. Included are: 1. Mrs. Prettyman's celebrated breast salve, c. 1866-1895, (3 advertising broadsides); 2. Celluloid starch requires no cooking, a die-cut point-of-sale display card with an attached cardboard stand depicting a baby seated on a pillow holding a paper advertising celluloid starch; 3. Display card for Johnson and Johnson baby powder; and  4. a pamphlet titled Your baby's diet: Heinz strained foods: their uses and nutritional values. (circa 1950s).","Addition 19 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet: \"Tennessee Industrial School for the Benefit of Orphan, Helpless and Wayward Children, Nashville, Tenn.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a travel diary of Frederica King Davis as she traveled through England and France during her 19th year.  The bulk of the diary contains vivid and dense descriptions of her travel route, means of travel, companions, sites visited, and observations on art and culture; toward the end, she meticulously documents her allowance received, her expenditures, and the list of books she aims to read as a result of her trip.  ","The diary offers insight not only into the type of grand tour provided to well-off 19th-century American women but also into the history of tourism, transport, and a history of artistic exhibits and art criticism, women's education in domestic accounts and budgeting, traditions in women's gift-giving and charitable contributions, the history of women's fashion, and the history of friendship and courtship etiquette.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a set of Courtesy posters to color, a Children's Aid Society Donation Circular, and educational game ideas handwritten and compiled on index cards by elementary school teacher Jane Ehrhard. The educational games are housed in two small commercial portfolios produced by Burgess Publishing Company for their line of printed educational games.  ","Contemporary ink signature of Jane Ehrhard on the back of both portfolios.  One red portfolio is printed with the title \"File O' Fun for social recreation,\" with Jane A. Harris listed as the author.  The second portfolio is orange and printed with \"Games for the elementary school grades: playground, gymnasium, classroom,\" by Hazel A. Richardson.  It appears Jane Ehrhard has repurposed the portfolios. Both measure 18 x 12 cm and are bound with an elastic cord.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets and booklets on pre and post-natal advice for expectant mothers in America. They include: 1. Information for expectant mothers, by Frank LeCocq Jr., and Albert Bostrom, Jr. (c.1959); 2. Instructions for expectant mothers (c.1959); 3. While I am waiting, (1960); 4. Mrs Winslows soothing syrup: for children teething, (c.1888); 5. Baby is king,(1890); Baby feeding made easier, (1956) accompanied by two pieces of ephemera \"It's the nipple that makes the nurser, the Davol No.155 Nipple...\" and \"Terminal sterilization of baby's formula; 6. Pre-natal care: what expectant mothers should know, compiled by Obstetrical Department of The Western Montana Clinic (c.1955); 7. Your baby's formula (1953, 1955); 8.How food helps mother and baby, for parents-to-be (1954); 9. Modern methods of preparing baby's formula: practical suggestions by doctors, nurses, hospitals and mothers, (1954); 10. More nearly perfect: when baby needs milk from a bottle (1934); and 11. Prenatal care (1949).","Addition 63 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets about women at work both in and outside the home. These include: 1.\"My busy week,\" Herrmann Hdkf. Co 1949; 2. \"When women work,\"[Washington, D.C.] : Women's Bureau, U.S. Department of Labor, 1921; 3. Trade card \"Armour's mince meat and canned meats, c.1890; and 4. Trade cards:  Two round cards depicting 19th century women and girls doing laundry washing by hand.","This addition (69) to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains fourteen pamphlets on the subjects of family planning, women's reproductive health, contraception, hildhood disease prevention, gender, religion, education, history published between 1892 and 1973. Many of these pamphlets were distributed as promotional materials by insurance or healthcare companies. ","The pamphlets are: \"Speaking of Birth Control\", \"Industrial Gems\", \"Keeping a Healthy Home\",   \"Protecting the Home Against Disease\", \"Giving Babies Nestle's Food\", \"Nestle's Better Babies\", \"Where Shall We Put the Baby?, \"Vanta Baby Garments\"[advertisement],\"Your Baby's Protection\", \"So You Don't Want to be a Sex Object\",\"Johnny Takes A Wife\", \"Baby Speaks Out on This Matter of Toilet Training\", \"The Power of a Woman\", and \"A Woman's Guide to the Methods of Postponing or Preventing Pregnancy\"","Addition 61 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on childhood growth and development and women's health.","These include: 1. Child culture before and after birth: truths of profound significance to parents and prospective parents, with illustrative examples from real life, Chicago: National Purity Association,|c.1895; 2. Caldwell, J.B., Pre-natal influences, Chicago: National Purity Association,c.1900; 3. Getting ready for baby, Bloomfield, New Jersey: Lehn \u0026 Fink, Inc.,1930; 4. Weeks, Mary Hezlep Harmon, How to tell the story of reproduction to very young children, 1910; 5. Mothers' clubs' and teachers' organizations' course of study, Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910 (2 copies); 6.) Wood-Allen, Mary, Great books for child instruction, Cooperstown, N.Y.: Arthur H. Crist Co.,c.1910; 7. Wood-Allen, Mary, Valuable books for parent and child (2 copies), Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910; 8. Stephens, Elizabeth L., Sacredness \u0026 responsibility of motherhood, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall,c.1910; 9. Stephens, Elizabeth L., Teaching Obedience, Cooperstown, N.Y., Crist, Scott \u0026 Parshall,:,c.1910; 10. King, E.A. The Cigarette and Youth, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall, c.1910;  10. What shall be taught and who shall teach it? 1907; 11. Mrs. J.H. Kellogg, Work as an element in character building, c.1907; 12. Rev. W.W. Cook, The father as his sons' counselor, 1907; 13.  Mary Wood-Allen, Confidential relations between mothers \u0026 daughters, c.1907,14. Mary Wood-Allen, When does bodily education begin?,1907, 15. P.M. Bruner, The integrity of the sex nature, 1907; 16. Mary Wood-Allen, A friendly letter to boys, 1907; 17. Preg-No-Matic: the scientific calculator that takes the guesswork out of rhythm, Bridgport, CT: Brooklawn-Park Laboratory, 1956-1957; 18. Mel Johnson. Going steady, 1964; 19. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1935; 20. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1939; 21.What every woman wants to know about personal hygiene; Cincinnati, Ohio: Hydrosal Laboratories,1926; 22. Marvel syringe: Whirling Spray for women, c.1900; 23. Healthy happy womanhood: a pamphlet for girls and young women, Springfield, IL: Illinois Dept. of Public Health, Division of Communicable Diseases, c.1938; 24.Sol Gordon, Ten heavy facts about sex that your friends don't know, illustrated by Roger Conant, 1971; 25. Charles A. Clinton, M.D, Sex behavior in marriage, undated, and 26.  M. Sayle Taylor, Ph. D., What's wrong with marriage?,1932.","This addition 13 (ViU-2023-0134)of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the teaching archive of Mrs. Florence Tuttle Baldwin of North Haven, Connecticut (Boxes 3-7). Florence was born in 1854, married in 1881, and died in 1926. She spent her career at the Sixth District School in New Haven, Connecticut. ","It is a large addition containing her teaching materials including her ruler (signed by her), book catalogs, lesson plans and educational books from map making to mathematics, grade book, periodicals, manuscripts poems and letters, art work, needlepoint, phonetical drill cards, flash cards, educational games, and family planning from 1899 to 1905.  ","\nIn addition to Baldwin's teaching materials, other materials include a drawing book entitled \"Our Chat\" with stories by Ella Smith and Audrey, Yvonne \u0026 Clifford Evans; publications on vertical writing (handwriting), \"Talks and Tales\"; and five England-published pamphlets from the 1950s discussing family planning practices and contraception. Titles include \"Modern Family Planning,\" \"A Planned Family,\" \"Planning a Family,\" \"The Planning of a Family\", and a Lloyd's Family Planning Centre pamphlet.","There is a 1934 New York-published pamphlet that discusses Zonite as a family medicine and feminine hygiene products. Titles include \"Another Zonite Product for Intimate Feminine Hygiene;\" \"Facts for Women;\" and \"The real meaning of Antiseptic in everyday family life.\" ","There is a flyer entitled \"Please Give A Quarter\" which promotes the Salvation Army's Fresh Air Camps published circa 1900. ","Also included is a dating book belonging to a young girl titled \"My Him Book\" which has categories of \"High School Hims,\" \"College Hims,\" \"Home Hims,\" and \"Movie Hims\" about her romantic interests, and denotes William Purdy as the \"best of all my beaus\" under the \"Wedding Hims\" section. ","Florence Eleanor Paget (1887-1965) was a professional nature illustrator and artist from England who studied under George Vernon Stokes, a British wildlife and landscape artist. She made these books when she was a young woman, roughly between 1900 and 1910. ","One oblong linen book is labeled \"Sketches\" in pencil on the rear cover, and the owner's signature is on the pastedown in the front of the book. Paget likely drew in the \"Sketches\" book when she was twelve or thirteen. The book has forty drawings in pencil and watercolors. The subjects include landscapes like Redcar Pier, Saltburn Cliffs, Kew Gardens, Etal Church, and Etal Castle, as well as many sketches of her dogs, observations of people, fruit, and fauna. Some drawings have captions that identify the place or provide a funny caption. ","The other is an oblong publisher's cloth binding in green with \"Flora\" stamped in gilt. The book  was likely created five to ten years after the \"Sketches\" book. Dried flowers and plants are artfully pasted down and numbered. She wrote the binomial names in cursive, opposite of the pasted-down plants. There are a total of six total entries. ","The books are mainly written in English, except for one sketch with a caption in French and the Flora books with scientific names in Latin.","Addition 20 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a Salvation Army \"Help the Children\" flyer from June of 1903 sent to raise funds for an outing for poor children in Columbus, Ohio. ","The outing was meant to \"bring some brightness, cheer and comfort into the lives of the poor children of the slums and crowded tenement districts.\" The plea was written by John M. Richards, Adjutant, and the flyer has a cartoon illustration of a children's parade as a decorative border. On the verso of the flyer is a letter written in German written by a woman from Columbus,  dated September 13, 1904.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building,  features one string-bound scrapbook with pasted photographs of dolls collected by Helen E. Perkins. Compiled between 1909 and 1939 by Perkins and Miss Frances Grier, the scrapbook features sixty-nine pasted photographs of dolls of varying origins. Each entry includes the doll's name, a number, their height, manufacturer, material, and place of origin. Nations that have dolls represented in Perkins's album include China, Denmark, Finland, France, Germany, Greece, Guatemala, Holland, Ireland, Mexico, Morocco, Portugal, Russia, and Sweden. ","The material culture of childhood aspect to this scrapbook gives  insight into the importance playing with these dolls to the two girls.  In several of the photos, they've created scenes with the dolls, even  placing them all on the stairs for a \"family portrait.\" ","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains three pamphlets: 1.) Natural Science Camp (Keuka Lake), 1905; 2.) Boy Conservation Bureau (New York, N.Y.) [1930]; and 3.) Teenage gangs, New York City Youth Board, 1957.","4 items were cataloged separately in the print collection: 1.) Playskool Toys, 1956; 2.) J.L. Hammett Company, School Supplies 1928-1929; 3.) The First Public Policy Seminar from a Black Perspective, 1972; and 4.)Stylish Apparel for Expectant Mothers Spring and Summer, 1920.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains six pamphlets and one poster related generally to child care. Titles included are 1. \"Trimble Helps For Mothers,\" 1940; 2. \"Narcotics and the Family,\"c.1970; 3.\"What your neighbors say: dream book compliments of World's Dispensary Medical Association, c.1910s; 4.\"How to take care of the baby: treatise on the care and feeding of infants,\" 1905; 5. \"Your Baby,\" 1942; 6. \"Baby Feeding Without Tears,\"c.1940s and 7.\"Correct posture guide,\" c.1955.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a commonplace book belonging to Ethel Shearer (1893-1952). ","Shearer was a prominent artist in the mid-twentieth century San Francisco scene, being one of the featured artists at the opening of the San Francisco Museum of Art and Oakland Art Gallery. She was a member of the Society of Francisco Women Artists. ","Her commonplace book was compiled when Shearer was between thirteen and seventeen years old between 1906 and 1910. The book includes invitations and greeting cards from Ethel's friends, newspaper clippings, clippings from various other media, Ethel's own handwritten entries, and pasted photographs. Drawings from Shearer are present throughout, calling to her future career as an artist. ","Additon 21 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets relating to childhood education and parenting. \"The Nursery Chair\" was distributed by Shepard, Norwell, and Co., Winter Street, Boston, and advertises various department store goods following a short story. \"Bradley's Kindergarten Material and School Aids\", published in 1906, advertises tools for learning shapes and colors, instruments for art, mathematical instruments, and standard inks, leads, etc. \"Food-The Teeth and Health\" discusses the ideal diet of a young person, published in 1930 by the City of New York Department of Health and Board of Education.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains leaflets issued by American motherhood magazine from 1907. They are: \"The Ideal Mother\" and \" Confidential Relationships between Mothers and Daughters.\"","Addition 15 of MSS 16758,  the University of Virginia Collection on Childhood, Parenting, and Family Building, contains twenty-five nursery rhyme handkerchiefs. ","Commonly tucked into story books, these were popular children's mementos between the 1910s and the 1960s. Most handkerchiefs are illustrated in full color and have sewn and colored borders. ","However, six of the earliest editions are printed in black and white or sepia with raw edges.Most examples have sewn and colored borders, besides the earliest examples featuring raw, uncolored trim. ","Seven color designs are by British children's illustrator Mabel Lucie Attwell; others are unattributed.  Stories depicted by Atwell include \"Little Miss Muffet,\" \"Ding-Dong Bell,\" \"Jack and Jill,\" \"Little Bo-Peep,\" \"Hush-A-Bye-Baby,\" \"Little Boy Blue,\" and \"Dickory Dickory Dock.\"","\"Going steady\" / by Daniel A. Lord;\nTonsils and adenoids: is your child handicapped?;\nGood habits for children /|cMetropolitan Life Insurance Company ; [prepared with the cooperation and advice of the National Committee for Mental Hygiene];\nHearing, Metropolitan Life Insurance Company;\nCommon childhood diseases, New York: Metropolitan Life Insurance Company,c[1946];\nMrs. Winslow's diet instruction book for the baby. New York: Anglo-American Drug Company|c[1922];\nCollection of Bank Street Publications pamphlets on early childhood education (35 pamphlets);\nKeeping the well baby well.Washington:U.S. G.P.O.,c. 1927;\nOut of babyhood into childhood: 1 to 6 years. Washington:U.S. G.P.O.,c. 1943;\nWhen your child's in the teens /by Edwina A. Cowan;\nYour child grows up,|cby Edgar A. Doll.[Boston],|b[John Hancock mutual life insurance Company],|1939;\nBetween two years and six / by Richard M. Smith; Boston : John Hancock Mutual Life Insurance Co., 1941.\nThe healthy school child.Boston, Massachusetts : Life Conservation Service of the John Hancock Mutual Life Insurance Company, [1940];\nCount down to discovery!--3- 2- 1-year olds : child development, unit 2 / Alice T. Teddlie. Baton Rouge : LSU Cooperative Extension Service, 1972;\nDiscover the wonderful world of 4 and 5 year-olds. Baton Rouge, La.: Louisiana State University Agricultural and Mechanical College, Cooperative Extension Service,| c[1976];\nThe Student advocate, New York: American Student Union,c1936-1938;\nA doctor talks to 5-to-8 year-olds /|cby Dona Z. Meilach in consultation with Elias Mandel; Chicag :Budlong Press Co.,c1967;\nThe care of the baby: prepared by a committee of the American Association for the Study and Prevention of Infant Mortality and presented to the Association at its annual meeting held in Washington D.C., November 14-17, 1913;\nYour child from one to six / U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, Washington, D.C : U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, 1945;\nYour child from 6 to 12, written by Mrs. Marion L. Faegre, Washington, D.C. :| Federal Security Agency, Social Security Administration, Children's Bureau,c1949.","This addition to MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a 9.5\" x 6.5\" wooden puzzle with a  wooden frame and a glass window titled the Silver Bullet: Or the Road to Berlin. ","Original metal ball and elements intact. Directions on the verso of the game.  British dexterity puzzle for a juvenile audience, made of wood and glass. The game's object is maneuvering a metal ball through a winding course, avoiding holes, to the Berlin area. Although the topography of the play suggests the trenches of the Western Front, at the time of the game's creation, the troops had not \"dug in.\" The title, Silver Bullet, suggests a quick victory and supports the view that the British public believed the war would be over by Christmas 1914.","Addition 25 of MSS 16758 The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains twenty-five printed ephemera, including pamphlets and advertising on topics include parenting, child development, sex education, public health, and care of pregnant inmates.","40 posters from the Hope of a Nation Poster Series","Feeding the majority of bottle babies.Mead Johnson \u0026 Co. of Canada, Ltd.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two items relating to scouting. The first is a broadside printing of the ten Girl Scout laws set among art nouveau illustrations from the 1930s. The second is a photo album compiled by a boy at Kerrville, Texas, with images of playing in the streets, swimming in the Guadalupe River, playing baseball, hiking, marching, and being at a local Boy Scout camp. The black cloth photo album contains fifty-two black and white photos, measuring 10 x 7 cm, with a caption on the album leaves. ","There is a  photograph of an African American man. (Caption reads, \"Uncle Allen\").","African Americans were often referred to as Uncle or Aunt even though they were not a family relative.They were denied use of courtesy titles.\"Aunt,\" as in \"Aunt Jemima,\" was the term used for older enslaved women in the South who were not allowed by their white owners to use the term Mrs or Miss. The same was true for Uncle, as in Uncle Ben's Converted Rice. Uncle was used for older enslaved men because they were not allowed by their white owners to use the term Mr. The African American in this photograph is referred to as \"Uncle Allen.\" It is important to recognize the use of these terms and confront the racism that is embedded in these white cultural terms.","Source:\nGreen, Mark. Do You Know Why Aunt Jemima is Called \"Aunt?\"\nWhy is Aunt Jemima racist? Here's exactly why. And I do mean exactly.\" Medium. Human Stories and Ideas. Acessed 7/17/2024.\nhttps://remakingmanhood.medium.com/do-you-know-why-aunt-jemima-is-called-aunt-5d111b0765a5","This collection consists of a handmade notebook titled Punctuation Party by Melba Tice. The book presents punctuations as characters with rhymes and cutouts from 19th-century editions of Alice in Wonderland and Through the Looking Glass, as well as contemporary advertisements, explaining punctuation rules. Some punctuation characters are not from Carroll, and their descriptions illustrate cultural viewpoints of the time period, including a racist depiction of a \"mammy' figure and a Clorinda Colon\" as an old maid figure.","Addition 2 of MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven hand-painted postcards presumably created by Elisabeth, the sender. The postcards, drawn in black ink, depict children playing outside: a child pushing another child's sled; two children talking under a tree in spring/summer; two children playing with a balloon; a girl having a picnic with a bunny; one older and one younger girl in the snow; an older girl on a swing; and a girl on a dock by a body of water. ","Two of the postcards have written messages and are addressed to Miss Henebry and Miss Camilla Cole. The cards are postmarked Mount Kisco, NY, July 14 and 15, 1922. Both are sent in the care of Graham Miles of Alexandria Bay, New York. ","Miles was a stockbroker and hydroplane racer. He married and divorced Louise Clover Boldt, the daughter of George and Louise Boldt, wealthy Philadelphians and owners of the Boldt Castle in the Thousand Islands. Miles and Boldt had a daughter, Clover Wotherspoon Miles, but Miles's connection to Elisabeth or the other children named is unclear.","Addition 18 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 7 pieces of pamphlets/ or ephemera. \"What every teenager ought to know\" by Abigail Van Buren; T\"urn this page and do as this little man does\" by Colgate \u0026 Co; \"Ways to keep well and happy: booklet for upper elementary grades \"by Ruth Strang; \"Keeping fit\" by the State Board of Health, Bureau of Venereal Disease, North Dakota; \"Family meals at low cost using donated foods\" by the US Dept. of Agriculture; \"The gas cook book for young people\"by Athens Store Works, Inc., Athens, Tennessee; and \"The picture and rhyme book.\"","Addition 16 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three advertising pamphlets that pertain to parents purchasing products for their children. \"The Tinies that Live in a Tube\" advertises toothpaste, \"Flibitty Jibblit\" advertises rennet powder, and \"The New Boss in the House\" promotes the Pittsburgh District Dairy Council. Each uses imagery of children and parents utilizing the respective product.","Addition 17 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets: \"The Science of Prenatal Astrology\" by Edwin S. McKeever; \"The Space Child's Mother Goose\" verses by Frederick Winsor and illustrations by Marian Parry. The third item is a pamphlet titled,\"Reducing the new common sense way\" about the Kryon method of reducing weight by Continental Pharmaceutical Corp. ","\"The Space Child's Mother Goose\" is a personal copy owned by Arthur Schulman, an Associate Professor of Psychology at the University of Virginia and one of the organizers of the American Civil Liberties Union in Charlottesville. ","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven signs used to warn the public about the spread of contagious diseases and institute quarantine for diseases like smallpox, measles, polio, and diphtheria.","Addition 4 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the American History Hektograph Posters. These are twelve individual monochrome printed poster sheets, measuring 12 X 9 inches,  featuring historical instances in American history. ","Published in 1926 by Beckley-Cardy Company, each scene is intended to be colored, likely by a child. Each scene features suggested coloring methods, a title for the event, and a brief synopsis of the instance below. Scenes are typical origin stories, colonizers, and dominant white narratives and are examples of the narratives taught in classrooms circa 1926. The scenes are numbered 1 through 12, with each respective number placed in the center under the title. Events depicted: 1 - \"Landing of Columbus,\" 2 - \"The Mayflower at Cape Cod,\" 3 - \"The Pilgrims Planting Corn,\" 4 - \"The First Thanksgiving,\" 5 - \"George Washington's Early Home,\" 6 - \"Signing of the Declaration of Independence,\" 7 - \"Washington as President,\" 8 - \"Lincoln Studying by Firelight,\" 9 - \"Lincoln Writing His Inaugural Address,\" 10 - \"The Gettysburg Address,\" 11 - \"Grant Made Commander In Chief,\"  and 12 - \"Digging the Panama Canal.\" ","\"Red Man\" and a Native American \"wearing his bright [British] red coat with great pride\" suggests the presence of reparative content. \"","This addition to  MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building collection, contains one brad-bound scrapbook with a \"HYGIENE\" stencil cut from the paper on its cover. The content discusses healthy living practices for young girls. Entries feature drawings, pasted images, newspaper articles and clippings, handwritten queries on health, and ideas on diet and grooming practices. There are 49 \"chapters,\" each no longer than two pages. The corresponding pages for each chapter are presented in a table of contents at the beginning of the book.","Addition 57 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to teenagers, parenting, and sex education. These include: 1.) The school lunch, Battle Creek, Michigan:|bEducational Department, Postum Company, Inc., (1928); 2.) Sex in life: young men, by Dr. Douglas White (1933); Sex in life: young women, by Violet D. Swaisland (1933); 3.) What parents should tell their children (1933);  4.) Starting to school in Kingsport, Kingsport, Tennessee, Kingsport City Schools (1953), 5.) How life goes on and on:  story for girls of high school age, y Thurman B. Rice (1937); 6.) When children ask about sex, by the staff of the Child Study Association of America. Foreword by Marianne Kris (1953);  7.) Woman against myth, by Betty Millard (1948); 8.) The teacher and mental health [prepared by the National Institute of Mental Health] (1955); 9.)The safety zone:|ba frank talk with women concerning their personal problems (1940), 10.)Teen-agers and parties, Ernest F. Miller (1960), 11.) Tips for teeners  by Antoinette Donnelly (c.1950); 12.) Think straight before you date, D.F. Miller. (1959); and 13) Teen-agers and dope, Howard Morin, C.SS.R. (1957)","Addition 5 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single press photograph from the children's clinic at the ridge avenue dispensary in Philadelphia in the 1930s.  The photograph is a group photograph of Black nurses and children in a clinical setting. A typed caption is affixed to the top right edge of the picture. No photographer or studio is noted.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a pamphlet titled Strong bodies sound minds: some health hints for the school-day years (c.1930).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on public health topics including syphilis and sex education. These include: 1. Management of syphilis in general practice, Joseph Earle Moore, in collaboration with: Harold N. Cole [and others], 1938; 2. Genitoinfectious disease control in Massachusetts, prepared by The Massachusetts Department of Public Health co-operating with the United States Public Health Service, 1940; 3. The diagnosis of syphilis by the general practitioner by Joseph Earle Moore, M.D., 1938; 4. Syphilis in mother and child,by Harold N. Cole and Philip C. Jeans, in collaboration with Joseph Earle Moore ... [et al.], 1940; 5.Your baby and the blood test law, Ernest B. Howard, M.D., c.1939; 6.Clinical excerpts, 1942; 7. Sex education for the preschool child by Harold E. Jones and Katherine Read, 1941; 8. Sex education for the ten year old /|cby M. Marjorie Bolles, 1941; 9. Sex education for the adolescent. by George W. Corner and Carney Landis, 1941; and 10. Sex education for the woman at menopause by Carl G. Hartman, 1941.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the publication of an educational booklet titled \"The Story of Sex Hormones,\" produced by the Schering Corporation, an American pharmaceutical company. The pamphlet was distributed at the Hall of Science at the Golden Gate International Exposition at an informative display called \"Hormone Woman.\" It briefly outlines recent advances in endocrinology and offers illustrated explanations of menstrual cycles and sex hormones, as well as a short description of menopause.19 cm","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a sample book titled \"Kiddie flowers\" consisting of eight mounted samples of floral fabric potentially for children's clothing.","Addition 24 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet for the Davis Home for Colored Children 34th Anniversary located in in Pittsburgh. This promotional booklet is for the  \"34th Anniversary\" of the Davis Home, a temporary home and day nursery for African-American children. Also of note in the booklet are advertisements for what are likely Black businesses that supported the home. \n \n   Note says, \"This book is dedicated to my mother, Mrs. Fannie Louis Davis, who was the founder of the Davis Temporary Home and Day Nursery in 1907, and organizer of the Colored Women's Relief Association of Western Pennsylvania in 1909. To my wife, Mrs Louise Scott Davis, President of the Davis Home for Colored Children, who has been loyal and faithful in giving her life toward the advancement of this home. To my friends, who have contributed to this Home in any way they could. Finley T. Davis, Business Manager.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains Paul Kenton Conrad's childhood cartooning album and scrapbook. The sketchbook, a string-tied leatherette album, documents a young boy's self-guided attempts to develop cartooning skills. Cut-out tutorials from Frank Webb's \"How to Make Faces\" are mounted on the album's early pages, with attempts in pencil to follow their instructions. Midway through, Conrad branches out from these copies into creating his original subject matter, including army airplanes, sheriffs, pistols, cowboy hats, and a series of one-panel strips titled \"Stuff that's funny.\" The artist, a Pittsburgh native who settled in Honolulu, would later become a successful lounge pianist and musician of some note in the 'Exotica' genre, releasing one well-received album (\"Exotic Paradise\").","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet titled \"Growing Up in the World Today: for Boys and Girls in the Teens\" by Emily V. Clapp.(1946)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets for parents and teachers about puberty and sex education. ","Titles include 1. \"Sex Behavior and sex interest in Children,\" by Louise Bates Ames (1952); 2. \"When children ask about sex,\" by the staff of the Child Study Association of America, Sidonie M. Gruenberg [and others] Anna W.M. Wolf, editor, (1946); 3. \"Preparation for puberty: a sex education manual for parents and teachers,\" written by Mrs. Linda K. Teller, illustrated by Mrs. Dorothy Teeters (1965); and 4. \"Sex education in the home,\" Georgia Department of Public Health, (c.1950).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a chart of hormone interrelation upon which the film \"The physiology of normal menstruation\" is based. Printed in green and black, full color chart. 1 sheet folded to 8 unumbered pages. 23x62 cm folder to 23x16 text.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains  a set of twelve offprints titled \"Your baby at [1-12] months.\" There are twelve pamphlets, one for each month of a baby's first year of life. Reprinted from Baby Talk, published by the Parenting Group, New York, N.Y.Author: Beulah Sanford France (1891)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a spiral-bound sketchbook belonging to an unnamed art student, most likely living in New York City. Page one of the sketchbook details the student's assignment: \"DUE - 300 by June 2nd, Marked Chronologically.\" Traces of what may be an owner's name and grades of \"B\" and \"B+\" are written on the cover. Each sketch is numbered in pencil and is stamped between March and June 1952. The sketchbook's seventy leaves have drawings only on the recto. Drawings are completed in pencil, ink, and crayon.  This student's sketches are primarily figure studies of those in transit on the subway. Other scenes include a roller derby skater, pin-up figure, river traffic with a bridge, a parked car, a cat, and exotic animals.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a handmade fundraising appeal concertina album to the artist Oskar Kokoschka. The book was created by design students at the Modeschule der Stadt Wien (Fashion School of Vienna). In 1946, the school relocated to Schloss Hetzendorf, an eighteenth-century palace that sustained significant damage during the Second World War.Students were pressed to raise money for their art supplies amid the renovations. This fundraising appeal was addressed to exiled Austrian artist Oskar Kokoschka, known for his contributions to expressionism. The album contains hand-cut stencil letters, hand-colored illustrations, and collages of paper, felt, yarn, tin foil, leather, and chipboard. The book reads: \"Dear O.K. [Oscar Kokoschka] / if we would have brushes and colours to paint / coloured paper for handykraft / wools to weave / leather for gloves and bags / felt for millinery/magazines to get suggestions / spezial [sic] books for library/material for dressmaking / then all would be OK. Photographs of the students at rest and at work sewing, trimming, painting, weaving, and drawing are pasted on the verso of each collage. Kokoschka fled Vienna, Austria under the Nazi regime and never returned. It is unknown whether he responded to this appeal from the Modeschule students.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet titled Your Child's Development - Infant to 16 years.","\"This booklet is based on recent studies at the Gesell Institute. Dr. Arnold Gesell, the Institute's research consultant and a household word to parents, founded the Yale Clinic of Child Development, which he directed for 37 years. Today, Dr. Gesell and his collaborators, Dr. Frances L. Ilg, a pediatrician, and Dr. Louise Bates Ames, a psychologist, carry on the pioneer work of the institute.\"","Published by Good Reading Rack Service, Inc., a division of Geffe, Morton \u0026 Griffiths, 76 Ninth Avenue","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains an  original calligraphic manuscript of thirty variously colored linocuts, each by a different girl from a class at St. Helen's Norwood, London. Each linocut has the student's name below in ink. The contents are handwritten verses of Benedicte Omnia Opera. The title page notes, \"Lettered, illustrated and bound by all the members of IVA.\" The endpapers are also original handpainted images of angels. Bound in original black cloth at the school by L. Hardy, D. Lines, and J. Scarth.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single pamphlet titled \"Doors to Open\" by Ellis Gladwin and Rama Braggiotti (illustrator) published by the Connecticut Mutual Life Insurance Company. It is written as a guide for young people but specifically addresses men embarking on college life and advises on new life changes in the context of conservative social constructs of the mid-twentieth century. Sixth in a series of booklets that dealtwith the tensions of everyday life.","Each segment has a hypothetical person encountering specific issues like overcoming shyness and finding social niches. Towards the end of the booklet, a piece titled \"Girl of My Dreams\" is a thinly veiled reference to a young man questioning and discovering an LGBTQIA+ identity. The advice is negative and clarifies that the hypothetical person should stifle these questions and stick to a hetronormative lifestyle, stating \" \"George is very unhappy, [and] needs help to cope with these festering needs. Otherwise, he may settle for a dim life, arrested by a succession of psychosomatic illness.\" ","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building,  contains a game titled \"Judy's Neighbors: Negro Family.\" It includes two dimensional pressed wood figures of an African-American family including mother, father, daughter, and two sons. There are also stands for the figures. Judy's Neighbors was released sometime between 1963 and 1964.This was part of a series and was sold individually and in sets. Teachers used the game to encourage racial diversity.","Addition 14 of MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building contains two promotional posters (22\"X6\") for the 1965 and 1967 New York Children's Book Week. The art of Caldecott Medal-winning illustrator Barbara Cooney made the artwork for the 1965 poster. The illustration depicts a fox carrying a stack of books with a crow overhead, looking down at the fox perched from a branch with the words \"Sing out for Books\" in French. The other poster from 1967 contains a linocut illustration of hot air balloons with a floating banner reading \"Take Off With Books.\" Marcia Brown, the only triple Caldecott Medal winner, made the art for this poster.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a photo album for the Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","The photographs document the center's daily operations, including staff and children, and special events, including several photographs of its graduation ceremony and a special \"Father of the Year\" award presentation for the fathers of the \"graduating class.\" The center closed permanently in 2005.","This addition (23) contains a three-fold pamphlet titled, \"A Report of a Conference on Day Care and the Working Mother\" for the Morris Child Development Center: State of Michigan Pilot program.","Addition 6 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains materials collected and produced by the Bilalian Child Development Center and the Developing a World for All Humanity (DAWAH) in Highland Park, Michigan. The Bilalian Child Development Center was incorporated as a non-profit agency in 1977 and appears to provide community services and educational services for the community.  The DAWAH is an institute developed by a group of African-American Muslims in Michigan to develop an effective DAWAH program in America.  ","Contents include an advertising and enrollment form, two brochures for the Bilalian Center, and another for the DAWAH Institute in Highland Park. Also included are the contents of a binder for the DAWAH Institute. Separated by subject tabs, materials include handwritten notes and a typed agenda for the First National Meeting of the DAWAH Institute, an application of employment to the Institute, papers on Community Services, the A.B.C.D. Savings Program, a photocopy of a Western Union Mailgram to President Ronald Reagan, papers on the Food Co-Op \u0026 Gardening club, Home Garden booklet from the 4-H Youth Programs, Fundraising and Grantsmanship, invitations, brochures, news releases, educational programs, news clippings, and a curriculum statement.","Addition 22 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 21 handbills and handouts on HIV and AIDS and LGBTQ health concerns for teens.","Some guidelines to follow in talking to teens about sex and AIDS/STD's -- Where do mermaids stand (From: All I really need to know i learned in kindergarten by Robert Fulghum) -- Bi-Friendly #40, October 1991, San Francisco, East Bay, and U.C. -- 1991 Fact Sheet / State of California Department of Health Services AIDS Prevention and Follow up Centers Early Intervention Program -- Continuing Education Questionnaire -- Continuing Education Agenda / UCSF AIDS Health Project, San Francisco, CA -- Antiviral AIDS drugs in the pipeline, 1991 -- Fact Sheet 1991 / [San Francisco] -- Syphilis Rate Soaring Among S.F. Teenagers / by Nanette Asimov, Chronicle Staff Writer -- Indications for Encouraging Counseling and Testing for Adolescents -- Special Programs for youth consent form for HIV testing -- Special programs for youth pre-test counselor sign-off sheet for informed consent -- A.T.S. Recommendations for youth and young adults / Adolescent HIV Coalition -- Referral list for HIV+ youth and young adults / prepared by Michael Baxter, Adolescent HIV Coalition Chair, San Francisco -- Youth and the HIV antibody test -- Project ahead / [San Francisco Health Clinics] -- Crisis alert: African American youth and HIV/AIDS / by W.J. Brandy Moore -- Some of the barriers that Latino/adolescents can encounter if they do seek health care and related services for HIV/AIDS / presented by Marisa Davis, Aids Health Project -- Counseling high risk youth / Ken Dunnigan, M.D. April 28, 1988 -- Youth and HIV: no immunity / Jane Shalwitz, MD and Ken Dunnigan, MD, circa 1983 -- Normal adolescent development / Parent Survival Kit, Denise Phelan-Desmond, Luanna Rodgers, Mary Isham, et. al. -- The ten mos asked HIV-Insurance questions / reprinted by AIDS Project, Los Angeles ©1988","Addition 8 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a signed broadside print (11 X 8.5 inches) titled \"My Life Matters\" by the artist and muralist LMNOPI. ","The signed print based on muralist LMNOPI's wheat-pasted street art, is originally produced in response to the Ferguson protests. Artist LMNOPI writes: \"This painting was inspired by the Black Lives Matter movement which originated in Ferguson, Missouri last year in response to the police murder of Mike Brown. I have been doing a series of street paste ups around this movement.\" ","LMNOPI found this image of a young protestor online, eventually identifying the child as a boy named Myles. The image of Myles warily clutching his protest sign (#DontShoot #Ferguson #YourLifeMatters), pasted up on the door of an a condemned factory in Bedford-Stuyvesant, became part of the community: \"The wheatpaste of Myles was much loved by local residents. Often I would observe people taking photos of it on their way to work. I saw many people post it on Instagram. It even survived a local graffiti bomb squad who came through last winter during a snowstorm. They tagged up the entire wall, but did not touch Myles.\" ","Source from LMNOPI's website: lmnopi.com/my-life-matters.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one handmade child's artist book based on Samuel Roger's Poem \"Address to the Butterfly.\"","Unidentified youth creates a story beginning with a cardboard hand-cut apple; as the story progresses, a cardboard cut-out worm escapes the apple and begins to \"eat\" the pages before cocooning and then emerging as a pop-up butterfly.  ","Crudely bound with black leather over boards; a window cut out of the front cover allows the painted apple on page [1] to show through. ","A small pocket mounted inside the back board holds five cards printed with Samuel Rogers' poem \"To the butterfly.\"  The pocket is stamped with \"Address to the butterfly, Samuel Rogers.\"","This addition to MSS16758, University of Virginia History of Childhood, Parenting, and Family Building, contains thirty-four pamphlets on various topics, including puberty and sexual development, childhood diseases, motherhood, birth control, and nutrition.\nList of items:\n A Story About You, by Marion O. Lerrigo [and] Helen Southard [in consultation with] Milton J.E. Senn.\nFinding Yourself, by Marion O. Lerrigo, Helen Southard; medical consultant, Milton J.E. Senn.\nApproaching adulthood, by Marion O. Lerrigo, Helen Southard [in consultation with] Milton J.E. Senn.\nHow to use My Bookhouse, Miller, Olive Beaupré, editor.\nScarlet Fever, Metropolitan Life Insurance Co. (c.1925)\nScarlet fever. Metropolitan Life Insurance Company (1940)\nWhooping cough.Metropolitan Life Insurance Co.(c.1930s)\nWhooping cough.Metropolitan Life Insurance Co.(1921)\nVaccination protects you against smallpox. Metropolitan Life Insurance Co. (c.1926)\nFor your information about Rheumatic Fever.Rheumatic Fever Foundation, 20-30 International,(c.1956).\nMeasles and their prevention. Richmond, Virginia, State Health Department (c.1965).\nCommunicable diseases in Virginia: mumps.Virginia, Commonwealth of Virginia Department of Health (c.1967)\nTraining is fun with Little Toidey. Juvenile Wood Products, Inc.,(c.1938)\nSmallpox is still here. Metropolitan Life Insurance Company, (c.1939?)\nRickets \u0026 scurvy. Metropolitan Life Insurance Co. (c.192-?)\nGood teeth: how to get them and keep them. Metropolitan Life Insurance Co. (c.1900s)\nYour baby book.Wyeth Laboratories, Division American Home Products Corporation, (c.1962)\nWomen who go to school.Washington, D.C.National Congress of Parents and Teachers (c.1945)\nChildhood diseases. Prudential Insurance Company of America (c.1966)\nThe prize winner. M.L.I. Co. Press (c.1935?)\n52 bones in a terrible hurry.The May Co.(c.1950's)\nHeight and weight tables for Children-Borden Dairy. The Borden Company (c.1920's)\nVariety gives nutritional balance. Stokely Van Camp, Inc. (c.1950's)\nA better start in life with meat.Nutrition Division, Research Laboratories, Swift \u0026 Company,(c.1950's)\nTummy tingles by Josephine Beardsley; illustrations by Marjorie Peters. (c.1937)\nLydia E. Pinkham's private text-book:  ailments peculiar to women. Lydia E. Pinkham Medicine Co. (between 1878 and 1940)\nMy views on birth control by Dr. B. Goodman. (c.1944)\nWedlock and birth control: straightforward talk on a momentous and delicate subject by Dr. Grayling Stewart (c.1950?)\nA Book about birth control written by Donna Cherniak ; edited by Shirley Pettifer (c.1984)\nThe age of romance. American medical Association (1933)\nQuestions and answers about intrauterine devices.Planned Parenthood Federation, Inc.(c.1970)\nSecrets married women should know.America's Medicine (c.1930?)\nThe new germcide Hyomei: positive cure for coughs, bronchitis, asthma, and consumption.The R.T. Booth Company (c.1906)"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following books have been transferred to the library collection: List of titles\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\nThe new family / Virginia. Bureau of Child Welfare.\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following books have been transferred to the library collection: List of titles\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\nThe new family / Virginia. Bureau of Child Welfare.\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families"],"userestrict_html_tesm":["\u003cp\u003eThis collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials.\u003c/p\u003e","\u003cp\u003eThe Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["This collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request."],"names_ssim":["Albert and Shirley Small Special Collections Library","Musinsky Rare Books","Plymouth (England)","HMNB Portsmouth (England)","Bluemango Books and Manuscripts","Sophie Schneideman Rare Books","Whitmore Rare Books","Salvation Army","Ellipsis Rare Books","Tomberg Rare Books","King, James","Weeks, Richard Cumming","Dugdale, Florence Eleanor Paget, 1887-1965"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Musinsky Rare Books","Plymouth (England)","HMNB Portsmouth (England)","Bluemango Books and Manuscripts","Sophie Schneideman Rare Books","Whitmore Rare Books","Salvation Army","Ellipsis Rare Books","Tomberg Rare Books"],"persname_ssim":["King, James","Weeks, Richard Cumming","Dugdale, Florence Eleanor Paget, 1887-1965"],"language_ssim":["English German French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":81,"online_item_count_is":1,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:44:56.287Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1482"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"George Mason University","value":"George Mason University","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1866\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"The George Washington Presidential Library at Mount Vernon","value":"The George Washington Presidential Library at Mount Vernon","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1866\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=The+George+Washington+Presidential+Library+at+Mount+Vernon"}},{"attributes":{"label":"University of Virginia, Special Collections Dept.","value":"University of Virginia, Special Collections Dept.","hits":12},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1866\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept."}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1866\u0026f%5Blevel%5D%5B%5D=Collection"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Anna Maria Hickman Otis Mead Chalmers family papers","value":"Anna Maria Hickman Otis Mead Chalmers family papers","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bcollection%5D%5B%5D=Anna+Maria+Hickman+Otis+Mead+Chalmers+family+papers\u0026f%5Bdate_range%5D%5B%5D=1866\u0026f%5Blevel%5D%5B%5D=Collection"}},{"attributes":{"label":"C. 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